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she said, raising her voice, | No speaker | appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." | eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the | father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not | as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told | entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big | what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible | then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. | Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes,"<|quote|>she said, raising her voice,</|quote|>"I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She | A Room With A View |
"I do hope he will." | Lucy | she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the | appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old | great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if | suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells | bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only | He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being | Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball | well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice,<|quote|>"I do hope he will."</|quote|>Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and | A Room With A View |
Then she went to the carriage and murmured, | No speaker | "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been | she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was | his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; | need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He | Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the | you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not | Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday | a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will."<|quote|>Then she went to the carriage and murmured,</|quote|>"The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took | A Room With A View |
"The old man hasn't been told; I knew it was all right." | Lucy | to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and | he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that | been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home | of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her | water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, | you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain | less disturbing topic, and asked him how he liked his new house. "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have | because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured,<|quote|>"The old man hasn't been told; I knew it was all right."</|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. | A Room With A View |
Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: | No speaker | knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he | man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain | end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love | she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, | with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed | his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played | "Very much," he replied, but there was a note of offence in his voice; she had never known him offended before. He added: "We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it." "I believe that there was some misunderstanding," said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether | again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right."<|quote|>Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:</|quote|>"He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us | A Room With A View |
"He has not told, he has not told." | Lucy | sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: | way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his | Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But | her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they | men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which | to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the | said Mrs. Honeychurch uneasily. "Our landlord was told that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must | suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her:<|quote|>"He has not told, he has not told."</|quote|>Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but | A Room With A View |
Her brain expanded the melody: | No speaker | told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his | to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all | of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He | made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his | human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that | Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, | that we should be a different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything | on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told."<|quote|>Her brain expanded the melody:</|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, | A Room With A View |
"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." | Lucy | Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to | told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not | Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She | said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil | girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. | and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music | different type of person," said George, who seemed disposed to carry the matter further. "He thought we should be artistic. He is disappointed." "And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in | bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody:<|quote|>"He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."</|quote|>She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote | A Room With A View |
She raised her hand to her cheek. | No speaker | me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. | He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he | the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had | was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so | truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. | sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her | whether we ought to write to the Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the | said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone."<|quote|>She raised her hand to her cheek.</|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. | A Room With A View |
"He does not love me. No. How terrible if he did! But he has not told. He will not tell." | Lucy | her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the | I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. | a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, | and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has | at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell | the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in | Miss Alans and offer to give it up. What do you think?" He appealed to Lucy. "Oh, stop now you have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, | old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek.<|quote|>"He does not love me. No. How terrible if he did! But he has not told. He will not tell."</|quote|>She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the | A Room With A View |
She longed to shout the words: | No speaker | told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's | did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two | told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only | not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" | a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as | know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not | have come," said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety | She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell."<|quote|>She longed to shout the words:</|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very | A Room With A View |
"It is all right. It's a secret between us two for ever. Cecil will never hear." | Lucy | longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that | He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her | all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted | she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution | his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to | Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. | must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things | "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words:<|quote|>"It is all right. It's a secret between us two for ever. Cecil will never hear."</|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without | A Room With A View |
She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: | No speaker | ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so | secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved | gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship | All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" | am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her | man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor | name was never mentioned. "So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind." "There is only a certain amount of kindness in the world," said George, watching the sunlight flash on the panels of the passing carriages. "Yes!" exclaimed Mrs. Honeychurch. "That's exactly what I say. Why all this twiddling and twaddling over two Miss Alans?" "There is a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful | had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear."<|quote|>She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:</|quote|>"The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing | A Room With A View |
"The Emersons have been so nice. George Emerson has improved enormously." | Lucy | of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked | As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real | they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He | But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing | told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though | and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars | a certain amount of kindness, just as there is a certain amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as | Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:<|quote|>"The Emersons have been so nice. George Emerson has improved enormously."</|quote|>"How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it | A Room With A View |
"How are my proteges?" | Mr. Vyse | George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no | Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and | little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of | to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as | leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a | "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' | amount of light," he continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the | that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously."<|quote|>"How are my proteges?"</|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's | A Room With A View |
asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. | No speaker | enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some | nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship | three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He | "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally | she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that | tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed | continued in measured tones. "We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more | as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?"<|quote|>asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.</|quote|>"Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps | A Room With A View |
"Proteges!" | Lucy | Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. | resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which | As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is | her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy | tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, | to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the | things; because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things | am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.<|quote|>"Proteges!"</|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have | A Room With A View |
she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. | No speaker | Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself | to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George | he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention | promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not | to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for | her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an | because the shadow always follows. Choose a place where you won't do harm--yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful | end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!"<|quote|>she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.</|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change | A Room With A View |
"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" | Lucy | which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect | glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was | them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be | world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her | did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called | of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George | facing the sunshine." "Oh, Mr. Emerson, I see you're clever!" "Eh--?" "I see you're going to be clever. I hope you didn't go behaving like that to poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather | surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned.<|quote|>"You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"</|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go | A Room With A View |
She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: | No speaker | to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other | is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She | which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; | "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even | But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected | "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to | poor Freddy." George's eyes laughed, and Lucy suspected that he and her mother would get on rather well. "No, I didn't," he said. "He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first." "What DO you mean? No, never mind what you mean. Don't explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday--?" "George mind tennis on Sunday! George, after his education, distinguish between Sunday--" "Very well, George doesn't mind tennis on Sunday. No more do I. That's settled. Mr. Emerson, if you could come with your son we should be so pleased." He thanked her, but the walk sounded rather far; he could only potter about in these days. She turned to George: "And then he wants to give up his house to the Miss Alans." "I know," said George, and put his arm round his father's neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape--a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." | father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--"<|quote|>She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:</|quote|>"Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, | A Room With A View |
"Now play us the other garden--the one in Parsifal." | Mr. Vyse | sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not | to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's | music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened | would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few | nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's | he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and | never spoken against affection. Miss Bartlett approached. "You know our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You | George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out:<|quote|>"Now play us the other garden--the one in Parsifal."</|quote|>She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; | A Room With A View |
She closed the instrument. | No speaker | other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her | out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she | an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should | though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower | ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then | longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his | our cousin, Miss Bartlett," said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, | has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal."<|quote|>She closed the instrument.</|quote|>"Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under | A Room With A View |
"Not very dutiful," | Mrs. Honeychurch | Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing | the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, | music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, | a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very | as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't | words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. | said Mrs. Honeychurch pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in | good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument.<|quote|>"Not very dutiful,"</|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, | A Room With A View |
said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. | No speaker | the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" | one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; | gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. | the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the | Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much | all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian | pleasantly. "You met her with my daughter in Florence." "Yes, indeed!" said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated | exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful,"<|quote|>said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.</|quote|>"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, | A Room With A View |
"Oh, I had no idea!" | Lucy | crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; | There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word | to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know | and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you | was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better | promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the | the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. | bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.<|quote|>"Oh, I had no idea!"</|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the | A Room With A View |
she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. | No speaker | "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her | crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps | sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I | music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an | one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday | evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand | lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. | interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!"<|quote|>she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.</|quote|>"Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after | A Room With A View |
"Our performer has changed her mind," | Miss Bartlett | anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, | should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music | she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at | ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad | last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the | world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in | water and wine. It was the old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not | to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked.<|quote|>"Our performer has changed her mind,"</|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the | A Room With A View |
said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. | No speaker | performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, | else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. | quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be | fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss | must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it | She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if | old, old battle of the room with the view. George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: "I--I'll come up to tennis if I can manage it," and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." | world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind,"<|quote|>said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.</|quote|>"I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the | A Room With A View |
"I vote tennis," | Freddy | badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the | the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do | liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of | that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the | hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in | in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were | went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss | interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped.<|quote|>"I vote tennis,"</|quote|>said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was | A Room With A View |
said Freddy, disgusted at the scrappy entertainment. | No speaker | she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once | song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate | has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make | offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: | western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance | had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be | house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, | to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis,"<|quote|>said Freddy, disgusted at the scrappy entertainment.</|quote|>"Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the | A Room With A View |
"Yes, so do I." | Lucy | disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the | "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you | perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, | George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, | to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As | bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but | have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" | brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment.<|quote|>"Yes, so do I."</|quote|>Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed | A Room With A View |
Once more she closed the unfortunate piano. | No speaker | entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a | Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not | play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, | crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not | seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether | Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her | his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped | protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I."<|quote|>Once more she closed the unfortunate piano.</|quote|>"I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul | A Room With A View |
"I vote you have a men's four." | Lucy | she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, | so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I | did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George | had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in | from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she | with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game | men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course | that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano.<|quote|>"I vote you have a men's four."</|quote|>"All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged | A Room With A View |
"All right." | Freddy | you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," | the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not | even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: | red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil | garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul | which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the | as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. | soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four."<|quote|>"All right."</|quote|>"Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. | A Room With A View |
"Not for me, thank you," | Mr. Vyse | a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not | piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never | she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One | then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that | to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up | conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find | and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day | to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right."<|quote|>"Not for me, thank you,"</|quote|>said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked | A Room With A View |
said Cecil. | No speaker | "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the | a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that | played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down | greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would | the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she | protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its | even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived | three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you,"<|quote|>said Cecil.</|quote|>"I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more | A Room With A View |
"I will not spoil the set." | Mr. Vyse | me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it | four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of | few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly | reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball | of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her | protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village | might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she | western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil.<|quote|>"I will not spoil the set."</|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other | A Room With A View |
He never realized that it may be an act of kindness in a bad player to make up a fourth. | No speaker | will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm | thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so | song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with | the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have | that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than | the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be | need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent | Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set."<|quote|>He never realized that it may be an act of kindness in a bad player to make up a fourth.</|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: | A Room With A View |
"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." | Freddy | to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am | kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down | I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing | will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is | the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music | coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been | she had surmised it at Florence, when George threw her photographs into the River Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something | they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth.<|quote|>"Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."</|quote|>George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they | A Room With A View |
George corrected him: | No speaker | so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One | I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at | four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil | nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way | called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her | don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance | Arno. "George, don't go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched | the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson."<|quote|>George corrected him:</|quote|>"I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She | A Room With A View |
"I am not bad." | George Emerson | say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose | rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I | "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced | she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, | play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a | said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, | go," cried his father, who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was | dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him:<|quote|>"I am not bad."</|quote|>One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would | A Room With A View |
One looked down one's nose at this. | No speaker | him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," | dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, | you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss | She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath | garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by | But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading | who thought it a great treat for people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she | for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad."<|quote|>One looked down one's nose at this.</|quote|>"Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above | A Room With A View |
"Then certainly I won't play," | Mr. Vyse | down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, | am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she | the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what | Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious | instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She | and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he | people if his son would talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were | which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this.<|quote|>"Then certainly I won't play,"</|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was | A Room With A View |
said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: | No speaker | "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. | down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better | that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then | and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance | her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't | had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts | talk to them. "George has been in such good spirits today, and I am sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But | ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play,"<|quote|>said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:</|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. | A Room With A View |
"I agree with you, Mr. Vyse. You had much better not play. Much better not." | Miss Bartlett | she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil | Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that | up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. | "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at | George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet | her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." | sure he will end by coming up this afternoon." Lucy caught her cousin's eye. Something in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are | most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added:<|quote|>"I agree with you, Mr. Vyse. You had much better not play. Much better not."</|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. | A Room With A View |
Minnie, rushing in where Cecil feared to tread, announced that she would play. | No speaker | not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball | Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it | say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your | a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married | exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I | had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, | in its mute appeal made her reckless. "Yes," she said, raising her voice, "I do hope he will." Then she went to the carriage and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance | interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not."<|quote|>Minnie, rushing in where Cecil feared to tread, announced that she would play.</|quote|>"I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. | A Room With A View |
But Sunday intervened and stamped heavily upon the kindly suggestion. | No speaker | so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to | shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; | Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without | be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about | he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the | will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd | and murmured, "The old man hasn't been told; I knew it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank | her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?"<|quote|>But Sunday intervened and stamped heavily upon the kindly suggestion.</|quote|>"Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had | A Room With A View |
"Then it will have to be Lucy," | Mrs. Honeychurch | heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must | But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There | added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed | make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at | Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and | to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost | it was all right." Mrs. Honeychurch followed her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon | But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion.<|quote|>"Then it will have to be Lucy,"</|quote|>said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the | A Room With A View |
said Mrs. Honeychurch; | No speaker | will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on | the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other | You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she | Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and | music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in | celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the | her, and they drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a | the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy,"<|quote|>said Mrs. Honeychurch;</|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant | A Room With A View |
"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." | Mrs. Honeychurch | be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of | "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept | better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. | Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised | Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as | to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, | drove away. Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy's spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt | was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch;<|quote|>"you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."</|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry | A Room With A View |
Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: | No speaker | go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, | way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted | shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The | at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and | of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. | it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy | leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses' hoofs sang a tune to her: "He has not told, he has not told." Her brain expanded the melody: "He has not told his father--to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone." She raised her hand to her cheek. "He does not love me. No. How terrible if he did! But he has not told. He will not tell." She longed to shout the words: "It is all right. It's a secret between us two for ever. Cecil will never hear." She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said | to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock."<|quote|>Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:</|quote|>"I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put | A Room With A View |
"I shall want to live, I tell you." | George Emerson | Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, | over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to | of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole | settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some | tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still | a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the | in his room. The secret, big or little, was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him | of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her:<|quote|>"I shall want to live, I tell you."</|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. | A Room With A View |
He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: | No speaker | to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, | to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" | by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost | Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over | miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid | Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read | was guarded. Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said: "The Emersons have been so nice. George Emerson has improved enormously." "How are my proteges?" asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. "Proteges!" she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl's soul yearned. "You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don't--" She nearly said, "Don't protect him." But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte. Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery | impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you."<|quote|>He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:</|quote|>"I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. | A Room With A View |
"I say, listen to this, Lucy. Three split infinitives." | Mr. Vyse | the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed | stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had | critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. | noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: | that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy | You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are | meal. Generally Lucy was depressed at meals. Some one had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember | of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out:<|quote|>"I say, listen to this, Lucy. Three split infinitives."</|quote|>"Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and | A Room With A View |
"Dreadful!" | Lucy | this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her | out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished | had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The | a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and | by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected | Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," | had to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us | play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives."<|quote|>"Dreadful!"</|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. | A Room With A View |
said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. | No speaker | Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in | "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read | been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: | new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it | the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it | rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs | to be soothed--either Cecil or Miss Bartlett or a Being not visible to the mortal eye--a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped | everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!"<|quote|>said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.</|quote|>"The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her | A Room With A View |
"The scene is laid in Florence." | Mr. Vyse | but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. | lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down | "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course | had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never | Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph | There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but | a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing | Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced.<|quote|>"The scene is laid in Florence."</|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the | A Room With A View |
"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." | Lucy | scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as | the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she | stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when | through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in | The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing | of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her | sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. | settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence."<|quote|>"What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."</|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the | A Room With A View |
She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: | No speaker | down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of | away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you | some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it | he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy | and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked | amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she | the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's Armide that year, and played from memory the music of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It | employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy."<|quote|>She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:</|quote|>"You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I | A Room With A View |
"You--and are you tired?" | George Emerson | down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do | over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She | "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." | "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora | a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I | her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to | of the enchanted garden--the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in | eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking:<|quote|>"You--and are you tired?"</|quote|>"Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw | A Room With A View |
"Of course I'm not!" | Lucy | asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" | sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, | in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I | missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. | the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her | overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation | music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a | back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?"<|quote|>"Of course I'm not!"</|quote|>"Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." | A Room With A View |
"Do you mind being beaten?" | George Emerson | tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, | feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her | Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You | they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? | to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at | everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you | approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat | never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!"<|quote|>"Do you mind being beaten?"</|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you | A Room With A View |
She was going to answer, "No," when it struck her that she did mind, so she answered, | No speaker | "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I | tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a | Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we | he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she | folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant | him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you | an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his | with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?"<|quote|>She was going to answer, "No," when it struck her that she did mind, so she answered,</|quote|>"Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," | A Room With A View |
"Yes." | Lucy | did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't | it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid | made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get | Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might | now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to | better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" | seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading | under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered,<|quote|>"Yes."</|quote|>She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has | A Room With A View |
She added merrily, | No speaker | mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such | struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The | a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with | and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too | Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," | to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all | of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else | of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes."<|quote|>She added merrily,</|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance | A Room With A View |
"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." | Lucy | answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." | she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't | being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora | were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into | He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She | in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking | music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of | up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily,<|quote|>"I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."</|quote|>"I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, | A Room With A View |
"I never said I was." | George Emerson | it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't | light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go | "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? | in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! | nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was | her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he | "Now play us the other garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had | to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes."<|quote|>"I never said I was."</|quote|>"Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What | A Room With A View |
"Why, you did!" | Lucy | "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, | it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy | you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the | Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss | for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against | child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at | garden--the one in Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far | of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was."<|quote|>"Why, you did!"</|quote|>"You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will | A Room With A View |
"You didn't attend." | George Emerson | I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in | my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. | beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the | Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss | that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and | and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he | Parsifal." She closed the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am | "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!"<|quote|>"You didn't attend."</|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How | A Room With A View |
"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." | Lucy | you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in | never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an | going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset | down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember | reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose | by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that | the instrument. "Not very dutiful," said her mother's voice. Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, | in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend."<|quote|>"You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."</|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet | A Room With A View |
"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. | No speaker | angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? | exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph | you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' | him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her | court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her | after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, | He had crept in without interrupting her. "Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone | novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't."<|quote|>"'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.</|quote|>"Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her | A Room With A View |
"Leonora? Is Leonora the heroine? Who's the book by?" | Lucy | Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora | note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray | was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, | "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was | they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one | shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead | word of greeting, she reopened the piano. Cecil should have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice | one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted.<|quote|>"Leonora? Is Leonora the heroine? Who's the book by?"</|quote|>"Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. | A Room With A View |
"Joseph Emery Prank." | Mr. Vyse | heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the | interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she | don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing | answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told | reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money | to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He | have the Parsifal, and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't | it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?"<|quote|>"Joseph Emery Prank."</|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of | A Room With A View |
'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' | No speaker | book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! | Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and | for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her | it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which | some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did | to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." | and anything else that he liked. "Our performer has changed her mind," said Miss Bartlett, perhaps implying, she will play the music to Mr. Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, | to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank."<|quote|>'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'</|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not | A Room With A View |
"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." | Lucy | into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" | call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, | "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." | was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the | Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to | stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets | do. She played a few bars of the Flower Maidens' song very badly and then she stopped. "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had | seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank'<|quote|>"indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."</|quote|>"Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is | A Room With A View |
"Who may Miss Lavish be?" | Mr. Vyse | it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, | Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited | square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant | We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I | she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving | one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows | "I vote tennis," said Freddy, disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled | win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name."<|quote|>"Who may Miss Lavish be?"</|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your | A Room With A View |
"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" | Lucy | "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, | it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George | might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down | get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought | made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black | of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." | disgusted at the scrappy entertainment. "Yes, so do I." Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to | so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?"<|quote|>"Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"</|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. | A Room With A View |
Excited by her pleasant afternoon, she clapped her hands. George looked up. | No speaker | Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I | be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I | Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean | is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," | jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw | she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid | Once more she closed the unfortunate piano. "I vote you have a men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers | had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?"<|quote|>Excited by her pleasant afternoon, she clapped her hands. George looked up.</|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been | A Room With A View |
"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." | George Emerson | her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant | her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but | Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the | herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" | are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference | new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an | men's four." "All right." "Not for me, thank you," said Cecil. "I will not spoil the set." He never realized that it may be an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see | had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up.<|quote|>"Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."</|quote|>"Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an | A Room With A View |
"Weren't you pleased?" | Lucy | me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss | It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent | "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she | square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. | did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What | beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of | an act of kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she | He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here."<|quote|>"Weren't you pleased?"</|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something | A Room With A View |
She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. | No speaker | lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," | who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked | Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these | saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused | she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there | looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was | kindness in a bad player to make up a fourth. "Oh, come along Cecil. I'm bad, Floyd's rotten, and so I dare say's Emerson." George corrected him: "I am not bad." One looked down one's nose at this. "Then certainly I won't play," said Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This | a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?"<|quote|>She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.</|quote|>"No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses | A Room With A View |
"No wonder the novel's bad," | Lucy | that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked | her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose | you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is | somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang | at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the | obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel | Cecil, while Miss Bartlett, under the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," | Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening.<|quote|>"No wonder the novel's bad,"</|quote|>she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of | A Room With A View |
she added. | No speaker | "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. | that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought | pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I | Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. | exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of | to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a | the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed | and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<|quote|>she added.</|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the | A Room With A View |
"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." | Lucy | the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," | ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed | meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. | be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to | we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies | He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." | that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in | you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added.<|quote|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her."</|quote|>"All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South | A Room With A View |
"All modern books are bad," | Mr. Vyse | it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed | suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented | her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in | her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw | an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your | Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us | play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose | away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."<|quote|>"All modern books are bad,"</|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have | A Room With A View |
said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. | No speaker | "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money | it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" | something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst | "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this | herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him | said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as | rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George | for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad,"<|quote|>said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.</|quote|>"Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading | A Room With A View |
"Every one writes for money in these days." | Mr. Vyse | vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. | annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery | she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to | It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice | book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another | went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I | miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But | missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature.<|quote|>"Every one writes for money in these days."</|quote|>"Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." | A Room With A View |
"Oh, Cecil--!" | Lucy | for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will | on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on | wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to | lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference | across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that | and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil | matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they | stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days."<|quote|>"Oh, Cecil--!"</|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly | A Room With A View |
"It is so. I will inflict Joseph Emery Prank on you no longer." | Mr. Vyse | in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such | "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups | novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the | "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that | square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to | everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he | Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked | things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!"<|quote|>"It is so. I will inflict Joseph Emery Prank on you no longer."</|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have | A Room With A View |
Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. | No speaker | Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this | I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" | ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked | down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the | Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father | for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat | to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she | above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer."<|quote|>Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.</|quote|>"How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. | A Room With A View |
"How do you like this view of ours, Mr. Emerson?" | Lucy | it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference | saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you | her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says | vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He | I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, | mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find | before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which | laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious.<|quote|>"How do you like this view of ours, Mr. Emerson?"</|quote|>"I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country | A Room With A View |
"I never notice much difference in views." | George Emerson | view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because | "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all | nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the | in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are | me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account | it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil | liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though | George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?"<|quote|>"I never notice much difference in views."</|quote|>"What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in | A Room With A View |
"What do you mean?" | Lucy | notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because | ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them | of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky | so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees | pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in | so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading | seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, | missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views."<|quote|>"What do you mean?"</|quote|>"Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember | A Room With A View |
"Because they're all alike. Because all that matters in them is distance and air." | George Emerson | views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether | never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or | to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled | Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that | see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views | She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according | to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not | get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?"<|quote|>"Because they're all alike. Because all that matters in them is distance and air."</|quote|>"H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as | A Room With A View |
"H'm!" | Mr. Vyse | them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the | Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. | to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies | sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the | struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and | was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to | girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming | answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air."<|quote|>"H'm!"</|quote|>said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't | A Room With A View |
said Cecil, uncertain whether the remark was striking or not. | No speaker | is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up | all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was | stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," | The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the | her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, | behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according | under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I must write some letters," and went | speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!"<|quote|>said Cecil, uncertain whether the remark was striking or not.</|quote|>"My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got | A Room With A View |
"My father" | George Emerson | remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her | said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little | the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, | they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." | head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you | said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her | employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I must write some letters," and went up to | pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not.<|quote|>"My father"</|quote|>"--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its | A Room With A View |
"--he looked up at her (and he was a little flushed)--" | No speaker | striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only | uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of | was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. | not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people | was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My | was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" | a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I must write some letters," and went up to her room. Then she prepared for action. Love felt and returned, | told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father"<|quote|>"--he looked up at her (and he was a little flushed)--"</|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first | A Room With A View |
"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." | George Emerson | he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has | looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, | Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they | her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. | ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can | in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she | win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I must write some letters," and went up to her room. Then she prepared for action. Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world's enemy, and | Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--"<|quote|>"says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."</|quote|>"I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed | A Room With A View |
"I expect your father has been reading Dante," | Mr. Vyse | but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, | these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to | uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the | but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall | books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the | note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she | the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed them, "there is another much funnier, further on." He turned over the leaves. "Should we go in to tea?" said Lucy, whose voice remained steady. She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path. "No--" she gasped, and, for the second time, was kissed by him. As if no more was possible, he slipped back; Cecil rejoined her; they reached the upper lawn alone. Chapter XVI: Lying to George But Lucy had developed since the spring. That is to say, she was now better able to stifle the emotions of which the conventions and the world disapprove. Though the danger was greater, she was not shaken by deep sobs. She said to Cecil, "I am not coming in to tea--tell mother--I must write some letters," and went up to her room. Then she prepared for action. Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world's enemy, and she must stifle it. She sent for Miss | with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it."<|quote|>"I expect your father has been reading Dante,"</|quote|>said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it | A Room With A View |
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