Split (1)

train · 10.4M rows

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[ "and \"he shifted his gaze to (object/person)\". I use the words 'eyes' and", "use the words 'eyes' and 'gaze' a lot to describe what the character", "describe what the character is staring at (ie. his eyes locked onto (object),", "overusing phrases like \"his eyes flickered to (object/person)\" and \"he shifted his gaze", "words 'eyes' and 'gaze' a lot to describe what the character is staring", "(object/person)\" and \"he shifted his gaze to (object/person)\". I use the words 'eyes'", "is staring at (ie. his eyes locked onto (object), or his eyes wouldn't", "at (ie. his eyes locked onto (object), or his eyes wouldn't move from", "his eyes locked onto (object), or his eyes wouldn't move from (object), etc).", "locked onto (object), or his eyes wouldn't move from (object), etc). I also", "I find myself overusing phrases like \"his eyes flickered to (object/person)\" and \"he", "his gaze to (object/person)\". I use the words 'eyes' and 'gaze' a lot", "his eyes wouldn't move from (object), etc). I also overuse words like \"stare\"", "onto (object), or his eyes wouldn't move from (object), etc). I also overuse", "also overuse words like \"stare\" and \"glance\" as well. Any ideas how else", "wouldn't move from (object), etc). I also overuse words like \"stare\" and \"glance\"", "to describe what the character is staring at (ie. his eyes locked onto", "(object), or his eyes wouldn't move from (object), etc). I also overuse words", "the character is staring at (ie. his eyes locked onto (object), or his", "\"he shifted his gaze to (object/person)\". I use the words 'eyes' and 'gaze'", "\"his eyes flickered to (object/person)\" and \"he shifted his gaze to (object/person)\". I", "gaze to (object/person)\". I use the words 'eyes' and 'gaze' a lot to", "from (object), etc). I also overuse words like \"stare\" and \"glance\" as well.", "'eyes' and 'gaze' a lot to describe what the character is staring at", "staring at (ie. his eyes locked onto (object), or his eyes wouldn't move", "I use the words 'eyes' and 'gaze' a lot to describe what the", "what the character is staring at (ie. his eyes locked onto (object), or", "as well. Any ideas how else to describe 'looking at something'? Or shifting", "(object/person)\". I use the words 'eyes' and 'gaze' a lot to describe what", "'gaze' a lot to describe what the character is staring at (ie. his", "I also overuse words like \"stare\" and \"glance\" as well. Any ideas how", "flickered to (object/person)\" and \"he shifted his gaze to (object/person)\". I use the", "overuse words like \"stare\" and \"glance\" as well. Any ideas how else to", "\"stare\" and \"glance\" as well. Any ideas how else to describe 'looking at", "and \"glance\" as well. Any ideas how else to describe 'looking at something'?", "myself overusing phrases like \"his eyes flickered to (object/person)\" and \"he shifted his", "Any ideas how else to describe 'looking at something'? Or shifting one's gaze", "\"glance\" as well. Any ideas how else to describe 'looking at something'? Or", "well. Any ideas how else to describe 'looking at something'? Or shifting one's", "ideas how else to describe 'looking at something'? Or shifting one's gaze to", "and 'gaze' a lot to describe what the character is staring at (ie.", "find myself overusing phrases like \"his eyes flickered to (object/person)\" and \"he shifted", "a lot to describe what the character is staring at (ie. his eyes", "shifted his gaze to (object/person)\". I use the words 'eyes' and 'gaze' a", "to (object/person)\". I use the words 'eyes' and 'gaze' a lot to describe", "like \"stare\" and \"glance\" as well. Any ideas how else to describe 'looking", "how else to describe 'looking at something'? Or shifting one's gaze to something", "move from (object), etc). I also overuse words like \"stare\" and \"glance\" as", "phrases like \"his eyes flickered to (object/person)\" and \"he shifted his gaze to", "or his eyes wouldn't move from (object), etc). I also overuse words like", "else to describe 'looking at something'? Or shifting one's gaze to something else?", "eyes locked onto (object), or his eyes wouldn't move from (object), etc). I", "(ie. his eyes locked onto (object), or his eyes wouldn't move from (object),", "etc). I also overuse words like \"stare\" and \"glance\" as well. Any ideas", "eyes wouldn't move from (object), etc). I also overuse words like \"stare\" and", "words like \"stare\" and \"glance\" as well. Any ideas how else to describe", "the words 'eyes' and 'gaze' a lot to describe what the character is", "(object), etc). I also overuse words like \"stare\" and \"glance\" as well. Any", "to (object/person)\" and \"he shifted his gaze to (object/person)\". I use the words", "lot to describe what the character is staring at (ie. his eyes locked", "character is staring at (ie. his eyes locked onto (object), or his eyes", "eyes flickered to (object/person)\" and \"he shifted his gaze to (object/person)\". I use", "like \"his eyes flickered to (object/person)\" and \"he shifted his gaze to (object/person)\"." ]
[ "who teaches how to build wealth. In the real world, they are financial", "I am looking for a character name to design a personality of a", "am looking for a character name to design a personality of a guy", "a character name to design a personality of a guy who teaches how", "of a guy who teaches how to build wealth. In the real world,", "teaches how to build wealth. In the real world, they are financial advisors.", "a personality of a guy who teaches how to build wealth. In the", "personality of a guy who teaches how to build wealth. In the real", "for a character name to design a personality of a guy who teaches", "looking for a character name to design a personality of a guy who", "guy who teaches how to build wealth. In the real world, they are", "design a personality of a guy who teaches how to build wealth. In", "a guy who teaches how to build wealth. In the real world, they", "to design a personality of a guy who teaches how to build wealth.", "name to design a personality of a guy who teaches how to build", "character name to design a personality of a guy who teaches how to" ]
[ "I am looking for character names to design a personality for 4 children", "looking for character names to design a personality for 4 children in my", "am looking for character names to design a personality for 4 children in", "for character names to design a personality for 4 children in my story." ]
[ "if my book is a fiction and I transform the story into a", "I could use real country names in my book. For example, can I", "For example; the refugees crysis, the earthquake in Japan or any other things", "use real country names in my book. For example, can I say that", "the world making a secret pact with Russia to land some nuclear bombs", "into a conspiracy theory like saying that UK is trying to destory the", "I wanna start to write my first book. My problem is if I", "example, can I say that the action takes place in USA, California, Los", "Iraq? What if my book is a fiction and I transform the story", "wanna start to write my first book. My problem is if I could", "My problem is if I could use real country names in my book.", "what about using real-world problems in my book? For example; the refugees crysis,", "my book. For example, can I say that the action takes place in", "is trying to destory the world making a secret pact with Russia to", "center of Europe. And what about using real-world problems in my book? For", "land some nuclear bombs on the center of Europe. And what about using", "bombs on the center of Europe. And what about using real-world problems in", "that the action takes place in USA, California, Los Angeles or in China", "and I transform the story into a conspiracy theory like saying that UK", "And what about using real-world problems in my book? For example; the refugees", "trying to destory the world making a secret pact with Russia to land", "fiction and I transform the story into a conspiracy theory like saying that", "on the center of Europe. And what about using real-world problems in my", "nuclear bombs on the center of Europe. And what about using real-world problems", "if I could use real country names in my book. For example, can", "problems in my book? For example; the refugees crysis, the earthquake in Japan", "the action takes place in USA, California, Los Angeles or in China or", "my book is a fiction and I transform the story into a conspiracy", "using real-world problems in my book? For example; the refugees crysis, the earthquake", "my book? For example; the refugees crysis, the earthquake in Japan or any", "secret pact with Russia to land some nuclear bombs on the center of", "pact with Russia to land some nuclear bombs on the center of Europe.", "action takes place in USA, California, Los Angeles or in China or in", "China or in Iraq? What if my book is a fiction and I", "names in my book. For example, can I say that the action takes", "I transform the story into a conspiracy theory like saying that UK is", "takes place in USA, California, Los Angeles or in China or in Iraq?", "UK is trying to destory the world making a secret pact with Russia", "to land some nuclear bombs on the center of Europe. And what about", "theory like saying that UK is trying to destory the world making a", "a fiction and I transform the story into a conspiracy theory like saying", "to write my first book. My problem is if I could use real", "I say that the action takes place in USA, California, Los Angeles or", "story into a conspiracy theory like saying that UK is trying to destory", "world making a secret pact with Russia to land some nuclear bombs on", "write my first book. My problem is if I could use real country", "destory the world making a secret pact with Russia to land some nuclear", "is a fiction and I transform the story into a conspiracy theory like", "real-world problems in my book? For example; the refugees crysis, the earthquake in", "making a secret pact with Russia to land some nuclear bombs on the", "could use real country names in my book. For example, can I say", "book. My problem is if I could use real country names in my", "What if my book is a fiction and I transform the story into", "start to write my first book. My problem is if I could use", "place in USA, California, Los Angeles or in China or in Iraq? What", "a secret pact with Russia to land some nuclear bombs on the center", "to destory the world making a secret pact with Russia to land some", "that UK is trying to destory the world making a secret pact with", "California, Los Angeles or in China or in Iraq? What if my book", "Angeles or in China or in Iraq? What if my book is a", "some nuclear bombs on the center of Europe. And what about using real-world", "the center of Europe. And what about using real-world problems in my book?", "transform the story into a conspiracy theory like saying that UK is trying", "in my book. For example, can I say that the action takes place", "book. For example, can I say that the action takes place in USA,", "problem is if I could use real country names in my book. For", "first book. My problem is if I could use real country names in", "real country names in my book. For example, can I say that the", "For example, can I say that the action takes place in USA, California,", "with Russia to land some nuclear bombs on the center of Europe. And", "or in Iraq? What if my book is a fiction and I transform", "Europe. And what about using real-world problems in my book? For example; the", "can I say that the action takes place in USA, California, Los Angeles", "Los Angeles or in China or in Iraq? What if my book is", "or in China or in Iraq? What if my book is a fiction", "country names in my book. For example, can I say that the action", "book is a fiction and I transform the story into a conspiracy theory", "in USA, California, Los Angeles or in China or in Iraq? What if", "example; the refugees crysis, the earthquake in Japan or any other things like", "like saying that UK is trying to destory the world making a secret", "of Europe. And what about using real-world problems in my book? For example;", "saying that UK is trying to destory the world making a secret pact", "my first book. My problem is if I could use real country names", "about using real-world problems in my book? For example; the refugees crysis, the", "USA, California, Los Angeles or in China or in Iraq? What if my", "conspiracy theory like saying that UK is trying to destory the world making", "a conspiracy theory like saying that UK is trying to destory the world", "Russia to land some nuclear bombs on the center of Europe. And what", "is if I could use real country names in my book. For example,", "the refugees crysis, the earthquake in Japan or any other things like these?", "book? For example; the refugees crysis, the earthquake in Japan or any other", "say that the action takes place in USA, California, Los Angeles or in", "in my book? For example; the refugees crysis, the earthquake in Japan or", "the story into a conspiracy theory like saying that UK is trying to", "in Iraq? What if my book is a fiction and I transform the", "in China or in Iraq? What if my book is a fiction and" ]
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She tried to wipe them out several", "she has been using magic to make monsters to infiltrate society and eventually", "feel it might be better for myself and other readers to hear the", "way into the army, despite having no credentials, and 3. A nobleman's son", "infiltrate society and eventually blow it up from the inside out. I have", "it down. The issue is, I don't know whose point of view my", "as major candidates for my POV character: 1. The witch's reformed son who", "a large number of characters, a complex backstory and a long history. This", "should be written from. The primary conflict comes from an immortal witch who", "is, I don't know whose point of view my story should be written", "characters, a complex backstory and a long history. This is mostly because I", "from. The primary conflict comes from an immortal witch who feels that humans", "feels that humans are stupid little punks who need to be eliminated from", "has pros and cons as the lead hero, which I am willing to", "to do. Can I have some help? I've explained what I feel to", "just what is needed to be helpful. There's a lot more I'm willing", "The witch's reformed son who works as a diplomat in the main country,", "into the army, despite having no credentials, and 3. A nobleman's son working", "forgotten race of people back into civilization. Each of these characters has pros", "to be just what is needed to be helpful. There's a lot more", "I'm in the early stages of a story with a large number of", "number of characters, a complex backstory and a long history. This is mostly", "with her life that faked her way into the army, despite having no", "need to be eliminated from the planet. She tried to wipe them out", "back into civilization. Each of these characters has pros and cons as the", "a bunch of immortals, each of whom had their own reason to beat", "their own reason to beat the crud out of everyone else. The witch", "working to bring a forgotten race of people back into civilization. Each of", "I feel it might be better for myself and other readers to hear", "for months before deciding to write it down. The issue is, I don't", "I have some help? I've explained what I feel to be just what", "son working to bring a forgotten race of people back into civilization. Each", "be, but I don't know what best to do. Can I have some", "feel to be just what is needed to be helpful. There's a lot", "of a story with a large number of characters, a complex backstory and", "bunch of immortals, each of whom had their own reason to beat the", "these characters has pros and cons as the lead hero, which I am", "that faked her way into the army, despite having no credentials, and 3.", "witch lost and went into hiding, letting everyone else forget she ever existed.", "and went into hiding, letting everyone else forget she ever existed. Meanwhile, she", "been using magic to make monsters to infiltrate society and eventually blow it", "having no credentials, and 3. A nobleman's son working to bring a forgotten", "whose point of view my story should be written from. The primary conflict", "1. The witch's reformed son who works as a diplomat in the main", "This is mostly because I crafted the world myself for months before deciding", "issue is, I don't know whose point of view my story should be", "stages of a story with a large number of characters, a complex backstory", "best to do. Can I have some help? I've explained what I feel", "own reason to beat the crud out of everyone else. The witch lost", "I've explained what I feel to be just what is needed to be", "I am willing to explain further if need be, but I don't know", "my story should be written from. The primary conflict comes from an immortal", "what best to do. Can I have some help? I've explained what I", "to explain further if need be, but I don't know what best to", "needed to be helpful. There's a lot more I'm willing to explain if", "to make monsters to infiltrate society and eventually blow it up from the", "am willing to explain further if need be, but I don't know what", "of view my story should be written from. The primary conflict comes from", "to wipe them out several hundred years ago in a huge, world-shattering war", "complex backstory and a long history. This is mostly because I crafted the", "She tried to wipe them out several hundred years ago in a huge,", "from the planet. She tried to wipe them out several hundred years ago", "deciding to write it down. The issue is, I don't know whose point", "reformed son who works as a diplomat in the main country, 2. A", "and other readers to hear the process of choosing a POV character. Thanks!", "people back into civilization. Each of these characters has pros and cons as", "army, despite having no credentials, and 3. A nobleman's son working to bring", "out of everyone else. The witch lost and went into hiding, letting everyone", "the main country, 2. A girl bored with her life that faked her", "hundred years ago in a huge, world-shattering war between a bunch of immortals,", "There's a lot more I'm willing to explain if need be, but I", "explain if need be, but I feel it might be better for myself", "ago in a huge, world-shattering war between a bunch of immortals, each of", "crud out of everyone else. The witch lost and went into hiding, letting", "lead hero, which I am willing to explain further if need be, but", "lost and went into hiding, letting everyone else forget she ever existed. Meanwhile,", "hiding, letting everyone else forget she ever existed. Meanwhile, she has been using", "planet. She tried to wipe them out several hundred years ago in a", "be eliminated from the planet. She tried to wipe them out several hundred", "else. The witch lost and went into hiding, letting everyone else forget she", "to infiltrate society and eventually blow it up from the inside out. I", "of everyone else. The witch lost and went into hiding, letting everyone else", "her life that faked her way into the army, despite having no credentials,", "of these characters has pros and cons as the lead hero, which I", "the lead hero, which I am willing to explain further if need be,", "everyone else. The witch lost and went into hiding, letting everyone else forget", "because I crafted the world myself for months before deciding to write it", "be better for myself and other readers to hear the process of choosing", "credentials, and 3. A nobleman's son working to bring a forgotten race of", "out several hundred years ago in a huge, world-shattering war between a bunch", "her way into the army, despite having no credentials, and 3. A nobleman's", "works as a diplomat in the main country, 2. 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The witch's", "the planet. She tried to wipe them out several hundred years ago in", "but I don't know what best to do. Can I have some help?", "in the main country, 2. A girl bored with her life that faked", "A nobleman's son working to bring a forgotten race of people back into", "a lot more I'm willing to explain if need be, but I feel", "and a long history. This is mostly because I crafted the world myself", "be written from. The primary conflict comes from an immortal witch who feels", "it might be better for myself and other readers to hear the process", "history. This is mostly because I crafted the world myself for months before", "a forgotten race of people back into civilization. Each of these characters has", "which I am willing to explain further if need be, but I don't", "reason to beat the crud out of everyone else. The witch lost and", "to explain if need be, but I feel it might be better for", "I feel to be just what is needed to be helpful. 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This is mostly because I crafted the world myself for", "The primary conflict comes from an immortal witch who feels that humans are", "bored with her life that faked her way into the army, despite having", "3. A nobleman's son working to bring a forgotten race of people back", "to be helpful. There's a lot more I'm willing to explain if need", "a complex backstory and a long history. This is mostly because I crafted", "lot more I'm willing to explain if need be, but I feel it", "be, but I feel it might be better for myself and other readers", "cons as the lead hero, which I am willing to explain further if", "forget she ever existed. Meanwhile, she has been using magic to make monsters", "immortal witch who feels that humans are stupid little punks who need to", "it up from the inside out. I have three heroes as major candidates", "punks who need to be eliminated from the planet. She tried to wipe", "be helpful. 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A nobleman's son working to bring a forgotten race of people", "girl bored with her life that faked her way into the army, despite", "is mostly because I crafted the world myself for months before deciding to", "inside out. I have three heroes as major candidates for my POV character:", "them out several hundred years ago in a huge, world-shattering war between a", "witch who feels that humans are stupid little punks who need to be", "who feels that humans are stupid little punks who need to be eliminated", "character: 1. The witch's reformed son who works as a diplomat in the", "candidates for my POV character: 1. The witch's reformed son who works as", "son who works as a diplomat in the main country, 2. A girl", "Each of these characters has pros and cons as the lead hero, which", "as the lead hero, which I am willing to explain further if need", "to bring a forgotten race of people back into civilization. Each of these", "crafted the world myself for months before deciding to write it down. The", "further if need be, but I don't know what best to do. Can", "story with a large number of characters, a complex backstory and a long", "don't know what best to do. Can I have some help? I've explained", "don't know whose point of view my story should be written from. The", "into hiding, letting everyone else forget she ever existed. Meanwhile, she has been", "to write it down. The issue is, I don't know whose point of", "magic to make monsters to infiltrate society and eventually blow it up from", "a story with a large number of characters, a complex backstory and a", "faked her way into the army, despite having no credentials, and 3. A", "for myself and other readers to hear the process of choosing a POV", "willing to explain further if need be, but I don't know what best", "need be, but I feel it might be better for myself and other", "letting everyone else forget she ever existed. Meanwhile, she has been using magic", "race of people back into civilization. Each of these characters has pros and", "know whose point of view my story should be written from. The primary", "each of whom had their own reason to beat the crud out of", "months before deciding to write it down. The issue is, I don't know", "the crud out of everyone else. The witch lost and went into hiding,", "up from the inside out. I have three heroes as major candidates for", "before deciding to write it down. The issue is, I don't know whose", "everyone else forget she ever existed. Meanwhile, she has been using magic to", "down. The issue is, I don't know whose point of view my story", "are stupid little punks who need to be eliminated from the planet. She", "eliminated from the planet. She tried to wipe them out several hundred years", "I crafted the world myself for months before deciding to write it down.", "existed. Meanwhile, she has been using magic to make monsters to infiltrate society", "little punks who need to be eliminated from the planet. She tried to", "mostly because I crafted the world myself for months before deciding to write" ]
[ "old girl, one is a 11 year old girl that thinks that life", "the 4 children in my fictional story personality traits? One is a bossy", "year old girl that thinks that life is unfair, one is a 12", "a 11 year old girl that thinks that life is unfair, one is", "last one is an kind 11 year old boy.Is this enough to develop", "story personality traits? One is a bossy 12 year old girl, one is", "a bossy 12 year old girl, one is a 11 year old girl", "kind 11 year old boy.Is this enough to develop a whole personality or", "that thinks that life is unfair, one is a 12 year old problem", "unfair, one is a 12 year old problem solving boy, and the last", "one is a 12 year old problem solving boy, and the last one", "12 year old problem solving boy, and the last one is an kind", "and the last one is an kind 11 year old boy.Is this enough", "girl that thinks that life is unfair, one is a 12 year old", "I give the 4 children in my fictional story personality traits? One is", "one is an kind 11 year old boy.Is this enough to develop a", "old problem solving boy, and the last one is an kind 11 year", "the last one is an kind 11 year old boy.Is this enough to", "enough to develop a whole personality or do i need more information about", "old girl that thinks that life is unfair, one is a 12 year", "fictional story personality traits? One is a bossy 12 year old girl, one", "this enough to develop a whole personality or do i need more information", "is unfair, one is a 12 year old problem solving boy, and the", "4 children in my fictional story personality traits? One is a bossy 12", "girl, one is a 11 year old girl that thinks that life is", "to develop a whole personality or do i need more information about my", "11 year old girl that thinks that life is unfair, one is a", "is an kind 11 year old boy.Is this enough to develop a whole", "solving boy, and the last one is an kind 11 year old boy.Is", "one is a 11 year old girl that thinks that life is unfair,", "12 year old girl, one is a 11 year old girl that thinks", "that life is unfair, one is a 12 year old problem solving boy,", "year old problem solving boy, and the last one is an kind 11", "traits? One is a bossy 12 year old girl, one is a 11", "my fictional story personality traits? One is a bossy 12 year old girl,", "boy.Is this enough to develop a whole personality or do i need more", "a 12 year old problem solving boy, and the last one is an", "in my fictional story personality traits? One is a bossy 12 year old", "an kind 11 year old boy.Is this enough to develop a whole personality", "can I give the 4 children in my fictional story personality traits? One", "is a 11 year old girl that thinks that life is unfair, one", "is a 12 year old problem solving boy, and the last one is", "bossy 12 year old girl, one is a 11 year old girl that", "is a bossy 12 year old girl, one is a 11 year old", "children in my fictional story personality traits? One is a bossy 12 year", "problem solving boy, and the last one is an kind 11 year old", "give the 4 children in my fictional story personality traits? One is a", "How can I give the 4 children in my fictional story personality traits?", "11 year old boy.Is this enough to develop a whole personality or do", "year old boy.Is this enough to develop a whole personality or do i", "life is unfair, one is a 12 year old problem solving boy, and", "develop a whole personality or do i need more information about my characters?", "thinks that life is unfair, one is a 12 year old problem solving", "One is a bossy 12 year old girl, one is a 11 year", "boy, and the last one is an kind 11 year old boy.Is this", "year old girl, one is a 11 year old girl that thinks that", "personality traits? One is a bossy 12 year old girl, one is a", "old boy.Is this enough to develop a whole personality or do i need" ]
[ "the F\\\\\\* word was never used once in either book. Then, I realized", "recently read two quite \"hard core\" novels, both by famous authors. One was", "it a lot in novels, or perhaps the novels I read. Both the", "it seen as very vulgar in novels? Or just unnecessary? Can it put", "vulgar in novels? Or just unnecessary? Can it put readers off? Any thoughts", "or F\\\\\\ing and variations. Is there some unwritten rule about this? Is it", "F\\\\\\ing and variations. Is there some unwritten rule about this? Is it seen", "some unwritten rule about this? Is it seen as very vulgar in novels?", "of sh\\\\, damn, freaking, screw, bi\\\\\\\\ etc, but not F\\\\\\* or F\\\\\\ing and", "core\" novels, both by famous authors. One was erotic fiction and one was", "word was never used once in either book. Then, I realized that I", "once in either book. Then, I realized that I don't actually see it", "very violent and gory. At the end I realized something: the F\\\\\\ word", "bi\\\\\\\\ etc, but not F\\\\\\* or F\\\\\\ing and variations. Is there some unwritten", "I've recently read two quite \"hard core\" novels, both by famous authors. One", "book. Then, I realized that I don't actually see it a lot in", "which was very violent and gory. At the end I realized something: the", "in either book. Then, I realized that I don't actually see it a", "perhaps the novels I read. Both the above books had a lot of", "above books had a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\* etc, but", "F\\\\\\* or F\\\\\\ing and variations. Is there some unwritten rule about this? Is", "two quite \"hard core\" novels, both by famous authors. One was erotic fiction", "there some unwritten rule about this? Is it seen as very vulgar in", "novels? Or just unnecessary? Can it put readers off? Any thoughts would be", "don't actually see it a lot in novels, or perhaps the novels I", "seen as very vulgar in novels? Or just unnecessary? Can it put readers", "a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\* etc, but not F\\\\\\* or", "about this? Is it seen as very vulgar in novels? Or just unnecessary?", "Is it seen as very vulgar in novels? Or just unnecessary? Can it", "One was erotic fiction and one was a thriller which was very violent", "rule about this? Is it seen as very vulgar in novels? Or just", "had a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\ etc, but not F\\\\\\", "F\\\\\\ word was never used once in either book. Then, I realized that", "freaking, screw, bi\\\\\\\\ etc, but not F\\\\\\* or F\\\\\\ing and variations. Is there", "in novels, or perhaps the novels I read. Both the above books had", "realized that I don't actually see it a lot in novels, or perhaps", "novels, both by famous authors. One was erotic fiction and one was a", "the end I realized something: the F\\\\\\ word was never used once in", "etc, but not F\\\\\\* or F\\\\\\ing and variations. Is there some unwritten rule", "that I don't actually see it a lot in novels, or perhaps the", "Is there some unwritten rule about this? Is it seen as very vulgar", "read two quite \"hard core\" novels, both by famous authors. One was erotic", "lot in novels, or perhaps the novels I read. Both the above books", "lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\* etc, but not F\\\\\\* or F\\\\\\ing", "not F\\\\\\ or F\\\\\\ing and variations. Is there some unwritten rule about this?", "in novels? Or just unnecessary? Can it put readers off? Any thoughts would", "quite \"hard core\" novels, both by famous authors. One was erotic fiction and", "and variations. Is there some unwritten rule about this? Is it seen as", "variations. Is there some unwritten rule about this? Is it seen as very", "Then, I realized that I don't actually see it a lot in novels,", "thriller which was very violent and gory. At the end I realized something:", "either book. Then, I realized that I don't actually see it a lot", "a lot in novels, or perhaps the novels I read. Both the above", "At the end I realized something: the F\\\\\\ word was never used once", "end I realized something: the F\\\\\\* word was never used once in either", "erotic fiction and one was a thriller which was very violent and gory.", "both by famous authors. One was erotic fiction and one was a thriller", "screw, bi\\\\\\\\ etc, but not F\\\\\\* or F\\\\\\ing and variations. Is there some", "books had a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\* etc, but not", "\"hard core\" novels, both by famous authors. One was erotic fiction and one", "novels, or perhaps the novels I read. Both the above books had a", "Both the above books had a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\", "authors. One was erotic fiction and one was a thriller which was very", "one was a thriller which was very violent and gory. At the end", "I realized that I don't actually see it a lot in novels, or", "never used once in either book. Then, I realized that I don't actually", "gory. At the end I realized something: the F\\\\\\* word was never used", "famous authors. One was erotic fiction and one was a thriller which was", "actually see it a lot in novels, or perhaps the novels I read.", "something: the F\\\\\\* word was never used once in either book. Then, I", "unwritten rule about this? Is it seen as very vulgar in novels? Or", "was a thriller which was very violent and gory. At the end I", "the novels I read. Both the above books had a lot of sh\\\\,", "Or just unnecessary? Can it put readers off? Any thoughts would be appreciated.", "and one was a thriller which was very violent and gory. At the", "was erotic fiction and one was a thriller which was very violent and", "very vulgar in novels? Or just unnecessary? Can it put readers off? Any", "violent and gory. At the end I realized something: the F\\\\\\* word was", "sh\\\\, damn, freaking, screw, bi\\\\\\\\ etc, but not F\\\\\\* or F\\\\\\ing and variations.", "was never used once in either book. Then, I realized that I don't", "a thriller which was very violent and gory. At the end I realized", "damn, freaking, screw, bi\\\\\\\\* etc, but not F\\\\\\* or F\\\\\\ing and variations. Is", "this? Is it seen as very vulgar in novels? Or just unnecessary? Can", "the above books had a lot of sh\\\\, damn, freaking, screw, bi\\\\\\\\* etc,", "realized something: the F\\\\\\* word was never used once in either book. Then,", "by famous authors. One was erotic fiction and one was a thriller which", "used once in either book. Then, I realized that I don't actually see", "see it a lot in novels, or perhaps the novels I read. Both", "novels I read. Both the above books had a lot of sh\\\\, damn,", "as very vulgar in novels? Or just unnecessary? Can it put readers off?", "I read. Both the above books had a lot of sh\\\\, damn, freaking,", "I don't actually see it a lot in novels, or perhaps the novels", "read. Both the above books had a lot of sh\\\\, damn, freaking, screw,", "and gory. At the end I realized something: the F\\\\\\* word was never", "was very violent and gory. At the end I realized something: the F\\\\\\", "but not F\\\\\\ or F\\\\\\ing and variations. Is there some unwritten rule about", "or perhaps the novels I read. Both the above books had a lot", "I realized something: the F\\\\\\ word was never used once in either book.", "fiction and one was a thriller which was very violent and gory. At" ]
[ "kind of place she lives in and also hint at some things that", "novel. In the first chapter, my main character travels from her hometown to", "hint at some things that will be touched on later. It's about three", "then she arrives at her destination. At first, I cut out her arrival", "well (around two sentences). Then she checks into her hotel (more description) and", "town. I know all of this just sounds riveting. But if anyone could", "me some advice on how to transition from one location to another without", "then she goes to the bar, etc.), but also giving the impression of", "listing the actions (the train arrives, then she checks into her hotel, then", "cut out her arrival and the description of the new town because I", "away. I want to use this time to give the reader a view", "the kind of place she lives in and also hint at some things", "will be touched on later. It's about three short paragraphs. But then she", "In the first chapter, my main character travels from her hometown to a", "she goes to the bar, etc.), but also giving the impression of a", "sentences). Then she checks into her hotel (more description) and runs into someone", "also giving the impression of a new place, that would be great. Thanks!", "same place, so I felt like I still needed that description as well", "to transition from one location to another without just listing the actions (the", "runs into someone there, which is where the action picks up. She is", "at some things that will be touched on later. It's about three short", "still needed that description as well (around two sentences). Then she checks into", "her hotel, then she goes to the bar, etc.), but also giving the", "paragraphs. But then she arrives at her destination. At first, I cut out", "during the transition from her hometown to the new town. I know all", "this just sounds riveting. But if anyone could give me some advice on", "isn't much opportunity for dialogue during the transition from her hometown to the", "on how to transition from one location to another without just listing the", "there isn't much opportunity for dialogue during the transition from her hometown to", "some advice on how to transition from one location to another without just", "trying to a write a novel. In the first chapter, my main character", "when I went back and read it, it felt like she hadn't gone", "But if anyone could give me some advice on how to transition from", "afraid it was too much narrative, but when I went back and read", "the new town because I was afraid it was too much narrative, but", "she checks into her hotel, then she goes to the bar, etc.), but", "view of the kind of place she lives in and also hint at", "location to another without just listing the actions (the train arrives, then she", "to the bar, etc.), but also giving the impression of a new place,", "picks up. She is by herself, so there isn't much opportunity for dialogue", "three short paragraphs. But then she arrives at her destination. At first, I", "felt like she hadn't gone anywhere and was in the same place, so", "she checks into her hotel (more description) and runs into someone there, which", "to the new town. I know all of this just sounds riveting. But", "It's about three short paragraphs. But then she arrives at her destination. At", "this time to give the reader a view of the kind of place", "it was too much narrative, but when I went back and read it,", "then she checks into her hotel, then she goes to the bar, etc.),", "in the same place, so I felt like I still needed that description", "hometown to the new town. I know all of this just sounds riveting.", "description as well (around two sentences). Then she checks into her hotel (more", "if anyone could give me some advice on how to transition from one", "But then she arrives at her destination. At first, I cut out her", "from her hometown to the new town. I know all of this just", "travels from her hometown to a different town far away. I want to", "time to give the reader a view of the kind of place she", "of place she lives in and also hint at some things that will", "at her destination. At first, I cut out her arrival and the description", "too much narrative, but when I went back and read it, it felt", "just sounds riveting. But if anyone could give me some advice on how", "actions (the train arrives, then she checks into her hotel, then she goes", "as well (around two sentences). Then she checks into her hotel (more description)", "needed that description as well (around two sentences). Then she checks into her", "I know all of this just sounds riveting. But if anyone could give", "write a novel. In the first chapter, my main character travels from her", "where the action picks up. She is by herself, so there isn't much", "hotel (more description) and runs into someone there, which is where the action", "short paragraphs. But then she arrives at her destination. At first, I cut", "it, it felt like she hadn't gone anywhere and was in the same", "her destination. At first, I cut out her arrival and the description of", "use this time to give the reader a view of the kind of", "anywhere and was in the same place, so I felt like I still", "her hometown to a different town far away. I want to use this", "to give the reader a view of the kind of place she lives", "that description as well (around two sentences). Then she checks into her hotel", "is where the action picks up. She is by herself, so there isn't", "to another without just listing the actions (the train arrives, then she checks", "and runs into someone there, which is where the action picks up. She", "etc.), but also giving the impression of a new place, that would be", "so there isn't much opportunity for dialogue during the transition from her hometown", "herself, so there isn't much opportunity for dialogue during the transition from her", "touched on later. It's about three short paragraphs. But then she arrives at", "the actions (the train arrives, then she checks into her hotel, then she", "another without just listing the actions (the train arrives, then she checks into", "the description of the new town because I was afraid it was too", "town far away. I want to use this time to give the reader", "opportunity for dialogue during the transition from her hometown to the new town.", "the transition from her hometown to the new town. I know all of", "anyone could give me some advice on how to transition from one location", "am new to writing and I am trying to a write a novel.", "I am trying to a write a novel. In the first chapter, my", "place she lives in and also hint at some things that will be", "narrative, but when I went back and read it, it felt like she", "Then she checks into her hotel (more description) and runs into someone there,", "transition from her hometown to the new town. I know all of this", "bar, etc.), but also giving the impression of a new place, that would", "I am new to writing and I am trying to a write a", "from her hometown to a different town far away. I want to use", "I cut out her arrival and the description of the new town because", "felt like I still needed that description as well (around two sentences). Then", "the same place, so I felt like I still needed that description as", "description of the new town because I was afraid it was too much", "read it, it felt like she hadn't gone anywhere and was in the", "give the reader a view of the kind of place she lives in", "At first, I cut out her arrival and the description of the new", "just listing the actions (the train arrives, then she checks into her hotel,", "a write a novel. In the first chapter, my main character travels from", "up. She is by herself, so there isn't much opportunity for dialogue during", "was too much narrative, but when I went back and read it, it", "by herself, so there isn't much opportunity for dialogue during the transition from", "in and also hint at some things that will be touched on later.", "writing and I am trying to a write a novel. In the first", "later. It's about three short paragraphs. But then she arrives at her destination.", "I felt like I still needed that description as well (around two sentences).", "but also giving the impression of a new place, that would be great.", "of the new town because I was afraid it was too much narrative,", "is by herself, so there isn't much opportunity for dialogue during the transition", "was afraid it was too much narrative, but when I went back and", "to use this time to give the reader a view of the kind", "went back and read it, it felt like she hadn't gone anywhere and", "a novel. In the first chapter, my main character travels from her hometown", "town because I was afraid it was too much narrative, but when I", "which is where the action picks up. She is by herself, so there", "of this just sounds riveting. But if anyone could give me some advice", "sounds riveting. But if anyone could give me some advice on how to", "someone there, which is where the action picks up. She is by herself,", "hotel, then she goes to the bar, etc.), but also giving the impression", "back and read it, it felt like she hadn't gone anywhere and was", "(around two sentences). Then she checks into her hotel (more description) and runs", "a view of the kind of place she lives in and also hint", "and the description of the new town because I was afraid it was", "and also hint at some things that will be touched on later. It's", "I went back and read it, it felt like she hadn't gone anywhere", "description) and runs into someone there, which is where the action picks up.", "am trying to a write a novel. In the first chapter, my main", "the reader a view of the kind of place she lives in and", "she hadn't gone anywhere and was in the same place, so I felt", "a different town far away. I want to use this time to give", "into her hotel (more description) and runs into someone there, which is where", "much narrative, but when I went back and read it, it felt like", "about three short paragraphs. But then she arrives at her destination. At first,", "chapter, my main character travels from her hometown to a different town far", "it felt like she hadn't gone anywhere and was in the same place,", "all of this just sounds riveting. But if anyone could give me some", "without just listing the actions (the train arrives, then she checks into her", "I still needed that description as well (around two sentences). Then she checks", "hadn't gone anywhere and was in the same place, so I felt like", "(the train arrives, then she checks into her hotel, then she goes to", "be touched on later. It's about three short paragraphs. But then she arrives", "character travels from her hometown to a different town far away. I want", "and was in the same place, so I felt like I still needed", "want to use this time to give the reader a view of the", "but when I went back and read it, it felt like she hadn't", "she arrives at her destination. At first, I cut out her arrival and", "was in the same place, so I felt like I still needed that", "into her hotel, then she goes to the bar, etc.), but also giving", "for dialogue during the transition from her hometown to the new town. I", "and I am trying to a write a novel. In the first chapter,", "arrives at her destination. At first, I cut out her arrival and the", "she lives in and also hint at some things that will be touched", "I want to use this time to give the reader a view of", "there, which is where the action picks up. She is by herself, so", "like she hadn't gone anywhere and was in the same place, so I", "checks into her hotel, then she goes to the bar, etc.), but also", "things that will be touched on later. It's about three short paragraphs. But", "new town. I know all of this just sounds riveting. But if anyone", "her hometown to the new town. I know all of this just sounds", "could give me some advice on how to transition from one location to", "gone anywhere and was in the same place, so I felt like I", "to a different town far away. I want to use this time to", "from one location to another without just listing the actions (the train arrives,", "the action picks up. She is by herself, so there isn't much opportunity", "new to writing and I am trying to a write a novel. In", "of the kind of place she lives in and also hint at some", "because I was afraid it was too much narrative, but when I went", "give me some advice on how to transition from one location to another", "her arrival and the description of the new town because I was afraid", "checks into her hotel (more description) and runs into someone there, which is", "know all of this just sounds riveting. But if anyone could give me", "action picks up. She is by herself, so there isn't much opportunity for", "that will be touched on later. It's about three short paragraphs. But then", "far away. I want to use this time to give the reader a", "(more description) and runs into someone there, which is where the action picks", "her hotel (more description) and runs into someone there, which is where the", "arrival and the description of the new town because I was afraid it", "some things that will be touched on later. It's about three short paragraphs.", "so I felt like I still needed that description as well (around two", "She is by herself, so there isn't much opportunity for dialogue during the", "on later. It's about three short paragraphs. But then she arrives at her", "to writing and I am trying to a write a novel. In the", "place, so I felt like I still needed that description as well (around", "to a write a novel. In the first chapter, my main character travels", "dialogue during the transition from her hometown to the new town. I know", "arrives, then she checks into her hotel, then she goes to the bar,", "riveting. But if anyone could give me some advice on how to transition", "my main character travels from her hometown to a different town far away.", "transition from one location to another without just listing the actions (the train", "the first chapter, my main character travels from her hometown to a different", "new town because I was afraid it was too much narrative, but when", "I was afraid it was too much narrative, but when I went back", "train arrives, then she checks into her hotel, then she goes to the", "first chapter, my main character travels from her hometown to a different town", "advice on how to transition from one location to another without just listing", "much opportunity for dialogue during the transition from her hometown to the new", "the new town. I know all of this just sounds riveting. But if", "one location to another without just listing the actions (the train arrives, then", "reader a view of the kind of place she lives in and also", "the bar, etc.), but also giving the impression of a new place, that", "main character travels from her hometown to a different town far away. I", "different town far away. I want to use this time to give the", "lives in and also hint at some things that will be touched on", "out her arrival and the description of the new town because I was", "and read it, it felt like she hadn't gone anywhere and was in", "two sentences). Then she checks into her hotel (more description) and runs into", "like I still needed that description as well (around two sentences). Then she", "also hint at some things that will be touched on later. It's about", "destination. At first, I cut out her arrival and the description of the", "hometown to a different town far away. I want to use this time", "goes to the bar, etc.), but also giving the impression of a new", "first, I cut out her arrival and the description of the new town", "how to transition from one location to another without just listing the actions", "into someone there, which is where the action picks up. She is by" ]
[ "free, and I have not the faintest idea if it's a rip off", "by best is, surprise, most money, though any comments anyone might have on", "provides a presumably easy route, though I must admit I still don't understand", "not make the most of any asset, not to mention I do have", "a living from it, but money is useful stuff, and it seems irresponsible", "in days gone past it has been possible to sell short fiction to", "gone past it has been possible to sell short fiction to magazines or", "and what is the best way? I know in days gone past it", "I really mean by best is, surprise, most money, though any comments anyone", "it the best way? What I really mean by best is, surprise, most", "obligatory bills to pay! I'm aware that selling ones work via Amazon/Kindle is", "how this works yet, especially when some fiction seems to be free, and", "one still make money from short fiction, and what is the best way?", "on alternative benefits to consider are welcome. It's not that I'm particularly rapacious", "best is, surprise, most money, though any comments anyone might have on alternative", "to mention I do have a mortgage as well as the usual collection", "possible, and provides a presumably easy route, though I must admit I still", "as well as the usual collection of other obligatory bills to pay! I'm", "this still possible and is it the best way? What I really mean", "I'm not trying to make a living from it, but money is useful", "selling ones work via Amazon/Kindle is possible, and provides a presumably easy route,", "still possible and is it the best way? What I really mean by", "presumably easy route, though I must admit I still don't understand exactly how", "has been possible to sell short fiction to magazines or papers, who would", "What I really mean by best is, surprise, most money, though any comments", "make money from short fiction, and what is the best way? I know", "of any asset, not to mention I do have a mortgage as well", "understand exactly how this works yet, especially when some fiction seems to be", "really mean by best is, surprise, most money, though any comments anyone might", "still make money from short fiction, and what is the best way? I", "such, but is this still possible and is it the best way? What", "it has been possible to sell short fiction to magazines or papers, who", "work via Amazon/Kindle is possible, and provides a presumably easy route, though I", "to consider are welcome. It's not that I'm particularly rapacious or anything, and", "have on alternative benefits to consider are welcome. It's not that I'm particularly", "to make a living from it, but money is useful stuff, and it", "from it, but money is useful stuff, and it seems irresponsible to not", "what is the best way? I know in days gone past it has", "is it the best way? What I really mean by best is, surprise,", "anyone might have on alternative benefits to consider are welcome. It's not that", "though I must admit I still don't understand exactly how this works yet,", "the usual collection of other obligatory bills to pay! I'm aware that selling", "money is useful stuff, and it seems irresponsible to not make the most", "papers, who would pay per word, or some such, but is this still", "seems irresponsible to not make the most of any asset, not to mention", "fiction to magazines or papers, who would pay per word, or some such,", "anything, and I'm not trying to make a living from it, but money", "is this still possible and is it the best way? What I really", "way? I know in days gone past it has been possible to sell", "alternative benefits to consider are welcome. It's not that I'm particularly rapacious or", "to sell short fiction to magazines or papers, who would pay per word,", "to be free, and I have not the faintest idea if it's a", "might have on alternative benefits to consider are welcome. It's not that I'm", "have a mortgage as well as the usual collection of other obligatory bills", "is the best way? I know in days gone past it has been", "the most of any asset, not to mention I do have a mortgage", "would pay per word, or some such, but is this still possible and", "or some such, but is this still possible and is it the best", "any comments anyone might have on alternative benefits to consider are welcome. It's", "money from short fiction, and what is the best way? I know in", "that I'm particularly rapacious or anything, and I'm not trying to make a", "possible to sell short fiction to magazines or papers, who would pay per", "short fiction to magazines or papers, who would pay per word, or some", "short fiction, and what is the best way? I know in days gone", "the best way? What I really mean by best is, surprise, most money,", "asset, not to mention I do have a mortgage as well as the", "fiction, and what is the best way? I know in days gone past", "pay per word, or some such, but is this still possible and is", "way? What I really mean by best is, surprise, most money, though any", "some fiction seems to be free, and I have not the faintest idea", "trying to make a living from it, but money is useful stuff, and", "to not make the most of any asset, not to mention I do", "best way? What I really mean by best is, surprise, most money, though", "irresponsible to not make the most of any asset, not to mention I", "ones work via Amazon/Kindle is possible, and provides a presumably easy route, though", "especially when some fiction seems to be free, and I have not the", "I must admit I still don't understand exactly how this works yet, especially", "mean by best is, surprise, most money, though any comments anyone might have", "who would pay per word, or some such, but is this still possible", "It's not that I'm particularly rapacious or anything, and I'm not trying to", "a mortgage as well as the usual collection of other obligatory bills to", "be free, and I have not the faintest idea if it's a rip", "make a living from it, but money is useful stuff, and it seems", "but money is useful stuff, and it seems irresponsible to not make the", "other obligatory bills to pay! I'm aware that selling ones work via Amazon/Kindle", "a presumably easy route, though I must admit I still don't understand exactly", "of other obligatory bills to pay! I'm aware that selling ones work via", "to magazines or papers, who would pay per word, or some such, but", "useful stuff, and it seems irresponsible to not make the most of any", "pay! I'm aware that selling ones work via Amazon/Kindle is possible, and provides", "this works yet, especially when some fiction seems to be free, and I", "make the most of any asset, not to mention I do have a", "usual collection of other obligatory bills to pay! I'm aware that selling ones", "are welcome. It's not that I'm particularly rapacious or anything, and I'm not", "rapacious or anything, and I'm not trying to make a living from it,", "Amazon/Kindle is possible, and provides a presumably easy route, though I must admit", "seems to be free, and I have not the faintest idea if it's", "welcome. It's not that I'm particularly rapacious or anything, and I'm not trying", "and it seems irresponsible to not make the most of any asset, not", "I have not the faintest idea if it's a rip off for the", "word, or some such, but is this still possible and is it the", "been possible to sell short fiction to magazines or papers, who would pay", "and provides a presumably easy route, though I must admit I still don't", "I know in days gone past it has been possible to sell short", "yet, especially when some fiction seems to be free, and I have not", "or papers, who would pay per word, or some such, but is this", "possible and is it the best way? What I really mean by best", "that selling ones work via Amazon/Kindle is possible, and provides a presumably easy", "not that I'm particularly rapacious or anything, and I'm not trying to make", "exactly how this works yet, especially when some fiction seems to be free,", "and I'm not trying to make a living from it, but money is", "is, surprise, most money, though any comments anyone might have on alternative benefits", "benefits to consider are welcome. It's not that I'm particularly rapacious or anything,", "some such, but is this still possible and is it the best way?", "but is this still possible and is it the best way? What I", "is useful stuff, and it seems irresponsible to not make the most of", "not to mention I do have a mortgage as well as the usual", "know in days gone past it has been possible to sell short fiction", "route, though I must admit I still don't understand exactly how this works", "must admit I still don't understand exactly how this works yet, especially when", "still don't understand exactly how this works yet, especially when some fiction seems", "surprise, most money, though any comments anyone might have on alternative benefits to", "though any comments anyone might have on alternative benefits to consider are welcome.", "via Amazon/Kindle is possible, and provides a presumably easy route, though I must", "most of any asset, not to mention I do have a mortgage as", "the best way? I know in days gone past it has been possible", "not trying to make a living from it, but money is useful stuff,", "have not the faintest idea if it's a rip off for the author.", "it seems irresponsible to not make the most of any asset, not to", "do have a mortgage as well as the usual collection of other obligatory", "when some fiction seems to be free, and I have not the faintest", "money, though any comments anyone might have on alternative benefits to consider are", "is possible, and provides a presumably easy route, though I must admit I", "mention I do have a mortgage as well as the usual collection of", "and I have not the faintest idea if it's a rip off for", "best way? I know in days gone past it has been possible to", "per word, or some such, but is this still possible and is it", "admit I still don't understand exactly how this works yet, especially when some", "from short fiction, and what is the best way? I know in days", "and is it the best way? What I really mean by best is,", "aware that selling ones work via Amazon/Kindle is possible, and provides a presumably", "or anything, and I'm not trying to make a living from it, but", "as the usual collection of other obligatory bills to pay! I'm aware that", "easy route, though I must admit I still don't understand exactly how this", "living from it, but money is useful stuff, and it seems irresponsible to", "I'm particularly rapacious or anything, and I'm not trying to make a living", "mortgage as well as the usual collection of other obligatory bills to pay!", "to pay! I'm aware that selling ones work via Amazon/Kindle is possible, and", "collection of other obligatory bills to pay! I'm aware that selling ones work", "Can one still make money from short fiction, and what is the best", "any asset, not to mention I do have a mortgage as well as", "I'm aware that selling ones work via Amazon/Kindle is possible, and provides a", "days gone past it has been possible to sell short fiction to magazines", "fiction seems to be free, and I have not the faintest idea if", "most money, though any comments anyone might have on alternative benefits to consider", "I still don't understand exactly how this works yet, especially when some fiction", "it, but money is useful stuff, and it seems irresponsible to not make", "comments anyone might have on alternative benefits to consider are welcome. It's not", "don't understand exactly how this works yet, especially when some fiction seems to", "bills to pay! I'm aware that selling ones work via Amazon/Kindle is possible,", "sell short fiction to magazines or papers, who would pay per word, or", "I do have a mortgage as well as the usual collection of other", "past it has been possible to sell short fiction to magazines or papers,", "magazines or papers, who would pay per word, or some such, but is", "particularly rapacious or anything, and I'm not trying to make a living from", "well as the usual collection of other obligatory bills to pay! I'm aware", "consider are welcome. It's not that I'm particularly rapacious or anything, and I'm", "works yet, especially when some fiction seems to be free, and I have", "stuff, and it seems irresponsible to not make the most of any asset," ]
[ "the middle of the story, and let's say I'd like to foreshadow his", "hints here and there, what should I avoid when dropping hints about the", "character to die in the middle of the story, and let's say I'd", "a few hints here and there, what should I avoid when dropping hints", "foreshadow his death by dropping a few hints here and there, what should", "in the middle of the story, and let's say I'd like to foreshadow", "his death by dropping a few hints here and there, what should I", "of the story, and let's say I'd like to foreshadow his death by", "a character to die in the middle of the story, and let's say", "few hints here and there, what should I avoid when dropping hints about", "let's say I'd like to foreshadow his death by dropping a few hints", "and let's say I'd like to foreshadow his death by dropping a few", "say I'd like to foreshadow his death by dropping a few hints here", "example, I plan for a character to die in the middle of the", "by dropping a few hints here and there, what should I avoid when", "for example, I plan for a character to die in the middle of", "like to foreshadow his death by dropping a few hints here and there,", "dropping a few hints here and there, what should I avoid when dropping", "the story, and let's say I'd like to foreshadow his death by dropping", "If, for example, I plan for a character to die in the middle", "to die in the middle of the story, and let's say I'd like", "here and there, what should I avoid when dropping hints about the approaching", "die in the middle of the story, and let's say I'd like to", "story, and let's say I'd like to foreshadow his death by dropping a", "death by dropping a few hints here and there, what should I avoid", "middle of the story, and let's say I'd like to foreshadow his death", "and there, what should I avoid when dropping hints about the approaching death?", "I plan for a character to die in the middle of the story,", "plan for a character to die in the middle of the story, and", "to foreshadow his death by dropping a few hints here and there, what", "for a character to die in the middle of the story, and let's", "I'd like to foreshadow his death by dropping a few hints here and" ]
[ "weight of his pack. You're never going to make it to the summit,", "example Zotn strained under the weight of his pack. I'll never make to", "in third person. When writing internal dialog, should I use first person or", "under the weight of his pack. You're never going to make it to", "I use first person or second person? Does it matter? Should I be", "the weight of his pack. I'll never make to to the summit. I", "going to make it to the summit, Zotnny. You can't keep this up.", "of his pack. I'll never make to to the summit. I just can't", "keep this up.* vs. Zotn strained under the weight of his pack. You're", "to to the summit. I just can't keep this up. vs. Zotn strained", "internal dialog, should I use first person or second person? Does it matter?", "of his pack. You're never going to make it to the summit, Zotnny.", "summit. I just can't keep this up. vs. Zotn strained under the weight", "can't keep this up.* vs. Zotn strained under the weight of his pack.", "writing internal dialog, should I use first person or second person? Does it", "should I use first person or second person? Does it matter? Should I", "matter? Should I be consistent in the entire story? Should I be consistent", "in the entire story? Should I be consistent for a given character in", "consistent for a given character in the entire story? Here is the specific", "person. When writing internal dialog, should I use first person or second person?", "the entire story? Here is the specific example Zotn strained under the weight", "story? Should I be consistent for a given character in the entire story?", "given character* in the entire story? Here is the specific example Zotn strained", "the specific example Zotn strained under the weight of his pack. I'll never", "I'll never make to to the summit. I just can't keep this up.", "consistent in the entire story? Should I be consistent for a given character", "specific example Zotn strained under the weight of his pack. I'll never make", "a story in third person. When writing internal dialog, should I use first", "second person? Does it matter? Should I be consistent in the entire story?", "never make to to the summit. I just can't keep this up.* vs.", "You're never going to make it to the summit, Zotnny. You can't keep", "entire story? Should I be consistent for a given character* in the entire", "never going to make it to the summit, Zotnny. You can't keep this", "person or second person? Does it matter? Should I be consistent in the", "use first person or second person? Does it matter? Should I be consistent", "Here is the specific example Zotn strained under the weight of his pack.", "dialog, should I use first person or second person? Does it matter? Should", "story in third person. When writing internal dialog, should I use first person", "for a given character in the entire story? Here is the specific example", "up.* vs. Zotn strained under the weight of his pack. You're never going", "strained under the weight of his pack. I'll never make to to the", "Zotn strained under the weight of his pack. You're never going to make", "the entire story? Should I be consistent for a given character* in the", "be consistent in the entire story? Should I be consistent for a given", "character in the entire story? Here is the specific example Zotn strained under", "pack. You're never going to make it to the summit, Zotnny. You can't", "writing a story in third person. When writing internal dialog, should I use", "his pack. You're never going to make it to the summit, Zotnny. You", "pack. I'll never make to to the summit. I just can't keep this", "person? Does it matter? Should I be consistent in the entire story? Should", "I be consistent in the entire story? Should I be consistent for a", "this up.* vs. Zotn strained under the weight of his pack. You're never", "I be consistent for a given character* in the entire story? Here is", "first person or second person? Does it matter? Should I be consistent in", "under the weight of his pack. I'll never make to to the summit.", "I just can't keep this up. vs. Zotn strained under the weight of", "is the specific example Zotn strained under the weight of his pack. I'll", "to the summit. I just can't keep this up. vs. Zotn strained under", "his pack. I'll never make to to the summit. I just can't keep", "the weight of his pack. You're never going to make it to the", "vs. Zotn strained under the weight of his pack. You're never going to", "I'm writing a story in third person. When writing internal dialog, should I", "Should I be consistent in the entire story? Should I be consistent for", "be consistent for a given character in the entire story? Here is the", "When writing internal dialog, should I use first person or second person? Does", "Should I be consistent for a given character in the entire story? Here", "in the entire story? Here is the specific example Zotn strained under the", "make to to the summit. I just can't keep this up.* vs. Zotn", "or second person? Does it matter? Should I be consistent in the entire", "entire story? Here is the specific example Zotn strained under the weight of", "the summit. I just can't keep this up.* vs. Zotn strained under the", "Does it matter? Should I be consistent in the entire story? Should I", "weight of his pack. I'll never make to to the summit. I just", "third person. When writing internal dialog, should I use first person or second", "just can't keep this up. vs. Zotn strained under the weight of his", "a given character* in the entire story? Here is the specific example Zotn", "story? Here is the specific example Zotn strained under the weight of his", "strained under the weight of his pack. You're never going to make it", "Zotn strained under the weight of his pack. I'll never make to to", "it matter? Should I be consistent in the entire story? Should I be" ]
[ "from my regular revenue and having my own bank account just for any", "revenue as well as website or book-related expenses. Has anyone else done this", "to self publish for the first time. Is it common to create a", "common to create a registered company when you self publish? I like the", "self publish? I like the idea of separating my book revenue from my", "the first time. Is it common to create a registered company when you", "and having my own bank account just for any book revenue as well", "self publish for the first time. Is it common to create a registered", "first time. Is it common to create a registered company when you self", "publish? I like the idea of separating my book revenue from my regular", "Is it common to create a registered company when you self publish? I", "revenue from my regular revenue and having my own bank account just for", "account just for any book revenue as well as website or book-related expenses.", "having my own bank account just for any book revenue as well as", "I am about to self publish for the first time. Is it common", "a registered company when you self publish? I like the idea of separating", "I like the idea of separating my book revenue from my regular revenue", "idea of separating my book revenue from my regular revenue and having my", "registered company when you self publish? I like the idea of separating my", "well as website or book-related expenses. Has anyone else done this when self", "as well as website or book-related expenses. Has anyone else done this when", "you self publish? I like the idea of separating my book revenue from", "separating my book revenue from my regular revenue and having my own bank", "book revenue as well as website or book-related expenses. Has anyone else done", "am about to self publish for the first time. Is it common to", "my own bank account just for any book revenue as well as website", "for any book revenue as well as website or book-related expenses. Has anyone", "revenue and having my own bank account just for any book revenue as", "when you self publish? I like the idea of separating my book revenue", "like the idea of separating my book revenue from my regular revenue and", "time. Is it common to create a registered company when you self publish?", "the idea of separating my book revenue from my regular revenue and having", "own bank account just for any book revenue as well as website or", "of separating my book revenue from my regular revenue and having my own", "regular revenue and having my own bank account just for any book revenue", "company when you self publish? I like the idea of separating my book", "bank account just for any book revenue as well as website or book-related", "about to self publish for the first time. Is it common to create", "to create a registered company when you self publish? I like the idea", "any book revenue as well as website or book-related expenses. Has anyone else", "for the first time. Is it common to create a registered company when", "my regular revenue and having my own bank account just for any book", "just for any book revenue as well as website or book-related expenses. Has", "it common to create a registered company when you self publish? I like", "as website or book-related expenses. Has anyone else done this when self publishing?", "book revenue from my regular revenue and having my own bank account just", "publish for the first time. Is it common to create a registered company", "create a registered company when you self publish? I like the idea of", "my book revenue from my regular revenue and having my own bank account" ]
[ "the same region have similar enough names (Hiraku, Ayumu and Daiche all live", "I chose don't sound forced, (Nikolas and Katherine are two of my leads),", "Rule\" which means literally every character has a meaningful name, and the writers", "my reader will become irritated? I am familiar with a work that specifically", "have names from different cultures, several names represent their roll in the story", "in everything, but I just want to know when. Many of the names", "I'm naming characters for my fantasy story, and so far many of them", "etc. My question is, can it become inappropriate after a while? I know", "names represent their roll in the story or draw parallels from mythology or", "is, can it become inappropriate after a while? I know there's moderation in", "a meaningful name, and the writers pull it off very well, partially because", "country) to not sound clunky. But is there a point where my reader", "will become irritated? I am familiar with a work that specifically has a", "roll in the story or draw parallels from mythology or literature, etc. My", "my leads), and characters from the same region have similar enough names (Hiraku,", "off very well, partially because they have an in-universe excuse, which I don't", "forced, (Nikolas and Katherine are two of my leads), and characters from the", "from the same region have similar enough names (Hiraku, Ayumu and Daiche all", "chose don't sound forced, (Nikolas and Katherine are two of my leads), and", "same region have similar enough names (Hiraku, Ayumu and Daiche all live in", "and Katherine are two of my leads), and characters from the same region", "of them have nmes that mean something. Characters from different regions have names", "there's moderation in everything, but I just want to know when. Many of", "that mean something. Characters from different regions have names from different cultures, several", "same country) to not sound clunky. But is there a point where my", "several names represent their roll in the story or draw parallels from mythology", "work that specifically has a \"Color Naming Rule\" which means literally every character", "because they have an in-universe excuse, which I don't have. This is just", "become inappropriate after a while? I know there's moderation in everything, but I", "similar enough names (Hiraku, Ayumu and Daiche all live in the same country)", "different regions have names from different cultures, several names represent their roll in", "the story or draw parallels from mythology or literature, etc. My question is,", "two of my leads), and characters from the same region have similar enough", "Daiche all live in the same country) to not sound clunky. But is", "which I don't have. This is just something that's been bugging me, can", "story, and so far many of them have nmes that mean something. Characters", "(Hiraku, Ayumu and Daiche all live in the same country) to not sound", "just want to know when. Many of the names I chose don't sound", "literature, etc. My question is, can it become inappropriate after a while? I", "region have similar enough names (Hiraku, Ayumu and Daiche all live in the", "different cultures, several names represent their roll in the story or draw parallels", "partially because they have an in-universe excuse, which I don't have. This is", "but I just want to know when. Many of the names I chose", "know there's moderation in everything, but I just want to know when. Many", "an in-universe excuse, which I don't have. This is just something that's been", "from different cultures, several names represent their roll in the story or draw", "characters for my fantasy story, and so far many of them have nmes", "and so far many of them have nmes that mean something. Characters from", "sound forced, (Nikolas and Katherine are two of my leads), and characters from", "names (Hiraku, Ayumu and Daiche all live in the same country) to not", "the same country) to not sound clunky. But is there a point where", "fantasy story, and so far many of them have nmes that mean something.", "point where my reader will become irritated? I am familiar with a work", "while? I know there's moderation in everything, but I just want to know", "writers pull it off very well, partially because they have an in-universe excuse,", "nmes that mean something. Characters from different regions have names from different cultures,", "means literally every character has a meaningful name, and the writers pull it", "for my fantasy story, and so far many of them have nmes that", "Naming Rule\" which means literally every character has a meaningful name, and the", "literally every character has a meaningful name, and the writers pull it off", "leads), and characters from the same region have similar enough names (Hiraku, Ayumu", "a point where my reader will become irritated? I am familiar with a", "with a work that specifically has a \"Color Naming Rule\" which means literally", "when. Many of the names I chose don't sound forced, (Nikolas and Katherine", "has a meaningful name, and the writers pull it off very well, partially", "names from different cultures, several names represent their roll in the story or", "am familiar with a work that specifically has a \"Color Naming Rule\" which", "mean something. Characters from different regions have names from different cultures, several names", "well, partially because they have an in-universe excuse, which I don't have. This", "have an in-universe excuse, which I don't have. This is just something that's", "their roll in the story or draw parallels from mythology or literature, etc.", "from mythology or literature, etc. My question is, can it become inappropriate after", "cultures, several names represent their roll in the story or draw parallels from", "character has a meaningful name, and the writers pull it off very well,", "and the writers pull it off very well, partially because they have an", "the writers pull it off very well, partially because they have an in-universe", "I just want to know when. Many of the names I chose don't", "story or draw parallels from mythology or literature, etc. My question is, can", "of my leads), and characters from the same region have similar enough names", "many of them have nmes that mean something. Characters from different regions have", "the names I chose don't sound forced, (Nikolas and Katherine are two of", "don't sound forced, (Nikolas and Katherine are two of my leads), and characters", "far many of them have nmes that mean something. Characters from different regions", "Characters from different regions have names from different cultures, several names represent their", "represent their roll in the story or draw parallels from mythology or literature,", "I know there's moderation in everything, but I just want to know when.", "which means literally every character has a meaningful name, and the writers pull", "parallels from mythology or literature, etc. My question is, can it become inappropriate", "This is just something that's been bugging me, can I get some help?", "in-universe excuse, which I don't have. This is just something that's been bugging", "But is there a point where my reader will become irritated? I am", "very well, partially because they have an in-universe excuse, which I don't have.", "so far many of them have nmes that mean something. Characters from different", "have similar enough names (Hiraku, Ayumu and Daiche all live in the same", "characters from the same region have similar enough names (Hiraku, Ayumu and Daiche", "inappropriate after a while? I know there's moderation in everything, but I just", "specifically has a \"Color Naming Rule\" which means literally every character has a", "every character has a meaningful name, and the writers pull it off very", "(Nikolas and Katherine are two of my leads), and characters from the same", "all live in the same country) to not sound clunky. But is there", "know when. Many of the names I chose don't sound forced, (Nikolas and", "them have nmes that mean something. Characters from different regions have names from", "naming characters for my fantasy story, and so far many of them have", "meaningful name, and the writers pull it off very well, partially because they", "or literature, etc. My question is, can it become inappropriate after a while?", "a \"Color Naming Rule\" which means literally every character has a meaningful name,", "live in the same country) to not sound clunky. But is there a", "Katherine are two of my leads), and characters from the same region have", "of the names I chose don't sound forced, (Nikolas and Katherine are two", "are two of my leads), and characters from the same region have similar", "I don't have. This is just something that's been bugging me, can I", "regions have names from different cultures, several names represent their roll in the", "to know when. Many of the names I chose don't sound forced, (Nikolas", "draw parallels from mythology or literature, etc. My question is, can it become", "My question is, can it become inappropriate after a while? I know there's", "to not sound clunky. But is there a point where my reader will", "have nmes that mean something. Characters from different regions have names from different", "reader will become irritated? I am familiar with a work that specifically has", "everything, but I just want to know when. Many of the names I", "and characters from the same region have similar enough names (Hiraku, Ayumu and", "a work that specifically has a \"Color Naming Rule\" which means literally every", "after a while? I know there's moderation in everything, but I just want", "sound clunky. But is there a point where my reader will become irritated?", "where my reader will become irritated? I am familiar with a work that", "it become inappropriate after a while? I know there's moderation in everything, but", "\"Color Naming Rule\" which means literally every character has a meaningful name, and", "and Daiche all live in the same country) to not sound clunky. But", "has a \"Color Naming Rule\" which means literally every character has a meaningful", "my fantasy story, and so far many of them have nmes that mean", "I am familiar with a work that specifically has a \"Color Naming Rule\"", "names I chose don't sound forced, (Nikolas and Katherine are two of my", "there a point where my reader will become irritated? I am familiar with", "can it become inappropriate after a while? I know there's moderation in everything,", "is there a point where my reader will become irritated? I am familiar", "have. This is just something that's been bugging me, can I get some", "familiar with a work that specifically has a \"Color Naming Rule\" which means", "that specifically has a \"Color Naming Rule\" which means literally every character has", "enough names (Hiraku, Ayumu and Daiche all live in the same country) to", "don't have. This is just something that's been bugging me, can I get", "in the same country) to not sound clunky. But is there a point", "name, and the writers pull it off very well, partially because they have", "Ayumu and Daiche all live in the same country) to not sound clunky.", "or draw parallels from mythology or literature, etc. My question is, can it", "something. Characters from different regions have names from different cultures, several names represent", "from different regions have names from different cultures, several names represent their roll", "a while? I know there's moderation in everything, but I just want to", "it off very well, partially because they have an in-universe excuse, which I", "excuse, which I don't have. This is just something that's been bugging me,", "clunky. But is there a point where my reader will become irritated? I", "they have an in-universe excuse, which I don't have. This is just something", "become irritated? I am familiar with a work that specifically has a \"Color", "Many of the names I chose don't sound forced, (Nikolas and Katherine are", "question is, can it become inappropriate after a while? I know there's moderation", "pull it off very well, partially because they have an in-universe excuse, which", "want to know when. Many of the names I chose don't sound forced,", "irritated? I am familiar with a work that specifically has a \"Color Naming", "mythology or literature, etc. My question is, can it become inappropriate after a", "in the story or draw parallels from mythology or literature, etc. My question", "not sound clunky. But is there a point where my reader will become", "moderation in everything, but I just want to know when. Many of the" ]
[ "the perfect marriage. That is until... > > > Similar question: My book", "perfect marriage. That is until... > > > or: > > Anne thought", "novel and it's written in the first person. Does that mean that the", "currently writing the text for my book jacket. My book is a novel", "the perfect marriage. That is until... > > > or: > > Anne", "my book jacket. My book is a novel and it's written in the", "first person, or does it not matter? Is the jacket copy supposed to", "past? Are there generally accepted conventions about these things or can writers pretty", "> > Anne thought she had the perfect marriage. That is until... >", "for my book jacket. My book is a novel and it's written in", "the jacket copy supposed to reflect the narrative POV of the book? For", "had the perfect marriage. That is until... > > > or: > >", "jacket text or can I write it in the past? Are there generally", "first person. Does that mean that the text on my book jacket should", "text for my book jacket. My book is a novel and it's written", "copy supposed to reflect the narrative POV of the book? For example, should", "> > > Similar question: My book is written in the present tense.", "my book jacket should also be in the first person, or does it", "the text for my book jacket. My book is a novel and it's", "I thought I had the perfect marriage. That is until... > > >", "or does it not matter? Is the jacket copy supposed to reflect the", "I had the perfect marriage. That is until... > > > or: >", "marriage. That is until... > > > or: > > Anne thought she", "is until... > > > or: > > Anne thought she had the", "I write it in the past? Are there generally accepted conventions about these", "present tense. Do I have to reflect that in the jacket text or", "Does that mean that the text on my book jacket should also be", "should also be in the first person, or does it not matter? Is", "the first person. Does that mean that the text on my book jacket", "book? For example, should I write: > > I thought I had the", "> > or: > > Anne thought she had the perfect marriage. That", "or can I write it in the past? Are there generally accepted conventions", "the past? Are there generally accepted conventions about these things or can writers", "have to reflect that in the jacket text or can I write it", "That is until... > > > Similar question: My book is written in", "in the jacket text or can I write it in the past? Are", "> I thought I had the perfect marriage. That is until... > >", "book is written in the present tense. Do I have to reflect that", "book is a novel and it's written in the first person. Does that", "of the book? For example, should I write: > > I thought I", "generally accepted conventions about these things or can writers pretty much do what", "person, or does it not matter? Is the jacket copy supposed to reflect", "write: > > I thought I had the perfect marriage. That is until...", "had the perfect marriage. That is until... > > > Similar question: My", "the text on my book jacket should also be in the first person,", "Is the jacket copy supposed to reflect the narrative POV of the book?", "I write: > > I thought I had the perfect marriage. That is", "in the past? Are there generally accepted conventions about these things or can", "thought I had the perfect marriage. That is until... > > > or:", "does it not matter? Is the jacket copy supposed to reflect the narrative", "or: > > Anne thought she had the perfect marriage. That is until...", "POV of the book? For example, should I write: > > I thought", "For example, should I write: > > I thought I had the perfect", "Similar question: My book is written in the present tense. Do I have", "it's written in the first person. Does that mean that the text on", "jacket. My book is a novel and it's written in the first person.", "that in the jacket text or can I write it in the past?", "> or: > > Anne thought she had the perfect marriage. That is", "until... > > > Similar question: My book is written in the present", "not matter? Is the jacket copy supposed to reflect the narrative POV of", "the narrative POV of the book? For example, should I write: > >", "in the first person, or does it not matter? Is the jacket copy", "thought she had the perfect marriage. That is until... > > > Similar", "is written in the present tense. Do I have to reflect that in", "there generally accepted conventions about these things or can writers pretty much do", "person. Does that mean that the text on my book jacket should also", "conventions about these things or can writers pretty much do what they want?", "> > Similar question: My book is written in the present tense. Do", "to reflect that in the jacket text or can I write it in", "marriage. That is until... > > > Similar question: My book is written", "the present tense. Do I have to reflect that in the jacket text", "is until... > > > Similar question: My book is written in the", "written in the first person. Does that mean that the text on my", "My book is written in the present tense. Do I have to reflect", "> > I thought I had the perfect marriage. That is until... >", "tense. Do I have to reflect that in the jacket text or can", "in the first person. Does that mean that the text on my book", "> Similar question: My book is written in the present tense. Do I", "the first person, or does it not matter? Is the jacket copy supposed", "accepted conventions about these things or can writers pretty much do what they", "be in the first person, or does it not matter? Is the jacket", "> Anne thought she had the perfect marriage. That is until... > >", "can I write it in the past? Are there generally accepted conventions about", "text on my book jacket should also be in the first person, or", "am currently writing the text for my book jacket. My book is a", "she had the perfect marriage. That is until... > > > Similar question:", "the jacket text or can I write it in the past? Are there", "that mean that the text on my book jacket should also be in", "book jacket should also be in the first person, or does it not", "book jacket. My book is a novel and it's written in the first", "Do I have to reflect that in the jacket text or can I", "write it in the past? Are there generally accepted conventions about these things", "That is until... > > > or: > > Anne thought she had", "jacket should also be in the first person, or does it not matter?", "text or can I write it in the past? Are there generally accepted", "the book? For example, should I write: > > I thought I had", "is a novel and it's written in the first person. Does that mean", "written in the present tense. Do I have to reflect that in the", "narrative POV of the book? For example, should I write: > > I", "also be in the first person, or does it not matter? Is the", "I have to reflect that in the jacket text or can I write", "I am currently writing the text for my book jacket. My book is", "> > > or: > > Anne thought she had the perfect marriage.", "to reflect the narrative POV of the book? For example, should I write:", "matter? Is the jacket copy supposed to reflect the narrative POV of the", "example, should I write: > > I thought I had the perfect marriage.", "that the text on my book jacket should also be in the first", "mean that the text on my book jacket should also be in the", "should I write: > > I thought I had the perfect marriage. That", "it in the past? Are there generally accepted conventions about these things or", "it not matter? Is the jacket copy supposed to reflect the narrative POV", "My book is a novel and it's written in the first person. Does", "writing the text for my book jacket. My book is a novel and", "question: My book is written in the present tense. Do I have to", "a novel and it's written in the first person. Does that mean that", "reflect that in the jacket text or can I write it in the", "perfect marriage. That is until... > > > Similar question: My book is", "supposed to reflect the narrative POV of the book? For example, should I", "Anne thought she had the perfect marriage. That is until... > > >", "Are there generally accepted conventions about these things or can writers pretty much", "reflect the narrative POV of the book? For example, should I write: >", "jacket copy supposed to reflect the narrative POV of the book? For example,", "in the present tense. Do I have to reflect that in the jacket", "and it's written in the first person. Does that mean that the text", "on my book jacket should also be in the first person, or does", "until... > > > or: > > Anne thought she had the perfect" ]
[ "any ways that I can keep a full chapter set in a jail", "However, after now planning the close of my story around what occurs in", "thought were good/ had interesting elements? --- Note: In the story it is", "extended period of time, antagonized by others and also made to feel powerless.", "sure if this is a personal dislike or if it is something that", "other chapters are seeing a constant progression of story/ settings etc. Are there", "of the story (even when it doesn't, for example when there is character", "imprisoned that you thought were good/ had interesting elements? --- Note: In the", "happen. However, after now planning the close of my story around what occurs", "plot moves forward somehow within the jail). Being trapped in a single location", "and it has actually been interesting and engaging. I'm not sure why this", "not an option, as this was the only way that I could think", "assume that it is because it feels like it halts the flow of", "for this character development to happen. However, after now planning the close of", "broken up between chapters that progress the story with different characters elsewhere. I", "character has been captured/ imprisoned that you thought were good/ had interesting elements?", "is something that others also consider to be an issue. I've read plenty", "doesn't, for example when there is character development or the plot moves forward", "climax of my story it would be ideal if I didn't have to", "made to feel powerless. Therefore a jail cell seemed to be the perfect", "it is because it feels like it halts the flow of the story", "or chapters from the POV of a captor/ jailer that I consider good,", "why this is, because it happens in even exceptional books that are otherwise", "prison, so the character is the first & only prisoner, therefore adding other", "I have read a full chapter from the perspective of a character who", "chapters with one of my main characters in a jail cell. It's important", "way that I can make these chapters good using this set up then", "it would be ideal if I didn't have to change the narrative too", "set in a jail cell interesting? Sub-question: Are there any examples of similar", "if this is a personal dislike or if it is something that others", "of enhancing the story. If it turns out that there is no way", "is the first & only prisoner, therefore adding other characters who are prisoners", "progress the story with different characters elsewhere. I would assume that it is", "way that I could think of enhancing the story. If it turns out", "this is, because it happens in even exceptional books that are otherwise flawless.", "first & only prisoner, therefore adding other characters who are prisoners is unfortunately", "has just occurred to me that in all of the books I have", "chore to read these sections, even if they are broken up between chapters", "like it halts the flow of the story (even when it doesn't, for", "in a single location feels unnatural to any narrative, particularly when other chapters", "of a character who has been captured/ imprisoned and it has actually been", "in a jail cell interesting?** Sub-question: Are there any examples of similar chapters", "story it is a new prison, so the character is the first &", "are prisoners is unfortunately not an option, as this was the only way", "if they are broken up between chapters that progress the story with different", "to any narrative, particularly when other chapters are seeing a constant progression of", "jailer that I consider good, but when it is 1 or 2 full", "I can't think of a single time I have read a full chapter", "my story it would be ideal if I didn't have to change the", "period of time, antagonized by others and also made to feel powerless. Therefore", "is unfortunately not an option, as this was the only way that I", "these sections, even if they are broken up between chapters that progress the", "the story (even when it doesn't, for example when there is character development", "POV of a captor/ jailer that I consider good, but when it is", "I would assume that it is because it feels like it halts the", "a new prison, so the character is the first & only prisoner, therefore", "the close of my story around what occurs in this section of the", "it has actually been interesting and engaging. I'm not sure why this is,", "up between chapters that progress the story with different characters elsewhere. I would", "a full chapter set in a jail cell interesting?** Sub-question: Are there any", "occurred to me that in all of the books I have ever read,", "a jail cell seemed to be the perfect location for this character development", "a jail cell. It's important to the character development that he is isolated", "to the character development that he is isolated for an extended period of", "story it would be ideal if I didn't have to change the narrative", "a jail cell interesting?** Sub-question: Are there any examples of similar chapters where", "using this set up then I am willing to change them, but as", "that I can keep a full chapter set in a jail cell interesting?*", "Sub-question:* Are there any examples of similar chapters where the POV character has", "antagonized by others and also made to feel powerless. Therefore a jail cell", "close of my story around what occurs in this section of the narrative,", "I'm attempting to write one or two chapters with one of my main", "imprisoned and it has actually been interesting and engaging. I'm not sure why", "am willing to change them, but as it would mean me changing how", "somehow within the jail). Being trapped in a single location feels unnatural to", "with different characters elsewhere. I would assume that it is because it feels", "were good/ had interesting elements? --- Note: In the story it is a", "who has been captured/ imprisoned and it has actually been interesting and engaging.", "been captured/ imprisoned that you thought were good/ had interesting elements? --- Note:", "between chapters that progress the story with different characters elsewhere. I would assume", "it happens in even exceptional books that are otherwise flawless. I'm not sure", "that there is no way that I can make these chapters good using", "in even exceptional books that are otherwise flawless. I'm not sure if this", "good/ had interesting elements? --- Note: In the story it is a new", "actually been interesting and engaging. I'm not sure why this is, because it", "up then I am willing to change them, but as it would mean", "when it doesn't, for example when there is character development or the plot", "to me that in all of the books I have ever read, I", "two chapters with one of my main characters in a jail cell. It's", "interesting elements? --- Note: In the story it is a new prison, so", "me that in all of the books I have ever read, I can't", "within the jail). Being trapped in a single location feels unnatural to any", "this is a personal dislike or if it is something that others also", "of similar chapters where the POV character has been captured/ imprisoned that you", "ways that I can keep a full chapter set in a jail cell", "captured/ imprisoned and it has actually been interesting and engaging. I'm not sure", "part-chapters, or chapters from the POV of a captor/ jailer that I consider", "is a personal dislike or if it is something that others also consider", "of a single time I have read a full chapter from the perspective", "sure why this is, because it happens in even exceptional books that are", "a constant progression of story/ settings etc. Are there any ways that I", "that I could think of enhancing the story. If it turns out that", "or 2 full chapters written from the perspective of the prisoner it just", "issue. I've read plenty of part-chapters, or chapters from the POV of a", "forward somehow within the jail). Being trapped in a single location feels unnatural", "read, I can't think of a single time I have read a full", "story around what occurs in this section of the narrative, it has just", "the POV of a captor/ jailer that I consider good, but when it", "good, but when it is 1 or 2 full chapters written from the", "that progress the story with different characters elsewhere. I would assume that it", "that I can make these chapters good using this set up then I", "the POV character has been captured/ imprisoned that you thought were good/ had", "then I am willing to change them, but as it would mean me", "ever read, I can't think of a single time I have read a", "not sure why this is, because it happens in even exceptional books that", "when other chapters are seeing a constant progression of story/ settings etc. Are", "chapters that progress the story with different characters elsewhere. I would assume that", "feel powerless. Therefore a jail cell seemed to be the perfect location for", "only way that I could think of enhancing the story. If it turns", "(even when it doesn't, for example when there is character development or the", "is because it feels like it halts the flow of the story (even", "development to happen. However, after now planning the close of my story around", "feels unnatural to any narrative, particularly when other chapters are seeing a constant", "but when it is 1 or 2 full chapters written from the perspective", "If it turns out that there is no way that I can make", "adding other characters who are prisoners is unfortunately not an option, as this", "to happen. However, after now planning the close of my story around what", "trapped in a single location feels unnatural to any narrative, particularly when other", "to read these sections, even if they are broken up between chapters that", "I have ever read, I can't think of a single time I have", "the character development that he is isolated for an extended period of time,", "isolated for an extended period of time, antagonized by others and also made", "chapters good using this set up then I am willing to change them,", "the climax of my story it would be ideal if I didn't have", "example when there is character development or the plot moves forward somehow within", "like a chore to read these sections, even if they are broken up", "unfortunately not an option, as this was the only way that I could", "development that he is isolated for an extended period of time, antagonized by", "chapters from the POV of a captor/ jailer that I consider good, but", "in all of the books I have ever read, I can't think of", "to be an issue. I've read plenty of part-chapters, or chapters from the", "written from the perspective of the prisoner it just feels like a chore", "Note: In the story it is a new prison, so the character is", "also consider to be an issue. I've read plenty of part-chapters, or chapters", "that others also consider to be an issue. I've read plenty of part-chapters,", "section of the narrative, it has just occurred to me that in all", "from the POV of a captor/ jailer that I consider good, but when", "it is something that others also consider to be an issue. I've read", "the only way that I could think of enhancing the story. If it", "this section of the narrative, it has just occurred to me that in", "keep a full chapter set in a jail cell interesting?** Sub-question: Are there", "been captured/ imprisoned and it has actually been interesting and engaging. I'm not", "full chapters written from the perspective of the prisoner it just feels like", "story with different characters elsewhere. I would assume that it is because it", "make these chapters good using this set up then I am willing to", "I'm not sure if this is a personal dislike or if it is", "I am willing to change them, but as it would mean me changing", "when there is character development or the plot moves forward somehow within the", "me changing how I get to the climax of my story it would", "as it would mean me changing how I get to the climax of", "but as it would mean me changing how I get to the climax", "seeing a constant progression of story/ settings etc. Are there any ways that", "flow of the story (even when it doesn't, for example when there is", "a single location feels unnatural to any narrative, particularly when other chapters are", "the jail). Being trapped in a single location feels unnatural to any narrative,", "set up then I am willing to change them, but as it would", "full chapter from the perspective of a character who has been captured/ imprisoned", "can't think of a single time I have read a full chapter from", "an extended period of time, antagonized by others and also made to feel", "that are otherwise flawless. I'm not sure if this is a personal dislike", "of the narrative, it has just occurred to me that in all of", "planning the close of my story around what occurs in this section of", "perspective of the prisoner it just feels like a chore to read these", "In the story it is a new prison, so the character is the", "one of my main characters in a jail cell. It's important to the", "story (even when it doesn't, for example when there is character development or", "would assume that it is because it feels like it halts the flow", "feels like it halts the flow of the story (even when it doesn't,", "new prison, so the character is the first & only prisoner, therefore adding", "to feel powerless. Therefore a jail cell seemed to be the perfect location", "time I have read a full chapter from the perspective of a character", "who are prisoners is unfortunately not an option, as this was the only", "perfect location for this character development to happen. However, after now planning the", "changing how I get to the climax of my story it would be", "even exceptional books that are otherwise flawless. I'm not sure if this is", "is no way that I can make these chapters good using this set", "turns out that there is no way that I can make these chapters", "full chapter set in a jail cell interesting? Sub-question: Are there any examples", "is isolated for an extended period of time, antagonized by others and also", "chapter from the perspective of a character who has been captured/ imprisoned and", "it would mean me changing how I get to the climax of my", "of a captor/ jailer that I consider good, but when it is 1", "constant progression of story/ settings etc. Are there any ways that I can", "prisoner, therefore adding other characters who are prisoners is unfortunately not an option,", "of my story around what occurs in this section of the narrative, it", "jail cell seemed to be the perfect location for this character development to", "of my main characters in a jail cell. It's important to the character", "elsewhere. I would assume that it is because it feels like it halts", "would mean me changing how I get to the climax of my story", "of time, antagonized by others and also made to feel powerless. Therefore a", "the perfect location for this character development to happen. However, after now planning", "there is character development or the plot moves forward somehow within the jail).", "to be the perfect location for this character development to happen. However, after", "write one or two chapters with one of my main characters in a", "interesting? Sub-question: Are there any examples of similar chapters where the POV character", "if it is something that others also consider to be an issue. I've", "when it is 1 or 2 full chapters written from the perspective of", "even if they are broken up between chapters that progress the story with", "character is the first & only prisoner, therefore adding other characters who are", "happens in even exceptional books that are otherwise flawless. I'm not sure if", "others and also made to feel powerless. Therefore a jail cell seemed to", "feels like a chore to read these sections, even if they are broken", "location for this character development to happen. However, after now planning the close", "therefore adding other characters who are prisoners is unfortunately not an option, as", "has actually been interesting and engaging. I'm not sure why this is, because", "has been captured/ imprisoned that you thought were good/ had interesting elements? ---", "there any ways that I can keep a full chapter set in a", "one or two chapters with one of my main characters in a jail", "after now planning the close of my story around what occurs in this", "think of a single time I have read a full chapter from the", "read a full chapter from the perspective of a character who has been", "how I get to the climax of my story it would be ideal", "& only prisoner, therefore adding other characters who are prisoners is unfortunately not", "a personal dislike or if it is something that others also consider to", "cell seemed to be the perfect location for this character development to happen.", "plenty of part-chapters, or chapters from the POV of a captor/ jailer that", "it is 1 or 2 full chapters written from the perspective of the", "my main characters in a jail cell. It's important to the character development", "time, antagonized by others and also made to feel powerless. Therefore a jail", "willing to change them, but as it would mean me changing how I", "it is a new prison, so the character is the first & only", "I consider good, but when it is 1 or 2 full chapters written", "read these sections, even if they are broken up between chapters that progress", "jail cell interesting?** Sub-question: Are there any examples of similar chapters where the", "is 1 or 2 full chapters written from the perspective of the prisoner", "--- Note: In the story it is a new prison, so the character", "of the books I have ever read, I can't think of a single", "chapters where the POV character has been captured/ imprisoned that you thought were", "I've read plenty of part-chapters, or chapters from the POV of a captor/", "what occurs in this section of the narrative, it has just occurred to", "also made to feel powerless. Therefore a jail cell seemed to be the", "get to the climax of my story it would be ideal if I", "that he is isolated for an extended period of time, antagonized by others", "the story with different characters elsewhere. I would assume that it is because", "chapters written from the perspective of the prisoner it just feels like a", "attempting to write one or two chapters with one of my main characters", "characters elsewhere. I would assume that it is because it feels like it", "prisoner it just feels like a chore to read these sections, even if", "they are broken up between chapters that progress the story with different characters", "just occurred to me that in all of the books I have ever", "single time I have read a full chapter from the perspective of a", "it feels like it halts the flow of the story (even when it", "it turns out that there is no way that I can make these", "of the prisoner it just feels like a chore to read these sections,", "be an issue. I've read plenty of part-chapters, or chapters from the POV", "is, because it happens in even exceptional books that are otherwise flawless. I'm", "perspective of a character who has been captured/ imprisoned and it has actually", "all of the books I have ever read, I can't think of a", "personal dislike or if it is something that others also consider to be", "was the only way that I could think of enhancing the story. If", "a character who has been captured/ imprisoned and it has actually been interesting", "progression of story/ settings etc. Are there any ways that I can keep", "1 or 2 full chapters written from the perspective of the prisoner it", "of story/ settings etc. Are there any ways that I can keep a", "now planning the close of my story around what occurs in this section", "of part-chapters, or chapters from the POV of a captor/ jailer that I", "the first & only prisoner, therefore adding other characters who are prisoners is", "books that are otherwise flawless. I'm not sure if this is a personal", "with one of my main characters in a jail cell. It's important to", "character who has been captured/ imprisoned and it has actually been interesting and", "that I consider good, but when it is 1 or 2 full chapters", "is character development or the plot moves forward somehow within the jail). Being", "an option, as this was the only way that I could think of", "settings etc. Are there any ways that I can keep a full chapter", "where the POV character has been captured/ imprisoned that you thought were good/", "characters who are prisoners is unfortunately not an option, as this was the", "story/ settings etc. Are there any ways that I can keep a full", "or the plot moves forward somehow within the jail). Being trapped in a", "development or the plot moves forward somehow within the jail). Being trapped in", "or if it is something that others also consider to be an issue.", "any examples of similar chapters where the POV character has been captured/ imprisoned", "flawless. I'm not sure if this is a personal dislike or if it", "halts the flow of the story (even when it doesn't, for example when", "can keep a full chapter set in a jail cell interesting?** Sub-question: Are", "the character is the first & only prisoner, therefore adding other characters who", "captor/ jailer that I consider good, but when it is 1 or 2", "that it is because it feels like it halts the flow of the", "any narrative, particularly when other chapters are seeing a constant progression of story/", "I'm not sure why this is, because it happens in even exceptional books", "It's important to the character development that he is isolated for an extended", "a chore to read these sections, even if they are broken up between", "is a new prison, so the character is the first & only prisoner,", "consider to be an issue. I've read plenty of part-chapters, or chapters from", "cell interesting?** Sub-question: Are there any examples of similar chapters where the POV", "other characters who are prisoners is unfortunately not an option, as this was", "to write one or two chapters with one of my main characters in", "think of enhancing the story. If it turns out that there is no", "in this section of the narrative, it has just occurred to me that", "dislike or if it is something that others also consider to be an", "and also made to feel powerless. Therefore a jail cell seemed to be", "change them, but as it would mean me changing how I get to", "chapter set in a jail cell interesting?** Sub-question: Are there any examples of", "there any examples of similar chapters where the POV character has been captured/", "for an extended period of time, antagonized by others and also made to", "engaging. I'm not sure why this is, because it happens in even exceptional", "I can make these chapters good using this set up then I am", "could think of enhancing the story. If it turns out that there is", "the prisoner it just feels like a chore to read these sections, even", "been interesting and engaging. I'm not sure why this is, because it happens", "characters in a jail cell. It's important to the character development that he", "for example when there is character development or the plot moves forward somehow", "similar chapters where the POV character has been captured/ imprisoned that you thought", "seemed to be the perfect location for this character development to happen. However,", "it doesn't, for example when there is character development or the plot moves", "this set up then I am willing to change them, but as it", "a single time I have read a full chapter from the perspective of", "an issue. I've read plenty of part-chapters, or chapters from the POV of", "just feels like a chore to read these sections, even if they are", "others also consider to be an issue. I've read plenty of part-chapters, or", "cell. It's important to the character development that he is isolated for an", "only prisoner, therefore adding other characters who are prisoners is unfortunately not an", "a full chapter from the perspective of a character who has been captured/", "story. If it turns out that there is no way that I can", "that you thought were good/ had interesting elements? --- Note: In the story", "etc. Are there any ways that I can keep a full chapter set", "examples of similar chapters where the POV character has been captured/ imprisoned that", "in a jail cell. It's important to the character development that he is", "because it happens in even exceptional books that are otherwise flawless. I'm not", "Are there any ways that I can keep a full chapter set in", "moves forward somehow within the jail). Being trapped in a single location feels", "them, but as it would mean me changing how I get to the", "chapters are seeing a constant progression of story/ settings etc. Are there any", "it just feels like a chore to read these sections, even if they", "the story it is a new prison, so the character is the first", "or two chapters with one of my main characters in a jail cell.", "narrative, it has just occurred to me that in all of the books", "have read a full chapter from the perspective of a character who has", "from the perspective of a character who has been captured/ imprisoned and it", "jail cell. It's important to the character development that he is isolated for", "otherwise flawless. I'm not sure if this is a personal dislike or if", "the perspective of a character who has been captured/ imprisoned and it has", "the story. If it turns out that there is no way that I", "mean me changing how I get to the climax of my story it", "2 full chapters written from the perspective of the prisoner it just feels", "elements? --- Note: In the story it is a new prison, so the", "option, as this was the only way that I could think of enhancing", "occurs in this section of the narrative, it has just occurred to me", "to change them, but as it would mean me changing how I get", "the perspective of the prisoner it just feels like a chore to read", "consider good, but when it is 1 or 2 full chapters written from", "have ever read, I can't think of a single time I have read", "it has just occurred to me that in all of the books I", "Therefore a jail cell seemed to be the perfect location for this character", "I can keep a full chapter set in a jail cell interesting? Sub-question:", "are otherwise flawless. I'm not sure if this is a personal dislike or", "are broken up between chapters that progress the story with different characters elsewhere.", "the narrative, it has just occurred to me that in all of the", "sections, even if they are broken up between chapters that progress the story", "powerless. Therefore a jail cell seemed to be the perfect location for this", "the books I have ever read, I can't think of a single time", "my story around what occurs in this section of the narrative, it has", "interesting and engaging. I'm not sure why this is, because it happens in", "this was the only way that I could think of enhancing the story.", "character development that he is isolated for an extended period of time, antagonized", "single location feels unnatural to any narrative, particularly when other chapters are seeing", "it halts the flow of the story (even when it doesn't, for example", "the plot moves forward somehow within the jail). Being trapped in a single", "there is no way that I can make these chapters good using this", "this character development to happen. However, after now planning the close of my", "different characters elsewhere. I would assume that it is because it feels like", "unnatural to any narrative, particularly when other chapters are seeing a constant progression", "would be ideal if I didn't have to change the narrative too drastically.", "I could think of enhancing the story. If it turns out that there", "because it feels like it halts the flow of the story (even when", "main characters in a jail cell. It's important to the character development that", "around what occurs in this section of the narrative, it has just occurred", "character development to happen. However, after now planning the close of my story", "can make these chapters good using this set up then I am willing", "important to the character development that he is isolated for an extended period", "had interesting elements? --- Note: In the story it is a new prison,", "books I have ever read, I can't think of a single time I", "a captor/ jailer that I consider good, but when it is 1 or", "exceptional books that are otherwise flawless. I'm not sure if this is a", "prisoners is unfortunately not an option, as this was the only way that", "so the character is the first & only prisoner, therefore adding other characters", "jail). Being trapped in a single location feels unnatural to any narrative, particularly", "are seeing a constant progression of story/ settings etc. **Are there any ways", "I get to the climax of my story it would be ideal if", "character development or the plot moves forward somehow within the jail). Being trapped", "POV character has been captured/ imprisoned that you thought were good/ had interesting", "of my story it would be ideal if I didn't have to change", "not sure if this is a personal dislike or if it is something", "location feels unnatural to any narrative, particularly when other chapters are seeing a", "Being trapped in a single location feels unnatural to any narrative, particularly when", "these chapters good using this set up then I am willing to change", "be the perfect location for this character development to happen. However, after now", "Are there any examples of similar chapters where the POV character has been", "something that others also consider to be an issue. I've read plenty of", "particularly when other chapters are seeing a constant progression of story/ settings etc.", "has been captured/ imprisoned and it has actually been interesting and engaging. I'm", "you thought were good/ had interesting elements? --- Note: In the story it", "narrative, particularly when other chapters are seeing a constant progression of story/ settings", "captured/ imprisoned that you thought were good/ had interesting elements? --- Note: In", "that in all of the books I have ever read, I can't think", "good using this set up then I am willing to change them, but", "to the climax of my story it would be ideal if I didn't", "out that there is no way that I can make these chapters good", "no way that I can make these chapters good using this set up", "and engaging. I'm not sure why this is, because it happens in even", "from the perspective of the prisoner it just feels like a chore to", "he is isolated for an extended period of time, antagonized by others and", "by others and also made to feel powerless. Therefore a jail cell seemed", "enhancing the story. If it turns out that there is no way that", "read plenty of part-chapters, or chapters from the POV of a captor/ jailer", "as this was the only way that I could think of enhancing the", "the flow of the story (even when it doesn't, for example when there" ]
[ "> > My friend (I'll call him \"Cwukk\") worked for a vendor (I'll", "worked for a vendor (I'll call it > \"ThisCo\") decided he'd had enough.", "awkward. What's a clearer way to do this? Example 1: > > My", "people or company. But my phrasing keeps coming off as awkward. What's a", "My friend (I'll call him \"Cwukk\") worked for a vendor (I'll call it", "to do this? Example 1: > > My friend \"Cwukk\" who worked for", "> > My friend \"Cwukk\" who worked for a vendor \"ThisCo\" decided he'd", "\"ThisCo\" decided he'd had > enough. > > > Example 2: > >", "> Example 2: > > My friend (I'll call him \"Cwukk\") worked for", "friend (I'll call him \"Cwukk\") worked for a vendor (I'll call it >", "him \"Cwukk\") worked for a vendor (I'll call it > \"ThisCo\") decided he'd", "a vendor \"ThisCo\" decided he'd had > enough. > > > Example 2:", "(I'll call him \"Cwukk\") worked for a vendor (I'll call it > \"ThisCo\")", "1: > > My friend \"Cwukk\" who worked for a vendor \"ThisCo\" decided", "had > enough. > > > Example 2: > > My friend (I'll", "one person did when he worked for a company and want to use", "real names of the people or company. But my phrasing keeps coming off", "for readability, but not use the real names of the people or company.", "> > Example 2: > > My friend (I'll call him \"Cwukk\") worked", "> My friend \"Cwukk\" who worked for a vendor \"ThisCo\" decided he'd had", "that describes what one person did when he worked for a company and", "names for readability, but not use the real names of the people or", "names of the people or company. But my phrasing keeps coming off as", "describes what one person did when he worked for a company and want", "\"Cwukk\" who worked for a vendor \"ThisCo\" decided he'd had > enough. >", "for a vendor (I'll call it > \"ThisCo\") decided he'd had enough. >", "way to do this? Example 1: > > My friend \"Cwukk\" who worked", "My friend \"Cwukk\" who worked for a vendor \"ThisCo\" decided he'd had >", "what one person did when he worked for a company and want to", "> My friend (I'll call him \"Cwukk\") worked for a vendor (I'll call", "a company and want to use proper names for readability, but not use", "he worked for a company and want to use proper names for readability,", "use proper names for readability, but not use the real names of the", "do this? Example 1: > > My friend \"Cwukk\" who worked for a", "he'd had > enough. > > > Example 2: > > My friend", "> enough. > > > Example 2: > > My friend (I'll call", "company. But my phrasing keeps coming off as awkward. What's a clearer way", "of the people or company. But my phrasing keeps coming off as awkward.", "who worked for a vendor \"ThisCo\" decided he'd had > enough. > >", "scenario that describes what one person did when he worked for a company", "proper names for readability, but not use the real names of the people", "company and want to use proper names for readability, but not use the", "I'm writing a scenario that describes what one person did when he worked", "\"Cwukk\") worked for a vendor (I'll call it > \"ThisCo\") decided he'd had", "What's a clearer way to do this? Example 1: > > My friend", "coming off as awkward. What's a clearer way to do this? Example 1:", "clearer way to do this? Example 1: > > My friend \"Cwukk\" who", "call him \"Cwukk\") worked for a vendor (I'll call it > \"ThisCo\") decided", "off as awkward. What's a clearer way to do this? Example 1: >", "a scenario that describes what one person did when he worked for a", "my phrasing keeps coming off as awkward. What's a clearer way to do", "2: > > My friend (I'll call him \"Cwukk\") worked for a vendor", "vendor (I'll call it > \"ThisCo\") decided he'd had enough. > > >", "person did when he worked for a company and want to use proper", "But my phrasing keeps coming off as awkward. What's a clearer way to", "worked for a company and want to use proper names for readability, but", "writing a scenario that describes what one person did when he worked for", "for a company and want to use proper names for readability, but not", "vendor \"ThisCo\" decided he'd had > enough. > > > Example 2: >", "decided he'd had > enough. > > > Example 2: > > My", "enough. > > > Example 2: > > My friend (I'll call him", "Example 2: > > My friend (I'll call him \"Cwukk\") worked for a", "to use proper names for readability, but not use the real names of", "when he worked for a company and want to use proper names for", "want to use proper names for readability, but not use the real names", "a vendor (I'll call it > \"ThisCo\") decided he'd had enough. > >", "use the real names of the people or company. But my phrasing keeps", "not use the real names of the people or company. But my phrasing", "for a vendor \"ThisCo\" decided he'd had > enough. > > > Example", "did when he worked for a company and want to use proper names", "the real names of the people or company. But my phrasing keeps coming", "Example 1: > > My friend \"Cwukk\" who worked for a vendor \"ThisCo\"", "worked for a vendor \"ThisCo\" decided he'd had > enough. > > >", "> > > Example 2: > > My friend (I'll call him \"Cwukk\")", "keeps coming off as awkward. What's a clearer way to do this? Example", "readability, but not use the real names of the people or company. But", "and want to use proper names for readability, but not use the real", "friend \"Cwukk\" who worked for a vendor \"ThisCo\" decided he'd had > enough.", "this? Example 1: > > My friend \"Cwukk\" who worked for a vendor", "or company. But my phrasing keeps coming off as awkward. What's a clearer", "as awkward. What's a clearer way to do this? Example 1: > >", "but not use the real names of the people or company. But my", "phrasing keeps coming off as awkward. What's a clearer way to do this?", "the people or company. But my phrasing keeps coming off as awkward. What's", "a clearer way to do this? Example 1: > > My friend \"Cwukk\"" ]
[ "does well before publishing on other platforms? I want my book to be", "my book to be available to as many people as possible, but in", "people as possible, but in the experience of other self-published writers, is it", "all the time. I was wondering if many writers ONLY publish on Segdle?", "just start with one platform and see how it goes rather than going", "writers forums and in articles, it seems like Segdle is the main platform", "book does well before publishing on other platforms? I want my book to", "in the experience of other self-published writers, is it best to just start", "I was wondering if many writers ONLY publish on Segdle? Or do they", "publish on Segdle? Or do they publish first on Segdle and then see", "a lot of writers forums and in articles, it seems like Segdle is", "as many people as possible, but in the experience of other self-published writers,", "that one is the one that is referenced all the time. I was", "writers ONLY publish on Segdle? Or do they publish first on Segdle and", "seems like Segdle is the main platform most self-publishing writers use just because", "self-published writers, is it best to just start with one platform and see", "that is referenced all the time. I was wondering if many writers ONLY", "the one that is referenced all the time. I was wondering if many", "Segdle? Or do they publish first on Segdle and then see if their", "to just start with one platform and see how it goes rather than", "platform and see how it goes rather than going to the trouble to", "and see how it goes rather than going to the trouble to publish", "referenced all the time. I was wondering if many writers ONLY publish on", "publishing on other platforms? I want my book to be available to as", "like Segdle is the main platform most self-publishing writers use just because that", "most self-publishing writers use just because that one is the one that is", "writers use just because that one is the one that is referenced all", "start with one platform and see how it goes rather than going to", "Segdle is the main platform most self-publishing writers use just because that one", "they publish first on Segdle and then see if their book does well", "of other self-published writers, is it best to just start with one platform", "as possible, but in the experience of other self-published writers, is it best", "lot of writers forums and in articles, it seems like Segdle is the", "the main platform most self-publishing writers use just because that one is the", "it seems like Segdle is the main platform most self-publishing writers use just", "on other platforms? I want my book to be available to as many", "be available to as many people as possible, but in the experience of", "in articles, it seems like Segdle is the main platform most self-publishing writers", "of writers forums and in articles, it seems like Segdle is the main", "one is the one that is referenced all the time. I was wondering", "it goes rather than going to the trouble to publish elsewhere? Thanks for", "Or do they publish first on Segdle and then see if their book", "then see if their book does well before publishing on other platforms? I", "publish first on Segdle and then see if their book does well before", "their book does well before publishing on other platforms? I want my book", "I want my book to be available to as many people as possible,", "well before publishing on other platforms? 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I want my book to be available to as many people", "to be available to as many people as possible, but in the experience", "experience of other self-published writers, is it best to just start with one", "book to be available to as many people as possible, but in the", "best to just start with one platform and see how it goes rather", "many people as possible, but in the experience of other self-published writers, is", "on Segdle and then see if their book does well before publishing on", "see how it goes rather than going to the trouble to publish elsewhere?", "platforms? I want my book to be available to as many people as", "available to as many people as possible, but in the experience of other", "articles, it seems like Segdle is the main platform most self-publishing writers use", "forums and in articles, it seems like Segdle is the main platform most", "do they publish first on Segdle and then see if their book does", "was wondering if many writers ONLY publish on Segdle? Or do they publish", "is the one that is referenced all the time. I was wondering if", "time. I was wondering if many writers ONLY publish on Segdle? Or do", "if their book does well before publishing on other platforms? I want my", "On a lot of writers forums and in articles, it seems like Segdle", "to as many people as possible, but in the experience of other self-published", "many writers ONLY publish on Segdle? Or do they publish first on Segdle", "self-publishing writers use just because that one is the one that is referenced", "and then see if their book does well before publishing on other platforms?", "ONLY publish on Segdle? Or do they publish first on Segdle and then", "rather than going to the trouble to publish elsewhere? Thanks for any input!", "if many writers ONLY publish on Segdle? Or do they publish first on", "goes rather than going to the trouble to publish elsewhere? Thanks for any", "platform most self-publishing writers use just because that one is the one that", "just because that one is the one that is referenced all the time.", "on Segdle? Or do they publish first on Segdle and then see if", "but in the experience of other self-published writers, is it best to just", "it best to just start with one platform and see how it goes", "is referenced all the time. I was wondering if many writers ONLY publish", "and in articles, it seems like Segdle is the main platform most self-publishing", "Segdle and then see if their book does well before publishing on other", "one platform and see how it goes rather than going to the trouble", "wondering if many writers ONLY publish on Segdle? Or do they publish first", "the time. I was wondering if many writers ONLY publish on Segdle? Or", "before publishing on other platforms? I want my book to be available to", "writers, is it best to just start with one platform and see how", "main platform most self-publishing writers use just because that one is the one", "see if their book does well before publishing on other platforms? I want", "is it best to just start with one platform and see how it", "want my book to be available to as many people as possible, but", "how it goes rather than going to the trouble to publish elsewhere? Thanks", "possible, but in the experience of other self-published writers, is it best to", "because that one is the one that is referenced all the time. I" ]
[ "It has to be 1. plug in 2. connect 3. watch. There is", "creative writer but that never seems to do me any good when writing", "plug in 2. connect 3. watch. that the reader can feel engaged by.", "reasonably proficient creative writer but that never seems to do me any good", "sleep, but also treat the reader like a three year old. Is there", "year old. Is there a way to write 1. plug in 2. connect", "I often find those a little cringeworthy. So is there a way to", "of course, is the dryness. You can't explore the feelings and emotions of", "a little cringeworthy. So is there a way to write technical documentation that", "in 2. connect 3. watch. There is the very (extremely) informal approach to", "an extremely complex online service). I consider myself a reasonably proficient creative writer", "I consider myself a reasonably proficient creative writer but that never seems to", "technical documentation that doesn't put you to sleep, but also treat the reader", "cringeworthy. So is there a way to write technical documentation that doesn't put", "you to sleep, but also treat the reader like a three year old.", "never seems to do me any good when writing tech docs. The problem,", "and emotions of the Chromecast when it betrays the TV. It has to", "that never seems to do me any good when writing tech docs. The", "dryness. You can't explore the feelings and emotions of the Chromecast when it", "to write 1. plug in 2. connect 3. watch. that the reader can", "(extremely) informal approach to documentation that a lot of consumer goods acquire but", "Is there a way to write 1. plug in 2. connect 3. watch.", "the reader can feel engaged by. Is it possible to marry technical writing", "connect 3. watch. There is the very (extremely) informal approach to documentation that", "very curious to see any examples that you think might have solved this", "it possible to marry technical writing and creative writing successfully. I would be", "be 1. plug in 2. connect 3. watch. There is the very (extremely)", "lot of consumer goods acquire but I often find those a little cringeworthy.", "emotions of the Chromecast when it betrays the TV. It has to be", "when it betrays the TV. It has to be 1. plug in 2.", "me any good when writing tech docs. The problem, of course, is the", "connect 3. watch. that the reader can feel engaged by. Is it possible", "2. connect 3. watch. that the reader can feel engaged by. Is it", "the very (extremely) informal approach to documentation that a lot of consumer goods", "by. Is it possible to marry technical writing and creative writing successfully. I", "can feel engaged by. Is it possible to marry technical writing and creative", "old. Is there a way to write 1. plug in 2. connect 3.", "to sleep, but also treat the reader like a three year old. Is", "I would be very curious to see any examples that you think might", "Chromecast when it betrays the TV. It has to be 1. plug in", "often find those a little cringeworthy. So is there a way to write", "3. watch. that the reader can feel engaged by. Is it possible to", "reader like a three year old. Is there a way to write 1.", "to documentation that a lot of consumer goods acquire but I often find", "1. plug in 2. connect 3. watch. that the reader can feel engaged", "consider myself a reasonably proficient creative writer but that never seems to do", "a way to write technical documentation that doesn't put you to sleep, but", "betrays the TV. It has to be 1. plug in 2. connect 3.", "technical writing and creative writing successfully. I would be very curious to see", "and creative writing successfully. I would be very curious to see any examples", "So is there a way to write technical documentation that doesn't put you", "writing successfully. I would be very curious to see any examples that you", "Is it possible to marry technical writing and creative writing successfully. I would", "three year old. Is there a way to write 1. plug in 2.", "very (extremely) informal approach to documentation that a lot of consumer goods acquire", "in 2. connect 3. watch. that the reader can feel engaged by. Is", "service). I consider myself a reasonably proficient creative writer but that never seems", "course, is the dryness. You can't explore the feelings and emotions of the", "plug in 2. connect 3. watch. There is the very (extremely) informal approach", "acquire but I often find those a little cringeworthy. So is there a", "marry technical writing and creative writing successfully. I would be very curious to", "amount of technical documentation (describing interactions with an extremely complex online service). I", "that doesn't put you to sleep, but also treat the reader like a", "reader can feel engaged by. Is it possible to marry technical writing and", "docs. The problem, of course, is the dryness. You can't explore the feelings", "curious to see any examples that you think might have solved this problem.", "interactions with an extremely complex online service). I consider myself a reasonably proficient", "writing tech docs. The problem, of course, is the dryness. You can't explore", "prospect of writing a considerable amount of technical documentation (describing interactions with an", "feelings and emotions of the Chromecast when it betrays the TV. It has", "have the prospect of writing a considerable amount of technical documentation (describing interactions", "with an extremely complex online service). I consider myself a reasonably proficient creative", "of writing a considerable amount of technical documentation (describing interactions with an extremely", "be very curious to see any examples that you think might have solved", "a considerable amount of technical documentation (describing interactions with an extremely complex online", "that a lot of consumer goods acquire but I often find those a", "engaged by. Is it possible to marry technical writing and creative writing successfully.", "the Chromecast when it betrays the TV. It has to be 1. plug", "feel engaged by. Is it possible to marry technical writing and creative writing", "seems to do me any good when writing tech docs. The problem, of", "explore the feelings and emotions of the Chromecast when it betrays the TV.", "treat the reader like a three year old. Is there a way to", "write technical documentation that doesn't put you to sleep, but also treat the", "the reader like a three year old. Is there a way to write", "I currently have the prospect of writing a considerable amount of technical documentation", "successfully. I would be very curious to see any examples that you think", "put you to sleep, but also treat the reader like a three year", "but I often find those a little cringeworthy. So is there a way", "way to write technical documentation that doesn't put you to sleep, but also", "(describing interactions with an extremely complex online service). I consider myself a reasonably", "2. connect 3. watch. There is the very (extremely) informal approach to documentation", "but also treat the reader like a three year old. Is there a", "to be 1. plug in 2. connect 3. watch. There is the very", "goods acquire but I often find those a little cringeworthy. So is there", "doesn't put you to sleep, but also treat the reader like a three", "can't explore the feelings and emotions of the Chromecast when it betrays the", "approach to documentation that a lot of consumer goods acquire but I often", "extremely complex online service). I consider myself a reasonably proficient creative writer but", "consumer goods acquire but I often find those a little cringeworthy. So is", "3. watch. There is the very (extremely) informal approach to documentation that a", "would be very curious to see any examples that you think might have", "to write technical documentation that doesn't put you to sleep, but also treat", "writing and creative writing successfully. I would be very curious to see any", "myself a reasonably proficient creative writer but that never seems to do me", "writing a considerable amount of technical documentation (describing interactions with an extremely complex", "technical documentation (describing interactions with an extremely complex online service). I consider myself", "documentation (describing interactions with an extremely complex online service). I consider myself a", "to marry technical writing and creative writing successfully. I would be very curious", "tech docs. The problem, of course, is the dryness. You can't explore the", "You can't explore the feelings and emotions of the Chromecast when it betrays", "but that never seems to do me any good when writing tech docs.", "a lot of consumer goods acquire but I often find those a little", "has to be 1. plug in 2. connect 3. watch. There is the", "there a way to write technical documentation that doesn't put you to sleep,", "a way to write 1. plug in 2. connect 3. watch. that the", "of the Chromecast when it betrays the TV. It has to be 1.", "complex online service). I consider myself a reasonably proficient creative writer but that", "to do me any good when writing tech docs. The problem, of course,", "find those a little cringeworthy. So is there a way to write technical", "is the very (extremely) informal approach to documentation that a lot of consumer", "the TV. It has to be 1. plug in 2. connect 3. watch.", "informal approach to documentation that a lot of consumer goods acquire but I", "1. plug in 2. connect 3. watch. There is the very (extremely) informal", "those a little cringeworthy. So is there a way to write technical documentation", "considerable amount of technical documentation (describing interactions with an extremely complex online service).", "proficient creative writer but that never seems to do me any good when", "creative writing successfully. I would be very curious to see any examples that", "way to write 1. plug in 2. connect 3. watch. that the reader", "is the dryness. You can't explore the feelings and emotions of the Chromecast", "There is the very (extremely) informal approach to documentation that a lot of", "that the reader can feel engaged by. Is it possible to marry technical", "currently have the prospect of writing a considerable amount of technical documentation (describing", "a three year old. Is there a way to write 1. plug in", "The problem, of course, is the dryness. You can't explore the feelings and", "documentation that a lot of consumer goods acquire but I often find those", "write 1. plug in 2. connect 3. watch. that the reader can feel", "of technical documentation (describing interactions with an extremely complex online service). I consider", "online service). I consider myself a reasonably proficient creative writer but that never", "do me any good when writing tech docs. The problem, of course, is", "of consumer goods acquire but I often find those a little cringeworthy. So", "problem, of course, is the dryness. You can't explore the feelings and emotions", "the feelings and emotions of the Chromecast when it betrays the TV. It", "writer but that never seems to do me any good when writing tech", "is there a way to write technical documentation that doesn't put you to", "also treat the reader like a three year old. Is there a way", "any good when writing tech docs. The problem, of course, is the dryness.", "like a three year old. Is there a way to write 1. plug", "it betrays the TV. It has to be 1. plug in 2. connect", "the dryness. You can't explore the feelings and emotions of the Chromecast when", "a reasonably proficient creative writer but that never seems to do me any", "watch. There is the very (extremely) informal approach to documentation that a lot", "little cringeworthy. So is there a way to write technical documentation that doesn't", "possible to marry technical writing and creative writing successfully. I would be very", "good when writing tech docs. The problem, of course, is the dryness. You", "TV. It has to be 1. plug in 2. connect 3. watch. There", "watch. that the reader can feel engaged by. Is it possible to marry", "when writing tech docs. The problem, of course, is the dryness. You can't", "there a way to write 1. plug in 2. connect 3. watch. that", "the prospect of writing a considerable amount of technical documentation (describing interactions with", "documentation that doesn't put you to sleep, but also treat the reader like" ]
[ "an book/Ebook writer, nevertheless I've been able to write my first full book", "Embarrassing, right? But she's actually done some pretty intense editing with me (probably", "read about it), if this a fair rate for an editor? More importantly,", "guess that she was a very involved editor. I'm also concerned that some", "but she did do grammar and word/structure corrections as well as certain suggestions,", "my first full book (which I feel that I did a good job", "alone, but she did do grammar and word/structure corrections as well as certain", "how should I give her credit? Can't someone just be listed as an", "has insisted that she now get 25% of the profit from the book", "involved editor. I'm also concerned that some of the scientific background and concepts", "books, or read about it), if this a fair rate for an editor?", "first full book (which I feel that I did a good job on).", "(probably because she's writing something herself) which I've gone with so far. However,", "concepts in my Sci-Fi book would be falsely attributed to her, because she's", "editor? More importantly, how should I give her credit? Can't someone just be", "table of contents or something? I don't want her to take credit for", "that I did a good job on). However, I have an issue with", "I'm also concerned that some of the scientific background and concepts in my", "editor. I'm also concerned that some of the scientific background and concepts in", "me and actually holds a degree, (although she's not an active scientist). For", "profit from the book and she also wants to have her name on", "at least wants some credit. I'm asking, to those who have done this", "book and she also wants to have her name on the front of", "attributed to her, because she's obviously older than me and actually holds a", "good job on). However, I have an issue with my mom, who has", "get 25% of the profit from the book and she also wants to", "full book (which I feel that I did a good job on). However,", "able to write my first full book (which I feel that I did", "to have her name on the front of it, as if she's the", "about it), if this a fair rate for an editor? More importantly, how", "the second writer, or she at least wants some credit. I'm asking, to", "wants to have her name on the front of it, as if she's", "the front of it, as if she's the second writer, or she at", "second writer, or she at least wants some credit. I'm asking, to those", "something herself) which I've gone with so far. However, she has insisted that", "25% of the profit from the book and she also wants to have", "gone with so far. However, she has insisted that she now get 25%", "More importantly, how should I give her credit? Can't someone just be listed", "right? But she's actually done some pretty intense editing with me (probably because", "I have an issue with my mom, who has been my editor so", "my mom, who has been my editor so far. Embarrassing, right? But she's", "which I've gone with so far. However, she has insisted that she now", "pretty intense editing with me (probably because she's writing something herself) which I've", "who have done this before (written and published books, or read about it),", "book (which I feel that I did a good job on). However, I", "I did a good job on). However, I have an issue with my", "which I came up with alone, but she did do grammar and word/structure", "came up with alone, but she did do grammar and word/structure corrections as", "feel that I did a good job on). However, I have an issue", "certain suggestions, so I guess that she was a very involved editor. I'm", "not an active scientist). For the sake of being specific, I was going", "in my Sci-Fi book would be falsely attributed to her, because she's obviously", "word/structure corrections as well as certain suggestions, so I guess that she was", "fair rate for an editor? More importantly, how should I give her credit?", "she's writing something herself) which I've gone with so far. However, she has", "least wants some credit. I'm asking, to those who have done this before", "write my first full book (which I feel that I did a good", "credit. I'm asking, to those who have done this before (written and published", "been my editor so far. Embarrassing, right? But she's actually done some pretty", "her to take credit for my characters, story, and ideas, which I came", "did do grammar and word/structure corrections as well as certain suggestions, so I", "would be falsely attributed to her, because she's obviously older than me and", "sake of being specific, I was going to use Amazon Kindle to publish.", "so I guess that she was a very involved editor. I'm also concerned", "she at least wants some credit. I'm asking, to those who have done", "before the table of contents or something? I don't want her to take", "do grammar and word/structure corrections as well as certain suggestions, so I guess", "intense editing with me (probably because she's writing something herself) which I've gone", "have her name on the front of it, as if she's the second", "she now get 25% of the profit from the book and she also", "my characters, story, and ideas, which I came up with alone, but she", "some of the scientific background and concepts in my Sci-Fi book would be", "a fair rate for an editor? More importantly, how should I give her", "with alone, but she did do grammar and word/structure corrections as well as", "also concerned that some of the scientific background and concepts in my Sci-Fi", "and ideas, which I came up with alone, but she did do grammar", "an active scientist). For the sake of being specific, I was going to", "active scientist). For the sake of being specific, I was going to use", "the page before the table of contents or something? I don't want her", "was a very involved editor. I'm also concerned that some of the scientific", "take credit for my characters, story, and ideas, which I came up with", "far. However, she has insisted that she now get 25% of the profit", "characters, story, and ideas, which I came up with alone, but she did", "as an editor, on the page before the table of contents or something?", "(which I feel that I did a good job on). However, I have", "I'm asking, to those who have done this before (written and published books,", "have an issue with my mom, who has been my editor so far.", "to those who have done this before (written and published books, or read", "published books, or read about it), if this a fair rate for an", "editing with me (probably because she's writing something herself) which I've gone with", "actually holds a degree, (although she's not an active scientist). For the sake", "holds a degree, (although she's not an active scientist). For the sake of", "if she's the second writer, or she at least wants some credit. I'm", "falsely attributed to her, because she's obviously older than me and actually holds", "(although she's not an active scientist). For the sake of being specific, I", "also wants to have her name on the front of it, as if", "or read about it), if this a fair rate for an editor? More", "this before (written and published books, or read about it), if this a", "credit? Can't someone just be listed as an editor, on the page before", "I don't want her to take credit for my characters, story, and ideas,", "But she's actually done some pretty intense editing with me (probably because she's", "been able to write my first full book (which I feel that I", "so far. Embarrassing, right? But she's actually done some pretty intense editing with", "wants some credit. I'm asking, to those who have done this before (written", "suggestions, so I guess that she was a very involved editor. I'm also", "so far. However, she has insisted that she now get 25% of the", "she's the second writer, or she at least wants some credit. I'm asking,", "up with alone, but she did do grammar and word/structure corrections as well", "as if she's the second writer, or she at least wants some credit.", "have done this before (written and published books, or read about it), if", "and she also wants to have her name on the front of it,", "an editor, on the page before the table of contents or something? I", "and actually holds a degree, (although she's not an active scientist). For the", "don't want her to take credit for my characters, story, and ideas, which", "I've been able to write my first full book (which I feel that", "with so far. However, she has insisted that she now get 25% of", "contents or something? I don't want her to take credit for my characters,", "as certain suggestions, so I guess that she was a very involved editor.", "the profit from the book and she also wants to have her name", "to write my first full book (which I feel that I did a", "I guess that she was a very involved editor. I'm also concerned that", "I have no prior experience as an book/Ebook writer, nevertheless I've been able", "to take credit for my characters, story, and ideas, which I came up", "job on). However, I have an issue with my mom, who has been", "now get 25% of the profit from the book and she also wants", "me (probably because she's writing something herself) which I've gone with so far.", "corrections as well as certain suggestions, so I guess that she was a", "background and concepts in my Sci-Fi book would be falsely attributed to her,", "before (written and published books, or read about it), if this a fair", "page before the table of contents or something? I don't want her to", "the sake of being specific, I was going to use Amazon Kindle to", "However, I have an issue with my mom, who has been my editor", "with my mom, who has been my editor so far. Embarrassing, right? But", "did a good job on). However, I have an issue with my mom,", "something? I don't want her to take credit for my characters, story, and", "as well as certain suggestions, so I guess that she was a very", "issue with my mom, who has been my editor so far. Embarrassing, right?", "obviously older than me and actually holds a degree, (although she's not an", "some credit. I'm asking, to those who have done this before (written and", "with me (probably because she's writing something herself) which I've gone with so", "of it, as if she's the second writer, or she at least wants", "and published books, or read about it), if this a fair rate for", "for an editor? More importantly, how should I give her credit? Can't someone", "if this a fair rate for an editor? More importantly, how should I", "her, because she's obviously older than me and actually holds a degree, (although", "mom, who has been my editor so far. Embarrassing, right? But she's actually", "the scientific background and concepts in my Sci-Fi book would be falsely attributed", "For the sake of being specific, I was going to use Amazon Kindle", "a good job on). However, I have an issue with my mom, who", "a very involved editor. I'm also concerned that some of the scientific background", "that some of the scientific background and concepts in my Sci-Fi book would", "writer, or she at least wants some credit. I'm asking, to those who", "to her, because she's obviously older than me and actually holds a degree,", "I feel that I did a good job on). However, I have an", "that she was a very involved editor. I'm also concerned that some of", "from the book and she also wants to have her name on the", "story, and ideas, which I came up with alone, but she did do", "actually done some pretty intense editing with me (probably because she's writing something", "than me and actually holds a degree, (although she's not an active scientist).", "herself) which I've gone with so far. However, she has insisted that she", "editor, on the page before the table of contents or something? I don't", "scientist). For the sake of being specific, I was going to use Amazon", "because she's obviously older than me and actually holds a degree, (although she's", "importantly, how should I give her credit? Can't someone just be listed as", "name on the front of it, as if she's the second writer, or", "I came up with alone, but she did do grammar and word/structure corrections", "as an book/Ebook writer, nevertheless I've been able to write my first full", "she's actually done some pretty intense editing with me (probably because she's writing", "just be listed as an editor, on the page before the table of", "However, she has insisted that she now get 25% of the profit from", "writer, nevertheless I've been able to write my first full book (which I", "want her to take credit for my characters, story, and ideas, which I", "she has insisted that she now get 25% of the profit from the", "has been my editor so far. Embarrassing, right? But she's actually done some", "be falsely attributed to her, because she's obviously older than me and actually", "she's not an active scientist). For the sake of being specific, I was", "the table of contents or something? I don't want her to take credit", "give her credit? Can't someone just be listed as an editor, on the", "scientific background and concepts in my Sci-Fi book would be falsely attributed to", "the book and she also wants to have her name on the front", "concerned that some of the scientific background and concepts in my Sci-Fi book", "should I give her credit? Can't someone just be listed as an editor,", "or something? I don't want her to take credit for my characters, story,", "of contents or something? I don't want her to take credit for my", "listed as an editor, on the page before the table of contents or", "credit for my characters, story, and ideas, which I came up with alone,", "some pretty intense editing with me (probably because she's writing something herself) which", "done this before (written and published books, or read about it), if this", "on the page before the table of contents or something? I don't want", "on). However, I have an issue with my mom, who has been my", "it), if this a fair rate for an editor? More importantly, how should", "this a fair rate for an editor? More importantly, how should I give", "her name on the front of it, as if she's the second writer,", "book/Ebook writer, nevertheless I've been able to write my first full book (which", "on the front of it, as if she's the second writer, or she", "nevertheless I've been able to write my first full book (which I feel", "she also wants to have her name on the front of it, as", "that she now get 25% of the profit from the book and she", "it, as if she's the second writer, or she at least wants some", "be listed as an editor, on the page before the table of contents", "or she at least wants some credit. I'm asking, to those who have", "book would be falsely attributed to her, because she's obviously older than me", "my editor so far. Embarrassing, right? But she's actually done some pretty intense", "done some pretty intense editing with me (probably because she's writing something herself)", "an editor? More importantly, how should I give her credit? Can't someone just", "of the scientific background and concepts in my Sci-Fi book would be falsely", "and concepts in my Sci-Fi book would be falsely attributed to her, because", "older than me and actually holds a degree, (although she's not an active", "prior experience as an book/Ebook writer, nevertheless I've been able to write my", "(written and published books, or read about it), if this a fair rate", "I give her credit? Can't someone just be listed as an editor, on", "ideas, which I came up with alone, but she did do grammar and", "far. Embarrassing, right? But she's actually done some pretty intense editing with me", "no prior experience as an book/Ebook writer, nevertheless I've been able to write", "degree, (although she's not an active scientist). For the sake of being specific,", "editor so far. Embarrassing, right? But she's actually done some pretty intense editing", "grammar and word/structure corrections as well as certain suggestions, so I guess that", "Sci-Fi book would be falsely attributed to her, because she's obviously older than", "for my characters, story, and ideas, which I came up with alone, but", "she did do grammar and word/structure corrections as well as certain suggestions, so", "of the profit from the book and she also wants to have her", "those who have done this before (written and published books, or read about", "she's obviously older than me and actually holds a degree, (although she's not", "my Sci-Fi book would be falsely attributed to her, because she's obviously older", "very involved editor. I'm also concerned that some of the scientific background and", "an issue with my mom, who has been my editor so far. Embarrassing,", "a degree, (although she's not an active scientist). For the sake of being", "she was a very involved editor. I'm also concerned that some of the", "asking, to those who have done this before (written and published books, or", "her credit? Can't someone just be listed as an editor, on the page", "experience as an book/Ebook writer, nevertheless I've been able to write my first", "because she's writing something herself) which I've gone with so far. However, she", "Can't someone just be listed as an editor, on the page before the", "writing something herself) which I've gone with so far. However, she has insisted", "I've gone with so far. However, she has insisted that she now get", "someone just be listed as an editor, on the page before the table", "and word/structure corrections as well as certain suggestions, so I guess that she", "well as certain suggestions, so I guess that she was a very involved", "front of it, as if she's the second writer, or she at least", "have no prior experience as an book/Ebook writer, nevertheless I've been able to", "insisted that she now get 25% of the profit from the book and", "who has been my editor so far. Embarrassing, right? But she's actually done", "rate for an editor? More importantly, how should I give her credit? Can't" ]
[ "keeps people hostage and, based on the reader's choices, they can survive or", "members or friends. In this scenario, I see the problem in the fact", "is interacting with the protagonist (kidnapped person) and makes decisions for that person", "that person so that he/she escapes. This kidnapped person is a character he", "in the fact that there is a conflict between the reality and the", "have a bigger impact on the reader's mind and in which case he", "escapes. This kidnapped person is a character he has never met, and they", "character he has never met, and they can create a connection through storytelling.", "antagonist who keeps people hostage and, based on the reader's choices, they can", "he might see that his mother would never behave like that, and it", "that his mother would never behave like that, and it would ruin his", "interacting with the protagonist (kidnapped person) and makes decisions for that person so", "person so that he/she escapes. This kidnapped person is a character he has", "will have a bigger impact on the reader's mind and in which case", "between the reality and the characters I am presenting to the reader. For", "is about an antagonist who keeps people hostage and, based on the reader's", "and it would ruin his immersion to the story. 2. The reader is", "antagonist (kidnapper) and tries to save lives of his family members or friends.", "that he/she escapes. This kidnapped person is a character he has never met,", "never behave like that, and it would ruin his immersion to the story.", "kidnapped person is a character he has never met, and they can create", "point where I am deciding between two different ways how to tell the", "communicating with the antagonist (kidnapper) and tries to save lives of his family", "that, and it would ruin his immersion to the story. 2. The reader", "hostage and, based on the reader's choices, they can survive or not. Now", "deciding between two different ways how to tell the story: 1. The reader", "the reader's mind and in which case he will care more about saving", "the antagonist (kidnapper) and tries to save lives of his family members or", "about an antagonist who keeps people hostage and, based on the reader's choices,", "ways how to tell the story: 1. The reader is communicating with the", "friends. In this scenario, I see the problem in the fact that there", "so that he/she escapes. This kidnapped person is a character he has never", "this scenario, I see the problem in the fact that there is a", "would ruin his immersion to the story. 2. The reader is interacting with", "never met, and they can create a connection through storytelling. What do you", "lives of his family members or friends. In this scenario, I see the", "think that will have a bigger impact on the reader's mind and in", "the story. 2. The reader is interacting with the protagonist (kidnapped person) and", "reader. For example, he might see that his mother would never behave like", "reader is interacting with the protagonist (kidnapped person) and makes decisions for that", "he/she escapes. This kidnapped person is a character he has never met, and", "on the reader's mind and in which case he will care more about", "or not. Now I am at a point where I am deciding between", "there is a conflict between the reality and the characters I am presenting", "of his family members or friends. In this scenario, I see the problem", "to save lives of his family members or friends. In this scenario, I", "This kidnapped person is a character he has never met, and they can", "am deciding between two different ways how to tell the story: 1. The", "impact on the reader's mind and in which case he will care more", "and in which case he will care more about saving the people lives?", "choices, they can survive or not. Now I am at a point where", "For example, he might see that his mother would never behave like that,", "reader's choices, they can survive or not. Now I am at a point", "and, based on the reader's choices, they can survive or not. Now I", "am presenting to the reader. For example, he might see that his mother", "they can create a connection through storytelling. What do you think that will", "Now I am at a point where I am deciding between two different", "an antagonist who keeps people hostage and, based on the reader's choices, they", "to tell the story: 1. The reader is communicating with the antagonist (kidnapper)", "and tries to save lives of his family members or friends. In this", "a bigger impact on the reader's mind and in which case he will", "his family members or friends. In this scenario, I see the problem in", "decisions for that person so that he/she escapes. This kidnapped person is a", "a point where I am deciding between two different ways how to tell", "between two different ways how to tell the story: 1. The reader is", "conflict between the reality and the characters I am presenting to the reader.", "person) and makes decisions for that person so that he/she escapes. This kidnapped", "save lives of his family members or friends. In this scenario, I see", "through storytelling. What do you think that will have a bigger impact on", "2. The reader is interacting with the protagonist (kidnapped person) and makes decisions", "they can survive or not. Now I am at a point where I", "or friends. In this scenario, I see the problem in the fact that", "is a conflict between the reality and the characters I am presenting to", "the problem in the fact that there is a conflict between the reality", "how to tell the story: 1. The reader is communicating with the antagonist", "the story: 1. The reader is communicating with the antagonist (kidnapper) and tries", "story: 1. The reader is communicating with the antagonist (kidnapper) and tries to", "problem in the fact that there is a conflict between the reality and", "1. The reader is communicating with the antagonist (kidnapper) and tries to save", "see that his mother would never behave like that, and it would ruin", "fact that there is a conflict between the reality and the characters I", "the characters I am presenting to the reader. For example, he might see", "with the protagonist (kidnapped person) and makes decisions for that person so that", "would never behave like that, and it would ruin his immersion to the", "people hostage and, based on the reader's choices, they can survive or not.", "reader is communicating with the antagonist (kidnapper) and tries to save lives of", "might see that his mother would never behave like that, and it would", "it would ruin his immersion to the story. 2. The reader is interacting", "plot is about an antagonist who keeps people hostage and, based on the", "met, and they can create a connection through storytelling. What do you think", "What do you think that will have a bigger impact on the reader's", "do you think that will have a bigger impact on the reader's mind", "a conflict between the reality and the characters I am presenting to the", "and makes decisions for that person so that he/she escapes. This kidnapped person", "where the story's plot is about an antagonist who keeps people hostage and,", "mind and in which case he will care more about saving the people", "for that person so that he/she escapes. This kidnapped person is a character", "mother would never behave like that, and it would ruin his immersion to", "with the antagonist (kidnapper) and tries to save lives of his family members", "behave like that, and it would ruin his immersion to the story. 2.", "am writing a game book where the story's plot is about an antagonist", "a character he has never met, and they can create a connection through", "example, he might see that his mother would never behave like that, and", "a game book where the story's plot is about an antagonist who keeps", "to the reader. For example, he might see that his mother would never", "the reader's choices, they can survive or not. Now I am at a", "he has never met, and they can create a connection through storytelling. What", "not. Now I am at a point where I am deciding between two", "makes decisions for that person so that he/she escapes. This kidnapped person is", "story. 2. The reader is interacting with the protagonist (kidnapped person) and makes", "you think that will have a bigger impact on the reader's mind and", "game book where the story's plot is about an antagonist who keeps people", "and the characters I am presenting to the reader. For example, he might", "book where the story's plot is about an antagonist who keeps people hostage", "who keeps people hostage and, based on the reader's choices, they can survive", "am at a point where I am deciding between two different ways how", "see the problem in the fact that there is a conflict between the", "tell the story: 1. The reader is communicating with the antagonist (kidnapper) and", "at a point where I am deciding between two different ways how to", "writing a game book where the story's plot is about an antagonist who", "and they can create a connection through storytelling. What do you think that", "that will have a bigger impact on the reader's mind and in which", "where I am deciding between two different ways how to tell the story:", "storytelling. What do you think that will have a bigger impact on the", "scenario, I see the problem in the fact that there is a conflict", "bigger impact on the reader's mind and in which case he will care", "has never met, and they can create a connection through storytelling. What do", "the fact that there is a conflict between the reality and the characters", "that there is a conflict between the reality and the characters I am", "to the story. 2. The reader is interacting with the protagonist (kidnapped person)", "The reader is communicating with the antagonist (kidnapper) and tries to save lives", "is a character he has never met, and they can create a connection", "can survive or not. Now I am at a point where I am", "person is a character he has never met, and they can create a", "on the reader's choices, they can survive or not. Now I am at", "a connection through storytelling. What do you think that will have a bigger", "the protagonist (kidnapped person) and makes decisions for that person so that he/she", "two different ways how to tell the story: 1. The reader is communicating", "create a connection through storytelling. What do you think that will have a", "the story's plot is about an antagonist who keeps people hostage and, based", "survive or not. Now I am at a point where I am deciding", "his mother would never behave like that, and it would ruin his immersion", "(kidnapper) and tries to save lives of his family members or friends. In", "I am at a point where I am deciding between two different ways", "like that, and it would ruin his immersion to the story. 2. The", "his immersion to the story. 2. The reader is interacting with the protagonist", "I see the problem in the fact that there is a conflict between", "tries to save lives of his family members or friends. In this scenario,", "characters I am presenting to the reader. For example, he might see that", "In this scenario, I see the problem in the fact that there is", "reality and the characters I am presenting to the reader. For example, he", "family members or friends. In this scenario, I see the problem in the", "(kidnapped person) and makes decisions for that person so that he/she escapes. This", "presenting to the reader. For example, he might see that his mother would", "ruin his immersion to the story. 2. The reader is interacting with the", "immersion to the story. 2. The reader is interacting with the protagonist (kidnapped", "I am presenting to the reader. For example, he might see that his", "is communicating with the antagonist (kidnapper) and tries to save lives of his", "protagonist (kidnapped person) and makes decisions for that person so that he/she escapes.", "reader's mind and in which case he will care more about saving the", "connection through storytelling. What do you think that will have a bigger impact", "based on the reader's choices, they can survive or not. Now I am", "story's plot is about an antagonist who keeps people hostage and, based on", "can create a connection through storytelling. What do you think that will have", "I am deciding between two different ways how to tell the story: 1.", "the reader. For example, he might see that his mother would never behave", "I am writing a game book where the story's plot is about an", "The reader is interacting with the protagonist (kidnapped person) and makes decisions for", "different ways how to tell the story: 1. The reader is communicating with", "the reality and the characters I am presenting to the reader. For example," ]
[ "methods. Since there are systematic conflicts between rules and efficiency (or between normative", "pursuit of correctness, based on manually drafted rules. However, the end goal has", "that can now be addressed directly using empirical methods. Since there are systematic", "on manually drafted rules. However, the end goal has always been communicative efficiency,", "long tradition in the pursuit of correctness, based on manually drafted rules. However,", "been communicative efficiency, which is something that can now be addressed directly using", "communicative efficiency, which is something that can now be addressed directly using empirical", "now be addressed directly using empirical methods. Since there are systematic conflicts between", "which is something that can now be addressed directly using empirical methods. Since", "empirical rules), what kind of evidence would it take to convince writers to", "a long tradition in the pursuit of correctness, based on manually drafted rules.", "the end goal has always been communicative efficiency, which is something that can", "there are systematic conflicts between rules and efficiency (or between normative and empirical", "the pursuit of correctness, based on manually drafted rules. However, the end goal", "manually drafted rules. However, the end goal has always been communicative efficiency, which", "goal has always been communicative efficiency, which is something that can now be", "Since there are systematic conflicts between rules and efficiency (or between normative and", "based on manually drafted rules. However, the end goal has always been communicative", "of evidence would it take to convince writers to prefer efficiency to correctness?", "can now be addressed directly using empirical methods. Since there are systematic conflicts", "efficiency (or between normative and empirical rules), what kind of evidence would it", "what kind of evidence would it take to convince writers to prefer efficiency", "using empirical methods. Since there are systematic conflicts between rules and efficiency (or", "language industry has a long tradition in the pursuit of correctness, based on", "and efficiency (or between normative and empirical rules), what kind of evidence would", "empirical methods. Since there are systematic conflicts between rules and efficiency (or between", "The language industry has a long tradition in the pursuit of correctness, based", "industry has a long tradition in the pursuit of correctness, based on manually", "(or between normative and empirical rules), what kind of evidence would it take", "has a long tradition in the pursuit of correctness, based on manually drafted", "and empirical rules), what kind of evidence would it take to convince writers", "between normative and empirical rules), what kind of evidence would it take to", "in the pursuit of correctness, based on manually drafted rules. However, the end", "directly using empirical methods. Since there are systematic conflicts between rules and efficiency", "addressed directly using empirical methods. Since there are systematic conflicts between rules and", "are systematic conflicts between rules and efficiency (or between normative and empirical rules),", "always been communicative efficiency, which is something that can now be addressed directly", "has always been communicative efficiency, which is something that can now be addressed", "However, the end goal has always been communicative efficiency, which is something that", "correctness, based on manually drafted rules. However, the end goal has always been", "end goal has always been communicative efficiency, which is something that can now", "efficiency, which is something that can now be addressed directly using empirical methods.", "rules and efficiency (or between normative and empirical rules), what kind of evidence", "something that can now be addressed directly using empirical methods. Since there are", "tradition in the pursuit of correctness, based on manually drafted rules. However, the", "rules. However, the end goal has always been communicative efficiency, which is something", "of correctness, based on manually drafted rules. However, the end goal has always", "is something that can now be addressed directly using empirical methods. Since there", "normative and empirical rules), what kind of evidence would it take to convince", "rules), what kind of evidence would it take to convince writers to prefer", "between rules and efficiency (or between normative and empirical rules), what kind of", "conflicts between rules and efficiency (or between normative and empirical rules), what kind", "be addressed directly using empirical methods. Since there are systematic conflicts between rules", "kind of evidence would it take to convince writers to prefer efficiency to", "systematic conflicts between rules and efficiency (or between normative and empirical rules), what", "drafted rules. However, the end goal has always been communicative efficiency, which is" ]
[ "the sake of entertainment, so maybe mostly people with a similar background would", "bad. They're non-fiction and I am careful not to embellish for the sake", "Hemingway caliber, but I don't think they're bad. They're non-fiction and I am", "they're Hemingway caliber, but I don't think they're bad. They're non-fiction and I", "with a similar background would find them appealing? Anyway, since they're not short", "not short fiction stories, which is what most sites / magazines seem to", "in the wars. I don't think they're Hemingway caliber, but I don't think", "the wars. I don't think they're Hemingway caliber, but I don't think they're", "magazines seem to publish, I don't really know where to look. Could you", "don't think they're Hemingway caliber, but I don't think they're bad. They're non-fiction", "don't think they're bad. They're non-fiction and I am careful not to embellish", "They're non-fiction and I am careful not to embellish for the sake of", "to publish, I don't really know where to look. Could you point me", "a similar background would find them appealing? Anyway, since they're not short fiction", "and I am careful not to embellish for the sake of entertainment, so", "think they're bad. They're non-fiction and I am careful not to embellish for", "people with a similar background would find them appealing? Anyway, since they're not", "I don't think they're bad. They're non-fiction and I am careful not to", "sake of entertainment, so maybe mostly people with a similar background would find", "I don't really know where to look. Could you point me in the", "stories about my adventures in the wars. I don't think they're Hemingway caliber,", "am careful not to embellish for the sake of entertainment, so maybe mostly", "to embellish for the sake of entertainment, so maybe mostly people with a", "careful not to embellish for the sake of entertainment, so maybe mostly people", "Anyway, since they're not short fiction stories, which is what most sites /", "fiction stories, which is what most sites / magazines seem to publish, I", "what most sites / magazines seem to publish, I don't really know where", "some stories about my adventures in the wars. I don't think they're Hemingway", "is what most sites / magazines seem to publish, I don't really know", "short fiction stories, which is what most sites / magazines seem to publish,", "sites / magazines seem to publish, I don't really know where to look.", "embellish for the sake of entertainment, so maybe mostly people with a similar", "seem to publish, I don't really know where to look. Could you point", "entertainment, so maybe mostly people with a similar background would find them appealing?", "most sites / magazines seem to publish, I don't really know where to", "publish, I don't really know where to look. Could you point me in", "think they're Hemingway caliber, but I don't think they're bad. They're non-fiction and", "mostly people with a similar background would find them appealing? Anyway, since they're", "maybe mostly people with a similar background would find them appealing? Anyway, since", "find them appealing? Anyway, since they're not short fiction stories, which is what", "would find them appealing? Anyway, since they're not short fiction stories, which is", "stories, which is what most sites / magazines seem to publish, I don't", "/ magazines seem to publish, I don't really know where to look. Could", "but I don't think they're bad. They're non-fiction and I am careful not", "non-fiction and I am careful not to embellish for the sake of entertainment,", "I am careful not to embellish for the sake of entertainment, so maybe", "them appealing? Anyway, since they're not short fiction stories, which is what most", "adventures in the wars. I don't think they're Hemingway caliber, but I don't", "for the sake of entertainment, so maybe mostly people with a similar background", "similar background would find them appealing? Anyway, since they're not short fiction stories,", "written some stories about my adventures in the wars. I don't think they're", "I've written some stories about my adventures in the wars. I don't think", "wars. I don't think they're Hemingway caliber, but I don't think they're bad.", "since they're not short fiction stories, which is what most sites / magazines", "don't really know where to look. Could you point me in the right", "really know where to look. Could you point me in the right direction?", "they're not short fiction stories, which is what most sites / magazines seem", "not to embellish for the sake of entertainment, so maybe mostly people with", "appealing? Anyway, since they're not short fiction stories, which is what most sites", "background would find them appealing? Anyway, since they're not short fiction stories, which", "of entertainment, so maybe mostly people with a similar background would find them", "my adventures in the wars. I don't think they're Hemingway caliber, but I", "so maybe mostly people with a similar background would find them appealing? Anyway,", "caliber, but I don't think they're bad. They're non-fiction and I am careful", "which is what most sites / magazines seem to publish, I don't really", "I don't think they're Hemingway caliber, but I don't think they're bad. They're", "they're bad. They're non-fiction and I am careful not to embellish for the", "about my adventures in the wars. I don't think they're Hemingway caliber, but" ]
[ "through posts and to link visitors to my work on other sites. However,", "exactly looking for long-term readers, I guess; I'm just looking to attract clients.", "blog posts that act as samples of my writing - basically, to show", "clients would receive for their own sites or magazines or whatever. For that", "have no focus in terms of subject don't really attract long-term readers. (I've", "put together a blog to showcase my writing through posts and to link", "part-time freelance writer, and I'd like to put together a blog to showcase", "I guess; I'm just looking to attract clients. But I still have to", "blog to showcase my writing through posts and to link visitors to my", "that paying clients would receive for their own sites or magazines or whatever.", "or whatever. For that reason, I'm planning to write posts on a wide", "or magazines or whatever. For that reason, I'm planning to write posts on", "and I'd like to put together a blog to showcase my writing through", "about what exactly I should do with the site. Ideally, I'd like to", "that reason, I'm planning to write posts on a wide variety of subjects.", "together a blog to showcase my writing through posts and to link visitors", "readers, I guess; I'm just looking to attract clients. But I still have", "a part-time freelance writer, and I'd like to put together a blog to", "I'm planning to write posts on a wide variety of subjects. I've also", "though, that blogs that have no focus in terms of subject don't really", "- basically, to show the kind of writing that paying clients would receive", "basically, to show the kind of writing that paying clients would receive for", "long-term readers. (I've also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So", "to write posts on a wide variety of subjects. I've also read, though,", "in terms of subject don't really attract long-term readers. (I've also read the", "should do with the site. Ideally, I'd like to write blog posts that", "samples of my writing - basically, to show the kind of writing that", "visitors to my work on other sites. However, I'm a little bit lost", "work on other sites. However, I'm a little bit lost about what exactly", "the site. Ideally, I'd like to write blog posts that act as samples", "a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best way to go here.", "topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best way to", "read, though, that blogs that have no focus in terms of subject don't", "magazines or whatever. For that reason, I'm planning to write posts on a", "blogs that have no focus in terms of subject don't really attract long-term", "site. Ideally, I'd like to write blog posts that act as samples of", "For that reason, I'm planning to write posts on a wide variety of", "the best way to go here. I'm not exactly looking for long-term readers,", "as samples of my writing - basically, to show the kind of writing", "to put together a blog to showcase my writing through posts and to", "what exactly I should do with the site. Ideally, I'd like to write", "So I'm wondering about the best way to go here. I'm not exactly", "writing through posts and to link visitors to my work on other sites.", "of my writing - basically, to show the kind of writing that paying", "I'm just looking to attract clients. But I still have to attract them.", "best way to go here. I'm not exactly looking for long-term readers, I", "writer, and I'd like to put together a blog to showcase my writing", "I'm a little bit lost about what exactly I should do with the", "lost about what exactly I should do with the site. Ideally, I'd like", "guess; I'm just looking to attract clients. But I still have to attract", "I'd like to put together a blog to showcase my writing through posts", "not exactly looking for long-term readers, I guess; I'm just looking to attract", "that blogs that have no focus in terms of subject don't really attract", "terms of subject don't really attract long-term readers. (I've also read the \"[Mixing", "way to go here. I'm not exactly looking for long-term readers, I guess;", "paying clients would receive for their own sites or magazines or whatever. For", "looking for long-term readers, I guess; I'm just looking to attract clients. But", "sites. However, I'm a little bit lost about what exactly I should do", "post.) So I'm wondering about the best way to go here. I'm not", "to write blog posts that act as samples of my writing - basically,", "(I've also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering", "I should do with the site. Ideally, I'd like to write blog posts", "like to put together a blog to showcase my writing through posts and", "subjects. I've also read, though, that blogs that have no focus in terms", "read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the", "posts and to link visitors to my work on other sites. However, I'm", "to showcase my writing through posts and to link visitors to my work", "writing - basically, to show the kind of writing that paying clients would", "looking to attract clients. But I still have to attract them. Any ideas?", "to my work on other sites. However, I'm a little bit lost about", "for their own sites or magazines or whatever. For that reason, I'm planning", "focus in terms of subject don't really attract long-term readers. (I've also read", "no focus in terms of subject don't really attract long-term readers. (I've also", "little bit lost about what exactly I should do with the site. Ideally,", "for long-term readers, I guess; I'm just looking to attract clients. But I", "with the site. Ideally, I'd like to write blog posts that act as", "do with the site. Ideally, I'd like to write blog posts that act", "I'd like to write blog posts that act as samples of my writing", "in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best way to go", "also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about", "writing that paying clients would receive for their own sites or magazines or", "exactly I should do with the site. Ideally, I'd like to write blog", "really attract long-term readers. (I've also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\"", "other sites. However, I'm a little bit lost about what exactly I should", "would receive for their own sites or magazines or whatever. For that reason,", "a wide variety of subjects. I've also read, though, that blogs that have", "I've also read, though, that blogs that have no focus in terms of", "don't really attract long-term readers. (I've also read the \"[Mixing topics in a", "to link visitors to my work on other sites. However, I'm a little", "of subject don't really attract long-term readers. (I've also read the \"[Mixing topics", "a blog to showcase my writing through posts and to link visitors to", "variety of subjects. I've also read, though, that blogs that have no focus", "show the kind of writing that paying clients would receive for their own", "Ideally, I'd like to write blog posts that act as samples of my", "like to write blog posts that act as samples of my writing -", "to go here. I'm not exactly looking for long-term readers, I guess; I'm", "and to link visitors to my work on other sites. However, I'm a", "a little bit lost about what exactly I should do with the site.", "of subjects. I've also read, though, that blogs that have no focus in", "long-term readers, I guess; I'm just looking to attract clients. But I still", "receive for their own sites or magazines or whatever. For that reason, I'm", "subject don't really attract long-term readers. (I've also read the \"[Mixing topics in", "to show the kind of writing that paying clients would receive for their", "my writing - basically, to show the kind of writing that paying clients", "on other sites. However, I'm a little bit lost about what exactly I", "readers. (I've also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm", "link visitors to my work on other sites. However, I'm a little bit", "kind of writing that paying clients would receive for their own sites or", "the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best", "wide variety of subjects. I've also read, though, that blogs that have no", "attract long-term readers. (I've also read the \"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.)", "wondering about the best way to go here. I'm not exactly looking for", "that act as samples of my writing - basically, to show the kind", "here. I'm not exactly looking for long-term readers, I guess; I'm just looking", "posts that act as samples of my writing - basically, to show the", "their own sites or magazines or whatever. For that reason, I'm planning to", "also read, though, that blogs that have no focus in terms of subject", "freelance writer, and I'd like to put together a blog to showcase my", "the kind of writing that paying clients would receive for their own sites", "I'm wondering about the best way to go here. I'm not exactly looking", "my work on other sites. However, I'm a little bit lost about what", "I'm not exactly looking for long-term readers, I guess; I'm just looking to", "I'm a part-time freelance writer, and I'd like to put together a blog", "of writing that paying clients would receive for their own sites or magazines", "bit lost about what exactly I should do with the site. Ideally, I'd", "on a wide variety of subjects. I've also read, though, that blogs that", "However, I'm a little bit lost about what exactly I should do with", "about the best way to go here. I'm not exactly looking for long-term", "blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best way to go here. I'm", "posts on a wide variety of subjects. I've also read, though, that blogs", "own sites or magazines or whatever. For that reason, I'm planning to write", "go here. I'm not exactly looking for long-term readers, I guess; I'm just", "showcase my writing through posts and to link visitors to my work on", "write blog posts that act as samples of my writing - basically, to", "sites or magazines or whatever. For that reason, I'm planning to write posts", "just looking to attract clients. But I still have to attract them. Any", "act as samples of my writing - basically, to show the kind of", "my writing through posts and to link visitors to my work on other", "\"[Mixing topics in a blog](https://writers.stackexchange.com/questions/3015/mixing-topics-in-a-blog)\" post.) So I'm wondering about the best way", "that have no focus in terms of subject don't really attract long-term readers.", "write posts on a wide variety of subjects. I've also read, though, that", "whatever. For that reason, I'm planning to write posts on a wide variety", "reason, I'm planning to write posts on a wide variety of subjects. I've", "planning to write posts on a wide variety of subjects. I've also read," ]
[ "well, technical aspects I'm afraid is going over their heads. What I do", "data collected has become more lengthy, I've started to wonder if there's a", "he following: ``` \| Field \| Type \| Options \| Notes \| --------------------------------------------------------------", "``` \| Field \| Type \| Options \| Notes \| -------------------------------------------------------------- \| Name", "for in-house documents, not for those who think websites are magic. ### TL;DR", "to try to make it easier, is create a table that explains what", "lengthy, I've started to wonder if there's a better way. I've researched this", "\| US States \| \| \| Comments \| Textarea \| \| \| ```", "think websites are magic. ### TL;DR Is there a standard way of explaining", "are not very tech-savvy, so I always* include an overview of the programming,", "Google in general), but I've found very little and nothing specific. Usually, the", "always describe the field types in footnotes, the first time the field is", "footnotes, the first time the field is mentioned. But, as my specifications have", "example, a simple contact form would include a table similar to he following:", "better way. I've researched this (here, UX.SE, and Google in general), but I've", "Textarea \| \| \| ``` I'll explain what the asterisk indicates in a", "a larger programming project, I write a specification document for the client to", "review, make necessary changes, and eventually approve. Our clients are not very tech-savvy,", "a small web firm. When we have a larger programming project, I write", "a paragraph above, and I always describe the field types in footnotes, the", "so I always include an overview of the programming, written in simple prose.", "which I describe the, well, technical aspects I'm afraid is going over their", "the first time the field is mentioned. But, as my specifications have gotten", "format \| \| State* \| Dropdown \| US States \| \| \| Comments", "TL;DR Is there a standard way of explaining form fields/database data/collection methods to", "Comments \| Textarea \| \| \| ``` I'll explain what the asterisk indicates", "the field is mentioned. But, as my specifications have gotten more complicated, and", "is being collected and how. For example, a simple contact form would include", "in-house documents, not for those who think websites are magic. ### TL;DR Is", "the programming, written in simple prose. I think they get that part… it's", "\| \| Comments \| Textarea \| \| \| ``` I'll explain what the", "I've found very little and nothing specific. Usually, the examples are for in-house", "Text \| \| \| \| Email* \| Text \| \| Will ensure valid", "\| \| \| \| Email* \| Text \| \| Will ensure valid format", "field is mentioned. But, as my specifications have gotten more complicated, and the", "\| Textarea \| \| \| ``` I'll explain what the asterisk indicates in", "I always include an overview of the programming, written in simple prose. I", "indicates in a paragraph above, and I always describe the field types in", "complicated, and the data collected has become more lengthy, I've started to wonder", "eventually approve. Our clients are not very tech-savvy, so I always include an", "of the programming, written in simple prose. I think they get that part…", "Notes \| -------------------------------------------------------------- \| Name* \| Text \| \| \| \| Email* \|", "explain what the asterisk indicates in a paragraph above, and I always describe", "first time the field is mentioned. But, as my specifications have gotten more", "simple contact form would include a table similar to he following: ``` \|", "in simple prose. I think they get that part… it's the point at", "more lengthy, I've started to wonder if there's a better way. I've researched", "a web programmer at a small web firm. When we have a larger", "researched this (here, UX.SE, and Google in general), but I've found very little", "explains what is being collected and how. For example, a simple contact form", "that part… it's the point at which I describe the, well, technical aspects", "changes, and eventually approve. Our clients are not very tech-savvy, so I always", "it's the point at which I describe the, well, technical aspects I'm afraid", "larger programming project, I write a specification document for the client to review,", "For example, a simple contact form would include a table similar to he", "being collected and how. For example, a simple contact form would include a", "examples are for in-house documents, not for those who think websites are magic.", "an overview of the programming, written in simple prose. I think they get", "to make it easier, is create a table that explains what is being", "I describe the, well, technical aspects I'm afraid is going over their heads.", "make necessary changes, and eventually approve. Our clients are not very tech-savvy, so", "I'm afraid is going over their heads. What I do to try to", "describe the field types in footnotes, the first time the field is mentioned.", "Name* \| Text \| \| \| \| Email* \| Text \| \| Will", "a table similar to he following: ``` \| Field \| Type \| Options", "Usually, the examples are for in-house documents, not for those who think websites", "we have a larger programming project, I write a specification document for the", "and the data collected has become more lengthy, I've started to wonder if", "But, as my specifications have gotten more complicated, and the data collected has", "programming, written in simple prose. I think they get that part… it's the", "at which I describe the, well, technical aspects I'm afraid is going over", "there's a better way. I've researched this (here, UX.SE, and Google in general),", "for those who think websites are magic. ### TL;DR Is there a standard", "\| -------------------------------------------------------------- \| Name* \| Text \| \| \| \| Email* \| Text", "\| Comments \| Textarea \| \| \| ``` I'll explain what the asterisk", "to review, make necessary changes, and eventually approve. Our clients are not very", "and Google in general), but I've found very little and nothing specific. Usually,", "and eventually approve. Our clients are not very tech-savvy, so I always include", "\| Type \| Options \| Notes \| -------------------------------------------------------------- \| Name* \| Text \|", "a specification document for the client to review, make necessary changes, and eventually", "programmer at a small web firm. When we have a larger programming project,", "over their heads. What I do to try to make it easier, is", "specifications have gotten more complicated, and the data collected has become more lengthy,", "has become more lengthy, I've started to wonder if there's a better way.", "State* \| Dropdown \| US States \| \| \| Comments \| Textarea \|", "I've started to wonder if there's a better way. I've researched this (here,", "web firm. When we have a larger programming project, I write a specification", "Options \| Notes \| -------------------------------------------------------------- \| Name* \| Text \| \| \| \|", "prose. I think they get that part… it's the point at which I", "document for the client to review, make necessary changes, and eventually approve. Our", "\| Text \| \| \| \| Email* \| Text \| \| Will ensure", "have a larger programming project, I write a specification document for the client", "I think they get that part… it's the point at which I describe", "as my specifications have gotten more complicated, and the data collected has become", "### TL;DR Is there a standard way of explaining form fields/database data/collection methods", "Field \| Type \| Options \| Notes \| -------------------------------------------------------------- \| Name* \| Text", "-------------------------------------------------------------- \| Name* \| Text \| \| \| \| Email* \| Text \|", "form would include a table similar to he following: ``` \| Field \|", "asterisk indicates in a paragraph above, and I always describe the field types", "in footnotes, the first time the field is mentioned. But, as my specifications", "What I do to try to make it easier, is create a table", "in a paragraph above, and I always describe the field types in footnotes,", "technical aspects I'm afraid is going over their heads. What I do to", "mentioned. But, as my specifications have gotten more complicated, and the data collected", "if there's a better way. I've researched this (here, UX.SE, and Google in", "the data collected has become more lengthy, I've started to wonder if there's", "``` I'll explain what the asterisk indicates in a paragraph above, and I", "specific. Usually, the examples are for in-house documents, not for those who think", "create a table that explains what is being collected and how. For example,", "how. For example, a simple contact form would include a table similar to", "\| Text \| \| Will ensure valid format \| \| State* \| Dropdown", "\| \| Will ensure valid format \| \| State* \| Dropdown \| US", "overview of the programming, written in simple prose. I think they get that", "a better way. I've researched this (here, UX.SE, and Google in general), but", "those who think websites are magic. ### TL;DR Is there a standard way", "a standard way of explaining form fields/database data/collection methods to a non-techie client?", "very little and nothing specific. Usually, the examples are for in-house documents, not", "become more lengthy, I've started to wonder if there's a better way. I've", "aspects I'm afraid is going over their heads. What I do to try", "I write a specification document for the client to review, make necessary changes,", "what is being collected and how. For example, a simple contact form would", "to he following: ``` \| Field \| Type \| Options \| Notes \|", "they get that part… it's the point at which I describe the, well,", "the field types in footnotes, the first time the field is mentioned. But,", "to wonder if there's a better way. I've researched this (here, UX.SE, and", "are for in-house documents, not for those who think websites are magic. ###", "describe the, well, technical aspects I'm afraid is going over their heads. What", "collected and how. For example, a simple contact form would include a table", "\| \| \| ``` I'll explain what the asterisk indicates in a paragraph", "I always describe the field types in footnotes, the first time the field", "Type \| Options \| Notes \| -------------------------------------------------------------- \| Name* \| Text \| \|", "\| Name* \| Text \| \| \| \| Email* \| Text \| \|", "easier, is create a table that explains what is being collected and how.", "include a table similar to he following: ``` \| Field \| Type \|", "way. I've researched this (here, UX.SE, and Google in general), but I've found", "would include a table similar to he following: ``` \| Field \| Type", "not for those who think websites are magic. ### TL;DR Is there a", "contact form would include a table similar to he following: ``` \| Field", "\| \| \| Email* \| Text \| \| Will ensure valid format \|", "more complicated, and the data collected has become more lengthy, I've started to", "the point at which I describe the, well, technical aspects I'm afraid is", "When we have a larger programming project, I write a specification document for", "Our clients are not very tech-savvy, so I always include an overview of", "tech-savvy, so I always include an overview of the programming, written in simple", "a table that explains what is being collected and how. For example, a", "table similar to he following: ``` \| Field \| Type \| Options \|", "their heads. What I do to try to make it easier, is create", "websites are magic. ### TL;DR Is there a standard way of explaining form", "my specifications have gotten more complicated, and the data collected has become more", "written in simple prose. I think they get that part… it's the point", "Email* \| Text \| \| Will ensure valid format \| \| State* \|", "simple prose. I think they get that part… it's the point at which", "\| ``` I'll explain what the asterisk indicates in a paragraph above, and", "field types in footnotes, the first time the field is mentioned. But, as", "types in footnotes, the first time the field is mentioned. But, as my", "collected has become more lengthy, I've started to wonder if there's a better", "I've researched this (here, UX.SE, and Google in general), but I've found very", "Dropdown \| US States \| \| \| Comments \| Textarea \| \| \|", "are magic. ### TL;DR Is there a standard way of explaining form fields/database", "for the client to review, make necessary changes, and eventually approve. Our clients", "UX.SE, and Google in general), but I've found very little and nothing specific.", "\| \| ``` I'll explain what the asterisk indicates in a paragraph above,", "include an overview of the programming, written in simple prose. I think they", "but I've found very little and nothing specific. Usually, the examples are for", "found very little and nothing specific. Usually, the examples are for in-house documents,", "the, well, technical aspects I'm afraid is going over their heads. What I", "is create a table that explains what is being collected and how. For", "client to review, make necessary changes, and eventually approve. Our clients are not", "part… it's the point at which I describe the, well, technical aspects I'm", "\| \| State* \| Dropdown \| US States \| \| \| Comments \|", "table that explains what is being collected and how. For example, a simple", "the examples are for in-house documents, not for those who think websites are", "gotten more complicated, and the data collected has become more lengthy, I've started", "the client to review, make necessary changes, and eventually approve. Our clients are", "above, and I always describe the field types in footnotes, the first time", "is going over their heads. What I do to try to make it", "a simple contact form would include a table similar to he following: ```", "and nothing specific. Usually, the examples are for in-house documents, not for those", "I'm a web programmer at a small web firm. When we have a", "following: ``` \| Field \| Type \| Options \| Notes \| -------------------------------------------------------------- \|", "States \| \| \| Comments \| Textarea \| \| \| ``` I'll explain", "this (here, UX.SE, and Google in general), but I've found very little and", "in general), but I've found very little and nothing specific. Usually, the examples", "point at which I describe the, well, technical aspects I'm afraid is going", "paragraph above, and I always describe the field types in footnotes, the first", "going over their heads. What I do to try to make it easier,", "Will ensure valid format \| \| State* \| Dropdown \| US States \|", "time the field is mentioned. But, as my specifications have gotten more complicated,", "make it easier, is create a table that explains what is being collected", "heads. 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I think", "Text \| \| Will ensure valid format \| \| State* \| Dropdown \|", "firm. When we have a larger programming project, I write a specification document", "small web firm. When we have a larger programming project, I write a", "project, I write a specification document for the client to review, make necessary", "I'll explain what the asterisk indicates in a paragraph above, and I always", "very tech-savvy, so I always include an overview of the programming, written in", "necessary changes, and eventually approve. 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Usually, the examples are for in-house documents, not for", "\| Options \| Notes \| -------------------------------------------------------------- \| Name* \| Text \| \| \|", "\| \| Email* \| Text \| \| Will ensure valid format \| \|", "magic. ### TL;DR Is there a standard way of explaining form fields/database data/collection", "try to make it easier, is create a table that explains what is", "there a standard way of explaining form fields/database data/collection methods to a non-techie", "it easier, is create a table that explains what is being collected and", "\| \| \| Comments \| Textarea \| \| \| ``` I'll explain what", "clients are not very tech-savvy, so I always include an overview of the", "specification document for the client to review, make necessary changes, and eventually approve.", "that explains what is being collected and how. For example, a simple contact", "\| Will ensure valid format \| \| State* \| Dropdown \| US States", "wonder if there's a better way. I've researched this (here, UX.SE, and Google", "who think websites are magic. ### TL;DR Is there a standard way of", "ensure valid format \| \| State* \| Dropdown \| US States \| \|", "\| Dropdown \| US States \| \| \| Comments \| Textarea \| \|", "and how. For example, a simple contact form would include a table similar" ]
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The ability to read and write in modern", "I would love to get some feedback on a more streamlined method of", "the elderly - the youth communicate almost entirely by instant message Emojis, even", "same vein as 1984's Newspeak and A Clockwork Orange's slang. I would like", "ability to read and write in modern English has become relatively rare and", "of a simple but appropriate program to use Emojis in a word document", "a party hat, a beer, an alarm flashing. (This would be followed by", "included. I am considering stylizing the dialogue as such, but I would love", "A man running, a party hat, a beer, an alarm flashing. (This would", "10), or do you think this idea is fated to cause hysteria? The", "branding have subverted the way people fundamentally think and speak. The ability to", "hysteria? The Emojiite language for example would consist of the pictographs of: A", "fluent in this very basic language with limited meanings as the novel progresses", "is fated to cause hysteria? The Emojiite language for example would consist of", "English has become relatively rare and useless. While people still communicate through spoken", "While people still communicate through spoken word - particularly the elderly - the", "fingertips. My novel takes place in a dystopian future approximately half a century", "of a quagmire at my fingertips. My novel takes place in a dystopian", "as 1984's Newspeak and A Clockwork Orange's slang. I would like this dialogue", "at my fingertips. My novel takes place in a dystopian future approximately half", "language for example would consist of the pictographs of: A man running, a", "in a word document (Microsoft 10), or do you think this idea is", "to read and write in modern English has become relatively rare and useless.", "doing so; do you know of a simple but appropriate program to use", "Clockwork Orange's slang. I would like this dialogue to be communicated to the" ]
[ "imagine this piece of writing as pictures instead, and nothing happens in the", "of writing which the reader does not imagine as \"real\". I want the", "piece of writing as pictures instead, and nothing happens in the pictures, its", "as \"real\". I want the reader to imagine this piece of writing as", "So, the title is unclear. What I mean, is I want to create", "want the reader to imagine this piece of writing as pictures instead, and", "piece of writing which the reader does not imagine as \"real\". I want", "want to create a piece of writing which the reader does not imagine", "reader to imagine this piece of writing as pictures instead, and nothing happens", "the pictures, its just a picture showing things. What techniques can I use", "its just a picture showing things. What techniques can I use in my", "a piece of writing which the reader does not imagine as \"real\". I", "of writing as pictures instead, and nothing happens in the pictures, its just", "showing things. What techniques can I use in my writing to create this", "mean, is I want to create a piece of writing which the reader", "which the reader does not imagine as \"real\". I want the reader to", "title is unclear. What I mean, is I want to create a piece", "create a piece of writing which the reader does not imagine as \"real\".", "the reader does not imagine as \"real\". I want the reader to imagine", "writing as pictures instead, and nothing happens in the pictures, its just a", "imagine as \"real\". I want the reader to imagine this piece of writing", "nothing happens in the pictures, its just a picture showing things. What techniques", "this piece of writing as pictures instead, and nothing happens in the pictures,", "as pictures instead, and nothing happens in the pictures, its just a picture", "is I want to create a piece of writing which the reader does", "What techniques can I use in my writing to create this 'picture' effect?", "a picture showing things. What techniques can I use in my writing to", "does not imagine as \"real\". I want the reader to imagine this piece", "pictures instead, and nothing happens in the pictures, its just a picture showing", "reader does not imagine as \"real\". I want the reader to imagine this", "to create a piece of writing which the reader does not imagine as", "What I mean, is I want to create a piece of writing which", "instead, and nothing happens in the pictures, its just a picture showing things.", "pictures, its just a picture showing things. What techniques can I use in", "unclear. What I mean, is I want to create a piece of writing", "things. What techniques can I use in my writing to create this 'picture'", "\"real\". I want the reader to imagine this piece of writing as pictures", "and nothing happens in the pictures, its just a picture showing things. What", "I want the reader to imagine this piece of writing as pictures instead,", "is unclear. What I mean, is I want to create a piece of", "to imagine this piece of writing as pictures instead, and nothing happens in", "the reader to imagine this piece of writing as pictures instead, and nothing", "the title is unclear. What I mean, is I want to create a", "writing which the reader does not imagine as \"real\". I want the reader", "picture showing things. What techniques can I use in my writing to create", "I want to create a piece of writing which the reader does not", "happens in the pictures, its just a picture showing things. What techniques can", "in the pictures, its just a picture showing things. What techniques can I", "not imagine as \"real\". I want the reader to imagine this piece of", "I mean, is I want to create a piece of writing which the", "just a picture showing things. What techniques can I use in my writing" ]
[ "\"A tiger was not in any of the places that I checked, so", "or type of argument for the line of thinking that goes like this:", "remote control is lost. I've checked three places in the living room, so", "this: \"The remote control is lost. Since I have not (literally) checked every", "not in the living room.\" In this case, I'm trying to express the", "case, I'm trying to express the absurdity of this type of thinking when", "it is not in the living room.\" Again, I'm trying to express the", "trying to express the absurdity of this type of thinking when compared to", "for sure that the remote is not in the living room.\" In this", "know it is not in the living room.\" Again, I'm trying to express", "type of thinking when compared to other problems, for example, \"A tiger was", "living room.\" Again, I'm trying to express the absurdity of this type of", "room, so I know it is not in the living room.\" Again, I'm", "this type of thinking when compared to other problems, for example, \"A tiger", "of thinking that goes like this: \"The remote control is lost. Since I", "so I don't know for sure that there are no unicorns.\" and also", "express the absurdity of this type of thinking when compared to other problems,", "have not literally checked every inch of the world so I don't know", "the line of thinking that goes like this: \"The remote control is lost.", "thinking when compared to other problems, for example, \"A tiger was not in", "so I know it is not in the living room.\" Again, I'm trying", "inch of the living room, I don't know for sure that the remote", "tiger was not in any of the places that I checked, so tigers", "is not in the living room.\" Again, I'm trying to express the absurdity", "like this: \"The remote control is lost. Since I have not (literally) checked", "lost. I've checked three places in the living room, so I know it", "\"I have not literally checked every inch of the world so I don't", "the world so I don't know for sure that there are no unicorns.\"", "of thinking when compared to other problems, for example, \"A tiger was not", "line of thinking that goes like this: \"The remote control is lost. Since", "thinking when compared to other problems, for example, \"I have not literally checked", "of this type of thinking when compared to other problems, for example, \"A", "for example, \"I have not literally checked every inch of the world so", "inch of the world so I don't know for sure that there are", "to other problems, for example, \"I have not literally checked every inch of", "of the world so I don't know for sure that there are no", "(literally) checked every inch of the living room, I don't know for sure", "I don't know for sure that there are no unicorns.\" and also the", "the opposite: \"The remote control is lost. I've checked three places in the", "no unicorns.\" and also the opposite: \"The remote control is lost. I've checked", "have not (literally) checked every inch of the living room, I don't know", "compared to other problems, for example, \"A tiger was not in any of", "that the remote is not in the living room.\" In this case, I'm", "absurdity of this type of thinking when compared to other problems, for example,", "checked three places in the living room, so I know it is not", "goes like this: \"The remote control is lost. Since I have not (literally)", "looking for a phrase or type of argument for the line of thinking", "this type of thinking when compared to other problems, for example, \"I have", "of this type of thinking when compared to other problems, for example, \"I", "the living room.\" Again, I'm trying to express the absurdity of this type", "argument for the line of thinking that goes like this: \"The remote control", "Again, I'm trying to express the absurdity of this type of thinking when", "for the line of thinking that goes like this: \"The remote control is", "when compared to other problems, for example, \"I have not literally checked every", "the living room.\" In this case, I'm trying to express the absurdity of", "the absurdity of this type of thinking when compared to other problems, for", "of argument for the line of thinking that goes like this: \"The remote", "compared to other problems, for example, \"I have not literally checked every inch", "for example, \"A tiger was not in any of the places that I", "living room, so I know it is not in the living room.\" Again,", "example, \"A tiger was not in any of the places that I checked,", "don't know for sure that there are no unicorns.\" and also the opposite:", "remote control is lost. Since I have not (literally) checked every inch of", "when compared to other problems, for example, \"A tiger was not in any", "living room, I don't know for sure that the remote is not in", "sure that the remote is not in the living room.\" In this case,", "other problems, for example, \"A tiger was not in any of the places", "is lost. Since I have not (literally) checked every inch of the living", "lost. Since I have not (literally) checked every inch of the living room,", "not (literally) checked every inch of the living room, I don't know for", "unicorns.\" and also the opposite: \"The remote control is lost. I've checked three", "and also the opposite: \"The remote control is lost. I've checked three places", "there are no unicorns.\" and also the opposite: \"The remote control is lost.", "the living room, I don't know for sure that the remote is not", "places in the living room, so I know it is not in the", "for a phrase or type of argument for the line of thinking that", "I'm trying to express the absurdity of this type of thinking when compared", "literally checked every inch of the world so I don't know for sure", "checked every inch of the world so I don't know for sure that", "checked every inch of the living room, I don't know for sure that", "remote is not in the living room.\" In this case, I'm trying to", "to other problems, for example, \"A tiger was not in any of the", "sure that there are no unicorns.\" and also the opposite: \"The remote control", "other problems, for example, \"I have not literally checked every inch of the", "example, \"I have not literally checked every inch of the world so I", "room.\" In this case, I'm trying to express the absurdity of this type", "not literally checked every inch of the world so I don't know for", "to express the absurdity of this type of thinking when compared to other", "type of argument for the line of thinking that goes like this: \"The", "I've checked three places in the living room, so I know it is", "know for sure that the remote is not in the living room.\" In", "not in the living room.\" Again, I'm trying to express the absurdity of", "I'm looking for a phrase or type of argument for the line of", "thinking that goes like this: \"The remote control is lost. Since I have", "every inch of the world so I don't know for sure that there", "I don't know for sure that the remote is not in the living", "know for sure that there are no unicorns.\" and also the opposite: \"The", "\"The remote control is lost. Since I have not (literally) checked every inch", "opposite: \"The remote control is lost. I've checked three places in the living", "that goes like this: \"The remote control is lost. Since I have not", "in the living room.\" In this case, I'm trying to express the absurdity", "I know it is not in the living room.\" Again, I'm trying to", "I have not (literally) checked every inch of the living room, I don't", "the living room, so I know it is not in the living room.\"", "\"The remote control is lost. I've checked three places in the living room,", "was not in any of the places that I checked, so tigers must", "problems, for example, \"I have not literally checked every inch of the world", "a phrase or type of argument for the line of thinking that goes", "in the living room, so I know it is not in the living", "In this case, I'm trying to express the absurdity of this type of", "also the opposite: \"The remote control is lost. I've checked three places in", "control is lost. Since I have not (literally) checked every inch of the", "in any of the places that I checked, so tigers must not exist.\"", "don't know for sure that the remote is not in the living room.\"", "three places in the living room, so I know it is not in", "the remote is not in the living room.\" In this case, I'm trying", "for sure that there are no unicorns.\" and also the opposite: \"The remote", "this case, I'm trying to express the absurdity of this type of thinking", "is not in the living room.\" In this case, I'm trying to express", "control is lost. I've checked three places in the living room, so I", "in the living room.\" Again, I'm trying to express the absurdity of this", "Since I have not (literally) checked every inch of the living room, I", "of the living room, I don't know for sure that the remote is", "of thinking when compared to other problems, for example, \"I have not literally", "problems, for example, \"A tiger was not in any of the places that", "is lost. I've checked three places in the living room, so I know", "that there are no unicorns.\" and also the opposite: \"The remote control is", "not in any of the places that I checked, so tigers must not", "every inch of the living room, I don't know for sure that the", "phrase or type of argument for the line of thinking that goes like", "world so I don't know for sure that there are no unicorns.\" and", "room, I don't know for sure that the remote is not in the", "room.\" Again, I'm trying to express the absurdity of this type of thinking", "are no unicorns.\" and also the opposite: \"The remote control is lost. I've", "type of thinking when compared to other problems, for example, \"I have not", "living room.\" In this case, I'm trying to express the absurdity of this" ]
[ "applications or the internet; however, I do need either a USB connection or", "computer that will handle Microsoft Word? I don't need any other Office applications", "Microsoft Word? I don't need any other Office applications or the internet; however,", "I don't need any other Office applications or the internet; however, I do", "other Office applications or the internet; however, I do need either a USB", "either a USB connection or a CD drive so I can save my", "the internet; however, I do need either a USB connection or a CD", "or a CD drive so I can save my work and take it", "found to be the least expensive portable computer that will handle Microsoft Word?", "have you found to be the least expensive portable computer that will handle", "any other Office applications or the internet; however, I do need either a", "CD drive so I can save my work and take it to a", "you found to be the least expensive portable computer that will handle Microsoft", "expensive portable computer that will handle Microsoft Word? I don't need any other", "drive so I can save my work and take it to a printer.", "need either a USB connection or a CD drive so I can save", "that will handle Microsoft Word? I don't need any other Office applications or", "however, I do need either a USB connection or a CD drive so", "portable computer that will handle Microsoft Word? I don't need any other Office", "do need either a USB connection or a CD drive so I can", "I do need either a USB connection or a CD drive so I", "What have you found to be the least expensive portable computer that will", "Office applications or the internet; however, I do need either a USB connection", "or the internet; however, I do need either a USB connection or a", "be the least expensive portable computer that will handle Microsoft Word? I don't", "connection or a CD drive so I can save my work and take", "a CD drive so I can save my work and take it to", "need any other Office applications or the internet; however, I do need either", "will handle Microsoft Word? I don't need any other Office applications or the", "don't need any other Office applications or the internet; however, I do need", "internet; however, I do need either a USB connection or a CD drive", "to be the least expensive portable computer that will handle Microsoft Word? I", "Word? I don't need any other Office applications or the internet; however, I", "a USB connection or a CD drive so I can save my work", "the least expensive portable computer that will handle Microsoft Word? I don't need", "least expensive portable computer that will handle Microsoft Word? I don't need any", "USB connection or a CD drive so I can save my work and", "handle Microsoft Word? I don't need any other Office applications or the internet;" ]
[ "movies, etc some critics say they're unbelievable. Now I'm asking myself, what makes", "there were many plot twist in books, movies, etc some critics say they're", "Since there were many plot twist in books, movies, etc some critics say", "etc some critics say they're unbelievable. Now I'm asking myself, what makes a", "critics say they're unbelievable. Now I'm asking myself, what makes a plot twist", "I'm just interested. Since there were many plot twist in books, movies, etc", "books, movies, etc some critics say they're unbelievable. Now I'm asking myself, what", "say they're unbelievable. Now I'm asking myself, what makes a plot twist believable/unbelievable?", "plot twist in books, movies, etc some critics say they're unbelievable. Now I'm", "twist in books, movies, etc some critics say they're unbelievable. Now I'm asking", "were many plot twist in books, movies, etc some critics say they're unbelievable.", "in books, movies, etc some critics say they're unbelievable. Now I'm asking myself,", "many plot twist in books, movies, etc some critics say they're unbelievable. Now", "just interested. Since there were many plot twist in books, movies, etc some", "some critics say they're unbelievable. Now I'm asking myself, what makes a plot", "interested. Since there were many plot twist in books, movies, etc some critics" ]
[ "parts? You can read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see", "my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working with and get", "story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working with and get a", "timelines and I want to show the characters aging throughout the story. Should", "of a few years in a story? I have two separate character timelines", "write the passing of a few years in a story? I have two", "and I want to show the characters aging throughout the story. Should I", "character timelines and I want to show the characters aging throughout the story.", "years in a story? I have two separate character timelines and I want", "few years in a story? I have two separate character timelines and I", "want to show the characters aging throughout the story. Should I divide it", "story. Should I divide it up into parts? You can read what I", "separate character timelines and I want to show the characters aging throughout the", "up into parts? You can read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts)", "the characters aging throughout the story. Should I divide it up into parts?", "what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm", "I have two separate character timelines and I want to show the characters", "to see what different segments I'm working with and get a better idea", "[here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working with and get a better", "the passing of a few years in a story? I have two separate", "a few years in a story? I have two separate character timelines and", "passing of a few years in a story? I have two separate character", "I want to show the characters aging throughout the story. Should I divide", "to show the characters aging throughout the story. Should I divide it up", "aging throughout the story. Should I divide it up into parts? You can", "it up into parts? You can read what I have of my story", "do I write the passing of a few years in a story? I", "I divide it up into parts? You can read what I have of", "I write the passing of a few years in a story? I have", "see what different segments I'm working with and get a better idea of", "I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working", "can read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different", "throughout the story. Should I divide it up into parts? You can read", "into parts? You can read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to", "segments I'm working with and get a better idea of what I'm asking.", "have two separate character timelines and I want to show the characters aging", "what different segments I'm working with and get a better idea of what", "characters aging throughout the story. Should I divide it up into parts? You", "a story? I have two separate character timelines and I want to show", "of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working with and", "How do I write the passing of a few years in a story?", "Should I divide it up into parts? You can read what I have", "have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments I'm working with", "You can read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what", "in a story? I have two separate character timelines and I want to", "the story. Should I divide it up into parts? You can read what", "divide it up into parts? You can read what I have of my", "read what I have of my story [here](https://www.wattpad.com/story/59535165-visions-reign-of-the-dark-for-critiques/parts) to see what different segments", "two separate character timelines and I want to show the characters aging throughout", "different segments I'm working with and get a better idea of what I'm", "story? I have two separate character timelines and I want to show the", "show the characters aging throughout the story. Should I divide it up into" ]
[ "other people. I'm expecting that some readers will be able to solve the", "is a police detective. But not the best one. I'm trying to stay", "like real people. Not perfect. I know this book won't be for everyone.", "Not perfect. I know this book won't be for everyone. But for me,", "expecting that some readers will be able to solve the problem early, before", "the flow of the story. But my character will make a normal mistake.", "stay away from idealizations in this book. Characters will make normal, human, mistakes;", "be more like real people. Not perfect. I know this book won't be", "and be more like real people. Not perfect. I know this book won't", "real people. Not perfect. I know this book won't be for everyone. But", "flow of the story. But my character will make a normal mistake. Not", "an innocent person, although it might be obvious to the reader that he's", "and continue with the flow of the story. But my character will make", "How can I accomplish this without boxing this character as dumb in a", "got the wrong guy. How can I accomplish this without boxing this character", "mistake. Not in procedures, and not a moral failing, but in ordinary things", "failing, but in ordinary things - like expertise, or people reading. And he", "wrong guy. How can I accomplish this without boxing this character as dumb", "story of an ordinary man doing extraordinary things. But not saving the world.", "character will make a normal mistake. Not in procedures, and not a moral", "normal, human, mistakes; they'll change their minds and be more like real people.", "book won't be for everyone. But for me, it's kind of a real", "jail an innocent person, although it might be obvious to the reader that", "in ordinary things - like expertise, or people reading. And he will jail", "more like real people. Not perfect. I know this book won't be for", "ordinary things - like expertise, or people reading. And he will jail an", "with the flow of the story. But my character will make a normal", "that he's got the wrong guy. How can I accomplish this without boxing", "not saving the world. He will be strong in his attitude, his moral", "does, and continue with the flow of the story. But my character will", "make a normal mistake. Not in procedures, and not a moral failing, but", "extraordinary things. But not saving the world. He will be strong in his", "world. He will be strong in his attitude, his moral code, and his", "real story of an ordinary man doing extraordinary things. But not saving the", "detective. But not the best one. I'm trying to stay away from idealizations", "that some readers will be able to solve the problem early, before the", "detective does, and continue with the flow of the story. But my character", "trying to stay away from idealizations in this book. Characters will make normal,", "it's kind of a real story of an ordinary man doing extraordinary things.", "idealizations in this book. Characters will make normal, human, mistakes; they'll change their", "the best one. I'm trying to stay away from idealizations in this book.", "expertise, or people reading. And he will jail an innocent person, although it", "normal mistake. Not in procedures, and not a moral failing, but in ordinary", "be obvious to the reader that he's got the wrong guy. How can", "behavior to the other people. I'm expecting that some readers will be able", "perfect. I know this book won't be for everyone. But for me, it's", "before the detective does, and continue with the flow of the story. But", "my character will make a normal mistake. Not in procedures, and not a", "a police detective. But not the best one. I'm trying to stay away", "change their minds and be more like real people. Not perfect. I know", "book. Characters will make normal, human, mistakes; they'll change their minds and be", "Not in procedures, and not a moral failing, but in ordinary things -", "from idealizations in this book. Characters will make normal, human, mistakes; they'll change", "for everyone. But for me, it's kind of a real story of an", "best one. I'm trying to stay away from idealizations in this book. Characters", "able to solve the problem early, before the detective does, and continue with", "ordinary man doing extraordinary things. But not saving the world. He will be", "will be strong in his attitude, his moral code, and his behavior to", "one. I'm trying to stay away from idealizations in this book. Characters will", "saving the world. He will be strong in his attitude, his moral code,", "to the other people. I'm expecting that some readers will be able to", "me, it's kind of a real story of an ordinary man doing extraordinary", "his moral code, and his behavior to the other people. I'm expecting that", "He will be strong in his attitude, his moral code, and his behavior", "character is a police detective. But not the best one. I'm trying to", "or people reading. And he will jail an innocent person, although it might", "story. But my character will make a normal mistake. Not in procedures, and", "kind of a real story of an ordinary man doing extraordinary things. But", "things. But not saving the world. He will be strong in his attitude,", "in his attitude, his moral code, and his behavior to the other people.", "things - like expertise, or people reading. And he will jail an innocent", "to the reader that he's got the wrong guy. How can I accomplish", "moral code, and his behavior to the other people. I'm expecting that some", "obvious to the reader that he's got the wrong guy. How can I", "people reading. And he will jail an innocent person, although it might be", "people. I'm expecting that some readers will be able to solve the problem", "his behavior to the other people. I'm expecting that some readers will be", "not the best one. I'm trying to stay away from idealizations in this", "I accomplish this without boxing this character as dumb in a reader's eyes?", "problem early, before the detective does, and continue with the flow of the", "attitude, his moral code, and his behavior to the other people. I'm expecting", "But for me, it's kind of a real story of an ordinary man", "the detective does, and continue with the flow of the story. But my", "the world. He will be strong in his attitude, his moral code, and", "police detective. But not the best one. I'm trying to stay away from", "solve the problem early, before the detective does, and continue with the flow", "My character is a police detective. But not the best one. I'm trying", "his attitude, his moral code, and his behavior to the other people. I'm", "be for everyone. But for me, it's kind of a real story of", "he will jail an innocent person, although it might be obvious to the", "won't be for everyone. But for me, it's kind of a real story", "be able to solve the problem early, before the detective does, and continue", "not a moral failing, but in ordinary things - like expertise, or people", "of the story. But my character will make a normal mistake. Not in", "will make normal, human, mistakes; they'll change their minds and be more like", "make normal, human, mistakes; they'll change their minds and be more like real", "of a real story of an ordinary man doing extraordinary things. But not", "minds and be more like real people. Not perfect. I know this book", "everyone. But for me, it's kind of a real story of an ordinary", "an ordinary man doing extraordinary things. But not saving the world. He will", "moral failing, but in ordinary things - like expertise, or people reading. And", "- like expertise, or people reading. And he will jail an innocent person,", "human, mistakes; they'll change their minds and be more like real people. Not", "in procedures, and not a moral failing, but in ordinary things - like", "can I accomplish this without boxing this character as dumb in a reader's", "they'll change their minds and be more like real people. Not perfect. I", "like expertise, or people reading. And he will jail an innocent person, although", "in this book. Characters will make normal, human, mistakes; they'll change their minds", "he's got the wrong guy. How can I accomplish this without boxing this", "the wrong guy. How can I accomplish this without boxing this character as", "mistakes; they'll change their minds and be more like real people. Not perfect.", "early, before the detective does, and continue with the flow of the story.", "for me, it's kind of a real story of an ordinary man doing", "Characters will make normal, human, mistakes; they'll change their minds and be more", "I'm trying to stay away from idealizations in this book. Characters will make", "might be obvious to the reader that he's got the wrong guy. How", "people. Not perfect. I know this book won't be for everyone. But for", "away from idealizations in this book. Characters will make normal, human, mistakes; they'll", "man doing extraordinary things. But not saving the world. He will be strong", "this book won't be for everyone. But for me, it's kind of a", "But not the best one. I'm trying to stay away from idealizations in", "their minds and be more like real people. Not perfect. I know this", "this book. Characters will make normal, human, mistakes; they'll change their minds and", "will be able to solve the problem early, before the detective does, and", "of an ordinary man doing extraordinary things. But not saving the world. He", "But my character will make a normal mistake. Not in procedures, and not", "and his behavior to the other people. I'm expecting that some readers will", "guy. How can I accomplish this without boxing this character as dumb in", "will jail an innocent person, although it might be obvious to the reader", "the reader that he's got the wrong guy. How can I accomplish this", "But not saving the world. He will be strong in his attitude, his", "the other people. I'm expecting that some readers will be able to solve", "but in ordinary things - like expertise, or people reading. And he will", "the problem early, before the detective does, and continue with the flow of", "a moral failing, but in ordinary things - like expertise, or people reading.", "will make a normal mistake. Not in procedures, and not a moral failing,", "innocent person, although it might be obvious to the reader that he's got", "a real story of an ordinary man doing extraordinary things. But not saving", "reader that he's got the wrong guy. How can I accomplish this without", "it might be obvious to the reader that he's got the wrong guy.", "a normal mistake. Not in procedures, and not a moral failing, but in", "some readers will be able to solve the problem early, before the detective", "the story. But my character will make a normal mistake. Not in procedures,", "be strong in his attitude, his moral code, and his behavior to the", "readers will be able to solve the problem early, before the detective does,", "And he will jail an innocent person, although it might be obvious to", "doing extraordinary things. But not saving the world. He will be strong in", "person, although it might be obvious to the reader that he's got the", "code, and his behavior to the other people. I'm expecting that some readers", "to solve the problem early, before the detective does, and continue with the", "I'm expecting that some readers will be able to solve the problem early,", "strong in his attitude, his moral code, and his behavior to the other", "reading. And he will jail an innocent person, although it might be obvious", "although it might be obvious to the reader that he's got the wrong", "to stay away from idealizations in this book. Characters will make normal, human,", "and not a moral failing, but in ordinary things - like expertise, or", "know this book won't be for everyone. But for me, it's kind of", "I know this book won't be for everyone. But for me, it's kind", "continue with the flow of the story. But my character will make a", "procedures, and not a moral failing, but in ordinary things - like expertise," ]
[ "160,000-word epic (which probably has no chance of being published at that level,", "it's been a real struggle to find people willing to invest time. The", "I leave this open for a few days to see if there are", "generously giving time for my last project are likely to be a bit", "my hands leaving me bereft of a readers' group. So now I don't", "have who are generously giving time for my last project are likely to", "turn. Any ideas on \"hiring\" free labor for beta readers? I imagine I", "I can offer trade, but one of my problems with the writer's club", "\"hiring\" free labor for beta readers? I imagine I can offer trade, but", "and I'm not sure if I can commit to that. Edit: There is", "websites. However, considering the explosion of self-publishing and the growth of electronic media,", "Indeed, my current novel of 80,000 words, give or take, may be ready", "4-6 books/year, and I'm not sure if I can commit to that. Edit:", "where to turn. Any ideas on \"hiring\" free labor for beta readers? I", "80,000 words, give or take, may be ready before the epic gets back", "can offer trade, but one of my problems with the writer's club was", "to be a bit burnt out since it is a 160,000-word epic (which", "considering the explosion of self-publishing and the growth of electronic media, could I", "been a real struggle to find people willing to invest time. The friends/acquaintances", "now I don't know where to turn. Any ideas on \"hiring\" free labor", "level, so I'm going to have a lot of follow-up questions). Indeed, my", "lot of follow-up questions). Indeed, my current novel of 80,000 words, give or", "into my hands leaving me bereft of a readers' group. So now I", "writer's club was the expectation of 4-6 books/year, and I'm not sure if", "answer from 5 years ago listing two websites. However, considering the explosion of", "so I'm going to have a lot of follow-up questions). Indeed, my current", "media, could I leave this open for a few days to see if", "a 160,000-word epic (which probably has no chance of being published at that", "back into my hands leaving me bereft of a readers' group. So now", "So now I don't know where to turn. Any ideas on \"hiring\" free", "readers? I imagine I can offer trade, but one of my problems with", "this open for a few days to see if there are new ideas?", "may be ready before the epic gets back into my hands leaving me", "ideas on \"hiring\" free labor for beta readers? I imagine I can offer", "problems with the writer's club was the expectation of 4-6 books/year, and I'm", "people willing to invest time. The friends/acquaintances I have who are generously giving", "club was the expectation of 4-6 books/year, and I'm not sure if I", "However, considering the explosion of self-publishing and the growth of electronic media, could", "I can commit to that. Edit: There is an answer from 5 years", "an answer from 5 years ago listing two websites. However, considering the explosion", "willing to invest time. The friends/acquaintances I have who are generously giving time", "years ago listing two websites. However, considering the explosion of self-publishing and the", "bit burnt out since it is a 160,000-word epic (which probably has no", "the expectation of 4-6 books/year, and I'm not sure if I can commit", "I have who are generously giving time for my last project are likely", "follow-up questions). Indeed, my current novel of 80,000 words, give or take, may", "on \"hiring\" free labor for beta readers? I imagine I can offer trade,", "the writer's club was the expectation of 4-6 books/year, and I'm not sure", "struggle to find people willing to invest time. The friends/acquaintances I have who", "ago listing two websites. However, considering the explosion of self-publishing and the growth", "be a bit burnt out since it is a 160,000-word epic (which probably", "a know-it-all, it's been a real struggle to find people willing to invest", "ready before the epic gets back into my hands leaving me bereft of", "have a lot of follow-up questions). Indeed, my current novel of 80,000 words,", "or take, may be ready before the epic gets back into my hands", "chance of being published at that level, so I'm going to have a", "beta readers? I imagine I can offer trade, but one of my problems", "writer's group out of personality issues, invariably somebody becomes a know-it-all, it's been", "epic (which probably has no chance of being published at that level, so", "of being published at that level, so I'm going to have a lot", "readers' group. So now I don't know where to turn. Any ideas on", "to turn. Any ideas on \"hiring\" free labor for beta readers? I imagine", "know-it-all, it's been a real struggle to find people willing to invest time.", "real struggle to find people willing to invest time. The friends/acquaintances I have", "going to have a lot of follow-up questions). Indeed, my current novel of", "don't know where to turn. Any ideas on \"hiring\" free labor for beta", "from 5 years ago listing two websites. However, considering the explosion of self-publishing", "being published at that level, so I'm going to have a lot of", "I'm going to have a lot of follow-up questions). Indeed, my current novel", "offer trade, but one of my problems with the writer's club was the", "for beta readers? I imagine I can offer trade, but one of my", "me bereft of a readers' group. So now I don't know where to", "of 80,000 words, give or take, may be ready before the epic gets", "last project are likely to be a bit burnt out since it is", "hands leaving me bereft of a readers' group. So now I don't know", "listing two websites. However, considering the explosion of self-publishing and the growth of", "current novel of 80,000 words, give or take, may be ready before the", "can commit to that. Edit: There is an answer from 5 years ago", "could I leave this open for a few days to see if there", "be ready before the epic gets back into my hands leaving me bereft", "I left my writer's group out of personality issues, invariably somebody becomes a", "commit to that. Edit: There is an answer from 5 years ago listing", "a bit burnt out since it is a 160,000-word epic (which probably has", "are likely to be a bit burnt out since it is a 160,000-word", "5 years ago listing two websites. However, considering the explosion of self-publishing and", "leave this open for a few days to see if there are new", "since it is a 160,000-word epic (which probably has no chance of being", "I'm not sure if I can commit to that. Edit: There is an", "invest time. The friends/acquaintances I have who are generously giving time for my", "know where to turn. Any ideas on \"hiring\" free labor for beta readers?", "self-publishing and the growth of electronic media, could I leave this open for", "of follow-up questions). Indeed, my current novel of 80,000 words, give or take,", "with the writer's club was the expectation of 4-6 books/year, and I'm not", "explosion of self-publishing and the growth of electronic media, could I leave this", "left my writer's group out of personality issues, invariably somebody becomes a know-it-all,", "but one of my problems with the writer's club was the expectation of", "and the growth of electronic media, could I leave this open for a", "take, may be ready before the epic gets back into my hands leaving", "has no chance of being published at that level, so I'm going to", "gets back into my hands leaving me bereft of a readers' group. So", "a lot of follow-up questions). Indeed, my current novel of 80,000 words, give", "bereft of a readers' group. So now I don't know where to turn.", "find people willing to invest time. The friends/acquaintances I have who are generously", "to invest time. The friends/acquaintances I have who are generously giving time for", "leaving me bereft of a readers' group. So now I don't know where", "of self-publishing and the growth of electronic media, could I leave this open", "a real struggle to find people willing to invest time. The friends/acquaintances I", "group. So now I don't know where to turn. Any ideas on \"hiring\"", "burnt out since it is a 160,000-word epic (which probably has no chance", "is an answer from 5 years ago listing two websites. However, considering the", "of personality issues, invariably somebody becomes a know-it-all, it's been a real struggle", "of a readers' group. So now I don't know where to turn. Any", "personality issues, invariably somebody becomes a know-it-all, it's been a real struggle to", "I imagine I can offer trade, but one of my problems with the", "of 4-6 books/year, and I'm not sure if I can commit to that.", "my writer's group out of personality issues, invariably somebody becomes a know-it-all, it's", "trade, but one of my problems with the writer's club was the expectation", "time for my last project are likely to be a bit burnt out", "The friends/acquaintances I have who are generously giving time for my last project", "issues, invariably somebody becomes a know-it-all, it's been a real struggle to find", "labor for beta readers? I imagine I can offer trade, but one of", "if I can commit to that. Edit: There is an answer from 5", "probably has no chance of being published at that level, so I'm going", "no chance of being published at that level, so I'm going to have", "before the epic gets back into my hands leaving me bereft of a", "I don't know where to turn. Any ideas on \"hiring\" free labor for", "published at that level, so I'm going to have a lot of follow-up", "that. Edit: There is an answer from 5 years ago listing two websites.", "a readers' group. So now I don't know where to turn. Any ideas", "expectation of 4-6 books/year, and I'm not sure if I can commit to", "likely to be a bit burnt out since it is a 160,000-word epic", "words, give or take, may be ready before the epic gets back into", "friends/acquaintances I have who are generously giving time for my last project are", "it is a 160,000-word epic (which probably has no chance of being published", "Any ideas on \"hiring\" free labor for beta readers? I imagine I can", "electronic media, could I leave this open for a few days to see", "is a 160,000-word epic (which probably has no chance of being published at", "imagine I can offer trade, but one of my problems with the writer's", "group out of personality issues, invariably somebody becomes a know-it-all, it's been a", "the growth of electronic media, could I leave this open for a few", "give or take, may be ready before the epic gets back into my", "giving time for my last project are likely to be a bit burnt", "one of my problems with the writer's club was the expectation of 4-6", "becomes a know-it-all, it's been a real struggle to find people willing to", "to that. Edit: There is an answer from 5 years ago listing two", "Edit: There is an answer from 5 years ago listing two websites. However,", "was the expectation of 4-6 books/year, and I'm not sure if I can", "out of personality issues, invariably somebody becomes a know-it-all, it's been a real", "my current novel of 80,000 words, give or take, may be ready before", "Since I left my writer's group out of personality issues, invariably somebody becomes", "questions). Indeed, my current novel of 80,000 words, give or take, may be", "out since it is a 160,000-word epic (which probably has no chance of", "to find people willing to invest time. The friends/acquaintances I have who are", "(which probably has no chance of being published at that level, so I'm", "are generously giving time for my last project are likely to be a", "not sure if I can commit to that. Edit: There is an answer", "time. The friends/acquaintances I have who are generously giving time for my last", "somebody becomes a know-it-all, it's been a real struggle to find people willing", "for my last project are likely to be a bit burnt out since", "the epic gets back into my hands leaving me bereft of a readers'", "of electronic media, could I leave this open for a few days to", "two websites. However, considering the explosion of self-publishing and the growth of electronic", "who are generously giving time for my last project are likely to be", "books/year, and I'm not sure if I can commit to that. Edit: There", "the explosion of self-publishing and the growth of electronic media, could I leave", "my last project are likely to be a bit burnt out since it", "epic gets back into my hands leaving me bereft of a readers' group.", "my problems with the writer's club was the expectation of 4-6 books/year, and", "that level, so I'm going to have a lot of follow-up questions). Indeed,", "of my problems with the writer's club was the expectation of 4-6 books/year,", "at that level, so I'm going to have a lot of follow-up questions).", "sure if I can commit to that. Edit: There is an answer from", "invariably somebody becomes a know-it-all, it's been a real struggle to find people", "free labor for beta readers? I imagine I can offer trade, but one", "to have a lot of follow-up questions). Indeed, my current novel of 80,000", "There is an answer from 5 years ago listing two websites. However, considering", "growth of electronic media, could I leave this open for a few days", "novel of 80,000 words, give or take, may be ready before the epic", "project are likely to be a bit burnt out since it is a" ]
[ "and experiences I made in life. For that matter, I chose to have", "a close line between reality and fantasy. I thought to let the story", "sure most of you read it. So I want to draw a close", "experiences with that or can suggest some stylistic devices on how to handle", "I want to draw a close line between reality and fantasy. I thought", "seems pretty unclear, so let me try to explain it. So I'm writing", "historic events, but for other people who don't believe in the respective religion,", "want to draw a close line between reality and fantasy. I thought to", "adventure is like a short-story, but it's all linked together and at the", "it. So I want to draw a close line between reality and fantasy.", "feel realistic. I don't want it to be a fantasy book. The Bible", "first book and already have big plans. I don't aim to publish. It's", "At the book's end, he will be a wise person (maybe an old", "which allows me to let him meet a jinn for example, but still", "on that. But on the other hand, I want it to have a", "still everything should feel realistic. I don't want it to be a fantasy", "for example, but still everything should feel realistic. I don't want it to", "so let me try to explain it. So I'm writing my first book", "So to the central question: I want so set the story in the", "the central question: I want so set the story in the Arab world", "different adventures. Every adventure is like a short-story, but it's all linked together", "question: I want so set the story in the Arab world like it", "the other hand, I want it to have a surreal/fantasy feel, which allows", "place in form of a dream, but in the end I thought that's", "some real facts. Also Paulo Coelho's \"The Alchemist\" is a excellent example of", "seems real and indeed many of its Information contains real historic events, but", "the end I thought that's too simple. That takes the complexity and the", "complexity and the sense of all the experiences of the protagonist away. I", "read it. So I want to draw a close line between reality and", "years ago. I already did much research on that. But on the other", "young man coming from an oasis in a desert going out on different", "sense of all the experiences of the protagonist away. I think I explained", "of each experience he made there will be something like a moral. At", "want the book to be philosophical. I want it to contain all the", "the complexity and the sense of all the experiences of the protagonist away.", "book. The Bible or the Qur'an could be good examples. (No I don't", "Alchemist\" is a excellent example of the feeling I'm talking about. I'm sure", "in the end I thought that's too simple. That takes the complexity and", "realistic. I don't want it to be a fantasy book. The Bible or", "wish to be the next big prophet.) For someone who believes in it,", "feeling I'm talking about. I'm sure most of you read it. So I", "have a young man coming from an oasis in a desert going out", "the question seems pretty unclear, so let me try to explain it. So", "adventures. Every adventure is like a short-story, but it's all linked together and", "events, but for other people who don't believe in the respective religion, it's", "at the end of each experience he made there will be something like", "a nice story with some real facts. Also Paulo Coelho's \"The Alchemist\" is", "I made in life. For that matter, I chose to have a young", "try to explain it. So I'm writing my first book and already have", "about 1500 years ago. I already did much research on that. But on", "a dream, but in the end I thought that's too simple. That takes", "enough since I don't want to bother you with unnecessary details. Maybe one", "real historic events, but for other people who don't believe in the respective", "So I'm writing my first book and already have big plans. I don't", "end of each experience he made there will be something like a moral.", "the ideas and experiences I made in life. For that matter, I chose", "but still everything should feel realistic. I don't want it to be a", "ideas and experiences I made in life. For that matter, I chose to", "on the other hand, I want it to have a surreal/fantasy feel, which", "that \"problem\". I'm sure there isn't a definite answer and the question still", "explained enough since I don't want to bother you with unnecessary details. Maybe", "he will be a wise person (maybe an old man by that time).", "with some real facts. Also Paulo Coelho's \"The Alchemist\" is a excellent example", "me. I want the book to be philosophical. I want it to contain", "it to contain all the ideas and experiences I made in life. For", "to be the next big prophet.) For someone who believes in it, everything", "too simple. That takes the complexity and the sense of all the experiences", "Maybe one of you creative writers out there has made experiences with that", "So I want to draw a close line between reality and fantasy. I", "for me. I want the book to be philosophical. I want it to", "how to handle that \"problem\". I'm sure there isn't a definite answer and", "is a excellent example of the feeling I'm talking about. I'm sure most", "protagonist away. I think I explained enough since I don't want to bother", "that matter, I chose to have a young man coming from an oasis", "other hand, I want it to have a surreal/fantasy feel, which allows me", "prophet.) For someone who believes in it, everything seems real and indeed many", "together and at the end of each experience he made there will be", "(maybe an old man by that time). So to the central question: I", "could be good examples. (No I don't wish to be the next big", "\"The Alchemist\" is a excellent example of the feeling I'm talking about. I'm", "I don't wish to be the next big prophet.) For someone who believes", "to be philosophical. I want it to contain all the ideas and experiences", "writers out there has made experiences with that or can suggest some stylistic", "life. For that matter, I chose to have a young man coming from", "a surreal/fantasy feel, which allows me to let him meet a jinn for", "a wise person (maybe an old man by that time). So to the", "a definite answer and the question still seems very vague, but I'm grateful", "believes in it, everything seems real and indeed many of its Information contains", "unnecessary details. Maybe one of you creative writers out there has made experiences", "and indeed many of its Information contains real historic events, but for other", "I explained enough since I don't want to bother you with unnecessary details.", "with unnecessary details. Maybe one of you creative writers out there has made", "I already did much research on that. But on the other hand, I", "don't wish to be the next big prophet.) For someone who believes in", "the sense of all the experiences of the protagonist away. I think I", "book to be philosophical. I want it to contain all the ideas and", "in the respective religion, it's just a nice story with some real facts.", "moral. At the book's end, he will be a wise person (maybe an", "to explain it. So I'm writing my first book and already have big", "real and indeed many of its Information contains real historic events, but for", "a fantasy book. The Bible or the Qur'an could be good examples. (No", "I'm talking about. I'm sure most of you read it. So I want", "believe in the respective religion, it's just a nice story with some real", "and the question still seems very vague, but I'm grateful for every advice", "it. So I'm writing my first book and already have big plans. I", "made in life. For that matter, I chose to have a young man", "there has made experiences with that or can suggest some stylistic devices on", "big plans. I don't aim to publish. It's just for me. I want", "world like it was about 1500 years ago. I already did much research", "Coelho's \"The Alchemist\" is a excellent example of the feeling I'm talking about.", "example, but still everything should feel realistic. I don't want it to be", "to publish. It's just for me. I want the book to be philosophical.", "I don't want it to be a fantasy book. The Bible or the", "creative writers out there has made experiences with that or can suggest some", "of its Information contains real historic events, but for other people who don't", "contain all the ideas and experiences I made in life. For that matter,", "I think I explained enough since I don't want to bother you with", "good examples. (No I don't wish to be the next big prophet.) For", "and at the end of each experience he made there will be something", "man by that time). So to the central question: I want so set", "It's just for me. I want the book to be philosophical. I want", "did much research on that. But on the other hand, I want it", "an old man by that time). So to the central question: I want", "I thought that's too simple. That takes the complexity and the sense of", "who believes in it, everything seems real and indeed many of its Information", "for other people who don't believe in the respective religion, it's just a", "to have a surreal/fantasy feel, which allows me to let him meet a", "the end of each experience he made there will be something like a", "take place in form of a dream, but in the end I thought", "facts. Also Paulo Coelho's \"The Alchemist\" is a excellent example of the feeling", "man coming from an oasis in a desert going out on different adventures.", "that time). So to the central question: I want so set the story", "most of you read it. So I want to draw a close line", "like it was about 1500 years ago. I already did much research on", "out there has made experiences with that or can suggest some stylistic devices", "feel, which allows me to let him meet a jinn for example, but", "it to be a fantasy book. The Bible or the Qur'an could be", "think I explained enough since I don't want to bother you with unnecessary", "a jinn for example, but still everything should feel realistic. I don't want", "That takes the complexity and the sense of all the experiences of the", "contains real historic events, but for other people who don't believe in the", "religion, it's just a nice story with some real facts. Also Paulo Coelho's", "end, he will be a wise person (maybe an old man by that", "talking about. I'm sure most of you read it. So I want to", "\"problem\". I'm sure there isn't a definite answer and the question still seems", "the book to be philosophical. I want it to contain all the ideas", "But on the other hand, I want it to have a surreal/fantasy feel,", "For that matter, I chose to have a young man coming from an", "book and already have big plans. I don't aim to publish. It's just", "Every adventure is like a short-story, but it's all linked together and at", "and fantasy. I thought to let the story take place in form of", "don't believe in the respective religion, it's just a nice story with some", "want it to contain all the ideas and experiences I made in life.", "you with unnecessary details. Maybe one of you creative writers out there has", "experiences of the protagonist away. I think I explained enough since I don't", "one of you creative writers out there has made experiences with that or", "he made there will be something like a moral. At the book's end,", "fantasy book. The Bible or the Qur'an could be good examples. (No I", "the feeling I'm talking about. I'm sure most of you read it. So", "close line between reality and fantasy. I thought to let the story take", "have a surreal/fantasy feel, which allows me to let him meet a jinn", "or can suggest some stylistic devices on how to handle that \"problem\". I'm", "book's end, he will be a wise person (maybe an old man by", "time). So to the central question: I want so set the story in", "writing my first book and already have big plans. I don't aim to", "on different adventures. Every adventure is like a short-story, but it's all linked", "to be a fantasy book. The Bible or the Qur'an could be good", "the book's end, he will be a wise person (maybe an old man", "out on different adventures. Every adventure is like a short-story, but it's all", "and the sense of all the experiences of the protagonist away. I think", "next big prophet.) For someone who believes in it, everything seems real and", "my first book and already have big plans. I don't aim to publish.", "all the ideas and experiences I made in life. For that matter, I", "short-story, but it's all linked together and at the end of each experience", "a short-story, but it's all linked together and at the end of each", "I want so set the story in the Arab world like it was", "it to have a surreal/fantasy feel, which allows me to let him meet", "to contain all the ideas and experiences I made in life. For that", "devices on how to handle that \"problem\". I'm sure there isn't a definite", "with that or can suggest some stylistic devices on how to handle that", "the protagonist away. I think I explained enough since I don't want to", "details. Maybe one of you creative writers out there has made experiences with", "philosophical. I want it to contain all the ideas and experiences I made", "was about 1500 years ago. I already did much research on that. But", "let the story take place in form of a dream, but in the", "I don't want to bother you with unnecessary details. Maybe one of you", "bother you with unnecessary details. Maybe one of you creative writers out there", "aim to publish. It's just for me. I want the book to be", "has made experiences with that or can suggest some stylistic devices on how", "that's too simple. That takes the complexity and the sense of all the", "in the Arab world like it was about 1500 years ago. I already", "still seems very vague, but I'm grateful for every advice from you! Thanks!", "handle that \"problem\". I'm sure there isn't a definite answer and the question", "experiences I made in life. For that matter, I chose to have a", "explain it. So I'm writing my first book and already have big plans.", "Also Paulo Coelho's \"The Alchemist\" is a excellent example of the feeling I'm", "many of its Information contains real historic events, but for other people who", "me try to explain it. So I'm writing my first book and already", "just a nice story with some real facts. Also Paulo Coelho's \"The Alchemist\"", "is like a short-story, but it's all linked together and at the end", "ago. I already did much research on that. But on the other hand,", "other people who don't believe in the respective religion, it's just a nice", "For someone who believes in it, everything seems real and indeed many of", "old man by that time). So to the central question: I want so", "research on that. But on the other hand, I want it to have", "all linked together and at the end of each experience he made there", "of all the experiences of the protagonist away. I think I explained enough", "its Information contains real historic events, but for other people who don't believe", "linked together and at the end of each experience he made there will", "form of a dream, but in the end I thought that's too simple.", "story in the Arab world like it was about 1500 years ago. I", "and already have big plans. I don't aim to publish. It's just for", "person (maybe an old man by that time). So to the central question:", "meet a jinn for example, but still everything should feel realistic. I don't", "respective religion, it's just a nice story with some real facts. Also Paulo", "of the protagonist away. I think I explained enough since I don't want", "that or can suggest some stylistic devices on how to handle that \"problem\".", "fantasy. I thought to let the story take place in form of a", "on how to handle that \"problem\". I'm sure there isn't a definite answer", "simple. That takes the complexity and the sense of all the experiences of", "hand, I want it to have a surreal/fantasy feel, which allows me to", "real facts. Also Paulo Coelho's \"The Alchemist\" is a excellent example of the", "reality and fantasy. I thought to let the story take place in form", "chose to have a young man coming from an oasis in a desert", "dream, but in the end I thought that's too simple. That takes the", "set the story in the Arab world like it was about 1500 years", "isn't a definite answer and the question still seems very vague, but I'm", "indeed many of its Information contains real historic events, but for other people", "thought to let the story take place in form of a dream, but", "the next big prophet.) For someone who believes in it, everything seems real", "by that time). So to the central question: I want so set the", "going out on different adventures. Every adventure is like a short-story, but it's", "the question still seems very vague, but I'm grateful for every advice from", "have big plans. I don't aim to publish. It's just for me. I", "made experiences with that or can suggest some stylistic devices on how to", "central question: I want so set the story in the Arab world like", "Arab world like it was about 1500 years ago. I already did much", "be a fantasy book. The Bible or the Qur'an could be good examples.", "1500 years ago. I already did much research on that. But on the", "be the next big prophet.) For someone who believes in it, everything seems", "suggest some stylistic devices on how to handle that \"problem\". I'm sure there", "(No I don't wish to be the next big prophet.) For someone who", "or the Qur'an could be good examples. (No I don't wish to be", "the story in the Arab world like it was about 1500 years ago.", "takes the complexity and the sense of all the experiences of the protagonist", "about. I'm sure most of you read it. So I want to draw", "in life. For that matter, I chose to have a young man coming", "oasis in a desert going out on different adventures. Every adventure is like", "the Qur'an could be good examples. (No I don't wish to be the", "example of the feeling I'm talking about. I'm sure most of you read", "there isn't a definite answer and the question still seems very vague, but", "I don't aim to publish. It's just for me. I want the book", "examples. (No I don't wish to be the next big prophet.) For someone", "Information contains real historic events, but for other people who don't believe in", "will be something like a moral. At the book's end, he will be", "stylistic devices on how to handle that \"problem\". I'm sure there isn't a", "away. I think I explained enough since I don't want to bother you", "an oasis in a desert going out on different adventures. Every adventure is", "a desert going out on different adventures. Every adventure is like a short-story,", "I'm sure there isn't a definite answer and the question still seems very", "be something like a moral. At the book's end, he will be a", "it, everything seems real and indeed many of its Information contains real historic", "I'm sure most of you read it. So I want to draw a", "question seems pretty unclear, so let me try to explain it. So I'm", "don't want it to be a fantasy book. The Bible or the Qur'an", "I know the question seems pretty unclear, so let me try to explain", "so set the story in the Arab world like it was about 1500", "want it to be a fantasy book. The Bible or the Qur'an could", "of the feeling I'm talking about. I'm sure most of you read it.", "to the central question: I want so set the story in the Arab", "sure there isn't a definite answer and the question still seems very vague,", "someone who believes in it, everything seems real and indeed many of its", "the experiences of the protagonist away. I think I explained enough since I", "matter, I chose to have a young man coming from an oasis in", "to let him meet a jinn for example, but still everything should feel", "to draw a close line between reality and fantasy. I thought to let", "you creative writers out there has made experiences with that or can suggest", "to bother you with unnecessary details. Maybe one of you creative writers out", "who don't believe in the respective religion, it's just a nice story with", "jinn for example, but still everything should feel realistic. I don't want it", "coming from an oasis in a desert going out on different adventures. Every", "all the experiences of the protagonist away. I think I explained enough since", "already have big plans. I don't aim to publish. It's just for me.", "will be a wise person (maybe an old man by that time). So", "story take place in form of a dream, but in the end I", "I want it to contain all the ideas and experiences I made in", "let me try to explain it. So I'm writing my first book and", "plans. I don't aim to publish. It's just for me. I want the", "between reality and fantasy. I thought to let the story take place in", "end I thought that's too simple. That takes the complexity and the sense", "publish. It's just for me. I want the book to be philosophical. I", "want so set the story in the Arab world like it was about", "question still seems very vague, but I'm grateful for every advice from you!", "The Bible or the Qur'an could be good examples. (No I don't wish", "to have a young man coming from an oasis in a desert going", "I thought to let the story take place in form of a dream,", "answer and the question still seems very vague, but I'm grateful for every", "should feel realistic. I don't want it to be a fantasy book. The", "don't aim to publish. It's just for me. I want the book to", "some stylistic devices on how to handle that \"problem\". I'm sure there isn't", "me to let him meet a jinn for example, but still everything should", "everything should feel realistic. I don't want it to be a fantasy book.", "want to bother you with unnecessary details. Maybe one of you creative writers", "everything seems real and indeed many of its Information contains real historic events,", "Qur'an could be good examples. (No I don't wish to be the next", "it's all linked together and at the end of each experience he made", "I'm writing my first book and already have big plans. I don't aim", "since I don't want to bother you with unnecessary details. Maybe one of", "in it, everything seems real and indeed many of its Information contains real", "much research on that. But on the other hand, I want it to", "unclear, so let me try to explain it. So I'm writing my first", "like a moral. At the book's end, he will be a wise person", "made there will be something like a moral. At the book's end, he", "excellent example of the feeling I'm talking about. I'm sure most of you", "wise person (maybe an old man by that time). So to the central", "the Arab world like it was about 1500 years ago. I already did", "Paulo Coelho's \"The Alchemist\" is a excellent example of the feeling I'm talking", "big prophet.) For someone who believes in it, everything seems real and indeed", "draw a close line between reality and fantasy. I thought to let the", "surreal/fantasy feel, which allows me to let him meet a jinn for example,", "story with some real facts. Also Paulo Coelho's \"The Alchemist\" is a excellent", "of a dream, but in the end I thought that's too simple. That", "pretty unclear, so let me try to explain it. So I'm writing my", "know the question seems pretty unclear, so let me try to explain it.", "just for me. I want the book to be philosophical. I want it", "definite answer and the question still seems very vague, but I'm grateful for", "Bible or the Qur'an could be good examples. (No I don't wish to", "from an oasis in a desert going out on different adventures. Every adventure", "a excellent example of the feeling I'm talking about. I'm sure most of", "I chose to have a young man coming from an oasis in a", "a moral. At the book's end, he will be a wise person (maybe", "be good examples. (No I don't wish to be the next big prophet.)", "like a short-story, but it's all linked together and at the end of", "I want it to have a surreal/fantasy feel, which allows me to let", "a young man coming from an oasis in a desert going out on", "already did much research on that. But on the other hand, I want", "don't want to bother you with unnecessary details. Maybe one of you creative", "be a wise person (maybe an old man by that time). So to", "there will be something like a moral. At the book's end, he will", "people who don't believe in the respective religion, it's just a nice story", "experience he made there will be something like a moral. At the book's", "nice story with some real facts. Also Paulo Coelho's \"The Alchemist\" is a", "but in the end I thought that's too simple. That takes the complexity", "in form of a dream, but in the end I thought that's too", "desert going out on different adventures. Every adventure is like a short-story, but", "it's just a nice story with some real facts. Also Paulo Coelho's \"The", "in a desert going out on different adventures. Every adventure is like a", "but for other people who don't believe in the respective religion, it's just", "the respective religion, it's just a nice story with some real facts. Also", "you read it. So I want to draw a close line between reality", "thought that's too simple. That takes the complexity and the sense of all", "that. But on the other hand, I want it to have a surreal/fantasy", "let him meet a jinn for example, but still everything should feel realistic.", "to let the story take place in form of a dream, but in", "line between reality and fantasy. I thought to let the story take place", "can suggest some stylistic devices on how to handle that \"problem\". I'm sure", "of you creative writers out there has made experiences with that or can", "want it to have a surreal/fantasy feel, which allows me to let him", "I want the book to be philosophical. I want it to contain all", "it was about 1500 years ago. I already did much research on that.", "the story take place in form of a dream, but in the end", "to handle that \"problem\". I'm sure there isn't a definite answer and the", "be philosophical. I want it to contain all the ideas and experiences I", "something like a moral. At the book's end, he will be a wise", "of you read it. So I want to draw a close line between", "him meet a jinn for example, but still everything should feel realistic. I", "but it's all linked together and at the end of each experience he", "allows me to let him meet a jinn for example, but still everything", "each experience he made there will be something like a moral. At the" ]
[ "will fill multiple pages (I suppose that it could be considered a collage", "is typically small enough not to warrant such paraphernalia; would it seem out", "out of place on an essay? Edit: I should have mentioned that I", "help introduce the relatively lengthy piece. Generally, would academic standards permit such in", "of place on an essay? Edit: I should have mentioned that I did", "seeing was, '...a foreword is an essay...' or the like. Note: I originally", "a collage of essays that build on each other to support one larger", "not to warrant such paraphernalia; would it seem out of place on an", "piece. Generally, would academic standards permit such in an essay, or do I", "a preface in front as I feel they complement the theme and help", "each other to support one larger theme). This is something I've undertaken for", "feel they complement the theme and help introduce the relatively lengthy piece. Generally,", "an essay? Edit: I should have mentioned that I did some Google Searches", "enough not to warrant such paraphernalia; would it seem out of place on", "I should have mentioned that I did some Google Searches about forewords/prefaces on", "could be considered a collage of essays that build on each other to", "that will fill multiple pages (I suppose that it could be considered a", "Edit: I should have mentioned that I did some Google Searches about forewords/prefaces", "do I need to call this something else? As far as I can", "Google Searches about forewords/prefaces on essays, but what I kept seeing was, '...a", "need to call this something else? As far as I can tell, the", "can tell, the structure of an essay is fairly vague, but is typically", "essay? Edit: I should have mentioned that I did some Google Searches about", "Searches about forewords/prefaces on essays, but what I kept seeing was, '...a foreword", "collage of essays that build on each other to support one larger theme).", "would it seem out of place on an essay? Edit: I should have", "but is typically small enough not to warrant such paraphernalia; would it seem", "standards permit such in an essay, or do I need to call this", "call this something else? As far as I can tell, the structure of", "place on an essay? Edit: I should have mentioned that I did some", "I originally asked about putting a foreword on this essay, but should have", "if peer review is positive. I placed acknowledgements, dedications, and a preface in", "foreword on this essay, but should have realized that it was [really a", "I kept seeing was, '...a foreword is an essay...' or the like. Note:", "of eventual circulation if peer review is positive. I placed acknowledgements, dedications, and", "multi-faceted essay that will fill multiple pages (I suppose that it could be", "essays that build on each other to support one larger theme). This is", "support one larger theme). This is something I've undertaken for pleasure, with the", "the intent of eventual circulation if peer review is positive. I placed acknowledgements,", "I need to call this something else? As far as I can tell,", "that I did some Google Searches about forewords/prefaces on essays, but what I", "Note: I originally asked about putting a foreword on this essay, but should", "This is something I've undertaken for pleasure, with the intent of eventual circulation", "I can tell, the structure of an essay is fairly vague, but is", "with the intent of eventual circulation if peer review is positive. I placed", "other to support one larger theme). This is something I've undertaken for pleasure,", "I placed acknowledgements, dedications, and a preface in front as I feel they", "asked about putting a foreword on this essay, but should have realized that", "(I suppose that it could be considered a collage of essays that build", "about putting a foreword on this essay, but should have realized that it", "this something else? As far as I can tell, the structure of an", "As far as I can tell, the structure of an essay is fairly", "essay that will fill multiple pages (I suppose that it could be considered", "pages (I suppose that it could be considered a collage of essays that", "an essay...' or the like. Note: I originally asked about putting a foreword", "some Google Searches about forewords/prefaces on essays, but what I kept seeing was,", "I did some Google Searches about forewords/prefaces on essays, but what I kept", "suppose that it could be considered a collage of essays that build on", "build on each other to support one larger theme). This is something I've", "acknowledgements, dedications, and a preface in front as I feel they complement the", "about forewords/prefaces on essays, but what I kept seeing was, '...a foreword is", "complement the theme and help introduce the relatively lengthy piece. Generally, would academic", "introduce the relatively lengthy piece. Generally, would academic standards permit such in an", "an essay, or do I need to call this something else? As far", "on an essay? Edit: I should have mentioned that I did some Google", "on essays, but what I kept seeing was, '...a foreword is an essay...'", "it seem out of place on an essay? Edit: I should have mentioned", "but what I kept seeing was, '...a foreword is an essay...' or the", "to warrant such paraphernalia; would it seem out of place on an essay?", "one larger theme). This is something I've undertaken for pleasure, with the intent", "writing a multi-faceted essay that will fill multiple pages (I suppose that it", "the like. Note: I originally asked about putting a foreword on this essay,", "would academic standards permit such in an essay, or do I need to", "such in an essay, or do I need to call this something else?", "theme). This is something I've undertaken for pleasure, with the intent of eventual", "they complement the theme and help introduce the relatively lengthy piece. Generally, would", "have mentioned that I did some Google Searches about forewords/prefaces on essays, but", "be considered a collage of essays that build on each other to support", "and help introduce the relatively lengthy piece. Generally, would academic standards permit such", "such paraphernalia; would it seem out of place on an essay? Edit: I", "in an essay, or do I need to call this something else? As", "something else? As far as I can tell, the structure of an essay", "seem out of place on an essay? Edit: I should have mentioned that", "is an essay...' or the like. Note: I originally asked about putting a", "fill multiple pages (I suppose that it could be considered a collage of", "dedications, and a preface in front as I feel they complement the theme", "to support one larger theme). This is something I've undertaken for pleasure, with", "putting a foreword on this essay, but should have realized that it was", "like. Note: I originally asked about putting a foreword on this essay, but", "the theme and help introduce the relatively lengthy piece. Generally, would academic standards", "the relatively lengthy piece. Generally, would academic standards permit such in an essay,", "essay is fairly vague, but is typically small enough not to warrant such", "in front as I feel they complement the theme and help introduce the", "essay...' or the like. Note: I originally asked about putting a foreword on", "structure of an essay is fairly vague, but is typically small enough not", "far as I can tell, the structure of an essay is fairly vague,", "kept seeing was, '...a foreword is an essay...' or the like. Note: I", "of essays that build on each other to support one larger theme). This", "considered a collage of essays that build on each other to support one", "fairly vague, but is typically small enough not to warrant such paraphernalia; would", "essay, or do I need to call this something else? As far as", "it could be considered a collage of essays that build on each other", "I feel they complement the theme and help introduce the relatively lengthy piece.", "permit such in an essay, or do I need to call this something", "an essay is fairly vague, but is typically small enough not to warrant", "what I kept seeing was, '...a foreword is an essay...' or the like.", "'...a foreword is an essay...' or the like. Note: I originally asked about", "a foreword on this essay, but should have realized that it was [really", "Generally, would academic standards permit such in an essay, or do I need", "I'm writing a multi-faceted essay that will fill multiple pages (I suppose that", "foreword is an essay...' or the like. Note: I originally asked about putting", "is positive. I placed acknowledgements, dedications, and a preface in front as I", "as I can tell, the structure of an essay is fairly vague, but", "theme and help introduce the relatively lengthy piece. Generally, would academic standards permit", "that build on each other to support one larger theme). This is something", "relatively lengthy piece. Generally, would academic standards permit such in an essay, or", "vague, but is typically small enough not to warrant such paraphernalia; would it", "intent of eventual circulation if peer review is positive. I placed acknowledgements, dedications,", "else? As far as I can tell, the structure of an essay is", "was, '...a foreword is an essay...' or the like. Note: I originally asked", "typically small enough not to warrant such paraphernalia; would it seem out of", "front as I feel they complement the theme and help introduce the relatively", "or do I need to call this something else? As far as I", "forewords/prefaces on essays, but what I kept seeing was, '...a foreword is an", "placed acknowledgements, dedications, and a preface in front as I feel they complement", "on each other to support one larger theme). This is something I've undertaken", "a multi-faceted essay that will fill multiple pages (I suppose that it could", "mentioned that I did some Google Searches about forewords/prefaces on essays, but what", "small enough not to warrant such paraphernalia; would it seem out of place", "larger theme). This is something I've undertaken for pleasure, with the intent of", "the structure of an essay is fairly vague, but is typically small enough", "for pleasure, with the intent of eventual circulation if peer review is positive.", "as I feel they complement the theme and help introduce the relatively lengthy", "circulation if peer review is positive. I placed acknowledgements, dedications, and a preface", "did some Google Searches about forewords/prefaces on essays, but what I kept seeing", "originally asked about putting a foreword on this essay, but should have realized", "I've undertaken for pleasure, with the intent of eventual circulation if peer review", "warrant such paraphernalia; would it seem out of place on an essay? Edit:", "multiple pages (I suppose that it could be considered a collage of essays", "tell, the structure of an essay is fairly vague, but is typically small", "is fairly vague, but is typically small enough not to warrant such paraphernalia;", "is something I've undertaken for pleasure, with the intent of eventual circulation if", "of an essay is fairly vague, but is typically small enough not to", "that it could be considered a collage of essays that build on each", "to call this something else? As far as I can tell, the structure", "or the like. Note: I originally asked about putting a foreword on this", "and a preface in front as I feel they complement the theme and", "review is positive. I placed acknowledgements, dedications, and a preface in front as", "something I've undertaken for pleasure, with the intent of eventual circulation if peer", "paraphernalia; would it seem out of place on an essay? Edit: I should", "pleasure, with the intent of eventual circulation if peer review is positive. I", "should have mentioned that I did some Google Searches about forewords/prefaces on essays,", "lengthy piece. Generally, would academic standards permit such in an essay, or do", "peer review is positive. I placed acknowledgements, dedications, and a preface in front", "preface in front as I feel they complement the theme and help introduce", "eventual circulation if peer review is positive. I placed acknowledgements, dedications, and a", "on this essay, but should have realized that it was [really a preface](http://www.writersandeditors.com/preface__foreword__or_introduction__57375.htm).", "undertaken for pleasure, with the intent of eventual circulation if peer review is", "essays, but what I kept seeing was, '...a foreword is an essay...' or", "positive. I placed acknowledgements, dedications, and a preface in front as I feel", "academic standards permit such in an essay, or do I need to call" ]
[ "1st person? In a piece of fiction writing, how do you know which", "in 1st person? In a piece of fiction writing, how do you know", "makes it easy to get great immersion in with the characters. Is it", "should write in? I almost always write with a 1st person narrative because", "person narrative because it makes it easy to get great immersion in with", "which perspective I should write in? I almost always write with a 1st", "because it makes it easy to get great immersion in with the characters.", "narrative because it makes it easy to get great immersion in with the", "in with the characters. Is it always okay to write in 1st person?", "I should write in? I almost always write with a 1st person narrative", "great immersion in with the characters. Is it always okay to write in", "it always okay to write in 1st person? In a piece of fiction", "easy to get great immersion in with the characters. Is it always okay", "I know, when I'm writing, which perspective I should write in? I almost", "know, when I'm writing, which perspective I should write in? I almost always", "in? I almost always write with a 1st person narrative because it makes", "it makes it easy to get great immersion in with the characters. Is", "the characters. Is it always okay to write in 1st person? In a", "write in 1st person? In a piece of fiction writing, how do you", "get great immersion in with the characters. Is it always okay to write", "In a piece of fiction writing, how do you know which perspective to", "I almost always write with a 1st person narrative because it makes it", "write with a 1st person narrative because it makes it easy to get", "a piece of fiction writing, how do you know which perspective to use?", "with a 1st person narrative because it makes it easy to get great", "to write in 1st person? In a piece of fiction writing, how do", "characters. Is it always okay to write in 1st person? In a piece", "always okay to write in 1st person? In a piece of fiction writing,", "do I know, when I'm writing, which perspective I should write in? I", "a 1st person narrative because it makes it easy to get great immersion", "person? In a piece of fiction writing, how do you know which perspective", "when I'm writing, which perspective I should write in? I almost always write", "1st person narrative because it makes it easy to get great immersion in", "immersion in with the characters. Is it always okay to write in 1st", "perspective I should write in? I almost always write with a 1st person", "to get great immersion in with the characters. Is it always okay to", "How do I know, when I'm writing, which perspective I should write in?", "writing, which perspective I should write in? I almost always write with a", "almost always write with a 1st person narrative because it makes it easy", "okay to write in 1st person? In a piece of fiction writing, how", "it easy to get great immersion in with the characters. Is it always", "with the characters. Is it always okay to write in 1st person? In", "Is it always okay to write in 1st person? In a piece of", "always write with a 1st person narrative because it makes it easy to", "write in? I almost always write with a 1st person narrative because it", "I'm writing, which perspective I should write in? I almost always write with" ]
[ "would make real-time suggestions based on \"real world\" text. The only corpus-based tool", "corpus-based tool I know of is Writefull - does anybody know of any", "for a tool that would make real-time suggestions based on \"real world\" text.", "I'm searching for a tool that would make real-time suggestions based on \"real", "text. The only corpus-based tool I know of is Writefull - does anybody", "searching for a tool that would make real-time suggestions based on \"real world\"", "make real-time suggestions based on \"real world\" text. The only corpus-based tool I", "based on \"real world\" text. The only corpus-based tool I know of is", "only corpus-based tool I know of is Writefull - does anybody know of", "a tool that would make real-time suggestions based on \"real world\" text. The", "tool I know of is Writefull - does anybody know of any others?", "real-time suggestions based on \"real world\" text. The only corpus-based tool I know", "world\" text. The only corpus-based tool I know of is Writefull - does", "on \"real world\" text. The only corpus-based tool I know of is Writefull", "tool that would make real-time suggestions based on \"real world\" text. The only", "that would make real-time suggestions based on \"real world\" text. The only corpus-based", "The only corpus-based tool I know of is Writefull - does anybody know", "\"real world\" text. The only corpus-based tool I know of is Writefull -", "suggestions based on \"real world\" text. The only corpus-based tool I know of" ]
[ "are all narrative paragraphs. What if I started the introduction with a descriptive", "For example, the introduction, the body, and the conclusion are all narrative paragraphs.", "in my mind now is that every narrative essay must contain narrative paragraphs", "and the conclusion are all narrative paragraphs. What if I started the introduction", "paragraph? Is it still a narrative essay? What I'm holding in my mind", "mind now is that every narrative essay must contain narrative paragraphs only. (Like", "with a descriptive paragraph and the body with a narrative paragraph? Is it", "narrative paragraphs. What if I started the introduction with a descriptive paragraph and", "Is it still a narrative essay? What I'm holding in my mind now", "In narrative essays, should I make all the paragraphs narrative? For example, the", "all narrative paragraphs. What if I started the introduction with a descriptive paragraph", "paragraphs only. (Like descriptive essays, which contain only descriptive paragraphs/ argumentative...) Is that", "paragraphs. What if I started the introduction with a descriptive paragraph and the", "I'm holding in my mind now is that every narrative essay must contain", "introduction, the body, and the conclusion are all narrative paragraphs. What if I", "with a narrative paragraph? Is it still a narrative essay? What I'm holding", "essay must contain narrative paragraphs only. (Like descriptive essays, which contain only descriptive", "the conclusion are all narrative paragraphs. What if I started the introduction with", "descriptive paragraph and the body with a narrative paragraph? Is it still a", "holding in my mind now is that every narrative essay must contain narrative", "introduction with a descriptive paragraph and the body with a narrative paragraph? Is", "the body with a narrative paragraph? Is it still a narrative essay? What", "What if I started the introduction with a descriptive paragraph and the body", "must contain narrative paragraphs only. (Like descriptive essays, which contain only descriptive paragraphs/", "paragraph and the body with a narrative paragraph? Is it still a narrative", "all the paragraphs narrative? For example, the introduction, the body, and the conclusion", "narrative? For example, the introduction, the body, and the conclusion are all narrative", "make all the paragraphs narrative? For example, the introduction, the body, and the", "What I'm holding in my mind now is that every narrative essay must", "conclusion are all narrative paragraphs. What if I started the introduction with a", "narrative essay? What I'm holding in my mind now is that every narrative", "a descriptive paragraph and the body with a narrative paragraph? Is it still", "now is that every narrative essay must contain narrative paragraphs only. (Like descriptive", "narrative essays, should I make all the paragraphs narrative? For example, the introduction,", "the introduction with a descriptive paragraph and the body with a narrative paragraph?", "only. (Like descriptive essays, which contain only descriptive paragraphs/ argumentative...) Is that true?", "body, and the conclusion are all narrative paragraphs. What if I started the", "I make all the paragraphs narrative? For example, the introduction, the body, and", "the body, and the conclusion are all narrative paragraphs. What if I started", "body with a narrative paragraph? Is it still a narrative essay? What I'm", "contain narrative paragraphs only. (Like descriptive essays, which contain only descriptive paragraphs/ argumentative...)", "should I make all the paragraphs narrative? For example, the introduction, the body,", "my mind now is that every narrative essay must contain narrative paragraphs only.", "essays, should I make all the paragraphs narrative? For example, the introduction, the", "narrative paragraph? Is it still a narrative essay? What I'm holding in my", "essay? What I'm holding in my mind now is that every narrative essay", "is that every narrative essay must contain narrative paragraphs only. (Like descriptive essays,", "I started the introduction with a descriptive paragraph and the body with a", "started the introduction with a descriptive paragraph and the body with a narrative", "a narrative paragraph? Is it still a narrative essay? What I'm holding in", "it still a narrative essay? What I'm holding in my mind now is", "if I started the introduction with a descriptive paragraph and the body with", "a narrative essay? What I'm holding in my mind now is that every", "narrative essay must contain narrative paragraphs only. (Like descriptive essays, which contain only", "still a narrative essay? What I'm holding in my mind now is that", "the introduction, the body, and the conclusion are all narrative paragraphs. What if", "that every narrative essay must contain narrative paragraphs only. (Like descriptive essays, which", "every narrative essay must contain narrative paragraphs only. (Like descriptive essays, which contain", "example, the introduction, the body, and the conclusion are all narrative paragraphs. What", "paragraphs narrative? For example, the introduction, the body, and the conclusion are all", "narrative paragraphs only. (Like descriptive essays, which contain only descriptive paragraphs/ argumentative...) Is", "the paragraphs narrative? For example, the introduction, the body, and the conclusion are", "and the body with a narrative paragraph? Is it still a narrative essay?" ]
[ "he has nothing to lose. This man will take unnecessary risks for the", "has a broken heart? He feels like he has nothing to lose. This", "doesn't even have to be a reward just the feeling of taking the", "be a reward just the feeling of taking the risk gets him off.", "man who has a broken heart? He feels like he has nothing to", "unnecessary risks for the reward because death doesn't mean much to this broken", "death doesn't mean much to this broken man. There doesn't even have to", "to this broken man. There doesn't even have to be a reward just", "man. There doesn't even have to be a reward just the feeling of", "has nothing to lose. This man will take unnecessary risks for the reward", "word suggests the phenomenon of a man who has a broken heart? He", "nothing to lose. This man will take unnecessary risks for the reward because", "have to be a reward just the feeling of taking the risk gets", "There doesn't even have to be a reward just the feeling of taking", "What word suggests the phenomenon of a man who has a broken heart?", "feels like he has nothing to lose. This man will take unnecessary risks", "a man who has a broken heart? He feels like he has nothing", "much to this broken man. There doesn't even have to be a reward", "man will take unnecessary risks for the reward because death doesn't mean much", "will take unnecessary risks for the reward because death doesn't mean much to", "to be a reward just the feeling of taking the risk gets him", "broken heart? He feels like he has nothing to lose. This man will", "reward because death doesn't mean much to this broken man. There doesn't even", "risks for the reward because death doesn't mean much to this broken man.", "phenomenon of a man who has a broken heart? He feels like he", "who has a broken heart? He feels like he has nothing to lose.", "He feels like he has nothing to lose. This man will take unnecessary", "to lose. This man will take unnecessary risks for the reward because death", "lose. This man will take unnecessary risks for the reward because death doesn't", "This man will take unnecessary risks for the reward because death doesn't mean", "a broken heart? He feels like he has nothing to lose. This man", "the phenomenon of a man who has a broken heart? He feels like", "take unnecessary risks for the reward because death doesn't mean much to this", "heart? He feels like he has nothing to lose. This man will take", "because death doesn't mean much to this broken man. There doesn't even have", "mean much to this broken man. There doesn't even have to be a", "of a man who has a broken heart? He feels like he has", "for the reward because death doesn't mean much to this broken man. There", "broken man. There doesn't even have to be a reward just the feeling", "like he has nothing to lose. This man will take unnecessary risks for", "the reward because death doesn't mean much to this broken man. There doesn't", "this broken man. There doesn't even have to be a reward just the", "doesn't mean much to this broken man. There doesn't even have to be", "even have to be a reward just the feeling of taking the risk", "suggests the phenomenon of a man who has a broken heart? He feels" ]
[ "distressing to read, but when they say pornography, do they mean visual only?", "offensive part is clear; I guess they are talking about acts that are", "only? Has anyone heard of KDP banning erotic fiction for being too graphic?", "anyone heard of KDP banning erotic fiction for being too graphic? Just based", "wondering if anyone had experience publishing erotic fiction on Kindle and if they", "think the offensive part is clear; I guess they are talking about acts", "too graphic? Just based on some of the other authors that they publish,", "that are violent or would be distressing to read, but when they say", "of KDP banning erotic fiction for being too graphic? Just based on some", "or offensive depictions of graphic sexual acts.* However, they sell hundreds of erotic", "erotic fiction on Kindle and if they had any knowledge of where the", "are talking about acts that are violent or would be distressing to read,", "including very graphic ones. I was wondering if anyone had experience publishing erotic", "Pornography We don't accept pornography or offensive depictions of graphic sexual acts. However,", "be distressing to read, but when they say pornography, do they mean visual", "However, they sell hundreds of erotic novels, including very graphic ones. I was", "authors that they publish, I'm guessing they are pretty lenient. Does anyone have", "they publish, I'm guessing they are pretty lenient. Does anyone have any experience", "hundreds of erotic novels, including very graphic ones. I was wondering if anyone", "says: Pornography We don't accept pornography or offensive depictions of graphic sexual acts.", "on some of the other authors that they publish, I'm guessing they are", "I guess they are talking about acts that are violent or would be", "accept pornography or offensive depictions of graphic sexual acts.* However, they sell hundreds", "being too graphic? Just based on some of the other authors that they", "would be distressing to read, but when they say pornography, do they mean", "graphic ones. I was wondering if anyone had experience publishing erotic fiction on", "the offensive part is clear; I guess they are talking about acts that", "pornography, do they mean visual only? Has anyone heard of KDP banning erotic", "any knowledge of where the boundaries are. I think the offensive part is", "We don't accept pornography or offensive depictions of graphic sexual acts.* However, they", "is clear; I guess they are talking about acts that are violent or", "erotic novels, including very graphic ones. I was wondering if anyone had experience", "fiction on Kindle and if they had any knowledge of where the boundaries", "graphic sexual acts.* However, they sell hundreds of erotic novels, including very graphic", "KDP banning erotic fiction for being too graphic? Just based on some of", "talking about acts that are violent or would be distressing to read, but", "if they had any knowledge of where the boundaries are. I think the", "KDP content guidelines it says: Pornography We don't accept pornography or offensive depictions", "experience publishing erotic fiction on Kindle and if they had any knowledge of", "and if they had any knowledge of where the boundaries are. I think", "about acts that are violent or would be distressing to read, but when", "they are talking about acts that are violent or would be distressing to", "for being too graphic? Just based on some of the other authors that", "fiction for being too graphic? Just based on some of the other authors", "content guidelines it says: Pornography We don't accept pornography or offensive depictions of", "sell hundreds of erotic novels, including very graphic ones. I was wondering if", "they sell hundreds of erotic novels, including very graphic ones. I was wondering", "are. I think the offensive part is clear; I guess they are talking", "publish, I'm guessing they are pretty lenient. Does anyone have any experience in", "are violent or would be distressing to read, but when they say pornography,", "clear; I guess they are talking about acts that are violent or would", "guess they are talking about acts that are violent or would be distressing", "banning erotic fiction for being too graphic? Just based on some of the", "the boundaries are. I think the offensive part is clear; I guess they", "had experience publishing erotic fiction on Kindle and if they had any knowledge", "read, but when they say pornography, do they mean visual only? Has anyone", "of erotic novels, including very graphic ones. I was wondering if anyone had", "sexual acts.* However, they sell hundreds of erotic novels, including very graphic ones.", "Has anyone heard of KDP banning erotic fiction for being too graphic? Just", "they say pornography, do they mean visual only? Has anyone heard of KDP", "say pornography, do they mean visual only? Has anyone heard of KDP banning", "based on some of the other authors that they publish, I'm guessing they", "violent or would be distressing to read, but when they say pornography, do", "when they say pornography, do they mean visual only? Has anyone heard of", "but when they say pornography, do they mean visual only? Has anyone heard", "In the KDP content guidelines it says: Pornography We don't accept pornography or", "offensive depictions of graphic sexual acts. However, they sell hundreds of erotic novels,", "they mean visual only? Has anyone heard of KDP banning erotic fiction for", "guessing they are pretty lenient. Does anyone have any experience in this domain?", "Just based on some of the other authors that they publish, I'm guessing", "had any knowledge of where the boundaries are. I think the offensive part", "the KDP content guidelines it says: Pornography We don't accept pornography or offensive", "of the other authors that they publish, I'm guessing they are pretty lenient.", "part is clear; I guess they are talking about acts that are violent", "acts. However, they sell hundreds of erotic novels, including very graphic ones. I", "they had any knowledge of where the boundaries are. I think the offensive", "I was wondering if anyone had experience publishing erotic fiction on Kindle and", "of where the boundaries are. I think the offensive part is clear; I", "visual only? Has anyone heard of KDP banning erotic fiction for being too", "ones. I was wondering if anyone had experience publishing erotic fiction on Kindle", "to read, but when they say pornography, do they mean visual only? Has", "guidelines it says: Pornography We don't accept pornography or offensive depictions of graphic", "very graphic ones. I was wondering if anyone had experience publishing erotic fiction", "Kindle and if they had any knowledge of where the boundaries are. I", "if anyone had experience publishing erotic fiction on Kindle and if they had", "novels, including very graphic ones. I was wondering if anyone had experience publishing", "it says: Pornography We don't accept pornography or offensive depictions of graphic sexual", "or would be distressing to read, but when they say pornography, do they", "anyone had experience publishing erotic fiction on Kindle and if they had any", "depictions of graphic sexual acts.* However, they sell hundreds of erotic novels, including", "pornography or offensive depictions of graphic sexual acts.* However, they sell hundreds of", "knowledge of where the boundaries are. I think the offensive part is clear;", "some of the other authors that they publish, I'm guessing they are pretty", "was wondering if anyone had experience publishing erotic fiction on Kindle and if", "graphic? Just based on some of the other authors that they publish, I'm", "acts that are violent or would be distressing to read, but when they", "on Kindle and if they had any knowledge of where the boundaries are.", "where the boundaries are. I think the offensive part is clear; I guess", "other authors that they publish, I'm guessing they are pretty lenient. Does anyone", "of graphic sexual acts.* However, they sell hundreds of erotic novels, including very", "I think the offensive part is clear; I guess they are talking about", "erotic fiction for being too graphic? Just based on some of the other", "heard of KDP banning erotic fiction for being too graphic? Just based on", "I'm guessing they are pretty lenient. Does anyone have any experience in this", "the other authors that they publish, I'm guessing they are pretty lenient. Does", "publishing erotic fiction on Kindle and if they had any knowledge of where", "that they publish, I'm guessing they are pretty lenient. Does anyone have any", "mean visual only? Has anyone heard of KDP banning erotic fiction for being", "boundaries are. I think the offensive part is clear; I guess they are", "do they mean visual only? Has anyone heard of KDP banning erotic fiction", "don't accept pornography or offensive depictions of graphic sexual acts.* However, they sell" ]
[ "a number of mentions about how this or that program helps you keep", "much of certain limited resources he has used, tracking his travel, that sort", "certain limited resources he has used, tracking his travel, that sort of thing.", "story. There are only a few characters other than the protagonist, and they", "of is data - what food is available, how much of certain limited", "but while I have seen a number of mentions about how this or", "the protagonist, and they don't take much time on stage. What I need", "I have seen a number of mentions about how this or that program", "track this kind of information? Or even any techniques that would work well?", "few characters other than the protagonist, and they don't take much time on", "available, how much of certain limited resources he has used, tracking his travel,", "(non-writing) programs that could help me track this kind of information? Or even", "for a writing software, but while I have seen a number of mentions", "programs that could help me track this kind of information? Or even any", "take much time on stage. What I need to keep track of is", "writing programs that would help with this? If there are no writing programs", "no writing programs that would do this, are there any other (non-writing) programs", "programs that would do this, are there any other (non-writing) programs that could", "haven't seen any mentions of ones that are good at helping you keep", "ones that are good at helping you keep track of information. I am", "characters, I haven't seen any mentions of ones that are good at helping", "stage. What I need to keep track of is data - what food", "Nature story. There are only a few characters other than the protagonist, and", "a Man vs. Nature story. There are only a few characters other than", "that program helps you keep track of characters, I haven't seen any mentions", "would do this, are there any other (non-writing) programs that could help me", "even any techniques that would work well? I'm almost at the tearing-my-hair stage", "his travel, that sort of thing. Are there any writing programs that would", "If there are no writing programs that would do this, are there any", "to keep track of is data - what food is available, how much", "any writing programs that would help with this? If there are no writing", "looking for a writing software, but while I have seen a number of", "help with this? If there are no writing programs that would do this,", "need to keep track of is data - what food is available, how", "are no writing programs that would do this, are there any other (non-writing)", "There are only a few characters other than the protagonist, and they don't", "that would help with this? If there are no writing programs that would", "could help me track this kind of information? Or even any techniques that", "kind of information? Or even any techniques that would work well? I'm almost", "with this? If there are no writing programs that would do this, are", "this, are there any other (non-writing) programs that could help me track this", "a writing software, but while I have seen a number of mentions about", "of characters, I haven't seen any mentions of ones that are good at", "time on stage. What I need to keep track of is data -", "track of information. I am writing a Man vs. Nature story. There are", "about how this or that program helps you keep track of characters, I", "at helping you keep track of information. I am writing a Man vs.", "there are no writing programs that would do this, are there any other", "of information. I am writing a Man vs. Nature story. There are only", "used, tracking his travel, that sort of thing. Are there any writing programs", "that are good at helping you keep track of information. I am writing", "you keep track of information. I am writing a Man vs. Nature story.", "only a few characters other than the protagonist, and they don't take much", "of mentions about how this or that program helps you keep track of", "keep track of characters, I haven't seen any mentions of ones that are", "are only a few characters other than the protagonist, and they don't take", "am writing a Man vs. Nature story. There are only a few characters", "of ones that are good at helping you keep track of information. I", "what food is available, how much of certain limited resources he has used,", "has used, tracking his travel, that sort of thing. Are there any writing", "limited resources he has used, tracking his travel, that sort of thing. Are", "any mentions of ones that are good at helping you keep track of", "writing a Man vs. Nature story. There are only a few characters other", "a few characters other than the protagonist, and they don't take much time", "much time on stage. What I need to keep track of is data", "Or even any techniques that would work well? I'm almost at the tearing-my-hair", "protagonist, and they don't take much time on stage. What I need to", "information. I am writing a Man vs. Nature story. There are only a", "and they don't take much time on stage. What I need to keep", "than the protagonist, and they don't take much time on stage. What I", "I haven't seen any mentions of ones that are good at helping you", "there any writing programs that would help with this? If there are no", "this kind of information? Or even any techniques that would work well? I'm", "tracking his travel, that sort of thing. Are there any writing programs that", "this? If there are no writing programs that would do this, are there", "have been looking for a writing software, but while I have seen a", "would help with this? If there are no writing programs that would do", "any other (non-writing) programs that could help me track this kind of information?", "they don't take much time on stage. What I need to keep track", "are good at helping you keep track of information. I am writing a", "data - what food is available, how much of certain limited resources he", "is data - what food is available, how much of certain limited resources", "is available, how much of certain limited resources he has used, tracking his", "characters other than the protagonist, and they don't take much time on stage.", "you keep track of characters, I haven't seen any mentions of ones that", "writing programs that would do this, are there any other (non-writing) programs that", "while I have seen a number of mentions about how this or that", "I need to keep track of is data - what food is available,", "help me track this kind of information? Or even any techniques that would", "of information? Or even any techniques that would work well? I'm almost at", "how this or that program helps you keep track of characters, I haven't", "travel, that sort of thing. Are there any writing programs that would help", "program helps you keep track of characters, I haven't seen any mentions of", "resources he has used, tracking his travel, that sort of thing. Are there", "keep track of information. I am writing a Man vs. Nature story. There", "there any other (non-writing) programs that could help me track this kind of", "any techniques that would work well? I'm almost at the tearing-my-hair stage on", "been looking for a writing software, but while I have seen a number", "other than the protagonist, and they don't take much time on stage. What", "that sort of thing. Are there any writing programs that would help with", "seen any mentions of ones that are good at helping you keep track", "information? Or even any techniques that would work well? I'm almost at the", "mentions about how this or that program helps you keep track of characters,", "or that program helps you keep track of characters, I haven't seen any", "track of characters, I haven't seen any mentions of ones that are good", "vs. Nature story. There are only a few characters other than the protagonist,", "I am writing a Man vs. Nature story. There are only a few", "me track this kind of information? Or even any techniques that would work", "- what food is available, how much of certain limited resources he has", "good at helping you keep track of information. I am writing a Man", "Man vs. Nature story. There are only a few characters other than the", "other (non-writing) programs that could help me track this kind of information? Or", "thing. Are there any writing programs that would help with this? If there", "that would do this, are there any other (non-writing) programs that could help", "Are there any writing programs that would help with this? If there are", "he has used, tracking his travel, that sort of thing. Are there any", "I have been looking for a writing software, but while I have seen", "that could help me track this kind of information? Or even any techniques", "don't take much time on stage. What I need to keep track of", "software, but while I have seen a number of mentions about how this", "have seen a number of mentions about how this or that program helps", "What I need to keep track of is data - what food is", "techniques that would work well? I'm almost at the tearing-my-hair stage on this.", "mentions of ones that are good at helping you keep track of information.", "this or that program helps you keep track of characters, I haven't seen", "keep track of is data - what food is available, how much of", "how much of certain limited resources he has used, tracking his travel, that", "track of is data - what food is available, how much of certain", "of certain limited resources he has used, tracking his travel, that sort of", "do this, are there any other (non-writing) programs that could help me track", "number of mentions about how this or that program helps you keep track", "food is available, how much of certain limited resources he has used, tracking", "helps you keep track of characters, I haven't seen any mentions of ones", "seen a number of mentions about how this or that program helps you", "sort of thing. Are there any writing programs that would help with this?", "programs that would help with this? If there are no writing programs that", "of thing. Are there any writing programs that would help with this? If", "on stage. What I need to keep track of is data - what", "writing software, but while I have seen a number of mentions about how", "are there any other (non-writing) programs that could help me track this kind", "helping you keep track of information. I am writing a Man vs. Nature" ]
[ "photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to", "book on web design, titled Best website design. I will list photos of", "to take permission from the website owner? Will it be copyright infringement if", "some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to take permission", "titled Best website design. I will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/)", "I will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do", "good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to take permission from", "design, titled Best website design. I will list photos of some good-looking [portfolio", "Best website design. I will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in", "will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I", "owner? Will it be copyright infringement if I use it without permission? I", "website design. I will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the", "list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need", "I am writing a book on web design, titled Best website design. I", "of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to take", "permission from the website owner? Will it be copyright infringement if I use", "am writing a book on web design, titled Best website design. I will", "need to take permission from the website owner? Will it be copyright infringement", "take permission from the website owner? Will it be copyright infringement if I", "website owner? Will it be copyright infringement if I use it without permission?", "web design, titled Best website design. I will list photos of some good-looking", "from the website owner? Will it be copyright infringement if I use it", "a book on web design, titled Best website design. I will list photos", "[portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to take permission from the", "in the book. Do I need to take permission from the website owner?", "be copyright infringement if I use it without permission? I am quite confused.", "Do I need to take permission from the website owner? Will it be", "the book. Do I need to take permission from the website owner? Will", "Will it be copyright infringement if I use it without permission? I am", "on web design, titled Best website design. I will list photos of some", "writing a book on web design, titled Best website design. I will list", "design. I will list photos of some good-looking [portfolio websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book.", "I need to take permission from the website owner? Will it be copyright", "book. Do I need to take permission from the website owner? Will it", "the website owner? Will it be copyright infringement if I use it without", "it be copyright infringement if I use it without permission? I am quite", "websites](http://cssbest.com/blog/category/inspiration/best-portfolio-websites/) in the book. Do I need to take permission from the website" ]
[ "their own Amazon Publishing number. I also want to publish on other platforms", "get one anyway? Are there disadvantages to publishing on KDP without an ISBN", "to publishing on KDP without an ISBN if you intend to potentially publish", "says that they will provide their own Amazon Publishing number. I also want", "that they will provide their own Amazon Publishing number. I also want to", "publish all books, but the KDP guide says that they will provide their", "ISBN was needed to publish all books, but the KDP guide says that", "Amazon Publishing number. I also want to publish on other platforms potentially, so", "platforms potentially, so should I get one anyway? Are there disadvantages to publishing", "that the ISBN was needed to publish all books, but the KDP guide", "Are there disadvantages to publishing on KDP without an ISBN if you intend", "I thought that the ISBN was needed to publish all books, but the", "there disadvantages to publishing on KDP without an ISBN if you intend to", "an ISBN if you intend to potentially publish on other platforms at a", "other platforms potentially, so should I get one anyway? Are there disadvantages to", "they will provide their own Amazon Publishing number. I also want to publish", "potentially, so should I get one anyway? Are there disadvantages to publishing on", "should I get one anyway? Are there disadvantages to publishing on KDP without", "will provide their own Amazon Publishing number. I also want to publish on", "thought that the ISBN was needed to publish all books, but the KDP", "I also want to publish on other platforms potentially, so should I get", "guide says that they will provide their own Amazon Publishing number. I also", "but the KDP guide says that they will provide their own Amazon Publishing", "number. I also want to publish on other platforms potentially, so should I", "I get one anyway? Are there disadvantages to publishing on KDP without an", "on other platforms potentially, so should I get one anyway? Are there disadvantages", "without an ISBN if you intend to potentially publish on other platforms at", "so should I get one anyway? Are there disadvantages to publishing on KDP", "the KDP guide says that they will provide their own Amazon Publishing number.", "publishing on KDP without an ISBN if you intend to potentially publish on", "ISBN if you intend to potentially publish on other platforms at a later", "to publish on other platforms potentially, so should I get one anyway? Are", "was needed to publish all books, but the KDP guide says that they", "Publishing number. I also want to publish on other platforms potentially, so should", "KDP guide says that they will provide their own Amazon Publishing number. I", "KDP without an ISBN if you intend to potentially publish on other platforms", "on KDP without an ISBN if you intend to potentially publish on other", "to publish all books, but the KDP guide says that they will provide", "provide their own Amazon Publishing number. I also want to publish on other", "own Amazon Publishing number. I also want to publish on other platforms potentially,", "the ISBN was needed to publish all books, but the KDP guide says", "books, but the KDP guide says that they will provide their own Amazon", "disadvantages to publishing on KDP without an ISBN if you intend to potentially", "if you intend to potentially publish on other platforms at a later date?", "also want to publish on other platforms potentially, so should I get one", "needed to publish all books, but the KDP guide says that they will", "want to publish on other platforms potentially, so should I get one anyway?", "all books, but the KDP guide says that they will provide their own", "one anyway? Are there disadvantages to publishing on KDP without an ISBN if", "anyway? Are there disadvantages to publishing on KDP without an ISBN if you", "publish on other platforms potentially, so should I get one anyway? Are there" ]
[ "and have a much bigger market. Is this just unnecessary because the book", "now in Canada, my instinct is to publish on KDP USA rather than", "an advantage to publishing on KDP USA even if you are outside the", "am currently based in Vancouver, BC and will soon be self-publishing with KDP.", "in Vancouver, BC and will soon be self-publishing with KDP. Although I'm now", "Vancouver, BC and will soon be self-publishing with KDP. Although I'm now in", "books, seem less strict when it comes to rating erotica as Adult (based", "be self-publishing with KDP. Although I'm now in Canada, my instinct is to", "because the book will be published in all Kindle markets anyway? Is it", "USA KDP has a bigger selection of books, seem less strict when it", "erotica as Adult (based on all my research) and have a much bigger", "country's platform? Is there an advantage to publishing on KDP USA even if", "has a bigger selection of books, seem less strict when it comes to", "Is it best to just publish on your own country's platform? Is there", "instinct is to publish on KDP USA rather than KDP Canada, because the", "a much bigger market. Is this just unnecessary because the book will be", "anyway? Is it best to just publish on your own country's platform? Is", "on KDP USA rather than KDP Canada, because the USA KDP has a", "rating erotica as Adult (based on all my research) and have a much", "publish on your own country's platform? Is there an advantage to publishing on", "because the USA KDP has a bigger selection of books, seem less strict", "rather than KDP Canada, because the USA KDP has a bigger selection of", "strict when it comes to rating erotica as Adult (based on all my", "book will be published in all Kindle markets anyway? Is it best to", "KDP Canada, because the USA KDP has a bigger selection of books, seem", "your own country's platform? Is there an advantage to publishing on KDP USA", "my research) and have a much bigger market. Is this just unnecessary because", "Canada, my instinct is to publish on KDP USA rather than KDP Canada,", "of books, seem less strict when it comes to rating erotica as Adult", "I'm now in Canada, my instinct is to publish on KDP USA rather", "self-publishing with KDP. Although I'm now in Canada, my instinct is to publish", "this just unnecessary because the book will be published in all Kindle markets", "Is this just unnecessary because the book will be published in all Kindle", "I am currently based in Vancouver, BC and will soon be self-publishing with", "all my research) and have a much bigger market. Is this just unnecessary", "in Canada, my instinct is to publish on KDP USA rather than KDP", "to just publish on your own country's platform? Is there an advantage to", "research) and have a much bigger market. Is this just unnecessary because the", "will be published in all Kindle markets anyway? Is it best to just", "based in Vancouver, BC and will soon be self-publishing with KDP. Although I'm", "my instinct is to publish on KDP USA rather than KDP Canada, because", "currently based in Vancouver, BC and will soon be self-publishing with KDP. Although", "a bigger selection of books, seem less strict when it comes to rating", "have a much bigger market. Is this just unnecessary because the book will", "than KDP Canada, because the USA KDP has a bigger selection of books,", "advantage to publishing on KDP USA even if you are outside the US?", "less strict when it comes to rating erotica as Adult (based on all", "to publish on KDP USA rather than KDP Canada, because the USA KDP", "to rating erotica as Adult (based on all my research) and have a", "publish on KDP USA rather than KDP Canada, because the USA KDP has", "Although I'm now in Canada, my instinct is to publish on KDP USA", "BC and will soon be self-publishing with KDP. Although I'm now in Canada,", "bigger selection of books, seem less strict when it comes to rating erotica", "platform? Is there an advantage to publishing on KDP USA even if you", "selection of books, seem less strict when it comes to rating erotica as", "just unnecessary because the book will be published in all Kindle markets anyway?", "with KDP. Although I'm now in Canada, my instinct is to publish on", "soon be self-publishing with KDP. Although I'm now in Canada, my instinct is", "it comes to rating erotica as Adult (based on all my research) and", "the USA KDP has a bigger selection of books, seem less strict when", "Kindle markets anyway? Is it best to just publish on your own country's", "KDP. Although I'm now in Canada, my instinct is to publish on KDP", "on all my research) and have a much bigger market. Is this just", "KDP has a bigger selection of books, seem less strict when it comes", "just publish on your own country's platform? Is there an advantage to publishing", "there an advantage to publishing on KDP USA even if you are outside", "all Kindle markets anyway? Is it best to just publish on your own", "is to publish on KDP USA rather than KDP Canada, because the USA", "bigger market. Is this just unnecessary because the book will be published in", "when it comes to rating erotica as Adult (based on all my research)", "Canada, because the USA KDP has a bigger selection of books, seem less", "unnecessary because the book will be published in all Kindle markets anyway? Is", "(based on all my research) and have a much bigger market. Is this", "Is there an advantage to publishing on KDP USA even if you are", "seem less strict when it comes to rating erotica as Adult (based on", "best to just publish on your own country's platform? Is there an advantage", "and will soon be self-publishing with KDP. Although I'm now in Canada, my", "on your own country's platform? Is there an advantage to publishing on KDP", "published in all Kindle markets anyway? Is it best to just publish on", "markets anyway? Is it best to just publish on your own country's platform?", "much bigger market. Is this just unnecessary because the book will be published", "publishing on KDP USA even if you are outside the US? Thank you.", "it best to just publish on your own country's platform? Is there an", "Adult (based on all my research) and have a much bigger market. Is", "own country's platform? Is there an advantage to publishing on KDP USA even", "the book will be published in all Kindle markets anyway? Is it best", "will soon be self-publishing with KDP. Although I'm now in Canada, my instinct", "USA rather than KDP Canada, because the USA KDP has a bigger selection", "in all Kindle markets anyway? Is it best to just publish on your", "KDP USA rather than KDP Canada, because the USA KDP has a bigger", "comes to rating erotica as Adult (based on all my research) and have", "as Adult (based on all my research) and have a much bigger market.", "be published in all Kindle markets anyway? Is it best to just publish", "market. Is this just unnecessary because the book will be published in all", "to publishing on KDP USA even if you are outside the US? Thank" ]
[ "to be a trade-off with showing. Are there tradeoffs? If so, what are", "psychology), when the fight-or-flight response is activated, our brains aren't trying to analyze", "if the character was aware someone was behind him and was not as", "even flinch when someone unexpectedly coughed behind him. > > > In ex", "did cough just then or if, generally, the character doesn't flinch when someone", "(as most writers have) \"show, don't tell,\" which I agree with for the", "for the most part. However, I've found many situations in writing when I'd", "him\" referring to the cough): > > ex 2b: From behind him someone", "found many situations in writing when I'd start to write a statement in", "simple sentences, but I've always been annoyed when authors make a case for", "Are there tradeoffs? If so, what are they and how do I avoid", "him. > > > \"Ew!\" the writer says, \"That's bad style! I should", "it. > > ex 2:** Someone coughed behind him. > > > Or,", "and how do I avoid them? tl;dr Let me give you an example.", "fight-or-flight response is activated, our brains aren't trying to analyze what coughed (\"someone\"),", "coughed behind him. > > > In ex 3 (at least from my", "writer changes it. > > ex 2: Someone coughed behind him. > >", "that may remedy this situation: > > ex 3: He didn't even flinch", "tell\" and then ignore these difficult cases. Question ======== Is there a pace", "Someone coughed behind him. > > > Or, alternatively (to avoid \"behind him\"", "most part. However, I've found many situations in writing when I'd start to", "a lot of people talk about is that there seems to be a", "following sentence (in tell format): > > ex 1: He heard a cough", "1:** He heard a cough behind him. > > > \"Ew!\" the writer", "with showing? Perhaps some other writers are willing to share examples of a", "to write a statement in tell, catch myself, and then try to rewrite", "sentences, but I've always been annoyed when authors make a case for \"show,", "immediacy: The character hasn't expected anyone to be there, and suddenly--cough! But in", "> ex 3: He didn't even flinch when someone unexpectedly coughed behind him.", "be there, and suddenly--cough! But in ex 2, the immediacy is dampened so", "makes it less clear if someone actually did cough just then or if,", "> > In ex 3 (at least from my perspective) while this does", "and suddenly--cough! But in ex 2, the immediacy is dampened so that it's", "> > \"Ew!\" the writer says, \"That's bad style! I should show, not", "trade-off that comes with showing? Perhaps some other writers are willing to share", "it less clear if someone actually did cough just then or if, generally,", "activated, our brains aren't trying to analyze what coughed (\"someone\"), so (IMHO) adding", "character was aware someone was behind him and was not as surprised by", "> > > In ex 3 (at least from my perspective) while this", "while this does amp up the immediacy this also makes it less clear", "2b: From behind him someone coughed. > > > I've noticed a slight", "that there seems to be a trade-off with showing. Are there tradeoffs? If", "> > ex 2b: From behind him someone coughed. > > > I've", "> \"Ew!\" the writer says, \"That's bad style! I should show, not tell!\"", "also makes it less clear if someone actually did cough just then or", "an example. Consider the following sentence (in tell format): > > ex 1:", "me give you an example. Consider the following sentence (in tell format): >", "other writers are willing to share examples of a sentence (or passage) they", "then try to rewrite it with show. Something not a lot of people", "it--they sound more awkward. In addition (delving into human psychology), when the fight-or-flight", "start to write a statement in tell, catch myself, and then try to", "but I've always been annoyed when authors make a case for \"show, don't", "tell format): > > ex 1:** He heard a cough behind him. >", "for \"show, don't tell\" and then ignore these difficult cases. Question ======== Is", "talk about is that there seems to be a trade-off with showing. Are", "\"show, don't tell\" and then ignore these difficult cases. Question ======== Is there", "to rewrite it with show. Something not a lot of people talk about", "He heard a cough behind him. > > > \"Ew!\" the writer says,", "are they and how do I avoid them? tl;dr Let me give you", "there tradeoffs? If so, what are they and how do I avoid them?", "immediacy is dampened so that it's almost as if the character was aware", "> Or, alternatively (to avoid \"behind him\" referring to the cough): > >", "authors make a case for \"show, don't tell\" and then ignore these difficult", "character hasn't expected anyone to be there, and suddenly--cough! But in ex 2,", "so (IMHO) adding \"someone\" makes the f/f response seem less believable. I thought", "is activated, our brains aren't trying to analyze what coughed (\"someone\"), so (IMHO)", "sentence (in tell format): > > ex 1: He heard a cough behind", "write a statement in tell, catch myself, and then try to rewrite it", "> > ex 2: Someone coughed behind him. > > > Or, alternatively", "cough just then or if, generally, the character doesn't flinch when someone coughs.", "share examples of a sentence (or passage) they struggled to (and were able", "realize I'm nitpicking these simple sentences, but I've always been annoyed when authors", "flinch when someone unexpectedly coughed behind him. > > > In ex 3", "trade-off or some other trade-off that comes with showing? Perhaps some other writers", "> > Or, alternatively (to avoid \"behind him\" referring to the cough): >", "early on (as most writers have) \"show, don't tell,\" which I agree with", "writers have) \"show, don't tell,\" which I agree with for the most part.", "(delving into human psychology), when the fight-or-flight response is activated, our brains aren't", "him and was not as surprised by the cough. Also--let's face it--they sound", "examples of a sentence (or passage) they struggled to (and were able to)", "by the cough. Also--let's face it--they sound more awkward. In addition (delving into", "the cough): > > ex 2b: From behind him someone coughed. > >", "======== Is there a pace trade-off or some other trade-off that comes with", "From behind him someone coughed. > > > I've noticed a slight variation", "situation: > > ex 3: He didn't even flinch when someone unexpectedly coughed", "him. > > > Or, alternatively (to avoid \"behind him\" referring to the", "bad style! I should show, not tell!\" The writer changes it. > >", "Something not a lot of people talk about is that there seems to", "a statement in tell, catch myself, and then try to rewrite it with", "and was not as surprised by the cough. Also--let's face it--they sound more", "response seem less believable. I thought of a third example that may remedy", "clear if someone actually did cough just then or if, generally, the character", "changes it. > > ex 2: Someone coughed behind him. > > >", "the character doesn't flinch when someone coughs. I realize I'm nitpicking these simple", "a slight variation on the two examples. ex 1 implies immediacy: The character", "cough): > > ex 2b: From behind him someone coughed. > > >", "many situations in writing when I'd start to write a statement in tell,", "format): > > ex 1: He heard a cough behind him. > >", "behind him. > > > Or, alternatively (to avoid \"behind him\" referring to", "unexpectedly coughed behind him. > > > In ex 3 (at least from", "in tell, catch myself, and then try to rewrite it with show. Something", "it's almost as if the character was aware someone was behind him and", "almost as if the character was aware someone was behind him and was", "so that it's almost as if the character was aware someone was behind", "human psychology), when the fight-or-flight response is activated, our brains aren't trying to", "don't tell,\" which I agree with for the most part. However, I've found", "not a lot of people talk about is that there seems to be", "situations in writing when I'd start to write a statement in tell, catch", "Let me give you an example. Consider the following sentence (in tell format):", "have) \"show, don't tell,\" which I agree with for the most part. However,", "or some other trade-off that comes with showing? Perhaps some other writers are", "example that may remedy this situation: > > ex 3: He didn't even", "the most part. However, I've found many situations in writing when I'd start", "someone coughed. > > > I've noticed a slight variation on the two", "there seems to be a trade-off with showing. Are there tradeoffs? If so,", "anyone to be there, and suddenly--cough! But in ex 2, the immediacy is", "are willing to share examples of a sentence (or passage) they struggled to", "there, and suddenly--cough! But in ex 2, the immediacy is dampened so that", "(\"someone\"), so (IMHO) adding \"someone\" makes the f/f response seem less believable. I", "show. Something not a lot of people talk about is that there seems", "the character was aware someone was behind him and was not as surprised", "tell,\" which I agree with for the most part. However, I've found many", "tell, catch myself, and then try to rewrite it with show. Something not", "The character hasn't expected anyone to be there, and suddenly--cough! But in ex", "which I agree with for the most part. However, I've found many situations", "makes the f/f response seem less believable. I thought of a third example", "less clear if someone actually did cough just then or if, generally, the", "> ex 2b: From behind him someone coughed. > > > I've noticed", "it with show. Something not a lot of people talk about is that", "give you an example. Consider the following sentence (in tell format): > >", "avoid them? tl;dr Let me give you an example. Consider the following sentence", "ignore these difficult cases. Question ======== Is there a pace trade-off or some", "most writers have) \"show, don't tell,\" which I agree with for the most", "immediacy this also makes it less clear if someone actually did cough just", "I avoid them? tl;dr Let me give you an example. Consider the following", "comes with showing? Perhaps some other writers are willing to share examples of", "more awkward. In addition (delving into human psychology), when the fight-or-flight response is", "I agree with for the most part. However, I've found many situations in", "just then or if, generally, the character doesn't flinch when someone coughs. I", "Also--let's face it--they sound more awkward. In addition (delving into human psychology), when", "these simple sentences, but I've always been annoyed when authors make a case", "been annoyed when authors make a case for \"show, don't tell\" and then", "or if, generally, the character doesn't flinch when someone coughs. I realize I'm", "the immediacy this also makes it less clear if someone actually did cough", "annoyed when authors make a case for \"show, don't tell\" and then ignore", "In addition (delving into human psychology), when the fight-or-flight response is activated, our", "sound more awkward. In addition (delving into human psychology), when the fight-or-flight response", "amp up the immediacy this also makes it less clear if someone actually", "in writing when I'd start to write a statement in tell, catch myself,", "dampened so that it's almost as if the character was aware someone was", "I should show, not tell!\" The writer changes it. > > ex 2:*", "when the fight-or-flight response is activated, our brains aren't trying to analyze what", "the writer says, \"That's bad style! I should show, not tell!\" The writer", "suddenly--cough!* But in ex 2, the immediacy is dampened so that it's almost", "However, I've found many situations in writing when I'd start to write a", "believable. I thought of a third example that may remedy this situation: >", "of people talk about is that there seems to be a trade-off with", "and then ignore these difficult cases. Question ======== Is there a pace trade-off", "(to avoid \"behind him\" referring to the cough): > > ex 2b: From", "ex 1: He heard a cough behind him. > > > \"Ew!\" the", "do I avoid them? tl;dr Let me give you an example. Consider the", "should show, not tell!\" The writer changes it. > > ex 2: Someone", "nitpicking these simple sentences, but I've always been annoyed when authors make a", "to be there, and suddenly--cough! But in ex 2, the immediacy is dampened", "Question ======== Is there a pace trade-off or some other trade-off that comes", "seem less believable. I thought of a third example that may remedy this", "heard a cough behind him. > > > \"Ew!\" the writer says, \"That's", "with show. Something not a lot of people talk about is that there", "people talk about is that there seems to be a trade-off with showing.", "less believable. I thought of a third example that may remedy this situation:", "\"show, don't tell,\" which I agree with for the most part. However, I've", "Is there a pace trade-off or some other trade-off that comes with showing?", "I've noticed a slight variation on the two examples. ex 1 implies immediacy:", "this does amp up the immediacy this also makes it less clear if", "a trade-off with showing. Are there tradeoffs? If so, what are they and", "awkward. In addition (delving into human psychology), when the fight-or-flight response is activated,", "always been annoyed when authors make a case for \"show, don't tell\" and", "I've found many situations in writing when I'd start to write a statement", "> > > Or, alternatively (to avoid \"behind him\" referring to the cough):", "the fight-or-flight response is activated, our brains aren't trying to analyze what coughed", "what are they and how do I avoid them? tl;dr Let me give", "1** implies immediacy: The character hasn't expected anyone to be there, and suddenly--cough!", "to the cough): > > ex 2b: From behind him someone coughed. >", "some other writers are willing to share examples of a sentence (or passage)", "two examples. ex 1 implies immediacy: The character hasn't expected anyone to be", "the two examples. ex 1 implies immediacy: The character hasn't expected anyone to", "cases. Question ======== Is there a pace trade-off or some other trade-off that", "didn't even flinch when someone unexpectedly coughed behind him. > > > In", "willing to share examples of a sentence (or passage) they struggled to (and", "Consider the following sentence (in tell format): > > ex 1: He heard", "my perspective) while this does amp up the immediacy this also makes it", "behind him. > > > \"Ew!\" the writer says, \"That's bad style! I", "is dampened so that it's almost as if the character was aware someone", "I learned early on (as most writers have) \"show, don't tell,\" which I", "ex 3 (at least from my perspective) while this does amp up the", "trying to analyze what coughed (\"someone\"), so (IMHO) adding \"someone\" makes the f/f", "they and how do I avoid them? tl;dr Let me give you an", "if someone actually did cough just then or if, generally, the character doesn't", "I thought of a third example that may remedy this situation: > >", "was not as surprised by the cough. Also--let's face it--they sound more awkward.", "(in tell format): > > ex 1: He heard a cough behind him.", "if, generally, the character doesn't flinch when someone coughs. I realize I'm nitpicking", "and then try to rewrite it with show. Something not a lot of", "someone coughs. I realize I'm nitpicking these simple sentences, but I've always been", "cough behind him. > > > \"Ew!\" the writer says, \"That's bad style!", "alternatively (to avoid \"behind him\" referring to the cough): > > ex 2b:", "was behind him and was not as surprised by the cough. Also--let's face", "generally, the character doesn't flinch when someone coughs. I realize I'm nitpicking these", "a sentence (or passage) they struggled to (and were able to) convert to", "3: He didn't even flinch when someone unexpectedly coughed behind him. > >", "> ex 1: He heard a cough behind him. > > > \"Ew!\"", "face it--they sound more awkward. In addition (delving into human psychology), when the", "says, \"That's bad style! I should show, not tell!\" The writer changes it.", "ex 1 implies immediacy: The character hasn't expected anyone to be there, and", "then ignore these difficult cases. Question ======== Is there a pace trade-off or", "Or, alternatively (to avoid \"behind him\" referring to the cough): > > ex", "I'd start to write a statement in tell, catch myself, and then try", "behind him. > > > In ex 3 (at least from my perspective)", "in ex 2, the immediacy is dampened so that it's almost as if", "the cough. Also--let's face it--they sound more awkward. In addition (delving into human", "If so, what are they and how do I avoid them? tl;dr Let", "when I'd start to write a statement in tell, catch myself, and then", "on the two examples. ex 1 implies immediacy: The character hasn't expected anyone", "tradeoffs? If so, what are they and how do I avoid them? tl;dr", "(IMHO) adding \"someone\" makes the f/f response seem less believable. I thought of", "(at least from my perspective) while this does amp up the immediacy this", "Perhaps some other writers are willing to share examples of a sentence (or", "statement in tell, catch myself, and then try to rewrite it with show.", "noticed a slight variation on the two examples. ex 1 implies immediacy: The", "f/f response seem less believable. I thought of a third example that may", "expected anyone to be there, and suddenly--cough! But in ex 2, the immediacy", "him someone coughed. > > > I've noticed a slight variation on the", "doesn't flinch when someone coughs. I realize I'm nitpicking these simple sentences, but", "cough. Also--let's face it--they sound more awkward. In addition (delving into human psychology),", "> I've noticed a slight variation on the two examples. ex 1 implies", "third example that may remedy this situation: > > ex 3: He didn't", "may remedy this situation: > > ex 3: He didn't even flinch when", "> > ex 1: He heard a cough behind him. > > >", "with for the most part. However, I've found many situations in writing when", "make a case for \"show, don't tell\" and then ignore these difficult cases.", "part. However, I've found many situations in writing when I'd start to write", "pace trade-off or some other trade-off that comes with showing? Perhaps some other", "hasn't expected anyone to be there, and suddenly--cough! But in ex 2, the", "least from my perspective) while this does amp up the immediacy this also", "aren't trying to analyze what coughed (\"someone\"), so (IMHO) adding \"someone\" makes the", "into human psychology), when the fight-or-flight response is activated, our brains aren't trying", "In ex 3 (at least from my perspective) while this does amp up", "flinch when someone coughs. I realize I'm nitpicking these simple sentences, but I've", "a third example that may remedy this situation: > > ex 3: He", "perspective) while this does amp up the immediacy this also makes it less", "a pace trade-off or some other trade-off that comes with showing? Perhaps some", "with showing. Are there tradeoffs? If so, what are they and how do", "showing. Are there tradeoffs? If so, what are they and how do I", "adding \"someone\" makes the f/f response seem less believable. I thought of a", "> > > \"Ew!\" the writer says, \"That's bad style! I should show,", "when someone unexpectedly coughed behind him. > > > In ex 3 (at", "don't tell\" and then ignore these difficult cases. Question ======== Is there a", "> In ex 3 (at least from my perspective) while this does amp", "surprised by the cough. Also--let's face it--they sound more awkward. In addition (delving", "examples. ex 1 implies immediacy: The character hasn't expected anyone to be there,", "response is activated, our brains aren't trying to analyze what coughed (\"someone\"), so", "be a trade-off with showing. Are there tradeoffs? If so, what are they", "other trade-off that comes with showing? Perhaps some other writers are willing to", "someone actually did cough just then or if, generally, the character doesn't flinch", "show, not tell!\" The writer changes it. > > ex 2: Someone coughed", "implies immediacy: The character hasn't expected anyone to be there, and suddenly--cough! But", "him. > > > In ex 3 (at least from my perspective) while", "is that there seems to be a trade-off with showing. Are there tradeoffs?", "up the immediacy this also makes it less clear if someone actually did", "3 (at least from my perspective) while this does amp up the immediacy", "behind him and was not as surprised by the cough. Also--let's face it--they", "ex 3: He didn't even flinch when someone unexpectedly coughed behind him. >", "of a third example that may remedy this situation: > > ex 3:*", "\"That's bad style! I should show, not tell!\" The writer changes it. >", "this also makes it less clear if someone actually did cough just then", "coughed behind him. > > > Or, alternatively (to avoid \"behind him\" referring", "analyze what* coughed (\"someone\"), so (IMHO) adding \"someone\" makes the f/f response seem", "character doesn't flinch when someone coughs. I realize I'm nitpicking these simple sentences,", "ex 2: Someone coughed behind him. > > > Or, alternatively (to avoid", "The writer changes it. > > ex 2: Someone coughed behind him. >", "referring to the cough): > > ex 2b: From behind him someone coughed.", "style! I should show, not tell!\" The writer changes it. > > ex", "on (as most writers have) \"show, don't tell,\" which I agree with for", "catch myself, and then try to rewrite it with show. Something not a", "that comes with showing? Perhaps some other writers are willing to share examples", "this situation: > > ex 3:** He didn't even flinch when someone unexpectedly", "aware someone was behind him and was not as surprised by the cough.", "brains aren't trying to analyze what coughed (\"someone\"), so (IMHO) adding \"someone\" makes", "> ex 2: Someone coughed behind him. > > > Or, alternatively (to", "lot of people talk about is that there seems to be a trade-off", "I'm nitpicking these simple sentences, but I've always been annoyed when authors make", "But in ex 2, the immediacy is dampened so that it's almost as", "the following sentence (in tell format): > > ex 1: He heard a", "a case for \"show, don't tell\" and then ignore these difficult cases. Question", "avoid \"behind him\" referring to the cough): > > ex 2b: From behind", "difficult cases. Question ======== Is there a pace trade-off or some other trade-off", "was aware someone was behind him and was not as surprised by the", "learned early on (as most writers have) \"show, don't tell,\" which I agree", "I realize I'm nitpicking these simple sentences, but I've always been annoyed when", "when authors make a case for \"show, don't tell\" and then ignore these", "showing? Perhaps some other writers are willing to share examples of a sentence", "ex 2b: From behind him someone coughed. > > > I've noticed a", "so, what are they and how do I avoid them? tl;dr Let me", "2: Someone coughed behind him. > > > Or, alternatively (to avoid \"behind", "coughed (\"someone\"), so (IMHO) adding \"someone\" makes the f/f response seem less believable.", "tl;dr Let me give you an example. Consider the following sentence (in tell", "I've always been annoyed when authors make a case for \"show, don't tell\"", "example. Consider the following sentence (in tell format): > > ex 1: He", "these difficult cases. Question ======== Is there a pace trade-off or some other", "try to rewrite it with show. Something not a lot of people talk", "not tell!\" The writer changes it. > > ex 2:** Someone coughed behind", "how do I avoid them? tl;dr Let me give you an example. Consider", "to analyze what coughed (\"someone\"), so (IMHO) adding \"someone\" makes the f/f response", "remedy this situation: > > ex 3: He didn't even flinch when someone", "He didn't even flinch when someone unexpectedly coughed behind him. > > >", "there a pace trade-off or some other trade-off that comes with showing? Perhaps", "seems to be a trade-off with showing. Are there tradeoffs? If so, what", "then or if, generally, the character doesn't flinch when someone coughs. I realize", "does amp up the immediacy this also makes it less clear if someone", "writers are willing to share examples of a sentence (or passage) they struggled", "our brains aren't trying to analyze what coughed (\"someone\"), so (IMHO) adding \"someone\"", "\"behind him\" referring to the cough): > > ex 2b: From behind him", "rewrite it with show. Something not a lot of people talk about is", "thought of a third example that may remedy this situation: > > ex", "the immediacy is dampened so that it's almost as if the character was", "behind him someone coughed. > > > I've noticed a slight variation on", "ex 2, the immediacy is dampened so that it's almost as if the", "2, the immediacy is dampened so that it's almost as if the character", "what coughed (\"someone\"), so (IMHO) adding \"someone\" makes the f/f response seem less", "someone unexpectedly coughed behind him. > > > In ex 3 (at least", "myself, and then try to rewrite it with show. Something not a lot", "the f/f response seem less believable. I thought of a third example that", "> > I've noticed a slight variation on the two examples. ex 1", "that it's almost as if the character was aware someone was behind him", "from my perspective) while this does amp up the immediacy this also makes", "about is that there seems to be a trade-off with showing. Are there", "someone was behind him and was not as surprised by the cough. Also--let's", "as surprised by the cough. Also--let's face it--they sound more awkward. In addition", "tell!\" The writer changes it. > > ex 2: Someone coughed behind him.", "some other trade-off that comes with showing? Perhaps some other writers are willing", "case for \"show, don't tell\" and then ignore these difficult cases. Question ========", "as if the character was aware someone was behind him and was not", "slight variation on the two examples. ex 1 implies immediacy: The character hasn't", "\"Ew!\" the writer says, \"That's bad style! I should show, not tell!\" The", "of a sentence (or passage) they struggled to (and were able to) convert", "\"someone\" makes the f/f response seem less believable. I thought of a third", "to share examples of a sentence (or passage) they struggled to (and were", "trade-off with showing. Are there tradeoffs? If so, what are they and how", "sentence (or passage) they struggled to (and were able to) convert to show?", "writing when I'd start to write a statement in tell, catch myself, and", "actually did cough just then or if, generally, the character doesn't flinch when", "addition (delving into human psychology), when the fight-or-flight response is activated, our brains", "a cough behind him. > > > \"Ew!\" the writer says, \"That's bad", "variation on the two examples. ex 1 implies immediacy: The character hasn't expected", "not as surprised by the cough. Also--let's face it--they sound more awkward. In", "writer says, \"That's bad style! I should show, not tell!\" The writer changes", "> > > I've noticed a slight variation on the two examples. ex", "> > ex 3: He didn't even flinch when someone unexpectedly coughed behind", "agree with for the most part. However, I've found many situations in writing", "coughs. I realize I'm nitpicking these simple sentences, but I've always been annoyed", "you an example. Consider the following sentence (in tell format): > > ex", "when someone coughs. I realize I'm nitpicking these simple sentences, but I've always", "coughed. > > > I've noticed a slight variation on the two examples.", "them? tl;dr Let me give you an example. Consider the following sentence (in" ]
[ "way because I think it has more of an impact but I'm interested", "girlfriend of my hero and is setting up their date before her untimely", "is setting up their date before her untimely end. The hero is also", "was the hero and found it unsatisfactory that she'd died. I like it", "the chapter itself swaps between the two before the disaster occurs. When I", "her untimely end. The hero is also there, preparing in his own way", "died. I like it this way because I think it has more of", "I introduce dies before the end of the chapter. She is the girlfriend", "book I'm writing, the first character I introduce dies before the end of", "the others said they didn't like it. Since I'd introduced the female first,", "the chapter. She is the girlfriend of my hero and is setting up", "the writing group I'm in, one of the others said they didn't like", "the two before the disaster occurs. When I read it out to the", "of the others said they didn't like it. Since I'd introduced the female", "between the two before the disaster occurs. When I read it out to", "more of an impact but I'm interested to know. Should I introduce my", "setting up their date before her untimely end. The hero is also there,", "one of the others said they didn't like it. Since I'd introduced the", "and is setting up their date before her untimely end. The hero is", "way so the chapter itself swaps between the two before the disaster occurs.", "hero and is setting up their date before her untimely end. The hero", "date before her untimely end. The hero is also there, preparing in his", "end of the chapter. She is the girlfriend of my hero and is", "When I read it out to the writing group I'm in, one of", "thought she was the hero and found it unsatisfactory that she'd died. I", "to the writing group I'm in, one of the others said they didn't", "she'd died. I like it this way because I think it has more", "disaster occurs. When I read it out to the writing group I'm in,", "up their date before her untimely end. The hero is also there, preparing", "of my hero and is setting up their date before her untimely end.", "the first character I introduce dies before the end of the chapter. She", "in, one of the others said they didn't like it. Since I'd introduced", "preparing in his own way so the chapter itself swaps between the two", "also there, preparing in his own way so the chapter itself swaps between", "because I think it has more of an impact but I'm interested to", "the book I'm writing, the first character I introduce dies before the end", "he thought she was the hero and found it unsatisfactory that she'd died.", "end. The hero is also there, preparing in his own way so the", "I'd introduced the female first, he thought she was the hero and found", "others said they didn't like it. Since I'd introduced the female first, he", "it. Since I'd introduced the female first, he thought she was the hero", "chapter itself swaps between the two before the disaster occurs. When I read", "I read it out to the writing group I'm in, one of the", "like it this way because I think it has more of an impact", "group I'm in, one of the others said they didn't like it. Since", "own way so the chapter itself swaps between the two before the disaster", "didn't like it. Since I'd introduced the female first, he thought she was", "is the girlfriend of my hero and is setting up their date before", "of an impact but I'm interested to know. Should I introduce my hero", "said they didn't like it. Since I'd introduced the female first, he thought", "I think it has more of an impact but I'm interested to know.", "like it. Since I'd introduced the female first, he thought she was the", "first, he thought she was the hero and found it unsatisfactory that she'd", "first character I introduce dies before the end of the chapter. She is", "it unsatisfactory that she'd died. I like it this way because I think", "two before the disaster occurs. When I read it out to the writing", "hero is also there, preparing in his own way so the chapter itself", "itself swaps between the two before the disaster occurs. When I read it", "has more of an impact but I'm interested to know. Should I introduce", "his own way so the chapter itself swaps between the two before the", "it has more of an impact but I'm interested to know. Should I", "hero and found it unsatisfactory that she'd died. I like it this way", "is also there, preparing in his own way so the chapter itself swaps", "In the book I'm writing, the first character I introduce dies before the", "female first, he thought she was the hero and found it unsatisfactory that", "think it has more of an impact but I'm interested to know. Should", "an impact but I'm interested to know. Should I introduce my hero first?", "untimely end. The hero is also there, preparing in his own way so", "so the chapter itself swaps between the two before the disaster occurs. When", "writing, the first character I introduce dies before the end of the chapter.", "they didn't like it. Since I'd introduced the female first, he thought she", "the girlfriend of my hero and is setting up their date before her", "the female first, he thought she was the hero and found it unsatisfactory", "read it out to the writing group I'm in, one of the others", "out to the writing group I'm in, one of the others said they", "swaps between the two before the disaster occurs. When I read it out", "I'm writing, the first character I introduce dies before the end of the", "introduce dies before the end of the chapter. She is the girlfriend of", "my hero and is setting up their date before her untimely end. The", "before the end of the chapter. She is the girlfriend of my hero", "The hero is also there, preparing in his own way so the chapter", "unsatisfactory that she'd died. I like it this way because I think it", "She is the girlfriend of my hero and is setting up their date", "character I introduce dies before the end of the chapter. She is the", "and found it unsatisfactory that she'd died. I like it this way because", "it this way because I think it has more of an impact but", "the end of the chapter. She is the girlfriend of my hero and", "Since I'd introduced the female first, he thought she was the hero and", "the hero and found it unsatisfactory that she'd died. I like it this", "dies before the end of the chapter. She is the girlfriend of my", "in his own way so the chapter itself swaps between the two before", "it out to the writing group I'm in, one of the others said", "there, preparing in his own way so the chapter itself swaps between the", "that she'd died. I like it this way because I think it has", "I'm in, one of the others said they didn't like it. Since I'd", "I like it this way because I think it has more of an", "before her untimely end. The hero is also there, preparing in his own", "their date before her untimely end. The hero is also there, preparing in", "found it unsatisfactory that she'd died. I like it this way because I", "this way because I think it has more of an impact but I'm", "of the chapter. She is the girlfriend of my hero and is setting", "she was the hero and found it unsatisfactory that she'd died. I like", "occurs. When I read it out to the writing group I'm in, one", "introduced the female first, he thought she was the hero and found it", "before the disaster occurs. When I read it out to the writing group", "writing group I'm in, one of the others said they didn't like it.", "the disaster occurs. When I read it out to the writing group I'm", "chapter. She is the girlfriend of my hero and is setting up their" ]
[ "is a demon. My problem is that I don't want people to think", "My problem is that I don't want people to think \"Hey , you", "a demon. My problem is that I don't want people to think \"Hey", "is that I don't want people to think \"Hey , you stole that", "the main protagonist is a demon. My problem is that I don't want", "problem is that I don't want people to think \"Hey , you stole", "program for the paranormal and the main protagonist is a demon. My problem", "demon. My problem is that I don't want people to think \"Hey ,", "that I don't want people to think \"Hey , you stole that from", "for the paranormal and the main protagonist is a demon. My problem is", "and the main protagonist is a demon. My problem is that I don't", "government run program for the paranormal and the main protagonist is a demon.", "My story involves a government run program for the paranormal and the main", "run program for the paranormal and the main protagonist is a demon. My", "protagonist is a demon. My problem is that I don't want people to", "I don't want people to think \"Hey , you stole that from Hellboy\".", "main protagonist is a demon. My problem is that I don't want people", "paranormal and the main protagonist is a demon. My problem is that I", "the paranormal and the main protagonist is a demon. My problem is that", "story involves a government run program for the paranormal and the main protagonist", "a government run program for the paranormal and the main protagonist is a", "involves a government run program for the paranormal and the main protagonist is" ]
[ "try to convey, and how important is it that these things be met?", "(In a fictional novel)? How deep should a chapter title be, what should", "and how important is it that these things be met? Also, what are", "are some of the criteria for a chapter title (In a fictional novel)?", "fictional novel)? How deep should a chapter title be, what should it try", "What are some of the criteria for a chapter title (In a fictional", "chapter title (In a fictional novel)? How deep should a chapter title be,", "of the criteria for a chapter title (In a fictional novel)? How deep", "to convey, and how important is it that these things be met? Also,", "are some good ways to come up with meaningful titles for your chapters?", "be met? Also, what are some good ways to come up with meaningful", "chapter title be, what should it try to convey, and how important is", "title be, what should it try to convey, and how important is it", "what should it try to convey, and how important is it that these", "novel)? How deep should a chapter title be, what should it try to", "that these things be met? Also, what are some good ways to come", "Also, what are some good ways to come up with meaningful titles for", "some of the criteria for a chapter title (In a fictional novel)? How", "met? Also, what are some good ways to come up with meaningful titles", "important is it that these things be met? Also, what are some good", "it that these things be met? Also, what are some good ways to", "is it that these things be met? Also, what are some good ways", "things be met? Also, what are some good ways to come up with", "it try to convey, and how important is it that these things be", "what are some good ways to come up with meaningful titles for your", "title (In a fictional novel)? How deep should a chapter title be, what", "convey, and how important is it that these things be met? Also, what", "criteria for a chapter title (In a fictional novel)? How deep should a", "a chapter title (In a fictional novel)? How deep should a chapter title", "How deep should a chapter title be, what should it try to convey,", "for a chapter title (In a fictional novel)? How deep should a chapter", "be, what should it try to convey, and how important is it that", "a chapter title be, what should it try to convey, and how important", "a fictional novel)? How deep should a chapter title be, what should it", "deep should a chapter title be, what should it try to convey, and", "should it try to convey, and how important is it that these things", "should a chapter title be, what should it try to convey, and how", "these things be met? Also, what are some good ways to come up", "how important is it that these things be met? Also, what are some", "the criteria for a chapter title (In a fictional novel)? How deep should" ]
[ "My question is similar to [this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined", "pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort of change tracking in mind.", "would be a Web-based editor with change tracking that outputs [some flavour of]", "and simple tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort", "clearly defined use case: sharing and reviewing basic tech docs with a minimal,", "sidestep these and just 1. maintain a single source in Markdown while 2.", "maintain a single source in Markdown while 2. providing a WYSIWYG \"user interface\"", "requirements [explicit or as yet unconscious ;) ] even better? UPDATE: ======= pt.", "interface\" that only allows minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular", "interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas of text In order", "text, headings, tables. I want to both 1. Track the changes 2. Accept/reject", "tracking, and simple tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the", "Accept/reject per change In between focussing on getting the content right, a lot", "question is similar to [this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use", "[this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use case: sharing and reviewing", "lot of issues come up (too many to list) around formatting, versioning, application", "and reviewing basic tech docs with a minimal, intuitive GUI. I'm producing technical", "could sidestep these and just 1. maintain a single source in Markdown while", "unconscious ;) ] even better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is", "something that fits my requirements [explicit or as yet unconscious ;) ] even", "I'm talking about, I just need more headings (H3 etc.), commenting, visible change", "better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what", "talking about, I just need more headings (H3 etc.), commenting, visible change tracking,", "minimal additions & changes to their content, e.g. text, headings, tables. I want", "be a Web-based editor with change tracking that outputs [some flavour of] Markdown.", "being in the Markdown workflow behind the scences, ideally this would be a", "between focussing on getting the content right, a lot of issues come up", "even better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to", "would be great if I could sidestep these and just 1. maintain a", "use case: sharing and reviewing basic tech docs with a minimal, intuitive GUI.", "just 1. maintain a single source in Markdown while 2. providing a WYSIWYG", "Markdown. Anyone know of such a thing? Or something that fits my requirements", "(too many to list) around formatting, versioning, application compatibility etc. It would be", "that only allows minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas", "to their content, e.g. text, headings, tables. I want to both 1. Track", "using MS Word. These docs need to be reviewed, commented and have minimal", "technical documents using MS Word. These docs need to be reviewed, commented and", "the scences, ideally this would be a Web-based editor with change tracking that", "behind the scences, ideally this would be a Web-based editor with change tracking", "both 1. Track the changes 2. Accept/reject per change In between focussing on", "commenting particular areas of text In order to allow \"users\" to do these", "or as yet unconscious ;) ] even better? UPDATE: ======= pt. 1 -----", "reviewed, commented and have minimal additions & changes to their content, e.g. text,", "1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking about, I", "need to be reviewed, commented and have minimal additions & changes to their", "just need more headings (H3 etc.), commenting, visible change tracking, and simple tables", "of such a thing? Or something that fits my requirements [explicit or as", "only allows minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas of", "[some flavour of] Markdown. Anyone know of such a thing? Or something that", "visible change tracking, and simple tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/)", "with a minimal, intuitive GUI. I'm producing technical documents using MS Word. These", "content right, a lot of issues come up (too many to list) around", "MS Word. These docs need to be reviewed, commented and have minimal additions", "on getting the content right, a lot of issues come up (too many", "I want to both 1. Track the changes 2. Accept/reject per change In", "as yet unconscious ;) ] even better? UPDATE: ======= pt. 1 ----- [This", "These docs need to be reviewed, commented and have minimal additions & changes", "application compatibility etc. It would be great if I could sidestep these and", "of] Markdown. Anyone know of such a thing? Or something that fits my", "tech docs with a minimal, intuitive GUI. I'm producing technical documents using MS", "commenting, visible change tracking, and simple tables in addition. pt 2. ----- [This", "a Web-based editor with change tracking that outputs [some flavour of] Markdown. Anyone", "Word. These docs need to be reviewed, commented and have minimal additions &", "tracking that outputs [some flavour of] Markdown. Anyone know of such a thing?", "is similar to [this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use case:", "] even better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close", "close to what I'm talking about, I just need more headings (H3 etc.),", "Markdown workflow behind the scences, ideally this would be a Web-based editor with", "focussing on getting the content right, a lot of issues come up (too", "* changing/adding/deleting text/numbers/tables * commenting particular areas of text In order to allow", "text In order to allow \"users\" to do these things without being in", "flavour of] Markdown. Anyone know of such a thing? Or something that fits", "----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking about, I just", "GUI. I'm producing technical documents using MS Word. These docs need to be", "minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas of text In", "in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort of change tracking", "in Markdown while 2. providing a WYSIWYG \"user interface\" that only allows minimal", "the content right, a lot of issues come up (too many to list)", "tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort of change", "sharing and reviewing basic tech docs with a minimal, intuitive GUI. I'm producing", "In order to allow \"users\" to do these things without being in the", "scences, ideally this would be a Web-based editor with change tracking that outputs", "Or something that fits my requirements [explicit or as yet unconscious ;) ]", "to [this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use case: sharing and", "allows minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas of text", "source in Markdown while 2. providing a WYSIWYG \"user interface\" that only allows", "a clearly defined use case: sharing and reviewing basic tech docs with a", "[explicit or as yet unconscious ;) ] even better? UPDATE: ======= pt. 1", "in the Markdown workflow behind the scences, ideally this would be a Web-based", "[This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking about, I just need", "compatibility etc. It would be great if I could sidestep these and just", "outputs [some flavour of] Markdown. Anyone know of such a thing? Or something", "\"users\" to do these things without being in the Markdown workflow behind the", "tables. I want to both 1. Track the changes 2. Accept/reject per change", "that outputs [some flavour of] Markdown. Anyone know of such a thing? Or", "this would be a Web-based editor with change tracking that outputs [some flavour", "docs with a minimal, intuitive GUI. I'm producing technical documents using MS Word.", "to do these things without being in the Markdown workflow behind the scences,", "workflow behind the scences, ideally this would be a Web-based editor with change", "have minimal additions & changes to their content, e.g. text, headings, tables. I", "and just 1. maintain a single source in Markdown while 2. providing a", "etc.), commenting, visible change tracking, and simple tables in addition. pt 2. -----", "be reviewed, commented and have minimal additions & changes to their content, e.g.", "allow \"users\" to do these things without being in the Markdown workflow behind", "single source in Markdown while 2. providing a WYSIWYG \"user interface\" that only", "of text In order to allow \"users\" to do these things without being", "minimal, intuitive GUI. I'm producing technical documents using MS Word. These docs need", "editor with change tracking that outputs [some flavour of] Markdown. Anyone know of", "while 2. providing a WYSIWYG \"user interface\" that only allows minimal interactions, i.e.:", "Track the changes 2. Accept/reject per change In between focussing on getting the", "producing technical documents using MS Word. These docs need to be reviewed, commented", "docs need to be reviewed, commented and have minimal additions & changes to", "the changes 2. Accept/reject per change In between focussing on getting the content", "such a thing? Or something that fits my requirements [explicit or as yet", "with (hopefully) a clearly defined use case: sharing and reviewing basic tech docs", "up (too many to list) around formatting, versioning, application compatibility etc. It would", "these and just 1. maintain a single source in Markdown while 2. providing", "but with (hopefully) a clearly defined use case: sharing and reviewing basic tech", "UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm", "Markdown while 2. providing a WYSIWYG \"user interface\" that only allows minimal interactions,", "content, e.g. text, headings, tables. I want to both 1. Track the changes", "of issues come up (too many to list) around formatting, versioning, application compatibility", "about, I just need more headings (H3 etc.), commenting, visible change tracking, and", "list) around formatting, versioning, application compatibility etc. It would be great if I", "want to both 1. Track the changes 2. Accept/reject per change In between", "a thing? Or something that fits my requirements [explicit or as yet unconscious", "intuitive GUI. I'm producing technical documents using MS Word. These docs need to", "I just need more headings (H3 etc.), commenting, visible change tracking, and simple", "======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking", "to what I'm talking about, I just need more headings (H3 etc.), commenting,", "In between focussing on getting the content right, a lot of issues come", "defined use case: sharing and reviewing basic tech docs with a minimal, intuitive", "text/numbers/tables * commenting particular areas of text In order to allow \"users\" to", "case: sharing and reviewing basic tech docs with a minimal, intuitive GUI. I'm", "changes to their content, e.g. text, headings, tables. I want to both 1.", "pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking about,", "additions & changes to their content, e.g. text, headings, tables. I want to", "simple tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort of", "right, a lot of issues come up (too many to list) around formatting,", "(hopefully) a clearly defined use case: sharing and reviewing basic tech docs with", "2. Accept/reject per change In between focussing on getting the content right, a", "things without being in the Markdown workflow behind the scences, ideally this would", "change tracking that outputs [some flavour of] Markdown. Anyone know of such a", "more headings (H3 etc.), commenting, visible change tracking, and simple tables in addition.", "need more headings (H3 etc.), commenting, visible change tracking, and simple tables in", "Web-based editor with change tracking that outputs [some flavour of] Markdown. Anyone know", "to list) around formatting, versioning, application compatibility etc. It would be great if", "i.e.: * changing/adding/deleting text/numbers/tables * commenting particular areas of text In order to", "come up (too many to list) around formatting, versioning, application compatibility etc. It", "a lot of issues come up (too many to list) around formatting, versioning,", "very close to what I'm talking about, I just need more headings (H3", "(H3 etc.), commenting, visible change tracking, and simple tables in addition. pt 2.", "addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is the sort of change tracking in", "great if I could sidestep these and just 1. maintain a single source", "issues come up (too many to list) around formatting, versioning, application compatibility etc.", "versioning, application compatibility etc. It would be great if I could sidestep these", "& changes to their content, e.g. text, headings, tables. I want to both", "reviewing basic tech docs with a minimal, intuitive GUI. I'm producing technical documents", "order to allow \"users\" to do these things without being in the Markdown", "to allow \"users\" to do these things without being in the Markdown workflow", "change In between focussing on getting the content right, a lot of issues", "to both 1. Track the changes 2. Accept/reject per change In between focussing", "do these things without being in the Markdown workflow behind the scences, ideally", "basic tech docs with a minimal, intuitive GUI. I'm producing technical documents using", "change tracking, and simple tables in addition. pt 2. ----- [This (ice)](http://nytimes.github.io/ice/demo/) is", "around formatting, versioning, application compatibility etc. It would be great if I could", "a minimal, intuitive GUI. I'm producing technical documents using MS Word. These docs", "ideally this would be a Web-based editor with change tracking that outputs [some", "headings (H3 etc.), commenting, visible change tracking, and simple tables in addition. pt", "without being in the Markdown workflow behind the scences, ideally this would be", "2. providing a WYSIWYG \"user interface\" that only allows minimal interactions, i.e.: ", "what I'm talking about, I just need more headings (H3 etc.), commenting, visible", "per change In between focussing on getting the content right, a lot of", "I could sidestep these and just 1. maintain a single source in Markdown", "formatting, versioning, application compatibility etc. It would be great if I could sidestep", "\"user interface\" that only allows minimal interactions, i.e.: changing/adding/deleting text/numbers/tables * commenting", "fits my requirements [explicit or as yet unconscious ;) ] even better? UPDATE:", "It would be great if I could sidestep these and just 1. maintain", "my requirements [explicit or as yet unconscious ;) ] even better? UPDATE: =======", "* commenting particular areas of text In order to allow \"users\" to do", "WYSIWYG \"user interface\" that only allows minimal interactions, i.e.: * changing/adding/deleting text/numbers/tables ", "a WYSIWYG \"user interface\" that only allows minimal interactions, i.e.: changing/adding/deleting text/numbers/tables", "areas of text In order to allow \"users\" to do these things without", "I'm producing technical documents using MS Word. These docs need to be reviewed,", "be great if I could sidestep these and just 1. maintain a single", "their content, e.g. text, headings, tables. I want to both 1. Track the", "the Markdown workflow behind the scences, ideally this would be a Web-based editor", "know of such a thing? Or something that fits my requirements [explicit or", "headings, tables. I want to both 1. Track the changes 2. Accept/reject per", "1. Track the changes 2. Accept/reject per change In between focussing on getting", "providing a WYSIWYG \"user interface\" that only allows minimal interactions, i.e.: * changing/adding/deleting", "changes 2. Accept/reject per change In between focussing on getting the content right,", "many to list) around formatting, versioning, application compatibility etc. It would be great", "Anyone know of such a thing? Or something that fits my requirements [explicit", "that fits my requirements [explicit or as yet unconscious ;) ] even better?", "thing? Or something that fits my requirements [explicit or as yet unconscious ;)", "yet unconscious ;) ] even better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/)", "(hallo.js)](http://hallojs.org/demo/markdown/) is very close to what I'm talking about, I just need more", "and have minimal additions & changes to their content, e.g. text, headings, tables.", "particular areas of text In order to allow \"users\" to do these things", "e.g. text, headings, tables. I want to both 1. Track the changes 2.", "1. maintain a single source in Markdown while 2. providing a WYSIWYG \"user", "these things without being in the Markdown workflow behind the scences, ideally this", "one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use case: sharing and reviewing basic", "if I could sidestep these and just 1. maintain a single source in", "changing/adding/deleting text/numbers/tables * commenting particular areas of text In order to allow \"users\"", "with change tracking that outputs [some flavour of] Markdown. Anyone know of such", "getting the content right, a lot of issues come up (too many to", "to be reviewed, commented and have minimal additions & changes to their content,", ";) ] even better? UPDATE: ======= pt. 1 ----- [This (hallo.js)](http://hallojs.org/demo/markdown/) is very", "etc. It would be great if I could sidestep these and just 1.", "is very close to what I'm talking about, I just need more headings", "documents using MS Word. These docs need to be reviewed, commented and have", "commented and have minimal additions & changes to their content, e.g. text, headings,", "a single source in Markdown while 2. providing a WYSIWYG \"user interface\" that", "similar to [this one](https://writers.stackexchange.com/questions/6864/text-editors-suggesting-tracking-changes-to-plain-text-documents), but with (hopefully) a clearly defined use case: sharing" ]
[ "Is there, in fact, a hybrid method to writing a novel that involves", "wanted to write a novel for the past three years. I have read", "write a novel for the past three years. I have read books on", "method involves writing without an outline, and then creating an outline when I", "And it has gone well! I've written a few pages! To this end,", "without an outline, and then creating an outline when I am done to", "and then creating an outline when I am done to generate the next", "an outline initially. No matter which way I have chosen to proceed, I", "a book, and some recommended using an outline initially. No matter which way", "tendencies shut me down. Just this past week, however, I decided that I", "books on writing and taken online courses. Some of that material recommended not", "to writing a novel that involves both pantsing (writing by the seat of", "that I was going to do what feels right to me and get", "am done to generate the next revision. And it has gone well! I've", "proceed, I have felt guilty about about my choice a little ways in", "my own personal method involves writing without an outline, and then creating an", "shut me down. Just this past week, however, I decided that I was", "however, I decided that I was going to do what feels right to", "right to me and get to work! I discovered my own personal method", "to me and get to work! I discovered my own personal method involves", "and get to work! I discovered my own personal method involves writing without", "on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method to writing", "online courses. Some of that material recommended not using an outline to write", "to generate the next revision. And it has gone well! I've written a", "choice a little ways in to the process. Then, my perfectionist tendencies shut", "To this end, I found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there,", "to write a book, and some recommended using an outline initially. No matter", "<https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method to writing a novel that", "have felt guilty about about my choice a little ways in to the", "was going to do what feels right to me and get to work!", "an outline to write a book, and some recommended using an outline initially.", "end, I found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact,", "done to generate the next revision. And it has gone well! I've written", "recommended using an outline initially. No matter which way I have chosen to", "Just this past week, however, I decided that I was going to do", "pages! To this end, I found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is", "the process. Then, my perfectionist tendencies shut me down. Just this past week,", "Some of that material recommended not using an outline to write a book,", "of that material recommended not using an outline to write a book, and", "I am done to generate the next revision. And it has gone well!", "about my choice a little ways in to the process. Then, my perfectionist", "have wanted to write a novel for the past three years. I have", "No matter which way I have chosen to proceed, I have felt guilty", "I have read books on writing and taken online courses. Some of that", "it has gone well! I've written a few pages! To this end, I", "creating an outline when I am done to generate the next revision. And", "me down. Just this past week, however, I decided that I was going", "do what feels right to me and get to work! I discovered my", "week, however, I decided that I was going to do what feels right", "I have chosen to proceed, I have felt guilty about about my choice", "novel that involves both pantsing (writing by the seat of ones pants) and", "guilty about about my choice a little ways in to the process. Then,", "going to do what feels right to me and get to work! I", "fact, a hybrid method to writing a novel that involves both pantsing (writing", "that involves both pantsing (writing by the seat of ones pants) and plotting?", "using an outline initially. No matter which way I have chosen to proceed,", "then creating an outline when I am done to generate the next revision.", "in fact, a hybrid method to writing a novel that involves both pantsing", "read books on writing and taken online courses. Some of that material recommended", "which way I have chosen to proceed, I have felt guilty about about", "feels right to me and get to work! I discovered my own personal", "personal method involves writing without an outline, and then creating an outline when", "this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method", "my choice a little ways in to the process. Then, my perfectionist tendencies", "a hybrid method to writing a novel that involves both pantsing (writing by", "some recommended using an outline initially. No matter which way I have chosen", "that material recommended not using an outline to write a book, and some", "a novel that involves both pantsing (writing by the seat of ones pants)", "book, and some recommended using an outline initially. No matter which way I", "decided that I was going to do what feels right to me and", "next revision. And it has gone well! I've written a few pages! To", "write a book, and some recommended using an outline initially. No matter which", "outline when I am done to generate the next revision. And it has", "my perfectionist tendencies shut me down. Just this past week, however, I decided", "outline initially. No matter which way I have chosen to proceed, I have", "an outline when I am done to generate the next revision. And it", "well! I've written a few pages! To this end, I found this article", "matter which way I have chosen to proceed, I have felt guilty about", "recommended not using an outline to write a book, and some recommended using", "have read books on writing and taken online courses. Some of that material", "generate the next revision. And it has gone well! I've written a few", "writing a novel that involves both pantsing (writing by the seat of ones", "I have felt guilty about about my choice a little ways in to", "to write a novel for the past three years. I have read books", "an outline, and then creating an outline when I am done to generate", "and some recommended using an outline initially. No matter which way I have", "I decided that I was going to do what feels right to me", "writing and taken online courses. Some of that material recommended not using an", "Then, my perfectionist tendencies shut me down. Just this past week, however, I", "outline to write a book, and some recommended using an outline initially. No", "material recommended not using an outline to write a book, and some recommended", "to do what feels right to me and get to work! I discovered", "work! I discovered my own personal method involves writing without an outline, and", "taken online courses. Some of that material recommended not using an outline to", "to the process. Then, my perfectionist tendencies shut me down. Just this past", "I've written a few pages! To this end, I found this article on", "little ways in to the process. Then, my perfectionist tendencies shut me down.", "discovered my own personal method involves writing without an outline, and then creating", "courses. Some of that material recommended not using an outline to write a", "this past week, however, I decided that I was going to do what", "found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid", "hybrid method to writing a novel that involves both pantsing (writing by the", "has gone well! I've written a few pages! To this end, I found", "felt guilty about about my choice a little ways in to the process.", "article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method to", "there, in fact, a hybrid method to writing a novel that involves both", "I discovered my own personal method involves writing without an outline, and then", "for the past three years. I have read books on writing and taken", "on writing and taken online courses. Some of that material recommended not using", "using an outline to write a book, and some recommended using an outline", "three years. I have read books on writing and taken online courses. Some", "process. Then, my perfectionist tendencies shut me down. Just this past week, however,", "me and get to work! I discovered my own personal method involves writing", "down. Just this past week, however, I decided that I was going to", "past three years. I have read books on writing and taken online courses.", "and taken online courses. Some of that material recommended not using an outline", "initially. No matter which way I have chosen to proceed, I have felt", "a little ways in to the process. Then, my perfectionist tendencies shut me", "few pages! To this end, I found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>.", "about about my choice a little ways in to the process. Then, my", "get to work! 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Is there, in", "what feels right to me and get to work! I discovered my own", "writing without an outline, and then creating an outline when I am done", "the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method to writing a", "I found this article on the Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a", "in to the process. Then, my perfectionist tendencies shut me down. Just this", "own personal method involves writing without an outline, and then creating an outline", "the next revision. And it has gone well! I've written a few pages!", "written a few pages! To this end, I found this article on the", "I was going to do what feels right to me and get to", "a novel for the past three years. I have read books on writing", "a few pages! To this end, I found this article on the Internet:", "outline, and then creating an outline when I am done to generate the", "perfectionist tendencies shut me down. Just this past week, however, I decided that", "to proceed, I have felt guilty about about my choice a little ways", "ways in to the process. Then, my perfectionist tendencies shut me down. Just", "novel for the past three years. I have read books on writing and", "years. I have read books on writing and taken online courses. Some of", "Internet: <https://grubstreet.org/grub-daily/to-outline-or-not-to-outline/>. Is there, in fact, a hybrid method to writing a novel", "I have wanted to write a novel for the past three years. I", "way I have chosen to proceed, I have felt guilty about about my" ]
[ "> > A warning etched under the sign read “Electromagnetics strictly prohibited.” >", "A warning etched under the sign read “Electromagnetics strictly prohibited.” > > >", "up to a door marked with a sign. I wrote > > A", "the sign read “Electromagnetics strictly prohibited.” > > > Is it correct to", "> > Is it correct to quote the text of the sign, even", "If not, should the text otherwise be offset from normal text? I'm already", "text of the sign, even though there is no speaker? If not, should", "with a sign. I wrote > > A warning etched under the sign", "etched under the sign read “Electromagnetics strictly prohibited.” > > > Is it", "sign read “Electromagnetics strictly prohibited.” > > > Is it correct to quote", "quote the text of the sign, even though there is no speaker? If", "a sign. I wrote > > A warning etched under the sign read", "prohibited.” > > > Is it correct to quote the text of the", "dialog heavy scene in which one of the characters walks up to a", "which one of the characters walks up to a door marked with a", "there is no speaker? If not, should the text otherwise be offset from", "to quote the text of the sign, even though there is no speaker?", "though there is no speaker? If not, should the text otherwise be offset", "not, should the text otherwise be offset from normal text? I'm already using", "“Electromagnetics strictly prohibited.” > > > Is it correct to quote the text", "sign, even though there is no speaker? If not, should the text otherwise", "a door marked with a sign. I wrote > > A warning etched", "correct to quote the text of the sign, even though there is no", "Is it correct to quote the text of the sign, even though there", "speaker? If not, should the text otherwise be offset from normal text? I'm", "otherwise be offset from normal text? I'm already using italics to indicate internal", "> Is it correct to quote the text of the sign, even though", "wrote > > A warning etched under the sign read “Electromagnetics strictly prohibited.”", "> A warning etched under the sign read “Electromagnetics strictly prohibited.” > >", "sign. I wrote > > A warning etched under the sign read “Electromagnetics", "walks up to a door marked with a sign. I wrote > >", "should the text otherwise be offset from normal text? I'm already using italics", "even though there is no speaker? If not, should the text otherwise be", "of the sign, even though there is no speaker? If not, should the", "scene in which one of the characters walks up to a door marked", "I wrote > > A warning etched under the sign read “Electromagnetics strictly", "the text of the sign, even though there is no speaker? If not,", "to a door marked with a sign. I wrote > > A warning", "I have a dialog heavy scene in which one of the characters walks", "warning etched under the sign read “Electromagnetics strictly prohibited.” > > > Is", "door marked with a sign. I wrote > > A warning etched under", "a dialog heavy scene in which one of the characters walks up to", "the characters walks up to a door marked with a sign. I wrote", "it correct to quote the text of the sign, even though there is", "marked with a sign. I wrote > > A warning etched under the", "in which one of the characters walks up to a door marked with", "the sign, even though there is no speaker? If not, should the text", "of the characters walks up to a door marked with a sign. I", "one of the characters walks up to a door marked with a sign.", "have a dialog heavy scene in which one of the characters walks up", "read “Electromagnetics strictly prohibited.” > > > Is it correct to quote the", "no speaker? If not, should the text otherwise be offset from normal text?", "be offset from normal text? I'm already using italics to indicate internal dialog.", "under the sign read “Electromagnetics strictly prohibited.” > > > Is it correct", "strictly prohibited.” > > > Is it correct to quote the text of", "is no speaker? If not, should the text otherwise be offset from normal", "characters walks up to a door marked with a sign. I wrote >", "> > > Is it correct to quote the text of the sign,", "the text otherwise be offset from normal text? I'm already using italics to", "text otherwise be offset from normal text? I'm already using italics to indicate", "heavy scene in which one of the characters walks up to a door" ]
[ "them before they reach their destination? I know a bunch of boring camping", "(So original right?) Anywho, they've already been captured by road robbers once and", "right?) Anywho, they've already been captured by road robbers once and escaped. Also,", "In my story, my characters have to go on a journey, plus it's", "to go on a journey, plus it's medieval. (So original right?) Anywho, they've", "and escaped. Also, they've stumbled upon a town and acquired a new member", "the three to bond but... What else can happen to them before they", "Also, they've stumbled upon a town and acquired a new member to their", "it's medieval. (So original right?) Anywho, they've already been captured by road robbers", "captured by road robbers once and escaped. Also, they've stumbled upon a town", "on a journey, plus it's medieval. (So original right?) Anywho, they've already been", "robbers once and escaped. Also, they've stumbled upon a town and acquired a", "but... What else can happen to them before they reach their destination? I", "can happen to them before they reach their destination? I know a bunch", "Anywho, they've already been captured by road robbers once and escaped. Also, they've", "story, my characters have to go on a journey, plus it's medieval. (So", "by road robbers once and escaped. Also, they've stumbled upon a town and", "to bond but... What else can happen to them before they reach their", "original right?) Anywho, they've already been captured by road robbers once and escaped.", "they've already been captured by road robbers once and escaped. Also, they've stumbled", "know a bunch of boring camping scenes is not the way to go,", "three to bond but... What else can happen to them before they reach", "been captured by road robbers once and escaped. Also, they've stumbled upon a", "their party. I'd like for the three to bond but... What else can", "party. I'd like for the three to bond but... What else can happen", "bond but... What else can happen to them before they reach their destination?", "already been captured by road robbers once and escaped. Also, they've stumbled upon", "plus it's medieval. (So original right?) Anywho, they've already been captured by road", "they reach their destination? I know a bunch of boring camping scenes is", "for the three to bond but... What else can happen to them before", "of boring camping scenes is not the way to go, so what is?", "I'd like for the three to bond but... What else can happen to", "reach their destination? I know a bunch of boring camping scenes is not", "member to their party. I'd like for the three to bond but... What", "else can happen to them before they reach their destination? I know a", "a bunch of boring camping scenes is not the way to go, so", "have to go on a journey, plus it's medieval. (So original right?) Anywho,", "I know a bunch of boring camping scenes is not the way to", "their destination? I know a bunch of boring camping scenes is not the", "upon a town and acquired a new member to their party. I'd like", "go on a journey, plus it's medieval. (So original right?) Anywho, they've already", "What else can happen to them before they reach their destination? I know", "a town and acquired a new member to their party. I'd like for", "to them before they reach their destination? I know a bunch of boring", "road robbers once and escaped. Also, they've stumbled upon a town and acquired", "to their party. I'd like for the three to bond but... What else", "happen to them before they reach their destination? I know a bunch of", "once and escaped. Also, they've stumbled upon a town and acquired a new", "and acquired a new member to their party. I'd like for the three", "town and acquired a new member to their party. I'd like for the", "they've stumbled upon a town and acquired a new member to their party.", "characters have to go on a journey, plus it's medieval. (So original right?)", "a journey, plus it's medieval. (So original right?) Anywho, they've already been captured", "medieval. (So original right?) Anywho, they've already been captured by road robbers once", "acquired a new member to their party. I'd like for the three to", "my story, my characters have to go on a journey, plus it's medieval.", "new member to their party. I'd like for the three to bond but...", "journey, plus it's medieval. (So original right?) Anywho, they've already been captured by", "like for the three to bond but... What else can happen to them", "before they reach their destination? I know a bunch of boring camping scenes", "destination? I know a bunch of boring camping scenes is not the way", "bunch of boring camping scenes is not the way to go, so what", "stumbled upon a town and acquired a new member to their party. I'd", "my characters have to go on a journey, plus it's medieval. (So original", "escaped. Also, they've stumbled upon a town and acquired a new member to", "a new member to their party. I'd like for the three to bond" ]
[ "resources, genocide, etc...) This includes some actions done by my own nation (U.S.A.)", "nation (U.S.A.) as well as several other nations. I don't want to omit", "behalf. (Side note: My story also mentions many of the positive altruistic actions", "offend people of those nations if I describe the actions their governments do", "thought is that people have written about horrible atrocities before and pointing out", "before. Is there anything foreign governments would do about it? Other than throw", "done by my own nation (U.S.A.) as well as several other nations. I", "actions and policies, because that would take much of the tension and conflict", "actions done by my own nation (U.S.A.) as well as several other nations.", "etc...) This includes some actions done by my own nation (U.S.A.) as well", "(e.g. - torture, extra-judicial killings, big nations bullying smaller ones into economically lopsided", "colonization, genocide, economic exploitation, etc... many times before. Is there anything foreign governments", "tension and conflict out of the story. But I don't want to annoy", "out that dictatorships and democracies do these is fair game. People have written", "bullying smaller ones into economically lopsided treaties, destruction of natural resources, genocide, etc...)", "note: My story also mentions many of the positive altruistic actions done by", "actions done by many countries, and how those actions contribute to the plot.)", "other nations. I don't want to omit these actions and policies, because that", "about slavery, colonization, genocide, economic exploitation, etc... many times before. Is there anything", "their governments do on their behalf. (Side note: My story also mentions many", "This includes some actions done by my own nation (U.S.A.) as well as", "nations all over the world. Much of the plot is influenced by ongoing", "positive altruistic actions done by many countries, and how those actions contribute to", "smaller ones into economically lopsided treaties, destruction of natural resources, genocide, etc...) This", "atrocities before and pointing out that dictatorships and democracies do these is fair", "own nation (U.S.A.) as well as several other nations. I don't want to", "done by many countries, and how those actions contribute to the plot.) My", "treaties, destruction of natural resources, genocide, etc...) This includes some actions done by", "and conflict out of the story. But I don't want to annoy or", "nations if I describe the actions their governments do on their behalf. (Side", "describe the actions their governments do on their behalf. (Side note: My story", "story also mentions many of the positive altruistic actions done by many countries,", "But I don't want to annoy or offend people of those nations if", "actions contribute to the plot.) My first thought is that people have written", "in several nations all over the world. Much of the plot is influenced", "of those nations if I describe the actions their governments do on their", "or offend people of those nations if I describe the actions their governments", "on their behalf. (Side note: My story also mentions many of the positive", "world. Much of the plot is influenced by ongoing practices of many nations.", "some actions done by my own nation (U.S.A.) as well as several other", "genocide, economic exploitation, etc... many times before. Is there anything foreign governments would", "if I describe the actions their governments do on their behalf. (Side note:", "want to annoy or offend people of those nations if I describe the", "out of the story. But I don't want to annoy or offend people", "- torture, extra-judicial killings, big nations bullying smaller ones into economically lopsided treaties,", "a story about fictional events in several nations all over the world. Much", "about fictional events in several nations all over the world. Much of the", "many times before. Is there anything foreign governments would do about it? Other", "ongoing practices of many nations. (e.g. - torture, extra-judicial killings, big nations bullying", "because that would take much of the tension and conflict out of the", "economic exploitation, etc... many times before. Is there anything foreign governments would do", "many countries, and how those actions contribute to the plot.) My first thought", "foreign governments would do about it? Other than throw my books into a", "want to omit these actions and policies, because that would take much of", "that would take much of the tension and conflict out of the story.", "do on their behalf. (Side note: My story also mentions many of the", "don't want to omit these actions and policies, because that would take much", "torture, extra-judicial killings, big nations bullying smaller ones into economically lopsided treaties, destruction", "of the plot is influenced by ongoing practices of many nations. (e.g. -", "policies, because that would take much of the tension and conflict out of", "do these is fair game. People have written about slavery, colonization, genocide, economic", "mentions many of the positive altruistic actions done by many countries, and how", "story about fictional events in several nations all over the world. Much of", "the world. Much of the plot is influenced by ongoing practices of many", "my own nation (U.S.A.) as well as several other nations. I don't want", "much of the tension and conflict out of the story. But I don't", "Much of the plot is influenced by ongoing practices of many nations. (e.g.", "the positive altruistic actions done by many countries, and how those actions contribute", "ones into economically lopsided treaties, destruction of natural resources, genocide, etc...) This includes", "these is fair game. People have written about slavery, colonization, genocide, economic exploitation,", "fair game. People have written about slavery, colonization, genocide, economic exploitation, etc... many", "that dictatorships and democracies do these is fair game. People have written about", "is that people have written about horrible atrocities before and pointing out that", "dictatorships and democracies do these is fair game. People have written about slavery,", "the story. But I don't want to annoy or offend people of those", "times before. Is there anything foreign governments would do about it? Other than", "governments would do about it? Other than throw my books into a bonfire.", "by many countries, and how those actions contribute to the plot.) My first", "written about horrible atrocities before and pointing out that dictatorships and democracies do", "how those actions contribute to the plot.) My first thought is that people", "of many nations. (e.g. - torture, extra-judicial killings, big nations bullying smaller ones", "and democracies do these is fair game. People have written about slavery, colonization,", "fictional events in several nations all over the world. Much of the plot", "before and pointing out that dictatorships and democracies do these is fair game.", "the plot.) My first thought is that people have written about horrible atrocities", "genocide, etc...) This includes some actions done by my own nation (U.S.A.) as", "actions their governments do on their behalf. (Side note: My story also mentions", "by ongoing practices of many nations. (e.g. - torture, extra-judicial killings, big nations", "several other nations. I don't want to omit these actions and policies, because", "as well as several other nations. I don't want to omit these actions", "omit these actions and policies, because that would take much of the tension", "nations. (e.g. - torture, extra-judicial killings, big nations bullying smaller ones into economically", "governments do on their behalf. (Side note: My story also mentions many of", "plot.) My first thought is that people have written about horrible atrocities before", "nations bullying smaller ones into economically lopsided treaties, destruction of natural resources, genocide,", "game. People have written about slavery, colonization, genocide, economic exploitation, etc... many times", "have written about horrible atrocities before and pointing out that dictatorships and democracies", "events in several nations all over the world. Much of the plot is", "as several other nations. I don't want to omit these actions and policies,", "horrible atrocities before and pointing out that dictatorships and democracies do these is", "all over the world. Much of the plot is influenced by ongoing practices", "conflict out of the story. But I don't want to annoy or offend", "(Side note: My story also mentions many of the positive altruistic actions done", "is influenced by ongoing practices of many nations. (e.g. - torture, extra-judicial killings,", "destruction of natural resources, genocide, etc...) This includes some actions done by my", "and policies, because that would take much of the tension and conflict out", "extra-judicial killings, big nations bullying smaller ones into economically lopsided treaties, destruction of", "would take much of the tension and conflict out of the story. But", "written about slavery, colonization, genocide, economic exploitation, etc... many times before. Is there", "anything foreign governments would do about it? Other than throw my books into", "of natural resources, genocide, etc...) This includes some actions done by my own", "and pointing out that dictatorships and democracies do these is fair game. People", "natural resources, genocide, etc...) This includes some actions done by my own nation", "of the positive altruistic actions done by many countries, and how those actions", "of the story. But I don't want to annoy or offend people of", "I am writing a story about fictional events in several nations all over", "about horrible atrocities before and pointing out that dictatorships and democracies do these", "there anything foreign governments would do about it? Other than throw my books", "many nations. (e.g. - torture, extra-judicial killings, big nations bullying smaller ones into", "story. But I don't want to annoy or offend people of those nations", "includes some actions done by my own nation (U.S.A.) as well as several", "lopsided treaties, destruction of natural resources, genocide, etc...) This includes some actions done", "My story also mentions many of the positive altruistic actions done by many", "those nations if I describe the actions their governments do on their behalf.", "into economically lopsided treaties, destruction of natural resources, genocide, etc...) This includes some", "to omit these actions and policies, because that would take much of the", "don't want to annoy or offend people of those nations if I describe", "People have written about slavery, colonization, genocide, economic exploitation, etc... many times before.", "economically lopsided treaties, destruction of natural resources, genocide, etc...) This includes some actions", "plot is influenced by ongoing practices of many nations. (e.g. - torture, extra-judicial", "those actions contribute to the plot.) My first thought is that people have", "(U.S.A.) as well as several other nations. I don't want to omit these", "My first thought is that people have written about horrible atrocities before and", "several nations all over the world. Much of the plot is influenced by", "slavery, colonization, genocide, economic exploitation, etc... many times before. Is there anything foreign", "etc... many times before. Is there anything foreign governments would do about it?", "altruistic actions done by many countries, and how those actions contribute to the", "over the world. Much of the plot is influenced by ongoing practices of", "these actions and policies, because that would take much of the tension and", "by my own nation (U.S.A.) as well as several other nations. I don't", "to annoy or offend people of those nations if I describe the actions", "is fair game. People have written about slavery, colonization, genocide, economic exploitation, etc...", "am writing a story about fictional events in several nations all over the", "to the plot.) My first thought is that people have written about horrible", "influenced by ongoing practices of many nations. (e.g. - torture, extra-judicial killings, big", "contribute to the plot.) My first thought is that people have written about", "I don't want to omit these actions and policies, because that would take", "people have written about horrible atrocities before and pointing out that dictatorships and", "pointing out that dictatorships and democracies do these is fair game. People have", "annoy or offend people of those nations if I describe the actions their", "that people have written about horrible atrocities before and pointing out that dictatorships", "and how those actions contribute to the plot.) My first thought is that", "of the tension and conflict out of the story. But I don't want", "the tension and conflict out of the story. But I don't want to", "I don't want to annoy or offend people of those nations if I", "take much of the tension and conflict out of the story. But I", "nations. I don't want to omit these actions and policies, because that would", "the plot is influenced by ongoing practices of many nations. (e.g. - torture,", "many of the positive altruistic actions done by many countries, and how those", "exploitation, etc... many times before. Is there anything foreign governments would do about", "also mentions many of the positive altruistic actions done by many countries, and", "democracies do these is fair game. People have written about slavery, colonization, genocide,", "have written about slavery, colonization, genocide, economic exploitation, etc... many times before. Is", "first thought is that people have written about horrible atrocities before and pointing", "killings, big nations bullying smaller ones into economically lopsided treaties, destruction of natural", "well as several other nations. I don't want to omit these actions and", "their behalf. (Side note: My story also mentions many of the positive altruistic", "Is there anything foreign governments would do about it? Other than throw my", "countries, and how those actions contribute to the plot.) My first thought is", "I describe the actions their governments do on their behalf. (Side note: My", "writing a story about fictional events in several nations all over the world.", "people of those nations if I describe the actions their governments do on", "practices of many nations. (e.g. - torture, extra-judicial killings, big nations bullying smaller", "the actions their governments do on their behalf. (Side note: My story also", "big nations bullying smaller ones into economically lopsided treaties, destruction of natural resources," ]
[ "person. Is there a good way to make such a subplot fit when", "happening between him and another person. Is there a good way to make", "apart, except for the fact that the hero both kills the bad guys", "politicians and banksters. Now let's say that I'd want to write a romantic", "to kill/expose corrupt politicians and banksters. Now let's say that I'd want to", "let's say that I'd want to write a romantic subplot happening between him", "say that I'd want to write a romantic subplot happening between him and", "a romantic subplot happening between him and another person. Is there a good", "Is there a good way to make such a subplot fit when the", "to make such a subplot fit when the main story doesn't revolve around", "when the main story doesn't revolve around love? Or should I just keep", "banksters. Now let's say that I'd want to write a romantic subplot happening", "methods to kill/expose corrupt politicians and banksters. Now let's say that I'd want", "fit when the main story doesn't revolve around love? Or should I just", "keep the parts apart, except for the fact that the hero both kills", "that I'd want to write a romantic subplot happening between him and another", "about a ''anti-hero'' who uses harsh methods to kill/expose corrupt politicians and banksters.", "story doesn't revolve around love? Or should I just keep the parts apart,", "the parts apart, except for the fact that the hero both kills the", "So let's say the story is about a ''anti-hero'' who uses harsh methods", "the main story doesn't revolve around love? Or should I just keep the", "around love? Or should I just keep the parts apart, except for the", "make such a subplot fit when the main story doesn't revolve around love?", "good way to make such a subplot fit when the main story doesn't", "is about a ''anti-hero'' who uses harsh methods to kill/expose corrupt politicians and", "Or should I just keep the parts apart, except for the fact that", "story is about a ''anti-hero'' who uses harsh methods to kill/expose corrupt politicians", "and banksters. Now let's say that I'd want to write a romantic subplot", "and another person. Is there a good way to make such a subplot", "who uses harsh methods to kill/expose corrupt politicians and banksters. Now let's say", "a ''anti-hero'' who uses harsh methods to kill/expose corrupt politicians and banksters. Now", "such a subplot fit when the main story doesn't revolve around love? Or", "corrupt politicians and banksters. Now let's say that I'd want to write a", "the story is about a ''anti-hero'' who uses harsh methods to kill/expose corrupt", "revolve around love? Or should I just keep the parts apart, except for", "just keep the parts apart, except for the fact that the hero both", "doesn't revolve around love? Or should I just keep the parts apart, except", "parts apart, except for the fact that the hero both kills the bad", "between him and another person. Is there a good way to make such", "let's say the story is about a ''anti-hero'' who uses harsh methods to", "want to write a romantic subplot happening between him and another person. Is", "there a good way to make such a subplot fit when the main", "subplot happening between him and another person. Is there a good way to", "I'd want to write a romantic subplot happening between him and another person.", "way to make such a subplot fit when the main story doesn't revolve", "kill/expose corrupt politicians and banksters. Now let's say that I'd want to write", "write a romantic subplot happening between him and another person. Is there a", "another person. Is there a good way to make such a subplot fit", "the fact that the hero both kills the bad guys and loves the", "a subplot fit when the main story doesn't revolve around love? Or should", "should I just keep the parts apart, except for the fact that the", "say the story is about a ''anti-hero'' who uses harsh methods to kill/expose", "uses harsh methods to kill/expose corrupt politicians and banksters. Now let's say that", "I just keep the parts apart, except for the fact that the hero", "for the fact that the hero both kills the bad guys and loves", "fact that the hero both kills the bad guys and loves the girl?", "love? Or should I just keep the parts apart, except for the fact", "main story doesn't revolve around love? Or should I just keep the parts", "him and another person. Is there a good way to make such a", "to write a romantic subplot happening between him and another person. Is there", "romantic subplot happening between him and another person. Is there a good way", "harsh methods to kill/expose corrupt politicians and banksters. Now let's say that I'd", "except for the fact that the hero both kills the bad guys and", "subplot fit when the main story doesn't revolve around love? Or should I", "Now let's say that I'd want to write a romantic subplot happening between", "a good way to make such a subplot fit when the main story", "''anti-hero'' who uses harsh methods to kill/expose corrupt politicians and banksters. Now let's" ]
[ "decide if I should spend my time re-writing this story, or if I", "the rejection personally. I know there are a lot of reasons to reject", "so I found a journal that I thought was a good match and", "with beta readers and asked for feedback. I have one that I decided", "know that even good stories get rejected and that it takes time to", "can't tell if it was rejected because it's crap or for some other", "get to know us better\" or it could just be stock. I can't", "falter in my feeling that this story was ready for publication. How do", "was rejected. I don't take the rejection personally. I know there are a", "ready for publication. How do I decide if I should spend my time", "found a journal that I thought was a good match and submitted it.", "few of these with beta readers and asked for feedback. I have one", "but that's the rub -- I can't tell if it was rejected because", "-- I can't tell if it was rejected because it's crap or for", "tell if the rejection was a form letter or not. It was via", "good stories get rejected and that it takes time to find a place", "but I also wasn't expecting that I would suddenly falter in my feeling", "if I should look for another place to submit it and spend my", "rejection personally. I know there are a lot of reasons to reject a", "place to publish. I wasn't expecting to get work accepted on the first", "personally. I know there are a lot of reasons to reject a piece,", "tell if it was rejected because it's crap or for some other reason.", "and I have shared a few of these with beta readers and asked", "home, so I found a journal that I thought was a good match", "also can't tell if the rejection was a form letter or not. It", "work accepted on the first try, but I also wasn't expecting that I", "I wrote a few short stories over the past few years, and I", "asked for feedback. I have one that I decided was ready to go", "wasn't expecting that I would suddenly falter in my feeling that this story", "I decided was ready to go find a home, so I found a", "accepted on the first try, but I also wasn't expecting that I would", "and that it takes time to find a place to publish. I wasn't", "find a place to publish. I wasn't expecting to get work accepted on", "expecting that I would suddenly falter in my feeling that this story was", "a journal that I thought was a good match and submitted it. It", "or for some other reason. I also can't tell if the rejection was", "my time re-writing this story, or if I should look for another place", "my time wisely. I know that even good stories get rejected and that", "are a lot of reasons to reject a piece, but that's the rub", "first try, but I also wasn't expecting that I would suddenly falter in", "should look for another place to submit it and spend my time writing", "I thought was a good match and submitted it. It was rejected. I", "know there are a lot of reasons to reject a piece, but that's", "a lot of reasons to reject a piece, but that's the rub --", "to go find a home, so I found a journal that I thought", "don't take the rejection personally. I know there are a lot of reasons", "stories get rejected and that it takes time to find a place to", "I should spend my time re-writing this story, or if I should look", "over the past few years, and I have shared a few of these", "be stock. I can't tell. I want to invest my time wisely. I", "get rejected and that it takes time to find a place to publish.", "email and the editor invited me to join their writing group. That could", "me to join their writing group. That could be a nice \"hey, get", "reject a piece, but that's the rub -- I can't tell if it", "in my feeling that this story was ready for publication. How do I", "find a home, so I found a journal that I thought was a", "go find a home, so I found a journal that I thought was", "expecting to get work accepted on the first try, but I also wasn't", "feedback. I have one that I decided was ready to go find a", "should spend my time re-writing this story, or if I should look for", "story, or if I should look for another place to submit it and", "was ready to go find a home, so I found a journal that", "a piece, but that's the rub -- I can't tell if it was", "that this story was ready for publication. How do I decide if I", "takes time to find a place to publish. I wasn't expecting to get", "that's the rub -- I can't tell if it was rejected because it's", "could be a nice \"hey, get to know us better\" or it could", "I want to invest my time wisely. I know that even good stories", "stock. I can't tell. I want to invest my time wisely. I know", "not. It was via email and the editor invited me to join their", "it could just be stock. I can't tell. I want to invest my", "I decide if I should spend my time re-writing this story, or if", "good match and submitted it. It was rejected. I don't take the rejection", "look for another place to submit it and spend my time writing more", "invest my time wisely. I know that even good stories get rejected and", "\"hey, get to know us better\" or it could just be stock. I", "spend my time re-writing this story, or if I should look for another", "rejected and that it takes time to find a place to publish. I", "that I decided was ready to go find a home, so I found", "to join their writing group. That could be a nice \"hey, get to", "tell. I want to invest my time wisely. I know that even good", "invited me to join their writing group. That could be a nice \"hey,", "for another place to submit it and spend my time writing more stories", "I should look for another place to submit it and spend my time", "group. That could be a nice \"hey, get to know us better\" or", "and the editor invited me to join their writing group. That could be", "to invest my time wisely. I know that even good stories get rejected", "was rejected because it's crap or for some other reason. I also can't", "publish. I wasn't expecting to get work accepted on the first try, but", "the first try, but I also wasn't expecting that I would suddenly falter", "if I should spend my time re-writing this story, or if I should", "for some other reason. I also can't tell if the rejection was a", "How do I decide if I should spend my time re-writing this story,", "stories over the past few years, and I have shared a few of", "submitted it. It was rejected. I don't take the rejection personally. I know", "I don't take the rejection personally. I know there are a lot of", "was via email and the editor invited me to join their writing group.", "I would suddenly falter in my feeling that this story was ready for", "It was rejected. I don't take the rejection personally. I know there are", "just be stock. I can't tell. I want to invest my time wisely.", "thought was a good match and submitted it. It was rejected. I don't", "I can't tell if it was rejected because it's crap or for some", "that even good stories get rejected and that it takes time to find", "lot of reasons to reject a piece, but that's the rub -- I", "the rub -- I can't tell if it was rejected because it's crap", "it was rejected because it's crap or for some other reason. I also", "few years, and I have shared a few of these with beta readers", "have shared a few of these with beta readers and asked for feedback.", "I have one that I decided was ready to go find a home,", "other reason. I also can't tell if the rejection was a form letter", "or not. It was via email and the editor invited me to join", "it. It was rejected. I don't take the rejection personally. I know there", "journal that I thought was a good match and submitted it. It was", "I found a journal that I thought was a good match and submitted", "I know there are a lot of reasons to reject a piece, but", "time to find a place to publish. I wasn't expecting to get work", "crap or for some other reason. I also can't tell if the rejection", "form letter or not. It was via email and the editor invited me", "reason. I also can't tell if the rejection was a form letter or", "can't tell. I want to invest my time wisely. I know that even", "the editor invited me to join their writing group. That could be a", "get work accepted on the first try, but I also wasn't expecting that", "these with beta readers and asked for feedback. I have one that I", "match and submitted it. It was rejected. I don't take the rejection personally.", "rejected because it's crap or for some other reason. I also can't tell", "decided was ready to go find a home, so I found a journal", "would suddenly falter in my feeling that this story was ready for publication.", "rub -- I can't tell if it was rejected because it's crap or", "wasn't expecting to get work accepted on the first try, but I also", "want to invest my time wisely. I know that even good stories get", "this story, or if I should look for another place to submit it", "it's crap or for some other reason. I also can't tell if the", "story was ready for publication. How do I decide if I should spend", "a good match and submitted it. It was rejected. I don't take the", "I wasn't expecting to get work accepted on the first try, but I", "past few years, and I have shared a few of these with beta", "was ready for publication. How do I decide if I should spend my", "join their writing group. That could be a nice \"hey, get to know", "time re-writing this story, or if I should look for another place to", "if it was rejected because it's crap or for some other reason. I", "that I would suddenly falter in my feeling that this story was ready", "piece, but that's the rub -- I can't tell if it was rejected", "rejection was a form letter or not. It was via email and the", "I can't tell. I want to invest my time wisely. I know that", "that it takes time to find a place to publish. I wasn't expecting", "I know that even good stories get rejected and that it takes time", "do I decide if I should spend my time re-writing this story, or", "one that I decided was ready to go find a home, so I", "there are a lot of reasons to reject a piece, but that's the", "feeling that this story was ready for publication. How do I decide if", "the rejection was a form letter or not. It was via email and", "better\" or it could just be stock. I can't tell. I want to", "and asked for feedback. I have one that I decided was ready to", "have one that I decided was ready to go find a home, so", "for publication. How do I decide if I should spend my time re-writing", "because it's crap or for some other reason. I also can't tell if", "some other reason. I also can't tell if the rejection was a form", "ready to go find a home, so I found a journal that I", "via email and the editor invited me to join their writing group. That", "I also wasn't expecting that I would suddenly falter in my feeling that", "if the rejection was a form letter or not. It was via email", "reasons to reject a piece, but that's the rub -- I can't tell", "short stories over the past few years, and I have shared a few", "a nice \"hey, get to know us better\" or it could just be", "publication. How do I decide if I should spend my time re-writing this", "it takes time to find a place to publish. I wasn't expecting to", "take the rejection personally. I know there are a lot of reasons to", "to find a place to publish. I wasn't expecting to get work accepted", "re-writing this story, or if I should look for another place to submit", "could just be stock. I can't tell. I want to invest my time", "time wisely. I know that even good stories get rejected and that it", "a few short stories over the past few years, and I have shared", "I have shared a few of these with beta readers and asked for", "writing group. That could be a nice \"hey, get to know us better\"", "my feeling that this story was ready for publication. How do I decide", "to get work accepted on the first try, but I also wasn't expecting", "this story was ready for publication. How do I decide if I should", "wisely. I know that even good stories get rejected and that it takes", "I also can't tell if the rejection was a form letter or not.", "to publish. I wasn't expecting to get work accepted on the first try,", "letter or not. It was via email and the editor invited me to", "be a nice \"hey, get to know us better\" or it could just", "beta readers and asked for feedback. I have one that I decided was", "nice \"hey, get to know us better\" or it could just be stock.", "for feedback. I have one that I decided was ready to go find", "and submitted it. It was rejected. I don't take the rejection personally. I", "was a form letter or not. It was via email and the editor", "rejected. I don't take the rejection personally. I know there are a lot", "that I thought was a good match and submitted it. It was rejected.", "another place to submit it and spend my time writing more stories instead?", "can't tell if the rejection was a form letter or not. It was", "or it could just be stock. I can't tell. I want to invest", "suddenly falter in my feeling that this story was ready for publication. How", "wrote a few short stories over the past few years, and I have", "to reject a piece, but that's the rub -- I can't tell if", "That could be a nice \"hey, get to know us better\" or it", "was a good match and submitted it. It was rejected. I don't take", "on the first try, but I also wasn't expecting that I would suddenly", "to know us better\" or it could just be stock. I can't tell.", "also wasn't expecting that I would suddenly falter in my feeling that this", "a place to publish. I wasn't expecting to get work accepted on the", "or if I should look for another place to submit it and spend", "a home, so I found a journal that I thought was a good", "a few of these with beta readers and asked for feedback. I have", "their writing group. That could be a nice \"hey, get to know us", "editor invited me to join their writing group. That could be a nice", "of these with beta readers and asked for feedback. I have one that", "years, and I have shared a few of these with beta readers and", "the past few years, and I have shared a few of these with", "shared a few of these with beta readers and asked for feedback. I", "know us better\" or it could just be stock. I can't tell. I", "try, but I also wasn't expecting that I would suddenly falter in my", "of reasons to reject a piece, but that's the rub -- I can't", "a form letter or not. It was via email and the editor invited", "It was via email and the editor invited me to join their writing", "us better\" or it could just be stock. I can't tell. I want", "even good stories get rejected and that it takes time to find a", "readers and asked for feedback. I have one that I decided was ready", "few short stories over the past few years, and I have shared a" ]
[ "polishing it up to get it ready for submission. This part is ready,", "I'm 50,000 words into my first book. Based on my plot and roadmap,", "book isn't even drafted yet. The question is: do I need to have", "first five chapters enough? --- (Aside: I've done my research and I recognize", "as I've already re-drafted three or four times, polishing it up to get", "about 200k. I have roughly 110 pages in a good place, as I've", "of the book isn't even drafted yet. The question is: do I need", "pages in a good place, as I've already re-drafted three or four times,", "submission. This part is ready, but obviously the remaining 3/4 of the book", "a debut novel. But it's not unheard of, so I'm writing it first", "of, so I'm writing it first and I'll worry about word count later.)", "completed to the ending in order to start talking to or submitting to", "enough? --- (Aside: I've done my research and I recognize that 200k is", "part is ready, but obviously the remaining 3/4 of the book isn't even", "it, so about 200k. I have roughly 110 pages in a good place,", "for submission. This part is ready, but obviously the remaining 3/4 of the", "the way into it, so about 200k. I have roughly 110 pages in", "that's about 25% of the way into it, so about 200k. I have", "drafted yet. The question is: do I need to have a first draft", "is ready, but obviously the remaining 3/4 of the book isn't even drafted", "on my plot and roadmap, that's about 25% of the way into it,", "ending in order to start talking to or submitting to publishers or agents?", "times, polishing it up to get it ready for submission. This part is", "five chapters enough? --- (Aside: I've done my research and I recognize that", "talking to or submitting to publishers or agents? Is the first five chapters", "four times, polishing it up to get it ready for submission. This part", "unheard of, so I'm writing it first and I'll worry about word count", "so about 200k. I have roughly 110 pages in a good place, as", "chapters enough? --- (Aside: I've done my research and I recognize that 200k", "and roadmap, that's about 25% of the way into it, so about 200k.", "long for a debut novel. But it's not unheard of, so I'm writing", "first draft completed to the ending in order to start talking to or", "submitting to publishers or agents? Is the first five chapters enough? --- (Aside:", "question is: do I need to have a first draft completed to the", "or agents? Is the first five chapters enough? --- (Aside: I've done my", "my plot and roadmap, that's about 25% of the way into it, so", "200k is very long for a debut novel. But it's not unheard of,", "I recognize that 200k is very long for a debut novel. But it's", "but obviously the remaining 3/4 of the book isn't even drafted yet. The", "--- (Aside: I've done my research and I recognize that 200k is very", "to publishers or agents? Is the first five chapters enough? --- (Aside: I've", "a good place, as I've already re-drafted three or four times, polishing it", "way into it, so about 200k. I have roughly 110 pages in a", "to have a first draft completed to the ending in order to start", "to or submitting to publishers or agents? Is the first five chapters enough?", "The question is: do I need to have a first draft completed to", "and I recognize that 200k is very long for a debut novel. But", "draft completed to the ending in order to start talking to or submitting", "ready, but obviously the remaining 3/4 of the book isn't even drafted yet.", "need to have a first draft completed to the ending in order to", "that 200k is very long for a debut novel. But it's not unheard", "or four times, polishing it up to get it ready for submission. This", "of the way into it, so about 200k. I have roughly 110 pages", "3/4 of the book isn't even drafted yet. The question is: do I", "it ready for submission. This part is ready, but obviously the remaining 3/4", "plot and roadmap, that's about 25% of the way into it, so about", "I need to have a first draft completed to the ending in order", "get it ready for submission. This part is ready, but obviously the remaining", "it's not unheard of, so I'm writing it first and I'll worry about", "in order to start talking to or submitting to publishers or agents? Is", "have a first draft completed to the ending in order to start talking", "I have roughly 110 pages in a good place, as I've already re-drafted", "isn't even drafted yet. The question is: do I need to have a", "novel. But it's not unheard of, so I'm writing it first and I'll", "200k. I have roughly 110 pages in a good place, as I've already", "first book. Based on my plot and roadmap, that's about 25% of the", "the first five chapters enough? --- (Aside: I've done my research and I", "remaining 3/4 of the book isn't even drafted yet. The question is: do", "or submitting to publishers or agents? Is the first five chapters enough? ---", "already re-drafted three or four times, polishing it up to get it ready", "order to start talking to or submitting to publishers or agents? Is the", "my first book. Based on my plot and roadmap, that's about 25% of", "I've done my research and I recognize that 200k is very long for", "agents? Is the first five chapters enough? --- (Aside: I've done my research", "good place, as I've already re-drafted three or four times, polishing it up", "into my first book. Based on my plot and roadmap, that's about 25%", "three or four times, polishing it up to get it ready for submission.", "a first draft completed to the ending in order to start talking to", "place, as I've already re-drafted three or four times, polishing it up to", "even drafted yet. The question is: do I need to have a first", "up to get it ready for submission. This part is ready, but obviously", "Is the first five chapters enough? --- (Aside: I've done my research and", "Based on my plot and roadmap, that's about 25% of the way into", "50,000 words into my first book. Based on my plot and roadmap, that's", "words into my first book. Based on my plot and roadmap, that's about", "re-drafted three or four times, polishing it up to get it ready for", "my research and I recognize that 200k is very long for a debut", "for a debut novel. But it's not unheard of, so I'm writing it", "is: do I need to have a first draft completed to the ending", "But it's not unheard of, so I'm writing it first and I'll worry", "publishers or agents? Is the first five chapters enough? --- (Aside: I've done", "debut novel. But it's not unheard of, so I'm writing it first and", "do I need to have a first draft completed to the ending in", "(Aside: I've done my research and I recognize that 200k is very long", "about 25% of the way into it, so about 200k. I have roughly", "yet. The question is: do I need to have a first draft completed", "in a good place, as I've already re-drafted three or four times, polishing", "110 pages in a good place, as I've already re-drafted three or four", "to get it ready for submission. This part is ready, but obviously the", "ready for submission. This part is ready, but obviously the remaining 3/4 of", "the remaining 3/4 of the book isn't even drafted yet. The question is:", "research and I recognize that 200k is very long for a debut novel.", "have roughly 110 pages in a good place, as I've already re-drafted three", "to the ending in order to start talking to or submitting to publishers", "25% of the way into it, so about 200k. I have roughly 110", "the book isn't even drafted yet. The question is: do I need to", "This part is ready, but obviously the remaining 3/4 of the book isn't", "to start talking to or submitting to publishers or agents? Is the first", "roadmap, that's about 25% of the way into it, so about 200k. I", "into it, so about 200k. I have roughly 110 pages in a good", "done my research and I recognize that 200k is very long for a", "obviously the remaining 3/4 of the book isn't even drafted yet. The question", "it up to get it ready for submission. This part is ready, but", "roughly 110 pages in a good place, as I've already re-drafted three or", "the ending in order to start talking to or submitting to publishers or", "I've already re-drafted three or four times, polishing it up to get it", "recognize that 200k is very long for a debut novel. But it's not", "is very long for a debut novel. But it's not unheard of, so", "not unheard of, so I'm writing it first and I'll worry about word", "very long for a debut novel. But it's not unheard of, so I'm", "start talking to or submitting to publishers or agents? Is the first five", "book. Based on my plot and roadmap, that's about 25% of the way" ]
[ "later in the story? How do you effectively suppress a vital detail for", "two traveling brothers on a journey to rescue a kidnapped prince. But I", "this is something that has the potential to aggravate readers, but I've seen", "the murder he's being accused of. Clearly it can be done; I want", "protagonist has committed the murder he's being accused of. Clearly it can be", "I think it would be cool to keep secret the fact that the", "you effectively suppress a vital detail for effect later, on without adversely impacting", "a kidnapped prince. But I think it would be cool to keep secret", "Clearly it can be done; I want to know how to do it", "committed the murder he's being accused of. Clearly it can be done; I", "vital detail for effect later, on without adversely impacting the story? For example,", "long stretches of the novel it doesn't let on whether the protagonist has", "a story where the point-of-view character knows something, but you want to keep", "but for long stretches of the novel it doesn't let on whether the", "the characters interact, especially since one of the traveling brothers is the MC.", "to aggravate readers, but I've seen stories where the POV character knows important", "where the point-of-view character knows something, but you want to keep it a", "want to know how to do it well. This is a spin-off question", "something that has the potential to aggravate readers, but I've seen stories where", "important things that the reader doesn't. I understand, for example, that Gregory McDonald's", "of the traveling brothers is the MC. I know this is something that", "until later in the story? How do you effectively suppress a vital detail", "doesn't let on whether the protagonist has committed the murder he's being accused", "characters interact, especially since one of the traveling brothers is the MC. I", "I know this is something that has the potential to aggravate readers, but", "let on whether the protagonist has committed the murder he's being accused of.", "on whether the protagonist has committed the murder he's being accused of. Clearly", "secret the fact that the prince is the travellers' brother. Of course, this", "the MC. I know this is something that has the potential to aggravate", "that the reader doesn't. I understand, for example, that Gregory McDonald's Confess, Fletch", "example, that Gregory McDonald's Confess, Fletch is in close third person POV, but", "Gregory McDonald's Confess, Fletch is in close third person POV, but for long", "that the prince is the travellers' brother. Of course, this would restrict the", "keep it a secret from the reader until later in the story? How", "well. This is a spin-off question based on the original form of [this", "the story? How do you effectively suppress a vital detail for effect later,", "I want to know how to do it well. This is a spin-off", "for long stretches of the novel it doesn't let on whether the protagonist", "but I've seen stories where the POV character knows important things that the", "how to do it well. This is a spin-off question based on the", "I've seen stories where the POV character knows important things that the reader", "the point-of-view character knows something, but you want to keep it a secret", "a secret from the reader until later in the story? How do you", "for effect later, on without adversely impacting the story? For example, take a", "whether the protagonist has committed the murder he's being accused of. Clearly it", "in the story? How do you effectively suppress a vital detail for effect", "MC. I know this is something that has the potential to aggravate readers,", "in close third person POV, but for long stretches of the novel it", "it doesn't let on whether the protagonist has committed the murder he's being", "you write a story where the point-of-view character knows something, but you want", "to know how to do it well. This is a spin-off question based", "the potential to aggravate readers, but I've seen stories where the POV character", "this would restrict the manner in which the characters interact, especially since one", "the traveling brothers is the MC. I know this is something that has", "character knows something, but you want to keep it a secret from the", "since one of the traveling brothers is the MC. I know this is", "McDonald's Confess, Fletch is in close third person POV, but for long stretches", "POV, but for long stretches of the novel it doesn't let on whether", "is something that has the potential to aggravate readers, but I've seen stories", "it a secret from the reader until later in the story? How do", "you want to keep it a secret from the reader until later in", "the travellers' brother. Of course, this would restrict the manner in which the", "in which the characters interact, especially since one of the traveling brothers is", "murder he's being accused of. Clearly it can be done; I want to", "can be done; I want to know how to do it well. This", "take a plot following two traveling brothers on a journey to rescue a", "reader doesn't. I understand, for example, that Gregory McDonald's Confess, Fletch is in", "person POV, but for long stretches of the novel it doesn't let on", "For example, take a plot following two traveling brothers on a journey to", "Fletch* is in close third person POV, but for long stretches of the", "understand, for example, that Gregory McDonald's Confess, Fletch is in close third person", "of the novel it doesn't let on whether the protagonist has committed the", "think it would be cool to keep secret the fact that the prince", "suppress a vital detail for effect later, on without adversely impacting the story?", "manner in which the characters interact, especially since one of the traveling brothers", "character knows important things that the reader doesn't. I understand, for example, that", "the POV character knows important things that the reader doesn't. I understand, for", "the novel it doesn't let on whether the protagonist has committed the murder", "something, but you want to keep it a secret from the reader until", "but you want to keep it a secret from the reader until later", "fact that the prince is the travellers' brother. Of course, this would restrict", "journey to rescue a kidnapped prince. But I think it would be cool", "traveling brothers on a journey to rescue a kidnapped prince. But I think", "the manner in which the characters interact, especially since one of the traveling", "cool to keep secret the fact that the prince is the travellers' brother.", "brothers on a journey to rescue a kidnapped prince. But I think it", "from the reader until later in the story? How do you effectively suppress", "novel it doesn't let on whether the protagonist has committed the murder he's", "is in close third person POV, but for long stretches of the novel", "of. Clearly it can be done; I want to know how to do", "that has the potential to aggravate readers, but I've seen stories where the", "prince is the travellers' brother. Of course, this would restrict the manner in", "story? How do you effectively suppress a vital detail for effect later, on", "do you effectively suppress a vital detail for effect later, on without adversely", "is the travellers' brother. Of course, this would restrict the manner in which", "is the MC. I know this is something that has the potential to", "Of course, this would restrict the manner in which the characters interact, especially", "where the POV character knows important things that the reader doesn't. I understand,", "effectively suppress a vital detail for effect later, on without adversely impacting the", "brother. Of course, this would restrict the manner in which the characters interact,", "do it well. This is a spin-off question based on the original form", "the story? For example, take a plot following two traveling brothers on a", "How do you effectively suppress a vital detail for effect later, on without", "following two traveling brothers on a journey to rescue a kidnapped prince. But", "How do you write a story where the point-of-view character knows something, but", "impacting the story? For example, take a plot following two traveling brothers on", "especially since one of the traveling brothers is the MC. I know this", "stretches of the novel it doesn't let on whether the protagonist has committed", "stories where the POV character knows important things that the reader doesn't. I", "on a journey to rescue a kidnapped prince. But I think it would", "the reader doesn't. I understand, for example, that Gregory McDonald's Confess, Fletch is", "he's being accused of. Clearly it can be done; I want to know", "know how to do it well. This is a spin-off question based on", "a vital detail for effect later, on without adversely impacting the story? For", "adversely impacting the story? For example, take a plot following two traveling brothers", "POV character knows important things that the reader doesn't. I understand, for example,", "story where the point-of-view character knows something, but you want to keep it", "accused of. Clearly it can be done; I want to know how to", "This is a spin-off question based on the original form of [this question](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing).", "do you write a story where the point-of-view character knows something, but you", "plot following two traveling brothers on a journey to rescue a kidnapped prince.", "story? For example, take a plot following two traveling brothers on a journey", "knows important things that the reader doesn't. I understand, for example, that Gregory", "Confess, Fletch is in close third person POV, but for long stretches of", "write a story where the point-of-view character knows something, but you want to", "be done; I want to know how to do it well. This is", "But I think it would be cool to keep secret the fact that", "would restrict the manner in which the characters interact, especially since one of", "without adversely impacting the story? For example, take a plot following two traveling", "be cool to keep secret the fact that the prince is the travellers'", "point-of-view character knows something, but you want to keep it a secret from", "it can be done; I want to know how to do it well.", "would be cool to keep secret the fact that the prince is the", "traveling brothers is the MC. I know this is something that has the", "aggravate readers, but I've seen stories where the POV character knows important things", "that Gregory McDonald's Confess, Fletch is in close third person POV, but for", "the prince is the travellers' brother. Of course, this would restrict the manner", "rescue a kidnapped prince. But I think it would be cool to keep", "close third person POV, but for long stretches of the novel it doesn't", "want to keep it a secret from the reader until later in the", "seen stories where the POV character knows important things that the reader doesn't.", "to keep it a secret from the reader until later in the story?", "kidnapped prince. But I think it would be cool to keep secret the", "keep secret the fact that the prince is the travellers' brother. Of course,", "which the characters interact, especially since one of the traveling brothers is the", "interact, especially since one of the traveling brothers is the MC. I know", "reader until later in the story? How do you effectively suppress a vital", "doesn't. I understand, for example, that Gregory McDonald's Confess, Fletch is in close", "readers, but I've seen stories where the POV character knows important things that", "to keep secret the fact that the prince is the travellers' brother. Of", "third person POV, but for long stretches of the novel it doesn't let", "effect later, on without adversely impacting the story? For example, take a plot", "know this is something that has the potential to aggravate readers, but I've", "I understand, for example, that Gregory McDonald's Confess, Fletch is in close third", "the fact that the prince is the travellers' brother. Of course, this would", "potential to aggravate readers, but I've seen stories where the POV character knows", "being accused of. Clearly it can be done; I want to know how", "done; I want to know how to do it well. This is a", "prince. But I think it would be cool to keep secret the fact", "brothers is the MC. I know this is something that has the potential", "for example, that Gregory McDonald's Confess, Fletch is in close third person POV,", "the protagonist has committed the murder he's being accused of. Clearly it can", "a journey to rescue a kidnapped prince. But I think it would be", "detail for effect later, on without adversely impacting the story? For example, take", "it well. This is a spin-off question based on the original form of", "restrict the manner in which the characters interact, especially since one of the", "travellers' brother. Of course, this would restrict the manner in which the characters", "things that the reader doesn't. I understand, for example, that Gregory McDonald's *Confess,", "to do it well. This is a spin-off question based on the original", "to rescue a kidnapped prince. But I think it would be cool to", "later, on without adversely impacting the story? For example, take a plot following", "course, this would restrict the manner in which the characters interact, especially since", "a plot following two traveling brothers on a journey to rescue a kidnapped", "on without adversely impacting the story? For example, take a plot following two", "it would be cool to keep secret the fact that the prince is", "example, take a plot following two traveling brothers on a journey to rescue", "knows something, but you want to keep it a secret from the reader", "has the potential to aggravate readers, but I've seen stories where the POV", "one of the traveling brothers is the MC. I know this is something", "the reader until later in the story? How do you effectively suppress a", "has committed the murder he's being accused of. Clearly it can be done;", "secret from the reader until later in the story? How do you effectively" ]
[ "social media platform will garner more attention to this type of writing. Is", "stories and poetry, and am unsure of what social media platform will garner", "of what social media platform will garner more attention to this type of", "I write mainly short stories and poetry, and am unsure of what social", "poetry, and am unsure of what social media platform will garner more attention", "garner more attention to this type of writing. Is there a tried and", "media platform will garner more attention to this type of writing. Is there", "and am unsure of what social media platform will garner more attention to", "type of writing. Is there a tried and true social media that will", "will garner more attention to this type of writing. Is there a tried", "to this type of writing. Is there a tried and true social media", "what social media platform will garner more attention to this type of writing.", "a tried and true social media that will get me more attention than", "tried and true social media that will get me more attention than another?", "platform will garner more attention to this type of writing. Is there a", "unsure of what social media platform will garner more attention to this type", "writing. Is there a tried and true social media that will get me", "of writing. Is there a tried and true social media that will get", "short stories and poetry, and am unsure of what social media platform will", "this type of writing. Is there a tried and true social media that", "write mainly short stories and poetry, and am unsure of what social media", "mainly short stories and poetry, and am unsure of what social media platform", "more attention to this type of writing. Is there a tried and true", "am unsure of what social media platform will garner more attention to this", "attention to this type of writing. Is there a tried and true social", "there a tried and true social media that will get me more attention", "Is there a tried and true social media that will get me more", "and poetry, and am unsure of what social media platform will garner more" ]
[ "novel is The Wings by Yi Sang, and here's an example sentence I'd", "to write: > > Many of these sentiments are channeled through [nameless protagonist].", "referring to such characters in academic papers? For context, the novel is The", "be able to write: > > Many of these sentiments are channeled through", "be referring to him a lot. Is there some convention for referring to", "sentence I'd like to be able to write: > > Many of these", "paper focuses on a novel with a nameless protagonist, so I'll be referring", "on a novel with a nameless protagonist, so I'll be referring to him", "for referring to such characters in academic papers? For context, the novel is", "the novel is The Wings* by Yi Sang, and here's an example sentence", "able to write: > > Many of these sentiments are channeled through [nameless", "research paper focuses on a novel with a nameless protagonist, so I'll be", "Sang, and here's an example sentence I'd like to be able to write:", "so I'll be referring to him a lot. Is there some convention for", "Is there some convention for referring to such characters in academic papers? For", "in academic papers? For context, the novel is The Wings by Yi Sang,", "referring to him a lot. Is there some convention for referring to such", "a lot. Is there some convention for referring to such characters in academic", "Wings* by Yi Sang, and here's an example sentence I'd like to be", "is The Wings by Yi Sang, and here's an example sentence I'd like", "Yi Sang, and here's an example sentence I'd like to be able to", "novel with a nameless protagonist, so I'll be referring to him a lot.", "academic papers? For context, the novel is The Wings by Yi Sang, and", "The Wings by Yi Sang, and here's an example sentence I'd like to", "> > Many of these sentiments are channeled through [nameless protagonist]. > >", "there some convention for referring to such characters in academic papers? For context,", "such characters in academic papers? For context, the novel is The Wings by", "For context, the novel is The Wings by Yi Sang, and here's an", "and here's an example sentence I'd like to be able to write: >", "with a nameless protagonist, so I'll be referring to him a lot. Is", "a novel with a nameless protagonist, so I'll be referring to him a", "I'll be referring to him a lot. Is there some convention for referring", "to him a lot. Is there some convention for referring to such characters", "convention for referring to such characters in academic papers? For context, the novel", "protagonist, so I'll be referring to him a lot. Is there some convention", "focuses on a novel with a nameless protagonist, so I'll be referring to", "a nameless protagonist, so I'll be referring to him a lot. Is there", "some convention for referring to such characters in academic papers? For context, the", "by Yi Sang, and here's an example sentence I'd like to be able", "write: > > Many of these sentiments are channeled through [nameless protagonist]. >", "him a lot. Is there some convention for referring to such characters in", "papers? For context, the novel is The Wings by Yi Sang, and here's", "I'd like to be able to write: > > Many of these sentiments", "nameless protagonist, so I'll be referring to him a lot. Is there some", "lot. Is there some convention for referring to such characters in academic papers?", "context, the novel is The Wings by Yi Sang, and here's an example", "My research paper focuses on a novel with a nameless protagonist, so I'll", "example sentence I'd like to be able to write: > > Many of", "an example sentence I'd like to be able to write: > > Many", "here's an example sentence I'd like to be able to write: > >", "to such characters in academic papers? For context, the novel is The Wings", "characters in academic papers? For context, the novel is The Wings by Yi", "to be able to write: > > Many of these sentiments are channeled", "> Many of these sentiments are channeled through [nameless protagonist]. > > >", "like to be able to write: > > Many of these sentiments are" ]
[ "innovative/original that are not cliched (for example, the love triangle when it was", "conflicts that intrigue people? As in, ones that are innovative/original that are not", "go about creating character conflicts that intrigue people? As in, ones that are", "intrigue people? As in, ones that are innovative/original that are not cliched (for", "are innovative/original that are not cliched (for example, the love triangle when it", "that are innovative/original that are not cliched (for example, the love triangle when", "character conflicts that intrigue people? As in, ones that are innovative/original that are", "might one go about creating character conflicts that intrigue people? As in, ones", "How might one go about creating character conflicts that intrigue people? As in,", "are not cliched (for example, the love triangle when it was brand new).", "ones that are innovative/original that are not cliched (for example, the love triangle", "that intrigue people? As in, ones that are innovative/original that are not cliched", "in, ones that are innovative/original that are not cliched (for example, the love", "one go about creating character conflicts that intrigue people? As in, ones that", "that are not cliched (for example, the love triangle when it was brand", "people? As in, ones that are innovative/original that are not cliched (for example,", "about creating character conflicts that intrigue people? As in, ones that are innovative/original", "As in, ones that are innovative/original that are not cliched (for example, the", "creating character conflicts that intrigue people? As in, ones that are innovative/original that" ]
[ "at least when it comes to writing a story, but I'm not sure", "I often have to append the \"which...\" to almost every event description, just", "don't tell, at least when it comes to writing a story, but I'm", "fix to this fundamental problem? I know there is this idea of show,", "this fundamental problem? I know there is this idea of show, don't tell,", "was really great.\" I notice that I often have to append the \"which...\"", "write letters describing things I've done recently, I default too often to sentences", "append the \"which...\" to almost every event description, just to get the point", "look like \"We did such-and-such, which was really great.\" I notice that I", "have noticed lately, that when I write letters describing things I've done recently,", "way to go about this, or a fix to this fundamental problem? I", "noticed lately, that when I write letters describing things I've done recently, I", "it comes to writing a story, but I'm not sure how to apply", "recently, I default too often to sentences that look like \"We did such-and-such,", "like \"We did such-and-such, which was really great.\" I notice that I often", "\"We did such-and-such, which was really great.\" I notice that I often have", "of show, don't tell, at least when it comes to writing a story,", "really great.\" I notice that I often have to append the \"which...\" to", "done recently, I default too often to sentences that look like \"We did", "often have to append the \"which...\" to almost every event description, just to", "I have noticed lately, that when I write letters describing things I've done", "is this idea of show, don't tell, at least when it comes to", "every event description, just to get the point across that I enjoyed something.", "point across that I enjoyed something. Is there a better way to go", "fundamental problem? I know there is this idea of show, don't tell, at", "or a fix to this fundamental problem? I know there is this idea", "I default too often to sentences that look like \"We did such-and-such, which", "to this fundamental problem? I know there is this idea of show, don't", "comes to writing a story, but I'm not sure how to apply that", "enjoyed something. Is there a better way to go about this, or a", "describing things I've done recently, I default too often to sentences that look", "sentences that look like \"We did such-and-such, which was really great.\" I notice", "did such-and-such, which was really great.\" I notice that I often have to", "the \"which...\" to almost every event description, just to get the point across", "to almost every event description, just to get the point across that I", "idea of show, don't tell, at least when it comes to writing a", "often to sentences that look like \"We did such-and-such, which was really great.\"", "this, or a fix to this fundamental problem? I know there is this", "such-and-such, which was really great.\" I notice that I often have to append", "that look like \"We did such-and-such, which was really great.\" I notice that", "event description, just to get the point across that I enjoyed something. Is", "which was really great.\" I notice that I often have to append the", "too often to sentences that look like \"We did such-and-such, which was really", "a fix to this fundamental problem? I know there is this idea of", "things I've done recently, I default too often to sentences that look like", "better way to go about this, or a fix to this fundamental problem?", "I write letters describing things I've done recently, I default too often to", "problem? I know there is this idea of show, don't tell, at least", "to get the point across that I enjoyed something. Is there a better", "I notice that I often have to append the \"which...\" to almost every", "that I enjoyed something. Is there a better way to go about this,", "tell, at least when it comes to writing a story, but I'm not", "Is there a better way to go about this, or a fix to", "this idea of show, don't tell, at least when it comes to writing", "notice that I often have to append the \"which...\" to almost every event", "I've done recently, I default too often to sentences that look like \"We", "I enjoyed something. Is there a better way to go about this, or", "know there is this idea of show, don't tell, at least when it", "least when it comes to writing a story, but I'm not sure how", "great.\" I notice that I often have to append the \"which...\" to almost", "when it comes to writing a story, but I'm not sure how to", "about this, or a fix to this fundamental problem? I know there is", "just to get the point across that I enjoyed something. Is there a", "default too often to sentences that look like \"We did such-and-such, which was", "I know there is this idea of show, don't tell, at least when", "when I write letters describing things I've done recently, I default too often", "that when I write letters describing things I've done recently, I default too", "almost every event description, just to get the point across that I enjoyed", "letters describing things I've done recently, I default too often to sentences that", "lately, that when I write letters describing things I've done recently, I default", "description, just to get the point across that I enjoyed something. Is there", "have to append the \"which...\" to almost every event description, just to get", "writing a story, but I'm not sure how to apply that here usually.", "something. Is there a better way to go about this, or a fix", "the point across that I enjoyed something. Is there a better way to", "to go about this, or a fix to this fundamental problem? I know", "across that I enjoyed something. Is there a better way to go about", "that I often have to append the \"which...\" to almost every event description,", "there is this idea of show, don't tell, at least when it comes", "to sentences that look like \"We did such-and-such, which was really great.\" I", "get the point across that I enjoyed something. Is there a better way", "show, don't tell, at least when it comes to writing a story, but", "to writing a story, but I'm not sure how to apply that here", "a better way to go about this, or a fix to this fundamental", "there a better way to go about this, or a fix to this", "to append the \"which...\" to almost every event description, just to get the", "go about this, or a fix to this fundamental problem? I know there", "\"which...\" to almost every event description, just to get the point across that" ]
[ "in my life. I would like to share some of these stories. The", "ambitions and to find balance in your life. I think that they are", "think that they are motivational stories for personal development. Can anyone tell me", "to share some of these stories. The basic theme of these essays would", "to follow your ambitions and to find balance in your life. I think", "like to share some of these stories. The basic theme of these essays", "personal development. Can anyone tell me where I could publish these essays? The", "of things which I learned from some amazing people in my life. I", "The basic theme of these essays would be to follow your ambitions and", "and to find balance in your life. I think that they are motivational", "be to follow your ambitions and to find balance in your life. I", "people in my life. I would like to share some of these stories.", "I think that they are motivational stories for personal development. Can anyone tell", "for personal development. Can anyone tell me where I could publish these essays?", "had a few experiences of things which I learned from some amazing people", "would be to follow your ambitions and to find balance in your life.", "your ambitions and to find balance in your life. I think that they", "life. I think that they are motivational stories for personal development. Can anyone", "they are motivational stories for personal development. Can anyone tell me where I", "learned from some amazing people in my life. I would like to share", "my life. I would like to share some of these stories. The basic", "of these essays would be to follow your ambitions and to find balance", "are motivational stories for personal development. Can anyone tell me where I could", "amazing people in my life. I would like to share some of these", "that they are motivational stories for personal development. Can anyone tell me where", "of these stories. The basic theme of these essays would be to follow", "I had a few experiences of things which I learned from some amazing", "I could publish these essays? The specific names of journals/magazines/websites would be appreciated.", "things which I learned from some amazing people in my life. I would", "follow your ambitions and to find balance in your life. I think that", "anyone tell me where I could publish these essays? The specific names of", "theme of these essays would be to follow your ambitions and to find", "in your life. I think that they are motivational stories for personal development.", "stories for personal development. Can anyone tell me where I could publish these", "tell me where I could publish these essays? The specific names of journals/magazines/websites", "where I could publish these essays? The specific names of journals/magazines/websites would be", "your life. I think that they are motivational stories for personal development. Can", "would like to share some of these stories. The basic theme of these", "a few experiences of things which I learned from some amazing people in", "these stories. The basic theme of these essays would be to follow your", "find balance in your life. I think that they are motivational stories for", "development. Can anyone tell me where I could publish these essays? The specific", "life. I would like to share some of these stories. The basic theme", "essays would be to follow your ambitions and to find balance in your", "I would like to share some of these stories. The basic theme of", "I learned from some amazing people in my life. I would like to", "few experiences of things which I learned from some amazing people in my", "experiences of things which I learned from some amazing people in my life.", "from some amazing people in my life. I would like to share some", "to find balance in your life. I think that they are motivational stories", "stories. The basic theme of these essays would be to follow your ambitions", "motivational stories for personal development. Can anyone tell me where I could publish", "Can anyone tell me where I could publish these essays? The specific names", "me where I could publish these essays? The specific names of journals/magazines/websites would", "these essays would be to follow your ambitions and to find balance in", "which I learned from some amazing people in my life. I would like", "balance in your life. I think that they are motivational stories for personal", "some amazing people in my life. I would like to share some of", "share some of these stories. The basic theme of these essays would be", "basic theme of these essays would be to follow your ambitions and to", "some of these stories. The basic theme of these essays would be to" ]
[ "can be told by letting it unfold and writing the events that happened.", "by letting it unfold and writing the events that happened. What I want", "telling you the story of the past, I want to be able to", "I want to do, is tell a story of events in the past", "What I want to do, is tell a story of events in the", "you what's going on. To underline this omnipotent voice telling you the story", "an omnipotent voice that tells you what's going on. To underline this omnipotent", "in the past that changed the future to what it is now. I", "narrator telling the story of what happened, like an omnipotent voice that tells", "of what happened, like an omnipotent voice that tells you what's going on.", "what's going on. To underline this omnipotent voice telling you the story of", "voice telling you the story of the past, I want to be able", "underline this omnipotent voice telling you the story of the past, I want", "describing what is going on in the story basically. How would I write", "that can be told by letting it unfold and writing the events that", "going on. To underline this omnipotent voice telling you the story of the", "like to have a narrator telling the story of what happened, like an", "happened. What I want to do, is tell a story of events in", "it is now. I would like to have a narrator telling the story", "to be able to have a storyteller, describing what is going on in", "story of the past, I want to be able to describe the events", "happened, like an omnipotent voice that tells you what's going on. To underline", "but its not a story that can be told by letting it unfold", "told by letting it unfold and writing the events that happened. What I", "have a narrator telling the story of what happened, like an omnipotent voice", "would like to be able to have a storyteller, describing what is going", "past that changed the future to what it is now. I would like", "telling the story of what happened, like an omnipotent voice that tells you", "it unfold and writing the events that happened. What I want to do,", "what is going on in the story basically. How would I write this?", "story of what happened, like an omnipotent voice that tells you what's going", "to be able to describe the events and characters that were involved. I", "I would like to have a narrator telling the story of what happened,", "omnipotent voice telling you the story of the past, I want to be", "not a story that can be told by letting it unfold and writing", "future to what it is now. I would like to have a narrator", "now. I would like to have a narrator telling the story of what", "little homework, I have a good story, but its not a story that", "the story of what happened, like an omnipotent voice that tells you what's", "a story that can be told by letting it unfold and writing the", "omnipotent voice that tells you what's going on. To underline this omnipotent voice", "letting it unfold and writing the events that happened. What I want to", "events and characters that were involved. I would like to be able to", "writing the events that happened. What I want to do, is tell a", "story, but its not a story that can be told by letting it", "story of events in the past that changed the future to what it", "events in the past that changed the future to what it is now.", "of the past, I want to be able to describe the events and", "to have a narrator telling the story of what happened, like an omnipotent", "to do, is tell a story of events in the past that changed", "its not a story that can be told by letting it unfold and", "that changed the future to what it is now. I would like to", "tells you what's going on. To underline this omnipotent voice telling you the", "that tells you what's going on. To underline this omnipotent voice telling you", "good story, but its not a story that can be told by letting", "what it is now. I would like to have a narrator telling the", "that were involved. I would like to be able to have a storyteller,", "is tell a story of events in the past that changed the future", "a little homework, I have a good story, but its not a story", "involved. I would like to be able to have a storyteller, describing what", "storyteller, describing what is going on in the story basically. How would I", "to what it is now. I would like to have a narrator telling", "have a storyteller, describing what is going on in the story basically. How", "unfold and writing the events that happened. What I want to do, is", "the past that changed the future to what it is now. I would", "the events that happened. What I want to do, is tell a story", "what happened, like an omnipotent voice that tells you what's going on. To", "and characters that were involved. I would like to be able to have", "tell a story of events in the past that changed the future to", "the future to what it is now. I would like to have a", "characters that were involved. I would like to be able to have a", "be able to have a storyteller, describing what is going on in the", "story that can be told by letting it unfold and writing the events", "want to be able to describe the events and characters that were involved.", "For a little homework, I have a good story, but its not a", "this omnipotent voice telling you the story of the past, I want to", "like to be able to have a storyteller, describing what is going on", "To underline this omnipotent voice telling you the story of the past, I", "a storyteller, describing what is going on in the story basically. How would", "homework, I have a good story, but its not a story that can", "able to describe the events and characters that were involved. I would like", "of events in the past that changed the future to what it is", "able to have a storyteller, describing what is going on in the story", "do, is tell a story of events in the past that changed the", "be able to describe the events and characters that were involved. I would", "I would like to be able to have a storyteller, describing what is", "I want to be able to describe the events and characters that were", "the events and characters that were involved. I would like to be able", "is now. I would like to have a narrator telling the story of", "and writing the events that happened. What I want to do, is tell", "past, I want to be able to describe the events and characters that", "a story of events in the past that changed the future to what", "events that happened. What I want to do, is tell a story of", "voice that tells you what's going on. To underline this omnipotent voice telling", "the past, I want to be able to describe the events and characters", "to describe the events and characters that were involved. I would like to", "on. To underline this omnipotent voice telling you the story of the past,", "were involved. I would like to be able to have a storyteller, describing", "I have a good story, but its not a story that can be", "be told by letting it unfold and writing the events that happened. What", "the story of the past, I want to be able to describe the", "a narrator telling the story of what happened, like an omnipotent voice that", "that happened. What I want to do, is tell a story of events", "want to do, is tell a story of events in the past that", "a good story, but its not a story that can be told by", "like an omnipotent voice that tells you what's going on. To underline this", "describe the events and characters that were involved. I would like to be", "changed the future to what it is now. I would like to have", "you the story of the past, I want to be able to describe", "to have a storyteller, describing what is going on in the story basically.", "would like to have a narrator telling the story of what happened, like", "have a good story, but its not a story that can be told" ]
[ "character being snake-like as well. How do I make the whistling \"s\" lisp", "the \"s\" sound, how can I write in the lisp effectively? I tried", "effectively? I tried using multiple \"S\"s, but it reads as a snake-like sound,", "whistles when pronouncing the \"s\" sound, how can I write in the lisp", "it reads as a snake-like sound, which I don't want since there are", "of the character being snake-like as well. How do I make the whistling", "reads as a snake-like sound, which I don't want since there are elements", "don't want since there are elements of the character being snake-like as well.", "can I write in the lisp effectively? I tried using multiple \"S\"s, but", "a snake-like sound, which I don't want since there are elements of the", "pronouncing the \"s\" sound, how can I write in the lisp effectively? I", "tried using multiple \"S\"s, but it reads as a snake-like sound, which I", "\"s\" sound, how can I write in the lisp effectively? I tried using", "multiple \"S\"s, but it reads as a snake-like sound, which I don't want", "want since there are elements of the character being snake-like as well. How", "the character being snake-like as well. How do I make the whistling \"s\"", "using multiple \"S\"s, but it reads as a snake-like sound, which I don't", "in the lisp effectively? I tried using multiple \"S\"s, but it reads as", "I tried using multiple \"S\"s, but it reads as a snake-like sound, which", "For a character that whistles when pronouncing the \"s\" sound, how can I", "since there are elements of the character being snake-like as well. How do", "\"S\"s, but it reads as a snake-like sound, which I don't want since", "that whistles when pronouncing the \"s\" sound, how can I write in the", "there are elements of the character being snake-like as well. How do I", "as well. How do I make the whistling \"s\" lisp really stand out?", "how can I write in the lisp effectively? I tried using multiple \"S\"s,", "being snake-like as well. How do I make the whistling \"s\" lisp really", "are elements of the character being snake-like as well. How do I make", "lisp effectively? I tried using multiple \"S\"s, but it reads as a snake-like", "I don't want since there are elements of the character being snake-like as", "snake-like as well. How do I make the whistling \"s\" lisp really stand", "a character that whistles when pronouncing the \"s\" sound, how can I write", "when pronouncing the \"s\" sound, how can I write in the lisp effectively?", "which I don't want since there are elements of the character being snake-like", "sound, how can I write in the lisp effectively? I tried using multiple", "I write in the lisp effectively? I tried using multiple \"S\"s, but it", "character that whistles when pronouncing the \"s\" sound, how can I write in", "the lisp effectively? I tried using multiple \"S\"s, but it reads as a", "as a snake-like sound, which I don't want since there are elements of", "sound, which I don't want since there are elements of the character being", "write in the lisp effectively? I tried using multiple \"S\"s, but it reads", "elements of the character being snake-like as well. How do I make the", "but it reads as a snake-like sound, which I don't want since there", "snake-like sound, which I don't want since there are elements of the character" ]
[ "if it needs to be a list, and a bunch of other ideas", "that have to be loosely followed; like what the niche should be, if", "situation. Let's say this blog is about handyman work. They want tips and", "of my thought process with a hypothetical situation. Let's say this blog is", "Now, I don't know much about this, so I decide to research the", "much about this, so I decide to research the idea. Now, this is", "I research in a way that doesn't plagiarize others, while finding my own", "blogs have guidelines that have to be loosely followed; like what the niche", "I don't know much about this, so I decide to research the idea.", "know much about this, so I decide to research the idea. Now, this", "have to be loosely followed; like what the niche should be, if it", "for instance of my thought process with a hypothetical situation. Let's say this", "looking for. Let me give you a for instance of my thought process", "do I research tips and tricks without plagiarizing these other articles? I don't", "needs to be a list, and a bunch of other ideas of what", "a list, and a bunch of other ideas of what they're looking for.", "niche should be, if it needs to be a list, and a bunch", "followed; like what the niche should be, if it needs to be a", "confused. How do I research tips and tricks without plagiarizing these other articles?", "ideas of what they're looking for. Let me give you a for instance", "start writing blog articles online as a guest writer. Most blogs have guidelines", "what they're looking for. Let me give you a for instance of my", "so I decide to research the idea. Now, this is where I start", "without plagiarizing these other articles? I don't have a lot of experience with", "is about handyman work. They want tips and tricks for house crafts or", "and tricks for house crafts or basic construction. 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How do I research tips and tricks without plagiarizing these", "the niche should be, if it needs to be a list, and a", "Let me give you a for instance of my thought process with a", "this is where I start to get confused. How do I research tips", "bunch of other ideas of what they're looking for. Let me give you", "hypothetical situation. Let's say this blog is about handyman work. They want tips", "out there personal experience only? How do I research in a way that", "about handyman work. They want tips and tricks for house crafts or basic", "process with a hypothetical situation. Let's say this blog is about handyman work.", "this blog is about handyman work. They want tips and tricks for house", "Now, this is where I start to get confused. How do I research", "are all articles out there personal experience only? How do I research in", "blog is about handyman work. They want tips and tricks for house crafts", "say this blog is about handyman work. They want tips and tricks for", "get confused. How do I research tips and tricks without plagiarizing these other", "writer. Most blogs have guidelines that have to be loosely followed; like what", "have a lot of experience with most things, but are all articles out", "and tricks without plagiarizing these other articles? I don't have a lot of", "should be, if it needs to be a list, and a bunch of", "work. They want tips and tricks for house crafts or basic construction. Now,", "guest writer. Most blogs have guidelines that have to be loosely followed; like", "of what they're looking for. Let me give you a for instance of", "for. Let me give you a for instance of my thought process with", "a lot of experience with most things, but are all articles out there", "articles out there personal experience only? How do I research in a way", "loosely followed; like what the niche should be, if it needs to be", "experience only? 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Now, I don't know much about this, so", "How do I research in a way that doesn't plagiarize others, while finding", "idea. Now, this is where I start to get confused. How do I", "Let's say this blog is about handyman work. They want tips and tricks", "plagiarizing these other articles? I don't have a lot of experience with most", "I decide to research the idea. Now, this is where I start to", "experience with most things, but are all articles out there personal experience only?", "They want tips and tricks for house crafts or basic construction. Now, I", "tricks without plagiarizing these other articles? I don't have a lot of experience", "a guest writer. Most blogs have guidelines that have to be loosely followed;", "handyman work. They want tips and tricks for house crafts or basic construction.", "what the niche should be, if it needs to be a list, and", "or basic construction. Now, I don't know much about this, so I decide", "research tips and tricks without plagiarizing these other articles? I don't have a", "start to get confused. How do I research tips and tricks without plagiarizing", "decide to research the idea. Now, this is where I start to get", "research the idea. Now, this is where I start to get confused. How", "this, so I decide to research the idea. Now, this is where I", "personal experience only? How do I research in a way that doesn't plagiarize", "want tips and tricks for house crafts or basic construction. Now, I don't", "other ideas of what they're looking for. Let me give you a for", "they're looking for. Let me give you a for instance of my thought", "lot of experience with most things, but are all articles out there personal", "a hypothetical situation. Let's say this blog is about handyman work. They want", "articles? I don't have a lot of experience with most things, but are", "you a for instance of my thought process with a hypothetical situation. Let's", "a bunch of other ideas of what they're looking for. Let me give", "I research tips and tricks without plagiarizing these other articles? I don't have", "have guidelines that have to be loosely followed; like what the niche should", "like to start writing blog articles online as a guest writer. Most blogs", "is where I start to get confused. How do I research tips and", "but are all articles out there personal experience only? How do I research", "thought process with a hypothetical situation. Let's say this blog is about handyman", "construction. Now, I don't know much about this, so I decide to research", "a for instance of my thought process with a hypothetical situation. Let's say", "most things, but are all articles out there personal experience only? How do" ]
[ "German objectively sounds different to Chinese, and it is these differences I want", "characters talk I am looking for a list of how each language sounds.", "universally accepted. Although I have only mentioned German and Chinese here, I am", "me a starting point, as the only other option I can think of", "and Chinese here, I am looking at a very wide range of languages.", "was hoping there was something I could use to give me a starting", "as the only other option I can think of is to start listening", "something a bit more universally accepted. Although I have only mentioned German and", "only other option I can think of is to start listening to recordings", "of consonants, and could be described as harsh. I understand that many of", "sound. However this will end up being entirely my opinion, and I was", "and begin to build my own set of observations on how they sound.", "entirely my opinion, and I was hoping to get something a bit more", "subjective, however German objectively sounds different to Chinese, and it is these differences", "recordings of people speaking in various language and begin to build my own", "more universally accepted. Although I have only mentioned German and Chinese here, I", "language and begin to build my own set of observations on how they", "harsh. I understand that many of the descriptions of how a language sounds", "of the descriptions of how a language sounds are subjective, however German objectively", "give me a starting point, as the only other option I can think", "begin to build my own set of observations on how they sound. However", "looking for a list of how each language sounds. For example the German", "opinion, and I was hoping to get something a bit more universally accepted.", "descriptions of how a language sounds are subjective, however German objectively sounds different", "has lots of clusters of consonants, and could be described as harsh. I", "I have only mentioned German and Chinese here, I am looking at a", "example the German language has lots of clusters of consonants, and could be", "want to describe. I was hoping there was something I could use to", "different to Chinese, and it is these differences I want to describe. I", "they sound. However this will end up being entirely my opinion, and I", "be described as harsh. I understand that many of the descriptions of how", "my own set of observations on how they sound. However this will end", "German language has lots of clusters of consonants, and could be described as", "think of is to start listening to recordings of people speaking in various", "is these differences I want to describe. I was hoping there was something", "sounds different to Chinese, and it is these differences I want to describe.", "on how they sound. However this will end up being entirely my opinion,", "create descriptive differences in the way my characters talk I am looking for", "and could be described as harsh. I understand that many of the descriptions", "to start listening to recordings of people speaking in various language and begin", "accepted. Although I have only mentioned German and Chinese here, I am looking", "my characters talk I am looking for a list of how each language", "describe. I was hoping there was something I could use to give me", "various language and begin to build my own set of observations on how", "a language sounds are subjective, however German objectively sounds different to Chinese, and", "differences I want to describe. I was hoping there was something I could", "sounds are subjective, however German objectively sounds different to Chinese, and it is", "I was hoping there was something I could use to give me a", "my opinion, and I was hoping to get something a bit more universally", "other option I can think of is to start listening to recordings of", "list of how each language sounds. For example the German language has lots", "these differences I want to describe. I was hoping there was something I", "bit more universally accepted. Although I have only mentioned German and Chinese here,", "to build my own set of observations on how they sound. However this", "people speaking in various language and begin to build my own set of", "each language sounds. For example the German language has lots of clusters of", "to recordings of people speaking in various language and begin to build my", "only mentioned German and Chinese here, I am looking at a very wide", "I understand that many of the descriptions of how a language sounds are", "was something I could use to give me a starting point, as the", "a bit more universally accepted. Although I have only mentioned German and Chinese", "objectively sounds different to Chinese, and it is these differences I want to", "and I was hoping to get something a bit more universally accepted. Although", "point, as the only other option I can think of is to start", "will end up being entirely my opinion, and I was hoping to get", "in the way my characters talk I am looking for a list of", "consonants, and could be described as harsh. I understand that many of the", "Although I have only mentioned German and Chinese here, I am looking at", "of how each language sounds. For example the German language has lots of", "there was something I could use to give me a starting point, as", "to describe. I was hoping there was something I could use to give", "descriptive differences in the way my characters talk I am looking for a", "option I can think of is to start listening to recordings of people", "can think of is to start listening to recordings of people speaking in", "to get something a bit more universally accepted. Although I have only mentioned", "are subjective, however German objectively sounds different to Chinese, and it is these", "could use to give me a starting point, as the only other option", "could be described as harsh. I understand that many of the descriptions of", "of clusters of consonants, and could be described as harsh. I understand that", "how a language sounds are subjective, however German objectively sounds different to Chinese,", "of observations on how they sound. However this will end up being entirely", "observations on how they sound. However this will end up being entirely my", "as harsh. I understand that many of the descriptions of how a language", "how they sound. However this will end up being entirely my opinion, and", "use to give me a starting point, as the only other option I", "I can think of is to start listening to recordings of people speaking", "language has lots of clusters of consonants, and could be described as harsh.", "For example the German language has lots of clusters of consonants, and could", "talk I am looking for a list of how each language sounds. For", "something I could use to give me a starting point, as the only", "mentioned German and Chinese here, I am looking at a very wide range", "clusters of consonants, and could be described as harsh. I understand that many", "language sounds are subjective, however German objectively sounds different to Chinese, and it", "was hoping to get something a bit more universally accepted. Although I have", "in various language and begin to build my own set of observations on", "being entirely my opinion, and I was hoping to get something a bit", "of how a language sounds are subjective, however German objectively sounds different to", "up being entirely my opinion, and I was hoping to get something a", "for a list of how each language sounds. For example the German language", "the German language has lots of clusters of consonants, and could be described", "However this will end up being entirely my opinion, and I was hoping", "I am looking for a list of how each language sounds. For example", "Chinese, and it is these differences I want to describe. I was hoping", "I could use to give me a starting point, as the only other", "I was hoping to get something a bit more universally accepted. Although I", "differences in the way my characters talk I am looking for a list", "own set of observations on how they sound. However this will end up", "hoping to get something a bit more universally accepted. Although I have only", "is to start listening to recordings of people speaking in various language and", "it is these differences I want to describe. I was hoping there was", "sounds. For example the German language has lots of clusters of consonants, and", "am looking for a list of how each language sounds. For example the", "and it is these differences I want to describe. I was hoping there", "starting point, as the only other option I can think of is to", "hoping there was something I could use to give me a starting point,", "way my characters talk I am looking for a list of how each", "language sounds. For example the German language has lots of clusters of consonants,", "end up being entirely my opinion, and I was hoping to get something", "get something a bit more universally accepted. Although I have only mentioned German", "of is to start listening to recordings of people speaking in various language", "this will end up being entirely my opinion, and I was hoping to", "the way my characters talk I am looking for a list of how", "that many of the descriptions of how a language sounds are subjective, however", "to Chinese, and it is these differences I want to describe. I was", "German and Chinese here, I am looking at a very wide range of", "the only other option I can think of is to start listening to", "how each language sounds. For example the German language has lots of clusters", "of people speaking in various language and begin to build my own set", "listening to recordings of people speaking in various language and begin to build", "build my own set of observations on how they sound. However this will", "set of observations on how they sound. However this will end up being", "have only mentioned German and Chinese here, I am looking at a very", "a list of how each language sounds. For example the German language has", "lots of clusters of consonants, and could be described as harsh. I understand", "a starting point, as the only other option I can think of is", "speaking in various language and begin to build my own set of observations", "I want to describe. I was hoping there was something I could use", "many of the descriptions of how a language sounds are subjective, however German", "help create descriptive differences in the way my characters talk I am looking", "the descriptions of how a language sounds are subjective, however German objectively sounds", "To help create descriptive differences in the way my characters talk I am", "however German objectively sounds different to Chinese, and it is these differences I", "start listening to recordings of people speaking in various language and begin to", "described as harsh. I understand that many of the descriptions of how a", "understand that many of the descriptions of how a language sounds are subjective,", "to give me a starting point, as the only other option I can" ]
[ "who was found by a couple in a magical isolated town, where everyone", "girl who was found by a couple in a magical isolated town, where", "two reasons: 1. She doesn't belong in this town so the leader cannot", "named by the leader. I want her to not have a name because", "name out of it and I'm just wondering if there are any tips", "everyone is named by the leader. I want her to not have a", "name because of two reasons: 1. She doesn't belong in this town so", "her to not have a name because of two reasons: 1. She doesn't", "there is a different angle I can approach that still keeps the idea", "her (I'm hoping to work this angle later on in the story). I'm", "by not being able to name her, he has no control over her", "main character OR if there is a different angle I can approach that", "a name out of it and I'm just wondering if there are any", "(I'm hoping to work this angle later on in the story). I'm finding", "couple in a magical isolated town, where everyone is named by the leader.", "to name her, he has no control over her (I'm hoping to work", "anyone has to keep a nameless main character OR if there is a", "any tips anyone has to keep a nameless main character OR if there", "by a couple in a magical isolated town, where everyone is named by", "town, where everyone is named by the leader. I want her to not", "leader can use so by not being able to name her, he has", "it and I'm just wondering if there are any tips anyone has to", "in this town so the leader cannot give her a name 2. Names", "try to keep a name out of it and I'm just wondering if", "leader cannot give her a name 2. Names have special power that the", "not being able to name her, he has no control over her (I'm", "different angle I can approach that still keeps the idea that \"names have", "angle I can approach that still keeps the idea that \"names have power\"?", "leader. I want her to not have a name because of two reasons:", "to keep a nameless main character OR if there is a different angle", "that I'm struggling to try to keep a name out of it and", "I'm struggling to try to keep a name out of it and I'm", "a nameless main character OR if there is a different angle I can", "not have a name because of two reasons: 1. She doesn't belong in", "later on in the story). I'm finding that I'm struggling to try to", "no control over her (I'm hoping to work this angle later on in", "so the leader cannot give her a name 2. Names have special power", "isolated town, where everyone is named by the leader. I want her to", "wondering if there are any tips anyone has to keep a nameless main", "can use so by not being able to name her, he has no", "in a magical isolated town, where everyone is named by the leader. I", "character OR if there is a different angle I can approach that still", "by the leader. I want her to not have a name because of", "where everyone is named by the leader. I want her to not have", "work this angle later on in the story). I'm finding that I'm struggling", "the leader. I want her to not have a name because of two", "want her to not have a name because of two reasons: 1. She", "able to name her, he has no control over her (I'm hoping to", "because of two reasons: 1. She doesn't belong in this town so the", "give her a name 2. Names have special power that the leader can", "if there is a different angle I can approach that still keeps the", "has to keep a nameless main character OR if there is a different", "has no control over her (I'm hoping to work this angle later on", "currently writing a story about a girl who was found by a couple", "OR if there is a different angle I can approach that still keeps", "cannot give her a name 2. 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She doesn't belong in this town so the leader", "he has no control over her (I'm hoping to work this angle later", "a story about a girl who was found by a couple in a", "story about a girl who was found by a couple in a magical", "Names have special power that the leader can use so by not being", "a couple in a magical isolated town, where everyone is named by the", "name 2. Names have special power that the leader can use so by", "story). I'm finding that I'm struggling to try to keep a name out", "finding that I'm struggling to try to keep a name out of it", "use so by not being able to name her, he has no control", "to try to keep a name out of it and I'm just wondering", "She doesn't belong in this town so the leader cannot give her a", "over her (I'm hoping to work this angle later on in the story).", "a girl who was found by a couple in a magical isolated town,", "are any tips anyone has to keep a nameless main character OR if", "power that the leader can use so by not being able to name", "this town so the leader cannot give her a name 2. Names have", "in the story). I'm finding that I'm struggling to try to keep a", "was found by a couple in a magical isolated town, where everyone is", "a magical isolated town, where everyone is named by the leader. I want", "a name 2. Names have special power that the leader can use so", "there are any tips anyone has to keep a nameless main character OR", "to not have a name because of two reasons: 1. She doesn't belong", "reasons: 1. She doesn't belong in this town so the leader cannot give", "keep a nameless main character OR if there is a different angle I", "writing a story about a girl who was found by a couple in", "special power that the leader can use so by not being able to", "name her, he has no control over her (I'm hoping to work this", "this angle later on in the story). I'm finding that I'm struggling to", "town so the leader cannot give her a name 2. Names have special", "have a name because of two reasons: 1. She doesn't belong in this", "tips anyone has to keep a nameless main character OR if there is", "belong in this town so the leader cannot give her a name 2.", "if there are any tips anyone has to keep a nameless main character", "out of it and I'm just wondering if there are any tips anyone", "the leader cannot give her a name 2. Names have special power that", "and I'm just wondering if there are any tips anyone has to keep", "control over her (I'm hoping to work this angle later on in the", "her a name 2. Names have special power that the leader can use", "hoping to work this angle later on in the story). I'm finding that", "is named by the leader. I want her to not have a name", "have special power that the leader can use so by not being able", "I want her to not have a name because of two reasons: 1.", "keep a name out of it and I'm just wondering if there are", "magical isolated town, where everyone is named by the leader. I want her", "I'm just wondering if there are any tips anyone has to keep a", "so by not being able to name her, he has no control over", "just wondering if there are any tips anyone has to keep a nameless", "the leader can use so by not being able to name her, he", "found by a couple in a magical isolated town, where everyone is named", "angle later on in the story). I'm finding that I'm struggling to try", "her, he has no control over her (I'm hoping to work this angle", "nameless main character OR if there is a different angle I can approach", "I'm finding that I'm struggling to try to keep a name out of", "the story). I'm finding that I'm struggling to try to keep a name", "about a girl who was found by a couple in a magical isolated" ]
[ "for the sake of having the reader having a clear image of the", "sake of having the reader having a clear image of the location before", "is it wise to infodump about the area for the sake of having", "from paths and buildings and how these paths are maintained and how the", "image of the location before being fed the story? ie. with a Golmore", "use of the trunks and branches to from paths and buildings and how", "Fantasy XII) is it wise to infodump about the area for the sake", "a Golmore Jungle infofump one would describe the insanely huge trees and how", "branches to from paths and buildings and how these paths are maintained and", "story is set in a fiction world or when a character changes locals", "it wise to infodump about the area for the sake of having the", "from the deserts outside Rabanastre to the Golmore Jungle in Final Fantasy XII)", "infofump one would describe the insanely huge trees and how they can get", "the location before being fed the story? ie. with a Golmore Jungle infofump", "writen story is set in a fiction world or when a character changes", "vastly different to what was introduce/what they would know from real life (ie.", "Rabanastre to the Golmore Jungle in Final Fantasy XII) is it wise to", "would know from real life (ie. going from the deserts outside Rabanastre to", "or when a character changes locals to an environment that may be vastly", "to infodump about the area for the sake of having the reader having", "from real life (ie. going from the deserts outside Rabanastre to the Golmore", "location before being fed the story? ie. with a Golmore Jungle infofump one", "one would describe the insanely huge trees and how they can get so", "and how they can get so large, how the Viera make use of", "having the reader having a clear image of the location before being fed", "be vastly different to what was introduce/what they would know from real life", "fiction world or when a character changes locals to an environment that may", "life (ie. going from the deserts outside Rabanastre to the Golmore Jungle in", "to an environment that may be vastly different to what was introduce/what they", "the reader having a clear image of the location before being fed the", "ie. with a Golmore Jungle infofump one would describe the insanely huge trees", "how the Viera make use of the trunks and branches to from paths", "the Viera make use of the trunks and branches to from paths and", "and branches to from paths and buildings and how these paths are maintained", "may be vastly different to what was introduce/what they would know from real", "Jungle infofump one would describe the insanely huge trees and how they can", "large, how the Viera make use of the trunks and branches to from", "before being fed the story? ie. with a Golmore Jungle infofump one would", "of the trunks and branches to from paths and buildings and how these", "insanely huge trees and how they can get so large, how the Viera", "trees and how they can get so large, how the Viera make use", "being fed the story? ie. with a Golmore Jungle infofump one would describe", "so large, how the Viera make use of the trunks and branches to", "what was introduce/what they would know from real life (ie. going from the", "maintained and how the things transition to the jungle from the Ozmone Plains", "the trunks and branches to from paths and buildings and how these paths", "set in a fiction world or when a character changes locals to an", "different to what was introduce/what they would know from real life (ie. going", "how these paths are maintained and how the things transition to the jungle", "changes locals to an environment that may be vastly different to what was", "make use of the trunks and branches to from paths and buildings and", "get so large, how the Viera make use of the trunks and branches", "XII) is it wise to infodump about the area for the sake of", "fed the story? ie. with a Golmore Jungle infofump one would describe the", "can get so large, how the Viera make use of the trunks and", "environment that may be vastly different to what was introduce/what they would know", "world or when a character changes locals to an environment that may be", "outside Rabanastre to the Golmore Jungle in Final Fantasy XII) is it wise", "introduce/what they would know from real life (ie. going from the deserts outside", "to from paths and buildings and how these paths are maintained and how", "is set in a fiction world or when a character changes locals to", "these paths are maintained and how the things transition to the jungle from", "story? ie. with a Golmore Jungle infofump one would describe the insanely huge", "in a fiction world or when a character changes locals to an environment", "(ie. going from the deserts outside Rabanastre to the Golmore Jungle in Final", "infodump about the area for the sake of having the reader having a", "Golmore Jungle infofump one would describe the insanely huge trees and how they", "Viera make use of the trunks and branches to from paths and buildings", "and how these paths are maintained and how the things transition to the", "the sake of having the reader having a clear image of the location", "that may be vastly different to what was introduce/what they would know from", "real life (ie. going from the deserts outside Rabanastre to the Golmore Jungle", "reader having a clear image of the location before being fed the story?", "Jungle in Final Fantasy XII) is it wise to infodump about the area", "would describe the insanely huge trees and how they can get so large,", "the area for the sake of having the reader having a clear image", "locals to an environment that may be vastly different to what was introduce/what", "character changes locals to an environment that may be vastly different to what", "are maintained and how the things transition to the jungle from the Ozmone", "When a writen story is set in a fiction world or when a", "to what was introduce/what they would know from real life (ie. going from", "having a clear image of the location before being fed the story? ie.", "a writen story is set in a fiction world or when a character", "the Golmore Jungle in Final Fantasy XII) is it wise to infodump about", "an environment that may be vastly different to what was introduce/what they would", "the deserts outside Rabanastre to the Golmore Jungle in Final Fantasy XII) is", "a fiction world or when a character changes locals to an environment that", "huge trees and how they can get so large, how the Viera make", "wise to infodump about the area for the sake of having the reader", "the insanely huge trees and how they can get so large, how the", "know from real life (ie. going from the deserts outside Rabanastre to the", "paths and buildings and how these paths are maintained and how the things", "describe the insanely huge trees and how they can get so large, how", "a character changes locals to an environment that may be vastly different to", "they can get so large, how the Viera make use of the trunks", "paths are maintained and how the things transition to the jungle from the", "in Final Fantasy XII) is it wise to infodump about the area for", "a clear image of the location before being fed the story? ie. with", "buildings and how these paths are maintained and how the things transition to", "about the area for the sake of having the reader having a clear", "Golmore Jungle in Final Fantasy XII) is it wise to infodump about the", "trunks and branches to from paths and buildings and how these paths are", "the story? ie. with a Golmore Jungle infofump one would describe the insanely", "Final Fantasy XII) is it wise to infodump about the area for the", "when a character changes locals to an environment that may be vastly different", "was introduce/what they would know from real life (ie. going from the deserts", "of having the reader having a clear image of the location before being", "area for the sake of having the reader having a clear image of", "to the Golmore Jungle in Final Fantasy XII) is it wise to infodump", "and buildings and how these paths are maintained and how the things transition", "they would know from real life (ie. going from the deserts outside Rabanastre", "clear image of the location before being fed the story? ie. with a", "going from the deserts outside Rabanastre to the Golmore Jungle in Final Fantasy", "of the location before being fed the story? ie. with a Golmore Jungle", "how they can get so large, how the Viera make use of the", "deserts outside Rabanastre to the Golmore Jungle in Final Fantasy XII) is it", "with a Golmore Jungle infofump one would describe the insanely huge trees and" ]
[ "understanding of copyright (which isn't much to be honest) it costs money to", "we can self publish to the world. So when we self publish is", "it costs money to apply for copyright. and i can get that publishers", "world. So when we self publish is the copyright implied or does one", "probably do this themselves but with the internet we can self publish to", "money to apply for copyright. and i can get that publishers probably do", "or does one need to apply for copyright before they release their work", "the copyright implied or does one need to apply for copyright before they", "themselves but with the internet we can self publish to the world. So", "but with the internet we can self publish to the world. So when", "when we self publish is the copyright implied or does one need to", "So when we self publish is the copyright implied or does one need", "does one need to apply for copyright before they release their work for", "do this themselves but with the internet we can self publish to the", "and i can get that publishers probably do this themselves but with the", "copyright. and i can get that publishers probably do this themselves but with", "to apply for copyright. and i can get that publishers probably do this", "one need to apply for copyright before they release their work for sale?", "apply for copyright. and i can get that publishers probably do this themselves", "(which isn't much to be honest) it costs money to apply for copyright.", "publish to the world. So when we self publish is the copyright implied", "isn't much to be honest) it costs money to apply for copyright. and", "get that publishers probably do this themselves but with the internet we can", "that publishers probably do this themselves but with the internet we can self", "much to be honest) it costs money to apply for copyright. and i", "to be honest) it costs money to apply for copyright. and i can", "self publish is the copyright implied or does one need to apply for", "honest) it costs money to apply for copyright. and i can get that", "for copyright. and i can get that publishers probably do this themselves but", "can get that publishers probably do this themselves but with the internet we", "i can get that publishers probably do this themselves but with the internet", "the world. So when we self publish is the copyright implied or does", "of copyright (which isn't much to be honest) it costs money to apply", "self publish to the world. So when we self publish is the copyright", "implied or does one need to apply for copyright before they release their", "this themselves but with the internet we can self publish to the world.", "be honest) it costs money to apply for copyright. and i can get", "copyright (which isn't much to be honest) it costs money to apply for", "So my understanding of copyright (which isn't much to be honest) it costs", "to the world. So when we self publish is the copyright implied or", "publish is the copyright implied or does one need to apply for copyright", "is the copyright implied or does one need to apply for copyright before", "copyright implied or does one need to apply for copyright before they release", "costs money to apply for copyright. and i can get that publishers probably", "my understanding of copyright (which isn't much to be honest) it costs money", "publishers probably do this themselves but with the internet we can self publish", "internet we can self publish to the world. So when we self publish", "with the internet we can self publish to the world. So when we", "we self publish is the copyright implied or does one need to apply", "can self publish to the world. So when we self publish is the", "the internet we can self publish to the world. So when we self" ]
[ "at least 100 years old and without an audio book format. Is it", "There are a few books that are at least 100 years old and", "an audio book format. Is it legally possible to do the voice for", "audio book format. Is it legally possible to do the voice for it", "it legally possible to do the voice for it and sell it on", "are at least 100 years old and without an audio book format. Is", "few books that are at least 100 years old and without an audio", "old and without an audio book format. Is it legally possible to do", "and without an audio book format. Is it legally possible to do the", "book format. Is it legally possible to do the voice for it and", "that are at least 100 years old and without an audio book format.", "legally possible to do the voice for it and sell it on audible?", "least 100 years old and without an audio book format. Is it legally", "are a few books that are at least 100 years old and without", "years old and without an audio book format. Is it legally possible to", "without an audio book format. Is it legally possible to do the voice", "Is it legally possible to do the voice for it and sell it", "100 years old and without an audio book format. Is it legally possible", "format. Is it legally possible to do the voice for it and sell", "books that are at least 100 years old and without an audio book", "a few books that are at least 100 years old and without an" ]
[ "I get a publisher to do this? Note that I am not going", "it, I literally just want one copy published when I finish it (I", "to edit it, I literally just want one copy published when I finish", "I finish it (I ask now as I'm at the halfway point). Also,", "now as I'm at the halfway point). Also, would it be too long", "published when I finish it (I ask now as I'm at the halfway", "to my parents. Would a publisher do this? How would I get a", "edit it, I literally just want one copy published when I finish it", "a publisher do this? How would I get a publisher to do this?", "copy printed to give to my parents. Would a publisher do this? How", "get a publisher to do this? Note that I am not going through", "just want one copy published when I finish it (I ask now as", "to get just one copy printed to give to my parents. Would a", "How would I get a publisher to do this? Note that I am", "not going through any people to edit it, I literally just want one", "this? Note that I am not going through any people to edit it,", "get just one copy printed to give to my parents. Would a publisher", "when I finish it (I ask now as I'm at the halfway point).", "do this? How would I get a publisher to do this? Note that", "like to get just one copy printed to give to my parents. Would", "as I'm at the halfway point). Also, would it be too long at", "printed to give to my parents. Would a publisher do this? How would", "a publisher to do this? Note that I am not going through any", "a novel, I'd like to get just one copy printed to give to", "at the halfway point). Also, would it be too long at 56k words", "the halfway point). Also, would it be too long at 56k words at", "to give to my parents. Would a publisher do this? How would I", "this? How would I get a publisher to do this? Note that I", "the halfway point? I think I'll split it into two parts, or acts.", "I am not going through any people to edit it, I literally just", "going through any people to edit it, I literally just want one copy", "copy published when I finish it (I ask now as I'm at the", "just one copy printed to give to my parents. Would a publisher do", "When I finish a novel, I'd like to get just one copy printed", "one copy printed to give to my parents. Would a publisher do this?", "finish a novel, I'd like to get just one copy printed to give", "would I get a publisher to do this? Note that I am not", "finish it (I ask now as I'm at the halfway point). Also, would", "do this? Note that I am not going through any people to edit", "would it be too long at 56k words at the halfway point? I", "it (I ask now as I'm at the halfway point). Also, would it", "point). Also, would it be too long at 56k words at the halfway", "any people to edit it, I literally just want one copy published when", "I literally just want one copy published when I finish it (I ask", "too long at 56k words at the halfway point? I think I'll split", "one copy published when I finish it (I ask now as I'm at", "halfway point). Also, would it be too long at 56k words at the", "through any people to edit it, I literally just want one copy published", "want one copy published when I finish it (I ask now as I'm", "Would a publisher do this? How would I get a publisher to do", "am not going through any people to edit it, I literally just want", "literally just want one copy published when I finish it (I ask now", "to do this? Note that I am not going through any people to", "I'm at the halfway point). Also, would it be too long at 56k", "publisher to do this? Note that I am not going through any people", "words at the halfway point? I think I'll split it into two parts,", "I finish a novel, I'd like to get just one copy printed to", "ask now as I'm at the halfway point). Also, would it be too", "it be too long at 56k words at the halfway point? I think", "my parents. Would a publisher do this? How would I get a publisher", "people to edit it, I literally just want one copy published when I", "at the halfway point? I think I'll split it into two parts, or", "that I am not going through any people to edit it, I literally", "be too long at 56k words at the halfway point? I think I'll", "(I ask now as I'm at the halfway point). Also, would it be", "parents. Would a publisher do this? How would I get a publisher to", "publisher do this? How would I get a publisher to do this? Note", "Also, would it be too long at 56k words at the halfway point?", "Note that I am not going through any people to edit it, I", "novel, I'd like to get just one copy printed to give to my", "I'd like to get just one copy printed to give to my parents.", "long at 56k words at the halfway point? I think I'll split it", "56k words at the halfway point? I think I'll split it into two", "at 56k words at the halfway point? I think I'll split it into", "give to my parents. Would a publisher do this? How would I get" ]
[ "in overall conception, form, content, or all of these. I haven't tried this", "or all of these. I haven't tried this yet, but the idea is", "day and destroy it * when you replace it, try to do something", "for improving one's writing: * at the end of every nth day, rip", "tried this yet, but the idea is increasingly appealing. What are the pros", "nth day, rip up all your work for that day and destroy it", "do something better, whether in overall conception, form, content, or all of these.", "for that day and destroy it * when you replace it, try to", "you replace it, try to do something better, whether in overall conception, form,", "one's writing: * at the end of every nth day, rip up all", "rip up all your work for that day and destroy it * when", "and destroy it * when you replace it, try to do something better,", "the end of every nth day, rip up all your work for that", "all of these. I haven't tried this yet, but the idea is increasingly", "of these. I haven't tried this yet, but the idea is increasingly appealing.", "whether in overall conception, form, content, or all of these. I haven't tried", "end of every nth day, rip up all your work for that day", "when you replace it, try to do something better, whether in overall conception,", "destroy it * when you replace it, try to do something better, whether", "day, rip up all your work for that day and destroy it ", "of every nth day, rip up all your work for that day and", "overall conception, form, content, or all of these. I haven't tried this yet,", "these. I haven't tried this yet, but the idea is increasingly appealing. What", "technique for improving one's writing: at the end of every nth day,", "it * when you replace it, try to do something better, whether in", "try to do something better, whether in overall conception, form, content, or all", "all your work for that day and destroy it * when you replace", "content, or all of these. I haven't tried this yet, but the idea", "the following technique for improving one's writing: * at the end of every", "yet, but the idea is increasingly appealing. What are the pros and cons?", "something better, whether in overall conception, form, content, or all of these. I", "following technique for improving one's writing: * at the end of every nth", "work for that day and destroy it * when you replace it, try", "better, whether in overall conception, form, content, or all of these. I haven't", "writing: * at the end of every nth day, rip up all your", "this yet, but the idea is increasingly appealing. What are the pros and", "improving one's writing: * at the end of every nth day, rip up", "your work for that day and destroy it * when you replace it,", "that day and destroy it * when you replace it, try to do", "haven't tried this yet, but the idea is increasingly appealing. What are the", "* when you replace it, try to do something better, whether in overall", "every nth day, rip up all your work for that day and destroy", "replace it, try to do something better, whether in overall conception, form, content,", "to do something better, whether in overall conception, form, content, or all of", "up all your work for that day and destroy it * when you", "form, content, or all of these. I haven't tried this yet, but the", "at the end of every nth day, rip up all your work for", "it, try to do something better, whether in overall conception, form, content, or", "conception, form, content, or all of these. I haven't tried this yet, but", "Consider the following technique for improving one's writing: * at the end of", "* at the end of every nth day, rip up all your work", "I haven't tried this yet, but the idea is increasingly appealing. What are" ]
[ "I was wondering about if I could use the name of the fictional", "a Star Wars laser blaster\" or something, again being different in its details", "between the Marvel/DC universe and my book. Instead, I was going to have", "mention some other scifi/superhero thing in a new context, like describing a laser", "direct connection between the Marvel/DC universe and my book. Instead, I was going", "fictional character Magneto in the scifi book I'm writing. There is no direct", "\"Magneto\" protein, which lets them detect magnetism. Is it okay in this case", "I could mention some other scifi/superhero thing in a new context, like describing", "Is it okay in this case because I'm using it in a different", "character Magneto in the scifi book I'm writing. There is no direct connection", "being \"like a Star Wars laser blaster\" or something, again being different in", "describe a real world laser that can theoretically operate at very high powers", "was going to have a character be genetically modified to produce the \"Magneto\"", "describing a laser weapon as being \"like a Star Wars laser blaster\" or", "Instead, I was going to have a character be genetically modified to produce", "that. Its not nearly as important as the first thing, but I was", "some other scifi/superhero thing in a new context, like describing a laser weapon", "Marvel/DC universe and my book. Instead, I was going to have a character", "in this case because I'm using it in a different context, like as", "use the name of the fictional character Magneto in the scifi book I'm", "Magneto in the scifi book I'm writing. There is no direct connection between", "wondering about if I could use the name of the fictional character Magneto", "different in its details and context (I made a point to describe a", "and my book. Instead, I was going to have a character be genetically", "context, like as a parody? I'm actually going off of a discovery of", "no direct connection between the Marvel/DC universe and my book. Instead, I was", "produce the \"Magneto\" protein, which lets them detect magnetism. Is it okay in", "going off of a discovery of a magnetism sensing protein where journalists referred", "the first thing, but I was also wondering if I could mention some", "referred to it as that. Its not nearly as important as the first", "Its not nearly as important as the first thing, but I was also", "point to describe a real world laser that can theoretically operate at very", "of a magnetism sensing protein where journalists referred to it as that. Its", "its details and context (I made a point to describe a real world", "I could use the name of the fictional character Magneto in the scifi", "the scifi book I'm writing. There is no direct connection between the Marvel/DC", "a character be genetically modified to produce the \"Magneto\" protein, which lets them", "in a different context, like as a parody? I'm actually going off of", "a real world laser that can theoretically operate at very high powers minus", "to have a character be genetically modified to produce the \"Magneto\" protein, which", "because I'm using it in a different context, like as a parody? I'm", "my book. Instead, I was going to have a character be genetically modified", "new context, like describing a laser weapon as being \"like a Star Wars", "magnetism. Is it okay in this case because I'm using it in a", "lets them detect magnetism. Is it okay in this case because I'm using", "case because I'm using it in a different context, like as a parody?", "nearly as important as the first thing, but I was also wondering if", "that can theoretically operate at very high powers minus a few technical problems).", "be genetically modified to produce the \"Magneto\" protein, which lets them detect magnetism.", "where journalists referred to it as that. Its not nearly as important as", "details and context (I made a point to describe a real world laser", "could mention some other scifi/superhero thing in a new context, like describing a", "but I was also wondering if I could mention some other scifi/superhero thing", "parody? I'm actually going off of a discovery of a magnetism sensing protein", "a magnetism sensing protein where journalists referred to it as that. Its not", "to describe a real world laser that can theoretically operate at very high", "and context (I made a point to describe a real world laser that", "made a point to describe a real world laser that can theoretically operate", "like as a parody? I'm actually going off of a discovery of a", "something, again being different in its details and context (I made a point", "I'm using it in a different context, like as a parody? I'm actually", "a new context, like describing a laser weapon as being \"like a Star", "blaster\" or something, again being different in its details and context (I made", "it as that. Its not nearly as important as the first thing, but", "weapon as being \"like a Star Wars laser blaster\" or something, again being", "character be genetically modified to produce the \"Magneto\" protein, which lets them detect", "detect magnetism. Is it okay in this case because I'm using it in", "I was also wondering if I could mention some other scifi/superhero thing in", "discovery of a magnetism sensing protein where journalists referred to it as that.", "of a discovery of a magnetism sensing protein where journalists referred to it", "There is no direct connection between the Marvel/DC universe and my book. Instead,", "magnetism sensing protein where journalists referred to it as that. Its not nearly", "the \"Magneto\" protein, which lets them detect magnetism. Is it okay in this", "journalists referred to it as that. Its not nearly as important as the", "genetically modified to produce the \"Magneto\" protein, which lets them detect magnetism. Is", "I'm writing. There is no direct connection between the Marvel/DC universe and my", "thing, but I was also wondering if I could mention some other scifi/superhero", "important as the first thing, but I was also wondering if I could", "also wondering if I could mention some other scifi/superhero thing in a new", "(I made a point to describe a real world laser that can theoretically", "I was going to have a character be genetically modified to produce the", "using it in a different context, like as a parody? I'm actually going", "as a parody? I'm actually going off of a discovery of a magnetism", "this case because I'm using it in a different context, like as a", "thing in a new context, like describing a laser weapon as being \"like", "about if I could use the name of the fictional character Magneto in", "if I could use the name of the fictional character Magneto in the", "world laser that can theoretically operate at very high powers minus a few", "a different context, like as a parody? I'm actually going off of a", "\"like a Star Wars laser blaster\" or something, again being different in its", "context (I made a point to describe a real world laser that can", "if I could mention some other scifi/superhero thing in a new context, like", "I'm actually going off of a discovery of a magnetism sensing protein where", "have a character be genetically modified to produce the \"Magneto\" protein, which lets", "okay in this case because I'm using it in a different context, like", "as that. Its not nearly as important as the first thing, but I", "actually going off of a discovery of a magnetism sensing protein where journalists", "Star Wars laser blaster\" or something, again being different in its details and", "as being \"like a Star Wars laser blaster\" or something, again being different", "of the fictional character Magneto in the scifi book I'm writing. There is", "book I'm writing. There is no direct connection between the Marvel/DC universe and", "wondering if I could mention some other scifi/superhero thing in a new context,", "Wars laser blaster\" or something, again being different in its details and context", "protein, which lets them detect magnetism. Is it okay in this case because", "a point to describe a real world laser that can theoretically operate at", "a discovery of a magnetism sensing protein where journalists referred to it as", "like describing a laser weapon as being \"like a Star Wars laser blaster\"", "the fictional character Magneto in the scifi book I'm writing. There is no", "sensing protein where journalists referred to it as that. Its not nearly as", "name of the fictional character Magneto in the scifi book I'm writing. There", "book. Instead, I was going to have a character be genetically modified to", "as the first thing, but I was also wondering if I could mention", "again being different in its details and context (I made a point to", "being different in its details and context (I made a point to describe", "protein where journalists referred to it as that. Its not nearly as important", "or something, again being different in its details and context (I made a", "in the scifi book I'm writing. There is no direct connection between the", "was also wondering if I could mention some other scifi/superhero thing in a", "to it as that. Its not nearly as important as the first thing,", "in its details and context (I made a point to describe a real", "real world laser that can theoretically operate at very high powers minus a", "laser that can theoretically operate at very high powers minus a few technical", "was wondering about if I could use the name of the fictional character", "first thing, but I was also wondering if I could mention some other", "which lets them detect magnetism. Is it okay in this case because I'm", "different context, like as a parody? I'm actually going off of a discovery", "laser blaster\" or something, again being different in its details and context (I", "writing. There is no direct connection between the Marvel/DC universe and my book.", "them detect magnetism. Is it okay in this case because I'm using it", "is no direct connection between the Marvel/DC universe and my book. Instead, I", "to produce the \"Magneto\" protein, which lets them detect magnetism. Is it okay", "the name of the fictional character Magneto in the scifi book I'm writing.", "a parody? I'm actually going off of a discovery of a magnetism sensing", "off of a discovery of a magnetism sensing protein where journalists referred to", "scifi/superhero thing in a new context, like describing a laser weapon as being", "going to have a character be genetically modified to produce the \"Magneto\" protein,", "it in a different context, like as a parody? I'm actually going off", "a laser weapon as being \"like a Star Wars laser blaster\" or something,", "laser weapon as being \"like a Star Wars laser blaster\" or something, again", "modified to produce the \"Magneto\" protein, which lets them detect magnetism. Is it", "not nearly as important as the first thing, but I was also wondering", "the Marvel/DC universe and my book. Instead, I was going to have a", "in a new context, like describing a laser weapon as being \"like a", "connection between the Marvel/DC universe and my book. Instead, I was going to", "could use the name of the fictional character Magneto in the scifi book", "other scifi/superhero thing in a new context, like describing a laser weapon as", "scifi book I'm writing. There is no direct connection between the Marvel/DC universe", "as important as the first thing, but I was also wondering if I", "universe and my book. Instead, I was going to have a character be", "context, like describing a laser weapon as being \"like a Star Wars laser", "it okay in this case because I'm using it in a different context," ]
[ "page single spaced. What is the industry standard for what a page is", "docs. Right now, I'm considering a page single spaced. What is the industry", "teen novel in google docs. Right now, I'm considering a page single spaced.", "writing a teen novel in google docs. Right now, I'm considering a page", "currently writing a teen novel in google docs. Right now, I'm considering a", "am currently writing a teen novel in google docs. Right now, I'm considering", "google docs. Right now, I'm considering a page single spaced. What is the", "considering a page single spaced. What is the industry standard for what a", "single spaced. What is the industry standard for what a page is considered?", "in google docs. Right now, I'm considering a page single spaced. What is", "Right now, I'm considering a page single spaced. What is the industry standard", "a page single spaced. What is the industry standard for what a page", "novel in google docs. Right now, I'm considering a page single spaced. What", "I am currently writing a teen novel in google docs. Right now, I'm", "now, I'm considering a page single spaced. What is the industry standard for", "a teen novel in google docs. Right now, I'm considering a page single", "I'm considering a page single spaced. What is the industry standard for what" ]
[ "short story need a name? My story gives lots of other details about", "main character in a short story need a name? My story gives lots", "in a short story need a name? My story gives lots of other", "Does the main character in a short story need a name? My story", "the main character in a short story need a name? My story gives", "need a name? My story gives lots of other details about the character.", "a short story need a name? My story gives lots of other details", "character in a short story need a name? My story gives lots of", "story need a name? My story gives lots of other details about the" ]
[ "chapters are only about 2 pages long and it still feels way too", "scene? How long would that be? Currently my scenes in chapters are only", "in a chapter be? And what about when characters move setting but the", "move setting but the topic is still relevant to the scene? How long", "how long should a solid scene in a chapter be? And what about", "would that be? Currently my scenes in chapters are only about 2 pages", "should a solid scene in a chapter be? And what about when characters", "that be? Currently my scenes in chapters are only about 2 pages long", "pages long and it still feels way too short. Is there a rule", "a chapter be? And what about when characters move setting but the topic", "and it still feels way too short. Is there a rule of thumb?", "And what about when characters move setting but the topic is still relevant", "long would that be? Currently my scenes in chapters are only about 2", "my scenes in chapters are only about 2 pages long and it still", "to the scene? How long would that be? Currently my scenes in chapters", "How long would that be? Currently my scenes in chapters are only about", "about 2 pages long and it still feels way too short. Is there", "just how long should a solid scene in a chapter be? And what", "still relevant to the scene? How long would that be? Currently my scenes", "in chapters are only about 2 pages long and it still feels way", "setting but the topic is still relevant to the scene? How long would", "characters move setting but the topic is still relevant to the scene? How", "when characters move setting but the topic is still relevant to the scene?", "is still relevant to the scene? How long would that be? Currently my", "be? And what about when characters move setting but the topic is still", "scenes in chapters are only about 2 pages long and it still feels", "relevant to the scene? How long would that be? Currently my scenes in", "Really, just how long should a solid scene in a chapter be? And", "about when characters move setting but the topic is still relevant to the", "long and it still feels way too short. Is there a rule of", "what about when characters move setting but the topic is still relevant to", "the topic is still relevant to the scene? How long would that be?", "topic is still relevant to the scene? How long would that be? Currently", "scene in a chapter be? And what about when characters move setting but", "but the topic is still relevant to the scene? How long would that", "the scene? How long would that be? Currently my scenes in chapters are", "long should a solid scene in a chapter be? And what about when", "Currently my scenes in chapters are only about 2 pages long and it", "chapter be? And what about when characters move setting but the topic is", "2 pages long and it still feels way too short. Is there a", "only about 2 pages long and it still feels way too short. Is", "are only about 2 pages long and it still feels way too short.", "be? Currently my scenes in chapters are only about 2 pages long and", "a solid scene in a chapter be? And what about when characters move", "solid scene in a chapter be? And what about when characters move setting" ]
[ "that -chan would be normal size which is when Nanoha's flown into Sute.", "Sute's neck unable to keep the excitement in seeing her girlfriend in any", "(in this case is her petname Feito-chan) the first part of the line", "it was animated) the viewer would be hearing Nanoha's voice in the distance", "and barley legible but the font size will increase to the point that", "but the font size will increase to the point that -chan would be", "to Sute as she flys in. how can i achive this without using", "distance but only seeing Sute until Nanoha flys past the screen taking Sute", "is flying towards Sute. if i was using different font sizes when when", "position. Since i am typing this up in Notepad++ i'm trying to avoid", "flys past the screen taking Sute with her and -chan would be brief", "to avoid using any fonts but i also want to keep the illusion", "her petname Feito-chan) the first part of the line would be very small", "to a moving star in the sky. it's light got bigger and appeared", "the first part of the line would be very small and barley legible", "the point that -chan would be normal size which is when Nanoha's flown", "i'm trying to avoid using any fonts but i also want to keep", "> > what's happening is that Nanoha is flying towards Sute. if i", "because Nanoha would only be on screen for a mere moment before the", "new position. Since i am typing this up in Notepad++ i'm trying to", "was animated) the viewer would be hearing Nanoha's voice in the distance but", "her and -chan would be brief because Nanoha would only be on screen", "using any fonts but i also want to keep the illusion that Nanoha", "Nanoha would only be on screen for a mere moment before the view", "is her petname Feito-chan) the first part of the line would be very", "and appeared to be falling to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\"", "any fonts but i also want to keep the illusion that Nanoha is", "illusion that Nanoha is off at a distance calling out to Sute as", "grew something drew her attention to a moving star in the sky. it's", "drew her attention to a moving star in the sky. it's light got", "-chan would be brief because Nanoha would only be on screen for a", "Sute as she flys in. how can i achive this without using different", "of the line would be very small and barley legible but the font", "and grew something drew her attention to a moving star in the sky.", "the excitement in seeing her girlfriend in any longer. > > > what's", "be falling to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > >", "she is calling out Sute's name (in this case is her petname Feito-chan)", "As Sute's worry grew and grew something drew her attention to a moving", "> > > Nanoha flew right into Sute swinging around with her arms", "> > As Sute's worry grew and grew something drew her attention to", "longer. > > > what's happening is that Nanoha is flying towards Sute.", "point that -chan would be normal size which is when Nanoha's flown into", "typing this up in Notepad++ i'm trying to avoid using any fonts but", "different font sizes when when she is calling out Sute's name (in this", "Nanoha is off at a distance calling out to Sute as she flys", "be normal size which is when Nanoha's flown into Sute. Visually (as in", "which is when Nanoha's flown into Sute. Visually (as in if it was", "mere moment before the view will have to change to Nanoha's and Sute's", "line would be very small and barley legible but the font size will", "the sky. it's light got bigger and appeared to be falling to her", "> > > > > Nanoha flew right into Sute swinging around with", "Feito-chan) the first part of the line would be very small and barley", "be hearing Nanoha's voice in the distance but only seeing Sute until Nanoha", "out to Sute as she flys in. how can i achive this without", "her arms around Sute's neck unable to keep the excitement in seeing her", "would be very small and barley legible but the font size will increase", "size will increase to the point that -chan would be normal size which", "falling to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > >", "when she is calling out Sute's name (in this case is her petname", "increase to the point that -chan would be normal size which is when", "Since i am typing this up in Notepad++ i'm trying to avoid using", "if i was using different font sizes when when she is calling out", "font size will increase to the point that -chan would be normal size", "change to Nanoha's and Sute's new position. Since i am typing this up", "trying to avoid using any fonts but i also want to keep the", "view will have to change to Nanoha's and Sute's new position. Since i", "only seeing Sute until Nanoha flys past the screen taking Sute with her", "but i also want to keep the illusion that Nanoha is off at", "Visually (as in if it was animated) the viewer would be hearing Nanoha's", "normal size which is when Nanoha's flown into Sute. Visually (as in if", "a moving star in the sky. it's light got bigger and appeared to", "size which is when Nanoha's flown into Sute. Visually (as in if it", "will have to change to Nanoha's and Sute's new position. Since i am", "when Nanoha's flown into Sute. Visually (as in if it was animated) the", "before the view will have to change to Nanoha's and Sute's new position.", "is off at a distance calling out to Sute as she flys in.", "grew and grew something drew her attention to a moving star in the", "first part of the line would be very small and barley legible but", "viewer would be hearing Nanoha's voice in the distance but only seeing Sute", "(as in if it was animated) the viewer would be hearing Nanoha's voice", "at a distance calling out to Sute as she flys in. how can", "star in the sky. it's light got bigger and appeared to be falling", "Nanoha flys past the screen taking Sute with her and -chan would be", "arms around Sute's neck unable to keep the excitement in seeing her girlfriend", "for a mere moment before the view will have to change to Nanoha's", "barley legible but the font size will increase to the point that -chan", "happening is that Nanoha is flying towards Sute. if i was using different", "small and barley legible but the font size will increase to the point", "flying towards Sute. if i was using different font sizes when when she", "screen for a mere moment before the view will have to change to", "> what's happening is that Nanoha is flying towards Sute. if i was", "-chan would be normal size which is when Nanoha's flown into Sute. Visually", "the illusion that Nanoha is off at a distance calling out to Sute", "> > > what's happening is that Nanoha is flying towards Sute. if", "have to change to Nanoha's and Sute's new position. Since i am typing", "avoid using any fonts but i also want to keep the illusion that", "bigger and appeared to be falling to her > > > > >", "font sizes when when she is calling out Sute's name (in this case", "hearing Nanoha's voice in the distance but only seeing Sute until Nanoha flys", "in if it was animated) the viewer would be hearing Nanoha's voice in", "Sute's new position. Since i am typing this up in Notepad++ i'm trying", "part of the line would be very small and barley legible but the", "the viewer would be hearing Nanoha's voice in the distance but only seeing", "in any longer. > > > what's happening is that Nanoha is flying", "i am typing this up in Notepad++ i'm trying to avoid using any", "to keep the excitement in seeing her girlfriend in any longer. > >", "be very small and barley legible but the font size will increase to", "past the screen taking Sute with her and -chan would be brief because", "worry grew and grew something drew her attention to a moving star in", "the view will have to change to Nanoha's and Sute's new position. Since", "off at a distance calling out to Sute as she flys in. how", "Nanoha's and Sute's new position. Since i am typing this up in Notepad++", "but only seeing Sute until Nanoha flys past the screen taking Sute with", "her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha", "that Nanoha is off at a distance calling out to Sute as she", "i was using different font sizes when when she is calling out Sute's", "with her arms around Sute's neck unable to keep the excitement in seeing", "Sute's worry grew and grew something drew her attention to a moving star", "only be on screen for a mere moment before the view will have", "be on screen for a mere moment before the view will have to", "petname Feito-chan) the first part of the line would be very small and", "Sute. Visually (as in if it was animated) the viewer would be hearing", "when when she is calling out Sute's name (in this case is her", "the distance but only seeing Sute until Nanoha flys past the screen taking", "screen taking Sute with her and -chan would be brief because Nanoha would", "attention to a moving star in the sky. it's light got bigger and", "want to keep the illusion that Nanoha is off at a distance calling", "would be brief because Nanoha would only be on screen for a mere", "a distance calling out to Sute as she flys in. how can i", "distance calling out to Sute as she flys in. how can i achive", "sky. it's light got bigger and appeared to be falling to her >", "and -chan would be brief because Nanoha would only be on screen for", "calling out to Sute as she flys in. how can i achive this", "until Nanoha flys past the screen taking Sute with her and -chan would", "to keep the illusion that Nanoha is off at a distance calling out", "around with her arms around Sute's neck unable to keep the excitement in", "moment before the view will have to change to Nanoha's and Sute's new", "So i have this > > As Sute's worry grew and grew something", "> > Nanoha flew right into Sute swinging around with her arms around", "> Nanoha flew right into Sute swinging around with her arms around Sute's", "> > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew right into", "Nanoha is flying towards Sute. if i was using different font sizes when", "the screen taking Sute with her and -chan would be brief because Nanoha", "would be hearing Nanoha's voice in the distance but only seeing Sute until", "Sute until Nanoha flys past the screen taking Sute with her and -chan", "to be falling to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > >", "> > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew right", "name (in this case is her petname Feito-chan) the first part of the", "to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > >", "to the point that -chan would be normal size which is when Nanoha's", "with her and -chan would be brief because Nanoha would only be on", "right into Sute swinging around with her arms around Sute's neck unable to", "was using different font sizes when when she is calling out Sute's name", "calling out Sute's name (in this case is her petname Feito-chan) the first", "what's happening is that Nanoha is flying towards Sute. if i was using", "fonts but i also want to keep the illusion that Nanoha is off", "this up in Notepad++ i'm trying to avoid using any fonts but i", "it's light got bigger and appeared to be falling to her > >", "i have this > > As Sute's worry grew and grew something drew", "flown into Sute. Visually (as in if it was animated) the viewer would", "brief because Nanoha would only be on screen for a mere moment before", "is that Nanoha is flying towards Sute. if i was using different font", "the line would be very small and barley legible but the font size", "am typing this up in Notepad++ i'm trying to avoid using any fonts", "> > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew", "voice in the distance but only seeing Sute until Nanoha flys past the", "very small and barley legible but the font size will increase to the", "animated) the viewer would be hearing Nanoha's voice in the distance but only", "\"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew right into Sute swinging around", "to Nanoha's and Sute's new position. Since i am typing this up in", "something drew her attention to a moving star in the sky. it's light", "Sute's name (in this case is her petname Feito-chan) the first part of", "she flys in. how can i achive this without using different font sizes?", "in the distance but only seeing Sute until Nanoha flys past the screen", "sizes when when she is calling out Sute's name (in this case is", "her attention to a moving star in the sky. it's light got bigger", "Sute. if i was using different font sizes when when she is calling", "Nanoha's flown into Sute. Visually (as in if it was animated) the viewer", "as she flys in. how can i achive this without using different font", "towards Sute. if i was using different font sizes when when she is", "would be normal size which is when Nanoha's flown into Sute. Visually (as", "into Sute. Visually (as in if it was animated) the viewer would be", "Sute with her and -chan would be brief because Nanoha would only be", "a mere moment before the view will have to change to Nanoha's and", "into Sute swinging around with her arms around Sute's neck unable to keep", "in seeing her girlfriend in any longer. > > > what's happening is", "> As Sute's worry grew and grew something drew her attention to a", "will increase to the point that -chan would be normal size which is", "swinging around with her arms around Sute's neck unable to keep the excitement", "excitement in seeing her girlfriend in any longer. > > > what's happening", "would only be on screen for a mere moment before the view will", "seeing her girlfriend in any longer. > > > what's happening is that", "Sute swinging around with her arms around Sute's neck unable to keep the", "> > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew right into Sute", "Notepad++ i'm trying to avoid using any fonts but i also want to", "legible but the font size will increase to the point that -chan would", "Nanoha flew right into Sute swinging around with her arms around Sute's neck", "i also want to keep the illusion that Nanoha is off at a", "flew right into Sute swinging around with her arms around Sute's neck unable", "neck unable to keep the excitement in seeing her girlfriend in any longer.", "unable to keep the excitement in seeing her girlfriend in any longer. >", "appeared to be falling to her > > > > > \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" >", "seeing Sute until Nanoha flys past the screen taking Sute with her and", "on screen for a mere moment before the view will have to change", "if it was animated) the viewer would be hearing Nanoha's voice in the", "in Notepad++ i'm trying to avoid using any fonts but i also want", "got bigger and appeared to be falling to her > > > >", "is calling out Sute's name (in this case is her petname Feito-chan) the", "her girlfriend in any longer. > > > what's happening is that Nanoha", "have this > > As Sute's worry grew and grew something drew her", "this > > As Sute's worry grew and grew something drew her attention", "out Sute's name (in this case is her petname Feito-chan) the first part", "to change to Nanoha's and Sute's new position. Since i am typing this", "in the sky. it's light got bigger and appeared to be falling to", "light got bigger and appeared to be falling to her > > >", "any longer. > > > what's happening is that Nanoha is flying towards", "that Nanoha is flying towards Sute. if i was using different font sizes", "keep the illusion that Nanoha is off at a distance calling out to", "around Sute's neck unable to keep the excitement in seeing her girlfriend in", "this case is her petname Feito-chan) the first part of the line would", "the font size will increase to the point that -chan would be normal", "using different font sizes when when she is calling out Sute's name (in", "Nanoha's voice in the distance but only seeing Sute until Nanoha flys past", "be brief because Nanoha would only be on screen for a mere moment", "keep the excitement in seeing her girlfriend in any longer. > > >", "up in Notepad++ i'm trying to avoid using any fonts but i also", "case is her petname Feito-chan) the first part of the line would be", "> \"Feeeeeeeeiiiiiiiiitoooooooooooooo-chan\" > > > > > Nanoha flew right into Sute swinging", "> > > > Nanoha flew right into Sute swinging around with her", "taking Sute with her and -chan would be brief because Nanoha would only", "moving star in the sky. it's light got bigger and appeared to be", "also want to keep the illusion that Nanoha is off at a distance", "and Sute's new position. Since i am typing this up in Notepad++ i'm", "girlfriend in any longer. > > > what's happening is that Nanoha is", "is when Nanoha's flown into Sute. Visually (as in if it was animated)" ]
[ "non-fiction text that describes a fictional setting. I came up with a fiction", "the middle? I'm writing it all in Spanish (my native language), but so", "ways. One part to go in the beginning (as a prologue); One part", "to find a proper or even vaguely accurate term, regardless of language. Any", "beginning (as a prologue); One part to go in the middle; And one", "it up in three ways. One part to go in the beginning (as", "that setting, to include as further illustration. I decided it would work best", "one part to go in the end (as an epilogue.) But, what should", "to go in the end (as an epilogue.) But, what should I call", "it would work best if I split it up in three ways. One", "One part to go in the beginning (as a prologue); One part to", "split it up in three ways. One part to go in the beginning", "I call the part that goes in the middle? I'm writing it all", "it all in Spanish (my native language), but so far I've been unable", "middle; And one part to go in the end (as an epilogue.) But,", "piece for that setting, to include as further illustration. I decided it would", "a fiction piece for that setting, to include as further illustration. I decided", "unable to find a proper or even vaguely accurate term, regardless of language.", "epilogue.) But, what should I call the part that goes in the middle?", "work best if I split it up in three ways. One part to", "up in three ways. One part to go in the beginning (as a", "even vaguely accurate term, regardless of language. Any help in either English or", "part that goes in the middle? I'm writing it all in Spanish (my", "go in the end (as an epilogue.) But, what should I call the", "fiction piece for that setting, to include as further illustration. I decided it", "up with a fiction piece for that setting, to include as further illustration.", "in the middle; And one part to go in the end (as an", "part to go in the end (as an epilogue.) But, what should I", "been unable to find a proper or even vaguely accurate term, regardless of", "illustration. I decided it would work best if I split it up in", "the beginning (as a prologue); One part to go in the middle; And", "with a fiction piece for that setting, to include as further illustration. I", "in the beginning (as a prologue); One part to go in the middle;", "vaguely accurate term, regardless of language. Any help in either English or Spanish", "the part that goes in the middle? I'm writing it all in Spanish", "native language), but so far I've been unable to find a proper or", "middle? I'm writing it all in Spanish (my native language), but so far", "the end (as an epilogue.) But, what should I call the part that", "to go in the beginning (as a prologue); One part to go in", "an epilogue.) But, what should I call the part that goes in the", "far I've been unable to find a proper or even vaguely accurate term,", "describes a fictional setting. I came up with a fiction piece for that", "But, what should I call the part that goes in the middle? I'm", "setting, to include as further illustration. I decided it would work best if", "to include as further illustration. I decided it would work best if I", "include as further illustration. I decided it would work best if I split", "as further illustration. I decided it would work best if I split it", "I split it up in three ways. One part to go in the", "in three ways. One part to go in the beginning (as a prologue);", "to go in the middle; And one part to go in the end", "decided it would work best if I split it up in three ways.", "I'm writing it all in Spanish (my native language), but so far I've", "the middle; And one part to go in the end (as an epilogue.)", "should I call the part that goes in the middle? I'm writing it", "best if I split it up in three ways. One part to go", "a fictional setting. I came up with a fiction piece for that setting,", "(my native language), but so far I've been unable to find a proper", "that describes a fictional setting. I came up with a fiction piece for", "prologue); One part to go in the middle; And one part to go", "long non-fiction text that describes a fictional setting. I came up with a", "in the end (as an epilogue.) But, what should I call the part", "find a proper or even vaguely accurate term, regardless of language. Any help", "three ways. One part to go in the beginning (as a prologue); One", "proper or even vaguely accurate term, regardless of language. Any help in either", "term, regardless of language. Any help in either English or Spanish would be", "what should I call the part that goes in the middle? I'm writing", "regardless of language. Any help in either English or Spanish would be appreciated.", "go in the beginning (as a prologue); One part to go in the", "I've been unable to find a proper or even vaguely accurate term, regardless", "(as a prologue); One part to go in the middle; And one part", "(as an epilogue.) But, what should I call the part that goes in", "setting. I came up with a fiction piece for that setting, to include", "if I split it up in three ways. One part to go in", "a prologue); One part to go in the middle; And one part to", "I'm writing a long non-fiction text that describes a fictional setting. I came", "goes in the middle? I'm writing it all in Spanish (my native language),", "text that describes a fictional setting. I came up with a fiction piece", "came up with a fiction piece for that setting, to include as further", "And one part to go in the end (as an epilogue.) But, what", "but so far I've been unable to find a proper or even vaguely", "part to go in the middle; And one part to go in the", "that goes in the middle? I'm writing it all in Spanish (my native", "go in the middle; And one part to go in the end (as", "accurate term, regardless of language. Any help in either English or Spanish would", "part to go in the beginning (as a prologue); One part to go", "in the middle? I'm writing it all in Spanish (my native language), but", "call the part that goes in the middle? I'm writing it all in", "for that setting, to include as further illustration. I decided it would work", "writing a long non-fiction text that describes a fictional setting. I came up", "a proper or even vaguely accurate term, regardless of language. Any help in", "language), but so far I've been unable to find a proper or even", "I decided it would work best if I split it up in three", "or even vaguely accurate term, regardless of language. Any help in either English", "Spanish (my native language), but so far I've been unable to find a", "so far I've been unable to find a proper or even vaguely accurate", "I came up with a fiction piece for that setting, to include as", "further illustration. I decided it would work best if I split it up", "would work best if I split it up in three ways. One part", "writing it all in Spanish (my native language), but so far I've been", "fictional setting. I came up with a fiction piece for that setting, to", "One part to go in the middle; And one part to go in", "all in Spanish (my native language), but so far I've been unable to", "end (as an epilogue.) But, what should I call the part that goes", "in Spanish (my native language), but so far I've been unable to find", "a long non-fiction text that describes a fictional setting. I came up with" ]
[ "omit uncessary words which make the essay wordy and longer than they should", "essays of > mine, just to make sure I had really appropriate content,", "with careful analysis, patience, and my > will to succeed, I started to", "I was always > (really) (unhappy and) miserable. Due to my complete lack", "miserable. Due to my complete lack of > confidence as well as my", "> university. When I entered the class offered by College Writing, > everything", "that I had to work almost twice as hard as any other student", "my writing skills increased throughout the semester. > > > In the beginning", "any other student > in this world. This included spending hours and hours", "content, organization, and grammar. > Since English was not my first language, I", "I had to do a writing assignment, I was always > (really) (unhappy", "This included spending hours and hours > looking at a blank page and", "really appropriate content, > organization, and grammar. Since English was not my first", "to do a writing assignment, I was always > (really) (unhappy and) miserable.", "I > believed that I had to work almost twice as hard as", "in this world. This included spending hours and hours > looking at a", "appropriate content, organization, and grammar. > Since English was not my first language,", "is the passage in which I omit words I think I don't need.", "well at the > university. When I entered the class offered by College", "ideas of mine on > paper, (I believed that )I had to work", "was always > (really) (unhappy and) miserable. Due to my complete lack of", "> would submit it to my instructor. > > > --- The following", "> organization, and grammar. Since English was not my first language, I >", "writing assignment, I was always > really unhappy and miserable. Due to my", "submit it to my instructor. > > > --- The following is the", "everything changed in a positive way due to the fact that my writing", "> Every (single) time I had to do a writing assignment, I was", "paper, I > believed that I had to work almost twice as hard", "confidence as > well as my total inability to express ideas of mine", "would > not do so very well at the university. When I entered", "words I think I don't need. > > Every (single) time I had", "had really appropriate content, > organization, and grammar. Since English was not my", "truly good, and > would submit it to my instructor. > > >", "a lot of trouble with my first > couple of essays; however, with", "In the beginning of the semester, I had a lot of trouble with", "which make the essay wordy and longer than they should be.. The following", "could relate any topic of any essay with my > personal experience, I", "and hours > looking at a blank page and spending more hours editing", "mine, just to make sure I had really appropriate content, > organization, and", "total inability to express ideas of mine on paper, I > believed that", "essays were truly good, and > would submit it to my instructor. >", "on > paper, (I believed that )I had to work almost twice as", "Writing, > everything changed in a positive way due to the fact that", "essay with my > personal experience, I believed that these essays were truly", "> personal experience, I believed that these essays were truly good, and >", "as hard as any other student > in this world. This included spending", "to omit uncessary words which make the essay wordy and longer than they", "was always > really unhappy and miserable. Due to my complete lack of", "was not my first language, I was concerned that I would > not", "think I don't need. > > Every (single) time I had to do", "mine on paper, I > believed that I had to work almost twice", "spending more hours editing essays of > mine, just to make sure I", "appropriate content, > organization, and grammar. Since English was not my first language,", "to my instructor. > > > --- What can I do more so", "quite proud of. > I learned that if I could relate any topic", "blank page and spending more hours editing essays of > mine, just to", "blank page and spending more hours editing essays of mine, just to >", "not do so very well at the university. When I entered the class", "experience, (I believed that) these essays were truly > good, and would submit", "hours and hours looking at a > blank page and spending more hours", "it to my instructor. > > > --- What can I do more", "that )I had to work almost twice as hard as any > other", "that my writing skills increased throughout the semester. > > > In the", "don't need. > > Every (single) time I had to do a writing", "my complete lack of confidence as > well as my total inability to", "semester. > > > In the beginning of the semester, I had a", "following is the original passage. > > Every single time I had to", "a positive way due to the fact that my writing > skills increased", "truly > good, and would submit it to my instructor. > > >", "hard as any other student > in this world. This included spending hours", "my > personal experience, (I believed that) these essays were truly > good,", "will to succeed, I started to write essays that I was quite proud", "the beginning of the semester, I had a lot of trouble with my", "changed in a positive way due to the fact that my writing >", "almost twice as hard as any > other student in this world. This", "positive way due > to the fact that my writing skills increased throughout", "writing course material.I need to omit uncessary words which make the essay wordy", "it to my instructor. > > > --- The following is the passage", "to express ideas of mine on > paper, (I believed that )I had", "hard as any > other student in this world. This included spending hours", "the original passage. > > Every single time I had to do a", "not my first language, I was concerned that I would > not do", "essays of mine, just to > make sure I had really appropriate content,", "just to > make sure I had really appropriate content, organization, and grammar.", "Since English was not my first language, I was concerned that I would", "> offered by College Writing, everything changed in a positive way due >", "had to do a writing assignment, I was always > (really) (unhappy and)", "first language, I was concerned that I would > not do so very", "not my first language, I > was concerned that I would not do", "my > personal experience, I believed that these essays were truly good, and", "at the > university. When I entered the class offered by College Writing,", "of > confidence as well as my total inability to express ideas of", "of any essay with my > personal experience, (I believed that) these essays", "to work almost twice as hard as any > other student in this", "they should be.. The following is the original passage. > > Every single", "I had a lot of trouble with my first > couple of essays;", "express ideas of mine on paper, I > believed that I had to", "offered by College Writing, everything changed in a positive way due > to", "believed that) these essays were truly > good, and would submit it to", "I omit words I think I don't need. > > Every (single) time", "any essay with my > personal experience, I believed that these essays were", "to the fact that my writing > skills increased throughout the semester. >", "and my > will to succeed, I started to write essays that I", "my instructor. > > > --- The following is the passage in which", "editing essays of mine, just to > make sure I had really appropriate", "really appropriate content, organization, and grammar. > Since English was not my first", "> will to succeed, I started to write essays that I was quite", "> skills increased throughout the semester. > > > In the beginning of", "> > Every single time I had to do a writing assignment, I", "inability to express ideas of mine on > paper, (I believed that )I", "time I had to do a writing assignment, I was always > (really)", "> > --- The following is the passage in which I omit words", "words which make the essay wordy and longer than they should be.. The", "page and spending more hours editing essays of > mine, just to make", "good, and > would submit it to my instructor. > > > ---", "> everything changed in a positive way due to the fact that my", "I excerpted from a writing course material.I need to omit uncessary words which", "I learned that if I could relate any topic of any essay with", "personal experience, I believed that these essays were truly good, and > would", "could relate any topic of any essay with my > personal experience, (I", "on paper, I > believed that I had to work almost twice as", "beginning of the semester, I had a lot of trouble with my first", "the university. When I entered the class > offered by College Writing, everything", "that I was quite proud of. > I learned that if I could", "do (so very) well at the > university. When I entered the class", "(so very) well at the > university. When I entered the class offered", "I had really appropriate content, organization, and grammar. > Since English was not", "university. When I entered the class offered by College Writing, > everything changed", "Every single time I had to do a writing assignment, I was always", "as any other student > in this world. This included spending hours and", "> > > --- The following is the passage in which I omit", "material.I need to omit uncessary words which make the essay wordy and longer", "--- The following is the passage in which I omit words I think", "that these essays were truly good, and > would submit it to my", "(I believed that) these essays were truly > good, and would submit it", "instructor. > > > --- What can I do more so as to", "> confidence as well as my total inability to express ideas of mine", "my first language, I > was concerned that I would not do (so", "due to the fact that my writing > skills increased throughout the semester.", "of the semester, I had a lot of trouble with my first >", "following is the passage in which I omit words I think I don't", "I > was concerned that I would not do (so very) well at", "and miserable. Due to my complete lack of confidence as > well as", "however, with careful analysis, patience, and my > will to succeed, I started", "topic of any essay with my > personal experience, I believed that these", "> > > In the beginning of the semester, I had a lot", "confidence as well as my total inability to express ideas of mine on", "other student > in this world. This included spending hours and hours looking", "and grammar. > Since English was not my first language, I was concerned", "if I could relate any topic of any essay with my > personal", "> > Every (single) time I had to do a writing assignment, I", "need. > > Every (single) time I had to do a writing assignment,", "was not my first language, I > was concerned that I would not", "College Writing, everything changed in a positive way due > to the fact", "complete lack of confidence as > well as my total inability to express", "world. This included spending hours and hours looking at a > blank page", "class > offered by College Writing, everything changed in a positive way due", "of confidence as > well as my total inability to express ideas of", "that my writing > skills increased throughout the semester. > > > In", "spending hours and hours > looking at a blank page and spending more", "paper, (I believed that )I had to work almost twice as hard as", "instructor. > > > --- The following is the passage in which I", "the passage in which I omit words I think I don't need. >", "express ideas of mine on > paper, (I believed that )I had to", "university. When I entered the class > offered by College Writing, everything changed", "of > mine, just to make sure I had really appropriate content, >", "of mine on paper, I > believed that I had to work almost", "College Writing, > everything changed in a positive way due to the fact", "the class offered by College Writing, > everything changed in a positive way", "> to the fact that my writing skills increased throughout the semester. >", "as my total inability to express ideas of mine on > paper, (I", "make the essay wordy and longer than they should be.. The following is", "assignment, I was always > really unhappy and miserable. Due to my complete", "(really) (unhappy and) miserable. Due to my complete lack of > confidence as", "were truly > good, and would submit it to my instructor. > >", "mine, just to > make sure I had really appropriate content, organization, and", "with my > personal experience, (I believed that) these essays were truly >", "passage in which I omit words I think I don't need. > >", "original passage. > > Every single time I had to do a writing", "had to work almost twice as hard as any > other student in", "the semester. > > > In the beginning of the semester, I had", "I had really appropriate content, > organization, and grammar. Since English was not", "> --- The following is the passage in which I omit words I", "to do a writing assignment, I was always > really unhappy and miserable.", "do so very well at the university. When I entered the class >", "(I believed that )I had to work almost twice as hard as any", "> Since English was not my first language, I was concerned that I", "When I entered the class offered by College Writing, > everything changed in", "work almost twice as hard as any other student > in this world.", "any essay with my > personal experience, (I believed that) these essays were", "my first language, I was concerned that I would > not do so", "by College Writing, > everything changed in a positive way due to the", "would submit it to my instructor. > > > --- What can I", "Due to my complete lack of confidence as > well as my total", "in a positive way due > to the fact that my writing skills", "I would not do (so very) well at the > university. When I", "a > blank page and spending more hours editing essays of mine, just", "omit words I think I don't need. > > Every (single) time I", "> > > --- What can I do more so as to make", "of mine on > paper, (I believed that )I had to work almost", "> I learned that if I could relate any topic of any essay", "class offered by College Writing, > everything changed in a positive way due", "sure I had really appropriate content, > organization, and grammar. Since English was", "twice as hard as any other student > in this world. This included", "This is an essay I excerpted from a writing course material.I need to", "passage. > > Every single time I had to do a writing assignment,", "> other student in this world. This included spending hours and hours >", "of any essay with my > personal experience, I believed that these essays", "increased throughout the semester. > > > In the beginning of the semester,", "as well as my total inability to express ideas of mine on >", "essays; however, with careful analysis, patience, and my > will to succeed, I", "> > In the beginning of the semester, I had a lot of", "of essays; however, with careful analysis, patience, and my > will to succeed,", "learned that if I could relate any topic of any essay with my", "as > well as my total inability to express ideas of mine on", "entered the class > offered by College Writing, everything changed in a positive", "> In the beginning of the semester, I had a lot of trouble", "experience, I believed that these essays were truly good, and > would submit", "my total inability to express ideas of mine on paper, I > believed", "very well at the university. When I entered the class > offered by", "write essays that I was quite proud of. > I learned that if", "> > --- What can I do more so as to make it", "to > make sure I had really appropriate content, organization, and grammar. >", "English was not my first language, I was concerned that I would >", "The following is the original passage. > > Every single time I had", "> paper, (I believed that )I had to work almost twice as hard", "well at the university. When I entered the class > offered by College", "(single) time I had to do a writing assignment, I was always >", "succeed, I started to write essays that I was quite proud of. >", "than they should be.. The following is the original passage. > > Every", "always > really unhappy and miserable. Due to my complete lack of confidence", "believed that )I had to work almost twice as hard as any >", "trouble with my first > couple of essays; however, with careful analysis, patience,", "make sure I had really appropriate content, organization, and grammar. > Since English", "writing assignment, I was always > (really) (unhappy and) miserable. Due to my", "to my complete lack of confidence as > well as my total inability", "page and spending more hours editing essays of mine, just to > make", "lot of trouble with my first > couple of essays; however, with careful", "my first > couple of essays; however, with careful analysis, patience, and my", "a blank page and spending more hours editing essays of > mine, just", "I was quite proud of. > I learned that if I could relate", "to work almost twice as hard as any other student > in this", "from a writing course material.I need to omit uncessary words which make the", "with my > personal experience, I believed that these essays were truly good,", "> personal experience, (I believed that) these essays were truly > good, and", "the essay wordy and longer than they should be.. The following is the", "couple of essays; however, with careful analysis, patience, and my > will to", "I think I don't need. > > Every (single) time I had to", "I entered the class > offered by College Writing, everything changed in a", "I had to work almost twice as hard as any other student >", "offered by College Writing, > everything changed in a positive way due to", "believed that I had to work almost twice as hard as any other", "relate any topic of any essay with my > personal experience, I believed", "> really unhappy and miserable. Due to my complete lack of confidence as", "semester, I had a lot of trouble with my first > couple of", "hours editing essays of mine, just to > make sure I had really", "to express ideas of mine on paper, I > believed that I had", "a positive way due > to the fact that my writing skills increased", "topic of any essay with my > personal experience, (I believed that) these", "Every (single) time I had to do a writing assignment, I was always", "positive way due to the fact that my writing > skills increased throughout", "analysis, patience, and my > will to succeed, I started to write essays", "I had to do a writing assignment, I was always > really unhappy", "do a writing assignment, I was always > (really) (unhappy and) miserable. Due", "I would > not do so very well at the university. When I", "to my instructor. > > > --- The following is the passage in", "to write essays that I was quite proud of. > I learned that", "> Every single time I had to do a writing assignment, I was", "The following is the passage in which I omit words I think I", "in this world. This included spending hours and hours looking at a >", "due > to the fact that my writing skills increased throughout the semester.", "wordy and longer than they should be.. The following is the original passage.", "and > would submit it to my instructor. > > > --- The", "in a positive way due to the fact that my writing > skills", "language, I > was concerned that I would not do (so very) well", "first language, I > was concerned that I would not do (so very)", "do a writing assignment, I was always > really unhappy and miserable. Due", "writing > skills increased throughout the semester. > > > In the beginning", "editing essays of > mine, just to make sure I had really appropriate", "hours and hours > looking at a blank page and spending more hours", "fact that my writing skills increased throughout the semester. > > > In", "essay I excerpted from a writing course material.I need to omit uncessary words", "essay with my > personal experience, (I believed that) these essays were truly", "and spending more hours editing essays of > mine, just to make sure", "more hours editing essays of mine, just to > make sure I had", "> (really) (unhappy and) miserable. Due to my complete lack of > confidence", "(unhappy and) miserable. Due to my complete lack of > confidence as well", "any > other student in this world. This included spending hours and hours", "This included spending hours and hours looking at a > blank page and", "the class > offered by College Writing, everything changed in a positive way", "submit it to my instructor. > > > --- What can I do", "> in this world. This included spending hours and hours looking at a", "and) miserable. Due to my complete lack of > confidence as well as", "skills increased throughout the semester. > > > In the beginning of the", "English was not my first language, I > was concerned that I would", "that if I could relate any topic of any essay with my >", "ideas of mine on paper, I > believed that I had to work", "of trouble with my first > couple of essays; however, with careful analysis,", "by College Writing, everything changed in a positive way due > to the", "would not do (so very) well at the > university. When I entered", "> well as my total inability to express ideas of mine on paper,", "personal experience, (I believed that) these essays were truly > good, and would", "had to do a writing assignment, I was always > really unhappy and", "relate any topic of any essay with my > personal experience, (I believed", "to the fact that my writing skills increased throughout the semester. > >", "student in this world. This included spending hours and hours > looking at", "I started to write essays that I was quite proud of. > I", "the semester, I had a lot of trouble with my first > couple", "> looking at a blank page and spending more hours editing essays of", "this world. This included spending hours and hours > looking at a blank", "> was concerned that I would not do (so very) well at the", "my > will to succeed, I started to write essays that I was", "lack of > confidence as well as my total inability to express ideas", "more hours editing essays of > mine, just to make sure I had", "as my total inability to express ideas of mine on paper, I >", "really unhappy and miserable. Due to my complete lack of confidence as >", "spending more hours editing essays of mine, just to > make sure I", "Since English was not my first language, I > was concerned that I", "organization, and grammar. > Since English was not my first language, I was", "changed in a positive way due > to the fact that my writing", "to make sure I had really appropriate content, > organization, and grammar. Since", "the > university. When I entered the class offered by College Writing, >", "twice as hard as any > other student in this world. This included", "should be.. The following is the original passage. > > Every single time", "everything changed in a positive way due > to the fact that my", "as any > other student in this world. This included spending hours and", "that) these essays were truly > good, and would submit it to my", "careful analysis, patience, and my > will to succeed, I started to write", "sure I had really appropriate content, organization, and grammar. > Since English was", "spending hours and hours looking at a > blank page and spending more", "I believed that these essays were truly good, and > would submit it", "these essays were truly good, and > would submit it to my instructor.", "throughout the semester. > > > In the beginning of the semester, I", "concerned that I would > not do so very well at the university.", "and would submit it to my instructor. > > > --- What can", "concerned that I would not do (so very) well at the > university.", "excerpted from a writing course material.I need to omit uncessary words which make", ")I had to work almost twice as hard as any > other student", "way due > to the fact that my writing skills increased throughout the", "included spending hours and hours > looking at a blank page and spending", "the fact that my writing skills increased throughout the semester. > > >", "I was concerned that I would > not do so very well at", "so very well at the university. When I entered the class > offered", "complete lack of > confidence as well as my total inability to express", "writing skills increased throughout the semester. > > > In the beginning of", "looking at a > blank page and spending more hours editing essays of", "unhappy and miserable. Due to my complete lack of confidence as > well", "uncessary words which make the essay wordy and longer than they should be..", "to my complete lack of > confidence as well as my total inability", "in which I omit words I think I don't need. > > Every", "and spending more hours editing essays of mine, just to > make sure", "> couple of essays; however, with careful analysis, patience, and my > will", "fact that my writing > skills increased throughout the semester. > > >", "> not do so very well at the university. When I entered the", "were truly good, and > would submit it to my instructor. > >", "was quite proud of. > I learned that if I could relate any", "I entered the class offered by College Writing, > everything changed in a", "was concerned that I would > not do so very well at the", "a writing assignment, I was always > (really) (unhappy and) miserable. Due to", "> make sure I had really appropriate content, organization, and grammar. > Since", "> mine, just to make sure I had really appropriate content, > organization,", "> blank page and spending more hours editing essays of mine, just to", "that I would > not do so very well at the university. When", "had a lot of trouble with my first > couple of essays; however,", "well as my total inability to express ideas of mine on paper, I", "world. This included spending hours and hours > looking at a blank page", "course material.I need to omit uncessary words which make the essay wordy and", "grammar. Since English was not my first language, I > was concerned that", "When I entered the class > offered by College Writing, everything changed in", "Due to my complete lack of > confidence as well as my total", "started to write essays that I was quite proud of. > I learned", "assignment, I was always > (really) (unhappy and) miserable. Due to my complete", "as hard as any > other student in this world. This included spending", "way due to the fact that my writing > skills increased throughout the", "total inability to express ideas of mine on > paper, (I believed that", "with my first > couple of essays; however, with careful analysis, patience, and", "my instructor. > > > --- What can I do more so as", "would submit it to my instructor. > > > --- The following is", "time I had to do a writing assignment, I was always > really", "--- What can I do more so as to make it sound succinct", "proud of. > I learned that if I could relate any topic of", "entered the class offered by College Writing, > everything changed in a positive", "need to omit uncessary words which make the essay wordy and longer than", "a writing course material.I need to omit uncessary words which make the essay", "at a > blank page and spending more hours editing essays of mine,", "almost twice as hard as any other student > in this world. This", "my total inability to express ideas of mine on > paper, (I believed", "just to make sure I had really appropriate content, > organization, and grammar.", "was concerned that I would not do (so very) well at the >", "other student in this world. This included spending hours and hours > looking", "and hours looking at a > blank page and spending more hours editing", "always > (really) (unhappy and) miserable. Due to my complete lack of >", "I was always > really unhappy and miserable. Due to my complete lack", "had really appropriate content, organization, and grammar. > Since English was not my", "and longer than they should be.. The following is the original passage. >", "that I would not do (so very) well at the > university. When", "essays that I was quite proud of. > I learned that if I", "believed that these essays were truly good, and > would submit it to", "to succeed, I started to write essays that I was quite proud of.", "grammar. > Since English was not my first language, I was concerned that", "included spending hours and hours looking at a > blank page and spending", "lack of confidence as > well as my total inability to express ideas", "any topic of any essay with my > personal experience, I believed that", "my complete lack of > confidence as well as my total inability to", "very) well at the > university. When I entered the class offered by", "work almost twice as hard as any > other student in this world.", "Writing, everything changed in a positive way due > to the fact that", "at the university. When I entered the class > offered by College Writing,", "> believed that I had to work almost twice as hard as any", "essays were truly > good, and would submit it to my instructor. >", "longer than they should be.. The following is the original passage. > >", "I could relate any topic of any essay with my > personal experience,", "a writing assignment, I was always > really unhappy and miserable. Due to", "at a blank page and spending more hours editing essays of > mine,", "organization, and grammar. Since English was not my first language, I > was", "first > couple of essays; however, with careful analysis, patience, and my >", "good, and would submit it to my instructor. > > > --- What", "miserable. Due to my complete lack of confidence as > well as my", "be.. The following is the original passage. > > Every single time I", "patience, and my > will to succeed, I started to write essays that", "content, > organization, and grammar. Since English was not my first language, I", "these essays were truly > good, and would submit it to my instructor.", "an essay I excerpted from a writing course material.I need to omit uncessary", "inability to express ideas of mine on paper, I > believed that I", "essay wordy and longer than they should be.. The following is the original", "hours looking at a > blank page and spending more hours editing essays", "is an essay I excerpted from a writing course material.I need to omit", "and grammar. Since English was not my first language, I > was concerned", "make sure I had really appropriate content, > organization, and grammar. Since English", "I don't need. > > Every (single) time I had to do a", "language, I was concerned that I would > not do so very well", "of. > I learned that if I could relate any topic of any", "student > in this world. This included spending hours and hours looking at", "hours > looking at a blank page and spending more hours editing essays", "well as my total inability to express ideas of mine on > paper,", "the fact that my writing > skills increased throughout the semester. > >", "my writing > skills increased throughout the semester. > > > In the", "had to work almost twice as hard as any other student > in", "looking at a blank page and spending more hours editing essays of >", "single time I had to do a writing assignment, I was always >", "which I omit words I think I don't need. > > Every (single)", "this world. This included spending hours and hours looking at a > blank", "of mine, just to > make sure I had really appropriate content, organization,", "> --- What can I do more so as to make it sound", "hours editing essays of > mine, just to make sure I had really", "not do (so very) well at the > university. When I entered the", "any topic of any essay with my > personal experience, (I believed that)", "is the original passage. > > Every single time I had to do", "mine on > paper, (I believed that )I had to work almost twice", "> good, and would submit it to my instructor. > > > ---" ]
[ "investigative into characters and what drives them. I think however that this could", "without it becoming overly simplistic. I am writing a story with a world", "not sure that I can do that with my story without it becoming", "problematic for readers because nothing major happens in every single chapter. I feel", "because nothing major happens in every single chapter. I feel like a lot", "move through it without everything becoming to 'easy' for my characters. What do", "a lot of details, so I'm not sure that I can really just", "the story but I am not sure that I can do that with", "I can do that with my story without it becoming overly simplistic. I", "this could be problematic for readers because nothing major happens in every single", "story without it becoming overly simplistic. I am writing a story with a", "writing is - I think - more investigative into characters and what drives", "of writing is - I think - more investigative into characters and what", "details, so I'm not sure that I can really just move through it", "think however that this could be problematic for readers because nothing major happens", "world that has a lot of details, so I'm not sure that I", "simplistic. I am writing a story with a world that has a lot", "that has a lot of details, so I'm not sure that I can", "I'm not sure that I can really just move through it without everything", "right through the story but I am not sure that I can do", "every single chapter. I feel like a lot of writers suggest just moving", "however that this could be problematic for readers because nothing major happens in", "am writing a story with a world that has a lot of details,", "happens in every single chapter. I feel like a lot of writers suggest", "My style of writing is - I think - more investigative into characters", "I am writing a story with a world that has a lot of", "be problematic for readers because nothing major happens in every single chapter. I", "not sure that I can really just move through it without everything becoming", "I think - more investigative into characters and what drives them. I think", "so I'm not sure that I can really just move through it without", "in every single chapter. I feel like a lot of writers suggest just", "like a lot of writers suggest just moving right through the story but", "a lot of writers suggest just moving right through the story but I", "for readers because nothing major happens in every single chapter. I feel like", "do that with my story without it becoming overly simplistic. I am writing", "sure that I can really just move through it without everything becoming to", "- I think - more investigative into characters and what drives them. I", "I can really just move through it without everything becoming to 'easy' for", "readers because nothing major happens in every single chapter. I feel like a", "suggest just moving right through the story but I am not sure that", "it becoming overly simplistic. I am writing a story with a world that", "lot of details, so I'm not sure that I can really just move", "into characters and what drives them. I think however that this could be", "that I can really just move through it without everything becoming to 'easy'", "major happens in every single chapter. I feel like a lot of writers", "overly simplistic. I am writing a story with a world that has a", "drives them. I think however that this could be problematic for readers because", "with my story without it becoming overly simplistic. I am writing a story", "of writers suggest just moving right through the story but I am not", "becoming overly simplistic. I am writing a story with a world that has", "and what drives them. I think however that this could be problematic for", "- more investigative into characters and what drives them. I think however that", "but I am not sure that I can do that with my story", "just move through it without everything becoming to 'easy' for my characters. What", "that with my story without it becoming overly simplistic. I am writing a", "story with a world that has a lot of details, so I'm not", "lot of writers suggest just moving right through the story but I am", "has a lot of details, so I'm not sure that I can really", "what drives them. I think however that this could be problematic for readers", "of details, so I'm not sure that I can really just move through", "a world that has a lot of details, so I'm not sure that", "with a world that has a lot of details, so I'm not sure", "through it without everything becoming to 'easy' for my characters. What do you", "feel like a lot of writers suggest just moving right through the story", "single chapter. I feel like a lot of writers suggest just moving right", "my story without it becoming overly simplistic. I am writing a story with", "writing a story with a world that has a lot of details, so", "just moving right through the story but I am not sure that I", "style of writing is - I think - more investigative into characters and", "I feel like a lot of writers suggest just moving right through the", "characters and what drives them. I think however that this could be problematic", "sure that I can do that with my story without it becoming overly", "I am not sure that I can do that with my story without", "story but I am not sure that I can do that with my", "am not sure that I can do that with my story without it", "nothing major happens in every single chapter. I feel like a lot of", "can really just move through it without everything becoming to 'easy' for my", "think - more investigative into characters and what drives them. I think however", "it without everything becoming to 'easy' for my characters. What do you think?", "that this could be problematic for readers because nothing major happens in every", "a story with a world that has a lot of details, so I'm", "them. I think however that this could be problematic for readers because nothing", "moving right through the story but I am not sure that I can", "that I can do that with my story without it becoming overly simplistic.", "is - I think - more investigative into characters and what drives them.", "more investigative into characters and what drives them. I think however that this", "can do that with my story without it becoming overly simplistic. I am", "I think however that this could be problematic for readers because nothing major", "really just move through it without everything becoming to 'easy' for my characters.", "chapter. I feel like a lot of writers suggest just moving right through", "writers suggest just moving right through the story but I am not sure", "through the story but I am not sure that I can do that", "could be problematic for readers because nothing major happens in every single chapter." ]
[ "possible to write a completely bad ending detective novel? Imagine the Titanic of", "to write a completely bad ending detective novel? Imagine the Titanic of Sherlock", "cliche mixed ending where the killer got caught, but he killed the detective's", "the wrong killer, jailed ,and after the innocent is hanged, the killer kidnapped", "he killed the detective's daughter first. My imagination is the detective pointed the", "where the killer got caught, but he killed the detective's daughter first. My", "killer got caught, but he killed the detective's daughter first. My imagination is", "the detective pointed the wrong killer, jailed ,and after the innocent is hanged,", "caught, right? Is it possible to write a completely bad ending detective novel?", "but he killed the detective's daughter first. My imagination is the detective pointed", "the killer caught, right? Is it possible to write a completely bad ending", "completely bad ending detective novel? Imagine the Titanic of Sherlock Holmes, or is", "right? Is it possible to write a completely bad ending detective novel? Imagine", "killer, jailed ,and after the innocent is hanged, the killer kidnapped the detective", "Holmes, or is it done yet? By Titanic I mean specifically sad. Not", "got caught, but he killed the detective's daughter first. My imagination is the", "ending where the killer got caught, but he killed the detective's daughter first.", "the cliche mixed ending where the killer got caught, but he killed the", "Titanic of Sherlock Holmes, or is it done yet? By Titanic I mean", "is hanged, the killer kidnapped the detective where he confront him with his", "ends with the killer caught, right? Is it possible to write a completely", "first. My imagination is the detective pointed the wrong killer, jailed ,and after", "All detective novel ends with the killer caught, right? Is it possible to", "it possible to write a completely bad ending detective novel? Imagine the Titanic", "Titanic I mean specifically sad. Not the cliche mixed ending where the killer", "detective's daughter first. My imagination is the detective pointed the wrong killer, jailed", "detective where he confront him with his deduction error before he ends him.", "killer caught, right? Is it possible to write a completely bad ending detective", "a completely bad ending detective novel? Imagine the Titanic of Sherlock Holmes, or", "Not the cliche mixed ending where the killer got caught, but he killed", "the killer got caught, but he killed the detective's daughter first. My imagination", "after the innocent is hanged, the killer kidnapped the detective where he confront", "mean specifically sad. Not the cliche mixed ending where the killer got caught,", "Sherlock Holmes, or is it done yet? By Titanic I mean specifically sad.", "the killer kidnapped the detective where he confront him with his deduction error", "the detective's daughter first. My imagination is the detective pointed the wrong killer,", "detective novel ends with the killer caught, right? Is it possible to write", "Is it possible to write a completely bad ending detective novel? Imagine the", "pointed the wrong killer, jailed ,and after the innocent is hanged, the killer", "bad ending detective novel? Imagine the Titanic of Sherlock Holmes, or is it", "with the killer caught, right? Is it possible to write a completely bad", "sad. Not the cliche mixed ending where the killer got caught, but he", "novel? Imagine the Titanic of Sherlock Holmes, or is it done yet? By", "or is it done yet? By Titanic I mean specifically sad. Not the", "wrong killer, jailed ,and after the innocent is hanged, the killer kidnapped the", "detective pointed the wrong killer, jailed ,and after the innocent is hanged, the", "novel ends with the killer caught, right? Is it possible to write a", "innocent is hanged, the killer kidnapped the detective where he confront him with", "write a completely bad ending detective novel? Imagine the Titanic of Sherlock Holmes,", "kidnapped the detective where he confront him with his deduction error before he", "I mean specifically sad. Not the cliche mixed ending where the killer got", "Imagine the Titanic of Sherlock Holmes, or is it done yet? By Titanic", "ending detective novel? Imagine the Titanic of Sherlock Holmes, or is it done", "of Sherlock Holmes, or is it done yet? By Titanic I mean specifically", "caught, but he killed the detective's daughter first. My imagination is the detective", "is it done yet? By Titanic I mean specifically sad. Not the cliche", "killed the detective's daughter first. My imagination is the detective pointed the wrong", "daughter first. My imagination is the detective pointed the wrong killer, jailed ,and", "it done yet? By Titanic I mean specifically sad. Not the cliche mixed", "done yet? By Titanic I mean specifically sad. Not the cliche mixed ending", "specifically sad. Not the cliche mixed ending where the killer got caught, but", "yet? By Titanic I mean specifically sad. Not the cliche mixed ending where", "jailed ,and after the innocent is hanged, the killer kidnapped the detective where", "the innocent is hanged, the killer kidnapped the detective where he confront him", ",and after the innocent is hanged, the killer kidnapped the detective where he", "detective novel? Imagine the Titanic of Sherlock Holmes, or is it done yet?", "hanged, the killer kidnapped the detective where he confront him with his deduction", "the detective where he confront him with his deduction error before he ends", "My imagination is the detective pointed the wrong killer, jailed ,and after the", "By Titanic I mean specifically sad. Not the cliche mixed ending where the", "killer kidnapped the detective where he confront him with his deduction error before", "is the detective pointed the wrong killer, jailed ,and after the innocent is", "the Titanic of Sherlock Holmes, or is it done yet? By Titanic I", "imagination is the detective pointed the wrong killer, jailed ,and after the innocent", "mixed ending where the killer got caught, but he killed the detective's daughter" ]
[ "\"She's late again,\" mumbled Cuson. > > > Why is it considered common", "double quotes and styles where writers end sentences with periods. For example: >", "\"She's late again.\" mumbled Cuson. > > > versus: > > \"She's late", "> versus: > > \"She's late again,\" mumbled Cuson. > > > Why", "inside double quotes and styles where writers end sentences with periods. For example:", "Cuson. > > > versus: > > \"She's late again,\" mumbled Cuson. >", "sentences with commas if it is inside double quotes and styles where writers", "writers end sentences with periods. For example: > > \"She's late again.\" mumbled", "writers end sentences with commas if it is inside double quotes and styles", "sentences with periods. For example: > > \"She's late again.\" mumbled Cuson. >", "example: > > \"She's late again.\" mumbled Cuson. > > > versus: >", "and styles where writers end sentences with periods. For example: > > \"She's", "it considered common practice to end a sentence with a comma instead of", "end sentences with commas if it is inside double quotes and styles where", "if it is inside double quotes and styles where writers end sentences with", "> > > versus: > > \"She's late again,\" mumbled Cuson. > >", "> \"She's late again,\" mumbled Cuson. > > > Why is it considered", "is inside double quotes and styles where writers end sentences with periods. For", "styles where writers end sentences with periods. For example: > > \"She's late", "periods. For example: > > \"She's late again.\" mumbled Cuson. > > >", "I've seen styles where writers end sentences with commas if it is inside", "with periods. For example: > > \"She's late again.\" mumbled Cuson. > >", "mumbled Cuson. > > > versus: > > \"She's late again,\" mumbled Cuson.", "seen styles where writers end sentences with commas if it is inside double", "Cuson. > > > Why is it considered common practice to end a", "versus: > > \"She's late again,\" mumbled Cuson. > > > Why is", "is it considered common practice to end a sentence with a comma instead", "> > Why is it considered common practice to end a sentence with", "> \"She's late again.\" mumbled Cuson. > > > versus: > > \"She's", "> > \"She's late again,\" mumbled Cuson. > > > Why is it", "with commas if it is inside double quotes and styles where writers end", "quotes and styles where writers end sentences with periods. For example: > >", "commas if it is inside double quotes and styles where writers end sentences", "where writers end sentences with periods. For example: > > \"She's late again.\"", "again,\" mumbled Cuson. > > > Why is it considered common practice to", "> > \"She's late again.\" mumbled Cuson. > > > versus: > >", "common practice to end a sentence with a comma instead of a period?", "> > versus: > > \"She's late again,\" mumbled Cuson. > > >", "it is inside double quotes and styles where writers end sentences with periods.", "again.\" mumbled Cuson. > > > versus: > > \"She's late again,\" mumbled", "mumbled Cuson. > > > Why is it considered common practice to end", "> > > Why is it considered common practice to end a sentence", "> Why is it considered common practice to end a sentence with a", "end sentences with periods. For example: > > \"She's late again.\" mumbled Cuson.", "For example: > > \"She's late again.\" mumbled Cuson. > > > versus:", "where writers end sentences with commas if it is inside double quotes and", "considered common practice to end a sentence with a comma instead of a", "late again,\" mumbled Cuson. > > > Why is it considered common practice", "Why is it considered common practice to end a sentence with a comma", "styles where writers end sentences with commas if it is inside double quotes", "late again.\" mumbled Cuson. > > > versus: > > \"She's late again,\"" ]
[ "book, is it OK to have a diagram wider than text width (so", "wider than text width (so overriding the margins)? Also, how do I center", "wide figure so that it occupies both the left margin and the right", "to have a diagram wider than text width (so overriding the margins)? Also,", "math book, is it OK to have a diagram wider than text width", "overriding the margins)? Also, how do I center a wide figure so that", "left margin and the right margin (not only the right margin) using LaTeX", "so that it occupies both the left margin and the right margin (not", "the left margin and the right margin (not only the right margin) using", "have a diagram wider than text width (so overriding the margins)? Also, how", "both the left margin and the right margin (not only the right margin)", "is it OK to have a diagram wider than text width (so overriding", "a math book, is it OK to have a diagram wider than text", "center a wide figure so that it occupies both the left margin and", "do I center a wide figure so that it occupies both the left", "width (so overriding the margins)? Also, how do I center a wide figure", "it occupies both the left margin and the right margin (not only the", "margins)? Also, how do I center a wide figure so that it occupies", "the margins)? Also, how do I center a wide figure so that it", "how do I center a wide figure so that it occupies both the", "text width (so overriding the margins)? Also, how do I center a wide", "a wide figure so that it occupies both the left margin and the", "occupies both the left margin and the right margin (not only the right", "diagram wider than text width (so overriding the margins)? Also, how do I", "that it occupies both the left margin and the right margin (not only", "I center a wide figure so that it occupies both the left margin", "OK to have a diagram wider than text width (so overriding the margins)?", "(so overriding the margins)? Also, how do I center a wide figure so", "it OK to have a diagram wider than text width (so overriding the", "a diagram wider than text width (so overriding the margins)? Also, how do", "Also, how do I center a wide figure so that it occupies both", "than text width (so overriding the margins)? Also, how do I center a", "margin and the right margin (not only the right margin) using LaTeX software?", "In a math book, is it OK to have a diagram wider than", "figure so that it occupies both the left margin and the right margin" ]
[ "fast? How do you find the right rate for your story to unfold?", "how do you know if the pace of your writing is too slow", "do you know if the pace of your writing is too slow or", "or too fast? How do you find the right rate for your story", "writing, how do you know if the pace of your writing is too", "know if the pace of your writing is too slow or too fast?", "you know if the pace of your writing is too slow or too", "of your writing is too slow or too fast? How do you find", "slow or too fast? How do you find the right rate for your", "In creative writing, how do you know if the pace of your writing", "creative writing, how do you know if the pace of your writing is", "your writing is too slow or too fast? How do you find the", "writing is too slow or too fast? How do you find the right", "the pace of your writing is too slow or too fast? How do", "too slow or too fast? How do you find the right rate for", "if the pace of your writing is too slow or too fast? How", "pace of your writing is too slow or too fast? How do you", "is too slow or too fast? How do you find the right rate", "too fast? How do you find the right rate for your story to" ]
[ "in the field of writing. After writing a book, I need to visit", "I need to visit a number of publishers. So, how do I secure", "a newbie in the field of writing. After writing a book, I need", "or copied before it's published? Is there any official body who regulates theft", "it's published? Is there any official body who regulates theft or plagiarism of", "writing a book, I need to visit a number of publishers. So, how", "book, I need to visit a number of publishers. So, how do I", "from being stolen or copied before it's published? Is there any official body", "stolen or copied before it's published? Is there any official body who regulates", "Is there any official body who regulates theft or plagiarism of written content?", "written work from being stolen or copied before it's published? Is there any", "my written work from being stolen or copied before it's published? Is there", "I secure my written work from being stolen or copied before it's published?", "So, how do I secure my written work from being stolen or copied", "of writing. After writing a book, I need to visit a number of", "visit a number of publishers. So, how do I secure my written work", "to visit a number of publishers. So, how do I secure my written", "publishers. So, how do I secure my written work from being stolen or", "before it's published? Is there any official body who regulates theft or plagiarism", "do I secure my written work from being stolen or copied before it's", "number of publishers. So, how do I secure my written work from being", "published? Is there any official body who regulates theft or plagiarism of written", "secure my written work from being stolen or copied before it's published? Is", "being stolen or copied before it's published? Is there any official body who", "need to visit a number of publishers. So, how do I secure my", "After writing a book, I need to visit a number of publishers. So,", "I'm a newbie in the field of writing. After writing a book, I", "how do I secure my written work from being stolen or copied before", "work from being stolen or copied before it's published? Is there any official", "newbie in the field of writing. After writing a book, I need to", "of publishers. So, how do I secure my written work from being stolen", "the field of writing. After writing a book, I need to visit a", "copied before it's published? Is there any official body who regulates theft or", "a book, I need to visit a number of publishers. So, how do", "writing. After writing a book, I need to visit a number of publishers.", "a number of publishers. So, how do I secure my written work from", "field of writing. After writing a book, I need to visit a number" ]
[ "over the other at the expense of her life. She doesn't want either", "a certain command structure, it wouldn't make sense to involve a leader who", "so far). It's not that the protagonists are not heavily involved - the", "while now, but going through my drafts I noticed one weakness: My villains", "action. The only way to have a reappearing presence would be to bring", "again after delivering her. --- *What are good techniques to make an impersonal", "issue. Search parties, troops, etc. They maybe even give one high ranking member", "face the same 'hunter' twice if she keeps changing location, which would be", "dozens, hundreds or more (depending on the resources available). She would never face", "(for example, war). So, they don't really face 'a villain' in the classic", "for some reason, has the key (let's say, a magical artifact?) to make", "are facing the results of the villain's actions (for example, war). So, they", "likely just be sitting in some headquarters and organize his men. He would", "to win but can't leave the area either, so she tries to stay", "location, which would be the reasonable action. The only way to have a", "I noticed one weakness: My villains are very underdeveloped / weakly characterized. I'll", "headquarters and organize his men. He would only come into play when Owna", "organize his men. He would only come into play when Owna was captured,", "for the story: My protagonists face \"faceless\" soldiers* but are never involved with", "stay under the radar. > > > Both sides make it a priority", "his men. He would only come into play when Owna was captured, without", "her life. She doesn't want either side to win but can't leave the", "side win over the other at the expense of her life. She doesn't", "just sits behind a desk and wouldn't have a personal connection) directly into", "try to generalize the question & example, to keep it relevant for other", "a magical artifact?) to make one side win over the other at the", "involved in the bigger (background) conflict - but that just feels artificial (at", "he would be out of the picture again after delivering her. --- *What", "wouldn't have a personal connection) directly into the scene, even if he would", "tried to remedy this problem by giving the \"other side\" a voice, basically", "never face the same 'hunter' twice if she keeps changing location, which would", "characterized. I'll try to generalize* the question & example, to keep it relevant", "there would be dozens, hundreds or more (depending on the resources available). She", "resources available). She would never face the same 'hunter' twice if she keeps", "the area either, so she tries to stay under the radar. > >", "> > > Owna, for some reason, has the key (let's say, a", "large story for a while now, but going through my drafts I noticed", "facing a villain, but are facing the results of the villain's actions (for", "then his job would be done and he would be out of the", "> > A large war between two faction breaks out. > > >", "artifact?) to make one side win over the other at the expense of", "they delegate the issue. Search parties, troops, etc. They maybe even give one", "make sense to involve a leader who should delegate, not run around and", "Owna, for some reason, has the key (let's say, a magical artifact?) to", "bring the leading person in the picture - but he would most likely", "only thing reasonable: they delegate the issue. Search parties, troops, etc. They maybe", "villain's troops or other minor odds. This creates a large problem for the", "manipulated?) leaders. Why would they want to? It would only cause more problems.", "conflicts more personal for the protagonists, or give the conflict a \"face\"? Is", "either, so she tries to stay under the radar. > > > Both", "for other cases as well: The main protagonists are not directly facing a", "> A large war between two faction breaks out. > > > Owna,", "would never face the same 'hunter' twice if she keeps changing location, which", "large war between two faction breaks out. > > > Owna, for some", "my drafts I noticed one weakness: My villains are very underdeveloped / weakly", "available). She would never face the same 'hunter' twice if she keeps changing", "say the leaders of the two factions do the only thing reasonable: they", "the leaders of the two factions do the only thing reasonable: they delegate", "command structure, it wouldn't make sense to involve a leader who should delegate,", "main protagonists are not directly facing a villain, but are facing the results", "make an impersonal (background) conflicts more personal for the protagonists, or give the", "reason, has the key (let's say, a magical artifact?) to make one side", "are not heavily involved - the problem just is that with a certain", "two factions do the only thing reasonable: they delegate the issue. Search parties,", "> Owna, for some reason, has the key (let's say, a magical artifact?)", "he would most likely just be sitting in some headquarters and organize his", "question & example, to keep it relevant for other cases as well: The", "> Now, I would say the leaders of the two factions do the", "villain, but are facing the results of the villain's actions (for example, war).", "run around and do it himself. --- Example: (and my problems with it)", "into the scene, even if he would just delegate the issue and wait", "her. --- *What are good techniques to make an impersonal (background) conflicts more", "working on a quite large story for a while now, but going through", "would say the leaders of the two factions do the only thing reasonable:", "basically a protagonist that is involved in the bigger (background) conflict - but", "I've been working on a quite large story for a while now, but", "desk and wouldn't have a personal connection) directly into the scene, even if", "be one person searching for Owna, there would be dozens, hundreds or more", "a villain, but are facing the results of the villain's actions (for example,", "classic \"hero vs evil overlord\" sense, but instead face the situation and eventually", "leading person in the picture - but he would most likely just be", "faction breaks out. > > > Owna, for some reason, has the key", "to make one side win over the other at the expense of her", "would most likely just be sitting in some headquarters and organize his men.", "would they want to? It would only cause more problems. I tried to", "but can't leave the area either, so she tries to stay under the", "a voice, basically a protagonist that is involved in the bigger (background) conflict", "hungry? misguided? manipulated?) leaders. Why would they want to? It would only cause", "And this is exactly my* problem: there wouldn't be one person searching for", "other minor odds. This creates a large problem for the story: My protagonists", "first and brings her back gains a huge advantage. > > > Now,", "protagonists, or give the conflict a \"face\"? Is it necessary / expected to", "as well: The main protagonists are not directly facing a villain, but are", "conflict a \"face\"? Is it necessary / expected to force a person (that", "gains a huge advantage. > > > Now, I would say the leaders", "/ expected to force a person (that usually just sits behind a desk", "be out of the picture again after delivering her. --- *What are good", "the question & example, to keep it relevant for other cases as well:", "underdeveloped / weakly characterized. I'll try to generalize* the question & example, to", "story: My protagonists face \"faceless\" soldiers but are never involved with the (charismatic?", "wouldn't make sense to involve a leader who should delegate, not run around", "example, to keep it relevant for other cases as well: The main protagonists", "a person (that usually just sits behind a desk and wouldn't have a", "creates a large problem for the story: My protagonists face \"faceless\" soldiers but", "magical artifact?) to make one side win over the other at the expense", "picture again after delivering her. --- What are good techniques to make an", "involve a leader who should delegate, not run around and do it himself.", "with the (charismatic? power hungry? misguided? manipulated?) leaders. Why would they want to?", "hundreds or more (depending on the resources available). 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And this is exactly my problem: there wouldn't be one", "but are never involved with the (charismatic? power hungry? misguided? manipulated?) leaders. Why", "(depending on the resources available). She would never face the same 'hunter' twice", "would be out of the picture again after delivering her. --- *What are", "well: The main protagonists are not directly facing a villain, but are facing", "protagonists face \"faceless\" soldiers* but are never involved with the (charismatic? power hungry?", "--- Example: (and my problems with it) > > A large war between", "of the picture again after delivering her. --- *What are good techniques to", "on the resources available). 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It's", "either side to win but can't leave the area either, so she tries", "quite large story for a while now, but going through my drafts I", "exactly my* problem: there wouldn't be one person searching for Owna, there would", "\"faceless\" soldiers but are never involved with the (charismatic? power hungry? misguided? manipulated?)", "to force a person (that usually just sits behind a desk and wouldn't", "down - whoever finds her first and brings her back gains a huge", "member the responsibility to solve the problem. And this is exactly my problem:", "win over the other at the expense of her life. She doesn't want", "drafts I noticed one weakness: My villains are very underdeveloped / weakly characterized.", "war). So, they don't really face 'a villain' in the classic \"hero vs", "the situation and eventually the villain's troops or other minor odds. This creates", "a leader who should delegate, not run around and do it himself. ---", "any build up - and then his job would be done and he", "most likely just be sitting in some headquarters and organize his men. He", "of the villain's actions (for example, war). So, they don't really face 'a", "with a certain command structure, it wouldn't make sense to involve a leader", "> Both sides make it a priority to hunt Owna down - whoever", "even if he would just delegate the issue and wait for results?** (which", "a while now, but going through my drafts I noticed one weakness: My", "very underdeveloped / weakly characterized. I'll try to generalize the question & example,", "can't leave the area either, so she tries to stay under the radar.", "force a person (that usually just sits behind a desk and wouldn't have", "troops or other minor odds. This creates a large problem for the story:", "to make an impersonal (background) conflicts more personal for the protagonists, or give", "priority to hunt Owna down - whoever finds her first and brings her", "*Is it necessary / expected to force a person (that usually just sits", "she tries to stay under the radar. > > > Both sides make", "Owna was captured, without any build up - and then his job would", "heavily involved - the problem just is that with a certain command structure,", "I tried to remedy this problem by giving the \"other side\" a voice,", "(at least so far). It's not that the protagonists are not heavily involved", "a priority to hunt Owna down - whoever finds her first and brings", "be dozens, hundreds or more (depending on the resources available). She would never", "to bring the leading person in the picture - but he would most", "problems with it) > > A large war between two faction breaks out.", "whoever finds her first and brings her back gains a huge advantage. >", "person searching for Owna, there would be dozens, hundreds or more (depending on", "the expense of her life. She doesn't want either side to win but", "which would be the reasonable action. The only way to have a reappearing", "giving the \"other side\" a voice, basically a protagonist that is involved in", "Both sides make it a priority to hunt Owna down - whoever finds", "I would say the leaders of the two factions do the only thing", "Why would they want to? It would only cause more problems. I tried", "the results of the villain's actions (for example, war). So, they don't really", "they want to? It would only cause more problems. I tried to remedy", "problems. I tried to remedy this problem by giving the \"other side\" a", "make it a priority to hunt Owna down - whoever finds her first", "good techniques to make an impersonal (background) conflicts more personal for the protagonists,", "directly into the scene, even if he would just delegate the issue and", "problem. And this is exactly my* problem: there wouldn't be one person searching", "\"face\"? Is it necessary / expected to force a person (that usually just", "keep it relevant for other cases as well: The main protagonists are not", "eventually the villain's troops or other minor odds. This creates a large problem", "problem: there wouldn't be one person searching for Owna, there would be dozens,", "are not directly facing a villain, but are facing the results of the", "between two faction breaks out. > > > Owna, for some reason, has", "would just delegate the issue and wait for results? (which isn't very exciting)", "side\" a voice, basically a protagonist that is involved in the bigger (background)", "factions do the only thing reasonable: they delegate the issue. Search parties, troops,", "scene, even if he would just delegate the issue and wait for results?", "doesn't want either side to win but can't leave the area either, so", "personal for the protagonists, or give the conflict a \"face\"? Is it necessary", "villain's actions (for example, war). So, they don't really face 'a villain' in", "men. He would only come into play when Owna was captured, without any", "usually just sits behind a desk and wouldn't have a personal connection) directly", "more (depending on the resources available). She would never face the same 'hunter'", "searching for Owna, there would be dozens, hundreds or more (depending on the", "captured, without any build up - and then his job would be done", "actions (for example, war). So, they don't really face 'a villain' in the", "huge advantage. > > > Now, I would say the leaders of the", "reappearing presence would be to bring the leading person in the picture -", "(background) conflicts more personal for the protagonists, or give the conflict a \"face\"?", "the two factions do the only thing reasonable: they delegate the issue. Search", "it necessary / expected to force a person (that usually just sits behind", "directly facing a villain, but are facing the results of the villain's actions", "thing reasonable: they delegate the issue. Search parties, troops, etc. They maybe even", "They maybe even give one high ranking member the responsibility to solve the", "of her life. She doesn't want either side to win but can't leave", "twice if she keeps changing location, which would be the reasonable action. The", "expected to force a person (that usually just sits behind a desk and", "two faction breaks out. > > > Owna, for some reason, has the", "at the expense of her life. She doesn't want either side to win", "are good techniques to make an impersonal (background) conflicts more personal for the", "there wouldn't be one person searching for Owna, there would be dozens, hundreds", "only way to have a reappearing presence would be to bring the leading", "personal connection) directly into the scene, even if he would just delegate the", "vs evil overlord\" sense, but instead face the situation and eventually the villain's", "expense of her life. She doesn't want either side to win but can't", "voice, basically a protagonist that is involved in the bigger (background) conflict -", "up - and then his job would be done and he would be", "Search parties, troops, etc. They maybe even give one high ranking member the", "the only thing reasonable: they delegate the issue. Search parties, troops, etc. They", "the picture - but he would most likely just be sitting in some", "the scene, even if he would just delegate the issue and wait for", "job would be done and he would be out of the picture again", "not that the protagonists are not heavily involved - the problem just is", "she keeps changing location, which would be the reasonable action. The only way", "and wouldn't have a personal connection) directly into the scene, even if he", "the problem just is that with a certain command structure, it wouldn't make", "troops, etc. They maybe even give one high ranking member the responsibility to", "war between two faction breaks out. > > > Owna, for some reason,", "keeps changing location, which would be the reasonable action. The only way to", "leave the area either, so she tries to stay under the radar. >", "She doesn't want either side to win but can't leave the area either,", "not heavily involved - the problem just is that with a certain command", "in the picture - but he would most likely just be sitting in", "it himself. --- Example: (and my problems with it) > > A large", "leaders. Why would they want to? It would only cause more problems. I", "example, war). So, they don't really face 'a villain' in the classic \"hero", "win but can't leave the area either, so she tries to stay under", "'a villain' in the classic \"hero vs evil overlord\" sense, but instead face", "don't really face 'a villain' in the classic \"hero vs evil overlord\" sense,", "only cause more problems. I tried to remedy this problem by giving the", "more problems. I tried to remedy this problem by giving the \"other side\"", "the villain's troops or other minor odds. This creates a large problem for", "a \"face\"? Is it necessary / expected to force a person (that usually", "> > Now, I would say the leaders of the two factions do", "just be sitting in some headquarters and organize his men. He would only", "come into play when Owna was captured, without any build up - and", "minor odds. This creates a large problem for the story: My protagonists face", "cases as well: The main protagonists are not directly facing a villain, but", "the \"other side\" a voice, basically a protagonist that is involved in the", "to stay under the radar. > > > Both sides make it a", "--- What are good techniques to make an impersonal (background) conflicts more personal", "- whoever finds her first and brings her back gains a huge advantage.", "but going through my drafts I noticed one weakness: My villains are very", "problem for the story: My protagonists face \"faceless\" soldiers but are never involved", "make one side win over the other at the expense of her life.", "behind a desk and wouldn't have a personal connection) directly into the scene,", "this is exactly my problem: there wouldn't be one person searching for Owna,", "soldiers* but are never involved with the (charismatic? power hungry? misguided? manipulated?) leaders.", "to remedy this problem by giving the \"other side\" a voice, basically a", "story for a while now, but going through my drafts I noticed one", "it a priority to hunt Owna down - whoever finds her first and", "> > Both sides make it a priority to hunt Owna down -", "large problem for the story: My protagonists face \"faceless\" soldiers but are never", "the same 'hunter' twice if she keeps changing location, which would be the", "It would only cause more problems. I tried to remedy this problem by", "back gains a huge advantage. > > > Now, I would say the", "hunt Owna down - whoever finds her first and brings her back gains", "give one high ranking member the responsibility to solve the problem. And this", "> > Owna, for some reason, has the key (let's say, a magical", "advantage. > > > Now, I would say the leaders of the two", "to generalize the question & example, to keep it relevant for other cases", "under the radar. > > > Both sides make it a priority to", "life. She doesn't want either side to win but can't leave the area", "ranking member the responsibility to solve the problem. And this is exactly my", "face 'a villain' in the classic \"hero vs evil overlord\" sense, but instead", "The main protagonists are not directly facing a villain, but are facing the", "be sitting in some headquarters and organize his men. He would only come", "if she keeps changing location, which would be the reasonable action. The only", "want to? It would only cause more problems. I tried to remedy this", "Now, I would say the leaders of the two factions do the only", "wouldn't be one person searching for Owna, there would be dozens, hundreds or", "the responsibility to solve the problem. 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It", "an impersonal (background) conflicts more personal for the protagonists, or give the conflict", "my problems with it) > > A large war between two faction breaks", "be done and he would be out of the picture again after delivering", "a huge advantage. > > > Now, I would say the leaders of", "is exactly my problem: there wouldn't be one person searching for Owna, there", "certain command structure, it wouldn't make sense to involve a leader who should", "maybe even give one high ranking member the responsibility to solve the problem.", "do it himself. --- Example: (and my problems with it) > > A", "should delegate, not run around and do it himself. --- Example: (and my", "he would just delegate the issue and wait for results? (which isn't very", "it relevant for other cases as well: The main protagonists are not directly", "It's not that the protagonists are not heavily involved - the problem just", "would be dozens, hundreds or more (depending on the resources available). She would", "the reasonable action. The only way to have a reappearing presence would be", "so she tries to stay under the radar. > > > Both sides", "person in the picture - but he would most likely just be sitting", "or more (depending on the resources available). She would never face the same", "sides make it a priority to hunt Owna down - whoever finds her", "face the situation and eventually the villain's troops or other minor odds. This", "problem by giving the \"other side\" a voice, basically a protagonist that is", "just feels artificial (at least so far). It's not that the protagonists are", "one person searching for Owna, there would be dozens, hundreds or more (depending", "after delivering her. --- What are good techniques to make an impersonal (background)", "for the protagonists, or give the conflict a \"face\"? Is it necessary /", "a protagonist that is involved in the bigger (background) conflict - but that", "done and he would be out of the picture again after delivering her.", "sits behind a desk and wouldn't have a personal connection) directly into the", "the picture again after delivering her. --- *What are good techniques to make", "not directly facing a villain, but are facing the results of the villain's", "involved with the (charismatic? power hungry? misguided? manipulated?) leaders. Why would they want", "a large problem for the story: My protagonists face \"faceless\" soldiers* but are", "in the bigger (background) conflict - but that just feels artificial (at least", "relevant for other cases as well: The main protagonists are not directly facing", "but are facing the results of the villain's actions (for example, war). So,", "say, a magical artifact?) to make one side win over the other at", "other at the expense of her life. She doesn't want either side to", "would be done and he would be out of the picture again after", "sitting in some headquarters and organize his men. He would only come into", "picture - but he would most likely just be sitting in some headquarters", "want either side to win but can't leave the area either, so she", "her back gains a huge advantage. > > > Now, I would say", "the protagonists, or give the conflict a \"face\"? Is it necessary / expected", "sense, but instead face the situation and eventually the villain's troops or other", "but that just feels artificial (at least so far). It's not that the", "artificial (at least so far). It's not that the protagonists are not heavily", "play when Owna was captured, without any build up - and then his", "Owna down - whoever finds her first and brings her back gains a", "even give one high ranking member the responsibility to solve the problem. And", "finds her first and brings her back gains a huge advantage. > >", "into play when Owna was captured, without any build up - and then", "some headquarters and organize his men. He would only come into play when", "by giving the \"other side\" a voice, basically a protagonist that is involved", "- but that just feels artificial (at least so far). It's not that", "if he would just delegate the issue and wait for results?** (which isn't", "are very underdeveloped / weakly characterized. I'll try to generalize the question &", "and do it himself. --- Example: (and my problems with it) > >", "side to win but can't leave the area either, so she tries to", "the story: My protagonists face \"faceless\" soldiers but are never involved with the", "for Owna, there would be dozens, hundreds or more (depending on the resources", "more personal for the protagonists, or give the conflict a \"face\"? Is it", "reasonable: they delegate the issue. Search parties, troops, etc. They maybe even give", "(let's say, a magical artifact?) to make one side win over the other", "are never involved with the (charismatic? power hungry? misguided? manipulated?) leaders. Why would", "the issue. Search parties, troops, etc. They maybe even give one high ranking", "So, they don't really face 'a villain' in the classic \"hero vs evil", "but instead face the situation and eventually the villain's troops or other minor", "the leading person in the picture - but he would most likely just", "that is involved in the bigger (background) conflict - but that just feels", "- and then his job would be done and he would be out", "the resources available). She would never face the same 'hunter' twice if she" ]
[ "when to describe such characters in this way? What makes a character go", "how developed a character is in terms of personality and backstory. However, are", "quite often to describe fictional characters, generally in order to help describe how", "developed a character is in terms of personality and backstory. However, are there", "and backstory. However, are there explicit cut-off points of when to describe such", "characters in this way? What makes a character go from being 1-dimensional to", "to 2- or 3- dimensional? Are there any good examples in fiction to", "way? What makes a character go from being 1-dimensional to 2- or 3-", "What makes a character go from being 1-dimensional to 2- or 3- dimensional?", "bandied around quite often to describe fictional characters, generally in order to help", "2- or 3- dimensional? Are there any good examples in fiction to represent", "generally in order to help describe how developed a character is in terms", "character is in terms of personality and backstory. However, are there explicit cut-off", "cut-off points of when to describe such characters in this way? What makes", "help describe how developed a character is in terms of personality and backstory.", "in terms of personality and backstory. However, are there explicit cut-off points of", "from being 1-dimensional to 2- or 3- dimensional? Are there any good examples", "to help describe how developed a character is in terms of personality and", "or 3- dimensional? Are there any good examples in fiction to represent such", "there explicit cut-off points of when to describe such characters in this way?", "a character is in terms of personality and backstory. However, are there explicit", "of personality and backstory. However, are there explicit cut-off points of when to", "However, are there explicit cut-off points of when to describe such characters in", "characters, generally in order to help describe how developed a character is in", "are bandied around quite often to describe fictional characters, generally in order to", "in order to help describe how developed a character is in terms of", "such characters in this way? What makes a character go from being 1-dimensional", "in this way? What makes a character go from being 1-dimensional to 2-", "1-dimensional to 2- or 3- dimensional? Are there any good examples in fiction", "of when to describe such characters in this way? What makes a character", "points of when to describe such characters in this way? What makes a", "character go from being 1-dimensional to 2- or 3- dimensional? Are there any", "terms are bandied around quite often to describe fictional characters, generally in order", "to describe fictional characters, generally in order to help describe how developed a", "a character go from being 1-dimensional to 2- or 3- dimensional? Are there", "backstory. However, are there explicit cut-off points of when to describe such characters", "being 1-dimensional to 2- or 3- dimensional? Are there any good examples in", "explicit cut-off points of when to describe such characters in this way? What", "to describe such characters in this way? What makes a character go from", "makes a character go from being 1-dimensional to 2- or 3- dimensional? Are", "go from being 1-dimensional to 2- or 3- dimensional? Are there any good", "terms of personality and backstory. However, are there explicit cut-off points of when", "personality and backstory. However, are there explicit cut-off points of when to describe", "3- dimensional? Are there any good examples in fiction to represent such characters?", "The terms are bandied around quite often to describe fictional characters, generally in", "order to help describe how developed a character is in terms of personality", "around quite often to describe fictional characters, generally in order to help describe", "this way? What makes a character go from being 1-dimensional to 2- or", "describe fictional characters, generally in order to help describe how developed a character", "are there explicit cut-off points of when to describe such characters in this", "often to describe fictional characters, generally in order to help describe how developed", "describe how developed a character is in terms of personality and backstory. However,", "fictional characters, generally in order to help describe how developed a character is", "describe such characters in this way? What makes a character go from being", "is in terms of personality and backstory. However, are there explicit cut-off points" ]
[ "Bus Nine on time. > > > Is there a hard rule in", "Born late in the year, Upam was the only kid in his small", "kid in his small 4th grade > class that had already turned 11.", "grade > class that had already turned 11. Every morning he got up", "class that had already turned 11. Every morning he got up at exactly", "could rouse in the morning with > sequential numbers and still meet Bus", "Every morning he got up at exactly > 4:56, the latest he could", "his small fourth grade > class that had already turned eleven. Every morning", "rule in general fiction when to use numbers and when to spell them", "already turned 11. Every morning he got up at exactly > 4:56, the", "only kid in his small fourth grade > class that had already turned", "fifty-six, the latest he could rouse in the morning with > sequential numbers", "morning with sequential numbers > and still meet Bus 9 on time. >", "> > Is there a hard rule in general fiction when to use", "4:56, the latest he could rouse in the morning with sequential numbers >", "latest he could rouse in the morning with > sequential numbers and still", "morning he got up at > exactly four fifty-six, the latest he could", "in his small 4th grade > class that had already turned 11. Every", "meet Bus 9 on time. > > > -or- > > Born late", "he could rouse in the morning with sequential numbers > and still meet", "> > > -or- > > Born late in the year, Upam was", "at > exactly four fifty-six, the latest he could rouse in the morning", "that had already turned 11. Every morning he got up at exactly >", "> exactly four fifty-six, the latest he could rouse in the morning with", "> -or- > > Born late in the year, Upam was the only", "the latest he could rouse in the morning with > sequential numbers and", "at exactly > 4:56, the latest he could rouse in the morning with", "Upam was the only kid in his small 4th grade > class that", "time. > > > Is there a hard rule in general fiction when", "only kid in his small 4th grade > class that had already turned", "4th grade > class that had already turned 11. Every morning he got", "morning with > sequential numbers and still meet Bus Nine on time. >", "rouse in the morning with > sequential numbers and still meet Bus Nine", "in the morning with sequential numbers > and still meet Bus 9 on", "had already turned eleven. Every morning he got up at > exactly four", "up at exactly > 4:56, the latest he could rouse in the morning", "Is there a hard rule in general fiction when to use numbers and", "exactly > 4:56, the latest he could rouse in the morning with sequential", "> sequential numbers and still meet Bus Nine on time. > > >", "sequential numbers > and still meet Bus 9 on time. > > >", "a hard rule in general fiction when to use numbers and when to", "> > -or- > > Born late in the year, Upam was the", "in his small fourth grade > class that had already turned eleven. Every", "got up at > exactly four fifty-six, the latest he could rouse in", "with > sequential numbers and still meet Bus Nine on time. > >", "the morning with > sequential numbers and still meet Bus Nine on time.", "the year, Upam was the only kid in his small fourth grade >", "> > Born late in the year, Upam was the only kid in", "still meet Bus 9 on time. > > > -or- > > Born", "Upam was the only kid in his small fourth grade > class that", "time. > > > -or- > > Born late in the year, Upam", "Every morning he got up at > exactly four fifty-six, the latest he", "morning he got up at exactly > 4:56, the latest he could rouse", "had already turned 11. Every morning he got up at exactly > 4:56,", "numbers and still meet Bus Nine on time. > > > Is there", "up at > exactly four fifty-six, the latest he could rouse in the", "got up at exactly > 4:56, the latest he could rouse in the", "could rouse in the morning with sequential numbers > and still meet Bus", "he got up at exactly > 4:56, the latest he could rouse in", "that had already turned eleven. Every morning he got up at > exactly", "in general fiction when to use numbers and when to spell them out?", "grade > class that had already turned eleven. Every morning he got up", "his small 4th grade > class that had already turned 11. Every morning", "latest he could rouse in the morning with sequential numbers > and still", "turned eleven. Every morning he got up at > exactly four fifty-six, the", "he could rouse in the morning with > sequential numbers and still meet", "in the year, Upam was the only kid in his small fourth grade", "> and still meet Bus 9 on time. > > > -or- >", "> class that had already turned eleven. Every morning he got up at", "year, Upam was the only kid in his small 4th grade > class", "small 4th grade > class that had already turned 11. Every morning he", "Bus 9 on time. > > > -or- > > Born late in", "there a hard rule in general fiction when to use numbers and when", "late in the year, Upam was the only kid in his small 4th", "the latest he could rouse in the morning with sequential numbers > and", "Nine on time. > > > Is there a hard rule in general", "turned 11. Every morning he got up at exactly > 4:56, the latest", "> Born late in the year, Upam was the only kid in his", "was the only kid in his small fourth grade > class that had", "in the morning with > sequential numbers and still meet Bus Nine on", "sequential numbers and still meet Bus Nine on time. > > > Is", "the only kid in his small 4th grade > class that had already", "the only kid in his small fourth grade > class that had already", "> class that had already turned 11. Every morning he got up at", "> > > Is there a hard rule in general fiction when to", "still meet Bus Nine on time. > > > Is there a hard", "the morning with sequential numbers > and still meet Bus 9 on time.", "in the year, Upam was the only kid in his small 4th grade", "> 4:56, the latest he could rouse in the morning with sequential numbers", "he got up at > exactly four fifty-six, the latest he could rouse", "numbers > and still meet Bus 9 on time. > > > -or-", "-or- > > Born late in the year, Upam was the only kid", "9 on time. > > > -or- > > Born late in the", "rouse in the morning with sequential numbers > and still meet Bus 9", "exactly four fifty-six, the latest he could rouse in the morning with >", "four fifty-six, the latest he could rouse in the morning with > sequential", "hard rule in general fiction when to use numbers and when to spell", "> Is there a hard rule in general fiction when to use numbers", "11. Every morning he got up at exactly > 4:56, the latest he", "kid in his small fourth grade > class that had already turned eleven.", "with sequential numbers > and still meet Bus 9 on time. > >", "already turned eleven. Every morning he got up at > exactly four fifty-six,", "class that had already turned eleven. Every morning he got up at >", "and still meet Bus Nine on time. > > > Is there a", "year, Upam was the only kid in his small fourth grade > class", "eleven. Every morning he got up at > exactly four fifty-six, the latest", "late in the year, Upam was the only kid in his small fourth", "was the only kid in his small 4th grade > class that had", "on time. > > > -or- > > Born late in the year,", "and still meet Bus 9 on time. > > > -or- > >", "the year, Upam was the only kid in his small 4th grade >", "small fourth grade > class that had already turned eleven. Every morning he", "fourth grade > class that had already turned eleven. Every morning he got", "on time. > > > Is there a hard rule in general fiction", "meet Bus Nine on time. > > > Is there a hard rule" ]
[ "dialogue, would we express their mispronunciations and treat it like a dialect? Example:", "what the best way to write dialogue for their age group would be.", "express their mispronunciations and treat it like a dialect? Example: > > \"Homewess?\"", "am currently writing a narrative featuring many young children. Some of the children", "and consonant blends, like \"l\", \"r\", \"v\" and \"th.\" When writing dialogue, would", "> > Is it best to leave it to the reader's imagination, or", "> > > \"Wiv in a box?\" Bullv cries with wide eyes. \"I", "> > \"Wiv in a box?\" Bullv cries with wide eyes. \"I wike", "the children are under the age of five, and I'm wondering what the", "in a box,\" four-year-old Flora answers. > > > \"Live in a box?\"", "of the children are under the age of five, and I'm wondering what", "and treat it like a dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks.", "wide eyes. \"I like living here!\" > > > Is it best to", "be. I know that when they're young, they have trouble pronouncing certain consonants", "a box?\" Bullv cries with wide eyes. \"I like living here!\" > >", "mispronunciations and treat it like a dialect? Example: > > \"Homewess?\" Three-year-old Bullv", "eyes. \"I wike wiving here!\" > > > or > > \"Homeless?\" Three-year-old", "\"What does that mean?\" > > > \"It means we have to live", "box?\" Bullv cries with wide eyes. \"I wike wiving here!\" > > >", "four-year-old Flora answers. > > > \"Wiv in a box?\" Bullv cries with", "featuring many young children. Some of the children are under the age of", "Flora answers. > > > \"Wiv in a box?\" Bullv cries with wide", "like \"l\", \"r\", \"v\" and \"th.\" When writing dialogue, would we express their", "does dat mean?\" > > > \"It means we haveta wiv in a", "in a box?\" Bullv cries with wide eyes. \"I like living here!\" >", "under the age of five, and I'm wondering what the best way to", "treat it like a dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What", "box,\" four-year-old Flora answers. > > > \"Wiv in a box?\" Bullv cries", "a dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\"", "> \"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\" > > > \"It", "we have to live in a box,\" four-year-old Flora answers. > > >", "children are under the age of five, and I'm wondering what the best", "young, they have trouble pronouncing certain consonants and consonant blends, like \"l\", \"r\",", "here!\" > > > Is it best to leave it to the reader's", "consonant blends, like \"l\", \"r\", \"v\" and \"th.\" When writing dialogue, would we", "> or > > \"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\" >", "young children. Some of the children are under the age of five, and", "> \"Wiv in a box?\" Bullv cries with wide eyes. \"I wike wiving", "living here!\" > > > Is it best to leave it to the", "here!\" > > > or > > \"Homeless?\" Three-year-old Bullv asks. \"What does", "means we haveta wiv in a box,\" four-year-old Flora answers. > > >", "\"r\", \"v\" and \"th.\" When writing dialogue, would we express their mispronunciations and", "we haveta wiv in a box,\" four-year-old Flora answers. > > > \"Wiv", "asks. \"What does that mean?\" > > > \"It means we have to", "asks. \"What does dat mean?\" > > > \"It means we haveta wiv", "> > \"It means we haveta wiv in a box,\" four-year-old Flora answers.", "dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\" >", "to live in a box,\" four-year-old Flora answers. > > > \"Live in", "Bullv cries with wide eyes. \"I like living here!\" > > > Is", "leave it to the reader's imagination, or to actually transcribe what their saying?", "best way to write dialogue for their age group would be. I know", "they have trouble pronouncing certain consonants and consonant blends, like \"l\", \"r\", \"v\"", "consonants and consonant blends, like \"l\", \"r\", \"v\" and \"th.\" When writing dialogue,", "wiving here!\" > > > or > > \"Homeless?\" Three-year-old Bullv asks. \"What", "\"I wike wiving here!\" > > > or > > \"Homeless?\" Three-year-old Bullv", "> > \"It means we have to live in a box,\" four-year-old Flora", "> \"Live in a box?\" Bullv cries with wide eyes. \"I like living", "> > > Is it best to leave it to the reader's imagination,", "when they're young, they have trouble pronouncing certain consonants and consonant blends, like", "their age group would be. I know that when they're young, they have", "> > > or > > \"Homeless?\" Three-year-old Bullv asks. \"What does that", "\"I like living here!\" > > > Is it best to leave it", "does that mean?\" > > > \"It means we have to live in", "> > \"Live in a box?\" Bullv cries with wide eyes. \"I like", "Is it best to leave it to the reader's imagination, or to actually", "age group would be. I know that when they're young, they have trouble", "Bullv cries with wide eyes. \"I wike wiving here!\" > > > or", "group would be. I know that when they're young, they have trouble pronouncing", "certain consonants and consonant blends, like \"l\", \"r\", \"v\" and \"th.\" When writing", "> \"It means we haveta wiv in a box,\" four-year-old Flora answers. >", "in a box?\" Bullv cries with wide eyes. \"I wike wiving here!\" >", "When writing dialogue, would we express their mispronunciations and treat it like a", "a box?\" Bullv cries with wide eyes. \"I wike wiving here!\" > >", "\"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\" > > > \"It means", "write dialogue for their age group would be. I know that when they're", "answers. > > > \"Wiv in a box?\" Bullv cries with wide eyes.", "for their age group would be. I know that when they're young, they", "\"It means we have to live in a box,\" four-year-old Flora answers. >", "\"th.\" When writing dialogue, would we express their mispronunciations and treat it like", "a box,\" four-year-old Flora answers. > > > \"Wiv in a box?\" Bullv", "> > > \"Live in a box?\" Bullv cries with wide eyes. \"I", "or > > \"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\" > >", "and \"th.\" When writing dialogue, would we express their mispronunciations and treat it", "the best way to write dialogue for their age group would be. I", "a narrative featuring many young children. Some of the children are under the", "we express their mispronunciations and treat it like a dialect? Example: > >", "> > or > > \"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\"", "means we have to live in a box,\" four-year-old Flora answers. > >", "\"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\" > > > \"It means", "cries with wide eyes. \"I like living here!\" > > > Is it", "cries with wide eyes. \"I wike wiving here!\" > > > or >", "best to leave it to the reader's imagination, or to actually transcribe what", "haveta wiv in a box,\" four-year-old Flora answers. > > > \"Wiv in", "Flora answers. > > > \"Live in a box?\" Bullv cries with wide", "have trouble pronouncing certain consonants and consonant blends, like \"l\", \"r\", \"v\" and", "eyes. \"I like living here!\" > > > Is it best to leave", "to write dialogue for their age group would be. I know that when", "many young children. Some of the children are under the age of five,", "age of five, and I'm wondering what the best way to write dialogue", "Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\" > >", "\"Wiv in a box?\" Bullv cries with wide eyes. \"I wike wiving here!\"", "writing dialogue, would we express their mispronunciations and treat it like a dialect?", "I know that when they're young, they have trouble pronouncing certain consonants and", "have to live in a box,\" four-year-old Flora answers. > > > \"Live", "blends, like \"l\", \"r\", \"v\" and \"th.\" When writing dialogue, would we express", "they're young, they have trouble pronouncing certain consonants and consonant blends, like \"l\",", "I am currently writing a narrative featuring many young children. Some of the", "the age of five, and I'm wondering what the best way to write", "in a box,\" four-year-old Flora answers. > > > \"Wiv in a box?\"", "would be. I know that when they're young, they have trouble pronouncing certain", "way to write dialogue for their age group would be. I know that", "dialogue for their age group would be. I know that when they're young,", "\"l\", \"r\", \"v\" and \"th.\" When writing dialogue, would we express their mispronunciations", "answers. > > > \"Live in a box?\" Bullv cries with wide eyes.", "mean?\" > > > \"It means we have to live in a box,\"", "mean?\" > > > \"It means we haveta wiv in a box,\" four-year-old", "that when they're young, they have trouble pronouncing certain consonants and consonant blends,", "wike wiving here!\" > > > or > > \"Homeless?\" Three-year-old Bullv asks.", "dat mean?\" > > > \"It means we haveta wiv in a box,\"", "Bullv asks. \"What does that mean?\" > > > \"It means we have", "to leave it to the reader's imagination, or to actually transcribe what their", "are under the age of five, and I'm wondering what the best way", "\"Live in a box?\" Bullv cries with wide eyes. \"I like living here!\"", "a box,\" four-year-old Flora answers. > > > \"Live in a box?\" Bullv", "writing a narrative featuring many young children. Some of the children are under", "trouble pronouncing certain consonants and consonant blends, like \"l\", \"r\", \"v\" and \"th.\"", "\"It means we haveta wiv in a box,\" four-year-old Flora answers. > >", "children. Some of the children are under the age of five, and I'm", "their mispronunciations and treat it like a dialect? Example: > > \"Homewess?\" Three-year-old", "> \"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\" > > > \"It", "it like a dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What does", "that mean?\" > > > \"It means we have to live in a", "four-year-old Flora answers. > > > \"Live in a box?\" Bullv cries with", "Some of the children are under the age of five, and I'm wondering", "\"What does dat mean?\" > > > \"It means we haveta wiv in", "with wide eyes. \"I wike wiving here!\" > > > or > >", "Three-year-old Bullv asks. \"What does dat mean?\" > > > \"It means we", "live in a box,\" four-year-old Flora answers. > > > \"Live in a", "with wide eyes. \"I like living here!\" > > > Is it best", "would we express their mispronunciations and treat it like a dialect? Example: >", "wiv* in a box,\" four-year-old Flora answers. > > > \"Wiv in a", "> > > \"It means we have to live in a box,\" four-year-old", "> > > \"It means we haveta wiv in a box,\" four-year-old Flora", "it best to leave it to the reader's imagination, or to actually transcribe", "wondering what the best way to write dialogue for their age group would", "box,\" four-year-old Flora answers. > > > \"Live in a box?\" Bullv cries", "box?\" Bullv cries with wide eyes. \"I like living here!\" > > >", "Three-year-old Bullv asks. \"What does that mean?\" > > > \"It means we", "wide eyes. \"I wike wiving here!\" > > > or > > \"Homeless?\"", "of five, and I'm wondering what the best way to write dialogue for", "I'm wondering what the best way to write dialogue for their age group", "> \"It means we have to live in a box,\" four-year-old Flora answers.", "like living here!\" > > > Is it best to leave it to", "> Is it best to leave it to the reader's imagination, or to", "pronouncing certain consonants and consonant blends, like \"l\", \"r\", \"v\" and \"th.\" When", "know that when they're young, they have trouble pronouncing certain consonants and consonant", "\"v\" and \"th.\" When writing dialogue, would we express their mispronunciations and treat", "five, and I'm wondering what the best way to write dialogue for their", "> > \"Homewess?\" Three-year-old Bullv asks. \"What does dat mean?\" > > >", "Bullv asks. \"What does dat mean?\" > > > \"It means we haveta", "currently writing a narrative featuring many young children. Some of the children are", "narrative featuring many young children. Some of the children are under the age", "like a dialect? Example: > > \"Homewess?\" Three-year-old Bullv asks. \"What does dat*", "> > \"Homeless?\" Three-year-old Bullv asks. \"What does that mean?\" > > >", "and I'm wondering what the best way to write dialogue for their age" ]
[ "if the ball is a lavish one, is it appropriate to include the", "it appropriate to include the table settings (conical red napkins, crystal wine, and", "ball is a lavish one, is it appropriate to include the table settings", "For example, if the ball is a lavish one, is it appropriate to", "the room is considered appropriate? For example, if the ball is a lavish", "a gala ball, what level of detail of the room is considered appropriate?", "lavish one, is it appropriate to include the table settings (conical red napkins,", "include the table settings (conical red napkins, crystal wine, and water glasses, etc.)", "a lavish one, is it appropriate to include the table settings (conical red", "example, if the ball is a lavish one, is it appropriate to include", "If one is describing a gala ball, what level of detail of the", "describing a gala ball, what level of detail of the room is considered", "detail of the room is considered appropriate? For example, if the ball is", "appropriate to include the table settings (conical red napkins, crystal wine, and water", "level of detail of the room is considered appropriate? For example, if the", "ball, what level of detail of the room is considered appropriate? For example,", "table settings (conical red napkins, crystal wine, and water glasses, etc.) or is", "one, is it appropriate to include the table settings (conical red napkins, crystal", "of the room is considered appropriate? For example, if the ball is a", "settings (conical red napkins, crystal wine, and water glasses, etc.) or is the", "(conical red napkins, crystal wine, and water glasses, etc.) or is the designation", "to include the table settings (conical red napkins, crystal wine, and water glasses,", "crystal wine, and water glasses, etc.) or is the designation \"lavish ball\" sufficient?", "one is describing a gala ball, what level of detail of the room", "appropriate? For example, if the ball is a lavish one, is it appropriate", "the table settings (conical red napkins, crystal wine, and water glasses, etc.) or", "gala ball, what level of detail of the room is considered appropriate? For", "of detail of the room is considered appropriate? For example, if the ball", "napkins, crystal wine, and water glasses, etc.) or is the designation \"lavish ball\"", "is a lavish one, is it appropriate to include the table settings (conical", "what level of detail of the room is considered appropriate? For example, if", "is considered appropriate? For example, if the ball is a lavish one, is", "the ball is a lavish one, is it appropriate to include the table", "is describing a gala ball, what level of detail of the room is", "is it appropriate to include the table settings (conical red napkins, crystal wine,", "room is considered appropriate? For example, if the ball is a lavish one,", "red napkins, crystal wine, and water glasses, etc.) or is the designation \"lavish", "considered appropriate? For example, if the ball is a lavish one, is it" ]
[ "gun in hallway from padded room) Scene in hallway (the action spills out", "Scene in hallway (the action spills out into the hallway) How would you", "the entire scene spills out in the hallway. So to recap: Scene in", "room Scene in padded room / hallway (character fires gun in hallway from", "into the hallway. Then eventually the entire scene spills out in the hallway.", "and steals his gun and starts firing from the room into the hallway.", "the prisoner knocks him out and steals his gun and starts firing from", "Then eventually the entire scene spills out in the hallway. So to recap:", "the room into the hallway. Then eventually the entire scene spills out in", "out and steals his gun and starts firing from the room into the", "guard opens the door, the prisoner knocks him out and steals his gun", "from padded room) Scene in hallway (the action spills out into the hallway)", "in the padded room of a mental institution. A guard opens the door,", "starts firing from the room into the hallway. Then eventually the entire scene", "padded room Scene in padded room / hallway (character fires gun in hallway", "So to recap: Scene in padded room Scene in padded room / hallway", "hallway. Then eventually the entire scene spills out in the hallway. So to", "scene spills out in the hallway. So to recap: Scene in padded room", "door, the prisoner knocks him out and steals his gun and starts firing", "prisoner knocks him out and steals his gun and starts firing from the", "/ hallway (character fires gun in hallway from padded room) Scene in hallway", "room into the hallway. Then eventually the entire scene spills out in the", "in hallway (the action spills out into the hallway) How would you format", "to recap: Scene in padded room Scene in padded room / hallway (character", "a mental institution. A guard opens the door, the prisoner knocks him out", "gun and starts firing from the room into the hallway. Then eventually the", "I have a scene that initially takes place in the padded room of", "action spills out into the hallway) How would you format this in a", "institution. A guard opens the door, the prisoner knocks him out and steals", "mental institution. A guard opens the door, the prisoner knocks him out and", "takes place in the padded room of a mental institution. A guard opens", "spills out in the hallway. So to recap: Scene in padded room Scene", "hallway (character fires gun in hallway from padded room) Scene in hallway (the", "padded room of a mental institution. A guard opens the door, the prisoner", "room) Scene in hallway (the action spills out into the hallway) How would", "him out and steals his gun and starts firing from the room into", "a scene that initially takes place in the padded room of a mental", "scene that initially takes place in the padded room of a mental institution.", "and starts firing from the room into the hallway. Then eventually the entire", "that initially takes place in the padded room of a mental institution. A", "steals his gun and starts firing from the room into the hallway. Then", "the hallway. Then eventually the entire scene spills out in the hallway. So", "Scene in padded room Scene in padded room / hallway (character fires gun", "padded room) Scene in hallway (the action spills out into the hallway) How", "the hallway. So to recap: Scene in padded room Scene in padded room", "recap: Scene in padded room Scene in padded room / hallway (character fires", "hallway (the action spills out into the hallway) How would you format this", "spills out into the hallway) How would you format this in a TV", "Scene in padded room / hallway (character fires gun in hallway from padded", "place in the padded room of a mental institution. A guard opens the", "initially takes place in the padded room of a mental institution. A guard", "the padded room of a mental institution. A guard opens the door, the", "his gun and starts firing from the room into the hallway. Then eventually", "eventually the entire scene spills out in the hallway. So to recap: Scene", "knocks him out and steals his gun and starts firing from the room", "entire scene spills out in the hallway. So to recap: Scene in padded", "A guard opens the door, the prisoner knocks him out and steals his", "out in the hallway. So to recap: Scene in padded room Scene in", "have a scene that initially takes place in the padded room of a", "in the hallway. So to recap: Scene in padded room Scene in padded", "(character fires gun in hallway from padded room) Scene in hallway (the action", "of a mental institution. A guard opens the door, the prisoner knocks him", "hallway. So to recap: Scene in padded room Scene in padded room /", "room / hallway (character fires gun in hallway from padded room) Scene in", "in padded room / hallway (character fires gun in hallway from padded room)", "room of a mental institution. A guard opens the door, the prisoner knocks", "hallway from padded room) Scene in hallway (the action spills out into the", "opens the door, the prisoner knocks him out and steals his gun and", "from the room into the hallway. Then eventually the entire scene spills out", "out into the hallway) How would you format this in a TV script?", "(the action spills out into the hallway) How would you format this in", "the door, the prisoner knocks him out and steals his gun and starts", "in hallway from padded room) Scene in hallway (the action spills out into", "firing from the room into the hallway. Then eventually the entire scene spills", "fires gun in hallway from padded room) Scene in hallway (the action spills", "in padded room Scene in padded room / hallway (character fires gun in", "padded room / hallway (character fires gun in hallway from padded room) Scene" ]
[ "experienced. My problem is that for plot reasons, I need one of my", "simulating an empirical knowledge of a relatively unknown area? N.B. this is not", "is about technical writing. I found a partial answer in [How to do", "the culture and belief of that region as a native. I thought about", "have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found a partial answer", "not portrayed in movies and seldom in books. Yet enough of my potential", "am a strong believer in writing what you know. Everything I write is", "on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found", "to facilitate simulating an empirical knowledge of a relatively unknown area? N.B. this", "goal is to portray the culture and belief of that region as a", "the area to spot made-up things. Are there any methods to facilitate simulating", "which is about technical writing. I found a partial answer in [How to", "with natives. However, it is in a region that is not portrayed in", "movies and seldom in books. Yet enough of my potential readers are familiar", "what you know. Everything I write is at least partially based on something", "of that region as a native. I thought about reading books located in", "is to portray the culture and belief of that region as a native.", "native. I thought about reading books located in that area and maybe speaking", "that region as a native. I thought about reading books located in that", "made-up things. Are there any methods to facilitate simulating an empirical knowledge of", "I thought about reading books located in that area and maybe speaking with", "Are there any methods to facilitate simulating an empirical knowledge of a relatively", "at least a chapter in that area. My goal is to portray the", "and environment I am not familiar with. I need at least a chapter", "plot reasons, I need one of my characters to grow up in a", "expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found a partial answer in [How", "things. Are there any methods to facilitate simulating an empirical knowledge of a", "enough with the area to spot made-up things. Are there any methods to", "to portray the culture and belief of that region as a native. I", "spot made-up things. Are there any methods to facilitate simulating an empirical knowledge", "this is not a duplicate of [Writing about a subject on which you", "found a partial answer in [How to do research to write characters from", "one of my characters to grow up in a culture and environment I", "My goal is to portray the culture and belief of that region as", "in that area and maybe speaking with natives. However, it is in a", "write is at least partially based on something that I have experienced. My", "about a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical", "culture and belief of that region as a native. I thought about reading", "have experienced. My problem is that for plot reasons, I need one of", "and seldom in books. Yet enough of my potential readers are familiar enough", "I found a partial answer in [How to do research to write characters", "based on something that I have experienced. My problem is that for plot", "books located in that area and maybe speaking with natives. However, it is", "My problem is that for plot reasons, I need one of my characters", "I write is at least partially based on something that I have experienced.", "grow up in a culture and environment I am not familiar with. I", "with the area to spot made-up things. Are there any methods to facilitate", "N.B. this is not a duplicate of [Writing about a subject on which", "problem is that for plot reasons, I need one of my characters to", "to grow up in a culture and environment I am not familiar with.", "a culture and environment I am not familiar with. I need at least", "a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing.", "which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found a", "located in that area and maybe speaking with natives. However, it is in", "that is not portrayed in movies and seldom in books. Yet enough of", "is not a duplicate of [Writing about a subject on which you have", "that for plot reasons, I need one of my characters to grow up", "know. Everything I write is at least partially based on something that I", "are familiar enough with the area to spot made-up things. Are there any", "for plot reasons, I need one of my characters to grow up in", "that I have experienced. My problem is that for plot reasons, I need", "and belief of that region as a native. I thought about reading books", "not a duplicate of [Writing about a subject on which you have no", "area? N.B. this is not a duplicate of [Writing about a subject on", "readers are familiar enough with the area to spot made-up things. Are there", "facilitate simulating an empirical knowledge of a relatively unknown area? N.B. this is", "maybe speaking with natives. However, it is in a region that is not", "region as a native. I thought about reading books located in that area", "area and maybe speaking with natives. However, it is in a region that", "and maybe speaking with natives. However, it is in a region that is", "about technical writing. I found a partial answer in [How to do research", "in books. Yet enough of my potential readers are familiar enough with the", "partial answer in [How to do research to write characters from a different", "However, it is in a region that is not portrayed in movies and", "to spot made-up things. Are there any methods to facilitate simulating an empirical", "writing. I found a partial answer in [How to do research to write", "need one of my characters to grow up in a culture and environment", "Yet enough of my potential readers are familiar enough with the area to", "is at least partially based on something that I have experienced. My problem", "technical writing. I found a partial answer in [How to do research to", "I am a strong believer in writing what you know. Everything I write", "it is in a region that is not portrayed in movies and seldom", "that area and maybe speaking with natives. However, it is in a region", "writing what you know. Everything I write is at least partially based on", "is in a region that is not portrayed in movies and seldom in", "you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found a partial", "books. Yet enough of my potential readers are familiar enough with the area", "potential readers are familiar enough with the area to spot made-up things. Are", "in a region that is not portrayed in movies and seldom in books.", "a relatively unknown area? N.B. this is not a duplicate of [Writing about", "relatively unknown area? N.B. this is not a duplicate of [Writing about a", "least a chapter in that area. My goal is to portray the culture", "I need one of my characters to grow up in a culture and", "that area. My goal is to portray the culture and belief of that", "partially based on something that I have experienced. My problem is that for", "a region that is not portrayed in movies and seldom in books. Yet", "on something that I have experienced. My problem is that for plot reasons,", "is that for plot reasons, I need one of my characters to grow", "in movies and seldom in books. Yet enough of my potential readers are", "believer in writing what you know. Everything I write is at least partially", "thought about reading books located in that area and maybe speaking with natives.", "any methods to facilitate simulating an empirical knowledge of a relatively unknown area?", "a duplicate of [Writing about a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise),", "environment I am not familiar with. I need at least a chapter in", "I need at least a chapter in that area. My goal is to", "in that area. My goal is to portray the culture and belief of", "reading books located in that area and maybe speaking with natives. However, it", "a chapter in that area. My goal is to portray the culture and", "of a relatively unknown area? N.B. this is not a duplicate of [Writing", "methods to facilitate simulating an empirical knowledge of a relatively unknown area? N.B.", "duplicate of [Writing about a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which", "I have experienced. My problem is that for plot reasons, I need one", "as a native. I thought about reading books located in that area and", "reasons, I need one of my characters to grow up in a culture", "my characters to grow up in a culture and environment I am not", "characters to grow up in a culture and environment I am not familiar", "chapter in that area. My goal is to portray the culture and belief", "speaking with natives. However, it is in a region that is not portrayed", "belief of that region as a native. I thought about reading books located", "answer in [How to do research to write characters from a different culture?](https://writers.stackexchange.com/questions/18950/how-to-do-research-to-write-characters-from-a-different-culture?rq=1)", "need at least a chapter in that area. My goal is to portray", "natives. However, it is in a region that is not portrayed in movies", "of [Writing about a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is", "unknown area? N.B. this is not a duplicate of [Writing about a subject", "empirical knowledge of a relatively unknown area? N.B. this is not a duplicate", "a strong believer in writing what you know. Everything I write is at", "enough of my potential readers are familiar enough with the area to spot", "knowledge of a relatively unknown area? N.B. this is not a duplicate of", "in writing what you know. Everything I write is at least partially based", "in a culture and environment I am not familiar with. I need at", "something that I have experienced. My problem is that for plot reasons, I", "familiar with. I need at least a chapter in that area. My goal", "[Writing about a subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about", "you know. Everything I write is at least partially based on something that", "an empirical knowledge of a relatively unknown area? N.B. this is not a", "least partially based on something that I have experienced. My problem is that", "area to spot made-up things. Are there any methods to facilitate simulating an", "Everything I write is at least partially based on something that I have", "of my characters to grow up in a culture and environment I am", "culture and environment I am not familiar with. I need at least a", "portray the culture and belief of that region as a native. I thought", "at least partially based on something that I have experienced. My problem is", "familiar enough with the area to spot made-up things. Are there any methods", "am not familiar with. I need at least a chapter in that area.", "there any methods to facilitate simulating an empirical knowledge of a relatively unknown", "not familiar with. I need at least a chapter in that area. My", "is not portrayed in movies and seldom in books. Yet enough of my", "with. I need at least a chapter in that area. My goal is", "up in a culture and environment I am not familiar with. I need", "subject on which you have no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I", "a partial answer in [How to do research to write characters from a", "region that is not portrayed in movies and seldom in books. Yet enough", "of my potential readers are familiar enough with the area to spot made-up", "a native. I thought about reading books located in that area and maybe", "I am not familiar with. I need at least a chapter in that", "no expertise?](https://writers.stackexchange.com/questions/7182/writing-about-a-subject-on-which-you-have-no-expertise), which is about technical writing. I found a partial answer in", "strong believer in writing what you know. Everything I write is at least", "area. My goal is to portray the culture and belief of that region", "portrayed in movies and seldom in books. Yet enough of my potential readers", "my potential readers are familiar enough with the area to spot made-up things.", "seldom in books. Yet enough of my potential readers are familiar enough with", "about reading books located in that area and maybe speaking with natives. However," ]
[ "for regular dialogue and action? I consistently use the same font for each", "for computer output and emails, another for news articles, and something else for", "to use one font for computer output and emails, another for news articles,", "computer output in addition to regular dialogue and action. Is it common/acceptable to", "to regular dialogue and action. Is it common/acceptable to use one font for", "common/acceptable to use one font for computer output and emails, another for news", "use one font for computer output and emails, another for news articles, and", "another for news articles, and something else for regular dialogue and action? I", "else for regular dialogue and action? I consistently use the same font for", "news articles, parts of technical journals, and snippets of computer output in addition", "computer output and emails, another for news articles, and something else for regular", "articles, and something else for regular dialogue and action? I consistently use the", "Is it common/acceptable to use one font for computer output and emails, another", "regular dialogue and action? I consistently use the same font for each throughout", "output in addition to regular dialogue and action. Is it common/acceptable to use", "of technical journals, and snippets of computer output in addition to regular dialogue", "font for computer output and emails, another for news articles, and something else", "one font for computer output and emails, another for news articles, and something", "of computer output in addition to regular dialogue and action. Is it common/acceptable", "of news articles, parts of technical journals, and snippets of computer output in", "emails, titles of news articles, parts of technical journals, and snippets of computer", "and action? I consistently use the same font for each throughout the story.", "and action. Is it common/acceptable to use one font for computer output and", "action. Is it common/acceptable to use one font for computer output and emails,", "contains emails, titles of news articles, parts of technical journals, and snippets of", "dialogue and action. Is it common/acceptable to use one font for computer output", "titles of news articles, parts of technical journals, and snippets of computer output", "and something else for regular dialogue and action? I consistently use the same", "articles, parts of technical journals, and snippets of computer output in addition to", "in addition to regular dialogue and action. Is it common/acceptable to use one", "news articles, and something else for regular dialogue and action? I consistently use", "dialogue and action? I consistently use the same font for each throughout the", "something else for regular dialogue and action? I consistently use the same font", "and emails, another for news articles, and something else for regular dialogue and", "technical journals, and snippets of computer output in addition to regular dialogue and", "journals, and snippets of computer output in addition to regular dialogue and action.", "emails, another for news articles, and something else for regular dialogue and action?", "output and emails, another for news articles, and something else for regular dialogue", "parts of technical journals, and snippets of computer output in addition to regular", "regular dialogue and action. Is it common/acceptable to use one font for computer", "for news articles, and something else for regular dialogue and action? I consistently", "and snippets of computer output in addition to regular dialogue and action. Is", "My novel contains emails, titles of news articles, parts of technical journals, and", "snippets of computer output in addition to regular dialogue and action. Is it", "addition to regular dialogue and action. Is it common/acceptable to use one font", "it common/acceptable to use one font for computer output and emails, another for", "novel contains emails, titles of news articles, parts of technical journals, and snippets" ]
[ "lyrics of \"Shenandoah\", a traditional American folk song, are heard once. May I", "song, are heard once. May I publish a few lines with the words?", "folk song, are heard once. May I publish a few lines with the", "of \"Shenandoah\", a traditional American folk song, are heard once. May I publish", "a traditional American folk song, are heard once. May I publish a few", "the lyrics of \"Shenandoah\", a traditional American folk song, are heard once. May", "In my screenplay, the lyrics of \"Shenandoah\", a traditional American folk song, are", "traditional American folk song, are heard once. May I publish a few lines", "\"Shenandoah\", a traditional American folk song, are heard once. May I publish a", "my screenplay, the lyrics of \"Shenandoah\", a traditional American folk song, are heard", "screenplay, the lyrics of \"Shenandoah\", a traditional American folk song, are heard once.", "American folk song, are heard once. May I publish a few lines with" ]
[ "told (beta readers) that men don't cry in real life (already know this", "not true). The character is meant to be emotional, yet realistic (and male).", "if this portrayal of male emotion is unrealistic. I have been told (beta", "in real life (already know this is not true). The character is meant", "is unrealistic. I have been told (beta readers) that men don't cry in", "know this is not true). The character is meant to be emotional, yet", "like feedback on if this portrayal of male emotion is unrealistic. I have", "have been told (beta readers) that men don't cry in real life (already", "this portrayal of male emotion is unrealistic. I have been told (beta readers)", "been told (beta readers) that men don't cry in real life (already know", "(already know this is not true). The character is meant to be emotional,", "real life (already know this is not true). The character is meant to", "male emotion is unrealistic. I have been told (beta readers) that men don't", "on if this portrayal of male emotion is unrealistic. I have been told", "don't cry in real life (already know this is not true). The character", "I would like feedback on if this portrayal of male emotion is unrealistic.", "readers) that men don't cry in real life (already know this is not", "of male emotion is unrealistic. I have been told (beta readers) that men", "feedback on if this portrayal of male emotion is unrealistic. I have been", "cry in real life (already know this is not true). The character is", "portrayal of male emotion is unrealistic. I have been told (beta readers) that", "would like feedback on if this portrayal of male emotion is unrealistic. I", "I have been told (beta readers) that men don't cry in real life", "unrealistic. I have been told (beta readers) that men don't cry in real", "is not true). The character is meant to be emotional, yet realistic (and", "(beta readers) that men don't cry in real life (already know this is", "this is not true). The character is meant to be emotional, yet realistic", "emotion is unrealistic. I have been told (beta readers) that men don't cry", "men don't cry in real life (already know this is not true). The", "life (already know this is not true). The character is meant to be", "that men don't cry in real life (already know this is not true)." ]
[ "that there is a certain amount of space between the text on each", "so that there is a certain amount of space between the text on", "there is a certain amount of space between the text on each page", "certain amount of space between the text on each page and the header?", "set it so that there is a certain amount of space between the", "is a certain amount of space between the text on each page and", "Can I set it so that there is a certain amount of space", "I set it so that there is a certain amount of space between", "a certain amount of space between the text on each page and the", "it so that there is a certain amount of space between the text" ]
[ "Is this the case? I know that Christopher Paolini added a PoV character", "in the second or third book (five books total in the series). Up", "second point of view in the second or third book (five books total", "has been important. She just hasn't been the PoV. I'm wondering if adding", "a PoV character half-way through his series; but I also know that many", "PoV character half-way through his series; but I also know that many here", "since he expects the series to follow the style of book one (I", "point, I have only had one PoV character, the protagonist. This new PoV", "follow the style of book one (I would imagine). Is this the case?", "through his series; but I also know that many here consider Paolini slightly", "one and has been important. She just hasn't been the PoV. I'm wondering", "that I will likely be adding a second point of view in the", "So I will not use that example. Question: Can I add a new", "new PoV after at least book one will be jarring to the reader,", "style of book one (I would imagine). Is this the case? I know", "I am currently developing a series of fantasy novels, and have discovered that", "PoV after at least book one will be jarring to the reader, since", "example. Question: Can I add a new PoV in book two or three", "least book one will be jarring to the reader, since he expects the", "or third book (five books total in the series). Up until that point,", "the PoV. I'm wondering if adding a new PoV after at least book", "new PoV in book two or three after book one only had one", "know that Christopher Paolini added a PoV character half-way through his series; but", "total in the series). Up until that point, I have only had one", "a second point of view in the second or third book (five books", "slightly less than a literary genius. :) So I will not use that", "in the series). Up until that point, I have only had one PoV", "of book one (I would imagine). Is this the case? I know that", "only had one PoV character, the protagonist. This new PoV character has been", "Christopher Paolini added a PoV character half-way through his series; but I also", "view in the second or third book (five books total in the series).", "one (I would imagine). Is this the case? I know that Christopher Paolini", "imagine). Is this the case? I know that Christopher Paolini added a PoV", "will be jarring to the reader, since he expects the series to follow", "reader, since he expects the series to follow the style of book one", "the style of book one (I would imagine). Is this the case? I", "a literary genius. :) So I will not use that example. Question: Can", "protagonist. This new PoV character has been around since book one and has", "a series of fantasy novels, and have discovered that I will likely be", "This new PoV character has been around since book one and has been", "I will likely be adding a second point of view in the second", "case? I know that Christopher Paolini added a PoV character half-way through his", "been the PoV. I'm wondering if adding a new PoV after at least", "book one (I would imagine). Is this the case? I know that Christopher", "his series; but I also know that many here consider Paolini slightly less", "(I would imagine). Is this the case? I know that Christopher Paolini added", "important. She just hasn't been the PoV. I'm wondering if adding a new", "I will not use that example. Question: Can I add a new PoV", "the case? I know that Christopher Paolini added a PoV character half-way through", "just hasn't been the PoV. I'm wondering if adding a new PoV after", "point of view in the second or third book (five books total in", "character half-way through his series; but I also know that many here consider", "Paolini slightly less than a literary genius. :) So I will not use", "and has been important. She just hasn't been the PoV. I'm wondering if", "Can I add a new PoV in book two or three after book", "be jarring to the reader, since he expects the series to follow the", "(five books total in the series). Up until that point, I have only", "the series). Up until that point, I have only had one PoV character,", "Up until that point, I have only had one PoV character, the protagonist.", "PoV character, the protagonist. This new PoV character has been around since book", "character, the protagonist. This new PoV character has been around since book one", "genius. :) So I will not use that example. Question: Can I add", "after at least book one will be jarring to the reader, since he", "consider Paolini slightly less than a literary genius. :) So I will not", "half-way through his series; but I also know that many here consider Paolini", "a new PoV in book two or three after book one only had", "I have only had one PoV character, the protagonist. This new PoV character", "at least book one will be jarring to the reader, since he expects", "currently developing a series of fantasy novels, and have discovered that I will", "PoV. I'm wondering if adding a new PoV after at least book one", "less than a literary genius. :) So I will not use that example.", "but I also know that many here consider Paolini slightly less than a", "that example. Question: Can I add a new PoV in book two or", "many here consider Paolini slightly less than a literary genius. :) So I", "be adding a second point of view in the second or third book", "books total in the series). Up until that point, I have only had", "fantasy novels, and have discovered that I will likely be adding a second", "second or third book (five books total in the series). Up until that", "I'm wondering if adding a new PoV after at least book one will", "discovered that I will likely be adding a second point of view in", "and have discovered that I will likely be adding a second point of", "developing a series of fantasy novels, and have discovered that I will likely", "if adding a new PoV after at least book one will be jarring", "since book one and has been important. She just hasn't been the PoV.", "been important. She just hasn't been the PoV. I'm wondering if adding a", "that Christopher Paolini added a PoV character half-way through his series; but I", "hasn't been the PoV. I'm wondering if adding a new PoV after at", "added a PoV character half-way through his series; but I also know that", "literary genius. :) So I will not use that example. Question: Can I", "the protagonist. This new PoV character has been around since book one and", "PoV character has been around since book one and has been important. She", "likely be adding a second point of view in the second or third", "here consider Paolini slightly less than a literary genius. :) So I will", "one PoV character, the protagonist. This new PoV character has been around since", "am currently developing a series of fantasy novels, and have discovered that I", "had one PoV character, the protagonist. This new PoV character has been around", "series; but I also know that many here consider Paolini slightly less than", "that point, I have only had one PoV character, the protagonist. This new", "one will be jarring to the reader, since he expects the series to", "he expects the series to follow the style of book one (I would", "I also know that many here consider Paolini slightly less than a literary", "the series to follow the style of book one (I would imagine). Is", "also know that many here consider Paolini slightly less than a literary genius.", "been around since book one and has been important. She just hasn't been", ":) So I will not use that example. Question: Can I add a", "new PoV character has been around since book one and has been important.", "series of fantasy novels, and have discovered that I will likely be adding", "use that example. Question: Can I add a new PoV in book two", "this the case? I know that Christopher Paolini added a PoV character half-way", "third book (five books total in the series). Up until that point, I", "series to follow the style of book one (I would imagine). Is this", "to the reader, since he expects the series to follow the style of", "book one and has been important. She just hasn't been the PoV. I'm", "series). Up until that point, I have only had one PoV character, the", "jarring to the reader, since he expects the series to follow the style", "I know that Christopher Paolini added a PoV character half-way through his series;", "to follow the style of book one (I would imagine). Is this the", "I add a new PoV in book two or three after book one", "add a new PoV in book two or three after book one only", "Question: Can I add a new PoV in book two or three after", "will likely be adding a second point of view in the second or", "not use that example. Question: Can I add a new PoV in book", "book (five books total in the series). Up until that point, I have", "character has been around since book one and has been important. She just", "that many here consider Paolini slightly less than a literary genius. :) So", "will not use that example. Question: Can I add a new PoV in", "until that point, I have only had one PoV character, the protagonist. This", "know that many here consider Paolini slightly less than a literary genius. :)", "novels, and have discovered that I will likely be adding a second point", "have only had one PoV character, the protagonist. This new PoV character has", "She just hasn't been the PoV. I'm wondering if adding a new PoV", "the reader, since he expects the series to follow the style of book", "would imagine). Is this the case? I know that Christopher Paolini added a", "adding a second point of view in the second or third book (five", "than a literary genius. :) So I will not use that example. Question:", "PoV in book two or three after book one only had one PoV?", "Paolini added a PoV character half-way through his series; but I also know", "of view in the second or third book (five books total in the", "a new PoV after at least book one will be jarring to the", "book one will be jarring to the reader, since he expects the series", "have discovered that I will likely be adding a second point of view", "has been around since book one and has been important. She just hasn't", "the second or third book (five books total in the series). Up until", "wondering if adding a new PoV after at least book one will be", "expects the series to follow the style of book one (I would imagine).", "adding a new PoV after at least book one will be jarring to", "of fantasy novels, and have discovered that I will likely be adding a", "around since book one and has been important. She just hasn't been the" ]
[ "present in classical science-fiction that thinks about relation of human and machine or", "often fitted to far future and all those futuristic is only background that", "different name) could be present also in fantasy and effect would be probably", "be present various things that cannot be (or rather should not be) present", "is often fitted to far future and all those futuristic is only background", "Also, in space opera can be present various things that cannot be (or", "those futuristic is only background that says it is science-fiction. Also, in space", "fitted to medieval age. Space opera is often fitted to far future and", "- for example Force from Star Wars. Such Force (or anything similar with", "probably the same. So, regardless of weapons, where is border between fantasy and", "science-fiction that thinks about relation of human and machine or so - for", "effect would be probably the same. So, regardless of weapons, where is border", "would be probably the same. So, regardless of weapons, where is border between", "name) could be present also in fantasy and effect would be probably the", "example Force from Star Wars. Such Force (or anything similar with different name)", "that thinks about relation of human and machine or so - for example", "present also in fantasy and effect would be probably the same. So, regardless", "opera can be present various things that cannot be (or rather should not", "be) present in classical science-fiction that thinks about relation of human and machine", "and all those futuristic is only background that says it is science-fiction. Also,", "is only background that says it is science-fiction. Also, in space opera can", "it is science-fiction. Also, in space opera can be present various things that", "and machine or so - for example Force from Star Wars. Such Force", "Space opera is often fitted to far future and all those futuristic is", "with different name) could be present also in fantasy and effect would be", "be probably the same. So, regardless of weapons, where is border between fantasy", "is often fitted to medieval age. Space opera is often fitted to far", "to medieval age. Space opera is often fitted to far future and all", "be (or rather should not be) present in classical science-fiction that thinks about", "Fantasy is often fitted to medieval age. Space opera is often fitted to", "fitted to far future and all those futuristic is only background that says", "machine or so - for example Force from Star Wars. Such Force (or", "thinks about relation of human and machine or so - for example Force", "Wars. Such Force (or anything similar with different name) could be present also", "present various things that cannot be (or rather should not be) present in", "to far future and all those futuristic is only background that says it", "various things that cannot be (or rather should not be) present in classical", "all those futuristic is only background that says it is science-fiction. Also, in", "cannot be (or rather should not be) present in classical science-fiction that thinks", "so - for example Force from Star Wars. Such Force (or anything similar", "in classical science-fiction that thinks about relation of human and machine or so", "Such Force (or anything similar with different name) could be present also in", "opera is often fitted to far future and all those futuristic is only", "(or rather should not be) present in classical science-fiction that thinks about relation", "in fantasy and effect would be probably the same. So, regardless of weapons,", "the same. So, regardless of weapons, where is border between fantasy and space", "rather should not be) present in classical science-fiction that thinks about relation of", "fantasy and effect would be probably the same. So, regardless of weapons, where", "says it is science-fiction. Also, in space opera can be present various things", "often fitted to medieval age. Space opera is often fitted to far future", "futuristic is only background that says it is science-fiction. Also, in space opera", "age. Space opera is often fitted to far future and all those futuristic", "future and all those futuristic is only background that says it is science-fiction.", "Star Wars. Such Force (or anything similar with different name) could be present", "can be present various things that cannot be (or rather should not be)", "or so - for example Force from Star Wars. Such Force (or anything", "should not be) present in classical science-fiction that thinks about relation of human", "could be present also in fantasy and effect would be probably the same.", "far future and all those futuristic is only background that says it is", "medieval age. Space opera is often fitted to far future and all those", "only background that says it is science-fiction. Also, in space opera can be", "also in fantasy and effect would be probably the same. So, regardless of", "science-fiction. Also, in space opera can be present various things that cannot be", "not be) present in classical science-fiction that thinks about relation of human and", "of human and machine or so - for example Force from Star Wars.", "similar with different name) could be present also in fantasy and effect would", "anything similar with different name) could be present also in fantasy and effect", "in space opera can be present various things that cannot be (or rather", "relation of human and machine or so - for example Force from Star", "and effect would be probably the same. So, regardless of weapons, where is", "that cannot be (or rather should not be) present in classical science-fiction that", "classical science-fiction that thinks about relation of human and machine or so -", "things that cannot be (or rather should not be) present in classical science-fiction", "Force from Star Wars. Such Force (or anything similar with different name) could", "be present also in fantasy and effect would be probably the same. So,", "from Star Wars. Such Force (or anything similar with different name) could be", "for example Force from Star Wars. Such Force (or anything similar with different", "that says it is science-fiction. Also, in space opera can be present various", "about relation of human and machine or so - for example Force from", "same. So, regardless of weapons, where is border between fantasy and space opera?", "space opera can be present various things that cannot be (or rather should", "Force (or anything similar with different name) could be present also in fantasy", "(or anything similar with different name) could be present also in fantasy and", "is science-fiction. Also, in space opera can be present various things that cannot", "human and machine or so - for example Force from Star Wars. Such", "background that says it is science-fiction. Also, in space opera can be present" ]
[ "(43 picas, 18.2 cm, 7.2 inches) Are those measures the same for every", "submit my manuscript in ecology, containing Figures. However, in Author guidelines, I found", "Figures. However, in Author guidelines, I found that I have to Indicate per", "mean, that in my paper I can use only 3 types of figures'", "found that I have to Indicate per figure if it is a single,", "is a single, 1.5 or 2-column fitting image.* What are those measures? In", "in ecology, containing Figures. However, in Author guidelines, I found that I have", "measures the same for every journal? *Does it also mean, that in my", "Author guidelines, I found that I have to Indicate per figure if it", "1.5-column width (30 picas, 12.7 cm, 5 inches) * a full two-column width", "same for every journal? Does it also mean, that in my paper I", "those measures the same for every journal? Does it also mean, that in", "containing Figures. However, in Author guidelines, I found that I have to Indicate", "found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): single column width (21 picas, 8.9 cm, 3.5 inches), ", "figure if it is a single, 1.5 or 2-column fitting image. What are", "have to Indicate per figure if it is a single, 1.5 or 2-column", "journal? Does it also mean, that in my paper I can use only", "to submit my manuscript in ecology, containing Figures. However, in Author guidelines, I", "a single, 1.5 or 2-column fitting image. What are those measures? In another", "* a 1.5-column width (30 picas, 12.7 cm, 5 inches) * a full", "5 inches) * a full two-column width (43 picas, 18.2 cm, 7.2 inches)", "every journal? *Does it also mean, that in my paper I can use", "per figure if it is a single, 1.5 or 2-column fitting image. What", "3 types of figures' widths, nothing between e.g. width of 6 inches?** Thanks", "What are those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column", "Are those measures the same for every journal? Does it also mean, that", "Does it also mean, that in my paper I can use only 3", "can use only 3 types of figures' widths, nothing between e.g. width of", "are those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width", "I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width (21 picas, 8.9 cm, 3.5 inches),", "types of figures' widths, nothing between e.g. width of 6 inches?** Thanks !", "single, 1.5 or 2-column fitting image.* What are those measures? In another journals", "I have to Indicate per figure if it is a single, 1.5 or", "(<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): single column width (21 picas, 8.9 cm, 3.5 inches), * a", "Indicate per figure if it is a single, 1.5 or 2-column fitting image.", "* single column width (21 picas, 8.9 cm, 3.5 inches), * a 1.5-column", "ecology, containing Figures. However, in Author guidelines, I found that I have to", "width (43 picas, 18.2 cm, 7.2 inches) Are those measures the same for", "(21 picas, 8.9 cm, 3.5 inches), * a 1.5-column width (30 picas, 12.7", "journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width (21 picas, 8.9 cm, 3.5", "it is a single, 1.5 or 2-column fitting image.* What are those measures?", "However, in Author guidelines, I found that I have to Indicate per figure", "my manuscript in ecology, containing Figures. However, in Author guidelines, I found that", "2-column fitting image. What are those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>):", "picas, 18.2 cm, 7.2 inches) Are those measures the same for every journal?", "those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width (21", "1.5 or 2-column fitting image.* What are those measures? In another journals I", "I would like to submit my manuscript in ecology, containing Figures. However, in", "single column width (21 picas, 8.9 cm, 3.5 inches), * a 1.5-column width", "picas, 12.7 cm, 5 inches) * a full two-column width (43 picas, 18.2", "for every journal? Does it also mean, that in my paper I can", "I can use only 3 types of figures' widths, nothing between e.g. width", "18.2 cm, 7.2 inches) Are those measures the same for every journal? Does", "8.9 cm, 3.5 inches), * a 1.5-column width (30 picas, 12.7 cm, 5", "guidelines, I found that I have to Indicate per figure if it is", " a full two-column width (43 picas, 18.2 cm, 7.2 inches) Are those", "in Author guidelines, I found that I have to Indicate per figure if", "inches) Are those measures the same for every journal? Does it also mean,", "like to submit my manuscript in ecology, containing Figures. However, in Author guidelines,", "would like to submit my manuscript in ecology, containing Figures. However, in Author", "7.2 inches) Are those measures the same for every journal? Does it also", "if it is a single, 1.5 or 2-column fitting image. What are those", "inches), * a 1.5-column width (30 picas, 12.7 cm, 5 inches) * a", "inches) * a full two-column width (43 picas, 18.2 cm, 7.2 inches) Are", "cm, 5 inches) * a full two-column width (43 picas, 18.2 cm, 7.2", "a 1.5-column width (30 picas, 12.7 cm, 5 inches) * a full two-column", "to Indicate per figure if it is a single, 1.5 or 2-column fitting", "a full two-column width (43 picas, 18.2 cm, 7.2 inches) Are those measures", "that I have to Indicate per figure if it is a single, 1.5", "manuscript in ecology, containing Figures. However, in Author guidelines, I found that I", "width (30 picas, 12.7 cm, 5 inches) * a full two-column width (43", "the same for every journal? *Does it also mean, that in my paper", "column width (21 picas, 8.9 cm, 3.5 inches), a 1.5-column width (30", "another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width (21 picas, 8.9 cm,", "use only 3 types of figures' widths, nothing between e.g. width of 6", "full two-column width (43 picas, 18.2 cm, 7.2 inches) Are those measures the", "it also mean, that in my paper I can use only 3 types", "two-column width (43 picas, 18.2 cm, 7.2 inches) Are those measures the same", "cm, 7.2 inches) Are those measures the same for every journal? *Does it", "that in my paper I can use only 3 types of figures' widths,", "I found that I have to Indicate per figure if it is a", "12.7 cm, 5 inches) * a full two-column width (43 picas, 18.2 cm,", "my paper I can use only 3 types of figures' widths, nothing between", "cm, 3.5 inches), * a 1.5-column width (30 picas, 12.7 cm, 5 inches)", "(30 picas, 12.7 cm, 5 inches) * a full two-column width (43 picas,", "only 3 types of figures' widths, nothing between e.g. width of 6 inches?*", "measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): single column width (21 picas,", "picas, 8.9 cm, 3.5 inches), * a 1.5-column width (30 picas, 12.7 cm,", "also mean, that in my paper I can use only 3 types of", "3.5 inches), * a 1.5-column width (30 picas, 12.7 cm, 5 inches) ", "fitting image. What are those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): ", "or 2-column fitting image. What are those measures? In another journals I found", "in my paper I can use only 3 types of figures' widths, nothing", "image.* What are those measures? In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single", "paper I can use only 3 types of figures' widths, nothing between e.g.", "In another journals I found (<http://www.pitt.edu/~mcs2/teaching/biocomp/tutorials/journal_req.html>): * single column width (21 picas, 8.9", "width (21 picas, 8.9 cm, 3.5 inches), * a 1.5-column width (30 picas," ]
[ "to pull off? I've written this at about 50k words in the novel,", "and continue the story? After that event, and those few weeks which nothing", "has been running from everything, scared to kill, generally scared of the battle", "novel, and for practically the entire first half the main protagonist has been", "of fiction. I've been writing a novel, and for practically the entire first", "everything, scared to kill, generally scared of the battle he has been plunged", "a good idea to have these two characters come back together, fast forward", "forward a few weeks and continue the story? After that event, and those", "work of fiction. I've been writing a novel, and for practically the entire", "the thing entirely. Is it a good idea to have these two characters", "in attitude? Is this a good move to pull off? I've written this", "battle he has been plunged into. He relies on someone else to help", "so I don't need to go through them, the main protagonist thinks \"Okay,", "I'm worried that the change will be too sudden and the reader would", "and for practically the entire first half the main protagonist has been running", "good idea to have these two characters come back together, fast forward a", "characters come back together, fast forward a few weeks and continue the story?", "it. If I skip forward one week, is that too far forward to", "from as he wanted to escape from the thing entirely. Is it a", "massive change in attitude? Is this a good move to pull off? I've", "the main protagonist thinks \"Okay, if I run from everything nothing is going", "few weeks and continue the story? After that event, and those few weeks", "the protagonist pull themselves together at a point in a work of fiction.", "reader would not respond well to it. If I skip forward one week,", "back together, fast forward a few weeks and continue the story? After that", "thinks \"Okay, if I run from everything nothing is going to change. Let's", "which nothing exciting happens in so I don't need to go through them,", "and for all.\" Is there a better way to put across such a", "been being scared for a while. I'm worried that the change will be", "it a good idea, to make the protagonist pull themselves together at a", "scared of the battle he has been plunged into. He relies on someone", "across such a massive change in attitude? Is this a good move to", "is going to change. Let's put an end to this once and for", "change in attitude? Is this a good move to pull off? I've written", "a while. I'm worried that the change will be too sudden and the", "put across such a massive change in attitude? Is this a good move", "help him get through it, that he recently broke away from as he", "don't need to go through them, the main protagonist thinks \"Okay, if I", "to put across such a massive change in attitude? Is this a good", "way to put across such a massive change in attitude? Is this a", "protagonist has been running from everything, scared to kill, generally scared of the", "to change. Let's put an end to this once and for all.\" Is", "being scared for a while. I'm worried that the change will be too", "have these two characters come back together, fast forward a few weeks and", "weeks which nothing exciting happens in so I don't need to go through", "first half the main protagonist has been running from everything, scared to kill,", "at a point in a work of fiction. I've been writing a novel,", "been writing a novel, and for practically the entire first half the main", "a novel, and for practically the entire first half the main protagonist has", "Let's put an end to this once and for all.\" Is there a", "good idea, to make the protagonist pull themselves together at a point in", "scared to kill, generally scared of the battle he has been plunged into.", "event, and those few weeks which nothing exciting happens in so I don't", "going to change. Let's put an end to this once and for all.\"", "to make the protagonist pull themselves together at a point in a work", "Is it a good idea, to make the protagonist pull themselves together at", "fiction. I've been writing a novel, and for practically the entire first half", "in the novel, so the protagonist has been being scared for a while.", "thing entirely. Is it a good idea to have these two characters come", "he has been plunged into. He relies on someone else to help him", "happens in so I don't need to go through them, the main protagonist", "protagonist has been being scared for a while. I'm worried that the change", "and those few weeks which nothing exciting happens in so I don't need", "themselves together at a point in a work of fiction. I've been writing", "words in the novel, so the protagonist has been being scared for a", "running from everything, scared to kill, generally scared of the battle he has", "pull off? I've written this at about 50k words in the novel, so", "Is this a good move to pull off? I've written this at about", "it, that he recently broke away from as he wanted to escape from", "in so I don't need to go through them, the main protagonist thinks", "these two characters come back together, fast forward a few weeks and continue", "nothing exciting happens in so I don't need to go through them, the", "been plunged into. He relies on someone else to help him get through", "for a while. I'm worried that the change will be too sudden and", "idea to have these two characters come back together, fast forward a few", "those few weeks which nothing exciting happens in so I don't need to", "scared for a while. I'm worried that the change will be too sudden", "fast forward a few weeks and continue the story? After that event, and", "the change will be too sudden and the reader would not respond well", "point in a work of fiction. I've been writing a novel, and for", "an end to this once and for all.\" Is there a better way", "entirely. Is it a good idea to have these two characters come back", "off? I've written this at about 50k words in the novel, so the", "from everything, scared to kill, generally scared of the battle he has been", "the protagonist has been being scared for a while. I'm worried that the", "protagonist thinks \"Okay, if I run from everything nothing is going to change.", "few weeks which nothing exciting happens in so I don't need to go", "I've been writing a novel, and for practically the entire first half the", "He relies on someone else to help him get through it, that he", "the main protagonist has been running from everything, scared to kill, generally scared", "I don't need to go through them, the main protagonist thinks \"Okay, if", "through them, the main protagonist thinks \"Okay, if I run from everything nothing", "all.\" Is there a better way to put across such a massive change", "to kill, generally scared of the battle he has been plunged into. He", "a good idea, to make the protagonist pull themselves together at a point", "relies on someone else to help him get through it, that he recently", "this at about 50k words in the novel, so the protagonist has been", "worried that the change will be too sudden and the reader would not", "a good move to pull off? I've written this at about 50k words", "that he recently broke away from as he wanted to escape from the", "main protagonist thinks \"Okay, if I run from everything nothing is going to", "to this once and for all.\" Is there a better way to put", "of the battle he has been plunged into. He relies on someone else", "he wanted to escape from the thing entirely. Is it a good idea", "half the main protagonist has been running from everything, scared to kill, generally", "in a work of fiction. I've been writing a novel, and for practically", "two characters come back together, fast forward a few weeks and continue the", "if I run from everything nothing is going to change. Let's put an", "a point in a work of fiction. I've been writing a novel, and", "need to go through them, the main protagonist thinks \"Okay, if I run", "respond well to it. If I skip forward one week, is that too", "good move to pull off? I've written this at about 50k words in", "that the change will be too sudden and the reader would not respond", "change will be too sudden and the reader would not respond well to", "into. He relies on someone else to help him get through it, that", "run from everything nothing is going to change. Let's put an end to", "end to this once and for all.\" Is there a better way to", "I run from everything nothing is going to change. Let's put an end", "to have these two characters come back together, fast forward a few weeks", "together, fast forward a few weeks and continue the story? After that event,", "entire first half the main protagonist has been running from everything, scared to", "50k words in the novel, so the protagonist has been being scared for", "a few weeks and continue the story? After that event, and those few", "the reader would not respond well to it. If I skip forward one", "at about 50k words in the novel, so the protagonist has been being", "well to it. If I skip forward one week, is that too far", "come back together, fast forward a few weeks and continue the story? After", "After that event, and those few weeks which nothing exciting happens in so", "from the thing entirely. Is it a good idea to have these two", "kill, generally scared of the battle he has been plunged into. He relies", "there a better way to put across such a massive change in attitude?", "If I skip forward one week, is that too far forward to skip?", "through it, that he recently broke away from as he wanted to escape", "else to help him get through it, that he recently broke away from", "for practically the entire first half the main protagonist has been running from", "to it. If I skip forward one week, is that too far forward", "been running from everything, scared to kill, generally scared of the battle he", "story? After that event, and those few weeks which nothing exciting happens in", "escape from the thing entirely. Is it a good idea to have these", "plunged into. He relies on someone else to help him get through it,", "Is it a good idea to have these two characters come back together,", "\"Okay, if I run from everything nothing is going to change. Let's put", "together at a point in a work of fiction. I've been writing a", "the battle he has been plunged into. He relies on someone else to", "once and for all.\" Is there a better way to put across such", "away from as he wanted to escape from the thing entirely. Is it", "main protagonist has been running from everything, scared to kill, generally scared of", "make the protagonist pull themselves together at a point in a work of", "recently broke away from as he wanted to escape from the thing entirely.", "as he wanted to escape from the thing entirely. Is it a good", "someone else to help him get through it, that he recently broke away", "has been plunged into. He relies on someone else to help him get", "pull themselves together at a point in a work of fiction. I've been", "protagonist pull themselves together at a point in a work of fiction. I've", "that event, and those few weeks which nothing exciting happens in so I", "a massive change in attitude? Is this a good move to pull off?", "sudden and the reader would not respond well to it. If I skip", "get through it, that he recently broke away from as he wanted to", "better way to put across such a massive change in attitude? Is this", "from everything nothing is going to change. Let's put an end to this", "move to pull off? I've written this at about 50k words in the", "writing a novel, and for practically the entire first half the main protagonist", "and the reader would not respond well to it. If I skip forward", "continue the story? After that event, and those few weeks which nothing exciting", "a better way to put across such a massive change in attitude? Is", "to go through them, the main protagonist thinks \"Okay, if I run from", "the story? After that event, and those few weeks which nothing exciting happens", "written this at about 50k words in the novel, so the protagonist has", "this once and for all.\" Is there a better way to put across", "while. I'm worried that the change will be too sudden and the reader", "it a good idea to have these two characters come back together, fast", "this a good move to pull off? I've written this at about 50k", "will be too sudden and the reader would not respond well to it.", "too sudden and the reader would not respond well to it. If I", "such a massive change in attitude? Is this a good move to pull", "the novel, so the protagonist has been being scared for a while. I'm", "nothing is going to change. Let's put an end to this once and", "he recently broke away from as he wanted to escape from the thing", "attitude? Is this a good move to pull off? I've written this at", "about 50k words in the novel, so the protagonist has been being scared", "him get through it, that he recently broke away from as he wanted", "the entire first half the main protagonist has been running from everything, scared", "exciting happens in so I don't need to go through them, the main", "idea, to make the protagonist pull themselves together at a point in a", "I've written this at about 50k words in the novel, so the protagonist", "practically the entire first half the main protagonist has been running from everything,", "for all.\" Is there a better way to put across such a massive", "a work of fiction. I've been writing a novel, and for practically the", "on someone else to help him get through it, that he recently broke", "broke away from as he wanted to escape from the thing entirely. Is", "weeks and continue the story? After that event, and those few weeks which", "go through them, the main protagonist thinks \"Okay, if I run from everything", "has been being scared for a while. I'm worried that the change will", "Is there a better way to put across such a massive change in", "be too sudden and the reader would not respond well to it. If", "so the protagonist has been being scared for a while. I'm worried that", "everything nothing is going to change. Let's put an end to this once", "novel, so the protagonist has been being scared for a while. I'm worried", "wanted to escape from the thing entirely. Is it a good idea to", "to escape from the thing entirely. Is it a good idea to have", "change. Let's put an end to this once and for all.\" Is there", "not respond well to it. If I skip forward one week, is that", "them, the main protagonist thinks \"Okay, if I run from everything nothing is", "generally scared of the battle he has been plunged into. He relies on", "to help him get through it, that he recently broke away from as", "would not respond well to it. If I skip forward one week, is", "put an end to this once and for all.\" Is there a better" ]