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Now, we also had-- |
this is another review. |
We also had the example of a |
psychophycial tuning curve. |
So this is a normal |
psychophysical tuning curve. |
Can somebody explain to |
me what the paradigm is? |
A psychophysical |
tuning curve, it's |
taken from a human |
listener, right? |
What's the paradigm? |
We had this in class, so we |
should all know what this is. |
A psychophysical tuning |
curve, you have a probe tone. |
I think that, in this |
case, the probe tone |
is right at the |
tip of the arrow. |
And the subject is instructed |
to listen to the probe tone |
and say when you |
hear the probe tone. |
Give the probe tone. |
Yes, I hear that definitely. |
Give it again. |
Oh, yes, I hear that. |
No problem. |
Then, you add a second tone, |
maybe a little bit higher |
in frequency than |
the probe tone. |
Probe tone was-- let's say, |
in this case, 1 kilohertz. |
The second tone, masker tone |
is 1.5 kilohertz, let's say. |
Introduce that. |
Person, yeah, I still |
hear the probe tone. |
I hear this other tone too. |
Oh, don't pay attention to that. |
Just listen to the probe tone. |
Sure, I hear that. |
Then, you boost the level |
of that second masker tone |
up to, in this case, 90 dB. |
The person says, I can't |
hear that probe tone anymore. |
Can you turn it up? |
And you plot that on your graph. |
That's a hit. |
That's a point. |
In that case, the masker has |
made inaudible the probe. |
And you go on varying your |
frequencies and levels |
until that masker masks |
the probe and the person |
says I can't hear |
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