Split (1)

train · 10.4M rows

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[ "However, with a sidekick, this can be accomplished with dialogue. The other two", "do this, but it seems to me that talking about Homeland C with", "My current project is historical fiction, fifteenth century. The conflict, if you will,", "the reader will want A to save face, B to lose, and C", "give 3 third-person limited accounts seems too jerky, but I'm finding it to", "are equally as compelling at times, and Character C in particular is part", "get at the motives. I can appreciate the \"easiest\" thing to do is", "if I want to, but I will if it will help solve my", "out, so I'm being inventive while trying not to be misinformed. My question", "played out, so I'm being inventive while trying not to be misinformed. My", "in which one of the three, Character A, has a limited third-person POV.", "and call it good. (It is not typical for this site to give", "characters, let's call them B and C, I'm presenting as more distant third-person", "third-person POV. I like limited third in general because I'm into the whole", "this site to give exact details, and I'm not sure if I want", "one of the three, Character A, has a limited third-person POV. I like", "My question is: Can anyone help me make sense of my POV mess?", "POV with apparent ease only to have them drift back. I can do", "aside, the reader will want A to save face, B to lose, and", "The other two characters, let's call them B and C, I'm presenting as", "of fantasy novels promote a character during battle sequences in terms of POV", "a character during battle sequences in terms of POV with apparent ease only", "compelling at times, and Character C in particular is part of the epic", "me make sense of my POV mess? My real concerns are in the", "a representative main character along with a sidekick. I've considered some options in", "omniscient. Still, these other two are equally as compelling at times, and Character", "but I'm finding it to be the best way to get at the", "one has to stop somewhere in terms of the storytelling. I've given each", "omniscient and call it good. (It is not typical for this site to", "I'm not sure if I want to, but I will if it will", "Character C is simply not as interesting without giving Character C an equal", "history played out, so I'm being inventive while trying not to be misinformed.", "Still, these other two are equally as compelling at times, and Character C", "like limited third in general because I'm into the whole psychology, motivation thing,", "C and the POV when the trio comes together. To give 3 third-person", "few others, but one has to stop somewhere in terms of the storytelling.", "in terms of POV with apparent ease only to have them drift back.", "three nations a representative main character along with a sidekick. I've considered some", "and Character C in particular is part of the epic battle scene (which", "get into the character's thoughts, dreams, etc. However, with a sidekick, this can", "with a sidekick, this can be accomplished with dialogue. The other two characters,", "Can anyone help me make sense of my POV mess? My real concerns", "I can appreciate the \"easiest\" thing to do is to write the whole", "whole psychology, motivation thing, and I can get into the character's thoughts, dreams,", "a limited third-person POV. I like limited third in general because I'm into", "do is to write the whole thing as third-person omniscient and call it", "C an equal (third-person limited) POV. As an aside, the reader will want", "too jerky, but I'm finding it to be the best way to get", "POV. I like limited third in general because I'm into the whole psychology,", "novels promote a character during battle sequences in terms of POV with apparent", "omniscient now that I'm into it. 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To give 3 third-person limited accounts seems", "Homeland C with Character C is simply not as interesting without giving Character", "The conflict, if you will, principally involves three nations. There's a few others,", "it seems to me that talking about Homeland C with Character C is", "(third-person limited) POV. As an aside, the reader will want A to save", "this, but it seems to me that talking about Homeland C with Character", "motives. I can appreciate the \"easiest\" thing to do is to write the", "current project is historical fiction, fifteenth century. The conflict, if you will, principally", "other two are equally as compelling at times, and Character C in particular", "help me make sense of my POV mess? My real concerns are in", "character during battle sequences in terms of POV with apparent ease only to", "of POV with apparent ease only to have them drift back. 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The other two characters, let's", "way to get at the motives. I can appreciate the \"easiest\" thing to", "character along with a sidekick. I've considered some options in which one of", "other two characters, let's call them B and C, I'm presenting as more", "to stop somewhere in terms of the storytelling. I've given each of the", "terms of POV with apparent ease only to have them drift back. I", "you will, principally involves three nations. There's a few others, but one has", "as compelling at times, and Character C in particular is part of the", "while trying not to be misinformed. My question is: Can anyone help me", "that talking about Homeland C with Character C is simply not as interesting", "I'm into it. Plenty of fantasy novels promote a character during battle sequences", "third-person omniscient and call it good. (It is not typical for this site", "for this site to give exact details, and I'm not sure if I", "three nations. There's a few others, but one has to stop somewhere in", "from Homeland A to Homeland B to Homeland C and the POV when", "want to, but I will if it will help solve my vexing problem!)", "equally as compelling at times, and Character C in particular is part of", "into the character's thoughts, dreams, etc. However, with a sidekick, this can be", "back. I can do this, but it seems to me that talking about", "the whole thing as third-person omniscient and call it good. (It is not", "I've considered some options in which one of the three, Character A, has", "mess? My real concerns are in the jumps from Homeland A to Homeland", "presenting as more distant third-person omniscient. Still, these other two are equally as", "Unfortunately, this is not how history played out, so I'm being inventive while", "Character C in particular is part of the epic battle scene (which I'm", "the POV when the trio comes together. To give 3 third-person limited accounts", "C in particular is part of the epic battle scene (which I'm having", "jumps from Homeland A to Homeland B to Homeland C and the POV", "accounts seems too jerky, but I'm finding it to be the best way", "is: Can anyone help me make sense of my POV mess? My real", "if you will, principally involves three nations. There's a few others, but one", "battle sequences in terms of POV with apparent ease only to have them", "and C, I'm presenting as more distant third-person omniscient. Still, these other two", "character's thoughts, dreams, etc. However, with a sidekick, this can be accomplished with", "being inventive while trying not to be misinformed. My question is: Can anyone", "these other two are equally as compelling at times, and Character C in", "to be misinformed. My question is: Can anyone help me make sense of", "main character along with a sidekick. I've considered some options in which one", "(which I'm having a blast writing!). I would prefer not to write C", "a few others, but one has to stop somewhere in terms of the", "A, has a limited third-person POV. I like limited third in general because", "psychology, motivation thing, and I can get into the character's thoughts, dreams, etc.", "A to Homeland B to Homeland C and the POV when the trio", "how history played out, so I'm being inventive while trying not to be", "project is historical fiction, fifteenth century. The conflict, if you will, principally involves", "is part of the epic battle scene (which I'm having a blast writing!).", "in particular is part of the epic battle scene (which I'm having a", "and I'm not sure if I want to, but I will if it", "appreciate the \"easiest\" thing to do is to write the whole thing as", "options in which one of the three, Character A, has a limited third-person", "to get at the motives. I can appreciate the \"easiest\" thing to do", "let's call them B and C, I'm presenting as more distant third-person omniscient.", "make sense of my POV mess? My real concerns are in the jumps", "general because I'm into the whole psychology, motivation thing, and I can get", "to lose, and C to win. Unfortunately, this is not how history played", "the storytelling. I've given each of the three nations a representative main character", "somewhere in terms of the storytelling. I've given each of the three nations", "POV mess? My real concerns are in the jumps from Homeland A to", "century. The conflict, if you will, principally involves three nations. There's a few", "terms of the storytelling. I've given each of the three nations a representative", "will want A to save face, B to lose, and C to win.", "because I'm into the whole psychology, motivation thing, and I can get into", "third-person omniscient now that I'm into it. 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I've given each of the three", "I'm finding it to be the best way to get at the motives.", "into the whole psychology, motivation thing, and I can get into the character's", "the jumps from Homeland A to Homeland B to Homeland C and the", "limited third-person POV. I like limited third in general because I'm into the", "the epic battle scene (which I'm having a blast writing!). I would prefer", "has to stop somewhere in terms of the storytelling. I've given each of", "fiction, fifteenth century. The conflict, if you will, principally involves three nations. There's", "the motives. I can appreciate the \"easiest\" thing to do is to write", "and I can get into the character's thoughts, dreams, etc. However, with a", "save face, B to lose, and C to win. Unfortunately, this is not", "to me that talking about Homeland C with Character C is simply not", "to have them drift back. I can do this, but it seems to", "and C to win. 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I can", "C, I'm presenting as more distant third-person omniscient. Still, these other two are", "I'm being inventive while trying not to be misinformed. My question is: Can", "I've given each of the three nations a representative main character along with", "and the POV when the trio comes together. To give 3 third-person limited", "drift back. I can do this, but it seems to me that talking", "limited third in general because I'm into the whole psychology, motivation thing, and", "I'm having a blast writing!). I would prefer not to write C in", "be accomplished with dialogue. The other two characters, let's call them B and", "inventive while trying not to be misinformed. My question is: Can anyone help", "is not typical for this site to give exact details, and I'm not", "a sidekick. 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As an aside, the reader will want A to save face,", "of the storytelling. I've given each of the three nations a representative main", "with a sidekick. I've considered some options in which one of the three,", "historical fiction, fifteenth century. The conflict, if you will, principally involves three nations.", "storytelling. I've given each of the three nations a representative main character along", "sense of my POV mess? My real concerns are in the jumps from", "an equal (third-person limited) POV. As an aside, the reader will want A", "with apparent ease only to have them drift back. I can do this,", "To give 3 third-person limited accounts seems too jerky, but I'm finding it", "without giving Character C an equal (third-person limited) POV. As an aside, the", "Homeland B to Homeland C and the POV when the trio comes together.", "simply not as interesting without giving Character C an equal (third-person limited) POV.", "my POV mess? My real concerns are in the jumps from Homeland A", "in general because I'm into the whole psychology, motivation thing, and I can", "There's a few others, but one has to stop somewhere in terms of", "lose, and C to win. Unfortunately, this is not how history played out,", "be misinformed. My question is: Can anyone help me make sense of my", "I'm presenting as more distant third-person omniscient. Still, these other two are equally", "etc. However, with a sidekick, this can be accomplished with dialogue. The other", "Character A, has a limited third-person POV. I like limited third in general", "it. Plenty of fantasy novels promote a character during battle sequences in terms", "now that I'm into it. Plenty of fantasy novels promote a character during", "battle scene (which I'm having a blast writing!). I would prefer not to", "write C in third-person omniscient now that I'm into it. Plenty of fantasy", "be the best way to get at the motives. 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The conflict, if you will, principally involves three nations. There's a", "nations a representative main character along with a sidekick. I've considered some options", "promote a character during battle sequences in terms of POV with apparent ease", "to Homeland C and the POV when the trio comes together. To give" ]
[ "the guys' predicament, but not really compelling enough for the reader to continue", "I can do that. There is a lot of action in the second", "have written a story in the form of a journal. It's about a", "action in the second half of the story, but if I lose my", "and informative about the guys' predicament, but not really compelling enough for the", "see how I can do that. There is a lot of action in", "guys' predicament, but not really compelling enough for the reader to continue on.", "story in the form of a journal. It's about a man who is", "enough for the reader to continue on. A friend of mine who is", "realistic and great writing, but then said, \"Maybe there should be more action.\"", "or so pages) was kinda slow and while interesting and informative about the", "is reading it told me, after reading about a third of it, that", "can do that. There is a lot of action in the second half", "was kinda slow and while interesting and informative about the guys' predicament, but", "I've always felt that the beginning (first 40 or so pages) was kinda", "and don't see how I can do that. There is a lot of", "told me, after reading about a third of it, that it was very", "be more action.\" So now I'm going through it and trying to add", "great writing, but then said, \"Maybe there should be more action.\" So now", "of action in the second half of the story, but if I lose", "the reader to continue on. A friend of mine who is reading it", "who is going through a separation/divorce, living alone in an unfurnished apartment; now", "while interesting and informative about the guys' predicament, but not really compelling enough", "of the story, but if I lose my audience before they get there...Any", "of mine who is reading it told me, after reading about a third", "friend of mine who is reading it told me, after reading about a", "about the guys' predicament, but not really compelling enough for the reader to", "a journal. It's about a man who is going through a separation/divorce, living", "that. There is a lot of action in the second half of the", "should be more action.\" So now I'm going through it and trying to", "the second half of the story, but if I lose my audience before", "but if I lose my audience before they get there...Any ideas or suggestions?", "and while interesting and informative about the guys' predicament, but not really compelling", "some \"action\" in there, and don't see how I can do that. There", "trying to add some \"action\" in there, and don't see how I can", "who is reading it told me, after reading about a third of it,", "action.\" So now I'm going through it and trying to add some \"action\"", "Anyway, I've always felt that the beginning (first 40 or so pages) was", "beginning (first 40 or so pages) was kinda slow and while interesting and", "that the beginning (first 40 or so pages) was kinda slow and while", "an unfurnished apartment; now lonely and longing for companionship. Anyway, I've always felt", "more action.\" So now I'm going through it and trying to add some", "written a story in the form of a journal. It's about a man", "after reading about a third of it, that it was very realistic and", "separation/divorce, living alone in an unfurnished apartment; now lonely and longing for companionship.", "that it was very realistic and great writing, but then said, \"Maybe there", "do that. There is a lot of action in the second half of", "reading it told me, after reading about a third of it, that it", "and great writing, but then said, \"Maybe there should be more action.\" So", "felt that the beginning (first 40 or so pages) was kinda slow and", "now I'm going through it and trying to add some \"action\" in there,", "it told me, after reading about a third of it, that it was", "a separation/divorce, living alone in an unfurnished apartment; now lonely and longing for", "not really compelling enough for the reader to continue on. A friend of", "unfurnished apartment; now lonely and longing for companionship. Anyway, I've always felt that", "story, but if I lose my audience before they get there...Any ideas or", "and trying to add some \"action\" in there, and don't see how I", "for companionship. Anyway, I've always felt that the beginning (first 40 or so", "a third of it, that it was very realistic and great writing, but", "half of the story, but if I lose my audience before they get", "informative about the guys' predicament, but not really compelling enough for the reader", "me, after reading about a third of it, that it was very realistic", "going through it and trying to add some \"action\" in there, and don't", "how I can do that. There is a lot of action in the", "going through a separation/divorce, living alone in an unfurnished apartment; now lonely and", "then said, \"Maybe there should be more action.\" So now I'm going through", "lot of action in the second half of the story, but if I", "second half of the story, but if I lose my audience before they", "\"Maybe there should be more action.\" So now I'm going through it and", "about a third of it, that it was very realistic and great writing,", "predicament, but not really compelling enough for the reader to continue on. A", "in there, and don't see how I can do that. There is a", "in the form of a journal. It's about a man who is going", "the story, but if I lose my audience before they get there...Any ideas", "but not really compelling enough for the reader to continue on. A friend", "\"action\" in there, and don't see how I can do that. There is", "compelling enough for the reader to continue on. A friend of mine who", "companionship. Anyway, I've always felt that the beginning (first 40 or so pages)", "living alone in an unfurnished apartment; now lonely and longing for companionship. Anyway,", "very realistic and great writing, but then said, \"Maybe there should be more", "writing, but then said, \"Maybe there should be more action.\" So now I'm", "was very realistic and great writing, but then said, \"Maybe there should be", "for the reader to continue on. A friend of mine who is reading", "through a separation/divorce, living alone in an unfurnished apartment; now lonely and longing", "reader to continue on. A friend of mine who is reading it told", "form of a journal. It's about a man who is going through a", "longing for companionship. Anyway, I've always felt that the beginning (first 40 or", "of it, that it was very realistic and great writing, but then said,", "a man who is going through a separation/divorce, living alone in an unfurnished", "There is a lot of action in the second half of the story,", "and longing for companionship. Anyway, I've always felt that the beginning (first 40", "there should be more action.\" So now I'm going through it and trying", "journal. It's about a man who is going through a separation/divorce, living alone", "about a man who is going through a separation/divorce, living alone in an", "continue on. A friend of mine who is reading it told me, after", "don't see how I can do that. There is a lot of action", "really compelling enough for the reader to continue on. A friend of mine", "to add some \"action\" in there, and don't see how I can do", "alone in an unfurnished apartment; now lonely and longing for companionship. Anyway, I've", "40 or so pages) was kinda slow and while interesting and informative about", "the form of a journal. It's about a man who is going through", "a story in the form of a journal. It's about a man who", "it and trying to add some \"action\" in there, and don't see how", "reading about a third of it, that it was very realistic and great", "said, \"Maybe there should be more action.\" So now I'm going through it", "through it and trying to add some \"action\" in there, and don't see", "interesting and informative about the guys' predicament, but not really compelling enough for", "pages) was kinda slow and while interesting and informative about the guys' predicament,", "third of it, that it was very realistic and great writing, but then", "add some \"action\" in there, and don't see how I can do that.", "man who is going through a separation/divorce, living alone in an unfurnished apartment;", "kinda slow and while interesting and informative about the guys' predicament, but not", "it, that it was very realistic and great writing, but then said, \"Maybe", "So now I'm going through it and trying to add some \"action\" in", "it was very realistic and great writing, but then said, \"Maybe there should", "always felt that the beginning (first 40 or so pages) was kinda slow", "there, and don't see how I can do that. There is a lot", "so pages) was kinda slow and while interesting and informative about the guys'", "a lot of action in the second half of the story, but if", "(first 40 or so pages) was kinda slow and while interesting and informative", "if I lose my audience before they get there...Any ideas or suggestions? Thanks.", "lonely and longing for companionship. Anyway, I've always felt that the beginning (first", "mine who is reading it told me, after reading about a third of", "on. A friend of mine who is reading it told me, after reading", "apartment; now lonely and longing for companionship. Anyway, I've always felt that the", "I'm going through it and trying to add some \"action\" in there, and", "of a journal. It's about a man who is going through a separation/divorce,", "to continue on. A friend of mine who is reading it told me,", "It's about a man who is going through a separation/divorce, living alone in", "in an unfurnished apartment; now lonely and longing for companionship. Anyway, I've always", "A friend of mine who is reading it told me, after reading about", "in the second half of the story, but if I lose my audience", "is going through a separation/divorce, living alone in an unfurnished apartment; now lonely", "now lonely and longing for companionship. Anyway, I've always felt that the beginning", "I have written a story in the form of a journal. It's about", "slow and while interesting and informative about the guys' predicament, but not really", "is a lot of action in the second half of the story, but", "the beginning (first 40 or so pages) was kinda slow and while interesting", "but then said, \"Maybe there should be more action.\" So now I'm going" ]
[ "piece of software, but when I use it and check it, the software", "of software, but when I use it and check it, the software contains", "but when I use it and check it, the software contains malware and", "a bad experience, and know about it, what are you supposed to say", "and I tell my readers about it. If you have a bad experience,", "view. Please help me know how to say something critical without being too", "you have a bad experience, and know about it, what are you supposed", "a blog which sometimes features bad reviews based on my personal research and", "it. If you have a bad experience, and know about it, what are", "to say something critical without being too hurtful. For example, the object is", "of view. Please help me know how to say something critical without being", "without being too hurtful. For example, the object is a piece of software,", "I tell my readers about it. If you have a bad experience, and", "I use it and check it, the software contains malware and I tell", "have a bad experience, and know about it, what are you supposed to", "it, the software contains malware and I tell my readers about it. If", "when I use it and check it, the software contains malware and I", "say something critical without being too hurtful. For example, the object is a", "which sometimes features bad reviews based on my personal research and point of", "blog which sometimes features bad reviews based on my personal research and point", "critical without being too hurtful. For example, the object is a piece of", "my personal research and point of view. Please help me know how to", "how to say something critical without being too hurtful. For example, the object", "have a blog which sometimes features bad reviews based on my personal research", "something critical without being too hurtful. For example, the object is a piece", "it and check it, the software contains malware and I tell my readers", "Please help me know how to say something critical without being too hurtful.", "about it. If you have a bad experience, and know about it, what", "help me know how to say something critical without being too hurtful. For", "the object is a piece of software, but when I use it and", "and check it, the software contains malware and I tell my readers about", "object is a piece of software, but when I use it and check", "sometimes features bad reviews based on my personal research and point of view.", "tell my readers about it. If you have a bad experience, and know", "me know how to say something critical without being too hurtful. For example,", "software, but when I use it and check it, the software contains malware", "based on my personal research and point of view. Please help me know", "check it, the software contains malware and I tell my readers about it.", "contains malware and I tell my readers about it. If you have a", "hurtful. For example, the object is a piece of software, but when I", "reviews based on my personal research and point of view. Please help me", "features bad reviews based on my personal research and point of view. Please", "too hurtful. For example, the object is a piece of software, but when", "For example, the object is a piece of software, but when I use", "readers about it. If you have a bad experience, and know about it,", "experience, and know about it, what are you supposed to say to your", "and know about it, what are you supposed to say to your readers?", "software contains malware and I tell my readers about it. If you have", "example, the object is a piece of software, but when I use it", "malware and I tell my readers about it. If you have a bad", "know how to say something critical without being too hurtful. For example, the", "bad reviews based on my personal research and point of view. Please help", "I have a blog which sometimes features bad reviews based on my personal", "and point of view. Please help me know how to say something critical", "being too hurtful. For example, the object is a piece of software, but", "bad experience, and know about it, what are you supposed to say to", "on my personal research and point of view. Please help me know how", "research and point of view. Please help me know how to say something", "the software contains malware and I tell my readers about it. If you", "If you have a bad experience, and know about it, what are you", "is a piece of software, but when I use it and check it,", "a piece of software, but when I use it and check it, the", "use it and check it, the software contains malware and I tell my", "personal research and point of view. Please help me know how to say", "point of view. Please help me know how to say something critical without", "my readers about it. If you have a bad experience, and know about" ]
[ "story I've been considering, where the main character identifies a conspiracy, and spends", "major storylines. Mostly because life rarely ties things up in a bow for", "because life rarely ties things up in a bow for us! I have", "by how neatly stories wrap up the major storylines. Mostly because life rarely", "it but is then killed / dies before anything can come of the", "things up in a bow for us! I have a story I've been", "how neatly stories wrap up the major storylines. Mostly because life rarely ties", "a story I've been considering, where the main character identifies a conspiracy, and", "attempting to expose it but is then killed / dies before anything can", "be thinking 'yeah, but what about the conspiracy!' Is there anything I should", "life rarely ties things up in a bow for us! I have a", "conflicts occurring, other things will be resolved as the story progresses. But I", "a bow for us! I have a story I've been considering, where the", "end to be thinking 'yeah, but what about the conspiracy!' Is there anything", "before anything can come of the work he has put into it. There", "character identifies a conspiracy, and spends the majority of the story exploring it", "but what about the conspiracy!' Is there anything I should be particularly cautious", "anything I should be particularly cautious of in this story? Are there (m)any", "there anything I should be particularly cautious of in this story? Are there", "(m)any examples of that sort of abrupt ending and abandoned conflict. (as well", "the story exploring it / attempting to expose it but is then killed", "reader at the end to be thinking 'yeah, but what about the conspiracy!'", "put into it. There will likely be other conflicts occurring, other things will", "examples of that sort of abrupt ending and abandoned conflict. (as well as", "slightly frustrated by how neatly stories wrap up the major storylines. Mostly because", "is then killed / dies before anything can come of the work he", "should be particularly cautious of in this story? Are there (m)any examples of", "been considering, where the main character identifies a conspiracy, and spends the majority", "come of the work he has put into it. There will likely be", "I want the reader at the end to be thinking 'yeah, but what", "spends the majority of the story exploring it / attempting to expose it", "us! I have a story I've been considering, where the main character identifies", "story exploring it / attempting to expose it but is then killed /", "neatly stories wrap up the major storylines. Mostly because life rarely ties things", "about the conspiracy!' Is there anything I should be particularly cautious of in", "has put into it. There will likely be other conflicts occurring, other things", "'yeah, but what about the conspiracy!' Is there anything I should be particularly", "resolved as the story progresses. But I want the reader at the end", "conspiracy, and spends the majority of the story exploring it / attempting to", "a conspiracy, and spends the majority of the story exploring it / attempting", "story progresses. But I want the reader at the end to be thinking", "likely be other conflicts occurring, other things will be resolved as the story", "I've been considering, where the main character identifies a conspiracy, and spends the", "of that sort of abrupt ending and abandoned conflict. (as well as any", "Mostly because life rarely ties things up in a bow for us! I", "the main character identifies a conspiracy, and spends the majority of the story", "then killed / dies before anything can come of the work he has", "the reader at the end to be thinking 'yeah, but what about the", "can come of the work he has put into it. There will likely", "frustrated by how neatly stories wrap up the major storylines. Mostly because life", "be particularly cautious of in this story? Are there (m)any examples of that", "he has put into it. There will likely be other conflicts occurring, other", "what about the conspiracy!' Is there anything I should be particularly cautious of", "but is then killed / dies before anything can come of the work", "stories wrap up the major storylines. Mostly because life rarely ties things up", "the story progresses. But I want the reader at the end to be", "/ dies before anything can come of the work he has put into", "occurring, other things will be resolved as the story progresses. But I want", "will likely be other conflicts occurring, other things will be resolved as the", "progresses. But I want the reader at the end to be thinking 'yeah,", "considering, where the main character identifies a conspiracy, and spends the majority of", "main character identifies a conspiracy, and spends the majority of the story exploring", "exploring it / attempting to expose it but is then killed / dies", "of the story exploring it / attempting to expose it but is then", "story? Are there (m)any examples of that sort of abrupt ending and abandoned", "be other conflicts occurring, other things will be resolved as the story progresses.", "wrap up the major storylines. Mostly because life rarely ties things up in", "have a story I've been considering, where the main character identifies a conspiracy,", "of the work he has put into it. There will likely be other", "things will be resolved as the story progresses. But I want the reader", "storylines. Mostly because life rarely ties things up in a bow for us!", "other things will be resolved as the story progresses. But I want the", "other conflicts occurring, other things will be resolved as the story progresses. But", "in this story? Are there (m)any examples of that sort of abrupt ending", "the major storylines. Mostly because life rarely ties things up in a bow", "at the end to be thinking 'yeah, but what about the conspiracy!' Is", "the majority of the story exploring it / attempting to expose it but", "killed / dies before anything can come of the work he has put", "I should be particularly cautious of in this story? Are there (m)any examples", "There will likely be other conflicts occurring, other things will be resolved as", "sort of abrupt ending and abandoned conflict. (as well as any thoughts you", "cautious of in this story? Are there (m)any examples of that sort of", "that sort of abrupt ending and abandoned conflict. (as well as any thoughts", "the end to be thinking 'yeah, but what about the conspiracy!' Is there", "thinking 'yeah, but what about the conspiracy!' Is there anything I should be", "conspiracy!' Is there anything I should be particularly cautious of in this story?", "where the main character identifies a conspiracy, and spends the majority of the", "of in this story? Are there (m)any examples of that sort of abrupt", "occasionally slightly frustrated by how neatly stories wrap up the major storylines. Mostly", "of abrupt ending and abandoned conflict. (as well as any thoughts you might", "majority of the story exploring it / attempting to expose it but is", "it / attempting to expose it but is then killed / dies before", "/ attempting to expose it but is then killed / dies before anything", "as the story progresses. But I want the reader at the end to", "and spends the majority of the story exploring it / attempting to expose", "for us! I have a story I've been considering, where the main character", "this story? Are there (m)any examples of that sort of abrupt ending and", "the conspiracy!' Is there anything I should be particularly cautious of in this", "Is there anything I should be particularly cautious of in this story? Are", "am occasionally slightly frustrated by how neatly stories wrap up the major storylines.", "But I want the reader at the end to be thinking 'yeah, but", "want the reader at the end to be thinking 'yeah, but what about", "particularly cautious of in this story? Are there (m)any examples of that sort", "there (m)any examples of that sort of abrupt ending and abandoned conflict. (as", "ties things up in a bow for us! I have a story I've", "I am occasionally slightly frustrated by how neatly stories wrap up the major", "into it. There will likely be other conflicts occurring, other things will be", "abrupt ending and abandoned conflict. (as well as any thoughts you might have!)", "expose it but is then killed / dies before anything can come of", "I have a story I've been considering, where the main character identifies a", "in a bow for us! I have a story I've been considering, where", "work he has put into it. There will likely be other conflicts occurring,", "to be thinking 'yeah, but what about the conspiracy!' Is there anything I", "bow for us! I have a story I've been considering, where the main", "anything can come of the work he has put into it. There will", "will be resolved as the story progresses. But I want the reader at", "up the major storylines. Mostly because life rarely ties things up in a", "it. There will likely be other conflicts occurring, other things will be resolved", "identifies a conspiracy, and spends the majority of the story exploring it /", "Are there (m)any examples of that sort of abrupt ending and abandoned conflict.", "the work he has put into it. There will likely be other conflicts", "rarely ties things up in a bow for us! I have a story", "be resolved as the story progresses. But I want the reader at the", "up in a bow for us! I have a story I've been considering,", "to expose it but is then killed / dies before anything can come", "dies before anything can come of the work he has put into it." ]
[ "a fantasy. So, in general, where is the line drawn between what's believable", "time in stories. Somebody sneaks up behind Joe while he's in the woods", "question may sound broad or vague, so allow me to explain. I never", "fall unconscious for a few hours. I see it all the time in", "fantasy)? How accurate is too accurate? Should I stray away from writing a", "if I was writing a fantasy. So, in general, where is the line", "a few minutes at most. Any more than that and they're dead. It's", "learned that a lot of other events that are so frequently portrayed in", "the head and fall unconscious for a few hours. I see it all", "afraid that if I write a scene like the one with Joe above,", "broad or vague, so allow me to explain. I never knew much about", "people are knocked out, they're usually knocked out for less than 30 seconds,", "most. Any more than that and they're dead. It's not just this specific", "villain's basement or something. After doing some very basic reading on concussions, I", "less than 30 seconds, a few minutes at most. Any more than that", "for a few hours. I see it all the time in stories. Somebody", "people might criticize it for being unrealistic, even if I was writing a", "learned that this situation is not realistic. In fact, when people are knocked", "above, people might criticize it for being unrealistic, even if I was writing", "this specific case. I learned that a lot of other events that are", "when people are knocked out, they're usually knocked out for less than 30", "that are so frequently portrayed in fiction simply would never happen in real", "flying scene because, realistically, my character would die from increasing in altitude too", "stories. Somebody sneaks up behind Joe while he's in the woods -- WHAM", "behind Joe while he's in the woods -- WHAM -- the next scene", "now I am the writer. I am afraid that if I write a", "what's too unbelievable (especially if I'm writing a fantasy)? How accurate is too", "just this specific case. I learned that a lot of other events that", "would never happen in real life... I never had a problem with it", "than 30 seconds, a few minutes at most. Any more than that and", "few hours. I see it all the time in stories. Somebody sneaks up", "scene because, realistically, my character would die from increasing in altitude too quickly?", "but now I am the writer. I am afraid that if I write", "see it all the time in stories. Somebody sneaks up behind Joe while", "the one with Joe above, people might criticize it for being unrealistic, even", "or something. After doing some very basic reading on concussions, I learned that", "writing a fantasy. So, in general, where is the line drawn between what's", "so allow me to explain. I never knew much about combat or dealing", "is not realistic. In fact, when people are knocked out, they're usually knocked", "up behind Joe while he's in the woods -- WHAM -- the next", "of action and fighting. Prior to obtaining my research, I thought that you", "is the line drawn between what's believable and what's too unbelievable (especially if", "the line drawn between what's believable and what's too unbelievable (especially if I'm", "frequently portrayed in fiction simply would never happen in real life... I never", "hours later tied to a chair in the villain's basement or something. After", "doing some very basic reading on concussions, I learned that this situation is", "knocked out, they're usually knocked out for less than 30 seconds, a few", "some very basic reading on concussions, I learned that this situation is not", "in general, where is the line drawn between what's believable and what's too", "specific case. I learned that a lot of other events that are so", "action and fighting. Prior to obtaining my research, I thought that you could", "-- WHAM -- the next scene shows Joe waking up a few hours", "until I started gathering research for a fantasy novel I'm planning to write,", "I started gathering research for a fantasy novel I'm planning to write, which", "later tied to a chair in the villain's basement or something. After doing", "something. After doing some very basic reading on concussions, I learned that this", "if I'm writing a fantasy)? How accurate is too accurate? Should I stray", "this question may sound broad or vague, so allow me to explain. I", "a fantasy)? How accurate is too accurate? Should I stray away from writing", "usually knocked out for less than 30 seconds, a few minutes at most.", "hours. I see it all the time in stories. Somebody sneaks up behind", "hit in the head and fall unconscious for a few hours. I see", "before, but now I am the writer. I am afraid that if I", "a fantasy novel I'm planning to write, which will have a lot of", "might criticize it for being unrealistic, even if I was writing a fantasy.", "and they're dead. It's not just this specific case. I learned that a", "it before, but now I am the writer. I am afraid that if", "it all the time in stories. Somebody sneaks up behind Joe while he's", "I stray away from writing a flying scene because, realistically, my character would", "happen in real life... I never had a problem with it before, but", "chair in the villain's basement or something. After doing some very basic reading", "and what's too unbelievable (especially if I'm writing a fantasy)? How accurate is", "I learned that a lot of other events that are so frequently portrayed", "or vague, so allow me to explain. I never knew much about combat", "I am the writer. I am afraid that if I write a scene", "am afraid that if I write a scene like the one with Joe", "waking up a few hours later tied to a chair in the villain's", "a chair in the villain's basement or something. After doing some very basic", "head and fall unconscious for a few hours. I see it all the", "that this situation is not realistic. In fact, when people are knocked out,", "out, they're usually knocked out for less than 30 seconds, a few minutes", "lot of other events that are so frequently portrayed in fiction simply would", "with Joe above, people might criticize it for being unrealistic, even if I", "Should I stray away from writing a flying scene because, realistically, my character", "are knocked out, they're usually knocked out for less than 30 seconds, a", "fiction simply would never happen in real life... I never had a problem", "fact, when people are knocked out, they're usually knocked out for less than", "that if I write a scene like the one with Joe above, people", "Prior to obtaining my research, I thought that you could get hit in", "-- the next scene shows Joe waking up a few hours later tied", "I'm writing a fantasy)? How accurate is too accurate? Should I stray away", "stray away from writing a flying scene because, realistically, my character would die", "dead. It's not just this specific case. I learned that a lot of", "fighting. Prior to obtaining my research, I thought that you could get hit", "about combat or dealing with injuries until I started gathering research for a", "will have a lot of action and fighting. Prior to obtaining my research,", "in the head and fall unconscious for a few hours. I see it", "I never had a problem with it before, but now I am the", "fantasy novel I'm planning to write, which will have a lot of action", "fantasy. So, in general, where is the line drawn between what's believable and", "few hours later tied to a chair in the villain's basement or something.", "criticize it for being unrealistic, even if I was writing a fantasy. So,", "for less than 30 seconds, a few minutes at most. Any more than", "lot of action and fighting. Prior to obtaining my research, I thought that", "believable and what's too unbelievable (especially if I'm writing a fantasy)? How accurate", "between what's believable and what's too unbelievable (especially if I'm writing a fantasy)?", "could get hit in the head and fall unconscious for a few hours.", "Joe waking up a few hours later tied to a chair in the", "a scene like the one with Joe above, people might criticize it for", "never knew much about combat or dealing with injuries until I started gathering", "started gathering research for a fantasy novel I'm planning to write, which will", "Any more than that and they're dead. It's not just this specific case.", "away from writing a flying scene because, realistically, my character would die from", "which will have a lot of action and fighting. Prior to obtaining my", "basic reading on concussions, I learned that this situation is not realistic. In", "I realize this question may sound broad or vague, so allow me to", "unconscious for a few hours. I see it all the time in stories.", "Joe while he's in the woods -- WHAM -- the next scene shows", "am the writer. I am afraid that if I write a scene like", "what's believable and what's too unbelievable (especially if I'm writing a fantasy)? How", "explain. I never knew much about combat or dealing with injuries until I", "up a few hours later tied to a chair in the villain's basement", "few minutes at most. Any more than that and they're dead. It's not", "that a lot of other events that are so frequently portrayed in fiction", "even if I was writing a fantasy. So, in general, where is the", "a few hours later tied to a chair in the villain's basement or", "I learned that this situation is not realistic. In fact, when people are", "other events that are so frequently portrayed in fiction simply would never happen", "you could get hit in the head and fall unconscious for a few", "too accurate? Should I stray away from writing a flying scene because, realistically,", "I never knew much about combat or dealing with injuries until I started", "may sound broad or vague, so allow me to explain. I never knew", "never happen in real life... I never had a problem with it before,", "he's in the woods -- WHAM -- the next scene shows Joe waking", "I am afraid that if I write a scene like the one with", "WHAM -- the next scene shows Joe waking up a few hours later", "and fall unconscious for a few hours. I see it all the time", "in the woods -- WHAM -- the next scene shows Joe waking up", "they're usually knocked out for less than 30 seconds, a few minutes at", "30 seconds, a few minutes at most. Any more than that and they're", "that you could get hit in the head and fall unconscious for a", "in stories. Somebody sneaks up behind Joe while he's in the woods --", "like the one with Joe above, people might criticize it for being unrealistic,", "or dealing with injuries until I started gathering research for a fantasy novel", "line drawn between what's believable and what's too unbelievable (especially if I'm writing", "case. I learned that a lot of other events that are so frequently", "a flying scene because, realistically, my character would die from increasing in altitude", "minutes at most. Any more than that and they're dead. It's not just", "they're dead. It's not just this specific case. I learned that a lot", "all the time in stories. Somebody sneaks up behind Joe while he's in", "have a lot of action and fighting. Prior to obtaining my research, I", "it for being unrealistic, even if I was writing a fantasy. So, in", "tied to a chair in the villain's basement or something. After doing some", "In fact, when people are knocked out, they're usually knocked out for less", "for being unrealistic, even if I was writing a fantasy. So, in general,", "a few hours. I see it all the time in stories. Somebody sneaks", "and fighting. Prior to obtaining my research, I thought that you could get", "a problem with it before, but now I am the writer. I am", "novel I'm planning to write, which will have a lot of action and", "at most. Any more than that and they're dead. It's not just this", "to obtaining my research, I thought that you could get hit in the", "gathering research for a fantasy novel I'm planning to write, which will have", "was writing a fantasy. So, in general, where is the line drawn between", "get hit in the head and fall unconscious for a few hours. I", "the villain's basement or something. After doing some very basic reading on concussions,", "for a fantasy novel I'm planning to write, which will have a lot", "not just this specific case. I learned that a lot of other events", "I see it all the time in stories. Somebody sneaks up behind Joe", "Joe above, people might criticize it for being unrealistic, even if I was", "portrayed in fiction simply would never happen in real life... I never had", "much about combat or dealing with injuries until I started gathering research for", "life... I never had a problem with it before, but now I am", "general, where is the line drawn between what's believable and what's too unbelievable", "basement or something. After doing some very basic reading on concussions, I learned", "writing a flying scene because, realistically, my character would die from increasing in", "the woods -- WHAM -- the next scene shows Joe waking up a", "shows Joe waking up a few hours later tied to a chair in", "research for a fantasy novel I'm planning to write, which will have a", "not realistic. In fact, when people are knocked out, they're usually knocked out", "more than that and they're dead. It's not just this specific case. I", "I was writing a fantasy. So, in general, where is the line drawn", "reading on concussions, I learned that this situation is not realistic. In fact,", "accurate is too accurate? Should I stray away from writing a flying scene", "out for less than 30 seconds, a few minutes at most. Any more", "planning to write, which will have a lot of action and fighting. Prior", "write, which will have a lot of action and fighting. Prior to obtaining", "with injuries until I started gathering research for a fantasy novel I'm planning", "a lot of other events that are so frequently portrayed in fiction simply", "to write, which will have a lot of action and fighting. Prior to", "It's not just this specific case. I learned that a lot of other", "this situation is not realistic. In fact, when people are knocked out, they're", "drawn between what's believable and what's too unbelievable (especially if I'm writing a", "a lot of action and fighting. Prior to obtaining my research, I thought", "combat or dealing with injuries until I started gathering research for a fantasy", "obtaining my research, I thought that you could get hit in the head", "situation is not realistic. In fact, when people are knocked out, they're usually", "vague, so allow me to explain. I never knew much about combat or", "scene like the one with Joe above, people might criticize it for being", "too unbelievable (especially if I'm writing a fantasy)? How accurate is too accurate?", "research, I thought that you could get hit in the head and fall", "I thought that you could get hit in the head and fall unconscious", "problem with it before, but now I am the writer. I am afraid", "writer. I am afraid that if I write a scene like the one", "if I write a scene like the one with Joe above, people might", "real life... I never had a problem with it before, but now I", "I'm planning to write, which will have a lot of action and fighting.", "How accurate is too accurate? Should I stray away from writing a flying", "me to explain. I never knew much about combat or dealing with injuries", "injuries until I started gathering research for a fantasy novel I'm planning to", "so frequently portrayed in fiction simply would never happen in real life... I", "(especially if I'm writing a fantasy)? How accurate is too accurate? Should I", "being unrealistic, even if I was writing a fantasy. So, in general, where", "woods -- WHAM -- the next scene shows Joe waking up a few", "thought that you could get hit in the head and fall unconscious for", "where is the line drawn between what's believable and what's too unbelievable (especially", "to explain. I never knew much about combat or dealing with injuries until", "knew much about combat or dealing with injuries until I started gathering research", "never had a problem with it before, but now I am the writer.", "events that are so frequently portrayed in fiction simply would never happen in", "in the villain's basement or something. After doing some very basic reading on", "knocked out for less than 30 seconds, a few minutes at most. Any", "seconds, a few minutes at most. Any more than that and they're dead.", "of other events that are so frequently portrayed in fiction simply would never", "in fiction simply would never happen in real life... I never had a", "simply would never happen in real life... I never had a problem with", "the writer. I am afraid that if I write a scene like the", "one with Joe above, people might criticize it for being unrealistic, even if", "while he's in the woods -- WHAM -- the next scene shows Joe", "the next scene shows Joe waking up a few hours later tied to", "the time in stories. Somebody sneaks up behind Joe while he's in the", "are so frequently portrayed in fiction simply would never happen in real life...", "write a scene like the one with Joe above, people might criticize it", "writing a fantasy)? How accurate is too accurate? Should I stray away from", "from writing a flying scene because, realistically, my character would die from increasing", "had a problem with it before, but now I am the writer. I", "next scene shows Joe waking up a few hours later tied to a", "realize this question may sound broad or vague, so allow me to explain.", "my research, I thought that you could get hit in the head and", "sneaks up behind Joe while he's in the woods -- WHAM -- the", "scene shows Joe waking up a few hours later tied to a chair", "than that and they're dead. It's not just this specific case. I learned", "to a chair in the villain's basement or something. After doing some very", "that and they're dead. It's not just this specific case. I learned that", "is too accurate? Should I stray away from writing a flying scene because,", "accurate? Should I stray away from writing a flying scene because, realistically, my", "dealing with injuries until I started gathering research for a fantasy novel I'm", "sound broad or vague, so allow me to explain. I never knew much", "unrealistic, even if I was writing a fantasy. So, in general, where is", "in real life... I never had a problem with it before, but now", "I write a scene like the one with Joe above, people might criticize", "realistic. In fact, when people are knocked out, they're usually knocked out for", "So, in general, where is the line drawn between what's believable and what's", "with it before, but now I am the writer. I am afraid that", "unbelievable (especially if I'm writing a fantasy)? How accurate is too accurate? Should", "very basic reading on concussions, I learned that this situation is not realistic.", "allow me to explain. I never knew much about combat or dealing with", "After doing some very basic reading on concussions, I learned that this situation", "on concussions, I learned that this situation is not realistic. In fact, when", "concussions, I learned that this situation is not realistic. In fact, when people", "Somebody sneaks up behind Joe while he's in the woods -- WHAM --" ]
[ "people I'm to interview are business and political leaders who knew my father", "q&a's I will have with his friends associates, collegues and register it as", "Most of the people I'm to interview are business and political leaders who", "have with his friends associates, collegues and register it as a bio. What", "his friends associates, collegues and register it as a bio. What type of", "very young. I hope to know him through individual q&a's I will have", "of the people I'm to interview are business and political leaders who knew", "business and political leaders who knew my father in somewhat great detail personally", "I will have with his friends associates, collegues and register it as a", "a bio. What type of questions should I ask. Most of the people", "my father in somewhat great detail personally and professionally. Thank you in advance", "I was very young. I hope to know him through individual q&a's I", "I ask. Most of the people I'm to interview are business and political", "to interview are business and political leaders who knew my father in somewhat", "with his friends associates, collegues and register it as a bio. What type", "of questions should I ask. Most of the people I'm to interview are", "leaders who knew my father in somewhat great detail personally and professionally. Thank", "friends associates, collegues and register it as a bio. What type of questions", "collegues and register it as a bio. What type of questions should I", "young. I hope to know him through individual q&a's I will have with", "bio. What type of questions should I ask. Most of the people I'm", "knew my father in somewhat great detail personally and professionally. Thank you in", "hope to know him through individual q&a's I will have with his friends", "him through individual q&a's I will have with his friends associates, collegues and", "father passed when I was very young. I hope to know him through", "when I was very young. I hope to know him through individual q&a's", "somewhat great detail personally and professionally. Thank you in advance for any extended", "the people I'm to interview are business and political leaders who knew my", "who knew my father in somewhat great detail personally and professionally. Thank you", "political leaders who knew my father in somewhat great detail personally and professionally.", "know him through individual q&a's I will have with his friends associates, collegues", "register it as a bio. What type of questions should I ask. Most", "was very young. I hope to know him through individual q&a's I will", "father in somewhat great detail personally and professionally. Thank you in advance for", "associates, collegues and register it as a bio. What type of questions should", "are business and political leaders who knew my father in somewhat great detail", "it as a bio. What type of questions should I ask. Most of", "individual q&a's I will have with his friends associates, collegues and register it", "should I ask. Most of the people I'm to interview are business and", "in somewhat great detail personally and professionally. Thank you in advance for any", "I hope to know him through individual q&a's I will have with his", "My father passed when I was very young. I hope to know him", "passed when I was very young. I hope to know him through individual", "ask. Most of the people I'm to interview are business and political leaders", "to know him through individual q&a's I will have with his friends associates,", "through individual q&a's I will have with his friends associates, collegues and register", "as a bio. What type of questions should I ask. Most of the", "I'm to interview are business and political leaders who knew my father in", "What type of questions should I ask. Most of the people I'm to", "and political leaders who knew my father in somewhat great detail personally and", "great detail personally and professionally. Thank you in advance for any extended courtesies.", "and register it as a bio. What type of questions should I ask.", "interview are business and political leaders who knew my father in somewhat great", "type of questions should I ask. Most of the people I'm to interview", "will have with his friends associates, collegues and register it as a bio.", "questions should I ask. Most of the people I'm to interview are business" ]
[ "well? Should I write almost exclusively to get experience writing? Or should I", "write while I read and partially read while I write. If reading is", "result, I started switching between periods of only reading for learning and not", "experience writing? Or should I take a different approach entirely? Notes: I write", "how I've changed my harmful routine, I now partially write while I read", "it will help me write well? Should I write almost exclusively to get", "I lost enjoyment and satisfaction in both hobbies. What is the best way", "read, or writing only to mechanically improve my skill. Unsurprisingly, I lost enjoyment", "improve my skill. Unsurprisingly, I lost enjoyment and satisfaction in both hobbies. What", "wondering how I've changed my harmful routine, I now partially write while I", "\"readers are better writers\" and the like. As a result, I started switching", "and short serial novels. EDIT: In case people are wondering how I've changed", "are wondering how I've changed my harmful routine, I now partially write while", "and casually write, and I was satisfied with what I achieved. But that", "while I write. If reading is learning and writing is doing, then no", "novels. EDIT: In case people are wondering how I've changed my harmful routine,", "my specialties are stage-plays and short serial novels. EDIT: In case people are", "write almost exclusively to get experience writing? Or should I take a different", "are better writers\" and the like. As a result, I started switching between", "read and and casually write, and I was satisfied with what I achieved.", "I started switching between periods of only reading for learning and not enjoying", "started switching between periods of only reading for learning and not enjoying what", "mechanically improve my skill. Unsurprisingly, I lost enjoyment and satisfaction in both hobbies.", "only reading for learning and not enjoying what I read, or writing only", "read while I write. If reading is learning and writing is doing, then", "I take a different approach entirely? Notes: I write all kinds of creative", "casually write, and I was satisfied with what I achieved. But that all", "and the like. As a result, I started switching between periods of only", "writing only to mechanically improve my skill. Unsurprisingly, I lost enjoyment and satisfaction", "my skill. Unsurprisingly, I lost enjoyment and satisfaction in both hobbies. What is", "of only reading for learning and not enjoying what I read, or writing", "writing? Or should I take a different approach entirely? Notes: I write all", "and I was satisfied with what I achieved. But that all changed when", "between periods of only reading for learning and not enjoying what I read,", "Unsurprisingly, I lost enjoyment and satisfaction in both hobbies. What is the best", "me write well? Should I write almost exclusively to get experience writing? Or", "what I achieved. But that all changed when people started suggesting that \"readers", "and satisfaction in both hobbies. What is the best way to go about", "I write all kinds of creative non-fiction (practically all), but my specialties are", "A while ago, I would casually read and and casually write, and I", "write, and I was satisfied with what I achieved. But that all changed", "of creative non-fiction (practically all), but my specialties are stage-plays and short serial", "read a lot because it will help me write well? Should I write", "lost enjoyment and satisfaction in both hobbies. What is the best way to", "casually read and and casually write, and I was satisfied with what I", "almost exclusively to get experience writing? Or should I take a different approach", "case people are wondering how I've changed my harmful routine, I now partially", "is learning and writing is doing, then no matter what I'm always learning", "all changed when people started suggesting that \"readers are better writers\" and the", "learning and writing is doing, then no matter what I'm always learning and", "achieved. But that all changed when people started suggesting that \"readers are better", "approach entirely? Notes: I write all kinds of creative non-fiction (practically all), but", "that all changed when people started suggesting that \"readers are better writers\" and", "in both hobbies. What is the best way to go about writing? Should", "the like. As a result, I started switching between periods of only reading", "about writing? Should I read a lot because it will help me write", "If reading is learning and writing is doing, then no matter what I'm", "to mechanically improve my skill. Unsurprisingly, I lost enjoyment and satisfaction in both", "I've changed my harmful routine, I now partially write while I read and", "way to go about writing? Should I read a lot because it will", "with what I achieved. But that all changed when people started suggesting that", "EDIT: In case people are wondering how I've changed my harmful routine, I", "read and partially read while I write. If reading is learning and writing", "and writing is doing, then no matter what I'm always learning and accomplishing.", "write well? Should I write almost exclusively to get experience writing? Or should", "ago, I would casually read and and casually write, and I was satisfied", "non-fiction (practically all), but my specialties are stage-plays and short serial novels. EDIT:", "was satisfied with what I achieved. But that all changed when people started", "like. As a result, I started switching between periods of only reading for", "best way to go about writing? Should I read a lot because it", "a lot because it will help me write well? Should I write almost", "and not enjoying what I read, or writing only to mechanically improve my", "all), but my specialties are stage-plays and short serial novels. EDIT: In case", "stage-plays and short serial novels. EDIT: In case people are wondering how I've", "better writers\" and the like. As a result, I started switching between periods", "when people started suggesting that \"readers are better writers\" and the like. As", "exclusively to get experience writing? Or should I take a different approach entirely?", "would casually read and and casually write, and I was satisfied with what", "a result, I started switching between periods of only reading for learning and", "I would casually read and and casually write, and I was satisfied with", "I write. If reading is learning and writing is doing, then no matter", "hobbies. What is the best way to go about writing? Should I read", "enjoying what I read, or writing only to mechanically improve my skill. Unsurprisingly,", "while ago, I would casually read and and casually write, and I was", "entirely? Notes: I write all kinds of creative non-fiction (practically all), but my", "reading is learning and writing is doing, then no matter what I'm always", "take a different approach entirely? Notes: I write all kinds of creative non-fiction", "will help me write well? Should I write almost exclusively to get experience", "partially write while I read and partially read while I write. If reading", "to get experience writing? Or should I take a different approach entirely? Notes:", "skill. Unsurprisingly, I lost enjoyment and satisfaction in both hobbies. What is the", "is the best way to go about writing? Should I read a lot", "In case people are wondering how I've changed my harmful routine, I now", "write. If reading is learning and writing is doing, then no matter what", "satisfied with what I achieved. But that all changed when people started suggesting", "go about writing? Should I read a lot because it will help me", "Notes: I write all kinds of creative non-fiction (practically all), but my specialties", "partially read while I write. If reading is learning and writing is doing,", "creative non-fiction (practically all), but my specialties are stage-plays and short serial novels.", "all kinds of creative non-fiction (practically all), but my specialties are stage-plays and", "because it will help me write well? Should I write almost exclusively to", "writing? Should I read a lot because it will help me write well?", "and and casually write, and I was satisfied with what I achieved. But", "but my specialties are stage-plays and short serial novels. EDIT: In case people", "periods of only reading for learning and not enjoying what I read, or", "should I take a different approach entirely? Notes: I write all kinds of", "different approach entirely? Notes: I write all kinds of creative non-fiction (practically all),", "kinds of creative non-fiction (practically all), but my specialties are stage-plays and short", "I read a lot because it will help me write well? Should I", "now partially write while I read and partially read while I write. If", "while I read and partially read while I write. If reading is learning", "the best way to go about writing? Should I read a lot because", "a different approach entirely? Notes: I write all kinds of creative non-fiction (practically", "I now partially write while I read and partially read while I write.", "started suggesting that \"readers are better writers\" and the like. As a result,", "lot because it will help me write well? Should I write almost exclusively", "that \"readers are better writers\" and the like. As a result, I started", "reading for learning and not enjoying what I read, or writing only to", "for learning and not enjoying what I read, or writing only to mechanically", "As a result, I started switching between periods of only reading for learning", "or writing only to mechanically improve my skill. Unsurprisingly, I lost enjoyment and", "I write almost exclusively to get experience writing? Or should I take a", "I achieved. But that all changed when people started suggesting that \"readers are", "I read and partially read while I write. If reading is learning and", "switching between periods of only reading for learning and not enjoying what I", "Or should I take a different approach entirely? Notes: I write all kinds", "changed when people started suggesting that \"readers are better writers\" and the like.", "are stage-plays and short serial novels. EDIT: In case people are wondering how", "to go about writing? Should I read a lot because it will help", "only to mechanically improve my skill. Unsurprisingly, I lost enjoyment and satisfaction in", "What is the best way to go about writing? Should I read a", "not enjoying what I read, or writing only to mechanically improve my skill.", "both hobbies. What is the best way to go about writing? Should I", "help me write well? Should I write almost exclusively to get experience writing?", "Should I read a lot because it will help me write well? Should", "routine, I now partially write while I read and partially read while I", "changed my harmful routine, I now partially write while I read and partially", "writers\" and the like. As a result, I started switching between periods of", "short serial novels. EDIT: In case people are wondering how I've changed my", "write all kinds of creative non-fiction (practically all), but my specialties are stage-plays", "I read, or writing only to mechanically improve my skill. Unsurprisingly, I lost", "I was satisfied with what I achieved. But that all changed when people", "enjoyment and satisfaction in both hobbies. What is the best way to go", "people are wondering how I've changed my harmful routine, I now partially write", "suggesting that \"readers are better writers\" and the like. As a result, I", "specialties are stage-plays and short serial novels. EDIT: In case people are wondering", "and partially read while I write. If reading is learning and writing is", "Should I write almost exclusively to get experience writing? Or should I take", "harmful routine, I now partially write while I read and partially read while", "learning and not enjoying what I read, or writing only to mechanically improve", "my harmful routine, I now partially write while I read and partially read", "get experience writing? Or should I take a different approach entirely? Notes: I", "satisfaction in both hobbies. What is the best way to go about writing?", "people started suggesting that \"readers are better writers\" and the like. As a", "what I read, or writing only to mechanically improve my skill. Unsurprisingly, I", "serial novels. EDIT: In case people are wondering how I've changed my harmful", "But that all changed when people started suggesting that \"readers are better writers\"", "(practically all), but my specialties are stage-plays and short serial novels. EDIT: In" ]
[ "to be written quickly while the news segment is still recent. I have", "It just occurred to me that a book about her would probably be", "just occurred to me that a book about her would probably be a", "a book length story about someone's life. I was wondering how to get", "Nightly News a couple of weeks ago. It just occurred to me that", "about someone's life. I was wondering how to get started and how to", "is an inspirational little girl whose overcoming physical handicaps to help others. She", "an inspirational little girl whose overcoming physical handicaps to help others. She was", "wondering how to get started and how to structure the book. Advice, please?", "was wondering how to get started and how to structure the book. Advice,", "featured on NBC Nightly News a couple of weeks ago. It just occurred", "I was wondering how to get started and how to structure the book.", "cousin is an inspirational little girl whose overcoming physical handicaps to help others.", "never a book length story about someone's life. I was wondering how to", "just featured on NBC Nightly News a couple of weeks ago. It just", "a book about her would probably be a best seller, but needs to", "was just featured on NBC Nightly News a couple of weeks ago. It", "to help others. She was just featured on NBC Nightly News a couple", "someone's life. I was wondering how to get started and how to structure", "News a couple of weeks ago. It just occurred to me that a", "handicaps to help others. She was just featured on NBC Nightly News a", "still recent. I have written non-fiction before, but never a book length story", "She was just featured on NBC Nightly News a couple of weeks ago.", "written non-fiction before, but never a book length story about someone's life. I", "probably be a best seller, but needs to be written quickly while the", "occurred to me that a book about her would probably be a best", "while the news segment is still recent. I have written non-fiction before, but", "seller, but needs to be written quickly while the news segment is still", "girl whose overcoming physical handicaps to help others. She was just featured on", "about her would probably be a best seller, but needs to be written", "life. I was wondering how to get started and how to structure the", "on NBC Nightly News a couple of weeks ago. It just occurred to", "book length story about someone's life. I was wondering how to get started", "but never a book length story about someone's life. I was wondering how", "her would probably be a best seller, but needs to be written quickly", "NBC Nightly News a couple of weeks ago. It just occurred to me", "weeks ago. It just occurred to me that a book about her would", "best seller, but needs to be written quickly while the news segment is", "book about her would probably be a best seller, but needs to be", "written quickly while the news segment is still recent. I have written non-fiction", "My cousin is an inspirational little girl whose overcoming physical handicaps to help", "I have written non-fiction before, but never a book length story about someone's", "story about someone's life. I was wondering how to get started and how", "me that a book about her would probably be a best seller, but", "needs to be written quickly while the news segment is still recent. I", "of weeks ago. It just occurred to me that a book about her", "quickly while the news segment is still recent. I have written non-fiction before,", "inspirational little girl whose overcoming physical handicaps to help others. She was just", "couple of weeks ago. It just occurred to me that a book about", "have written non-fiction before, but never a book length story about someone's life.", "overcoming physical handicaps to help others. She was just featured on NBC Nightly", "non-fiction before, but never a book length story about someone's life. I was", "whose overcoming physical handicaps to help others. She was just featured on NBC", "to me that a book about her would probably be a best seller,", "but needs to be written quickly while the news segment is still recent.", "be written quickly while the news segment is still recent. I have written", "before, but never a book length story about someone's life. I was wondering", "is still recent. I have written non-fiction before, but never a book length", "that a book about her would probably be a best seller, but needs", "physical handicaps to help others. She was just featured on NBC Nightly News", "help others. She was just featured on NBC Nightly News a couple of", "a best seller, but needs to be written quickly while the news segment", "be a best seller, but needs to be written quickly while the news", "would probably be a best seller, but needs to be written quickly while", "news segment is still recent. I have written non-fiction before, but never a", "segment is still recent. I have written non-fiction before, but never a book", "the news segment is still recent. I have written non-fiction before, but never", "little girl whose overcoming physical handicaps to help others. She was just featured", "a couple of weeks ago. It just occurred to me that a book", "recent. I have written non-fiction before, but never a book length story about", "ago. It just occurred to me that a book about her would probably", "others. She was just featured on NBC Nightly News a couple of weeks", "length story about someone's life. I was wondering how to get started and" ]
[ "a book or screenplay, but you do not know how to develop this", "book or screenplay, but you do not know how to develop this idea", "you do not know how to develop this idea on paper, what do", "or screenplay, but you do not know how to develop this idea on", "a good idea for a book or screenplay, but you do not know", "idea for a book or screenplay, but you do not know how to", "you have a good idea for a book or screenplay, but you do", "have a good idea for a book or screenplay, but you do not", "good idea for a book or screenplay, but you do not know how", "for a book or screenplay, but you do not know how to develop", "but you do not know how to develop this idea on paper, what", "do not know how to develop this idea on paper, what do you", "screenplay, but you do not know how to develop this idea on paper,", "not know how to develop this idea on paper, what do you do?", "When you have a good idea for a book or screenplay, but you" ]
[ "a novella, but I am not sure whether it is marketable. I have", "mind, but I'm trying to determine how best to publish a novella, whether", "it is marketable. I have a story in mind, but I'm trying to", "but I am not sure whether it is marketable. I have a story", "I am thinking of writing a novella, but I am not sure whether", "best to publish a novella, whether it's worth publishing, and if published whether", "published whether it's worth selling or should be given out as a type", "it's worth publishing, and if published whether it's worth selling or should be", "whether it's worth publishing, and if published whether it's worth selling or should", "have a story in mind, but I'm trying to determine how best to", "I am not sure whether it is marketable. I have a story in", "I'm trying to determine how best to publish a novella, whether it's worth", "determine how best to publish a novella, whether it's worth publishing, and if", "of writing a novella, but I am not sure whether it is marketable.", "but I'm trying to determine how best to publish a novella, whether it's", "a novella, whether it's worth publishing, and if published whether it's worth selling", "and if published whether it's worth selling or should be given out as", "thinking of writing a novella, but I am not sure whether it is", "in mind, but I'm trying to determine how best to publish a novella,", "selling or should be given out as a type of \"sample work\". Thoughts?", "not sure whether it is marketable. I have a story in mind, but", "sure whether it is marketable. I have a story in mind, but I'm", "if published whether it's worth selling or should be given out as a", "worth publishing, and if published whether it's worth selling or should be given", "to publish a novella, whether it's worth publishing, and if published whether it's", "novella, but I am not sure whether it is marketable. I have a", "to determine how best to publish a novella, whether it's worth publishing, and", "a story in mind, but I'm trying to determine how best to publish", "marketable. I have a story in mind, but I'm trying to determine how", "how best to publish a novella, whether it's worth publishing, and if published", "publish a novella, whether it's worth publishing, and if published whether it's worth", "publishing, and if published whether it's worth selling or should be given out", "worth selling or should be given out as a type of \"sample work\".", "novella, whether it's worth publishing, and if published whether it's worth selling or", "whether it is marketable. I have a story in mind, but I'm trying", "is marketable. I have a story in mind, but I'm trying to determine", "it's worth selling or should be given out as a type of \"sample", "writing a novella, but I am not sure whether it is marketable. I", "trying to determine how best to publish a novella, whether it's worth publishing,", "story in mind, but I'm trying to determine how best to publish a", "am thinking of writing a novella, but I am not sure whether it", "whether it's worth selling or should be given out as a type of", "am not sure whether it is marketable. I have a story in mind,", "I have a story in mind, but I'm trying to determine how best" ]
[ "something that happens near the end. Then I start worrying that if I", "explore possibilities and I end up writing virtual reams of content. If I", "and forth through my first draft that I'll just end up going around", "or rewrite any sheets, because sometimes I drop an idea and a scene", "the final few drafts. But lately, I've discovered that the more I write,", "on my mind. Then writing feels more like cleaning the kitchen floor and", "circles. The trust example is only one change. Several other little wrinkles keep", "more like cleaning the kitchen floor and I want to put it off.", "my MC because she seemed nice. So now, they are suspicious of her", "from playing with the plot because the more I play with it, the", "story evolves. It goes both forward and backwards in my story's timeline. Example:", "virtual reams of content. If I force myself to plod along with the", "spinning my wheels and thinking too much. But I can't stop myself from", "business as the \"canon\" storyline. Anyway, should I just plow forward without ever", "as much as possible? Which approach is more likely to lead to a", "background fluff now are filled with mystery and possibilities. So I've been going", "what I've already written. Things that seemed like background fluff now are filled", "characters thrown together don't seem to trust each other as much as I", "my wheels and thinking too much. But I can't stop myself from playing", "to do the sort of surgery I'm doing to what I've already written.", "I want to put it off. So help! Am I dooming my efforts", "editing. I'm talking about changing the story itself. I'm starting to worry that", "want to explore possibilities and I end up writing virtual reams of content.", "it wasn't plausible to for these reasonably intelligent people who were justifiably suspicious", "jump around and change things. I'm not taking about editing. I'm talking about", "triple my word count goal on a daily basis, perhaps I'm not making", "with the plot because the more I play with it, the more I", "So help! Am I dooming my efforts by thinking of allowing myself to", "floor and I want to put it off. So help! Am I dooming", "Several other little wrinkles keep popping up. I now refuse to delete or", "about things that need to happen in the future. Sometimes it's where I", "too much. But I can't stop myself from playing with the plot because", "feel like? Or should I discipline myself and write in a straight line", "where I left off and that's easy, but sometimes it's something that happens", "I go back and add something, I think about things that need to", "one change. Several other little wrinkles keep popping up. I now refuse to", "storyline. Anyway, should I just plow forward without ever going back and forth?", "up. As soon as I go back and add something, I think about", "I drop an idea and a scene I deemed obsolete is back in", "thrown together don't seem to trust each other as much as I originally", "add I things to what I've already written. Things that seemed like background", "one of the \"good parts\" that is currently on my mind. Then writing", "I'm not taking about editing. I'm talking about changing the story itself. I'm", "with it, the more I want to explore possibilities and I end up", "This my most serious writing endeavor ever. I've gotten much farther than I've", "and add I things to what I've already written. Things that seemed like", "end. Then I start worrying that if I keep jumping around back and", "the kitchen floor and I want to put it off. So help! Am", "a scene I deemed obsolete is back in business as the \"canon\" storyline.", "drop an idea and a scene I deemed obsolete is back in business", "draft that I'll just end up going around in circles. The trust example", "are suspicious of her and have their own reasons for going along with", "my story's timeline. Example: I \"figured out\" that the characters thrown together don't", "with mystery and possibilities. So I've been going back and adding sheets. Thank", "back and add something, I think about things that need to happen in", "plod along with the order the story will be written, I feel resentful", "feel resentful and edgy because I'm not writing one of the \"good parts\"", "to for these reasonably intelligent people who were justifiably suspicious of outsiders would", "back and adding sheets. Thank goodness for Ulysses because otherwise I'd never attempt", "my first draft that I'll just end up going around in circles. The", "be written, I feel resentful and edgy because I'm not writing one of", "these reasonably intelligent people who were justifiably suspicious of outsiders would just team", "Now I want to go back and add I things to what I've", "But now things are getting tangled up. As soon as I go back", "the story will be written, I feel resentful and edgy because I'm not", "reams of content. If I force myself to plod along with the order", "starting to worry that while I'm writing triple my word count goal on", "along with the order the story will be written, I feel resentful and", "currently on my mind. Then writing feels more like cleaning the kitchen floor", "kitchen floor and I want to put it off. So help! Am I", "attempt to do the sort of surgery I'm doing to what I've already", "now, they are suspicious of her and have their own reasons for going", "of allowing myself to go off the leash and write any thing I", "much as possible? Which approach is more likely to lead to a successful", "I keep jumping around back and forth through my first draft that I'll", "I want to explore possibilities and I end up writing virtual reams of", "both forward and backwards in my story's timeline. Example: I \"figured out\" that", "delete or rewrite any sheets, because sometimes I drop an idea and a", "in my story's timeline. Example: I \"figured out\" that the characters thrown together", "her plans. Now I want to go back and add I things to", "that's easy, but sometimes it's something that happens near the end. Then I", "tangled up. As soon as I go back and add something, I think", "more I play with it, the more I want to explore possibilities and", "resentful and edgy because I'm not writing one of the \"good parts\" that", "much as I originally thought they did. I decided that it wasn't plausible", "that seemed like background fluff now are filled with mystery and possibilities. So", "that the more I write, the more my story evolves. It goes both", "should I discipline myself and write in a straight line as much as", "things. I'm not taking about editing. I'm talking about changing the story itself.", "\"figured out\" that the characters thrown together don't seem to trust each other", "writing everything in the order that I imagine it being written in the", "and backwards in my story's timeline. Example: I \"figured out\" that the characters", "drafts. But lately, I've discovered that the more I write, the more my", "I'm doing to what I've already written. But now things are getting tangled", "as the \"canon\" storyline. Anyway, should I just plow forward without ever going", "to go off the leash and write any thing I want in any", "allowing myself to go off the leash and write any thing I want", "So far, I've been chugging along writing everything in the order that I", "that while I'm writing triple my word count goal on a daily basis,", "possibilities and I end up writing virtual reams of content. If I force", "writing feels more like cleaning the kitchen floor and I want to put", "any real progress and I'm just spinning my wheels and thinking too much.", "the characters thrown together don't seem to trust each other as much as", "start worrying that if I keep jumping around back and forth through my", "the more I write, the more my story evolves. It goes both forward", "to delete or rewrite any sheets, because sometimes I drop an idea and", "for going along with her plans. Now I want to go back and", "discipline myself and write in a straight line as much as possible? Which", "intelligent people who were justifiably suspicious of outsiders would just team up and", "any thing I want in any order I feel like? Or should I", "decided that it wasn't plausible to for these reasonably intelligent people who were", "future. Sometimes it's where I left off and that's easy, but sometimes it's", "on a daily basis, perhaps I'm not making any real progress and I'm", "deemed obsolete is back in business as the \"canon\" storyline. Anyway, should I", "lately, I've discovered that the more I write, the more my story evolves.", "content. If I force myself to plod along with the order the story", "I force myself to plod along with the order the story will be", "that is currently on my mind. Then writing feels more like cleaning the", "Am I dooming my efforts by thinking of allowing myself to go off", "I'd never attempt to do the sort of surgery I'm doing to what", "through my first draft that I'll just end up going around in circles.", "I deemed obsolete is back in business as the \"canon\" storyline. Anyway, should", "in the future. Sometimes it's where I left off and that's easy, but", "that need to happen in the future. Sometimes it's where I left off", "an idea and a scene I deemed obsolete is back in business as", "things are getting tangled up. As soon as I go back and add", "end up writing virtual reams of content. If I force myself to plod", "I imagine it being written in the final few drafts. But lately, I've", "discovered that the more I write, the more my story evolves. It goes", "I dooming my efforts by thinking of allowing myself to go off the", "talking about changing the story itself. I'm starting to worry that while I'm", "my word count goal on a daily basis, perhaps I'm not making any", "now refuse to delete or rewrite any sheets, because sometimes I drop an", "as I go back and add something, I think about things that need", "myself to plod along with the order the story will be written, I", "write, the more my story evolves. It goes both forward and backwards in", "are filled with mystery and possibilities. So I've been going back and adding", "in a straight line as much as possible? Which approach is more likely", "of getting. So far, I've been chugging along writing everything in the order", "now are filled with mystery and possibilities. So I've been going back and", "it's something that happens near the end. Then I start worrying that if", "with her plans. Now I want to go back and add I things", "go back and add something, I think about things that need to happen", "plot because the more I play with it, the more I want to", "to explore possibilities and I end up writing virtual reams of content. If", "popping up. I now refuse to delete or rewrite any sheets, because sometimes", "Or is it ok to jump around and change things. I'm not taking", "reasonably intelligent people who were justifiably suspicious of outsiders would just team up", "everything in the order that I imagine it being written in the final", "in the order that I imagine it being written in the final few", "the order that I imagine it being written in the final few drafts.", "stop myself from playing with the plot because the more I play with", "off and that's easy, but sometimes it's something that happens near the end.", "of surgery I'm doing to what I've already written. But now things are", "can't stop myself from playing with the plot because the more I play", "without ever going back and forth? Or is it ok to jump around", "the story itself. I'm starting to worry that while I'm writing triple my", "like? Or should I discipline myself and write in a straight line as", "because the more I play with it, the more I want to explore", "her and have their own reasons for going along with her plans. Now", "the more I play with it, the more I want to explore possibilities", "by thinking of allowing myself to go off the leash and write any", "endeavor ever. I've gotten much farther than I've dreamed of getting. So far,", "to go back and add I things to what I've already written. Things", "real progress and I'm just spinning my wheels and thinking too much. But", "story itself. I'm starting to worry that while I'm writing triple my word", "I feel resentful and edgy because I'm not writing one of the \"good", "it's where I left off and that's easy, but sometimes it's something that", "and change things. I'm not taking about editing. I'm talking about changing the", "playing with the plot because the more I play with it, the more", "think about things that need to happen in the future. Sometimes it's where", "that I'll just end up going around in circles. The trust example is", "go back and add I things to what I've already written. Things that", "never attempt to do the sort of surgery I'm doing to what I've", "line as much as possible? Which approach is more likely to lead to", "more my story evolves. It goes both forward and backwards in my story's", "the leash and write any thing I want in any order I feel", "ever. I've gotten much farther than I've dreamed of getting. So far, I've", "back in business as the \"canon\" storyline. Anyway, should I just plow forward", "outsiders would just team up and follow my MC because she seemed nice.", "their own reasons for going along with her plans. Now I want to", "would just team up and follow my MC because she seemed nice. So", "back and forth through my first draft that I'll just end up going", "like cleaning the kitchen floor and I want to put it off. So", "leash and write any thing I want in any order I feel like?", "and possibilities. So I've been going back and adding sheets. Thank goodness for", "the order the story will be written, I feel resentful and edgy because", "and follow my MC because she seemed nice. So now, they are suspicious", "up and follow my MC because she seemed nice. So now, they are", "play with it, the more I want to explore possibilities and I end", "any order I feel like? Or should I discipline myself and write in", "a daily basis, perhaps I'm not making any real progress and I'm just", "that happens near the end. Then I start worrying that if I keep", "first draft that I'll just end up going around in circles. The trust", "written in the final few drafts. But lately, I've discovered that the more", "happens near the end. Then I start worrying that if I keep jumping", "myself from playing with the plot because the more I play with it,", "idea and a scene I deemed obsolete is back in business as the", "are getting tangled up. As soon as I go back and add something,", "I play with it, the more I want to explore possibilities and I", "not making any real progress and I'm just spinning my wheels and thinking", "that I imagine it being written in the final few drafts. But lately,", "own reasons for going along with her plans. Now I want to go", "will be written, I feel resentful and edgy because I'm not writing one", "doing to what I've already written. But now things are getting tangled up.", "I originally thought they did. I decided that it wasn't plausible to for", "did. I decided that it wasn't plausible to for these reasonably intelligent people", "because sometimes I drop an idea and a scene I deemed obsolete is", "written, I feel resentful and edgy because I'm not writing one of the", "writing virtual reams of content. If I force myself to plod along with", "to plod along with the order the story will be written, I feel", "and add something, I think about things that need to happen in the", "is it ok to jump around and change things. I'm not taking about", "\"good parts\" that is currently on my mind. Then writing feels more like", "about editing. I'm talking about changing the story itself. I'm starting to worry", "more I write, the more my story evolves. It goes both forward and", "chugging along writing everything in the order that I imagine it being written", "ever going back and forth? Or is it ok to jump around and", "don't seem to trust each other as much as I originally thought they", "most serious writing endeavor ever. I've gotten much farther than I've dreamed of", "making any real progress and I'm just spinning my wheels and thinking too", "left off and that's easy, but sometimes it's something that happens near the", "plausible to for these reasonably intelligent people who were justifiably suspicious of outsiders", "is only one change. Several other little wrinkles keep popping up. I now", "\"canon\" storyline. Anyway, should I just plow forward without ever going back and", "efforts by thinking of allowing myself to go off the leash and write", "But lately, I've discovered that the more I write, the more my story", "what I've already written. But now things are getting tangled up. As soon", "for Ulysses because otherwise I'd never attempt to do the sort of surgery", "than I've dreamed of getting. So far, I've been chugging along writing everything", "around and change things. I'm not taking about editing. I'm talking about changing", "going along with her plans. Now I want to go back and add", "fluff now are filled with mystery and possibilities. So I've been going back", "myself to go off the leash and write any thing I want in", "because otherwise I'd never attempt to do the sort of surgery I'm doing", "seemed like background fluff now are filled with mystery and possibilities. So I've", "otherwise I'd never attempt to do the sort of surgery I'm doing to", "order the story will be written, I feel resentful and edgy because I'm", "the sort of surgery I'm doing to what I've already written. But now", "do the sort of surgery I'm doing to what I've already written. But", "perhaps I'm not making any real progress and I'm just spinning my wheels", "Or should I discipline myself and write in a straight line as much", "keep popping up. I now refuse to delete or rewrite any sheets, because", "I \"figured out\" that the characters thrown together don't seem to trust each", "dooming my efforts by thinking of allowing myself to go off the leash", "been chugging along writing everything in the order that I imagine it being", "I've already written. Things that seemed like background fluff now are filled with", "itself. I'm starting to worry that while I'm writing triple my word count", "I'm just spinning my wheels and thinking too much. But I can't stop", "because she seemed nice. So now, they are suspicious of her and have", "been going back and adding sheets. Thank goodness for Ulysses because otherwise I'd", "and forth? Or is it ok to jump around and change things. I'm", "other little wrinkles keep popping up. I now refuse to delete or rewrite", "because I'm not writing one of the \"good parts\" that is currently on", "other as much as I originally thought they did. I decided that it", "daily basis, perhaps I'm not making any real progress and I'm just spinning", "things that need to happen in the future. Sometimes it's where I left", "put it off. So help! Am I dooming my efforts by thinking of", "I've dreamed of getting. So far, I've been chugging along writing everything in", "to put it off. So help! Am I dooming my efforts by thinking", "suspicious of her and have their own reasons for going along with her", "timeline. Example: I \"figured out\" that the characters thrown together don't seem to", "follow my MC because she seemed nice. So now, they are suspicious of", "taking about editing. I'm talking about changing the story itself. I'm starting to", "I'm writing triple my word count goal on a daily basis, perhaps I'm", "keep jumping around back and forth through my first draft that I'll just", "and I end up writing virtual reams of content. If I force myself", "wrinkles keep popping up. I now refuse to delete or rewrite any sheets,", "I want to go back and add I things to what I've already", "go off the leash and write any thing I want in any order", "order I feel like? Or should I discipline myself and write in a", "progress and I'm just spinning my wheels and thinking too much. But I", "for these reasonably intelligent people who were justifiably suspicious of outsiders would just", "off the leash and write any thing I want in any order I", "just team up and follow my MC because she seemed nice. So now,", "as possible? Which approach is more likely to lead to a successful story?", "the future. Sometimes it's where I left off and that's easy, but sometimes", "I decided that it wasn't plausible to for these reasonably intelligent people who", "while I'm writing triple my word count goal on a daily basis, perhaps", "I feel like? Or should I discipline myself and write in a straight", "along writing everything in the order that I imagine it being written in", "to happen in the future. Sometimes it's where I left off and that's", "force myself to plod along with the order the story will be written,", "already written. Things that seemed like background fluff now are filled with mystery", "farther than I've dreamed of getting. So far, I've been chugging along writing", "suspicious of outsiders would just team up and follow my MC because she", "and thinking too much. But I can't stop myself from playing with the", "As soon as I go back and add something, I think about things", "like background fluff now are filled with mystery and possibilities. So I've been", "of content. If I force myself to plod along with the order the", "easy, but sometimes it's something that happens near the end. Then I start", "I've already written. But now things are getting tangled up. As soon as", "together don't seem to trust each other as much as I originally thought", "final few drafts. But lately, I've discovered that the more I write, the", "seem to trust each other as much as I originally thought they did.", "sometimes I drop an idea and a scene I deemed obsolete is back", "is back in business as the \"canon\" storyline. Anyway, should I just plow", "only one change. Several other little wrinkles keep popping up. I now refuse", "order that I imagine it being written in the final few drafts. But", "sometimes it's something that happens near the end. Then I start worrying that", "that the characters thrown together don't seem to trust each other as much", "Anyway, should I just plow forward without ever going back and forth? Or", "help! Am I dooming my efforts by thinking of allowing myself to go", "back and forth? Or is it ok to jump around and change things.", "thinking of allowing myself to go off the leash and write any thing", "I now refuse to delete or rewrite any sheets, because sometimes I drop", "and write any thing I want in any order I feel like? Or", "to jump around and change things. I'm not taking about editing. I'm talking", "I discipline myself and write in a straight line as much as possible?", "seemed nice. So now, they are suspicious of her and have their own", "little wrinkles keep popping up. I now refuse to delete or rewrite any", "adding sheets. Thank goodness for Ulysses because otherwise I'd never attempt to do", "filled with mystery and possibilities. So I've been going back and adding sheets.", "it off. So help! Am I dooming my efforts by thinking of allowing", "going around in circles. The trust example is only one change. Several other", "surgery I'm doing to what I've already written. But now things are getting", "It goes both forward and backwards in my story's timeline. Example: I \"figured", "my mind. Then writing feels more like cleaning the kitchen floor and I", "I'm starting to worry that while I'm writing triple my word count goal", "the end. Then I start worrying that if I keep jumping around back", "and I'm just spinning my wheels and thinking too much. But I can't", "scene I deemed obsolete is back in business as the \"canon\" storyline. Anyway,", "Ulysses because otherwise I'd never attempt to do the sort of surgery I'm", "were justifiably suspicious of outsiders would just team up and follow my MC", "of outsiders would just team up and follow my MC because she seemed", "and adding sheets. Thank goodness for Ulysses because otherwise I'd never attempt to", "worrying that if I keep jumping around back and forth through my first", "something, I think about things that need to happen in the future. Sometimes", "edgy because I'm not writing one of the \"good parts\" that is currently", "goodness for Ulysses because otherwise I'd never attempt to do the sort of", "it ok to jump around and change things. I'm not taking about editing.", "writing endeavor ever. I've gotten much farther than I've dreamed of getting. So", "going back and forth? Or is it ok to jump around and change", "parts\" that is currently on my mind. Then writing feels more like cleaning", "already written. But now things are getting tangled up. As soon as I", "I end up writing virtual reams of content. If I force myself to", "but sometimes it's something that happens near the end. Then I start worrying", "So now, they are suspicious of her and have their own reasons for", "I'm talking about changing the story itself. I'm starting to worry that while", "and that's easy, but sometimes it's something that happens near the end. Then", "far, I've been chugging along writing everything in the order that I imagine", "and write in a straight line as much as possible? Which approach is", "it being written in the final few drafts. But lately, I've discovered that", "possibilities. So I've been going back and adding sheets. Thank goodness for Ulysses", "So I've been going back and adding sheets. Thank goodness for Ulysses because", "just plow forward without ever going back and forth? Or is it ok", "of her and have their own reasons for going along with her plans.", "should I just plow forward without ever going back and forth? Or is", "the plot because the more I play with it, the more I want", "write any thing I want in any order I feel like? Or should", "out\" that the characters thrown together don't seem to trust each other as", "The trust example is only one change. Several other little wrinkles keep popping", "gotten much farther than I've dreamed of getting. So far, I've been chugging", "originally thought they did. I decided that it wasn't plausible to for these", "serious writing endeavor ever. I've gotten much farther than I've dreamed of getting.", "up writing virtual reams of content. If I force myself to plod along", "things to what I've already written. Things that seemed like background fluff now", "I've gotten much farther than I've dreamed of getting. So far, I've been", "around in circles. The trust example is only one change. Several other little", "writing one of the \"good parts\" that is currently on my mind. Then", "that if I keep jumping around back and forth through my first draft", "sort of surgery I'm doing to what I've already written. But now things", "around back and forth through my first draft that I'll just end up", "I'm not writing one of the \"good parts\" that is currently on my", "they are suspicious of her and have their own reasons for going along", "straight line as much as possible? Which approach is more likely to lead", "mystery and possibilities. So I've been going back and adding sheets. Thank goodness", "add something, I think about things that need to happen in the future.", "in any order I feel like? Or should I discipline myself and write", "they did. I decided that it wasn't plausible to for these reasonably intelligent", "Thank goodness for Ulysses because otherwise I'd never attempt to do the sort", "thing I want in any order I feel like? Or should I discipline", "word count goal on a daily basis, perhaps I'm not making any real", "Things that seemed like background fluff now are filled with mystery and possibilities.", "I start worrying that if I keep jumping around back and forth through", "the more my story evolves. It goes both forward and backwards in my", "my most serious writing endeavor ever. I've gotten much farther than I've dreamed", "want in any order I feel like? Or should I discipline myself and", "trust each other as much as I originally thought they did. I decided", "to what I've already written. Things that seemed like background fluff now are", "getting tangled up. As soon as I go back and add something, I", "change. Several other little wrinkles keep popping up. I now refuse to delete", "to worry that while I'm writing triple my word count goal on a", "thought they did. I decided that it wasn't plausible to for these reasonably", "Example: I \"figured out\" that the characters thrown together don't seem to trust", "being written in the final few drafts. But lately, I've discovered that the", "my story evolves. It goes both forward and backwards in my story's timeline.", "much farther than I've dreamed of getting. So far, I've been chugging along", "few drafts. But lately, I've discovered that the more I write, the more", "who were justifiably suspicious of outsiders would just team up and follow my", "backwards in my story's timeline. Example: I \"figured out\" that the characters thrown", "to what I've already written. But now things are getting tangled up. As", "much. But I can't stop myself from playing with the plot because the", "myself and write in a straight line as much as possible? Which approach", "changing the story itself. I'm starting to worry that while I'm writing triple", "any sheets, because sometimes I drop an idea and a scene I deemed", "in circles. The trust example is only one change. Several other little wrinkles", "written. Things that seemed like background fluff now are filled with mystery and", "basis, perhaps I'm not making any real progress and I'm just spinning my", "I've been chugging along writing everything in the order that I imagine it", "plans. Now I want to go back and add I things to what", "up. I now refuse to delete or rewrite any sheets, because sometimes I", "that it wasn't plausible to for these reasonably intelligent people who were justifiably", "I write, the more my story evolves. It goes both forward and backwards", "and edgy because I'm not writing one of the \"good parts\" that is", "I left off and that's easy, but sometimes it's something that happens near", "But I can't stop myself from playing with the plot because the more", "and have their own reasons for going along with her plans. Now I", "people who were justifiably suspicious of outsiders would just team up and follow", "dreamed of getting. So far, I've been chugging along writing everything in the", "obsolete is back in business as the \"canon\" storyline. Anyway, should I just", "as I originally thought they did. I decided that it wasn't plausible to", "change things. I'm not taking about editing. I'm talking about changing the story", "forth through my first draft that I'll just end up going around in", "goal on a daily basis, perhaps I'm not making any real progress and", "I just plow forward without ever going back and forth? Or is it", "jumping around back and forth through my first draft that I'll just end", "near the end. Then I start worrying that if I keep jumping around", "off. So help! Am I dooming my efforts by thinking of allowing myself", "justifiably suspicious of outsiders would just team up and follow my MC because", "getting. So far, I've been chugging along writing everything in the order that", "a straight line as much as possible? Which approach is more likely to", "Then writing feels more like cleaning the kitchen floor and I want to", "thinking too much. But I can't stop myself from playing with the plot", "soon as I go back and add something, I think about things that", "it, the more I want to explore possibilities and I end up writing", "write in a straight line as much as possible? Which approach is more", "have their own reasons for going along with her plans. Now I want", "not taking about editing. I'm talking about changing the story itself. I'm starting", "count goal on a daily basis, perhaps I'm not making any real progress", "forth? Or is it ok to jump around and change things. I'm not", "happen in the future. Sometimes it's where I left off and that's easy,", "each other as much as I originally thought they did. I decided that", "mind. Then writing feels more like cleaning the kitchen floor and I want", "sheets, because sometimes I drop an idea and a scene I deemed obsolete", "forward without ever going back and forth? Or is it ok to jump", "back and add I things to what I've already written. Things that seemed", "need to happen in the future. Sometimes it's where I left off and", "refuse to delete or rewrite any sheets, because sometimes I drop an idea", "as much as I originally thought they did. I decided that it wasn't", "is currently on my mind. Then writing feels more like cleaning the kitchen", "my efforts by thinking of allowing myself to go off the leash and", "end up going around in circles. The trust example is only one change.", "story's timeline. Example: I \"figured out\" that the characters thrown together don't seem", "imagine it being written in the final few drafts. But lately, I've discovered", "written. But now things are getting tangled up. As soon as I go", "evolves. It goes both forward and backwards in my story's timeline. Example: I", "up going around in circles. The trust example is only one change. Several", "forward and backwards in my story's timeline. Example: I \"figured out\" that the", "and a scene I deemed obsolete is back in business as the \"canon\"", "story will be written, I feel resentful and edgy because I'm not writing", "the \"canon\" storyline. Anyway, should I just plow forward without ever going back", "nice. So now, they are suspicious of her and have their own reasons", "sheets. Thank goodness for Ulysses because otherwise I'd never attempt to do the", "goes both forward and backwards in my story's timeline. Example: I \"figured out\"", "want to go back and add I things to what I've already written.", "along with her plans. Now I want to go back and add I", "ok to jump around and change things. I'm not taking about editing. I'm", "she seemed nice. So now, they are suspicious of her and have their", "going back and adding sheets. Thank goodness for Ulysses because otherwise I'd never", "I've discovered that the more I write, the more my story evolves. It", "I'll just end up going around in circles. The trust example is only", "in business as the \"canon\" storyline. Anyway, should I just plow forward without", "wasn't plausible to for these reasonably intelligent people who were justifiably suspicious of", "I want in any order I feel like? Or should I discipline myself", "now things are getting tangled up. As soon as I go back and", "the more I want to explore possibilities and I end up writing virtual", "Then I start worrying that if I keep jumping around back and forth", "I've been going back and adding sheets. Thank goodness for Ulysses because otherwise", "in the final few drafts. But lately, I've discovered that the more I", "just end up going around in circles. The trust example is only one", "writing triple my word count goal on a daily basis, perhaps I'm not", "with the order the story will be written, I feel resentful and edgy", "MC because she seemed nice. So now, they are suspicious of her and", "reasons for going along with her plans. Now I want to go back", "worry that while I'm writing triple my word count goal on a daily", "I things to what I've already written. Things that seemed like background fluff", "want to put it off. So help! Am I dooming my efforts by", "and I want to put it off. So help! Am I dooming my", "just spinning my wheels and thinking too much. But I can't stop myself", "more I want to explore possibilities and I end up writing virtual reams", "team up and follow my MC because she seemed nice. So now, they", "example is only one change. Several other little wrinkles keep popping up. I", "plow forward without ever going back and forth? Or is it ok to", "trust example is only one change. Several other little wrinkles keep popping up.", "If I force myself to plod along with the order the story will", "I think about things that need to happen in the future. Sometimes it's", "cleaning the kitchen floor and I want to put it off. So help!", "I'm not making any real progress and I'm just spinning my wheels and", "of the \"good parts\" that is currently on my mind. Then writing feels", "Sometimes it's where I left off and that's easy, but sometimes it's something", "I can't stop myself from playing with the plot because the more I", "feels more like cleaning the kitchen floor and I want to put it", "about changing the story itself. I'm starting to worry that while I'm writing", "to trust each other as much as I originally thought they did. I", "if I keep jumping around back and forth through my first draft that", "not writing one of the \"good parts\" that is currently on my mind.", "rewrite any sheets, because sometimes I drop an idea and a scene I", "the \"good parts\" that is currently on my mind. Then writing feels more", "wheels and thinking too much. But I can't stop myself from playing with" ]
[ "and though it definitely took a long time to read, I felt like", "like it was worth it in the end. The story wouldn't have been", "of being too realistic. What if one of my characters has severe anxiety,", "as possible, even if that means that the speech will be harder to", "took a long time to read, I felt like it was worth it", "characters involved were two real people having a real conversation (so, between the", "should have no place within the conversation. Slang and dialects should not be", "and not > > \"It's 'bout time we got goin', don'tcha think?\" >", "can say a lot about a character, the way I see it, and", "Dialogue should reflect the meaning of what's being said—not what's actually said. There's", "write easier dialogue if I'm writing for a younger audience? (Young adult vs.", "they said, should not sound anything like the way real people talk. Dialogue", "as compact and to-the-point as possible. Good dialogue, they said, should not sound", "should not sound anything like the way real people talk. Dialogue should reflect", "I write easier dialogue if I'm writing for a younger audience? (Young adult", "should not be reflected in writing, so it's > > \"It's about time", "possible, even if that means that the speech will be harder to read?", "wouldn't have been the same if it had been written in standard English.", "the end. The story wouldn't have been the same if it had been", "is best (or generally accepted by most people)? Should it be precise and", "> \"It's 'bout time we got goin', don'tcha think?\" > > > I'm", "if it had been written in standard English. So, when writing dialogue, which", "regarding dialogue, so I'm hoping I can get a solid answer here. Some", "who spoke in a thick dialect, and though it definitely took a long", "but that's the point since this character's speech is hard to understand. And", "character's voice. If one of my characters is from the deep American south,", "dialogue, so I'm hoping I can get a solid answer here. Some people", "in the end. The story wouldn't have been the same if it had", "it was worth it in the end. The story wouldn't have been the", "writing dialogue, which approach is best (or generally accepted by most people)? Should", "it had been written in standard English. So, when writing dialogue, which approach", "no place within the conversation. Slang and dialects should not be reflected in", "definitely took a long time to read, I felt like it was worth", "is important to the story, I'd want to put those \"um\"s and \"uh\"s", "important to the story, I'd want to put those \"um\"s and \"uh\"s to", "But now I've come to a point where I'm afraid of being too", "I can get a solid answer here. Some people have told me that", "than the words themselves? Or should it be as accurate as possible, even", "to the plot)? This character would stutter and backtrack through their words a", "to go about dialogue is to make it as compact and to-the-point as", "> > \"It's about time we got going, don't you think?\" > >", "goin', don'tcha think?\" > > > I'm not a fan of this approach.", "in a thick dialect, and though it definitely took a long time to", "it, and if that character's characterization is important to the story, I'd want", "though it definitely took a long time to read, I felt like it", "dialogue is to make it as compact and to-the-point as possible. Good dialogue,", "it's relevant to the plot)? This character would stutter and backtrack through their", "past regarding dialogue, so I'm hoping I can get a solid answer here.", "the best way to go about dialogue is to make it as compact", "characterization is important to the story, I'd want to put those \"um\"s and", "actually said. There's no \"um\"s or \"uh\"s; hesitant pauses and stutters should have", "even if that means that the speech will be harder to read? Should", "my characters has severe anxiety, and I want to reflect that through their", "have no place within the conversation. Slang and dialects should not be reflected", "words themselves? Or should it be as accurate as possible, even if that", "character would actually talk. Charles Chestnutt's \"Po' Sandy\" was almost completely narrated by", "the conversation. Slang and dialects should not be reflected in writing, so it's", "best way to go about dialogue is to make it as compact and", "of personality to a character's voice. If one of my characters is from", "to read? Should I write easier dialogue if I'm writing for a younger", "so I'm hoping I can get a solid answer here. Some people have", "relevant to the plot)? This character would stutter and backtrack through their words", "as possible. Good dialogue, they said, should not sound anything like the way", "of words rather than the words themselves? Or should it be as accurate", "harder to read? Should I write easier dialogue if I'm writing for a", "go about dialogue is to make it as compact and to-the-point as possible.", "not be reflected in writing, so it's > > \"It's about time we", "\"um\"s and \"uh\"s can say a lot about a character, the way I", "lot of conflicting suggestions in the past regarding dialogue, so I'm hoping I", "conversation (so, between the two quotes above, I'd take the latter over the", "the former). Additionally, \"um\"s and \"uh\"s can say a lot about a character,", "it be as accurate as possible, even if that means that the speech", "of my characters is from the deep American south, I would want to", "over the former). Additionally, \"um\"s and \"uh\"s can say a lot about a", "here. Some people have told me that the best way to go about", "approach. I've always liked writing dialogue as if the characters involved were two", "Should it be precise and only aim to capture the meaning of words", "and stutters should have no place within the conversation. Slang and dialects should", "put those \"um\"s and \"uh\"s to good use. But now I've come to", "'bout time we got goin', don'tcha think?\" > > > I'm not a", "in the past regarding dialogue, so I'm hoping I can get a solid", "almost completely narrated by a character who spoke in a thick dialect, and", "I've heard a lot of conflicting suggestions in the past regarding dialogue, so", "you think?\" > > > and not > > \"It's 'bout time we", "this character's speech is hard to understand. And what about dialect? I feel", "my characters is from the deep American south, I would want to write", "said—not what's actually said. There's no \"um\"s or \"uh\"s; hesitant pauses and stutters", "only aim to capture the meaning of words rather than the words themselves?", "of my characters has severe anxiety, and I want to reflect that through", "so that it reflects the way that character would actually talk. Charles Chestnutt's", "and to-the-point as possible. Good dialogue, they said, should not sound anything like", "by most people)? Should it be precise and only aim to capture the", "words a lot. It's a lot tougher to read, but that's the point", "time to read, I felt like it was worth it in the end.", "dialogue so that it reflects the way that character would actually talk. Charles", "writing dialogue as if the characters involved were two real people having a", "place within the conversation. Slang and dialects should not be reflected in writing,", "a lot of personality to a character's voice. If one of my characters", "their words a lot. It's a lot tougher to read, but that's the", "that through their speech (since it's relevant to the plot)? This character would", "character's characterization is important to the story, I'd want to put those \"um\"s", "so it's > > \"It's about time we got going, don't you think?\"", "is hard to understand. And what about dialect? I feel like dialect can", "\"It's about time we got going, don't you think?\" > > > and", "in standard English. So, when writing dialogue, which approach is best (or generally", "lot. It's a lot tougher to read, but that's the point since this", "(so, between the two quotes above, I'd take the latter over the former).", "accepted by most people)? Should it be precise and only aim to capture", "themselves? Or should it be as accurate as possible, even if that means", "to read, I felt like it was worth it in the end. The", "if that means that the speech will be harder to read? Should I", "conflicting suggestions in the past regarding dialogue, so I'm hoping I can get", "their speech (since it's relevant to the plot)? This character would stutter and", "above, I'd take the latter over the former). Additionally, \"um\"s and \"uh\"s can", "Should I write easier dialogue if I'm writing for a younger audience? (Young", "real people having a real conversation (so, between the two quotes above, I'd", "add a lot of personality to a character's voice. If one of my", "and dialects should not be reflected in writing, so it's > > \"It's", "make it as compact and to-the-point as possible. Good dialogue, they said, should", "realistic. What if one of my characters has severe anxiety, and I want", "personality to a character's voice. If one of my characters is from the", "reflect that through their speech (since it's relevant to the plot)? This character", "that it reflects the way that character would actually talk. Charles Chestnutt's \"Po'", "to good use. But now I've come to a point where I'm afraid", "to read, but that's the point since this character's speech is hard to", "would actually talk. Charles Chestnutt's \"Po' Sandy\" was almost completely narrated by a", "the words themselves? Or should it be as accurate as possible, even if", "and \"uh\"s to good use. But now I've come to a point where", "> > I'm not a fan of this approach. I've always liked writing", "be harder to read? Should I write easier dialogue if I'm writing for", "like dialect can add a lot of personality to a character's voice. If", "standard English. So, when writing dialogue, which approach is best (or generally accepted", "being said—not what's actually said. There's no \"um\"s or \"uh\"s; hesitant pauses and", "talk. Charles Chestnutt's \"Po' Sandy\" was almost completely narrated by a character who", "be reflected in writing, so it's > > \"It's about time we got", "lot of personality to a character's voice. If one of my characters is", "plot)? This character would stutter and backtrack through their words a lot. It's", "it in the end. The story wouldn't have been the same if it", "dialogue as if the characters involved were two real people having a real", "not sound anything like the way real people talk. Dialogue should reflect the", "don't you think?\" > > > and not > > \"It's 'bout time", "characters is from the deep American south, I would want to write their", "I've always liked writing dialogue as if the characters involved were two real", "I want to reflect that through their speech (since it's relevant to the", "take the latter over the former). Additionally, \"um\"s and \"uh\"s can say a", "about dialect? I feel like dialect can add a lot of personality to", "is from the deep American south, I would want to write their dialogue", "what's actually said. There's no \"um\"s or \"uh\"s; hesitant pauses and stutters should", "the plot)? This character would stutter and backtrack through their words a lot.", "been written in standard English. So, when writing dialogue, which approach is best", "always liked writing dialogue as if the characters involved were two real people", "the speech will be harder to read? Should I write easier dialogue if", "> and not > > \"It's 'bout time we got goin', don'tcha think?\"", "too realistic. What if one of my characters has severe anxiety, and I", "easier dialogue if I'm writing for a younger audience? (Young adult vs. adult", "that character's characterization is important to the story, I'd want to put those", "\"Po' Sandy\" was almost completely narrated by a character who spoke in a", "\"um\"s and \"uh\"s to good use. But now I've come to a point", "means that the speech will be harder to read? 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What if one of my characters", "and if that character's characterization is important to the story, I'd want to", "Some people have told me that the best way to go about dialogue", "stutters should have no place within the conversation. Slang and dialects should not", "former). Additionally, \"um\"s and \"uh\"s can say a lot about a character, the", "got going, don't you think?\" > > > and not > > \"It's", "(since it's relevant to the plot)? This character would stutter and backtrack through", "see it, and if that character's characterization is important to the story, I'd", "best (or generally accepted by most people)? Should it be precise and only", "the meaning of what's being said—not what's actually said. There's no \"um\"s or", "voice. If one of my characters is from the deep American south, I", "hoping I can get a solid answer here. Some people have told me", "a thick dialect, and though it definitely took a long time to read,", "to understand. And what about dialect? I feel like dialect can add a", "severe anxiety, and I want to reflect that through their speech (since it's", "real conversation (so, between the two quotes above, I'd take the latter over", "I feel like dialect can add a lot of personality to a character's", "and I want to reflect that through their speech (since it's relevant to", "can add a lot of personality to a character's voice. If one of", "want to reflect that through their speech (since it's relevant to the plot)?", "the characters involved were two real people having a real conversation (so, between", "south, I would want to write their dialogue so that it reflects the", "thick dialect, and though it definitely took a long time to read, I", "me that the best way to go about dialogue is to make it", "use. But now I've come to a point where I'm afraid of being", "dialect? I feel like dialect can add a lot of personality to a", "as if the characters involved were two real people having a real conversation", "words rather than the words themselves? Or should it be as accurate as", "I felt like it was worth it in the end. The story wouldn't", "same if it had been written in standard English. So, when writing dialogue,", "talk. Dialogue should reflect the meaning of what's being said—not what's actually said.", "sound anything like the way real people talk. Dialogue should reflect the meaning", "to reflect that through their speech (since it's relevant to the plot)? This", "most people)? Should it be precise and only aim to capture the meaning", "the deep American south, I would want to write their dialogue so that", "say a lot about a character, the way I see it, and if", "end. The story wouldn't have been the same if it had been written", "The story wouldn't have been the same if it had been written in", "the way real people talk. Dialogue should reflect the meaning of what's being", "meaning of words rather than the words themselves? Or should it be as", "suggestions in the past regarding dialogue, so I'm hoping I can get a", "write their dialogue so that it reflects the way that character would actually", "will be harder to read? Should I write easier dialogue if I'm writing", "hard to understand. And what about dialect? I feel like dialect can add", "be as accurate as possible, even if that means that the speech will", "I'm hoping I can get a solid answer here. Some people have told", "the two quotes above, I'd take the latter over the former). Additionally, \"um\"s", "a long time to read, I felt like it was worth it in", "like the way real people talk. Dialogue should reflect the meaning of what's", "and \"uh\"s can say a lot about a character, the way I see", "having a real conversation (so, between the two quotes above, I'd take the", "Chestnutt's \"Po' Sandy\" was almost completely narrated by a character who spoke in", "of this approach. I've always liked writing dialogue as if the characters involved", "It's a lot tougher to read, but that's the point since this character's", "dialogue if I'm writing for a younger audience? (Young adult vs. adult fiction?)", "a character who spoke in a thick dialect, and though it definitely took", "\"um\"s or \"uh\"s; hesitant pauses and stutters should have no place within the", "quotes above, I'd take the latter over the former). Additionally, \"um\"s and \"uh\"s", "people)? Should it be precise and only aim to capture the meaning of", "American south, I would want to write their dialogue so that it reflects", "precise and only aim to capture the meaning of words rather than the", "backtrack through their words a lot. It's a lot tougher to read, but", "speech (since it's relevant to the plot)? This character would stutter and backtrack", "(or generally accepted by most people)? Should it be precise and only aim", "is to make it as compact and to-the-point as possible. Good dialogue, they", "should it be as accurate as possible, even if that means that the", "what's being said—not what's actually said. There's no \"um\"s or \"uh\"s; hesitant pauses", "capture the meaning of words rather than the words themselves? Or should it", "character would stutter and backtrack through their words a lot. It's a lot", "what about dialect? I feel like dialect can add a lot of personality", "going, don't you think?\" > > > and not > > \"It's 'bout", "way real people talk. Dialogue should reflect the meaning of what's being said—not", "the point since this character's speech is hard to understand. And what about", "speech is hard to understand. And what about dialect? I feel like dialect", "would want to write their dialogue so that it reflects the way that", "\"uh\"s; hesitant pauses and stutters should have no place within the conversation. Slang", "I'd want to put those \"um\"s and \"uh\"s to good use. But now", "reflected in writing, so it's > > \"It's about time we got going,", "not a fan of this approach. I've always liked writing dialogue as if", "> > \"It's 'bout time we got goin', don'tcha think?\" > > >", "to put those \"um\"s and \"uh\"s to good use. But now I've come", "one of my characters has severe anxiety, and I want to reflect that", "dialogue, which approach is best (or generally accepted by most people)? Should it", "or \"uh\"s; hesitant pauses and stutters should have no place within the conversation.", "since this character's speech is hard to understand. And what about dialect? I", "writing, so it's > > \"It's about time we got going, don't you", "got goin', don'tcha think?\" > > > I'm not a fan of this", "I'm afraid of being too realistic. What if one of my characters has", "which approach is best (or generally accepted by most people)? Should it be", "it reflects the way that character would actually talk. Charles Chestnutt's \"Po' Sandy\"", "when writing dialogue, which approach is best (or generally accepted by most people)?", "stutter and backtrack through their words a lot. It's a lot tougher to", "it's > > \"It's about time we got going, don't you think?\" >", "If one of my characters is from the deep American south, I would", "one of my characters is from the deep American south, I would want", "would stutter and backtrack through their words a lot. It's a lot tougher", "should reflect the meaning of what's being said—not what's actually said. There's no", "was worth it in the end. The story wouldn't have been the same", "and only aim to capture the meaning of words rather than the words", "think?\" > > > I'm not a fan of this approach. I've always", "rather than the words themselves? Or should it be as accurate as possible,", "latter over the former). Additionally, \"um\"s and \"uh\"s can say a lot about", "been the same if it had been written in standard English. So, when", "read? Should I write easier dialogue if I'm writing for a younger audience?", "if the characters involved were two real people having a real conversation (so,", "I see it, and if that character's characterization is important to the story,", "it as compact and to-the-point as possible. Good dialogue, they said, should not", "felt like it was worth it in the end. The story wouldn't have", "involved were two real people having a real conversation (so, between the two", "a character's voice. If one of my characters is from the deep American", "lot about a character, the way I see it, and if that character's", "to the story, I'd want to put those \"um\"s and \"uh\"s to good", "a solid answer here. Some people have told me that the best way", "way to go about dialogue is to make it as compact and to-the-point", "those \"um\"s and \"uh\"s to good use. But now I've come to a", "anxiety, and I want to reflect that through their speech (since it's relevant", "have been the same if it had been written in standard English. So,", "within the conversation. Slang and dialects should not be reflected in writing, so", "can get a solid answer here. Some people have told me that the", "\"It's 'bout time we got goin', don'tcha think?\" > > > I'm not", "the way I see it, and if that character's characterization is important to", "point since this character's speech is hard to understand. And what about dialect?", "narrated by a character who spoke in a thick dialect, and though it", "that means that the speech will be harder to read? Should I write", "it be precise and only aim to capture the meaning of words rather", "about dialogue is to make it as compact and to-the-point as possible. Good", "has severe anxiety, and I want to reflect that through their speech (since", "way I see it, and if that character's characterization is important to the", "character, the way I see it, and if that character's characterization is important", "hesitant pauses and stutters should have no place within the conversation. Slang and", "character's speech is hard to understand. And what about dialect? I feel like", "> > > and not > > \"It's 'bout time we got goin',", "had been written in standard English. So, when writing dialogue, which approach is", "answer here. Some people have told me that the best way to go", "I've come to a point where I'm afraid of being too realistic. What", "be precise and only aim to capture the meaning of words rather than", "the latter over the former). Additionally, \"um\"s and \"uh\"s can say a lot", "time we got goin', don'tcha think?\" > > > I'm not a fan", "said, should not sound anything like the way real people talk. Dialogue should", "liked writing dialogue as if the characters involved were two real people having", "if that character's characterization is important to the story, I'd want to put", "come to a point where I'm afraid of being too realistic. What if", "> > > I'm not a fan of this approach. I've always liked", "> > and not > > \"It's 'bout time we got goin', don'tcha", "from the deep American south, I would want to write their dialogue so", "a lot. It's a lot tougher to read, but that's the point since", "Good dialogue, they said, should not sound anything like the way real people", "pauses and stutters should have no place within the conversation. Slang and dialects", "This character would stutter and backtrack through their words a lot. It's a", "about a character, the way I see it, and if that character's characterization", "anything like the way real people talk. Dialogue should reflect the meaning of", "understand. And what about dialect? I feel like dialect can add a lot", "dialect, and though it definitely took a long time to read, I felt", "deep American south, I would want to write their dialogue so that it", "want to put those \"um\"s and \"uh\"s to good use. But now I've", "speech will be harder to read? Should I write easier dialogue if I'm", "compact and to-the-point as possible. Good dialogue, they said, should not sound anything", "heard a lot of conflicting suggestions in the past regarding dialogue, so I'm", "the way that character would actually talk. Charles Chestnutt's \"Po' Sandy\" was almost", "said. There's no \"um\"s or \"uh\"s; hesitant pauses and stutters should have no", "tougher to read, but that's the point since this character's speech is hard", "approach is best (or generally accepted by most people)? Should it be precise", "read, but that's the point since this character's speech is hard to understand.", "that character would actually talk. Charles Chestnutt's \"Po' Sandy\" was almost completely narrated", "Or should it be as accurate as possible, even if that means that", "dialect can add a lot of personality to a character's voice. If one", "people having a real conversation (so, between the two quotes above, I'd take", "lot tougher to read, but that's the point since this character's speech is", "of what's being said—not what's actually said. There's no \"um\"s or \"uh\"s; hesitant", "to-the-point as possible. Good dialogue, they said, should not sound anything like the", "real people talk. Dialogue should reflect the meaning of what's being said—not what's", "if one of my characters has severe anxiety, and I want to reflect", "two quotes above, I'd take the latter over the former). Additionally, \"um\"s and", "Charles Chestnutt's \"Po' Sandy\" was almost completely narrated by a character who spoke", "a lot of conflicting suggestions in the past regarding dialogue, so I'm hoping", "about time we got going, don't you think?\" > > > and not", "characters has severe anxiety, and I want to reflect that through their speech", "to capture the meaning of words rather than the words themselves? Or should", "possible. Good dialogue, they said, should not sound anything like the way real", "that the best way to go about dialogue is to make it as", "don'tcha think?\" > > > I'm not a fan of this approach. I've", "a real conversation (so, between the two quotes above, I'd take the latter", "meaning of what's being said—not what's actually said. There's no \"um\"s or \"uh\"s;", "to a point where I'm afraid of being too realistic. What if one", "accurate as possible, even if that means that the speech will be harder", "the story, I'd want to put those \"um\"s and \"uh\"s to good use.", "actually talk. Charles Chestnutt's \"Po' Sandy\" was almost completely narrated by a character", "I'm not a fan of this approach. I've always liked writing dialogue as", "people talk. Dialogue should reflect the meaning of what's being said—not what's actually", "that's the point since this character's speech is hard to understand. And what", "through their speech (since it's relevant to the plot)? This character would stutter", "reflects the way that character would actually talk. Charles Chestnutt's \"Po' Sandy\" was", "> \"It's about time we got going, don't you think?\" > > >", "character who spoke in a thick dialect, and though it definitely took a", "to write their dialogue so that it reflects the way that character would", "story wouldn't have been the same if it had been written in standard", "I would want to write their dialogue so that it reflects the way", "a character, the way I see it, and if that character's characterization is", "to make it as compact and to-the-point as possible. Good dialogue, they said,", "long time to read, I felt like it was worth it in the", "spoke in a thick dialect, and though it definitely took a long time", "think?\" > > > and not > > \"It's 'bout time we got", "were two real people having a real conversation (so, between the two quotes", "Slang and dialects should not be reflected in writing, so it's > >", "now I've come to a point where I'm afraid of being too realistic.", "story, I'd want to put those \"um\"s and \"uh\"s to good use. But", "the meaning of words rather than the words themselves? Or should it be", "written in standard English. So, when writing dialogue, which approach is best (or", "of conflicting suggestions in the past regarding dialogue, so I'm hoping I can", "reflect the meaning of what's being said—not what's actually said. There's no \"um\"s", "this approach. I've always liked writing dialogue as if the characters involved were", "as accurate as possible, even if that means that the speech will be", "to a character's voice. If one of my characters is from the deep", "I'd take the latter over the former). Additionally, \"um\"s and \"uh\"s can say", "the same if it had been written in standard English. So, when writing", "being too realistic. What if one of my characters has severe anxiety, and", "dialects should not be reflected in writing, so it's > > \"It's about", "way that character would actually talk. Charles Chestnutt's \"Po' Sandy\" was almost completely", "have told me that the best way to go about dialogue is to", "feel like dialect can add a lot of personality to a character's voice.", "we got goin', don'tcha think?\" > > > I'm not a fan of", "we got going, don't you think?\" > > > and not > >", "a lot tougher to read, but that's the point since this character's speech", "\"uh\"s to good use. But now I've come to a point where I'm", "There's no \"um\"s or \"uh\"s; hesitant pauses and stutters should have no place", "a fan of this approach. I've always liked writing dialogue as if the", "aim to capture the meaning of words rather than the words themselves? Or", "fan of this approach. I've always liked writing dialogue as if the characters", "it definitely took a long time to read, I felt like it was", "a point where I'm afraid of being too realistic. What if one of", "that the speech will be harder to read? Should I write easier dialogue", "completely narrated by a character who spoke in a thick dialect, and though", "afraid of being too realistic. What if one of my characters has severe", "told me that the best way to go about dialogue is to make", "two real people having a real conversation (so, between the two quotes above,", "And what about dialect? I feel like dialect can add a lot of", "their dialogue so that it reflects the way that character would actually talk.", "by a character who spoke in a thick dialect, and though it definitely", "> I'm not a fan of this approach. I've always liked writing dialogue", "read, I felt like it was worth it in the end. The story", "conversation. Slang and dialects should not be reflected in writing, so it's >", "generally accepted by most people)? Should it be precise and only aim to", "good use. But now I've come to a point where I'm afraid of", "\"uh\"s can say a lot about a character, the way I see it,", "no \"um\"s or \"uh\"s; hesitant pauses and stutters should have no place within", "So, when writing dialogue, which approach is best (or generally accepted by most", "people have told me that the best way to go about dialogue is", "English. So, when writing dialogue, which approach is best (or generally accepted by", "What if one of my characters has severe anxiety, and I want to", "worth it in the end. The story wouldn't have been the same if", "between the two quotes above, I'd take the latter over the former). Additionally,", "Sandy\" was almost completely narrated by a character who spoke in a thick", "solid answer here. Some people have told me that the best way to", "through their words a lot. It's a lot tougher to read, but that's", "get a solid answer here. Some people have told me that the best", "point where I'm afraid of being too realistic. What if one of my" ]
[ "The confusion is, should I write the one in my mind (it's pretty", "(it's pretty awesome) as a short story or should I keep it safe", "become better at writing? In other words, the confusion is over what to", "journey of becoming one. Okay here's the problem: I have a story in", "starting with some short stories and seeing where they take me. The confusion", "other words, the confusion is over what to publish: Should I write a", "I'm a good writer, but I'm on the journey of becoming one. Okay", "till I become better at writing? In other words, the confusion is over", "me. The confusion is, should I write the one in my mind (it's", "it safe and wait till I become better at writing? In other words,", "better at writing? In other words, the confusion is over what to publish:", "stories and seeing where they take me. The confusion is, should I write", "keep it safe and wait till I become better at writing? In other", "a short story or should I keep it safe and wait till I", "here's the problem: I have a story in my mind and I really", "or should I keep it safe and wait till I become better at", "want to write it. But, I'm thinking of starting with some short stories", "I'm Chetan. I won't say I'm a good writer, but I'm on the", "in my mind (it's pretty awesome) as a short story or should I", "I become better at writing? In other words, the confusion is over what", "I keep it safe and wait till I become better at writing? In", "on the journey of becoming one. Okay here's the problem: I have a", "I really want to write it. But, I'm thinking of starting with some", "should I write the one in my mind (it's pretty awesome) as a", "in my mind and I really want to write it. But, I'm thinking", "with some short stories and seeing where they take me. The confusion is,", "mind (it's pretty awesome) as a short story or should I keep it", "it. But, I'm thinking of starting with some short stories and seeing where", "my mind and I really want to write it. But, I'm thinking of", "take me. The confusion is, should I write the one in my mind", "seeing where they take me. The confusion is, should I write the one", "of starting with some short stories and seeing where they take me. The", "they take me. The confusion is, should I write the one in my", "good writer, but I'm on the journey of becoming one. Okay here's the", "story or should I keep it safe and wait till I become better", "one in my mind (it's pretty awesome) as a short story or should", "to publish: Should I write a good and important one (which has a", "pretty awesome) as a short story or should I keep it safe and", "writer, but I'm on the journey of becoming one. Okay here's the problem:", "wait till I become better at writing? In other words, the confusion is", "really want to write it. But, I'm thinking of starting with some short", "and wait till I become better at writing? In other words, the confusion", "and seeing where they take me. The confusion is, should I write the", "I have a story in my mind and I really want to write", "should I keep it safe and wait till I become better at writing?", "say I'm a good writer, but I'm on the journey of becoming one.", "over what to publish: Should I write a good and important one (which", "where they take me. The confusion is, should I write the one in", "becoming one. Okay here's the problem: I have a story in my mind", "at writing? In other words, the confusion is over what to publish: Should", "won't say I'm a good writer, but I'm on the journey of becoming", "short stories and seeing where they take me. The confusion is, should I", "write the one in my mind (it's pretty awesome) as a short story", "I won't say I'm a good writer, but I'm on the journey of", "but I'm on the journey of becoming one. Okay here's the problem: I", "confusion is, should I write the one in my mind (it's pretty awesome)", "I'm thinking of starting with some short stories and seeing where they take", "have a story in my mind and I really want to write it.", "story in my mind and I really want to write it. But, I'm", "my mind (it's pretty awesome) as a short story or should I keep", "is over what to publish: Should I write a good and important one", "of becoming one. Okay here's the problem: I have a story in my", "short story or should I keep it safe and wait till I become", "to write it. But, I'm thinking of starting with some short stories and", "important one (which has a lot of content for writing), or a new", "I write a good and important one (which has a lot of content", "as a short story or should I keep it safe and wait till", "mind and I really want to write it. But, I'm thinking of starting", "and important one (which has a lot of content for writing), or a", "the one in my mind (it's pretty awesome) as a short story or", "confusion is over what to publish: Should I write a good and important", "the problem: I have a story in my mind and I really want", "what to publish: Should I write a good and important one (which has", "I write the one in my mind (it's pretty awesome) as a short", "Okay here's the problem: I have a story in my mind and I", "Should I write a good and important one (which has a lot of", "write a good and important one (which has a lot of content for", "a good and important one (which has a lot of content for writing),", "problem: I have a story in my mind and I really want to", "is, should I write the one in my mind (it's pretty awesome) as", "safe and wait till I become better at writing? In other words, the", "one (which has a lot of content for writing), or a new one?", "a good writer, but I'm on the journey of becoming one. Okay here's", "some short stories and seeing where they take me. The confusion is, should", "the journey of becoming one. Okay here's the problem: I have a story", "words, the confusion is over what to publish: Should I write a good", "In other words, the confusion is over what to publish: Should I write", "Chetan. I won't say I'm a good writer, but I'm on the journey", "a story in my mind and I really want to write it. But,", "publish: Should I write a good and important one (which has a lot", "But, I'm thinking of starting with some short stories and seeing where they", "one. Okay here's the problem: I have a story in my mind and", "and I really want to write it. But, I'm thinking of starting with", "awesome) as a short story or should I keep it safe and wait", "write it. But, I'm thinking of starting with some short stories and seeing", "writing? In other words, the confusion is over what to publish: Should I", "the confusion is over what to publish: Should I write a good and", "good and important one (which has a lot of content for writing), or", "thinking of starting with some short stories and seeing where they take me.", "I'm on the journey of becoming one. Okay here's the problem: I have" ]
[ "for others to read. Readers want heroes and victories, punishment to the villians.", "as the story solidifies, I fear it is more entertaining for me to", "project is historical fiction, fifteenth century. There were quite a few bad things", "There were quite a few bad things happening all over the world, and", "gets a pass, everybody can be archetyped and turned into a tool, and", "comic relief. However, as the story solidifies, I fear it is more entertaining", "happening all over the world, and my book picks up on a few", "were quite a few bad things happening all over the world, and my", "for comic relief. However, as the story solidifies, I fear it is more", "relief. However, as the story solidifies, I fear it is more entertaining for", "struggling with making disparaging remarks (certainly not in an omniscient way, but still)", "few bad things happening all over the world, and my book picks up", "Church (this is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the list goes", "for a purely fictional story, but I'm not wanting to alienate large segments", "the villians. My question is: As the negative events start to unfold, I'm", "on a few of them. With simply laying the information out, even in", "pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the list goes on. The degree", "to the villians. My question is: As the negative events start to unfold,", "fictional aspects are mostly for comic relief. However, as the story solidifies, I", "the negative events start to unfold, I'm creating villains. Which is fine for", "want heroes and victories, punishment to the villians. My question is: As the", "for me to write than for others to read. Readers want heroes and", "book picks up on a few of them. With simply laying the information", "than for others to read. Readers want heroes and victories, punishment to the", "negative events start to unfold, I'm creating villains. Which is fine for a", "alienate large segments of society. Are there other approaches beyond South Park? Or", "few of them. With simply laying the information out, even in an interesting", "everybody can be archetyped and turned into a tool, and the fictional aspects", "I'm creating villains. Which is fine for a purely fictional story, but I'm", "fine for a purely fictional story, but I'm not wanting to alienate large", "an interesting and entertaining way, I'm struggling with making disparaging remarks (certainly not", "fear it is more entertaining for me to write than for others to", "remarks (certainly not in an omniscient way, but still) regarding the Church (this", "South Park? Or perhaps it's \"Write a good story, and people won't care", "is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the list goes on. The", "to write than for others to read. Readers want heroes and victories, punishment", "not in an omniscient way, but still) regarding the Church (this is pre-Reformation),", "of society. Are there other approaches beyond South Park? Or perhaps it's \"Write", "omniscient way, but still) regarding the Church (this is pre-Reformation), Ottoman Turks (and", "is fine for a purely fictional story, but I'm not wanting to alienate", "a few bad things happening all over the world, and my book picks", "the story solidifies, I fear it is more entertaining for me to write", "the list goes on. The degree of human rights violations were profound globally.", "entertaining way, I'm struggling with making disparaging remarks (certainly not in an omniscient", "and turned into a tool, and the fictional aspects are mostly for comic", "human rights violations were profound globally. So far, I'm taking the South Park", "I'm not wanting to alienate large segments of society. Are there other approaches", "a pass, everybody can be archetyped and turned into a tool, and the", "disparaging remarks (certainly not in an omniscient way, but still) regarding the Church", "Are there other approaches beyond South Park? Or perhaps it's \"Write a good", "punishment to the villians. My question is: As the negative events start to", "world, and my book picks up on a few of them. With simply", "rights violations were profound globally. So far, I'm taking the South Park approach:", "read. Readers want heroes and victories, punishment to the villians. My question is:", "I fear it is more entertaining for me to write than for others", "can be archetyped and turned into a tool, and the fictional aspects are", "historical fiction, fifteenth century. There were quite a few bad things happening all", "hence, Muslims), Spaniards; the list goes on. The degree of human rights violations", "Spaniards; the list goes on. The degree of human rights violations were profound", "into a tool, and the fictional aspects are mostly for comic relief. However,", "aspects are mostly for comic relief. However, as the story solidifies, I fear", "laying the information out, even in an interesting and entertaining way, I'm struggling", "but still) regarding the Church (this is pre-Reformation), Ottoman Turks (and hence, Muslims),", "My question is: As the negative events start to unfold, I'm creating villains.", "question is: As the negative events start to unfold, I'm creating villains. Which", "regarding the Church (this is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the", "However, as the story solidifies, I fear it is more entertaining for me", "and victories, punishment to the villians. My question is: As the negative events", "goes on. The degree of human rights violations were profound globally. So far,", "and entertaining way, I'm struggling with making disparaging remarks (certainly not in an", "beyond South Park? Or perhaps it's \"Write a good story, and people won't", "the world, and my book picks up on a few of them. With", "all over the world, and my book picks up on a few of", "them. With simply laying the information out, even in an interesting and entertaining", "on. The degree of human rights violations were profound globally. So far, I'm", "turned into a tool, and the fictional aspects are mostly for comic relief.", "With simply laying the information out, even in an interesting and entertaining way,", "but I'm not wanting to alienate large segments of society. Are there other", "the information out, even in an interesting and entertaining way, I'm struggling with", "South Park approach: nobody gets a pass, everybody can be archetyped and turned", "Muslims), Spaniards; the list goes on. The degree of human rights violations were", "perhaps it's \"Write a good story, and people won't care whose feet get", "bad things happening all over the world, and my book picks up on", "making disparaging remarks (certainly not in an omniscient way, but still) regarding the", "purely fictional story, but I'm not wanting to alienate large segments of society.", "and the fictional aspects are mostly for comic relief. However, as the story", "still) regarding the Church (this is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards;", "fictional story, but I'm not wanting to alienate large segments of society. Are", "fifteenth century. There were quite a few bad things happening all over the", "not wanting to alienate large segments of society. Are there other approaches beyond", "pass, everybody can be archetyped and turned into a tool, and the fictional", "society. Are there other approaches beyond South Park? Or perhaps it's \"Write a", "Ottoman Turks (and hence, Muslims), Spaniards; the list goes on. The degree of", "even in an interesting and entertaining way, I'm struggling with making disparaging remarks", "list goes on. The degree of human rights violations were profound globally. So", "is historical fiction, fifteenth century. There were quite a few bad things happening", "way, but still) regarding the Church (this is pre-Reformation), Ottoman Turks (and hence,", "(and hence, Muslims), Spaniards; the list goes on. The degree of human rights", "a purely fictional story, but I'm not wanting to alienate large segments of", "me to write than for others to read. Readers want heroes and victories,", "creating villains. Which is fine for a purely fictional story, but I'm not", "simply laying the information out, even in an interesting and entertaining way, I'm", "is more entertaining for me to write than for others to read. Readers", "other approaches beyond South Park? Or perhaps it's \"Write a good story, and", "villains. Which is fine for a purely fictional story, but I'm not wanting", "information out, even in an interesting and entertaining way, I'm struggling with making", "it is more entertaining for me to write than for others to read.", "to unfold, I'm creating villains. Which is fine for a purely fictional story,", "approach: nobody gets a pass, everybody can be archetyped and turned into a", "story, but I'm not wanting to alienate large segments of society. Are there", "(certainly not in an omniscient way, but still) regarding the Church (this is", "my book picks up on a few of them. With simply laying the", "in an omniscient way, but still) regarding the Church (this is pre-Reformation), Ottoman", "interesting and entertaining way, I'm struggling with making disparaging remarks (certainly not in", "entertaining for me to write than for others to read. Readers want heroes", "far, I'm taking the South Park approach: nobody gets a pass, everybody can", "up on a few of them. With simply laying the information out, even", "current project is historical fiction, fifteenth century. There were quite a few bad", "events start to unfold, I'm creating villains. Which is fine for a purely", "solidifies, I fear it is more entertaining for me to write than for", "The degree of human rights violations were profound globally. So far, I'm taking", "to alienate large segments of society. Are there other approaches beyond South Park?", "segments of society. Are there other approaches beyond South Park? Or perhaps it's", "write than for others to read. Readers want heroes and victories, punishment to", "approaches beyond South Park? Or perhaps it's \"Write a good story, and people", "were profound globally. So far, I'm taking the South Park approach: nobody gets", "I'm struggling with making disparaging remarks (certainly not in an omniscient way, but", "century. There were quite a few bad things happening all over the world,", "the fictional aspects are mostly for comic relief. However, as the story solidifies,", "quite a few bad things happening all over the world, and my book", "Park? Or perhaps it's \"Write a good story, and people won't care whose", "(this is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the list goes on.", "the South Park approach: nobody gets a pass, everybody can be archetyped and", "of them. With simply laying the information out, even in an interesting and", "a tool, and the fictional aspects are mostly for comic relief. However, as", "My current project is historical fiction, fifteenth century. There were quite a few", "others to read. Readers want heroes and victories, punishment to the villians. My", "villians. My question is: As the negative events start to unfold, I'm creating", "taking the South Park approach: nobody gets a pass, everybody can be archetyped", "violations were profound globally. So far, I'm taking the South Park approach: nobody", "in an interesting and entertaining way, I'm struggling with making disparaging remarks (certainly", "archetyped and turned into a tool, and the fictional aspects are mostly for", "I'm taking the South Park approach: nobody gets a pass, everybody can be", "with making disparaging remarks (certainly not in an omniscient way, but still) regarding", "\"Write a good story, and people won't care whose feet get stepped on\"?", "fiction, fifteenth century. There were quite a few bad things happening all over", "Turks (and hence, Muslims), Spaniards; the list goes on. The degree of human", "profound globally. So far, I'm taking the South Park approach: nobody gets a", "tool, and the fictional aspects are mostly for comic relief. However, as the", "a few of them. With simply laying the information out, even in an", "the Church (this is pre-Reformation), Ottoman Turks (and hence, Muslims), Spaniards; the list", "be archetyped and turned into a tool, and the fictional aspects are mostly", "over the world, and my book picks up on a few of them.", "an omniscient way, but still) regarding the Church (this is pre-Reformation), Ottoman Turks", "it's \"Write a good story, and people won't care whose feet get stepped", "way, I'm struggling with making disparaging remarks (certainly not in an omniscient way,", "picks up on a few of them. With simply laying the information out,", "more entertaining for me to write than for others to read. Readers want", "Park approach: nobody gets a pass, everybody can be archetyped and turned into", "out, even in an interesting and entertaining way, I'm struggling with making disparaging", "story solidifies, I fear it is more entertaining for me to write than", "Or perhaps it's \"Write a good story, and people won't care whose feet", "there other approaches beyond South Park? Or perhaps it's \"Write a good story,", "and my book picks up on a few of them. With simply laying", "mostly for comic relief. However, as the story solidifies, I fear it is", "is: As the negative events start to unfold, I'm creating villains. Which is", "wanting to alienate large segments of society. Are there other approaches beyond South", "Which is fine for a purely fictional story, but I'm not wanting to", "unfold, I'm creating villains. Which is fine for a purely fictional story, but", "large segments of society. Are there other approaches beyond South Park? Or perhaps", "So far, I'm taking the South Park approach: nobody gets a pass, everybody", "nobody gets a pass, everybody can be archetyped and turned into a tool,", "start to unfold, I'm creating villains. Which is fine for a purely fictional", "to read. Readers want heroes and victories, punishment to the villians. My question", "are mostly for comic relief. However, as the story solidifies, I fear it", "things happening all over the world, and my book picks up on a", "As the negative events start to unfold, I'm creating villains. Which is fine", "globally. So far, I'm taking the South Park approach: nobody gets a pass,", "Readers want heroes and victories, punishment to the villians. My question is: As", "degree of human rights violations were profound globally. So far, I'm taking the", "of human rights violations were profound globally. So far, I'm taking the South", "heroes and victories, punishment to the villians. My question is: As the negative", "victories, punishment to the villians. My question is: As the negative events start" ]
[ "background and English, Greek and meaningless names. I am from India, but my", "and meaningless names. I am from India, but my story feels 'European'. Should", "meaningless names. I am from India, but my story feels 'European'. Should I", "I have started to), with a fantasy middle ages and magic sort of", "story feels 'European'. Should I continue as it is? Or make some changes?", "of background and English, Greek and meaningless names. I am from India, but", "with a fantasy middle ages and magic sort of background and English, Greek", "magic sort of background and English, Greek and meaningless names. I am from", "writing a novel (well, I have started to), with a fantasy middle ages", "my story feels 'European'. Should I continue as it is? Or make some", "I am writing a novel (well, I have started to), with a fantasy", "from India, but my story feels 'European'. Should I continue as it is?", "am from India, but my story feels 'European'. Should I continue as it", "sort of background and English, Greek and meaningless names. I am from India,", "Greek and meaningless names. I am from India, but my story feels 'European'.", "ages and magic sort of background and English, Greek and meaningless names. I", "novel (well, I have started to), with a fantasy middle ages and magic", "am writing a novel (well, I have started to), with a fantasy middle", "middle ages and magic sort of background and English, Greek and meaningless names.", "English, Greek and meaningless names. I am from India, but my story feels", "a fantasy middle ages and magic sort of background and English, Greek and", "a novel (well, I have started to), with a fantasy middle ages and", "I am from India, but my story feels 'European'. Should I continue as", "started to), with a fantasy middle ages and magic sort of background and", "to), with a fantasy middle ages and magic sort of background and English,", "and English, Greek and meaningless names. I am from India, but my story", "fantasy middle ages and magic sort of background and English, Greek and meaningless", "but my story feels 'European'. Should I continue as it is? Or make", "names. I am from India, but my story feels 'European'. Should I continue", "(well, I have started to), with a fantasy middle ages and magic sort", "India, but my story feels 'European'. Should I continue as it is? Or", "have started to), with a fantasy middle ages and magic sort of background", "and magic sort of background and English, Greek and meaningless names. I am" ]
[ "on loneliness. Please help, thanks. I'm talking about a prison in California during", "guy in prison. Also, I must reflect on loneliness. Please help, thanks. I'm", "is about a guy in prison. Also, I must reflect on loneliness. Please", "Also, I must reflect on loneliness. Please help, thanks. I'm talking about a", "on how to describe a prison. I don't know how to start my", "to describe a prison. I don't know how to start my story that", "a prison. I don't know how to start my story that is about", "prison. I don't know how to start my story that is about a", "that is about a guy in prison. Also, I must reflect on loneliness.", "don't know how to start my story that is about a guy in", "about a guy in prison. Also, I must reflect on loneliness. Please help,", "reflect on loneliness. Please help, thanks. I'm talking about a prison in California", "I don't know how to start my story that is about a guy", "a guy in prison. Also, I must reflect on loneliness. Please help, thanks.", "to start my story that is about a guy in prison. Also, I", "help, thanks. I'm talking about a prison in California during the Great Depression.", "I must reflect on loneliness. Please help, thanks. I'm talking about a prison", "how to describe a prison. I don't know how to start my story", "loneliness. Please help, thanks. I'm talking about a prison in California during the", "know how to start my story that is about a guy in prison.", "describe a prison. I don't know how to start my story that is", "I need ideas on how to describe a prison. I don't know how", "need ideas on how to describe a prison. I don't know how to", "story that is about a guy in prison. Also, I must reflect on", "must reflect on loneliness. Please help, thanks. I'm talking about a prison in", "my story that is about a guy in prison. Also, I must reflect", "in prison. Also, I must reflect on loneliness. Please help, thanks. I'm talking", "prison. Also, I must reflect on loneliness. Please help, thanks. I'm talking about", "Please help, thanks. I'm talking about a prison in California during the Great", "start my story that is about a guy in prison. Also, I must", "ideas on how to describe a prison. I don't know how to start", "how to start my story that is about a guy in prison. Also," ]
[ "mean by sounding like a tryhard. I know not to be excessive on", "I'm a rather nerdy programmer already. The problem is that readers may not", "so I have no audience to get opinions from; that's another problem I", "programmer already. The problem is that readers may not and I expect won't", "or chipset; if it does, then readers sometimes don't like the writing style", "tryhard. I'm a twelve-year-old with no published books, so I have no audience", "*going* to write about technology, but rather it's a fantasy novel with some", "It's not a whole series I'm *going* to write about technology, but rather", "readers may not and I expect won't understand some of the writing. And", "but rather it's a fantasy novel with some tech in it. With that", "around to get this answer. It's not a whole series I'm *going* to", "they do, they think I sound like a tryhard. I'm a twelve-year-old with", "contained the word electromagnetic or chipset; if it does, then readers sometimes don't", "tryhard. I know not to be excessive on technical terms, but how could", "I have no audience to get opinions from; that's another problem I need", "know not to be excessive on technical terms, but how could I avoid", "on technical terms, but how could I avoid that writing style? EDIT: The", "does, then readers sometimes don't like the writing style all the time, in", "ever read House of Robots by Zemes Joctersan, you know what I mean", "a whole series I'm *going* to write about technology, but rather it's a", "something I don't know. I'm a rather nerdy programmer already. The problem is", "tryhard? For instance, if I were to explain the backstory of something and", "the writing. And if they do, they think I sound like a tryhard.", "one express nerdy gobbledygook without sounding like a technical tryhard? For instance, if", "may not and I expect won't understand some of the writing. And if", "and I expect won't understand some of the writing. And if they do,", "already. The problem is that readers may not and I expect won't understand", "no published books, so I have no audience to get opinions from; that's", "like the writing style all the time, in my opinion. If you've ever", "something and it perhaps contained the word electromagnetic or chipset; if it does,", "about something I don't know. I'm a rather nerdy programmer already. The problem", "understand some of the writing. And if they do, they think I sound", "to be excessive on technical terms, but how could I avoid that writing", "perhaps contained the word electromagnetic or chipset; if it does, then readers sometimes", "nerdy gobbledygook without sounding like a technical tryhard? For instance, if I were", "like a tryhard. I know not to be excessive on technical terms, but", "of the writing. And if they do, they think I sound like a", "audience to get opinions from; that's another problem I need to work around", "some of the writing. And if they do, they think I sound like", "opinion. If you've ever read House of Robots by Zemes Joctersan, you know", "gobbledygook without sounding like a technical tryhard? For instance, if I were to", "it's a fantasy novel with some tech in it. With that explanation, does", "that I'm going to write about something I don't know. I'm a rather", "would one express nerdy gobbledygook without sounding like a technical tryhard? For instance,", "you've ever read House of Robots by Zemes Joctersan, you know what I", "tech in it. With that explanation, does anyone know how to actually avoid", "won't understand some of the writing. And if they do, they think I", "of Robots* by Zemes Joctersan, you know what I mean by sounding like", "how could I avoid that writing style? EDIT: The problem is not that", "twelve-year-old with no published books, so I have no audience to get opinions", "For instance, if I were to explain the backstory of something and it", "write about something I don't know. I'm a rather nerdy programmer already. The", "do, they think I sound like a tryhard. I'm a twelve-year-old with no", "to work around to get this answer. It's not a whole series I'm", "opinions from; that's another problem I need to work around to get this", "to write about something I don't know. I'm a rather nerdy programmer already.", "style all the time, in my opinion. If you've ever read House of", "some tech in it. With that explanation, does anyone know how to actually", "How would one express nerdy gobbledygook without sounding like a technical tryhard? For", "books, so I have no audience to get opinions from; that's another problem", "writing. And if they do, they think I sound like a tryhard. I'm", "from; that's another problem I need to work around to get this answer.", "problem I need to work around to get this answer. It's not a", "terms, but how could I avoid that writing style? EDIT: The problem is", "about technology, but rather it's a fantasy novel with some tech in it.", "but how could I avoid that writing style? EDIT: The problem is not", "expect won't understand some of the writing. And if they do, they think", "a tryhard. I know not to be excessive on technical terms, but how", "electromagnetic or chipset; if it does, then readers sometimes don't like the writing", "a tryhard. I'm a twelve-year-old with no published books, so I have no", "that readers may not and I expect won't understand some of the writing.", "read House of Robots* by Zemes Joctersan, you know what I mean by", "If you've ever read House of Robots by Zemes Joctersan, you know what", "it perhaps contained the word electromagnetic or chipset; if it does, then readers", "the word electromagnetic or chipset; if it does, then readers sometimes don't like", "is not that I'm going to write about something I don't know. I'm", "I avoid that writing style? EDIT: The problem is not that I'm going", "problem is not that I'm going to write about something I don't know.", "is that readers may not and I expect won't understand some of the", "not and I expect won't understand some of the writing. And if they", "to write about technology, but rather it's a fantasy novel with some tech", "excessive on technical terms, but how could I avoid that writing style? EDIT:", "be excessive on technical terms, but how could I avoid that writing style?", "if I were to explain the backstory of something and it perhaps contained", "what I mean by sounding like a tryhard. I know not to be", "Robots* by Zemes Joctersan, you know what I mean by sounding like a", "I know not to be excessive on technical terms, but how could I", "you know what I mean by sounding like a tryhard. I know not", "style? EDIT: The problem is not that I'm going to write about something", "that writing style? EDIT: The problem is not that I'm going to write", "work around to get this answer. It's not a whole series I'm *going", "nerdy programmer already. The problem is that readers may not and I expect", "sounding like a technical tryhard? For instance, if I were to explain the", "then readers sometimes don't like the writing style all the time, in my", "don't like the writing style all the time, in my opinion. If you've", "avoid that writing style? EDIT: The problem is not that I'm going to", "the writing style all the time, in my opinion. If you've ever read", "novel with some tech in it. With that explanation, does anyone know how", "fantasy novel with some tech in it. With that explanation, does anyone know", "technical tryhard? For instance, if I were to explain the backstory of something", "a technical tryhard? For instance, if I were to explain the backstory of", "they think I sound like a tryhard. I'm a twelve-year-old with no published", "to get this answer. It's not a whole series I'm going* to write", "rather it's a fantasy novel with some tech in it. With that explanation,", "technology, but rather it's a fantasy novel with some tech in it. With", "it does, then readers sometimes don't like the writing style all the time,", "I'm going to write about something I don't know. I'm a rather nerdy", "writing style all the time, in my opinion. If you've ever read House", "Joctersan, you know what I mean by sounding like a tryhard. I know", "need to work around to get this answer. It's not a whole series", "not that I'm going to write about something I don't know. I'm a", "problem is that readers may not and I expect won't understand some of", "don't know. I'm a rather nerdy programmer already. The problem is that readers", "going to write about something I don't know. I'm a rather nerdy programmer", "I need to work around to get this answer. It's not a whole", "all the time, in my opinion. If you've ever read House of Robots", "this answer. It's not a whole series I'm going* to write about technology,", "not a whole series I'm *going* to write about technology, but rather it's", "write about technology, but rather it's a fantasy novel with some tech in", "express nerdy gobbledygook without sounding like a technical tryhard? For instance, if I", "word electromagnetic or chipset; if it does, then readers sometimes don't like the", "The problem is not that I'm going to write about something I don't", "sound like a tryhard. I'm a twelve-year-old with no published books, so I", "Zemes Joctersan, you know what I mean by sounding like a tryhard. I", "and it perhaps contained the word electromagnetic or chipset; if it does, then", "of something and it perhaps contained the word electromagnetic or chipset; if it", "technical terms, but how could I avoid that writing style? EDIT: The problem", "by Zemes Joctersan, you know what I mean by sounding like a tryhard.", "rather nerdy programmer already. The problem is that readers may not and I", "that's another problem I need to work around to get this answer. It's", "I'm *going* to write about technology, but rather it's a fantasy novel with", "And if they do, they think I sound like a tryhard. I'm a", "sounding like a tryhard. I know not to be excessive on technical terms,", "like a technical tryhard? For instance, if I were to explain the backstory", "not to be excessive on technical terms, but how could I avoid that", "House of Robots by Zemes Joctersan, you know what I mean by sounding", "instance, if I were to explain the backstory of something and it perhaps", "think I sound like a tryhard. I'm a twelve-year-old with no published books,", "could I avoid that writing style? EDIT: The problem is not that I'm", "the backstory of something and it perhaps contained the word electromagnetic or chipset;", "explain the backstory of something and it perhaps contained the word electromagnetic or", "were to explain the backstory of something and it perhaps contained the word", "chipset; if it does, then readers sometimes don't like the writing style all", "a rather nerdy programmer already. The problem is that readers may not and", "I expect won't understand some of the writing. And if they do, they", "get this answer. It's not a whole series I'm *going* to write about", "I'm a twelve-year-old with no published books, so I have no audience to", "in my opinion. If you've ever read House of Robots by Zemes Joctersan,", "time, in my opinion. If you've ever read House of Robots by Zemes", "a twelve-year-old with no published books, so I have no audience to get", "no audience to get opinions from; that's another problem I need to work", "know. I'm a rather nerdy programmer already. The problem is that readers may", "have no audience to get opinions from; that's another problem I need to", "with some tech in it. With that explanation, does anyone know how to", "know what I mean by sounding like a tryhard. I know not to", "whole series I'm *going* to write about technology, but rather it's a fantasy", "sometimes don't like the writing style all the time, in my opinion. If", "series I'm *going* to write about technology, but rather it's a fantasy novel", "writing style? EDIT: The problem is not that I'm going to write about", "the time, in my opinion. If you've ever read House of Robots by", "with no published books, so I have no audience to get opinions from;", "published books, so I have no audience to get opinions from; that's another", "get opinions from; that's another problem I need to work around to get", "answer. It's not a whole series I'm *going* to write about technology, but", "in it. With that explanation, does anyone know how to actually avoid this?", "my opinion. If you've ever read House of Robots by Zemes Joctersan, you", "backstory of something and it perhaps contained the word electromagnetic or chipset; if", "I mean by sounding like a tryhard. I know not to be excessive", "if they do, they think I sound like a tryhard. I'm a twelve-year-old", "to explain the backstory of something and it perhaps contained the word electromagnetic", "without sounding like a technical tryhard? For instance, if I were to explain", "another problem I need to work around to get this answer. It's not", "by sounding like a tryhard. I know not to be excessive on technical", "I were to explain the backstory of something and it perhaps contained the", "a fantasy novel with some tech in it. With that explanation, does anyone", "readers sometimes don't like the writing style all the time, in my opinion.", "I don't know. I'm a rather nerdy programmer already. The problem is that", "I sound like a tryhard. I'm a twelve-year-old with no published books, so", "to get opinions from; that's another problem I need to work around to", "if it does, then readers sometimes don't like the writing style all the", "like a tryhard. I'm a twelve-year-old with no published books, so I have", "The problem is that readers may not and I expect won't understand some", "EDIT: The problem is not that I'm going to write about something I" ]
[ "film, but think I need to collaborate with someone. I always run out", "with someone. I always run out of ideas. Where would I find a", "collaborate with someone. I always run out of ideas. Where would I find", "I've written a few scripts for film, but think I need to collaborate", "written a few scripts for film, but think I need to collaborate with", "I need to collaborate with someone. I always run out of ideas. Where", "think I need to collaborate with someone. I always run out of ideas.", "but think I need to collaborate with someone. I always run out of", "scripts for film, but think I need to collaborate with someone. I always", "a few scripts for film, but think I need to collaborate with someone.", "someone. I always run out of ideas. Where would I find a co-writer?", "to collaborate with someone. I always run out of ideas. Where would I", "few scripts for film, but think I need to collaborate with someone. I", "need to collaborate with someone. I always run out of ideas. Where would", "for film, but think I need to collaborate with someone. I always run" ]
[ "location, such as Manchester, England. Does that mean that I have to use", "mean that I have to use an existing school from Manchester, or can", "book and want to set the story in an existing location, such as", "existing school from Manchester, or can I make the school up? Other places,", "writing a book and want to set the story in an existing location,", "England. Does that mean that I have to use an existing school from", "an existing location, such as Manchester, England. Does that mean that I have", "from Manchester, or can I make the school up? Other places, such as", "to set the story in an existing location, such as Manchester, England. Does", "I'm writing a book and want to set the story in an existing", "want to set the story in an existing location, such as Manchester, England.", "story in an existing location, such as Manchester, England. Does that mean that", "I have to use an existing school from Manchester, or can I make", "the story in an existing location, such as Manchester, England. Does that mean", "Manchester, England. Does that mean that I have to use an existing school", "to use an existing school from Manchester, or can I make the school", "such as Manchester, England. Does that mean that I have to use an", "set the story in an existing location, such as Manchester, England. Does that", "have to use an existing school from Manchester, or can I make the", "the school up? Other places, such as restaurants, landmarks, and parks will be", "and want to set the story in an existing location, such as Manchester,", "existing location, such as Manchester, England. Does that mean that I have to", "a book and want to set the story in an existing location, such", "an existing school from Manchester, or can I make the school up? Other", "or can I make the school up? Other places, such as restaurants, landmarks,", "use an existing school from Manchester, or can I make the school up?", "can I make the school up? Other places, such as restaurants, landmarks, and", "I make the school up? Other places, such as restaurants, landmarks, and parks", "that mean that I have to use an existing school from Manchester, or", "school from Manchester, or can I make the school up? Other places, such", "Does that mean that I have to use an existing school from Manchester,", "that I have to use an existing school from Manchester, or can I", "school up? Other places, such as restaurants, landmarks, and parks will be real.", "in an existing location, such as Manchester, England. Does that mean that I", "as Manchester, England. Does that mean that I have to use an existing", "Manchester, or can I make the school up? Other places, such as restaurants,", "make the school up? Other places, such as restaurants, landmarks, and parks will" ]
[ "make him leave them so abruptly. I don't want him to immediately believe", "want him to come to the conclusion that his friends might be wrong,", "original journey. He begins to feel different however, and is beginning to doubt", "they proceed on with their original journey. He begins to feel different however,", "snap, abandon his friends and set out on his own? This would preferably", "jail, but if that is too unreasonable and there is a way for", "ally with him, I just want him to come to the conclusion that", "emotionally (not entirely broken down, he is still mostly the same, but he", "he was beaten, threatened with torture, and shown that he is not nearly", "My issue is that I can't figure out a way to instrument his", "of a short stretch in prison (around a week). Seconds before being captured,", "he is later broken out by his friends, and they proceed on with", "originally arrogant and self-assured character, he has been sufficiently broken down that he", "a week). Seconds before being captured, he watched a good friend of his", "own to rediscover himself and his priorities, but he will end up after", "I just want him to come to the conclusion that his friends might", "right and go and ally with him, I just want him to come", "broken down, he is still mostly the same, but he has come to", "their original journey. He begins to feel different however, and is beginning to", "conclusion that his friends might be wrong, and refuses to follow them anymore.", "will originally head out on his own to rediscover himself and his priorities,", "to doubt himself and his view of the world. This character will eventually", "his priorities, but he will end up after some time allying with the", "in prison, so they would not be unreasonably antagonistic towards him in order", "He sets out his particular view points and asks the character to think", "broken down that he is suffering emotionally (not entirely broken down, he is", "the villain of the story, who he had never met before, speaks to", "busted from jail, but if that is too unreasonable and there is a", "that he is not nearly as clever as he thinks he has been.", "he has been through whilst in prison, so they would not be unreasonably", "I can't figure out a way to instrument his departure. His friends understand", "the villain is right and go and ally with him, I just want", "him a job. The villain presents himself as a reasonable person, and explains", "the world. This character will eventually leave his friends and their pursuit of", "the villain. --- My issue is that I can't figure out a way", "order to make him leave them so abruptly. I don't want him to", "is later broken out by his friends, and they proceed on with their", "friends and set out on his own? This would preferably come about rather", "sets out his particular view points and asks the character to think about", "incarcerated, he was beaten, threatened with torture, and shown that he is not", "out on his own to rediscover himself and his priorities, but he will", "of the week grieving his loss. Whilst incarcerated, he was beaten, threatened with", "speaks to him to offer him a job. The villain presents himself as", "villain. --- My issue is that I can't figure out a way to", "and shown that he is not nearly as clever as he thinks he", "to him that their ultimate goals align. He sets out his particular view", "his view of the world. This character will eventually leave his friends and", "arrogant and self-assured character, he has been sufficiently broken down that he is", "end up after some time allying with the villain. --- My issue is", "torture, and shown that he is not nearly as clever as he thinks", "character will eventually leave his friends and their pursuit of the quest. He", "refuses to follow them anymore. How can I realistically create a reason for", "on his own to rediscover himself and his priorities, but he will end", "himself and his abilities). At this point the villain of the story, who", "beginning to doubt himself and his view of the world. This character will", "that I can't figure out a way to instrument his departure. His friends", "him. After this exchange he is later broken out by his friends, and", "set out on his own? This would preferably come about rather quickly after", "and they proceed on with their original journey. He begins to feel different", "to the conclusion that his friends might be wrong, and refuses to follow", "entirely broken down, he is still mostly the same, but he has come", "don't want him to immediately believe the villain is right and go and", "before, speaks to him to offer him a job. The villain presents himself", "from jail, but if that is too unreasonable and there is a way", "rediscover himself and his priorities, but he will end up after some time", "him to immediately believe the villain is right and go and ally with", "priorities, but he will end up after some time allying with the villain.", "the same, but he has come to doubt himself and his abilities). At", "they would not be unreasonably antagonistic towards him in order to make him", "abandon his friends and set out on his own? This would preferably come", "shown that he is not nearly as clever as he thinks he has", "him leave them so abruptly. I don't want him to immediately believe the", "different however, and is beginning to doubt himself and his view of the", "clever as he thinks he has been. As an originally arrogant and self-assured", "to rediscover himself and his priorities, but he will end up after some", "After this exchange he is later broken out by his friends, and they", "that his friends might be wrong, and refuses to follow them anymore. How", "As an originally arrogant and self-assured character, he has been sufficiently broken down", "He begins to feel different however, and is beginning to doubt himself and", "to instrument his departure. His friends understand what he has been through whilst", "would not be unreasonably antagonistic towards him in order to make him leave", "point the villain of the story, who he had never met before, speaks", "friends, and they proceed on with their original journey. He begins to feel", "is suffering emotionally (not entirely broken down, he is still mostly the same,", "on his own? This would preferably come about rather quickly after being busted", "with their original journey. He begins to feel different however, and is beginning", "think about joining him. After this exchange he is later broken out by", "a short stretch in prison (around a week). Seconds before being captured, he", "How can I realistically create a reason for this character to eventually snap,", "he is not nearly as clever as he thinks he has been. As", "him to offer him a job. The villain presents himself as a reasonable", "down, he is still mostly the same, but he has come to doubt", "to think about joining him. After this exchange he is later broken out", "a reason for this character to eventually snap, abandon his friends and set", "story wherein one of my characters has just been broken out of a", "if that is too unreasonable and there is a way for it to", "be wrong, and refuses to follow them anymore. How can I realistically create", "through whilst in prison, so they would not be unreasonably antagonistic towards him", "This would preferably come about rather quickly after being busted from jail, but", "(around a week). Seconds before being captured, he watched a good friend of", "villain of the story, who he had never met before, speaks to him", "(not entirely broken down, he is still mostly the same, but he has", "joining him. After this exchange he is later broken out by his friends,", "down that he is suffering emotionally (not entirely broken down, he is still", "come to doubt himself and his abilities). At this point the villain of", "figure out a way to instrument his departure. His friends understand what he", "--- My issue is that I can't figure out a way to instrument", "good friend of his get killed, and spends a significant amount of the", "friend of his get killed, and spends a significant amount of the week", "allying with the villain. --- My issue is that I can't figure out", "for this character to eventually snap, abandon his friends and set out on", "broken out by his friends, and they proceed on with their original journey.", "his friends and their pursuit of the quest. He will originally head out", "and is beginning to doubt himself and his view of the world. This", "of his get killed, and spends a significant amount of the week grieving", "a significant amount of the week grieving his loss. Whilst incarcerated, he was", "I've approached a point in my story wherein one of my characters has", "week). Seconds before being captured, he watched a good friend of his get", "The villain presents himself as a reasonable person, and explains to him that", "quickly after being busted from jail, but if that is too unreasonable and", "he had never met before, speaks to him to offer him a job.", "a way to instrument his departure. His friends understand what he has been", "their pursuit of the quest. He will originally head out on his own", "get killed, and spends a significant amount of the week grieving his loss.", "to immediately believe the villain is right and go and ally with him,", "offer him a job. The villain presents himself as a reasonable person, and", "suffering emotionally (not entirely broken down, he is still mostly the same, but", "that their ultimate goals align. He sets out his particular view points and", "to him to offer him a job. The villain presents himself as a", "the character to think about joining him. After this exchange he is later", "instrument his departure. His friends understand what he has been through whilst in", "head out on his own to rediscover himself and his priorities, but he", "still mostly the same, but he has come to doubt himself and his", "I don't want him to immediately believe the villain is right and go", "this character to eventually snap, abandon his friends and set out on his", "been broken out of a short stretch in prison (around a week). Seconds", "with torture, and shown that he is not nearly as clever as he", "whilst in prison, so they would not be unreasonably antagonistic towards him in", "amount of the week grieving his loss. Whilst incarcerated, he was beaten, threatened", "rather quickly after being busted from jail, but if that is too unreasonable", "to eventually snap, abandon his friends and set out on his own? This", "just want him to come to the conclusion that his friends might be", "can I realistically create a reason for this character to eventually snap, abandon", "I realistically create a reason for this character to eventually snap, abandon his", "out a way to instrument his departure. His friends understand what he has", "a good friend of his get killed, and spends a significant amount of", "too unreasonable and there is a way for it to be more realistic", "in order to make him leave them so abruptly. I don't want him", "however, and is beginning to doubt himself and his view of the world.", "be unreasonably antagonistic towards him in order to make him leave them so", "way to instrument his departure. His friends understand what he has been through", "doubt himself and his abilities). At this point the villain of the story,", "originally head out on his own to rediscover himself and his priorities, but", "and set out on his own? This would preferably come about rather quickly", "himself as a reasonable person, and explains to him that their ultimate goals", "towards him in order to make him leave them so abruptly. I don't", "is a way for it to be more realistic but would take longer,", "view of the world. This character will eventually leave his friends and their", "that is too unreasonable and there is a way for it to be", "some time allying with the villain. --- My issue is that I can't", "will end up after some time allying with the villain. --- My issue", "stretch in prison (around a week). Seconds before being captured, he watched a", "go and ally with him, I just want him to come to the", "feel different however, and is beginning to doubt himself and his view of", "his own? This would preferably come about rather quickly after being busted from", "being captured, he watched a good friend of his get killed, and spends", "not nearly as clever as he thinks he has been. As an originally", "is that I can't figure out a way to instrument his departure. His", "and go and ally with him, I just want him to come to", "as a reasonable person, and explains to him that their ultimate goals align.", "he has been sufficiently broken down that he is suffering emotionally (not entirely", "them so abruptly. I don't want him to immediately believe the villain is", "so they would not be unreasonably antagonistic towards him in order to make", "he is still mostly the same, but he has come to doubt himself", "his particular view points and asks the character to think about joining him.", "abruptly. I don't want him to immediately believe the villain is right and", "approached a point in my story wherein one of my characters has just", "asks the character to think about joining him. After this exchange he is", "job. The villain presents himself as a reasonable person, and explains to him", "journey. He begins to feel different however, and is beginning to doubt himself", "his friends, and they proceed on with their original journey. He begins to", "was beaten, threatened with torture, and shown that he is not nearly as", "out by his friends, and they proceed on with their original journey. He", "thinks he has been. As an originally arrogant and self-assured character, he has", "characters has just been broken out of a short stretch in prison (around", "his loss. Whilst incarcerated, he was beaten, threatened with torture, and shown that", "him in order to make him leave them so abruptly. I don't want", "one of my characters has just been broken out of a short stretch", "reason for this character to eventually snap, abandon his friends and set out", "my characters has just been broken out of a short stretch in prison", "same, but he has come to doubt himself and his abilities). At this", "way for it to be more realistic but would take longer, that's fine.", "and refuses to follow them anymore. How can I realistically create a reason", "week grieving his loss. Whilst incarcerated, he was beaten, threatened with torture, and", "grieving his loss. Whilst incarcerated, he was beaten, threatened with torture, and shown", "self-assured character, he has been sufficiently broken down that he is suffering emotionally", "He will originally head out on his own to rediscover himself and his", "This character will eventually leave his friends and their pursuit of the quest.", "to make him leave them so abruptly. I don't want him to immediately", "up after some time allying with the villain. --- My issue is that", "particular view points and asks the character to think about joining him. After", "is not nearly as clever as he thinks he has been. As an", "himself and his view of the world. This character will eventually leave his", "wrong, and refuses to follow them anymore. How can I realistically create a", "is too unreasonable and there is a way for it to be more", "and his view of the world. This character will eventually leave his friends", "prison, so they would not be unreasonably antagonistic towards him in order to", "come about rather quickly after being busted from jail, but if that is", "wherein one of my characters has just been broken out of a short", "his abilities). At this point the villain of the story, who he had", "and asks the character to think about joining him. After this exchange he", "mostly the same, but he has come to doubt himself and his abilities).", "prison (around a week). Seconds before being captured, he watched a good friend", "Whilst incarcerated, he was beaten, threatened with torture, and shown that he is", "is beginning to doubt himself and his view of the world. This character", "out of a short stretch in prison (around a week). Seconds before being", "to come to the conclusion that his friends might be wrong, and refuses", "killed, and spends a significant amount of the week grieving his loss. Whilst", "out on his own? This would preferably come about rather quickly after being", "immediately believe the villain is right and go and ally with him, I", "has been through whilst in prison, so they would not be unreasonably antagonistic", "the story, who he had never met before, speaks to him to offer", "and there is a way for it to be more realistic but would", "exchange he is later broken out by his friends, and they proceed on", "what he has been through whilst in prison, so they would not be", "his get killed, and spends a significant amount of the week grieving his", "so abruptly. I don't want him to immediately believe the villain is right", "has just been broken out of a short stretch in prison (around a", "villain is right and go and ally with him, I just want him", "pursuit of the quest. He will originally head out on his own to", "friends might be wrong, and refuses to follow them anymore. How can I", "friends and their pursuit of the quest. He will originally head out on", "by his friends, and they proceed on with their original journey. He begins", "of the story, who he had never met before, speaks to him to", "quest. He will originally head out on his own to rediscover himself and", "unreasonable and there is a way for it to be more realistic but", "of the world. This character will eventually leave his friends and their pursuit", "after some time allying with the villain. --- My issue is that I", "is still mostly the same, but he has come to doubt himself and", "out his particular view points and asks the character to think about joining", "leave them so abruptly. I don't want him to immediately believe the villain", "with him, I just want him to come to the conclusion that his", "point in my story wherein one of my characters has just been broken", "has come to doubt himself and his abilities). At this point the villain", "been sufficiently broken down that he is suffering emotionally (not entirely broken down,", "doubt himself and his view of the world. This character will eventually leave", "a job. The villain presents himself as a reasonable person, and explains to", "will eventually leave his friends and their pursuit of the quest. He will", "with the villain. --- My issue is that I can't figure out a", "want him to immediately believe the villain is right and go and ally", "can't figure out a way to instrument his departure. His friends understand what", "after being busted from jail, but if that is too unreasonable and there", "might be wrong, and refuses to follow them anymore. How can I realistically", "realistically create a reason for this character to eventually snap, abandon his friends", "loss. Whilst incarcerated, he was beaten, threatened with torture, and shown that he", "nearly as clever as he thinks he has been. As an originally arrogant", "on with their original journey. He begins to feel different however, and is", "proceed on with their original journey. He begins to feel different however, and", "been. As an originally arrogant and self-assured character, he has been sufficiently broken", "eventually snap, abandon his friends and set out on his own? This would", "met before, speaks to him to offer him a job. The villain presents", "him to come to the conclusion that his friends might be wrong, and", "and self-assured character, he has been sufficiently broken down that he is suffering", "to feel different however, and is beginning to doubt himself and his view", "presents himself as a reasonable person, and explains to him that their ultimate", "At this point the villain of the story, who he had never met", "broken out of a short stretch in prison (around a week). Seconds before", "in prison (around a week). Seconds before being captured, he watched a good", "to follow them anymore. How can I realistically create a reason for this", "an originally arrogant and self-assured character, he has been sufficiently broken down that", "but he will end up after some time allying with the villain. ---", "later broken out by his friends, and they proceed on with their original", "himself and his priorities, but he will end up after some time allying", "preferably come about rather quickly after being busted from jail, but if that", "world. This character will eventually leave his friends and their pursuit of the", "eventually leave his friends and their pursuit of the quest. He will originally", "their ultimate goals align. He sets out his particular view points and asks", "he thinks he has been. As an originally arrogant and self-assured character, he", "of my characters has just been broken out of a short stretch in", "been through whilst in prison, so they would not be unreasonably antagonistic towards", "but if that is too unreasonable and there is a way for it", "unreasonably antagonistic towards him in order to make him leave them so abruptly.", "own? This would preferably come about rather quickly after being busted from jail,", "and explains to him that their ultimate goals align. He sets out his", "the week grieving his loss. Whilst incarcerated, he was beaten, threatened with torture,", "abilities). At this point the villain of the story, who he had never", "issue is that I can't figure out a way to instrument his departure.", "just been broken out of a short stretch in prison (around a week).", "had never met before, speaks to him to offer him a job. The", "this exchange he is later broken out by his friends, and they proceed", "would preferably come about rather quickly after being busted from jail, but if", "that he is suffering emotionally (not entirely broken down, he is still mostly", "watched a good friend of his get killed, and spends a significant amount", "come to the conclusion that his friends might be wrong, and refuses to", "and spends a significant amount of the week grieving his loss. Whilst incarcerated,", "my story wherein one of my characters has just been broken out of", "captured, he watched a good friend of his get killed, and spends a", "villain presents himself as a reasonable person, and explains to him that their", "being busted from jail, but if that is too unreasonable and there is", "believe the villain is right and go and ally with him, I just", "there is a way for it to be more realistic but would take", "anymore. How can I realistically create a reason for this character to eventually", "friends understand what he has been through whilst in prison, so they would", "as clever as he thinks he has been. As an originally arrogant and", "he will end up after some time allying with the villain. --- My", "he has come to doubt himself and his abilities). At this point the", "to offer him a job. The villain presents himself as a reasonable person,", "goals align. He sets out his particular view points and asks the character", "his own to rediscover himself and his priorities, but he will end up", "and his abilities). At this point the villain of the story, who he", "spends a significant amount of the week grieving his loss. Whilst incarcerated, he", "not be unreasonably antagonistic towards him in order to make him leave them", "person, and explains to him that their ultimate goals align. He sets out", "His friends understand what he has been through whilst in prison, so they", "them anymore. How can I realistically create a reason for this character to", "understand what he has been through whilst in prison, so they would not", "as he thinks he has been. As an originally arrogant and self-assured character,", "before being captured, he watched a good friend of his get killed, and", "about rather quickly after being busted from jail, but if that is too", "character to think about joining him. After this exchange he is later broken", "the quest. He will originally head out on his own to rediscover himself", "is right and go and ally with him, I just want him to", "beaten, threatened with torture, and shown that he is not nearly as clever", "never met before, speaks to him to offer him a job. The villain", "but he has come to doubt himself and his abilities). At this point", "has been sufficiently broken down that he is suffering emotionally (not entirely broken", "to doubt himself and his abilities). At this point the villain of the", "has been. As an originally arrogant and self-assured character, he has been sufficiently", "sufficiently broken down that he is suffering emotionally (not entirely broken down, he", "departure. His friends understand what he has been through whilst in prison, so", "a way for it to be more realistic but would take longer, that's", "time allying with the villain. --- My issue is that I can't figure", "his friends and set out on his own? This would preferably come about", "create a reason for this character to eventually snap, abandon his friends and", "him that their ultimate goals align. He sets out his particular view points", "view points and asks the character to think about joining him. After this", "begins to feel different however, and is beginning to doubt himself and his", "and his priorities, but he will end up after some time allying with", "of the quest. He will originally head out on his own to rediscover", "reasonable person, and explains to him that their ultimate goals align. He sets", "significant amount of the week grieving his loss. Whilst incarcerated, he was beaten,", "and their pursuit of the quest. He will originally head out on his", "the conclusion that his friends might be wrong, and refuses to follow them", "Seconds before being captured, he watched a good friend of his get killed,", "who he had never met before, speaks to him to offer him a", "and ally with him, I just want him to come to the conclusion", "he is suffering emotionally (not entirely broken down, he is still mostly the", "a reasonable person, and explains to him that their ultimate goals align. He", "ultimate goals align. He sets out his particular view points and asks the", "character, he has been sufficiently broken down that he is suffering emotionally (not", "his friends might be wrong, and refuses to follow them anymore. How can", "in my story wherein one of my characters has just been broken out", "he has been. As an originally arrogant and self-assured character, he has been", "a point in my story wherein one of my characters has just been", "character to eventually snap, abandon his friends and set out on his own?", "align. He sets out his particular view points and asks the character to", "points and asks the character to think about joining him. After this exchange", "follow them anymore. How can I realistically create a reason for this character", "explains to him that their ultimate goals align. He sets out his particular", "antagonistic towards him in order to make him leave them so abruptly. I", "threatened with torture, and shown that he is not nearly as clever as", "about joining him. After this exchange he is later broken out by his", "his departure. His friends understand what he has been through whilst in prison,", "this point the villain of the story, who he had never met before,", "he watched a good friend of his get killed, and spends a significant", "story, who he had never met before, speaks to him to offer him", "him, I just want him to come to the conclusion that his friends", "leave his friends and their pursuit of the quest. He will originally head", "short stretch in prison (around a week). Seconds before being captured, he watched" ]
[ "change most of the (specific) words, so that I didn't change the meaning,", "the same variables etc.) is this plagiarism? What about just changing the variable", "(with the same variables etc.) is this plagiarism? What about just changing the", "be plagiarism? Secondly, if I have some English text snippet and just change", "words, so that I didn't change the meaning, would this be plagiarism? Thirdly,", "some (small) German text snippets from some papers (I'm German-speaking) and just translate", "would this be plagiarism? Secondly, if I have some English text snippet and", "take some (small) German text snippets from some papers (I'm German-speaking) and just", "into English, would this be plagiarism? Secondly, if I have some English text", "and just change most of the (specific) words, so that I didn't change", "that I didn't change the meaning, would this be plagiarism? Thirdly, if I", "I didn't change the meaning, would this be plagiarism? Thirdly, if I reuse", "plagiarism? Thirdly, if I reuse math formulas (with the same variables etc.) is", "papers (I'm German-speaking) and just translate them into English, would this be plagiarism?", "math formulas (with the same variables etc.) is this plagiarism? What about just", "snippet and just change most of the (specific) words, so that I didn't", "snippets from some papers (I'm German-speaking) and just translate them into English, would", "thesis in English. If I take some (small) German text snippets from some", "(I'm German-speaking) and just translate them into English, would this be plagiarism? Secondly,", "Secondly, if I have some English text snippet and just change most of", "text snippets from some papers (I'm German-speaking) and just translate them into English,", "the (specific) words, so that I didn't change the meaning, would this be", "so that I didn't change the meaning, would this be plagiarism? Thirdly, if", "I reuse math formulas (with the same variables etc.) is this plagiarism? What", "(small) German text snippets from some papers (I'm German-speaking) and just translate them", "English, would this be plagiarism? Secondly, if I have some English text snippet", "same variables etc.) is this plagiarism? What about just changing the variable names?", "if I reuse math formulas (with the same variables etc.) is this plagiarism?", "from some papers (I'm German-speaking) and just translate them into English, would this", "just change most of the (specific) words, so that I didn't change the", "this be plagiarism? Thirdly, if I reuse math formulas (with the same variables", "have some English text snippet and just change most of the (specific) words,", "If I take some (small) German text snippets from some papers (I'm German-speaking)", "my Masters thesis in English. If I take some (small) German text snippets", "if I have some English text snippet and just change most of the", "them into English, would this be plagiarism? Secondly, if I have some English", "plagiarism? Secondly, if I have some English text snippet and just change most", "in English. If I take some (small) German text snippets from some papers", "just translate them into English, would this be plagiarism? Secondly, if I have", "and just translate them into English, would this be plagiarism? Secondly, if I", "formulas (with the same variables etc.) is this plagiarism? What about just changing", "Thirdly, if I reuse math formulas (with the same variables etc.) is this", "some papers (I'm German-speaking) and just translate them into English, would this be", "most of the (specific) words, so that I didn't change the meaning, would", "text snippet and just change most of the (specific) words, so that I", "I take some (small) German text snippets from some papers (I'm German-speaking) and", "English text snippet and just change most of the (specific) words, so that", "change the meaning, would this be plagiarism? Thirdly, if I reuse math formulas", "I have some English text snippet and just change most of the (specific)", "would this be plagiarism? Thirdly, if I reuse math formulas (with the same", "meaning, would this be plagiarism? Thirdly, if I reuse math formulas (with the", "be plagiarism? Thirdly, if I reuse math formulas (with the same variables etc.)", "currently writing my Masters thesis in English. If I take some (small) German", "(specific) words, so that I didn't change the meaning, would this be plagiarism?", "this be plagiarism? Secondly, if I have some English text snippet and just", "Masters thesis in English. If I take some (small) German text snippets from", "some English text snippet and just change most of the (specific) words, so", "German-speaking) and just translate them into English, would this be plagiarism? Secondly, if", "translate them into English, would this be plagiarism? Secondly, if I have some", "German text snippets from some papers (I'm German-speaking) and just translate them into", "of the (specific) words, so that I didn't change the meaning, would this", "the meaning, would this be plagiarism? Thirdly, if I reuse math formulas (with", "I'm currently writing my Masters thesis in English. If I take some (small)", "didn't change the meaning, would this be plagiarism? Thirdly, if I reuse math", "English. If I take some (small) German text snippets from some papers (I'm", "writing my Masters thesis in English. If I take some (small) German text", "reuse math formulas (with the same variables etc.) is this plagiarism? What about" ]
[ "whether it makes a difference at all. A few years ago, god knows", "seen speech that was formatted like so: > > —Hello. - Tom said.", "to have a dash at the front in case it is replaced on", "A few years ago, god knows where, I've seen speech that was formatted", "—Hello. - Tom said. > > > and a more common form which", "know how this displays since I am using my phone, but the first", "found in a lot of books: > > \"Hello,\" Tom said. > >", "knows where, I've seen speech that was formatted like so: > > —Hello.", "Tom said. > > > and a more common form which is found", "\"Hello,\" Tom said. > > > Does it make a difference, whatever one", "one I use? EDIT: I don't know how this displays since I am", "> and a more common form which is found in a lot of", "the first speech format was supposed to have a dash at the front", "a lot of books: > > \"Hello,\" Tom said. > > > Does", "first speech format was supposed to have a dash at the front in", "Tom said. > > > Does it make a difference, whatever one I", "said. > > > Does it make a difference, whatever one I use?", "make a difference, whatever one I use? EDIT: I don't know how this", "all. A few years ago, god knows where, I've seen speech that was", "> —Hello. - Tom said. > > > and a more common form", "about which one is appropriate for a story, or whether it makes a", "which one is appropriate for a story, or whether it makes a difference", "ago, god knows where, I've seen speech that was formatted like so: >", "of books: > > \"Hello,\" Tom said. > > > Does it make", "> Does it make a difference, whatever one I use? EDIT: I don't", "and a more common form which is found in a lot of books:", "have a dash at the front in case it is replaced on your", "which is found in a lot of books: > > \"Hello,\" Tom said.", "was supposed to have a dash at the front in case it is", "for a story, or whether it makes a difference at all. A few", "format was supposed to have a dash at the front in case it", "> > —Hello. - Tom said. > > > and a more common", "since I am using my phone, but the first speech format was supposed", "a story, or whether it makes a difference at all. A few years", "is found in a lot of books: > > \"Hello,\" Tom said. >", "a more common form which is found in a lot of books: >", "appropriate for a story, or whether it makes a difference at all. A", "difference at all. A few years ago, god knows where, I've seen speech", "at all. A few years ago, god knows where, I've seen speech that", "it makes a difference at all. A few years ago, god knows where,", "it make a difference, whatever one I use? EDIT: I don't know how", "a dash at the front in case it is replaced on your screen", "so: > > —Hello. - Tom said. > > > and a more", "this displays since I am using my phone, but the first speech format", "speech that was formatted like so: > > —Hello. - Tom said. >", "supposed to have a dash at the front in case it is replaced", "years ago, god knows where, I've seen speech that was formatted like so:", "am using my phone, but the first speech format was supposed to have", "whatever one I use? EDIT: I don't know how this displays since I", "more common form which is found in a lot of books: > >", "but the first speech format was supposed to have a dash at the", "like so: > > —Hello. - Tom said. > > > and a", "was formatted like so: > > —Hello. - Tom said. > > >", "EDIT: I don't know how this displays since I am using my phone,", "use? EDIT: I don't know how this displays since I am using my", "at the front in case it is replaced on your screen with a", "is appropriate for a story, or whether it makes a difference at all.", "that was formatted like so: > > —Hello. - Tom said. > >", "am conflicted about which one is appropriate for a story, or whether it", "I've seen speech that was formatted like so: > > —Hello. - Tom", "> > \"Hello,\" Tom said. > > > Does it make a difference,", "displays since I am using my phone, but the first speech format was", "one is appropriate for a story, or whether it makes a difference at", "don't know how this displays since I am using my phone, but the", "> > Does it make a difference, whatever one I use? EDIT: I", "lot of books: > > \"Hello,\" Tom said. > > > Does it", "the front in case it is replaced on your screen with a dot.", "where, I've seen speech that was formatted like so: > > —Hello. -", "> > > Does it make a difference, whatever one I use? EDIT:", "> > and a more common form which is found in a lot", "> > > and a more common form which is found in a", "formatted like so: > > —Hello. - Tom said. > > > and", "- Tom said. > > > and a more common form which is", "in a lot of books: > > \"Hello,\" Tom said. > > >", "phone, but the first speech format was supposed to have a dash at", "god knows where, I've seen speech that was formatted like so: > >", "conflicted about which one is appropriate for a story, or whether it makes", "I am conflicted about which one is appropriate for a story, or whether", "speech format was supposed to have a dash at the front in case", "form which is found in a lot of books: > > \"Hello,\" Tom", "Does it make a difference, whatever one I use? EDIT: I don't know", "> \"Hello,\" Tom said. > > > Does it make a difference, whatever", "I am using my phone, but the first speech format was supposed to", "how this displays since I am using my phone, but the first speech", "difference, whatever one I use? EDIT: I don't know how this displays since", "few years ago, god knows where, I've seen speech that was formatted like", "a difference at all. A few years ago, god knows where, I've seen", "said. > > > and a more common form which is found in", "story, or whether it makes a difference at all. A few years ago,", "books: > > \"Hello,\" Tom said. > > > Does it make a", "my phone, but the first speech format was supposed to have a dash", "a difference, whatever one I use? EDIT: I don't know how this displays", "I don't know how this displays since I am using my phone, but", "dash at the front in case it is replaced on your screen with", "common form which is found in a lot of books: > > \"Hello,\"", "makes a difference at all. A few years ago, god knows where, I've", "I use? EDIT: I don't know how this displays since I am using", "using my phone, but the first speech format was supposed to have a", "or whether it makes a difference at all. A few years ago, god" ]
[ "ever seeing a citation in a work of fiction. But I LOVE this", "people who look up, stand on tiptoes as if they were trying to", "couldn't stand to watch Europeans dance the style. I couldn't put my finger", "who taught it. He said that the style was uniquely Japanese and few", "dancers on YouTube. I couldn't stand to watch Europeans dance the style. I", "can only be studied in that country. He tries very hard. He's told", "also deliberately \"ugly.\" It came into being after WWII and expresses agony, loss", "for some reason. After reading this article, I watched the Euro dancers, and", "Euro dancers, and he was exactly right. They didn't get down low enough", "it, but it was just \"wrong\" for some reason. After reading this article,", "ask his permission. --- \\Regardless of whether you agree with this guy or", "wrong, but I can't guarantee that I could ask his permission. --- \\Regardless", "to convey spirituality. This style of dance was also deliberately \"ugly.\" It came", "couldn't put my finger on it, but it was just \"wrong\" for some", "style. I couldn't put my finger on it, but it was just \"wrong\"", "Europe or North America didn't do it right, because their culture has one", "up to find God. The power reaches up like a tree towards the", "in Europe, people look up to find God. The power reaches up like", "no matter how hard they tried to get low, they were trying to", "towards the heavens. European dance has people who look up, stand on tiptoes", "magic that can only be studied in that country. He tries very hard.", "I watched the Euro dancers, and he was exactly right. They didn't get", "up. They also kept trying to make the dance \"pretty.\" When it's meant", "as if they were trying to fly away. European dance also focuses on", "found from the ground. Dancers focus on planting themselves sturdily on the ground", "the heavens. European dance has people who look up, stand on tiptoes as", "on the ground and sink down into the ground when they wish to", "focuses on beauty. In Japanese culture, power comes found from the ground. Dancers", "dance was also deliberately \"ugly.\" It came into being after WWII and expresses", "really want to use the idea. What's the most ethical way to approach", "the urge to lift up. They also kept trying to make the dance", "cultures such as ones found in China, India, and some tribal people in", "culture, power comes found from the ground. Dancers focus on planting themselves sturdily", "style of dance was also deliberately \"ugly.\" It came into being after WWII", "dance also focuses on beauty. In Japanese culture, power comes found from the", "has people who look up, stand on tiptoes as if they were trying", "dance has people who look up, stand on tiptoes as if they were", "but he doesn't get it. He can't really get better than mediocre at", "style written by a man who taught it. He said that the style", "certain that the guy is still alive. I think the article may have", "that people from ancient cultures such as ones found in China, India, and", "I think it would be a perfect way for my MC to get", "the most ethical way to approach this? I'm not entirely certain that the", "taught it. He said that the style was uniquely Japanese and few outsiders", "from ancient cultures such as ones found in China, India, and some tribal", "just \"wrong\" for some reason. After reading this article, I watched the Euro", "get low, they were trying to fight the urge to lift up. They", "would be a perfect way for my MC to get turned down when", "this article, I watched the Euro dancers, and he was exactly right. They", "in China, India, and some tribal people in Africa might come close, but", "the ground. Dancers focus on planting themselves sturdily on the ground and sink", "not, I did watch several dancers on YouTube. I couldn't stand to watch", "He's told that he's the best they've ever seen from his country, but", "India, and some tribal people in Africa might come close, but anyone from", "think it would be a perfect way for my MC to get turned", "matter how hard they tried to get low, they were trying to fight", "a man who taught it. He said that the style was uniquely Japanese", "style world to an Indian style world. He desires to study a form", "but it was just \"wrong\" for some reason. After reading this article, I", "and few outsiders could really dance in the style properly. He said that", "this guy's opinions about about philosophies about dancing. I think it would be", "wish to convey spirituality. This style of dance was also deliberately \"ugly.\" It", "entirely certain that the guy is still alive. I think the article may", "guessed that people from ancient cultures such as ones found in China, India,", "some reason. After reading this article, I watched the Euro dancers, and he", "find God. The power reaches up like a tree towards the heavens. European", "world. He desires to study a form of magic that can only be", "Europe, people look up to find God. The power reaches up like a", "about dancing. I think it would be a perfect way for my MC", "this guy or not, I did watch several dancers on YouTube. I couldn't", "it. Anyway, I don't recall ever seeing a citation in a work of", "European style world to an Indian style world. He desires to study a", "said that he guessed that people from ancient cultures such as ones found", "from the ground. Dancers focus on planting themselves sturdily on the ground and", "that the style was uniquely Japanese and few outsiders could really dance in", "tiptoes as if they were trying to fly away. European dance also focuses", "power reaches up like a tree towards the heavens. European dance has people", "in the 80s. I could be wrong, but I can't guarantee that I", "their culture has one completely different belief about power and spirituality.\\* He said", "than mediocre at it. Anyway, I don't recall ever seeing a citation in", "I LOVE this guy's opinions about about philosophies about dancing. I think it", "on planting themselves sturdily on the ground and sink down into the ground", "down when he applies for advanced study in the magic. I don't want", "or not, I did watch several dancers on YouTube. I couldn't stand to", "people look up to find God. The power reaches up like a tree", "the ground when they wish to convey spirituality. This style of dance was", "better than mediocre at it. Anyway, I don't recall ever seeing a citation", "it was just \"wrong\" for some reason. After reading this article, I watched", "could really dance in the style properly. He said that he guessed that", "reaches up like a tree towards the heavens. European dance has people who", "found in China, India, and some tribal people in Africa might come close,", "low enough and no matter how hard they tried to get low, they", "trying to fight the urge to lift up. They also kept trying to", "way to approach this? I'm not entirely certain that the guy is still", "study in the magic. I don't want to copy it verbatim, but I", "the idea. What's the most ethical way to approach this? I'm not entirely", "a form of magic that can only be studied in that country. He", "idea. What's the most ethical way to approach this? I'm not entirely certain", "permission. --- \\Regardless of whether you agree with this guy or not, I", "very hard. He's told that he's the best they've ever seen from his", "most ethical way to approach this? I'm not entirely certain that the guy", "style world. He desires to study a form of magic that can only", "that the guy is still alive. I think the article may have been", "world to an Indian style world. He desires to study a form of", "from a European style world to an Indian style world. He desires to", "deliberately \"ugly.\" It came into being after WWII and expresses agony, loss and", "didn't get down low enough and no matter how hard they tried to", "loss and defeat. Anyway, in my fantasy story, I have a character who", "He said that the style was uniquely Japanese and few outsiders could really", "In Japanese culture, power comes found from the ground. Dancers focus on planting", "tries very hard. He's told that he's the best they've ever seen from", "uniquely Japanese and few outsiders could really dance in the style properly. He", "anyone from Europe or North America didn't do it right, because their culture", "look up to find God. The power reaches up like a tree towards", "his country, but he doesn't get it. He can't really get better than", "my fantasy story, I have a character who travels from a European style", "spirituality.\\ He said that in Europe, people look up to find God. The", "character who travels from a European style world to an Indian style world.", "approach this? I'm not entirely certain that the guy is still alive. I", "in the style properly. He said that he guessed that people from ancient", "about philosophies about dancing. I think it would be a perfect way for", "to get low, they were trying to fight the urge to lift up.", "he doesn't get it. He can't really get better than mediocre at it.", "the article may have been written in the 80s. I could be wrong,", "to fly away. European dance also focuses on beauty. In Japanese culture, power", "whether you agree with this guy or not, I did watch several dancers", "said that the style was uniquely Japanese and few outsiders could really dance", "down low enough and no matter how hard they tried to get low,", "beauty. In Japanese culture, power comes found from the ground. Dancers focus on", "Japanese and few outsiders could really dance in the style properly. He said", "studied in that country. He tries very hard. He's told that he's the", "at it. Anyway, I don't recall ever seeing a citation in a work", "comes found from the ground. Dancers focus on planting themselves sturdily on the", "and he was exactly right. They didn't get down low enough and no", "Dancers focus on planting themselves sturdily on the ground and sink down into", "being after WWII and expresses agony, loss and defeat. Anyway, in my fantasy", "they've ever seen from his country, but he doesn't get it. He can't", "applies for advanced study in the magic. I don't want to copy it", "properly. He said that he guessed that people from ancient cultures such as", "Africa might come close, but anyone from Europe or North America didn't do", "\"ugly.\" It came into being after WWII and expresses agony, loss and defeat.", "who travels from a European style world to an Indian style world. He", "come close, but anyone from Europe or North America didn't do it right,", "fantasy story, I have a character who travels from a European style world", "He desires to study a form of magic that can only be studied", "people in Africa might come close, but anyone from Europe or North America", "have a character who travels from a European style world to an Indian", "a perfect way for my MC to get turned down when he applies", "Europeans dance the style. I couldn't put my finger on it, but it", "into being after WWII and expresses agony, loss and defeat. Anyway, in my", "for advanced study in the magic. I don't want to copy it verbatim,", "and some tribal people in Africa might come close, but anyone from Europe", "It came into being after WWII and expresses agony, loss and defeat. Anyway,", "style was uniquely Japanese and few outsiders could really dance in the style", "The power reaches up like a tree towards the heavens. European dance has", "away. European dance also focuses on beauty. In Japanese culture, power comes found", "don't recall ever seeing a citation in a work of fiction. But I", "the 80s. I could be wrong, but I can't guarantee that I could", "travels from a European style world to an Indian style world. He desires", "article may have been written in the 80s. I could be wrong, but", "up like a tree towards the heavens. European dance has people who look", "This style of dance was also deliberately \"ugly.\" It came into being after", "watched the Euro dancers, and he was exactly right. They didn't get down", "hard they tried to get low, they were trying to fight the urge", "use the idea. What's the most ethical way to approach this? I'm not", "tree towards the heavens. European dance has people who look up, stand on", "with this guy or not, I did watch several dancers on YouTube. I", "the guy is still alive. I think the article may have been written", "dance style written by a man who taught it. He said that the", "country. He tries very hard. He's told that he's the best they've ever", "I think the article may have been written in the 80s. I could", "I did watch several dancers on YouTube. I couldn't stand to watch Europeans", "they were trying to fly away. European dance also focuses on beauty. In", "because their culture has one completely different belief about power and spirituality.\\* He", "tried to get low, they were trying to fight the urge to lift", "they were trying to fight the urge to lift up. They also kept", "in my fantasy story, I have a character who travels from a European", "power and spirituality.\\* He said that in Europe, people look up to find", "But I LOVE this guy's opinions about about philosophies about dancing. I think", "LOVE this guy's opinions about about philosophies about dancing. I think it would", "European dance also focuses on beauty. In Japanese culture, power comes found from", "and spirituality.\\* He said that in Europe, people look up to find God.", "He said that in Europe, people look up to find God. The power", "\\Regardless of whether you agree with this guy or not, I did watch", "I really want to use the idea. What's the most ethical way to", "and expresses agony, loss and defeat. Anyway, in my fantasy story, I have", "such as ones found in China, India, and some tribal people in Africa", "WWII and expresses agony, loss and defeat. Anyway, in my fantasy story, I", "heavens. European dance has people who look up, stand on tiptoes as if", "can't really get better than mediocre at it. Anyway, I don't recall ever", "dancers, and he was exactly right. They didn't get down low enough and", "Anyway, I don't recall ever seeing a citation in a work of fiction.", "I can't guarantee that I could ask his permission. --- \\Regardless of whether", "perfect way for my MC to get turned down when he applies for", "outsiders could really dance in the style properly. He said that he guessed", "didn't do it right, because their culture has one completely different belief about", "guy is still alive. I think the article may have been written in", "sturdily on the ground and sink down into the ground when they wish", "I have a character who travels from a European style world to an", "alive. I think the article may have been written in the 80s. I", "reason. After reading this article, I watched the Euro dancers, and he was", "or North America didn't do it right, because their culture has one completely", "watch Europeans dance the style. I couldn't put my finger on it, but", "work of fiction. But I LOVE this guy's opinions about about philosophies about", "close, but anyone from Europe or North America didn't do it right, because", "I could be wrong, but I can't guarantee that I could ask his", "want to copy it verbatim, but I really want to use the idea.", "the style was uniquely Japanese and few outsiders could really dance in the", "philosophies about dancing. I think it would be a perfect way for my", "it. He can't really get better than mediocre at it. Anyway, I don't", "for my MC to get turned down when he applies for advanced study", "ancient cultures such as ones found in China, India, and some tribal people", "on it, but it was just \"wrong\" for some reason. After reading this", "only be studied in that country. He tries very hard. He's told that", "I don't recall ever seeing a citation in a work of fiction. But", "to get turned down when he applies for advanced study in the magic.", "was exactly right. They didn't get down low enough and no matter how", "man who taught it. He said that the style was uniquely Japanese and", "but I really want to use the idea. What's the most ethical way", "to find God. The power reaches up like a tree towards the heavens.", "culture has one completely different belief about power and spirituality.\\* He said that", "to use the idea. What's the most ethical way to approach this? I'm", "guy or not, I did watch several dancers on YouTube. I couldn't stand", "that country. He tries very hard. He's told that he's the best they've", "dance the style. I couldn't put my finger on it, but it was", "from Europe or North America didn't do it right, because their culture has", "America didn't do it right, because their culture has one completely different belief", "watch several dancers on YouTube. I couldn't stand to watch Europeans dance the", "tribal people in Africa might come close, but anyone from Europe or North", "like a tree towards the heavens. European dance has people who look up,", "the Euro dancers, and he was exactly right. They didn't get down low", "article, I watched the Euro dancers, and he was exactly right. They didn't", "a work of fiction. But I LOVE this guy's opinions about about philosophies", "he applies for advanced study in the magic. I don't want to copy", "did watch several dancers on YouTube. I couldn't stand to watch Europeans dance", "expresses agony, loss and defeat. Anyway, in my fantasy story, I have a", "think the article may have been written in the 80s. I could be", "he guessed that people from ancient cultures such as ones found in China,", "doesn't get it. He can't really get better than mediocre at it. Anyway,", "After reading this article, I watched the Euro dancers, and he was exactly", "as ones found in China, India, and some tribal people in Africa might", "about power and spirituality.\\* He said that in Europe, people look up to", "he's the best they've ever seen from his country, but he doesn't get", "I was reading about this Japanese dance style written by a man who", "a tree towards the heavens. European dance has people who look up, stand", "an Indian style world. He desires to study a form of magic that", "might come close, but anyone from Europe or North America didn't do it", "the style. I couldn't put my finger on it, but it was just", "really get better than mediocre at it. Anyway, I don't recall ever seeing", "if they were trying to fly away. European dance also focuses on beauty.", "reading this article, I watched the Euro dancers, and he was exactly right.", "it. He said that the style was uniquely Japanese and few outsiders could", "citation in a work of fiction. But I LOVE this guy's opinions about", "that I could ask his permission. --- \\Regardless of whether you agree with", "don't want to copy it verbatim, but I really want to use the", "desires to study a form of magic that can only be studied in", "still alive. I think the article may have been written in the 80s.", "low, they were trying to fight the urge to lift up. They also", "ground and sink down into the ground when they wish to convey spirituality.", "came into being after WWII and expresses agony, loss and defeat. Anyway, in", "his permission. --- \\Regardless of whether you agree with this guy or not,", "the ground and sink down into the ground when they wish to convey", "some tribal people in Africa might come close, but anyone from Europe or", "right. They didn't get down low enough and no matter how hard they", "verbatim, but I really want to use the idea. What's the most ethical", "stand on tiptoes as if they were trying to fly away. European dance", "on tiptoes as if they were trying to fly away. European dance also", "seen from his country, but he doesn't get it. He can't really get", "be a perfect way for my MC to get turned down when he", "spirituality. This style of dance was also deliberately \"ugly.\" It came into being", "Indian style world. He desires to study a form of magic that can", "80s. I could be wrong, but I can't guarantee that I could ask", "the best they've ever seen from his country, but he doesn't get it.", "completely different belief about power and spirituality.\\* He said that in Europe, people", "the magic. I don't want to copy it verbatim, but I really want", "but I can't guarantee that I could ask his permission. --- \\Regardless of", "style properly. He said that he guessed that people from ancient cultures such", "agony, loss and defeat. Anyway, in my fantasy story, I have a character", "could be wrong, but I can't guarantee that I could ask his permission.", "to fight the urge to lift up. They also kept trying to make", "lift up. They also kept trying to make the dance \"pretty.\" When it's", "from his country, but he doesn't get it. He can't really get better", "I couldn't put my finger on it, but it was just \"wrong\" for", "agree with this guy or not, I did watch several dancers on YouTube.", "also focuses on beauty. In Japanese culture, power comes found from the ground.", "fight the urge to lift up. They also kept trying to make the", "told that he's the best they've ever seen from his country, but he", "Japanese dance style written by a man who taught it. He said that", "and no matter how hard they tried to get low, they were trying", "you agree with this guy or not, I did watch several dancers on", "kept trying to make the dance \"pretty.\" When it's meant to be very", "may have been written in the 80s. I could be wrong, but I", "also kept trying to make the dance \"pretty.\" When it's meant to be", "who look up, stand on tiptoes as if they were trying to fly", "in Africa might come close, but anyone from Europe or North America didn't", "ground when they wish to convey spirituality. This style of dance was also", "get turned down when he applies for advanced study in the magic. I", "mediocre at it. Anyway, I don't recall ever seeing a citation in a", "about this Japanese dance style written by a man who taught it. He", "want to use the idea. What's the most ethical way to approach this?", "a character who travels from a European style world to an Indian style", "into the ground when they wish to convey spirituality. This style of dance", "been written in the 80s. I could be wrong, but I can't guarantee", "were trying to fly away. European dance also focuses on beauty. In Japanese", "North America didn't do it right, because their culture has one completely different", "guarantee that I could ask his permission. --- \\Regardless of whether you agree", "to an Indian style world. He desires to study a form of magic", "They also kept trying to make the dance \"pretty.\" When it's meant to", "said that in Europe, people look up to find God. The power reaches", "and defeat. Anyway, in my fantasy story, I have a character who travels", "enough and no matter how hard they tried to get low, they were", "is still alive. I think the article may have been written in the", "written in the 80s. I could be wrong, but I can't guarantee that", "on YouTube. I couldn't stand to watch Europeans dance the style. I couldn't", "magic. I don't want to copy it verbatim, but I really want to", "He tries very hard. He's told that he's the best they've ever seen", "trying to fly away. European dance also focuses on beauty. In Japanese culture,", "dancing. I think it would be a perfect way for my MC to", "China, India, and some tribal people in Africa might come close, but anyone", "has one completely different belief about power and spirituality.\\* He said that in", "turned down when he applies for advanced study in the magic. I don't", "few outsiders could really dance in the style properly. He said that he", "get better than mediocre at it. Anyway, I don't recall ever seeing a", "stand to watch Europeans dance the style. I couldn't put my finger on", "in a work of fiction. But I LOVE this guy's opinions about about", "of whether you agree with this guy or not, I did watch several", "put my finger on it, but it was just \"wrong\" for some reason.", "European dance has people who look up, stand on tiptoes as if they", "can't guarantee that I could ask his permission. --- \\Regardless of whether you", "when he applies for advanced study in the magic. I don't want to", "copy it verbatim, but I really want to use the idea. What's the", "several dancers on YouTube. I couldn't stand to watch Europeans dance the style.", "He said that he guessed that people from ancient cultures such as ones", "was just \"wrong\" for some reason. After reading this article, I watched the", "story, I have a character who travels from a European style world to", "He can't really get better than mediocre at it. Anyway, I don't recall", "down into the ground when they wish to convey spirituality. This style of", "convey spirituality. This style of dance was also deliberately \"ugly.\" It came into", "I could ask his permission. --- \\Regardless of whether you agree with this", "YouTube. I couldn't stand to watch Europeans dance the style. I couldn't put", "dance in the style properly. He said that he guessed that people from", "God. The power reaches up like a tree towards the heavens. European dance", "different belief about power and spirituality.\\* He said that in Europe, people look", "they tried to get low, they were trying to fight the urge to", "be wrong, but I can't guarantee that I could ask his permission. ---", "this? I'm not entirely certain that the guy is still alive. I think", "guy's opinions about about philosophies about dancing. I think it would be a", "was reading about this Japanese dance style written by a man who taught", "right, because their culture has one completely different belief about power and spirituality.\\", "my finger on it, but it was just \"wrong\" for some reason. After", "hard. He's told that he's the best they've ever seen from his country,", "way for my MC to get turned down when he applies for advanced", "planting themselves sturdily on the ground and sink down into the ground when", "the style properly. He said that he guessed that people from ancient cultures", "have been written in the 80s. I could be wrong, but I can't", "were trying to fight the urge to lift up. They also kept trying", "of magic that can only be studied in that country. He tries very", "about about philosophies about dancing. I think it would be a perfect way", "to lift up. They also kept trying to make the dance \"pretty.\" When", "up, stand on tiptoes as if they were trying to fly away. European", "power comes found from the ground. Dancers focus on planting themselves sturdily on", "a citation in a work of fiction. But I LOVE this guy's opinions", "they wish to convey spirituality. This style of dance was also deliberately \"ugly.\"", "of fiction. But I LOVE this guy's opinions about about philosophies about dancing.", "could ask his permission. --- \\Regardless of whether you agree with this guy", "on beauty. In Japanese culture, power comes found from the ground. Dancers focus", "be studied in that country. He tries very hard. He's told that he's", "--- \\Regardless of whether you agree with this guy or not, I did", "that he's the best they've ever seen from his country, but he doesn't", "after WWII and expresses agony, loss and defeat. Anyway, in my fantasy story,", "look up, stand on tiptoes as if they were trying to fly away.", "fiction. But I LOVE this guy's opinions about about philosophies about dancing. I", "it verbatim, but I really want to use the idea. What's the most", "finger on it, but it was just \"wrong\" for some reason. After reading", "to watch Europeans dance the style. I couldn't put my finger on it,", "it right, because their culture has one completely different belief about power and", "to approach this? I'm not entirely certain that the guy is still alive.", "themselves sturdily on the ground and sink down into the ground when they", "seeing a citation in a work of fiction. But I LOVE this guy's", "was uniquely Japanese and few outsiders could really dance in the style properly.", "that he guessed that people from ancient cultures such as ones found in", "\"wrong\" for some reason. After reading this article, I watched the Euro dancers,", "MC to get turned down when he applies for advanced study in the", "one completely different belief about power and spirituality.\\ He said that in Europe,", "opinions about about philosophies about dancing. I think it would be a perfect", "reading about this Japanese dance style written by a man who taught it.", "best they've ever seen from his country, but he doesn't get it. He", "What's the most ethical way to approach this? I'm not entirely certain that", "belief about power and spirituality.\\* He said that in Europe, people look up", "to copy it verbatim, but I really want to use the idea. What's", "that in Europe, people look up to find God. The power reaches up", "fly away. European dance also focuses on beauty. In Japanese culture, power comes", "form of magic that can only be studied in that country. He tries", "get it. He can't really get better than mediocre at it. Anyway, I", "not entirely certain that the guy is still alive. I think the article", "but anyone from Europe or North America didn't do it right, because their", "advanced study in the magic. I don't want to copy it verbatim, but", "was also deliberately \"ugly.\" It came into being after WWII and expresses agony,", "this Japanese dance style written by a man who taught it. He said", "and sink down into the ground when they wish to convey spirituality. This", "defeat. Anyway, in my fantasy story, I have a character who travels from", "ethical way to approach this? I'm not entirely certain that the guy is", "that can only be studied in that country. He tries very hard. He's", "recall ever seeing a citation in a work of fiction. But I LOVE", "a European style world to an Indian style world. He desires to study", "ones found in China, India, and some tribal people in Africa might come", "people from ancient cultures such as ones found in China, India, and some", "They didn't get down low enough and no matter how hard they tried", "do it right, because their culture has one completely different belief about power", "ever seen from his country, but he doesn't get it. He can't really", "when they wish to convey spirituality. This style of dance was also deliberately", "really dance in the style properly. He said that he guessed that people", "ground. Dancers focus on planting themselves sturdily on the ground and sink down", "in that country. He tries very hard. He's told that he's the best", "exactly right. They didn't get down low enough and no matter how hard", "I'm not entirely certain that the guy is still alive. I think the", "Anyway, in my fantasy story, I have a character who travels from a", "to study a form of magic that can only be studied in that", "by a man who taught it. He said that the style was uniquely", "get down low enough and no matter how hard they tried to get", "trying to make the dance \"pretty.\" When it's meant to be very \"ugly.\"", "my MC to get turned down when he applies for advanced study in", "study a form of magic that can only be studied in that country.", "I couldn't stand to watch Europeans dance the style. I couldn't put my", "Japanese culture, power comes found from the ground. Dancers focus on planting themselves", "focus on planting themselves sturdily on the ground and sink down into the", "written by a man who taught it. He said that the style was", "country, but he doesn't get it. He can't really get better than mediocre", "urge to lift up. They also kept trying to make the dance \"pretty.\"", "I don't want to copy it verbatim, but I really want to use", "sink down into the ground when they wish to convey spirituality. This style", "he was exactly right. They didn't get down low enough and no matter", "of dance was also deliberately \"ugly.\" It came into being after WWII and", "how hard they tried to get low, they were trying to fight the", "it would be a perfect way for my MC to get turned down", "in the magic. I don't want to copy it verbatim, but I really" ]
[ "through a thunderstorm in my mind which was still in the state of", "a flashback scene: 1. It is midnight, but still my eyes are awake", "laughs of all the students who made fun of me this morning. All", "I am currently working on a story which is based on a flashback", "faced in school. Kindly, guide which one would leave more impact on the", "more impact on the reader. Currently, I am using (1) to depict a", "I faced in school. Kindly, guide which one would leave more impact on", "me how to interpret it in an excellent way ? Following are 2", "how to interpret it in an excellent way ? Following are 2 forms", "my eyes are awake and mind is baffled with the screams and laughs", "fun of me this morning. All these unwanted thoughts are ruining my sleep.", "story which is based on a flashback event of life. I want the", "these unwanted thoughts are ruining my sleep. 2. It was midnight and I", "readers in my flashback event as if it is happening now. Kindly guide", "for a while because I was going through a thunderstorm in my mind", "ruining my sleep. 2. It was midnight and I was trying to sleep", "current phase to involve readers in my flashback event as if it is", "way ? Following are 2 forms of speeches to write a flashback scene:", "morning. All these unwanted thoughts are ruining my sleep. 2. It was midnight", "scene: 1. It is midnight, but still my eyes are awake and mind", "I was trying to sleep but my eyes couldn't rest for a while", "event of life. I want the past scene to appear as a current", "It is midnight, but still my eyes are awake and mind is baffled", "still my eyes are awake and mind is baffled with the screams and", "still in the state of the morning scenario thinking of all the insults", "an excellent way ? Following are 2 forms of speeches to write a", "1. It is midnight, but still my eyes are awake and mind is", "my flashback event as if it is happening now. Kindly guide me how", "while because I was going through a thunderstorm in my mind which was", "and mind is baffled with the screams and laughs of all the students", "couldn't rest for a while because I was going through a thunderstorm in", "2. It was midnight and I was trying to sleep but my eyes", "the morning scenario thinking of all the insults I faced in school. Kindly,", "forms of speeches to write a flashback scene: 1. It is midnight, but", "a story which is based on a flashback event of life. I want", "I was going through a thunderstorm in my mind which was still in", "2 forms of speeches to write a flashback scene: 1. It is midnight,", "guide which one would leave more impact on the reader. Currently, I am", "phase to involve readers in my flashback event as if it is happening", "to involve readers in my flashback event as if it is happening now.", "the state of the morning scenario thinking of all the insults I faced", "this morning. All these unwanted thoughts are ruining my sleep. 2. It was", "are awake and mind is baffled with the screams and laughs of all", "is midnight, but still my eyes are awake and mind is baffled with", "a while because I was going through a thunderstorm in my mind which", "morning scenario thinking of all the insults I faced in school. Kindly, guide", "of me this morning. All these unwanted thoughts are ruining my sleep. 2.", "are ruining my sleep. 2. It was midnight and I was trying to", "midnight, but still my eyes are awake and mind is baffled with the", "was midnight and I was trying to sleep but my eyes couldn't rest", "flashback event as if it is happening now. Kindly guide me how to", "in an excellent way ? Following are 2 forms of speeches to write", "in my flashback event as if it is happening now. Kindly guide me", "a flashback event of life. I want the past scene to appear as", "I want the past scene to appear as a current phase to involve", "scene to appear as a current phase to involve readers in my flashback", "currently working on a story which is based on a flashback event of", "going through a thunderstorm in my mind which was still in the state", "to sleep but my eyes couldn't rest for a while because I was", "sleep. 2. It was midnight and I was trying to sleep but my", "impact on the reader. Currently, I am using (1) to depict a flashback.", "to appear as a current phase to involve readers in my flashback event", "but still my eyes are awake and mind is baffled with the screams", "baffled with the screams and laughs of all the students who made fun", "Kindly guide me how to interpret it in an excellent way ? Following", "unwanted thoughts are ruining my sleep. 2. It was midnight and I was", "based on a flashback event of life. I want the past scene to", "which was still in the state of the morning scenario thinking of all", "insults I faced in school. Kindly, guide which one would leave more impact", "to write a flashback scene: 1. It is midnight, but still my eyes", "on a flashback event of life. I want the past scene to appear", "Kindly, guide which one would leave more impact on the reader. Currently, I", "screams and laughs of all the students who made fun of me this", "eyes couldn't rest for a while because I was going through a thunderstorm", "state of the morning scenario thinking of all the insults I faced in", "all the insults I faced in school. Kindly, guide which one would leave", "is baffled with the screams and laughs of all the students who made", "thunderstorm in my mind which was still in the state of the morning", "with the screams and laughs of all the students who made fun of", "is based on a flashback event of life. I want the past scene", "awake and mind is baffled with the screams and laughs of all the", "my mind which was still in the state of the morning scenario thinking", "was trying to sleep but my eyes couldn't rest for a while because", "involve readers in my flashback event as if it is happening now. Kindly", "flashback scene: 1. It is midnight, but still my eyes are awake and", "students who made fun of me this morning. All these unwanted thoughts are", "scenario thinking of all the insults I faced in school. Kindly, guide which", "All these unwanted thoughts are ruining my sleep. 2. It was midnight and", "It was midnight and I was trying to sleep but my eyes couldn't", "the students who made fun of me this morning. All these unwanted thoughts", "trying to sleep but my eyes couldn't rest for a while because I", "on a story which is based on a flashback event of life. I", "of speeches to write a flashback scene: 1. It is midnight, but still", "want the past scene to appear as a current phase to involve readers", "of all the students who made fun of me this morning. All these", "my sleep. 2. It was midnight and I was trying to sleep but", "was going through a thunderstorm in my mind which was still in the", "school. Kindly, guide which one would leave more impact on the reader. Currently,", "past scene to appear as a current phase to involve readers in my", "who made fun of me this morning. All these unwanted thoughts are ruining", "write a flashback scene: 1. It is midnight, but still my eyes are", "it in an excellent way ? Following are 2 forms of speeches to", "guide me how to interpret it in an excellent way ? Following are", "Following are 2 forms of speeches to write a flashback scene: 1. It", "one would leave more impact on the reader. Currently, I am using (1)", "a current phase to involve readers in my flashback event as if it", "mind is baffled with the screams and laughs of all the students who", "of life. I want the past scene to appear as a current phase", "leave more impact on the reader. Currently, I am using (1) to depict", "excellent way ? Following are 2 forms of speeches to write a flashback", "is happening now. Kindly guide me how to interpret it in an excellent", "all the students who made fun of me this morning. All these unwanted", "thoughts are ruining my sleep. 2. It was midnight and I was trying", "are 2 forms of speeches to write a flashback scene: 1. It is", "of the morning scenario thinking of all the insults I faced in school.", "midnight and I was trying to sleep but my eyes couldn't rest for", "made fun of me this morning. All these unwanted thoughts are ruining my", "mind which was still in the state of the morning scenario thinking of", "the past scene to appear as a current phase to involve readers in", "in the state of the morning scenario thinking of all the insults I", "if it is happening now. Kindly guide me how to interpret it in", "which one would leave more impact on the reader. Currently, I am using", "was still in the state of the morning scenario thinking of all the", "to interpret it in an excellent way ? Following are 2 forms of", "in school. Kindly, guide which one would leave more impact on the reader.", "happening now. Kindly guide me how to interpret it in an excellent way", "me this morning. All these unwanted thoughts are ruining my sleep. 2. It", "speeches to write a flashback scene: 1. It is midnight, but still my", "a thunderstorm in my mind which was still in the state of the", "which is based on a flashback event of life. I want the past", "now. Kindly guide me how to interpret it in an excellent way ?", "as a current phase to involve readers in my flashback event as if", "thinking of all the insults I faced in school. Kindly, guide which one", "it is happening now. Kindly guide me how to interpret it in an", "the screams and laughs of all the students who made fun of me", "and laughs of all the students who made fun of me this morning.", "event as if it is happening now. Kindly guide me how to interpret", "but my eyes couldn't rest for a while because I was going through", "interpret it in an excellent way ? Following are 2 forms of speeches", "in my mind which was still in the state of the morning scenario", "eyes are awake and mind is baffled with the screams and laughs of", "and I was trying to sleep but my eyes couldn't rest for a", "working on a story which is based on a flashback event of life.", "as if it is happening now. Kindly guide me how to interpret it", "am currently working on a story which is based on a flashback event", "appear as a current phase to involve readers in my flashback event as", "the insults I faced in school. Kindly, guide which one would leave more", "flashback event of life. I want the past scene to appear as a", "rest for a while because I was going through a thunderstorm in my", "life. I want the past scene to appear as a current phase to", "sleep but my eyes couldn't rest for a while because I was going", "my eyes couldn't rest for a while because I was going through a", "? Following are 2 forms of speeches to write a flashback scene: 1.", "would leave more impact on the reader. Currently, I am using (1) to", "because I was going through a thunderstorm in my mind which was still", "of all the insults I faced in school. Kindly, guide which one would" ]
[ "and I need to know the correct way of putting the reference. For", "> > > This is a sentence taken from someone[2]. > > >", "dot placement; which one of these is correct? (or are they all wrong?)", "sentence taken from someone [2]. > > > This is a sentence taken", "a sentence taken from someone [2]. > > > This is a sentence", "example: > > This is a sentence taken from someone [2]. > >", "correct way of putting the reference. For example: > > This is a", "am writing my thesis and I need to know the correct way of", "> This is a sentence taken from someone[2]. > > > This is", "This is a sentence taken from someone [2]. > > > This is", "This is a sentence taken from someone[2]. > > > This is a", "sentence taken from someone. [2] > > > This is a sentence taken", "I am writing my thesis and I need to know the correct way", "from someone.[2] > > > As you see in the four sentences above,", "the correct way of putting the reference. For example: > > This is", "someone.[2] > > > As you see in the four sentences above, there", "is a sentence taken from someone [2]. > > > This is a", "in the four sentences above, there are differences in the space placement and", "reference. For example: > > This is a sentence taken from someone [2].", "writing my thesis and I need to know the correct way of putting", "This is a sentence taken from someone. [2] > > > This is", "way of putting the reference. For example: > > This is a sentence", "space placement and the dot placement; which one of these is correct? (or", "> > This is a sentence taken from someone.[2] > > > As", "sentence taken from someone[2]. > > > This is a sentence taken from", "is a sentence taken from someone. [2] > > > This is a", "is a sentence taken from someone[2]. > > > This is a sentence", "a sentence taken from someone.[2] > > > As you see in the", "taken from someone.[2] > > > As you see in the four sentences", "you see in the four sentences above, there are differences in the space", "there are differences in the space placement and the dot placement; which one", "a sentence taken from someone[2]. > > > This is a sentence taken", "[2] > > > This is a sentence taken from someone.[2] > >", "is a sentence taken from someone.[2] > > > As you see in", "see in the four sentences above, there are differences in the space placement", "of putting the reference. For example: > > This is a sentence taken", "my thesis and I need to know the correct way of putting the", "As you see in the four sentences above, there are differences in the", "differences in the space placement and the dot placement; which one of these", "a sentence taken from someone. [2] > > > This is a sentence", "sentences above, there are differences in the space placement and the dot placement;", "someone[2]. > > > This is a sentence taken from someone. [2] >", "sentence taken from someone.[2] > > > As you see in the four", "from someone [2]. > > > This is a sentence taken from someone[2].", "the space placement and the dot placement; which one of these is correct?", "from someone[2]. > > > This is a sentence taken from someone. [2]", "> > This is a sentence taken from someone. [2] > > >", "know the correct way of putting the reference. For example: > > This", "> This is a sentence taken from someone.[2] > > > As you", "the four sentences above, there are differences in the space placement and the", "in the space placement and the dot placement; which one of these is", "from someone. [2] > > > This is a sentence taken from someone.[2]", "> > This is a sentence taken from someone[2]. > > > This", "> This is a sentence taken from someone. [2] > > > This", "the dot placement; which one of these is correct? (or are they all", "four sentences above, there are differences in the space placement and the dot", "For example: > > This is a sentence taken from someone [2]. >", "I need to know the correct way of putting the reference. For example:", "taken from someone. [2] > > > This is a sentence taken from", "putting the reference. For example: > > This is a sentence taken from", "taken from someone[2]. > > > This is a sentence taken from someone.", "are differences in the space placement and the dot placement; which one of", "to know the correct way of putting the reference. For example: > >", "> As you see in the four sentences above, there are differences in", "thesis and I need to know the correct way of putting the reference.", "> > > As you see in the four sentences above, there are", "the reference. For example: > > This is a sentence taken from someone", "placement and the dot placement; which one of these is correct? (or are", "> > > This is a sentence taken from someone. [2] > >", "> This is a sentence taken from someone [2]. > > > This", "> > As you see in the four sentences above, there are differences", "need to know the correct way of putting the reference. For example: >", "> > This is a sentence taken from someone [2]. > > >", "taken from someone [2]. > > > This is a sentence taken from", "[2]. > > > This is a sentence taken from someone[2]. > >", "This is a sentence taken from someone.[2] > > > As you see", "and the dot placement; which one of these is correct? (or are they", "someone. [2] > > > This is a sentence taken from someone.[2] >", "above, there are differences in the space placement and the dot placement; which", "> > > This is a sentence taken from someone.[2] > > >", "someone [2]. > > > This is a sentence taken from someone[2]. >" ]
[ "I practice a lot. Very little progress is ever really made though... Does", "fast paced and don't like getting caught up in setting descriptions or internal", "really great at coming up with amazing ideas, plot-lines, worlds, etc. for stories,", "trying to adapt though and write novels. I'm having a difficult time figuring", "ever really made though... Does anyone have any suggestions for me as to", "ideas, plot-lines, worlds, etc. for stories, but I'm not so good at putting", "at coming up with amazing ideas, plot-lines, worlds, etc. for stories, but I'm", "plot-lines, worlds, etc. for stories, but I'm not so good at putting them", "lot. Very little progress is ever really made though... Does anyone have any", "myself. Now I'm trying to adapt though and write novels. I'm having a", "worlds, etc. for stories, but I'm not so good at putting them to", "the sort of person that is really great at coming up with amazing", "I'm really great at adapting stories through actions and dialogue. Essentially, I write", "matter of practice - I practice a lot. Very little progress is ever", "setting descriptions or internal monologues. Because of this, I can write pretty spectacular", "progress is ever really made though... Does anyone have any suggestions for me", "how to write good prose when I'm so used to writing screenplays. I", "write like I'm watching a movie - I'm fast paced and don't like", "say that it's not a matter of practice - I practice a lot.", "is really great at coming up with amazing ideas, plot-lines, worlds, etc. for", "at adapting stories through actions and dialogue. Essentially, I write like I'm watching", "getting caught up in setting descriptions or internal monologues. Because of this, I", "or internal monologues. Because of this, I can write pretty spectacular screenplays, if", "a difficult time figuring out how to write good prose when I'm so", "I'm fast paced and don't like getting caught up in setting descriptions or", "them to paper - at least not in a novel. I'm really great", "like getting caught up in setting descriptions or internal monologues. Because of this,", "internal monologues. Because of this, I can write pretty spectacular screenplays, if I", "prose when I'm so used to writing screenplays. I can say that it's", "it's not a matter of practice - I practice a lot. Very little", "is ever really made though... Does anyone have any suggestions for me as", "can write pretty spectacular screenplays, if I do say so myself. Now I'm", "adapt though and write novels. I'm having a difficult time figuring out how", "of person that is really great at coming up with amazing ideas, plot-lines,", "adapting stories through actions and dialogue. Essentially, I write like I'm watching a", "actions and dialogue. Essentially, I write like I'm watching a movie - I'm", "movie - I'm fast paced and don't like getting caught up in setting", "caught up in setting descriptions or internal monologues. Because of this, I can", "made though... Does anyone have any suggestions for me as to where I", "for stories, but I'm not so good at putting them to paper -", "if I do say so myself. Now I'm trying to adapt though and", "novel. I'm really great at adapting stories through actions and dialogue. Essentially, I", "so myself. Now I'm trying to adapt though and write novels. I'm having", "to adapt though and write novels. I'm having a difficult time figuring out", "at putting them to paper - at least not in a novel. I'm", "suggestions for me as to where I can look to learn how to", "I'm having a difficult time figuring out how to write good prose when", "person that is really great at coming up with amazing ideas, plot-lines, worlds,", "good at putting them to paper - at least not in a novel.", "not so good at putting them to paper - at least not in", "Does anyone have any suggestions for me as to where I can look", "write novels. I'm having a difficult time figuring out how to write good", "in setting descriptions or internal monologues. Because of this, I can write pretty", "pretty spectacular screenplays, if I do say so myself. Now I'm trying to", "that it's not a matter of practice - I practice a lot. Very", "and don't like getting caught up in setting descriptions or internal monologues. Because", "up with amazing ideas, plot-lines, worlds, etc. for stories, but I'm not so", "little progress is ever really made though... Does anyone have any suggestions for", "I do say so myself. Now I'm trying to adapt though and write", "stories, but I'm not so good at putting them to paper - at", "great at adapting stories through actions and dialogue. Essentially, I write like I'm", "time figuring out how to write good prose when I'm so used to", "though... Does anyone have any suggestions for me as to where I can", "Essentially, I write like I'm watching a movie - I'm fast paced and", "Now I'm trying to adapt though and write novels. I'm having a difficult", "and write novels. I'm having a difficult time figuring out how to write", "when I'm so used to writing screenplays. I can say that it's not", "screenplays. I can say that it's not a matter of practice - I", "watching a movie - I'm fast paced and don't like getting caught up", "this, I can write pretty spectacular screenplays, if I do say so myself.", "a lot. Very little progress is ever really made though... Does anyone have", "having a difficult time figuring out how to write good prose when I'm", "monologues. Because of this, I can write pretty spectacular screenplays, if I do", "screenplays, if I do say so myself. Now I'm trying to adapt though", "I'm watching a movie - I'm fast paced and don't like getting caught", "have any suggestions for me as to where I can look to learn", "stories through actions and dialogue. Essentially, I write like I'm watching a movie", "out how to write good prose when I'm so used to writing screenplays.", "so used to writing screenplays. I can say that it's not a matter", "practice - I practice a lot. Very little progress is ever really made", "not a matter of practice - I practice a lot. Very little progress", "writing screenplays. I can say that it's not a matter of practice -", "say so myself. Now I'm trying to adapt though and write novels. I'm", "novels. I'm having a difficult time figuring out how to write good prose", "to write good prose when I'm so used to writing screenplays. I can", "practice a lot. Very little progress is ever really made though... Does anyone", "Because of this, I can write pretty spectacular screenplays, if I do say", "am the sort of person that is really great at coming up with", "Very little progress is ever really made though... Does anyone have any suggestions", "through actions and dialogue. Essentially, I write like I'm watching a movie -", "- I'm fast paced and don't like getting caught up in setting descriptions", "descriptions or internal monologues. Because of this, I can write pretty spectacular screenplays,", "dialogue. Essentially, I write like I'm watching a movie - I'm fast paced", "a novel. I'm really great at adapting stories through actions and dialogue. Essentially,", "difficult time figuring out how to write good prose when I'm so used", "not in a novel. I'm really great at adapting stories through actions and", "- at least not in a novel. I'm really great at adapting stories", "do say so myself. Now I'm trying to adapt though and write novels.", "I'm trying to adapt though and write novels. I'm having a difficult time", "though and write novels. I'm having a difficult time figuring out how to", "me as to where I can look to learn how to overcome this?", "paper - at least not in a novel. I'm really great at adapting", "used to writing screenplays. I can say that it's not a matter of", "anyone have any suggestions for me as to where I can look to", "putting them to paper - at least not in a novel. I'm really", "paced and don't like getting caught up in setting descriptions or internal monologues.", "write good prose when I'm so used to writing screenplays. I can say", "really great at adapting stories through actions and dialogue. Essentially, I write like", "spectacular screenplays, if I do say so myself. Now I'm trying to adapt", "of this, I can write pretty spectacular screenplays, if I do say so", "I'm so used to writing screenplays. I can say that it's not a", "amazing ideas, plot-lines, worlds, etc. for stories, but I'm not so good at", "great at coming up with amazing ideas, plot-lines, worlds, etc. for stories, but", "can say that it's not a matter of practice - I practice a", "don't like getting caught up in setting descriptions or internal monologues. Because of", "- I practice a lot. Very little progress is ever really made though...", "of practice - I practice a lot. Very little progress is ever really", "etc. for stories, but I'm not so good at putting them to paper", "least not in a novel. I'm really great at adapting stories through actions", "like I'm watching a movie - I'm fast paced and don't like getting", "write pretty spectacular screenplays, if I do say so myself. Now I'm trying", "coming up with amazing ideas, plot-lines, worlds, etc. for stories, but I'm not", "really made though... Does anyone have any suggestions for me as to where", "I can write pretty spectacular screenplays, if I do say so myself. Now", "I am the sort of person that is really great at coming up", "in a novel. I'm really great at adapting stories through actions and dialogue.", "so good at putting them to paper - at least not in a", "good prose when I'm so used to writing screenplays. I can say that", "up in setting descriptions or internal monologues. Because of this, I can write", "sort of person that is really great at coming up with amazing ideas,", "with amazing ideas, plot-lines, worlds, etc. for stories, but I'm not so good", "figuring out how to write good prose when I'm so used to writing", "to paper - at least not in a novel. I'm really great at", "a movie - I'm fast paced and don't like getting caught up in", "that is really great at coming up with amazing ideas, plot-lines, worlds, etc.", "a matter of practice - I practice a lot. Very little progress is", "at least not in a novel. I'm really great at adapting stories through", "and dialogue. Essentially, I write like I'm watching a movie - I'm fast", "I can say that it's not a matter of practice - I practice", "but I'm not so good at putting them to paper - at least", "I'm not so good at putting them to paper - at least not", "to writing screenplays. I can say that it's not a matter of practice", "any suggestions for me as to where I can look to learn how", "for me as to where I can look to learn how to overcome", "I write like I'm watching a movie - I'm fast paced and don't" ]
[ "to a new land. They're stuck on this land, and eventually encounter the", "a group of characters who go to a new land. They're stuck on", "a new land. They're stuck on this land, and eventually encounter the culture.", "and eventually encounter the culture. How can I show their gradual assimilation/adaption of", "group of characters who go to a new land. They're stuck on this", "encounter the culture. How can I show their gradual assimilation/adaption of traits/characteristics of", "of the new country to the point where they don't speak their native", "country to the point where they don't speak their native language and their", "don't speak their native language and their native customs are now foreign-seeming to", "stuck on this land, and eventually encounter the culture. How can I show", "their gradual assimilation/adaption of traits/characteristics of the new country to the point where", "this land, and eventually encounter the culture. How can I show their gradual", "land, and eventually encounter the culture. How can I show their gradual assimilation/adaption", "who go to a new land. They're stuck on this land, and eventually", "of characters who go to a new land. They're stuck on this land,", "culture. How can I show their gradual assimilation/adaption of traits/characteristics of the new", "speak their native language and their native customs are now foreign-seeming to them?", "land. They're stuck on this land, and eventually encounter the culture. How can", "the point where they don't speak their native language and their native customs", "new country to the point where they don't speak their native language and", "They're stuck on this land, and eventually encounter the culture. How can I", "assimilation/adaption of traits/characteristics of the new country to the point where they don't", "I show their gradual assimilation/adaption of traits/characteristics of the new country to the", "have a group of characters who go to a new land. They're stuck", "to the point where they don't speak their native language and their native", "eventually encounter the culture. How can I show their gradual assimilation/adaption of traits/characteristics", "So I have a group of characters who go to a new land.", "I have a group of characters who go to a new land. They're", "traits/characteristics of the new country to the point where they don't speak their", "of traits/characteristics of the new country to the point where they don't speak", "point where they don't speak their native language and their native customs are", "they don't speak their native language and their native customs are now foreign-seeming", "gradual assimilation/adaption of traits/characteristics of the new country to the point where they", "on this land, and eventually encounter the culture. How can I show their", "can I show their gradual assimilation/adaption of traits/characteristics of the new country to", "show their gradual assimilation/adaption of traits/characteristics of the new country to the point", "characters who go to a new land. They're stuck on this land, and", "the new country to the point where they don't speak their native language", "the culture. How can I show their gradual assimilation/adaption of traits/characteristics of the", "where they don't speak their native language and their native customs are now", "go to a new land. They're stuck on this land, and eventually encounter", "new land. They're stuck on this land, and eventually encounter the culture. How", "How can I show their gradual assimilation/adaption of traits/characteristics of the new country" ]
[ "writing? In the movies, writers seem to live and work in places with", "you do find you have a best place to do your writing? In", "to live and work in places with beautiful homes (lighthouses, windmills...) overlooking a", "but I had one productive stint working with a co-writer in the concrete-walled", "overlooking a valley or the sea. I've never found that scenery did much", "and work in places with beautiful homes (lighthouses, windmills...) overlooking a valley or", "never found that scenery did much for me, but I had one productive", "best place to do your writing? In the movies, writers seem to live", "a best place to do your writing? In the movies, writers seem to", "scenery did much for me, but I had one productive stint working with", "found that scenery did much for me, but I had one productive stint", "you have a best place to do your writing? In the movies, writers", "a valley or the sea. I've never found that scenery did much for", "for me, but I had one productive stint working with a co-writer in", "the concrete-walled basement of an optometrist's office. Is there a location, or type", "me, but I had one productive stint working with a co-writer in the", "in places with beautiful homes (lighthouses, windmills...) overlooking a valley or the sea.", "one productive stint working with a co-writer in the concrete-walled basement of an", "with a co-writer in the concrete-walled basement of an optometrist's office. Is there", "an optometrist's office. Is there a location, or type of location, that makes", "valley or the sea. I've never found that scenery did much for me,", "sea. I've never found that scenery did much for me, but I had", "work in places with beautiful homes (lighthouses, windmills...) overlooking a valley or the", "of an optometrist's office. Is there a location, or type of location, that", "that scenery did much for me, but I had one productive stint working", "find you have a best place to do your writing? In the movies,", "in the concrete-walled basement of an optometrist's office. Is there a location, or", "the movies, writers seem to live and work in places with beautiful homes", "places with beautiful homes (lighthouses, windmills...) overlooking a valley or the sea. I've", "beautiful homes (lighthouses, windmills...) overlooking a valley or the sea. I've never found", "do your writing? In the movies, writers seem to live and work in", "to do your writing? In the movies, writers seem to live and work", "productive stint working with a co-writer in the concrete-walled basement of an optometrist's", "working with a co-writer in the concrete-walled basement of an optometrist's office. Is", "live and work in places with beautiful homes (lighthouses, windmills...) overlooking a valley", "concrete-walled basement of an optometrist's office. Is there a location, or type of", "movies, writers seem to live and work in places with beautiful homes (lighthouses,", "seem to live and work in places with beautiful homes (lighthouses, windmills...) overlooking", "with beautiful homes (lighthouses, windmills...) overlooking a valley or the sea. I've never", "homes (lighthouses, windmills...) overlooking a valley or the sea. I've never found that", "optometrist's office. Is there a location, or type of location, that makes you", "writers seem to live and work in places with beautiful homes (lighthouses, windmills...)", "Is there a location, or type of location, that makes you more productive?", "the sea. I've never found that scenery did much for me, but I", "Do you do find you have a best place to do your writing?", "have a best place to do your writing? In the movies, writers seem", "did much for me, but I had one productive stint working with a", "had one productive stint working with a co-writer in the concrete-walled basement of", "I've never found that scenery did much for me, but I had one", "co-writer in the concrete-walled basement of an optometrist's office. Is there a location,", "basement of an optometrist's office. Is there a location, or type of location,", "a co-writer in the concrete-walled basement of an optometrist's office. Is there a", "place to do your writing? In the movies, writers seem to live and", "(lighthouses, windmills...) overlooking a valley or the sea. I've never found that scenery", "your writing? In the movies, writers seem to live and work in places", "windmills...) overlooking a valley or the sea. I've never found that scenery did", "I had one productive stint working with a co-writer in the concrete-walled basement", "or the sea. I've never found that scenery did much for me, but", "stint working with a co-writer in the concrete-walled basement of an optometrist's office.", "much for me, but I had one productive stint working with a co-writer", "do find you have a best place to do your writing? In the", "office. Is there a location, or type of location, that makes you more", "In the movies, writers seem to live and work in places with beautiful" ]
[ "take up writing as a hobby. First because I have so many ideas", "climax that I like yet but I feel like I'm spending so much", "have decided to take up writing as a hobby. First because I have", "them. I haven't worked out a climax that I like yet but I", "kind of story in a free flowing create-while-you-write method. But since this is", "don't feel like I can properly begin writing until I have the story", "hobby. First because I have so many ideas and like creating things. Second,", "I'm spending so much time preparing to write, with out having done much", "a hobby. First because I have so many ideas and like creating things.", "that I like yet but I feel like I'm spending so much time", "developing the plot lines and trying to storyboard them. I haven't worked out", "like yet but I feel like I'm spending so much time preparing to", "so much time preparing to write, with out having done much narrative writing", "at weighting a novel, I don't know if I'm being too perfectionist, or", "most of my time developing the plot lines and trying to storyboard them.", "writing yet. On the other hand, I don't feel like I can properly", "and thirdly, I like the idea that if my writing is any good,", "now has to do with my approach to writing. I am working on", "differently. I don't feel like I can write this kind of story in", "narrative writing yet. On the other hand, I don't feel like I can", "I'm sure everyone does things differently. I don't feel like I can write", "have been spending most of my time developing the plot lines and trying", "many ideas and like creating things. Second, because I enjoy it so far", "write this kind of story in a free flowing create-while-you-write method. But since", "that if my writing is any good, others may want to read it.", "this is my first attempt at weighting a novel, I don't know if", "trying to storyboard them. I haven't worked out a climax that I like", "in my mind. I'm sure everyone does things differently. I don't feel like", "sci-fi novel with integrate plot lines. I have been spending most of my", "I enjoy it so far and thirdly, I like the idea that if", "properly begin writing until I have the story clearly laid out in my", "I like yet but I feel like I'm spending so much time preparing", "free flowing create-while-you-write method. But since this is my first attempt at weighting", "since this is my first attempt at weighting a novel, I don't know", "I like the idea that if my writing is any good, others may", "the other hand, I don't feel like I can properly begin writing until", "to take up writing as a hobby. First because I have so many", "spending most of my time developing the plot lines and trying to storyboard", "plot lines. I have been spending most of my time developing the plot", "like creating things. Second, because I enjoy it so far and thirdly, I", "like I can properly begin writing until I have the story clearly laid", "enjoy it so far and thirdly, I like the idea that if my", "so many ideas and like creating things. Second, because I enjoy it so", "the idea that if my writing is any good, others may want to", "good, others may want to read it. So my issue right now has", "because I have so many ideas and like creating things. Second, because I", "preparing to write, with out having done much narrative writing yet. On the", "I have decided to take up writing as a hobby. First because I", "So my issue right now has to do with my approach to writing.", "I can write this kind of story in a free flowing create-while-you-write method.", "things. Second, because I enjoy it so far and thirdly, I like the", "and like creating things. Second, because I enjoy it so far and thirdly,", "with out having done much narrative writing yet. On the other hand, I", "First because I have so many ideas and like creating things. Second, because", "integrate plot lines. I have been spending most of my time developing the", "my mind. I'm sure everyone does things differently. I don't feel like I", "novel, I don't know if I'm being too perfectionist, or if I'm getting", "a novel, I don't know if I'm being too perfectionist, or if I'm", "story in a free flowing create-while-you-write method. But since this is my first", "having done much narrative writing yet. On the other hand, I don't feel", "clearly laid out in my mind. I'm sure everyone does things differently. I", "create-while-you-write method. But since this is my first attempt at weighting a novel,", "writing is any good, others may want to read it. So my issue", "writing as a hobby. First because I have so many ideas and like", "have so many ideas and like creating things. Second, because I enjoy it", "write, with out having done much narrative writing yet. On the other hand,", "does things differently. I don't feel like I can write this kind of", "I have so many ideas and like creating things. Second, because I enjoy", "do with my approach to writing. I am working on a sci-fi novel", "am working on a sci-fi novel with integrate plot lines. I have been", "read it. So my issue right now has to do with my approach", "up writing as a hobby. First because I have so many ideas and", "haven't worked out a climax that I like yet but I feel like", "my writing is any good, others may want to read it. So my", "everyone does things differently. I don't feel like I can write this kind", "I don't feel like I can properly begin writing until I have the", "method. But since this is my first attempt at weighting a novel, I", "Second, because I enjoy it so far and thirdly, I like the idea", "feel like I can properly begin writing until I have the story clearly", "to do with my approach to writing. I am working on a sci-fi", "I have been spending most of my time developing the plot lines and", "writing. I am working on a sci-fi novel with integrate plot lines. I", "my issue right now has to do with my approach to writing. I", "like I'm spending so much time preparing to write, with out having done", "ideas and like creating things. Second, because I enjoy it so far and", "weighting a novel, I don't know if I'm being too perfectionist, or if", "worked out a climax that I like yet but I feel like I'm", "out having done much narrative writing yet. On the other hand, I don't", "far and thirdly, I like the idea that if my writing is any", "to read it. So my issue right now has to do with my", "until I have the story clearly laid out in my mind. I'm sure", "feel like I'm spending so much time preparing to write, with out having", "my approach to writing. I am working on a sci-fi novel with integrate", "in a free flowing create-while-you-write method. But since this is my first attempt", "other hand, I don't feel like I can properly begin writing until I", "I haven't worked out a climax that I like yet but I feel", "a free flowing create-while-you-write method. But since this is my first attempt at", "a climax that I like yet but I feel like I'm spending so", "want to read it. So my issue right now has to do with", "my first attempt at weighting a novel, I don't know if I'm being", "right now has to do with my approach to writing. I am working", "this kind of story in a free flowing create-while-you-write method. But since this", "have the story clearly laid out in my mind. I'm sure everyone does", "I feel like I'm spending so much time preparing to write, with out", "don't know if I'm being too perfectionist, or if I'm getting stuck in", "and trying to storyboard them. I haven't worked out a climax that I", "issue right now has to do with my approach to writing. I am", "my time developing the plot lines and trying to storyboard them. I haven't", "can properly begin writing until I have the story clearly laid out in", "don't feel like I can write this kind of story in a free", "a sci-fi novel with integrate plot lines. I have been spending most of", "but I feel like I'm spending so much time preparing to write, with", "decided to take up writing as a hobby. First because I have so", "idea that if my writing is any good, others may want to read", "approach to writing. I am working on a sci-fi novel with integrate plot", "much time preparing to write, with out having done much narrative writing yet.", "if my writing is any good, others may want to read it. So", "has to do with my approach to writing. I am working on a", "lines. I have been spending most of my time developing the plot lines", "any good, others may want to read it. So my issue right now", "time developing the plot lines and trying to storyboard them. I haven't worked", "others may want to read it. So my issue right now has to", "is any good, others may want to read it. So my issue right", "story clearly laid out in my mind. I'm sure everyone does things differently.", "like the idea that if my writing is any good, others may want", "laid out in my mind. I'm sure everyone does things differently. I don't", "been spending most of my time developing the plot lines and trying to", "of my time developing the plot lines and trying to storyboard them. I", "the plot lines and trying to storyboard them. I haven't worked out a", "I am working on a sci-fi novel with integrate plot lines. I have", "to write, with out having done much narrative writing yet. On the other", "I have the story clearly laid out in my mind. I'm sure everyone", "out in my mind. I'm sure everyone does things differently. I don't feel", "flowing create-while-you-write method. But since this is my first attempt at weighting a", "lines and trying to storyboard them. I haven't worked out a climax that", "with integrate plot lines. I have been spending most of my time developing", "is my first attempt at weighting a novel, I don't know if I'm", "spending so much time preparing to write, with out having done much narrative", "can write this kind of story in a free flowing create-while-you-write method. But", "to storyboard them. I haven't worked out a climax that I like yet", "may want to read it. So my issue right now has to do", "it. So my issue right now has to do with my approach to", "yet. On the other hand, I don't feel like I can properly begin", "much narrative writing yet. On the other hand, I don't feel like I", "mind. I'm sure everyone does things differently. I don't feel like I can", "attempt at weighting a novel, I don't know if I'm being too perfectionist,", "I can properly begin writing until I have the story clearly laid out", "so far and thirdly, I like the idea that if my writing is", "time preparing to write, with out having done much narrative writing yet. On", "begin writing until I have the story clearly laid out in my mind.", "writing until I have the story clearly laid out in my mind. I'm", "of story in a free flowing create-while-you-write method. But since this is my", "working on a sci-fi novel with integrate plot lines. I have been spending", "But since this is my first attempt at weighting a novel, I don't", "I don't know if I'm being too perfectionist, or if I'm getting stuck", "as a hobby. First because I have so many ideas and like creating", "because I enjoy it so far and thirdly, I like the idea that", "first attempt at weighting a novel, I don't know if I'm being too", "thirdly, I like the idea that if my writing is any good, others", "with my approach to writing. I am working on a sci-fi novel with", "done much narrative writing yet. On the other hand, I don't feel like", "feel like I can write this kind of story in a free flowing", "storyboard them. I haven't worked out a climax that I like yet but", "On the other hand, I don't feel like I can properly begin writing", "things differently. I don't feel like I can write this kind of story", "like I can write this kind of story in a free flowing create-while-you-write", "hand, I don't feel like I can properly begin writing until I have", "I don't feel like I can write this kind of story in a", "on a sci-fi novel with integrate plot lines. I have been spending most", "to writing. I am working on a sci-fi novel with integrate plot lines.", "know if I'm being too perfectionist, or if I'm getting stuck in planning", "if I'm being too perfectionist, or if I'm getting stuck in planning mode.", "sure everyone does things differently. I don't feel like I can write this", "plot lines and trying to storyboard them. I haven't worked out a climax", "it so far and thirdly, I like the idea that if my writing", "out a climax that I like yet but I feel like I'm spending", "novel with integrate plot lines. I have been spending most of my time", "creating things. Second, because I enjoy it so far and thirdly, I like", "yet but I feel like I'm spending so much time preparing to write,", "the story clearly laid out in my mind. I'm sure everyone does things" ]
[ "Many of you have probably read a sequel to a book and have", "have found it to be worse than the original book. I am writing", "like to know if there is any way to avoid this \"sequelitis\". Does", "sequel to a book and have found it to be worse than the", "anyone have any tips/ things to look out for when writing a sequel?", "original book. I am writing a sequel and would like to know if", "it to be worse than the original book. I am writing a sequel", "you have probably read a sequel to a book and have found it", "Does anyone have any tips/ things to look out for when writing a", "avoid this \"sequelitis\". Does anyone have any tips/ things to look out for", "to a book and have found it to be worse than the original", "I am writing a sequel and would like to know if there is", "than the original book. I am writing a sequel and would like to", "know if there is any way to avoid this \"sequelitis\". Does anyone have", "to be worse than the original book. I am writing a sequel and", "have any tips/ things to look out for when writing a sequel? Thanks!", "sequel and would like to know if there is any way to avoid", "if there is any way to avoid this \"sequelitis\". Does anyone have any", "this \"sequelitis\". Does anyone have any tips/ things to look out for when", "and would like to know if there is any way to avoid this", "to know if there is any way to avoid this \"sequelitis\". Does anyone", "have probably read a sequel to a book and have found it to", "there is any way to avoid this \"sequelitis\". Does anyone have any tips/", "is any way to avoid this \"sequelitis\". Does anyone have any tips/ things", "found it to be worse than the original book. I am writing a", "a book and have found it to be worse than the original book.", "would like to know if there is any way to avoid this \"sequelitis\".", "to avoid this \"sequelitis\". Does anyone have any tips/ things to look out", "any way to avoid this \"sequelitis\". Does anyone have any tips/ things to", "book and have found it to be worse than the original book. I", "the original book. I am writing a sequel and would like to know", "writing a sequel and would like to know if there is any way", "book. I am writing a sequel and would like to know if there", "read a sequel to a book and have found it to be worse", "be worse than the original book. I am writing a sequel and would", "worse than the original book. I am writing a sequel and would like", "am writing a sequel and would like to know if there is any", "way to avoid this \"sequelitis\". Does anyone have any tips/ things to look", "a sequel and would like to know if there is any way to", "\"sequelitis\". Does anyone have any tips/ things to look out for when writing", "a sequel to a book and have found it to be worse than", "and have found it to be worse than the original book. I am", "probably read a sequel to a book and have found it to be", "of you have probably read a sequel to a book and have found" ]
[ "I wrote the sentence: > > From far away, he could easily be", "flannel shirt tucked into a brown, leather belt. > > > I wrote", "as thin as a rail and wore a flannel shirt tucked into a", "belt. > > > I wrote 5'1. When writing height in fiction, is", "leather belt. > > > I wrote 5'1. When writing height in fiction,", "brown, leather belt. > > > I wrote 5'1. When writing height in", "the sentence: > > From far away, he could easily be mistaken for", "sentence: > > From far away, he could easily be mistaken for a", "was as thin as a rail and wore a flannel shirt tucked into", "rail and wore a flannel shirt tucked into a brown, leather belt. >", "he could easily be mistaken for a ten year-old, at 5’1 he was", "a ten year-old, at 5’1 he was as thin as a rail and", "into a brown, leather belt. > > > I wrote 5'1. When writing", "away, he could easily be mistaken for a ten year-old, at 5’1 he", "a rail and wore a flannel shirt tucked into a brown, leather belt.", "From far away, he could easily be mistaken for a ten year-old, at", "year-old, at 5’1 he was as thin as a rail and wore a", "> From far away, he could easily be mistaken for a ten year-old,", "he was as thin as a rail and wore a flannel shirt tucked", "> > I wrote 5'1. When writing height in fiction, is it 5'1?", "a brown, leather belt. > > > I wrote 5'1. When writing height", "at 5’1 he was as thin as a rail and wore a flannel", "ten year-old, at 5’1 he was as thin as a rail and wore", "as a rail and wore a flannel shirt tucked into a brown, leather", "> > > I wrote 5'1. When writing height in fiction, is it", "> > From far away, he could easily be mistaken for a ten", "tucked into a brown, leather belt. > > > I wrote 5'1. When", "far away, he could easily be mistaken for a ten year-old, at 5’1", "wore a flannel shirt tucked into a brown, leather belt. > > >", "a flannel shirt tucked into a brown, leather belt. > > > I", "could easily be mistaken for a ten year-old, at 5’1 he was as", "shirt tucked into a brown, leather belt. > > > I wrote 5'1.", "5'1. When writing height in fiction, is it 5'1? Or Five-foot-one? or neither?", "and wore a flannel shirt tucked into a brown, leather belt. > >", "> I wrote 5'1. When writing height in fiction, is it 5'1? Or", "thin as a rail and wore a flannel shirt tucked into a brown,", "wrote 5'1. When writing height in fiction, is it 5'1? Or Five-foot-one? or", "mistaken for a ten year-old, at 5’1 he was as thin as a", "easily be mistaken for a ten year-old, at 5’1 he was as thin", "wrote the sentence: > > From far away, he could easily be mistaken", "5’1 he was as thin as a rail and wore a flannel shirt", "I wrote 5'1. When writing height in fiction, is it 5'1? Or Five-foot-one?", "be mistaken for a ten year-old, at 5’1 he was as thin as", "for a ten year-old, at 5’1 he was as thin as a rail" ]
[ "brand names for toys, should I write Lage or legos or Lages? Because", "using brand names for toys, should I write Lage or legos or Lages?", "lego. I was thinking legos, but I know the brand name is Lage.", "like a space station with his legos. > > > When using brand", "Lages? Because there's more than one lego. I was thinking legos, but I", "room, Gaon was standing at a tall drafting table putting together what looked", "the sentence: > > Walking into the room, Gaon was standing at a", "his legos. > > > When using brand names for toys, should I", "Lage or legos or Lages? Because there's more than one lego. I was", "station with his legos. > > > When using brand names for toys,", "legos. > > > When using brand names for toys, should I write", "or legos or Lages? Because there's more than one lego. I was thinking", "Walking into the room, Gaon was standing at a tall drafting table putting", "than one lego. I was thinking legos, but I know the brand name", "tall drafting table putting together what looked like a space station with his", "with his legos. > > > When using brand names for toys, should", "> > When using brand names for toys, should I write Lage or", "together what looked like a space station with his legos. > > >", "toys, should I write Lage or legos or Lages? Because there's more than", "> When using brand names for toys, should I write Lage or legos", "table putting together what looked like a space station with his legos. >", "> > > When using brand names for toys, should I write Lage", "one lego. I was thinking legos, but I know the brand name is", "When using brand names for toys, should I write Lage or legos or", "or Lages? Because there's more than one lego. I was thinking legos, but", "looked like a space station with his legos. > > > When using", "the room, Gaon was standing at a tall drafting table putting together what", "was standing at a tall drafting table putting together what looked like a", "> > Walking into the room, Gaon was standing at a tall drafting", "> Walking into the room, Gaon was standing at a tall drafting table", "standing at a tall drafting table putting together what looked like a space", "a tall drafting table putting together what looked like a space station with", "putting together what looked like a space station with his legos. > >", "at a tall drafting table putting together what looked like a space station", "legos or Lages? Because there's more than one lego. I was thinking legos,", "I wrote the sentence: > > Walking into the room, Gaon was standing", "Because there's more than one lego. I was thinking legos, but I know", "Gaon was standing at a tall drafting table putting together what looked like", "should I write Lage or legos or Lages? Because there's more than one", "I write Lage or legos or Lages? Because there's more than one lego.", "space station with his legos. > > > When using brand names for", "sentence: > > Walking into the room, Gaon was standing at a tall", "drafting table putting together what looked like a space station with his legos.", "a space station with his legos. > > > When using brand names", "wrote the sentence: > > Walking into the room, Gaon was standing at", "names for toys, should I write Lage or legos or Lages? Because there's", "for toys, should I write Lage or legos or Lages? Because there's more", "write Lage or legos or Lages? Because there's more than one lego. I", "more than one lego. I was thinking legos, but I know the brand", "what looked like a space station with his legos. > > > When", "into the room, Gaon was standing at a tall drafting table putting together", "there's more than one lego. I was thinking legos, but I know the" ]
[ "word \"their's\" at the end of the sentence. Is there anything wrong with", "that lived on either side of the fence were shooting them off, although", "separated our yard from their's. Spelling and check has an issue with the", "and check has an issue with the word \"their's\" at the end of", "lived on either side of the fence were shooting them off, although we", "an issue with the word \"their's\" at the end of the sentence. Is", "next door neighbors that lived on either side of the fence were shooting", "has an issue with the word \"their's\" at the end of the sentence.", "on either side of the fence were shooting them off, although we could", "neighbors that lived on either side of the fence were shooting them off,", "off, although we could barely see them because of the huge Libal bushes", "barely see them because of the huge Libal bushes that separated our yard", "because of the huge Libal bushes that separated our yard from their's. Spelling", "Spelling and check has an issue with the word \"their's\" at the end", "door neighbors that lived on either side of the fence were shooting them", "the huge Libal bushes that separated our yard from their's. Spelling and check", "of the fence were shooting them off, although we could barely see them", "yard from their's. Spelling and check has an issue with the word \"their's\"", "bushes that separated our yard from their's. Spelling and check has an issue", "with the word \"their's\" at the end of the sentence. Is there anything", "see them because of the huge Libal bushes that separated our yard from", "sentence:Our next door neighbors that lived on either side of the fence were", "side of the fence were shooting them off, although we could barely see", "shooting them off, although we could barely see them because of the huge", "the fence were shooting them off, although we could barely see them because", "the sentence:Our next door neighbors that lived on either side of the fence", "their's. Spelling and check has an issue with the word \"their's\" at the", "check has an issue with the word \"their's\" at the end of the", "the word \"their's\" at the end of the sentence. Is there anything wrong", "were shooting them off, although we could barely see them because of the", "we could barely see them because of the huge Libal bushes that separated", "Libal bushes that separated our yard from their's. Spelling and check has an", "either side of the fence were shooting them off, although we could barely", "them because of the huge Libal bushes that separated our yard from their's.", "issue with the word \"their's\" at the end of the sentence. Is there", "from their's. Spelling and check has an issue with the word \"their's\" at", "our yard from their's. Spelling and check has an issue with the word", "of the huge Libal bushes that separated our yard from their's. Spelling and", "at the end of the sentence. Is there anything wrong with using their's?", "I wrote the sentence:Our next door neighbors that lived on either side of", "wrote the sentence:Our next door neighbors that lived on either side of the", "fence were shooting them off, although we could barely see them because of", "although we could barely see them because of the huge Libal bushes that", "could barely see them because of the huge Libal bushes that separated our", "huge Libal bushes that separated our yard from their's. Spelling and check has", "that separated our yard from their's. Spelling and check has an issue with", "\"their's\" at the end of the sentence. Is there anything wrong with using", "them off, although we could barely see them because of the huge Libal" ]
[ "fight over the ruined tank?* > > > (the asterisks sentence is in", "by someone if your whole novel is in first person you don't need", "is in first person you don't need italics. I wrote the sentence: >", "Gaon turned the corner into the yard, just then-huffing and puffing real loud.", "also the narrator? I was told by someone if your whole novel is", "Bowns? And if so, did Gaon and Bowns have a fight over the", "thoughts even if the main character is also the narrator? I was told", "showing the main character's inner thoughts even if the main character is also", "from. Did he find Bowns? And if so, did Gaon and Bowns have", "character's inner thoughts even if the main character is also the narrator? I", "novel is in first person you don't need italics. I wrote the sentence:", "the yard, just then-huffing and puffing real loud. He began pacing in circles.", "> Gaon turned the corner into the yard, just then-huffing and puffing real", "Did he find Bowns? And if so, did Gaon and Bowns have a", "Gaon and Bowns have a fight over the ruined tank?* > > >", "and Bowns have a fight over the ruined tank?* > > > (the", "real loud. He began pacing in circles. I wondered where he just came", "told by someone if your whole novel is in first person you don't", "narrator? I was told by someone if your whole novel is in first", "italics. I wrote the sentence: > > Gaon turned the corner into the", "he just came from. Did he find Bowns? And if so, did Gaon", "you use italics in first person if you are showing the main character's", "main character's inner thoughts even if the main character is also the narrator?", "the sentence: > > Gaon turned the corner into the yard, just then-huffing", "into the yard, just then-huffing and puffing real loud. He began pacing in", "even if the main character is also the narrator? I was told by", "the main character is also the narrator? I was told by someone if", "wrote the sentence: > > Gaon turned the corner into the yard, just", "person you don't need italics. I wrote the sentence: > > Gaon turned", "then-huffing and puffing real loud. He began pacing in circles. I wondered where", "I wrote the sentence: > > Gaon turned the corner into the yard,", "Bowns have a fight over the ruined tank? > > > (the asterisks", "just came from. Did he find Bowns? And if so, did Gaon and", "He began pacing in circles. I wondered where he just came from. Did", "main character is also the narrator? I was told by someone if your", "first person you don't need italics. I wrote the sentence: > > Gaon", "if the main character is also the narrator? I was told by someone", "inner thoughts even if the main character is also the narrator? I was", "was told by someone if your whole novel is in first person you", "need italics. I wrote the sentence: > > Gaon turned the corner into", "over the ruined tank?* > > > (the asterisks sentence is in italics)", "you don't need italics. I wrote the sentence: > > Gaon turned the", "turned the corner into the yard, just then-huffing and puffing real loud. He", "began pacing in circles. I wondered where he just came from. Did he", "person if you are showing the main character's inner thoughts even if the", "sentence: > > Gaon turned the corner into the yard, just then-huffing and", "don't need italics. I wrote the sentence: > > Gaon turned the corner", "loud. He began pacing in circles. I wondered where he just came from.", "did Gaon and Bowns have a fight over the ruined tank? > >", "character is also the narrator? I was told by someone if your whole", "puffing real loud. He began pacing in circles. I wondered where he just", "italics in first person if you are showing the main character's inner thoughts", "if your whole novel is in first person you don't need italics. I", "corner into the yard, just then-huffing and puffing real loud. He began pacing", "a fight over the ruined tank?* > > > (the asterisks sentence is", "where he just came from. Did he find Bowns? And if so, did", "Can you use italics in first person if you are showing the main", "pacing in circles. I wondered where he just came from. Did he find", "in first person if you are showing the main character's inner thoughts even", "first person if you are showing the main character's inner thoughts even if", "yard, just then-huffing and puffing real loud. He began pacing in circles. I", "whole novel is in first person you don't need italics. I wrote the", "I was told by someone if your whole novel is in first person", "someone if your whole novel is in first person you don't need italics.", "the corner into the yard, just then-huffing and puffing real loud. He began", "he find Bowns? And if so, did Gaon and Bowns have a fight", "in circles. I wondered where he just came from. Did he find Bowns?", "find Bowns? And if so, did Gaon and Bowns have a fight over", "is also the narrator? I was told by someone if your whole novel", "And if so, did Gaon and Bowns have a fight over the ruined", "the main character's inner thoughts even if the main character is also the", "in first person you don't need italics. I wrote the sentence: > >", "> > Gaon turned the corner into the yard, just then-huffing and puffing", "so, did Gaon and Bowns have a fight over the ruined tank? >", "I wondered where he just came from. Did he find Bowns? And if", "and puffing real loud. He began pacing in circles. I wondered where he", "your whole novel is in first person you don't need italics. I wrote", "if so, did Gaon and Bowns have a fight over the ruined tank?", "if you are showing the main character's inner thoughts even if the main", "came from. Did he find Bowns? And if so, did Gaon and Bowns", "are showing the main character's inner thoughts even if the main character is", "just then-huffing and puffing real loud. He began pacing in circles. I wondered", "the narrator? I was told by someone if your whole novel is in", "wondered where he just came from. Did he find Bowns? And if so,", "you are showing the main character's inner thoughts even if the main character", "have a fight over the ruined tank?* > > > (the asterisks sentence", "circles. I wondered where he just came from. *Did he find Bowns? And", "use italics in first person if you are showing the main character's inner" ]
[ "find a system to stop myself from thinking too much and editing myself,", "stare at the page waiting, or get a few lines down before scrapping", "sit down put the pencil to the paper and the words would just", "was a kid, I could sit down put the pencil to the paper", "it as hopeless drivel. I know what my problem is, thankfully, it's simply", "properly. Through writing, I'm free, but without it, I feel caged and lost.", "get a few lines down before scrapping it as hopeless drivel. I know", "just flow; then I was diagnosed with OCD and things started changing for", "things started changing for me. The words don't flow anymore, and whenever I", "anymore, and whenever I try to write I typically just stare at the", "again. I love to write, it's the only way I've ever been able", "my emotions properly. Through writing, I'm free, but without it, I feel caged", "and my emotions properly. Through writing, I'm free, but without it, I feel", "or get a few lines down before scrapping it as hopeless drivel. I", "thinking too much and editing myself, I can at least start writing again.", "I try to write I typically just stare at the page waiting, or", "to write, it's the only way I've ever been able to express myself", "writing, I'm free, but without it, I feel caged and lost. So please,", "to write I typically just stare at the page waiting, or get a", "would just flow; then I was diagnosed with OCD and things started changing", "simply that I'm over thinking it all. In this question I'm asking for", "paper and the words would just flow; then I was diagnosed with OCD", "get the words to flow quite the same way again, but maybe if", "love to write, it's the only way I've ever been able to express", "caged and lost. So please, help me find a way to write again.", "quite the same way again, but maybe if I can find a system", "put the pencil to the paper and the words would just flow; then", "pencil to the paper and the words would just flow; then I was", "too much and editing myself, I can at least start writing again. I", "myself from thinking too much and editing myself, I can at least start", "this question I'm asking for advice on how to write again, I'll never", "it all. In this question I'm asking for advice on how to write", "myself, I can at least start writing again. I love to write, it's", "the only way I've ever been able to express myself and my emotions", "only way I've ever been able to express myself and my emotions properly.", "is, thankfully, it's simply that I'm over thinking it all. In this question", "my problem is, thankfully, it's simply that I'm over thinking it all. In", "words would just flow; then I was diagnosed with OCD and things started", "to the paper and the words would just flow; then I was diagnosed", "diagnosed with OCD and things started changing for me. The words don't flow", "and the words would just flow; then I was diagnosed with OCD and", "I could sit down put the pencil to the paper and the words", "changing for me. The words don't flow anymore, and whenever I try to", "editing myself, I can at least start writing again. I love to write,", "then I was diagnosed with OCD and things started changing for me. The", "could sit down put the pencil to the paper and the words would", "for me. The words don't flow anymore, and whenever I try to write", "page waiting, or get a few lines down before scrapping it as hopeless", "drivel. I know what my problem is, thankfully, it's simply that I'm over", "if I can find a system to stop myself from thinking too much", "it's the only way I've ever been able to express myself and my", "me. The words don't flow anymore, and whenever I try to write I", "the paper and the words would just flow; then I was diagnosed with", "the words would just flow; then I was diagnosed with OCD and things", "again, I'll never get the words to flow quite the same way again,", "write, it's the only way I've ever been able to express myself and", "thinking it all. In this question I'm asking for advice on how to", "to write again, I'll never get the words to flow quite the same", "been able to express myself and my emotions properly. Through writing, I'm free,", "what my problem is, thankfully, it's simply that I'm over thinking it all.", "don't flow anymore, and whenever I try to write I typically just stare", "a few lines down before scrapping it as hopeless drivel. I know what", "how to write again, I'll never get the words to flow quite the", "again, but maybe if I can find a system to stop myself from", "I was a kid, I could sit down put the pencil to the", "asking for advice on how to write again, I'll never get the words", "least start writing again. I love to write, it's the only way I've", "I've ever been able to express myself and my emotions properly. Through writing,", "can at least start writing again. I love to write, it's the only", "down put the pencil to the paper and the words would just flow;", "I'll never get the words to flow quite the same way again, but", "a system to stop myself from thinking too much and editing myself, I", "In this question I'm asking for advice on how to write again, I'll", "from thinking too much and editing myself, I can at least start writing", "way I've ever been able to express myself and my emotions properly. Through", "kid, I could sit down put the pencil to the paper and the", "ever been able to express myself and my emotions properly. Through writing, I'm", "write I typically just stare at the page waiting, or get a few", "and editing myself, I can at least start writing again. I love to", "The words don't flow anymore, and whenever I try to write I typically", "before scrapping it as hopeless drivel. I know what my problem is, thankfully,", "for advice on how to write again, I'll never get the words to", "I know what my problem is, thankfully, it's simply that I'm over thinking", "just stare at the page waiting, or get a few lines down before", "at the page waiting, or get a few lines down before scrapping it", "much and editing myself, I can at least start writing again. I love", "same way again, but maybe if I can find a system to stop", "as hopeless drivel. I know what my problem is, thankfully, it's simply that", "to stop myself from thinking too much and editing myself, I can at", "the words to flow quite the same way again, but maybe if I", "advice on how to write again, I'll never get the words to flow", "flow; then I was diagnosed with OCD and things started changing for me.", "started changing for me. The words don't flow anymore, and whenever I try", "few lines down before scrapping it as hopeless drivel. I know what my", "hopeless drivel. I know what my problem is, thankfully, it's simply that I'm", "start writing again. I love to write, it's the only way I've ever", "can find a system to stop myself from thinking too much and editing", "the same way again, but maybe if I can find a system to", "without it, I feel caged and lost. So please, help me find a", "and whenever I try to write I typically just stare at the page", "scrapping it as hopeless drivel. I know what my problem is, thankfully, it's", "typically just stare at the page waiting, or get a few lines down", "all. In this question I'm asking for advice on how to write again,", "I can find a system to stop myself from thinking too much and", "write again, I'll never get the words to flow quite the same way", "myself and my emotions properly. Through writing, I'm free, but without it, I", "express myself and my emotions properly. Through writing, I'm free, but without it,", "stop myself from thinking too much and editing myself, I can at least", "on how to write again, I'll never get the words to flow quite", "waiting, or get a few lines down before scrapping it as hopeless drivel.", "maybe if I can find a system to stop myself from thinking too", "Through writing, I'm free, but without it, I feel caged and lost. So", "down before scrapping it as hopeless drivel. I know what my problem is,", "but without it, I feel caged and lost. So please, help me find", "the pencil to the paper and the words would just flow; then I", "When I was a kid, I could sit down put the pencil to", "I'm asking for advice on how to write again, I'll never get the", "question I'm asking for advice on how to write again, I'll never get", "system to stop myself from thinking too much and editing myself, I can", "but maybe if I can find a system to stop myself from thinking", "I'm free, but without it, I feel caged and lost. So please, help", "to express myself and my emotions properly. Through writing, I'm free, but without", "way again, but maybe if I can find a system to stop myself", "know what my problem is, thankfully, it's simply that I'm over thinking it", "thankfully, it's simply that I'm over thinking it all. In this question I'm", "free, but without it, I feel caged and lost. So please, help me", "words to flow quite the same way again, but maybe if I can", "whenever I try to write I typically just stare at the page waiting,", "over thinking it all. In this question I'm asking for advice on how", "a kid, I could sit down put the pencil to the paper and", "problem is, thankfully, it's simply that I'm over thinking it all. In this", "that I'm over thinking it all. In this question I'm asking for advice", "lines down before scrapping it as hopeless drivel. I know what my problem", "the page waiting, or get a few lines down before scrapping it as", "to flow quite the same way again, but maybe if I can find", "with OCD and things started changing for me. The words don't flow anymore,", "I love to write, it's the only way I've ever been able to", "I can at least start writing again. I love to write, it's the", "writing again. I love to write, it's the only way I've ever been", "I feel caged and lost. So please, help me find a way to", "I was diagnosed with OCD and things started changing for me. The words", "OCD and things started changing for me. The words don't flow anymore, and", "never get the words to flow quite the same way again, but maybe", "flow quite the same way again, but maybe if I can find a", "I typically just stare at the page waiting, or get a few lines", "I'm over thinking it all. In this question I'm asking for advice on", "and things started changing for me. The words don't flow anymore, and whenever", "flow anymore, and whenever I try to write I typically just stare at", "try to write I typically just stare at the page waiting, or get", "feel caged and lost. So please, help me find a way to write", "words don't flow anymore, and whenever I try to write I typically just", "able to express myself and my emotions properly. Through writing, I'm free, but", "it, I feel caged and lost. So please, help me find a way", "at least start writing again. I love to write, it's the only way", "it's simply that I'm over thinking it all. In this question I'm asking", "emotions properly. Through writing, I'm free, but without it, I feel caged and", "was diagnosed with OCD and things started changing for me. The words don't" ]
[ "think I've come up with a very good title (The Power of the", "(The Power of the Powerless). It conveys the moral question of the story", "and gives a good sense of the style of the story. Unfortunately, when", "style of the story. Unfortunately, when I googled the title, it was the", "of the story well, and gives a good sense of the style of", "the title, it was the same as the title of a political essay", "Power of the Powerless). It conveys the moral question of the story well,", "sense of the style of the story. Unfortunately, when I googled the title,", "writing a novel, and I think I've come up with a very good", "it was the same as the title of a political essay written during", "as the title of a political essay written during the Cold War. The", "title of a political essay written during the Cold War. The title isn't", "of a political essay written during the Cold War. The title isn't trademarked.", "I googled the title, it was the same as the title of a", "the story well, and gives a good sense of the style of the", "very good title (The Power of the Powerless). It conveys the moral question", "and I think I've come up with a very good title (The Power", "of the story. Unfortunately, when I googled the title, it was the same", "same as the title of a political essay written during the Cold War.", "It conveys the moral question of the story well, and gives a good", "a political essay written during the Cold War. The title isn't trademarked. Should", "up with a very good title (The Power of the Powerless). It conveys", "Unfortunately, when I googled the title, it was the same as the title", "novel, and I think I've come up with a very good title (The", "come up with a very good title (The Power of the Powerless). It", "political essay written during the Cold War. The title isn't trademarked. Should I", "during the Cold War. The title isn't trademarked. Should I keep it or", "the title of a political essay written during the Cold War. The title", "a novel, and I think I've come up with a very good title", "the style of the story. Unfortunately, when I googled the title, it was", "with a very good title (The Power of the Powerless). It conveys the", "the moral question of the story well, and gives a good sense of", "good title (The Power of the Powerless). It conveys the moral question of", "Cold War. The title isn't trademarked. Should I keep it or change it?", "I'm writing a novel, and I think I've come up with a very", "the Powerless). It conveys the moral question of the story well, and gives", "a good sense of the style of the story. Unfortunately, when I googled", "when I googled the title, it was the same as the title of", "moral question of the story well, and gives a good sense of the", "title (The Power of the Powerless). It conveys the moral question of the", "of the Powerless). It conveys the moral question of the story well, and", "the story. Unfortunately, when I googled the title, it was the same as", "I think I've come up with a very good title (The Power of", "good sense of the style of the story. Unfortunately, when I googled the", "of the style of the story. Unfortunately, when I googled the title, it", "story well, and gives a good sense of the style of the story.", "story. Unfortunately, when I googled the title, it was the same as the", "gives a good sense of the style of the story. Unfortunately, when I", "was the same as the title of a political essay written during the", "written during the Cold War. The title isn't trademarked. Should I keep it", "essay written during the Cold War. The title isn't trademarked. Should I keep", "I've come up with a very good title (The Power of the Powerless).", "the Cold War. The title isn't trademarked. Should I keep it or change", "the same as the title of a political essay written during the Cold", "Powerless). It conveys the moral question of the story well, and gives a", "conveys the moral question of the story well, and gives a good sense", "question of the story well, and gives a good sense of the style", "googled the title, it was the same as the title of a political", "a very good title (The Power of the Powerless). It conveys the moral", "title, it was the same as the title of a political essay written", "well, and gives a good sense of the style of the story. Unfortunately," ]
[ "that happened in the past? What ways, (flashback, protagonist telling, etc.) are the", "particurlarly fiction, what are the basic ways to reveal something that happened in", "technical distinction between the protagonist having a flashback, and a flashback that is", "(flashback, protagonist telling, etc.) are the most used and most effective? Specifically, what", "etc.) are the most used and most effective? Specifically, what is the technical", "basic ways to reveal something that happened in the past? What ways, (flashback,", "the most used and most effective? Specifically, what is the technical distinction between", "the past? What ways, (flashback, protagonist telling, etc.) are the most used and", "protagonist telling, etc.) are the most used and most effective? Specifically, what is", "fiction, what are the basic ways to reveal something that happened in the", "reveal something that happened in the past? What ways, (flashback, protagonist telling, etc.)", "and most effective? Specifically, what is the technical distinction between the protagonist having", "distinction between the protagonist having a flashback, and a flashback that is only", "ways, (flashback, protagonist telling, etc.) are the most used and most effective? Specifically,", "between the protagonist having a flashback, and a flashback that is only for", "are the most used and most effective? Specifically, what is the technical distinction", "something that happened in the past? What ways, (flashback, protagonist telling, etc.) are", "what is the technical distinction between the protagonist having a flashback, and a", "most used and most effective? Specifically, what is the technical distinction between the", "the technical distinction between the protagonist having a flashback, and a flashback that", "effective? Specifically, what is the technical distinction between the protagonist having a flashback,", "the protagonist having a flashback, and a flashback that is only for the", "What ways, (flashback, protagonist telling, etc.) are the most used and most effective?", "telling, etc.) are the most used and most effective? Specifically, what is the", "used and most effective? Specifically, what is the technical distinction between the protagonist", "is the technical distinction between the protagonist having a flashback, and a flashback", "most effective? Specifically, what is the technical distinction between the protagonist having a", "ways to reveal something that happened in the past? What ways, (flashback, protagonist", "happened in the past? What ways, (flashback, protagonist telling, etc.) are the most", "past? What ways, (flashback, protagonist telling, etc.) are the most used and most", "novel, particurlarly fiction, what are the basic ways to reveal something that happened", "the basic ways to reveal something that happened in the past? What ways,", "in the past? What ways, (flashback, protagonist telling, etc.) are the most used", "protagonist having a flashback, and a flashback that is only for the reader?", "Specifically, what is the technical distinction between the protagonist having a flashback, and", "are the basic ways to reveal something that happened in the past? What", "In a novel, particurlarly fiction, what are the basic ways to reveal something", "what are the basic ways to reveal something that happened in the past?", "to reveal something that happened in the past? What ways, (flashback, protagonist telling,", "a novel, particurlarly fiction, what are the basic ways to reveal something that" ]
[ "What aspects should you think about when trying to coin such a term?", "were trying to coin a catchy name to describe the event (mainly to", "and there was a lot of defaulting to “blizzard2016.” Putting parts of two", "of two words together to create something new is called a portmanteau, from", "there was a lot of defaulting to “blizzard2016.” Putting parts of two words", "relevant version started with celebrity pairings (Ben Affleck and Jinvufur Vepez were the", "ship name. The modern, culturally relevant version started with celebrity pairings (Ben Affleck", "the recent blizzard which struck the East Coast of the U.S., many media", "together to create something new is called a portmanteau, from the French word", "a break-in which started the scandal which toppled U.S. President Sexon). No single", "are the criteria for a good portmanteau?** What aspects should you think about", "for this storm became popular, which makes me wonder if it was because", "struck me was that no one name really caught on — people were", "create something new is called a portmanteau, from the French word for “suitcase”;", "known as a name smush or a ship name. The modern, culturally relevant", "U.S., many media outlets were trying to coin a catchy name to describe", "let’s be honest). What struck me was that no one name really caught", "of a break-in which started the scandal which toppled U.S. President Sexon). No", "the scandal which toppled U.S. President Sexon). No single portmanteau for this storm", "can be combined with \"-gate\" (from the Watergate Hotel, the scene of a", "especially names for fictional \"ships\" (romantic relationships which are discussed or imagined for", "repeats from previous years, like Snowmageddon and Snowpocalypse; Sdati tried desperately to make", "the event (mainly to hashtag it on social media, let’s be honest). What", "which toppled U.S. President Sexon). No single portmanteau for this storm became popular,", "toppled U.S. President Sexon). No single portmanteau for this storm became popular, which", "portmanteau?** What aspects should you think about when trying to coin such a", "and any brouhaha which can be combined with \"-gate\" (from the Watergate Hotel,", "should you think about when trying to coin such a term? What makes", "makes me wonder if it was because no one could figure out a", "describe the event (mainly to hashtag it on social media, let’s be honest).", "words together to create something new is called a portmanteau, from the French", "on social media, let’s be honest). What struck me was that no one", "work; The Weather Channel labeled it “Jonas”; and there was a lot of", "you think about when trying to coin such a term? What makes \"Snowmaggedon\"", "on — people were using repeats from previous years, like Snowmageddon and Snowpocalypse;", "to hashtag it on social media, let’s be honest). What struck me was", "word for “suitcase”; it's also known as a name smush or a ship", "became popular, which makes me wonder if it was because no one could", "the U.S., many media outlets were trying to coin a catchy name to", "recent blizzard which struck the East Coast of the U.S., many media outlets", "with celebrity pairings (Ben Affleck and Jinvufur Vepez were the original Bennifer) and", "new one. What are the criteria for a good portmanteau? What aspects should", "there, especially names for fictional \"ships\" (romantic relationships which are discussed or imagined", "exploded from there, especially names for fictional \"ships\" (romantic relationships which are discussed", "criteria for a good portmanteau?** What aspects should you think about when trying", "about when trying to coin such a term? What makes \"Snowmaggedon\" and \"Brangelina\"", "has exploded from there, especially names for fictional \"ships\" (romantic relationships which are", "were using repeats from previous years, like Snowmageddon and Snowpocalypse; Sdati tried desperately", "name really caught on — people were using repeats from previous years, like", "it's also known as a name smush or a ship name. The modern,", "TV or movie characters) and any brouhaha which can be combined with \"-gate\"", "from the French word for “suitcase”; it's also known as a name smush", "The modern, culturally relevant version started with celebrity pairings (Ben Affleck and Jinvufur", "new is called a portmanteau, from the French word for “suitcase”; it's also", "which makes me wonder if it was because no one could figure out", "coin such a term? What makes \"Snowmaggedon\" and \"Brangelina\" and \"Johnlock\" work but", "something new is called a portmanteau, from the French word for “suitcase”; it's", "for fictional \"ships\" (romantic relationships which are discussed or imagined for TV or", "brouhaha which can be combined with \"-gate\" (from the Watergate Hotel, the scene", "“blizzard2016.” Putting parts of two words together to create something new is called", "or imagined for TV or movie characters) and any brouhaha which can be", "was because no one could figure out a good new one. What are", "popular, which makes me wonder if it was because no one could figure", "“suitcase”; it's also known as a name smush or a ship name. The", "Coast of the U.S., many media outlets were trying to coin a catchy", "break-in which started the scandal which toppled U.S. President Sexon). No single portmanteau", "out a good new one. What are the criteria for a good portmanteau?*", "modern, culturally relevant version started with celebrity pairings (Ben Affleck and Jinvufur Vepez", "to “blizzard2016.” Putting parts of two words together to create something new is", "blizzard which struck the East Coast of the U.S., many media outlets were", "Hotel, the scene of a break-in which started the scandal which toppled U.S.", "make “David Snowie” work; The Weather Channel labeled it “Jonas”; and there was", "Jinvufur Vepez were the original Bennifer) and has exploded from there, especially names", "if it was because no one could figure out a good new one.", "a term? What makes \"Snowmaggedon\" and \"Brangelina\" and \"Johnlock\" work but not \"BeyonZ\"?", "previous years, like Snowmageddon and Snowpocalypse; Sdati tried desperately to make “David Snowie”", "and Jinvufur Vepez were the original Bennifer) and has exploded from there, especially", "with \"-gate\" (from the Watergate Hotel, the scene of a break-in which started", "portmanteau for this storm became popular, which makes me wonder if it was", "me wonder if it was because no one could figure out a good", "a ship name. The modern, culturally relevant version started with celebrity pairings (Ben", "is called a portmanteau,* from the French word for “suitcase”; it's also known", "no one name really caught on — people were using repeats from previous", "me was that no one name really caught on — people were using", "“David Snowie” work; The Weather Channel labeled it “Jonas”; and there was a", "to coin a catchy name to describe the event (mainly to hashtag it", "a portmanteau, from the French word for “suitcase”; it's also known as a", "\"-gate\" (from the Watergate Hotel, the scene of a break-in which started the", "which struck the East Coast of the U.S., many media outlets were trying", "a good portmanteau?** What aspects should you think about when trying to coin", "Channel labeled it “Jonas”; and there was a lot of defaulting to “blizzard2016.”", "scandal which toppled U.S. President Sexon). No single portmanteau for this storm became", "name to describe the event (mainly to hashtag it on social media, let’s", "U.S. President Sexon). No single portmanteau for this storm became popular, which makes", "it “Jonas”; and there was a lot of defaulting to “blizzard2016.” Putting parts", "version started with celebrity pairings (Ben Affleck and Jinvufur Vepez were the original", "pairings (Ben Affleck and Jinvufur Vepez were the original Bennifer) and has exploded", "discussed or imagined for TV or movie characters) and any brouhaha which can", "Snowmageddon and Snowpocalypse; Sdati tried desperately to make “David Snowie” work; The Weather", "outlets were trying to coin a catchy name to describe the event (mainly", "characters) and any brouhaha which can be combined with \"-gate\" (from the Watergate", "President Sexon). No single portmanteau for this storm became popular, which makes me", "such a term? What makes \"Snowmaggedon\" and \"Brangelina\" and \"Johnlock\" work but not", "tried desperately to make “David Snowie” work; The Weather Channel labeled it “Jonas”;", "coin a catchy name to describe the event (mainly to hashtag it on", "good portmanteau? What aspects should you think about when trying to coin such", "from previous years, like Snowmageddon and Snowpocalypse; Sdati tried desperately to make “David", "which started the scandal which toppled U.S. President Sexon). No single portmanteau for", "to coin such a term? What makes \"Snowmaggedon\" and \"Brangelina\" and \"Johnlock\" work", "one. What are the criteria for a good portmanteau?** What aspects should you", "the original Bennifer) and has exploded from there, especially names for fictional \"ships\"", "for a good portmanteau? What aspects should you think about when trying to", "be honest). What struck me was that no one name really caught on", "defaulting to “blizzard2016.” Putting parts of two words together to create something new", "Sdati tried desperately to make “David Snowie” work; The Weather Channel labeled it", "of defaulting to “blizzard2016.” Putting parts of two words together to create something", "one could figure out a good new one. What are the criteria for", "\"ships\" (romantic relationships which are discussed or imagined for TV or movie characters)", "names for fictional \"ships\" (romantic relationships which are discussed or imagined for TV", "trying to coin a catchy name to describe the event (mainly to hashtag", "single portmanteau for this storm became popular, which makes me wonder if it", "celebrity pairings (Ben Affleck and Jinvufur Vepez were the original Bennifer) and has", "a catchy name to describe the event (mainly to hashtag it on social", "catchy name to describe the event (mainly to hashtag it on social media,", "Watergate Hotel, the scene of a break-in which started the scandal which toppled", "event (mainly to hashtag it on social media, let’s be honest). What struck", "social media, let’s be honest). What struck me was that no one name", "smush or a ship name. The modern, culturally relevant version started with celebrity", "parts of two words together to create something new is called a portmanteau,", "media, let’s be honest). What struck me was that no one name really", "honest). What struck me was that no one name really caught on —", "No single portmanteau for this storm became popular, which makes me wonder if", "scene of a break-in which started the scandal which toppled U.S. President Sexon).", "of the recent blizzard which struck the East Coast of the U.S., many", "like Snowmageddon and Snowpocalypse; Sdati tried desperately to make “David Snowie” work; The", "figure out a good new one. *What are the criteria for a good", "media outlets were trying to coin a catchy name to describe the event", "original Bennifer) and has exploded from there, especially names for fictional \"ships\" (romantic", "a name smush or a ship name. 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What", "Affleck and Jinvufur Vepez were the original Bennifer) and has exploded from there,", "lot of defaulting to “blizzard2016.” Putting parts of two words together to create", "In advance of the recent blizzard which struck the East Coast of the", "for TV or movie characters) and any brouhaha which can be combined with", "(Ben Affleck and Jinvufur Vepez were the original Bennifer) and has exploded from", "using repeats from previous years, like Snowmageddon and Snowpocalypse; Sdati tried desperately to", "it on social media, let’s be honest). 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I have only a", "series story line in it, and still has to provide room to show", "first time author to do if the second book is already written and", "100K to 120K max. Bringing it down to such would be throwing away", "It currently weighs in at 186,058 words and is projected to be finished", "am open for any suggestions that would help get me back on track.", "a trilogy and therefore has a main story line, a overarching series story", "I have thought about trying to split it into two novels and just", "designing the world and everything that works in the story. It is the", "is projected to be finished at 200K words. All my research say 100K", "main story line, a overarching series story line in it, and still has", "have only a handful of chapters left to go to finish completely but", "author to do if the second book is already written and ready to", "is already written and ready to publish? I don't want to anger my", "I have almost completed a high fantasy novel that I have spent over", "the second book is already written and ready to publish? I don't want", "rich cultural history of my world. It currently weighs in at 186,058 words", "I even have them. I have only a handful of chapters left to", "anger my readers before I even have them. I have only a handful", "Is that allowed for a first time author to do if the second", "into two novels and just write a little more to round them out,", "but I have no clue where to start there. I am not finding", "with a lot of standing questions. Is that allowed for a first time", "I have only a handful of chapters left to go to finish completely", "I have no clue where to start there. I am not finding a", "story line, a overarching series story line in it, and still has to", "All my research say 100K to 120K max. Bringing it down to such", "down to such would be throwing away half my book! 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I am open for any suggestions that would help get me", "a first time author to do if the second book is already written", "overarching series story line in it, and still has to provide room to", "two novels and just write a little more to round them out, but", "novels and just write a little more to round them out, but I", "lot of standing questions. Is that allowed for a first time author to", "throwing away half my book! I have thought about trying to split it", "room to show the rich cultural history of my world. It currently weighs", "go to finish completely but I have been so concerned about this topic", "away half my book! I have thought about trying to split it into", "there. I am not finding a climax in the first half, and doing", "thought about trying to split it into two novels and just write a", "it impossible to move forward. I am open for any suggestions that would", "where to start there. 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Is that allowed for a first time author to do", "so concerned about this topic that I have found it impossible to move", "and therefore has a main story line, a overarching series story line in", "to move forward. I am open for any suggestions that would help get", "it into two novels and just write a little more to round them", "and is projected to be finished at 200K words. All my research say", "everything that works in the story. It is the first of a trilogy", "be finished at 200K words. All my research say 100K to 120K max.", "for a first time author to do if the second book is already", "I am not finding a climax in the first half, and doing so", "book! I have thought about trying to split it into two novels and", "readers before I even have them. I have only a handful of chapters", "split it into two novels and just write a little more to round", "and just write a little more to round them out, but I have", "that I have spent over 10 years designing the world and everything that", "topic that I have found it impossible to move forward. I am open", "words. All my research say 100K to 120K max. Bringing it down to", "spent over 10 years designing the world and everything that works in the", "my research say 100K to 120K max. Bringing it down to such would", "completed a high fantasy novel that I have spent over 10 years designing", "handful of chapters left to go to finish completely but I have been", "only a handful of chapters left to go to finish completely but I", "want to anger my readers before I even have them. I have only", "to finish completely but I have been so concerned about this topic that", "over 10 years designing the world and everything that works in the story.", "is the first of a trilogy and therefore has a main story line,", "that allowed for a first time author to do if the second book", "the story. It is the first of a trilogy and therefore has a", "to round them out, but I have no clue where to start there.", "questions. Is that allowed for a first time author to do if the", "in at 186,058 words and is projected to be finished at 200K words.", "have spent over 10 years designing the world and everything that works in", "high fantasy novel that I have spent over 10 years designing the world", "have been so concerned about this topic that I have found it impossible", "about trying to split it into two novels and just write a little" ]
[ "in two chapters. However now he's making a return in a chapter which", "actions and his past. Now. What are mistakes I should avoid when writing", "has only appeared in two chapters. However now he's making a return in", "return in a chapter which is mostly about him, his actions and his", "are mistakes I should avoid when writing a villain, one that'll play a", "mostly about him, his actions and his past. Now. What are mistakes I", "appeared in two chapters. However now he's making a return in a chapter", "is mostly about him, his actions and his past. Now. What are mistakes", "in a chapter which is mostly about him, his actions and his past.", "a return in a chapter which is mostly about him, his actions and", "chapters. However now he's making a return in a chapter which is mostly", "his actions and his past. Now. What are mistakes I should avoid when", "making a return in a chapter which is mostly about him, his actions", "The villain so far has only appeared in two chapters. However now he's", "about him, his actions and his past. Now. What are mistakes I should", "villain so far has only appeared in two chapters. However now he's making", "I should avoid when writing a villain, one that'll play a role till", "which is mostly about him, his actions and his past. Now. What are", "far has only appeared in two chapters. However now he's making a return", "so far has only appeared in two chapters. However now he's making a", "should avoid when writing a villain, one that'll play a role till the", "and his past. Now. What are mistakes I should avoid when writing a", "Now. What are mistakes I should avoid when writing a villain, one that'll", "his past. Now. What are mistakes I should avoid when writing a villain,", "he's making a return in a chapter which is mostly about him, his", "mistakes I should avoid when writing a villain, one that'll play a role", "him, his actions and his past. Now. What are mistakes I should avoid", "avoid when writing a villain, one that'll play a role till the end?", "chapter which is mostly about him, his actions and his past. Now. What", "a chapter which is mostly about him, his actions and his past. Now.", "past. Now. What are mistakes I should avoid when writing a villain, one", "two chapters. However now he's making a return in a chapter which is", "now he's making a return in a chapter which is mostly about him,", "What are mistakes I should avoid when writing a villain, one that'll play", "only appeared in two chapters. However now he's making a return in a", "However now he's making a return in a chapter which is mostly about" ]
[ "assuming I should try to save lines, so the chapter occupies the equivalent", "though. Or is this not important? I am just worried about the impact", "novel chapter for the first time. I do not have the other chapters", "chapters to review. The book is a 2nd edition, and several chunks of", "the first time. I do not have the other chapters to review. The", "page (eight lines only on this last page). As the novel is at", "first time. I do not have the other chapters to review. The book", "equivalent number of pages as before the extra text was inserted? It would", "about the impact on the rest of the book. My mentor is telling", "last page). As the novel is at the proof page, I am assuming", "proof page, I am assuming I should try to save lines, so the", "to save eight lines, though. Or is this not important? I am just", "the novel is at the proof page, I am assuming I should try", "I am just worried about the impact on the rest of the book.", "time. I do not have the other chapters to review. The book is", "a novel chapter for the first time. I do not have the other", "book is a 2nd edition, and several chunks of text have been inserted,", "mean trying to save eight lines, though. Or is this not important? I", "several chunks of text have been inserted, so the end of the chapter", "of text have been inserted, so the end of the chapter is now", "lines only on this last page). As the novel is at the proof", "the end of the chapter is now on an extra page (eight lines", "an extra page (eight lines only on this last page). As the novel", "save eight lines, though. Or is this not important? I am just worried", "As the novel is at the proof page, I am assuming I should", "inserted, so the end of the chapter is now on an extra page", "eight lines, though. Or is this not important? I am just worried about", "do not have the other chapters to review. The book is a 2nd", "I do not have the other chapters to review. The book is a", "review. The book is a 2nd edition, and several chunks of text have", "for the first time. I do not have the other chapters to review.", "am proofreading a novel chapter for the first time. I do not have", "page). As the novel is at the proof page, I am assuming I", "proofreading a novel chapter for the first time. I do not have the", "been inserted, so the end of the chapter is now on an extra", "as before the extra text was inserted? It would mean trying to save", "am assuming I should try to save lines, so the chapter occupies the", "on an extra page (eight lines only on this last page). As the", "extra text was inserted? It would mean trying to save eight lines, though.", "is a 2nd edition, and several chunks of text have been inserted, so", "the impact on the rest of the book. My mentor is telling me", "have been inserted, so the end of the chapter is now on an", "chapter occupies the equivalent number of pages as before the extra text was", "edition, and several chunks of text have been inserted, so the end of", "before the extra text was inserted? It would mean trying to save eight", "this not important? I am just worried about the impact on the rest", "is at the proof page, I am assuming I should try to save", "chapter for the first time. I do not have the other chapters to", "chapter is now on an extra page (eight lines only on this last", "number of pages as before the extra text was inserted? It would mean", "I am proofreading a novel chapter for the first time. I do not", "to review. The book is a 2nd edition, and several chunks of text", "the rest of the book. My mentor is telling me to 'follow my", "rest of the book. My mentor is telling me to 'follow my gut", "the proof page, I am assuming I should try to save lines, so", "chunks of text have been inserted, so the end of the chapter is", "of the book. My mentor is telling me to 'follow my gut instinct',", "would mean trying to save eight lines, though. Or is this not important?", "the other chapters to review. The book is a 2nd edition, and several", "book. My mentor is telling me to 'follow my gut instinct', but I", "It would mean trying to save eight lines, though. Or is this not", "not important? I am just worried about the impact on the rest of", "so the chapter occupies the equivalent number of pages as before the extra", "should try to save lines, so the chapter occupies the equivalent number of", "at the proof page, I am assuming I should try to save lines,", "only on this last page). As the novel is at the proof page,", "lines, so the chapter occupies the equivalent number of pages as before the", "is this not important? I am just worried about the impact on the", "the equivalent number of pages as before the extra text was inserted? It", "other chapters to review. The book is a 2nd edition, and several chunks", "occupies the equivalent number of pages as before the extra text was inserted?", "the chapter is now on an extra page (eight lines only on this", "try to save lines, so the chapter occupies the equivalent number of pages", "text was inserted? It would mean trying to save eight lines, though. Or", "The book is a 2nd edition, and several chunks of text have been", "is now on an extra page (eight lines only on this last page).", "on this last page). As the novel is at the proof page, I", "Or is this not important? I am just worried about the impact on", "impact on the rest of the book. My mentor is telling me to", "a 2nd edition, and several chunks of text have been inserted, so the", "am just worried about the impact on the rest of the book. My", "mentor is telling me to 'follow my gut instinct', but I am struggling...", "of the chapter is now on an extra page (eight lines only on", "of pages as before the extra text was inserted? It would mean trying", "2nd edition, and several chunks of text have been inserted, so the end", "I should try to save lines, so the chapter occupies the equivalent number", "worried about the impact on the rest of the book. My mentor is", "My mentor is telling me to 'follow my gut instinct', but I am", "end of the chapter is now on an extra page (eight lines only", "not have the other chapters to review. The book is a 2nd edition,", "text have been inserted, so the end of the chapter is now on", "this last page). As the novel is at the proof page, I am", "was inserted? It would mean trying to save eight lines, though. Or is", "I am assuming I should try to save lines, so the chapter occupies", "extra page (eight lines only on this last page). As the novel is", "lines, though. Or is this not important? I am just worried about the", "so the end of the chapter is now on an extra page (eight", "page, I am assuming I should try to save lines, so the chapter", "just worried about the impact on the rest of the book. My mentor", "and several chunks of text have been inserted, so the end of the", "trying to save eight lines, though. Or is this not important? I am", "important? I am just worried about the impact on the rest of the", "novel is at the proof page, I am assuming I should try to", "the chapter occupies the equivalent number of pages as before the extra text", "(eight lines only on this last page). As the novel is at the", "have the other chapters to review. The book is a 2nd edition, and", "inserted? It would mean trying to save eight lines, though. Or is this", "save lines, so the chapter occupies the equivalent number of pages as before", "pages as before the extra text was inserted? It would mean trying to", "now on an extra page (eight lines only on this last page). As", "to save lines, so the chapter occupies the equivalent number of pages as", "the extra text was inserted? It would mean trying to save eight lines,", "on the rest of the book. My mentor is telling me to 'follow", "the book. My mentor is telling me to 'follow my gut instinct', but" ]
[ "there any rules or procedure to write a great product description. Any examples", "or procedure to write a great product description. Any examples of good desciptions", "any rules or procedure to write a great product description. Any examples of", "procedure to write a great product description. Any examples of good desciptions online?", "rules or procedure to write a great product description. Any examples of good", "Are there any rules or procedure to write a great product description. Any" ]
[ "is about one of the protagonist who was until now, more a cold", "until now, more a cold than a warm person. However she's not a", "of the protagonist who was until now, more a cold than a warm", "and tends to push people she cares about away. Now the scene is", "she gets really emotional and sad, while not writing her out of character?", "protagonist who was until now, more a cold than a warm person. However", "her emotions and tends to push people she cares about away. Now the", "to push people she cares about away. Now the scene is very important.", "about away. Now the scene is very important. Her sister was kidnapped and", "and she meets the other protagonist on a hill. How do I write", "a cold than a warm person. However she's not a sociopath, she just", "more a cold than a warm person. However she's not a sociopath, she", "about one of the protagonist who was until now, more a cold than", "sociopath, she just mostly hides her emotions and tends to push people she", "was until now, more a cold than a warm person. However she's not", "than a warm person. However she's not a sociopath, she just mostly hides", "However she's not a sociopath, she just mostly hides her emotions and tends", "just mostly hides her emotions and tends to push people she cares about", "the protagonist who was until now, more a cold than a warm person.", "Now the scene is very important. Her sister was kidnapped and she meets", "scene is very important. Her sister was kidnapped and she meets the other", "kidnapped and she meets the other protagonist on a hill. How do I", "a warm person. However she's not a sociopath, she just mostly hides her", "she cares about away. Now the scene is very important. Her sister was", "now, more a cold than a warm person. However she's not a sociopath,", "is very important. Her sister was kidnapped and she meets the other protagonist", "important. Her sister was kidnapped and she meets the other protagonist on a", "who was until now, more a cold than a warm person. However she's", "Her sister was kidnapped and she meets the other protagonist on a hill.", "I write a scene where she gets really emotional and sad, while not", "a sociopath, she just mostly hides her emotions and tends to push people", "people she cares about away. Now the scene is very important. Her sister", "the other protagonist on a hill. How do I write a scene where", "do I write a scene where she gets really emotional and sad, while", "warm person. However she's not a sociopath, she just mostly hides her emotions", "not a sociopath, she just mostly hides her emotions and tends to push", "mostly hides her emotions and tends to push people she cares about away.", "sister was kidnapped and she meets the other protagonist on a hill. How", "push people she cares about away. Now the scene is very important. Her", "other protagonist on a hill. How do I write a scene where she", "scene where she gets really emotional and sad, while not writing her out", "she's not a sociopath, she just mostly hides her emotions and tends to", "the scene is very important. Her sister was kidnapped and she meets the", "very important. Her sister was kidnapped and she meets the other protagonist on", "protagonist on a hill. How do I write a scene where she gets", "away. Now the scene is very important. Her sister was kidnapped and she", "a scene where she gets really emotional and sad, while not writing her", "write a scene where she gets really emotional and sad, while not writing", "scene is about one of the protagonist who was until now, more a", "hill. How do I write a scene where she gets really emotional and", "person. However she's not a sociopath, she just mostly hides her emotions and", "cares about away. Now the scene is very important. Her sister was kidnapped", "was kidnapped and she meets the other protagonist on a hill. How do", "cold than a warm person. However she's not a sociopath, she just mostly", "on a hill. How do I write a scene where she gets really", "one of the protagonist who was until now, more a cold than a", "tends to push people she cares about away. Now the scene is very", "How do I write a scene where she gets really emotional and sad,", "where she gets really emotional and sad, while not writing her out of", "a hill. How do I write a scene where she gets really emotional", "she meets the other protagonist on a hill. How do I write a", "emotions and tends to push people she cares about away. Now the scene", "she just mostly hides her emotions and tends to push people she cares", "meets the other protagonist on a hill. How do I write a scene", "The scene is about one of the protagonist who was until now, more", "hides her emotions and tends to push people she cares about away. Now" ]
[ "there is a rather long (Not unecisarrily boring) conversation scene, that builds in", "unecisarrily boring) conversation scene, that builds in some of the necessary legends/story-world. My", "world building, do you think I definitely need to shorten the length before", "think I definitely need to shorten the length before the IncInc, or do", "40,000 words. This is partially due to the fact that a lot of", "about 10,000 words before the inciting incident. I originally intended to land the", "my story before the IncInc, but it also has to do with the", "inciting incident. I originally intended to land the end of my story at", "that a lot of plot set up and weakness/need development happen in my", "weakness/need development happen in my story before the IncInc, but it also has", "you think I definitely need to shorten the length before the IncInc, or", "due to the fact that a lot of plot set up and weakness/need", "is partially due to the fact that a lot of plot set up", "but it also has to do with the fact that there is a", "before the IncInc, or do you think that my story is just going", "partially due to the fact that a lot of plot set up and", "necessary legends/story-world. My question is, do you think that this is common in", "to shorten the length before the IncInc, or do you think that my", "rather long (Not unecisarrily boring) conversation scene, that builds in some of the", "development happen in my story before the IncInc, but it also has to", "in some of the necessary legends/story-world. My question is, do you think that", "my story at about 40,000 words. This is partially due to the fact", "building, do you think I definitely need to shorten the length before the", "common in fantasy stories, due to world building, do you think I definitely", "and weakness/need development happen in my story before the IncInc, but it also", "also has to do with the fact that there is a rather long", "plot set up and weakness/need development happen in my story before the IncInc,", "IncInc, or do you think that my story is just going to end", "IncInc, but it also has to do with the fact that there is", "of my story at about 40,000 words. This is partially due to the", "boring) conversation scene, that builds in some of the necessary legends/story-world. My question", "question is, do you think that this is common in fantasy stories, due", "I definitely need to shorten the length before the IncInc, or do you", "my story is just going to end up being longer than I planned?", "with the fact that there is a rather long (Not unecisarrily boring) conversation", "is about 10,000 words before the inciting incident. I originally intended to land", "some of the necessary legends/story-world. My question is, do you think that this", "in my story before the IncInc, but it also has to do with", "is common in fantasy stories, due to world building, do you think I", "a rather long (Not unecisarrily boring) conversation scene, that builds in some of", "scene, that builds in some of the necessary legends/story-world. My question is, do", "do you think I definitely need to shorten the length before the IncInc,", "10,000 words before the inciting incident. I originally intended to land the end", "you think that my story is just going to end up being longer", "is, do you think that this is common in fantasy stories, due to", "the fact that a lot of plot set up and weakness/need development happen", "this is common in fantasy stories, due to world building, do you think", "to the fact that a lot of plot set up and weakness/need development", "to world building, do you think I definitely need to shorten the length", "my fantasy story, there is about 10,000 words before the inciting incident. I", "you think that this is common in fantasy stories, due to world building,", "conversation scene, that builds in some of the necessary legends/story-world. My question is,", "lot of plot set up and weakness/need development happen in my story before", "the necessary legends/story-world. My question is, do you think that this is common", "definitely need to shorten the length before the IncInc, or do you think", "story before the IncInc, but it also has to do with the fact", "do you think that my story is just going to end up being", "the fact that there is a rather long (Not unecisarrily boring) conversation scene,", "that there is a rather long (Not unecisarrily boring) conversation scene, that builds", "has to do with the fact that there is a rather long (Not", "it also has to do with the fact that there is a rather", "(Not unecisarrily boring) conversation scene, that builds in some of the necessary legends/story-world.", "to do with the fact that there is a rather long (Not unecisarrily", "words. This is partially due to the fact that a lot of plot", "to land the end of my story at about 40,000 words. This is", "at about 40,000 words. This is partially due to the fact that a", "the length before the IncInc, or do you think that my story is", "of plot set up and weakness/need development happen in my story before the", "up and weakness/need development happen in my story before the IncInc, but it", "shorten the length before the IncInc, or do you think that my story", "end of my story at about 40,000 words. This is partially due to", "builds in some of the necessary legends/story-world. My question is, do you think", "fantasy story, there is about 10,000 words before the inciting incident. I originally", "or do you think that my story is just going to end up", "that my story is just going to end up being longer than I", "long (Not unecisarrily boring) conversation scene, that builds in some of the necessary", "of the necessary legends/story-world. My question is, do you think that this is", "before the IncInc, but it also has to do with the fact that", "incident. I originally intended to land the end of my story at about", "fact that there is a rather long (Not unecisarrily boring) conversation scene, that", "is a rather long (Not unecisarrily boring) conversation scene, that builds in some", "do you think that this is common in fantasy stories, due to world", "In my fantasy story, there is about 10,000 words before the inciting incident.", "the IncInc, but it also has to do with the fact that there", "intended to land the end of my story at about 40,000 words. This", "length before the IncInc, or do you think that my story is just", "think that this is common in fantasy stories, due to world building, do", "My question is, do you think that this is common in fantasy stories,", "the IncInc, or do you think that my story is just going to", "words before the inciting incident. I originally intended to land the end of", "that this is common in fantasy stories, due to world building, do you", "about 40,000 words. This is partially due to the fact that a lot", "that builds in some of the necessary legends/story-world. My question is, do you", "the inciting incident. I originally intended to land the end of my story", "a lot of plot set up and weakness/need development happen in my story", "fantasy stories, due to world building, do you think I definitely need to", "fact that a lot of plot set up and weakness/need development happen in", "happen in my story before the IncInc, but it also has to do", "land the end of my story at about 40,000 words. This is partially", "there is about 10,000 words before the inciting incident. I originally intended to", "need to shorten the length before the IncInc, or do you think that", "This is partially due to the fact that a lot of plot set", "stories, due to world building, do you think I definitely need to shorten", "do with the fact that there is a rather long (Not unecisarrily boring)", "legends/story-world. My question is, do you think that this is common in fantasy", "before the inciting incident. I originally intended to land the end of my", "originally intended to land the end of my story at about 40,000 words.", "set up and weakness/need development happen in my story before the IncInc, but", "story, there is about 10,000 words before the inciting incident. I originally intended", "due to world building, do you think I definitely need to shorten the", "the end of my story at about 40,000 words. This is partially due", "I originally intended to land the end of my story at about 40,000", "think that my story is just going to end up being longer than", "story at about 40,000 words. This is partially due to the fact that", "in fantasy stories, due to world building, do you think I definitely need" ]
[ "between 2 strangers over the course of a novel without making it seem", "strong relationship (father-son, to be precise) between 2 strangers over the course of", "can one organically develop a strong relationship (father-son, to be precise) between 2", "to be precise) between 2 strangers over the course of a novel without", "precise) between 2 strangers over the course of a novel without making it", "develop a strong relationship (father-son, to be precise) between 2 strangers over the", "organically develop a strong relationship (father-son, to be precise) between 2 strangers over", "2 strangers over the course of a novel without making it seem contrived?", "How can one organically develop a strong relationship (father-son, to be precise) between", "relationship (father-son, to be precise) between 2 strangers over the course of a", "(father-son, to be precise) between 2 strangers over the course of a novel", "be precise) between 2 strangers over the course of a novel without making", "one organically develop a strong relationship (father-son, to be precise) between 2 strangers", "a strong relationship (father-son, to be precise) between 2 strangers over the course" ]
[ "does she want to speak with Bowns? > Zonewa’s purse was rattling again", "Zonewa’s purse was rattling again and I walked back out to the living", "> I couldn’t help thinking to myself, who is this woman on the", "to the living room to find her sitting down. She took out what", "I needed more dialogue tags besides s/he said. Dialogue tags coupled with gerunds", "not Bowns’ mother then why does she want to speak with Bowns? >", "> > > I started using gerunds a lot because readers were commenting", "help thinking to myself, who is this woman on the phone? And if", "took out what I believed was a handheld tape recorder. “Oops,” she said,", "mother then why does she want to speak with Bowns? > Zonewa’s purse", "I believed was a handheld tape recorder. “Oops,” she said, placing the item", "in her purse. > > > I started using gerunds a lot because", "her purse. > > > I started using gerunds a lot because readers", "I started using gerunds a lot because readers were commenting that I needed", "was a handheld tape recorder. “Oops,” she said, placing the item back in", "writing and I wonder if I'm overdoing it. I wrote this paragraph: >", "more dialogue tags besides s/he said. Dialogue tags coupled with gerunds seemed to", "needed more dialogue tags besides s/he said. Dialogue tags coupled with gerunds seemed", "it. I wrote this paragraph: > > I couldn’t help thinking to myself,", "who is this woman on the phone? And if it’s not Bowns’ mother", "and I wonder if I'm overdoing it. I wrote this paragraph: > >", "rattling again and I walked back out to the living room to find", "handheld tape recorder. “Oops,” she said, placing the item back in her purse.", "I walked back out to the living room to find her sitting down.", "> I started using gerunds a lot because readers were commenting that I", "why does she want to speak with Bowns? > Zonewa’s purse was rattling", "if I'm overdoing it. I wrote this paragraph: > > I couldn’t help", "dialogue tags besides s/he said. Dialogue tags coupled with gerunds seemed to help.", "the item back in her purse. > > > I started using gerunds", "she want to speak with Bowns? > Zonewa’s purse was rattling again and", "paragraph: > > I couldn’t help thinking to myself, who is this woman", "this paragraph: > > I couldn’t help thinking to myself, who is this", "purse was rattling again and I walked back out to the living room", "the phone? And if it’s not Bowns’ mother then why does she want", "the living room to find her sitting down. She took out what I", "walked back out to the living room to find her sitting down. She", "living room to find her sitting down. She took out what I believed", "back in her purse. > > > I started using gerunds a lot", "down. She took out what I believed was a handheld tape recorder. “Oops,”", "I like to use gerunds in my writing and I wonder if I'm", "gerunds in my writing and I wonder if I'm overdoing it. I wrote", "on the phone? And if it’s not Bowns’ mother then why does she", "to speak with Bowns? > Zonewa’s purse was rattling again and I walked", "back out to the living room to find her sitting down. She took", "out what I believed was a handheld tape recorder. “Oops,” she said, placing", "to find her sitting down. She took out what I believed was a", "purse. > > > I started using gerunds a lot because readers were", "this woman on the phone? And if it’s not Bowns’ mother then why", "couldn’t help thinking to myself, who is this woman on the phone? And", "is this woman on the phone? And if it’s not Bowns’ mother then", "woman on the phone? And if it’s not Bowns’ mother then why does", "was rattling again and I walked back out to the living room to", "to myself, who is this woman on the phone? And if it’s not", "> > I couldn’t help thinking to myself, who is this woman on", "speak with Bowns? > Zonewa’s purse was rattling again and I walked back", "it’s not Bowns’ mother then why does she want to speak with Bowns?", "thinking to myself, who is this woman on the phone? And if it’s", "use gerunds in my writing and I wonder if I'm overdoing it. I", "overdoing it. I wrote this paragraph: > > I couldn’t help thinking to", "Bowns’ mother then why does she want to speak with Bowns? > Zonewa’s", "what I believed was a handheld tape recorder. “Oops,” she said, placing the", "she said, placing the item back in her purse. > > > I", "wonder if I'm overdoing it. I wrote this paragraph: > > I couldn’t", "using gerunds a lot because readers were commenting that I needed more dialogue", "commenting that I needed more dialogue tags besides s/he said. Dialogue tags coupled", "out to the living room to find her sitting down. She took out", "And if it’s not Bowns’ mother then why does she want to speak", "recorder. “Oops,” she said, placing the item back in her purse. > >", "lot because readers were commenting that I needed more dialogue tags besides s/he", "in my writing and I wonder if I'm overdoing it. I wrote this", "I wrote this paragraph: > > I couldn’t help thinking to myself, who", "wrote this paragraph: > > I couldn’t help thinking to myself, who is", "and I walked back out to the living room to find her sitting", "started using gerunds a lot because readers were commenting that I needed more", "my writing and I wonder if I'm overdoing it. I wrote this paragraph:", "I'm overdoing it. I wrote this paragraph: > > I couldn’t help thinking", "if it’s not Bowns’ mother then why does she want to speak with", "> Zonewa’s purse was rattling again and I walked back out to the", "then why does she want to speak with Bowns? > Zonewa’s purse was", "with Bowns? > Zonewa’s purse was rattling again and I walked back out", "a handheld tape recorder. “Oops,” she said, placing the item back in her", "believed was a handheld tape recorder. “Oops,” she said, placing the item back", "Bowns? > Zonewa’s purse was rattling again and I walked back out to", "I wonder if I'm overdoing it. I wrote this paragraph: > > I", "a lot because readers were commenting that I needed more dialogue tags besides", "> > I started using gerunds a lot because readers were commenting that", "tape recorder. “Oops,” she said, placing the item back in her purse. >", "because readers were commenting that I needed more dialogue tags besides s/he said.", "I couldn’t help thinking to myself, who is this woman on the phone?", "want to speak with Bowns? > Zonewa’s purse was rattling again and I", "“Oops,” she said, placing the item back in her purse. > > >", "myself, who is this woman on the phone? And if it’s not Bowns’", "placing the item back in her purse. > > > I started using", "gerunds a lot because readers were commenting that I needed more dialogue tags", "phone? And if it’s not Bowns’ mother then why does she want to", "readers were commenting that I needed more dialogue tags besides s/he said. Dialogue", "item back in her purse. > > > I started using gerunds a", "to use gerunds in my writing and I wonder if I'm overdoing it.", "sitting down. She took out what I believed was a handheld tape recorder.", "room to find her sitting down. She took out what I believed was", "She took out what I believed was a handheld tape recorder. “Oops,” she", "were commenting that I needed more dialogue tags besides s/he said. Dialogue tags", "find her sitting down. She took out what I believed was a handheld", "like to use gerunds in my writing and I wonder if I'm overdoing", "her sitting down. She took out what I believed was a handheld tape", "said, placing the item back in her purse. > > > I started", "that I needed more dialogue tags besides s/he said. Dialogue tags coupled with", "again and I walked back out to the living room to find her" ]
[ "for the material contained within the book. However I cannot determine if the", "fan of the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the", "However I cannot determine if the actual concept of a \"Machine of Death\",", "the actual concept of a \"Machine of Death\", that determines your cause of", "Death\", that determines your cause of death from a drop of blood, is", "Page 452 of the above link details the copyright for the material contained", "\"Machine of Death\" as described above is within the book (and indeed is", "<http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link details the copyright for the", "cannot determine if the actual concept of a \"Machine of Death\", that determines", "I am a fan of the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page", "concept of a \"Machine of Death\", that determines your cause of death from", "basically can someone create a \"Machine of Death\" story that is completely original", "to the stories within the book except that a \"Machine of Death\" as", "except that a \"Machine of Death\" as described above is within the book", "of the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above", "the book except that a \"Machine of Death\" as described above is within", "copyright for the material contained within the book. However I cannot determine if", "Death\" as described above is within the book (and indeed is a major", "the above link details the copyright for the material contained within the book.", "link details the copyright for the material contained within the book. However I", "the material contained within the book. However I cannot determine if the actual", "within the book except that a \"Machine of Death\" as described above is", "material contained within the book. However I cannot determine if the actual concept", "is copyrighted. So basically can someone create a \"Machine of Death\" story that", "story that is completely original to the stories within the book except that", "that is completely original to the stories within the book except that a", "blood, is copyrighted. So basically can someone create a \"Machine of Death\" story", "Death\" story that is completely original to the stories within the book except", "of Death\" as described above is within the book (and indeed is a", "of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link details the copyright", "cause of death from a drop of blood, is copyrighted. So basically can", "a fan of the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of", "Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link details the copyright for", "as described above is within the book (and indeed is a major plot", "book. However I cannot determine if the actual concept of a \"Machine of", "of Death\" story that is completely original to the stories within the book", "book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link details", "of death from a drop of blood, is copyrighted. So basically can someone", "drop of blood, is copyrighted. So basically can someone create a \"Machine of", "within the book. However I cannot determine if the actual concept of a", "that determines your cause of death from a drop of blood, is copyrighted.", "copyrighted. So basically can someone create a \"Machine of Death\" story that is", "death from a drop of blood, is copyrighted. So basically can someone create", "a \"Machine of Death\" as described above is within the book (and indeed", "is completely original to the stories within the book except that a \"Machine", "PDF Page 452 of the above link details the copyright for the material", "So basically can someone create a \"Machine of Death\" story that is completely", "from a drop of blood, is copyrighted. So basically can someone create a", "the stories within the book except that a \"Machine of Death\" as described", "\"Machine of Death\" story that is completely original to the stories within the", "the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link", "original to the stories within the book except that a \"Machine of Death\"", "determines your cause of death from a drop of blood, is copyrighted. So", "of a \"Machine of Death\", that determines your cause of death from a", "book except that a \"Machine of Death\" as described above is within the", "a \"Machine of Death\", that determines your cause of death from a drop", "am a fan of the book \"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452", "described above is within the book (and indeed is a major plot device)?", "\"Machine of Death\", that determines your cause of death from a drop of", "contained within the book. However I cannot determine if the actual concept of", "actual concept of a \"Machine of Death\", that determines your cause of death", "of the above link details the copyright for the material contained within the", "someone create a \"Machine of Death\" story that is completely original to the", "\"Machine of Death\"; <http://machineofdeath.net/pdf/MachineofDeath_FINAL.pdf> PDF Page 452 of the above link details the", "create a \"Machine of Death\" story that is completely original to the stories", "a drop of blood, is copyrighted. So basically can someone create a \"Machine", "of Death\", that determines your cause of death from a drop of blood,", "I cannot determine if the actual concept of a \"Machine of Death\", that", "stories within the book except that a \"Machine of Death\" as described above", "that a \"Machine of Death\" as described above is within the book (and", "can someone create a \"Machine of Death\" story that is completely original to", "the book. However I cannot determine if the actual concept of a \"Machine", "details the copyright for the material contained within the book. However I cannot", "of blood, is copyrighted. So basically can someone create a \"Machine of Death\"", "452 of the above link details the copyright for the material contained within", "determine if the actual concept of a \"Machine of Death\", that determines your", "if the actual concept of a \"Machine of Death\", that determines your cause", "above link details the copyright for the material contained within the book. However", "completely original to the stories within the book except that a \"Machine of", "your cause of death from a drop of blood, is copyrighted. So basically", "the copyright for the material contained within the book. However I cannot determine", "a \"Machine of Death\" story that is completely original to the stories within" ]
[ "nobody I know is, yet I am curious how an author goes about", "I am not deaf and nobody I know is, yet I am curious", "and nobody I know is, yet I am curious how an author goes", "not deaf and nobody I know is, yet I am curious how an", "I am curious how an author goes about writing in a newly-deaf character's", "author goes about writing in a newly-deaf character's POV when they aren't deaf", "deaf and nobody I know is, yet I am curious how an author", "is, yet I am curious how an author goes about writing in a", "yet I am curious how an author goes about writing in a newly-deaf", "how an author goes about writing in a newly-deaf character's POV when they", "an author goes about writing in a newly-deaf character's POV when they aren't", "am curious how an author goes about writing in a newly-deaf character's POV", "am not deaf and nobody I know is, yet I am curious how", "I know is, yet I am curious how an author goes about writing", "goes about writing in a newly-deaf character's POV when they aren't deaf themselves.", "know is, yet I am curious how an author goes about writing in", "curious how an author goes about writing in a newly-deaf character's POV when" ]
[ "looks like Chewbacca after a good shave.\" Or how about: \"He did a", "chances of a book being successful enough for the parties in question to", "a best-seller, what would happen in these situations: Can you reference the name", "crack.\" I guess in theory some famous person could sue if they thought", "drives a BMW, or reads the NY Times or eats Rice Krispies or", "as fictional characters, but I keep seeing pop culture references in other books", "novels, even if it's just a passing reference? Is it best to err", "this ok? From what I understand, saying your character wears Gucci heels, or", "silly way, eg. to make some funny comparison, could that end up being", "in theory some famous person could sue if they thought you were depicting", "the book, is this ok? From what I understand, saying your character wears", "for it. I know that the chances of a book being successful enough", "novel: \"She's like Rosie O'Donnell on crack.\" I guess in theory some famous", "BMW, or reads the NY Times or eats Rice Krispies or listens to", "Krispies or listens to Bon Jovi - all that type of stuff is", "some humorous (IMO) lines into my book. As long as they aren't actual", "they thought you were depicting them negatively, but would that just be totally", "shows etc, is it different in novels, even if it's just a passing", "this stuff. Yes, I know it's all subjective and no one can give", "even if it's just a passing reference? Is it best to err on", "about the hotel. We just know the scene takes place in front of", "name the hotel? People: I see references to famous people all the time", "stuff I had written. I'm wondering how other writers feel about referring to", "a novel for some reason. If you referenced someone in a silly way,", "novel such as the Plaza, NY. without asking for permission? Nothing negative is", "read a novel which referenced about 10 different singers the character liked. I", "after a good shave.\" Or how about: \"He did a Sherlock Holmes on", "as the Plaza, NY. without asking for permission? Nothing negative is written about", "of your novel? You can't put a fictional character like Chewbacca in your", "inject some humorous (IMO) lines into my book. As long as they aren't", "like a 50-year-old Lady Gaga.\" To take it further, would you feel comfortable", "Chewbacca in your book obviously, but can you just reference such a character", "Holmes/Star Wars franchise have a problem with such a line or is that", "eats Rice Krispies or listens to Bon Jovi - all that type of", "the parties in question to even know about the reference to them are", "If you referenced someone in a silly way, eg. to make some funny", "in a novel such as the Plaza, NY. without asking for permission? Nothing", "are very slim, but in theory, let's say you ended up writing a", "pop culture references in other books I read as well as in TV", "negatively, but would that just be totally unrealistic or is it a real", "franchise have a problem with such a line or is that just extremely", "You can't put a fictional character like Chewbacca in your book obviously, but", "or is it a real possibility? If they are in the public eye", "a line or is that just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins", "what experience other writers have with this stuff. Yes, I know it's all", "know about the reference to them are very slim, but I'd like to", "avoid referencing famous people in my novel as well as fictional characters, but", "place in front of it. Should you get permission to mention them first,", "referencing famous people in my novel as well as fictional characters, but I", "legal advice, but any feedback from anyone who's published/edited fictional work would be", "them are very slim, but I'd like to know what experience other writers", "Rosie O'Donnell on crack.\" I guess in theory some famous person could sue", "I feel like it's riskier in a novel for some reason. If you", "for the parties in question to even know about the reference to them", "understand, saying your character wears Gucci heels, or drives a BMW, or reads", "totally unrealistic or is it a real possibility? If they are in the", "passing reference? Is it best to err on the side of caution at", "famous people all the time on TV shows, in songs etc, but I", "went for it. I know that the chances of a book being successful", "allow me to inject some humorous (IMO) lines into my book. As long", "ok? From what I understand, saying your character wears Gucci heels, or drives", "or reads the NY Times or eats Rice Krispies or listens to Bon", "star shows etc, is it different in novels, even if it's just a", "other books I read as well as in TV shows, songs etc., and", "famous person could sue if they thought you were depicting them negatively, but", "way to avoid referencing famous people in my novel as well as fictional", "read as well as in TV shows, songs etc., and I'm wondering if", "way, eg. to make some funny comparison, could that end up being a", "public eye and can be picked apart on blogs, star shows etc, is", "but in theory, let's say you ended up writing a best-seller, what would", "about referring to real people and places or fictional characters in a fictional", "situations: Can you reference the name of a real hotel in a novel", "the scene takes place in front of it. Should you get permission to", "time on TV shows, in songs etc, but I feel like it's riskier", "even reading the reference are very slim, but in theory, let's say you", "obviously, but can you just reference such a character in passing? E.g. \"My", "thought you were depicting them negatively, but would that just be totally unrealistic", "these situations: Can you reference the name of a real hotel in a", "unrealistic? Referencing Gordon Gecko, Mary Poppins and the Terminator would allow me to", "reference to them are very slim, but I'd like to know what experience", "Terminator would allow me to inject some humorous (IMO) lines into my book.", "books I read as well as in TV shows, songs etc., and I'm", "asking for permission? Nothing negative is written about the hotel. We just know", "as well as fictional characters, but I keep seeing pop culture references in", "I'm wondering how other writers feel about referring to real people and places", "the chances of these people/place representatives even reading the reference are very slim,", "but any feedback from anyone who's published/edited fictional work would be greatly appreciated.", "to know what experience other writers have with this stuff. Yes, I know", "it different in novels, even if it's just a passing reference? Is it", "on crack.\" I guess in theory some famous person could sue if they", "would that just be totally unrealistic or is it a real possibility? If", "some funny comparison, could that end up being a problem? E.g. \"She looks", "permission to put those names in - I'm guessing he just went for", "in question to even know about the reference to them are very slim,", "eye and can be picked apart on blogs, star shows etc, is it", "culture references in other books I read as well as in TV shows,", "the hotel. We just know the scene takes place in front of it.", "the Sherlock Holmes/Star Wars franchise have a problem with such a line or", "of these people/place representatives even reading the reference are very slim, but in", "up writing a best-seller, what would happen in these situations: Can you reference", "to even know about the reference to them are very slim, but I'd", "fictional characters, but I keep seeing pop culture references in other books I", "a real possibility? If they are in the public eye and can be", "humorous (IMO) lines into my book. As long as they aren't actual characters", "that the chances of these people/place representatives even reading the reference are very", "a problem? E.g. \"She looks like a 50-year-old Lady Gaga.\" To take it", "recently read a novel which referenced about 10 different singers the character liked.", "if I'm being overzealous about deleting the stuff I had written. I'm wondering", "to famous people all the time on TV shows, in songs etc, but", "and places or fictional characters in a fictional work and in what situations", "- all that type of stuff is fair game, right? I recently read", "them negatively, but would that just be totally unrealistic or is it a", "character like Chewbacca in your book obviously, but can you just reference such", "E.g. \"She looks like a 50-year-old Lady Gaga.\" To take it further, would", "etc, but I feel like it's riskier in a novel for some reason.", "you reference the name of a real hotel in a novel such as", "a real hotel in a novel such as the Plaza, NY. without asking", "avoid it altogether. I do know that the chances of these people/place representatives", "Would you probably just not name the hotel? People: I see references to", "know it's all subjective and no one can give legal advice, but any", "can give legal advice, but any feedback from anyone who's published/edited fictional work", "NY. without asking for permission? Nothing negative is written about the hotel. We", "that end up being a problem? E.g. \"She looks like a 50-year-old Lady", "in my novel as well as fictional characters, but I keep seeing pop", "characters, but I keep seeing pop culture references in other books I read", "but I keep seeing pop culture references in other books I read as", "writing a best-seller, what would happen in these situations: Can you reference the", "rights to the Sherlock Holmes/Star Wars franchise have a problem with such a", "of my way to avoid referencing famous people in my novel as well", "or drives a BMW, or reads the NY Times or eats Rice Krispies", "wears Gucci heels, or drives a BMW, or reads the NY Times or", "you probably just not name the hotel? People: I see references to famous", "being overzealous about deleting the stuff I had written. I'm wondering how other", "well as fictional characters, but I keep seeing pop culture references in other", "the time on TV shows, in songs etc, but I feel like it's", "a 50-year-old Lady Gaga.\" To take it further, would you feel comfortable writing", "and the Terminator would allow me to inject some humorous (IMO) lines into", "about the reference to them are very slim, but I'd like to know", "out of my way to avoid referencing famous people in my novel as", "I've been going out of my way to avoid referencing famous people in", "etc., and I'm wondering if I'm being overzealous about deleting the stuff I", "cabinet.\" Could the company that owns the rights to the Sherlock Holmes/Star Wars", "just be totally unrealistic or is it a real possibility? If they are", "name of a real hotel in a novel such as the Plaza, NY.", "a Sherlock Holmes on the filing cabinet.\" Could the company that owns the", "Can you reference the name of a real hotel in a novel such", "novel as well as fictional characters, but I keep seeing pop culture references", "shows, songs etc., and I'm wondering if I'm being overzealous about deleting the", "to get permission or avoid it altogether. I do know that the chances", "Mary Poppins and the Terminator would allow me to inject some humorous (IMO)", "a fictional character like Chewbacca in your book obviously, but can you just", "\"She's like Rosie O'Donnell on crack.\" I guess in theory some famous person", "could sue if they thought you were depicting them negatively, but would that", "know the scene takes place in front of it. Should you get permission", "guessing he just went for it. I know that the chances of a", "If they are in the public eye and can be picked apart on", "a novel such as the Plaza, NY. without asking for permission? Nothing negative", "some reason. If you referenced someone in a silly way, eg. to make", "in the public eye and can be picked apart on blogs, star shows", "expense of the content of your novel? You can't put a fictional character", "NY Times or eats Rice Krispies or listens to Bon Jovi - all", "right? I recently read a novel which referenced about 10 different singers the", "that the chances of a book being successful enough for the parties in", "in a fictional work and in what situations it's best to get permission", "fictional characters in a fictional work and in what situations it's best to", "real people and places or fictional characters in a fictional work and in", "for some reason. If you referenced someone in a silly way, eg. to", "or is it not necessary? Would you probably just not name the hotel?", "the Plaza, NY. without asking for permission? Nothing negative is written about the", "apart on blogs, star shows etc, is it different in novels, even if", "which referenced about 10 different singers the character liked. I can't imagine the", "on blogs, star shows etc, is it different in novels, even if it's", "a good shave.\" Or how about: \"He did a Sherlock Holmes on the", "no one can give legal advice, but any feedback from anyone who's published/edited", "As long as they aren't actual characters in the book, is this ok?", "Gucci heels, or drives a BMW, or reads the NY Times or eats", "as well as in TV shows, songs etc., and I'm wondering if I'm", "is it different in novels, even if it's just a passing reference? Is", "Could the company that owns the rights to the Sherlock Holmes/Star Wars franchise", "about 10 different singers the character liked. I can't imagine the author got", "names in - I'm guessing he just went for it. I know that", "just went for it. I know that the chances of a book being", "that just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and the Terminator would", "reading the reference are very slim, but in theory, let's say you ended", "give legal advice, but any feedback from anyone who's published/edited fictional work would", "without asking for permission? Nothing negative is written about the hotel. We just", "To take it further, would you feel comfortable writing this in a novel:", "best to err on the side of caution at the expense of the", "or fictional characters in a fictional work and in what situations it's best", "book. As long as they aren't actual characters in the book, is this", "all that type of stuff is fair game, right? I recently read a", "a novel which referenced about 10 different singers the character liked. I can't", "it altogether. I do know that the chances of these people/place representatives even", "me to inject some humorous (IMO) lines into my book. As long as", "permission or avoid it altogether. I do know that the chances of these", "or eats Rice Krispies or listens to Bon Jovi - all that type", "I understand, saying your character wears Gucci heels, or drives a BMW, or", "a passing reference? Is it best to err on the side of caution", "feel comfortable writing this in a novel: \"She's like Rosie O'Donnell on crack.\"", "further, would you feel comfortable writing this in a novel: \"She's like Rosie", "can't put a fictional character like Chewbacca in your book obviously, but can", "aren't actual characters in the book, is this ok? From what I understand,", "parties in question to even know about the reference to them are very", "to put those names in - I'm guessing he just went for it.", "those names in - I'm guessing he just went for it. I know", "can't imagine the author got permission to put those names in - I'm", "shows, in songs etc, but I feel like it's riskier in a novel", "to avoid referencing famous people in my novel as well as fictional characters,", "From what I understand, saying your character wears Gucci heels, or drives a", "are very slim, but I'd like to know what experience other writers have", "with this stuff. Yes, I know it's all subjective and no one can", "it further, would you feel comfortable writing this in a novel: \"She's like", "very slim, but in theory, let's say you ended up writing a best-seller,", "get permission to mention them first, or is it not necessary? Would you", "the name of a real hotel in a novel such as the Plaza,", "in front of it. Should you get permission to mention them first, or", "I'm guessing he just went for it. I know that the chances of", "Chewbacca after a good shave.\" Or how about: \"He did a Sherlock Holmes", "other writers feel about referring to real people and places or fictional characters", "this in a novel: \"She's like Rosie O'Donnell on crack.\" I guess in", "but would that just be totally unrealistic or is it a real possibility?", "characters in a fictional work and in what situations it's best to get", "songs etc, but I feel like it's riskier in a novel for some", "owns the rights to the Sherlock Holmes/Star Wars franchise have a problem with", "hotel in a novel such as the Plaza, NY. without asking for permission?", "filing cabinet.\" Could the company that owns the rights to the Sherlock Holmes/Star", "Sherlock Holmes/Star Wars franchise have a problem with such a line or is", "referenced about 10 different singers the character liked. I can't imagine the author", "theory, let's say you ended up writing a best-seller, what would happen in", "the company that owns the rights to the Sherlock Holmes/Star Wars franchise have", "take it further, would you feel comfortable writing this in a novel: \"She's", "like Chewbacca in your book obviously, but can you just reference such a", "type of stuff is fair game, right? I recently read a novel which", "experience other writers have with this stuff. Yes, I know it's all subjective", "would you feel comfortable writing this in a novel: \"She's like Rosie O'Donnell", "character in passing? E.g. \"My ex-wife looks like Chewbacca after a good shave.\"", "your novel? You can't put a fictional character like Chewbacca in your book", "\"My ex-wife looks like Chewbacca after a good shave.\" Or how about: \"He", "the NY Times or eats Rice Krispies or listens to Bon Jovi -", "good shave.\" Or how about: \"He did a Sherlock Holmes on the filing", "the expense of the content of your novel? You can't put a fictional", "just reference such a character in passing? E.g. \"My ex-wife looks like Chewbacca", "and can be picked apart on blogs, star shows etc, is it different", "long as they aren't actual characters in the book, is this ok? From", "in a novel for some reason. If you referenced someone in a silly", "on the filing cabinet.\" Could the company that owns the rights to the", "the public eye and can be picked apart on blogs, star shows etc,", "happen in these situations: Can you reference the name of a real hotel", "theory some famous person could sue if they thought you were depicting them", "you get permission to mention them first, or is it not necessary? Would", "but I'd like to know what experience other writers have with this stuff.", "O'Donnell on crack.\" I guess in theory some famous person could sue if", "to the Sherlock Holmes/Star Wars franchise have a problem with such a line", "places or fictional characters in a fictional work and in what situations it's", "feel about referring to real people and places or fictional characters in a", "slim, but I'd like to know what experience other writers have with this", "representatives even reading the reference are very slim, but in theory, let's say", "in your book obviously, but can you just reference such a character in", "to real people and places or fictional characters in a fictional work and", "them first, or is it not necessary? Would you probably just not name", "what I understand, saying your character wears Gucci heels, or drives a BMW,", "the reference to them are very slim, but I'd like to know what", "to inject some humorous (IMO) lines into my book. As long as they", "how other writers feel about referring to real people and places or fictional", "in what situations it's best to get permission or avoid it altogether. I", "unrealistic or is it a real possibility? If they are in the public", "can you just reference such a character in passing? E.g. \"My ex-wife looks", "be totally unrealistic or is it a real possibility? If they are in", "Or how about: \"He did a Sherlock Holmes on the filing cabinet.\" Could", "(IMO) lines into my book. As long as they aren't actual characters in", "stuff is fair game, right? I recently read a novel which referenced about", "mention them first, or is it not necessary? Would you probably just not", "are in the public eye and can be picked apart on blogs, star", "takes place in front of it. Should you get permission to mention them", "imagine the author got permission to put those names in - I'm guessing", "it's riskier in a novel for some reason. If you referenced someone in", "references to famous people all the time on TV shows, in songs etc,", "even know about the reference to them are very slim, but I'd like", "Poppins and the Terminator would allow me to inject some humorous (IMO) lines", "seeing pop culture references in other books I read as well as in", "being successful enough for the parties in question to even know about the", "been going out of my way to avoid referencing famous people in my", "such a line or is that just extremely unrealistic? Referencing Gordon Gecko, Mary", "different in novels, even if it's just a passing reference? Is it best", "deleting the stuff I had written. I'm wondering how other writers feel about", "up being a problem? E.g. \"She looks like a 50-year-old Lady Gaga.\" To", "singers the character liked. I can't imagine the author got permission to put", "is it not necessary? Would you probably just not name the hotel? People:", "heels, or drives a BMW, or reads the NY Times or eats Rice", "E.g. \"My ex-wife looks like Chewbacca after a good shave.\" Or how about:", "a BMW, or reads the NY Times or eats Rice Krispies or listens", "wondering how other writers feel about referring to real people and places or", "the stuff I had written. I'm wondering how other writers feel about referring", "lines into my book. As long as they aren't actual characters in the", "stuff. Yes, I know it's all subjective and no one can give legal", "10 different singers the character liked. I can't imagine the author got permission", "know that the chances of these people/place representatives even reading the reference are", "it not necessary? Would you probably just not name the hotel? People: I", "caution at the expense of the content of your novel? You can't put", "just know the scene takes place in front of it. Should you get", "in novels, even if it's just a passing reference? Is it best to", "problem? E.g. \"She looks like a 50-year-old Lady Gaga.\" To take it further,", "novel for some reason. If you referenced someone in a silly way, eg.", "a character in passing? E.g. \"My ex-wife looks like Chewbacca after a good", "is written about the hotel. We just know the scene takes place in", "it's just a passing reference? Is it best to err on the side", "in a novel: \"She's like Rosie O'Donnell on crack.\" I guess in theory", "one can give legal advice, but any feedback from anyone who's published/edited fictional", "of caution at the expense of the content of your novel? You can't", "passing? E.g. \"My ex-wife looks like Chewbacca after a good shave.\" Or how", "writing this in a novel: \"She's like Rosie O'Donnell on crack.\" I guess", "a fictional work and in what situations it's best to get permission or", "listens to Bon Jovi - all that type of stuff is fair game,", "person could sue if they thought you were depicting them negatively, but would", "see references to famous people all the time on TV shows, in songs", "in - I'm guessing he just went for it. I know that the", "novel? You can't put a fictional character like Chewbacca in your book obviously,", "successful enough for the parties in question to even know about the reference", "the reference are very slim, but in theory, let's say you ended up", "I can't imagine the author got permission to put those names in -", "he just went for it. I know that the chances of a book", "company that owns the rights to the Sherlock Holmes/Star Wars franchise have a", "best to get permission or avoid it altogether. I do know that the", "all the time on TV shows, in songs etc, but I feel like", "depicting them negatively, but would that just be totally unrealistic or is it", "such as the Plaza, NY. without asking for permission? Nothing negative is written", "or is that just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and the", "can be picked apart on blogs, star shows etc, is it different in", "it's all subjective and no one can give legal advice, but any feedback", "guess in theory some famous person could sue if they thought you were", "Nothing negative is written about the hotel. We just know the scene takes", "my novel as well as fictional characters, but I keep seeing pop culture", "liked. I can't imagine the author got permission to put those names in", "about: \"He did a Sherlock Holmes on the filing cabinet.\" Could the company", "had written. I'm wondering how other writers feel about referring to real people", "etc, is it different in novels, even if it's just a passing reference?", "character wears Gucci heels, or drives a BMW, or reads the NY Times", "my way to avoid referencing famous people in my novel as well as", "reference are very slim, but in theory, let's say you ended up writing", "reason. If you referenced someone in a silly way, eg. to make some", "that just be totally unrealistic or is it a real possibility? If they", "Jovi - all that type of stuff is fair game, right? I recently", "in other books I read as well as in TV shows, songs etc.,", "I know it's all subjective and no one can give legal advice, but", "about deleting the stuff I had written. I'm wondering how other writers feel", "just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and the Terminator would allow", "to them are very slim, but I'd like to know what experience other", "permission to mention them first, or is it not necessary? Would you probably", "if they thought you were depicting them negatively, but would that just be", "book, is this ok? From what I understand, saying your character wears Gucci", "not necessary? Would you probably just not name the hotel? People: I see", "could that end up being a problem? E.g. \"She looks like a 50-year-old", "in theory, let's say you ended up writing a best-seller, what would happen", "Wars franchise have a problem with such a line or is that just", "have with this stuff. Yes, I know it's all subjective and no one", "on TV shows, in songs etc, but I feel like it's riskier in", "Holmes on the filing cabinet.\" Could the company that owns the rights to", "someone in a silly way, eg. to make some funny comparison, could that", "is fair game, right? I recently read a novel which referenced about 10", "Lady Gaga.\" To take it further, would you feel comfortable writing this in", "advice, but any feedback from anyone who's published/edited fictional work would be greatly", "say you ended up writing a best-seller, what would happen in these situations:", "side of caution at the expense of the content of your novel? You", "fictional character like Chewbacca in your book obviously, but can you just reference", "people in my novel as well as fictional characters, but I keep seeing", "a book being successful enough for the parties in question to even know", "I do know that the chances of these people/place representatives even reading the", "TV shows, songs etc., and I'm wondering if I'm being overzealous about deleting", "wondering if I'm being overzealous about deleting the stuff I had written. I'm", "other writers have with this stuff. Yes, I know it's all subjective and", "Gordon Gecko, Mary Poppins and the Terminator would allow me to inject some", "you feel comfortable writing this in a novel: \"She's like Rosie O'Donnell on", "permission? Nothing negative is written about the hotel. We just know the scene", "know what experience other writers have with this stuff. Yes, I know it's", "to mention them first, or is it not necessary? Would you probably just", "Sherlock Holmes on the filing cabinet.\" Could the company that owns the rights", "written. I'm wondering how other writers feel about referring to real people and", "comparison, could that end up being a problem? E.g. \"She looks like a", "in passing? E.g. \"My ex-wife looks like Chewbacca after a good shave.\" Or", "songs etc., and I'm wondering if I'm being overzealous about deleting the stuff", "possibility? If they are in the public eye and can be picked apart", "Yes, I know it's all subjective and no one can give legal advice,", "it. I know that the chances of a book being successful enough for", "some famous person could sue if they thought you were depicting them negatively,", "Gecko, Mary Poppins and the Terminator would allow me to inject some humorous", "shave.\" Or how about: \"He did a Sherlock Holmes on the filing cabinet.\"", "just a passing reference? Is it best to err on the side of", "the rights to the Sherlock Holmes/Star Wars franchise have a problem with such", "the hotel? People: I see references to famous people all the time on", "funny comparison, could that end up being a problem? E.g. \"She looks like", "subjective and no one can give legal advice, but any feedback from anyone", "in these situations: Can you reference the name of a real hotel in", "I guess in theory some famous person could sue if they thought you", "the character liked. I can't imagine the author got permission to put those", "riskier in a novel for some reason. If you referenced someone in a", "of stuff is fair game, right? I recently read a novel which referenced", "Rice Krispies or listens to Bon Jovi - all that type of stuff", "real hotel in a novel such as the Plaza, NY. without asking for", "what would happen in these situations: Can you reference the name of a", "real possibility? If they are in the public eye and can be picked", "make some funny comparison, could that end up being a problem? E.g. \"She", "question to even know about the reference to them are very slim, but", "novel which referenced about 10 different singers the character liked. I can't imagine", "people and places or fictional characters in a fictional work and in what", "I know that the chances of a book being successful enough for the", "put a fictional character like Chewbacca in your book obviously, but can you", "referring to real people and places or fictional characters in a fictional work", "enough for the parties in question to even know about the reference to", "blogs, star shows etc, is it different in novels, even if it's just", "and in what situations it's best to get permission or avoid it altogether.", "sue if they thought you were depicting them negatively, but would that just", "work and in what situations it's best to get permission or avoid it", "is it a real possibility? If they are in the public eye and", "a problem with such a line or is that just extremely unrealistic? Referencing", "Times or eats Rice Krispies or listens to Bon Jovi - all that", "saying your character wears Gucci heels, or drives a BMW, or reads the", "the Terminator would allow me to inject some humorous (IMO) lines into my", "Should you get permission to mention them first, or is it not necessary?", "like Chewbacca after a good shave.\" Or how about: \"He did a Sherlock", "just not name the hotel? People: I see references to famous people all", "writers have with this stuff. Yes, I know it's all subjective and no", "Is it best to err on the side of caution at the expense", "people/place representatives even reading the reference are very slim, but in theory, let's", "Referencing Gordon Gecko, Mary Poppins and the Terminator would allow me to inject", "as in TV shows, songs etc., and I'm wondering if I'm being overzealous", "not name the hotel? People: I see references to famous people all the", "of it. Should you get permission to mention them first, or is it", "they aren't actual characters in the book, is this ok? From what I", "game, right? I recently read a novel which referenced about 10 different singers", "into my book. As long as they aren't actual characters in the book,", "I read as well as in TV shows, songs etc., and I'm wondering", "hotel? People: I see references to famous people all the time on TV", "fair game, right? I recently read a novel which referenced about 10 different", "do know that the chances of these people/place representatives even reading the reference", "characters in the book, is this ok? From what I understand, saying your", "ex-wife looks like Chewbacca after a good shave.\" Or how about: \"He did", "end up being a problem? E.g. \"She looks like a 50-year-old Lady Gaga.\"", "if it's just a passing reference? Is it best to err on the", "reads the NY Times or eats Rice Krispies or listens to Bon Jovi", "these people/place representatives even reading the reference are very slim, but in theory,", "err on the side of caution at the expense of the content of", "I recently read a novel which referenced about 10 different singers the character", "well as in TV shows, songs etc., and I'm wondering if I'm being", "as they aren't actual characters in the book, is this ok? From what", "or listens to Bon Jovi - all that type of stuff is fair", "book obviously, but can you just reference such a character in passing? E.g.", "were depicting them negatively, but would that just be totally unrealistic or is", "to Bon Jovi - all that type of stuff is fair game, right?", "references in other books I read as well as in TV shows, songs", "such a character in passing? E.g. \"My ex-wife looks like Chewbacca after a", "\"He did a Sherlock Holmes on the filing cabinet.\" Could the company that", "like it's riskier in a novel for some reason. If you referenced someone", "is this ok? From what I understand, saying your character wears Gucci heels,", "eg. to make some funny comparison, could that end up being a problem?", "written about the hotel. We just know the scene takes place in front", "famous people in my novel as well as fictional characters, but I keep", "keep seeing pop culture references in other books I read as well as", "it a real possibility? If they are in the public eye and can", "would allow me to inject some humorous (IMO) lines into my book. As", "necessary? Would you probably just not name the hotel? People: I see references", "your book obviously, but can you just reference such a character in passing?", "the side of caution at the expense of the content of your novel?", "like to know what experience other writers have with this stuff. Yes, I", "and I'm wondering if I'm being overzealous about deleting the stuff I had", "actual characters in the book, is this ok? From what I understand, saying", "to err on the side of caution at the expense of the content", "first, or is it not necessary? Would you probably just not name the", "all subjective and no one can give legal advice, but any feedback from", "scene takes place in front of it. Should you get permission to mention", "you referenced someone in a silly way, eg. to make some funny comparison,", "I'm being overzealous about deleting the stuff I had written. I'm wondering how", "problem with such a line or is that just extremely unrealistic? Referencing Gordon", "in the book, is this ok? From what I understand, saying your character", "my book. As long as they aren't actual characters in the book, is", "the chances of a book being successful enough for the parties in question", "Plaza, NY. without asking for permission? Nothing negative is written about the hotel.", "writers feel about referring to real people and places or fictional characters in", "front of it. Should you get permission to mention them first, or is", "that type of stuff is fair game, right? I recently read a novel", "going out of my way to avoid referencing famous people in my novel", "50-year-old Lady Gaga.\" To take it further, would you feel comfortable writing this", "overzealous about deleting the stuff I had written. I'm wondering how other writers", "get permission or avoid it altogether. I do know that the chances of", "looks like a 50-year-old Lady Gaga.\" To take it further, would you feel", "fictional work and in what situations it's best to get permission or avoid", "probably just not name the hotel? People: I see references to famous people", "book being successful enough for the parties in question to even know about", "the content of your novel? You can't put a fictional character like Chewbacca", "but can you just reference such a character in passing? E.g. \"My ex-wife", "the author got permission to put those names in - I'm guessing he", "you were depicting them negatively, but would that just be totally unrealistic or", "that owns the rights to the Sherlock Holmes/Star Wars franchise have a problem", "or avoid it altogether. I do know that the chances of these people/place", "a silly way, eg. to make some funny comparison, could that end up", "but I feel like it's riskier in a novel for some reason. If", "to make some funny comparison, could that end up being a problem? E.g.", "slim, but in theory, let's say you ended up writing a best-seller, what", "have a problem with such a line or is that just extremely unrealistic?", "character liked. I can't imagine the author got permission to put those names", "TV shows, in songs etc, but I feel like it's riskier in a", "People: I see references to famous people all the time on TV shows,", "in TV shows, songs etc., and I'm wondering if I'm being overzealous about", "I'm wondering if I'm being overzealous about deleting the stuff I had written.", "with such a line or is that just extremely unrealistic? Referencing Gordon Gecko,", "Gaga.\" To take it further, would you feel comfortable writing this in a", "\"She looks like a 50-year-old Lady Gaga.\" To take it further, would you", "altogether. I do know that the chances of these people/place representatives even reading", "is that just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and the Terminator", "content of your novel? You can't put a fictional character like Chewbacca in", "of a book being successful enough for the parties in question to even", "what situations it's best to get permission or avoid it altogether. I do", "I had written. I'm wondering how other writers feel about referring to real", "ended up writing a best-seller, what would happen in these situations: Can you", "a novel: \"She's like Rosie O'Donnell on crack.\" I guess in theory some", "situations it's best to get permission or avoid it altogether. I do know", "hotel. We just know the scene takes place in front of it. Should", "did a Sherlock Holmes on the filing cabinet.\" Could the company that owns", "different singers the character liked. I can't imagine the author got permission to", "picked apart on blogs, star shows etc, is it different in novels, even", "reference? Is it best to err on the side of caution at the", "in songs etc, but I feel like it's riskier in a novel for", "comfortable writing this in a novel: \"She's like Rosie O'Donnell on crack.\" I", "people all the time on TV shows, in songs etc, but I feel", "like Rosie O'Donnell on crack.\" I guess in theory some famous person could", "author got permission to put those names in - I'm guessing he just", "they are in the public eye and can be picked apart on blogs,", "it's best to get permission or avoid it altogether. I do know that", "you just reference such a character in passing? E.g. \"My ex-wife looks like", "your character wears Gucci heels, or drives a BMW, or reads the NY", "very slim, but I'd like to know what experience other writers have with", "it. Should you get permission to mention them first, or is it not", "feel like it's riskier in a novel for some reason. If you referenced", "let's say you ended up writing a best-seller, what would happen in these", "extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and the Terminator would allow me", "I'd like to know what experience other writers have with this stuff. Yes,", "got permission to put those names in - I'm guessing he just went", "Bon Jovi - all that type of stuff is fair game, right? I", "- I'm guessing he just went for it. I know that the chances", "on the side of caution at the expense of the content of your", "the filing cabinet.\" Could the company that owns the rights to the Sherlock", "I see references to famous people all the time on TV shows, in", "reference such a character in passing? E.g. \"My ex-wife looks like Chewbacca after", "of the content of your novel? You can't put a fictional character like", "being a problem? E.g. \"She looks like a 50-year-old Lady Gaga.\" To take", "We just know the scene takes place in front of it. Should you", "be picked apart on blogs, star shows etc, is it different in novels,", "how about: \"He did a Sherlock Holmes on the filing cabinet.\" Could the", "would happen in these situations: Can you reference the name of a real", "for permission? Nothing negative is written about the hotel. We just know the", "negative is written about the hotel. We just know the scene takes place", "it best to err on the side of caution at the expense of", "at the expense of the content of your novel? You can't put a", "I keep seeing pop culture references in other books I read as well", "reference the name of a real hotel in a novel such as the", "best-seller, what would happen in these situations: Can you reference the name of", "of a real hotel in a novel such as the Plaza, NY. without", "know that the chances of a book being successful enough for the parties", "chances of these people/place representatives even reading the reference are very slim, but", "line or is that just extremely unrealistic? Referencing Gordon Gecko, Mary Poppins and", "put those names in - I'm guessing he just went for it. I", "in a silly way, eg. to make some funny comparison, could that end", "and no one can give legal advice, but any feedback from anyone who's", "referenced someone in a silly way, eg. to make some funny comparison, could", "you ended up writing a best-seller, what would happen in these situations: Can" ]
[ "an approach. Are there any other ways to incorporate the pov I want,", "opinion? Or by altogether avoiding character names before chapters, and letting the reader", "mystery) by having the character name at the beginning of a chapter. Now", "without giving away the name of the character. It is okay if the", "do I get around keeping the killer/killers a suspense while using such an", "letting the reader figure out who's pov it is(but I feel it would", "narrative(more than 6+ povs). I've seen it done (but not in mystery) by", "by a clear depiction of the criminals dark opinion? Or by altogether avoiding", "It should have the \"whodunit\" element. I want to use Third person multiple", "clear depiction of the criminals dark opinion? Or by altogether avoiding character names", "dark opinion? Or by altogether avoiding character names before chapters, and letting the", "with 6+ povs). Any input, suggestions and experience with using 3rd person multiple", "Any input, suggestions and experience with using 3rd person multiple povs is welcome.", "depiction of the criminals dark opinion? Or by altogether avoiding character names before", "gist in place. It should have the \"whodunit\" element. I want to use", "the beginning of a chapter. Now my dilemma, how do I get around", "I've seen it done (but not in mystery) by having the character name", "the story and gist in place. It should have the \"whodunit\" element. I", "novel. I have the story and gist in place. It should have the", "beginning of a chapter. Now my dilemma, how do I get around keeping", "such an approach. Are there any other ways to incorporate the pov I", "Are there any other ways to incorporate the pov I want, without giving", "seen it done (but not in mystery) by having the character name at", "it done (but not in mystery) by having the character name at the", "of a chapter. Now my dilemma, how do I get around keeping the", "I feel it would be confusing, with 6+ povs). Any input, suggestions and", "the criminals dark opinion? Or by altogether avoiding character names before chapters, and", "story and gist in place. It should have the \"whodunit\" element. I want", "before chapters, and letting the reader figure out who's pov it is(but I", "It is okay if the reader knows its the killers pov (just not", "figure out who's pov it is(but I feel it would be confusing, with", "any other ways to incorporate the pov I want, without giving away the", "killers pov (just not who he/she is). Maybe by a clear depiction of", "want to use Third person multiple pov narrative(more than 6+ povs). I've seen", "Maybe by a clear depiction of the criminals dark opinion? Or by altogether", "names before chapters, and letting the reader figure out who's pov it is(but", "and gist in place. It should have the \"whodunit\" element. I want to", "to incorporate the pov I want, without giving away the name of the", "it would be confusing, with 6+ povs). Any input, suggestions and experience with", "of the character. It is okay if the reader knows its the killers", "am plotting a crime mystery novel. I have the story and gist in", "at the beginning of a chapter. Now my dilemma, how do I get", "avoiding character names before chapters, and letting the reader figure out who's pov", "having the character name at the beginning of a chapter. Now my dilemma,", "use Third person multiple pov narrative(more than 6+ povs). I've seen it done", "while using such an approach. Are there any other ways to incorporate the", "6+ povs). Any input, suggestions and experience with using 3rd person multiple povs", "my dilemma, how do I get around keeping the killer/killers a suspense while", "I want to use Third person multiple pov narrative(more than 6+ povs). I've", "done (but not in mystery) by having the character name at the beginning", "the pov I want, without giving away the name of the character. It", "reader figure out who's pov it is(but I feel it would be confusing,", "\"whodunit\" element. I want to use Third person multiple pov narrative(more than 6+", "in place. It should have the \"whodunit\" element. I want to use Third", "dilemma, how do I get around keeping the killer/killers a suspense while using", "pov (just not who he/she is). Maybe by a clear depiction of the", "altogether avoiding character names before chapters, and letting the reader figure out who's", "keeping the killer/killers a suspense while using such an approach. Are there any", "mystery novel. I have the story and gist in place. It should have", "the character name at the beginning of a chapter. Now my dilemma, how", "reader knows its the killers pov (just not who he/she is). Maybe by", "there any other ways to incorporate the pov I want, without giving away", "a clear depiction of the criminals dark opinion? Or by altogether avoiding character", "6+ povs). I've seen it done (but not in mystery) by having the", "pov I want, without giving away the name of the character. It is", "be confusing, with 6+ povs). Any input, suggestions and experience with using 3rd", "around keeping the killer/killers a suspense while using such an approach. Are there", "the reader figure out who's pov it is(but I feel it would be", "not in mystery) by having the character name at the beginning of a", "is okay if the reader knows its the killers pov (just not who", "Now my dilemma, how do I get around keeping the killer/killers a suspense", "in mystery) by having the character name at the beginning of a chapter.", "okay if the reader knows its the killers pov (just not who he/she", "is). Maybe by a clear depiction of the criminals dark opinion? Or by", "by altogether avoiding character names before chapters, and letting the reader figure out", "a crime mystery novel. I have the story and gist in place. It", "Third person multiple pov narrative(more than 6+ povs). I've seen it done (but", "pov narrative(more than 6+ povs). I've seen it done (but not in mystery)", "should have the \"whodunit\" element. I want to use Third person multiple pov", "character name at the beginning of a chapter. Now my dilemma, how do", "is(but I feel it would be confusing, with 6+ povs). Any input, suggestions", "how do I get around keeping the killer/killers a suspense while using such", "multiple pov narrative(more than 6+ povs). I've seen it done (but not in", "Or by altogether avoiding character names before chapters, and letting the reader figure", "if the reader knows its the killers pov (just not who he/she is).", "povs). Any input, suggestions and experience with using 3rd person multiple povs is", "have the \"whodunit\" element. I want to use Third person multiple pov narrative(more", "knows its the killers pov (just not who he/she is). Maybe by a", "want, without giving away the name of the character. It is okay if", "the character. It is okay if the reader knows its the killers pov", "giving away the name of the character. It is okay if the reader", "its the killers pov (just not who he/she is). Maybe by a clear", "have the story and gist in place. It should have the \"whodunit\" element.", "the \"whodunit\" element. I want to use Third person multiple pov narrative(more than", "character names before chapters, and letting the reader figure out who's pov it", "element. I want to use Third person multiple pov narrative(more than 6+ povs).", "the killers pov (just not who he/she is). Maybe by a clear depiction", "ways to incorporate the pov I want, without giving away the name of", "I want, without giving away the name of the character. It is okay", "I have the story and gist in place. It should have the \"whodunit\"", "character. It is okay if the reader knows its the killers pov (just", "he/she is). Maybe by a clear depiction of the criminals dark opinion? Or", "approach. Are there any other ways to incorporate the pov I want, without", "the killer/killers a suspense while using such an approach. Are there any other", "place. It should have the \"whodunit\" element. I want to use Third person", "name at the beginning of a chapter. Now my dilemma, how do I", "chapter. Now my dilemma, how do I get around keeping the killer/killers a", "would be confusing, with 6+ povs). Any input, suggestions and experience with using", "writers, I am plotting a crime mystery novel. I have the story and", "using such an approach. Are there any other ways to incorporate the pov", "chapters, and letting the reader figure out who's pov it is(but I feel", "of the criminals dark opinion? Or by altogether avoiding character names before chapters,", "I get around keeping the killer/killers a suspense while using such an approach.", "incorporate the pov I want, without giving away the name of the character.", "it is(but I feel it would be confusing, with 6+ povs). Any input,", "other ways to incorporate the pov I want, without giving away the name", "I am plotting a crime mystery novel. I have the story and gist", "killer/killers a suspense while using such an approach. Are there any other ways", "criminals dark opinion? Or by altogether avoiding character names before chapters, and letting", "get around keeping the killer/killers a suspense while using such an approach. Are", "a suspense while using such an approach. Are there any other ways to", "out who's pov it is(but I feel it would be confusing, with 6+", "who he/she is). Maybe by a clear depiction of the criminals dark opinion?", "and letting the reader figure out who's pov it is(but I feel it", "person multiple pov narrative(more than 6+ povs). I've seen it done (but not", "to use Third person multiple pov narrative(more than 6+ povs). I've seen it", "crime mystery novel. I have the story and gist in place. It should", "name of the character. It is okay if the reader knows its the", "feel it would be confusing, with 6+ povs). Any input, suggestions and experience", "pov it is(but I feel it would be confusing, with 6+ povs). Any", "than 6+ povs). I've seen it done (but not in mystery) by having", "who's pov it is(but I feel it would be confusing, with 6+ povs).", "by having the character name at the beginning of a chapter. Now my", "not who he/she is). Maybe by a clear depiction of the criminals dark", "Fellow writers, I am plotting a crime mystery novel. I have the story", "a chapter. Now my dilemma, how do I get around keeping the killer/killers", "away the name of the character. It is okay if the reader knows", "plotting a crime mystery novel. I have the story and gist in place.", "the name of the character. It is okay if the reader knows its", "(just not who he/she is). Maybe by a clear depiction of the criminals", "confusing, with 6+ povs). Any input, suggestions and experience with using 3rd person", "suspense while using such an approach. Are there any other ways to incorporate", "the reader knows its the killers pov (just not who he/she is). Maybe", "(but not in mystery) by having the character name at the beginning of", "povs). I've seen it done (but not in mystery) by having the character" ]
[ "extract of another persons book in my blog with references? If so, are", "blog with references? If so, are there any restrictions that I must follow?", "of another persons book in my blog with references? If so, are there", "book in my blog with references? If so, are there any restrictions that", "persons book in my blog with references? If so, are there any restrictions", "I include an extract of another persons book in my blog with references?", "include an extract of another persons book in my blog with references? If", "in my blog with references? If so, are there any restrictions that I", "an extract of another persons book in my blog with references? If so,", "another persons book in my blog with references? If so, are there any", "Can I include an extract of another persons book in my blog with", "my blog with references? If so, are there any restrictions that I must" ]
[ "is a series, but I have engineered the first novel to be a", "have significant bearing on the climax of the entire series (sort of). I'm", "purely writer genius? Examples: In the Fablehaven series, the climax of book two", "turns out to spawn the entire side story of book three (the shadow", "in future novels, and the very fact of her transformation is a key", "the final book, where it turns out to have significant bearing on the", "there some special formula I've missed? Or is it purely writer genius? Examples:", "may start the quest of book three, which launches the drive of book", "abilities that are crucial to the plot of all later books. In a", "drive of book four and forms the antagonist of book five. How can", "things: the climax of book two may start the quest of book three,", "meaning turn out to spawn chapters later on. The day is saved by", "four and forms the antagonist of book five. How can I create plots", "each other in so many ways? Is there some special formula I've missed?", "first novel to be a standalone in case the series falls through. When", "transformation is a key plot element all the way to the end. In", "I am an aspiring author, and I have recently just begun developing my", "the antagonist of book five. How can I create plots that are woven", "I have recently just begun developing my first novel. It is a series,", "an aspiring author, and I have recently just begun developing my first novel.", "recently just begun developing my first novel. It is a series, but I", "have much meaning turn out to spawn chapters later on. The day is", "her abilities is used multiple times in future novels, and the very fact", "moment back in book one. And it's not just little things: the climax", "back in book one. And it's not just little things: the climax of", "developing my first novel. It is a series, but I have engineered the", "saved by a seemingly insignificant moment back in book one. And it's not", "her abilities that at the time seem random. Every single one of her", "so many ways? Is there some special formula I've missed? Or is it", "In the Fablehaven series, the climax of book two turns out to spawn", "novel. It is a series, but I have engineered the first novel to", "the protagonist does a seemingly random-though-spectacular action (catching his first snitch). The action", "first snitch). The action never comes up again until the final book, where", "Fablehaven series, the climax of book two turns out to spawn the entire", "have engineered the first novel to be a standalone in case the series", "I create plots that are woven together so expertly, and inter-connect with each", "multiple times in future novels, and the very fact of her transformation is", "until the final book, where it turns out to have significant bearing on", "author, and I have recently just begun developing my first novel. It is", "to have significant bearing on the climax of the entire series (sort of).", "future novels, and the very fact of her transformation is a key plot", "Is there some special formula I've missed? Or is it purely writer genius?", "many other examples. These are just a few off the top of my", "of her transformation is a key plot element all the way to the", "continue to see inter-connected plots across all the books. Scenes that we thought", "have recently just begun developing my first novel. It is a series, but", "chapters later on. The day is saved by a seemingly insignificant moment back", "five. How can I create plots that are woven together so expertly, and", "one of her abilities is used multiple times in future novels, and the", "just begun developing my first novel. It is a series, but I have", "Potfeq* series, the protagonist does a seemingly random-though-spectacular action (catching his first snitch).", "again until the final book, where it turns out to have significant bearing", "on the climax of the entire series (sort of). I'm sure there are", "are many other examples. These are just a few off the top of", "is saved by a seemingly insignificant moment back in book one. And it's", "is it purely writer genius? Examples: In the Fablehaven series, the climax of", "start the quest of book three, which launches the drive of book four", "of book five. How can I create plots that are woven together so", "a series, but I have engineered the first novel to be a standalone", "see inter-connected plots across all the books. Scenes that we thought didn't have", "times in future novels, and the very fact of her transformation is a", "transforms the secondary protagonist, giving him abilities that are crucial to the plot", "the main protagonist receives a transformation, giving her abilities that at the time", "be a standalone in case the series falls through. When I look at", "other in so many ways? Is there some special formula I've missed? Or", "the series falls through. When I look at other successful series, I continue", "the entire side story of book three (the shadow plague). In addition, it", "a separate case, in book one the main protagonist receives a transformation, giving", "of). I'm sure there are many other examples. These are just a few", "book, where it turns out to have significant bearing on the climax of", "plot of all later books. In a separate case, in book one the", "climax of book two may start the quest of book three, which launches", "the first novel to be a standalone in case the series falls through.", "the Hijrp Potfeq series, the protagonist does a seemingly random-though-spectacular action (catching his", "of book three (the shadow plague). In addition, it transforms the secondary protagonist,", "The day is saved by a seemingly insignificant moment back in book one.", "quest of book three, which launches the drive of book four and forms", "to see inter-connected plots across all the books. Scenes that we thought didn't", "out to spawn the entire side story of book three (the shadow plague).", "inter-connected plots across all the books. Scenes that we thought didn't have much", "seem random. Every single one of her abilities is used multiple times in", "the quest of book three, which launches the drive of book four and", "crucial to the plot of all later books. In a separate case, in", "a key plot element all the way to the end. In the Hijrp", "missed? Or is it purely writer genius? Examples:* In the Fablehaven series, the", "two may start the quest of book three, which launches the drive of", "(the shadow plague). In addition, it transforms the secondary protagonist, giving him abilities", "just little things: the climax of book two may start the quest of", "seemingly insignificant moment back in book one. And it's not just little things:", "I'm sure there are many other examples. These are just a few off", "thought didn't have much meaning turn out to spawn chapters later on. The", "the Fablehaven series, the climax of book two turns out to spawn the", "first novel. It is a series, but I have engineered the first novel", "secondary protagonist, giving him abilities that are crucial to the plot of all", "him abilities that are crucial to the plot of all later books. In", "special formula I've missed? Or is it purely writer genius? Examples: In the", "to the plot of all later books. In a separate case, in book", "giving her abilities that at the time seem random. Every single one of", "series, I continue to see inter-connected plots across all the books. Scenes that", "of her abilities is used multiple times in future novels, and the very", "giving him abilities that are crucial to the plot of all later books.", "random. Every single one of her abilities is used multiple times in future", "that are crucial to the plot of all later books. In a separate", "woven together so expertly, and inter-connect with each other in so many ways?", "Every single one of her abilities is used multiple times in future novels,", "separate case, in book one the main protagonist receives a transformation, giving her", "create plots that are woven together so expertly, and inter-connect with each other", "protagonist, giving him abilities that are crucial to the plot of all later", "didn't have much meaning turn out to spawn chapters later on. The day", "When I look at other successful series, I continue to see inter-connected plots", "it's not just little things: the climax of book two may start the", "to the end. In the Hijrp Potfeq series, the protagonist does a seemingly", "are woven together so expertly, and inter-connect with each other in so many", "transformation, giving her abilities that at the time seem random. Every single one", "novels, and the very fact of her transformation is a key plot element", "to be a standalone in case the series falls through. When I look", "day is saved by a seemingly insignificant moment back in book one. And", "genius? Examples: In the Fablehaven series, the climax of book two turns out", "the time seem random. Every single one of her abilities is used multiple", "I have engineered the first novel to be a standalone in case the", "snitch). The action never comes up again until the final book, where it", "climax of the entire series (sort of). I'm sure there are many other", "it transforms the secondary protagonist, giving him abilities that are crucial to the", "book five. How can I create plots that are woven together so expertly,", "launches the drive of book four and forms the antagonist of book five.", "Examples: In the Fablehaven series, the climax of book two turns out to", "entire series (sort of). I'm sure there are many other examples. These are", "is a key plot element all the way to the end. In the", "addition, it transforms the secondary protagonist, giving him abilities that are crucial to", "never comes up again until the final book, where it turns out to", "abilities is used multiple times in future novels, and the very fact of", "significant bearing on the climax of the entire series (sort of). I'm sure", "shadow plague). In addition, it transforms the secondary protagonist, giving him abilities that", "we thought didn't have much meaning turn out to spawn chapters later on.", "the end. In the Hijrp Potfeq series, the protagonist does a seemingly random-though-spectacular", "And it's not just little things: the climax of book two may start", "are crucial to the plot of all later books. In a separate case,", "In a separate case, in book one the main protagonist receives a transformation,", "action (catching his first snitch). The action never comes up again until the", "series, the protagonist does a seemingly random-though-spectacular action (catching his first snitch). The", "together so expertly, and inter-connect with each other in so many ways? Is", "climax of book two turns out to spawn the entire side story of", "insignificant moment back in book one. And it's not just little things: the", "entire side story of book three (the shadow plague). In addition, it transforms", "all later books. In a separate case, in book one the main protagonist", "the way to the end. In the Hijrp Potfeq series, the protagonist does", "side story of book three (the shadow plague). In addition, it transforms the", "books. Scenes that we thought didn't have much meaning turn out to spawn", "I've missed? Or is it purely writer genius? Examples: In the Fablehaven series,", "writer genius? Examples: In the Fablehaven series, the climax of book two turns", "In the Hijrp Potfeq series, the protagonist does a seemingly random-though-spectacular action (catching", "all the books. Scenes that we thought didn't have much meaning turn out", "turn out to spawn chapters later on. The day is saved by a", "that we thought didn't have much meaning turn out to spawn chapters later", "can I create plots that are woven together so expertly, and inter-connect with", "case, in book one the main protagonist receives a transformation, giving her abilities", "formula I've missed? Or is it purely writer genius? Examples: In the Fablehaven", "the climax of the entire series (sort of). I'm sure there are many", "up again until the final book, where it turns out to have significant", "(sort of). I'm sure there are many other examples. These are just a", "successful series, I continue to see inter-connected plots across all the books. Scenes", "and inter-connect with each other in so many ways? Is there some special", "spawn chapters later on. The day is saved by a seemingly insignificant moment", "series (sort of). I'm sure there are many other examples. These are just", "used multiple times in future novels, and the very fact of her transformation", "expertly, and inter-connect with each other in so many ways? Is there some", "single one of her abilities is used multiple times in future novels, and", "series, the climax of book two turns out to spawn the entire side", "series falls through. When I look at other successful series, I continue to", "look at other successful series, I continue to see inter-connected plots across all", "three, which launches the drive of book four and forms the antagonist of", "so expertly, and inter-connect with each other in so many ways? Is there", "in so many ways? Is there some special formula I've missed? Or is", "plot element all the way to the end. In the Hijrp Potfeq series,", "end. In the Hijrp Potfeq series, the protagonist does a seemingly random-though-spectacular action", "through. When I look at other successful series, I continue to see inter-connected", "time seem random. Every single one of her abilities is used multiple times", "bearing on the climax of the entire series (sort of). I'm sure there", "final book, where it turns out to have significant bearing on the climax", "inter-connect with each other in so many ways? Is there some special formula", "little things: the climax of book two may start the quest of book", "and forms the antagonist of book five. How can I create plots that", "the climax of book two may start the quest of book three, which", "receives a transformation, giving her abilities that at the time seem random. Every", "the secondary protagonist, giving him abilities that are crucial to the plot of", "is used multiple times in future novels, and the very fact of her", "two turns out to spawn the entire side story of book three (the", "in book one the main protagonist receives a transformation, giving her abilities that", "way to the end. In the Hijrp Potfeq series, the protagonist does a", "in book one. And it's not just little things: the climax of book", "it purely writer genius? Examples: In the Fablehaven series, the climax of book", "of book two turns out to spawn the entire side story of book", "not just little things: the climax of book two may start the quest", "book two may start the quest of book three, which launches the drive", "element all the way to the end. In the Hijrp Potfeq series, the", "aspiring author, and I have recently just begun developing my first novel. It", "at other successful series, I continue to see inter-connected plots across all the", "which launches the drive of book four and forms the antagonist of book", "abilities that at the time seem random. Every single one of her abilities", "other successful series, I continue to see inter-connected plots across all the books.", "(catching his first snitch). The action never comes up again until the final", "I look at other successful series, I continue to see inter-connected plots across", "his first snitch). The action never comes up again until the final book,", "comes up again until the final book, where it turns out to have", "it turns out to have significant bearing on the climax of the entire", "book three, which launches the drive of book four and forms the antagonist", "Or is it purely writer genius? Examples: In the Fablehaven series, the climax", "later books. In a separate case, in book one the main protagonist receives", "the entire series (sort of). I'm sure there are many other examples. These", "book four and forms the antagonist of book five. How can I create", "much meaning turn out to spawn chapters later on. The day is saved", "with each other in so many ways? Is there some special formula I've", "story of book three (the shadow plague). In addition, it transforms the secondary", "series, but I have engineered the first novel to be a standalone in", "of book four and forms the antagonist of book five. How can I", "there are many other examples. These are just a few off the top", "at the time seem random. Every single one of her abilities is used", "of the entire series (sort of). I'm sure there are many other examples.", "later on. The day is saved by a seemingly insignificant moment back in", "a seemingly insignificant moment back in book one. And it's not just little", "action never comes up again until the final book, where it turns out", "of book three, which launches the drive of book four and forms the", "out to spawn chapters later on. The day is saved by a seemingly", "very fact of her transformation is a key plot element all the way", "all the way to the end. In the Hijrp Potfeq series, the protagonist", "plots across all the books. Scenes that we thought didn't have much meaning", "one the main protagonist receives a transformation, giving her abilities that at the", "Hijrp Potfeq series, the protagonist does a seemingly random-though-spectacular action (catching his first", "book two turns out to spawn the entire side story of book three", "out to have significant bearing on the climax of the entire series (sort", "Scenes that we thought didn't have much meaning turn out to spawn chapters", "where it turns out to have significant bearing on the climax of the", "books. In a separate case, in book one the main protagonist receives a", "on. The day is saved by a seemingly insignificant moment back in book", "many ways? Is there some special formula I've missed? Or is it purely", "book one the main protagonist receives a transformation, giving her abilities that at", "plague). In addition, it transforms the secondary protagonist, giving him abilities that are", "and the very fact of her transformation is a key plot element all", "In addition, it transforms the secondary protagonist, giving him abilities that are crucial", "turns out to have significant bearing on the climax of the entire series", "the climax of book two turns out to spawn the entire side story", "and I have recently just begun developing my first novel. It is a", "I continue to see inter-connected plots across all the books. Scenes that we", "standalone in case the series falls through. When I look at other successful", "seemingly random-though-spectacular action (catching his first snitch). The action never comes up again", "random-though-spectacular action (catching his first snitch). The action never comes up again until", "her transformation is a key plot element all the way to the end.", "some special formula I've missed? Or is it purely writer genius? Examples: In", "a transformation, giving her abilities that at the time seem random. Every single", "begun developing my first novel. It is a series, but I have engineered", "How can I create plots that are woven together so expertly, and inter-connect", "other examples. These are just a few off the top of my head.", "key plot element all the way to the end. In the Hijrp Potfeq", "book three (the shadow plague). In addition, it transforms the secondary protagonist, giving", "am an aspiring author, and I have recently just begun developing my first", "three (the shadow plague). In addition, it transforms the secondary protagonist, giving him", "engineered the first novel to be a standalone in case the series falls", "case the series falls through. When I look at other successful series, I", "spawn the entire side story of book three (the shadow plague). In addition,", "the drive of book four and forms the antagonist of book five. How", "to spawn chapters later on. The day is saved by a seemingly insignificant", "the very fact of her transformation is a key plot element all the", "protagonist does a seemingly random-though-spectacular action (catching his first snitch). The action never", "antagonist of book five. How can I create plots that are woven together", "the books. Scenes that we thought didn't have much meaning turn out to", "one. And it's not just little things: the climax of book two may", "fact of her transformation is a key plot element all the way to", "a standalone in case the series falls through. When I look at other", "across all the books. Scenes that we thought didn't have much meaning turn", "by a seemingly insignificant moment back in book one. And it's not just", "of book two may start the quest of book three, which launches the", "that at the time seem random. Every single one of her abilities is", "The action never comes up again until the final book, where it turns", "that are woven together so expertly, and inter-connect with each other in so", "novel to be a standalone in case the series falls through. When I", "in case the series falls through. When I look at other successful series,", "of all later books. In a separate case, in book one the main", "main protagonist receives a transformation, giving her abilities that at the time seem", "a seemingly random-though-spectacular action (catching his first snitch). The action never comes up", "does a seemingly random-though-spectacular action (catching his first snitch). The action never comes", "but I have engineered the first novel to be a standalone in case", "ways? Is there some special formula I've missed? Or is it purely writer", "falls through. When I look at other successful series, I continue to see", "my first novel. It is a series, but I have engineered the first", "plots that are woven together so expertly, and inter-connect with each other in", "the plot of all later books. In a separate case, in book one", "sure there are many other examples. These are just a few off the", "to spawn the entire side story of book three (the shadow plague). In", "It is a series, but I have engineered the first novel to be", "protagonist receives a transformation, giving her abilities that at the time seem random.", "book one. And it's not just little things: the climax of book two", "forms the antagonist of book five. How can I create plots that are" ]
[ "? I've seen people use double hyphen minus, but some apparently use triple.", "triple. It could be nice to use triple, since then you can reserve", "you can reserve double to stand in for en dash. P.S. I know", "dash. P.S. I know that em dash can be typed directly on most", "seen people use double hyphen minus, but some apparently use triple. It could", "for — ? I've seen people use double hyphen minus, but some apparently", "— ? I've seen people use double hyphen minus, but some apparently use", "P.S. I know that em dash can be typed directly on most keyboards.", "could be nice to use triple, since then you can reserve double to", "people use double hyphen minus, but some apparently use triple. It could be", "use double hyphen minus, but some apparently use triple. It could be nice", "to stand in for — ? I've seen people use double hyphen minus,", "nice to use triple, since then you can reserve double to stand in", "double hyphen minus, but some apparently use triple. It could be nice to", "double to stand in for en dash. P.S. I know that em dash", "since then you can reserve double to stand in for en dash. P.S.", "Should I use -- or --- to stand in for — ? I've", "can reserve double to stand in for en dash. P.S. I know that", "stand in for en dash. P.S. I know that em dash can be", "I've seen people use double hyphen minus, but some apparently use triple. It", "stand in for — ? I've seen people use double hyphen minus, but", "reserve double to stand in for en dash. P.S. I know that em", "be nice to use triple, since then you can reserve double to stand", "in for en dash. P.S. I know that em dash can be typed", "hyphen minus, but some apparently use triple. It could be nice to use", "use triple, since then you can reserve double to stand in for en", "triple, since then you can reserve double to stand in for en dash.", "for en dash. P.S. I know that em dash can be typed directly", "use -- or --- to stand in for — ? I've seen people", "or --- to stand in for — ? I've seen people use double", "It could be nice to use triple, since then you can reserve double", "to use triple, since then you can reserve double to stand in for", "then you can reserve double to stand in for en dash. P.S. I", "use triple. It could be nice to use triple, since then you can", "I use -- or --- to stand in for — ? I've seen", "to stand in for en dash. P.S. I know that em dash can", "some apparently use triple. It could be nice to use triple, since then", "apparently use triple. It could be nice to use triple, since then you", "but some apparently use triple. It could be nice to use triple, since", "en dash. P.S. I know that em dash can be typed directly on", "--- to stand in for — ? I've seen people use double hyphen", "minus, but some apparently use triple. It could be nice to use triple,", "-- or --- to stand in for — ? I've seen people use", "in for — ? I've seen people use double hyphen minus, but some" ]
[ "generally include it since actors are taught to say what's in front of", "access to: How does a writer express laughter in fiction? I have seen", "Style Guide* I have access to: How does a writer express laughter in", "\"So the bug--ha ha ha!--turns into the robot, ha ha!\"* Is this truly", "is understood Stu is the speaker.] Or even: Laughing, Stu could barely be", "I have seen no consistent answer. It seems playwriting and screenplays generally include", "turns into the robot!\" [Assuming it is understood Stu is the speaker.] Or", "taught to say what's in front of them. The most commonly used expression", "to say what's in front of them. The most commonly used expression in", "are taught to say what's in front of them. The most commonly used", "\"Ha ha! So the bug turns into the robot!\" [Assuming it is understood", "a sign of bad writing.\" It is possible to write: Stu laughed and", "or do these have a ranking in terms of readability and fiction preference?", "laughter in fiction? I have seen no consistent answer. It seems playwriting and", "having a problem that is not addressed by The Chicago Manual of Style", "I'm having a problem that is not addressed by The Chicago Manual of", "barely be understood through his chortling: \"So the bug--ha ha ha!--turns into the", "exclaimed, \"So the bug turns into the robot!\"* Or one could write: \"Ha", "that is not addressed by The Chicago Manual of Style* or the AP", "I have access to: How does a writer express laughter in fiction? I", "ha, with numerous variations. However, some feel \"inclusion of such expressions are a", "\"inclusion of such expressions are a sign of bad writing.\" It is possible", "seems playwriting and screenplays generally include it since actors are taught to say", "understood Stu is the speaker.] Or even: Laughing, Stu could barely be understood", "the bug--ha ha ha!--turns into the robot, ha ha!\"* Is this truly a", "include it since actors are taught to say what's in front of them.", "of Style* or the AP Style Guide I have access to: How does", "laughed and then exclaimed, \"So the bug turns into the robot!\"* Or one", "Is this truly a style issue, or do these have a ranking in", "So the bug turns into the robot!\"* [Assuming it is understood Stu is", "some feel \"inclusion of such expressions are a sign of bad writing.\" It", "numerous variations. However, some feel \"inclusion of such expressions are a sign of", "the bug turns into the robot!\"* Or one could write: \"Ha ha! So", "truly a style issue, or do these have a ranking in terms of", "commonly used expression in prose is ha ha, with numerous variations. However, some", "screenplays generally include it since actors are taught to say what's in front", "into the robot!\" [Assuming it is understood Stu is the speaker.] Or even:", "turns into the robot!\"* Or one could write: \"Ha ha! So the bug", "understood through his chortling: \"So the bug--ha ha ha!--turns into the robot, ha", "seen no consistent answer. It seems playwriting and screenplays generally include it since", "robot, ha ha!\" Is this truly a style issue, or do these have", "be understood through his chortling: \"So the bug--ha ha ha!--turns into the robot,", "consistent answer. It seems playwriting and screenplays generally include it since actors are", "his chortling: \"So the bug--ha ha ha!--turns into the robot, ha ha!\"* Is", "or the AP Style Guide I have access to: How does a writer", "bad writing.\" It is possible to write: Stu laughed and then exclaimed, \"So", "could barely be understood through his chortling: \"So the bug--ha ha ha!--turns into", "The Chicago Manual of Style* or the AP Style Guide I have access", "have access to: How does a writer express laughter in fiction? I have", "front of them. The most commonly used expression in prose is ha ha,", "the robot!\"* Or one could write: \"Ha ha! So the bug turns into", "the AP Style Guide* I have access to: How does a writer express", "bug turns into the robot!\"* Or one could write: \"Ha ha! So the", "used expression in prose is ha ha, with numerous variations. However, some feel", "it is understood Stu is the speaker.] Or even: Laughing, Stu could barely", "it since actors are taught to say what's in front of them. The", "is possible to write: Stu laughed and then exclaimed, \"So the bug turns", "writer express laughter in fiction? I have seen no consistent answer. It seems", "in prose is ha ha, with numerous variations. However, some feel \"inclusion of", "in front of them. The most commonly used expression in prose is ha", "It seems playwriting and screenplays generally include it since actors are taught to", "Chicago Manual of Style or the AP Style Guide I have access to:", "a writer express laughter in fiction? I have seen no consistent answer. It", "Laughing, Stu could barely be understood through his chortling: \"So the bug--ha ha", "It is possible to write: Stu laughed and then exclaimed, \"So the bug", "possible to write: Stu laughed and then exclaimed, \"So the bug turns into", "sign of bad writing.\" It is possible to write: Stu laughed and then", "robot!\"* Or one could write: \"Ha ha! So the bug turns into the", "to write: Stu laughed and then exclaimed, \"So the bug turns into the", "one could write: \"Ha ha! So the bug turns into the robot!\" [Assuming", "ha!\"* Is this truly a style issue, or do these have a ranking", "Manual of Style* or the AP Style Guide I have access to: How", "playwriting and screenplays generally include it since actors are taught to say what's", "Or one could write: \"Ha ha! So the bug turns into the robot!\"", "ha ha!--turns into the robot, ha ha!\"* Is this truly a style issue,", "Or even: Laughing, Stu could barely be understood through his chortling: \"So the", "into the robot!\" Or one could write: \"Ha ha! So the bug turns", "and screenplays generally include it since actors are taught to say what's in", "such expressions are a sign of bad writing.\" It is possible to write:", "Style or the AP Style Guide I have access to: How does a", "in fiction? I have seen no consistent answer. It seems playwriting and screenplays", "AP Style Guide I have access to: How does a writer express laughter", "with numerous variations. However, some feel \"inclusion of such expressions are a sign", "style issue, or do these have a ranking in terms of readability and", "the bug turns into the robot!\"* [Assuming it is understood Stu is the", "answer. It seems playwriting and screenplays generally include it since actors are taught", "write: \"Ha ha! So the bug turns into the robot!\" [Assuming it is", "bug turns into the robot!\"* [Assuming it is understood Stu is the speaker.]", "by The Chicago Manual of Style or the AP Style Guide I have", "what's in front of them. The most commonly used expression in prose is", "bug--ha ha ha!--turns into the robot, ha ha!\"* Is this truly a style", "the robot, ha ha!\"* Is this truly a style issue, or do these", "them. The most commonly used expression in prose is ha ha, with numerous", "variations. However, some feel \"inclusion of such expressions are a sign of bad", "to: How does a writer express laughter in fiction? I have seen no", "\"So the bug turns into the robot!\"* Or one could write: \"Ha ha!", "no consistent answer. It seems playwriting and screenplays generally include it since actors", "then exclaimed, \"So the bug turns into the robot!\" Or one could write:", "Guide* I have access to: How does a writer express laughter in fiction?", "fiction? I have seen no consistent answer. It seems playwriting and screenplays generally", "have seen no consistent answer. It seems playwriting and screenplays generally include it", "robot!\"* [Assuming it is understood Stu is the speaker.] Or even: Laughing, Stu", "speaker.] Or even: Laughing, Stu could barely be understood through his chortling: \"So", "not addressed by The Chicago Manual of Style or the AP Style Guide", "prose is ha ha, with numerous variations. However, some feel \"inclusion of such", "chortling: \"So the bug--ha ha ha!--turns into the robot, ha ha!\"* Is this", "ha!--turns into the robot, ha ha!\"* Is this truly a style issue, or", "[Assuming it is understood Stu is the speaker.] Or even: Laughing, Stu could", "express laughter in fiction? I have seen no consistent answer. It seems playwriting", "a problem that is not addressed by The Chicago Manual of Style* or", "of such expressions are a sign of bad writing.\" It is possible to", "the robot!\"* [Assuming it is understood Stu is the speaker.] Or even: Laughing,", "write: Stu laughed and then exclaimed, \"So the bug turns into the robot!\"", "expression in prose is ha ha, with numerous variations. However, some feel \"inclusion", "and then exclaimed, \"So the bug turns into the robot!\" Or one could", "say what's in front of them. The most commonly used expression in prose", "are a sign of bad writing.\" It is possible to write: Stu laughed", "this truly a style issue, or do these have a ranking in terms", "Stu is the speaker.] Or even: Laughing, Stu could barely be understood through", "The most commonly used expression in prose is ha ha, with numerous variations.", "writing.\" It is possible to write: Stu laughed and then exclaimed, \"So the", "ha ha!\" Is this truly a style issue, or do these have a", "addressed by The Chicago Manual of Style or the AP Style Guide I", "Stu laughed and then exclaimed, \"So the bug turns into the robot!\" Or", "even: Laughing, Stu could barely be understood through his chortling: \"So the bug--ha", "could write: \"Ha ha! So the bug turns into the robot!\"* [Assuming it", "is not addressed by The Chicago Manual of Style or the AP Style", "However, some feel \"inclusion of such expressions are a sign of bad writing.\"", "expressions are a sign of bad writing.\" It is possible to write: Stu", "ha! So the bug turns into the robot!\"* [Assuming it is understood Stu", "feel \"inclusion of such expressions are a sign of bad writing.\" It is", "does a writer express laughter in fiction? I have seen no consistent answer.", "through his chortling: \"So the bug--ha ha ha!--turns into the robot, ha ha!\"", "problem that is not addressed by The Chicago Manual of Style* or the", "ha ha, with numerous variations. However, some feel \"inclusion of such expressions are", "actors are taught to say what's in front of them. The most commonly", "of them. The most commonly used expression in prose is ha ha, with", "is ha ha, with numerous variations. However, some feel \"inclusion of such expressions", "since actors are taught to say what's in front of them. The most", "issue, or do these have a ranking in terms of readability and fiction", "most commonly used expression in prose is ha ha, with numerous variations. However,", "the speaker.] Or even: Laughing, Stu could barely be understood through his chortling:", "How does a writer express laughter in fiction? I have seen no consistent", "of bad writing.\" It is possible to write: Stu laughed and then exclaimed,", "is the speaker.] Or even: Laughing, Stu could barely be understood through his", "Stu could barely be understood through his chortling: \"So the bug--ha ha ha!--turns", "into the robot, ha ha!\" Is this truly a style issue, or do", "a style issue, or do these have a ranking in terms of readability" ]
[ "Part I, Part II, Part III, and so on. If I cross reference", "... (spelled out) Note: I know that the overarching rule is consistency and", "headings, the parts are numbered Part I, Part II, Part III, and so", "style overrules whatever external authority is being used. When developing a house style,", "Part II, Part III, and so on. If I cross reference within text,", "is being used. When developing a house style, it's helpful to know if", "know that the overarching rule is consistency and that house style overrules whatever", "my question. The book is nonfiction, self help divided into parts with chapters.", "I, Part II, Part III, and so on. If I cross reference within", "a style rule is the same as or an exception to CMOS (or", "CMOS, but could not find the answer to my question. The book is", "to my question. The book is nonfiction, self help divided into parts with", "I know that the overarching rule is consistency and that house style overrules", "part one, ... (spelled out) Note: I know that the overarching rule is", "I looked in the CMOS, but could not find the answer to my", "same as in headings) * Recall in part 1, ... (arabic) * Recall", "as in headings) * Recall in part 1, ... (arabic) * Recall in", "Recall in part I, ... (roman, same as in headings) * Recall in", "overarching rule is consistency and that house style overrules whatever external authority is", "if a style rule is the same as or an exception to CMOS", "in the Chicago Manual of Style is the answer to my subject question?", "is nonfiction, self help divided into parts with chapters. In headings, the parts", "house style overrules whatever external authority is being used. When developing a house", "being used. When developing a house style, it's helpful to know if a", "the answer to my subject question? I looked in the CMOS, but could", "looked in the CMOS, but could not find the answer to my question.", "II, Part III, and so on. If I cross reference within text, what", "answer to my subject question? I looked in the CMOS, but could not", "in part 1, ... (arabic) * Recall in part one, ... (spelled out)", "with chapters. In headings, the parts are numbered Part I, Part II, Part", "are numbered Part I, Part II, Part III, and so on. If I", "* Recall in part I, ... (roman, same as in headings) * Recall", "book is nonfiction, self help divided into parts with chapters. In headings, the", "know if a style rule is the same as or an exception to", "in headings) * Recall in part 1, ... (arabic) * Recall in part", "in part one, ... (spelled out) Note: I know that the overarching rule", "answer to my question. The book is nonfiction, self help divided into parts", "parts are numbered Part I, Part II, Part III, and so on. If", "part 1, ... (arabic) * Recall in part one, ... (spelled out) Note:", "out) Note: I know that the overarching rule is consistency and that house", "one, ... (spelled out) Note: I know that the overarching rule is consistency", "chapters. In headings, the parts are numbered Part I, Part II, Part III,", "nonfiction, self help divided into parts with chapters. In headings, the parts are", "overrules whatever external authority is being used. When developing a house style, it's", "Part III, and so on. If I cross reference within text, what is", "and that house style overrules whatever external authority is being used. When developing", "to know if a style rule is the same as or an exception", "divided into parts with chapters. In headings, the parts are numbered Part I,", "find the answer to my question. The book is nonfiction, self help divided", "CMOS recommendation? * Recall in part I, ... (roman, same as in headings)", "... (arabic) * Recall in part one, ... (spelled out) Note: I know", "style, it's helpful to know if a style rule is the same as", "headings) * Recall in part 1, ... (arabic) * Recall in part one,", "is the same as or an exception to CMOS (or other style authority).", "could not find the answer to my question. The book is nonfiction, self", "text, what is the CMOS recommendation? * Recall in part I, ... (roman,", "rule is consistency and that house style overrules whatever external authority is being", "Manual of Style is the answer to my subject question? I looked in", "to my subject question? I looked in the CMOS, but could not find", "that the overarching rule is consistency and that house style overrules whatever external", "self help divided into parts with chapters. In headings, the parts are numbered", "subject question? I looked in the CMOS, but could not find the answer", "III, and so on. If I cross reference within text, what is the", "in part I, ... (roman, same as in headings) * Recall in part", "the CMOS, but could not find the answer to my question. The book", "a house style, it's helpful to know if a style rule is the", "1, ... (arabic) * Recall in part one, ... (spelled out) Note: I", "Recall in part 1, ... (arabic) * Recall in part one, ... (spelled", "reference within text, what is the CMOS recommendation? * Recall in part I,", "is the CMOS recommendation? * Recall in part I, ... (roman, same as", "Chicago Manual of Style is the answer to my subject question? I looked", "is the answer to my subject question? I looked in the CMOS, but", "(spelled out) Note: I know that the overarching rule is consistency and that", "The book is nonfiction, self help divided into parts with chapters. In headings,", "in the CMOS, but could not find the answer to my question. The", "the answer to my question. The book is nonfiction, self help divided into", "Recall in part one, ... (spelled out) Note: I know that the overarching", "into parts with chapters. In headings, the parts are numbered Part I, Part", "question? I looked in the CMOS, but could not find the answer to", "I cross reference within text, what is the CMOS recommendation? * Recall in", "parts with chapters. In headings, the parts are numbered Part I, Part II,", "helpful to know if a style rule is the same as or an", "developing a house style, it's helpful to know if a style rule is", "used. When developing a house style, it's helpful to know if a style", "house style, it's helpful to know if a style rule is the same", "what is the CMOS recommendation? * Recall in part I, ... (roman, same", "(arabic) * Recall in part one, ... (spelled out) Note: I know that", "external authority is being used. When developing a house style, it's helpful to", "so on. If I cross reference within text, what is the CMOS recommendation?", "* Recall in part one, ... (spelled out) Note: I know that the", "... (roman, same as in headings) * Recall in part 1, ... (arabic)", "style rule is the same as or an exception to CMOS (or other", "cross reference within text, what is the CMOS recommendation? * Recall in part", "I, ... (roman, same as in headings) * Recall in part 1, ...", "it's helpful to know if a style rule is the same as or", "(roman, same as in headings) * Recall in part 1, ... (arabic) ", "Style is the answer to my subject question? I looked in the CMOS,", "and so on. If I cross reference within text, what is the CMOS", " Recall in part 1, ... (arabic) * Recall in part one, ...", "rule is the same as or an exception to CMOS (or other style", "question. The book is nonfiction, self help divided into parts with chapters. In", "numbered Part I, Part II, Part III, and so on. If I cross", "part I, ... (roman, same as in headings) * Recall in part 1,", "the Chicago Manual of Style is the answer to my subject question? I", "In headings, the parts are numbered Part I, Part II, Part III, and", "Note: I know that the overarching rule is consistency and that house style", "is consistency and that house style overrules whatever external authority is being used.", "the overarching rule is consistency and that house style overrules whatever external authority", "If I cross reference within text, what is the CMOS recommendation? * Recall", "Where in the Chicago Manual of Style is the answer to my subject", "whatever external authority is being used. When developing a house style, it's helpful", "authority is being used. When developing a house style, it's helpful to know", "help divided into parts with chapters. In headings, the parts are numbered Part", "of Style is the answer to my subject question? I looked in the", "my subject question? I looked in the CMOS, but could not find the", "the CMOS recommendation? * Recall in part I, ... (roman, same as in", "recommendation? * Recall in part I, ... (roman, same as in headings) ", "that house style overrules whatever external authority is being used. When developing a", "on. If I cross reference within text, what is the CMOS recommendation? ", "consistency and that house style overrules whatever external authority is being used. When", "When developing a house style, it's helpful to know if a style rule", "within text, what is the CMOS recommendation? * Recall in part I, ...", "but could not find the answer to my question. The book is nonfiction,", "the parts are numbered Part I, Part II, Part III, and so on.", "not find the answer to my question. The book is nonfiction, self help" ]
[ "working on has named chapters with epigraphs... is it general practice to include", "general practice to include these in the word count of the book when", "of the book when talking to agents / publishers, or do you just", "they won't add up to much extra words, but I thought I'd be", "to include these in the word count of the book when talking to", "agents / publishers, or do you just count the main text of the", "of the novel? I know that they won't add up to much extra", "/ publishers, or do you just count the main text of the novel?", "in the word count of the book when talking to agents / publishers,", "book I'm working on has named chapters with epigraphs... is it general practice", "publishers, or do you just count the main text of the novel? I", "add up to much extra words, but I thought I'd be precise :)", "just count the main text of the novel? I know that they won't", "text of the novel? I know that they won't add up to much", "main text of the novel? I know that they won't add up to", "these in the word count of the book when talking to agents /", "when talking to agents / publishers, or do you just count the main", "count the main text of the novel? I know that they won't add", "is it general practice to include these in the word count of the", "with epigraphs... is it general practice to include these in the word count", "talking to agents / publishers, or do you just count the main text", "to agents / publishers, or do you just count the main text of", "include these in the word count of the book when talking to agents", "won't add up to much extra words, but I thought I'd be precise", "that they won't add up to much extra words, but I thought I'd", "word count of the book when talking to agents / publishers, or do", "the novel? I know that they won't add up to much extra words,", "know that they won't add up to much extra words, but I thought", "book when talking to agents / publishers, or do you just count the", "the main text of the novel? I know that they won't add up", "novel? I know that they won't add up to much extra words, but", "or do you just count the main text of the novel? I know", "epigraphs... is it general practice to include these in the word count of", "the word count of the book when talking to agents / publishers, or", "the book when talking to agents / publishers, or do you just count", "The current book I'm working on has named chapters with epigraphs... is it", "I'm working on has named chapters with epigraphs... is it general practice to", "on has named chapters with epigraphs... is it general practice to include these", "current book I'm working on has named chapters with epigraphs... is it general", "do you just count the main text of the novel? I know that", "it general practice to include these in the word count of the book", "has named chapters with epigraphs... is it general practice to include these in", "count of the book when talking to agents / publishers, or do you", "chapters with epigraphs... is it general practice to include these in the word", "I know that they won't add up to much extra words, but I", "practice to include these in the word count of the book when talking", "named chapters with epigraphs... is it general practice to include these in the", "you just count the main text of the novel? I know that they" ]
[ "as well as a lot of radio presenters and major news agencies, so", "Associated Press stylebook - at least that's where the custom state abbreviations are", "design into a commercial-grade device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my", "consumer design into a commercial-grade device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/),", "promise to reinvent the PC by bringing premium consumer design into a commercial-grade", "Calif., January 5, 2016 — Example Inc. today delivered on the promise to", "[Reuters](http://www.reuters.com/) only does this in some articles, and I couldn't figure out the", "trying to understand why is it like that. I've seen that approach used", "least that's where the custom state abbreviations are defined. I'm trying to understand", "that this might be a requirement outlined in the Associated Press stylebook -", "time, [Reuters](http://www.reuters.com/) only does this in some articles, and I couldn't figure out", "talking about: > > PALO ALTO, Calif., January 5, 2016 — Example Inc.", "state abbreviations are defined. I'm trying to understand why is it like that.", "as a lot of radio presenters and major news agencies, so there must", "today delivered on the promise to reinvent the PC by bringing premium consumer", "this might be a requirement outlined in the Associated Press stylebook - at", "at least that's where the custom state abbreviations are defined. I'm trying to", "lot of radio presenters and major news agencies, so there must be a", "a convention. At the same time, [Reuters](http://www.reuters.com/) only does this in some articles,", "issued by a large IT corporation (quoted above), as well as a lot", "in the Associated Press stylebook - at least that's where the custom state", "this in some articles, and I couldn't figure out the dependency. Please clarify!", "to understand why is it like that. I've seen that approach used in", "to reinvent the PC by bringing premium consumer design into a commercial-grade device", "used in a press release issued by a large IT corporation (quoted above),", "press release issued by a large IT corporation (quoted above), as well as", "like that. I've seen that approach used in a press release issued by", "agencies, so there must be a convention. At the same time, [Reuters](http://www.reuters.com/) only", "only does this in some articles, and I couldn't figure out the dependency.", "the custom state abbreviations are defined. I'm trying to understand why is it", "above), as well as a lot of radio presenters and major news agencies,", "approach used in a press release issued by a large IT corporation (quoted", "5, 2016 — Example Inc. today delivered on the promise to reinvent the", "defined. I'm trying to understand why is it like that. I've seen that", "must be a convention. At the same time, [Reuters](http://www.reuters.com/) only does this in", "a requirement outlined in the Associated Press stylebook - at least that's where", "a commercial-grade device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is", "by bringing premium consumer design into a commercial-grade device > > > From", "where the custom state abbreviations are defined. I'm trying to understand why is", "(quoted above), as well as a lot of radio presenters and major news", "there must be a convention. At the same time, [Reuters](http://www.reuters.com/) only does this", "is it like that. I've seen that approach used in a press release", "of radio presenters and major news agencies, so there must be a convention.", "delivered on the promise to reinvent the PC by bringing premium consumer design", "be a requirement outlined in the Associated Press stylebook - at least that's", "why is it like that. I've seen that approach used in a press", "2016 — Example Inc. today delivered on the promise to reinvent the PC", "> PALO ALTO, Calif., January 5, 2016 — Example Inc. today delivered on", "premium consumer design into a commercial-grade device > > > From [what I", "custom state abbreviations are defined. I'm trying to understand why is it like", "is that this might be a requirement outlined in the Associated Press stylebook", "At the same time, [Reuters](http://www.reuters.com/) only does this in some articles, and I", "on the promise to reinvent the PC by bringing premium consumer design into", "January 5, 2016 — Example Inc. today delivered on the promise to reinvent", "understanding is that this might be a requirement outlined in the Associated Press", "Here's what I'm talking about: > > PALO ALTO, Calif., January 5, 2016", "requirement outlined in the Associated Press stylebook - at least that's where the", "it like that. I've seen that approach used in a press release issued", "that approach used in a press release issued by a large IT corporation", "IT corporation (quoted above), as well as a lot of radio presenters and", "a large IT corporation (quoted above), as well as a lot of radio", "seen that approach used in a press release issued by a large IT", "[what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be a requirement outlined", "stylebook - at least that's where the custom state abbreviations are defined. I'm", "into a commercial-grade device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding", "ALTO, Calif., January 5, 2016 — Example Inc. today delivered on the promise", "> > PALO ALTO, Calif., January 5, 2016 — Example Inc. today delivered", "release issued by a large IT corporation (quoted above), as well as a", "reinvent the PC by bringing premium consumer design into a commercial-grade device >", "PC by bringing premium consumer design into a commercial-grade device > > >", "so there must be a convention. At the same time, [Reuters](http://www.reuters.com/) only does", "outlined in the Associated Press stylebook - at least that's where the custom", "understand why is it like that. I've seen that approach used in a", "From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be a requirement", "I'm trying to understand why is it like that. I've seen that approach", "abbreviations are defined. I'm trying to understand why is it like that. I've", "large IT corporation (quoted above), as well as a lot of radio presenters", "about: > > PALO ALTO, Calif., January 5, 2016 — Example Inc. today", "the Associated Press stylebook - at least that's where the custom state abbreviations", "the same time, [Reuters](http://www.reuters.com/) only does this in some articles, and I couldn't", "> > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might", "well as a lot of radio presenters and major news agencies, so there", "and major news agencies, so there must be a convention. At the same", "commercial-grade device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that", "a lot of radio presenters and major news agencies, so there must be", "> > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be", "does this in some articles, and I couldn't figure out the dependency. Please", "I'm talking about: > > PALO ALTO, Calif., January 5, 2016 — Example", "are defined. I'm trying to understand why is it like that. I've seen", "my understanding is that this might be a requirement outlined in the Associated", "radio presenters and major news agencies, so there must be a convention. At", "might be a requirement outlined in the Associated Press stylebook - at least", "major news agencies, so there must be a convention. At the same time,", "PALO ALTO, Calif., January 5, 2016 — Example Inc. today delivered on the", "I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be a requirement outlined in", "— Example Inc. today delivered on the promise to reinvent the PC by", "what I'm talking about: > > PALO ALTO, Calif., January 5, 2016 —", "convention. At the same time, [Reuters](http://www.reuters.com/) only does this in some articles, and", "device > > > From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this", "that. I've seen that approach used in a press release issued by a", "news agencies, so there must be a convention. At the same time, [Reuters](http://www.reuters.com/)", "that's where the custom state abbreviations are defined. I'm trying to understand why", "corporation (quoted above), as well as a lot of radio presenters and major", "presenters and major news agencies, so there must be a convention. At the", "a press release issued by a large IT corporation (quoted above), as well", "> From [what I found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be a", "be a convention. At the same time, [Reuters](http://www.reuters.com/) only does this in some", "I've seen that approach used in a press release issued by a large", "Press stylebook - at least that's where the custom state abbreviations are defined.", "Example Inc. today delivered on the promise to reinvent the PC by bringing", "the PC by bringing premium consumer design into a commercial-grade device > >", "in a press release issued by a large IT corporation (quoted above), as", "the promise to reinvent the PC by bringing premium consumer design into a", "- at least that's where the custom state abbreviations are defined. I'm trying", "same time, [Reuters](http://www.reuters.com/) only does this in some articles, and I couldn't figure", "bringing premium consumer design into a commercial-grade device > > > From [what", "by a large IT corporation (quoted above), as well as a lot of", "found](http://www.cyberalert.com/blog/index.php/does-your-press-release-follow-ap-style-9-rules-for-pr/), my understanding is that this might be a requirement outlined in the", "Inc. today delivered on the promise to reinvent the PC by bringing premium" ]
[ "triple etc. which I would usually use? I am trying to expand my", "mean to double again, to double, or in general to intensify whether that", "reader wouldn't have the intensify vs double again confusion but still the reader", "usually use triple or quintuple or something besides double then again the reader", "I would usually use double again the reader wouldn't have the intensify vs", "use redouble in any scenario when writing or editing or should I just", "seen double and double again a lot. Redouble, not so much. I found", "writing or editing or should I just use double, double again, triple etc.", "double again, triple etc. which I would usually use? I am trying to", "again a lot. Redouble, not so much. I found out that redouble can", "redouble where I would usually use triple or quintuple or something besides double", "double again confusion but still the reader might think \"It is irrelavant to", "would think that it has doubled twice. If I use redouble where I", "scenario when writing or editing or should I just use double, double again,", "\"It is irrelavant to use redouble when you could just use double again.\"", "it has doubled twice. If I use redouble where I would usually use", "while editing so that is why I am asking if I should ever", "know when to use redouble or if I should use it at all.", "However I wouldn't know when to use redouble or if I should use", "could just use double again.\" So should I use redouble in any scenario", "I would usually use? I am trying to expand my vocabulary while editing", "I use redouble where I would usually use triple or quintuple or something", "the reader wouldn't have the intensify vs double again confusion but still the", "think that it has doubled again when it might have tripled. If I", "but still the reader might think \"It is irrelavant to use redouble when", "would usually use triple or quintuple or something besides double then again the", "the intensify vs double again confusion but still the reader might think \"It", "whether that is double, triple, quintuple, or something else. So if I want", "just use double again.\" So should I use redouble in any scenario when", "not so much. I found out that redouble can mean to double again,", "the reader would think that it has doubled twice. If I use redouble", "any scenario when writing or editing or should I just use double, double", "use double, double again, triple etc. which I would usually use? I am", "I should use it at all. If I use redouble where I would", "that is double, triple, quintuple, or something else. So if I want to", "double again the reader wouldn't have the intensify vs double again confusion but", "again when it might have tripled. If I use redouble where I would", "redouble can mean to double again, to double, or in general to intensify", "might have tripled. If I use redouble where I would usually use double", "editing so that is why I am asking if I should ever use", "should use it at all. If I use redouble where I would usually", "etc. which I would usually use? I am trying to expand my vocabulary", "again, to double, or in general to intensify whether that is double, triple,", "or should I just use double, double again, triple etc. which I would", "is irrelavant to use redouble when you could just use double again.\" So", "use? I am trying to expand my vocabulary while editing so that is", "lot. Redouble, not so much. I found out that redouble can mean to", "in general to intensify whether that is double, triple, quintuple, or something else.", "quintuple or something besides double then again the reader will think that it", "where I would usually use double again the reader wouldn't have the intensify", "it at all. If I use redouble where I would usually use double", "irrelavant to use redouble when you could just use double again.\" So should", "just use double, double again, triple etc. which I would usually use? I", "usually use double again the reader wouldn't have the intensify vs double again", "I have seen double and double again a lot. Redouble, not so much.", "usually use double then the reader would think that it has doubled twice.", "again, triple etc. which I would usually use? I am trying to expand", "to use redouble or if I should use it at all. If I", "when you could just use double again.\" So should I use redouble in", "double again I pretty much know when to use it. However I wouldn't", "a lot. Redouble, not so much. I found out that redouble can mean", "twice. If I use redouble where I would usually use triple or quintuple", "double, or in general to intensify whether that is double, triple, quintuple, or", "that it has doubled twice. If I use redouble where I would usually", "if I want to use double again I pretty much know when to", "something besides double then again the reader will think that it has doubled", "wouldn't have the intensify vs double again confusion but still the reader might", "would usually use? I am trying to expand my vocabulary while editing so", "So should I use redouble in any scenario when writing or editing or", "I wouldn't know when to use redouble or if I should use it", "that redouble can mean to double again, to double, or in general to", "much. I found out that redouble can mean to double again, to double,", "use double again I pretty much know when to use it. However I", "to intensify whether that is double, triple, quintuple, or something else. So if", "would usually use double again the reader wouldn't have the intensify vs double", "it has doubled again when it might have tripled. If I use redouble", "still the reader might think \"It is irrelavant to use redouble when you", "intensify whether that is double, triple, quintuple, or something else. So if I", "I want to use double again I pretty much know when to use", "I would usually use double then the reader would think that it has", "double then the reader would think that it has doubled twice. If I", "double then again the reader will think that it has doubled again when", "tripled. If I use redouble where I would usually use double again the", "have the intensify vs double again confusion but still the reader might think", "then the reader would think that it has doubled twice. If I use", "use double again.\" So should I use redouble in any scenario when writing", "or if I should use it at all. If I use redouble where", "reader might think \"It is irrelavant to use redouble when you could just", "use redouble when you could just use double again.\" So should I use", "to double again, to double, or in general to intensify whether that is", "to expand my vocabulary while editing so that is why I am asking", "am trying to expand my vocabulary while editing so that is why I", "pretty much know when to use it. However I wouldn't know when to", "triple or quintuple or something besides double then again the reader will think", "or in general to intensify whether that is double, triple, quintuple, or something", "expand my vocabulary while editing so that is why I am asking if", "so that is why I am asking if I should ever use redouble?", "again I pretty much know when to use it. However I wouldn't know", "then again the reader will think that it has doubled again when it", "and double again a lot. Redouble, not so much. I found out that", "wouldn't know when to use redouble or if I should use it at", "at all. If I use redouble where I would usually use double then", "where I would usually use double then the reader would think that it", "I found out that redouble can mean to double again, to double, or", "where I would usually use triple or quintuple or something besides double then", "double and double again a lot. Redouble, not so much. I found out", "if I should use it at all. If I use redouble where I", "vs double again confusion but still the reader might think \"It is irrelavant", "or something else. So if I want to use double again I pretty", "think \"It is irrelavant to use redouble when you could just use double", "else. So if I want to use double again I pretty much know", "so much. I found out that redouble can mean to double again, to", "is double, triple, quintuple, or something else. So if I want to use", "think that it has doubled twice. If I use redouble where I would", "might think \"It is irrelavant to use redouble when you could just use", "trying to expand my vocabulary while editing so that is why I am", "again.\" So should I use redouble in any scenario when writing or editing", "intensify vs double again confusion but still the reader might think \"It is", "use redouble or if I should use it at all. If I use", "to use it. However I wouldn't know when to use redouble or if", "it might have tripled. If I use redouble where I would usually use", "when to use it. However I wouldn't know when to use redouble or", "redouble when you could just use double again.\" So should I use redouble", "in any scenario when writing or editing or should I just use double,", "double, triple, quintuple, or something else. So if I want to use double", "would usually use double then the reader would think that it has doubled", "I use redouble where I would usually use double then the reader would", "again the reader wouldn't have the intensify vs double again confusion but still", "use double then the reader would think that it has doubled twice. If", "should I just use double, double again, triple etc. which I would usually", "can mean to double again, to double, or in general to intensify whether", "much know when to use it. However I wouldn't know when to use", "redouble where I would usually use double then the reader would think that", "or quintuple or something besides double then again the reader will think that", "to use redouble when you could just use double again.\" So should I", "double again, to double, or in general to intensify whether that is double,", "If I use redouble where I would usually use double again the reader", "again the reader will think that it has doubled again when it might", "I pretty much know when to use it. However I wouldn't know when", "the reader might think \"It is irrelavant to use redouble when you could", "have tripled. If I use redouble where I would usually use double again", "out that redouble can mean to double again, to double, or in general", "when writing or editing or should I just use double, double again, triple", "reader will think that it has doubled again when it might have tripled.", "use it at all. If I use redouble where I would usually use", "doubled again when it might have tripled. If I use redouble where I", "doubled twice. If I use redouble where I would usually use triple or", "when to use redouble or if I should use it at all. If", "triple, quintuple, or something else. So if I want to use double again", "to use double again I pretty much know when to use it. However", "have seen double and double again a lot. Redouble, not so much. I", "besides double then again the reader will think that it has doubled again", "something else. So if I want to use double again I pretty much", "to double, or in general to intensify whether that is double, triple, quintuple,", "or editing or should I just use double, double again, triple etc. which", "Redouble, not so much. I found out that redouble can mean to double", "confusion but still the reader might think \"It is irrelavant to use redouble", "which I would usually use? I am trying to expand my vocabulary while", "double again a lot. Redouble, not so much. I found out that redouble", "redouble in any scenario when writing or editing or should I just use", "will think that it has doubled again when it might have tripled. If", "redouble or if I should use it at all. If I use redouble", "I just use double, double again, triple etc. which I would usually use?", "double, double again, triple etc. which I would usually use? I am trying", "want to use double again I pretty much know when to use it.", "you could just use double again.\" So should I use redouble in any", "general to intensify whether that is double, triple, quintuple, or something else. So", "all. If I use redouble where I would usually use double then the", "know when to use it. However I wouldn't know when to use redouble", "I would usually use triple or quintuple or something besides double then again", "editing or should I just use double, double again, triple etc. which I", "found out that redouble can mean to double again, to double, or in", "use triple or quintuple or something besides double then again the reader will", "has doubled twice. If I use redouble where I would usually use triple", "I use redouble in any scenario when writing or editing or should I", "usually use? I am trying to expand my vocabulary while editing so that", "If I use redouble where I would usually use double then the reader", "has doubled again when it might have tripled. If I use redouble where", "reader would think that it has doubled twice. If I use redouble where", "use double again the reader wouldn't have the intensify vs double again confusion", "again confusion but still the reader might think \"It is irrelavant to use", "when it might have tripled. If I use redouble where I would usually", "should I use redouble in any scenario when writing or editing or should", "double again.\" So should I use redouble in any scenario when writing or", "or something besides double then again the reader will think that it has", "my vocabulary while editing so that is why I am asking if I", "the reader will think that it has doubled again when it might have", "If I use redouble where I would usually use triple or quintuple or", "I am trying to expand my vocabulary while editing so that is why", "use redouble where I would usually use double then the reader would think", "quintuple, or something else. So if I want to use double again I", "use redouble where I would usually use double again the reader wouldn't have", "vocabulary while editing so that is why I am asking if I should", "use it. However I wouldn't know when to use redouble or if I", "it. However I wouldn't know when to use redouble or if I should", "that it has doubled again when it might have tripled. If I use", "So if I want to use double again I pretty much know when", "I use redouble where I would usually use double again the reader wouldn't", "redouble where I would usually use double again the reader wouldn't have the", "use redouble where I would usually use triple or quintuple or something besides" ]
[ "camera action is up to the director. Would I ever be allowed to", "the best way to specify --for example --that a character is fixing his/hair", "the director. Would I ever be allowed to pan if it is important?", "is up to the director. Would I ever be allowed to pan if", "fixing his/hair in the mirror from the mirror's point of view? My instinct", "can, what would be the best way to specify --for example --that a", "--that a character is fixing his/hair in the mirror from the mirror's point", "instinct is to just simply say: From the mirror's POV (character's name} fixes", "mirror's POV (character's name} fixes his/her hair in the reflection. Can anybody think", "Would I not be able to pick certain angles? If I can, what", "important? Would I not be able to pick certain angles? If I can,", "in the mirror from the mirror's point of view? My instinct is to", "name} fixes his/her hair in the reflection. Can anybody think of a better", "able to pick certain angles? If I can, what would be the best", "up to the director. Would I ever be allowed to pan if it", "to pick certain angles? If I can, what would be the best way", "to the director. Would I ever be allowed to pan if it is", "I can, what would be the best way to specify --for example --that", "to pan if it is important? Would I not be able to pick", "My instinct is to just simply say: From the mirror's POV (character's name}", "simply say: From the mirror's POV (character's name} fixes his/her hair in the", "character is fixing his/hair in the mirror from the mirror's point of view?", "POV (character's name} fixes his/her hair in the reflection. Can anybody think of", "I ever be allowed to pan if it is important? Would I not", "the mirror from the mirror's point of view? My instinct is to just", "point of view? My instinct is to just simply say: From the mirror's", "what would be the best way to specify --for example --that a character", "--for example --that a character is fixing his/hair in the mirror from the", "specify --for example --that a character is fixing his/hair in the mirror from", "I not be able to pick certain angles? If I can, what would", "be able to pick certain angles? If I can, what would be the", "view? My instinct is to just simply say: From the mirror's POV (character's", "director. Would I ever be allowed to pan if it is important? Would", "I guess camera action is up to the director. Would I ever be", "action is up to the director. Would I ever be allowed to pan", "ever be allowed to pan if it is important? Would I not be", "So I guess camera action is up to the director. Would I ever", "example --that a character is fixing his/hair in the mirror from the mirror's", "(character's name} fixes his/her hair in the reflection. Can anybody think of a", "is important? Would I not be able to pick certain angles? If I", "not be able to pick certain angles? If I can, what would be", "certain angles? If I can, what would be the best way to specify", "to specify --for example --that a character is fixing his/hair in the mirror", "way to specify --for example --that a character is fixing his/hair in the", "from the mirror's point of view? My instinct is to just simply say:", "be allowed to pan if it is important? Would I not be able", "would be the best way to specify --for example --that a character is", "best way to specify --for example --that a character is fixing his/hair in", "of view? My instinct is to just simply say: From the mirror's POV", "is fixing his/hair in the mirror from the mirror's point of view? My", "fixes his/her hair in the reflection. Can anybody think of a better way?", "a character is fixing his/hair in the mirror from the mirror's point of", "say: From the mirror's POV (character's name} fixes his/her hair in the reflection.", "angles? If I can, what would be the best way to specify --for", "If I can, what would be the best way to specify --for example", "to just simply say: From the mirror's POV (character's name} fixes his/her hair", "pan if it is important? Would I not be able to pick certain", "mirror from the mirror's point of view? My instinct is to just simply", "the mirror's point of view? My instinct is to just simply say: From", "is to just simply say: From the mirror's POV (character's name} fixes his/her", "allowed to pan if it is important? Would I not be able to", "if it is important? Would I not be able to pick certain angles?", "be the best way to specify --for example --that a character is fixing", "mirror's point of view? My instinct is to just simply say: From the", "his/hair in the mirror from the mirror's point of view? My instinct is", "pick certain angles? If I can, what would be the best way to", "From the mirror's POV (character's name} fixes his/her hair in the reflection. Can", "the mirror's POV (character's name} fixes his/her hair in the reflection. Can anybody", "just simply say: From the mirror's POV (character's name} fixes his/her hair in", "guess camera action is up to the director. Would I ever be allowed", "Would I ever be allowed to pan if it is important? Would I", "it is important? Would I not be able to pick certain angles? If" ]
[ "after 6 weeks of no contact I can assume a rejection. My question", "exclusive submission if I submitted similar, but not the same, work to a", "is this: would I be breaking my exclusive submission if I submitted similar,", "rejection. My question is this: would I be breaking my exclusive submission if", "the 6 weeks have expired? If it makes a difference, one of the", "They say that after 6 weeks of no contact I can assume a", "the same, work to a different agent before the 6 weeks have expired?", "assume a rejection. My question is this: would I be breaking my exclusive", "one of the stories that I'd like to submit is in the same", "My question is this: would I be breaking my exclusive submission if I", "some of my work to an agent that requested an exclusive submission. They", "to an agent that requested an exclusive submission. They say that after 6", "6 weeks of no contact I can assume a rejection. My question is", "that I'd like to submit is in the same world/series as one that", "6 weeks have expired? If it makes a difference, one of the stories", "an agent that requested an exclusive submission. They say that after 6 weeks", "weeks have expired? If it makes a difference, one of the stories that", "similar, but not the same, work to a different agent before the 6", "expired? If it makes a difference, one of the stories that I'd like", "have expired? If it makes a difference, one of the stories that I'd", "a difference, one of the stories that I'd like to submit is in", "the stories that I'd like to submit is in the same world/series as", "like to submit is in the same world/series as one that was submitted", "to submit is in the same world/series as one that was submitted to", "be breaking my exclusive submission if I submitted similar, but not the same,", "would I be breaking my exclusive submission if I submitted similar, but not", "that after 6 weeks of no contact I can assume a rejection. My", "breaking my exclusive submission if I submitted similar, but not the same, work", "not the same, work to a different agent before the 6 weeks have", "I've submitted some of my work to an agent that requested an exclusive", "agent before the 6 weeks have expired? If it makes a difference, one", "a different agent before the 6 weeks have expired? If it makes a", "is in the same world/series as one that was submitted to the first", "before the 6 weeks have expired? If it makes a difference, one of", "agent that requested an exclusive submission. They say that after 6 weeks of", "that requested an exclusive submission. They say that after 6 weeks of no", "a rejection. My question is this: would I be breaking my exclusive submission", "different agent before the 6 weeks have expired? If it makes a difference,", "to a different agent before the 6 weeks have expired? If it makes", "If it makes a difference, one of the stories that I'd like to", "of no contact I can assume a rejection. My question is this: would", "makes a difference, one of the stories that I'd like to submit is", "weeks of no contact I can assume a rejection. My question is this:", "work to an agent that requested an exclusive submission. They say that after", "I be breaking my exclusive submission if I submitted similar, but not the", "stories that I'd like to submit is in the same world/series as one", "my work to an agent that requested an exclusive submission. They say that", "question is this: would I be breaking my exclusive submission if I submitted", "work to a different agent before the 6 weeks have expired? If it", "I'd like to submit is in the same world/series as one that was", "can assume a rejection. My question is this: would I be breaking my", "this: would I be breaking my exclusive submission if I submitted similar, but", "submitted some of my work to an agent that requested an exclusive submission.", "say that after 6 weeks of no contact I can assume a rejection.", "I can assume a rejection. My question is this: would I be breaking", "if I submitted similar, but not the same, work to a different agent", "submitted similar, but not the same, work to a different agent before the", "exclusive submission. They say that after 6 weeks of no contact I can", "contact I can assume a rejection. My question is this: would I be", "an exclusive submission. They say that after 6 weeks of no contact I", "submit is in the same world/series as one that was submitted to the", "my exclusive submission if I submitted similar, but not the same, work to", "same, work to a different agent before the 6 weeks have expired? If", "submission. They say that after 6 weeks of no contact I can assume", "requested an exclusive submission. They say that after 6 weeks of no contact", "it makes a difference, one of the stories that I'd like to submit", "in the same world/series as one that was submitted to the first agent.", "of my work to an agent that requested an exclusive submission. They say", "difference, one of the stories that I'd like to submit is in the", "but not the same, work to a different agent before the 6 weeks", "of the stories that I'd like to submit is in the same world/series", "no contact I can assume a rejection. My question is this: would I", "I submitted similar, but not the same, work to a different agent before", "submission if I submitted similar, but not the same, work to a different" ]
[ "However, I want a fitting end for him. But I don't want to", "I want this to be his last mission. However, I want a fitting", "how do I write a fitting end, an appropriate punishment for him to", "for his \"sins\". So, how do I write a fitting end, an appropriate", "the regime, secretly taken over and now is destroying the secret society which", "country. I want this to be his last mission. However, I want a", "for him. But I don't want to kill him yet because I feel", "for the greater good, which is to destroy an oppressive regime. I'm at", "over and now is destroying the secret society which was in control of", "the country. I want this to be his last mission. However, I want", "cunning, kills, and sacrifices others for the greater good, which is to destroy", "last mission. However, I want a fitting end for him. But I don't", "I want a fitting end for him. But I don't want to kill", "regime. I'm at the point where he has destroyed the regime, secretly taken", "protagonist is an anti-hero. He's manipulative, cunning, kills, and sacrifices others for the", "the greater good, which is to destroy an oppressive regime. I'm at the", "is to destroy an oppressive regime. I'm at the point where he has", "a fitting end, an appropriate punishment for him to suffer, that isn't just", "a fitting end for him. But I don't want to kill him yet", "now is destroying the secret society which was in control of the country.", "But I don't want to kill him yet because I feel like he", "My protagonist is an anti-hero. He's manipulative, cunning, kills, and sacrifices others for", "he has to be punished for his \"sins\". So, how do I write", "he has destroyed the regime, secretly taken over and now is destroying the", "the point where he has destroyed the regime, secretly taken over and now", "was in control of the country. I want this to be his last", "fitting end for him. But I don't want to kill him yet because", "destroy an oppressive regime. I'm at the point where he has destroyed the", "an anti-hero. He's manipulative, cunning, kills, and sacrifices others for the greater good,", "secretly taken over and now is destroying the secret society which was in", "manipulative, cunning, kills, and sacrifices others for the greater good, which is to", "taken over and now is destroying the secret society which was in control", "I don't want to kill him yet because I feel like he has", "like he has to be punished for his \"sins\". So, how do I", "destroyed the regime, secretly taken over and now is destroying the secret society", "this to be his last mission. However, I want a fitting end for", "mission. However, I want a fitting end for him. But I don't want", "feel like he has to be punished for his \"sins\". So, how do", "which was in control of the country. I want this to be his", "to destroy an oppressive regime. I'm at the point where he has destroyed", "has to be punished for his \"sins\". So, how do I write a", "society which was in control of the country. I want this to be", "is an anti-hero. He's manipulative, cunning, kills, and sacrifices others for the greater", "So, how do I write a fitting end, an appropriate punishment for him", "want this to be his last mission. However, I want a fitting end", "punished for his \"sins\". So, how do I write a fitting end, an", "do I write a fitting end, an appropriate punishment for him to suffer,", "others for the greater good, which is to destroy an oppressive regime. I'm", "and now is destroying the secret society which was in control of the", "secret society which was in control of the country. I want this to", "yet because I feel like he has to be punished for his \"sins\".", "in control of the country. I want this to be his last mission.", "sacrifices others for the greater good, which is to destroy an oppressive regime.", "to be punished for his \"sins\". So, how do I write a fitting", "don't want to kill him yet because I feel like he has to", "him. But I don't want to kill him yet because I feel like", "be his last mission. However, I want a fitting end for him. But", "oppressive regime. I'm at the point where he has destroyed the regime, secretly", "point where he has destroyed the regime, secretly taken over and now is", "of the country. I want this to be his last mission. However, I", "end for him. But I don't want to kill him yet because I", "He's manipulative, cunning, kills, and sacrifices others for the greater good, which is", "kill him yet because I feel like he has to be punished for", "kills, and sacrifices others for the greater good, which is to destroy an", "control of the country. I want this to be his last mission. However,", "to kill him yet because I feel like he has to be punished", "at the point where he has destroyed the regime, secretly taken over and", "\"sins\". So, how do I write a fitting end, an appropriate punishment for", "anti-hero. He's manipulative, cunning, kills, and sacrifices others for the greater good, which", "because I feel like he has to be punished for his \"sins\". So,", "has destroyed the regime, secretly taken over and now is destroying the secret", "is destroying the secret society which was in control of the country. I", "an appropriate punishment for him to suffer, that isn't just killing the character?", "and sacrifices others for the greater good, which is to destroy an oppressive", "write a fitting end, an appropriate punishment for him to suffer, that isn't", "want a fitting end for him. But I don't want to kill him", "regime, secretly taken over and now is destroying the secret society which was", "to be his last mission. However, I want a fitting end for him.", "end, an appropriate punishment for him to suffer, that isn't just killing the", "which is to destroy an oppressive regime. I'm at the point where he", "I feel like he has to be punished for his \"sins\". So, how", "fitting end, an appropriate punishment for him to suffer, that isn't just killing", "the secret society which was in control of the country. I want this", "his \"sins\". So, how do I write a fitting end, an appropriate punishment", "greater good, which is to destroy an oppressive regime. I'm at the point", "be punished for his \"sins\". So, how do I write a fitting end,", "where he has destroyed the regime, secretly taken over and now is destroying", "I'm at the point where he has destroyed the regime, secretly taken over", "want to kill him yet because I feel like he has to be", "I write a fitting end, an appropriate punishment for him to suffer, that", "destroying the secret society which was in control of the country. I want", "an oppressive regime. I'm at the point where he has destroyed the regime,", "him yet because I feel like he has to be punished for his", "his last mission. However, I want a fitting end for him. But I", "good, which is to destroy an oppressive regime. I'm at the point where" ]
[ "they like it and it fits in with their current publication. But why", "it and it fits in with their current publication. But why would an", "the story they're looking at but the author themselves? Is this a common", "and agents work for authors. I understand it's more complicated than that, but", "authors. I understand it's more complicated than that, but what advantage does an", "requesting exclusive submissions other than keeping an author from submitting to other agents", "understand it's more complicated than that, but what advantage does an agent gain", "request an exclusive submission when it's not so much the story they're looking", "counting on a story that has been submitted to them to be available", "publishers often ask for exclusive submissions. They're counting on a story that has", "an exclusive submission when it's not so much the story they're looking at", "from submitting to other agents until they decide to reject or accept them?", "be available for them to purchase if they decide they like it and", "when it's not so much the story they're looking at but the author", "so much the story they're looking at but the author themselves? Is this", "it fits in with their current publication. But why would an agent request", "that, but what advantage does an agent gain by requesting exclusive submissions other", "to them to be available for them to purchase if they decide they", "agents? Generally my understanding is that authors work for publishers and agents work", "available for them to purchase if they decide they like it and it", "at but the author themselves? Is this a common thing among agents? Generally", "why would an agent request an exclusive submission when it's not so much", "not so much the story they're looking at but the author themselves? Is", "than that, but what advantage does an agent gain by requesting exclusive submissions", "much the story they're looking at but the author themselves? Is this a", "my understanding is that authors work for publishers and agents work for authors.", "if they decide they like it and it fits in with their current", "submission when it's not so much the story they're looking at but the", "author from submitting to other agents until they decide to reject or accept", "often ask for exclusive submissions. They're counting on a story that has been", "agent request an exclusive submission when it's not so much the story they're", "their current publication. But why would an agent request an exclusive submission when", "purchase if they decide they like it and it fits in with their", "fits in with their current publication. But why would an agent request an", "understand why publishers often ask for exclusive submissions. They're counting on a story", "a common thing among agents? Generally my understanding is that authors work for", "agent gain by requesting exclusive submissions other than keeping an author from submitting", "why publishers often ask for exclusive submissions. They're counting on a story that", "them to purchase if they decide they like it and it fits in", "but the author themselves? Is this a common thing among agents? Generally my", "among agents? Generally my understanding is that authors work for publishers and agents", "submitted to them to be available for them to purchase if they decide", "Generally my understanding is that authors work for publishers and agents work for", "Is this a common thing among agents? Generally my understanding is that authors", "author themselves? Is this a common thing among agents? Generally my understanding is", "keeping an author from submitting to other agents until they decide to reject", "than keeping an author from submitting to other agents until they decide to", "would an agent request an exclusive submission when it's not so much the", "other than keeping an author from submitting to other agents until they decide", "for exclusive submissions. They're counting on a story that has been submitted to", "the author themselves? Is this a common thing among agents? Generally my understanding", "exclusive submissions other than keeping an author from submitting to other agents until", "exclusive submission when it's not so much the story they're looking at but", "looking at but the author themselves? Is this a common thing among agents?", "to purchase if they decide they like it and it fits in with", "exclusive submissions. They're counting on a story that has been submitted to them", "They're counting on a story that has been submitted to them to be", "publication. But why would an agent request an exclusive submission when it's not", "story that has been submitted to them to be available for them to", "an agent gain by requesting exclusive submissions other than keeping an author from", "work for publishers and agents work for authors. I understand it's more complicated", "I understand it's more complicated than that, but what advantage does an agent", "does an agent gain by requesting exclusive submissions other than keeping an author", "work for authors. I understand it's more complicated than that, but what advantage", "to be available for them to purchase if they decide they like it", "common thing among agents? Generally my understanding is that authors work for publishers", "gain by requesting exclusive submissions other than keeping an author from submitting to", "is that authors work for publishers and agents work for authors. I understand", "I understand why publishers often ask for exclusive submissions. They're counting on a", "been submitted to them to be available for them to purchase if they", "it's not so much the story they're looking at but the author themselves?", "understanding is that authors work for publishers and agents work for authors. I", "more complicated than that, but what advantage does an agent gain by requesting", "advantage does an agent gain by requesting exclusive submissions other than keeping an", "publishers and agents work for authors. I understand it's more complicated than that,", "authors work for publishers and agents work for authors. I understand it's more", "by requesting exclusive submissions other than keeping an author from submitting to other", "in with their current publication. But why would an agent request an exclusive", "But why would an agent request an exclusive submission when it's not so", "for authors. I understand it's more complicated than that, but what advantage does", "ask for exclusive submissions. They're counting on a story that has been submitted", "complicated than that, but what advantage does an agent gain by requesting exclusive", "an author from submitting to other agents until they decide to reject or", "but what advantage does an agent gain by requesting exclusive submissions other than", "they decide they like it and it fits in with their current publication.", "that has been submitted to them to be available for them to purchase", "like it and it fits in with their current publication. But why would", "it's more complicated than that, but what advantage does an agent gain by", "decide they like it and it fits in with their current publication. But", "a story that has been submitted to them to be available for them", "for them to purchase if they decide they like it and it fits", "for publishers and agents work for authors. I understand it's more complicated than", "that authors work for publishers and agents work for authors. I understand it's", "an agent request an exclusive submission when it's not so much the story", "agents work for authors. I understand it's more complicated than that, but what", "thing among agents? Generally my understanding is that authors work for publishers and", "they're looking at but the author themselves? Is this a common thing among", "has been submitted to them to be available for them to purchase if", "on a story that has been submitted to them to be available for", "story they're looking at but the author themselves? Is this a common thing", "themselves? Is this a common thing among agents? Generally my understanding is that", "with their current publication. But why would an agent request an exclusive submission", "them to be available for them to purchase if they decide they like", "this a common thing among agents? Generally my understanding is that authors work", "and it fits in with their current publication. But why would an agent", "what advantage does an agent gain by requesting exclusive submissions other than keeping", "submissions other than keeping an author from submitting to other agents until they", "current publication. But why would an agent request an exclusive submission when it's", "submissions. They're counting on a story that has been submitted to them to" ]
[ "a fantasy story. Is there some special, defining element to a fairy tale", "We are both clueless about what makes a story a \"fairy tale\" different", "write a \"fairy tale.\" We are both clueless about what makes a story", "a \"fairy tale.\" We are both clueless about what makes a story a", "fantasy story. Is there some special, defining element to a fairy tale that", "are both clueless about what makes a story a \"fairy tale\" different from", "a \"fairy tale\" different from a fantasy story. Is there some special, defining", "what makes a story a \"fairy tale\" different from a fantasy story. Is", "tale\" different from a fantasy story. Is there some special, defining element to", "Is there some special, defining element to a fairy tale that we're missing?", "to write a \"fairy tale.\" We are both clueless about what makes a", "a story a \"fairy tale\" different from a fantasy story. Is there some", "different from a fantasy story. Is there some special, defining element to a", "story. Is there some special, defining element to a fairy tale that we're", "clueless about what makes a story a \"fairy tale\" different from a fantasy", "\"fairy tale\" different from a fantasy story. Is there some special, defining element", "both clueless about what makes a story a \"fairy tale\" different from a", "second-grader has been asked to write a \"fairy tale.\" We are both clueless", "asked to write a \"fairy tale.\" We are both clueless about what makes", "has been asked to write a \"fairy tale.\" We are both clueless about", "about what makes a story a \"fairy tale\" different from a fantasy story.", "story a \"fairy tale\" different from a fantasy story. Is there some special,", "My second-grader has been asked to write a \"fairy tale.\" We are both", "\"fairy tale.\" We are both clueless about what makes a story a \"fairy", "from a fantasy story. Is there some special, defining element to a fairy", "tale.\" We are both clueless about what makes a story a \"fairy tale\"", "been asked to write a \"fairy tale.\" We are both clueless about what", "makes a story a \"fairy tale\" different from a fantasy story. Is there" ]
[ "write a series of stories and as such the start of my first", "started in media res. (aka at some point in the middle.) I know", "a new story, and I feel it would be better if I started", "Is this a done thing? I don't want my readers to be confused", "of my first book will not be actually reached until about the middle", "a done thing? I don't want my readers to be confused or annoyed", "series of stories and as such the start of my first book will", "and when the scene that opens the book isn't actually in the book.", "I'm about to start a new story, and I feel it would be", "It seems to me that most cases of in media res occur during", "of the plot either before or after it (The main protagonist has been", "thing? I don't want my readers to be confused or annoyed if and", "done thing? I don't want my readers to be confused or annoyed if", "know this is a fairly common style used to hook readers into the", "better if I started in media res. (aka at some point in the", "central to another part of the plot either before or after it (The", "start a new story, and I feel it would be better if I", "my first book will not be actually reached until about the middle of", "packed or particularly central to another part of the plot either before or", "miserable trying to escape.) Should I avoid this approach entirely or pick a", "and as such the start of my first book will not be actually", "start of my first book will not be actually reached until about the", "sitting in jail being miserable trying to escape.) Should I avoid this approach", "I intend to write a series of stories and as such the start", "fairly common style used to hook readers into the story but I intend", "I started in media res. (aka at some point in the middle.) I", "isn't actually in the book. --- Sub question: It seems to me that", "book isn't actually in the book. --- Sub question: It seems to me", "to me that most cases of in media res occur during an action", "confused or annoyed if and when the scene that opens the book isn't", "a later described action scene but the sequence itself will not be action", "I don't want my readers to be confused or annoyed if and when", "annoyed if and when the scene that opens the book isn't actually in", "the middle of the second book. Is this a done thing? I don't", "used to hook readers into the story but I intend to write a", "stories and as such the start of my first book will not be", "I know this is a fairly common style used to hook readers into", "my readers to be confused or annoyed if and when the scene that", "as such the start of my first book will not be actually reached", "to start at a sequence shortly after a later described action scene but", "or particularly central to another part of the plot either before or after", "to another part of the plot either before or after it (The main", "don't want my readers to be confused or annoyed if and when the", "I feel it would be better if I started in media res. (aka", "this is a fairly common style used to hook readers into the story", "about to start a new story, and I feel it would be better", "readers into the story but I intend to write a series of stories", "of stories and as such the start of my first book will not", "actually reached until about the middle of the second book. Is this a", "shortly after a later described action scene but the sequence itself will not", "not be actually reached until about the middle of the second book. Is", "the sequence itself will not be action packed or particularly central to another", "has been jailed after a large battle and it's just him sitting in", "part of the plot either before or after it (The main protagonist has", "about the middle of the second book. Is this a done thing? I", "to hook readers into the story but I intend to write a series", "--- Sub question: It seems to me that most cases of in media", "during an action packed sequence or in cases such as Cirizev Fesa important", "before or after it (The main protagonist has been jailed after a large", "be actually reached until about the middle of the second book. Is this", "feel it would be better if I started in media res. (aka at", "the scene that opens the book isn't actually in the book. --- Sub", "new story, and I feel it would be better if I started in", "the start of my first book will not be actually reached until about", "to be confused or annoyed if and when the scene that opens the", "want my readers to be confused or annoyed if and when the scene", "intend to write a series of stories and as such the start of", "particularly central to another part of the plot either before or after it", "a series of stories and as such the start of my first book", "if and when the scene that opens the book isn't actually in the", "packed sequence or in cases such as Cirizev Fesa important story points. I", "but I intend to write a series of stories and as such the", "scene that opens the book isn't actually in the book. --- Sub question:", "sequence or in cases such as Cirizev Fesa important story points. I intend", "important story points. I intend to start at a sequence shortly after a", "res. (aka at some point in the middle.) I know this is a", "into the story but I intend to write a series of stories and", "book. Is this a done thing? I don't want my readers to be", "(aka at some point in the middle.) I know this is a fairly", "in the book. --- Sub question: It seems to me that most cases", "media res occur during an action packed sequence or in cases such as", "as Cirizev Fesa important story points. I intend to start at a sequence", "second book. Is this a done thing? I don't want my readers to", "Fesa important story points. I intend to start at a sequence shortly after", "seems to me that most cases of in media res occur during an", "that most cases of in media res occur during an action packed sequence", "main protagonist has been jailed after a large battle and it's just him", "cases such as Cirizev Fesa important story points. I intend to start at", "media res. (aka at some point in the middle.) I know this is", "a fairly common style used to hook readers into the story but I", "middle.) I know this is a fairly common style used to hook readers", "in media res occur during an action packed sequence or in cases such", "intend to start at a sequence shortly after a later described action scene", "the book isn't actually in the book. --- Sub question: It seems to", "book. --- Sub question: It seems to me that most cases of in", "scene but the sequence itself will not be action packed or particularly central", "and I feel it would be better if I started in media res.", "him sitting in jail being miserable trying to escape.) Should I avoid this", "action packed or particularly central to another part of the plot either before", "trying to escape.) Should I avoid this approach entirely or pick a better", "in cases such as Cirizev Fesa important story points. I intend to start", "after a later described action scene but the sequence itself will not be", "another part of the plot either before or after it (The main protagonist", "be confused or annoyed if and when the scene that opens the book", "readers to be confused or annoyed if and when the scene that opens", "large battle and it's just him sitting in jail being miserable trying to", "just him sitting in jail being miserable trying to escape.) Should I avoid", "in media res. (aka at some point in the middle.) I know this", "sequence shortly after a later described action scene but the sequence itself will", "would be better if I started in media res. (aka at some point", "being miserable trying to escape.) Should I avoid this approach entirely or pick", "such the start of my first book will not be actually reached until", "question: It seems to me that most cases of in media res occur", "to escape.) Should I avoid this approach entirely or pick a better scene?", "not be action packed or particularly central to another part of the plot", "to start a new story, and I feel it would be better if", "will not be actually reached until about the middle of the second book.", "points. I intend to start at a sequence shortly after a later described", "start at a sequence shortly after a later described action scene but the", "but the sequence itself will not be action packed or particularly central to", "it would be better if I started in media res. (aka at some", "some point in the middle.) I know this is a fairly common style", "point in the middle.) I know this is a fairly common style used", "most cases of in media res occur during an action packed sequence or", "action scene but the sequence itself will not be action packed or particularly", "protagonist has been jailed after a large battle and it's just him sitting", "in the middle.) I know this is a fairly common style used to", "of the second book. Is this a done thing? I don't want my", "a sequence shortly after a later described action scene but the sequence itself", "the book. --- Sub question: It seems to me that most cases of", "actually in the book. --- Sub question: It seems to me that most", "or in cases such as Cirizev Fesa important story points. I intend to", "described action scene but the sequence itself will not be action packed or", "(The main protagonist has been jailed after a large battle and it's just", "or after it (The main protagonist has been jailed after a large battle", "this a done thing? I don't want my readers to be confused or", "jailed after a large battle and it's just him sitting in jail being", "either before or after it (The main protagonist has been jailed after a", "the second book. Is this a done thing? I don't want my readers", "plot either before or after it (The main protagonist has been jailed after", "the story but I intend to write a series of stories and as", "battle and it's just him sitting in jail being miserable trying to escape.)", "is a fairly common style used to hook readers into the story but", "reached until about the middle of the second book. Is this a done", "story but I intend to write a series of stories and as such", "cases of in media res occur during an action packed sequence or in", "and it's just him sitting in jail being miserable trying to escape.) Should", "middle of the second book. Is this a done thing? I don't want", "a large battle and it's just him sitting in jail being miserable trying", "jail being miserable trying to escape.) Should I avoid this approach entirely or", "common style used to hook readers into the story but I intend to", "until about the middle of the second book. Is this a done thing?", "after a large battle and it's just him sitting in jail being miserable", "be better if I started in media res. (aka at some point in", "it's just him sitting in jail being miserable trying to escape.) Should I", "Cirizev Fesa important story points. I intend to start at a sequence shortly", "at some point in the middle.) I know this is a fairly common", "action packed sequence or in cases such as Cirizev Fesa important story points.", "story points. I intend to start at a sequence shortly after a later", "later described action scene but the sequence itself will not be action packed", "in jail being miserable trying to escape.) Should I avoid this approach entirely", "occur during an action packed sequence or in cases such as Cirizev Fesa", "res occur during an action packed sequence or in cases such as Cirizev", "to write a series of stories and as such the start of my", "hook readers into the story but I intend to write a series of", "after it (The main protagonist has been jailed after a large battle and", "I intend to start at a sequence shortly after a later described action", "at a sequence shortly after a later described action scene but the sequence", "itself will not be action packed or particularly central to another part of", "story, and I feel it would be better if I started in media", "such as Cirizev Fesa important story points. I intend to start at a", "book will not be actually reached until about the middle of the second", "the plot either before or after it (The main protagonist has been jailed", "the middle.) I know this is a fairly common style used to hook", "been jailed after a large battle and it's just him sitting in jail", "sequence itself will not be action packed or particularly central to another part", "it (The main protagonist has been jailed after a large battle and it's", "opens the book isn't actually in the book. --- Sub question: It seems", "of in media res occur during an action packed sequence or in cases", "first book will not be actually reached until about the middle of the", "will not be action packed or particularly central to another part of the", "when the scene that opens the book isn't actually in the book. ---", "if I started in media res. (aka at some point in the middle.)", "be action packed or particularly central to another part of the plot either", "Sub question: It seems to me that most cases of in media res", "an action packed sequence or in cases such as Cirizev Fesa important story", "that opens the book isn't actually in the book. --- Sub question: It", "me that most cases of in media res occur during an action packed", "or annoyed if and when the scene that opens the book isn't actually", "style used to hook readers into the story but I intend to write" ]
[ "trying this for more than half a year, but could not do it.", "seamless flow. I have been trying this for more than half a year,", "the subject; also I fail to maintain a seamless flow. I have been", "I love writing inspirational stories. But somehow, when I start to write them,", "focus on the subject; also I fail to maintain a seamless flow. I", "for more than half a year, but could not do it. Please help", "than half a year, but could not do it. Please help me or", "life. Also, I love writing inspirational stories. But somehow, when I start to", "when I start to write them, I could not focus on the subject;", "I could not focus on the subject; also I fail to maintain a", "subject; also I fail to maintain a seamless flow. I have been trying", "fail to maintain a seamless flow. I have been trying this for more", "stories. But somehow, when I start to write them, I could not focus", "more than half a year, but could not do it. Please help me", "based on the experiences I have from my life. Also, I love writing", "a seamless flow. I have been trying this for more than half a", "wish to write short stories based on the experiences I have from my", "experiences I have from my life. Also, I love writing inspirational stories. But", "to write them, I could not focus on the subject; also I fail", "not focus on the subject; also I fail to maintain a seamless flow.", "the experiences I have from my life. Also, I love writing inspirational stories.", "from my life. Also, I love writing inspirational stories. But somehow, when I", "write them, I could not focus on the subject; also I fail to", "start to write them, I could not focus on the subject; also I", "short stories based on the experiences I have from my life. Also, I", "have from my life. Also, I love writing inspirational stories. But somehow, when", "somehow, when I start to write them, I could not focus on the", "on the experiences I have from my life. Also, I love writing inspirational", "them, I could not focus on the subject; also I fail to maintain", "love writing inspirational stories. But somehow, when I start to write them, I", "a year, but could not do it. Please help me or else guide", "to maintain a seamless flow. I have been trying this for more than", "also I fail to maintain a seamless flow. I have been trying this", "could not focus on the subject; also I fail to maintain a seamless", "have been trying this for more than half a year, but could not", "stories based on the experiences I have from my life. Also, I love", "on the subject; also I fail to maintain a seamless flow. I have", "maintain a seamless flow. I have been trying this for more than half", "I have from my life. Also, I love writing inspirational stories. But somehow,", "my life. Also, I love writing inspirational stories. But somehow, when I start", "been trying this for more than half a year, but could not do", "I wish to write short stories based on the experiences I have from", "Also, I love writing inspirational stories. But somehow, when I start to write", "I fail to maintain a seamless flow. I have been trying this for", "to write short stories based on the experiences I have from my life.", "year, but could not do it. Please help me or else guide me.", "But somehow, when I start to write them, I could not focus on", "half a year, but could not do it. Please help me or else", "writing inspirational stories. But somehow, when I start to write them, I could", "I have been trying this for more than half a year, but could", "inspirational stories. But somehow, when I start to write them, I could not", "write short stories based on the experiences I have from my life. Also,", "I start to write them, I could not focus on the subject; also", "flow. I have been trying this for more than half a year, but", "this for more than half a year, but could not do it. Please" ]
[ "allowing commercial use with no compensation, or simply not allowing it. Is there", "not allowing it. Is there some sort of licensing choice that lies somewhere", "a cut of any commercial proceeds. I have perused the Creative Commons licenses", "the right to get a cut of any commercial proceeds. I have perused", "to encourage commercial use of the material, but I would like to have", "like to share many song/poetry/lyric works. I would like to share them as", "perused the Creative Commons licenses and it seems the choice is between allowing", "material, but I would like to have the right to get a cut", "commercial use with no compensation, or simply not allowing it. Is there some", "have perused the Creative Commons licenses and it seems the choice is between", "is between allowing commercial use with no compensation, or simply not allowing it.", "etc.. I want to encourage commercial use of the material, but I would", "like to have the right to get a cut of any commercial proceeds.", "with no compensation, or simply not allowing it. Is there some sort of", "like to share them as freely as possible, allowing modifications, use of small", "use with no compensation, or simply not allowing it. Is there some sort", "allowing it. Is there some sort of licensing choice that lies somewhere in", "but I would like to have the right to get a cut of", "many song/poetry/lyric works. I would like to share them as freely as possible,", "freely as possible, allowing modifications, use of small pieces or lines or concepts,", "Commons licenses and it seems the choice is between allowing commercial use with", "encourage commercial use of the material, but I would like to have the", "any commercial proceeds. I have perused the Creative Commons licenses and it seems", "want to encourage commercial use of the material, but I would like to", "concepts, etc.. I want to encourage commercial use of the material, but I", "it seems the choice is between allowing commercial use with no compensation, or", "I want to encourage commercial use of the material, but I would like", "simply not allowing it. Is there some sort of licensing choice that lies", "share many song/poetry/lyric works. I would like to share them as freely as", "would like to share many song/poetry/lyric works. I would like to share them", "to share them as freely as possible, allowing modifications, use of small pieces", "possible, allowing modifications, use of small pieces or lines or concepts, etc.. I", "the choice is between allowing commercial use with no compensation, or simply not", "as possible, allowing modifications, use of small pieces or lines or concepts, etc..", "pieces or lines or concepts, etc.. I want to encourage commercial use of", "allowing modifications, use of small pieces or lines or concepts, etc.. I want", "choice is between allowing commercial use with no compensation, or simply not allowing", "would like to share them as freely as possible, allowing modifications, use of", "of small pieces or lines or concepts, etc.. I want to encourage commercial", "to share many song/poetry/lyric works. I would like to share them as freely", "the material, but I would like to have the right to get a", "of the material, but I would like to have the right to get", "small pieces or lines or concepts, etc.. I want to encourage commercial use", "I would like to share them as freely as possible, allowing modifications, use", "have the right to get a cut of any commercial proceeds. I have", "share them as freely as possible, allowing modifications, use of small pieces or", "or lines or concepts, etc.. I want to encourage commercial use of the", "use of small pieces or lines or concepts, etc.. I want to encourage", "modifications, use of small pieces or lines or concepts, etc.. I want to", "the Creative Commons licenses and it seems the choice is between allowing commercial", "I would like to share many song/poetry/lyric works. I would like to share", "commercial proceeds. I have perused the Creative Commons licenses and it seems the", "compensation, or simply not allowing it. Is there some sort of licensing choice", "of any commercial proceeds. I have perused the Creative Commons licenses and it", "Creative Commons licenses and it seems the choice is between allowing commercial use", "I would like to have the right to get a cut of any", "as freely as possible, allowing modifications, use of small pieces or lines or", "works. I would like to share them as freely as possible, allowing modifications,", "cut of any commercial proceeds. I have perused the Creative Commons licenses and", "use of the material, but I would like to have the right to", "proceeds. I have perused the Creative Commons licenses and it seems the choice", "or simply not allowing it. Is there some sort of licensing choice that", "and it seems the choice is between allowing commercial use with no compensation,", "song/poetry/lyric works. I would like to share them as freely as possible, allowing", "seems the choice is between allowing commercial use with no compensation, or simply", "commercial use of the material, but I would like to have the right", "to have the right to get a cut of any commercial proceeds. I", "no compensation, or simply not allowing it. Is there some sort of licensing", "right to get a cut of any commercial proceeds. I have perused the", "lines or concepts, etc.. I want to encourage commercial use of the material,", "licenses and it seems the choice is between allowing commercial use with no", "would like to have the right to get a cut of any commercial", "get a cut of any commercial proceeds. I have perused the Creative Commons", "I have perused the Creative Commons licenses and it seems the choice is", "them as freely as possible, allowing modifications, use of small pieces or lines", "to get a cut of any commercial proceeds. I have perused the Creative", "it. Is there some sort of licensing choice that lies somewhere in between?", "between allowing commercial use with no compensation, or simply not allowing it. Is", "or concepts, etc.. I want to encourage commercial use of the material, but" ]
[ "I might find information to believably describe the specific effects such trauma might", "barely escapes but her friend does not. My plan is to give veiled", "protagonist has certain character flaws/issues which are the result of having survived a", "I am wondering where I might find information to believably describe the specific", "including a family member, die of starvation, and where there are cases of", "to dive too deeply into psychological texts. Would also welcome any thoughts/ideas on", "Would also welcome any thoughts/ideas on how to do this most effectively. Thanks!", "only in the first chapter or prologue. My protagonist has blocked out the", "flaws/issues which are the result of having survived a horrific incident as a", "the human psyche without having to dive too deeply into psychological texts. Would", "or prologue. My protagonist has blocked out the incident which, nevertheless, defines her", "and her best friend are attacked. She barely escapes but her friend does", "are cases of cannibalism. One night my protagonist and her best friend are", "of having survived a horrific incident as a child. The incident occured during", "the incident which, nevertheless, defines her character and life choices. I am wondering", "My protagonist has blocked out the incident which, nevertheless, defines her character and", "on the human psyche without having to dive too deeply into psychological texts.", "deeply into psychological texts. Would also welcome any thoughts/ideas on how to do", "which are the result of having survived a horrific incident as a child.", "the first chapter or prologue. My protagonist has blocked out the incident which,", "The incident occured during a time when many people, including a family member,", "a family member, die of starvation, and where there are cases of cannibalism.", "protagonist and her best friend are attacked. She barely escapes but her friend", "having to dive too deeply into psychological texts. Would also welcome any thoughts/ideas", "out the incident which, nevertheless, defines her character and life choices. I am", "certain character flaws/issues which are the result of having survived a horrific incident", "into psychological texts. Would also welcome any thoughts/ideas on how to do this", "too deeply into psychological texts. Would also welcome any thoughts/ideas on how to", "in the first chapter or prologue. My protagonist has blocked out the incident", "there are cases of cannibalism. One night my protagonist and her best friend", "nevertheless, defines her character and life choices. I am wondering where I might", "friend are attacked. She barely escapes but her friend does not. My plan", "blocked out the incident which, nevertheless, defines her character and life choices. I", "time when many people, including a family member, die of starvation, and where", "give veiled references to this incident only in the first chapter or prologue.", "plan is to give veiled references to this incident only in the first", "her friend does not. My plan is to give veiled references to this", "such trauma might have on the human psyche without having to dive too", "has blocked out the incident which, nevertheless, defines her character and life choices.", "many people, including a family member, die of starvation, and where there are", "attacked. She barely escapes but her friend does not. My plan is to", "people, including a family member, die of starvation, and where there are cases", "protagonist has blocked out the incident which, nevertheless, defines her character and life", "find information to believably describe the specific effects such trauma might have on", "when many people, including a family member, die of starvation, and where there", "the result of having survived a horrific incident as a child. The incident", "on a novel where my young protagonist has certain character flaws/issues which are", "during a time when many people, including a family member, die of starvation,", "novel where my young protagonist has certain character flaws/issues which are the result", "veiled references to this incident only in the first chapter or prologue. My", "My plan is to give veiled references to this incident only in the", "has certain character flaws/issues which are the result of having survived a horrific", "result of having survived a horrific incident as a child. The incident occured", "choices. I am wondering where I might find information to believably describe the", "are the result of having survived a horrific incident as a child. The", "incident which, nevertheless, defines her character and life choices. I am wondering where", "might have on the human psyche without having to dive too deeply into", "a child. The incident occured during a time when many people, including a", "her best friend are attacked. She barely escapes but her friend does not.", "where I might find information to believably describe the specific effects such trauma", "family member, die of starvation, and where there are cases of cannibalism. One", "as a child. The incident occured during a time when many people, including", "this incident only in the first chapter or prologue. My protagonist has blocked", "where there are cases of cannibalism. One night my protagonist and her best", "is to give veiled references to this incident only in the first chapter", "survived a horrific incident as a child. The incident occured during a time", "references to this incident only in the first chapter or prologue. My protagonist", "chapter or prologue. My protagonist has blocked out the incident which, nevertheless, defines", "not. My plan is to give veiled references to this incident only in", "life choices. I am wondering where I might find information to believably describe", "effects such trauma might have on the human psyche without having to dive", "cannibalism. One night my protagonist and her best friend are attacked. She barely", "but her friend does not. My plan is to give veiled references to", "die of starvation, and where there are cases of cannibalism. One night my", "her character and life choices. I am wondering where I might find information", "might find information to believably describe the specific effects such trauma might have", "a novel where my young protagonist has certain character flaws/issues which are the", "believably describe the specific effects such trauma might have on the human psyche", "friend does not. My plan is to give veiled references to this incident", "child. The incident occured during a time when many people, including a family", "to believably describe the specific effects such trauma might have on the human", "texts. Would also welcome any thoughts/ideas on how to do this most effectively.", "of cannibalism. One night my protagonist and her best friend are attacked. She", "have on the human psyche without having to dive too deeply into psychological", "human psyche without having to dive too deeply into psychological texts. Would also", "character and life choices. I am wondering where I might find information to", "One night my protagonist and her best friend are attacked. She barely escapes", "occured during a time when many people, including a family member, die of", "incident as a child. The incident occured during a time when many people,", "am working on a novel where my young protagonist has certain character flaws/issues", "defines her character and life choices. I am wondering where I might find", "dive too deeply into psychological texts. Would also welcome any thoughts/ideas on how", "a time when many people, including a family member, die of starvation, and", "and life choices. I am wondering where I might find information to believably", "first chapter or prologue. My protagonist has blocked out the incident which, nevertheless,", "and where there are cases of cannibalism. One night my protagonist and her", "where my young protagonist has certain character flaws/issues which are the result of", "horrific incident as a child. The incident occured during a time when many", "my young protagonist has certain character flaws/issues which are the result of having", "I am working on a novel where my young protagonist has certain character", "which, nevertheless, defines her character and life choices. I am wondering where I", "describe the specific effects such trauma might have on the human psyche without", "the specific effects such trauma might have on the human psyche without having", "character flaws/issues which are the result of having survived a horrific incident as", "psyche without having to dive too deeply into psychological texts. Would also welcome", "does not. My plan is to give veiled references to this incident only", "starvation, and where there are cases of cannibalism. One night my protagonist and", "are attacked. She barely escapes but her friend does not. My plan is", "specific effects such trauma might have on the human psyche without having to", "having survived a horrific incident as a child. The incident occured during a", "incident only in the first chapter or prologue. My protagonist has blocked out", "a horrific incident as a child. The incident occured during a time when", "best friend are attacked. She barely escapes but her friend does not. My", "to give veiled references to this incident only in the first chapter or", "of starvation, and where there are cases of cannibalism. One night my protagonist", "information to believably describe the specific effects such trauma might have on the", "She barely escapes but her friend does not. My plan is to give", "prologue. My protagonist has blocked out the incident which, nevertheless, defines her character", "young protagonist has certain character flaws/issues which are the result of having survived", "psychological texts. Would also welcome any thoughts/ideas on how to do this most", "am wondering where I might find information to believably describe the specific effects", "trauma might have on the human psyche without having to dive too deeply", "night my protagonist and her best friend are attacked. She barely escapes but", "working on a novel where my young protagonist has certain character flaws/issues which", "to this incident only in the first chapter or prologue. My protagonist has", "my protagonist and her best friend are attacked. She barely escapes but her", "member, die of starvation, and where there are cases of cannibalism. One night", "incident occured during a time when many people, including a family member, die", "cases of cannibalism. One night my protagonist and her best friend are attacked.", "without having to dive too deeply into psychological texts. Would also welcome any", "escapes but her friend does not. My plan is to give veiled references", "wondering where I might find information to believably describe the specific effects such" ]
[ "is then faced by the villain. Now, I don't know how to write", "who served with him. The villain was captured, tortured, and snapped. He feels", "blaming himself for not saving him. Now. They meet each other, when the", "when the protagonist infiltrates a building and is then faced by the villain.", "The villain was, like the protagonist, a child soldier/mercenary, who served with him.", "protagonist, believing that he left him behind. The protagonist however feels heavy guilt,", "other, when the protagonist infiltrates a building and is then faced by the", "building and is then faced by the villain. Now, I don't know how", "know how to write that scene, though. Like what should I avoid? What", "how to write that scene, though. Like what should I avoid? What clichés", "feels heavy guilt, blaming himself for not saving him. Now. They meet each", "villain was captured, tortured, and snapped. He feels a burning hatred for the", "served with him. The villain was captured, tortured, and snapped. He feels a", "and is then faced by the villain. Now, I don't know how to", "Now, I don't know how to write that scene, though. Like what should", "protagonist infiltrates a building and is then faced by the villain. Now, I", "faced by the villain. Now, I don't know how to write that scene,", "a child soldier/mercenary, who served with him. The villain was captured, tortured, and", "the villain. Now, I don't know how to write that scene, though. Like", "protagonist, a child soldier/mercenary, who served with him. The villain was captured, tortured,", "child soldier/mercenary, who served with him. The villain was captured, tortured, and snapped.", "I don't know how to write that scene, though. Like what should I", "The protagonist however feels heavy guilt, blaming himself for not saving him. Now.", "not saving him. Now. They meet each other, when the protagonist infiltrates a", "though. Like what should I avoid? What clichés should I avoid for example?", "with him. The villain was captured, tortured, and snapped. He feels a burning", "The villain was captured, tortured, and snapped. He feels a burning hatred for", "tortured, and snapped. He feels a burning hatred for the protagonist, believing that", "and snapped. He feels a burning hatred for the protagonist, believing that he", "each other, when the protagonist infiltrates a building and is then faced by", "behind. The protagonist however feels heavy guilt, blaming himself for not saving him.", "however feels heavy guilt, blaming himself for not saving him. Now. They meet", "then faced by the villain. Now, I don't know how to write that", "believing that he left him behind. The protagonist however feels heavy guilt, blaming", "don't know how to write that scene, though. Like what should I avoid?", "protagonist however feels heavy guilt, blaming himself for not saving him. Now. They", "They meet each other, when the protagonist infiltrates a building and is then", "soldier/mercenary, who served with him. The villain was captured, tortured, and snapped. He", "him. The villain was captured, tortured, and snapped. He feels a burning hatred", "scene, though. Like what should I avoid? What clichés should I avoid for", "guilt, blaming himself for not saving him. Now. They meet each other, when", "to write that scene, though. Like what should I avoid? What clichés should", "burning hatred for the protagonist, believing that he left him behind. The protagonist", "a burning hatred for the protagonist, believing that he left him behind. The", "him. Now. They meet each other, when the protagonist infiltrates a building and", "He feels a burning hatred for the protagonist, believing that he left him", "feels a burning hatred for the protagonist, believing that he left him behind.", "was captured, tortured, and snapped. He feels a burning hatred for the protagonist,", "for not saving him. Now. They meet each other, when the protagonist infiltrates", "was, like the protagonist, a child soldier/mercenary, who served with him. The villain", "infiltrates a building and is then faced by the villain. Now, I don't", "himself for not saving him. Now. They meet each other, when the protagonist", "he left him behind. The protagonist however feels heavy guilt, blaming himself for", "the protagonist infiltrates a building and is then faced by the villain. Now,", "by the villain. Now, I don't know how to write that scene, though.", "that he left him behind. The protagonist however feels heavy guilt, blaming himself", "like the protagonist, a child soldier/mercenary, who served with him. The villain was", "hatred for the protagonist, believing that he left him behind. The protagonist however", "the protagonist, believing that he left him behind. The protagonist however feels heavy", "him behind. The protagonist however feels heavy guilt, blaming himself for not saving", "saving him. Now. They meet each other, when the protagonist infiltrates a building", "villain. Now, I don't know how to write that scene, though. Like what", "that scene, though. Like what should I avoid? What clichés should I avoid", "left him behind. The protagonist however feels heavy guilt, blaming himself for not", "the protagonist, a child soldier/mercenary, who served with him. The villain was captured,", "snapped. He feels a burning hatred for the protagonist, believing that he left", "a building and is then faced by the villain. Now, I don't know", "villain was, like the protagonist, a child soldier/mercenary, who served with him. The", "heavy guilt, blaming himself for not saving him. Now. They meet each other,", "write that scene, though. Like what should I avoid? What clichés should I", "meet each other, when the protagonist infiltrates a building and is then faced", "Now. They meet each other, when the protagonist infiltrates a building and is", "captured, tortured, and snapped. He feels a burning hatred for the protagonist, believing", "for the protagonist, believing that he left him behind. The protagonist however feels" ]
[ "if released in such close proximity it might end up being accused of", "planning on releasing it soon. However, I recently saw a trailer for the", "about anthropomorphic animals in a noirish setting solving murders. I came up with", "even down to some of the characters. From the looks of things though,", "different. I'm just worried that if released in such close proximity it might", "it soon. However, I recently saw a trailer for the movie Zootopia and", "setting solving murders. I came up with the concept and wrote the first", "story is far darker and more violent, and the humor style and themes", "of things though, my story is far darker and more violent, and the", "the first draft about a year ago and am planning on releasing it", "is far darker and more violent, and the humor style and themes are", "year ago and am planning on releasing it soon. However, I recently saw", "the basic premise is quite similar, even down to some of the characters.", "recently saw a trailer for the movie Zootopia and realised that the basic", "wrote the first draft about a year ago and am planning on releasing", "I've written a story about anthropomorphic animals in a noirish setting solving murders.", "a trailer for the movie Zootopia and realised that the basic premise is", "themes are very different. I'm just worried that if released in such close", "From the looks of things though, my story is far darker and more", "realised that the basic premise is quite similar, even down to some of", "violent, and the humor style and themes are very different. I'm just worried", "basic premise is quite similar, even down to some of the characters. From", "very different. I'm just worried that if released in such close proximity it", "animals in a noirish setting solving murders. I came up with the concept", "style and themes are very different. I'm just worried that if released in", "the movie Zootopia and realised that the basic premise is quite similar, even", "the characters. From the looks of things though, my story is far darker", "about a year ago and am planning on releasing it soon. However, I", "anthropomorphic animals in a noirish setting solving murders. I came up with the", "movie Zootopia and realised that the basic premise is quite similar, even down", "humor style and themes are very different. I'm just worried that if released", "a noirish setting solving murders. I came up with the concept and wrote", "quite similar, even down to some of the characters. From the looks of", "a year ago and am planning on releasing it soon. However, I recently", "noirish setting solving murders. I came up with the concept and wrote the", "looks of things though, my story is far darker and more violent, and", "with the concept and wrote the first draft about a year ago and", "in a noirish setting solving murders. I came up with the concept and", "just worried that if released in such close proximity it might end up", "for the movie Zootopia and realised that the basic premise is quite similar,", "are very different. I'm just worried that if released in such close proximity", "and am planning on releasing it soon. However, I recently saw a trailer", "the looks of things though, my story is far darker and more violent,", "characters. From the looks of things though, my story is far darker and", "solving murders. I came up with the concept and wrote the first draft", "things though, my story is far darker and more violent, and the humor", "saw a trailer for the movie Zootopia and realised that the basic premise", "first draft about a year ago and am planning on releasing it soon.", "similar, even down to some of the characters. From the looks of things", "draft about a year ago and am planning on releasing it soon. However,", "soon. However, I recently saw a trailer for the movie Zootopia and realised", "and themes are very different. I'm just worried that if released in such", "Zootopia and realised that the basic premise is quite similar, even down to", "I came up with the concept and wrote the first draft about a", "murders. I came up with the concept and wrote the first draft about", "my story is far darker and more violent, and the humor style and", "concept and wrote the first draft about a year ago and am planning", "releasing it soon. However, I recently saw a trailer for the movie Zootopia", "worried that if released in such close proximity it might end up being", "the concept and wrote the first draft about a year ago and am", "is quite similar, even down to some of the characters. From the looks", "that the basic premise is quite similar, even down to some of the", "written a story about anthropomorphic animals in a noirish setting solving murders. I", "came up with the concept and wrote the first draft about a year", "However, I recently saw a trailer for the movie Zootopia and realised that", "released in such close proximity it might end up being accused of plagiarism.", "far darker and more violent, and the humor style and themes are very", "to some of the characters. From the looks of things though, my story", "I'm just worried that if released in such close proximity it might end", "premise is quite similar, even down to some of the characters. From the", "am planning on releasing it soon. However, I recently saw a trailer for", "some of the characters. From the looks of things though, my story is", "more violent, and the humor style and themes are very different. I'm just", "and more violent, and the humor style and themes are very different. I'm", "a story about anthropomorphic animals in a noirish setting solving murders. I came", "I recently saw a trailer for the movie Zootopia and realised that the", "trailer for the movie Zootopia and realised that the basic premise is quite", "and wrote the first draft about a year ago and am planning on", "of the characters. From the looks of things though, my story is far", "that if released in such close proximity it might end up being accused", "up with the concept and wrote the first draft about a year ago", "story about anthropomorphic animals in a noirish setting solving murders. I came up", "darker and more violent, and the humor style and themes are very different.", "down to some of the characters. From the looks of things though, my", "and the humor style and themes are very different. I'm just worried that", "the humor style and themes are very different. I'm just worried that if", "though, my story is far darker and more violent, and the humor style", "on releasing it soon. However, I recently saw a trailer for the movie", "ago and am planning on releasing it soon. However, I recently saw a", "and realised that the basic premise is quite similar, even down to some" ]
[ "an old pic), but I don't know if techniques like that look good", "book, but I don't really know how to describe the physic of the", "character (in 1st person). I heard some techniques like, compare the character with", "could help me with this: I'm starting to write a book, but I", "really know how to describe the physic of the main character (in 1st", "main character (in 1st person). I heard some techniques like, compare the character", "write a book, but I don't really know how to describe the physic", "the physic of the main character (in 1st person). I heard some techniques", "person). I heard some techniques like, compare the character with herself when she", "help me with this: I'm starting to write a book, but I don't", "starting to write a book, but I don't really know how to describe", "but I don't really know how to describe the physic of the main", "like, compare the character with herself when she was young (while watching an", "to write a book, but I don't really know how to describe the", "techniques like, compare the character with herself when she was young (while watching", "the main character (in 1st person). I heard some techniques like, compare the", "watching an old pic), but I don't know if techniques like that look", "young (while watching an old pic), but I don't know if techniques like", "describe the physic of the main character (in 1st person). I heard some", "was young (while watching an old pic), but I don't know if techniques", "she was young (while watching an old pic), but I don't know if", "know how to describe the physic of the main character (in 1st person).", "the character with herself when she was young (while watching an old pic),", "old pic), but I don't know if techniques like that look good in", "(in 1st person). I heard some techniques like, compare the character with herself", "when she was young (while watching an old pic), but I don't know", "I don't really know how to describe the physic of the main character", "of the main character (in 1st person). I heard some techniques like, compare", "wondering if you could help me with this: I'm starting to write a", "1st person). I heard some techniques like, compare the character with herself when", "(while watching an old pic), but I don't know if techniques like that", "physic of the main character (in 1st person). I heard some techniques like,", "I don't know if techniques like that look good in the story. Any", "herself when she was young (while watching an old pic), but I don't", "compare the character with herself when she was young (while watching an old", "with this: I'm starting to write a book, but I don't really know", "some techniques like, compare the character with herself when she was young (while", "character with herself when she was young (while watching an old pic), but", "with herself when she was young (while watching an old pic), but I", "I'm starting to write a book, but I don't really know how to", "you could help me with this: I'm starting to write a book, but", "heard some techniques like, compare the character with herself when she was young", "to describe the physic of the main character (in 1st person). I heard", "but I don't know if techniques like that look good in the story.", "I was wondering if you could help me with this: I'm starting to", "was wondering if you could help me with this: I'm starting to write", "know if techniques like that look good in the story. Any advice? Cheers.", "if you could help me with this: I'm starting to write a book,", "me with this: I'm starting to write a book, but I don't really", "a book, but I don't really know how to describe the physic of", "don't really know how to describe the physic of the main character (in", "this: I'm starting to write a book, but I don't really know how", "how to describe the physic of the main character (in 1st person). I", "don't know if techniques like that look good in the story. Any advice?", "I heard some techniques like, compare the character with herself when she was", "pic), but I don't know if techniques like that look good in the" ]
[ "manuscript turned down because I simply failed to follow simple directions. What would", "the query email. When I formatted the first four chapters and prologue into", "and prologue into submission format, it reached 52 pages. I don't know if", "it doesn't go over which would put me under the requested 50 pages.", "prologue into submission format, it reached 52 pages. I don't know if it's", "reached 52 pages. I don't know if it's best to cut off the", "which would put me under the requested 50 pages. I certainly don't want", "I don't know if it's best to cut off the last two pages", "doesn't go over which would put me under the requested 50 pages. I", "to requests the first fifty pages be attached to the query email. When", "it isn't cut in a random place, or cut the last chapter so", "over which would put me under the requested 50 pages. I certainly don't", "cut in a random place, or cut the last chapter so that it", "agents I intend to query to requests the first fifty pages be attached", "know if it's best to cut off the last two pages to match", "pages to match the exact length she requested, leave them so it isn't", "fifty pages be attached to the query email. When I formatted the first", "to cut off the last two pages to match the exact length she", "would put me under the requested 50 pages. I certainly don't want my", "requested, leave them so it isn't cut in a random place, or cut", "match the exact length she requested, leave them so it isn't cut in", "pages. I don't know if it's best to cut off the last two", "When I formatted the first four chapters and prologue into submission format, it", "I certainly don't want my manuscript turned down because I simply failed to", "requested 50 pages. I certainly don't want my manuscript turned down because I", "One of the agents I intend to query to requests the first fifty", "to query to requests the first fifty pages be attached to the query", "the first four chapters and prologue into submission format, it reached 52 pages.", "or cut the last chapter so that it doesn't go over which would", "pages. I certainly don't want my manuscript turned down because I simply failed", "chapter so that it doesn't go over which would put me under the", "so it isn't cut in a random place, or cut the last chapter", "put me under the requested 50 pages. I certainly don't want my manuscript", "query to requests the first fifty pages be attached to the query email.", "random place, or cut the last chapter so that it doesn't go over", "I formatted the first four chapters and prologue into submission format, it reached", "the agents I intend to query to requests the first fifty pages be", "turned down because I simply failed to follow simple directions. What would be", "50 pages. I certainly don't want my manuscript turned down because I simply", "best to cut off the last two pages to match the exact length", "the requested 50 pages. I certainly don't want my manuscript turned down because", "simply failed to follow simple directions. What would be the correct, professional solution?", "intend to query to requests the first fifty pages be attached to the", "cut off the last two pages to match the exact length she requested,", "she requested, leave them so it isn't cut in a random place, or", "don't want my manuscript turned down because I simply failed to follow simple", "attached to the query email. When I formatted the first four chapters and", "of the agents I intend to query to requests the first fifty pages", "because I simply failed to follow simple directions. What would be the correct,", "my manuscript turned down because I simply failed to follow simple directions. What", "in a random place, or cut the last chapter so that it doesn't", "under the requested 50 pages. I certainly don't want my manuscript turned down", "first four chapters and prologue into submission format, it reached 52 pages. I", "52 pages. I don't know if it's best to cut off the last", "go over which would put me under the requested 50 pages. I certainly", "it reached 52 pages. I don't know if it's best to cut off", "me under the requested 50 pages. I certainly don't want my manuscript turned", "isn't cut in a random place, or cut the last chapter so that", "certainly don't want my manuscript turned down because I simply failed to follow", "leave them so it isn't cut in a random place, or cut the", "two pages to match the exact length she requested, leave them so it", "that it doesn't go over which would put me under the requested 50", "last two pages to match the exact length she requested, leave them so", "query email. When I formatted the first four chapters and prologue into submission", "submission format, it reached 52 pages. I don't know if it's best to", "a random place, or cut the last chapter so that it doesn't go", "place, or cut the last chapter so that it doesn't go over which", "formatted the first four chapters and prologue into submission format, it reached 52", "I intend to query to requests the first fifty pages be attached to", "off the last two pages to match the exact length she requested, leave", "I simply failed to follow simple directions. What would be the correct, professional", "to the query email. When I formatted the first four chapters and prologue", "chapters and prologue into submission format, it reached 52 pages. I don't know", "the first fifty pages be attached to the query email. When I formatted", "the last two pages to match the exact length she requested, leave them", "down because I simply failed to follow simple directions. What would be the", "it's best to cut off the last two pages to match the exact", "to match the exact length she requested, leave them so it isn't cut", "last chapter so that it doesn't go over which would put me under", "pages be attached to the query email. When I formatted the first four", "be attached to the query email. When I formatted the first four chapters", "email. When I formatted the first four chapters and prologue into submission format,", "first fifty pages be attached to the query email. When I formatted the", "if it's best to cut off the last two pages to match the", "length she requested, leave them so it isn't cut in a random place,", "the last chapter so that it doesn't go over which would put me", "them so it isn't cut in a random place, or cut the last", "four chapters and prologue into submission format, it reached 52 pages. I don't", "exact length she requested, leave them so it isn't cut in a random", "into submission format, it reached 52 pages. I don't know if it's best", "so that it doesn't go over which would put me under the requested", "the exact length she requested, leave them so it isn't cut in a", "format, it reached 52 pages. I don't know if it's best to cut", "don't know if it's best to cut off the last two pages to", "requests the first fifty pages be attached to the query email. When I", "want my manuscript turned down because I simply failed to follow simple directions.", "cut the last chapter so that it doesn't go over which would put" ]
[ "the book. Throughout the story, they keep ramping it up. At a certain", "decides once and for all to set the record straight. The two characters", "second character snaps, he decides it's time for the bully to tell the", "bully to tell the nerd about how things looked from his perspective. He", "story trickling out and having the same effect in the story. I want", "The second character was a popular jock and he bullied the first character", "taking the insults and getting angrier, but not taking the bait. I want", "but not taking the bait. I want the guy's story to totally shock", "having the same effect in the story. I want the bully to just", "and took it out on the nerd. He's all grown up now and", "book. Throughout the story, they keep ramping it up. At a certain point,", "shut up, and the attacking character has no idea who the second character", "the nerd about how things looked from his perspective. He talks all about", "of hate info dumps, but I can't imagine this story trickling out and", "talks all about not wanting to go to the school, feeling pressured by", "once and for all to set the record straight. The two characters went", "one character is still attacking, but the other one just telling the other", "bullied the first character very badly. So when the second character snaps, he", "can't imagine this story trickling out and having the same effect in the", "and when they meet in the story, they haven't seen each other since", "the other one just telling the other one to shut up, and the", "be. This is the point where the nerd and bully very slowly start", "up. At a certain point, one character is still attacking, but the other", "up, and the attacking character has no idea who the second character really", "kind of hate info dumps, but I can't imagine this story trickling out", "school drama. So it's a pretty long monologue. Is it an info dump?", "by his parents, being sneered at by kids similar to the nerd. He", "insults and getting angrier, but not taking the bait. I want the guy's", "not the innocent victim he's always portrayed himself to be. This is the", "the second character snaps, he decides it's time for the bully to tell", "sniping at each other from the moment they meet in the book. Throughout", "jock and he bullied the first character very badly. So when the second", "get along and are sniping at each other from the moment they meet", "school together years before the story began, and when they meet in the", "characters who don't get along and are sniping at each other from the", "snaps, he decides it's time for the bully to tell the nerd about", "to shut up, and the attacking character has no idea who the second", "up now and he's over with high school drama. So it's a pretty", "now and he's over with high school drama. So it's a pretty long", "I kind of hate info dumps, but I can't imagine this story trickling", "to tell the nerd about how things looked from his perspective. He talks", "haven't seen each other since school. The second character was a popular jock", "himself to be. This is the point where the nerd and bully very", "the guy's story to totally shock the nerd. This is the point where", "character has no idea who the second character really is. Finally, the second", "a popular jock and he bullied the first character very badly. So when", "it's time for the bully to tell the nerd about how things looked", "the bait. I want the guy's story to totally shock the nerd. This", "decides it's time for the bully to tell the nerd about how things", "go to the school, feeling pressured by his parents, being sneered at by", "it an info dump? I kind of hate info dumps, but I can't", "to school together years before the story began, and when they meet in", "the story, they keep ramping it up. At a certain point, one character", "they meet in the story, they haven't seen each other since school. The", "This is the point where the nerd and bully very slowly start a", "no idea who the second character really is. Finally, the second character snaps.", "together years before the story began, and when they meet in the story,", "the moment they meet in the book. Throughout the story, they keep ramping", "trickling out and having the same effect in the story. I want the", "is. Finally, the second character snaps. He decides once and for all to", "is the point where the nerd and bully very slowly start a strong", "took it out on the nerd. He's all grown up now and he's", "the story began, and when they meet in the story, they haven't seen", "meet in the story, they haven't seen each other since school. The second", "story to totally shock the nerd. This is the point where I want", "imagine this story trickling out and having the same effect in the story.", "point where I want the nerd to realize that he may not be", "this story trickling out and having the same effect in the story. I", "other one just telling the other one to shut up, and the attacking", "bully to just keep taking the insults and getting angrier, but not taking", "Finally, the second character snaps. He decides once and for all to set", "seen each other since school. The second character was a popular jock and", "character really is. Finally, the second character snaps. He decides once and for", "he's over with high school drama. So it's a pretty long monologue. Is", "to the nerd. He was miserable and took it out on the nerd.", "he bullied the first character very badly. So when the second character snaps,", "guy's story to totally shock the nerd. This is the point where I", "the nerd. This is the point where I want the nerd to realize", "is the point where I want the nerd to realize that he may", "it's a pretty long monologue. Is it an info dump? I kind of", "when they meet in the story, they haven't seen each other since school.", "nerd. This is the point where I want the nerd to realize that", "they meet in the book. Throughout the story, they keep ramping it up.", "high school drama. So it's a pretty long monologue. Is it an info", "attacking character has no idea who the second character really is. Finally, the", "character very badly. So when the second character snaps, he decides it's time", "taking the bait. I want the guy's story to totally shock the nerd.", "nerd about how things looked from his perspective. He talks all about not", "out on the nerd. He's all grown up now and he's over with", "problems. Perhaps he's not the innocent victim he's always portrayed himself to be.", "the attacking character has no idea who the second character really is. Finally,", "time for the bully to tell the nerd about how things looked from", "same effect in the story. I want the bully to just keep taking", "parents, being sneered at by kids similar to the nerd. He was miserable", "characters went to school together years before the story began, and when they", "character snaps. He decides once and for all to set the record straight.", "when the second character snaps, he decides it's time for the bully to", "be the only person with problems. Perhaps he's not the innocent victim he's", "perspective. He talks all about not wanting to go to the school, feeling", "other since school. The second character was a popular jock and he bullied", "before the story began, and when they meet in the story, they haven't", "to be. This is the point where the nerd and bully very slowly", "getting angrier, but not taking the bait. I want the guy's story to", "at each other from the moment they meet in the book. Throughout the", "nerd. He's all grown up now and he's over with high school drama.", "story. I want the bully to just keep taking the insults and getting", "drama. So it's a pretty long monologue. Is it an info dump? I", "telling the other one to shut up, and the attacking character has no", "certain point, one character is still attacking, but the other one just telling", "a certain point, one character is still attacking, but the other one just", "miserable and took it out on the nerd. He's all grown up now", "the nerd. He's all grown up now and he's over with high school", "other from the moment they meet in the book. Throughout the story, they", "second character really is. Finally, the second character snaps. He decides once and", "one to shut up, and the attacking character has no idea who the", "sneered at by kids similar to the nerd. He was miserable and took", "an info dump? I kind of hate info dumps, but I can't imagine", "and getting angrier, but not taking the bait. I want the guy's story", "popular jock and he bullied the first character very badly. So when the", "I want the nerd to realize that he may not be the only", "point, one character is still attacking, but the other one just telling the", "just telling the other one to shut up, and the attacking character has", "by kids similar to the nerd. He was miserable and took it out", "over with high school drama. So it's a pretty long monologue. Is it", "Is it an info dump? I kind of hate info dumps, but I", "set the record straight. The two characters went to school together years before", "two characters who don't get along and are sniping at each other from", "for all to set the record straight. The two characters went to school", "may not be the only person with problems. Perhaps he's not the innocent", "not wanting to go to the school, feeling pressured by his parents, being", "it out on the nerd. He's all grown up now and he's over", "So when the second character snaps, he decides it's time for the bully", "grown up now and he's over with high school drama. So it's a", "a pretty long monologue. Is it an info dump? I kind of hate", "similar to the nerd. He was miserable and took it out on the", "just keep taking the insults and getting angrier, but not taking the bait.", "snaps. He decides once and for all to set the record straight. The", "one just telling the other one to shut up, and the attacking character", "from the moment they meet in the book. Throughout the story, they keep", "character was a popular jock and he bullied the first character very badly.", "realize that he may not be the only person with problems. Perhaps he's", "was a popular jock and he bullied the first character very badly. So", "he decides it's time for the bully to tell the nerd about how", "at by kids similar to the nerd. He was miserable and took it", "in the book. Throughout the story, they keep ramping it up. At a", "the innocent victim he's always portrayed himself to be. This is the point", "all about not wanting to go to the school, feeling pressured by his", "the only person with problems. Perhaps he's not the innocent victim he's always", "bait. I want the guy's story to totally shock the nerd. This is", "angrier, but not taking the bait. I want the guy's story to totally", "he's not the innocent victim he's always portrayed himself to be. This is", "person with problems. Perhaps he's not the innocent victim he's always portrayed himself", "don't get along and are sniping at each other from the moment they", "record straight. The two characters went to school together years before the story", "the point where I want the nerd to realize that he may not", "has no idea who the second character really is. Finally, the second character", "the second character snaps. He decides once and for all to set the", "I have two characters who don't get along and are sniping at each", "pressured by his parents, being sneered at by kids similar to the nerd.", "long monologue. Is it an info dump? I kind of hate info dumps,", "but I can't imagine this story trickling out and having the same effect", "and having the same effect in the story. I want the bully to", "for the bully to tell the nerd about how things looked from his", "and for all to set the record straight. The two characters went to", "looked from his perspective. He talks all about not wanting to go to", "the same effect in the story. I want the bully to just keep", "He was miserable and took it out on the nerd. He's all grown", "the point where the nerd and bully very slowly start a strong friendship.", "all to set the record straight. The two characters went to school together", "story began, and when they meet in the story, they haven't seen each", "with problems. Perhaps he's not the innocent victim he's always portrayed himself to", "to just keep taking the insults and getting angrier, but not taking the", "the school, feeling pressured by his parents, being sneered at by kids similar", "the record straight. The two characters went to school together years before the", "keep ramping it up. At a certain point, one character is still attacking,", "So it's a pretty long monologue. Is it an info dump? I kind", "At a certain point, one character is still attacking, but the other one", "the nerd to realize that he may not be the only person with", "the other one to shut up, and the attacking character has no idea", "years before the story began, and when they meet in the story, they", "all grown up now and he's over with high school drama. So it's", "since school. The second character was a popular jock and he bullied the", "not be the only person with problems. Perhaps he's not the innocent victim", "is still attacking, but the other one just telling the other one to", "it up. At a certain point, one character is still attacking, but the", "out and having the same effect in the story. I want the bully", "school, feeling pressured by his parents, being sneered at by kids similar to", "info dump? I kind of hate info dumps, but I can't imagine this", "began, and when they meet in the story, they haven't seen each other", "he's always portrayed himself to be. This is the point where the nerd", "the story. I want the bully to just keep taking the insults and", "but the other one just telling the other one to shut up, and", "was miserable and took it out on the nerd. He's all grown up", "to the school, feeling pressured by his parents, being sneered at by kids", "went to school together years before the story began, and when they meet", "feeling pressured by his parents, being sneered at by kids similar to the", "kids similar to the nerd. He was miserable and took it out on", "the second character really is. Finally, the second character snaps. He decides once", "Throughout the story, they keep ramping it up. At a certain point, one", "about not wanting to go to the school, feeling pressured by his parents,", "his parents, being sneered at by kids similar to the nerd. He was", "with high school drama. So it's a pretty long monologue. Is it an", "are sniping at each other from the moment they meet in the book.", "Perhaps he's not the innocent victim he's always portrayed himself to be. This", "He talks all about not wanting to go to the school, feeling pressured", "the nerd. He was miserable and took it out on the nerd. He's", "how things looked from his perspective. He talks all about not wanting to", "where I want the nerd to realize that he may not be the", "other one to shut up, and the attacking character has no idea who", "first character very badly. So when the second character snaps, he decides it's", "second character snaps. He decides once and for all to set the record", "shock the nerd. This is the point where I want the nerd to", "two characters went to school together years before the story began, and when", "they keep ramping it up. At a certain point, one character is still", "portrayed himself to be. This is the point where the nerd and bully", "who don't get along and are sniping at each other from the moment", "who the second character really is. Finally, the second character snaps. He decides", "each other since school. The second character was a popular jock and he", "tell the nerd about how things looked from his perspective. He talks all", "monologue. Is it an info dump? I kind of hate info dumps, but", "to realize that he may not be the only person with problems. Perhaps", "character is still attacking, but the other one just telling the other one", "along and are sniping at each other from the moment they meet in", "He's all grown up now and he's over with high school drama. So", "school. The second character was a popular jock and he bullied the first", "innocent victim he's always portrayed himself to be. This is the point where", "straight. The two characters went to school together years before the story began,", "and the attacking character has no idea who the second character really is.", "very badly. So when the second character snaps, he decides it's time for", "He decides once and for all to set the record straight. The two", "really is. Finally, the second character snaps. He decides once and for all", "things looked from his perspective. He talks all about not wanting to go", "attacking, but the other one just telling the other one to shut up,", "character snaps, he decides it's time for the bully to tell the nerd", "I want the guy's story to totally shock the nerd. This is the", "he may not be the only person with problems. Perhaps he's not the", "The two characters went to school together years before the story began, and", "have two characters who don't get along and are sniping at each other", "story, they keep ramping it up. At a certain point, one character is", "nerd. He was miserable and took it out on the nerd. He's all", "second character was a popular jock and he bullied the first character very", "and are sniping at each other from the moment they meet in the", "pretty long monologue. Is it an info dump? I kind of hate info", "each other from the moment they meet in the book. Throughout the story,", "to totally shock the nerd. This is the point where I want the", "in the story. I want the bully to just keep taking the insults", "the insults and getting angrier, but not taking the bait. I want the", "info dumps, but I can't imagine this story trickling out and having the", "totally shock the nerd. This is the point where I want the nerd", "the story, they haven't seen each other since school. The second character was", "the bully to just keep taking the insults and getting angrier, but not", "want the guy's story to totally shock the nerd. This is the point", "ramping it up. At a certain point, one character is still attacking, but", "they haven't seen each other since school. The second character was a popular", "effect in the story. I want the bully to just keep taking the", "victim he's always portrayed himself to be. This is the point where the", "and he bullied the first character very badly. So when the second character", "dumps, but I can't imagine this story trickling out and having the same", "being sneered at by kids similar to the nerd. He was miserable and", "I can't imagine this story trickling out and having the same effect in", "and he's over with high school drama. So it's a pretty long monologue.", "want the bully to just keep taking the insults and getting angrier, but", "keep taking the insults and getting angrier, but not taking the bait. I", "story, they haven't seen each other since school. The second character was a", "want the nerd to realize that he may not be the only person", "hate info dumps, but I can't imagine this story trickling out and having", "idea who the second character really is. Finally, the second character snaps. He", "badly. So when the second character snaps, he decides it's time for the", "from his perspective. He talks all about not wanting to go to the", "I want the bully to just keep taking the insults and getting angrier,", "not taking the bait. I want the guy's story to totally shock the", "only person with problems. Perhaps he's not the innocent victim he's always portrayed", "about how things looked from his perspective. He talks all about not wanting", "in the story, they haven't seen each other since school. The second character", "dump? I kind of hate info dumps, but I can't imagine this story", "that he may not be the only person with problems. Perhaps he's not", "This is the point where I want the nerd to realize that he", "his perspective. He talks all about not wanting to go to the school,", "the first character very badly. So when the second character snaps, he decides", "to go to the school, feeling pressured by his parents, being sneered at", "the bully to tell the nerd about how things looked from his perspective.", "on the nerd. He's all grown up now and he's over with high", "moment they meet in the book. Throughout the story, they keep ramping it", "to set the record straight. The two characters went to school together years", "wanting to go to the school, feeling pressured by his parents, being sneered", "still attacking, but the other one just telling the other one to shut", "nerd to realize that he may not be the only person with problems.", "meet in the book. Throughout the story, they keep ramping it up. At", "always portrayed himself to be. This is the point where the nerd and" ]
[ "describe it in high tech audience? Can any one would suggest me how", "topic HTTP and its audience will be high tech. I am having a", "write a simple introduction on the topic HTTP and its audience will be", "audience will be high tech. I am having a bit of problem in", "problem in how to describe it in high tech audience? Can any one", "having a bit of problem in how to describe it in high tech", "a simple introduction on the topic HTTP and its audience will be high", "a bit of problem in how to describe it in high tech audience?", "bit of problem in how to describe it in high tech audience? Can", "and its audience will be high tech. I am having a bit of", "I have to write a simple introduction on the topic HTTP and its", "its audience will be high tech. I am having a bit of problem", "in high tech audience? Can any one would suggest me how to complete", "it in high tech audience? Can any one would suggest me how to", "the topic HTTP and its audience will be high tech. I am having", "I am having a bit of problem in how to describe it in", "am having a bit of problem in how to describe it in high", "will be high tech. I am having a bit of problem in how", "on the topic HTTP and its audience will be high tech. I am", "in how to describe it in high tech audience? Can any one would", "have to write a simple introduction on the topic HTTP and its audience", "tech audience? Can any one would suggest me how to complete the task?", "to write a simple introduction on the topic HTTP and its audience will", "HTTP and its audience will be high tech. I am having a bit", "to describe it in high tech audience? Can any one would suggest me", "introduction on the topic HTTP and its audience will be high tech. I", "high tech audience? Can any one would suggest me how to complete the", "tech. I am having a bit of problem in how to describe it", "of problem in how to describe it in high tech audience? Can any", "be high tech. I am having a bit of problem in how to", "high tech. I am having a bit of problem in how to describe", "simple introduction on the topic HTTP and its audience will be high tech.", "audience? Can any one would suggest me how to complete the task? Thanks", "how to describe it in high tech audience? Can any one would suggest" ]
[ "things and this will be in the form of pieces of a fictional", "readers get irritated by the snippets? I will make them relevant to the", "by the snippets? I will make them relevant to the chapters they are", "form of pieces of a fictional book that exists in that world. Is", "good thing to do, or will readers get irritated by the snippets? I", "it will make it to long and tedious to read. So the idea", "to start each chapter with a few lines to explain things and this", "with a few lines to explain things and this will be in the", "world. Is this a good thing to do, or will readers get irritated", "it all in the main story it will make it to long and", "Is this a good thing to do, or will readers get irritated by", "the main story it will make it to long and tedious to read.", "exists in that world. Is this a good thing to do, or will", "lines to explain things and this will be in the form of pieces", "writing a fantasy story in a medieval-like time. There is a lot of", "medieval-like time. There is a lot of information I want to share with", "in the main story it will make it to long and tedious to", "be in the form of pieces of a fictional book that exists in", "make it to long and tedious to read. So the idea I'm having", "to read. So the idea I'm having now is to start each chapter", "information I want to share with my readers, but I feel if I", "or will readers get irritated by the snippets? I will make them relevant", "a fictional book that exists in that world. Is this a good thing", "now is to start each chapter with a few lines to explain things", "a medieval-like time. There is a lot of information I want to share", "lot of information I want to share with my readers, but I feel", "read. So the idea I'm having now is to start each chapter with", "main story it will make it to long and tedious to read. So", "in the form of pieces of a fictional book that exists in that", "feel if I incorporate it all in the main story it will make", "thing to do, or will readers get irritated by the snippets? I will", "that exists in that world. Is this a good thing to do, or", "in that world. Is this a good thing to do, or will readers", "start each chapter with a few lines to explain things and this will", "I am writing a fantasy story in a medieval-like time. There is a", "idea I'm having now is to start each chapter with a few lines", "each chapter with a few lines to explain things and this will be", "tedious to read. So the idea I'm having now is to start each", "do, or will readers get irritated by the snippets? I will make them", "will be in the form of pieces of a fictional book that exists", "to share with my readers, but I feel if I incorporate it all", "a few lines to explain things and this will be in the form", "get irritated by the snippets? I will make them relevant to the chapters", "want to share with my readers, but I feel if I incorporate it", "pieces of a fictional book that exists in that world. Is this a", "to do, or will readers get irritated by the snippets? I will make", "I feel if I incorporate it all in the main story it will", "of information I want to share with my readers, but I feel if", "am writing a fantasy story in a medieval-like time. There is a lot", "that world. Is this a good thing to do, or will readers get", "in a medieval-like time. There is a lot of information I want to", "the idea I'm having now is to start each chapter with a few", "will readers get irritated by the snippets? I will make them relevant to", "is to start each chapter with a few lines to explain things and", "of a fictional book that exists in that world. Is this a good", "fantasy story in a medieval-like time. There is a lot of information I", "I want to share with my readers, but I feel if I incorporate", "this will be in the form of pieces of a fictional book that", "book that exists in that world. Is this a good thing to do,", "will make it to long and tedious to read. So the idea I'm", "my readers, but I feel if I incorporate it all in the main", "a lot of information I want to share with my readers, but I", "a fantasy story in a medieval-like time. There is a lot of information", "time. There is a lot of information I want to share with my", "story it will make it to long and tedious to read. So the", "this a good thing to do, or will readers get irritated by the", "is a lot of information I want to share with my readers, but", "fictional book that exists in that world. Is this a good thing to", "I'm having now is to start each chapter with a few lines to", "it to long and tedious to read. So the idea I'm having now", "irritated by the snippets? I will make them relevant to the chapters they", "explain things and this will be in the form of pieces of a", "but I feel if I incorporate it all in the main story it", "readers, but I feel if I incorporate it all in the main story", "the snippets? I will make them relevant to the chapters they are in.", "all in the main story it will make it to long and tedious", "chapter with a few lines to explain things and this will be in", "having now is to start each chapter with a few lines to explain", "of pieces of a fictional book that exists in that world. Is this", "So the idea I'm having now is to start each chapter with a", "few lines to explain things and this will be in the form of", "with my readers, but I feel if I incorporate it all in the", "incorporate it all in the main story it will make it to long", "long and tedious to read. So the idea I'm having now is to", "a good thing to do, or will readers get irritated by the snippets?", "share with my readers, but I feel if I incorporate it all in", "the form of pieces of a fictional book that exists in that world.", "to long and tedious to read. So the idea I'm having now is", "There is a lot of information I want to share with my readers,", "and tedious to read. So the idea I'm having now is to start", "to explain things and this will be in the form of pieces of", "story in a medieval-like time. There is a lot of information I want", "I incorporate it all in the main story it will make it to", "if I incorporate it all in the main story it will make it", "and this will be in the form of pieces of a fictional book" ]
[ "few events pass before I make them committed to each other. I (and", "their relationship to go too fast but let a few events pass before", "them committed to each other. I (and they) know that it's love, but", "should just kiss and make out on the spot. The thing is I", "writing a story, however I just can't seem to form a platonic relationship", "am writing my characters (Eyil and Abuwuil), it feels they should just kiss", "before I make them committed to each other. I (and they) know that", "characters (Eyil and Abuwuil), it feels they should just kiss and make out", "a platonic relationship between my characters. Whenever I am writing my characters (Eyil", "I do not want their relationship to go too fast but let a", "I'm writing a story, however I just can't seem to form a platonic", "however I just can't seem to form a platonic relationship between my characters.", "they should just kiss and make out on the spot. The thing is", "go too fast but let a few events pass before I make them", "too fast but let a few events pass before I make them committed", "that it's love, but don't want to commit because of the situation they", "stuck in. What are the qualities of a platonic relationship and how do", "I just can't seem to form a platonic relationship between my characters. Whenever", "other. I (and they) know that it's love, but don't want to commit", "make them committed to each other. I (and they) know that it's love,", "in. What are the qualities of a platonic relationship and how do I", "characters. Whenever I am writing my characters (Eyil and Abuwuil), it feels they", "What are the qualities of a platonic relationship and how do I apply", "the qualities of a platonic relationship and how do I apply this to", "qualities of a platonic relationship and how do I apply this to my", "out on the spot. The thing is I do not want their relationship", "both stuck in. What are the qualities of a platonic relationship and how", "on the spot. The thing is I do not want their relationship to", "I make them committed to each other. I (and they) know that it's", "writing my characters (Eyil and Abuwuil), it feels they should just kiss and", "do not want their relationship to go too fast but let a few", "is I do not want their relationship to go too fast but let", "to form a platonic relationship between my characters. Whenever I am writing my", "and Abuwuil), it feels they should just kiss and make out on the", "kiss and make out on the spot. The thing is I do not", "but let a few events pass before I make them committed to each", "and make out on the spot. The thing is I do not want", "Abuwuil), it feels they should just kiss and make out on the spot.", "love, but don't want to commit because of the situation they are both", "story, however I just can't seem to form a platonic relationship between my", "I am writing my characters (Eyil and Abuwuil), it feels they should just", "platonic relationship and how do I apply this to my characters in my", "it feels they should just kiss and make out on the spot. The", "to go too fast but let a few events pass before I make", "relationship and how do I apply this to my characters in my writing?", "The thing is I do not want their relationship to go too fast", "are the qualities of a platonic relationship and how do I apply this", "the situation they are both stuck in. What are the qualities of a", "thing is I do not want their relationship to go too fast but", "don't want to commit because of the situation they are both stuck in.", "let a few events pass before I make them committed to each other.", "to each other. I (and they) know that it's love, but don't want", "form a platonic relationship between my characters. Whenever I am writing my characters", "make out on the spot. The thing is I do not want their", "relationship between my characters. Whenever I am writing my characters (Eyil and Abuwuil),", "platonic relationship between my characters. Whenever I am writing my characters (Eyil and", "they) know that it's love, but don't want to commit because of the", "they are both stuck in. What are the qualities of a platonic relationship", "know that it's love, but don't want to commit because of the situation", "I (and they) know that it's love, but don't want to commit because", "my characters (Eyil and Abuwuil), it feels they should just kiss and make", "between my characters. Whenever I am writing my characters (Eyil and Abuwuil), it", "of a platonic relationship and how do I apply this to my characters", "but don't want to commit because of the situation they are both stuck", "spot. The thing is I do not want their relationship to go too", "seem to form a platonic relationship between my characters. Whenever I am writing", "Whenever I am writing my characters (Eyil and Abuwuil), it feels they should", "of the situation they are both stuck in. What are the qualities of", "a few events pass before I make them committed to each other. I", "not want their relationship to go too fast but let a few events", "feels they should just kiss and make out on the spot. The thing", "it's love, but don't want to commit because of the situation they are", "are both stuck in. What are the qualities of a platonic relationship and", "each other. I (and they) know that it's love, but don't want to", "(Eyil and Abuwuil), it feels they should just kiss and make out on", "my characters. Whenever I am writing my characters (Eyil and Abuwuil), it feels", "the spot. The thing is I do not want their relationship to go", "relationship to go too fast but let a few events pass before I", "a platonic relationship and how do I apply this to my characters in", "to commit because of the situation they are both stuck in. What are", "commit because of the situation they are both stuck in. What are the", "because of the situation they are both stuck in. What are the qualities", "fast but let a few events pass before I make them committed to", "want to commit because of the situation they are both stuck in. What", "events pass before I make them committed to each other. I (and they)", "situation they are both stuck in. What are the qualities of a platonic", "committed to each other. I (and they) know that it's love, but don't", "can't seem to form a platonic relationship between my characters. Whenever I am", "a story, however I just can't seem to form a platonic relationship between", "(and they) know that it's love, but don't want to commit because of", "pass before I make them committed to each other. I (and they) know", "just can't seem to form a platonic relationship between my characters. Whenever I", "just kiss and make out on the spot. The thing is I do", "want their relationship to go too fast but let a few events pass" ]
[ "don't want to hurt my chances, but I feel like its something important", "I don't want to hurt my chances, but I feel like its something", "run into an issue with illustrations and cover designs. I have a member", "I've wondered what is the most appropriate method for informing a potential publisher", "to hurt my chances, but I feel like its something important to let", "in my query? or wait until my work gets accepted and then spring", "method for informing a potential publisher or agent that I have a cover", "the most appropriate method for informing a potential publisher or agent that I", "customization doom me to only being able to self publish? I've wondered what", "Alaska that I'd like to have illustrate a children's picture book for me.", "my query? or wait until my work gets accepted and then spring it", "agent that I have a cover already, should I state it in my", "have a cover already, should I state it in my query? or wait", "my work gets accepted and then spring it on them? I don't want", "picture book for me. Does this level of management and customization doom me", "only being able to self publish? I've wondered what is the most appropriate", "cover designs. I have a member of my family who designs covers to", "being able to self publish? I've wondered what is the most appropriate method", "self publish? I've wondered what is the most appropriate method for informing a", "book for me. Does this level of management and customization doom me to", "of my family who designs covers to the novels I'm writing, and a", "that I have a cover already, should I state it in my query?", "or agent that I have a cover already, should I state it in", "with illustrations and cover designs. I have a member of my family who", "a children's picture book for me. Does this level of management and customization", "is the most appropriate method for informing a potential publisher or agent that", "doom me to only being able to self publish? I've wondered what is", "appropriate method for informing a potential publisher or agent that I have a", "issue with illustrations and cover designs. I have a member of my family", "to have illustrate a children's picture book for me. Does this level of", "into an issue with illustrations and cover designs. I have a member of", "have illustrate a children's picture book for me. Does this level of management", "already, should I state it in my query? or wait until my work", "I'd like to have illustrate a children's picture book for me. Does this", "Does this level of management and customization doom me to only being able", "children's picture book for me. Does this level of management and customization doom", "hurt my chances, but I feel like its something important to let the", "until my work gets accepted and then spring it on them? I don't", "work gets accepted and then spring it on them? I don't want to", "informing a potential publisher or agent that I have a cover already, should", "designs covers to the novels I'm writing, and a friend in Alaska that", "novels I'm writing, and a friend in Alaska that I'd like to have", "a potential publisher or agent that I have a cover already, should I", "wondered what is the most appropriate method for informing a potential publisher or", "it on them? I don't want to hurt my chances, but I feel", "I have a member of my family who designs covers to the novels", "to the novels I'm writing, and a friend in Alaska that I'd like", "in Alaska that I'd like to have illustrate a children's picture book for", "I have a cover already, should I state it in my query? or", "designs. I have a member of my family who designs covers to the", "should I state it in my query? or wait until my work gets", "for informing a potential publisher or agent that I have a cover already,", "level of management and customization doom me to only being able to self", "like to have illustrate a children's picture book for me. Does this level", "wait until my work gets accepted and then spring it on them? I", "a friend in Alaska that I'd like to have illustrate a children's picture", "most appropriate method for informing a potential publisher or agent that I have", "gets accepted and then spring it on them? I don't want to hurt", "state it in my query? or wait until my work gets accepted and", "this level of management and customization doom me to only being able to", "management and customization doom me to only being able to self publish? I've", "publish? I've wondered what is the most appropriate method for informing a potential", "an issue with illustrations and cover designs. I have a member of my", "them? I don't want to hurt my chances, but I feel like its", "writing, and a friend in Alaska that I'd like to have illustrate a", "I state it in my query? or wait until my work gets accepted", "query? or wait until my work gets accepted and then spring it on", "to self publish? I've wondered what is the most appropriate method for informing", "I've run into an issue with illustrations and cover designs. I have a", "illustrations and cover designs. I have a member of my family who designs", "member of my family who designs covers to the novels I'm writing, and", "me. Does this level of management and customization doom me to only being", "able to self publish? I've wondered what is the most appropriate method for", "the novels I'm writing, and a friend in Alaska that I'd like to", "on them? I don't want to hurt my chances, but I feel like", "publisher or agent that I have a cover already, should I state it", "and then spring it on them? I don't want to hurt my chances,", "I'm writing, and a friend in Alaska that I'd like to have illustrate", "spring it on them? I don't want to hurt my chances, but I", "have a member of my family who designs covers to the novels I'm", "accepted and then spring it on them? I don't want to hurt my", "me to only being able to self publish? I've wondered what is the", "that I'd like to have illustrate a children's picture book for me. Does", "and customization doom me to only being able to self publish? I've wondered", "to only being able to self publish? I've wondered what is the most", "then spring it on them? I don't want to hurt my chances, but", "of management and customization doom me to only being able to self publish?", "or wait until my work gets accepted and then spring it on them?", "my family who designs covers to the novels I'm writing, and a friend", "want to hurt my chances, but I feel like its something important to", "chances, but I feel like its something important to let the publisher know.", "for me. Does this level of management and customization doom me to only", "a member of my family who designs covers to the novels I'm writing,", "covers to the novels I'm writing, and a friend in Alaska that I'd", "my chances, but I feel like its something important to let the publisher", "friend in Alaska that I'd like to have illustrate a children's picture book", "it in my query? or wait until my work gets accepted and then", "who designs covers to the novels I'm writing, and a friend in Alaska", "family who designs covers to the novels I'm writing, and a friend in", "illustrate a children's picture book for me. Does this level of management and", "potential publisher or agent that I have a cover already, should I state", "what is the most appropriate method for informing a potential publisher or agent", "a cover already, should I state it in my query? or wait until", "cover already, should I state it in my query? or wait until my", "and a friend in Alaska that I'd like to have illustrate a children's", "and cover designs. I have a member of my family who designs covers" ]
[ "others of its race) and I find it really hard to describe the", "'the woman with the high pitched voice'? The setting is also in a", "into a big problem. My MC is blind (along with others of its", "view. So my question is, what are tricks I can use to describe", "how the people look that way, but I think it would be most", "created my world, started to write, and then bumped into a big problem.", "The setting is also in a world with magic, and she has some", "some sort of magic that makes her able to 'sense' people, and 'see'", "it is still possible to write in 3rd person and show how the", "and I find it really hard to describe the people she meets without", "tricks I can use to describe people? How can I make them different", "voice'? The setting is also in a world with magic, and she has", "I know it is still possible to write in 3rd person and show", "my question is, what are tricks I can use to describe people? How", "is still possible to write in 3rd person and show how the people", "what are tricks I can use to describe people? How can I make", "her point of view. So my question is, what are tricks I can", "look that way, but I think it would be most immersive to describe", "My MC is blind (along with others of its race) and I find", "I created my world, started to write, and then bumped into a big", "meets without using visual clues. I know it is still possible to write", "a fantasy novel that is set in medieval times. I created my world,", "am currently working on a fantasy novel that is set in medieval times.", "think it would be most immersive to describe everything from her point of", "is set in medieval times. I created my world, started to write, and", "to write, and then bumped into a big problem. My MC is blind", "people? How can I make them different from each other without just saying", "that is set in medieval times. I created my world, started to write,", "things like 'the woman with the high pitched voice'? The setting is also", "world, started to write, and then bumped into a big problem. My MC", "everything from her point of view. So my question is, what are tricks", "times. I created my world, started to write, and then bumped into a", "How can I make them different from each other without just saying things", "from her point of view. So my question is, what are tricks I", "from each other without just saying things like 'the woman with the high", "race) and I find it really hard to describe the people she meets", "she meets without using visual clues. I know it is still possible to", "I make them different from each other without just saying things like 'the", "that makes her able to 'sense' people, and 'see' stone. Maybe that is", "sort of magic that makes her able to 'sense' people, and 'see' stone.", "like 'the woman with the high pitched voice'? The setting is also in", "describe the people she meets without using visual clues. I know it is", "able to 'sense' people, and 'see' stone. Maybe that is of any help?", "really hard to describe the people she meets without using visual clues. I", "are tricks I can use to describe people? How can I make them", "write, and then bumped into a big problem. My MC is blind (along", "still possible to write in 3rd person and show how the people look", "her able to 'sense' people, and 'see' stone. Maybe that is of any", "magic that makes her able to 'sense' people, and 'see' stone. Maybe that", "saying things like 'the woman with the high pitched voice'? The setting is", "describe people? How can I make them different from each other without just", "my world, started to write, and then bumped into a big problem. My", "(along with others of its race) and I find it really hard to", "currently working on a fantasy novel that is set in medieval times. I", "So my question is, what are tricks I can use to describe people?", "also in a world with magic, and she has some sort of magic", "would be most immersive to describe everything from her point of view. So", "bumped into a big problem. My MC is blind (along with others of", "and then bumped into a big problem. My MC is blind (along with", "to write in 3rd person and show how the people look that way,", "big problem. My MC is blind (along with others of its race) and", "it really hard to describe the people she meets without using visual clues.", "without using visual clues. I know it is still possible to write in", "in medieval times. I created my world, started to write, and then bumped", "way, but I think it would be most immersive to describe everything from", "describe everything from her point of view. So my question is, what are", "can use to describe people? How can I make them different from each", "3rd person and show how the people look that way, but I think", "using visual clues. I know it is still possible to write in 3rd", "is also in a world with magic, and she has some sort of", "each other without just saying things like 'the woman with the high pitched", "use to describe people? How can I make them different from each other", "write in 3rd person and show how the people look that way, but", "other without just saying things like 'the woman with the high pitched voice'?", "of its race) and I find it really hard to describe the people", "a big problem. My MC is blind (along with others of its race)", "question is, what are tricks I can use to describe people? How can", "without just saying things like 'the woman with the high pitched voice'? The", "fantasy novel that is set in medieval times. I created my world, started", "I am currently working on a fantasy novel that is set in medieval", "just saying things like 'the woman with the high pitched voice'? The setting", "pitched voice'? The setting is also in a world with magic, and she", "to describe people? How can I make them different from each other without", "its race) and I find it really hard to describe the people she", "people look that way, but I think it would be most immersive to", "different from each other without just saying things like 'the woman with the", "and she has some sort of magic that makes her able to 'sense'", "problem. My MC is blind (along with others of its race) and I", "of view. So my question is, what are tricks I can use to", "blind (along with others of its race) and I find it really hard", "them different from each other without just saying things like 'the woman with", "be most immersive to describe everything from her point of view. So my", "high pitched voice'? The setting is also in a world with magic, and", "with the high pitched voice'? The setting is also in a world with", "and show how the people look that way, but I think it would", "it would be most immersive to describe everything from her point of view.", "show how the people look that way, but I think it would be", "woman with the high pitched voice'? The setting is also in a world", "clues. I know it is still possible to write in 3rd person and", "can I make them different from each other without just saying things like", "then bumped into a big problem. My MC is blind (along with others", "person and show how the people look that way, but I think it", "I find it really hard to describe the people she meets without using", "hard to describe the people she meets without using visual clues. I know", "world with magic, and she has some sort of magic that makes her", "visual clues. I know it is still possible to write in 3rd person", "to describe the people she meets without using visual clues. I know it", "novel that is set in medieval times. I created my world, started to", "but I think it would be most immersive to describe everything from her", "most immersive to describe everything from her point of view. So my question", "point of view. So my question is, what are tricks I can use", "set in medieval times. I created my world, started to write, and then", "possible to write in 3rd person and show how the people look that", "of magic that makes her able to 'sense' people, and 'see' stone. Maybe", "on a fantasy novel that is set in medieval times. I created my", "in 3rd person and show how the people look that way, but I", "make them different from each other without just saying things like 'the woman", "the high pitched voice'? The setting is also in a world with magic,", "with magic, and she has some sort of magic that makes her able", "magic, and she has some sort of magic that makes her able to", "find it really hard to describe the people she meets without using visual", "that way, but I think it would be most immersive to describe everything", "in a world with magic, and she has some sort of magic that", "has some sort of magic that makes her able to 'sense' people, and", "setting is also in a world with magic, and she has some sort", "is, what are tricks I can use to describe people? How can I", "started to write, and then bumped into a big problem. My MC is", "the people she meets without using visual clues. I know it is still", "the people look that way, but I think it would be most immersive", "medieval times. I created my world, started to write, and then bumped into", "MC is blind (along with others of its race) and I find it", "people she meets without using visual clues. I know it is still possible", "I think it would be most immersive to describe everything from her point", "to describe everything from her point of view. So my question is, what", "know it is still possible to write in 3rd person and show how", "working on a fantasy novel that is set in medieval times. I created", "I can use to describe people? How can I make them different from", "immersive to describe everything from her point of view. So my question is,", "she has some sort of magic that makes her able to 'sense' people,", "a world with magic, and she has some sort of magic that makes", "makes her able to 'sense' people, and 'see' stone. Maybe that is of", "with others of its race) and I find it really hard to describe", "is blind (along with others of its race) and I find it really" ]
[ "at the beginning of each chapter. I currently have it loaded into my", "a common practice, and I know the Storyist program typically leans toward trimmed", "Does anyone know how I'd go about adding my Drop-caps? I can't seem", "on my Mac-book Pro. Does anyone know how I'd go about adding my", "Pro. Does anyone know how I'd go about adding my Drop-caps? I can't", "chapter. I currently have it loaded into my Storyist program on my Mac-book", "have a manuscript that I'd like to add Drop Caps to at the", "it's not a common practice, and I know the Storyist program typically leans", "of each chapter. I currently have it loaded into my Storyist program on", "maybe I'll have to export my manuscript and tackle it in Pages. I'm", "manuscript style, so maybe I'll have to export my manuscript and tackle it", "go about adding my Drop-caps? I can't seem to find any tools for", "Drop Caps to at the beginning of each chapter. I currently have it", "know it's not a common practice, and I know the Storyist program typically", "beginning of each chapter. I currently have it loaded into my Storyist program", "tools for this. I know it's not a common practice, and I know", "common practice, and I know the Storyist program typically leans toward trimmed and", "for this. I know it's not a common practice, and I know the", "find any tools for this. I know it's not a common practice, and", "my manuscript and tackle it in Pages. I'm not sure. Can anyone help?", "I'd go about adding my Drop-caps? I can't seem to find any tools", "have to export my manuscript and tackle it in Pages. I'm not sure.", "I know it's not a common practice, and I know the Storyist program", "export my manuscript and tackle it in Pages. I'm not sure. Can anyone", "I have a manuscript that I'd like to add Drop Caps to at", "the Storyist program typically leans toward trimmed and well formatted manuscript style, so", "and I know the Storyist program typically leans toward trimmed and well formatted", "manuscript that I'd like to add Drop Caps to at the beginning of", "and well formatted manuscript style, so maybe I'll have to export my manuscript", "into my Storyist program on my Mac-book Pro. Does anyone know how I'd", "style, so maybe I'll have to export my manuscript and tackle it in", "typically leans toward trimmed and well formatted manuscript style, so maybe I'll have", "Mac-book Pro. Does anyone know how I'd go about adding my Drop-caps? I", "can't seem to find any tools for this. I know it's not a", "well formatted manuscript style, so maybe I'll have to export my manuscript and", "not a common practice, and I know the Storyist program typically leans toward", "to export my manuscript and tackle it in Pages. I'm not sure. Can", "program on my Mac-book Pro. Does anyone know how I'd go about adding", "this. I know it's not a common practice, and I know the Storyist", "each chapter. I currently have it loaded into my Storyist program on my", "to at the beginning of each chapter. I currently have it loaded into", "I currently have it loaded into my Storyist program on my Mac-book Pro.", "anyone know how I'd go about adding my Drop-caps? I can't seem to", "have it loaded into my Storyist program on my Mac-book Pro. Does anyone", "I'll have to export my manuscript and tackle it in Pages. I'm not", "it loaded into my Storyist program on my Mac-book Pro. Does anyone know", "know the Storyist program typically leans toward trimmed and well formatted manuscript style,", "loaded into my Storyist program on my Mac-book Pro. Does anyone know how", "my Drop-caps? I can't seem to find any tools for this. I know", "Storyist program on my Mac-book Pro. Does anyone know how I'd go about", "trimmed and well formatted manuscript style, so maybe I'll have to export my", "seem to find any tools for this. I know it's not a common", "to add Drop Caps to at the beginning of each chapter. I currently", "to find any tools for this. I know it's not a common practice,", "the beginning of each chapter. I currently have it loaded into my Storyist", "I'd like to add Drop Caps to at the beginning of each chapter.", "currently have it loaded into my Storyist program on my Mac-book Pro. Does", "I can't seem to find any tools for this. I know it's not", "like to add Drop Caps to at the beginning of each chapter. I", "any tools for this. I know it's not a common practice, and I", "add Drop Caps to at the beginning of each chapter. I currently have", "know how I'd go about adding my Drop-caps? I can't seem to find", "adding my Drop-caps? I can't seem to find any tools for this. I", "Caps to at the beginning of each chapter. I currently have it loaded", "how I'd go about adding my Drop-caps? I can't seem to find any", "program typically leans toward trimmed and well formatted manuscript style, so maybe I'll", "I know the Storyist program typically leans toward trimmed and well formatted manuscript", "Storyist program typically leans toward trimmed and well formatted manuscript style, so maybe", "so maybe I'll have to export my manuscript and tackle it in Pages.", "practice, and I know the Storyist program typically leans toward trimmed and well", "toward trimmed and well formatted manuscript style, so maybe I'll have to export", "formatted manuscript style, so maybe I'll have to export my manuscript and tackle", "leans toward trimmed and well formatted manuscript style, so maybe I'll have to", "my Mac-book Pro. Does anyone know how I'd go about adding my Drop-caps?", "a manuscript that I'd like to add Drop Caps to at the beginning", "that I'd like to add Drop Caps to at the beginning of each", "Drop-caps? I can't seem to find any tools for this. I know it's", "about adding my Drop-caps? I can't seem to find any tools for this.", "my Storyist program on my Mac-book Pro. Does anyone know how I'd go" ]
[ "eBook and possibly in print. From books I have bought from major publishers,", "ebook version, would that require a new ISBN? What if this results in", "I publish a correction to either the print or ebook version, would that", "in a change of page numbers? Or the insertion/removal of paragraphs or whole", "that a new edition of a book would require a new ISBN. If", "the eBook and print version have separate ISBNs. I also gather that a", "also gather that a new edition of a book would require a new", "that require a new ISBN? What if this results in a change of", "obtain some ISBNs for a few books I plan to publish as an", "as an eBook and possibly in print. From books I have bought from", "or ebook version, would that require a new ISBN? What if this results", "of page numbers? Or the insertion/removal of paragraphs or whole chapters? The question", "I am about to obtain some ISBNs for a few books I plan", "paragraphs or whole chapters? The question is, at what point are the changes", "if this results in a change of page numbers? Or the insertion/removal of", "I gather that the eBook and print version have separate ISBNs. I also", "in print. From books I have bought from major publishers, I gather that", "From books I have bought from major publishers, I gather that the eBook", "of paragraphs or whole chapters? The question is, at what point are the", "page numbers? Or the insertion/removal of paragraphs or whole chapters? The question is,", "have bought from major publishers, I gather that the eBook and print version", "books I have bought from major publishers, I gather that the eBook and", "whole chapters? The question is, at what point are the changes sufficient to", "to either the print or ebook version, would that require a new ISBN?", "ISBNs. I also gather that a new edition of a book would require", "major publishers, I gather that the eBook and print version have separate ISBNs.", "publish a correction to either the print or ebook version, would that require", "print or ebook version, would that require a new ISBN? What if this", "I have bought from major publishers, I gather that the eBook and print", "edition of a book would require a new ISBN. If I publish a", "If I publish a correction to either the print or ebook version, would", "print. From books I have bought from major publishers, I gather that the", "is, at what point are the changes sufficient to warrant a new ISBN?", "results in a change of page numbers? Or the insertion/removal of paragraphs or", "version, would that require a new ISBN? What if this results in a", "new edition of a book would require a new ISBN. If I publish", "numbers? Or the insertion/removal of paragraphs or whole chapters? The question is, at", "am about to obtain some ISBNs for a few books I plan to", "to obtain some ISBNs for a few books I plan to publish as", "that the eBook and print version have separate ISBNs. I also gather that", "The question is, at what point are the changes sufficient to warrant a", "about to obtain some ISBNs for a few books I plan to publish", "bought from major publishers, I gather that the eBook and print version have", "to publish as an eBook and possibly in print. From books I have", "publish as an eBook and possibly in print. From books I have bought", "insertion/removal of paragraphs or whole chapters? The question is, at what point are", "eBook and print version have separate ISBNs. I also gather that a new", "this results in a change of page numbers? Or the insertion/removal of paragraphs", "an eBook and possibly in print. From books I have bought from major", "new ISBN. If I publish a correction to either the print or ebook", "gather that the eBook and print version have separate ISBNs. I also gather", "ISBNs for a few books I plan to publish as an eBook and", "a change of page numbers? Or the insertion/removal of paragraphs or whole chapters?", "require a new ISBN? What if this results in a change of page", "a new ISBN? What if this results in a change of page numbers?", "I also gather that a new edition of a book would require a", "the insertion/removal of paragraphs or whole chapters? The question is, at what point", "a new ISBN. If I publish a correction to either the print or", "from major publishers, I gather that the eBook and print version have separate", "a correction to either the print or ebook version, would that require a", "and print version have separate ISBNs. I also gather that a new edition", "a few books I plan to publish as an eBook and possibly in", "What if this results in a change of page numbers? Or the insertion/removal", "for a few books I plan to publish as an eBook and possibly", "version have separate ISBNs. I also gather that a new edition of a", "book would require a new ISBN. If I publish a correction to either", "chapters? The question is, at what point are the changes sufficient to warrant", "books I plan to publish as an eBook and possibly in print. From", "would require a new ISBN. If I publish a correction to either the", "change of page numbers? Or the insertion/removal of paragraphs or whole chapters? The", "gather that a new edition of a book would require a new ISBN.", "possibly in print. From books I have bought from major publishers, I gather", "I plan to publish as an eBook and possibly in print. From books", "print version have separate ISBNs. I also gather that a new edition of", "ISBN? What if this results in a change of page numbers? Or the", "a book would require a new ISBN. If I publish a correction to", "plan to publish as an eBook and possibly in print. From books I", "question is, at what point are the changes sufficient to warrant a new", "Or the insertion/removal of paragraphs or whole chapters? The question is, at what", "and possibly in print. From books I have bought from major publishers, I", "of a book would require a new ISBN. If I publish a correction", "would that require a new ISBN? What if this results in a change", "separate ISBNs. I also gather that a new edition of a book would", "either the print or ebook version, would that require a new ISBN? What", "a new edition of a book would require a new ISBN. If I", "the print or ebook version, would that require a new ISBN? What if", "or whole chapters? The question is, at what point are the changes sufficient", "new ISBN? What if this results in a change of page numbers? Or", "some ISBNs for a few books I plan to publish as an eBook", "require a new ISBN. If I publish a correction to either the print", "publishers, I gather that the eBook and print version have separate ISBNs. I", "few books I plan to publish as an eBook and possibly in print.", "at what point are the changes sufficient to warrant a new ISBN? Thanks", "have separate ISBNs. I also gather that a new edition of a book", "correction to either the print or ebook version, would that require a new", "ISBN. If I publish a correction to either the print or ebook version," ]
[ "research titles with words similar to those I'm thinking of incorporating, and using", "relevant to your answer, then know that the book will be published in", "self-help book. I \"get\" the general idea of whether to piggyback or avoid", "interest and author names. 3. Use titles from the spreadsheet to do research", "to your answer, then know that the book will be published in paperback.", "limit the parameters. 2. Use a spreadsheet to record titles of interest and", "LC Advanced Search to limit the parameters. 2. Use a spreadsheet to record", "sites or books or personal experience can you offer to help me refine", "and to research titles with words similar to those I'm thinking of incorporating,", "exquisitely specific about your reader, and avoiding being a johnny-come-lately, me-too book. My", "words similar to those I'm thinking of incorporating, and using the LC Advanced", "Search to limit the parameters. 2. Use a spreadsheet to record titles of", "form is relevant to your answer, then know that the book will be", "and author names. 3. Use titles from the spreadsheet to do research on", "a self-help book. I \"get\" the general idea of whether to piggyback or", "and using the LC Advanced Search to limit the parameters. 2. Use a", "Use a spreadsheet to record titles of interest and author names. 3. Use", "Note: If the final form is relevant to your answer, then know that", "I \"get\" the general idea of whether to piggyback or avoid popular titles,", "me-too book. My fuzzy plan is to: 1. Start at the Library of", "the spreadsheet to do research on Amazon. What sites or books or personal", "Am trying to do due diligence to find the niche for a self-help", "help me refine my plan? Note: If the final form is relevant to", "to limit the parameters. 2. Use a spreadsheet to record titles of interest", "My fuzzy plan is to: 1. Start at the Library of Congress and", "of Congress and to research titles with words similar to those I'm thinking", "at the Library of Congress and to research titles with words similar to", "names. 3. Use titles from the spreadsheet to do research on Amazon. What", "to: 1. Start at the Library of Congress and to research titles with", "to piggyback or avoid popular titles, being exquisitely specific about your reader, and", "avoid popular titles, being exquisitely specific about your reader, and avoiding being a", "titles of interest and author names. 3. Use titles from the spreadsheet to", "or personal experience can you offer to help me refine my plan? Note:", "to those I'm thinking of incorporating, and using the LC Advanced Search to", "to research titles with words similar to those I'm thinking of incorporating, and", "author names. 3. Use titles from the spreadsheet to do research on Amazon.", "fuzzy plan is to: 1. Start at the Library of Congress and to", "using the LC Advanced Search to limit the parameters. 2. Use a spreadsheet", "be published in paperback. At the moment, there are no plans for Kindle.", "of interest and author names. 3. Use titles from the spreadsheet to do", "to help me refine my plan? Note: If the final form is relevant", "will be published in paperback. At the moment, there are no plans for", "about your reader, and avoiding being a johnny-come-lately, me-too book. My fuzzy plan", "Amazon. What sites or books or personal experience can you offer to help", "popular titles, being exquisitely specific about your reader, and avoiding being a johnny-come-lately,", "to do research on Amazon. What sites or books or personal experience can", "is relevant to your answer, then know that the book will be published", "that the book will be published in paperback. At the moment, there are", "parameters. 2. Use a spreadsheet to record titles of interest and author names.", "titles with words similar to those I'm thinking of incorporating, and using the", "the LC Advanced Search to limit the parameters. 2. Use a spreadsheet to", "thinking of incorporating, and using the LC Advanced Search to limit the parameters.", "titles from the spreadsheet to do research on Amazon. What sites or books", "Start at the Library of Congress and to research titles with words similar", "the book will be published in paperback. At the moment, there are no", "I'm thinking of incorporating, and using the LC Advanced Search to limit the", "titles, being exquisitely specific about your reader, and avoiding being a johnny-come-lately, me-too", "find the niche for a self-help book. I \"get\" the general idea of", "and avoiding being a johnny-come-lately, me-too book. My fuzzy plan is to: 1.", "can you offer to help me refine my plan? Note: If the final", "whether to piggyback or avoid popular titles, being exquisitely specific about your reader,", "incorporating, and using the LC Advanced Search to limit the parameters. 2. Use", "a johnny-come-lately, me-too book. My fuzzy plan is to: 1. Start at the", "plan is to: 1. Start at the Library of Congress and to research", "from the spreadsheet to do research on Amazon. What sites or books or", "Use titles from the spreadsheet to do research on Amazon. What sites or", "books or personal experience can you offer to help me refine my plan?", "the general idea of whether to piggyback or avoid popular titles, being exquisitely", "research on Amazon. What sites or books or personal experience can you offer", "being a johnny-come-lately, me-too book. My fuzzy plan is to: 1. Start at", "spreadsheet to do research on Amazon. What sites or books or personal experience", "due diligence to find the niche for a self-help book. I \"get\" the", "plan? Note: If the final form is relevant to your answer, then know", "similar to those I'm thinking of incorporating, and using the LC Advanced Search", "my plan? Note: If the final form is relevant to your answer, then", "your reader, and avoiding being a johnny-come-lately, me-too book. My fuzzy plan is", "Congress and to research titles with words similar to those I'm thinking of", "to do due diligence to find the niche for a self-help book. I", "the parameters. 2. Use a spreadsheet to record titles of interest and author", "book. I \"get\" the general idea of whether to piggyback or avoid popular", "refine my plan? Note: If the final form is relevant to your answer,", "book will be published in paperback. At the moment, there are no plans", "answer, then know that the book will be published in paperback. At the", "niche for a self-help book. I \"get\" the general idea of whether to", "the final form is relevant to your answer, then know that the book", "idea of whether to piggyback or avoid popular titles, being exquisitely specific about", "your answer, then know that the book will be published in paperback. At", "offer to help me refine my plan? Note: If the final form is", "do due diligence to find the niche for a self-help book. I \"get\"", "with words similar to those I'm thinking of incorporating, and using the LC", "do research on Amazon. What sites or books or personal experience can you", "then know that the book will be published in paperback. At the moment,", "being exquisitely specific about your reader, and avoiding being a johnny-come-lately, me-too book.", "me refine my plan? Note: If the final form is relevant to your", "Library of Congress and to research titles with words similar to those I'm", "personal experience can you offer to help me refine my plan? Note: If", "diligence to find the niche for a self-help book. I \"get\" the general", "final form is relevant to your answer, then know that the book will", "specific about your reader, and avoiding being a johnny-come-lately, me-too book. My fuzzy", "know that the book will be published in paperback. At the moment, there", "avoiding being a johnny-come-lately, me-too book. My fuzzy plan is to: 1. Start", "book. My fuzzy plan is to: 1. Start at the Library of Congress", "the niche for a self-help book. I \"get\" the general idea of whether", "1. Start at the Library of Congress and to research titles with words", "piggyback or avoid popular titles, being exquisitely specific about your reader, and avoiding", "experience can you offer to help me refine my plan? Note: If the", "those I'm thinking of incorporating, and using the LC Advanced Search to limit", "to record titles of interest and author names. 3. Use titles from the", "reader, and avoiding being a johnny-come-lately, me-too book. My fuzzy plan is to:", "or avoid popular titles, being exquisitely specific about your reader, and avoiding being", "of incorporating, and using the LC Advanced Search to limit the parameters. 2.", "\"get\" the general idea of whether to piggyback or avoid popular titles, being", "general idea of whether to piggyback or avoid popular titles, being exquisitely specific", "3. Use titles from the spreadsheet to do research on Amazon. What sites", "for a self-help book. I \"get\" the general idea of whether to piggyback", "to find the niche for a self-help book. I \"get\" the general idea", "or books or personal experience can you offer to help me refine my", "johnny-come-lately, me-too book. My fuzzy plan is to: 1. Start at the Library", "What sites or books or personal experience can you offer to help me", "Advanced Search to limit the parameters. 2. Use a spreadsheet to record titles", "trying to do due diligence to find the niche for a self-help book.", "of whether to piggyback or avoid popular titles, being exquisitely specific about your", "is to: 1. Start at the Library of Congress and to research titles", "2. Use a spreadsheet to record titles of interest and author names. 3.", "you offer to help me refine my plan? Note: If the final form", "If the final form is relevant to your answer, then know that the", "a spreadsheet to record titles of interest and author names. 3. Use titles", "spreadsheet to record titles of interest and author names. 3. Use titles from", "the Library of Congress and to research titles with words similar to those", "on Amazon. What sites or books or personal experience can you offer to", "record titles of interest and author names. 3. Use titles from the spreadsheet" ]
[ "news spreads, the whole world finds out about it and, in the end,", "open up the story. The story is about two kids who find an", "the president and put it on the table and say \"This may not", "president and put it on the table and say \"This may not be", "two kids who find an old box in their grandparents' garage holding papers", "walk up to the president and put it on the table and say", "story and I would an idea for the intro to open up the", "I'm writing a story and I would an idea for the intro to", "in their grandparents' garage holding papers about a covered stairway in their basement.", "spreads, the whole world finds out about it and, in the end, the", "is about two kids who find an old box in their grandparents' garage", "down that staircase they find the back of the declaration of independence, which", "As the news spreads, the whole world finds out about it and, in", "and put it on the table and say \"This may not be true\".", "find the back of the declaration of independence, which is really a treasure", "their basement. When they go down that staircase they find the back of", "would an idea for the intro to open up the story. The story", "kids who find an old box in their grandparents' garage holding papers about", "old box in their grandparents' garage holding papers about a covered stairway in", "holding papers about a covered stairway in their basement. When they go down", "kids walk up to the president and put it on the table and", "which is really a treasure map. As the news spreads, the whole world", "to the president and put it on the table and say \"This may", "back of the declaration of independence, which is really a treasure map. As", "is really a treasure map. As the news spreads, the whole world finds", "box in their grandparents' garage holding papers about a covered stairway in their", "the whole world finds out about it and, in the end, the kids", "writing a story and I would an idea for the intro to open", "an old box in their grandparents' garage holding papers about a covered stairway", "they find the back of the declaration of independence, which is really a", "story. The story is about two kids who find an old box in", "out about it and, in the end, the kids walk up to the", "I would an idea for the intro to open up the story. The", "intro to open up the story. The story is about two kids who", "about it and, in the end, the kids walk up to the president", "for the intro to open up the story. The story is about two", "their grandparents' garage holding papers about a covered stairway in their basement. When", "world finds out about it and, in the end, the kids walk up", "in the end, the kids walk up to the president and put it", "and, in the end, the kids walk up to the president and put", "an idea for the intro to open up the story. The story is", "declaration of independence, which is really a treasure map. As the news spreads,", "papers about a covered stairway in their basement. When they go down that", "grandparents' garage holding papers about a covered stairway in their basement. When they", "garage holding papers about a covered stairway in their basement. When they go", "that staircase they find the back of the declaration of independence, which is", "idea for the intro to open up the story. The story is about", "and I would an idea for the intro to open up the story.", "about two kids who find an old box in their grandparents' garage holding", "a treasure map. As the news spreads, the whole world finds out about", "map. As the news spreads, the whole world finds out about it and,", "covered stairway in their basement. When they go down that staircase they find", "When they go down that staircase they find the back of the declaration", "of the declaration of independence, which is really a treasure map. As the", "a story and I would an idea for the intro to open up", "who find an old box in their grandparents' garage holding papers about a", "find an old box in their grandparents' garage holding papers about a covered", "up the story. The story is about two kids who find an old", "independence, which is really a treasure map. As the news spreads, the whole", "really a treasure map. As the news spreads, the whole world finds out", "staircase they find the back of the declaration of independence, which is really", "end, the kids walk up to the president and put it on the", "up to the president and put it on the table and say \"This", "the declaration of independence, which is really a treasure map. As the news", "finds out about it and, in the end, the kids walk up to", "to open up the story. The story is about two kids who find", "story is about two kids who find an old box in their grandparents'", "go down that staircase they find the back of the declaration of independence,", "the intro to open up the story. The story is about two kids", "in their basement. When they go down that staircase they find the back", "a covered stairway in their basement. When they go down that staircase they", "they go down that staircase they find the back of the declaration of", "treasure map. As the news spreads, the whole world finds out about it", "the kids walk up to the president and put it on the table", "of independence, which is really a treasure map. As the news spreads, the", "about a covered stairway in their basement. When they go down that staircase", "the news spreads, the whole world finds out about it and, in the", "the back of the declaration of independence, which is really a treasure map.", "stairway in their basement. When they go down that staircase they find the", "whole world finds out about it and, in the end, the kids walk", "basement. When they go down that staircase they find the back of the", "The story is about two kids who find an old box in their", "it and, in the end, the kids walk up to the president and", "the end, the kids walk up to the president and put it on", "the story. The story is about two kids who find an old box" ]
[ "thing, I have index, list of figures, list of appreviatiosn, then many chapters,", "should I put this Annex thing, I have index, list of figures, list", "list of figures, list of appreviatiosn, then many chapters, then the references. so", "Annex of the master thesis. I don't know where should I put this", "have index, list of figures, list of appreviatiosn, then many chapters, then the", "to the Annex of the master thesis. I don't know where should I", "some part to the Annex of the master thesis. I don't know where", "don't know where should I put this Annex thing, I have index, list", "many chapters, then the references. so where does this Annex sit please ?", "then many chapters, then the references. so where does this Annex sit please", "master thesis. I don't know where should I put this Annex thing, I", "asked me to move some part to the Annex of the master thesis.", "My teacher asked me to move some part to the Annex of the", "list of appreviatiosn, then many chapters, then the references. so where does this", "teacher asked me to move some part to the Annex of the master", "part to the Annex of the master thesis. I don't know where should", "index, list of figures, list of appreviatiosn, then many chapters, then the references.", "the Annex of the master thesis. I don't know where should I put", "where should I put this Annex thing, I have index, list of figures,", "Annex thing, I have index, list of figures, list of appreviatiosn, then many", "of the master thesis. I don't know where should I put this Annex", "know where should I put this Annex thing, I have index, list of", "this Annex thing, I have index, list of figures, list of appreviatiosn, then", "of appreviatiosn, then many chapters, then the references. so where does this Annex", "me to move some part to the Annex of the master thesis. I", "of figures, list of appreviatiosn, then many chapters, then the references. so where", "I don't know where should I put this Annex thing, I have index,", "appreviatiosn, then many chapters, then the references. so where does this Annex sit", "figures, list of appreviatiosn, then many chapters, then the references. so where does", "to move some part to the Annex of the master thesis. I don't", "put this Annex thing, I have index, list of figures, list of appreviatiosn,", "I put this Annex thing, I have index, list of figures, list of", "move some part to the Annex of the master thesis. I don't know", "the master thesis. I don't know where should I put this Annex thing,", "thesis. I don't know where should I put this Annex thing, I have", "I have index, list of figures, list of appreviatiosn, then many chapters, then" ]
[ "have an MFA friend who teaches photography and would probably give me a", "select one), or * Make it a priority to make covers that represent", "myself by services like canva.com. I have an MFA friend who teaches photography", "I be considering in weighing these options? Should I be paying attention to", "I'm less concerned with the difference between his photography and stock photographs made", "of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and recognizable from", "of building individual covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures", "thought from my foggy marketing perspective that this would constitute recognizable branding to", "I'm wondering whether I should by my own efforts replace them with covers", "all titles. What should I be considering in weighing these options? Should I", "like canva.com. I have an MFA friend who teaches photography and would probably", "MFA friend who teaches photography and would probably give me a lot of", "consistent and recognizable from one another, and I thought from my foggy marketing", "and consistent, to the time of building individual covers from the array of", "one), or * Make it a priority to make covers that represent better", "I be paying attention to options / approaches I have not listed above?", "relative merits of: * Retaining the existing approach to branding, * Either incrementally,", "Either incrementally, or for a subset, or on a triage basis, start migrating", "migrating titles to one of the many free ones out there (I'm wondering", "in weighing these options? Should I be paying attention to options / approaches", "people who had recognized a title and liked one. In other words, my", "would serve some branding purposes well. I'd be interested in the relative merits", "the relative merits of: * Retaining the existing approach to branding, * Either", "recognizable from one another, and I thought from my foggy marketing perspective that", "Retaining the existing approach to branding, * Either incrementally, or for a subset,", "free ones out there (I'm wondering how to select one), or * Make", "have a fairly large collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether", "branding for all titles. What should I be considering in weighing these options?", "The pictures I have are consistent and recognizable from one another, and I", "In other words, my thought was that the design was uninspired but would", "some branding purposes well. I'd be interested in the relative merits of: ", "on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by my own efforts replace", "with covers I've made myself by services like canva.com. I have an MFA", "less concerned with the difference between his photography and stock photographs made freely", "another, and I thought from my foggy marketing perspective that this would constitute", "or for a subset, or on a triage basis, start migrating titles to", "a fairly large collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I", "to people who had recognized a title and liked one. In other words,", "between his photography and stock photographs made freely available, than with the drawbacks", "his photography and stock photographs made freely available, than with the drawbacks and", "one another, and I thought from my foggy marketing perspective that this would", "than with the drawbacks and benefits of migrating from a cookie-cutter system that", "was uninspired but would serve some branding purposes well. I'd be interested in", " Either incrementally, or for a subset, or on a triage basis, start", "make covers that represent better branding for all titles. What should I be", "and recognizable from one another, and I thought from my foggy marketing perspective", "concerned with the difference between his photography and stock photographs made freely available,", "branding to people who had recognized a title and liked one. In other", "teaches photography and would probably give me a lot of nice basic images", "replace them with covers I've made myself by services like canva.com. I have", "my own efforts replace them with covers I've made myself by services like", "basis, start migrating titles to one of the many free ones out there", "one. In other words, my thought was that the design was uninspired but", "to branding, * Either incrementally, or for a subset, or on a triage", "covers I've made myself by services like canva.com. I have an MFA friend", "was that the design was uninspired but would serve some branding purposes well.", "* Make it a priority to make covers that represent better branding for", "how to select one), or * Make it a priority to make covers", "the difference between his photography and stock photographs made freely available, than with", "I've made myself by services like canva.com. I have an MFA friend who", "my foggy marketing perspective that this would constitute recognizable branding to people who", "photographs made freely available, than with the drawbacks and benefits of migrating from", "drawbacks and benefits of migrating from a cookie-cutter system that is foolproof and", "time of building individual covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The", "well. I'd be interested in the relative merits of: * Retaining the existing", "photography and would probably give me a lot of nice basic images if", "whether I should by my own efforts replace them with covers I've made", "and I thought from my foggy marketing perspective that this would constitute recognizable", "* Retaining the existing approach to branding, * Either incrementally, or for a", "the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and", "the drawbacks and benefits of migrating from a cookie-cutter system that is foolproof", "of nice basic images if I asked nicely, but I'm less concerned with", "who teaches photography and would probably give me a lot of nice basic", "to make covers that represent better branding for all titles. What should I", "lot of nice basic images if I asked nicely, but I'm less concerned", "me a lot of nice basic images if I asked nicely, but I'm", "of migrating from a cookie-cutter system that is foolproof and consistent, to the", "a triage basis, start migrating titles to one of the many free ones", "and I'm wondering whether I should by my own efforts replace them with", "words, my thought was that the design was uninspired but would serve some", "covers that represent better branding for all titles. What should I be considering", "and would probably give me a lot of nice basic images if I", "nicely, but I'm less concerned with the difference between his photography and stock", "give me a lot of nice basic images if I asked nicely, but", "available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and recognizable from one another,", "canva.com. I have an MFA friend who teaches photography and would probably give", "should by my own efforts replace them with covers I've made myself by", "foolproof and consistent, to the time of building individual covers from the array", "who had recognized a title and liked one. In other words, my thought", "an MFA friend who teaches photography and would probably give me a lot", "recognized a title and liked one. In other words, my thought was that", "large collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by", "Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by my own efforts replace them", "merits of: * Retaining the existing approach to branding, * Either incrementally, or", "many free ones out there (I'm wondering how to select one), or ", "I have are consistent and recognizable from one another, and I thought from", "from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent", "serve some branding purposes well. I'd be interested in the relative merits of:", "basic images if I asked nicely, but I'm less concerned with the difference", "photography and stock photographs made freely available, than with the drawbacks and benefits", "one of the many free ones out there (I'm wondering how to select", "out there (I'm wondering how to select one), or Make it a", "asked nicely, but I'm less concerned with the difference between his photography and", "considering in weighing these options? Should I be paying attention to options /", "![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and recognizable from one another, and", "I should by my own efforts replace them with covers I've made myself", "title and liked one. In other words, my thought was that the design", "perspective that this would constitute recognizable branding to people who had recognized a", "to one of the many free ones out there (I'm wondering how to", "titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by my own efforts", "a cookie-cutter system that is foolproof and consistent, to the time of building", "uninspired but would serve some branding purposes well. I'd be interested in the", "constitute recognizable branding to people who had recognized a title and liked one.", "What should I be considering in weighing these options? Should I be paying", "available, than with the drawbacks and benefits of migrating from a cookie-cutter system", "benefits of migrating from a cookie-cutter system that is foolproof and consistent, to", "would constitute recognizable branding to people who had recognized a title and liked", "covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are", "of: * Retaining the existing approach to branding, * Either incrementally, or for", "made myself by services like canva.com. I have an MFA friend who teaches", "Should I be paying attention to options / approaches I have not listed", "probably give me a lot of nice basic images if I asked nicely,", "be paying attention to options / approaches I have not listed above? Thanks,", "branding, * Either incrementally, or for a subset, or on a triage basis,", "consistent, to the time of building individual covers from the array of options", "of the many free ones out there (I'm wondering how to select one),", "priority to make covers that represent better branding for all titles. What should", "should I be considering in weighing these options? Should I be paying attention", "if I asked nicely, but I'm less concerned with the difference between his", "them with covers I've made myself by services like canva.com. I have an", "marketing perspective that this would constitute recognizable branding to people who had recognized", "efforts replace them with covers I've made myself by services like canva.com. I", "pictures I have are consistent and recognizable from one another, and I thought", "by my own efforts replace them with covers I've made myself by services", "migrating from a cookie-cutter system that is foolproof and consistent, to the time", "a priority to make covers that represent better branding for all titles. What", "images if I asked nicely, but I'm less concerned with the difference between", "the existing approach to branding, * Either incrementally, or for a subset, or", "nice basic images if I asked nicely, but I'm less concerned with the", "but would serve some branding purposes well. I'd be interested in the relative", "by services like canva.com. I have an MFA friend who teaches photography and", "I thought from my foggy marketing perspective that this would constitute recognizable branding", "subset, or on a triage basis, start migrating titles to one of the", "would probably give me a lot of nice basic images if I asked", "that is foolproof and consistent, to the time of building individual covers from", "freely available, than with the drawbacks and benefits of migrating from a cookie-cutter", "a subset, or on a triage basis, start migrating titles to one of", "services like canva.com. I have an MFA friend who teaches photography and would", "a lot of nice basic images if I asked nicely, but I'm less", "thought was that the design was uninspired but would serve some branding purposes", "and stock photographs made freely available, than with the drawbacks and benefits of", "or * Make it a priority to make covers that represent better branding", "options? Should I be paying attention to options / approaches I have not", "the time of building individual covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg)", "cookie-cutter system that is foolproof and consistent, to the time of building individual", "from one another, and I thought from my foggy marketing perspective that this", "but I'm less concerned with the difference between his photography and stock photographs", "individual covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have", "array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and recognizable", "from my foggy marketing perspective that this would constitute recognizable branding to people", "(I'm wondering how to select one), or * Make it a priority to", "own efforts replace them with covers I've made myself by services like canva.com.", "have are consistent and recognizable from one another, and I thought from my", "purposes well. I'd be interested in the relative merits of: * Retaining the", "incrementally, or for a subset, or on a triage basis, start migrating titles", "I asked nicely, but I'm less concerned with the difference between his photography", "with the drawbacks and benefits of migrating from a cookie-cutter system that is", "existing approach to branding, * Either incrementally, or for a subset, or on", "for a subset, or on a triage basis, start migrating titles to one", "building individual covers from the array of options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I", "these options? Should I be paying attention to options / approaches I have", "had recognized a title and liked one. In other words, my thought was", "made freely available, than with the drawbacks and benefits of migrating from a", "ones out there (I'm wondering how to select one), or * Make it", "I'd be interested in the relative merits of: * Retaining the existing approach", "other words, my thought was that the design was uninspired but would serve", "[I have a fairly large collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering", "in the relative merits of: * Retaining the existing approach to branding, ", "interested in the relative merits of: Retaining the existing approach to branding,", "a title and liked one. In other words, my thought was that the", "collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by my", "system that is foolproof and consistent, to the time of building individual covers", "for all titles. What should I be considering in weighing these options? Should", "wondering whether I should by my own efforts replace them with covers I've", "be interested in the relative merits of: * Retaining the existing approach to", "I have an MFA friend who teaches photography and would probably give me", "with the difference between his photography and stock photographs made freely available, than", "that represent better branding for all titles. What should I be considering in", "to the time of building individual covers from the array of options available.", "my thought was that the design was uninspired but would serve some branding", "approach to branding, * Either incrementally, or for a subset, or on a", "better branding for all titles. What should I be considering in weighing these", "branding purposes well. I'd be interested in the relative merits of: * Retaining", "or on a triage basis, start migrating titles to one of the many", "there (I'm wondering how to select one), or * Make it a priority", "triage basis, start migrating titles to one of the many free ones out", "are consistent and recognizable from one another, and I thought from my foggy", "liked one. In other words, my thought was that the design was uninspired", "design was uninspired but would serve some branding purposes well. I'd be interested", "weighing these options? Should I be paying attention to options / approaches I", "this would constitute recognizable branding to people who had recognized a title and", "be considering in weighing these options? Should I be paying attention to options", "of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should by my own", "options available. ![](https://i.stack.imgur.com/rudaD.jpg) The pictures I have are consistent and recognizable from one", "it a priority to make covers that represent better branding for all titles.", "from a cookie-cutter system that is foolproof and consistent, to the time of", "represent better branding for all titles. What should I be considering in weighing", "and liked one. In other words, my thought was that the design was", "the many free ones out there (I'm wondering how to select one), or", "fairly large collection of titles on Amazon](http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=%22CJS+Hayward%22), and I'm wondering whether I should", "the design was uninspired but would serve some branding purposes well. I'd be", "that the design was uninspired but would serve some branding purposes well. I'd", "Make it a priority to make covers that represent better branding for all", "start migrating titles to one of the many free ones out there (I'm", "to select one), or * Make it a priority to make covers that", "is foolproof and consistent, to the time of building individual covers from the", "foggy marketing perspective that this would constitute recognizable branding to people who had", "that this would constitute recognizable branding to people who had recognized a title", "titles. What should I be considering in weighing these options? Should I be", "and benefits of migrating from a cookie-cutter system that is foolproof and consistent,", "friend who teaches photography and would probably give me a lot of nice", "wondering how to select one), or * Make it a priority to make", "difference between his photography and stock photographs made freely available, than with the", "on a triage basis, start migrating titles to one of the many free", "stock photographs made freely available, than with the drawbacks and benefits of migrating", "titles to one of the many free ones out there (I'm wondering how", "recognizable branding to people who had recognized a title and liked one. In" ]
[ "skills to harm corrupt leaders and high nobles in his country. How do", "leaders and high nobles in his country. How do I write about (and", "uses his hacking skills to harm corrupt leaders and high nobles in his", "corrupt governments and uses his hacking skills to harm corrupt leaders and high", "hacking skills to harm corrupt leaders and high nobles in his country. How", "cyberterrorist, who mainly attacks corrupt governments and uses his hacking skills to harm", "corrupt leaders and high nobles in his country. How do I write about", "and uses his hacking skills to harm corrupt leaders and high nobles in", "his hacking skills to harm corrupt leaders and high nobles in his country.", "in his country. How do I write about (and what should I avoid", "story is a young cyberterrorist, who mainly attacks corrupt governments and uses his", "country. How do I write about (and what should I avoid when writing", "mainly attacks corrupt governments and uses his hacking skills to harm corrupt leaders", "nobles in his country. How do I write about (and what should I", "to harm corrupt leaders and high nobles in his country. How do I", "new story is a young cyberterrorist, who mainly attacks corrupt governments and uses", "is a young cyberterrorist, who mainly attacks corrupt governments and uses his hacking", "who mainly attacks corrupt governments and uses his hacking skills to harm corrupt", "protagonist of my new story is a young cyberterrorist, who mainly attacks corrupt", "do I write about (and what should I avoid when writing about) a", "write about (and what should I avoid when writing about) a terrorist who's", "of my new story is a young cyberterrorist, who mainly attacks corrupt governments", "The protagonist of my new story is a young cyberterrorist, who mainly attacks", "I write about (and what should I avoid when writing about) a terrorist", "his country. How do I write about (and what should I avoid when", "young cyberterrorist, who mainly attacks corrupt governments and uses his hacking skills to", "about (and what should I avoid when writing about) a terrorist who's supposed", "my new story is a young cyberterrorist, who mainly attacks corrupt governments and", "and high nobles in his country. How do I write about (and what", "should I avoid when writing about) a terrorist who's supposed to be likable?", "governments and uses his hacking skills to harm corrupt leaders and high nobles", "How do I write about (and what should I avoid when writing about)", "attacks corrupt governments and uses his hacking skills to harm corrupt leaders and", "a young cyberterrorist, who mainly attacks corrupt governments and uses his hacking skills", "(and what should I avoid when writing about) a terrorist who's supposed to", "high nobles in his country. How do I write about (and what should", "harm corrupt leaders and high nobles in his country. How do I write", "what should I avoid when writing about) a terrorist who's supposed to be" ]
[ "other outlandish statements like these become cliché? And if so, what are some", "death\", \"I had destroyed the earth\", or other outlandish statements like these become", "my death\", \"I had destroyed the earth\", or other outlandish statements like these", "like \"I hurtled to my death\", \"I had destroyed the earth\", or other", "statements like these become cliché? And if so, what are some alternative methods", "become cliché? And if so, what are some alternative methods to hook readers?", "these become cliché? And if so, what are some alternative methods to hook", "earth\", or other outlandish statements like these become cliché? And if so, what", "to my death\", \"I had destroyed the earth\", or other outlandish statements like", "something like \"I hurtled to my death\", \"I had destroyed the earth\", or", "Has opening a story with something like \"I hurtled to my death\", \"I", "opening a story with something like \"I hurtled to my death\", \"I had", "the earth\", or other outlandish statements like these become cliché? And if so,", "outlandish statements like these become cliché? And if so, what are some alternative", "had destroyed the earth\", or other outlandish statements like these become cliché? And", "story with something like \"I hurtled to my death\", \"I had destroyed the", "or other outlandish statements like these become cliché? And if so, what are", "\"I had destroyed the earth\", or other outlandish statements like these become cliché?", "a story with something like \"I hurtled to my death\", \"I had destroyed", "like these become cliché? And if so, what are some alternative methods to", "hurtled to my death\", \"I had destroyed the earth\", or other outlandish statements", "destroyed the earth\", or other outlandish statements like these become cliché? And if", "with something like \"I hurtled to my death\", \"I had destroyed the earth\",", "\"I hurtled to my death\", \"I had destroyed the earth\", or other outlandish" ]
[ "prose. Will I better off if I continue writing prose or should I", "off if I continue writing prose or should I experiment with a ballad?", "it as a ballad. But I am much better with prose. Will I", "to write it as a ballad. But I am much better with prose.", "a ballad. But I am much better with prose. Will I better off", "much better with prose. Will I better off if I continue writing prose", "an interesting idea to write it as a ballad. But I am much", "the third chapter of my novel. I got an interesting idea to write", "third chapter of my novel. I got an interesting idea to write it", "got an interesting idea to write it as a ballad. But I am", "ballad. But I am much better with prose. Will I better off if", "chapter of my novel. I got an interesting idea to write it as", "better off if I continue writing prose or should I experiment with a", "I better off if I continue writing prose or should I experiment with", "idea to write it as a ballad. But I am much better with", "planning to start with the third chapter of my novel. I got an", "novel. I got an interesting idea to write it as a ballad. But", "with the third chapter of my novel. I got an interesting idea to", "But I am much better with prose. Will I better off if I", "interesting idea to write it as a ballad. But I am much better", "of my novel. I got an interesting idea to write it as a", "I am much better with prose. Will I better off if I continue", "to start with the third chapter of my novel. I got an interesting", "I got an interesting idea to write it as a ballad. But I", "start with the third chapter of my novel. I got an interesting idea", "am now planning to start with the third chapter of my novel. I", "my novel. I got an interesting idea to write it as a ballad.", "as a ballad. But I am much better with prose. Will I better", "Will I better off if I continue writing prose or should I experiment", "I am now planning to start with the third chapter of my novel.", "with prose. Will I better off if I continue writing prose or should", "better with prose. Will I better off if I continue writing prose or", "now planning to start with the third chapter of my novel. I got", "write it as a ballad. But I am much better with prose. Will", "am much better with prose. Will I better off if I continue writing" ]
[ "find an artist that specializes in multi-racial characters? 4. If an illustrator is", "my first self-published children's book. 1. Where do I find artists that will", "5. What should I expect for a 20-page book that has 15 illustrations?", "that can turn photos into illustrations? 5. What should I expect for a", "illustrator is not in the budget, is there a software program that can", "is not in the budget, is there a software program that can turn", "Where do I find artists that will work on a small budget? 2.", "budget? 2. What are the compensation options? 3. How do I find an", "need an illustrator for my first self-published children's book. 1. Where do I", "do I find artists that will work on a small budget? 2. What", "a small budget? 2. What are the compensation options? 3. How do I", "What are the compensation options? 3. How do I find an artist that", "the compensation options? 3. How do I find an artist that specializes in", "artist that specializes in multi-racial characters? 4. If an illustrator is not in", "4. If an illustrator is not in the budget, is there a software", "the budget, is there a software program that can turn photos into illustrations?", "are the compensation options? 3. How do I find an artist that specializes", "characters? 4. If an illustrator is not in the budget, is there a", "that specializes in multi-racial characters? 4. If an illustrator is not in the", "first self-published children's book. 1. Where do I find artists that will work", "1. Where do I find artists that will work on a small budget?", "into illustrations? 5. What should I expect for a 20-page book that has", "on a small budget? 2. What are the compensation options? 3. How do", "self-published children's book. 1. Where do I find artists that will work on", "book. 1. Where do I find artists that will work on a small", "will work on a small budget? 2. What are the compensation options? 3.", "I find an artist that specializes in multi-racial characters? 4. If an illustrator", "an artist that specializes in multi-racial characters? 4. If an illustrator is not", "for my first self-published children's book. 1. Where do I find artists that", "software program that can turn photos into illustrations? 5. What should I expect", "I find artists that will work on a small budget? 2. What are", "multi-racial characters? 4. If an illustrator is not in the budget, is there", "do I find an artist that specializes in multi-racial characters? 4. If an", "find artists that will work on a small budget? 2. What are the", "2. What are the compensation options? 3. How do I find an artist", "children's book. 1. Where do I find artists that will work on a", "compensation options? 3. How do I find an artist that specializes in multi-racial", "3. How do I find an artist that specializes in multi-racial characters? 4.", "specializes in multi-racial characters? 4. If an illustrator is not in the budget,", "If an illustrator is not in the budget, is there a software program", "an illustrator is not in the budget, is there a software program that", "work on a small budget? 2. What are the compensation options? 3. How", "illustrations? 5. What should I expect for a 20-page book that has 15", "in the budget, is there a software program that can turn photos into", "budget, is there a software program that can turn photos into illustrations? 5.", "there a software program that can turn photos into illustrations? 5. What should", "photos into illustrations? 5. What should I expect for a 20-page book that", "How do I find an artist that specializes in multi-racial characters? 4. If", "small budget? 2. What are the compensation options? 3. How do I find", "options? 3. How do I find an artist that specializes in multi-racial characters?", "turn photos into illustrations? 5. What should I expect for a 20-page book", "an illustrator for my first self-published children's book. 1. Where do I find", "not in the budget, is there a software program that can turn photos", "can turn photos into illustrations? 5. What should I expect for a 20-page", "a software program that can turn photos into illustrations? 5. What should I", "is there a software program that can turn photos into illustrations? 5. What", "artists that will work on a small budget? 2. What are the compensation", "in multi-racial characters? 4. If an illustrator is not in the budget, is", "program that can turn photos into illustrations? 5. What should I expect for", "I need an illustrator for my first self-published children's book. 1. Where do", "that will work on a small budget? 2. What are the compensation options?", "illustrator for my first self-published children's book. 1. Where do I find artists" ]
[ "book tours, interviews, etc. While I'm not opposed to those things, I would", "know how doing so effectively might hinder my entrance into the world of", "require me to show my face or disclose personal information. How severely do", "While I'm not opposed to those things, I would like to remain anonymous.", "I'm not opposed to those things, I would like to remain anonymous. In", "to try publishing it. I've read other questions regarding the publishing process and", "doing so effectively might hinder my entrance into the world of fiction. I'm", "my entrance into the world of fiction. I'm willing to do things like", "I've read other questions regarding the publishing process and they suggest that an", "things, I would like to remain anonymous. In case anyone is concerned, I'm", "must do things like book tours, interviews, etc. While I'm not opposed to", "I just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to", "podcasts, blog posts, etc as long as they don't require me to show", "it. I've read other questions regarding the publishing process and they suggest that", "read other questions regarding the publishing process and they suggest that an aspiring", "I'm not writing anything inappropriate. I just value my privacy. I read [another", "those things, I would like to remain anonymous. In case anyone is concerned,", "as long as they don't require me to show my face or disclose", "practically to implement a pseudonym but I want to know how doing so", "face or disclose personal information. How severely do you guys think this would", "want to know how doing so effectively might hinder my entrance into the", "radio interviews, podcasts, blog posts, etc as long as they don't require me", "do things like book tours, interviews, etc. While I'm not opposed to those", "etc as long as they don't require me to show my face or", "I'm willing to do things like radio interviews, podcasts, blog posts, etc as", "like radio interviews, podcasts, blog posts, etc as long as they don't require", "posts, etc as long as they don't require me to show my face", "to implement a pseudonym but I want to know how doing so effectively", "world of fiction. I'm willing to do things like radio interviews, podcasts, blog", "tours, interviews, etc. While I'm not opposed to those things, I would like", "author must do things like book tours, interviews, etc. While I'm not opposed", "effectively might hinder my entrance into the world of fiction. I'm willing to", "process and they suggest that an aspiring author must do things like book", "I would like to remain anonymous. In case anyone is concerned, I'm not", "try publishing it. I've read other questions regarding the publishing process and they", "they suggest that an aspiring author must do things like book tours, interviews,", "just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement", "anonymous. In case anyone is concerned, I'm not writing anything inappropriate. I just", "concerned, I'm not writing anything inappropriate. I just value my privacy. I read", "privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym but", "not opposed to those things, I would like to remain anonymous. In case", "In case anyone is concerned, I'm not writing anything inappropriate. I just value", "how doing so effectively might hinder my entrance into the world of fiction.", "an aspiring author must do things like book tours, interviews, etc. While I'm", "case anyone is concerned, I'm not writing anything inappropriate. I just value my", "pseudonym but I want to know how doing so effectively might hinder my", "into the world of fiction. I'm willing to do things like radio interviews,", "to remain anonymous. In case anyone is concerned, I'm not writing anything inappropriate.", "the publishing process and they suggest that an aspiring author must do things", "finish, I'd like to try publishing it. I've read other questions regarding the", "but I want to know how doing so effectively might hinder my entrance", "novel. When I finish, I'd like to try publishing it. I've read other", "publishing it. I've read other questions regarding the publishing process and they suggest", "and they suggest that an aspiring author must do things like book tours,", "they don't require me to show my face or disclose personal information. How", "opposed to those things, I would like to remain anonymous. In case anyone", "how practically to implement a pseudonym but I want to know how doing", "long as they don't require me to show my face or disclose personal", "about how practically to implement a pseudonym but I want to know how", "anyone is concerned, I'm not writing anything inappropriate. I just value my privacy.", "my face or disclose personal information. How severely do you guys think this", "do things like radio interviews, podcasts, blog posts, etc as long as they", "like to try publishing it. I've read other questions regarding the publishing process", "[another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym but I want to", "my first novel. When I finish, I'd like to try publishing it. I've", "to show my face or disclose personal information. How severely do you guys", "don't require me to show my face or disclose personal information. How severely", "writing anything inappropriate. I just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about", "other questions regarding the publishing process and they suggest that an aspiring author", "interviews, podcasts, blog posts, etc as long as they don't require me to", "publishing process and they suggest that an aspiring author must do things like", "remain anonymous. In case anyone is concerned, I'm not writing anything inappropriate. I", "is concerned, I'm not writing anything inappropriate. I just value my privacy. I", "a pseudonym but I want to know how doing so effectively might hinder", "of fiction. I'm willing to do things like radio interviews, podcasts, blog posts,", "am writing my first novel. When I finish, I'd like to try publishing", "I am writing my first novel. When I finish, I'd like to try", "I want to know how doing so effectively might hinder my entrance into", "etc. While I'm not opposed to those things, I would like to remain", "willing to do things like radio interviews, podcasts, blog posts, etc as long", "or disclose personal information. How severely do you guys think this would harm", "I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym but I", "might hinder my entrance into the world of fiction. I'm willing to do", "value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a", "When I finish, I'd like to try publishing it. I've read other questions", "like book tours, interviews, etc. While I'm not opposed to those things, I", "interviews, etc. While I'm not opposed to those things, I would like to", "to know how doing so effectively might hinder my entrance into the world", "read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym but I want", "inappropriate. I just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically", "regarding the publishing process and they suggest that an aspiring author must do", "blog posts, etc as long as they don't require me to show my", "things like radio interviews, podcasts, blog posts, etc as long as they don't", "like to remain anonymous. In case anyone is concerned, I'm not writing anything", "my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym", "anything inappropriate. I just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how", "I'd like to try publishing it. I've read other questions regarding the publishing", "to those things, I would like to remain anonymous. In case anyone is", "writing my first novel. When I finish, I'd like to try publishing it.", "would like to remain anonymous. In case anyone is concerned, I'm not writing", "fiction. I'm willing to do things like radio interviews, podcasts, blog posts, etc", "disclose personal information. How severely do you guys think this would harm me?", "show my face or disclose personal information. How severely do you guys think", "implement a pseudonym but I want to know how doing so effectively might", "that an aspiring author must do things like book tours, interviews, etc. While", "things like book tours, interviews, etc. While I'm not opposed to those things,", "aspiring author must do things like book tours, interviews, etc. While I'm not", "suggest that an aspiring author must do things like book tours, interviews, etc.", "not writing anything inappropriate. I just value my privacy. I read [another question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym)", "the world of fiction. I'm willing to do things like radio interviews, podcasts,", "first novel. When I finish, I'd like to try publishing it. I've read", "so effectively might hinder my entrance into the world of fiction. I'm willing", "entrance into the world of fiction. I'm willing to do things like radio", "I finish, I'd like to try publishing it. I've read other questions regarding", "questions regarding the publishing process and they suggest that an aspiring author must", "hinder my entrance into the world of fiction. I'm willing to do things", "to do things like radio interviews, podcasts, blog posts, etc as long as", "as they don't require me to show my face or disclose personal information.", "me to show my face or disclose personal information. How severely do you", "question](https://writers.stackexchange.com/questions/8443/expectation-of-privacy-using-a-pseudonym) about how practically to implement a pseudonym but I want to know" ]
[ "I'm at the end of chapter 1 of my book, where the protagonist", "as exciting as direct terror attacks (e.g. bomb attacks), because it's \"only\" computers", "protagonist (a cyberterrorist) commits his first terror attacks by attacking the servers of", "the servers of a power plant and a government at the same time.", "pretty much safe. So. How do I write a terror attack on servers?", "at the same time. My problem is, these kind of attacks aren't as", "attacked; the personal staff is pretty much safe. So. How do I write", "I write a terror attack on servers? How do I make this exciting", "write a terror attack on servers? How do I make this exciting without", "\"only\" computers being attacked; the personal staff is pretty much safe. So. How", "on servers? How do I make this exciting without an immediate, personal threat?", "aren't as exciting as direct terror attacks (e.g. bomb attacks), because it's \"only\"", "terror attacks (e.g. bomb attacks), because it's \"only\" computers being attacked; the personal", "end of chapter 1 of my book, where the protagonist (a cyberterrorist) commits", "where the protagonist (a cyberterrorist) commits his first terror attacks by attacking the", "(a cyberterrorist) commits his first terror attacks by attacking the servers of a", "these kind of attacks aren't as exciting as direct terror attacks (e.g. bomb", "attack on servers? How do I make this exciting without an immediate, personal", "the end of chapter 1 of my book, where the protagonist (a cyberterrorist)", "personal staff is pretty much safe. So. How do I write a terror", "power plant and a government at the same time. My problem is, these", "do I write a terror attack on servers? How do I make this", "a terror attack on servers? How do I make this exciting without an", "because it's \"only\" computers being attacked; the personal staff is pretty much safe.", "computers being attacked; the personal staff is pretty much safe. So. How do", "the personal staff is pretty much safe. So. How do I write a", "time. My problem is, these kind of attacks aren't as exciting as direct", "and a government at the same time. My problem is, these kind of", "is, these kind of attacks aren't as exciting as direct terror attacks (e.g.", "it's \"only\" computers being attacked; the personal staff is pretty much safe. So.", "as direct terror attacks (e.g. bomb attacks), because it's \"only\" computers being attacked;", "my book, where the protagonist (a cyberterrorist) commits his first terror attacks by", "attacks aren't as exciting as direct terror attacks (e.g. bomb attacks), because it's", "chapter 1 of my book, where the protagonist (a cyberterrorist) commits his first", "1 of my book, where the protagonist (a cyberterrorist) commits his first terror", "cyberterrorist) commits his first terror attacks by attacking the servers of a power", "staff is pretty much safe. So. How do I write a terror attack", "a government at the same time. My problem is, these kind of attacks", "safe. So. How do I write a terror attack on servers? How do", "attacks), because it's \"only\" computers being attacked; the personal staff is pretty much", "(e.g. bomb attacks), because it's \"only\" computers being attacked; the personal staff is", "is pretty much safe. So. How do I write a terror attack on", "his first terror attacks by attacking the servers of a power plant and", "a power plant and a government at the same time. My problem is,", "direct terror attacks (e.g. bomb attacks), because it's \"only\" computers being attacked; the", "attacking the servers of a power plant and a government at the same", "bomb attacks), because it's \"only\" computers being attacked; the personal staff is pretty", "same time. My problem is, these kind of attacks aren't as exciting as", "much safe. So. How do I write a terror attack on servers? How", "at the end of chapter 1 of my book, where the protagonist (a", "book, where the protagonist (a cyberterrorist) commits his first terror attacks by attacking", "kind of attacks aren't as exciting as direct terror attacks (e.g. bomb attacks),", "My problem is, these kind of attacks aren't as exciting as direct terror", "of chapter 1 of my book, where the protagonist (a cyberterrorist) commits his", "servers of a power plant and a government at the same time. My", "of a power plant and a government at the same time. My problem", "terror attacks by attacking the servers of a power plant and a government", "the protagonist (a cyberterrorist) commits his first terror attacks by attacking the servers", "So. How do I write a terror attack on servers? How do I", "first terror attacks by attacking the servers of a power plant and a", "plant and a government at the same time. My problem is, these kind", "of my book, where the protagonist (a cyberterrorist) commits his first terror attacks", "the same time. My problem is, these kind of attacks aren't as exciting", "attacks by attacking the servers of a power plant and a government at", "commits his first terror attacks by attacking the servers of a power plant", "problem is, these kind of attacks aren't as exciting as direct terror attacks", "of attacks aren't as exciting as direct terror attacks (e.g. bomb attacks), because", "being attacked; the personal staff is pretty much safe. So. How do I", "government at the same time. My problem is, these kind of attacks aren't", "attacks (e.g. bomb attacks), because it's \"only\" computers being attacked; the personal staff", "terror attack on servers? How do I make this exciting without an immediate,", "exciting as direct terror attacks (e.g. bomb attacks), because it's \"only\" computers being", "How do I write a terror attack on servers? How do I make", "by attacking the servers of a power plant and a government at the" ]
[ "went into the woods and got the snake. He then calmed the snake", "“I will. I learned how to catch a snake during the 21 years", "snakes. > > > Here people have told me that saying Xojin said", "he is wondering what venomous snake bit her since he knows that the", "yourself.\" but these humanoids can carry deer easily and can even carry an", "means that each myocyte(muscle cell) is stronger. Lofa hunting: > > Lofa went", "> > Here she doesn't know yet that the snake is venomous until", "because Lofa didn't know the snake was venomous until she looked at it.", "and that's that. So how can I improve this scene? I know that", "antibodies. Maybe your antibodies will react to the venom and your white blood", "the forest a few weeks later. She climbed a tree and saw a", "me to back off.” > > > Xojin said “Hmm, the only venomous", "over short distances. Their muscles are about the same size as ours so", "this scene? I know that expansion is probably going to be the number", "Lofa getting bit by a venomous snake. Now you might be thinking \"You", "the deer, a snake was heading towards her. Lofa heard the snake slithering.", "snake to see what bit you. In the meantime, keep the bitten area", "always rattle before they strike and the snake the bit Lofa did not", "Lofa hunting: > > Lofa went on the hunt in the forest a", "humanoids can carry deer easily and can even carry an adult black bear", "> Xojin said “Lofa, are you okay?” > > > Lofa said “I", "carrying the deer, a snake was heading towards her. Lofa heard the snake", "strike. Let me catch that snake to see what bit you. In the", "a deer all by yourself.\" but these humanoids can carry deer easily and", "all.” > > > Lofa said “Okay. Be careful out there.” > >", "> > > Xojin said “Hmm, the only venomous snakes around here that", "to back off but instead bit her with 1 fang and that's that.", "so because, ouch!” > > > Xojin said “Lofa, are you okay?” >", "told me that exclamatory is wrong here. I honestly don't think it is", "see what bit you. In the meantime, keep the bitten area below your", "21 years I had to survive in nature including venomous snakes.” > >", "is stronger. Lofa hunting: > > Lofa went on the hunt in the", "that expansion is probably going to be the number 1 improvement and is", "was carrying the deer, a snake was heading towards her. Lofa heard the", "Now you might be thinking \"You can't carry a deer all by yourself.\"", "It didn’t even warn me to back off.” > > > Xojin said", "antibodies will react to the venom and your white blood cells will get", "cell) is stronger. Lofa hunting: > > Lofa went on the hunt in", "seen are rattlers and they almost always rattle before they strike and the", "widened her eyes and screamed “A snake is heading straight towards me! It", "In the meantime, keep the bitten area below your heart and move slowly", "careful out there.” > > > Xojin said “I will. I learned how", "Lofa went on the hunt in the forest a few weeks later. She", "learned how to catch a snake during the 21 years I had to", "expansion is probably going to be the number 1 improvement and is the", "looks at it. Venomous snake encounter: > > She widened her eyes and", "the one that comes most naturally to me, but is there any other", "his own antibodies. Maybe your antibodies will react to the venom and your", "Here she doesn't know yet that the snake is venomous until she turns", "and saw a deer. She got it with her bow and arrow. While", "eyes and screamed “A snake is heading straight towards me! It is venomous!”", "> > > Xojin heard her screaming and said “My father developed a", "the only venomous snakes he has seen are rattlers and they almost always", "her since he knows that the only venomous snakes he has seen are", "yet that the snake is venomous until she turns her head and looks", "is venomous until she turns her head and looks at it. Venomous snake", "of Hmm is wrong here. Again I don't think it is because he", "and move slowly if at all.” > > > Lofa said “Okay. Be", "here. I honestly don't think it is because Lofa didn't know the snake", "her bow and arrow. While she was carrying the deer, a snake was", "after Lofa opened her eyes and screamed diminishes the tone. I honestly don't", "venomous!” > > > Xojin heard her screaming and said “My father developed", "turns her head and looks at it. Venomous snake encounter: > > She", "screamed diminishes the tone. I honestly don't think it does because of the", "think it does because of the words that Xojin says(antibodies, natural antivenom etc.)", "is wrong here. I honestly don't think it is because Lofa didn't know", "they strike and the snake the bit Lofa did not even warn her", "the snake the bit Lofa did not even warn her to back off", "here that I know of are rattlers and they almost always rattle before", "white blood cells will get rid of it.” > > > Lofa said", "carry a deer all by yourself.\" but these humanoids can carry deer easily", "that means that each myocyte(muscle cell) is stronger. Lofa hunting: > > Lofa", "honestly don't think it does because of the words that Xojin says(antibodies, natural", "> Lofa said “Okay. Be careful out there.” > > > Xojin said", "deer and ends with Lofa getting bit by a venomous snake. Now you", "father developed a natural antivenom. Namely, his own antibodies. Maybe your antibodies will", "your antibodies will react to the venom and your white blood cells will", "Xojin says(antibodies, natural antivenom etc.) They have also told me that exclamatory is", "thinking \"You can't carry a deer all by yourself.\" but these humanoids can", "woods and got the snake. He then calmed the snake down. He really", "> > > Lofa said “I hope so because, ouch!” > > >", "years I had to survive in nature including venomous snakes.” > > >", "and screamed “A snake is heading straight towards me! It is venomous!” >", "only venomous snakes he has seen are rattlers and they almost always rattle", "and looks at it. Venomous snake encounter: > > She widened her eyes", "is the second to last scene in the first chapter. It starts with", "Xojin went into the woods and got the snake. He then calmed the", "snakes, including venomous snakes. > > > Here people have told me that", "told me that Xojin's use of Hmm is wrong here. Again I don't", "> > Xojin said “Hmm, the only venomous snakes around here that I", "out there.” > > > Xojin said “I will. I learned how to", "is wondering what venomous snake bit her since he knows that the only", "always rattle before they strike. Let me catch that snake to see what", "that. So how can I improve this scene? I know that expansion is", "heart and move slowly if at all.” > > > Lofa said “Okay.", "with Lofa hunting and getting a deer and ends with Lofa getting bit", "antivenom. Namely, his own antibodies. Maybe your antibodies will react to the venom", "catch a snake during the 21 years I had to survive in nature", "screamed “A snake is heading straight towards me! It is venomous!” > >", "of are rattlers and they almost always rattle before they strike. Let me", "bitten by a venomous snake. 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I know that expansion", "you might be thinking \"You can't carry a deer all by yourself.\" but", "then calmed the snake down. He really knew how to be around snakes,", "looked at it. And they have told me that Xojin's use of Hmm", "Hmm is wrong here. Again I don't think it is because he is", "honestly don't think it is because Lofa didn't know the snake was venomous", "is because he is wondering what venomous snake bit her since he knows", "carry an adult black bear over short distances. Their muscles are about the", "venom and your white blood cells will get rid of it.” > >", "snake slithering. > > > Here she doesn't know yet that the snake", "snakes around here that I know of are rattlers and they almost always", "that exclamatory is wrong here. I honestly don't think it is because Lofa", "heard her screaming and said “My father developed a natural antivenom. Namely, his", "and the snake the bit Lofa did not even warn her to back", "few weeks later. She climbed a tree and saw a deer. She got", "by a venomous snake. It didn’t even warn me to back off.” >", "including venomous snakes. > > > Here people have told me that saying", "> > > Lofa said “I have been bitten by a venomous snake.", "black bear over short distances. Their muscles are about the same size as", "Maybe your antibodies will react to the venom and your white blood cells", "said “Hmm, the only venomous snakes around here that I know of are", "a venomous snake. Now you might be thinking \"You can't carry a deer", "by yourself.\" but these humanoids can carry deer easily and can even carry", "warn me to back off.” > > > Xojin said “Hmm, the only", "got the snake. He then calmed the snake down. He really knew how", "me catch that snake to see what bit you. In the meantime, keep", "and said “My father developed a natural antivenom. Namely, his own antibodies. Maybe", "is because Lofa didn't know the snake was venomous until she looked at", "also told me that exclamatory is wrong here. I honestly don't think it", "use of Hmm is wrong here. Again I don't think it is because", "with her bow and arrow. While she was carrying the deer, a snake", "> > Xojin said “I will. I learned how to catch a snake", "been bitten by a venomous snake. It didn’t even warn me to back", "Namely, his own antibodies. Maybe your antibodies will react to the venom and", "Xojin said “Hmm, the only venomous snakes around here that I know of", "the first chapter. It starts with Lofa hunting and getting a deer and", "She got it with her bow and arrow. While she was carrying the", "that comes most naturally to me, but is there any other way I", "she looked at it. And they have told me that Xojin's use of", "around snakes, including venomous snakes. > > > Here people have told me", "people have told me that saying Xojin said right after Lofa opened her", "bit her since he knows that the only venomous snakes he has seen", "venomous snakes he has seen are rattlers and they almost always rattle before", "slowly if at all.” > > > Lofa said “Okay. Be careful out", "me that saying Xojin said right after Lofa opened her eyes and screamed", "because of the words that Xojin says(antibodies, natural antivenom etc.) They have also", "catch that snake to see what bit you. In the meantime, keep the", "carry deer easily and can even carry an adult black bear over short", "adult black bear over short distances. Their muscles are about the same size", "doesn't know yet that the snake is venomous until she turns her head", "venomous snake. It didn’t even warn me to back off.” > > >", "it does because of the words that Xojin says(antibodies, natural antivenom etc.) They", "in the forest a few weeks later. She climbed a tree and saw", "> Here people have told me that saying Xojin said right after Lofa", "her screaming and said “My father developed a natural antivenom. Namely, his own", "I improve this scene? I know that expansion is probably going to be", "how can I improve this scene? I know that expansion is probably going", "during the 21 years I had to survive in nature including venomous snakes.”", "know of are rattlers and they almost always rattle before they strike. Let", "here. Again I don't think it is because he is wondering what venomous", "what bit you. In the meantime, keep the bitten area below your heart", "tone. I honestly don't think it does because of the words that Xojin", "will react to the venom and your white blood cells will get rid", "snake encounter: > > She widened her eyes and screamed “A snake is", "developed a natural antivenom. Namely, his own antibodies. Maybe your antibodies will react", "said “I will. I learned how to catch a snake during the 21", "her head and looks at it. Venomous snake encounter: > > She widened", "right after Lofa opened her eyes and screamed diminishes the tone. I honestly", "So Xojin went into the woods and got the snake. He then calmed", "until she turns her head and looks at it. Venomous snake encounter: >", "size as ours so that means that each myocyte(muscle cell) is stronger. Lofa", "a snake during the 21 years I had to survive in nature including", "one that comes most naturally to me, but is there any other way", "> Lofa went on the hunt in the forest a few weeks later.", "move slowly if at all.” > > > Lofa said “Okay. Be careful", "ours so that means that each myocyte(muscle cell) is stronger. Lofa hunting: >", "“Lofa, are you okay?” > > > Lofa said “I have been bitten", "to the venom and your white blood cells will get rid of it.”", "react to the venom and your white blood cells will get rid of", "myocyte(muscle cell) is stronger. Lofa hunting: > > Lofa went on the hunt", "> > > Xojin said “Lofa, are you okay?” > > > Lofa", "1 fang and that's that. So how can I improve this scene? I", "I learned how to catch a snake during the 21 years I had", "don't think it is because Lofa didn't know the snake was venomous until", "They have also told me that exclamatory is wrong here. I honestly don't", "warn her to back off but instead bit her with 1 fang and", "I honestly don't think it does because of the words that Xojin says(antibodies,", "meantime, keep the bitten area below your heart and move slowly if at", "> > Here people have told me that saying Xojin said right after", "back off but instead bit her with 1 fang and that's that. So", "as ours so that means that each myocyte(muscle cell) is stronger. Lofa hunting:", "wondering what venomous snake bit her since he knows that the only venomous", "arrow. While she was carrying the deer, a snake was heading towards her.", "is probably going to be the number 1 improvement and is the one", "be thinking \"You can't carry a deer all by yourself.\" but these humanoids", "slithering. > > > Here she doesn't know yet that the snake is", "deer easily and can even carry an adult black bear over short distances.", "head and looks at it. Venomous snake encounter: > > She widened her", "rattlers and they almost always rattle before they strike. Let me catch that", "at all.” > > > Lofa said “Okay. Be careful out there.” >", "and ends with Lofa getting bit by a venomous snake. Now you might", "eyes and screamed diminishes the tone. I honestly don't think it does because", "> > So Xojin went into the woods and got the snake. He", "that Xojin says(antibodies, natural antivenom etc.) They have also told me that exclamatory", "was heading towards her. Lofa heard the snake slithering. > > > Here", "Here people have told me that saying Xojin said right after Lofa opened", "is venomous!” > > > Xojin heard her screaming and said “My father", "venomous snake. Now you might be thinking \"You can't carry a deer all", "went on the hunt in the forest a few weeks later. She climbed", "said “Lofa, are you okay?” > > > Lofa said “I have been", "the snake down. He really knew how to be around snakes, including venomous", "wrong here. Again I don't think it is because he is wondering what", "really knew how to be around snakes, including venomous snakes. > > >", "only venomous snakes around here that I know of are rattlers and they", "even carry an adult black bear over short distances. Their muscles are about", "deer, a snake was heading towards her. Lofa heard the snake slithering. >", "have told me that saying Xojin said right after Lofa opened her eyes", "snake. He then calmed the snake down. He really knew how to be", "don't think it is because he is wondering what venomous snake bit her", "a deer and ends with Lofa getting bit by a venomous snake. Now", "later. She climbed a tree and saw a deer. She got it with", "> > Xojin said “Lofa, are you okay?” > > > Lofa said", "knows that the only venomous snakes he has seen are rattlers and they", "natural antivenom etc.) They have also told me that exclamatory is wrong here.", "are about the same size as ours so that means that each myocyte(muscle", "muscles are about the same size as ours so that means that each", "a tree and saw a deer. She got it with her bow and", "“Hmm, the only venomous snakes around here that I know of are rattlers", "own antibodies. Maybe your antibodies will react to the venom and your white", "straight towards me! It is venomous!” > > > Xojin heard her screaming", "a natural antivenom. Namely, his own antibodies. Maybe your antibodies will react to", "your white blood cells will get rid of it.” > > > Lofa", "and they almost always rattle before they strike. Let me catch that snake", "Xojin heard her screaming and said “My father developed a natural antivenom. Namely,", "bit by a venomous snake. Now you might be thinking \"You can't carry", "distances. Their muscles are about the same size as ours so that means", "to be around snakes, including venomous snakes. > > > Here people have", "the words that Xojin says(antibodies, natural antivenom etc.) They have also told me", "“My father developed a natural antivenom. Namely, his own antibodies. Maybe your antibodies", "can I improve this scene? I know that expansion is probably going to", "are rattlers and they almost always rattle before they strike. Let me catch", "almost always rattle before they strike. Let me catch that snake to see", "and getting a deer and ends with Lofa getting bit by a venomous", "snake the bit Lofa did not even warn her to back off but", "of it.” > > > Lofa said “I hope so because, ouch!” >", "And they have told me that Xojin's use of Hmm is wrong here.", "Lofa opened her eyes and screamed diminishes the tone. I honestly don't think", "deer all by yourself.\" but these humanoids can carry deer easily and can", "the tone. I honestly don't think it does because of the words that", "are you okay?” > > > Lofa said “I have been bitten by", "I don't think it is because he is wondering what venomous snake bit", "have been bitten by a venomous snake. It didn’t even warn me to", "the second to last scene in the first chapter. It starts with Lofa", "short distances. Their muscles are about the same size as ours so that", "about the same size as ours so that means that each myocyte(muscle cell)", "“I have been bitten by a venomous snake. It didn’t even warn me", "the woods and got the snake. He then calmed the snake down. He", "scene in the first chapter. It starts with Lofa hunting and getting a", "until she looked at it. And they have told me that Xojin's use", "had to survive in nature including venomous snakes.” > > > So Xojin", "said “Okay. Be careful out there.” > > > Xojin said “I will.", "> Lofa said “I hope so because, ouch!” > > > Xojin said", "the snake slithering. > > > Here she doesn't know yet that the", "and screamed diminishes the tone. I honestly don't think it does because of", "to be the number 1 improvement and is the one that comes most", "Be careful out there.” > > > Xojin said “I will. I learned", "snake bit her since he knows that the only venomous snakes he has", "Lofa did not even warn her to back off but instead bit her", "into the woods and got the snake. He then calmed the snake down.", "> > Xojin heard her screaming and said “My father developed a natural", "rattle before they strike and the snake the bit Lofa did not even", "> > > Here she doesn't know yet that the snake is venomous", "bow and arrow. While she was carrying the deer, a snake was heading", "bit you. In the meantime, keep the bitten area below your heart and", "> > Lofa said “I hope so because, ouch!” > > > Xojin", "Xojin said right after Lofa opened her eyes and screamed diminishes the tone.", "it with her bow and arrow. While she was carrying the deer, a", "be around snakes, including venomous snakes. > > > Here people have told", "starts with Lofa hunting and getting a deer and ends with Lofa getting", "most naturally to me, but is there any other way I can improve", "> She widened her eyes and screamed “A snake is heading straight towards", "they almost always rattle before they strike. Let me catch that snake to", "getting bit by a venomous snake. Now you might be thinking \"You can't", "down. He really knew how to be around snakes, including venomous snakes. >", "venomous snake bit her since he knows that the only venomous snakes he", "it is because he is wondering what venomous snake bit her since he", "the venom and your white blood cells will get rid of it.” >", "Xojin said “I will. I learned how to catch a snake during the", "to last scene in the first chapter. It starts with Lofa hunting and", "it is because Lofa didn't know the snake was venomous until she looked", "the snake is venomous until she turns her head and looks at it.", "first chapter. It starts with Lofa hunting and getting a deer and ends", "forest a few weeks later. She climbed a tree and saw a deer.", "saying Xojin said right after Lofa opened her eyes and screamed diminishes the", "you. In the meantime, keep the bitten area below your heart and move", "calmed the snake down. He really knew how to be around snakes, including", "> > > Xojin said “I will. I learned how to catch a", "bear over short distances. Their muscles are about the same size as ours", "towards me! It is venomous!” > > > Xojin heard her screaming and", "says(antibodies, natural antivenom etc.) They have also told me that exclamatory is wrong", "hunting and getting a deer and ends with Lofa getting bit by a", "weeks later. She climbed a tree and saw a deer. She got it", "can carry deer easily and can even carry an adult black bear over", "improvement and is the one that comes most naturally to me, but is", "you okay?” > > > Lofa said “I have been bitten by a", "words that Xojin says(antibodies, natural antivenom etc.) They have also told me that", "the hunt in the forest a few weeks later. She climbed a tree", "of the words that Xojin says(antibodies, natural antivenom etc.) They have also told", "each myocyte(muscle cell) is stronger. Lofa hunting: > > Lofa went on the", "they almost always rattle before they strike and the snake the bit Lofa", "nature including venomous snakes.” > > > So Xojin went into the woods", "area below your heart and move slowly if at all.” > > >", "off but instead bit her with 1 fang and that's that. So how", "> Xojin heard her screaming and said “My father developed a natural antivenom.", "her eyes and screamed “A snake is heading straight towards me! It is", "to see what bit you. In the meantime, keep the bitten area below", "comes most naturally to me, but is there any other way I can", "at it. Venomous snake encounter: > > She widened her eyes and screamed", "snakes.” > > > So Xojin went into the woods and got the", "back off.” > > > Xojin said “Hmm, the only venomous snakes around", "before they strike. Let me catch that snake to see what bit you.", "might be thinking \"You can't carry a deer all by yourself.\" but these", "deer. She got it with her bow and arrow. While she was carrying", "second to last scene in the first chapter. It starts with Lofa hunting", "“I hope so because, ouch!” > > > Xojin said “Lofa, are you", "Lofa said “I have been bitten by a venomous snake. It didn’t even", "me! It is venomous!” > > > Xojin heard her screaming and said", "around here that I know of are rattlers and they almost always rattle", "and they almost always rattle before they strike and the snake the bit", "Venomous snake encounter: > > She widened her eyes and screamed “A snake", "and is the one that comes most naturally to me, but is there", "> > Lofa went on the hunt in the forest a few weeks", "all by yourself.\" but these humanoids can carry deer easily and can even", "think it is because Lofa didn't know the snake was venomous until she", "\"You can't carry a deer all by yourself.\" but these humanoids can carry", "her. Lofa heard the snake slithering. > > > Here she doesn't know", "snake is venomous until she turns her head and looks at it. Venomous", "“A snake is heading straight towards me! It is venomous!” > > >", "a few weeks later. She climbed a tree and saw a deer. She", "so that means that each myocyte(muscle cell) is stronger. Lofa hunting: > >", "was venomous until she looked at it. And they have told me that", "Lofa hunting and getting a deer and ends with Lofa getting bit by", "will. I learned how to catch a snake during the 21 years I", "cells will get rid of it.” > > > Lofa said “I hope", "hunting: > > Lofa went on the hunt in the forest a few", "has seen are rattlers and they almost always rattle before they strike and", "get rid of it.” > > > Lofa said “I hope so because,", "wrong here. I honestly don't think it is because Lofa didn't know the", "going to be the number 1 improvement and is the one that comes", "heading towards her. Lofa heard the snake slithering. > > > Here she", "said “I hope so because, ouch!” > > > Xojin said “Lofa, are", "the snake. He then calmed the snake down. He really knew how to", "Their muscles are about the same size as ours so that means that", "bit Lofa did not even warn her to back off but instead bit", "your heart and move slowly if at all.” > > > Lofa said", "It is venomous!” > > > Xojin heard her screaming and said “My", "have also told me that exclamatory is wrong here. I honestly don't think", "and arrow. While she was carrying the deer, a snake was heading towards", "off.” > > > Xojin said “Hmm, the only venomous snakes around here", "strike and the snake the bit Lofa did not even warn her to", "but these humanoids can carry deer easily and can even carry an adult", "and your white blood cells will get rid of it.” > > >", "me that exclamatory is wrong here. I honestly don't think it is because", "she turns her head and looks at it. Venomous snake encounter: > >", "> So Xojin went into the woods and got the snake. He then", "before they strike and the snake the bit Lofa did not even warn", "easily and can even carry an adult black bear over short distances. Their", "that the snake is venomous until she turns her head and looks at", "I know that expansion is probably going to be the number 1 improvement", "probably going to be the number 1 improvement and is the one that", "rid of it.” > > > Lofa said “I hope so because, ouch!”", "is heading straight towards me! It is venomous!” > > > Xojin heard", "Xojin's use of Hmm is wrong here. Again I don't think it is", "since he knows that the only venomous snakes he has seen are rattlers", "an adult black bear over short distances. Their muscles are about the same", "the meantime, keep the bitten area below your heart and move slowly if", "know the snake was venomous until she looked at it. And they have", "> > > Lofa said “Okay. Be careful out there.” > > >", "stronger. Lofa hunting: > > Lofa went on the hunt in the forest", "same size as ours so that means that each myocyte(muscle cell) is stronger.", "bit her with 1 fang and that's that. So how can I improve", "know that expansion is probably going to be the number 1 improvement and", "how to catch a snake during the 21 years I had to survive", "her to back off but instead bit her with 1 fang and that's", "how to be around snakes, including venomous snakes. > > > Here people", "> Here she doesn't know yet that the snake is venomous until she", "got it with her bow and arrow. While she was carrying the deer,", "didn’t even warn me to back off.” > > > Xojin said “Hmm,", "didn't know the snake was venomous until she looked at it. And they", "snake was heading towards her. Lofa heard the snake slithering. > > >", "even warn me to back off.” > > > Xojin said “Hmm, the", "these humanoids can carry deer easily and can even carry an adult black", "know yet that the snake is venomous until she turns her head and" ]
[ "[my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books and read a", "to get a handle on Story Structure. But I'm getting confused with the", "additional writing books to get more clarity, but most of the descriptions of", "websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot points, two", "I've even reviewed several additional writing books to get more clarity, but most", "information I've come across. I've found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com,", "the 3 act structure. I've even reviewed several additional writing books to get", "books to get more clarity, but most of the descriptions of structure are", "and read a lot of articles online. Although I'm still quite 'green', I", "plot points, two plot points combined with pinch points, 3 disasters... I can't", "about. I am currently studying and trying to get a handle on Story", "clear understanding of the important structural / plot components before I can move", "of articles online. Although I'm still quite 'green', I have a much better", "to what writing is all about. I am currently studying and trying to", "plotter, I feel I need to get a clear understanding of the important", "from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing", "pinch points, 3 disasters... I can't find any real consistency, other than everyone", "as to what writing is all about. I am currently studying and trying", "points, 3 disasters... I can't find any real consistency, other than everyone agrees", "most of the descriptions of structure are vague. As a plotter, I feel", "'green', I have a much better idea as to what writing is all", "get a handle on Story Structure. But I'm getting confused with the information", "points, two plot points combined with pinch points, 3 disasters... I can't find", "with the information I've come across. I've found good info at websites like", "But I'm getting confused with the information I've come across. I've found good", "writing books and read a lot of articles online. Although I'm still quite", "Story Structure. But I'm getting confused with the information I've come across. I've", "question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books and read a lot of", "I've found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk", "3 disasters... I can't find any real consistency, other than everyone agrees with", "plot points combined with pinch points, 3 disasters... I can't find any real", "more clarity, but most of the descriptions of structure are vague. As a", "read a lot of articles online. Although I'm still quite 'green', I have", "but most of the descriptions of structure are vague. As a plotter, I", "of momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple", "info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot", "of writing books and read a lot of articles online. Although I'm still", "a clear understanding of the important structural / plot components before I can", "get more clarity, but most of the descriptions of structure are vague. As", "plot components before I can move forward. Can anyone shed some light on", "books and read a lot of articles online. Although I'm still quite 'green',", "come across. I've found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com.", "online. Although I'm still quite 'green', I have a much better idea as", "than everyone agrees with the 3 act structure. I've even reviewed several additional", "with pinch points, 3 disasters... I can't find any real consistency, other than", "idea as to what writing is all about. I am currently studying and", "advancedfictionwriting.com. They talk about 5 plot points, two plot points combined with pinch", "need to get a clear understanding of the important structural / plot components", "Although I'm still quite 'green', I have a much better idea as to", "about 5 plot points, two plot points combined with pinch points, 3 disasters...", "articles online. Although I'm still quite 'green', I have a much better idea", "clarity, but most of the descriptions of structure are vague. As a plotter,", "of the descriptions of structure are vague. As a plotter, I feel I", "I have a much better idea as to what writing is all about.", "I'm still quite 'green', I have a much better idea as to what", "components before I can move forward. Can anyone shed some light on this?", "to get more clarity, but most of the descriptions of structure are vague.", "a lot of articles online. Although I'm still quite 'green', I have a", "I can't find any real consistency, other than everyone agrees with the 3", "am currently studying and trying to get a handle on Story Structure. But", "descriptions of structure are vague. As a plotter, I feel I need to", "lot of momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a", "gained a lot of momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've", "several additional writing books to get more clarity, but most of the descriptions", "with the 3 act structure. I've even reviewed several additional writing books to", "everyone agrees with the 3 act structure. I've even reviewed several additional writing", "the important structural / plot components before I can move forward. Can anyone", "I've come across. I've found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and", "talk about 5 plot points, two plot points combined with pinch points, 3", "vague. As a plotter, I feel I need to get a clear understanding", "a couple of writing books and read a lot of articles online. Although", "writing books to get more clarity, but most of the descriptions of structure", "across. I've found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They", "reviewed several additional writing books to get more clarity, but most of the", "the descriptions of structure are vague. As a plotter, I feel I need", "3 act structure. I've even reviewed several additional writing books to get more", "a handle on Story Structure. But I'm getting confused with the information I've", "found good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about", "writing is all about. I am currently studying and trying to get a", "structure. I've even reviewed several additional writing books to get more clarity, but", "to get a clear understanding of the important structural / plot components before", "a much better idea as to what writing is all about. I am", "even reviewed several additional writing books to get more clarity, but most of", "a lot of momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read", "disasters... I can't find any real consistency, other than everyone agrees with the", "structure are vague. As a plotter, I feel I need to get a", "confused with the information I've come across. I've found good info at websites", "trying to get a handle on Story Structure. But I'm getting confused with", "the information I've come across. I've found good info at websites like thescriptlab.com,", "like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot points, two plot", "read a couple of writing books and read a lot of articles online.", "quite 'green', I have a much better idea as to what writing is", "on Story Structure. But I'm getting confused with the information I've come across.", "I feel I need to get a clear understanding of the important structural", "have a much better idea as to what writing is all about. I", "find any real consistency, other than everyone agrees with the 3 act structure.", "real consistency, other than everyone agrees with the 3 act structure. I've even", "combined with pinch points, 3 disasters... I can't find any real consistency, other", "agrees with the 3 act structure. I've even reviewed several additional writing books", "thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot points, two plot points", "momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of", "helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot points, two plot points combined", "/ plot components before I can move forward. Can anyone shed some light", "what writing is all about. I am currently studying and trying to get", "any real consistency, other than everyone agrees with the 3 act structure. I've", "are vague. As a plotter, I feel I need to get a clear", "I am currently studying and trying to get a handle on Story Structure.", "Structure. But I'm getting confused with the information I've come across. I've found", "a plotter, I feel I need to get a clear understanding of the", "I gained a lot of momentum from the answers to [my first question](https://writers.stackexchange.com/q/20589/16829).", "couple of writing books and read a lot of articles online. Although I'm", "feel I need to get a clear understanding of the important structural /", "all about. I am currently studying and trying to get a handle on", "5 plot points, two plot points combined with pinch points, 3 disasters... I", "of the important structural / plot components before I can move forward. Can", "still quite 'green', I have a much better idea as to what writing", "two plot points combined with pinch points, 3 disasters... I can't find any", "understanding of the important structural / plot components before I can move forward.", "points combined with pinch points, 3 disasters... I can't find any real consistency,", "As a plotter, I feel I need to get a clear understanding of", "I've read a couple of writing books and read a lot of articles", "handle on Story Structure. But I'm getting confused with the information I've come", "important structural / plot components before I can move forward. Can anyone shed", "I'm getting confused with the information I've come across. I've found good info", "I need to get a clear understanding of the important structural / plot", "get a clear understanding of the important structural / plot components before I", "much better idea as to what writing is all about. I am currently", "studying and trying to get a handle on Story Structure. But I'm getting", "the answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books", "and trying to get a handle on Story Structure. But I'm getting confused", "structural / plot components before I can move forward. Can anyone shed some", "is all about. I am currently studying and trying to get a handle", "good info at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5", "first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books and read a lot", "lot of articles online. Although I'm still quite 'green', I have a much", "They talk about 5 plot points, two plot points combined with pinch points,", "act structure. I've even reviewed several additional writing books to get more clarity,", "to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books and read", "better idea as to what writing is all about. I am currently studying", "can't find any real consistency, other than everyone agrees with the 3 act", "other than everyone agrees with the 3 act structure. I've even reviewed several", "getting confused with the information I've come across. I've found good info at", "currently studying and trying to get a handle on Story Structure. But I'm", "and advancedfictionwriting.com. They talk about 5 plot points, two plot points combined with", "of structure are vague. As a plotter, I feel I need to get", "consistency, other than everyone agrees with the 3 act structure. I've even reviewed", "at websites like thescriptlab.com, helpingwritersbecomeauthors.com, and advancedfictionwriting.com. They talk about 5 plot points,", "answers to [my first question](https://writers.stackexchange.com/q/20589/16829). I've read a couple of writing books and" ]
[ "meaningful. Is it possible to do that effectively through have description rather than", "and will undergo change. The fourth will be the title character and \"main\"", "will appear in only one or two chapters. This character has deep convictions", "giving him his own POV? Is there some kind of technique? Is it", "had conquered him. \\(Not actual text)\\\\* In other words, I am concerned about", "own viewpoint, but I already have four POVs! My question is: How can", "technique? Is it possible to write something like the following about him? \\John", "chapters. This character has deep convictions and his life experiences have great meaning", "others. The experience had changed him. He was no longer the bright young", "I am a novice working on a historical novel with four viewpoint characters.", "the main plot, and each character will have a character arc and will", "one or two chapters. This character has deep convictions and his life experiences", "who would conquer the world. The world had conquered him. \\(Not actual text)\\\\", "more space. I am undecided about giving a fifth secondary character POV status,", "I give a sense of this character's lifetime of suffering and disappointment without", "of having too many POVs for a 300-page book but I would still", "the world. The world had conquered him. \\(Not actual text)\\\\* In other words,", "the protagonist who will appear in only one or two chapters. This character", "no longer the bright young lad his father had once admired; the favored", "something like the following about him? \\John was aware of what imprisonment can", "character arc and will undergo change. The fourth will be the title character", "This character has deep convictions and his life experiences have great meaning to", "of suffering and disappointment without giving him his own POV? Is there some", "its effects on others. The experience had changed him. He was no longer", "story important and meaningful. Is it possible to do that effectively through have", "character and \"main\" protagonist and and will be given correspondingly more space. I", "will have a character arc and will undergo change. The fourth will be", "and so I would like to give him his own viewpoint, but I", "POVs for a 300-page book but I would still like to make this", "and and will be given correspondingly more space. I am undecided about giving", "can do to a man. He had felt the agony himself and had", "the agony himself and had seen its effects on others. The experience had", "life experiences have great meaning to the overall theme and so I would", "have four POVs! My question is: How can I give a sense of", "space. I am undecided about giving a fifth secondary character POV status, namely", "I am undecided about giving a fifth secondary character POV status, namely the", "about him? \\John was aware of what imprisonment can do to a man.", "novice working on a historical novel with four viewpoint characters. Three of them", "to write something like the following about him? \\John was aware of what", "what imprisonment can do to a man. He had felt the agony himself", "without giving him his own POV? Is there some kind of technique? Is", "for a 300-page book but I would still like to make this particular", "that effectively through have description rather than quoting the character's own thoughts and", "\\(Not actual text)\\\\ In other words, I am concerned about the diluted effect", "his own POV? Is there some kind of technique? Is it possible to", "two chapters. This character has deep convictions and his life experiences have great", "man. He had felt the agony himself and had seen its effects on", "status, namely the grandfather of the protagonist who will appear in only one", "like to make this particular character's story important and meaningful. Is it possible", "will be given correspondingly more space. I am undecided about giving a fifth", "had changed him. 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[ "main character is on a sports team, and I want to describe games,", "to explain every point or without explaining it enough. I want it to", "I want it to be a page or two long the game itself,", "and I want to describe games, but I don't know how to without", "but have no idea how to write it so it doesn't get boring", "how to write it so it doesn't get boring for the reader or", "on a sports team, and I want to describe games, but I don't", "character is on a sports team, and I want to describe games, but", "I don't know how to without having to explain every point or without", "two long the game itself, but have no idea how to write it", "is on a sports team, and I want to describe games, but I", "page or two long the game itself, but have no idea how to", "be a page or two long the game itself, but have no idea", "long the game itself, but have no idea how to write it so", "it so it doesn't get boring for the reader or seem rushed and", "have no idea how to write it so it doesn't get boring for", "team, and I want to describe games, but I don't know how to", "but I don't know how to without having to explain every point or", "enough. I want it to be a page or two long the game", "it to be a page or two long the game itself, but have", "having to explain every point or without explaining it enough. I want it", "explain every point or without explaining it enough. I want it to be", "the game itself, but have no idea how to write it so it", "idea how to write it so it doesn't get boring for the reader", "to without having to explain every point or without explaining it enough. I", "every point or without explaining it enough. I want it to be a", "know how to without having to explain every point or without explaining it", "to describe games, but I don't know how to without having to explain", "to be a page or two long the game itself, but have no", "so it doesn't get boring for the reader or seem rushed and unplanned.", "I want to describe games, but I don't know how to without having", "want it to be a page or two long the game itself, but", "without explaining it enough. I want it to be a page or two", "games, but I don't know how to without having to explain every point", "explaining it enough. I want it to be a page or two long", "game itself, but have no idea how to write it so it doesn't", "a sports team, and I want to describe games, but I don't know", "without having to explain every point or without explaining it enough. I want", "itself, but have no idea how to write it so it doesn't get", "to write it so it doesn't get boring for the reader or seem", "write it so it doesn't get boring for the reader or seem rushed", "a page or two long the game itself, but have no idea how", "how to without having to explain every point or without explaining it enough.", "it enough. I want it to be a page or two long the", "no idea how to write it so it doesn't get boring for the", "point or without explaining it enough. I want it to be a page", "want to describe games, but I don't know how to without having to", "or without explaining it enough. I want it to be a page or", "The main character is on a sports team, and I want to describe", "or two long the game itself, but have no idea how to write", "don't know how to without having to explain every point or without explaining", "describe games, but I don't know how to without having to explain every", "sports team, and I want to describe games, but I don't know how" ]
[ "Either way, you are manic and your voice carries that tone. I have", "happens to most if not all of us. Something extremely emotional happens to", "don't know what to do,\" said wife in a way matching her frantic", "obviously freaking the f- out. > \"I don't know what to do,\" said", "and you are screaming, crying, and about to burn your house down. Either", "way matching her frantic pacing of the house tearing her hair out because", "bad style so `\"I DON'T KNOW WHAT TO DO!!!\"` is pretty much out.", "do,\" said wife in a way matching her frantic pacing of the house", "\"I don't know what to do,\" said wife in a way matching her", "> \"Honey what's wrong?\" asked unassuming husband of wife who was obviously freaking", "all of us. Something extremely emotional happens to us and we're just hysterical.", "work, your partner is trying to console you but it only hurts you", "frantic pacing of the house tearing her hair out because of reasons previously", "console you but it only hurts you more, and you are screaming, crying,", "best convey that kind of over the edge, spinning your wheels, shrieking kind", "and your voice carries that tone. I have been told that all caps", "dialog? For example: > > \"Honey what's wrong?\" asked unassuming husband of wife", "spinning your wheels, shrieking kind of hysteric yelling? Would I just explain it", "asked unassuming husband of wife who was obviously freaking the f- out. >", "of the house tearing her hair out because of reasons previously stated. >", "have been told that all caps and multiple exclamation point is bad style", "told that all caps and multiple exclamation point is bad style so `\"I", "and about to burn your house down. Either way, you are manic and", "doesn't work. You contemplate punching a wall because that will help . .", "most if not all of us. Something extremely emotional happens to us and", "said wife in a way matching her frantic pacing of the house tearing", "to us and we're just hysterical. Logic doesn't work. You contemplate punching a", "down. Either way, you are manic and your voice carries that tone. I", "because that will help . . . somehow. Perhaps you just had your", ". . somehow. Perhaps you just had your big idea stolen at work,", "your big idea stolen at work, your partner is trying to console you", "wife in a way matching her frantic pacing of the house tearing her", "You contemplate punching a wall because that will help . . . somehow.", "us and we're just hysterical. Logic doesn't work. You contemplate punching a wall", "and multiple exclamation point is bad style so `\"I DON'T KNOW WHAT TO", "kind of over the edge, spinning your wheels, shrieking kind of hysteric yelling?", "what would best convey that kind of over the edge, spinning your wheels,", "her frantic pacing of the house tearing her hair out because of reasons", "> > \"Honey what's wrong?\" asked unassuming husband of wife who was obviously", "that all caps and multiple exclamation point is bad style so `\"I DON'T", "about to burn your house down. Either way, you are manic and your", "of wife who was obviously freaking the f- out. > \"I don't know", "you just had your big idea stolen at work, your partner is trying", "your partner is trying to console you but it only hurts you more,", "just hysterical. Logic doesn't work. You contemplate punching a wall because that will", "your wheels, shrieking kind of hysteric yelling? Would I just explain it after", "know what to do,\" said wife in a way matching her frantic pacing", "not all of us. Something extremely emotional happens to us and we're just", "I have been told that all caps and multiple exclamation point is bad", "hysterical. Logic doesn't work. You contemplate punching a wall because that will help", "DO!!!\"` is pretty much out. So what would best convey that kind of", "help . . . somehow. Perhaps you just had your big idea stolen", "if not all of us. Something extremely emotional happens to us and we're", "had your big idea stolen at work, your partner is trying to console", "matching her frantic pacing of the house tearing her hair out because of", "freaking the f- out. > \"I don't know what to do,\" said wife", "Perhaps you just had your big idea stolen at work, your partner is", "kind of hysteric yelling? Would I just explain it after the dialog? For", "to burn your house down. Either way, you are manic and your voice", "hurts you more, and you are screaming, crying, and about to burn your", "somehow. Perhaps you just had your big idea stolen at work, your partner", "a way matching her frantic pacing of the house tearing her hair out", "house tearing her hair out because of reasons previously stated. > > >", "pacing of the house tearing her hair out because of reasons previously stated.", "explain it after the dialog? For example: > > \"Honey what's wrong?\" asked", "out. > \"I don't know what to do,\" said wife in a way", "house down. Either way, you are manic and your voice carries that tone.", "contemplate punching a wall because that will help . . . somehow. Perhaps", "of hysteric yelling? Would I just explain it after the dialog? For example:", "wall because that will help . . . somehow. Perhaps you just had", "So what would best convey that kind of over the edge, spinning your", "work. You contemplate punching a wall because that will help . . .", "f- out. > \"I don't know what to do,\" said wife in a", "what to do,\" said wife in a way matching her frantic pacing of", "partner is trying to console you but it only hurts you more, and", "wheels, shrieking kind of hysteric yelling? Would I just explain it after the", "example: > > \"Honey what's wrong?\" asked unassuming husband of wife who was", "crying, and about to burn your house down. Either way, you are manic", "DON'T KNOW WHAT TO DO!!!\"` is pretty much out. So what would best", "> \"I don't know what to do,\" said wife in a way matching", "trying to console you but it only hurts you more, and you are", "so `\"I DON'T KNOW WHAT TO DO!!!\"` is pretty much out. So what", "wife who was obviously freaking the f- out. > \"I don't know what", "WHAT TO DO!!!\"` is pretty much out. So what would best convey that", "at work, your partner is trying to console you but it only hurts", "shrieking kind of hysteric yelling? Would I just explain it after the dialog?", "who was obviously freaking the f- out. > \"I don't know what to", "idea stolen at work, your partner is trying to console you but it", "out. So what would best convey that kind of over the edge, spinning", "but it only hurts you more, and you are screaming, crying, and about", "way, you are manic and your voice carries that tone. I have been", "For example: > > \"Honey what's wrong?\" asked unassuming husband of wife who", "pretty much out. So what would best convey that kind of over the", "you more, and you are screaming, crying, and about to burn your house", "would best convey that kind of over the edge, spinning your wheels, shrieking", "Something extremely emotional happens to us and we're just hysterical. Logic doesn't work.", "stolen at work, your partner is trying to console you but it only", "are manic and your voice carries that tone. I have been told that", "is bad style so `\"I DON'T KNOW WHAT TO DO!!!\"` is pretty much", "style so `\"I DON'T KNOW WHAT TO DO!!!\"` is pretty much out. So", "\"Honey what's wrong?\" asked unassuming husband of wife who was obviously freaking the", "it after the dialog? For example: > > \"Honey what's wrong?\" asked unassuming", "the edge, spinning your wheels, shrieking kind of hysteric yelling? Would I just", "only hurts you more, and you are screaming, crying, and about to burn", "happens to us and we're just hysterical. Logic doesn't work. You contemplate punching", "tone. I have been told that all caps and multiple exclamation point is", "your voice carries that tone. I have been told that all caps and", "just explain it after the dialog? For example: > > \"Honey what's wrong?\"", "much out. So what would best convey that kind of over the edge,", "is trying to console you but it only hurts you more, and you", "all caps and multiple exclamation point is bad style so `\"I DON'T KNOW", "to most if not all of us. Something extremely emotional happens to us", "convey that kind of over the edge, spinning your wheels, shrieking kind of", "screaming, crying, and about to burn your house down. Either way, you are", "we're just hysterical. Logic doesn't work. You contemplate punching a wall because that", "unassuming husband of wife who was obviously freaking the f- out. > \"I", "you but it only hurts you more, and you are screaming, crying, and", "just had your big idea stolen at work, your partner is trying to", "it only hurts you more, and you are screaming, crying, and about to", "`\"I DON'T KNOW WHAT TO DO!!!\"` is pretty much out. So what would", "that will help . . . somehow. Perhaps you just had your big", "Would I just explain it after the dialog? For example: > > \"Honey", "after the dialog? For example: > > \"Honey what's wrong?\" asked unassuming husband", "are screaming, crying, and about to burn your house down. Either way, you", "and we're just hysterical. Logic doesn't work. You contemplate punching a wall because", "to do,\" said wife in a way matching her frantic pacing of the", "punching a wall because that will help . . . somehow. Perhaps you", "voice carries that tone. I have been told that all caps and multiple", ". . . somehow. Perhaps you just had your big idea stolen at", ". somehow. Perhaps you just had your big idea stolen at work, your", "to console you but it only hurts you more, and you are screaming,", "wrong?\" asked unassuming husband of wife who was obviously freaking the f- out.", "us. Something extremely emotional happens to us and we're just hysterical. Logic doesn't", "will help . . . somehow. Perhaps you just had your big idea", "edge, spinning your wheels, shrieking kind of hysteric yelling? Would I just explain", "hysteric yelling? Would I just explain it after the dialog? For example: >", "the house tearing her hair out because of reasons previously stated. > >", "your house down. Either way, you are manic and your voice carries that", "you are manic and your voice carries that tone. I have been told", "a wall because that will help . . . somehow. Perhaps you just", "you are screaming, crying, and about to burn your house down. Either way,", "carries that tone. I have been told that all caps and multiple exclamation", "that kind of over the edge, spinning your wheels, shrieking kind of hysteric", "manic and your voice carries that tone. I have been told that all", "of us. Something extremely emotional happens to us and we're just hysterical. Logic", "more, and you are screaming, crying, and about to burn your house down.", "point is bad style so `\"I DON'T KNOW WHAT TO DO!!!\"` is pretty", "Logic doesn't work. You contemplate punching a wall because that will help .", "what's wrong?\" asked unassuming husband of wife who was obviously freaking the f-", "multiple exclamation point is bad style so `\"I DON'T KNOW WHAT TO DO!!!\"`", "in a way matching her frantic pacing of the house tearing her hair", "the dialog? For example: > > \"Honey what's wrong?\" asked unassuming husband of", "been told that all caps and multiple exclamation point is bad style so", "extremely emotional happens to us and we're just hysterical. Logic doesn't work. You", "exclamation point is bad style so `\"I DON'T KNOW WHAT TO DO!!!\"` is", "TO DO!!!\"` is pretty much out. So what would best convey that kind", "over the edge, spinning your wheels, shrieking kind of hysteric yelling? Would I", "big idea stolen at work, your partner is trying to console you but", "that tone. I have been told that all caps and multiple exclamation point", "yelling? Would I just explain it after the dialog? For example: > >", "the f- out. > \"I don't know what to do,\" said wife in", "of over the edge, spinning your wheels, shrieking kind of hysteric yelling? Would", "was obviously freaking the f- out. > \"I don't know what to do,\"", "caps and multiple exclamation point is bad style so `\"I DON'T KNOW WHAT", "is pretty much out. So what would best convey that kind of over", "emotional happens to us and we're just hysterical. Logic doesn't work. You contemplate", "KNOW WHAT TO DO!!!\"` is pretty much out. So what would best convey", "I just explain it after the dialog? For example: > > \"Honey what's", "husband of wife who was obviously freaking the f- out. > \"I don't", "burn your house down. Either way, you are manic and your voice carries", "It happens to most if not all of us. Something extremely emotional happens" ]
[ "he was drafted to be a knight, he came from a farm. So", "he interacts with the princess. He's intimidated because of who she is (royalty)", "and acts very formal around her (never calling her by her first name,", "he came from a farm. So he's very different from the boys who", "have them say? I'm kind of hitting a block. In my head, the", "young and trained to serve the kingdom) and not typically shy, but he", "trained to serve the kingdom) and not typically shy, but he doesn't know", "my head, the characters are both sitting there awkwardly because I cannot think", "the princess. I think this is where my problem lies. I don't know", "think this is where my problem lies. I don't know how to make", "he's very different from the boys who grew up in the castle. And,", "acts very formal and polite around her, because she's a princess.) How can", "back home, so he's not interested in the princess. He is nervous/stiff around", "is where my problem lies. I don't know how to make their conversation", "head, the characters are both sitting there awkwardly because I cannot think of", "some ideas for dialogue. EDIT: The knight is kind (not shallow/vain or overly", "the beginning scenes, he interacts with the princess. He's intimidated because of who", "around the princess. I think this is where my problem lies. I don't", "the boys who grew up in the castle. And, he has a girl", "feel like he can talk to her without being \"improper\" or whatever. As", "for dialogue. EDIT: The knight is kind (not shallow/vain or overly courageous, just", "question is, what kinds of things can I have them say? I'm kind", "her first name, etc.). There's a scene with just the two of them", "of things can I have them say? I'm kind of hitting a block.", "just a typical boy who was drafted when he was young and trained", "things can I have them say? I'm kind of hitting a block. In", "he doesn't feel like he can talk to her without being \"improper\" or", "know each other. my question is, what kinds of things can I have", "the romantic interest, the princess is interested in him because he's different than", "name, etc.). There's a scene with just the two of them before they", "can talk to her without being \"improper\" or whatever. As for the romantic", "by her first name, etc.). There's a scene with just the two of", "because I cannot think of a single natural thing for him to say.", "a princess.) How can I make this scene? I need some ideas for", "in the castle. And, he has a girl back home, so he's not", "she's a princess.) How can I make this scene? I need some ideas", "home, so he's not interested in the princess. He is nervous/stiff around her", "be a knight, he came from a farm. So he's very different from", "can I have them say? I'm kind of hitting a block. In my", "a knight and in one of the beginning scenes, he interacts with the", "than the men she is usually around. When he was drafted to be", "the princess is interested in him because he's different than the men she", "the main character is a knight and in one of the beginning scenes,", "say? I'm kind of hitting a block. In my head, the characters are", "before they know each other. my question is, what kinds of things can", "know how to make their conversation happen when he doesn't feel like he", "one of the beginning scenes, he interacts with the princess. He's intimidated because", "conversation happen when he doesn't feel like he can talk to her without", "I don't know how to make their conversation happen when he doesn't feel", "current book, the main character is a knight and in one of the", "them before they know each other. my question is, what kinds of things", "so he's not interested in the princess. He is nervous/stiff around her because", "The knight is kind (not shallow/vain or overly courageous, just a typical boy", "my current book, the main character is a knight and in one of", "interacts with the princess. He's intimidated because of who she is (royalty) and", "kinds of things can I have them say? I'm kind of hitting a", "when he doesn't feel like he can talk to her without being \"improper\"", "first name, etc.). There's a scene with just the two of them before", "very different from the boys who grew up in the castle. And, he", "but he doesn't know what to say around the princess. I think this", "sitting there awkwardly because I cannot think of a single natural thing for", "him because he's different than the men she is usually around. When he", "girl back home, so he's not interested in the princess. He is nervous/stiff", "usually around. When he was drafted to be a knight, he came from", "the characters are both sitting there awkwardly because I cannot think of a", "talk to her without being \"improper\" or whatever. As for the romantic interest,", "say around the princess. I think this is where my problem lies. I", "around her (never calling her by her first name, etc.). There's a scene", "(never calling her by her first name, etc.). There's a scene with just", "was drafted when he was young and trained to serve the kingdom) and", "just the two of them before they know each other. my question is,", "I cannot think of a single natural thing for him to say. Any", "who grew up in the castle. And, he has a girl back home,", "lies. I don't know how to make their conversation happen when he doesn't", "When he was drafted to be a knight, he came from a farm.", "to say. Any ideas? (Again, he acts very formal and polite around her,", "them say? I'm kind of hitting a block. In my head, the characters", "and in one of the beginning scenes, he interacts with the princess. He's", "princess. He's intimidated because of who she is (royalty) and acts very formal", "the two of them before they know each other. my question is, what", "a single natural thing for him to say. Any ideas? (Again, he acts", "know what to say around the princess. I think this is where my", "he can talk to her without being \"improper\" or whatever. As for the", "to make their conversation happen when he doesn't feel like he can talk", "He's intimidated because of who she is (royalty) and acts very formal around", "what kinds of things can I have them say? I'm kind of hitting", "interested in the princess. He is nervous/stiff around her because of her status.", "is interested in him because he's different than the men she is usually", "natural thing for him to say. Any ideas? (Again, he acts very formal", "calling her by her first name, etc.). There's a scene with just the", "her (never calling her by her first name, etc.). There's a scene with", "my question is, what kinds of things can I have them say? I'm", "there awkwardly because I cannot think of a single natural thing for him", "him to say. Any ideas? (Again, he acts very formal and polite around", "boy who was drafted when he was young and trained to serve the", "say. Any ideas? (Again, he acts very formal and polite around her, because", "not typically shy, but he doesn't know what to say around the princess.", "their conversation happen when he doesn't feel like he can talk to her", "And, he has a girl back home, so he's not interested in the", "I'm kind of hitting a block. In my head, the characters are both", "was drafted to be a knight, he came from a farm. So he's", "knight, he came from a farm. So he's very different from the boys", "he was young and trained to serve the kingdom) and not typically shy,", "\"improper\" or whatever. As for the romantic interest, the princess is interested in", "is, what kinds of things can I have them say? I'm kind of", "this is where my problem lies. I don't know how to make their", "courageous, just a typical boy who was drafted when he was young and", "or whatever. As for the romantic interest, the princess is interested in him", "interested in him because he's different than the men she is usually around.", "with just the two of them before they know each other. my question", "a girl back home, so he's not interested in the princess. He is", "her, because she's a princess.) How can I make this scene? I need", "he's different than the men she is usually around. When he was drafted", "to serve the kingdom) and not typically shy, but he doesn't know what", "thing for him to say. Any ideas? (Again, he acts very formal and", "doesn't feel like he can talk to her without being \"improper\" or whatever.", "other. my question is, what kinds of things can I have them say?", "are both sitting there awkwardly because I cannot think of a single natural", "ideas? (Again, he acts very formal and polite around her, because she's a", "(royalty) and acts very formal around her (never calling her by her first", "for the romantic interest, the princess is interested in him because he's different", "princess is interested in him because he's different than the men she is", "formal and polite around her, because she's a princess.) How can I make", "around. When he was drafted to be a knight, he came from a", "book, the main character is a knight and in one of the beginning", "I make this scene? I need some ideas for dialogue. EDIT: The knight", "from the boys who grew up in the castle. And, he has a", "beginning scenes, he interacts with the princess. He's intimidated because of who she", "character is a knight and in one of the beginning scenes, he interacts", "because she's a princess.) How can I make this scene? I need some", "is a knight and in one of the beginning scenes, he interacts with", "drafted to be a knight, he came from a farm. So he's very", "the castle. And, he has a girl back home, so he's not interested", "kind of hitting a block. In my head, the characters are both sitting", "a knight, he came from a farm. So he's very different from the", "he's not interested in the princess. He is nervous/stiff around her because of", "of who she is (royalty) and acts very formal around her (never calling", "princess. I think this is where my problem lies. I don't know how", "whatever. As for the romantic interest, the princess is interested in him because", "different than the men she is usually around. When he was drafted to", "single natural thing for him to say. Any ideas? (Again, he acts very", "block. In my head, the characters are both sitting there awkwardly because I", "and polite around her, because she's a princess.) How can I make this", "different from the boys who grew up in the castle. And, he has", "make their conversation happen when he doesn't feel like he can talk to", "make this scene? I need some ideas for dialogue. EDIT: The knight is", "scenes, he interacts with the princess. He's intimidated because of who she is", "a typical boy who was drafted when he was young and trained to", "from a farm. So he's very different from the boys who grew up", "up in the castle. And, he has a girl back home, so he's", "a scene with just the two of them before they know each other.", "around her, because she's a princess.) How can I make this scene? I", "I have them say? I'm kind of hitting a block. In my head,", "he doesn't know what to say around the princess. I think this is", "a farm. So he's very different from the boys who grew up in", "As for the romantic interest, the princess is interested in him because he's", "drafted when he was young and trained to serve the kingdom) and not", "kind (not shallow/vain or overly courageous, just a typical boy who was drafted", "interest, the princess is interested in him because he's different than the men", "grew up in the castle. And, he has a girl back home, so", "in one of the beginning scenes, he interacts with the princess. He's intimidated", "intimidated because of who she is (royalty) and acts very formal around her", "I need some ideas for dialogue. EDIT: The knight is kind (not shallow/vain", "and trained to serve the kingdom) and not typically shy, but he doesn't", "problem lies. I don't know how to make their conversation happen when he", "to be a knight, he came from a farm. So he's very different", "like he can talk to her without being \"improper\" or whatever. As for", "and not typically shy, but he doesn't know what to say around the", "overly courageous, just a typical boy who was drafted when he was young", "can I make this scene? I need some ideas for dialogue. EDIT: The", "ideas for dialogue. EDIT: The knight is kind (not shallow/vain or overly courageous,", "who she is (royalty) and acts very formal around her (never calling her", "is usually around. When he was drafted to be a knight, he came", "is kind (not shallow/vain or overly courageous, just a typical boy who was", "cannot think of a single natural thing for him to say. Any ideas?", "she is usually around. When he was drafted to be a knight, he", "EDIT: The knight is kind (not shallow/vain or overly courageous, just a typical", "who was drafted when he was young and trained to serve the kingdom)", "he has a girl back home, so he's not interested in the princess.", "There's a scene with just the two of them before they know each", "etc.). There's a scene with just the two of them before they know", "my problem lies. I don't know how to make their conversation happen when", "because of who she is (royalty) and acts very formal around her (never", "her without being \"improper\" or whatever. As for the romantic interest, the princess", "the men she is usually around. When he was drafted to be a", "hitting a block. In my head, the characters are both sitting there awkwardly", "shy, but he doesn't know what to say around the princess. I think", "in him because he's different than the men she is usually around. When", "kingdom) and not typically shy, but he doesn't know what to say around", "acts very formal around her (never calling her by her first name, etc.).", "with the princess. He's intimidated because of who she is (royalty) and acts", "happen when he doesn't feel like he can talk to her without being", "castle. And, he has a girl back home, so he's not interested in", "to her without being \"improper\" or whatever. As for the romantic interest, the", "In my head, the characters are both sitting there awkwardly because I cannot", "serve the kingdom) and not typically shy, but he doesn't know what to", "dialogue. EDIT: The knight is kind (not shallow/vain or overly courageous, just a", "she is (royalty) and acts very formal around her (never calling her by", "scene with just the two of them before they know each other. my", "So he's very different from the boys who grew up in the castle.", "of the beginning scenes, he interacts with the princess. He's intimidated because of", "very formal and polite around her, because she's a princess.) How can I", "two of them before they know each other. my question is, what kinds", "scene? I need some ideas for dialogue. EDIT: The knight is kind (not", "the kingdom) and not typically shy, but he doesn't know what to say", "of hitting a block. In my head, the characters are both sitting there", "where my problem lies. I don't know how to make their conversation happen", "Any ideas? (Again, he acts very formal and polite around her, because she's", "men she is usually around. When he was drafted to be a knight,", "main character is a knight and in one of the beginning scenes, he", "princess.) How can I make this scene? I need some ideas for dialogue.", "In my current book, the main character is a knight and in one", "this scene? I need some ideas for dialogue. EDIT: The knight is kind", "awkwardly because I cannot think of a single natural thing for him to", "how to make their conversation happen when he doesn't feel like he can", "very formal around her (never calling her by her first name, etc.). There's", "came from a farm. So he's very different from the boys who grew", "was young and trained to serve the kingdom) and not typically shy, but", "How can I make this scene? I need some ideas for dialogue. EDIT:", "both sitting there awkwardly because I cannot think of a single natural thing", "the princess. He's intimidated because of who she is (royalty) and acts very", "of a single natural thing for him to say. Any ideas? (Again, he", "her by her first name, etc.). There's a scene with just the two", "when he was young and trained to serve the kingdom) and not typically", "knight is kind (not shallow/vain or overly courageous, just a typical boy who", "being \"improper\" or whatever. As for the romantic interest, the princess is interested", "don't know how to make their conversation happen when he doesn't feel like", "boys who grew up in the castle. And, he has a girl back", "doesn't know what to say around the princess. I think this is where", "romantic interest, the princess is interested in him because he's different than the", "for him to say. Any ideas? (Again, he acts very formal and polite", "typically shy, but he doesn't know what to say around the princess. I", "characters are both sitting there awkwardly because I cannot think of a single", "has a girl back home, so he's not interested in the princess. He", "polite around her, because she's a princess.) How can I make this scene?", "is (royalty) and acts very formal around her (never calling her by her", "think of a single natural thing for him to say. Any ideas? (Again,", "or overly courageous, just a typical boy who was drafted when he was", "because he's different than the men she is usually around. When he was", "not interested in the princess. He is nervous/stiff around her because of her", "formal around her (never calling her by her first name, etc.). There's a", "of them before they know each other. my question is, what kinds of", "(not shallow/vain or overly courageous, just a typical boy who was drafted when", "knight and in one of the beginning scenes, he interacts with the princess.", "I think this is where my problem lies. I don't know how to", "he acts very formal and polite around her, because she's a princess.) How", "farm. So he's very different from the boys who grew up in the", "to say around the princess. I think this is where my problem lies.", "they know each other. my question is, what kinds of things can I", "shallow/vain or overly courageous, just a typical boy who was drafted when he", "need some ideas for dialogue. EDIT: The knight is kind (not shallow/vain or", "(Again, he acts very formal and polite around her, because she's a princess.)", "without being \"improper\" or whatever. As for the romantic interest, the princess is", "what to say around the princess. I think this is where my problem", "each other. my question is, what kinds of things can I have them", "a block. In my head, the characters are both sitting there awkwardly because", "typical boy who was drafted when he was young and trained to serve" ]
[ "a better way to handle it? > > “Oh yes. Jake Hayden. The", "the story. In the following excerpt, I add a short explanation of that", "sake. Is it appropriate to inject background in the dialog? Is there a", "is a health drink.” > Jake’s mouth froze in place. His gaze shifted", "they met, he was drinking a chocolate protein beverage, while SonakX was drinking", "are introduced to the reader. They met once before at a party, prior", "a tight smile. Eyes still lowered, he muttered “Yeah, that was me.” >", "milk is a health drink.” > Jake’s mouth froze in place. His gaze", "thinks chocolate milk is a health drink.” > Jake’s mouth froze in place.", "time they met, he was drinking a chocolate protein beverage, while SonakX was", "met, he was drinking a chocolate protein beverage, while SonakX was drinking ginger-kale", "formed a tight smile. Eyes still lowered, he muttered “Yeah, that was me.”", "characters are introduced to the reader. They met once before at a party,", "before at a party, prior to the start of the story. In the", "met once before at a party, prior to the start of the story.", "the dialog? Is there a better way to handle it? > > “Oh", "background in the dialog? Is there a better way to handle it? >", "party, prior to the start of the story. In the following excerpt, I", "chocolate protein beverage, while SonakX was drinking ginger-kale juice. He had made playful", "protein beverage, while SonakX was drinking ginger-kale juice. He had made playful remarks", "> > “Oh yes. Jake Hayden. The guy who thinks chocolate milk is", "They met once before at a party, prior to the start of the", "there a better way to handle it? > > “Oh yes. Jake Hayden.", "to inject background in the dialog? Is there a better way to handle", "the start of the story. In the following excerpt, I add a short", "mouth froze in place. His gaze shifted down and off to the side.", "> Jake’s lips formed a tight smile. Eyes still lowered, he muttered “Yeah,", "a chocolate protein beverage, while SonakX was drinking ginger-kale juice. He had made", "dialog? Is there a better way to handle it? > > “Oh yes.", "shifted down and off to the side. Last time they met, he was", "explanation of that first meeting for the reader's sake. Is it appropriate to", "guy who thinks chocolate milk is a health drink.” > Jake’s mouth froze", "His gaze shifted down and off to the side. Last time they met,", "a short explanation of that first meeting for the reader's sake. Is it", "He had made playful remarks about her plant juice then. > Jake’s lips", "a scene in which two characters are introduced to the reader. They met", "place. His gaze shifted down and off to the side. Last time they", "reader. They met once before at a party, prior to the start of", "excerpt, I add a short explanation of that first meeting for the reader's", "remarks about her plant juice then. > Jake’s lips formed a tight smile.", "he was drinking a chocolate protein beverage, while SonakX was drinking ginger-kale juice.", "beverage, while SonakX was drinking ginger-kale juice. He had made playful remarks about", "scene in which two characters are introduced to the reader. They met once", "Hayden. The guy who thinks chocolate milk is a health drink.” > Jake’s", "inject background in the dialog? Is there a better way to handle it?", "was drinking a chocolate protein beverage, while SonakX was drinking ginger-kale juice. He", "following excerpt, I add a short explanation of that first meeting for the", "a health drink.” > Jake’s mouth froze in place. His gaze shifted down", "I have a scene in which two characters are introduced to the reader.", "have a scene in which two characters are introduced to the reader. They", "to the start of the story. In the following excerpt, I add a", "about her plant juice then. > Jake’s lips formed a tight smile. Eyes", "had made playful remarks about her plant juice then. > Jake’s lips formed", "yes. Jake Hayden. The guy who thinks chocolate milk is a health drink.”", "her plant juice then. > Jake’s lips formed a tight smile. Eyes still", "short explanation of that first meeting for the reader's sake. Is it appropriate", "side. Last time they met, he was drinking a chocolate protein beverage, while", "tight smile. Eyes still lowered, he muttered “Yeah, that was me.” > >", "to handle it? > > “Oh yes. Jake Hayden. The guy who thinks", "smile. Eyes still lowered, he muttered “Yeah, that was me.” > > >", "of the story. In the following excerpt, I add a short explanation of", "playful remarks about her plant juice then. > Jake’s lips formed a tight", "who thinks chocolate milk is a health drink.” > Jake’s mouth froze in", "drinking ginger-kale juice. He had made playful remarks about her plant juice then.", "it appropriate to inject background in the dialog? Is there a better way", "appropriate to inject background in the dialog? Is there a better way to", "Is there a better way to handle it? > > “Oh yes. Jake", "while SonakX was drinking ginger-kale juice. He had made playful remarks about her", "at a party, prior to the start of the story. In the following", "which two characters are introduced to the reader. They met once before at", "chocolate milk is a health drink.” > Jake’s mouth froze in place. His", "in place. His gaze shifted down and off to the side. Last time", "juice then. > Jake’s lips formed a tight smile. Eyes still lowered, he", "first meeting for the reader's sake. Is it appropriate to inject background in", "that first meeting for the reader's sake. Is it appropriate to inject background", "plant juice then. > Jake’s lips formed a tight smile. Eyes still lowered,", "better way to handle it? > > “Oh yes. Jake Hayden. The guy", "the reader's sake. Is it appropriate to inject background in the dialog? Is", "once before at a party, prior to the start of the story. In", "health drink.” > Jake’s mouth froze in place. His gaze shifted down and", "way to handle it? > > “Oh yes. Jake Hayden. The guy who", "was drinking ginger-kale juice. He had made playful remarks about her plant juice", "and off to the side. Last time they met, he was drinking a", "Jake’s lips formed a tight smile. Eyes still lowered, he muttered “Yeah, that", "to the reader. They met once before at a party, prior to the", "ginger-kale juice. He had made playful remarks about her plant juice then. >", "the side. Last time they met, he was drinking a chocolate protein beverage,", "start of the story. In the following excerpt, I add a short explanation", "> “Oh yes. Jake Hayden. The guy who thinks chocolate milk is a", "in which two characters are introduced to the reader. They met once before", "to the side. Last time they met, he was drinking a chocolate protein", "two characters are introduced to the reader. They met once before at a", "SonakX was drinking ginger-kale juice. He had made playful remarks about her plant", "handle it? > > “Oh yes. Jake Hayden. The guy who thinks chocolate", "reader's sake. Is it appropriate to inject background in the dialog? Is there", "Jake’s mouth froze in place. His gaze shifted down and off to the", "gaze shifted down and off to the side. Last time they met, he", "a party, prior to the start of the story. In the following excerpt,", "froze in place. His gaze shifted down and off to the side. Last", "> Jake’s mouth froze in place. His gaze shifted down and off to", "Is it appropriate to inject background in the dialog? Is there a better", "drinking a chocolate protein beverage, while SonakX was drinking ginger-kale juice. He had", "lips formed a tight smile. Eyes still lowered, he muttered “Yeah, that was", "prior to the start of the story. In the following excerpt, I add", "down and off to the side. Last time they met, he was drinking", "story. In the following excerpt, I add a short explanation of that first", "of that first meeting for the reader's sake. Is it appropriate to inject", "in the dialog? Is there a better way to handle it? > >", "then. > Jake’s lips formed a tight smile. Eyes still lowered, he muttered", "meeting for the reader's sake. Is it appropriate to inject background in the", "Jake Hayden. The guy who thinks chocolate milk is a health drink.” >", "made playful remarks about her plant juice then. > Jake’s lips formed a", "“Oh yes. Jake Hayden. The guy who thinks chocolate milk is a health", "add a short explanation of that first meeting for the reader's sake. Is", "drink.” > Jake’s mouth froze in place. His gaze shifted down and off", "for the reader's sake. Is it appropriate to inject background in the dialog?", "the following excerpt, I add a short explanation of that first meeting for", "In the following excerpt, I add a short explanation of that first meeting", "introduced to the reader. They met once before at a party, prior to", "Last time they met, he was drinking a chocolate protein beverage, while SonakX", "the reader. They met once before at a party, prior to the start", "off to the side. Last time they met, he was drinking a chocolate", "juice. He had made playful remarks about her plant juice then. > Jake’s", "it? > > “Oh yes. Jake Hayden. The guy who thinks chocolate milk", "The guy who thinks chocolate milk is a health drink.” > Jake’s mouth", "I add a short explanation of that first meeting for the reader's sake." ]
[ "important for main characters to have flaws to make them believable and real.", "to have flaws to make them believable and real. But should an antagonist", "is important for main characters to have flaws to make them believable and", "to make them believable and real. But should an antagonist have redeeming or", "real. But should an antagonist have redeeming or good qualities, to make him", "have flaws to make them believable and real. But should an antagonist have", "and real. But should an antagonist have redeeming or good qualities, to make", "believable and real. But should an antagonist have redeeming or good qualities, to", "characters to have flaws to make them believable and real. But should an", "make them believable and real. But should an antagonist have redeeming or good", "them believable and real. But should an antagonist have redeeming or good qualities,", "know it is important for main characters to have flaws to make them", "flaws to make them believable and real. But should an antagonist have redeeming", "should an antagonist have redeeming or good qualities, to make him more real?", "But should an antagonist have redeeming or good qualities, to make him more", "for main characters to have flaws to make them believable and real. But", "main characters to have flaws to make them believable and real. But should", "it is important for main characters to have flaws to make them believable", "I know it is important for main characters to have flaws to make" ]
[ "silence of a deceased character is more unnerving than that character's cries before", "how the silence of a deceased character is more unnerving than that character's", "of a deceased character is more unnerving than that character's cries before he", "deceased character is more unnerving than that character's cries before he died. Is", "is more unnerving than that character's cries before he died. Is there a", "that character's cries before he died. Is there a simile to describe a", "more unnerving than that character's cries before he died. Is there a simile", "describing how the silence of a deceased character is more unnerving than that", "character is more unnerving than that character's cries before he died. Is there", "character's cries before he died. Is there a simile to describe a traumatic", "story by describing how the silence of a deceased character is more unnerving", "the silence of a deceased character is more unnerving than that character's cries", "he died. Is there a simile to describe a traumatic or gut-wrenching scene?", "before he died. Is there a simile to describe a traumatic or gut-wrenching", "unnerving than that character's cries before he died. Is there a simile to", "a deceased character is more unnerving than that character's cries before he died.", "cries before he died. Is there a simile to describe a traumatic or", "finishing a short story by describing how the silence of a deceased character", "by describing how the silence of a deceased character is more unnerving than", "am finishing a short story by describing how the silence of a deceased", "than that character's cries before he died. Is there a simile to describe", "short story by describing how the silence of a deceased character is more", "a short story by describing how the silence of a deceased character is", "I am finishing a short story by describing how the silence of a" ]
[ "midnineties. I think 1995 was the last time I did any kind of", "does their rough draft on paper (specifically because they feel it is time", "1) Is there anyone out there who does their rough draft on paper", "chunk of fiction on paper. Using a computer allows me to get a", "did any kind of significant chunk of fiction on paper. Using a computer", "if I put more effort in and slowed down the first time, then", "Incarnations series about how he used two drafts on paper then one on", "paper (specifically because they feel it is time saving in the long run)?", "to a laptop by the midnineties. I think 1995 was the last time", "it's easier to not forget what I want to say; however, I struggle", "Two-part question: 1) Is there anyone out there who does their rough draft", "in the long run)? 2) Is there something practical (other than pay someone", "drafts on paper then one on the typewriter and shebang. He admits to", "forget what I want to say; however, I struggle with endless revisions. It", "to say; however, I struggle with endless revisions. It almost seems like, if", "I put more effort in and slowed down the first time, then it", "the dog doesn't eat it. Two-part question: 1) Is there anyone out there", "the midnineties. I think 1995 was the last time I did any kind", "one on the typewriter and shebang. He admits to switching to a laptop", "He admits to switching to a laptop by the midnineties. I think 1995", "eat it. Two-part question: 1) Is there anyone out there who does their", "out there who does their rough draft on paper (specifically because they feel", "bestselling Incarnations series about how he used two drafts on paper then one", "they feel it is time saving in the long run)? 2) Is there", "the midst of his bestselling Incarnations series about how he used two drafts", "long run)? 2) Is there something practical (other than pay someone to edit", "practical (other than pay someone to edit work) to cut oneself off in", "is time saving in the long run)? 2) Is there something practical (other", "read a forward by Piers Anthony in the midst of his bestselling Incarnations", "edits downstream. Assuming the dog doesn't eat it. Two-part question: 1) Is there", "saving in the long run)? 2) Is there something practical (other than pay", "typewriter and shebang. He admits to switching to a laptop by the midnineties.", "admits to switching to a laptop by the midnineties. I think 1995 was", "think 1995 was the last time I did any kind of significant chunk", "there something practical (other than pay someone to edit work) to cut oneself", "because they feel it is time saving in the long run)? 2) Is", "it. Two-part question: 1) Is there anyone out there who does their rough", "their rough draft on paper (specifically because they feel it is time saving", "Using a computer allows me to get a lot of words down, and", "dog doesn't eat it. Two-part question: 1) Is there anyone out there who", "he used two drafts on paper then one on the typewriter and shebang.", "I want to say; however, I struggle with endless revisions. It almost seems", "endless revisions. It almost seems like, if I put more effort in and", "what I want to say; however, I struggle with endless revisions. It almost", "(specifically because they feel it is time saving in the long run)? 2)", "and it's easier to not forget what I want to say; however, I", "and slowed down the first time, then it would save hundreds of hours", "then it would save hundreds of hours of edits downstream. Assuming the dog", "significant chunk of fiction on paper. Using a computer allows me to get", "like, if I put more effort in and slowed down the first time,", "it would save hundreds of hours of edits downstream. Assuming the dog doesn't", "Assuming the dog doesn't eat it. Two-part question: 1) Is there anyone out", "shebang. He admits to switching to a laptop by the midnineties. I think", "on paper. Using a computer allows me to get a lot of words", "of edits downstream. Assuming the dog doesn't eat it. Two-part question: 1) Is", "by Piers Anthony in the midst of his bestselling Incarnations series about how", "downstream. Assuming the dog doesn't eat it. Two-part question: 1) Is there anyone", "a forward by Piers Anthony in the midst of his bestselling Incarnations series", "in the midst of his bestselling Incarnations series about how he used two", "slowed down the first time, then it would save hundreds of hours of", "the last time I did any kind of significant chunk of fiction on", "run)? 2) Is there something practical (other than pay someone to edit work)", "say; however, I struggle with endless revisions. It almost seems like, if I", "on paper then one on the typewriter and shebang. He admits to switching", "would save hundreds of hours of edits downstream. Assuming the dog doesn't eat", "hundreds of hours of edits downstream. Assuming the dog doesn't eat it. Two-part", "was the last time I did any kind of significant chunk of fiction", "2) Is there something practical (other than pay someone to edit work) to", "there who does their rough draft on paper (specifically because they feel it", "paper then one on the typewriter and shebang. He admits to switching to", "something practical (other than pay someone to edit work) to cut oneself off", "(other than pay someone to edit work) to cut oneself off in the", "want to say; however, I struggle with endless revisions. It almost seems like,", "last time I did any kind of significant chunk of fiction on paper.", "and shebang. He admits to switching to a laptop by the midnineties. I", "down, and it's easier to not forget what I want to say; however,", "by the midnineties. I think 1995 was the last time I did any", "doesn't eat it. 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Assuming", "time saving in the long run)? 2) Is there something practical (other than", "two drafts on paper then one on the typewriter and shebang. He admits", "I think 1995 was the last time I did any kind of significant", "hours of edits downstream. Assuming the dog doesn't eat it. Two-part question: 1)", "midst of his bestselling Incarnations series about how he used two drafts on", "of hours of edits downstream. Assuming the dog doesn't eat it. Two-part question:", "time, then it would save hundreds of hours of edits downstream. Assuming the", "series about how he used two drafts on paper then one on the", "of fiction on paper. Using a computer allows me to get a lot", "the first time, then it would save hundreds of hours of edits downstream.", "to get a lot of words down, and it's easier to not forget", "Is there something practical (other than pay someone to edit work) to cut", "used two drafts on paper then one on the typewriter and shebang. 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It almost seems like, if I put more" ]