Text stringlengths 1 42.7k ⌀ | Speaker stringclasses 528 values | Text_10_word_context stringlengths 44 42.8k | Text_20_word_context stringlengths 74 42.8k | Text_100_word_context stringlengths 291 43.2k | Text_200_word_context stringlengths 562 43.7k | Text_400_word_context stringlengths 1.08k 44.7k | Text_800_word_context stringlengths 2.14k 46.9k | Text_1600_word_context stringlengths 4.15k 51.3k | Text_variable_400_to_1200_word_context stringlengths 1.3k 48k | Book stringclasses 47 values |
|---|---|---|---|---|---|---|---|---|---|---|
"Or perhaps old Mr. Emerson knows. In fact, he is certain to know." | Miss Bartlett | possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he | "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to | through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not | she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't | into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. | and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him | paying for my cab up. Grant that, at any rate." "Our visitors never do such dreadful things," said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: "Just what I've been trying to convince Cousin Charlotte of, Lucy, for the last half hour." "I do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; | been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right."<|quote|>"Or perhaps old Mr. Emerson knows. In fact, he is certain to know."</|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an | A Room With A View |
"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." | Lucy | he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to | Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she | Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She | of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered | as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other | tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked | do such dreadful things," said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: "Just what I've been trying to convince Cousin Charlotte of, Lucy, for the last half hour." "I do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable | anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know."<|quote|>"I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."</|quote|>"To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure | A Room With A View |
"To contradict it?" | Miss Bartlett | Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." | I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her | possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her | driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and | haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is | No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here | of, Lucy, for the last half hour." "I do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the | as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it."<|quote|>"To contradict it?"</|quote|>"No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he | A Room With A View |
"No, to laugh at it." | Lucy | at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her | can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not | all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. | him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to | or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage | see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can | the last half hour." "I do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The | Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?"<|quote|>"No, to laugh at it."</|quote|>But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into | A Room With A View |
But she knew in her heart that she could not trust him, for he desired her untouched. | No speaker | "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know | at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different | Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which | at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive | when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make | see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into | do not feel myself an ordinary visitor," said Miss Bartlett, and looked at her frayed glove. "All right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, | nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it."<|quote|>But she knew in her heart that she could not trust him, for he desired her untouched.</|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but | A Room With A View |
"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." | Miss Bartlett | for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at | she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious | was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think | the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks | you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor | Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to | right, if you'd really rather. Five shillings, and I gave a bob to the driver." Miss Bartlett looked in her purse. Only sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy | "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched.<|quote|>"Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."</|quote|>"Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said | A Room With A View |
"Now, Charlotte!" | Lucy | young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. | they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What | laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I | think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, | John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy | crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father | sovereigns and pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out | this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different."<|quote|>"Now, Charlotte!"</|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. | A Room With A View |
She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed | No speaker | are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for | when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I | it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will | every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at | which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the | get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this | pennies. Could any one give her change? Freddy had half a quid and his friend had four half-crowns. Miss Bartlett accepted their moneys and then said: "But who am I to give the sovereign to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an | forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!"<|quote|>She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed</|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy | A Room With A View |
"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." | Miss Bartlett | be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. | 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the | are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, | even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you | "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is | the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip | to?" "Let's leave it all till mother comes back," suggested Lucy. "No, dear; your mother may take quite a long drive now that she is not hampered with me. We all have our little foibles, and mine is the prompt settling of accounts." Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown | out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed<|quote|>"I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."</|quote|>"Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with | A Room With A View |
"Shall we go out, then. They will smash all the china if we don't." | Lucy | You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with | all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who | it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking | well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, | silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was | "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly | Here Freddy's friend, Mr. Floyd, made the one remark of his that need be quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. | to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me."<|quote|>"Shall we go out, then. They will smash all the china if we don't."</|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was | A Room With A View |
For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. | No speaker | the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not | then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a | conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. | I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought | ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such | so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. | quoted: he offered to toss Freddy for Miss Bartlett's quid. A solution seemed in sight, and even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving | of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't."<|quote|>For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.</|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs | A Room With A View |
"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" | Miss Bartlett | being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" | shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." | able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make | anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure | perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an | the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in | even Cecil, who had been ostentatiously drinking his tea at the view, felt the eternal attraction of Chance, and turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't | I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon.<|quote|>"Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"</|quote|>"Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She | A Room With A View |
"Yes, I have." | Lucy | seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at | a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is | me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it | is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice | was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and | spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter | turned round. But this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there | or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?"<|quote|>"Yes, I have."</|quote|>"What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, | A Room With A View |
"What happened?" | Miss Bartlett | one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." | Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking | go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. | be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's | you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost | to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The | this did not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a | must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have."<|quote|>"What happened?"</|quote|>"We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The | A Room With A View |
"We met at the Rectory." | Lucy | "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking | seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked | then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any | Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she | your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire | spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after | not do, either. "Please--please--I know I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the | thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?"<|quote|>"We met at the Rectory."</|quote|>"What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the | A Room With A View |
"What line is he taking up?" | Miss Bartlett | "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about | "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. | the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always | no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the | the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, | worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious | I am a sad spoil-sport, but it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title | Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory."<|quote|>"What line is he taking up?"</|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. | A Room With A View |
"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." | Lucy | line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a | met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor | the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil | dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, | think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one | been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines | it would make me wretched. I should practically be robbing the one who lost." "Freddy owes me fifteen shillings," interposed Cecil. "So it will work out right if you give the pound to me." "Fifteen shillings," said Miss Bartlett dubiously. "How is that, Mr. Vyse?" "Because, don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she | every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?"<|quote|>"No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."</|quote|>"Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for | A Room With A View |
"Once a cad, always a cad. That is my poor opinion." | Miss Bartlett | won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one | it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so | is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a | if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought | they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his | was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a | don't you see, Freddy paid your cab. Give me the pound, and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused | any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte."<|quote|>"Once a cad, always a cad. That is my poor opinion."</|quote|>Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is | A Room With A View |
Lucy paused. | No speaker | That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I | a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there | any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one | Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame | Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for | ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, | and we shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia | I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion."<|quote|>Lucy paused.</|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader | A Room With A View |
"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." | Lucy | my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be | always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to | person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss | was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. | struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She | had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a | shall avoid this deplorable gambling." Miss Bartlett, who was poor at figures, became bewildered and rendered up the sovereign, amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had | Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused.<|quote|>"Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."</|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of | A Room With A View |
She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. | No speaker | cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a | there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What | I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see | you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. | and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The | it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! | amidst the suppressed gurgles of the other youths. For a moment Cecil was happy. He was playing at nonsense among his peers. Then he glanced at Lucy, in whose face petty anxieties had marred the smiles. In January he would rescue his Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to | nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious."<|quote|>She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.</|quote|>"Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger | A Room With A View |
"Once a cad, always a cad," | Miss Bartlett | have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I | Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that | two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind | from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always | and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate | he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may | Leonardo from this stupefying twaddle. "But I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working | I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station.<|quote|>"Once a cad, always a cad,"</|quote|>droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. | A Room With A View |
droned Miss Bartlett. | No speaker | a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious | returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his | the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It | it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if | ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. | teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon | I don't see that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a | "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad,"<|quote|>droned Miss Bartlett.</|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, | A Room With A View |
"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." | Lucy | a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her | station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose | paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip | do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the | am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for | a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. | that!" exclaimed Minnie Beebe who had narrowly watched the iniquitous transaction. "I don't see why Mr. Vyse is to have the quid." "Because of the fifteen shillings and the five," they said solemnly. "Fifteen shillings and five shillings make one pound, you see." "But I don't see--" They tried to stifle her with cake. "No, thank you. I'm done. I don't see why--Freddy, don't poke me. Miss Honeychurch, your brother's hurting me. Ow! What about Mr. Floyd's ten shillings? Ow! No, I don't see and I never shall see why Miss What's-her-name shouldn't pay that bob for the driver." "I had forgotten the driver," said Miss Bartlett, reddening. "Thank you, dear, for reminding me. A shilling was it? Can any one give me change for half a crown?" "I'll get it," said the young hostess, rising with decision. "Cecil, give me that sovereign. No, give me up that sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. | "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett.<|quote|>"What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."</|quote|>She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil | A Room With A View |
She took hold of her guest by the arm. | No speaker | There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about | is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any | as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one | unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. | subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the | tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her | sovereign. I'll get Euphemia to change it, and we'll start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of | cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden."<|quote|>She took hold of her guest by the arm.</|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging | A Room With A View |
"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." | Lucy | her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a | garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may | is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance | and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, | justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie | to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child | start the whole thing again from the beginning." "Lucy--Lucy--what a nuisance I am!" protested Miss Bartlett, and followed her across the lawn. Lucy tripped ahead, simulating hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have | "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm.<|quote|>"Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."</|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. | A Room With A View |
Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" | No speaker | Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" | a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" | to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not | on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the | Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in | you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have | hilarity. When they were out of earshot Miss Bartlett stopped her wails and said quite briskly: "Have you told him about him yet?" "No, I haven't," replied Lucy, and then could have bitten her tongue for understanding so quickly what her cousin meant. "Let me see--a sovereign's worth of silver." She escaped into the kitchen. Miss Bartlett's sudden transitions were too uncanny. It sometimes seemed as if she planned every word she spoke or caused to be spoken; as if all this worry about cabs and change had been a ruse to surprise the soul. "No, I haven't told Cecil or any one," she remarked, when she returned. "I promised you I shouldn't. Here is your money--all shillings, except two half-crowns. Would you count it? You can settle your debt nicely now." Miss Bartlett was in the drawing-room, gazing at the photograph of St. John ascending, which had been framed. "How dreadful!" she murmured, "how more than dreadful, if Mr. Vyse should come to hear of it from some other source." "Oh, no, Charlotte," said the girl, entering the battle. "George Emerson is all right, and what other source is there?" Miss Bartlett considered. "For instance, the driver. I saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of | "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting."<|quote|>Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--"</|quote|>"Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has | A Room With A View |
"--Minnie says, | No speaker | "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, | men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me | either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, | Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red | worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns | library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a | saw him looking through the bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch | You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them"<|quote|>"--Minnie says,</|quote|>"need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for | A Room With A View |
"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. | No speaker | "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? | "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book | church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the | the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had | a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; | returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not | bushes at you, remember he had a violet between his teeth." Lucy shuddered a little. "We shall get the silly affair on our nerves if we aren't careful. How could a Florentine cab-driver ever get hold of Cecil?" "We must think of every possibility." "Oh, it's all right." "Or perhaps old Mr. Emerson knows. In fact, he is certain to know." "I don't care if he does. I was grateful to you for your letter, but even if the news does get round, I think I can trust Cecil to laugh at it." "To contradict it?" "No, to laugh at it." But she knew in her heart that she could not trust him, for he desired her untouched. "Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different." "Now, Charlotte!" She struck at her playfully. "You kind, anxious thing. What WOULD you have me do? First you say 'Don't tell'; and then you say, 'Tell'. Which is it to be? Quick!" Miss Bartlett sighed "I am no match for you in conversation, dearest. I blush when I think how I interfered at Florence, and you so well able to look after yourself, and so much cleverer in all ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now | ways than I am. You will never forgive me." "Shall we go out, then. They will smash all the china if we don't." For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?"<|quote|>"--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.</|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the | A Room With A View |
"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" | Mrs. Honeychurch | Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book | spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But | the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in | as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you | rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain | people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the | For the air rang with the shrieks of Minnie, who was being scalped with a teaspoon. "Dear, one moment--we may not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode | slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills.<|quote|>"Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"</|quote|>"It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" | A Room With A View |
"It's only the library book that Cecil's been reading." | Lucy | leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and | out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like | cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful | failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had | ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. | in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the | not have this chance for a chat again. Have you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George | garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?"<|quote|>"It's only the library book that Cecil's been reading."</|quote|>"But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! | A Room With A View |
"But pick it up, and don't stand idling there like a flamingo." | Mrs. Honeychurch | book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book | spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title | looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a | her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and | Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. | throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be | you seen the young one yet?" "Yes, I have." "What happened?" "We met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. | nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading."<|quote|>"But pick it up, and don't stand idling there like a flamingo."</|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and | A Room With A View |
Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, | No speaker | idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your | it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too | that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She | with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, | from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young | Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural | met at the Rectory." "What line is he taking up?" "No line. He talked about Italy, like any other person. It is really all right. What advantage would he get from being a cad, to put it bluntly? I do wish I could make you see it my way. He really won't be any nuisance, Charlotte." "Once a cad, always a cad. That is my poor opinion." Lucy paused. "Cecil said one day--and I thought it so profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever | here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo."<|quote|>Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,</|quote|>"What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his | A Room With A View |
"What! you aren't forgetting your Italy already?" | Mr. Vyse | Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent | Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when | literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was | to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under | been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her | bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. | profound--that there are two kinds of cads--the conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good | came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said,<|quote|>"What! you aren't forgetting your Italy already?"</|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the | A Room With A View |
And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. | No speaker | aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for | Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for | up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice | that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run | tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, | deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line | conscious and the subconscious." She paused again, to be sure of doing justice to Cecil's profundity. Through the window she saw Cecil himself, turning over the pages of a novel. It was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, | its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?"<|quote|>And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.</|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" | A Room With A View |
"Lucy--have you a sixpence for Minnie and a shilling for yourself?" | Mrs. Honeychurch | conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her | foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working | had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. | no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had | in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but | go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to | was a new one from Smith's library. Her mother must have returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the | "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun.<|quote|>"Lucy--have you a sixpence for Minnie and a shilling for yourself?"</|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite | A Room With A View |
She hastened in to her mother, who was rapidly working herself into a Sunday fluster. | No speaker | and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget | you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, | said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. | solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! | trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, | "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and | returned from the station. "Once a cad, always a cad," droned Miss Bartlett. "What I mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be | Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?"<|quote|>She hastened in to her mother, who was rapidly working herself into a Sunday fluster.</|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the | A Room With A View |
"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" | Mrs. Honeychurch | herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the | mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be | her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do | knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch | and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. | a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad | mean by subconscious is that Emerson lost his head. I fell into all those violets, and he was silly and surprised. I don't think we ought to blame him very much. It makes such a difference when you see a person with beautiful things behind him unexpectedly. It really does; it makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with | by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster.<|quote|>"It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!"</|quote|>"Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We | A Room With A View |
from the upper regions. | No speaker | press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here | it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was | a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious | eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of | and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they | Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to | makes an enormous difference, and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note | that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--"<|quote|>from the upper regions.</|quote|>"Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I | A Room With A View |
"Minnie, don't be late. Here comes the horse" | Mrs. Honeychurch | Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, | to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? | what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was | the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very | there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. | smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad | and he lost his head: he doesn't admire me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, | this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions.<|quote|>"Minnie, don't be late. Here comes the horse"</|quote|>"--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but | A Room With A View |
"--it was always the horse, never the carriage. | No speaker | late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and | upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she | in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't | the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the | book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was | on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie | me, or any of that nonsense, one straw. Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He | that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse"<|quote|>"--it was always the horse, never the carriage.</|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over | A Room With A View |
"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" | Mrs. Honeychurch | the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than | the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's | has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and | the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how | a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want | lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there | Freddy rather likes him, and has asked him up here on Sunday, so you can judge for yourself. He has improved; he doesn't always look as if he's going to burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very | that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage.<|quote|>"Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"</|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and | A Room With A View |
Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. | No speaker | I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very | anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no | from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags | a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. | and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was | lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, | burst into tears. He is a clerk in the General Manager's office at one of the big railways--not a porter! and runs down to his father for week-ends. Papa was to do with journalism, but is rheumatic and has retired. There! Now for the garden." She took hold of her guest by the arm. "Suppose we don't talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his | pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!"<|quote|>Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.</|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said | A Room With A View |
"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" | Miss Bartlett | came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious | very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! | why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her | Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to | dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked | a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we | nice restful visit at Windy Corner, with no worriting." Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching | father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs.<|quote|>"Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"</|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" | A Room With A View |
"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." | Mrs. Honeychurch | Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear | but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters | ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy | Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil | working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless | human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to | unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against | measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--"<|quote|>"Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."</|quote|>"If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We | A Room With A View |
"If I did not wear my best rags and tatters now, when should I wear them?" | Miss Bartlett | put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She | What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and | of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" | to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could | the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the | and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For | the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met | finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame."<|quote|>"If I did not wear my best rags and tatters now, when should I wear them?"</|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on | A Room With A View |
said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. | No speaker | when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out | best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, | have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not | with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from | Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. | the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to | entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain. Chapter XV: The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. | thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?"<|quote|>said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.</|quote|>"Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount | A Room With A View |
"Good-bye! Be good!" | Mr. Vyse | and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit | horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone | frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was | Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow | be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, | a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet | The Disaster Within The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly | don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off.<|quote|>"Good-bye! Be good!"</|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life | A Room With A View |
called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. | No speaker | drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. | roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers | us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She | in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his | comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What | picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like | The Sunday after Miss Bartlett's arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells. The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. "The men say they won't go"--" "Well, I don't blame them" "--Minnie says, "need she go?" "--"Tell her, no nonsense"--"Anne! Mary! Hook me behind!"--"Dearest Lucia, may I trespass upon you for a pin?" For Miss Bartlett had announced that she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the | her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!"<|quote|>called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.</|quote|>"Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all | A Room With A View |
"Introduce me," | Mrs. Honeychurch | son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the | it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he | pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, | it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she | You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you | do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to | she at all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. | blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden.<|quote|>"Introduce me,"</|quote|>said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're | A Room With A View |
said her mother. | No speaker | in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers | found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." | the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad | done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known | us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed | no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's | all events was one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," | her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me,"<|quote|>said her mother.</|quote|>"Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he | A Room With A View |
"Unless the young man considers that he knows me already." | Mrs. Honeychurch | "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy | son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and | different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering | Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the | shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy | in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother | one for church. The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for | foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother.<|quote|>"Unless the young man considers that he knows me already."</|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for | A Room With A View |
He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. | No speaker | that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but | "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of | line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about | result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought | tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly | nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after | guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson cleaning his father's boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." | I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already."<|quote|>He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.</|quote|>"Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a | A Room With A View |
"Very much," | Mr. Emerson | he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was | topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in | said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I | the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write | themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I | Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, | may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch | Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.<|quote|>"Very much,"</|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what | A Room With A View |
he replied, but there was a note of offence in his voice; she had never known him offended before. He added: | No speaker | his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the | asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and | glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type | to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now | she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there | do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you | shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits | into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much,"<|quote|>he replied, but there was a note of offence in his voice; she had never known him offended before. He added:</|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather | A Room With A View |
"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." | Mr. Emerson | him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was | voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch | Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to | that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So | assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place | usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She | as though acknowledging the caress. Presently Lucy steps out of the drawing-room window. Her new cerise dress has been a failure, and makes her look tawdry and wan. At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the | and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added:<|quote|>"We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."</|quote|>"I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother | A Room With A View |
"I believe that there was some misunderstanding," | Mrs. Honeychurch | very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our | such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we | much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer | how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss | said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the | Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants | At her throat is a garnet brooch, on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: | Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it."<|quote|>"I believe that there was some misunderstanding,"</|quote|>said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything | A Room With A View |
said Mrs. Honeychurch uneasily. | No speaker | that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that | upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different | note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. | going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to | he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose | midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his | on her finger a ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, | horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding,"<|quote|>said Mrs. Honeychurch uneasily.</|quote|>"Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother | A Room With A View |
"Our landlord was told that we should be a different type of person," | George Emerson | misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed | believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. | his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have | She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain | every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't | Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm | ring set with rubies--an engagement ring. Her eyes are bent to the Weald. She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told | the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily.<|quote|>"Our landlord was told that we should be a different type of person,"</|quote|>said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you | A Room With A View |
said George, who seemed disposed to carry the matter further. | No speaker | a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be | told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And | though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For | Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the | There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all | the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and | She frowns a little--not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not | always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person,"<|quote|>said George, who seemed disposed to carry the matter further.</|quote|>"He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be | A Room With A View |
"He thought we should be artistic. He is disappointed." | George Emerson | to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we | said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the | have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, | conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. | the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, | have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came | child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when | the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further.<|quote|>"He thought we should be artistic. He is disappointed."</|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." | A Room With A View |
"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" | George Emerson | be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, | further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," | I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it | how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a | To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor | Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had | In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the spaces that yet survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But | who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed."<|quote|>"And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"</|quote|>He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's | A Room With A View |
He appealed to Lucy. | No speaker | up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have | and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She | that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." | never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, | her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, | all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. | survive between Apollo and the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. | like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?"<|quote|>He appealed to Lucy.</|quote|>"Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need | A Room With A View |
"Oh, stop now you have come," | Lucy | think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must | it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it | a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount | before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain | young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and | I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our | the western hills. "Lucy! Lucy! What's that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed | the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy.<|quote|>"Oh, stop now you have come,"</|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness | A Room With A View |
said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. | No speaker | stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says | He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must | George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly | that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from | me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he | rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as | that book? Who's been taking a book out of the shelf and leaving it about to spoil?" "It's only the library book that Cecil's been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad | not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come,"<|quote|>said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.</|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, | A Room With A View |
"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." | Mr. Emerson | his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain | the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the | to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, | it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose | said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind | to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus | been reading." "But pick it up, and don't stand idling there like a flamingo." Lucy picked up the book and glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in | never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.<|quote|>"So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."</|quote|>"There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it | A Room With A View |
"There is only a certain amount of kindness in the world," | George Emerson | it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight | go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of | "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued | a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand | then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you | her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini | glanced at the title listlessly, Under a Loggia. She no longer read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three | and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind."<|quote|>"There is only a certain amount of kindness in the world,"</|quote|>said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son | A Room With A View |
said George, watching the sunlight flash on the panels of the passing carriages. | No speaker | of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's | is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why | avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and | carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, | Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George | "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the | read novels herself, devoting all her spare time to solid literature in the hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. | them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world,"<|quote|>said George, watching the sunlight flash on the panels of the passing carriages.</|quote|>"Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know | A Room With A View |
"Yes!" | Mrs. Honeychurch | panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly | the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all | though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it | "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I | how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind | said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, | hope of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She | crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages.<|quote|>"Yes!"</|quote|>exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, | A Room With A View |
exclaimed Mrs. Honeychurch. | No speaker | of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. | sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and | his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good | I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" | he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! | that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of | of catching Cecil up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with | necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!"<|quote|>exclaimed Mrs. Honeychurch.</|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said | A Room With A View |
"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" | Mrs. Honeychurch | carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount | the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there | never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a | we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like | new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. | to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, | up. It was dreadful how little she knew, and even when she thought she knew a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, | I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch.<|quote|>"That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"</|quote|>"There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of | A Room With A View |
"There is a certain amount of kindness, just as there is a certain amount of light," | George Emerson | twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. | Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on | wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, | do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would | voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we | it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up | a thing, like the Italian painters, she found she had forgotten it. Only this morning she had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my | a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?"<|quote|>"There is a certain amount of kindness, just as there is a certain amount of light,"</|quote|>he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of | A Room With A View |
he continued in measured tones. | No speaker | a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on | kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and | the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for | She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, | Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He | of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can | had confused Francesco Francia with Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took | us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light,"<|quote|>he continued in measured tones.</|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits | A Room With A View |
"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." | George Emerson | he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see | a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see | the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that | For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis | we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist | could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, | Piero della Francesca, and Cecil had said, "What! you aren't forgetting your Italy already?" And this too had lent anxiety to her eyes when she saluted the dear view and the dear garden in the foreground, and above them, scarcely conceivable elsewhere, the dear sun. "Lucy--have you a sixpence for Minnie and a shilling for yourself?" She hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see | behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones.<|quote|>"We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."</|quote|>"Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water | A Room With A View |
"Oh, Mr. Emerson, I see you're clever!" | Mrs. Honeychurch | are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going | in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope | we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. | the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! | He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight | opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth | hastened in to her mother, who was rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George | type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine."<|quote|>"Oh, Mr. Emerson, I see you're clever!"</|quote|>"Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that | A Room With A View |
"Eh--?" | George Emerson | Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to | facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you | moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only | "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, | we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching | walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, | rapidly working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson | that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!"<|quote|>"Eh--?"</|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter | A Room With A View |
"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." | Mrs. Honeychurch | I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy | the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her | from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? | exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. | ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never | over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't | working herself into a Sunday fluster. "It's a special collection--I forget what for. I do beg, no vulgar clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly | lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?"<|quote|>"I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."</|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the | A Room With A View |
George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. | No speaker | like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. | hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to | do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. | amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." | appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. | mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would | clinking in the plate with halfpennies; see that Minnie has a nice bright sixpence. Where is the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil | sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy."<|quote|>George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.</|quote|>"No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased | A Room With A View |
"No, I didn't," | George Emerson | would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that | that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is | for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play | tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, | Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her | ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. | the child? Minnie! That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no | Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well.<|quote|>"No, I didn't,"</|quote|>he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He | A Room With A View |
he said. | No speaker | rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to | her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. | are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do | a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the | was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my | Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has | That book's all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention | now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't,"<|quote|>he said.</|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even | A Room With A View |
"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." | George Emerson | "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, | would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. | facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. | on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house | Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss | introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in | all warped. (Gracious, how plain you look!) Put it under the Atlas to press. Minnie!" "Oh, Mrs. Honeychurch--" from the upper regions. "Minnie, don't be late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had | replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said.<|quote|>"He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."</|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not | A Room With A View |
"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" | Mrs. Honeychurch | the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! | it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish | that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he | place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him | wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was | said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been | late. Here comes the horse" "--it was always the horse, never the carriage. "Where's Charlotte? Run up and hurry her. Why is she so long? She had nothing to do. She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January | whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first."<|quote|>"What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"</|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of | A Room With A View |
"George mind tennis on Sunday! George, after his education, distinguish between Sunday--" | Mr. Emerson | you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind | Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more | me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And | Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the | carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did | him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and | She never brings anything but blouses. Poor Charlotte--How I do detest blouses! Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." | All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?"<|quote|>"George mind tennis on Sunday! George, after his education, distinguish between Sunday--"</|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. | A Room With A View |
"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." | Mrs. Honeychurch | his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the | tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he | I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. | clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. | this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I | there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted | Minnie!" Paganism is infectious--more infectious than diphtheria or piety--and the Rector's niece was taken to church protesting. As usual, she didn't see why. Why shouldn't she sit in the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the | passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--"<|quote|>"Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."</|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when | A Room With A View |
He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: | No speaker | we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to | could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to | Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of | "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come | tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went | that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang | the sun with the young men? The young men, who had now appeared, mocked her with ungenerous words. Mrs. Honeychurch defended orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide | who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased."<|quote|>He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:</|quote|>"And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil | A Room With A View |
"And then he wants to give up his house to the Miss Alans." | Mrs. Honeychurch | days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and | only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his | Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never | and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into | save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human | there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her | orthodoxy, and in the midst of the confusion Miss Bartlett, dressed in the very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music | "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George:<|quote|>"And then he wants to give up his house to the Miss Alans."</|quote|>"I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! | A Room With A View |
"I know," | George Emerson | house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his | wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. | That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against | No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. | do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as | we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded | very height of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which | and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans."<|quote|>"I know,"</|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's | A Room With A View |
said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. | No speaker | the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss | give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. | Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted | mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon | choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought | be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not | of the fashion, came strolling down the stairs. "Dear Marian, I am very sorry, but I have no small change--nothing but sovereigns and half crowns. Could any one give me--" "Yes, easily. Jump in. Gracious me, how smart you look! What a lovely frock! You put us all to shame." "If I did not wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one | "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know,"<|quote|>said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.</|quote|>"You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The | A Room With A View |
"You know our cousin, Miss Bartlett," | Mrs. Honeychurch | against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You | perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter | his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the | could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up | that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people | you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the | wear my best rags and tatters now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. | have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached.<|quote|>"You know our cousin, Miss Bartlett,"</|quote|>said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she | A Room With A View |
said Mrs. Honeychurch pleasantly. | No speaker | know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my | affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" | The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the | should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I | get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would | She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all | now, when should I wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said | passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett,"<|quote|>said Mrs. Honeychurch pleasantly.</|quote|>"You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after | A Room With A View |
"You met her with my daughter in Florence." | Mrs. Honeychurch | Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old | "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if | Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. | He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. | "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such | Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for | wear them?" said Miss Bartlett reproachfully. She got into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended | she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly.<|quote|>"You met her with my daughter in Florence."</|quote|>"Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the | A Room With A View |
"Yes, indeed!" | Mr. Emerson | with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and | Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would | in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was | far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything | way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits | little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil | into the victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she | Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence."<|quote|>"Yes, indeed!"</|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You | A Room With A View |
said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: | No speaker | daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis | "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," | came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer | could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great | me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have | turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." | victoria and placed herself with her back to the horse. The necessary roar ensued, and then they drove off. "Good-bye! Be good!" called out Cecil. Lucy bit her lip, for the tone was sneering. On the subject of "church and so on" they had had rather an unsatisfactory conversation. He had said that people ought to overhaul themselves, and she did not want to overhaul herself; she did not know it was done. Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars | amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!"<|quote|>said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:</|quote|>"I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in | A Room With A View |
"I--I'll come up to tennis if I can manage it," | George Emerson | the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. | was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did | It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her | cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. | your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of | amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real | is the result of a spiritual crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she | what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said:<|quote|>"I--I'll come up to tennis if I can manage it,"</|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in | A Room With A View |
and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. | No speaker | if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his | "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a | decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute | with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been | but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! | a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" | imagine it as a natural birthright, that might grow heavenward like flowers. All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the Emersons were different. She saw the Emersons after church. There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite Cissie Villa. To save time, they walked over the green to it, and found father and son smoking in the garden. "Introduce me," said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George | do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it,"<|quote|>and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.</|quote|>"George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: | A Room With A View |
"George, don't go," | Mr. Emerson | photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought | Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for | as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her | and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the | had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has | poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, | said her mother. "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I | George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.<|quote|>"George, don't go,"</|quote|>cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she | A Room With A View |
cried his father, who thought it a great treat for people if his son would talk to them. | No speaker | River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such | threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I | as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage | he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of | against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a | eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no | "Unless the young man considers that he knows me already." He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while | mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go,"<|quote|>cried his father, who thought it a great treat for people if his son would talk to them.</|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. | A Room With A View |
"George has been in such good spirits today, and I am sure he will end by coming up this afternoon." | Mr. Emerson | son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. | treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal | upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they | and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune | with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her | he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy | Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much | exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them.<|quote|>"George has been in such good spirits today, and I am sure he will end by coming up this afternoon."</|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great | A Room With A View |
Lucy caught her cousin's eye. Something in its mute appeal made her reckless. | No speaker | by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her | am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he | when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence | her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded | the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing | have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss | she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to | amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon."<|quote|>Lucy caught her cousin's eye. Something in its mute appeal made her reckless.</|quote|>"Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to | A Room With A View |
"Yes," | Lucy | mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, | cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." | his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; | clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the | Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in | mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett | and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, | Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless.<|quote|>"Yes,"</|quote|>she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her | A Room With A View |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.