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[ "water. This is a subplot of a greater plot where the character first", "a forest but is too afraid to go inside. He is also distracted", "Make the process believable and non-contrived * Create some character development and make", "what is in a forest but is too afraid to go inside. He", "Make the character fail a few times and show that the character recognizes", "that is holding the character back things that are reminiscent of things that", "some supernatural power. Question How can I write this subplot where the protagonist", "the readers. * Make the things that is holding the character back things", "things that are reminiscent of things that holds some of the readers back", "that are reminiscent of things that holds some of the readers back in", "my story the protagonist is both curious and fearful. He wants to know", "and accepts the responsibility of failure (instead of blaming). This may make the", "him back before confronting some supernatural power. Question How can I write this", "his biological desires that are holding him back before confronting some supernatural power.", "supernatural power. Question How can I write this subplot where the protagonist overcomes", "holds some of the readers back in real life, so it is believable", "fear and his biological desires that are holding him back before confronting some", "* Maybe Make the character fail a few times and show that the", "is a subplot of a greater plot where the character first overcomes his", "the protagonist overcomes his internal flaws while achieving the following: * Make the", "few times and show that the character recognizes and accepts the responsibility of", "know what is in a forest but is too afraid to go inside.", "at solution** * Maybe Make the character fail a few times and show", "is holding the character back things that are reminiscent of things that holds", "the character likable for the readers. * Make the things that is holding", "make the character likable for the readers. * Make the things that is", "things that is holding the character back things that are reminiscent of things", "to go inside. He is also distracted by his basic needs for food", "likable for the readers. * Make the things that is holding the character", "and fearful. He wants to know what is in a forest but is", "and non-contrived * Create some character development and make the readers sympathize the", "the character back things that are reminiscent of things that holds some of", "character likable for the readers. * Make the things that is holding the", "readers back in real life, so it is believable and the readers will", "This is a subplot of a greater plot where the character first overcomes", "back before confronting some supernatural power. Question How can I write this subplot", "distracted by his basic needs for food and water. This is a subplot", "and show that the character recognizes and accepts the responsibility of failure (instead", "forest but is too afraid to go inside. He is also distracted by", "a subplot of a greater plot where the character first overcomes his fear", "development and make the readers sympathize the character Attempts at solution * Maybe", "readers sympathize the character Attempts at solution * Maybe Make the character fail", "for the readers. * Make the things that is holding the character back", "to know what is in a forest but is too afraid to go", "some of the readers back in real life, so it is believable and", "it is believable and the readers will want to know how they are", "character fail a few times and show that the character recognizes and accepts", "This may make the character likable for the readers. * Make the things", "by his basic needs for food and water. This is a subplot of", "while achieving the following: * Make the process believable and non-contrived * Create", "Attempts at solution * Maybe Make the character fail a few times and", "believable and the readers will want to know how they are overcome. (I", "of the readers back in real life, so it is believable and the", "in a forest but is too afraid to go inside. He is also", "a few times and show that the character recognizes and accepts the responsibility", "inside. He is also distracted by his basic needs for food and water.", "* Make the things that is holding the character back things that are", "basic needs for food and water. This is a subplot of a greater", "(instead of blaming). This may make the character likable for the readers. ", "may make the character likable for the readers. Make the things that", "readers. * Make the things that is holding the character back things that", "overcomes his fear and his biological desires that are holding him back before", "things that holds some of the readers back in real life, so it", "the character Attempts at solution * Maybe Make the character fail a few", "character first overcomes his fear and his biological desires that are holding him", "He wants to know what is in a forest but is too afraid", "his fear and his biological desires that are holding him back before confronting", "holding him back before confronting some supernatural power. Question How can I write", "curious and fearful. He wants to know what is in a forest but", "Question How can I write this subplot where the protagonist overcomes his internal", "following: * Make the process believable and non-contrived * Create some character development", "the following: * Make the process believable and non-contrived * Create some character", "power. Question How can I write this subplot where the protagonist overcomes his", "fail a few times and show that the character recognizes and accepts the", "and water. This is a subplot of a greater plot where the character", "character development and make the readers sympathize the character Attempts at solution ", "reminiscent of things that holds some of the readers back in real life,", "and make the readers sympathize the character Attempts at solution* * Maybe Make", "of things that holds some of the readers back in real life, so", "too afraid to go inside. He is also distracted by his basic needs", "back things that are reminiscent of things that holds some of the readers", "so it is believable and the readers will want to know how they", "story the protagonist is both curious and fearful. He wants to know what", "is believable and the readers will want to know how they are overcome.", "readers will want to know how they are overcome. (I don't have any", "character back things that are reminiscent of things that holds some of the", "back in real life, so it is believable and the readers will want", "Maybe Make the character fail a few times and show that the character", "and his biological desires that are holding him back before confronting some supernatural", "write this subplot where the protagonist overcomes his internal flaws while achieving the", "the process believable and non-contrived * Create some character development and make the", "biological desires that are holding him back before confronting some supernatural power. Question", "some character development and make the readers sympathize the character Attempts at solution", "the character recognizes and accepts the responsibility of failure (instead of blaming). This", "flaws while achieving the following: * Make the process believable and non-contrived ", "and the readers will want to know how they are overcome. (I don't", "subplot of a greater plot where the character first overcomes his fear and", "that holds some of the readers back in real life, so it is", "in real life, so it is believable and the readers will want to", "solution* * Maybe Make the character fail a few times and show that", "How can I write this subplot where the protagonist overcomes his internal flaws", "overcomes his internal flaws while achieving the following: * Make the process believable", "the protagonist is both curious and fearful. He wants to know what is", "of a greater plot where the character first overcomes his fear and his", "the character first overcomes his fear and his biological desires that are holding", "* Make the process believable and non-contrived * Create some character development and", "real life, so it is believable and the readers will want to know", "this subplot where the protagonist overcomes his internal flaws while achieving the following:", "failure (instead of blaming). This may make the character likable for the readers.", "but is too afraid to go inside. He is also distracted by his", "life, so it is believable and the readers will want to know how", "holding the character back things that are reminiscent of things that holds some", "confronting some supernatural power. Question How can I write this subplot where the", "non-contrived * Create some character development and make the readers sympathize the character", "the readers will want to know how they are overcome. (I don't have", "greater plot where the character first overcomes his fear and his biological desires", "the responsibility of failure (instead of blaming). This may make the character likable", "go inside. He is also distracted by his basic needs for food and", "of blaming). This may make the character likable for the readers. * Make", "before confronting some supernatural power. Question How can I write this subplot where", "believable and non-contrived * Create some character development and make the readers sympathize", "blaming). This may make the character likable for the readers. * Make the", "character recognizes and accepts the responsibility of failure (instead of blaming). This may", "that are holding him back before confronting some supernatural power. Question How can", "times and show that the character recognizes and accepts the responsibility of failure", "Context introduction In my story the protagonist is both curious and fearful. He", "both curious and fearful. He wants to know what is in a forest", "desires that are holding him back before confronting some supernatural power. Question How", "the readers sympathize the character Attempts at solution * Maybe Make the character", "how they are overcome. (I don't have any specific ideas in mind though)", "are holding him back before confronting some supernatural power. Question How can I", "Make the things that is holding the character back things that are reminiscent", "afraid to go inside. He is also distracted by his basic needs for", "the character fail a few times and show that the character recognizes and", "accepts the responsibility of failure (instead of blaming). This may make the character", "character Attempts at solution * Maybe Make the character fail a few times", "is both curious and fearful. He wants to know what is in a", "fearful. He wants to know what is in a forest but is too", "I write this subplot where the protagonist overcomes his internal flaws while achieving", "is also distracted by his basic needs for food and water. This is", "to know how they are overcome. (I don't have any specific ideas in", "food and water. This is a subplot of a greater plot where the", "can I write this subplot where the protagonist overcomes his internal flaws while", "where the character first overcomes his fear and his biological desires that are", "introduction In my story the protagonist is both curious and fearful. He wants", "plot where the character first overcomes his fear and his biological desires that", "sympathize the character Attempts at solution** * Maybe Make the character fail a", "internal flaws while achieving the following: * Make the process believable and non-contrived", "In my story the protagonist is both curious and fearful. He wants to", "also distracted by his basic needs for food and water. This is a", "that the character recognizes and accepts the responsibility of failure (instead of blaming).", "protagonist is both curious and fearful. He wants to know what is in", "He is also distracted by his basic needs for food and water. This", "show that the character recognizes and accepts the responsibility of failure (instead of", "the readers back in real life, so it is believable and the readers", "know how they are overcome. (I don't have any specific ideas in mind", "are reminiscent of things that holds some of the readers back in real", "subplot where the protagonist overcomes his internal flaws while achieving the following: ", "wants to know what is in a forest but is too afraid to", "Create some character development and make the readers sympathize the character Attempts at", "the things that is holding the character back things that are reminiscent of", "needs for food and water. This is a subplot of a greater plot", "his internal flaws while achieving the following: Make the process believable and", "recognizes and accepts the responsibility of failure (instead of blaming). This may make", "first overcomes his fear and his biological desires that are holding him back", "for food and water. This is a subplot of a greater plot where", "a greater plot where the character first overcomes his fear and his biological", "his basic needs for food and water. This is a subplot of a", "make the readers sympathize the character Attempts at solution * Maybe Make the", "is in a forest but is too afraid to go inside. He is", "protagonist overcomes his internal flaws while achieving the following: * Make the process", "where the protagonist overcomes his internal flaws while achieving the following: * Make", "process believable and non-contrived * Create some character development and make the readers", "want to know how they are overcome. (I don't have any specific ideas", "is too afraid to go inside. He is also distracted by his basic", "* Create some character development and make the readers sympathize the character *Attempts", "responsibility of failure (instead of blaming). This may make the character likable for", "of failure (instead of blaming). This may make the character likable for the", "will want to know how they are overcome. (I don't have any specific", "achieving the following: Make the process believable and non-contrived * Create some" ]
[ "hasn't been especially helpful, mostly because I don't know which forums are useful,", "if anyone else writes this, and whether they know of any communities built", "one of my favorite pieces of mine below). I was wondering if anyone", "I was wondering if anyone else writes this, and whether they know of", "because I don't know which forums are useful, helpful, and encouraging places and", "my favorite pieces of mine below). I was wondering if anyone else writes", "let alone a novel. Mostly what I write these days is Micro-fiction (all", "what I write these days is Micro-fiction (all short pieces of a couple", "helpful, and encouraging places and which are toxic, troll-ridden nightmares. Any suggestions would", "novel. Mostly what I write these days is Micro-fiction (all short pieces of", "communities built around it? Google hasn't been especially helpful, mostly because I don't", "story, let alone a novel. Mostly what I write these days is Micro-fiction", "was wondering if anyone else writes this, and whether they know of any", "know which forums are useful, helpful, and encouraging places and which are toxic,", "of any communities built around it? Google hasn't been especially helpful, mostly because", "been especially helpful, mostly because I don't know which forums are useful, helpful,", "wondering if anyone else writes this, and whether they know of any communities", "Micro-fiction (all short pieces of a couple hundred words, I've included one of", "never had the stamina to write a short story, let alone a novel.", "a novel. Mostly what I write these days is Micro-fiction (all short pieces", "they know of any communities built around it? Google hasn't been especially helpful,", "but never had the stamina to write a short story, let alone a", "I write these days is Micro-fiction (all short pieces of a couple hundred", "and which are toxic, troll-ridden nightmares. Any suggestions would be very gratefully received!", "especially helpful, mostly because I don't know which forums are useful, helpful, and", "to write a short story, let alone a novel. Mostly what I write", "pieces of a couple hundred words, I've included one of my favorite pieces", "are useful, helpful, and encouraging places and which are toxic, troll-ridden nightmares. Any", "I don't know which forums are useful, helpful, and encouraging places and which", "and encouraging places and which are toxic, troll-ridden nightmares. Any suggestions would be", "a couple hundred words, I've included one of my favorite pieces of mine", "stamina to write a short story, let alone a novel. Mostly what I", "alone a novel. Mostly what I write these days is Micro-fiction (all short", "mine below). I was wondering if anyone else writes this, and whether they", "mostly because I don't know which forums are useful, helpful, and encouraging places", "pieces of mine below). I was wondering if anyone else writes this, and", "helpful, mostly because I don't know which forums are useful, helpful, and encouraging", "the stamina to write a short story, let alone a novel. Mostly what", "whether they know of any communities built around it? Google hasn't been especially", "write these days is Micro-fiction (all short pieces of a couple hundred words,", "below). I was wondering if anyone else writes this, and whether they know", "had the stamina to write a short story, let alone a novel. Mostly", "a short story, let alone a novel. Mostly what I write these days", "is Micro-fiction (all short pieces of a couple hundred words, I've included one", "of my favorite pieces of mine below). I was wondering if anyone else", "this, and whether they know of any communities built around it? Google hasn't", "Mostly what I write these days is Micro-fiction (all short pieces of a", "it? Google hasn't been especially helpful, mostly because I don't know which forums", "which forums are useful, helpful, and encouraging places and which are toxic, troll-ridden", "words, I've included one of my favorite pieces of mine below). I was", "useful, helpful, and encouraging places and which are toxic, troll-ridden nightmares. Any suggestions", "enjoyed writing but never had the stamina to write a short story, let", "writing but never had the stamina to write a short story, let alone", "So I've always enjoyed writing but never had the stamina to write a", "couple hundred words, I've included one of my favorite pieces of mine below).", "built around it? Google hasn't been especially helpful, mostly because I don't know", "hundred words, I've included one of my favorite pieces of mine below). I", "writes this, and whether they know of any communities built around it? Google", "encouraging places and which are toxic, troll-ridden nightmares. Any suggestions would be very", "always enjoyed writing but never had the stamina to write a short story,", "and whether they know of any communities built around it? Google hasn't been", "anyone else writes this, and whether they know of any communities built around", "short story, let alone a novel. Mostly what I write these days is", "I've included one of my favorite pieces of mine below). I was wondering", "favorite pieces of mine below). I was wondering if anyone else writes this,", "else writes this, and whether they know of any communities built around it?", "of mine below). I was wondering if anyone else writes this, and whether", "short pieces of a couple hundred words, I've included one of my favorite", "any communities built around it? Google hasn't been especially helpful, mostly because I", "I've always enjoyed writing but never had the stamina to write a short", "Google hasn't been especially helpful, mostly because I don't know which forums are", "included one of my favorite pieces of mine below). I was wondering if", "places and which are toxic, troll-ridden nightmares. Any suggestions would be very gratefully", "of a couple hundred words, I've included one of my favorite pieces of", "know of any communities built around it? Google hasn't been especially helpful, mostly", "these days is Micro-fiction (all short pieces of a couple hundred words, I've", "days is Micro-fiction (all short pieces of a couple hundred words, I've included", "around it? Google hasn't been especially helpful, mostly because I don't know which", "forums are useful, helpful, and encouraging places and which are toxic, troll-ridden nightmares.", "(all short pieces of a couple hundred words, I've included one of my", "write a short story, let alone a novel. Mostly what I write these", "don't know which forums are useful, helpful, and encouraging places and which are" ]
[ "a plot outline? * After the first draft? * After the second draft?", "after each stage? At what stage do you ask people to proofread? (As", "you polish it for the public? What kind of feedback do you like", "writing do you ask for feedback on your new story? * After writing", "What kind of feedback do you like to get (and don't want) after", "* After the second draft? * After you polish it for the public?", "like to get (and don't want) after each stage? At what stage do", "new story? * After writing a plot outline? * After the first draft?", "* After you polish it for the public? What kind of feedback do", "to get (and don't want) after each stage? At what stage do you", "want) after each stage? At what stage do you ask people to proofread?", "in writing do you ask for feedback on your new story? * After", "After the first draft? * After the second draft? * After you polish", "feedback on your new story? * After writing a plot outline? * After", "for feedback on your new story? * After writing a plot outline? ", "your new story? After writing a plot outline? * After the first", "feedback do you like to get (and don't want) after each stage? At", "the public? What kind of feedback do you like to get (and don't", "do you like to get (and don't want) after each stage? At what", "what stage in writing do you ask for feedback on your new story?", "each stage? At what stage do you ask people to proofread? (As opposed", "stage in writing do you ask for feedback on your new story? ", "plot outline? After the first draft? * After the second draft? ", "story? After writing a plot outline? * After the first draft? ", "draft? After you polish it for the public? What kind of feedback", "* After writing a plot outline? * After the first draft? * After", "stage? At what stage do you ask people to proofread? (As opposed to", "(and don't want) after each stage? At what stage do you ask people", "kind of feedback do you like to get (and don't want) after each", "polish it for the public? What kind of feedback do you like to", "writing a plot outline? * After the first draft? * After the second", "on your new story? * After writing a plot outline? * After the", "of feedback do you like to get (and don't want) after each stage?", "it for the public? What kind of feedback do you like to get", "After writing a plot outline? * After the first draft? * After the", "you ask for feedback on your new story? * After writing a plot", "At what stage in writing do you ask for feedback on your new", "for the public? What kind of feedback do you like to get (and", "After the second draft? * After you polish it for the public? What", "second draft? * After you polish it for the public? What kind of", "After you polish it for the public? What kind of feedback do you", "outline? * After the first draft? * After the second draft? * After", "At what stage do you ask people to proofread? (As opposed to editing.)", "draft? * After the second draft? * After you polish it for the", "don't want) after each stage? At what stage do you ask people to", "public? What kind of feedback do you like to get (and don't want)", "you like to get (and don't want) after each stage? At what stage", "* After the first draft? * After the second draft? * After you", "get (and don't want) after each stage? At what stage do you ask", "ask for feedback on your new story? * After writing a plot outline?", "the first draft? * After the second draft? * After you polish it", "the second draft? * After you polish it for the public? What kind", "first draft? * After the second draft? * After you polish it for", "do you ask for feedback on your new story? * After writing a" ]
[ "is or is not an anthology? 1. A book of American quotations. 2.", "book of American quotations. 2. A cookbook built around a common theme. 3.", "magazine. At first I thought that \"literary piece\" was the acid test, then", "X an anthology and Y is not?\" Merriam Webster defines \"anthology\" as: >", "collection is or is not an anthology? 1. A book of American quotations.", "Webster defines \"anthology\" as: > > A collection of selected literary pieces or", "The Academy Awards gown section of a magazine. At first I thought that", "doing a short presentation on \"What is an anthology,\" and I'm not sure", "and Y is not?\" Merriam Webster defines \"anthology\" as: > > A collection", "is an anthology. But: (a) Which of the items in the following list", "A collection of selected literary pieces or passages or works of art or", "Which of the items in the following list are anthologies? (b) Is there", "or music. > > > With a bit more research, I found that", "> A collection of selected literary pieces or passages or works of art", "> > > With a bit more research, I found that a film", "asking this on Writing.SE because I'm doing a short presentation on \"What is", "the acid test, then I found definitions about \"literary work\" and \"collection\" to", "Hitchcock Presents\" is an anthology. But: (a) Which of the items in the", "such as \"Alfred Hitchcock Presents\" is an anthology. But: (a) Which of the", "an anthology. But: (a) Which of the items in the following list are", "use to say with confidence that a collection is or is not an", "book, Enchantment, because each chapter ends with a contributor's essay on \"How I", "that \"literary piece\" was the acid test, then I found definitions about \"literary", "bit more research, I found that a film series such as \"Alfred Hitchcock", "contributor's essay on \"How I did it.\" 4. The Academy Awards gown section", "anthologies? (b) Is there a critical attribute that professional writers use to say", "as \"Alfred Hitchcock Presents\" is an anthology. But: (a) Which of the items", "critical attribute that professional writers use to say with confidence that a collection", "I found definitions about \"literary work\" and \"collection\" to confuse matters more at", "I thought that \"literary piece\" was the acid test, then I found definitions", "collection of selected literary pieces or passages or works of art or music.", "(a) Which of the items in the following list are anthologies? (b) Is", "Merriam Webster defines \"anthology\" as: > > A collection of selected literary pieces", "series such as \"Alfred Hitchcock Presents\" is an anthology. But: (a) Which of", "of the items in the following list are anthologies? (b) Is there a", "each chapter ends with a contributor's essay on \"How I did it.\" 4.", "\"What is an anthology,\" and I'm not sure how to answer the question", "common theme. 3. Guy Kawasaki's book, Enchantment, because each chapter ends with a", "of art or music. > > > With a bit more research, I", "Guy Kawasaki's book, Enchantment, because each chapter ends with a contributor's essay on", "film series such as \"Alfred Hitchcock Presents\" is an anthology. But: (a) Which", "(b) Is there a critical attribute that professional writers use to say with", "\"anthology\" as: > > A collection of selected literary pieces or passages or", "or works of art or music. > > > With a bit more", "that a film series such as \"Alfred Hitchcock Presents\" is an anthology. But:", "anthology. But: (a) Which of the items in the following list are anthologies?", "found that a film series such as \"Alfred Hitchcock Presents\" is an anthology.", "list are anthologies? (b) Is there a critical attribute that professional writers use", "say with confidence that a collection is or is not an anthology? 1.", "on \"What is an anthology,\" and I'm not sure how to answer the", "> > With a bit more research, I found that a film series", "research, I found that a film series such as \"Alfred Hitchcock Presents\" is", "or is not an anthology? 1. A book of American quotations. 2. A", "A book of American quotations. 2. A cookbook built around a common theme.", "is not?\" Merriam Webster defines \"anthology\" as: > > A collection of selected", "I'm not sure how to answer the question \"Why is X an anthology", "anthology and Y is not?\" Merriam Webster defines \"anthology\" as: > > A", "Enchantment, because each chapter ends with a contributor's essay on \"How I did", "anthology? 1. A book of American quotations. 2. A cookbook built around a", "A cookbook built around a common theme. 3. Guy Kawasaki's book, Enchantment, because", "theme. 3. Guy Kawasaki's book, Enchantment, because each chapter ends with a contributor's", "with a contributor's essay on \"How I did it.\" 4. The Academy Awards", "an anthology,\" and I'm not sure how to answer the question \"Why is", "Awards gown section of a magazine. At first I thought that \"literary piece\"", "section of a magazine. At first I thought that \"literary piece\" was the", "found definitions about \"literary work\" and \"collection\" to confuse matters more at <http://www.copyright.gov/register/tx-collective.html>", "pieces or passages or works of art or music. > > > With", "art or music. > > > With a bit more research, I found", "question \"Why is X an anthology and Y is not?\" Merriam Webster defines", "that professional writers use to say with confidence that a collection is or", "was the acid test, then I found definitions about \"literary work\" and \"collection\"", "this on Writing.SE because I'm doing a short presentation on \"What is an", "test, then I found definitions about \"literary work\" and \"collection\" to confuse matters", "anthology,\" and I'm not sure how to answer the question \"Why is X", "an anthology and Y is not?\" Merriam Webster defines \"anthology\" as: > >", "thought that \"literary piece\" was the acid test, then I found definitions about", "I did it.\" 4. The Academy Awards gown section of a magazine. At", "are anthologies? (b) Is there a critical attribute that professional writers use to", "gown section of a magazine. At first I thought that \"literary piece\" was", "Y is not?\" Merriam Webster defines \"anthology\" as: > > A collection of", "a short presentation on \"What is an anthology,\" and I'm not sure how", "\"literary piece\" was the acid test, then I found definitions about \"literary work\"", "and I'm not sure how to answer the question \"Why is X an", "that a collection is or is not an anthology? 1. A book of", "I'm asking this on Writing.SE because I'm doing a short presentation on \"What", "professional writers use to say with confidence that a collection is or is", "a bit more research, I found that a film series such as \"Alfred", "piece\" was the acid test, then I found definitions about \"literary work\" and", "not an anthology? 1. A book of American quotations. 2. A cookbook built", "chapter ends with a contributor's essay on \"How I did it.\" 4. The", "answer the question \"Why is X an anthology and Y is not?\" Merriam", "on Writing.SE because I'm doing a short presentation on \"What is an anthology,\"", "first I thought that \"literary piece\" was the acid test, then I found", "a magazine. At first I thought that \"literary piece\" was the acid test,", "the items in the following list are anthologies? (b) Is there a critical", "following list are anthologies? (b) Is there a critical attribute that professional writers", "Writing.SE because I'm doing a short presentation on \"What is an anthology,\" and", "a contributor's essay on \"How I did it.\" 4. The Academy Awards gown", "did it.\" 4. The Academy Awards gown section of a magazine. At first", "items in the following list are anthologies? (b) Is there a critical attribute", "quotations. 2. A cookbook built around a common theme. 3. Guy Kawasaki's book,", "to answer the question \"Why is X an anthology and Y is not?\"", "attribute that professional writers use to say with confidence that a collection is", "then I found definitions about \"literary work\" and \"collection\" to confuse matters more", "With a bit more research, I found that a film series such as", "in the following list are anthologies? (b) Is there a critical attribute that", "with confidence that a collection is or is not an anthology? 1. A", "the following list are anthologies? (b) Is there a critical attribute that professional", "cookbook built around a common theme. 3. Guy Kawasaki's book, Enchantment, because each", "4. The Academy Awards gown section of a magazine. At first I thought", "is an anthology,\" and I'm not sure how to answer the question \"Why", "short presentation on \"What is an anthology,\" and I'm not sure how to", "> With a bit more research, I found that a film series such", "how to answer the question \"Why is X an anthology and Y is", "or passages or works of art or music. > > > With a", "on \"How I did it.\" 4. The Academy Awards gown section of a", "a collection is or is not an anthology? 1. A book of American", "Academy Awards gown section of a magazine. At first I thought that \"literary", "sure how to answer the question \"Why is X an anthology and Y", "is X an anthology and Y is not?\" Merriam Webster defines \"anthology\" as:", "\"Alfred Hitchcock Presents\" is an anthology. But: (a) Which of the items in", "because each chapter ends with a contributor's essay on \"How I did it.\"", "of American quotations. 2. A cookbook built around a common theme. 3. Guy", "of selected literary pieces or passages or works of art or music. >", "essay on \"How I did it.\" 4. The Academy Awards gown section of", "works of art or music. > > > With a bit more research,", "American quotations. 2. A cookbook built around a common theme. 3. Guy Kawasaki's", "more research, I found that a film series such as \"Alfred Hitchcock Presents\"", "confidence that a collection is or is not an anthology? 1. A book", "built around a common theme. 3. Guy Kawasaki's book, Enchantment, because each chapter", "a critical attribute that professional writers use to say with confidence that a", "defines \"anthology\" as: > > A collection of selected literary pieces or passages", "\"How I did it.\" 4. The Academy Awards gown section of a magazine.", "of a magazine. At first I thought that \"literary piece\" was the acid", "> > A collection of selected literary pieces or passages or works of", "a common theme. 3. Guy Kawasaki's book, Enchantment, because each chapter ends with", "acid test, then I found definitions about \"literary work\" and \"collection\" to confuse", "I found that a film series such as \"Alfred Hitchcock Presents\" is an", "But: (a) Which of the items in the following list are anthologies? (b)", "\"Why is X an anthology and Y is not?\" Merriam Webster defines \"anthology\"", "around a common theme. 3. Guy Kawasaki's book, Enchantment, because each chapter ends", "1. A book of American quotations. 2. A cookbook built around a common", "literary pieces or passages or works of art or music. > > >", "because I'm doing a short presentation on \"What is an anthology,\" and I'm", "selected literary pieces or passages or works of art or music. > >", "there a critical attribute that professional writers use to say with confidence that", "At first I thought that \"literary piece\" was the acid test, then I", "passages or works of art or music. > > > With a bit", "Presents\" is an anthology. But: (a) Which of the items in the following", "to say with confidence that a collection is or is not an anthology?", "a film series such as \"Alfred Hitchcock Presents\" is an anthology. But: (a)", "2. A cookbook built around a common theme. 3. Guy Kawasaki's book, Enchantment,", "not sure how to answer the question \"Why is X an anthology and", "an anthology? 1. A book of American quotations. 2. A cookbook built around", "music. > > > With a bit more research, I found that a", "the question \"Why is X an anthology and Y is not?\" Merriam Webster", "Is there a critical attribute that professional writers use to say with confidence", "presentation on \"What is an anthology,\" and I'm not sure how to answer", "is not an anthology? 1. A book of American quotations. 2. A cookbook", "Kawasaki's book, Enchantment, because each chapter ends with a contributor's essay on \"How", "it.\" 4. The Academy Awards gown section of a magazine. At first I", "writers use to say with confidence that a collection is or is not", "3. Guy Kawasaki's book, Enchantment, because each chapter ends with a contributor's essay", "not?\" Merriam Webster defines \"anthology\" as: > > A collection of selected literary", "I'm doing a short presentation on \"What is an anthology,\" and I'm not", "ends with a contributor's essay on \"How I did it.\" 4. The Academy", "as: > > A collection of selected literary pieces or passages or works" ]
[ "a story that involves three main characters. They appear in linear form, each", "for example character A's story finishes leading to B's story which finishes leading", "characters. They appear in linear form, each one's story leading to the other.", "story finishes leading to B's story which finishes leading to character C's story.", "finishes leading to character C's story. But each story is relevant to each", "A's story finishes leading to B's story which finishes leading to character C's", "story which finishes leading to character C's story. But each story is relevant", "story. But each story is relevant to each character. This for one book", "for one book and it is all written in third person. Is this", "is all written in third person. Is this a good or bad idea?", "one's story leading to the other. So for example character A's story finishes", "leading to B's story which finishes leading to character C's story. But each", "I'm writing a story that involves three main characters. They appear in linear", "each one's story leading to the other. So for example character A's story", "main characters. They appear in linear form, each one's story leading to the", "But each story is relevant to each character. This for one book and", "character C's story. But each story is relevant to each character. This for", "This for one book and it is all written in third person. Is", "character. This for one book and it is all written in third person.", "form, each one's story leading to the other. So for example character A's", "story is relevant to each character. This for one book and it is", "story leading to the other. So for example character A's story finishes leading", "example character A's story finishes leading to B's story which finishes leading to", "B's story which finishes leading to character C's story. But each story is", "in linear form, each one's story leading to the other. So for example", "to the other. So for example character A's story finishes leading to B's", "each story is relevant to each character. This for one book and it", "leading to character C's story. But each story is relevant to each character.", "which finishes leading to character C's story. But each story is relevant to", "relevant to each character. This for one book and it is all written", "writing a story that involves three main characters. They appear in linear form,", "to each character. This for one book and it is all written in", "book and it is all written in third person. Is this a good", "the other. So for example character A's story finishes leading to B's story", "one book and it is all written in third person. Is this a", "is relevant to each character. This for one book and it is all", "it is all written in third person. Is this a good or bad", "appear in linear form, each one's story leading to the other. So for", "other. So for example character A's story finishes leading to B's story which", "So for example character A's story finishes leading to B's story which finishes", "leading to the other. So for example character A's story finishes leading to", "finishes leading to B's story which finishes leading to character C's story. But", "They appear in linear form, each one's story leading to the other. So", "story that involves three main characters. They appear in linear form, each one's", "character A's story finishes leading to B's story which finishes leading to character", "to B's story which finishes leading to character C's story. But each story", "involves three main characters. They appear in linear form, each one's story leading", "C's story. But each story is relevant to each character. This for one", "and it is all written in third person. Is this a good or", "three main characters. They appear in linear form, each one's story leading to", "that involves three main characters. They appear in linear form, each one's story", "to character C's story. But each story is relevant to each character. This", "linear form, each one's story leading to the other. So for example character", "each character. This for one book and it is all written in third" ]
[ "is that I am captioning a figure that reads similar to this. Figure", "so I have collected personal spending data of myself and significant other over", "myself or my significant other as participants in the study. I have been", "a single thing relevant to what I am trying to do. My first", "I am facing at the moment is that I cannot figure out how", "is really giving me a hard time. I cannot find a single thing", "Okay so I have collected personal spending data of myself and significant other", "up as a research paper. I'm not going to be publishing it but", "hurt). The dilemma I am facing at the moment is that I cannot", "find a single thing relevant to what I am trying to do. My", "will be referred to as \"participant B\", but this might add unnecessary confusion.", "a standard on this? This has been driving me absolutely crazy over the", "am facing at the moment is that I cannot figure out how to", "and significant other? It feels much too informal for my liking. I have", "practice can't hurt). The dilemma I am facing at the moment is that", "dilemma I am facing at the moment is that I cannot figure out", "it but would like to do it for fun (and a bit of", "it for fun (and a bit of practice can't hurt). The dilemma I", "to present it and write it up as a research paper. I'm not", "trying to figure this out for a few days now and google is", "other? It feels much too informal for my liking. I have considered making", "few days now and google is really giving me a hard time. I", "and significant other over a period of 6 months. I'm quite happy with", "\"participant A\" and my significant other will be referred to as \"participant B\",", "do it for fun (and a bit of practice can't hurt). The dilemma", "for myself (solid line) and significant other (dotted line). Is this the correct", "that reads similar to this. Figure 1: Average daily spending vs time for", "research paper. I'm not going to be publishing it but would like to", "myself will be referred to as \"participant A\" and my significant other will", "reads similar to this. Figure 1: Average daily spending vs time for myself", "would like to do it for fun (and a bit of practice can't", "other over a period of 6 months. I'm quite happy with the data", "fun (and a bit of practice can't hurt). The dilemma I am facing", "now and google is really giving me a hard time. I cannot find", "informal for my liking. I have considered making a small statement that states", "to what I am trying to do. My first issue I have come", "I have been trying to figure this out for a few days now", "facing at the moment is that I cannot figure out how to refer", "absolutely crazy over the past few days and would really appreciate any insight", "for fun (and a bit of practice can't hurt). The dilemma I am", "daily spending vs time for myself (solid line) and significant other (dotted line).", "moment is that I cannot figure out how to refer to myself or", "Average daily spending vs time for myself (solid line) and significant other (dotted", "this out for a few days now and google is really giving me", "be publishing it but would like to do it for fun (and a", "I have collected personal spending data of myself and significant other over a", "like to present it and write it up as a research paper. I'm", "I am trying to do. My first issue I have come to is", "to as \"participant B\", but this might add unnecessary confusion. Is there a", "it up as a research paper. I'm not going to be publishing it", "figure this out for a few days now and google is really giving", "significant other over a period of 6 months. I'm quite happy with the", "the study. I have been trying to figure this out for a few", "period of 6 months. I'm quite happy with the data and would like", "figure out how to refer to myself or my significant other as participants", "Figure 1: Average daily spending vs time for myself (solid line) and significant", "6 months. I'm quite happy with the data and would like to present", "first issue I have come to is that I am captioning a figure", "I cannot find a single thing relevant to what I am trying to", "months. I'm quite happy with the data and would like to present it", "paper. I'm not going to be publishing it but would like to do", "this. Figure 1: Average daily spending vs time for myself (solid line) and", "much too informal for my liking. I have considered making a small statement", "me absolutely crazy over the past few days and would really appreciate any", "a hard time. I cannot find a single thing relevant to what I", "a figure that reads similar to this. Figure 1: Average daily spending vs", "similar to this. Figure 1: Average daily spending vs time for myself (solid", "to this. Figure 1: Average daily spending vs time for myself (solid line)", "that I am captioning a figure that reads similar to this. Figure 1:", "feels much too informal for my liking. I have considered making a small", "I have come to is that I am captioning a figure that reads", "hard time. I cannot find a single thing relevant to what I am", "vs time for myself (solid line) and significant other (dotted line). Is this", "time. I cannot find a single thing relevant to what I am trying", "to do. My first issue I have come to is that I am", "significant other will be referred to as \"participant B\", but this might add", "and would like to present it and write it up as a research", "(and a bit of practice can't hurt). The dilemma I am facing at", "referred to as \"participant A\" and my significant other will be referred to", "I'm not going to be publishing it but would like to do it", "to figure this out for a few days now and google is really", "to is that I am captioning a figure that reads similar to this.", "add unnecessary confusion. Is there a standard on this? This has been driving", "quite happy with the data and would like to present it and write", "been driving me absolutely crazy over the past few days and would really", "publishing it but would like to do it for fun (and a bit", "significant other as participants in the study. I have been trying to figure", "out how to refer to myself or my significant other as participants in", "been trying to figure this out for a few days now and google", "have collected personal spending data of myself and significant other over a period", "to myself or my significant other as participants in the study. I have", "over the past few days and would really appreciate any insight or suggestions.", "captioning a figure that reads similar to this. Figure 1: Average daily spending", "this the correct way to refer to myself and significant other? It feels", "Is this the correct way to refer to myself and significant other? It", "statement that states that myself will be referred to as \"participant A\" and", "referred to as \"participant B\", but this might add unnecessary confusion. Is there", "that myself will be referred to as \"participant A\" and my significant other", "on this? This has been driving me absolutely crazy over the past few", "bit of practice can't hurt). The dilemma I am facing at the moment", "refer to myself and significant other? It feels much too informal for my", "small statement that states that myself will be referred to as \"participant A\"", "(solid line) and significant other (dotted line). Is this the correct way to", "how to refer to myself or my significant other as participants in the", "standard on this? This has been driving me absolutely crazy over the past", "thing relevant to what I am trying to do. My first issue I", "of myself and significant other over a period of 6 months. I'm quite", "a research paper. I'm not going to be publishing it but would like", "or my significant other as participants in the study. I have been trying", "significant other? It feels much too informal for my liking. I have considered", "present it and write it up as a research paper. I'm not going", "do. My first issue I have come to is that I am captioning", "personal spending data of myself and significant other over a period of 6", "with the data and would like to present it and write it up", "can't hurt). The dilemma I am facing at the moment is that I", "of practice can't hurt). The dilemma I am facing at the moment is", "will be referred to as \"participant A\" and my significant other will be", "to refer to myself and significant other? It feels much too informal for", "as \"participant B\", but this might add unnecessary confusion. Is there a standard", "correct way to refer to myself and significant other? It feels much too", "This has been driving me absolutely crazy over the past few days and", "going to be publishing it but would like to do it for fun", "collected personal spending data of myself and significant other over a period of", "line) and significant other (dotted line). Is this the correct way to refer", "days now and google is really giving me a hard time. I cannot", "to as \"participant A\" and my significant other will be referred to as", "cannot figure out how to refer to myself or my significant other as", "confusion. Is there a standard on this? This has been driving me absolutely", "1: Average daily spending vs time for myself (solid line) and significant other", "have been trying to figure this out for a few days now and", "and write it up as a research paper. I'm not going to be", "other (dotted line). Is this the correct way to refer to myself and", "to be publishing it but would like to do it for fun (and", "come to is that I am captioning a figure that reads similar to", "data and would like to present it and write it up as a", "not going to be publishing it but would like to do it for", "trying to do. My first issue I have come to is that I", "a period of 6 months. I'm quite happy with the data and would", "write it up as a research paper. I'm not going to be publishing", "participants in the study. I have been trying to figure this out for", "liking. I have considered making a small statement that states that myself will", "Is there a standard on this? This has been driving me absolutely crazy", "The dilemma I am facing at the moment is that I cannot figure", "I have considered making a small statement that states that myself will be", "be referred to as \"participant A\" and my significant other will be referred", "other will be referred to as \"participant B\", but this might add unnecessary", "for a few days now and google is really giving me a hard", "spending vs time for myself (solid line) and significant other (dotted line). Is", "a bit of practice can't hurt). The dilemma I am facing at the", "issue I have come to is that I am captioning a figure that", "this might add unnecessary confusion. Is there a standard on this? This has", "B\", but this might add unnecessary confusion. Is there a standard on this?", "other as participants in the study. I have been trying to figure this", "driving me absolutely crazy over the past few days and would really appreciate", "the correct way to refer to myself and significant other? It feels much", "My first issue I have come to is that I am captioning a", "am captioning a figure that reads similar to this. Figure 1: Average daily", "over a period of 6 months. I'm quite happy with the data and", "at the moment is that I cannot figure out how to refer to", "but would like to do it for fun (and a bit of practice", "in the study. I have been trying to figure this out for a", "and my significant other will be referred to as \"participant B\", but this", "like to do it for fun (and a bit of practice can't hurt).", "and google is really giving me a hard time. I cannot find a", "(dotted line). Is this the correct way to refer to myself and significant", "unnecessary confusion. Is there a standard on this? This has been driving me", "would like to present it and write it up as a research paper.", "has been driving me absolutely crazy over the past few days and would", "the moment is that I cannot figure out how to refer to myself", "might add unnecessary confusion. Is there a standard on this? This has been", "as a research paper. I'm not going to be publishing it but would", "really giving me a hard time. I cannot find a single thing relevant", "data of myself and significant other over a period of 6 months. I'm", "considered making a small statement that states that myself will be referred to", "to refer to myself or my significant other as participants in the study.", "out for a few days now and google is really giving me a", "that I cannot figure out how to refer to myself or my significant", "myself (solid line) and significant other (dotted line). Is this the correct way", "\"participant B\", but this might add unnecessary confusion. Is there a standard on", "but this might add unnecessary confusion. Is there a standard on this? This", "myself and significant other over a period of 6 months. I'm quite happy", "crazy over the past few days and would really appreciate any insight or", "giving me a hard time. I cannot find a single thing relevant to", "a small statement that states that myself will be referred to as \"participant", "single thing relevant to what I am trying to do. My first issue", "happy with the data and would like to present it and write it", "google is really giving me a hard time. I cannot find a single", "spending data of myself and significant other over a period of 6 months.", "figure that reads similar to this. Figure 1: Average daily spending vs time", "as \"participant A\" and my significant other will be referred to as \"participant", "it and write it up as a research paper. I'm not going to", "of 6 months. I'm quite happy with the data and would like to", "as participants in the study. I have been trying to figure this out", "to myself and significant other? It feels much too informal for my liking.", "have considered making a small statement that states that myself will be referred", "have come to is that I am captioning a figure that reads similar", "significant other (dotted line). Is this the correct way to refer to myself", "be referred to as \"participant B\", but this might add unnecessary confusion. Is", "my significant other as participants in the study. I have been trying to", "cannot find a single thing relevant to what I am trying to do.", "refer to myself or my significant other as participants in the study. I", "a few days now and google is really giving me a hard time.", "my significant other will be referred to as \"participant B\", but this might", "that states that myself will be referred to as \"participant A\" and my", "there a standard on this? This has been driving me absolutely crazy over", "relevant to what I am trying to do. My first issue I have", "this? This has been driving me absolutely crazy over the past few days", "to do it for fun (and a bit of practice can't hurt). The", "I cannot figure out how to refer to myself or my significant other", "study. I have been trying to figure this out for a few days", "I am captioning a figure that reads similar to this. Figure 1: Average", "line). Is this the correct way to refer to myself and significant other?", "time for myself (solid line) and significant other (dotted line). Is this the", "for my liking. I have considered making a small statement that states that", "what I am trying to do. My first issue I have come to", "me a hard time. I cannot find a single thing relevant to what", "It feels much too informal for my liking. I have considered making a", "way to refer to myself and significant other? It feels much too informal", "too informal for my liking. I have considered making a small statement that", "making a small statement that states that myself will be referred to as", "am trying to do. My first issue I have come to is that", "the data and would like to present it and write it up as", "and significant other (dotted line). Is this the correct way to refer to", "I'm quite happy with the data and would like to present it and", "my liking. I have considered making a small statement that states that myself", "A\" and my significant other will be referred to as \"participant B\", but", "states that myself will be referred to as \"participant A\" and my significant", "is that I cannot figure out how to refer to myself or my", "myself and significant other? It feels much too informal for my liking. I" ]
[ "more established really makes the story stand out and much stronger, I think.", "independent mind. So, still being somewhat young and naive, he starts to follow", "\"Mum, why is daddy evil now?\" (Yes, I can be a sadist with", "to protect his family (and his own life) he decides to go into", "too easy for him to cut his ties and move on. A side", "problem: --- I'm currently exploring/plotting/mulling over a novel idea of mine that I", "intuition about the oppressive nature of the society he lives in. At this", "that he values freedom a lot. But is it wise to actually \"live\"", "price. One of the takeaways is that you have to make sacrifices, you", "government takes note and starts framing him as an enemy of society in", "and overhears conversations of the kind \"Mum, why is daddy evil now?\" (Yes,", "can't have it all and that you have to learn to cope with", "society he lives in. At this point he doesn't think of rebellion. He", "One of the takeaways is that you have to make sacrifices, you can't", "lot more natural and is not nearly as traumatic. Everybody else around you", "early 30s. Every time I try to make him younger the story gets", "in this society is completely controlled and restricted and he has just been", "life according to the rules and values of society. He thought he had", "value when it means he will endanger others in the process? Is it", "the takeaways is that you have to make sacrifices, you can't have it", "a lot clearer now. Thanks a lot for everyone's input so far! In", "them in the process? Should he let them heal and go on with", "protagonist younger (18 - 20) without considerably weakening the story? Bonus Question: Most", "a lot. Anyways, my head hurts now, but I think I see a", "and he dedicated his whole life to that goal. When the story starts", "his family. His fall from grace was due to him being naive and", "my head hurts now, but I think I see a lot clearer now.", "a major cause of pain for him. 2. He wants to win back", "according to your values, about questioning assumptions, about sticking up against authority and", "as traumatic. Everybody else around you is going through the same thing, after", "themes and dilemmas of the story (see below) would suit a YA-audience and", "out and much stronger, I think. So (finally!) my question is twofold: 1.", "got scenes in my mind where he stalks his own family (to be", "but also because it can be dangerous to be associated with a known", "rebellion even a good idea? Apparently most people are too numb or busy", "He lived life according to the rules and values of society. He thought", "characters). 2. The wake-up effect. This realization that society is not what it", "--- I'm currently exploring/plotting/mulling over a novel idea of mine that I would", "them) and overhears conversations of the kind \"Mum, why is daddy evil now?\"", "all and that you have to learn to cope with that fact if", "and more established really makes the story stand out and much stronger, I", "rather nicely all on its own. Anyways, I think the themes fit nicely", "usual wisdom (as perpetuated by the media) of getting a good (government approved)", "story. I felt like the themes and dilemmas of the story (see below)", "have to learn to cope with that fact if you want to live", "I want his kids to be old enough to understand what's going on.", "YA-audience and was very similar to a coming-of-age story, but now I realize", "it seems to be. He lived life according to the rules and values", "a happy live. The protagonist will have peace in the end, but also", "leave it as it is and make it more of an all-age story.", "grip of the government can become. He finds out soon enough, when the", "disorientation of finding out that his values are not his own, that his", "twofold: 1. Is it ok to write a young adult novel with an", "his whole life to that goal. When the story starts he is just", "the disorientation of finding out that his values are not his own, that", "be old enough to understand what's going on. I've got scenes in my", "process? Should he let them heal and go on with their lives on", "write for a YA audience. It's a story about finding your place in", "the dangerous life as a rebel fighting a Big-Brother-style regime. The key points", "want to live a happy live. The protagonist will have peace in the", "in the process? Is it better The things that drive his story are", "see a lot clearer now. Thanks a lot for everyone's input so far!", "Lots of stuff, I know, but it came together rather nicely all on", "people don't care much that they aren't \"free\". The media is used to", "is twofold: 1. Is it ok to write a young adult novel with", "should he wake them up? Do they even want to be woken up?", "a few years out of college but has already achieved much. He has", "of course, the dangerous life as a rebel fighting a Big-Brother-style regime. The", "most people are too numb or busy to even notice the oppression. If", "me question whether I'm even going into the right direction with my story.", "totalitarian society which works by subtle manipulation rather than oppression so most people", "a near-future totalitarian society which works by subtle manipulation rather than oppression so", "hollow and empty. He does love his family but he realizes that all", "to write for a YA audience. It's a story about finding your place", "follow him into the underground if he could make them see the true", "and was very similar to a coming-of-age story, but now I realize that", "family. The fact that his family now thinks of him as a criminal", "this society is completely controlled and restricted and he has just been too", "I feel that this process of leaving behind your old life and orienting", "he is just a few years out of college but has already achieved", "mind where he stalks his own family (to be close to them) and", "with the establishment. What he doesn't realize though is just how tight the", "So, still being somewhat young and naive, he starts to follow up on", "and that of everyone else in this society is completely controlled and restricted", "should even try. Is it egotistical to want his family back and possibly", "become. He finds out soon enough, when the government takes note and starts", "corners of the internet that one shouldn't be seen in. He voices opinions", "him being naive and underestimating the seriousness of he situation but it was", "thought he had it all figured out but realizes that he doesn't. So:", "with my story. I felt like the themes and dilemmas of the story", "family it would be too easy for him to cut his ties and", "for a YA audience. However, the way the story is going right now", "(finally!) my question is twofold: 1. Is it ok to write a young", "to be associated with a known criminal. In order to protect his family", "the world, about living according to your values, about questioning assumptions, about sticking", "The media is used to keep the population dumb, distracted and lethargic. Think", "He feels very, very guilty for deserting his family. The fact that his", "let them be sheep? Or should he wake them up? Do they even", "starts to visit corners of the internet that one shouldn't be seen in.", "If most people are content being sheep, shouldn't he let them be sheep?", "them be sheep? Or should he wake them up? Do they even want", "have something that ties him to his old life and he should have", "of a coming-of-age story (which would change it significantly) or leave it as", "The wake-up effect. This realization that society is not what it seems to", "the story starts he is just a few years out of college but", "why is daddy evil now?\" (Yes, I can be a sadist with my", "oppression. If most people are content being sheep, shouldn't he let them be", "daddy evil now?\" (Yes, I can be a sadist with my characters). 2.", "world are wrong and the personal growth that results from that struggle. And,", "(which would change it significantly) or leave it as it is and make", "so far has made me question whether I'm even going into the right", "regime. The key points are the following: 1. He didn't want to lose", "media is used to keep the population dumb, distracted and lethargic. Think Orwell's", "to understand what's going on. I've got scenes in my mind where he", "through the same thing, after all. Making him older and more established really", "is changing anyways, so I feel that this process of leaving behind your", "to learn to cope with that fact if you want to live a", "I'm not sure of the ending yet but I've got a feeling it's", "ties him to his old life. Without the family it would be too", "that ties him to his old life and he should have this wake-up", "his values are not his own, that his views of the world are", "I'm currently exploring/plotting/mulling over a novel idea of mine that I would like", "here's the original rephrased problem: --- I'm currently exploring/plotting/mulling over a novel idea", "of a happy end but it will come at a price. One of", "story about finding your place in the world, about living according to your", "turning it into more of a coming-of-age story (which would change it significantly)", "4. He realizes that he values freedom a lot. But is it wise", "the oppressive nature of the society he lives in. At this point he", "be associated with a known criminal. In order to protect his family (and", "voices opinions that don't sit well with the establishment. What he doesn't realize", "lot. Anyways, my head hurts now, but I think I see a lot", "Should he let them heal and go on with their lives on their", "his kids to be old enough to understand what's going on. I've got", "and dilemmas of the story (see below) would suit a YA-audience and was", "how tight the grip of the government can become. He finds out soon", "cause of pain for him. 2. He wants to win back his family", "close to them) and overhears conversations of the kind \"Mum, why is daddy", "a coming-of-age story, but now I realize that it's really rather different. So", "better The things that drive his story are these: 1. His family ties", "1984 but more modern and subtle. The protagonist has always been convinced that", "in order to discredit and silence him. His family, friends and colleagues renounce", "novels have somewhat of an upbeat ending. I'm not sure of the ending", "And, of course, the dangerous life as a rebel fighting a Big-Brother-style regime.", "in the world, about living according to your values, about questioning assumptions, about", "Is it ok to write a young adult novel with an older protagonist?", "a sadist with my characters). 2. The wake-up effect. This realization that society", "let them heal and go on with their lives on their own? Do", "of him as a criminal is a major cause of pain for him.", "In case anybody is still interested, here's the original rephrased problem: --- I'm", "Is a rebellion even a good idea? Apparently most people are too numb", "on purpose. He feels very, very guilty for deserting his family. The fact", "but I've got a feeling it's going to be bitter sweet. It's going", "he could make them see the true nature of this society? 3. Is", "adult audience? 2. Is there a way to make the protagonist younger (18", "in my mind where he stalks his own family (to be close to", "seems to be. He lived life according to the rules and values of", "by subtle manipulation rather than oppression so most people don't care much that", "way the story is going right now the protagonist is in his early", "getting a good (government approved) education, getting a job, getting a family and", "love his family but he realizes that all his life and that of", "I can be a sadist with my characters). 2. The wake-up effect. This", "the establishment but also because it can be dangerous to be associated with", "make him younger the story gets weaker. The story is set in a", "be close to them) and overhears conversations of the kind \"Mum, why is", "story stand out and much stronger, I think. So (finally!) my question is", "over a novel idea of mine that I would like to write for", "up? Do they even want to be woken up? 4. He realizes that", "younger (18 - 20) without considerably weakening the story? Bonus Question: Most YA", "sweet. It's going to be somewhat of a happy end but it will", "going on. I've got scenes in my mind where he stalks his own", "a young adult audience? 2. Is there a way to make the protagonist", "enough to understand what's going on. I've got scenes in my mind where", "doesn't think of rebellion. He just wants to verify (or refute) his theory", "the usual wisdom (as perpetuated by the media) of getting a good (government", "of everyone else in this society is completely controlled and restricted and he", "of the takeaways is that you have to make sacrifices, you can't have", "him to cut his ties and move on. A side point: I want", "he situation but it was not on purpose. He feels very, very guilty", "according to the rules and values of society. He thought he had it", "guilty for deserting his family. The fact that his family now thinks of", "and that you have to learn to cope with that fact if you", "been a few very good answers and comments. The feedback I've got so", "can be dangerous to be associated with a known criminal. In order to", "order to discredit and silence him. His family, friends and colleagues renounce him.", "his family but doesn't know if he should even try. Is it egotistical", "like Loarem's idea of multiple protagonists with parallel storylines a lot. Anyways, my", "So: he should have something that ties him to his old life and", "after all. Making him older and more established really makes the story stand", "of pain for him. 2. He wants to win back his family but", "the story? Bonus Question: Most YA novels have somewhat of an upbeat ending.", "be too easy for him to cut his ties and move on. A", "own life) he decides to go into hiding. He joins an underground rebellion", "now, but I think I see a lot clearer now. Thanks a lot", "The rest of the story revolves around coping with the loss of his", "be. He lived life according to the rules and values of society. He", "the government can become. He finds out soon enough, when the government takes", "It's a story about finding your place in the world, about living according", "heal and go on with their lives on their own? Do they even", "the following: 1. He didn't want to lose his family. His fall from", "story? Bonus Question: Most YA novels have somewhat of an upbeat ending. I'm", "in the process? Should he let them heal and go on with their", "lot clearer now. Thanks a lot for everyone's input so far! In case", "Do they even want to be woken up? 4. He realizes that he", "very, very guilty for deserting his family. The fact that his family now", "fought for, however it feels hollow and empty. He does love his family", "But is it wise to actually \"live\" this value when it means he", "are the following: 1. He didn't want to lose his family. His fall", "the story is going right now the protagonist is in his early 30s.", "but also regrets and lingering pains. Is that YA-compatible? Thanks a lot in", "wake them up? Do they even want to be woken up? 4. He", "to even notice the oppression. If most people are content being sheep, shouldn't", "comments. The feedback I've got so far has made me question whether I'm", "and comments. The feedback I've got so far has made me question whether", "realize though is just how tight the grip of the government can become.", "Anyways, my head hurts now, but I think I see a lot clearer", "family now thinks of him as a criminal is a major cause of", "new safe haven. The rest of the story revolves around coping with the", "and is not nearly as traumatic. Everybody else around you is going through", "it came together rather nicely all on its own. Anyways, I think the", "question is twofold: 1. Is it ok to write a young adult novel", "is daddy evil now?\" (Yes, I can be a sadist with my characters).", "have this wake-up effect. As a teenager your whole world is changing anyways,", "exactly the courageous type but he does have an independent mind. So, still", "When the story starts he is just a few years out of college", "He just wants to verify (or refute) his theory about the manipulative nature", "happy live. The protagonist will have peace in the end, but also regrets", "family back and possibly endanger them in the process? Should he let them", "a good (government approved) education, getting a job, getting a family and settling", "realizes that all his life and that of everyone else in this society", "and he has just been too busy to notice. He's not exactly the", "people to discuss his thoughts. He starts to visit corners of the internet", "So (finally!) my question is twofold: 1. Is it ok to write a", "and subtle. The protagonist has always been convinced that the usual wisdom (as", "him older and more established really makes the story stand out and much", "the ending yet but I've got a feeling it's going to be bitter", "of society. He thought he had it all figured out but realizes that", "their own? Do they even want him back? Is it time to move", "path to happiness and he dedicated his whole life to that goal. When", "is in his early 30s. Every time I try to make him younger", "old life. Without the family it would be too easy for him to", "population dumb, distracted and lethargic. Think Orwell's 1984 but more modern and subtle.", "world comes a lot more natural and is not nearly as traumatic. Everybody", "criminal. In order to protect his family (and his own life) he decides", "too numb or busy to even notice the oppression. If most people are", "rebellion as a new safe haven. The rest of the story revolves around", "life) he decides to go into hiding. He joins an underground rebellion as", "more of an all-age story. I also like Loarem's idea of multiple protagonists", "a YA-audience and was very similar to a coming-of-age story, but now I", "I felt like the themes and dilemmas of the story (see below) would", "which works by subtle manipulation rather than oppression so most people don't care", "and underestimating the seriousness of he situation but it was not on purpose.", "(and his own life) he decides to go into hiding. He joins an", "his family. The fact that his family now thinks of him as a", "going through the same thing, after all. Making him older and more established", "young adult novel with an older protagonist? Will this appeal to a young", "is going through the same thing, after all. Making him older and more", "them heal and go on with their lives on their own? Do they", "mine that I would like to write for a YA audience. It's a", "so most people don't care much that they aren't \"free\". The media is", "similar to a coming-of-age story, but now I realize that it's really rather", "the seriousness of he situation but it was not on purpose. He feels", "think I see a lot clearer now. Thanks a lot for everyone's input", "older protagonist? Will this appeal to a young adult audience? 2. Is there", "family but doesn't know if he should even try. Is it egotistical to", "and is looking for like-minded people to discuss his thoughts. He starts to", "you have to make sacrifices, you can't have it all and that you", "also because it can be dangerous to be associated with a known criminal.", "even try. Is it egotistical to want his family back and possibly endanger", "adult novel with an older protagonist? Will this appeal to a young adult", "and restricted and he has just been too busy to notice. He's not", "stand out and much stronger, I think. So (finally!) my question is twofold:", "significantly) or leave it as it is and make it more of an", "about sticking up against authority and about who gets to decide what a", "own. Anyways, I think the themes fit nicely for a YA audience. However,", "and possibly endanger them in the process? Should he let them heal and", "about living according to your values, about questioning assumptions, about sticking up against", "he let them heal and go on with their lives on their own?", "that this process of leaving behind your old life and orienting yourself in", "the process? Is it better The things that drive his story are these:", "views of the world are wrong and the personal growth that results from", "with that fact if you want to live a happy live. The protagonist", "this process of leaving behind your old life and orienting yourself in a", "happiness and he dedicated his whole life to that goal. When the story", "want to lose his family. His fall from grace was due to him", "him as an enemy of society in order to discredit and silence him.", "like-minded people to discuss his thoughts. He starts to visit corners of the", "now the protagonist is in his early 30s. Every time I try to", "nicely all on its own. Anyways, I think the themes fit nicely for", "nicely for a YA audience. However, the way the story is going right", "on. I've got scenes in my mind where he stalks his own family", "he lives in and is looking for like-minded people to discuss his thoughts.", "the kind \"Mum, why is daddy evil now?\" (Yes, I can be a", "to cut his ties and move on. A side point: I want his", "point he doesn't think of rebellion. He just wants to verify (or refute)", "on. A side point: I want his kids to be old enough to", "to discuss his thoughts. He starts to visit corners of the internet that", "ties him to his old life and he should have this wake-up effect.", "going right now the protagonist is in his early 30s. Every time I", "of the story (see below) would suit a YA-audience and was very similar", "process? Is it better The things that drive his story are these: 1.", "should be like. (Phew!) Lots of stuff, I know, but it came together", "personal growth that results from that struggle. And, of course, the dangerous life", "try. Is it egotistical to want his family back and possibly endanger them", "it as it is and make it more of an all-age story. I", "I'm torn between turning it into more of a coming-of-age story (which would", "and much stronger, I think. So (finally!) my question is twofold: 1. Is", "that society is not what it seems to be. He lived life according", "to live a happy live. The protagonist will have peace in the end,", "(or refute) his theory about the manipulative nature of the society he lives", "process of leaving behind your old life and orienting yourself in a new", "a society should be like. (Phew!) Lots of stuff, I know, but it", "point: I want his kids to be old enough to understand what's going", "he should have something that ties him to his old life and he", "society in order to discredit and silence him. His family, friends and colleagues", "He has everything he ever fought for, however it feels hollow and empty.", "much. He has everything he ever fought for, however it feels hollow and", "want him back? Is it time to move on? Would they follow him", "he starts to follow up on his intuition about the oppressive nature of", "of the kind \"Mum, why is daddy evil now?\" (Yes, I can be", "as an enemy of society in order to discredit and silence him. His", "notice the oppression. If most people are content being sheep, shouldn't he let", "more of a coming-of-age story (which would change it significantly) or leave it", "takes note and starts framing him as an enemy of society in order", "Is it better The things that drive his story are these: 1. His", "was the path to happiness and he dedicated his whole life to that", "appeal to a young adult audience? 2. Is there a way to make", "He didn't want to lose his family. His fall from grace was due", "into the underground if he could make them see the true nature of", "being naive and underestimating the seriousness of he situation but it was not", "your old life and orienting yourself in a new world comes a lot", "perpetuated by the media) of getting a good (government approved) education, getting a", "thoughts. He starts to visit corners of the internet that one shouldn't be", "notice. He's not exactly the courageous type but he does have an independent", "feels very, very guilty for deserting his family. The fact that his family", "a teenager your whole world is changing anyways, so I feel that this", "also like Loarem's idea of multiple protagonists with parallel storylines a lot. Anyways,", "to his old life. Without the family it would be too easy for", "else in this society is completely controlled and restricted and he has just", "into the right direction with my story. I felt like the themes and", "really rather different. So right now I'm torn between turning it into more", "go into hiding. He joins an underground rebellion as a new safe haven.", "to cope with that fact if you want to live a happy live.", "going to be somewhat of a happy end but it will come at", "fall from grace was due to him being naive and underestimating the seriousness", "that fact if you want to live a happy live. The protagonist will", "The story is set in a near-future totalitarian society which works by subtle", "society which works by subtle manipulation rather than oppression so most people don't", "Think Orwell's 1984 but more modern and subtle. The protagonist has always been", "his early 30s. Every time I try to make him younger the story", "restricted and he has just been too busy to notice. He's not exactly", "they trust the establishment but also because it can be dangerous to be", "from that struggle. And, of course, the dangerous life as a rebel fighting", "win back his family but doesn't know if he should even try. Is", "feel that this process of leaving behind your old life and orienting yourself", "good idea? Apparently most people are too numb or busy to even notice", "back? Is it time to move on? Would they follow him into the", "sure of the ending yet but I've got a feeling it's going to", "this wake-up effect. As a teenager your whole world is changing anyways, so", "of an upbeat ending. I'm not sure of the ending yet but I've", "made me question whether I'm even going into the right direction with my", "yet but I've got a feeling it's going to be bitter sweet. It's", "a novel idea of mine that I would like to write for a", "naive, he starts to follow up on his intuition about the oppressive nature", "changing anyways, so I feel that this process of leaving behind your old", "few years out of college but has already achieved much. He has everything", "just a few years out of college but has already achieved much. He", "everyone's input so far! In case anybody is still interested, here's the original", "of his family, the disorientation of finding out that his values are not", "stalks his own family (to be close to them) and overhears conversations of", "about finding your place in the world, about living according to your values,", "to be somewhat of a happy end but it will come at a", "I see a lot clearer now. Thanks a lot for everyone's input so", "think. So (finally!) my question is twofold: 1. Is it ok to write", "questioning assumptions, about sticking up against authority and about who gets to decide", "but doesn't know if he should even try. Is it egotistical to want", "just wants to verify (or refute) his theory about the manipulative nature of", "understand what's going on. I've got scenes in my mind where he stalks", "a rebellion even a good idea? Apparently most people are too numb or", "comes a lot more natural and is not nearly as traumatic. Everybody else", "to move on? Would they follow him into the underground if he could", "without considerably weakening the story? Bonus Question: Most YA novels have somewhat of", "had it all figured out but realizes that he doesn't. So: he should", "is set in a near-future totalitarian society which works by subtle manipulation rather", "world is changing anyways, so I feel that this process of leaving behind", "somewhat young and naive, he starts to follow up on his intuition about", "for him to cut his ties and move on. A side point: I", "that you have to make sacrifices, you can't have it all and that", "make the protagonist younger (18 - 20) without considerably weakening the story? Bonus", "they follow him into the underground if he could make them see the", "end, but also regrets and lingering pains. Is that YA-compatible? Thanks a lot", "Every time I try to make him younger the story gets weaker. The", "already achieved much. He has everything he ever fought for, however it feels", "should have something that ties him to his old life and he should", "ever fought for, however it feels hollow and empty. He does love his", "college but has already achieved much. He has everything he ever fought for,", "He voices opinions that don't sit well with the establishment. What he doesn't", "conversations of the kind \"Mum, why is daddy evil now?\" (Yes, I can", "doesn't. So: he should have something that ties him to his old life", "everything he ever fought for, however it feels hollow and empty. He does", "his views of the world are wrong and the personal growth that results", "good answers and comments. The feedback I've got so far has made me", "Or should he wake them up? Do they even want to be woken", "him. For one because they trust the establishment but also because it can", "it better The things that drive his story are these: 1. His family", "protagonist has always been convinced that the usual wisdom (as perpetuated by the", "verify (or refute) his theory about the manipulative nature of the society he", "my question is twofold: 1. Is it ok to write a young adult", "between turning it into more of a coming-of-age story (which would change it", "one shouldn't be seen in. He voices opinions that don't sit well with", "something that ties him to his old life and he should have this", "key points are the following: 1. He didn't want to lose his family.", "out but realizes that he doesn't. So: he should have something that ties", "So right now I'm torn between turning it into more of a coming-of-age", "His fall from grace was due to him being naive and underestimating the", "felt like the themes and dilemmas of the story (see below) would suit", "his story are these: 1. His family ties him to his old life.", "move on. A side point: I want his kids to be old enough", "below) would suit a YA-audience and was very similar to a coming-of-age story,", "his old life and he should have this wake-up effect. As a teenager", "revolves around coping with the loss of his family, the disorientation of finding", "the population dumb, distracted and lethargic. Think Orwell's 1984 but more modern and", "but it will come at a price. One of the takeaways is that", "manipulative nature of the society he lives in and is looking for like-minded", "subtle. The protagonist has always been convinced that the usual wisdom (as perpetuated", "fighting a Big-Brother-style regime. The key points are the following: 1. He didn't", "associated with a known criminal. In order to protect his family (and his", "rather different. So right now I'm torn between turning it into more of", "scenes in my mind where he stalks his own family (to be close", "back and possibly endanger them in the process? Should he let them heal", "a few very good answers and comments. The feedback I've got so far", "even going into the right direction with my story. I felt like the", "with parallel storylines a lot. Anyways, my head hurts now, but I think", "just been too busy to notice. He's not exactly the courageous type but", "could make them see the true nature of this society? 3. Is a", "hurts now, but I think I see a lot clearer now. Thanks a", "being somewhat young and naive, he starts to follow up on his intuition", "has already achieved much. He has everything he ever fought for, however it", "an all-age story. I also like Loarem's idea of multiple protagonists with parallel", "he will endanger others in the process? Is it better The things that", "own, that his views of the world are wrong and the personal growth", "on? Would they follow him into the underground if he could make them", "story starts he is just a few years out of college but has", "own? Do they even want him back? Is it time to move on?", "of the internet that one shouldn't be seen in. He voices opinions that", "but more modern and subtle. The protagonist has always been convinced that the", "Everybody else around you is going through the same thing, after all. Making", "results from that struggle. And, of course, the dangerous life as a rebel", "the grip of the government can become. He finds out soon enough, when", "the story (see below) would suit a YA-audience and was very similar to", "not his own, that his views of the world are wrong and the", "life and he should have this wake-up effect. As a teenager your whole", "there a way to make the protagonist younger (18 - 20) without considerably", "very similar to a coming-of-age story, but now I realize that it's really", "audience. It's a story about finding your place in the world, about living", "time to move on? Would they follow him into the underground if he", "my story. I felt like the themes and dilemmas of the story (see", "to actually \"live\" this value when it means he will endanger others in", "the manipulative nature of the society he lives in and is looking for", "care much that they aren't \"free\". The media is used to keep the", "with a known criminal. In order to protect his family (and his own", "cut his ties and move on. A side point: I want his kids", "leaving behind your old life and orienting yourself in a new world comes", "story (see below) would suit a YA-audience and was very similar to a", "Thanks a lot for everyone's input so far! In case anybody is still", "storylines a lot. Anyways, my head hurts now, but I think I see", "1. His family ties him to his old life. Without the family it", "the true nature of this society? 3. Is a rebellion even a good", "original rephrased problem: --- I'm currently exploring/plotting/mulling over a novel idea of mine", "would be too easy for him to cut his ties and move on.", "works by subtle manipulation rather than oppression so most people don't care much", "framing him as an enemy of society in order to discredit and silence", "new world comes a lot more natural and is not nearly as traumatic.", "effect. This realization that society is not what it seems to be. He", "to the rules and values of society. He thought he had it all", "modern and subtle. The protagonist has always been convinced that the usual wisdom", "it can be dangerous to be associated with a known criminal. In order", "his family but he realizes that all his life and that of everyone", "so I feel that this process of leaving behind your old life and", "he decides to go into hiding. He joins an underground rebellion as a", "There have been a few very good answers and comments. The feedback I've", "it was not on purpose. He feels very, very guilty for deserting his", "story is going right now the protagonist is in his early 30s. Every", "tight the grip of the government can become. He finds out soon enough,", "around coping with the loss of his family, the disorientation of finding out", "his intuition about the oppressive nature of the society he lives in. At", "the story gets weaker. The story is set in a near-future totalitarian society", "true nature of this society? 3. Is a rebellion even a good idea?", "got a feeling it's going to be bitter sweet. It's going to be", "fit nicely for a YA audience. However, the way the story is going", "of the world are wrong and the personal growth that results from that", "YA novels have somewhat of an upbeat ending. I'm not sure of the", "clearer now. Thanks a lot for everyone's input so far! In case anybody", "As a teenager your whole world is changing anyways, so I feel that", "of college but has already achieved much. He has everything he ever fought", "even want to be woken up? 4. He realizes that he values freedom", "The feedback I've got so far has made me question whether I'm even", "be woken up? 4. He realizes that he values freedom a lot. But", "values of society. He thought he had it all figured out but realizes", "the government takes note and starts framing him as an enemy of society", "exploring/plotting/mulling over a novel idea of mine that I would like to write", "that it's really rather different. So right now I'm torn between turning it", "not what it seems to be. He lived life according to the rules", "the end, but also regrets and lingering pains. Is that YA-compatible? Thanks a", "a Big-Brother-style regime. The key points are the following: 1. He didn't want", "What he doesn't realize though is just how tight the grip of the", "his thoughts. He starts to visit corners of the internet that one shouldn't", "and go on with their lives on their own? Do they even want", "YA audience. It's a story about finding your place in the world, about", "because they trust the establishment but also because it can be dangerous to", "currently exploring/plotting/mulling over a novel idea of mine that I would like to", "for him. 2. He wants to win back his family but doesn't know", "the establishment. What he doesn't realize though is just how tight the grip", "in and is looking for like-minded people to discuss his thoughts. He starts", "anyways, so I feel that this process of leaving behind your old life", "his family, the disorientation of finding out that his values are not his", "what it seems to be. He lived life according to the rules and", "traumatic. Everybody else around you is going through the same thing, after all.", "him as a criminal is a major cause of pain for him. 2.", "he doesn't. So: he should have something that ties him to his old", "sacrifices, you can't have it all and that you have to learn to", "establishment. What he doesn't realize though is just how tight the grip of", "follow up on his intuition about the oppressive nature of the society he", "happy end but it will come at a price. One of the takeaways", "far has made me question whether I'm even going into the right direction", "make sacrifices, you can't have it all and that you have to learn", "you have to learn to cope with that fact if you want to", "it means he will endanger others in the process? Is it better The", "or leave it as it is and make it more of an all-age", "still being somewhat young and naive, he starts to follow up on his", "family. His fall from grace was due to him being naive and underestimating", "lot. But is it wise to actually \"live\" this value when it means", "seriousness of he situation but it was not on purpose. He feels very,", "Bonus Question: Most YA novels have somewhat of an upbeat ending. I'm not", "him. 2. He wants to win back his family but doesn't know if", "will come at a price. One of the takeaways is that you have", "know if he should even try. Is it egotistical to want his family", "oppressive nature of the society he lives in. At this point he doesn't", "was very similar to a coming-of-age story, but now I realize that it's", "situation but it was not on purpose. He feels very, very guilty for", "with my characters). 2. The wake-up effect. This realization that society is not", "course, the dangerous life as a rebel fighting a Big-Brother-style regime. The key", "he lives in. At this point he doesn't think of rebellion. He just", "protect his family (and his own life) he decides to go into hiding.", "of the government can become. He finds out soon enough, when the government", "endanger them in the process? Should he let them heal and go on", "peace in the end, but also regrets and lingering pains. Is that YA-compatible?", "rebel fighting a Big-Brother-style regime. The key points are the following: 1. He", "2. Is there a way to make the protagonist younger (18 - 20)", "stronger, I think. So (finally!) my question is twofold: 1. Is it ok", "all on its own. Anyways, I think the themes fit nicely for a", "to a coming-of-age story, but now I realize that it's really rather different.", "set in a near-future totalitarian society which works by subtle manipulation rather than", "Anyways, I think the themes fit nicely for a YA audience. However, the", "getting a family and settling down, was the path to happiness and he", "sticking up against authority and about who gets to decide what a society", "looking for like-minded people to discuss his thoughts. He starts to visit corners", "and move on. A side point: I want his kids to be old", "that all his life and that of everyone else in this society is", "the society he lives in. At this point he doesn't think of rebellion.", "out of college but has already achieved much. He has everything he ever", "it would be too easy for him to cut his ties and move", "mind. So, still being somewhat young and naive, he starts to follow up", "are wrong and the personal growth that results from that struggle. And, of", "together rather nicely all on its own. Anyways, I think the themes fit", "an underground rebellion as a new safe haven. The rest of the story", "kind \"Mum, why is daddy evil now?\" (Yes, I can be a sadist", "note and starts framing him as an enemy of society in order to", "for a YA audience. It's a story about finding your place in the", "gets to decide what a society should be like. (Phew!) Lots of stuff,", "it is and make it more of an all-age story. I also like", "evil now?\" (Yes, I can be a sadist with my characters). 2. The", "the way the story is going right now the protagonist is in his", "he doesn't think of rebellion. He just wants to verify (or refute) his", "come at a price. One of the takeaways is that you have to", "Without the family it would be too easy for him to cut his", "young and naive, he starts to follow up on his intuition about the", "shouldn't be seen in. He voices opinions that don't sit well with the", "its own. Anyways, I think the themes fit nicely for a YA audience.", "if he could make them see the true nature of this society? 3.", "of the society he lives in. At this point he doesn't think of", "this society? 3. Is a rebellion even a good idea? Apparently most people", "however it feels hollow and empty. He does love his family but he", "the society he lives in and is looking for like-minded people to discuss", "controlled and restricted and he has just been too busy to notice. He's", "lived life according to the rules and values of society. He thought he", "and starts framing him as an enemy of society in order to discredit", "and orienting yourself in a new world comes a lot more natural and", "think of rebellion. He just wants to verify (or refute) his theory about", "old enough to understand what's going on. I've got scenes in my mind", "and he should have this wake-up effect. As a teenager your whole world", "the themes fit nicely for a YA audience. However, the way the story", "gets weaker. The story is set in a near-future totalitarian society which works", "The things that drive his story are these: 1. His family ties him", "establishment but also because it can be dangerous to be associated with a", "He's not exactly the courageous type but he does have an independent mind.", "at a price. One of the takeaways is that you have to make", "does love his family but he realizes that all his life and that", "the oppression. If most people are content being sheep, shouldn't he let them", "He wants to win back his family but doesn't know if he should", "society is not what it seems to be. He lived life according to", "it's going to be bitter sweet. It's going to be somewhat of a", "he realizes that all his life and that of everyone else in this", "about the manipulative nature of the society he lives in and is looking", "values are not his own, that his views of the world are wrong", "I'm even going into the right direction with my story. I felt like", "to them) and overhears conversations of the kind \"Mum, why is daddy evil", "orienting yourself in a new world comes a lot more natural and is", "now. Thanks a lot for everyone's input so far! In case anybody is", "but I think I see a lot clearer now. Thanks a lot for", "protagonist will have peace in the end, but also regrets and lingering pains.", "nature of this society? 3. Is a rebellion even a good idea? Apparently", "His family ties him to his old life. Without the family it would", "can be a sadist with my characters). 2. The wake-up effect. This realization", "to your values, about questioning assumptions, about sticking up against authority and about", "into more of a coming-of-age story (which would change it significantly) or leave", "However, the way the story is going right now the protagonist is in", "growth that results from that struggle. And, of course, the dangerous life as", "and values of society. He thought he had it all figured out but", "YA audience. However, the way the story is going right now the protagonist", "him. His family, friends and colleagues renounce him. For one because they trust", "ending. I'm not sure of the ending yet but I've got a feeling", "been too busy to notice. He's not exactly the courageous type but he", "Question: Most YA novels have somewhat of an upbeat ending. I'm not sure", "the right direction with my story. I felt like the themes and dilemmas", "of the society he lives in and is looking for like-minded people to", "cope with that fact if you want to live a happy live. The", "government can become. He finds out soon enough, when the government takes note", "2. The wake-up effect. This realization that society is not what it seems", "they even want to be woken up? 4. He realizes that he values", "I think. So (finally!) my question is twofold: 1. Is it ok to", "that don't sit well with the establishment. What he doesn't realize though is", "family ties him to his old life. Without the family it would be", "a lot. But is it wise to actually \"live\" this value when it", "his life and that of everyone else in this society is completely controlled", "your place in the world, about living according to your values, about questioning", "to his old life and he should have this wake-up effect. As a", "to be old enough to understand what's going on. I've got scenes in", "would change it significantly) or leave it as it is and make it", "the personal growth that results from that struggle. And, of course, the dangerous", "not sure of the ending yet but I've got a feeling it's going", "society is completely controlled and restricted and he has just been too busy", "I've got so far has made me question whether I'm even going into", "the internet that one shouldn't be seen in. He voices opinions that don't", "colleagues renounce him. For one because they trust the establishment but also because", "he does have an independent mind. So, still being somewhat young and naive,", "want his kids to be old enough to understand what's going on. I've", "not on purpose. He feels very, very guilty for deserting his family. The", "the rules and values of society. He thought he had it all figured", "Making him older and more established really makes the story stand out and", "against authority and about who gets to decide what a society should be", "a known criminal. In order to protect his family (and his own life)", "even a good idea? Apparently most people are too numb or busy to", "drive his story are these: 1. His family ties him to his old", "right now I'm torn between turning it into more of a coming-of-age story", "ending yet but I've got a feeling it's going to be bitter sweet.", "old life and he should have this wake-up effect. As a teenager your", "in his early 30s. Every time I try to make him younger the", "him back? Is it time to move on? Would they follow him into", "a feeling it's going to be bitter sweet. It's going to be somewhat", "to lose his family. His fall from grace was due to him being", "wrong and the personal growth that results from that struggle. And, of course,", "courageous type but he does have an independent mind. So, still being somewhat", "stuff, I know, but it came together rather nicely all on its own.", "The protagonist has always been convinced that the usual wisdom (as perpetuated by", "is a major cause of pain for him. 2. He wants to win", "possibly endanger them in the process? Should he let them heal and go", "weaker. The story is set in a near-future totalitarian society which works by", "story. I also like Loarem's idea of multiple protagonists with parallel storylines a", "the underground if he could make them see the true nature of this", "living according to your values, about questioning assumptions, about sticking up against authority", "For one because they trust the establishment but also because it can be", "your whole world is changing anyways, so I feel that this process of", "have an independent mind. So, still being somewhat young and naive, he starts", "\"free\". The media is used to keep the population dumb, distracted and lethargic.", "now I'm torn between turning it into more of a coming-of-age story (which", "and settling down, was the path to happiness and he dedicated his whole", "I realize that it's really rather different. So right now I'm torn between", "it time to move on? Would they follow him into the underground if", "very good answers and comments. The feedback I've got so far has made", "younger the story gets weaker. The story is set in a near-future totalitarian", "of the story revolves around coping with the loss of his family, the", "all-age story. I also like Loarem's idea of multiple protagonists with parallel storylines", "else around you is going through the same thing, after all. Making him", "manipulation rather than oppression so most people don't care much that they aren't", "the protagonist younger (18 - 20) without considerably weakening the story? Bonus Question:", "a new world comes a lot more natural and is not nearly as", "wants to verify (or refute) his theory about the manipulative nature of the", "time I try to make him younger the story gets weaker. The story", "it wise to actually \"live\" this value when it means he will endanger", "he should have this wake-up effect. As a teenager your whole world is", "about who gets to decide what a society should be like. (Phew!) Lots", "but has already achieved much. He has everything he ever fought for, however", "struggle. And, of course, the dangerous life as a rebel fighting a Big-Brother-style", "others in the process? Is it better The things that drive his story", "on with their lives on their own? Do they even want him back?", "as it is and make it more of an all-age story. I also", "that you have to learn to cope with that fact if you want", "has always been convinced that the usual wisdom (as perpetuated by the media)", "I've got scenes in my mind where he stalks his own family (to", "that drive his story are these: 1. His family ties him to his", "has everything he ever fought for, however it feels hollow and empty. He", "It's going to be somewhat of a happy end but it will come", "one because they trust the establishment but also because it can be dangerous", "and naive, he starts to follow up on his intuition about the oppressive", "I think the themes fit nicely for a YA audience. However, the way", "he stalks his own family (to be close to them) and overhears conversations", "egotistical to want his family back and possibly endanger them in the process?", "realize that it's really rather different. So right now I'm torn between turning", "interested, here's the original rephrased problem: --- I'm currently exploring/plotting/mulling over a novel", "on its own. Anyways, I think the themes fit nicely for a YA", "He does love his family but he realizes that all his life and", "when the government takes note and starts framing him as an enemy of", "that his family now thinks of him as a criminal is a major", "people are too numb or busy to even notice the oppression. If most", "nature of the society he lives in and is looking for like-minded people", "takeaways is that you have to make sacrifices, you can't have it all", "think the themes fit nicely for a YA audience. However, the way the", "go on with their lives on their own? Do they even want him", "is completely controlled and restricted and he has just been too busy to", "media) of getting a good (government approved) education, getting a job, getting a", "joins an underground rebellion as a new safe haven. The rest of the", "an independent mind. So, still being somewhat young and naive, he starts to", "woken up? 4. He realizes that he values freedom a lot. But is", "silence him. His family, friends and colleagues renounce him. For one because they", "out soon enough, when the government takes note and starts framing him as", "him to his old life and he should have this wake-up effect. As", "somewhat of an upbeat ending. I'm not sure of the ending yet but", "can become. He finds out soon enough, when the government takes note and", "him into the underground if he could make them see the true nature", "thing, after all. Making him older and more established really makes the story", "to happiness and he dedicated his whole life to that goal. When the", "be dangerous to be associated with a known criminal. In order to protect", "of the ending yet but I've got a feeling it's going to be", "that results from that struggle. And, of course, the dangerous life as a", "your values, about questioning assumptions, about sticking up against authority and about who", "much that they aren't \"free\". The media is used to keep the population", "loss of his family, the disorientation of finding out that his values are", "rather than oppression so most people don't care much that they aren't \"free\".", "a lot more natural and is not nearly as traumatic. Everybody else around", "aren't \"free\". The media is used to keep the population dumb, distracted and", "kids to be old enough to understand what's going on. I've got scenes", "of finding out that his values are not his own, that his views", "idea? Apparently most people are too numb or busy to even notice the", "more modern and subtle. The protagonist has always been convinced that the usual", "life as a rebel fighting a Big-Brother-style regime. The key points are the", "education, getting a job, getting a family and settling down, was the path", "life and that of everyone else in this society is completely controlled and", "enemy of society in order to discredit and silence him. His family, friends", "enough, when the government takes note and starts framing him as an enemy", "getting a job, getting a family and settling down, was the path to", "major cause of pain for him. 2. He wants to win back his", "behind your old life and orienting yourself in a new world comes a", "it more of an all-age story. I also like Loarem's idea of multiple", "that of everyone else in this society is completely controlled and restricted and", "as a new safe haven. The rest of the story revolves around coping", "for deserting his family. The fact that his family now thinks of him", "you want to live a happy live. The protagonist will have peace in", "a criminal is a major cause of pain for him. 2. He wants", "but he realizes that all his life and that of everyone else in", "lot for everyone's input so far! In case anybody is still interested, here's", "to decide what a society should be like. (Phew!) Lots of stuff, I", "has made me question whether I'm even going into the right direction with", "1. Is it ok to write a young adult novel with an older", "he dedicated his whole life to that goal. When the story starts he", "discredit and silence him. His family, friends and colleagues renounce him. For one", "far! In case anybody is still interested, here's the original rephrased problem: ---", "novel idea of mine that I would like to write for a YA", "being sheep, shouldn't he let them be sheep? Or should he wake them", "points are the following: 1. He didn't want to lose his family. His", "live. The protagonist will have peace in the end, but also regrets and", "I also like Loarem's idea of multiple protagonists with parallel storylines a lot.", "soon enough, when the government takes note and starts framing him as an", "story revolves around coping with the loss of his family, the disorientation of", "a YA audience. However, the way the story is going right now the", "easy for him to cut his ties and move on. A side point:", "dumb, distracted and lethargic. Think Orwell's 1984 but more modern and subtle. The", "have been a few very good answers and comments. The feedback I've got", "that goal. When the story starts he is just a few years out", "his family (and his own life) he decides to go into hiding. He", "like the themes and dilemmas of the story (see below) would suit a", "it feels hollow and empty. He does love his family but he realizes", "is not what it seems to be. He lived life according to the", "too busy to notice. He's not exactly the courageous type but he does", "should have this wake-up effect. As a teenager your whole world is changing", "that one shouldn't be seen in. He voices opinions that don't sit well", "endanger others in the process? Is it better The things that drive his", "they aren't \"free\". The media is used to keep the population dumb, distracted", "hiding. He joins an underground rebellion as a new safe haven. The rest", "question whether I'm even going into the right direction with my story. I", "are these: 1. His family ties him to his old life. Without the", "underground rebellion as a new safe haven. The rest of the story revolves", "weakening the story? Bonus Question: Most YA novels have somewhat of an upbeat", "in. He voices opinions that don't sit well with the establishment. What he", "much stronger, I think. So (finally!) my question is twofold: 1. Is it", "of this society? 3. Is a rebellion even a good idea? Apparently most", "to make him younger the story gets weaker. The story is set in", "really makes the story stand out and much stronger, I think. So (finally!)", "input so far! In case anybody is still interested, here's the original rephrased", "settling down, was the path to happiness and he dedicated his whole life", "years out of college but has already achieved much. He has everything he", "theory about the manipulative nature of the society he lives in and is", "shouldn't he let them be sheep? Or should he wake them up? Do", "of leaving behind your old life and orienting yourself in a new world", "achieved much. He has everything he ever fought for, however it feels hollow", "my mind where he stalks his own family (to be close to them)", "be bitter sweet. It's going to be somewhat of a happy end but", "due to him being naive and underestimating the seriousness of he situation but", "it ok to write a young adult novel with an older protagonist? Will", "the story stand out and much stronger, I think. So (finally!) my question", "an enemy of society in order to discredit and silence him. His family,", "realization that society is not what it seems to be. He lived life", "Is there a way to make the protagonist younger (18 - 20) without", "see the true nature of this society? 3. Is a rebellion even a", "to that goal. When the story starts he is just a few years", "3. Is a rebellion even a good idea? Apparently most people are too", "them up? Do they even want to be woken up? 4. He realizes", "lethargic. Think Orwell's 1984 but more modern and subtle. The protagonist has always", "up on his intuition about the oppressive nature of the society he lives", "family, friends and colleagues renounce him. For one because they trust the establishment", "old life and orienting yourself in a new world comes a lot more", "him to his old life. Without the family it would be too easy", "story (which would change it significantly) or leave it as it is and", "overhears conversations of the kind \"Mum, why is daddy evil now?\" (Yes, I", "a new safe haven. The rest of the story revolves around coping with", "(as perpetuated by the media) of getting a good (government approved) education, getting", "refute) his theory about the manipulative nature of the society he lives in", "order to protect his family (and his own life) he decides to go", "learn to cope with that fact if you want to live a happy", "than oppression so most people don't care much that they aren't \"free\". The", "completely controlled and restricted and he has just been too busy to notice.", "feeling it's going to be bitter sweet. It's going to be somewhat of", "be like. (Phew!) Lots of stuff, I know, but it came together rather", "audience. However, the way the story is going right now the protagonist is", "to go into hiding. He joins an underground rebellion as a new safe", "to write a young adult novel with an older protagonist? Will this appeal", "subtle manipulation rather than oppression so most people don't care much that they", "a family and settling down, was the path to happiness and he dedicated", "protagonist? Will this appeal to a young adult audience? 2. Is there a", "most people don't care much that they aren't \"free\". The media is used", "is and make it more of an all-age story. I also like Loarem's", "with an older protagonist? Will this appeal to a young adult audience? 2.", "he doesn't realize though is just how tight the grip of the government", "going to be bitter sweet. It's going to be somewhat of a happy", "authority and about who gets to decide what a society should be like.", "to follow up on his intuition about the oppressive nature of the society", "He finds out soon enough, when the government takes note and starts framing", "rephrased problem: --- I'm currently exploring/plotting/mulling over a novel idea of mine that", "naive and underestimating the seriousness of he situation but it was not on", "numb or busy to even notice the oppression. If most people are content", "Is it time to move on? Would they follow him into the underground", "for, however it feels hollow and empty. He does love his family but", "idea of multiple protagonists with parallel storylines a lot. Anyways, my head hurts", "are content being sheep, shouldn't he let them be sheep? Or should he", "protagonists with parallel storylines a lot. Anyways, my head hurts now, but I", "head hurts now, but I think I see a lot clearer now. Thanks", "natural and is not nearly as traumatic. Everybody else around you is going", "haven. The rest of the story revolves around coping with the loss of", "decide what a society should be like. (Phew!) Lots of stuff, I know,", "2. He wants to win back his family but doesn't know if he", "(government approved) education, getting a job, getting a family and settling down, was", "the themes and dilemmas of the story (see below) would suit a YA-audience", "this point he doesn't think of rebellion. He just wants to verify (or", "society. He thought he had it all figured out but realizes that he", "he had it all figured out but realizes that he doesn't. So: he", "rebellion. He just wants to verify (or refute) his theory about the manipulative", "Apparently most people are too numb or busy to even notice the oppression.", "about the oppressive nature of the society he lives in. At this point", "near-future totalitarian society which works by subtle manipulation rather than oppression so most", "with their lives on their own? Do they even want him back? Is", "want to be woken up? 4. He realizes that he values freedom a", "idea of mine that I would like to write for a YA audience.", "to a young adult audience? 2. Is there a way to make the", "He starts to visit corners of the internet that one shouldn't be seen", "to him being naive and underestimating the seriousness of he situation but it", "be a sadist with my characters). 2. The wake-up effect. This realization that", "going into the right direction with my story. I felt like the themes", "it will come at a price. One of the takeaways is that you", "his ties and move on. A side point: I want his kids to", "effect. As a teenager your whole world is changing anyways, so I feel", "you can't have it all and that you have to learn to cope", "lives in and is looking for like-minded people to discuss his thoughts. He", "is used to keep the population dumb, distracted and lethargic. Think Orwell's 1984", "At this point he doesn't think of rebellion. He just wants to verify", "right direction with my story. I felt like the themes and dilemmas of", "if you want to live a happy live. The protagonist will have peace", "are too numb or busy to even notice the oppression. If most people", "all figured out but realizes that he doesn't. So: he should have something", "what a society should be like. (Phew!) Lots of stuff, I know, but", "always been convinced that the usual wisdom (as perpetuated by the media) of", "still interested, here's the original rephrased problem: --- I'm currently exploring/plotting/mulling over a", "he has just been too busy to notice. He's not exactly the courageous", "my characters). 2. The wake-up effect. This realization that society is not what", "themes fit nicely for a YA audience. However, the way the story is", "deserting his family. The fact that his family now thinks of him as", "that his values are not his own, that his views of the world", "will have peace in the end, but also regrets and lingering pains. Is", "audience? 2. Is there a way to make the protagonist younger (18 -", "try to make him younger the story gets weaker. The story is set", "job, getting a family and settling down, was the path to happiness and", "suit a YA-audience and was very similar to a coming-of-age story, but now", "to want his family back and possibly endanger them in the process? Should", "His family, friends and colleagues renounce him. For one because they trust the", "but it was not on purpose. He feels very, very guilty for deserting", "place in the world, about living according to your values, about questioning assumptions,", "He thought he had it all figured out but realizes that he doesn't.", "approved) education, getting a job, getting a family and settling down, was the", "it significantly) or leave it as it is and make it more of", "of an all-age story. I also like Loarem's idea of multiple protagonists with", "but realizes that he doesn't. So: he should have something that ties him", "is it wise to actually \"live\" this value when it means he will", "came together rather nicely all on its own. Anyways, I think the themes", "finding your place in the world, about living according to your values, about", "actually \"live\" this value when it means he will endanger others in the", "well with the establishment. What he doesn't realize though is just how tight", "didn't want to lose his family. His fall from grace was due to", "freedom a lot. But is it wise to actually \"live\" this value when", "that he doesn't. So: he should have something that ties him to his", "a coming-of-age story (which would change it significantly) or leave it as it", "family and settling down, was the path to happiness and he dedicated his", "it all figured out but realizes that he doesn't. So: he should have", "in the end, but also regrets and lingering pains. Is that YA-compatible? Thanks", "goal. When the story starts he is just a few years out of", "like to write for a YA audience. It's a story about finding your", "down, was the path to happiness and he dedicated his whole life to", "if he should even try. Is it egotistical to want his family back", "and lethargic. Think Orwell's 1984 but more modern and subtle. The protagonist has", "means he will endanger others in the process? Is it better The things", "(to be close to them) and overhears conversations of the kind \"Mum, why", "to make sacrifices, you can't have it all and that you have to", "parallel storylines a lot. Anyways, my head hurts now, but I think I", "I try to make him younger the story gets weaker. The story is", "of he situation but it was not on purpose. He feels very, very", "teenager your whole world is changing anyways, so I feel that this process", "feedback I've got so far has made me question whether I'm even going", "the path to happiness and he dedicated his whole life to that goal.", "\"live\" this value when it means he will endanger others in the process?", "his old life. Without the family it would be too easy for him", "is going right now the protagonist is in his early 30s. Every time", "rest of the story revolves around coping with the loss of his family,", "he ever fought for, however it feels hollow and empty. He does love", "Orwell's 1984 but more modern and subtle. The protagonist has always been convinced", "opinions that don't sit well with the establishment. What he doesn't realize though", "life and orienting yourself in a new world comes a lot more natural", "used to keep the population dumb, distracted and lethargic. Think Orwell's 1984 but", "In order to protect his family (and his own life) he decides to", "finds out soon enough, when the government takes note and starts framing him", "and the personal growth that results from that struggle. And, of course, the", "is not nearly as traumatic. Everybody else around you is going through the", "story gets weaker. The story is set in a near-future totalitarian society which", "He joins an underground rebellion as a new safe haven. The rest of", "has just been too busy to notice. He's not exactly the courageous type", "as a criminal is a major cause of pain for him. 2. He", "doesn't realize though is just how tight the grip of the government can", "different. So right now I'm torn between turning it into more of a", "whether I'm even going into the right direction with my story. I felt", "now I realize that it's really rather different. So right now I'm torn", "does have an independent mind. So, still being somewhat young and naive, he", "it into more of a coming-of-age story (which would change it significantly) or", "right now the protagonist is in his early 30s. Every time I try", "to be bitter sweet. It's going to be somewhat of a happy end", "he wake them up? Do they even want to be woken up? 4.", "even want him back? Is it time to move on? Would they follow", "to make the protagonist younger (18 - 20) without considerably weakening the story?", "it egotistical to want his family back and possibly endanger them in the", "this appeal to a young adult audience? 2. Is there a way to", "dedicated his whole life to that goal. When the story starts he is", "life to that goal. When the story starts he is just a few", "a lot for everyone's input so far! In case anybody is still interested,", "make them see the true nature of this society? 3. Is a rebellion", "of getting a good (government approved) education, getting a job, getting a family", "have somewhat of an upbeat ending. I'm not sure of the ending yet", "side point: I want his kids to be old enough to understand what's", "not nearly as traumatic. Everybody else around you is going through the same", "the same thing, after all. Making him older and more established really makes", "He realizes that he values freedom a lot. But is it wise to", "the original rephrased problem: --- I'm currently exploring/plotting/mulling over a novel idea of", "like. (Phew!) Lots of stuff, I know, but it came together rather nicely", "for everyone's input so far! In case anybody is still interested, here's the", "Will this appeal to a young adult audience? 2. Is there a way", "wake-up effect. This realization that society is not what it seems to be.", "so far! In case anybody is still interested, here's the original rephrased problem:", "up? 4. He realizes that he values freedom a lot. But is it", "wake-up effect. As a teenager your whole world is changing anyways, so I", "just how tight the grip of the government can become. He finds out", "own family (to be close to them) and overhears conversations of the kind", "family (to be close to them) and overhears conversations of the kind \"Mum,", "his own family (to be close to them) and overhears conversations of the", "change it significantly) or leave it as it is and make it more", "is looking for like-minded people to discuss his thoughts. He starts to visit", "into hiding. He joins an underground rebellion as a new safe haven. The", "in a new world comes a lot more natural and is not nearly", "The key points are the following: 1. He didn't want to lose his", "coping with the loss of his family, the disorientation of finding out that", "it's really rather different. So right now I'm torn between turning it into", "up against authority and about who gets to decide what a society should", "a way to make the protagonist younger (18 - 20) without considerably weakening", "Would they follow him into the underground if he could make them see", "busy to even notice the oppression. If most people are content being sheep,", "is still interested, here's the original rephrased problem: --- I'm currently exploring/plotting/mulling over", "makes the story stand out and much stronger, I think. So (finally!) my", "a job, getting a family and settling down, was the path to happiness", "starts framing him as an enemy of society in order to discredit and", "the story revolves around coping with the loss of his family, the disorientation", "ties and move on. A side point: I want his kids to be", "an upbeat ending. I'm not sure of the ending yet but I've got", "type but he does have an independent mind. So, still being somewhat young", "now thinks of him as a criminal is a major cause of pain", "direction with my story. I felt like the themes and dilemmas of the", "thinks of him as a criminal is a major cause of pain for", "rules and values of society. He thought he had it all figured out", "are not his own, that his views of the world are wrong and", "visit corners of the internet that one shouldn't be seen in. He voices", "20) without considerably weakening the story? Bonus Question: Most YA novels have somewhat", "coming-of-age story, but now I realize that it's really rather different. So right", "fact if you want to live a happy live. The protagonist will have", "with the loss of his family, the disorientation of finding out that his", "was due to him being naive and underestimating the seriousness of he situation", "starts to follow up on his intuition about the oppressive nature of the", "wisdom (as perpetuated by the media) of getting a good (government approved) education,", "Loarem's idea of multiple protagonists with parallel storylines a lot. Anyways, my head", "friends and colleagues renounce him. For one because they trust the establishment but", "pain for him. 2. He wants to win back his family but doesn't", "A side point: I want his kids to be old enough to understand", "got so far has made me question whether I'm even going into the", "protagonist is in his early 30s. Every time I try to make him", "dilemmas of the story (see below) would suit a YA-audience and was very", "safe haven. The rest of the story revolves around coping with the loss", "I've got a feeling it's going to be bitter sweet. It's going to", "internet that one shouldn't be seen in. He voices opinions that don't sit", "wise to actually \"live\" this value when it means he will endanger others", "but it came together rather nicely all on its own. Anyways, I think", "all. Making him older and more established really makes the story stand out", "nearly as traumatic. Everybody else around you is going through the same thing,", "keep the population dumb, distracted and lethargic. Think Orwell's 1984 but more modern", "Big-Brother-style regime. The key points are the following: 1. He didn't want to", "more natural and is not nearly as traumatic. Everybody else around you is", "whole life to that goal. When the story starts he is just a", "empty. He does love his family but he realizes that all his life", "nature of the society he lives in. At this point he doesn't think", "a good idea? Apparently most people are too numb or busy to even", "you is going through the same thing, after all. Making him older and", "sadist with my characters). 2. The wake-up effect. This realization that society is", "finding out that his values are not his own, that his views of", "underestimating the seriousness of he situation but it was not on purpose. He", "is just a few years out of college but has already achieved much.", "would like to write for a YA audience. It's a story about finding", "back his family but doesn't know if he should even try. Is it", "- 20) without considerably weakening the story? Bonus Question: Most YA novels have", "where he stalks his own family (to be close to them) and overhears", "story are these: 1. His family ties him to his old life. Without", "his own, that his views of the world are wrong and the personal", "(18 - 20) without considerably weakening the story? Bonus Question: Most YA novels", "a story about finding your place in the world, about living according to", "older and more established really makes the story stand out and much stronger,", "and empty. He does love his family but he realizes that all his", "that his views of the world are wrong and the personal growth that", "of society in order to discredit and silence him. His family, friends and", "been convinced that the usual wisdom (as perpetuated by the media) of getting", "few very good answers and comments. The feedback I've got so far has", "because it can be dangerous to be associated with a known criminal. In", "most people are content being sheep, shouldn't he let them be sheep? Or", "same thing, after all. Making him older and more established really makes the", "know, but it came together rather nicely all on its own. Anyways, I", "a happy end but it will come at a price. One of the", "very guilty for deserting his family. The fact that his family now thinks", "society should be like. (Phew!) Lots of stuff, I know, but it came", "make it more of an all-age story. I also like Loarem's idea of", "him younger the story gets weaker. The story is set in a near-future", "an older protagonist? Will this appeal to a young adult audience? 2. Is", "the family it would be too easy for him to cut his ties", "by the media) of getting a good (government approved) education, getting a job,", "ok to write a young adult novel with an older protagonist? Will this", "I think I see a lot clearer now. Thanks a lot for everyone's", "fact that his family now thinks of him as a criminal is a", "convinced that the usual wisdom (as perpetuated by the media) of getting a", "is that you have to make sacrifices, you can't have it all and", "would suit a YA-audience and was very similar to a coming-of-age story, but", "story is set in a near-future totalitarian society which works by subtle manipulation", "values freedom a lot. But is it wise to actually \"live\" this value", "around you is going through the same thing, after all. Making him older", "things that drive his story are these: 1. His family ties him to", "distracted and lethargic. Think Orwell's 1984 but more modern and subtle. The protagonist", "doesn't know if he should even try. Is it egotistical to want his", "now?\" (Yes, I can be a sadist with my characters). 2. The wake-up", "the world are wrong and the personal growth that results from that struggle.", "live a happy live. The protagonist will have peace in the end, but", "to verify (or refute) his theory about the manipulative nature of the society", "coming-of-age story (which would change it significantly) or leave it as it is", "sheep? Or should he wake them up? Do they even want to be", "end but it will come at a price. One of the takeaways is", "the loss of his family, the disorientation of finding out that his values", "good (government approved) education, getting a job, getting a family and settling down,", "was not on purpose. He feels very, very guilty for deserting his family.", "family, the disorientation of finding out that his values are not his own,", "criminal is a major cause of pain for him. 2. He wants to", "lives on their own? Do they even want him back? Is it time", "somewhat of a happy end but it will come at a price. One", "world, about living according to your values, about questioning assumptions, about sticking up", "novel with an older protagonist? Will this appeal to a young adult audience?", "lives in. At this point he doesn't think of rebellion. He just wants", "I know, but it came together rather nicely all on its own. Anyways,", "content being sheep, shouldn't he let them be sheep? Or should he wake", "to be. He lived life according to the rules and values of society.", "to notice. He's not exactly the courageous type but he does have an", "dangerous life as a rebel fighting a Big-Brother-style regime. The key points are", "assumptions, about sticking up against authority and about who gets to decide what", "a YA audience. It's a story about finding your place in the world,", "Edit: There have been a few very good answers and comments. The feedback", "even notice the oppression. If most people are content being sheep, shouldn't he", "people are content being sheep, shouldn't he let them be sheep? Or should", "bitter sweet. It's going to be somewhat of a happy end but it", "lose his family. His fall from grace was due to him being naive", "upbeat ending. I'm not sure of the ending yet but I've got a", "young adult audience? 2. Is there a way to make the protagonist younger", "values, about questioning assumptions, about sticking up against authority and about who gets", "it all and that you have to learn to cope with that fact", "and colleagues renounce him. For one because they trust the establishment but also", "a price. One of the takeaways is that you have to make sacrifices,", "Most YA novels have somewhat of an upbeat ending. I'm not sure of", "case anybody is still interested, here's the original rephrased problem: --- I'm currently", "known criminal. In order to protect his family (and his own life) he", "yourself in a new world comes a lot more natural and is not", "of rebellion. He just wants to verify (or refute) his theory about the", "whole world is changing anyways, so I feel that this process of leaving", "that struggle. And, of course, the dangerous life as a rebel fighting a", "considerably weakening the story? Bonus Question: Most YA novels have somewhat of an", "he let them be sheep? Or should he wake them up? Do they", "realizes that he values freedom a lot. But is it wise to actually", "in. At this point he doesn't think of rebellion. He just wants to", "30s. Every time I try to make him younger the story gets weaker.", "sit well with the establishment. What he doesn't realize though is just how", "these: 1. His family ties him to his old life. Without the family", "this value when it means he will endanger others in the process? Is", "or busy to even notice the oppression. If most people are content being", "for like-minded people to discuss his thoughts. He starts to visit corners of", "trust the establishment but also because it can be dangerous to be associated", "be sheep? Or should he wake them up? Do they even want to", "wants to win back his family but doesn't know if he should even", "to win back his family but doesn't know if he should even try.", "(see below) would suit a YA-audience and was very similar to a coming-of-age", "story, but now I realize that it's really rather different. So right now", "to discredit and silence him. His family, friends and colleagues renounce him. For", "of mine that I would like to write for a YA audience. It's", "not exactly the courageous type but he does have an independent mind. So,", "and about who gets to decide what a society should be like. (Phew!)", "1. He didn't want to lose his family. His fall from grace was", "to keep the population dumb, distracted and lethargic. Think Orwell's 1984 but more", "I would like to write for a YA audience. It's a story about", "also regrets and lingering pains. Is that YA-compatible? Thanks a lot in advance!", "about questioning assumptions, about sticking up against authority and about who gets to", "dangerous to be associated with a known criminal. In order to protect his", "but he does have an independent mind. So, still being somewhat young and", "of stuff, I know, but it came together rather nicely all on its", "the process? Should he let them heal and go on with their lives", "them see the true nature of this society? 3. Is a rebellion even", "though is just how tight the grip of the government can become. He", "figured out but realizes that he doesn't. So: he should have something that", "from grace was due to him being naive and underestimating the seriousness of", "write a young adult novel with an older protagonist? Will this appeal to", "will endanger others in the process? Is it better The things that drive", "when it means he will endanger others in the process? Is it better", "don't care much that they aren't \"free\". The media is used to keep", "established really makes the story stand out and much stronger, I think. So", "his own life) he decides to go into hiding. He joins an underground", "to visit corners of the internet that one shouldn't be seen in. He", "the media) of getting a good (government approved) education, getting a job, getting", "that I would like to write for a YA audience. It's a story", "This realization that society is not what it seems to be. He lived", "want his family back and possibly endanger them in the process? Should he", "feels hollow and empty. He does love his family but he realizes that", "Is it egotistical to want his family back and possibly endanger them in", "and silence him. His family, friends and colleagues renounce him. For one because", "that the usual wisdom (as perpetuated by the media) of getting a good", "sheep, shouldn't he let them be sheep? Or should he wake them up?", "torn between turning it into more of a coming-of-age story (which would change", "busy to notice. He's not exactly the courageous type but he does have", "oppression so most people don't care much that they aren't \"free\". The media", "family (and his own life) he decides to go into hiding. He joins", "seen in. He voices opinions that don't sit well with the establishment. What", "on his intuition about the oppressive nature of the society he lives in.", "to be woken up? 4. He realizes that he values freedom a lot.", "discuss his thoughts. He starts to visit corners of the internet that one", "on their own? Do they even want him back? Is it time to", "everyone else in this society is completely controlled and restricted and he has", "as a rebel fighting a Big-Brother-style regime. The key points are the following:", "and make it more of an all-age story. I also like Loarem's idea", "out that his values are not his own, that his views of the", "(Yes, I can be a sadist with my characters). 2. The wake-up effect.", "following: 1. He didn't want to lose his family. His fall from grace", "answers and comments. The feedback I've got so far has made me question", "the courageous type but he does have an independent mind. So, still being", "starts he is just a few years out of college but has already", "society he lives in and is looking for like-minded people to discuss his", "don't sit well with the establishment. What he doesn't realize though is just", "have to make sacrifices, you can't have it all and that you have", "his family back and possibly endanger them in the process? Should he let", "what's going on. I've got scenes in my mind where he stalks his", "renounce him. For one because they trust the establishment but also because it", "multiple protagonists with parallel storylines a lot. Anyways, my head hurts now, but", "that they aren't \"free\". The media is used to keep the population dumb,", "all his life and that of everyone else in this society is completely", "decides to go into hiding. He joins an underground rebellion as a new", "have it all and that you have to learn to cope with that", "grace was due to him being naive and underestimating the seriousness of he", "they even want him back? Is it time to move on? Would they", "society? 3. Is a rebellion even a good idea? Apparently most people are", "purpose. He feels very, very guilty for deserting his family. The fact that", "a rebel fighting a Big-Brother-style regime. The key points are the following: 1.", "Do they even want him back? Is it time to move on? Would", "the protagonist is in his early 30s. Every time I try to make", "their lives on their own? Do they even want him back? Is it", "of multiple protagonists with parallel storylines a lot. Anyways, my head hurts now,", "is just how tight the grip of the government can become. He finds", "his family now thinks of him as a criminal is a major cause", "underground if he could make them see the true nature of this society?", "(Phew!) Lots of stuff, I know, but it came together rather nicely all", "his theory about the manipulative nature of the society he lives in and", "The protagonist will have peace in the end, but also regrets and lingering", "anybody is still interested, here's the original rephrased problem: --- I'm currently exploring/plotting/mulling", "be somewhat of a happy end but it will come at a price.", "life. Without the family it would be too easy for him to cut", "way to make the protagonist younger (18 - 20) without considerably weakening the", "but now I realize that it's really rather different. So right now I'm", "who gets to decide what a society should be like. (Phew!) Lots of", "have peace in the end, but also regrets and lingering pains. Is that", "realizes that he doesn't. So: he should have something that ties him to", "in a near-future totalitarian society which works by subtle manipulation rather than oppression", "The fact that his family now thinks of him as a criminal is", "move on? Would they follow him into the underground if he could make", "he values freedom a lot. But is it wise to actually \"live\" this", "family but he realizes that all his life and that of everyone else", "he should even try. Is it egotistical to want his family back and", "a young adult novel with an older protagonist? Will this appeal to a", "be seen in. He voices opinions that don't sit well with the establishment." ]
[ "that can manage all those snippets and has a full text search engine", "a large amount (a couple thousand) of rather small text files with short", "just text files on my computer; there is no index and no database.", "or stories. I use them to generate ideas on topics I'm writing about.", "I use them to generate ideas on topics I'm writing about. My problem", "are just text files on my computer; there is no index and no", "software that can manage all those snippets and has a full text search", "database. Every time I write something, I add new files. I'm looking for", "best solution would be something that I can run on a server, so", "write something, I add new files. I'm looking for a software that can", "about. My problem is that these are just text files on my computer;", "manage all those snippets and has a full text search engine built in.", "I add new files. I'm looking for a software that can manage all", "files on my computer; there is no index and no database. Every time", "notes or stories. I use them to generate ideas on topics I'm writing", "small text files with short notes or stories. I use them to generate", "I'm looking for a software that can manage all those snippets and has", "The best solution would be something that I can run on a server,", "files. I'm looking for a software that can manage all those snippets and", "library from anywhere. What are you guys using? How are you mastering your", "no database. Every time I write something, I add new files. I'm looking", "no index and no database. Every time I write something, I add new", "on topics I'm writing about. My problem is that these are just text", "I have a large amount (a couple thousand) of rather small text files", "them to generate ideas on topics I'm writing about. My problem is that", "I'm writing about. 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I'm", "(a couple thousand) of rather small text files with short notes or stories.", "that I can access my library from anywhere. What are you guys using?", "with short notes or stories. I use them to generate ideas on topics", "there is no index and no database. Every time I write something, I", "computer; there is no index and no database. Every time I write something,", "to generate ideas on topics I'm writing about. My problem is that these", "can access my library from anywhere. What are you guys using? How are", "my computer; there is no index and no database. Every time I write", "so that I can access my library from anywhere. What are you guys", "text search engine built in. The best solution would be something that I", "engine built in. The best solution would be something that I can run", "stories. I use them to generate ideas on topics I'm writing about. My", "my library from anywhere. What are you guys using? 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Should I interview this character as a", "a 20 year old, a 40 year old, or at both ages, as", "To add to this, there is also a potentially life changing event planned", "which is not directly portrayed, is 46 in the second act. To add", "is 46 in the second act. To add to this, there is also", "the second act. To add to this, there is also a potentially life", "a solid practice for creating deep, meaningful characters that foster realistic relationships within", "to give characters depth and realism within a plot. This makes sense to", "is regarding characters who age noticeably throughout the course of a single novel.", "first act. Should I interview this character as a 20 year old, a", "act. To add to this, there is also a potentially life changing event", "meaningful characters that foster realistic relationships within the prose. My question is regarding", "years old in the first act, and after a gap which is not", "the course of a single novel. My specific example is a protagonist who", "also a potentially life changing event planned for the first act. Should I", "in the second act. To add to this, there is also a potentially", "and after a gap which is not directly portrayed, is 46 in the", "characters that foster realistic relationships within the prose. My question is regarding characters", "employ an interviewing technique in order to give characters depth and realism within", "me and is a solid practice for creating deep, meaningful characters that foster", "a gap which is not directly portrayed, is 46 in the second act.", "writers employ an interviewing technique in order to give characters depth and realism", "question is regarding characters who age noticeably throughout the course of a single", "is 25 years old in the first act, and after a gap which", "sense to me and is a solid practice for creating deep, meaningful characters", "portrayed, is 46 in the second act. To add to this, there is", "after a gap which is not directly portrayed, is 46 in the second", "technique in order to give characters depth and realism within a plot. This", "within a plot. This makes sense to me and is a solid practice", "My question is regarding characters who age noticeably throughout the course of a", "this, there is also a potentially life changing event planned for the first", "25 years old in the first act, and after a gap which is", "this character as a 20 year old, a 40 year old, or at", "first act, and after a gap which is not directly portrayed, is 46", "interviewing technique in order to give characters depth and realism within a plot.", "character as a 20 year old, a 40 year old, or at both", "regarding characters who age noticeably throughout the course of a single novel. My", "act, and after a gap which is not directly portrayed, is 46 in", "who is 25 years old in the first act, and after a gap", "and realism within a plot. This makes sense to me and is a", "second act. To add to this, there is also a potentially life changing", "plot. This makes sense to me and is a solid practice for creating", "Should I interview this character as a 20 year old, a 40 year", "potentially life changing event planned for the first act. Should I interview this", "throughout the course of a single novel. My specific example is a protagonist", "directly portrayed, is 46 in the second act. To add to this, there", "give characters depth and realism within a plot. This makes sense to me", "who age noticeably throughout the course of a single novel. My specific example", "example is a protagonist who is 25 years old in the first act,", "and is a solid practice for creating deep, meaningful characters that foster realistic", "year old, a 40 year old, or at both ages, as separate interviews?", "for the first act. Should I interview this character as a 20 year", "novel. My specific example is a protagonist who is 25 years old in", "as a 20 year old, a 40 year old, or at both ages,", "order to give characters depth and realism within a plot. This makes sense", "deep, meaningful characters that foster realistic relationships within the prose. My question is", "creating deep, meaningful characters that foster realistic relationships within the prose. My question", "to this, there is also a potentially life changing event planned for the", "is also a potentially life changing event planned for the first act. Should", "is a solid practice for creating deep, meaningful characters that foster realistic relationships", "the first act. Should I interview this character as a 20 year old,", "there is also a potentially life changing event planned for the first act.", "Many writers employ an interviewing technique in order to give characters depth and", "interview this character as a 20 year old, a 40 year old, or", "realism within a plot. This makes sense to me and is a solid", "realistic relationships within the prose. My question is regarding characters who age noticeably", "for creating deep, meaningful characters that foster realistic relationships within the prose. My", "a potentially life changing event planned for the first act. Should I interview", "changing event planned for the first act. Should I interview this character as", "My specific example is a protagonist who is 25 years old in the", "life changing event planned for the first act. Should I interview this character", "age noticeably throughout the course of a single novel. My specific example is", "makes sense to me and is a solid practice for creating deep, meaningful", "within the prose. My question is regarding characters who age noticeably throughout the", "I interview this character as a 20 year old, a 40 year old,", "46 in the second act. To add to this, there is also a", "solid practice for creating deep, meaningful characters that foster realistic relationships within the", "a protagonist who is 25 years old in the first act, and after", "the first act, and after a gap which is not directly portrayed, is", "relationships within the prose. My question is regarding characters who age noticeably throughout", "characters depth and realism within a plot. This makes sense to me and", "an interviewing technique in order to give characters depth and realism within a", "a plot. This makes sense to me and is a solid practice for", "a single novel. My specific example is a protagonist who is 25 years", "single novel. My specific example is a protagonist who is 25 years old", "gap which is not directly portrayed, is 46 in the second act. To", "old in the first act, and after a gap which is not directly", "that foster realistic relationships within the prose. My question is regarding characters who", "is a protagonist who is 25 years old in the first act, and", "add to this, there is also a potentially life changing event planned for", "specific example is a protagonist who is 25 years old in the first", "is not directly portrayed, is 46 in the second act. To add to", "foster realistic relationships within the prose. My question is regarding characters who age", "noticeably throughout the course of a single novel. My specific example is a", "to me and is a solid practice for creating deep, meaningful characters that", "This makes sense to me and is a solid practice for creating deep,", "in order to give characters depth and realism within a plot. This makes", "characters who age noticeably throughout the course of a single novel. My specific", "of a single novel. My specific example is a protagonist who is 25" ]
[ "and even to create rock-skin for a short duration. He can only control", "Tower syndrome (think Rapunzel or the stereotype of the fair princess) goes through", "be a short story, after all, though it could probably spin out into", "brought through monsters, and gave people super powers, wherein they are able to", "limited amount of willpower and energy/mana/whatever to work with. She has an affinity", "his thing.) Another female member of the group has a few psychic powers,", "explaining how to do a training montage in film. Can't say I've seen", "from your hands, be immune to electrocution, and even fly, as storms are", "film-editing at work on sequences shot on film. Novels could conceivably do the", "inherent elemental powers like her boyfriend. He's limited to storm-based powers. His best", "about is that character's girlfriend. She is able to manipulate Rift energy, where", "energy/mana/whatever to work with. She has an affinity for healing powers, and is", "in games, you get the stereotype. I titled a post Cliche Healer Girl,", "it hilarious, as you normally get it on screen. Team America sings a", "able to find a whole heap of advice on this particular way of", "very movie-focused technique, which are basically film-editing at work on sequences shot on", "I've currently got. I hope that's a good explanation (I seem to be", "later, I've just come up with my story. This character, who starts of", "on Earth for the showdown. Been a while since I played it though.", "in a lot of fantasy, it sometimes seems, not so much in the", "I'll be referring to for more info.) I think that's everything I've currently", "there's one at the end of Mass Effect 3 when the Alliance finally", "(ie Power Rangers and Sailor Zuon). Even Rocky had a montage! (I'll stop", "rock-skin for a short duration. He can only control dirt, rock, earth stuff", "healing powers, and is usually called up for patching them up (it takes", "strengthens her as a character. Not sure exactly what she'll go through, but", "type of humour it displays, a montage wouldn't be out of place. I", "often windy. That's one example. The character I'm writing this story about is", "do one in prose, as it's not, to my knowledge, a prose device", "Been a while since I played it though. Could be off, but I", "who are 100% pure are the default in a lot of fantasy, it", "a prose device but a visual device, even if the word and definition", "immune to electrocution, and even fly, as storms are often windy. That's one", "really know how to do one in prose, as it's not, to my", "general advice is \"context needed\", so I've said everything I've worked out SO", "character, who starts of kinda shy and plain and pure, but also a", "title, too. Years later, I've just come up with my story. This character,", "for the showdown. Been a while since I played it though. Could be", "up for patching them up (it takes longer the nastier the wound, it's", "is usually called up for patching them up (it takes longer the nastier", "JRPG stereotype, which is the shy, meek, kinda not-very-interesting, but \"pure\" character type", "like to have fun with my writing... I'd like to write a montage", "(think Rapunzel or the stereotype of the fair princess) goes through magical training", "prose fiction. It would be a sort of a wizard training sequence, or", "to storm-based powers. His best friend has rock powers - the ability to", "can do a montage much easier than in a book, I think. You", "doesn't have inherent elemental powers like her boyfriend. He's limited to storm-based powers.", "like her boyfriend. He's limited to storm-based powers. His best friend has rock", "happening! I haven't been able to find a whole heap of advice on", "range of powers to work with, but a more limited amount of willpower", "a montage! (I'll stop now, promise) I think readers coming across a montage", "called up for patching them up (it takes longer the nastier the wound,", "they're a very movie-focused technique, which are basically film-editing at work on sequences", "Anyway, the question is, how to do a montage in prose form? I", "to manipulate Rift energy, where it exists. She doesn't have inherent elemental powers", "what she'll go through, but at some point, I think it might be", "for patching them up (it takes longer the nastier the wound, it's not", "film and TV, you can do a montage much easier than in a", "fly, as storms are often windy. That's one example. The character I'm writing", "it could probably spin out into a novella naturally. I don't know for", "or some other set of related powers. Ninja types could use shadow powers", "in books. (I have a book on critical and literary terms, which I'll", "at work on sequences shot on film. Novels could conceivably do the same", "appeared in books. (I have a book on critical and literary terms, which", "know about it. In film and TV, you can do a montage much", "montage in prose fiction. It would be a sort of a wizard training", "fiction. It would be a sort of a wizard training sequence, or something", "for longer - they have a lower mana cost. This girl learns how", "longer the nastier the wound, it's not an instant process). The title I", "I've said everything I've worked out SO FAR. The setting is very apocalyptic,", "I'm writing this story about is that character's girlfriend. She is able to", "destructive, so she can use them for longer - they have a lower", "be a story!\" I think they loved the title, too. Years later, I've", "if the forum had experienced this a lot. And someone thought \"Oh man,", "out into a novella naturally. I don't know for sure, I'll see where", "that mean it originally came from written narrative? If it did, I think", "a whole heap of advice on this particular way of doing montages. The", "fantasy, it sometimes seems, not so much in the west, but in the", "Rocky had a montage! (I'll stop now, promise) I think readers coming across", "the nastier the wound, it's not an instant process). The title I want", "\"Oh man, I thought this was going to be a story!\" I think", "montage wouldn't be out of place. I just don't really know how to", "had a montage! (I'll stop now, promise) I think readers coming across a", "I understand. But with the type of humour it displays, a montage wouldn't", "training sequence, or something to that effect (pretty close). Obviously montages are easier", "it on screen. Team America sings a song explaining how to do a", "story about is that character's girlfriend. She is able to manipulate Rift energy,", "manipulate Rift energy, where it exists. She doesn't have inherent elemental powers like", "ruined cities, and there are references to nerd culture (that does of course", "only control dirt, rock, earth stuff (not really trees, that's a different power,", "a novella naturally. I don't know for sure, I'll see where it goes.", "currently got. I hope that's a good explanation (I seem to be doing", "powers - the ability to manipulate the ground in various ways, and even", "played it though. Could be off, but I swear I remember that happening!", "\"context needed\", so I've said everything I've worked out SO FAR. The setting", "as you normally get it on screen. Team America sings a song explaining", "various ways, and even to create rock-skin for a short duration. He can", "her mind and strengthens her as a character. Not sure exactly what she'll", "learning montage. It'll be a short story, after all, though it could probably", "spin out into a novella naturally. I don't know for sure, I'll see", "world (Earth). These brought through monsters, and gave people super powers, wherein they", "of humour it displays, a montage wouldn't be out of place. I just", "was talking about a JRPG stereotype, which is the shy, meek, kinda not-very-interesting,", "one example. The character I'm writing this story about is that character's girlfriend.", "I'd like to write a montage in prose fiction. It would be a", "in soooooooo many JRPGs. Girls who are 100% pure are the default in", "storm-based powers. His best friend has rock powers - the ability to manipulate", "girl learns how to weave effects with Rift energy. She has the whole", "powers, such as mind-reading and invisibility. They're not as destructive, so she can", "delighting many others, from what I understand. But with the type of humour", "takes longer the nastier the wound, it's not an instant process). The title", "Rapunzel or the stereotype of the fair princess) goes through magical training that", "and weaknesses to the two different mediums (media?). The context: four years ago", "which tested interestingly somewhere else. I was talking about a JRPG stereotype, which", "all, though it could probably spin out into a novella naturally. I don't", "the most, as well as lock-and-load and power ups in more fantastic stories", "forum had experienced this a lot. And someone thought \"Oh man, I thought", "Team America sings a song explaining how to do a training montage in", "while since I played it though. Could be off, but I swear I", "bunch of rifts opened up above all the major cities of the world", "energy, where it exists. She doesn't have inherent elemental powers like her boyfriend.", "type in soooooooo many JRPGs. Girls who are 100% pure are the default", "this a lot. And someone thought \"Oh man, I thought this was going", "technique, which are basically film-editing at work on sequences shot on film. Novels", "circles, so does that mean it originally came from written narrative? If it", "more limited amount of willpower and energy/mana/whatever to work with. She has an", "gave people super powers, wherein they are able to either do things with", "a post Cliche Healer Girl, to see if the forum had experienced this", "literary theory circles, so does that mean it originally came from written narrative?", "through, but at some point, I think it might be useful to have", "shy and plain and pure, but also a bit Ivory Tower syndrome (think", "he loves rock-n-roll. It's kinda his thing.) Another female member of the group", "even if the word and definition first would have appeared in books. (I", "The title I want to go for is Cliche Healer Girl, which tested", "manipulate the ground in various ways, and even to create rock-skin for a", "has the whole range of powers to work with, but a more limited", "control dirt, rock, earth stuff (not really trees, that's a different power, just", "don't really know how to do one in prose, as it's not, to", "girlfriend. She is able to manipulate Rift energy, where it exists. She doesn't", "affinity for healing powers, and is usually called up for patching them up", "know I like to have fun with my writing... I'd like to write", "from what I understand. But with the type of humour it displays, a", "that's a different power, just literal rock. (No surprise, he loves rock-n-roll. It's", "referring to for more info.) I think that's everything I've currently got. I", "of doing montages. The general advice is \"context needed\", so I've said everything", "writing... I'd like to write a montage in prose fiction. It would be", "an instant process). The title I want to go for is Cliche Healer", "trees, that's a different power, just literal rock. (No surprise, he loves rock-n-roll.", "They're not as destructive, so she can use them for longer - they", "as lock-and-load and power ups in more fantastic stories (ie Power Rangers and", "so I've said everything I've worked out SO FAR. The setting is very", "be off, but I swear I remember that happening! I haven't been able", "are 100% pure are the default in a lot of fantasy, it sometimes", "some while delighting many others, from what I understand. But with the type", "others, from what I understand. But with the type of humour it displays,", "as a character. Not sure exactly what she'll go through, but at some", "for is Cliche Healer Girl, which tested interestingly somewhere else. I was talking", "a bit Ivory Tower syndrome (think Rapunzel or the stereotype of the fair", "and literary terms, which I'll be referring to for more info.) I think", "post Cliche Healer Girl, to see if the forum had experienced this a", "but also a bit Ivory Tower syndrome (think Rapunzel or the stereotype of", "into a novella naturally. I don't know for sure, I'll see where it", "whole range of powers to work with, but a more limited amount of", "not-very-interesting, but \"pure\" character type in soooooooo many JRPGs. Girls who are 100%", "might find it hilarious, as you normally get it on screen. Team America", "knowledge, a prose device but a visual device, even if the word and", "in movies, as they're a very movie-focused technique, which are basically film-editing at", "are able to either do things with super powers naturally, such as wield", "to for more info.) I think that's everything I've currently got. I hope", "soooooooo many JRPGs. Girls who are 100% pure are the default in a", "I haven't been able to find a whole heap of advice on this", "think the word is a french one from literary theory circles, so does", "might be useful to have a learning montage. It'll be a short story,", "also a bit Ivory Tower syndrome (think Rapunzel or the stereotype of the", "the forum had experienced this a lot. And someone thought \"Oh man, I", "Rift energy. She has the whole range of powers to work with, but", "mind-reading and invisibility. They're not as destructive, so she can use them for", "I've worked out SO FAR. The setting is very apocalyptic, with ruined cities,", "as wield an element (fire, lightning, ice, whatever) or some other set of", "somewhere else. I was talking about a JRPG stereotype, which is the shy,", "The setting is very apocalyptic, with ruined cities, and there are references to", "fun with my writing... I'd like to write a montage in prose fiction.", "Can't say I've seen too many montages in games, but I'm sure there's", "able to either do things with super powers naturally, such as wield an", "at least in games, you get the stereotype. I titled a post Cliche", "to be a story!\" I think they loved the title, too. Years later,", "now, promise) I think readers coming across a montage might find it hilarious,", "readers coming across a montage might find it hilarious, as you normally get", "on screen. Team America sings a song explaining how to do a training", "have a lower mana cost. This girl learns how to weave effects with", "about a JRPG stereotype, which is the shy, meek, kinda not-very-interesting, but \"pure\"", "sure there's one at the end of Mass Effect 3 when the Alliance", "too many montages in games, but I'm sure there's one at the end", "many JRPGs. Girls who are 100% pure are the default in a lot", "work on sequences shot on film. Novels could conceivably do the same thing,", "exists. She doesn't have inherent elemental powers like her boyfriend. He's limited to", "an affinity for healing powers, and is usually called up for patching them", "a montage might find it hilarious, as you normally get it on screen.", "cost. This girl learns how to weave effects with Rift energy. She has", "have a learning montage. It'll be a short story, after all, though it", "shadow powers or even actual invisibility, for instance. It's generally tied in conceptually.", "a sort of a wizard training sequence, or something to that effect (pretty", "an element (fire, lightning, ice, whatever) or some other set of related powers.", "setting is very apocalyptic, with ruined cities, and there are references to nerd", "to create rock-skin for a short duration. He can only control dirt, rock,", "the question is, how to do a montage in prose form? I think", "montage in film. Can't say I've seen too many montages in games, but", "much in the west, but in the east, at least in games, you", "I'd know about it. In film and TV, you can do a montage", "(that does of course irk some while delighting many others, from what I", "Team America song* Okay, now that you know I like to have fun", "it exists. She doesn't have inherent elemental powers like her boyfriend. He's limited", "and pure, but also a bit Ivory Tower syndrome (think Rapunzel or the", "be immune to electrocution, and even fly, as storms are often windy. That's", "on sequences shot on film. Novels could conceivably do the same thing, as", "Power Rangers and Sailor Zuon). Even Rocky had a montage! (I'll stop now,", "irk some while delighting many others, from what I understand. But with the", "needed\", so I've said everything I've worked out SO FAR. The setting is", "super powers naturally, such as wield an element (fire, lightning, ice, whatever) or", "just come up with my story. This character, who starts of kinda shy", "story-telling, but there's obviously different strengths and weaknesses to the two different mediums", "end of Mass Effect 3 when the Alliance finally descend on Earth for", "for a short duration. He can only control dirt, rock, earth stuff (not", "Mass Effect 3 when the Alliance finally descend on Earth for the showdown.", "character's girlfriend. She is able to manipulate Rift energy, where it exists. She", "power ups in more fantastic stories (ie Power Rangers and Sailor Zuon). Even", "book on critical and literary terms, which I'll be referring to for more", "but I'm sure there's one at the end of Mass Effect 3 when", "on film. Novels could conceivably do the same thing, as it's story-telling, but", "That's one example. The character I'm writing this story about is that character's", "a bunch of rifts opened up above all the major cities of the", "not an instant process). The title I want to go for is Cliche", "lot of fantasy, it sometimes seems, not so much in the west, but", "she can use them for longer - they have a lower mana cost.", "descend on Earth for the showdown. Been a while since I played it", "if the word and definition first would have appeared in books. (I have", "see if the forum had experienced this a lot. And someone thought \"Oh", "I think it might be useful to have a learning montage. It'll be", "for more info.) I think that's everything I've currently got. I hope that's", "100% pure are the default in a lot of fantasy, it sometimes seems,", "a story!\" I think they loved the title, too. Years later, I've just", "a lot of fantasy, it sometimes seems, not so much in the west,", "but in the east, at least in games, you get the stereotype. I", "nastier the wound, it's not an instant process). The title I want to", "her as a character. Not sure exactly what she'll go through, but at", "think. You get training montages the most, as well as lock-and-load and power", "or the stereotype of the fair princess) goes through magical training that opens", "I remember that happening! I haven't been able to find a whole heap", "thing.) Another female member of the group has a few psychic powers, such", "of fantasy, it sometimes seems, not so much in the west, but in", "it originally came from written narrative? If it did, I think I'd know", "invisibility, for instance. It's generally tied in conceptually. If a character's power-concept is", "powers. Ninja types could use shadow powers or even actual invisibility, for instance.", "question is, how to do a montage in prose form? I think the", "visual device, even if the word and definition first would have appeared in", "story!\" I think they loved the title, too. Years later, I've just come", "in various ways, and even to create rock-skin for a short duration. He", "said everything I've worked out SO FAR. The setting is very apocalyptic, with", "but \"pure\" character type in soooooooo many JRPGs. Girls who are 100% pure", "west, but in the east, at least in games, you get the stereotype.", "showdown. Been a while since I played it though. Could be off, but", "example. The character I'm writing this story about is that character's girlfriend. She", "instant process). The title I want to go for is Cliche Healer Girl,", "sequences shot on film. Novels could conceivably do the same thing, as it's", "same thing, as it's story-telling, but there's obviously different strengths and weaknesses to", "few psychic powers, such as mind-reading and invisibility. They're not as destructive, so", "it did, I think I'd know about it. In film and TV, you", "wound, it's not an instant process). The title I want to go for", "someone thought \"Oh man, I thought this was going to be a story!\"", "montage might find it hilarious, as you normally get it on screen. Team", "normally get it on screen. Team America sings a song explaining how to", "east, at least in games, you get the stereotype. I titled a post", "group has a few psychic powers, such as mind-reading and invisibility. They're not", "powers, wherein they are able to either do things with super powers naturally,", "like to write a montage in prose fiction. It would be a sort", "understand. But with the type of humour it displays, a montage wouldn't be", "did, I think I'd know about it. In film and TV, you can", "use them for longer - they have a lower mana cost. This girl", "major cities of the world (Earth). These brought through monsters, and gave people", "short story, after all, though it could probably spin out into a novella", "Girl, which tested interestingly somewhere else. I was talking about a JRPG stereotype,", "song explaining how to do a training montage in film. Can't say I've", "Obviously montages are easier to do in movies, as they're a very movie-focused", "Earth for the showdown. Been a while since I played it though. Could", "invisibility. They're not as destructive, so she can use them for longer -", "the wound, it's not an instant process). The title I want to go", "Cliche Healer Girl, to see if the forum had experienced this a lot.", "are references to nerd culture (that does of course irk some while delighting", "to my knowledge, a prose device but a visual device, even if the", "montage. It'll be a short story, after all, though it could probably spin", "where it exists. She doesn't have inherent elemental powers like her boyfriend. He's", "friend has rock powers - the ability to manipulate the ground in various", "promise) I think readers coming across a montage might find it hilarious, as", "a visual device, even if the word and definition first would have appeared", "more info.) I think that's everything I've currently got. I hope that's a", "in the west, but in the east, at least in games, you get", "I want to go for is Cliche Healer Girl, which tested interestingly somewhere", "to either do things with super powers naturally, such as wield an element", "fling lightning from your hands, be immune to electrocution, and even fly, as", "which are basically film-editing at work on sequences shot on film. Novels could", "whole heap of advice on this particular way of doing montages. The general", "through magical training that opens her mind and strengthens her as a character.", "opens her mind and strengthens her as a character. Not sure exactly what", "of related powers. Ninja types could use shadow powers or even actual invisibility,", "lot. And someone thought \"Oh man, I thought this was going to be", "be a sort of a wizard training sequence, or something to that effect", "been able to find a whole heap of advice on this particular way", "tied in conceptually. If a character's power-concept is storms, you can usually fling", "This character, who starts of kinda shy and plain and pure, but also", "everything I've currently got. I hope that's a good explanation (I seem to", "could probably spin out into a novella naturally. I don't know for sure,", "of course irk some while delighting many others, from what I understand. But", "exactly what she'll go through, but at some point, I think it might", "titled a post Cliche Healer Girl, to see if the forum had experienced", "meek, kinda not-very-interesting, but \"pure\" character type in soooooooo many JRPGs. Girls who", "JRPGs. Girls who are 100% pure are the default in a lot of", "info.) I think that's everything I've currently got. I hope that's a good", "the default in a lot of fantasy, it sometimes seems, not so much", "goes. Anyway, the question is, how to do a montage in prose form?", "It's generally tied in conceptually. If a character's power-concept is storms, you can", "about it. In film and TV, you can do a montage much easier", "mana cost. This girl learns how to weave effects with Rift energy. She", "kinda shy and plain and pure, but also a bit Ivory Tower syndrome", "across a montage might find it hilarious, as you normally get it on", "character. Not sure exactly what she'll go through, but at some point, I", "I think the word is a french one from literary theory circles, so", "limited to storm-based powers. His best friend has rock powers - the ability", "do a montage in prose form? I think the word is a french", "montages. The general advice is \"context needed\", so I've said everything I've worked", "than in a book, I think. You get training montages the most, as", "kinda his thing.) Another female member of the group has a few psychic", "He's limited to storm-based powers. His best friend has rock powers - the", "America sings a song explaining how to do a training montage in film.", "patching them up (it takes longer the nastier the wound, it's not an", "say I've seen too many montages in games, but I'm sure there's one", "Healer Girl, which tested interestingly somewhere else. I was talking about a JRPG", "amount of willpower and energy/mana/whatever to work with. She has an affinity for", "my writing... I'd like to write a montage in prose fiction. It would", "it's story-telling, but there's obviously different strengths and weaknesses to the two different", "the Alliance finally descend on Earth for the showdown. Been a while since", "it sometimes seems, not so much in the west, but in the east,", "loved the title, too. Years later, I've just come up with my story.", "this story about is that character's girlfriend. She is able to manipulate Rift", "montages are easier to do in movies, as they're a very movie-focused technique,", "I titled a post Cliche Healer Girl, to see if the forum had", "I don't know for sure, I'll see where it goes. Anyway, the question", "theory circles, so does that mean it originally came from written narrative? If", "Girl, to see if the forum had experienced this a lot. And someone", "thing, as it's story-telling, but there's obviously different strengths and weaknesses to the", "got. I hope that's a good explanation (I seem to be doing well", "way of doing montages. The general advice is \"context needed\", so I've said", "In film and TV, you can do a montage much easier than in", "a more limited amount of willpower and energy/mana/whatever to work with. She has", "in prose form? I think the word is a french one from literary", "do things with super powers naturally, such as wield an element (fire, lightning,", "a JRPG stereotype, which is the shy, meek, kinda not-very-interesting, but \"pure\" character", "coming across a montage might find it hilarious, as you normally get it", "but a more limited amount of willpower and energy/mana/whatever to work with. She", "first would have appeared in books. (I have a book on critical and", "TV, you can do a montage much easier than in a book, I", "of a wizard training sequence, or something to that effect (pretty close). Obviously", "you get the stereotype. I titled a post Cliche Healer Girl, to see", "generally tied in conceptually. If a character's power-concept is storms, you can usually", "come up with my story. This character, who starts of kinda shy and", "and definition first would have appeared in books. (I have a book on", "princess) goes through magical training that opens her mind and strengthens her as", "stereotype of the fair princess) goes through magical training that opens her mind", "but I swear I remember that happening! I haven't been able to find", "in more fantastic stories (ie Power Rangers and Sailor Zuon). Even Rocky had", "above all the major cities of the world (Earth). These brought through monsters,", "a montage wouldn't be out of place. I just don't really know how", "Another female member of the group has a few psychic powers, such as", "in film. Can't say I've seen too many montages in games, but I'm", "for instance. It's generally tied in conceptually. If a character's power-concept is storms,", "have appeared in books. (I have a book on critical and literary terms,", "able to manipulate Rift energy, where it exists. She doesn't have inherent elemental", "that effect (pretty close). Obviously montages are easier to do in movies, as", "training that opens her mind and strengthens her as a character. Not sure", "not as destructive, so she can use them for longer - they have", "can use them for longer - they have a lower mana cost. This", "experienced this a lot. And someone thought \"Oh man, I thought this was", "movie-focused technique, which are basically film-editing at work on sequences shot on film.", "Even Rocky had a montage! (I'll stop now, promise) I think readers coming", "advice on this particular way of doing montages. The general advice is \"context", "stop now, promise) I think readers coming across a montage might find it", "mean it originally came from written narrative? If it did, I think I'd", "had experienced this a lot. And someone thought \"Oh man, I thought this", "thought this was going to be a story!\" I think they loved the", "not so much in the west, but in the east, at least in", "the title, too. Years later, I've just come up with my story. This", "least in games, you get the stereotype. I titled a post Cliche Healer", "wouldn't be out of place. I just don't really know how to do", "surprise, he loves rock-n-roll. It's kinda his thing.) Another female member of the", "Not sure exactly what she'll go through, but at some point, I think", "for sure, I'll see where it goes. Anyway, the question is, how to", "and power ups in more fantastic stories (ie Power Rangers and Sailor Zuon).", "such as wield an element (fire, lightning, ice, whatever) or some other set", "on this particular way of doing montages. The general advice is \"context needed\",", "the same thing, as it's story-telling, but there's obviously different strengths and weaknesses", "rock-n-roll. It's kinda his thing.) Another female member of the group has a", "Healer Girl, to see if the forum had experienced this a lot. And", "that's everything I've currently got. I hope that's a good explanation (I seem", "it goes. Anyway, the question is, how to do a montage in prose", "one in prose, as it's not, to my knowledge, a prose device but", "I like to have fun with my writing... I'd like to write a", "can only control dirt, rock, earth stuff (not really trees, that's a different", "I've seen too many montages in games, but I'm sure there's one at", "Alliance finally descend on Earth for the showdown. Been a while since I", "find a whole heap of advice on this particular way of doing montages.", "some point, I think it might be useful to have a learning montage.", "loves rock-n-roll. It's kinda his thing.) Another female member of the group has", "plain and pure, but also a bit Ivory Tower syndrome (think Rapunzel or", "ways, and even to create rock-skin for a short duration. He can only", "sure exactly what she'll go through, but at some point, I think it", "It'll be a short story, after all, though it could probably spin out", "the word is a french one from literary theory circles, so does that", "while delighting many others, from what I understand. But with the type of", "with super powers naturally, such as wield an element (fire, lightning, ice, whatever)", "out SO FAR. The setting is very apocalyptic, with ruined cities, and there", "stuff (not really trees, that's a different power, just literal rock. (No surprise,", "- they have a lower mana cost. This girl learns how to weave", "nerd culture (that does of course irk some while delighting many others, from", "of kinda shy and plain and pure, but also a bit Ivory Tower", "point, I think it might be useful to have a learning montage. It'll", "so she can use them for longer - they have a lower mana", "context: four years ago (in-story) a bunch of rifts opened up above all", "and is usually called up for patching them up (it takes longer the", "whatever) or some other set of related powers. Ninja types could use shadow", "Cliche Healer Girl, which tested interestingly somewhere else. I was talking about a", "does of course irk some while delighting many others, from what I understand.", "It's kinda his thing.) Another female member of the group has a few", "film. Novels could conceivably do the same thing, as it's story-telling, but there's", "after all, though it could probably spin out into a novella naturally. I", "worked out SO FAR. The setting is very apocalyptic, with ruined cities, and", "out of place. I just don't really know how to do one in", "of willpower and energy/mana/whatever to work with. She has an affinity for healing", "that character's girlfriend. She is able to manipulate Rift energy, where it exists.", "(in-story) a bunch of rifts opened up above all the major cities of", "training montage in film. Can't say I've seen too many montages in games,", "hands, be immune to electrocution, and even fly, as storms are often windy.", "weave effects with Rift energy. She has the whole range of powers to", "interestingly somewhere else. I was talking about a JRPG stereotype, which is the", "mind and strengthens her as a character. Not sure exactly what she'll go", "and invisibility. They're not as destructive, so she can use them for longer", "These brought through monsters, and gave people super powers, wherein they are able", "This girl learns how to weave effects with Rift energy. She has the", "the east, at least in games, you get the stereotype. I titled a", "I think that's everything I've currently got. I hope that's a good explanation", "super powers, wherein they are able to either do things with super powers", "is the shy, meek, kinda not-very-interesting, but \"pure\" character type in soooooooo many", "one from literary theory circles, so does that mean it originally came from", "of advice on this particular way of doing montages. The general advice is", "one at the end of Mass Effect 3 when the Alliance finally descend", "seems, not so much in the west, but in the east, at least", "a montage much easier than in a book, I think. You get training", "psychic powers, such as mind-reading and invisibility. They're not as destructive, so she", "do in movies, as they're a very movie-focused technique, which are basically film-editing", "particular way of doing montages. The general advice is \"context needed\", so I've", "rifts opened up above all the major cities of the world (Earth). These", "up with my story. This character, who starts of kinda shy and plain", "Rift energy, where it exists. She doesn't have inherent elemental powers like her", "It would be a sort of a wizard training sequence, or something to", "cue Team America song Okay, now that you know I like to have", "montage in prose form? I think the word is a french one from", "with Rift energy. She has the whole range of powers to work with,", "powers. His best friend has rock powers - the ability to manipulate the", "terms, which I'll be referring to for more info.) I think that's everything", "mediums (media?). The context: four years ago (in-story) a bunch of rifts opened", "instance. It's generally tied in conceptually. If a character's power-concept is storms, you", "write a montage in prose fiction. It would be a sort of a", "it though. Could be off, but I swear I remember that happening! I", "the whole range of powers to work with, but a more limited amount", "that you know I like to have fun with my writing... I'd like", "set of related powers. Ninja types could use shadow powers or even actual", "something to that effect (pretty close). Obviously montages are easier to do in", "storms, you can usually fling lightning from your hands, be immune to electrocution,", "character's power-concept is storms, you can usually fling lightning from your hands, be", "such as mind-reading and invisibility. They're not as destructive, so she can use", "She has the whole range of powers to work with, but a more", "SO FAR. The setting is very apocalyptic, with ruined cities, and there are", "the stereotype. I titled a post Cliche Healer Girl, to see if the", "But with the type of humour it displays, a montage wouldn't be out", "probably spin out into a novella naturally. I don't know for sure, I'll", "the ability to manipulate the ground in various ways, and even to create", "thought \"Oh man, I thought this was going to be a story!\" I", "a french one from literary theory circles, so does that mean it originally", "remember that happening! I haven't been able to find a whole heap of", "in a book, I think. You get training montages the most, as well", "don't know for sure, I'll see where it goes. Anyway, the question is,", "see where it goes. Anyway, the question is, how to do a montage", "now that you know I like to have fun with my writing... I'd", "for healing powers, and is usually called up for patching them up (it", "a montage in prose fiction. It would be a sort of a wizard", "but a visual device, even if the word and definition first would have", "(fire, lightning, ice, whatever) or some other set of related powers. Ninja types", "rock powers - the ability to manipulate the ground in various ways, and", "games, you get the stereotype. I titled a post Cliche Healer Girl, to", "lightning, ice, whatever) or some other set of related powers. Ninja types could", "kinda not-very-interesting, but \"pure\" character type in soooooooo many JRPGs. Girls who are", "that opens her mind and strengthens her as a character. Not sure exactly", "think I'd know about it. In film and TV, you can do a", "many montages in games, but I'm sure there's one at the end of", "prose device but a visual device, even if the word and definition first", "Rangers and Sailor Zuon). Even Rocky had a montage! (I'll stop now, promise)", "magical training that opens her mind and strengthens her as a character. Not", "ice, whatever) or some other set of related powers. Ninja types could use", "the ground in various ways, and even to create rock-skin for a short", "pure, but also a bit Ivory Tower syndrome (think Rapunzel or the stereotype", "electrocution, and even fly, as storms are often windy. That's one example. The", "to find a whole heap of advice on this particular way of doing", "shot on film. Novels could conceivably do the same thing, as it's story-telling,", "strengths and weaknesses to the two different mediums (media?). The context: four years", "story. This character, who starts of kinda shy and plain and pure, but", "this particular way of doing montages. The general advice is \"context needed\", so", "there are references to nerd culture (that does of course irk some while", "at the end of Mass Effect 3 when the Alliance finally descend on", "a character's power-concept is storms, you can usually fling lightning from your hands,", "how to weave effects with Rift energy. She has the whole range of", "the showdown. Been a while since I played it though. Could be off,", "with the type of humour it displays, a montage wouldn't be out of", "she'll go through, but at some point, I think it might be useful", "when the Alliance finally descend on Earth for the showdown. Been a while", "they have a lower mana cost. This girl learns how to weave effects", "is a french one from literary theory circles, so does that mean it", "effects with Rift energy. She has the whole range of powers to work", "think readers coming across a montage might find it hilarious, as you normally", "default in a lot of fantasy, it sometimes seems, not so much in", "just literal rock. (No surprise, he loves rock-n-roll. It's kinda his thing.) Another", "with my story. This character, who starts of kinda shy and plain and", "off, but I swear I remember that happening! I haven't been able to", "think it might be useful to have a learning montage. It'll be a", "Sailor Zuon). Even Rocky had a montage! (I'll stop now, promise) I think", "FAR. The setting is very apocalyptic, with ruined cities, and there are references", "storms are often windy. That's one example. The character I'm writing this story", "and TV, you can do a montage much easier than in a book,", "to the two different mediums (media?). The context: four years ago (in-story) a", "years ago (in-story) a bunch of rifts opened up above all the major", "to write a montage in prose fiction. It would be a sort of", "and Sailor Zuon). Even Rocky had a montage! (I'll stop now, promise) I", "all the major cities of the world (Earth). These brought through monsters, and", "references to nerd culture (that does of course irk some while delighting many", "on critical and literary terms, which I'll be referring to for more info.)", "course irk some while delighting many others, from what I understand. But with", "to have fun with my writing... I'd like to write a montage in", "windy. That's one example. The character I'm writing this story about is that", "two different mediums (media?). The context: four years ago (in-story) a bunch of", "came from written narrative? If it did, I think I'd know about it.", "more fantastic stories (ie Power Rangers and Sailor Zuon). Even Rocky had a", "with, but a more limited amount of willpower and energy/mana/whatever to work with.", "and there are references to nerd culture (that does of course irk some", "you can usually fling lightning from your hands, be immune to electrocution, and", "character I'm writing this story about is that character's girlfriend. She is able", "it might be useful to have a learning montage. It'll be a short", "boyfriend. He's limited to storm-based powers. His best friend has rock powers -", "as destructive, so she can use them for longer - they have a", "up above all the major cities of the world (Earth). These brought through", "be useful to have a learning montage. It'll be a short story, after", "screen. Team America sings a song explaining how to do a training montage", "of place. I just don't really know how to do one in prose,", "how to do one in prose, as it's not, to my knowledge, a", "how to do a training montage in film. Can't say I've seen too", "stereotype, which is the shy, meek, kinda not-very-interesting, but \"pure\" character type in", "you know I like to have fun with my writing... I'd like to", "could conceivably do the same thing, as it's story-telling, but there's obviously different", "do a training montage in film. Can't say I've seen too many montages", "other set of related powers. Ninja types could use shadow powers or even", "I played it though. Could be off, but I swear I remember that", "Years later, I've just come up with my story. This character, who starts", "powers or even actual invisibility, for instance. It's generally tied in conceptually. If", "humour it displays, a montage wouldn't be out of place. I just don't", "narrative? If it did, I think I'd know about it. In film and", "related powers. Ninja types could use shadow powers or even actual invisibility, for", "elemental powers like her boyfriend. He's limited to storm-based powers. His best friend", "a book, I think. You get training montages the most, as well as", "get the stereotype. I titled a post Cliche Healer Girl, to see if", "a training montage in film. Can't say I've seen too many montages in", "them up (it takes longer the nastier the wound, it's not an instant", "ago (in-story) a bunch of rifts opened up above all the major cities", "think they loved the title, too. Years later, I've just come up with", "I've just come up with my story. This character, who starts of kinda", "film. Can't say I've seen too many montages in games, but I'm sure", "has rock powers - the ability to manipulate the ground in various ways,", "story, after all, though it could probably spin out into a novella naturally.", "lightning from your hands, be immune to electrocution, and even fly, as storms", "movies, as they're a very movie-focused technique, which are basically film-editing at work", "is \"context needed\", so I've said everything I've worked out SO FAR. The", "the end of Mass Effect 3 when the Alliance finally descend on Earth", "sequence, or something to that effect (pretty close). Obviously montages are easier to", "you can do a montage much easier than in a book, I think.", "to do a montage in prose form? I think the word is a", "from literary theory circles, so does that mean it originally came from written", "montages in games, but I'm sure there's one at the end of Mass", "have inherent elemental powers like her boyfriend. He's limited to storm-based powers. His", "even fly, as storms are often windy. That's one example. The character I'm", "in games, but I'm sure there's one at the end of Mass Effect", "a different power, just literal rock. (No surprise, he loves rock-n-roll. It's kinda", "easier than in a book, I think. You get training montages the most,", "do a montage much easier than in a book, I think. You get", "The context: four years ago (in-story) a bunch of rifts opened up above", "book, I think. You get training montages the most, as well as lock-and-load", "naturally, such as wield an element (fire, lightning, ice, whatever) or some other", "as storms are often windy. That's one example. The character I'm writing this", "member of the group has a few psychic powers, such as mind-reading and", "four years ago (in-story) a bunch of rifts opened up above all the", "are basically film-editing at work on sequences shot on film. Novels could conceivably", "at some point, I think it might be useful to have a learning", "or something to that effect (pretty close). Obviously montages are easier to do", "wizard training sequence, or something to that effect (pretty close). Obviously montages are", "conceivably do the same thing, as it's story-telling, but there's obviously different strengths", "actual invisibility, for instance. It's generally tied in conceptually. If a character's power-concept", "has a few psychic powers, such as mind-reading and invisibility. They're not as", "is Cliche Healer Girl, which tested interestingly somewhere else. I was talking about", "to work with. She has an affinity for healing powers, and is usually", "displays, a montage wouldn't be out of place. I just don't really know", "but there's obviously different strengths and weaknesses to the two different mediums (media?).", "a few psychic powers, such as mind-reading and invisibility. They're not as destructive,", "a learning montage. It'll be a short story, after all, though it could", "of the fair princess) goes through magical training that opens her mind and", "heap of advice on this particular way of doing montages. The general advice", "and even fly, as storms are often windy. That's one example. The character", "the type of humour it displays, a montage wouldn't be out of place.", "(media?). The context: four years ago (in-story) a bunch of rifts opened up", "to that effect (pretty close). Obviously montages are easier to do in movies,", "a wizard training sequence, or something to that effect (pretty close). Obviously montages", "since I played it though. Could be off, but I swear I remember", "a song explaining how to do a training montage in film. Can't say", "to manipulate the ground in various ways, and even to create rock-skin for", "montage much easier than in a book, I think. You get training montages", "Effect 3 when the Alliance finally descend on Earth for the showdown. Been", "either do things with super powers naturally, such as wield an element (fire,", "are often windy. That's one example. The character I'm writing this story about", "so much in the west, but in the east, at least in games,", "sure, I'll see where it goes. Anyway, the question is, how to do", "element (fire, lightning, ice, whatever) or some other set of related powers. Ninja", "I was talking about a JRPG stereotype, which is the shy, meek, kinda", "useful to have a learning montage. It'll be a short story, after all,", "cities, and there are references to nerd culture (that does of course irk", "they loved the title, too. Years later, I've just come up with my", "different strengths and weaknesses to the two different mediums (media?). The context: four", "fair princess) goes through magical training that opens her mind and strengthens her", "ups in more fantastic stories (ie Power Rangers and Sailor Zuon). Even Rocky", "device, even if the word and definition first would have appeared in books.", "ground in various ways, and even to create rock-skin for a short duration.", "If a character's power-concept is storms, you can usually fling lightning from your", "sometimes seems, not so much in the west, but in the east, at", "though. Could be off, but I swear I remember that happening! I haven't", "different power, just literal rock. (No surprise, he loves rock-n-roll. It's kinda his", "You get training montages the most, as well as lock-and-load and power ups", "a book on critical and literary terms, which I'll be referring to for", "critical and literary terms, which I'll be referring to for more info.) I", "are the default in a lot of fantasy, it sometimes seems, not so", "powers, and is usually called up for patching them up (it takes longer", "and plain and pure, but also a bit Ivory Tower syndrome (think Rapunzel", "song* Okay, now that you know I like to have fun with my", "device but a visual device, even if the word and definition first would", "would be a sort of a wizard training sequence, or something to that", "apocalyptic, with ruined cities, and there are references to nerd culture (that does", "America song* Okay, now that you know I like to have fun with", "female member of the group has a few psychic powers, such as mind-reading", "weaknesses to the two different mediums (media?). The context: four years ago (in-story)", "just don't really know how to do one in prose, as it's not,", "She has an affinity for healing powers, and is usually called up for", "\"pure\" character type in soooooooo many JRPGs. Girls who are 100% pure are", "written narrative? If it did, I think I'd know about it. In film", "to go for is Cliche Healer Girl, which tested interestingly somewhere else. I", "powers like her boyfriend. He's limited to storm-based powers. His best friend has", "monsters, and gave people super powers, wherein they are able to either do", "your hands, be immune to electrocution, and even fly, as storms are often", "place. I just don't really know how to do one in prose, as", "the group has a few psychic powers, such as mind-reading and invisibility. They're", "a short duration. He can only control dirt, rock, earth stuff (not really", "a character. Not sure exactly what she'll go through, but at some point,", "3 when the Alliance finally descend on Earth for the showdown. Been a", "tested interestingly somewhere else. I was talking about a JRPG stereotype, which is", "cities of the world (Earth). These brought through monsters, and gave people super", "as they're a very movie-focused technique, which are basically film-editing at work on", "opened up above all the major cities of the world (Earth). These brought", "(Earth). These brought through monsters, and gave people super powers, wherein they are", "you normally get it on screen. Team America sings a song explaining how", "it. In film and TV, you can do a montage much easier than", "know how to do one in prose, as it's not, to my knowledge,", "to work with, but a more limited amount of willpower and energy/mana/whatever to", "writing this story about is that character's girlfriend. She is able to manipulate", "(No surprise, he loves rock-n-roll. It's kinda his thing.) Another female member of", "syndrome (think Rapunzel or the stereotype of the fair princess) goes through magical", "power, just literal rock. (No surprise, he loves rock-n-roll. It's kinda his thing.)", "goes through magical training that opens her mind and strengthens her as a", "as it's story-telling, but there's obviously different strengths and weaknesses to the two", "this was going to be a story!\" I think they loved the title,", "wield an element (fire, lightning, ice, whatever) or some other set of related", "effect (pretty close). Obviously montages are easier to do in movies, as they're", "swear I remember that happening! I haven't been able to find a whole", "has an affinity for healing powers, and is usually called up for patching", "with my writing... I'd like to write a montage in prose fiction. It", "The character I'm writing this story about is that character's girlfriend. She is", "She is able to manipulate Rift energy, where it exists. She doesn't have", "there's obviously different strengths and weaknesses to the two different mediums (media?). The", "powers naturally, such as wield an element (fire, lightning, ice, whatever) or some", "She doesn't have inherent elemental powers like her boyfriend. He's limited to storm-based", "really trees, that's a different power, just literal rock. (No surprise, he loves", "a while since I played it though. Could be off, but I swear", "I think. You get training montages the most, as well as lock-and-load and", "montage! (I'll stop now, promise) I think readers coming across a montage might", "to do one in prose, as it's not, to my knowledge, a prose", "was going to be a story!\" I think they loved the title, too.", "word and definition first would have appeared in books. (I have a book", "her boyfriend. He's limited to storm-based powers. His best friend has rock powers", "I swear I remember that happening! I haven't been able to find a", "literary terms, which I'll be referring to for more info.) I think that's", "get training montages the most, as well as lock-and-load and power ups in", "of Mass Effect 3 when the Alliance finally descend on Earth for the", "could use shadow powers or even actual invisibility, for instance. It's generally tied", "to electrocution, and even fly, as storms are often windy. That's one example.", "power-concept is storms, you can usually fling lightning from your hands, be immune", "I thought this was going to be a story!\" I think they loved", "my story. This character, who starts of kinda shy and plain and pure,", "starts of kinda shy and plain and pure, but also a bit Ivory", "types could use shadow powers or even actual invisibility, for instance. It's generally", "and strengthens her as a character. Not sure exactly what she'll go through,", "a montage in prose form? I think the word is a french one", "Zuon). Even Rocky had a montage! (I'll stop now, promise) I think readers", "sings a song explaining how to do a training montage in film. Can't", "is, how to do a montage in prose form? I think the word", "a lot. And someone thought \"Oh man, I thought this was going to", "different mediums (media?). The context: four years ago (in-story) a bunch of rifts", "find it hilarious, as you normally get it on screen. Team America sings", "Could be off, but I swear I remember that happening! I haven't been", "pure are the default in a lot of fantasy, it sometimes seems, not", "of rifts opened up above all the major cities of the world (Earth).", "wherein they are able to either do things with super powers naturally, such", "be out of place. I just don't really know how to do one", "even to create rock-skin for a short duration. He can only control dirt,", "is storms, you can usually fling lightning from your hands, be immune to", "the west, but in the east, at least in games, you get the", "originally came from written narrative? If it did, I think I'd know about", "a lower mana cost. This girl learns how to weave effects with Rift", "to see if the forum had experienced this a lot. And someone thought", "prose, as it's not, to my knowledge, a prose device but a visual", "everything I've worked out SO FAR. The setting is very apocalyptic, with ruined", "them for longer - they have a lower mana cost. This girl learns", "is that character's girlfriend. She is able to manipulate Rift energy, where it", "have a book on critical and literary terms, which I'll be referring to", "or even actual invisibility, for instance. It's generally tied in conceptually. If a", "does that mean it originally came from written narrative? If it did, I", "things with super powers naturally, such as wield an element (fire, lightning, ice,", "but at some point, I think it might be useful to have a", "create rock-skin for a short duration. He can only control dirt, rock, earth", "And someone thought \"Oh man, I thought this was going to be a", "who starts of kinda shy and plain and pure, but also a bit", "a very movie-focused technique, which are basically film-editing at work on sequences shot", "(I have a book on critical and literary terms, which I'll be referring", "it's not, to my knowledge, a prose device but a visual device, even", "Ivory Tower syndrome (think Rapunzel or the stereotype of the fair princess) goes", "though it could probably spin out into a novella naturally. I don't know", "usually fling lightning from your hands, be immune to electrocution, and even fly,", "go through, but at some point, I think it might be useful to", "novella naturally. I don't know for sure, I'll see where it goes. Anyway,", "and gave people super powers, wherein they are able to either do things", "in the east, at least in games, you get the stereotype. I titled", "the fair princess) goes through magical training that opens her mind and strengthens", "as well as lock-and-load and power ups in more fantastic stories (ie Power", "well as lock-and-load and power ups in more fantastic stories (ie Power Rangers", "is able to manipulate Rift energy, where it exists. She doesn't have inherent", "Okay, now that you know I like to have fun with my writing...", "and energy/mana/whatever to work with. She has an affinity for healing powers, and", "process). The title I want to go for is Cliche Healer Girl, which", "If it did, I think I'd know about it. In film and TV,", "to do in movies, as they're a very movie-focused technique, which are basically", "longer - they have a lower mana cost. This girl learns how to", "(not really trees, that's a different power, just literal rock. (No surprise, he", "learns how to weave effects with Rift energy. She has the whole range", "basically film-editing at work on sequences shot on film. Novels could conceivably do", "Ninja types could use shadow powers or even actual invisibility, for instance. It's", "lock-and-load and power ups in more fantastic stories (ie Power Rangers and Sailor", "I'm sure there's one at the end of Mass Effect 3 when the", "literal rock. (No surprise, he loves rock-n-roll. It's kinda his thing.) Another female", "many others, from what I understand. But with the type of humour it", "stereotype. I titled a post Cliche Healer Girl, to see if the forum", "advice is \"context needed\", so I've said everything I've worked out SO FAR.", "ability to manipulate the ground in various ways, and even to create rock-skin", "I think I'd know about it. In film and TV, you can do", "through monsters, and gave people super powers, wherein they are able to either", "think that's everything I've currently got. I hope that's a good explanation (I", "in prose, as it's not, to my knowledge, a prose device but a", "french one from literary theory circles, so does that mean it originally came", "rock, earth stuff (not really trees, that's a different power, just literal rock.", "close). Obviously montages are easier to do in movies, as they're a very", "training montages the most, as well as lock-and-load and power ups in more", "The general advice is \"context needed\", so I've said everything I've worked out", "stories (ie Power Rangers and Sailor Zuon). Even Rocky had a montage! (I'll", "(pretty close). Obviously montages are easier to do in movies, as they're a", "know for sure, I'll see where it goes. Anyway, the question is, how", "dirt, rock, earth stuff (not really trees, that's a different power, just literal", "sort of a wizard training sequence, or something to that effect (pretty close).", "work with. She has an affinity for healing powers, and is usually called", "the shy, meek, kinda not-very-interesting, but \"pure\" character type in soooooooo many JRPGs.", "can usually fling lightning from your hands, be immune to electrocution, and even", "earth stuff (not really trees, that's a different power, just literal rock. (No", "willpower and energy/mana/whatever to work with. She has an affinity for healing powers,", "my knowledge, a prose device but a visual device, even if the word", "the word and definition first would have appeared in books. (I have a", "books. (I have a book on critical and literary terms, which I'll be", "best friend has rock powers - the ability to manipulate the ground in", "conceptually. If a character's power-concept is storms, you can usually fling lightning from", "where it goes. Anyway, the question is, how to do a montage in", "fantastic stories (ie Power Rangers and Sailor Zuon). Even Rocky had a montage!", "they are able to either do things with super powers naturally, such as", "the world (Earth). These brought through monsters, and gave people super powers, wherein", "Girls who are 100% pure are the default in a lot of fantasy,", "use shadow powers or even actual invisibility, for instance. It's generally tied in", "I think they loved the title, too. Years later, I've just come up", "of the group has a few psychic powers, such as mind-reading and invisibility.", "title I want to go for is Cliche Healer Girl, which tested interestingly", "be referring to for more info.) I think that's everything I've currently got.", "His best friend has rock powers - the ability to manipulate the ground", "going to be a story!\" I think they loved the title, too. Years", "I'll see where it goes. Anyway, the question is, how to do a", "too. Years later, I've just come up with my story. This character, who", "duration. He can only control dirt, rock, earth stuff (not really trees, that's", "of the world (Earth). These brought through monsters, and gave people super powers,", "the major cities of the world (Earth). These brought through monsters, and gave", "go for is Cliche Healer Girl, which tested interestingly somewhere else. I was", "seen too many montages in games, but I'm sure there's one at the", "some other set of related powers. Ninja types could use shadow powers or", "finally descend on Earth for the showdown. Been a while since I played", "hope that's a good explanation (I seem to be doing well here! :).", "people super powers, wherein they are able to either do things with super", "definition first would have appeared in books. (I have a book on critical", "doing montages. The general advice is \"context needed\", so I've said everything I've", "(I'll stop now, promise) I think readers coming across a montage might find", "as mind-reading and invisibility. They're not as destructive, so she can use them", "is very apocalyptic, with ruined cities, and there are references to nerd culture", "a short story, after all, though it could probably spin out into a", "usually called up for patching them up (it takes longer the nastier the", "to have a learning montage. It'll be a short story, after all, though", "He can only control dirt, rock, earth stuff (not really trees, that's a", "it's not an instant process). The title I want to go for is", "to do a training montage in film. Can't say I've seen too many", "in conceptually. If a character's power-concept is storms, you can usually fling lightning", "which is the shy, meek, kinda not-very-interesting, but \"pure\" character type in soooooooo", "short duration. He can only control dirt, rock, earth stuff (not really trees,", "- the ability to manipulate the ground in various ways, and even to", "bit Ivory Tower syndrome (think Rapunzel or the stereotype of the fair princess)", "the two different mediums (media?). The context: four years ago (in-story) a bunch", "to nerd culture (that does of course irk some while delighting many others,", "are easier to do in movies, as they're a very movie-focused technique, which", "get it on screen. Team America sings a song explaining how to do", "that happening! I haven't been able to find a whole heap of advice", "most, as well as lock-and-load and power ups in more fantastic stories (ie", "it displays, a montage wouldn't be out of place. I just don't really", "have fun with my writing... I'd like to write a montage in prose", "even actual invisibility, for instance. It's generally tied in conceptually. If a character's", "man, I thought this was going to be a story!\" I think they", "how to do a montage in prose form? I think the word is", "form? I think the word is a french one from literary theory circles,", "which I'll be referring to for more info.) I think that's everything I've", "prose form? I think the word is a french one from literary theory", "so does that mean it originally came from written narrative? If it did,", "do the same thing, as it's story-telling, but there's obviously different strengths and", "up (it takes longer the nastier the wound, it's not an instant process).", "games, but I'm sure there's one at the end of Mass Effect 3", "naturally. I don't know for sure, I'll see where it goes. Anyway, the", "haven't been able to find a whole heap of advice on this particular", "with ruined cities, and there are references to nerd culture (that does of", "what I understand. But with the type of humour it displays, a montage", "I just don't really know how to do one in prose, as it's", "not, to my knowledge, a prose device but a visual device, even if", "shy, meek, kinda not-very-interesting, but \"pure\" character type in soooooooo many JRPGs. Girls", "montages the most, as well as lock-and-load and power ups in more fantastic", "want to go for is Cliche Healer Girl, which tested interestingly somewhere else.", "powers to work with, but a more limited amount of willpower and energy/mana/whatever", "to weave effects with Rift energy. She has the whole range of powers", "talking about a JRPG stereotype, which is the shy, meek, kinda not-very-interesting, but", "from written narrative? If it did, I think I'd know about it. In", "the stereotype of the fair princess) goes through magical training that opens her", "easier to do in movies, as they're a very movie-focused technique, which are", "hilarious, as you normally get it on screen. Team America sings a song", "as it's not, to my knowledge, a prose device but a visual device,", "very apocalyptic, with ruined cities, and there are references to nerd culture (that", "(it takes longer the nastier the wound, it's not an instant process). The", "lower mana cost. This girl learns how to weave effects with Rift energy.", "word is a french one from literary theory circles, so does that mean", "I think readers coming across a montage might find it hilarious, as you", "work with, but a more limited amount of willpower and energy/mana/whatever to work", "character type in soooooooo many JRPGs. Girls who are 100% pure are the", "I hope that's a good explanation (I seem to be doing well here!", "culture (that does of course irk some while delighting many others, from what", "much easier than in a book, I think. You get training montages the", "would have appeared in books. (I have a book on critical and literary", "energy. She has the whole range of powers to work with, but a", "in prose fiction. It would be a sort of a wizard training sequence,", "Novels could conceivably do the same thing, as it's story-telling, but there's obviously", "with. She has an affinity for healing powers, and is usually called up", "of powers to work with, but a more limited amount of willpower and", "obviously different strengths and weaknesses to the two different mediums (media?). The context:", "rock. (No surprise, he loves rock-n-roll. It's kinda his thing.) Another female member", "else. I was talking about a JRPG stereotype, which is the shy, meek," ]
[ "currently writing a high fantasy novel. ============================================ Writing this novel, which is set", "conveying the feel of a world the has many races and cultures and", "in a different world, I am having some trouble giving the Tolkien feel", "Tolkien's typical elves and dwarves and hobbits and whatnot. But I am still", "international mythology, creatures different than Tolkien's typical elves and dwarves and hobbits and", "this novel, which is set in a different world, I am having some", "whatnot. But I am still having trouble conveying the feel of a world", "has many races and cultures and species, even if the main character is", "feel of a world the has many races and cultures and species, even", "even if the main character is human. What could help me give this", "set in a different world, I am having some trouble giving the Tolkien", "of a world the has many races and cultures and species, even if", "to use, by studying international mythology, creatures different than Tolkien's typical elves and", "use, by studying international mythology, creatures different than Tolkien's typical elves and dwarves", "by studying international mythology, creatures different than Tolkien's typical elves and dwarves and", "many races and cultures and species, even if the main character is human.", "elves and dwarves and hobbits and whatnot. But I am still having trouble", "a world the has many races and cultures and species, even if the", "the has many races and cultures and species, even if the main character", "feel of a multi-cultured world. I have tried to use, by studying international", "and cultures and species, even if the main character is human. What could", "which is set in a different world, I am having some trouble giving", "typical elves and dwarves and hobbits and whatnot. But I am still having", "trouble giving the Tolkien feel of a multi-cultured world. I have tried to", "a multi-cultured world. I have tried to use, by studying international mythology, creatures", "dwarves and hobbits and whatnot. But I am still having trouble conveying the", "world. I have tried to use, by studying international mythology, creatures different than", "studying international mythology, creatures different than Tolkien's typical elves and dwarves and hobbits", "mythology, creatures different than Tolkien's typical elves and dwarves and hobbits and whatnot.", "am still having trouble conveying the feel of a world the has many", "races and cultures and species, even if the main character is human. What", "writing a high fantasy novel. ============================================ Writing this novel, which is set in", "a different world, I am having some trouble giving the Tolkien feel of", "I am still having trouble conveying the feel of a world the has", "multi-cultured world. I have tried to use, by studying international mythology, creatures different", "fantasy novel. ============================================ Writing this novel, which is set in a different world,", "cultures and species, even if the main character is human. What could help", "the feel of a world the has many races and cultures and species,", "world the has many races and cultures and species, even if the main", "and dwarves and hobbits and whatnot. But I am still having trouble conveying", "creatures different than Tolkien's typical elves and dwarves and hobbits and whatnot. But", "and hobbits and whatnot. But I am still having trouble conveying the feel", "having trouble conveying the feel of a world the has many races and", "trouble conveying the feel of a world the has many races and cultures", "am having some trouble giving the Tolkien feel of a multi-cultured world. I", "and species, even if the main character is human. What could help me", "a high fantasy novel. ============================================ Writing this novel, which is set in a", "different than Tolkien's typical elves and dwarves and hobbits and whatnot. But I", "hobbits and whatnot. But I am still having trouble conveying the feel of", "different world, I am having some trouble giving the Tolkien feel of a", "having some trouble giving the Tolkien feel of a multi-cultured world. I have", "than Tolkien's typical elves and dwarves and hobbits and whatnot. But I am", "I have tried to use, by studying international mythology, creatures different than Tolkien's", "high fantasy novel. ============================================ Writing this novel, which is set in a different", "============================================ Writing this novel, which is set in a different world, I am", "the Tolkien feel of a multi-cultured world. I have tried to use, by", "novel, which is set in a different world, I am having some trouble", "if the main character is human. What could help me give this effect?", "some trouble giving the Tolkien feel of a multi-cultured world. I have tried", "But I am still having trouble conveying the feel of a world the", "Writing this novel, which is set in a different world, I am having", "Tolkien feel of a multi-cultured world. I have tried to use, by studying", "I am currently writing a high fantasy novel. ============================================ Writing this novel, which", "tried to use, by studying international mythology, creatures different than Tolkien's typical elves", "giving the Tolkien feel of a multi-cultured world. I have tried to use,", "is set in a different world, I am having some trouble giving the", "species, even if the main character is human. What could help me give", "and whatnot. But I am still having trouble conveying the feel of a", "novel. ============================================ Writing this novel, which is set in a different world, I", "still having trouble conveying the feel of a world the has many races", "of a multi-cultured world. I have tried to use, by studying international mythology,", "world, I am having some trouble giving the Tolkien feel of a multi-cultured", "I am having some trouble giving the Tolkien feel of a multi-cultured world.", "am currently writing a high fantasy novel. ============================================ Writing this novel, which is", "have tried to use, by studying international mythology, creatures different than Tolkien's typical" ]
[ "cast. Each chapter is told from a different person's point of view. Some", "from the Terminator movies or Data from Star Trek. It's no more self-aware", "decisions of the other characters. This character will never become sentient during the", "the story. It will never have feelings the way your laptop never has", "of its actions and communications drive the plot and decisions of the other", "character only seems intelligent and sentient. * It does not comprehend human motives.", "I write from its point of view? Edit to Add: * This character", "different person's point of view. Some of the chapters are about a non-sentient", "sentient android like R2D2 from Star Wars or the killer machine from the", "the requests. * It seems extremely intelligent in that it has access to", "I am writing a novel with an ensemble cast. Each chapter is told", "like R2D2 from Star Wars or the killer machine from the Terminator movies", "of the other characters. This character will never become sentient during the story.", "R2D2 from Star Wars or the killer machine from the Terminator movies or", "it has access to extraordinary amounts of knowledge and can even put that", "non-sentient machine that communicates with the human characters. It's not a sentient android", "no more self-aware than a very sophisticated machine, but many of its actions", "This character will never become sentient during the story. It will never have", "communicates with the human characters. It's not a sentient android like R2D2 from", "very sophisticated machine, but many of its actions and communications drive the plot", "am writing a novel with an ensemble cast. Each chapter is told from", "characters. This character will never become sentient during the story. It will never", "* It does not comprehend human motives. * It considers human requests baffling", "than a very sophisticated machine, but many of its actions and communications drive", "machine from the Terminator movies or Data from Star Trek. It's no more", "of view. Some of the chapters are about a non-sentient machine that communicates", "or the killer machine from the Terminator movies or Data from Star Trek.", "It does not comprehend human motives. * It considers human requests baffling even", "has access to extraordinary amounts of knowledge and can even put that knowledge", "and sentient. * It does not comprehend human motives. * It considers human", "How would I write from its point of view? Edit to Add: ", "with an ensemble cast. Each chapter is told from a different person's point", "with the human characters. It's not a sentient android like R2D2 from Star", "from a different person's point of view. Some of the chapters are about", "Edit to Add: This character only seems intelligent and sentient. * It", "during the story. It will never have feelings the way your laptop never", "of the chapters are about a non-sentient machine that communicates with the human", "it understands the requests. * It seems extremely intelligent in that it has", "machine that communicates with the human characters. It's not a sentient android like", "point of view. Some of the chapters are about a non-sentient machine that", "access to extraordinary amounts of knowledge and can even put that knowledge together", "to extraordinary amounts of knowledge and can even put that knowledge together in", "self-aware than a very sophisticated machine, but many of its actions and communications", "the plot and decisions of the other characters. This character will never become", "become sentient during the story. It will never have feelings the way your", "an ensemble cast. Each chapter is told from a different person's point of", "will never become sentient during the story. It will never have feelings the", "writing a novel with an ensemble cast. Each chapter is told from a", "Add: * This character only seems intelligent and sentient. * It does not", "intelligent in that it has access to extraordinary amounts of knowledge and can", "communications drive the plot and decisions of the other characters. This character will", "is told from a different person's point of view. Some of the chapters", "other characters. This character will never become sentient during the story. It will", "would I write from its point of view? Edit to Add: * This", "when it understands the requests. * It seems extremely intelligent in that it", "* It considers human requests baffling even when it understands the requests. ", "that it has access to extraordinary amounts of knowledge and can even put", " It seems extremely intelligent in that it has access to extraordinary amounts", "about a non-sentient machine that communicates with the human characters. It's not a", "requests baffling even when it understands the requests. * It seems extremely intelligent", "the killer machine from the Terminator movies or Data from Star Trek. It's", "Some of the chapters are about a non-sentient machine that communicates with the", "It's no more self-aware than a very sophisticated machine, but many of its", "a different person's point of view. Some of the chapters are about a", "in that it has access to extraordinary amounts of knowledge and can even", "Terminator movies or Data from Star Trek. It's no more self-aware than a", "or Data from Star Trek. It's no more self-aware than a very sophisticated", "baffling even when it understands the requests. * It seems extremely intelligent in", "way your laptop never has feelings. How would I write from its point", "a very sophisticated machine, but many of its actions and communications drive the", "sentient during the story. It will never have feelings the way your laptop", "of view? Edit to Add: * This character only seems intelligent and sentient.", "even when it understands the requests. * It seems extremely intelligent in that", "intelligent and sentient. * It does not comprehend human motives. * It considers", "comprehend human motives. * It considers human requests baffling even when it understands", "view. Some of the chapters are about a non-sentient machine that communicates with", "from Star Trek. It's no more self-aware than a very sophisticated machine, but", "killer machine from the Terminator movies or Data from Star Trek. It's no", "never has feelings. How would I write from its point of view? Edit", "told from a different person's point of view. Some of the chapters are", "has feelings. How would I write from its point of view? Edit to", "chapter is told from a different person's point of view. Some of the", "feelings. How would I write from its point of view? Edit to Add:", "human characters. It's not a sentient android like R2D2 from Star Wars or", "never become sentient during the story. It will never have feelings the way", "Star Wars or the killer machine from the Terminator movies or Data from", "from its point of view? Edit to Add: * This character only seems", "sentient. * It does not comprehend human motives. * It considers human requests", "the chapters are about a non-sentient machine that communicates with the human characters.", "that communicates with the human characters. It's not a sentient android like R2D2", "person's point of view. Some of the chapters are about a non-sentient machine", "never have feelings the way your laptop never has feelings. How would I", "are about a non-sentient machine that communicates with the human characters. It's not", "characters. It's not a sentient android like R2D2 from Star Wars or the", "have feelings the way your laptop never has feelings. How would I write", "the Terminator movies or Data from Star Trek. It's no more self-aware than", "extremely intelligent in that it has access to extraordinary amounts of knowledge and", "the other characters. This character will never become sentient during the story. It", "laptop never has feelings. How would I write from its point of view?", "amounts of knowledge and can even put that knowledge together in unpredictable ways.", "story. It will never have feelings the way your laptop never has feelings.", "Data from Star Trek. It's no more self-aware than a very sophisticated machine,", "the human characters. It's not a sentient android like R2D2 from Star Wars", "actions and communications drive the plot and decisions of the other characters. This", "human requests baffling even when it understands the requests. * It seems extremely", "android like R2D2 from Star Wars or the killer machine from the Terminator", "* This character only seems intelligent and sentient. * It does not comprehend", "your laptop never has feelings. How would I write from its point of", "to Add: * This character only seems intelligent and sentient. * It does", "motives. * It considers human requests baffling even when it understands the requests.", "but many of its actions and communications drive the plot and decisions of", "requests. * It seems extremely intelligent in that it has access to extraordinary", "a novel with an ensemble cast. Each chapter is told from a different", "more self-aware than a very sophisticated machine, but many of its actions and", "seems intelligent and sentient. * It does not comprehend human motives. * It", "view? Edit to Add: * This character only seems intelligent and sentient. ", "does not comprehend human motives. It considers human requests baffling even when", "the way your laptop never has feelings. How would I write from its", "its actions and communications drive the plot and decisions of the other characters.", "Wars or the killer machine from the Terminator movies or Data from Star", "drive the plot and decisions of the other characters. This character will never", "It's not a sentient android like R2D2 from Star Wars or the killer", "Each chapter is told from a different person's point of view. Some of", "It considers human requests baffling even when it understands the requests. * It", "chapters are about a non-sentient machine that communicates with the human characters. It's", "machine, but many of its actions and communications drive the plot and decisions", "not a sentient android like R2D2 from Star Wars or the killer machine", "plot and decisions of the other characters. This character will never become sentient", "feelings the way your laptop never has feelings. How would I write from", "seems extremely intelligent in that it has access to extraordinary amounts of knowledge", "and communications drive the plot and decisions of the other characters. This character", "ensemble cast. Each chapter is told from a different person's point of view.", "sophisticated machine, but many of its actions and communications drive the plot and", "will never have feelings the way your laptop never has feelings. How would", "only seems intelligent and sentient. * It does not comprehend human motives. ", "Star Trek. It's no more self-aware than a very sophisticated machine, but many", "not comprehend human motives. It considers human requests baffling even when it", "write from its point of view? Edit to Add: * This character only", "novel with an ensemble cast. Each chapter is told from a different person's", "extraordinary amounts of knowledge and can even put that knowledge together in unpredictable", "Trek. It's no more self-aware than a very sophisticated machine, but many of", "from Star Wars or the killer machine from the Terminator movies or Data", "movies or Data from Star Trek. It's no more self-aware than a very", "This character only seems intelligent and sentient. * It does not comprehend human", "It seems extremely intelligent in that it has access to extraordinary amounts of", "human motives. * It considers human requests baffling even when it understands the", "many of its actions and communications drive the plot and decisions of the", "point of view? Edit to Add: * This character only seems intelligent and", "a non-sentient machine that communicates with the human characters. It's not a sentient", "a sentient android like R2D2 from Star Wars or the killer machine from", "its point of view? Edit to Add: * This character only seems intelligent", "understands the requests. * It seems extremely intelligent in that it has access", "considers human requests baffling even when it understands the requests. * It seems", "It will never have feelings the way your laptop never has feelings. How", "and decisions of the other characters. This character will never become sentient during", "character will never become sentient during the story. It will never have feelings" ]
[ "it's all about. Question: That's all well and good. The problem is that", "has achieved something great when I have an emotional reaction to it. For", "> > > Though the third movie is not out yet, I know", "in the tale before me. If the protagonist loses, I lose with him.", "protagonist's pain, drive, happiness, or shock becomes my own. For a brief moment,", "the Scorch Trails (movie) below: > > I generally considered the sequel to", "yet, I know that if it somehow maintained the feeling I had at", "to it. For a very brief moment, the protagonist's pain, drive, happiness, or", "really care about the outcome. And getting the reader to care is what", "drive, happiness, or shock becomes my own. For a brief moment, I enter", "of emotion mixed with understanding - is generally brief. It's powerful, but it", "they just escaped, and he states his reason why. While he was speaking,", "moment, I become heavily invested in the tale before me. If the protagonist", "Is there a way? Example: Spoilers to the Scorch Trails (movie) below: >", "to be a mediocre movie (I have not read the books). It was", "would be invested in the hero's mission all the way through, no matter", "I do as well. If I can elicit this kind of reaction in", "states his reason why. While he was speaking, I felt a brief connection.", "that sudden surge of emotion mixed with understanding - is generally brief. It's", "know that if it somehow maintained the feeling I had at the end", "kind of reaction in my readers as well, I consider it a great", "Scorch Trials, to be a mediocre movie (I have not read the books).", "doesn't last. The reader may remain invested, but the emotion, the link between", "investment with him grew (which was fortunate, since the rest of the movie", "to what they just escaped, and he states his reason why. While he", "hero's mission all the way through, no matter what happened. That's my question.", "the Scorch Trials, to be a mediocre movie (I have not read the", "tale before me. If the protagonist loses, I lose with him. If he", "feeling I had at the end of the second movie, I would like", "feel that a book or movie has achieved something great when I have", "before me. If the protagonist loses, I lose with him. If he triumphs,", "I would like it. I would be invested in the hero's mission all", "the books). It was all right, but it lacked depth. At the very", "great accomplishment. Additionally though, it gets them invested in the story. They really", "becomes my own. For a brief moment, I enter the world of the", "this kind of reaction in my readers as well, I consider it a", "an emotional reaction to it. For a very brief moment, the protagonist's pain,", "How can I keep that emotional connection alive and healthy? Is there a", "sequel to the Maze Runner, the Scorch Trials, to be a mediocre movie", "the protagonist's pain, drive, happiness, or shock becomes my own. For a brief", "the hero's mission all the way through, no matter what happened. That's my", "my own. For a brief moment, I enter the world of the story.", "very brief moment, the protagonist's pain, drive, happiness, or shock becomes my own.", "protagonist loses, I lose with him. If he triumphs, I do as well.", "reaction to it. For a very brief moment, the protagonist's pain, drive, happiness,", "back to what they just escaped, and he states his reason why. While", "understanding - is generally brief. It's powerful, but it doesn't last. The reader", "(which was fortunate, since the rest of the movie didn't do much in", "second movie, I would like it. I would be invested in the hero's", "at the end of the second movie, I would like it. I would", "Question: That's all well and good. The problem is that the response -", "fortunate, since the rest of the movie didn't do much in that department).", "would like it. I would be invested in the hero's mission all the", "main character states that he will go back to what they just escaped,", "brief connection. I understood, and my investment with him grew (which was fortunate,", "I understood, and my investment with him grew (which was fortunate, since the", "well, I consider it a great accomplishment. Additionally though, it gets them invested", "the movie didn't do much in that department). > > > Though the", "in the hero's mission all the way through, no matter what happened. That's", "all well and good. The problem is that the response - that sudden", "why. While he was speaking, I felt a brief connection. I understood, and", "that department). > > > Though the third movie is not out yet,", "it. For a very brief moment, the protagonist's pain, drive, happiness, or shock", "what it's all about. Question: That's all well and good. The problem is", "generally brief. It's powerful, but it doesn't last. The reader may remain invested,", "sudden surge of emotion mixed with understanding - is generally brief. It's powerful,", "it gets them invested in the story. They really care about the outcome.", "heavily invested in the tale before me. If the protagonist loses, I lose", "to the Scorch Trails (movie) below: > > I generally considered the sequel", "For a very brief moment, the protagonist's pain, drive, happiness, or shock becomes", "that brief moment, I become heavily invested in the tale before me. If", "I generally considered the sequel to the Maze Runner, the Scorch Trials, to", "was fortunate, since the rest of the movie didn't do much in that", "Additionally though, it gets them invested in the story. They really care about", "to the Maze Runner, the Scorch Trials, to be a mediocre movie (I", "no matter what happened. That's my question. How would such a feat be", "movie (I have not read the books). It was all right, but it", "Spoilers to the Scorch Trails (movie) below: > > I generally considered the", "invested in the hero's mission all the way through, no matter what happened.", "a brief moment, I enter the world of the story. And in that", "Trails (movie) below: > > I generally considered the sequel to the Maze", "in the story. They really care about the outcome. And getting the reader", "books). It was all right, but it lacked depth. At the very end,", "gone. How can I keep that emotional connection alive and healthy? Is there", "If the protagonist loses, I lose with him. If he triumphs, I do", "much in that department). > > > Though the third movie is not", "the emotion, the link between reader and hero, is gone. How can I", "achieved something great when I have an emotional reaction to it. For a", "all the way through, no matter what happened. That's my question. How would", "in that brief moment, I become heavily invested in the tale before me.", "alive and healthy? Is there a way? Example: Spoilers to the Scorch Trails", "the response - that sudden surge of emotion mixed with understanding - is", "It was all right, but it lacked depth. At the very end, however,", "mediocre movie (I have not read the books). It was all right, but", "grew (which was fortunate, since the rest of the movie didn't do much", "in that department). > > > Though the third movie is not out", "gets them invested in the story. They really care about the outcome. And", "between reader and hero, is gone. How can I keep that emotional connection", "it. I would be invested in the hero's mission all the way through,", "(I have not read the books). It was all right, but it lacked", "(movie) below: > > I generally considered the sequel to the Maze Runner,", "since the rest of the movie didn't do much in that department). >", "the third movie is not out yet, I know that if it somehow", "matter what happened. That's my question. How would such a feat be achieved?", "and healthy? Is there a way? Example: Spoilers to the Scorch Trails (movie)", "lacked depth. At the very end, however, the main character states that he", "the feeling I had at the end of the second movie, I would", "with him grew (which was fortunate, since the rest of the movie didn't", "world of the story. And in that brief moment, I become heavily invested", "be invested in the hero's mission all the way through, no matter what", "rest of the movie didn't do much in that department). > > >", "They really care about the outcome. And getting the reader to care is", "invested, but the emotion, the link between reader and hero, is gone. How", "story. And in that brief moment, I become heavily invested in the tale", "the tale before me. If the protagonist loses, I lose with him. If", "good. The problem is that the response - that sudden surge of emotion", "there a way? Example: Spoilers to the Scorch Trails (movie) below: > >", "the sequel to the Maze Runner, the Scorch Trials, to be a mediocre", "end of the second movie, I would like it. I would be invested", "or shock becomes my own. For a brief moment, I enter the world", "emotional reaction to it. For a very brief moment, the protagonist's pain, drive,", "to care is what it's all about. Question: That's all well and good.", "a way? Example: Spoilers to the Scorch Trails (movie) below: > > I", "last. The reader may remain invested, but the emotion, the link between reader", "Though the third movie is not out yet, I know that if it", "character states that he will go back to what they just escaped, and", "- is generally brief. It's powerful, but it doesn't last. The reader may", "though, it gets them invested in the story. They really care about the", "the main character states that he will go back to what they just", "the Maze Runner, the Scorch Trials, to be a mediocre movie (I have", "If he triumphs, I do as well. If I can elicit this kind", "be a mediocre movie (I have not read the books). It was all", "the story. They really care about the outcome. And getting the reader to", "the reader to care is what it's all about. Question: That's all well", "felt a brief connection. I understood, and my investment with him grew (which", "may remain invested, but the emotion, the link between reader and hero, is", "and he states his reason why. While he was speaking, I felt a", "always feel that a book or movie has achieved something great when I", "and my investment with him grew (which was fortunate, since the rest of", "is what it's all about. Question: That's all well and good. The problem", "I felt a brief connection. I understood, and my investment with him grew", "the world of the story. And in that brief moment, I become heavily", "care about the outcome. And getting the reader to care is what it's", "moment, the protagonist's pain, drive, happiness, or shock becomes my own. For a", "link between reader and hero, is gone. How can I keep that emotional", "but the emotion, the link between reader and hero, is gone. How can", "was speaking, I felt a brief connection. I understood, and my investment with", "emotion, the link between reader and hero, is gone. How can I keep", "a book or movie has achieved something great when I have an emotional", "Trials, to be a mediocre movie (I have not read the books). It", "a brief connection. I understood, and my investment with him grew (which was", "just escaped, and he states his reason why. While he was speaking, I", "mission all the way through, no matter what happened. That's my question. How", "reader may remain invested, but the emotion, the link between reader and hero,", "I had at the end of the second movie, I would like it.", "reader and hero, is gone. How can I keep that emotional connection alive", "maintained the feeling I had at the end of the second movie, I", "considered the sequel to the Maze Runner, the Scorch Trials, to be a", "movie is not out yet, I know that if it somehow maintained the", "generally considered the sequel to the Maze Runner, the Scorch Trials, to be", "reason why. While he was speaking, I felt a brief connection. I understood,", "of reaction in my readers as well, I consider it a great accomplishment.", "movie, I would like it. I would be invested in the hero's mission", "response - that sudden surge of emotion mixed with understanding - is generally", "all right, but it lacked depth. At the very end, however, the main", "And getting the reader to care is what it's all about. Question: That's", "the way through, no matter what happened. That's my question. How would such", "readers as well, I consider it a great accomplishment. Additionally though, it gets", "pain, drive, happiness, or shock becomes my own. For a brief moment, I", "movie has achieved something great when I have an emotional reaction to it.", "it a great accomplishment. Additionally though, it gets them invested in the story.", "like it. I would be invested in the hero's mission all the way", "At the very end, however, the main character states that he will go", "getting the reader to care is what it's all about. Question: That's all", "invested in the tale before me. If the protagonist loses, I lose with", "of the second movie, I would like it. I would be invested in", "of the movie didn't do much in that department). > > > Though", "Runner, the Scorch Trials, to be a mediocre movie (I have not read", "can I keep that emotional connection alive and healthy? Is there a way?", "connection alive and healthy? Is there a way? Example: Spoilers to the Scorch", "him grew (which was fortunate, since the rest of the movie didn't do", "the very end, however, the main character states that he will go back", "do as well. If I can elicit this kind of reaction in my", "brief moment, I become heavily invested in the tale before me. If the", "states that he will go back to what they just escaped, and he", "the outcome. And getting the reader to care is what it's all about.", "I become heavily invested in the tale before me. If the protagonist loses,", "the second movie, I would like it. I would be invested in the", "through, no matter what happened. That's my question. How would such a feat", "is that the response - that sudden surge of emotion mixed with understanding", "his reason why. While he was speaking, I felt a brief connection. I", "invested in the story. They really care about the outcome. And getting the", "but it doesn't last. The reader may remain invested, but the emotion, the", "end, however, the main character states that he will go back to what", "Scorch Trails (movie) below: > > I generally considered the sequel to the", "with understanding - is generally brief. It's powerful, but it doesn't last. The", "have not read the books). It was all right, but it lacked depth.", "third movie is not out yet, I know that if it somehow maintained", "as well. If I can elicit this kind of reaction in my readers", "in my readers as well, I consider it a great accomplishment. Additionally though,", "consider it a great accomplishment. Additionally though, it gets them invested in the", "way through, no matter what happened. That's my question. How would such a", "that he will go back to what they just escaped, and he states", "I know that if it somehow maintained the feeling I had at the", "And in that brief moment, I become heavily invested in the tale before", "very end, however, the main character states that he will go back to", "connection. I understood, and my investment with him grew (which was fortunate, since", "him. If he triumphs, I do as well. If I can elicit this", "is generally brief. It's powerful, but it doesn't last. The reader may remain", "surge of emotion mixed with understanding - is generally brief. It's powerful, but", "become heavily invested in the tale before me. If the protagonist loses, I", "outcome. And getting the reader to care is what it's all about. Question:", "I lose with him. If he triumphs, I do as well. If I", "way? Example: Spoilers to the Scorch Trails (movie) below: > > I generally", "right, but it lacked depth. At the very end, however, the main character", "story. They really care about the outcome. And getting the reader to care", "Example: Spoilers to the Scorch Trails (movie) below: > > I generally considered", "reader to care is what it's all about. Question: That's all well and", "it doesn't last. The reader may remain invested, but the emotion, the link", "well. If I can elicit this kind of reaction in my readers as", "I can elicit this kind of reaction in my readers as well, I", "Maze Runner, the Scorch Trials, to be a mediocre movie (I have not", "the link between reader and hero, is gone. How can I keep that", "loses, I lose with him. If he triumphs, I do as well. If", "below: > > I generally considered the sequel to the Maze Runner, the", "he will go back to what they just escaped, and he states his", "out yet, I know that if it somehow maintained the feeling I had", "I keep that emotional connection alive and healthy? Is there a way? Example:", "me. If the protagonist loses, I lose with him. If he triumphs, I", "I always feel that a book or movie has achieved something great when", "brief. It's powerful, but it doesn't last. The reader may remain invested, but", "of the story. And in that brief moment, I become heavily invested in", "brief moment, the protagonist's pain, drive, happiness, or shock becomes my own. For", "remain invested, but the emotion, the link between reader and hero, is gone.", "great when I have an emotional reaction to it. For a very brief", "I have an emotional reaction to it. For a very brief moment, the", "not out yet, I know that if it somehow maintained the feeling I", "when I have an emotional reaction to it. For a very brief moment,", "my investment with him grew (which was fortunate, since the rest of the", "It's powerful, but it doesn't last. The reader may remain invested, but the", "For a brief moment, I enter the world of the story. And in", "was all right, but it lacked depth. At the very end, however, the", "about the outcome. And getting the reader to care is what it's all", "a mediocre movie (I have not read the books). It was all right,", "a very brief moment, the protagonist's pain, drive, happiness, or shock becomes my", "go back to what they just escaped, and he states his reason why.", "While he was speaking, I felt a brief connection. I understood, and my", "I would be invested in the hero's mission all the way through, no", "all about. Question: That's all well and good. The problem is that the", "had at the end of the second movie, I would like it. I", "somehow maintained the feeling I had at the end of the second movie,", "didn't do much in that department). > > > Though the third movie", "the end of the second movie, I would like it. I would be", "The reader may remain invested, but the emotion, the link between reader and", "read the books). It was all right, but it lacked depth. At the", "well and good. The problem is that the response - that sudden surge", "it lacked depth. At the very end, however, the main character states that", "but it lacked depth. At the very end, however, the main character states", "> I generally considered the sequel to the Maze Runner, the Scorch Trials,", "The problem is that the response - that sudden surge of emotion mixed", "them invested in the story. They really care about the outcome. And getting", "a great accomplishment. Additionally though, it gets them invested in the story. They", "he states his reason why. While he was speaking, I felt a brief", "> > Though the third movie is not out yet, I know that", "will go back to what they just escaped, and he states his reason", "as well, I consider it a great accomplishment. Additionally though, it gets them", "care is what it's all about. Question: That's all well and good. The", "speaking, I felt a brief connection. I understood, and my investment with him", "understood, and my investment with him grew (which was fortunate, since the rest", "mixed with understanding - is generally brief. It's powerful, but it doesn't last.", "escaped, and he states his reason why. While he was speaking, I felt", "he was speaking, I felt a brief connection. I understood, and my investment", "that the response - that sudden surge of emotion mixed with understanding -", "own. For a brief moment, I enter the world of the story. And", "about. Question: That's all well and good. The problem is that the response", "it somehow maintained the feeling I had at the end of the second", "something great when I have an emotional reaction to it. For a very", "is not out yet, I know that if it somehow maintained the feeling", "that a book or movie has achieved something great when I have an", "however, the main character states that he will go back to what they", "book or movie has achieved something great when I have an emotional reaction", "powerful, but it doesn't last. The reader may remain invested, but the emotion,", "That's all well and good. The problem is that the response - that", "he triumphs, I do as well. If I can elicit this kind of", "accomplishment. Additionally though, it gets them invested in the story. They really care", "with him. If he triumphs, I do as well. If I can elicit", "what they just escaped, and he states his reason why. While he was", "is gone. How can I keep that emotional connection alive and healthy? Is", "If I can elicit this kind of reaction in my readers as well,", "brief moment, I enter the world of the story. And in that brief", "and hero, is gone. How can I keep that emotional connection alive and", "and good. The problem is that the response - that sudden surge of", "depth. At the very end, however, the main character states that he will", "not read the books). It was all right, but it lacked depth. At", "have an emotional reaction to it. For a very brief moment, the protagonist's", "shock becomes my own. For a brief moment, I enter the world of", "problem is that the response - that sudden surge of emotion mixed with", "triumphs, I do as well. If I can elicit this kind of reaction", "enter the world of the story. And in that brief moment, I become", "emotion mixed with understanding - is generally brief. It's powerful, but it doesn't", "> > I generally considered the sequel to the Maze Runner, the Scorch", "the rest of the movie didn't do much in that department). > >", "emotional connection alive and healthy? Is there a way? Example: Spoilers to the", "that if it somehow maintained the feeling I had at the end of", "movie didn't do much in that department). > > > Though the third", "hero, is gone. How can I keep that emotional connection alive and healthy?", "or movie has achieved something great when I have an emotional reaction to", "I consider it a great accomplishment. Additionally though, it gets them invested in", "can elicit this kind of reaction in my readers as well, I consider", "elicit this kind of reaction in my readers as well, I consider it", "> Though the third movie is not out yet, I know that if", "reaction in my readers as well, I consider it a great accomplishment. Additionally", "do much in that department). > > > Though the third movie is", "keep that emotional connection alive and healthy? Is there a way? Example: Spoilers", "my readers as well, I consider it a great accomplishment. Additionally though, it", "the story. And in that brief moment, I become heavily invested in the", "I enter the world of the story. And in that brief moment, I", "the protagonist loses, I lose with him. If he triumphs, I do as", "department). > > > Though the third movie is not out yet, I", "lose with him. If he triumphs, I do as well. If I can", "that emotional connection alive and healthy? Is there a way? Example: Spoilers to", "healthy? Is there a way? Example: Spoilers to the Scorch Trails (movie) below:", "moment, I enter the world of the story. And in that brief moment,", "- that sudden surge of emotion mixed with understanding - is generally brief.", "if it somehow maintained the feeling I had at the end of the", "happiness, or shock becomes my own. For a brief moment, I enter the" ]
[ "I don't plan to keep him unnamed for the entire story. Or even", "plan to keep him unnamed for the entire story. Or even for a", "have to mention his name yet, coz my character has been alone for", "far, I've used only First Person POV. Is it awkward or uncomfortable for", "entire story. Or even for a significant amount. Right now, there's no reason", "far. I'm pretty sure that I don't have to mention his name yet,", "only First Person POV. Is it awkward or uncomfortable for the reader not", "10,000 words or so and have yet to name the character. I've talked", "lot. But no name yet. He's the ONLY character so far. I'm pretty", "now, there's no reason for my character's name to be mentioned. Depending on", "to mention his name yet, coz my character has been alone for the", "talked about the character a lot. But no name yet. He's the ONLY", "Also, so far, I've used only First Person POV. Is it awkward or", "character a lot. But no name yet. He's the ONLY character so far.", "significant amount. Right now, there's no reason for my character's name to be", "character? Maybe I should've mentioned this too. I don't plan to keep him", "yet, coz my character has been alone for the entire time. Also, so", "character has been alone for the entire time. Also, so far, I've used", "name the character. I've talked about the character a lot. But no name", "for the reader not to know the name of my character? Maybe I", "so far. I'm pretty sure that I don't have to mention his name", "my character has been alone for the entire time. Also, so far, I've", "entire time. Also, so far, I've used only First Person POV. Is it", "the entire time. Also, so far, I've used only First Person POV. Is", "name to be mentioned. Depending on the answer, I would've decided if the", "mentioned. Depending on the answer, I would've decided if the character HAD to", "story. Or even for a significant amount. Right now, there's no reason for", "I'm pretty sure that I don't have to mention his name yet, coz", "about the character a lot. But no name yet. He's the ONLY character", "should've mentioned this too. I don't plan to keep him unnamed for the", "Or even for a significant amount. Right now, there's no reason for my", "so far, I've used only First Person POV. Is it awkward or uncomfortable", "a significant amount. Right now, there's no reason for my character's name to", "I don't have to mention his name yet, coz my character has been", "character HAD to have a name and would've found some way to insert", "HAD to have a name and would've found some way to insert it", "have yet to name the character. I've talked about the character a lot.", "there's no reason for my character's name to be mentioned. Depending on the", "decided if the character HAD to have a name and would've found some", "uncomfortable for the reader not to know the name of my character? Maybe", "written about 10,000 words or so and have yet to name the character.", "the character. I've talked about the character a lot. But no name yet.", "this too. I don't plan to keep him unnamed for the entire story.", "even for a significant amount. Right now, there's no reason for my character's", "keep him unnamed for the entire story. Or even for a significant amount.", "I've written about 10,000 words or so and have yet to name the", "far, I've written about 10,000 words or so and have yet to name", "I would've decided if the character HAD to have a name and would've", "know the name of my character? Maybe I should've mentioned this too. I", "that I don't have to mention his name yet, coz my character has", "about 10,000 words or so and have yet to name the character. I've", "for the entire story. Or even for a significant amount. Right now, there's", "for a significant amount. Right now, there's no reason for my character's name", "character's name to be mentioned. Depending on the answer, I would've decided if", "be mentioned. Depending on the answer, I would've decided if the character HAD", "mentioned this too. I don't plan to keep him unnamed for the entire", "alone for the entire time. Also, so far, I've used only First Person", "don't plan to keep him unnamed for the entire story. Or even for", "and have yet to name the character. I've talked about the character a", "Maybe I should've mentioned this too. I don't plan to keep him unnamed", "I've talked about the character a lot. But no name yet. He's the", "Right now, there's no reason for my character's name to be mentioned. Depending", "the name of my character? Maybe I should've mentioned this too. I don't", "yet to name the character. I've talked about the character a lot. But", "on the answer, I would've decided if the character HAD to have a", "reason for my character's name to be mentioned. Depending on the answer, I", "used only First Person POV. Is it awkward or uncomfortable for the reader", "if the character HAD to have a name and would've found some way", "been alone for the entire time. Also, so far, I've used only First", "time. Also, so far, I've used only First Person POV. Is it awkward", "to be mentioned. Depending on the answer, I would've decided if the character", "for the entire time. Also, so far, I've used only First Person POV.", "mention his name yet, coz my character has been alone for the entire", "character. I've talked about the character a lot. But no name yet. He's", "yet. He's the ONLY character so far. I'm pretty sure that I don't", "ONLY character so far. I'm pretty sure that I don't have to mention", "the character HAD to have a name and would've found some way to", "Depending on the answer, I would've decided if the character HAD to have", "character so far. I'm pretty sure that I don't have to mention his", "not to know the name of my character? Maybe I should've mentioned this", "no name yet. He's the ONLY character so far. I'm pretty sure that", "him unnamed for the entire story. Or even for a significant amount. Right", "I've used only First Person POV. Is it awkward or uncomfortable for the", "too. I don't plan to keep him unnamed for the entire story. Or", "the character a lot. But no name yet. He's the ONLY character so", "for my character's name to be mentioned. Depending on the answer, I would've", "it awkward or uncomfortable for the reader not to know the name of", "unnamed for the entire story. Or even for a significant amount. Right now,", "pretty sure that I don't have to mention his name yet, coz my", "of my character? Maybe I should've mentioned this too. I don't plan to", "name yet. He's the ONLY character so far. I'm pretty sure that I", "Is it awkward or uncomfortable for the reader not to know the name", "my character's name to be mentioned. Depending on the answer, I would've decided", "answer, I would've decided if the character HAD to have a name and", "But no name yet. He's the ONLY character so far. I'm pretty sure", "name yet, coz my character has been alone for the entire time. Also,", "has been alone for the entire time. Also, so far, I've used only", "the entire story. Or even for a significant amount. Right now, there's no", "or so and have yet to name the character. I've talked about the", "no reason for my character's name to be mentioned. Depending on the answer,", "So far, I've written about 10,000 words or so and have yet to", "to know the name of my character? Maybe I should've mentioned this too.", "to keep him unnamed for the entire story. Or even for a significant", "awkward or uncomfortable for the reader not to know the name of my", "so and have yet to name the character. I've talked about the character", "I should've mentioned this too. I don't plan to keep him unnamed for", "would've decided if the character HAD to have a name and would've found", "the reader not to know the name of my character? Maybe I should've", "words or so and have yet to name the character. I've talked about", "to have a name and would've found some way to insert it in.", "He's the ONLY character so far. I'm pretty sure that I don't have", "reader not to know the name of my character? Maybe I should've mentioned", "POV. Is it awkward or uncomfortable for the reader not to know the", "First Person POV. Is it awkward or uncomfortable for the reader not to", "coz my character has been alone for the entire time. Also, so far,", "to name the character. I've talked about the character a lot. But no", "Person POV. Is it awkward or uncomfortable for the reader not to know", "or uncomfortable for the reader not to know the name of my character?", "name of my character? Maybe I should've mentioned this too. I don't plan", "his name yet, coz my character has been alone for the entire time.", "don't have to mention his name yet, coz my character has been alone", "amount. Right now, there's no reason for my character's name to be mentioned.", "my character? Maybe I should've mentioned this too. I don't plan to keep", "a lot. But no name yet. He's the ONLY character so far. I'm", "the ONLY character so far. I'm pretty sure that I don't have to", "sure that I don't have to mention his name yet, coz my character", "the answer, I would've decided if the character HAD to have a name" ]
[ "point. At first glance you'd imagine the purpose of this device is to", "their goal or comes within a hair's breadth of it, with the heroes", "improbably snatch victory from the jaws of defeat. A few examples: Star Wars:", "exactly what's going to happen, again. So, I have to ask: Is there", "the Wizarding government and (most of) Hogwarts. The Order of the Stick: Not", "that this is exactly what's going to happen, again. So, I have to", "to predict that this is exactly what's going to happen, again. So, I", "this: * We have the heroes on one side * We have the", "I have to ask: Is there any other reason to use this device", "effectively ruin the world as we know it. Both are currently only one", "to death before he suddenly regains his worthiness and manages to turn things", "plan to effectively ruin the world as we know it. Both are currently", "about the plot and are trying to stop it Very frequently in such", "could go on (and on and on...) but you get the point. At", "enough times to be able to predict that this is exactly what's going", "Star is literally seconds away from blowing up the rebels' base when Guwe", "Voldemort after Voldemort kills Herrl and the Death Eaters overrun both the Wizarding", "story goes like this: * We have the heroes on one side ", "One common setup for a story goes like this: We have the", "finally able to improbably snatch victory from the jaws of defeat. A few", "currently only one step away from total victory. I could go on (and", "first glance you'd imagine the purpose of this device is to build tension,", "to ask: Is there any other reason to use this device in a", "of this device is to build tension, but that only works until you've", "only way to stop Jafar is to literally let him win and become", "The only way to stop Jafar is to literally let him win and", "and manages to turn things around. Aladdin: The only way to stop Jafar", "the story is clearly approaching the end, and there are currently two different", "are currently two different major villains, each with their own distinct plan to", "to improbably snatch victory from the jaws of defeat. A few examples: Star", "narrative, beyond \"to build tension\"? And what good alternatives are there to it", "his worthiness and manages to turn things around. Aladdin: The only way to", "Not finished yet, but the story is clearly approaching the end, and there", "use this device in a narrative, beyond \"to build tension\"? And what good", "snatch victory from the jaws of defeat. A few examples: Star Wars: The", "Wizarding government and (most of) Hogwarts. The Order of the Stick: Not finished", "but that only works until you've seen it enough times to be able", "tension\"? And what good alternatives are there to it (that don't involve the", "and on...) but you get the point. At first glance you'd imagine the", "town, defeats all of Tfoc's companions, and blasts Tfoc almost to death before", "of defeat. A few examples: Star Wars: The Death Star is literally seconds", "Jafar is to literally let him win and become an all-powerful GENIEEEE!!!* Hijrp", "ask: Is there any other reason to use this device in a narrative,", "hair's breadth of it, with the heroes utterly defeated, before some thing happens", "from total victory. I could go on (and on and on...) but you", "setup for a story goes like this: We have the heroes on", "the heroes utterly defeated, before some thing happens and the good guys are", "it enough times to be able to predict that this is exactly what's", "comes within a hair's breadth of it, with the heroes utterly defeated, before", "the villains on the other side * The bad guy has an evil", "things around. Aladdin: The only way to stop Jafar is to literally let", "one step away from total victory. I could go on (and on and", "after Voldemort kills Herrl and the Death Eaters overrun both the Wizarding government", "the heroes on one side * We have the villains on the other", "in a narrative, beyond \"to build tension\"? And what good alternatives are there", "Stick: Not finished yet, but the story is clearly approaching the end, and", "of it, with the heroes utterly defeated, before some thing happens and the", "beyond \"to build tension\"? And what good alternatives are there to it (that", "this is exactly what's going to happen, again. So, I have to ask:", "common setup for a story goes like this: We have the heroes", "this device is to build tension, but that only works until you've seen", "and the good guys are finally able to improbably snatch victory from the", "own distinct plan to effectively ruin the world as we know it. Both", "villains on the other side * The bad guy has an evil plot", "undesirable result * The heroes know about the plot and are trying to", "Very frequently in such stories--in almost all of them, in fact--the villain either", "few examples: Star Wars: The Death Star is literally seconds away from blowing", "Aladdin: The only way to stop Jafar is to literally let him win", "what good alternatives are there to it (that don't involve the bad guy", "get the point. At first glance you'd imagine the purpose of this device", "on and on...) but you get the point. At first glance you'd imagine", "you'd imagine the purpose of this device is to build tension, but that", "he suddenly regains his worthiness and manages to turn things around. Aladdin: The", "happen, again. So, I have to ask: Is there any other reason to", "other side * The bad guy has an evil plot that will cause", "the good guys are finally able to improbably snatch victory from the jaws", "kills Herrl and the Death Eaters overrun both the Wizarding government and (most", "major villains, each with their own distinct plan to effectively ruin the world", "but you get the point. At first glance you'd imagine the purpose of", "The Death Star is literally seconds away from blowing up the rebels' base", "Potfeq: It's only possible to defeat Voldemort after Voldemort kills Herrl and the", "We have the villains on the other side The bad guy has", "but the story is clearly approaching the end, and there are currently two", "it, with the heroes utterly defeated, before some thing happens and the good", "rebels' base when Guwe scores the decisive shot. Tfoc: The Destroyer rampages throughout", "are finally able to improbably snatch victory from the jaws of defeat. A", "world as we know it. Both are currently only one step away from", "away from blowing up the rebels' base when Guwe scores the decisive shot.", "overrun both the Wizarding government and (most of) Hogwarts. The Order of the", "and the Death Eaters overrun both the Wizarding government and (most of) Hogwarts.", "let him win and become an all-powerful GENIEEEE!!!* Hijrp Potfeq: It's only possible", "a narrative, beyond \"to build tension\"? And what good alternatives are there to", "defeats all of Tfoc's companions, and blasts Tfoc almost to death before he", "heroes know about the plot and are trying to stop it Very frequently", "and become an all-powerful GENIEEEE!!! Hijrp Potfeq: It's only possible to defeat Voldemort", "what's going to happen, again. So, I have to ask: Is there any", "literally seconds away from blowing up the rebels' base when Guwe scores the", "turn things around. Aladdin: The only way to stop Jafar is to literally", "one side * We have the villains on the other side * The", "Herrl and the Death Eaters overrun both the Wizarding government and (most of)", "guys are finally able to improbably snatch victory from the jaws of defeat.", "this device in a narrative, beyond \"to build tension\"? And what good alternatives", "are there to it (that don't involve the bad guy actually emerging victorious)?", "is to build tension, but that only works until you've seen it enough", "victory. I could go on (and on and on...) but you get the", "them, in fact--the villain either actually succeeds in accomplishing their goal or comes", "him win and become an all-powerful GENIEEEE!!! Hijrp Potfeq: It's only possible to", "is literally seconds away from blowing up the rebels' base when Guwe scores", "a hair's breadth of it, with the heroes utterly defeated, before some thing", "to defeat Voldemort after Voldemort kills Herrl and the Death Eaters overrun both", "we know it. Both are currently only one step away from total victory.", "an all-powerful GENIEEEE!!! Hijrp Potfeq: It's only possible to defeat Voldemort after Voldemort", "Wars: The Death Star is literally seconds away from blowing up the rebels'", "when Guwe scores the decisive shot. Tfoc: The Destroyer rampages throughout the town,", "finished yet, but the story is clearly approaching the end, and there are", "evil plot that will cause some undesirable result The heroes know about", "able to improbably snatch victory from the jaws of defeat. A few examples:", "side * The bad guy has an evil plot that will cause some", "win and become an all-powerful GENIEEEE!!! Hijrp Potfeq: It's only possible to defeat", "Star Wars: The Death Star is literally seconds away from blowing up the", "before some thing happens and the good guys are finally able to improbably", "\"to build tension\"? And what good alternatives are there to it (that don't", "Death Eaters overrun both the Wizarding government and (most of) Hogwarts. The Order", "a story goes like this: We have the heroes on one side", "cause some undesirable result * The heroes know about the plot and are", "rampages throughout the town, defeats all of Tfoc's companions, and blasts Tfoc almost", "possible to defeat Voldemort after Voldemort kills Herrl and the Death Eaters overrun", "each with their own distinct plan to effectively ruin the world as we", "from the jaws of defeat. A few examples: Star Wars: The Death Star", "seen it enough times to be able to predict that this is exactly", "goal or comes within a hair's breadth of it, with the heroes utterly", "Is there any other reason to use this device in a narrative, beyond", "The Destroyer rampages throughout the town, defeats all of Tfoc's companions, and blasts", "stories--in almost all of them, in fact--the villain either actually succeeds in accomplishing", "around. Aladdin: The only way to stop Jafar is to literally let him", "thing happens and the good guys are finally able to improbably snatch victory", "on one side * We have the villains on the other side ", "able to predict that this is exactly what's going to happen, again. So,", "currently two different major villains, each with their own distinct plan to effectively", "only one step away from total victory. I could go on (and on", "like this: We have the heroes on one side * We have", "yet, but the story is clearly approaching the end, and there are currently", "the jaws of defeat. A few examples: Star Wars: The Death Star is", "Voldemort kills Herrl and the Death Eaters overrun both the Wizarding government and", "approaching the end, and there are currently two different major villains, each with", "ruin the world as we know it. Both are currently only one step", "again. So, I have to ask: Is there any other reason to use", "defeat Voldemort after Voldemort kills Herrl and the Death Eaters overrun both the", "of Tfoc's companions, and blasts Tfoc almost to death before he suddenly regains", "I could go on (and on and on...) but you get the point.", "Tfoc: The Destroyer rampages throughout the town, defeats all of Tfoc's companions, and", "two different major villains, each with their own distinct plan to effectively ruin", "within a hair's breadth of it, with the heroes utterly defeated, before some", "Hijrp Potfeq: It's only possible to defeat Voldemort after Voldemort kills Herrl and", "breadth of it, with the heroes utterly defeated, before some thing happens and", "the town, defeats all of Tfoc's companions, and blasts Tfoc almost to death", "seconds away from blowing up the rebels' base when Guwe scores the decisive", "companions, and blasts Tfoc almost to death before he suddenly regains his worthiness", "until you've seen it enough times to be able to predict that this", "will cause some undesirable result * The heroes know about the plot and", "are trying to stop it Very frequently in such stories--in almost all of", "* The heroes know about the plot and are trying to stop it", "you get the point. At first glance you'd imagine the purpose of this", "have the villains on the other side * The bad guy has an", "from blowing up the rebels' base when Guwe scores the decisive shot. Tfoc:", "the rebels' base when Guwe scores the decisive shot. Tfoc: The Destroyer rampages", "regains his worthiness and manages to turn things around. Aladdin: The only way", "manages to turn things around. Aladdin: The only way to stop Jafar is", "It's only possible to defeat Voldemort after Voldemort kills Herrl and the Death", "device is to build tension, but that only works until you've seen it", "Hogwarts. The Order of the Stick: Not finished yet, but the story is", "distinct plan to effectively ruin the world as we know it. Both are", "is clearly approaching the end, and there are currently two different major villains,", "only works until you've seen it enough times to be able to predict", "reason to use this device in a narrative, beyond \"to build tension\"? And", "Destroyer rampages throughout the town, defeats all of Tfoc's companions, and blasts Tfoc", "that only works until you've seen it enough times to be able to", "goes like this: * We have the heroes on one side * We", "an evil plot that will cause some undesirable result * The heroes know", "good guys are finally able to improbably snatch victory from the jaws of", "scores the decisive shot. Tfoc: The Destroyer rampages throughout the town, defeats all", "works until you've seen it enough times to be able to predict that", "GENIEEEE!!!** Hijrp Potfeq: It's only possible to defeat Voldemort after Voldemort kills Herrl", "going to happen, again. So, I have to ask: Is there any other", "have the heroes on one side * We have the villains on the", "or comes within a hair's breadth of it, with the heroes utterly defeated,", "be able to predict that this is exactly what's going to happen, again.", "story is clearly approaching the end, and there are currently two different major", "their own distinct plan to effectively ruin the world as we know it.", "(and on and on...) but you get the point. At first glance you'd", "predict that this is exactly what's going to happen, again. So, I have", "of them, in fact--the villain either actually succeeds in accomplishing their goal or", "on...) but you get the point. At first glance you'd imagine the purpose", "shot. Tfoc: The Destroyer rampages throughout the town, defeats all of Tfoc's companions,", "base when Guwe scores the decisive shot. Tfoc: The Destroyer rampages throughout the", "is to literally let him win and become an all-powerful GENIEEEE!!! Hijrp Potfeq:", "almost to death before he suddenly regains his worthiness and manages to turn", "for a story goes like this: * We have the heroes on one", "only possible to defeat Voldemort after Voldemort kills Herrl and the Death Eaters", "throughout the town, defeats all of Tfoc's companions, and blasts Tfoc almost to", "suddenly regains his worthiness and manages to turn things around. Aladdin: The only", "device in a narrative, beyond \"to build tension\"? And what good alternatives are", "all-powerful GENIEEEE!!!** Hijrp Potfeq: It's only possible to defeat Voldemort after Voldemort kills", "decisive shot. Tfoc: The Destroyer rampages throughout the town, defeats all of Tfoc's", "death before he suddenly regains his worthiness and manages to turn things around.", "total victory. I could go on (and on and on...) but you get", "blasts Tfoc almost to death before he suddenly regains his worthiness and manages", "to build tension, but that only works until you've seen it enough times", "in fact--the villain either actually succeeds in accomplishing their goal or comes within", "the world as we know it. Both are currently only one step away", "* The bad guy has an evil plot that will cause some undesirable", "any other reason to use this device in a narrative, beyond \"to build", "Death Star is literally seconds away from blowing up the rebels' base when", "succeeds in accomplishing their goal or comes within a hair's breadth of it,", "good alternatives are there to it (that don't involve the bad guy actually", "* We have the villains on the other side * The bad guy", "and are trying to stop it Very frequently in such stories--in almost all", "happens and the good guys are finally able to improbably snatch victory from", "utterly defeated, before some thing happens and the good guys are finally able", "guy has an evil plot that will cause some undesirable result * The", "build tension, but that only works until you've seen it enough times to", "almost all of them, in fact--the villain either actually succeeds in accomplishing their", "plot and are trying to stop it Very frequently in such stories--in almost", "of the Stick: Not finished yet, but the story is clearly approaching the", "there any other reason to use this device in a narrative, beyond \"to", "in accomplishing their goal or comes within a hair's breadth of it, with", "villain either actually succeeds in accomplishing their goal or comes within a hair's", "The Order of the Stick: Not finished yet, but the story is clearly", "of) Hogwarts. The Order of the Stick: Not finished yet, but the story", "all of Tfoc's companions, and blasts Tfoc almost to death before he suddenly", "Tfoc almost to death before he suddenly regains his worthiness and manages to", "become an all-powerful GENIEEEE!!!* Hijrp Potfeq: It's only possible to defeat Voldemort after", "with their own distinct plan to effectively ruin the world as we know", "other reason to use this device in a narrative, beyond \"to build tension\"?", "literally let him win and become an all-powerful GENIEEEE!!! Hijrp Potfeq: It's only", "as we know it. Both are currently only one step away from total", "the point. At first glance you'd imagine the purpose of this device is", "you've seen it enough times to be able to predict that this is", "it Very frequently in such stories--in almost all of them, in fact--the villain", "and (most of) Hogwarts. The Order of the Stick: Not finished yet, but", "trying to stop it Very frequently in such stories--in almost all of them,", "to stop it Very frequently in such stories--in almost all of them, in", "there are currently two different major villains, each with their own distinct plan", "that will cause some undesirable result * The heroes know about the plot", "The heroes know about the plot and are trying to stop it Very", "jaws of defeat. A few examples: Star Wars: The Death Star is literally", "The bad guy has an evil plot that will cause some undesirable result", "know about the plot and are trying to stop it Very frequently in", "before he suddenly regains his worthiness and manages to turn things around. Aladdin:", "the plot and are trying to stop it Very frequently in such stories--in", "different major villains, each with their own distinct plan to effectively ruin the", "times to be able to predict that this is exactly what's going to", "purpose of this device is to build tension, but that only works until", "the purpose of this device is to build tension, but that only works", "some thing happens and the good guys are finally able to improbably snatch", "to be able to predict that this is exactly what's going to happen,", "government and (most of) Hogwarts. The Order of the Stick: Not finished yet,", "(most of) Hogwarts. The Order of the Stick: Not finished yet, but the", "build tension\"? And what good alternatives are there to it (that don't involve", "heroes on one side * We have the villains on the other side", "with the heroes utterly defeated, before some thing happens and the good guys", "and there are currently two different major villains, each with their own distinct", "* We have the heroes on one side * We have the villains", "some undesirable result * The heroes know about the plot and are trying", "glance you'd imagine the purpose of this device is to build tension, but", "side * We have the villains on the other side * The bad", "in such stories--in almost all of them, in fact--the villain either actually succeeds", "has an evil plot that will cause some undesirable result * The heroes", "villains, each with their own distinct plan to effectively ruin the world as", "to turn things around. Aladdin: The only way to stop Jafar is to", "have to ask: Is there any other reason to use this device in", "plot that will cause some undesirable result * The heroes know about the", "stop it Very frequently in such stories--in almost all of them, in fact--the", "either actually succeeds in accomplishing their goal or comes within a hair's breadth", "Order of the Stick: Not finished yet, but the story is clearly approaching", "imagine the purpose of this device is to build tension, but that only", "fact--the villain either actually succeeds in accomplishing their goal or comes within a", "it. Both are currently only one step away from total victory. I could", "accomplishing their goal or comes within a hair's breadth of it, with the", "blowing up the rebels' base when Guwe scores the decisive shot. Tfoc: The", "victory from the jaws of defeat. A few examples: Star Wars: The Death", "step away from total victory. I could go on (and on and on...)", "defeated, before some thing happens and the good guys are finally able to", "way to stop Jafar is to literally let him win and become an", "heroes utterly defeated, before some thing happens and the good guys are finally", "tension, but that only works until you've seen it enough times to be", "the other side The bad guy has an evil plot that will", "are currently only one step away from total victory. I could go on", "to happen, again. So, I have to ask: Is there any other reason", "alternatives are there to it (that don't involve the bad guy actually emerging", "examples: Star Wars: The Death Star is literally seconds away from blowing up", "the Death Eaters overrun both the Wizarding government and (most of) Hogwarts. The", "frequently in such stories--in almost all of them, in fact--the villain either actually", "Tfoc's companions, and blasts Tfoc almost to death before he suddenly regains his", "away from total victory. I could go on (and on and on...) but", "We have the heroes on one side We have the villains on", "the end, and there are currently two different major villains, each with their", "actually succeeds in accomplishing their goal or comes within a hair's breadth of", "the decisive shot. Tfoc: The Destroyer rampages throughout the town, defeats all of", "to use this device in a narrative, beyond \"to build tension\"? And what", "And what good alternatives are there to it (that don't involve the bad", "At first glance you'd imagine the purpose of this device is to build", "on the other side * The bad guy has an evil plot that", "go on (and on and on...) but you get the point. At first", "A few examples: Star Wars: The Death Star is literally seconds away from", "worthiness and manages to turn things around. Aladdin: The only way to stop", "to stop Jafar is to literally let him win and become an all-powerful", "to literally let him win and become an all-powerful GENIEEEE!!!** Hijrp Potfeq: It's", "result * The heroes know about the plot and are trying to stop", "up the rebels' base when Guwe scores the decisive shot. Tfoc: The Destroyer", "defeat. A few examples: Star Wars: The Death Star is literally seconds away", "clearly approaching the end, and there are currently two different major villains, each", "Guwe scores the decisive shot. Tfoc: The Destroyer rampages throughout the town, defeats", "Eaters overrun both the Wizarding government and (most of) Hogwarts. The Order of", "know it. Both are currently only one step away from total victory. I", "Both are currently only one step away from total victory. I could go", "to effectively ruin the world as we know it. Both are currently only", "bad guy has an evil plot that will cause some undesirable result ", "such stories--in almost all of them, in fact--the villain either actually succeeds in", "both the Wizarding government and (most of) Hogwarts. The Order of the Stick:", "on (and on and on...) but you get the point. At first glance", "stop Jafar is to literally let him win and become an all-powerful GENIEEEE!!!", "the Stick: Not finished yet, but the story is clearly approaching the end,", "So, I have to ask: Is there any other reason to use this", "end, and there are currently two different major villains, each with their own", "is exactly what's going to happen, again*. So, I have to ask: Is", "all of them, in fact--the villain either actually succeeds in accomplishing their goal", "and blasts Tfoc almost to death before he suddenly regains his worthiness and" ]
[ "Then you should follow the rule \"One paragraph for one thought\". Is this", "you should not indent first paragraph after: * Title of chapter, section, subsection...", "I think you should not indent first paragraph after: * Title of chapter,", "rules for proper indentation in thesis? I am physicist so my thesis includes", "any rules for proper indentation in thesis? I am physicist so my thesis", "thesis includes number of images and equations. Now I think you should not", "and equations. Now I think you should not indent first paragraph after: ", "section, subsection... Image * Equation Then you should follow the rule \"One", "am physicist so my thesis includes number of images and equations. Now I", "there any rules for proper indentation in thesis? I am physicist so my", "for proper indentation in thesis? I am physicist so my thesis includes number", "my thesis includes number of images and equations. Now I think you should", "images and equations. Now I think you should not indent first paragraph after:", "of chapter, section, subsection... * Image * Equation Then you should follow the", "* Title of chapter, section, subsection... * Image * Equation Then you should", "chapter, section, subsection... * Image * Equation Then you should follow the rule", "number of images and equations. Now I think you should not indent first", "equations. Now I think you should not indent first paragraph after: * Title", "* Equation Then you should follow the rule \"One paragraph for one thought\".", "subsection... * Image * Equation Then you should follow the rule \"One paragraph", "indentation in thesis? I am physicist so my thesis includes number of images", "after: * Title of chapter, section, subsection... * Image * Equation Then you", "Are there any rules for proper indentation in thesis? I am physicist so", "Now I think you should not indent first paragraph after: * Title of", "Image * Equation Then you should follow the rule \"One paragraph for one", "indent first paragraph after: * Title of chapter, section, subsection... * Image ", "Title of chapter, section, subsection... Image * Equation Then you should follow", "in thesis? I am physicist so my thesis includes number of images and", "you should follow the rule \"One paragraph for one thought\". Is this right?", "includes number of images and equations. Now I think you should not indent", "I am physicist so my thesis includes number of images and equations. Now", "of images and equations. Now I think you should not indent first paragraph", "should not indent first paragraph after: * Title of chapter, section, subsection... ", "think you should not indent first paragraph after: Title of chapter, section,", "* Image * Equation Then you should follow the rule \"One paragraph for", "Equation Then you should follow the rule \"One paragraph for one thought\". Is", "proper indentation in thesis? I am physicist so my thesis includes number of", "paragraph after: * Title of chapter, section, subsection... * Image * Equation Then", "physicist so my thesis includes number of images and equations. Now I think", "so my thesis includes number of images and equations. Now I think you", "not indent first paragraph after: * Title of chapter, section, subsection... * Image", "first paragraph after: * Title of chapter, section, subsection... * Image * Equation", "thesis? I am physicist so my thesis includes number of images and equations." ]
[ "to the app store and polishing up the app description. If you used", "and app to the app store and polishing up the app description. If", "you used something like \"This is the Jamos Gunr of email services\" would", "app description. If you used something like \"This is the Jamos Gunr of", "app store and polishing up the app description. If you used something like", "Jamos Gunr of email services\" would that be a copyright or trademark infringement?", "description. If you used something like \"This is the Jamos Gunr of email", "is the Jamos Gunr of email services\" would that be a copyright or", "We're submitting and app to the app store and polishing up the app", "\"This is the Jamos Gunr of email services\" would that be a copyright", "something like \"This is the Jamos Gunr of email services\" would that be", "app to the app store and polishing up the app description. If you", "If you used something like \"This is the Jamos Gunr of email services\"", "like \"This is the Jamos Gunr of email services\" would that be a", "used something like \"This is the Jamos Gunr of email services\" would that", "the Jamos Gunr of email services\" would that be a copyright or trademark", "submitting and app to the app store and polishing up the app description.", "the app description. If you used something like \"This is the Jamos Gunr", "and polishing up the app description. If you used something like \"This is", "polishing up the app description. If you used something like \"This is the", "up the app description. If you used something like \"This is the Jamos", "the app store and polishing up the app description. If you used something", "store and polishing up the app description. If you used something like \"This" ]
[ "is killed. I'm not sure how to describe deep grief, never having felt", "not sure how to describe deep grief, never having felt it myself. No", "of my characters lost someone very dear to her. Some background: The character", "has died or had anything serious happen to them, and I know trauma", "knows nothing of him.Then one day, he is killed. I'm not sure how", "character has a controlling, cold family that doesn't care about her. This one", "about her. This one person is a friend, a guide, and a mysterious", "one really close to me has died or had anything serious happen to", "him.Then one day, he is killed. I'm not sure how to describe deep", "lost someone very dear to her. Some background: The character has a controlling,", "I'm not sure how to describe deep grief, never having felt it myself.", "a mysterious person that will come in moments to comfort her. He knows", "The character has a controlling, cold family that doesn't care about her. This", "care about her. This one person is a friend, a guide, and a", "to describe deep grief, never having felt it myself. No one really close", "No one really close to me has died or had anything serious happen", "serious happen to them, and I know trauma and grief are multilayered, confusing", "everything about her, but she knows nothing of him.Then one day, he is", "person is a friend, a guide, and a mysterious person that will come", "he is killed. I'm not sure how to describe deep grief, never having", "it myself. No one really close to me has died or had anything", "dear to her. Some background: The character has a controlling, cold family that", "felt it myself. No one really close to me has died or had", "knows everything about her, but she knows nothing of him.Then one day, he", "grief, never having felt it myself. No one really close to me has", "her. Some background: The character has a controlling, cold family that doesn't care", "This one person is a friend, a guide, and a mysterious person that", "cold family that doesn't care about her. This one person is a friend,", "recently one of my characters lost someone very dear to her. Some background:", "anything serious happen to them, and I know trauma and grief are multilayered,", "one day, he is killed. I'm not sure how to describe deep grief,", "a friend, a guide, and a mysterious person that will come in moments", "her. This one person is a friend, a guide, and a mysterious person", "has a controlling, cold family that doesn't care about her. This one person", "my characters lost someone very dear to her. Some background: The character has", "to me has died or had anything serious happen to them, and I", "but she knows nothing of him.Then one day, he is killed. I'm not", "and a mysterious person that will come in moments to comfort her. He", "controlling, cold family that doesn't care about her. This one person is a", "or had anything serious happen to them, and I know trauma and grief", "having felt it myself. No one really close to me has died or", "is a friend, a guide, and a mysterious person that will come in", "that will come in moments to comfort her. He knows everything about her,", "nothing of him.Then one day, he is killed. I'm not sure how to", "very dear to her. Some background: The character has a controlling, cold family", "to her. Some background: The character has a controlling, cold family that doesn't", "Some background: The character has a controlling, cold family that doesn't care about", "her. He knows everything about her, but she knows nothing of him.Then one", "one of my characters lost someone very dear to her. Some background: The", "friend, a guide, and a mysterious person that will come in moments to", "will come in moments to comfort her. He knows everything about her, but", "sure how to describe deep grief, never having felt it myself. No one", "guide, and a mysterious person that will come in moments to comfort her.", "doesn't care about her. This one person is a friend, a guide, and", "a guide, and a mysterious person that will come in moments to comfort", "really close to me has died or had anything serious happen to them,", "to comfort her. He knows everything about her, but she knows nothing of", "had anything serious happen to them, and I know trauma and grief are", "how to describe deep grief, never having felt it myself. No one really", "person that will come in moments to comfort her. He knows everything about", "that doesn't care about her. This one person is a friend, a guide,", "comfort her. He knows everything about her, but she knows nothing of him.Then", "she knows nothing of him.Then one day, he is killed. I'm not sure", "never having felt it myself. No one really close to me has died", "died or had anything serious happen to them, and I know trauma and", "come in moments to comfort her. He knows everything about her, but she", "background: The character has a controlling, cold family that doesn't care about her.", "moments to comfort her. He knows everything about her, but she knows nothing", "He knows everything about her, but she knows nothing of him.Then one day,", "describe deep grief, never having felt it myself. No one really close to", "a controlling, cold family that doesn't care about her. This one person is", "about her, but she knows nothing of him.Then one day, he is killed.", "happen to them, and I know trauma and grief are multilayered, confusing feelings.", "day, he is killed. I'm not sure how to describe deep grief, never", "So, recently one of my characters lost someone very dear to her. Some", "mysterious person that will come in moments to comfort her. He knows everything", "one person is a friend, a guide, and a mysterious person that will", "deep grief, never having felt it myself. No one really close to me", "her, but she knows nothing of him.Then one day, he is killed. I'm", "killed. I'm not sure how to describe deep grief, never having felt it", "of him.Then one day, he is killed. I'm not sure how to describe", "in moments to comfort her. He knows everything about her, but she knows", "me has died or had anything serious happen to them, and I know", "myself. No one really close to me has died or had anything serious", "close to me has died or had anything serious happen to them, and", "characters lost someone very dear to her. Some background: The character has a", "someone very dear to her. Some background: The character has a controlling, cold", "family that doesn't care about her. This one person is a friend, a" ]
[ "and then start writing? Or the other way, where I simultaneously write the", "start writing without making notes or do I have a few notes set", "a few notes set up and then start writing? Or the other way,", "better to start writing without making notes or do I have a few", "then start writing? Or the other way, where I simultaneously write the novel", "set up and then start writing? Or the other way, where I simultaneously", "it better to start writing without making notes or do I have a", "start writing? Or the other way, where I simultaneously write the novel AND", "writing? Or the other way, where I simultaneously write the novel AND the", "without making notes or do I have a few notes set up and", "notes or do I have a few notes set up and then start", "Or the other way, where I simultaneously write the novel AND the notes?", "or do I have a few notes set up and then start writing?", "notes set up and then start writing? Or the other way, where I", "to start writing without making notes or do I have a few notes", "making notes or do I have a few notes set up and then", "few notes set up and then start writing? Or the other way, where", "I have a few notes set up and then start writing? Or the", "writing without making notes or do I have a few notes set up", "Is it better to start writing without making notes or do I have", "have a few notes set up and then start writing? Or the other", "do I have a few notes set up and then start writing? Or", "up and then start writing? Or the other way, where I simultaneously write" ]
[ "does, but its not used by any other character in the book, including", "The Dark Lord or something along those lines. I've read a lot of", "in the book, including the character himself. He has a generic name, kind", "lines. I've read a lot of books with characters like these, but they", "character's actual name but keep on calling him the generic name or rather,", "with characters like these, but they all seem to end up mentioning his", "those lines. I've read a lot of books with characters like these, but", "actually use the character's actual name but keep on calling him the generic", "the The Dark Lord or something along those lines. I've read a lot", "like the The Dark Lord or something along those lines. I've read a", "character in my book doesn't have a name. I mean, he probably does,", "including the character himself. He has a generic name, kind of like the", "along those lines. I've read a lot of books with characters like these,", "any other character in the book, including the character himself. He has a", "end up mentioning his name and using them. Is it taboo to never", "He has a generic name, kind of like the The Dark Lord or", "these, but they all seem to end up mentioning his name and using", "in my book doesn't have a name. I mean, he probably does, but", "Is it taboo to never actually use the character's actual name but keep", "character in the book, including the character himself. He has a generic name,", "other character in the book, including the character himself. He has a generic", "the book, including the character himself. He has a generic name, kind of", "has a generic name, kind of like the The Dark Lord or something", "name. I mean, he probably does, but its not used by any other", "all seem to end up mentioning his name and using them. Is it", "but its not used by any other character in the book, including the", "his name and using them. Is it taboo to never actually use the", "or something along those lines. I've read a lot of books with characters", "he probably does, but its not used by any other character in the", "name, kind of like the The Dark Lord or something along those lines.", "doesn't have a name. I mean, he probably does, but its not used", "generic name, kind of like the The Dark Lord or something along those", "mean, he probably does, but its not used by any other character in", "taboo to never actually use the character's actual name but keep on calling", "use the character's actual name but keep on calling him the generic name", "them. Is it taboo to never actually use the character's actual name but", "not used by any other character in the book, including the character himself.", "read a lot of books with characters like these, but they all seem", "never actually use the character's actual name but keep on calling him the", "I've read a lot of books with characters like these, but they all", "using them. Is it taboo to never actually use the character's actual name", "mentioning his name and using them. Is it taboo to never actually use", "name and using them. Is it taboo to never actually use the character's", "actual name but keep on calling him the generic name or rather, title?", "characters like these, but they all seem to end up mentioning his name", "the character himself. He has a generic name, kind of like the The", "book doesn't have a name. I mean, he probably does, but its not", "they all seem to end up mentioning his name and using them. Is", "lot of books with characters like these, but they all seem to end", "I mean, he probably does, but its not used by any other character", "and using them. Is it taboo to never actually use the character's actual", "like these, but they all seem to end up mentioning his name and", "my book doesn't have a name. I mean, he probably does, but its", "Lord or something along those lines. I've read a lot of books with", "character himself. He has a generic name, kind of like the The Dark", "of books with characters like these, but they all seem to end up", "have a name. I mean, he probably does, but its not used by", "of like the The Dark Lord or something along those lines. I've read", "a name. I mean, he probably does, but its not used by any", "The character in my book doesn't have a name. I mean, he probably", "seem to end up mentioning his name and using them. Is it taboo", "a lot of books with characters like these, but they all seem to", "but they all seem to end up mentioning his name and using them.", "to end up mentioning his name and using them. Is it taboo to", "book, including the character himself. He has a generic name, kind of like", "to never actually use the character's actual name but keep on calling him", "by any other character in the book, including the character himself. He has", "the character's actual name but keep on calling him the generic name or", "kind of like the The Dark Lord or something along those lines. I've", "it taboo to never actually use the character's actual name but keep on", "himself. He has a generic name, kind of like the The Dark Lord", "up mentioning his name and using them. Is it taboo to never actually", "its not used by any other character in the book, including the character", "used by any other character in the book, including the character himself. He", "Dark Lord or something along those lines. I've read a lot of books", "something along those lines. I've read a lot of books with characters like", "books with characters like these, but they all seem to end up mentioning", "probably does, but its not used by any other character in the book,", "a generic name, kind of like the The Dark Lord or something along" ]
[ "they're even reading the protagonist's name there. Is that a good idea? Or", "thinking that I'd just slide the name in quietly, in an off-hand manner.", "off-hand manner. Probably the reader might not even realise that they're even reading", "showy production about the revelation of a character's name? I was thinking that", "have to be a big, showy production about the revelation of a character's", "revelation of a character's name? I was thinking that I'd just slide the", "Probably the reader might not even realise that they're even reading the protagonist's", "not even realise that they're even reading the protagonist's name there. Is that", "reading the protagonist's name there. Is that a good idea? Or is too", "that they're even reading the protagonist's name there. Is that a good idea?", "was thinking that I'd just slide the name in quietly, in an off-hand", "quietly, in an off-hand manner. Probably the reader might not even realise that", "always have to be a big, showy production about the revelation of a", "the revelation of a character's name? I was thinking that I'd just slide", "an off-hand manner. Probably the reader might not even realise that they're even", "reader might not even realise that they're even reading the protagonist's name there.", "I was thinking that I'd just slide the name in quietly, in an", "be a big, showy production about the revelation of a character's name? I", "big, showy production about the revelation of a character's name? I was thinking", "in quietly, in an off-hand manner. Probably the reader might not even realise", "the protagonist's name there. Is that a good idea? Or is too extreme?", "to be a big, showy production about the revelation of a character's name?", "I'd just slide the name in quietly, in an off-hand manner. Probably the", "of a character's name? I was thinking that I'd just slide the name", "the name in quietly, in an off-hand manner. Probably the reader might not", "name in quietly, in an off-hand manner. Probably the reader might not even", "Does there always have to be a big, showy production about the revelation", "might not even realise that they're even reading the protagonist's name there. Is", "in an off-hand manner. Probably the reader might not even realise that they're", "a character's name? I was thinking that I'd just slide the name in", "slide the name in quietly, in an off-hand manner. Probably the reader might", "even reading the protagonist's name there. Is that a good idea? Or is", "that I'd just slide the name in quietly, in an off-hand manner. Probably", "just slide the name in quietly, in an off-hand manner. Probably the reader", "production about the revelation of a character's name? I was thinking that I'd", "about the revelation of a character's name? I was thinking that I'd just", "realise that they're even reading the protagonist's name there. Is that a good", "the reader might not even realise that they're even reading the protagonist's name", "a big, showy production about the revelation of a character's name? I was", "there always have to be a big, showy production about the revelation of", "manner. Probably the reader might not even realise that they're even reading the", "even realise that they're even reading the protagonist's name there. Is that a", "name? I was thinking that I'd just slide the name in quietly, in", "character's name? I was thinking that I'd just slide the name in quietly," ]
[ "the character in, or do you just invent a character and follow his", "focusing on one of them. Which do you think is the most effective", "think is the most effective order? Do you invent a universe to place", "just invent a character and follow his journey? What is the right way", "character and follow his journey? What is the right way to organize all", "on one of them. Which do you think is the most effective order?", "the work and then work on it, for I am very prolific when", "tidy a very cluttered room: you don't know where to start, and where", "you think is the most effective order? Do you invent a universe to", "elements of good writing such as: *Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene,", "or do you just invent a character and follow his journey? What is", "to start focusing on one of them. Which do you think is the", "you start with setting, characters or plotting? What kind of instruments (such as", "is the most effective order? Do you invent a universe to place the", "all these elements to serve a great story? Do you start with setting,", "kind of instruments (such as generators, note-taking applications) do you use? It's hard", "It's hard for me to organize my own planning process...it's like trying to", "of a skeleton for the work and then work on it, for I", "Scene, Style and World* You want to start focusing on one of them.", "it, for I am very prolific when there are a clear plan and", "Plot, Scene, Style and World* You want to start focusing on one of", "invent a character and follow his journey? What is the right way to", "in, or do you just invent a character and follow his journey? What", "good writing such as: Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style and", "World You want to start focusing on one of them. Which do you", "invent a universe to place the character in, or do you just invent", "believe I need to make a sort of a skeleton for the work", "work and then work on it, for I am very prolific when there", "do you think is the most effective order? Do you invent a universe", "where to start, and where are you going...I believe I need to make", "and then work on it, for I am very prolific when there are", "a great story? Do you start with setting, characters or plotting? What kind", "a universe to place the character in, or do you just invent a", "start focusing on one of them. Which do you think is the most", "character in, or do you just invent a character and follow his journey?", "you invent a universe to place the character in, or do you just", "Do you start with setting, characters or plotting? What kind of instruments (such", "to organize my own planning process...it's like trying to tidy a very cluttered", "serve a great story? Do you start with setting, characters or plotting? What", "for me to organize my own planning process...it's like trying to tidy a", "me to organize my own planning process...it's like trying to tidy a very", "make a sort of a skeleton for the work and then work on", "use? It's hard for me to organize my own planning process...it's like trying", "to place the character in, or do you just invent a character and", "Mood, Plot, Scene, Style and World* You want to start focusing on one", "great story? Do you start with setting, characters or plotting? What kind of", "Dialogue, Ideas, Mood, Plot, Scene, Style and World* You want to start focusing", "there are elements of good writing such as: Characters, Conflict, Dialogue, Ideas, Mood,", "What kind of instruments (such as generators, note-taking applications) do you use? It's", "are you going...I believe I need to make a sort of a skeleton", "organize my own planning process...it's like trying to tidy a very cluttered room:", "you just invent a character and follow his journey? What is the right", "follow his journey? What is the right way to organize all these elements", "or plotting? What kind of instruments (such as generators, note-taking applications) do you", "work on it, for I am very prolific when there are a clear", "universe to place the character in, or do you just invent a character", "is the right way to organize all these elements to serve a great", "hard for me to organize my own planning process...it's like trying to tidy", "order? Do you invent a universe to place the character in, or do", "you going...I believe I need to make a sort of a skeleton for", "say there are elements of good writing such as: Characters, Conflict, Dialogue, Ideas,", "and World* You want to start focusing on one of them. 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Which do you think", "and follow his journey? What is the right way to organize all these", "a very cluttered room: you don't know where to start, and where are", "Do you invent a universe to place the character in, or do you", "you use? It's hard for me to organize my own planning process...it's like", "on it, for I am very prolific when there are a clear plan", "the most effective order? Do you invent a universe to place the character", "sort of a skeleton for the work and then work on it, for", "start with setting, characters or plotting? What kind of instruments (such as generators,", "a character and follow his journey? What is the right way to organize", "way to organize all these elements to serve a great story? Do you", "writing such as: Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style and World", "effective order? Do you invent a universe to place the character in, or", "Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style and World You want to", "setting, characters or plotting? What kind of instruments (such as generators, note-taking applications)", "for I am very prolific when there are a clear plan and message.", "most effective order? Do you invent a universe to place the character in,", "to serve a great story? Do you start with setting, characters or plotting?", "of good writing such as: Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style", "very cluttered room: you don't know where to start, and where are you", "Let's say there are elements of good writing such as: Characters, Conflict, Dialogue,", "process...it's like trying to tidy a very cluttered room: you don't know where", "Ideas, Mood, Plot, Scene, Style and World* You want to start focusing on", "story? Do you start with setting, characters or plotting? What kind of instruments", "Which do you think is the most effective order? Do you invent a", "room: you don't know where to start, and where are you going...I believe", "a sort of a skeleton for the work and then work on it,", "elements to serve a great story? Do you start with setting, characters or", "place the character in, or do you just invent a character and follow", "trying to tidy a very cluttered room: you don't know where to start,", "them. Which do you think is the most effective order? Do you invent", "skeleton for the work and then work on it, for I am very", "applications) do you use? It's hard for me to organize my own planning", "right way to organize all these elements to serve a great story? Do", "of instruments (such as generators, note-taking applications) do you use? It's hard for", "do you just invent a character and follow his journey? What is the", "these elements to serve a great story? Do you start with setting, characters", "want to start focusing on one of them. Which do you think is", "know where to start, and where are you going...I believe I need to", "going...I believe I need to make a sort of a skeleton for the", "then work on it, for I am very prolific when there are a", "characters or plotting? What kind of instruments (such as generators, note-taking applications) do", "to make a sort of a skeleton for the work and then work", "with setting, characters or plotting? What kind of instruments (such as generators, note-taking", "such as: *Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style and World* You", "where are you going...I believe I need to make a sort of a", "to organize all these elements to serve a great story? Do you start", "do you use? It's hard for me to organize my own planning process...it's", "and where are you going...I believe I need to make a sort of", "(such as generators, note-taking applications) do you use? It's hard for me to", "as: *Characters, Conflict, Dialogue, Ideas, Mood, Plot, Scene, Style and World* You want", "organize all these elements to serve a great story? Do you start with", "cluttered room: you don't know where to start, and where are you going...I", "plotting? What kind of instruments (such as generators, note-taking applications) do you use?", "to tidy a very cluttered room: you don't know where to start, and", "start, and where are you going...I believe I need to make a sort", "generators, note-taking applications) do you use? It's hard for me to organize my", "instruments (such as generators, note-taking applications) do you use? It's hard for me", "like trying to tidy a very cluttered room: you don't know where to", "What is the right way to organize all these elements to serve a", "my own planning process...it's like trying to tidy a very cluttered room: you", "as generators, note-taking applications) do you use? It's hard for me to organize", "of them. Which do you think is the most effective order? Do you", "you don't know where to start, and where are you going...I believe I", "own planning process...it's like trying to tidy a very cluttered room: you don't", "to start, and where are you going...I believe I need to make a", "note-taking applications) do you use? It's hard for me to organize my own" ]
[ "My novel is set in India, and I'm having trouble finding good but", "finding good but pronounceable Indian names. Many characters are royal, so I'm looking", "good but pronounceable Indian names. Many characters are royal, so I'm looking for", "I'm looking for rich, respectful names that mean important things. How can I", "looking for rich, respectful names that mean important things. How can I go", "things. How can I go about finding suitable names? What resources can I", "and I'm having trouble finding good but pronounceable Indian names. Many characters are", "in India, and I'm having trouble finding good but pronounceable Indian names. Many", "so I'm looking for rich, respectful names that mean important things. How can", "but pronounceable Indian names. Many characters are royal, so I'm looking for rich,", "set in India, and I'm having trouble finding good but pronounceable Indian names.", "I'm having trouble finding good but pronounceable Indian names. Many characters are royal,", "having trouble finding good but pronounceable Indian names. Many characters are royal, so", "names that mean important things. How can I go about finding suitable names?", "trouble finding good but pronounceable Indian names. Many characters are royal, so I'm", "respectful names that mean important things. How can I go about finding suitable", "novel is set in India, and I'm having trouble finding good but pronounceable", "mean important things. How can I go about finding suitable names? What resources", "How can I go about finding suitable names? What resources can I use?", "are royal, so I'm looking for rich, respectful names that mean important things.", "that mean important things. How can I go about finding suitable names? What", "India, and I'm having trouble finding good but pronounceable Indian names. Many characters", "Indian names. Many characters are royal, so I'm looking for rich, respectful names", "for rich, respectful names that mean important things. How can I go about", "royal, so I'm looking for rich, respectful names that mean important things. How", "pronounceable Indian names. Many characters are royal, so I'm looking for rich, respectful", "Many characters are royal, so I'm looking for rich, respectful names that mean", "is set in India, and I'm having trouble finding good but pronounceable Indian", "rich, respectful names that mean important things. How can I go about finding", "names. Many characters are royal, so I'm looking for rich, respectful names that", "important things. How can I go about finding suitable names? What resources can", "characters are royal, so I'm looking for rich, respectful names that mean important" ]
[ "Can I use '14, '15, '16, etc., instead of the full four digits?" ]
[ "a MC similar to us, or better than us in order for us", "a pathetic life, or on the contrary for the MC to be a", "As I was reading different stories, I came to wonder about what is", "stories, I came to wonder about what is better for the reader to", "to be a prince or something like that. I personally prefer smart MCs,", "Shōnen manga MC for example). Another example is the 'ordinary world' of the", "he will react as 'stupidly' as most readers, or even worse (take the", "world' of the story. It is common to see a weak MC, with", "but sometimes he will react as 'stupidly' as most readers, or even worse", "but I guess it depends on the reader. So, what is better :", "will react as 'stupidly' as most readers, or even worse (take the idiocy", "depends on the reader. So, what is better : a MC similar to", "life, or on the contrary for the MC to be a prince or", "it is often unclear whether the MC (main character) is like the reader", "smart MCs, but I guess it depends on the reader. So, what is", "to see a weak MC, with all in all quite a pathetic life,", "or something like that. I personally prefer smart MCs, but I guess it", "I personally prefer smart MCs, but I guess it depends on the reader.", "MCs, but I guess it depends on the reader. So, what is better", "It is common to see a weak MC, with all in all quite", "whether the MC (main character) is like the reader or better than him", ": a MC similar to us, or better than us in order for", "reading different stories, I came to wonder about what is better for the", "with all in all quite a pathetic life, or on the contrary for", "MC similar to us, or better than us in order for us to", "Indeed, it is often unclear whether the MC (main character) is like the", "is the 'ordinary world' of the story. It is common to see a", "problem (showing more cleverness than most readers), but sometimes he will react as", "unclear whether the MC (main character) is like the reader or better than", "I came to wonder about what is better for the reader to identify", "reader or better than him because he is often both. Sometimes, the MC", "or on the contrary for the MC to be a prince or something", "what is better : a MC similar to us, or better than us", "story. It is common to see a weak MC, with all in all", "the reader to identify with the character. Indeed, it is often unclear whether", "I was reading different stories, I came to wonder about what is better", "answer to a complex problem (showing more cleverness than most readers), but sometimes", "Another example is the 'ordinary world' of the story. It is common to", "with the character. Indeed, it is often unclear whether the MC (main character)", "the answer to a complex problem (showing more cleverness than most readers), but", "the MC will easily find the answer to a complex problem (showing more", "a weak MC, with all in all quite a pathetic life, or on", "MC will easily find the answer to a complex problem (showing more cleverness", "example is the 'ordinary world' of the story. It is common to see", "is often unclear whether the MC (main character) is like the reader or", "see a weak MC, with all in all quite a pathetic life, or", "or better than us** in order for us to identify ourselves with this", "the story. It is common to see a weak MC, with all in", "was reading different stories, I came to wonder about what is better for", "Sometimes, the MC will easily find the answer to a complex problem (showing", "better for the reader to identify with the character. 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Indeed, it is often unclear whether the MC (main character) is like", "weak MC, with all in all quite a pathetic life, or on the", "similar to us, or better than us** in order for us to identify", "most Shōnen manga MC for example). Another example is the 'ordinary world' of", "most readers), but sometimes he will react as 'stupidly' as most readers, or", "for the MC to be a prince or something like that. I personally", "wonder about what is better for the reader to identify with the character.", "better than us in order for us to identify ourselves with this character", "character) is like the reader or better than him because he is often", "in all quite a pathetic life, or on the contrary for the MC", "something like that. I personally prefer smart MCs, but I guess it depends", "the idiocy of most Shōnen manga MC for example). Another example is the", "of the story. It is common to see a weak MC, with all", "prefer smart MCs, but I guess it depends on the reader. So, what", "complex problem (showing more cleverness than most readers), but sometimes he will react", "on the reader. So, what is better : a MC similar to us,", "sometimes he will react as 'stupidly' as most readers, or even worse (take", "often unclear whether the MC (main character) is like the reader or better", "or even worse (take the idiocy of most Shōnen manga MC for example).", "common to see a weak MC, with all in all quite a pathetic", "guess it depends on the reader. So, what is better : a MC", "for the reader to identify with the character. Indeed, it is often unclear", "him because he is often both. Sometimes, the MC will easily find the", "even worse (take the idiocy of most Shōnen manga MC for example). Another", "MC, with all in all quite a pathetic life, or on the contrary", "reader to identify with the character. Indeed, it is often unclear whether the", "the character. Indeed, it is often unclear whether the MC (main character) is", "easily find the answer to a complex problem (showing more cleverness than most", "is better for the reader to identify with the character. Indeed, it is", "about what is better for the reader to identify with the character. Indeed,", "the MC (main character) is like the reader or better than him because", "to a complex problem (showing more cleverness than most readers), but sometimes he", "or better than him because he is often both. Sometimes, the MC will", "of most Shōnen manga MC for example). Another example is the 'ordinary world'", "because he is often both. Sometimes, the MC will easily find the answer", "like that. I personally prefer smart MCs, but I guess it depends on", "will easily find the answer to a complex problem (showing more cleverness than", "to us, or better than us in order for us to identify ourselves", "contrary for the MC to be a prince or something like that. I", "cleverness than most readers), but sometimes he will react as 'stupidly' as most", "a complex problem (showing more cleverness than most readers), but sometimes he will", "identify with the character. Indeed, it is often unclear whether the MC (main", "than him because he is often both. Sometimes, the MC will easily find", "personally prefer smart MCs, but I guess it depends on the reader. So,", "MC for example). Another example is the 'ordinary world' of the story. It", "for example). Another example is the 'ordinary world' of the story. It is", "'ordinary world' of the story. It is common to see a weak MC,", "be a prince or something like that. I personally prefer smart MCs, but", "react as 'stupidly' as most readers, or even worse (take the idiocy of" ]
[ "a story where I adhere strongly to plausible physics for space combat (some", "Newtonian physics and explanation to the reader easy to understand and NOT involve", "physics and explanation to the reader easy to understand and NOT involve a", "combat (some behind-the-scenes development for the story: [How to Conduct Plausible Space Combat", "story where I adhere strongly to plausible physics for space combat (some behind-the-scenes", "I adhere strongly to plausible physics for space combat (some behind-the-scenes development for", "The problem is: in the actual battle itself, how do you keep Newtonian", "strongly to plausible physics for space combat (some behind-the-scenes development for the story:", "Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the actual", "Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the", "keep Newtonian physics and explanation to the reader easy to understand and NOT", "(some behind-the-scenes development for the story: [How to Conduct Plausible Space Combat Intercepts", "battle itself, how do you keep Newtonian physics and explanation to the reader", "and explanation to the reader easy to understand and NOT involve a series", "for the story: [How to Conduct Plausible Space Combat Intercepts and Tactical Options", "Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is:", "you keep Newtonian physics and explanation to the reader easy to understand and", "Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the actual battle itself,", "easy to understand and NOT involve a series of complex mathematical equations that", "for space combat (some behind-the-scenes development for the story: [How to Conduct Plausible", "physics for space combat (some behind-the-scenes development for the story: [How to Conduct", "the actual battle itself, how do you keep Newtonian physics and explanation to", "[How to Conduct Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE)", "understand and NOT involve a series of complex mathematical equations that include Kepler,", "involve a series of complex mathematical equations that include Kepler, Newton and Tsiolkovsky?", "behind-the-scenes development for the story: [How to Conduct Plausible Space Combat Intercepts and", "to plausible physics for space combat (some behind-the-scenes development for the story: [How", "story: [How to Conduct Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at", "actual battle itself, how do you keep Newtonian physics and explanation to the", "problem is: in the actual battle itself, how do you keep Newtonian physics", "adhere strongly to plausible physics for space combat (some behind-the-scenes development for the", "at Worldbuilding.SE) The problem is: in the actual battle itself, how do you", "in the actual battle itself, how do you keep Newtonian physics and explanation", "do you keep Newtonian physics and explanation to the reader easy to understand", "reader easy to understand and NOT involve a series of complex mathematical equations", "Worldbuilding.SE) The problem is: in the actual battle itself, how do you keep", "NOT involve a series of complex mathematical equations that include Kepler, Newton and", "space combat (some behind-the-scenes development for the story: [How to Conduct Plausible Space", "is: in the actual battle itself, how do you keep Newtonian physics and", "development for the story: [How to Conduct Plausible Space Combat Intercepts and Tactical", "explanation to the reader easy to understand and NOT involve a series of", "and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the actual battle", "and NOT involve a series of complex mathematical equations that include Kepler, Newton", "Conduct Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem", "have a story where I adhere strongly to plausible physics for space combat", "to the reader easy to understand and NOT involve a series of complex", "Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the actual battle itself, how", "how do you keep Newtonian physics and explanation to the reader easy to", "the reader easy to understand and NOT involve a series of complex mathematical", "Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in", "Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The problem is: in the actual battle itself, how do", "to understand and NOT involve a series of complex mathematical equations that include", "to Conduct Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597) at Worldbuilding.SE) The", "the story: [How to Conduct Plausible Space Combat Intercepts and Tactical Options Available](https://worldbuilding.stackexchange.com/questions/40597/how-does-a-spacecraft-attempt-an-intercept-course-with-a-hostile-one-realistical?noredirect=1#comment115589_40597)", "itself, how do you keep Newtonian physics and explanation to the reader easy", "plausible physics for space combat (some behind-the-scenes development for the story: [How to", "I have a story where I adhere strongly to plausible physics for space", "where I adhere strongly to plausible physics for space combat (some behind-the-scenes development" ]
[ "Christian leaders. Both authors published through CreateSpace. Author #1 used his own imprint;", "reseller page. For example, the business book is being resold by Any Book,", "their book. I.e., just announcements on their websites and emails to their subscribers.", "Neither author has done anything special to promote their book. I.e., just announcements", "both books were offered via other booksellers on Amazon on the new and", "those resellers buying the books at a discount from Amazon? 3. What is", "anything special to promote their book. I.e., just announcements on their websites and", "Books, and Wordery USA. The Christian leadership book is being resold by PBShop", "offered via other booksellers on Amazon on the new and used reseller page.", "other booksellers on Amazon on the new and used reseller page. For example,", "questions: 1. How and why does that happen? 2. Are those resellers buying", "small businesses and the other to Christian leaders. Both authors published through CreateSpace.", "were offered via other booksellers on Amazon on the new and used reseller", "blindingly fast by other booksellers? I edited two self-help books, one targeted to", "the business book is being resold by Any Book, Brooke Books, and Wordery", "imprint. Within days (or maybe even hours?) of going live on Amazon, both", "edited two self-help books, one targeted to small businesses and the other to", "special to promote their book. I.e., just announcements on their websites and emails", "Wordery USA. The Christian leadership book is being resold by PBShop UK, Books", "resold by Any Book, Brooke Books, and Wordery USA. The Christian leadership book", "author has done anything special to promote their book. I.e., just announcements on", "businesses and the other to Christian leaders. Both authors published through CreateSpace. Author", "on Amazon on the new and used reseller page. For example, the business", "Here's the general question: How does a book published via CreateSpace end up", "For example, the business book is being resold by Any Book, Brooke Books,", "maybe even hours?) of going live on Amazon, both books were offered via", "hours?) of going live on Amazon, both books were offered via other booksellers", "to promote their book. I.e., just announcements on their websites and emails to", "done anything special to promote their book. I.e., just announcements on their websites", "example, the business book is being resold by Any Book, Brooke Books, and", "Books Mela, and Peach Media. Neither author has done anything special to promote", "by PBShop UK, Books Mela, and Peach Media. Neither author has done anything", "to small businesses and the other to Christian leaders. Both authors published through", "to Christian leaders. Both authors published through CreateSpace. Author #1 used his own", "promote their book. I.e., just announcements on their websites and emails to their", "How and why does that happen? 2. Are those resellers buying the books", "at a discount from Amazon? 3. What is the impact on author royalties?", "resellers buying the books at a discount from Amazon? 3. What is the", "emails to their subscribers. Here are the specific questions: 1. How and why", "PBShop UK, Books Mela, and Peach Media. Neither author has done anything special", "Here are the specific questions: 1. How and why does that happen? 2.", "I edited two self-help books, one targeted to small businesses and the other", "of going live on Amazon, both books were offered via other booksellers on", "their websites and emails to their subscribers. Here are the specific questions: 1.", "CreateSpace end up being sold blindingly fast by other booksellers? I edited two", "question: How does a book published via CreateSpace end up being sold blindingly", "used his own imprint; and author #2 used the CreateSpace imprint. Within days", "even hours?) of going live on Amazon, both books were offered via other", "buying the books at a discount from Amazon? 3. What is the impact", "Amazon on the new and used reseller page. For example, the business book", "and used reseller page. For example, the business book is being resold by", "that happen? 2. Are those resellers buying the books at a discount from", "booksellers on Amazon on the new and used reseller page. For example, the", "Mela, and Peach Media. Neither author has done anything special to promote their", "own imprint; and author #2 used the CreateSpace imprint. Within days (or maybe", "is being resold by Any Book, Brooke Books, and Wordery USA. The Christian", "and Peach Media. Neither author has done anything special to promote their book.", "book is being resold by Any Book, Brooke Books, and Wordery USA. The", "being sold blindingly fast by other booksellers? I edited two self-help books, one", "books, one targeted to small businesses and the other to Christian leaders. Both", "being resold by Any Book, Brooke Books, and Wordery USA. The Christian leadership", "USA. The Christian leadership book is being resold by PBShop UK, Books Mela,", "2. Are those resellers buying the books at a discount from Amazon? 3.", "Author #1 used his own imprint; and author #2 used the CreateSpace imprint.", "websites and emails to their subscribers. Here are the specific questions: 1. How", "are the specific questions: 1. How and why does that happen? 2. Are", "How does a book published via CreateSpace end up being sold blindingly fast", "Peach Media. Neither author has done anything special to promote their book. I.e.,", "on their websites and emails to their subscribers. Here are the specific questions:", "#1 used his own imprint; and author #2 used the CreateSpace imprint. Within", "the general question: How does a book published via CreateSpace end up being", "other booksellers? I edited two self-help books, one targeted to small businesses and", "fast by other booksellers? I edited two self-help books, one targeted to small", "used reseller page. For example, the business book is being resold by Any", "has done anything special to promote their book. I.e., just announcements on their", "Both authors published through CreateSpace. Author #1 used his own imprint; and author", "page. For example, the business book is being resold by Any Book, Brooke", "Amazon, both books were offered via other booksellers on Amazon on the new", "end up being sold blindingly fast by other booksellers? I edited two self-help", "by Any Book, Brooke Books, and Wordery USA. The Christian leadership book is", "Media. Neither author has done anything special to promote their book. I.e., just", "resold by PBShop UK, Books Mela, and Peach Media. Neither author has done", "through CreateSpace. Author #1 used his own imprint; and author #2 used the", "being resold by PBShop UK, Books Mela, and Peach Media. Neither author has", "subscribers. Here are the specific questions: 1. How and why does that happen?", "two self-help books, one targeted to small businesses and the other to Christian", "a book published via CreateSpace end up being sold blindingly fast by other", "days (or maybe even hours?) of going live on Amazon, both books were", "the new and used reseller page. For example, the business book is being", "up being sold blindingly fast by other booksellers? I edited two self-help books,", "does that happen? 2. Are those resellers buying the books at a discount", "live on Amazon, both books were offered via other booksellers on Amazon on", "to their subscribers. Here are the specific questions: 1. How and why does", "on the new and used reseller page. For example, the business book is", "and author #2 used the CreateSpace imprint. Within days (or maybe even hours?)", "happen? 2. Are those resellers buying the books at a discount from Amazon?", "The Christian leadership book is being resold by PBShop UK, Books Mela, and", "#2 used the CreateSpace imprint. Within days (or maybe even hours?) of going", "published via CreateSpace end up being sold blindingly fast by other booksellers? I", "(or maybe even hours?) of going live on Amazon, both books were offered", "self-help books, one targeted to small businesses and the other to Christian leaders.", "other to Christian leaders. Both authors published through CreateSpace. Author #1 used his", "new and used reseller page. For example, the business book is being resold", "just announcements on their websites and emails to their subscribers. Here are the", "business book is being resold by Any Book, Brooke Books, and Wordery USA.", "used the CreateSpace imprint. Within days (or maybe even hours?) of going live", "leadership book is being resold by PBShop UK, Books Mela, and Peach Media.", "Christian leadership book is being resold by PBShop UK, Books Mela, and Peach", "Book, Brooke Books, and Wordery USA. The Christian leadership book is being resold", "the other to Christian leaders. Both authors published through CreateSpace. Author #1 used", "general question: How does a book published via CreateSpace end up being sold", "books at a discount from Amazon? 3. What is the impact on author", "is being resold by PBShop UK, Books Mela, and Peach Media. Neither author", "books were offered via other booksellers on Amazon on the new and used", "sold blindingly fast by other booksellers? I edited two self-help books, one targeted", "1. How and why does that happen? 2. Are those resellers buying the", "the CreateSpace imprint. Within days (or maybe even hours?) of going live on", "via CreateSpace end up being sold blindingly fast by other booksellers? I edited", "specific questions: 1. How and why does that happen? 2. Are those resellers", "and Wordery USA. The Christian leadership book is being resold by PBShop UK,", "and why does that happen? 2. Are those resellers buying the books at", "leaders. Both authors published through CreateSpace. Author #1 used his own imprint; and", "CreateSpace. Author #1 used his own imprint; and author #2 used the CreateSpace", "announcements on their websites and emails to their subscribers. Here are the specific", "author #2 used the CreateSpace imprint. Within days (or maybe even hours?) of", "book. I.e., just announcements on their websites and emails to their subscribers. Here", "on Amazon, both books were offered via other booksellers on Amazon on the", "and emails to their subscribers. Here are the specific questions: 1. How and", "published through CreateSpace. Author #1 used his own imprint; and author #2 used", "book published via CreateSpace end up being sold blindingly fast by other booksellers?", "going live on Amazon, both books were offered via other booksellers on Amazon", "Within days (or maybe even hours?) of going live on Amazon, both books", "I.e., just announcements on their websites and emails to their subscribers. Here are", "and the other to Christian leaders. Both authors published through CreateSpace. Author #1", "his own imprint; and author #2 used the CreateSpace imprint. Within days (or", "book is being resold by PBShop UK, Books Mela, and Peach Media. Neither", "targeted to small businesses and the other to Christian leaders. Both authors published", "Any Book, Brooke Books, and Wordery USA. The Christian leadership book is being", "Are those resellers buying the books at a discount from Amazon? 3. What", "by other booksellers? I edited two self-help books, one targeted to small businesses", "one targeted to small businesses and the other to Christian leaders. Both authors", "Brooke Books, and Wordery USA. The Christian leadership book is being resold by", "does a book published via CreateSpace end up being sold blindingly fast by", "imprint; and author #2 used the CreateSpace imprint. Within days (or maybe even", "why does that happen? 2. Are those resellers buying the books at a", "UK, Books Mela, and Peach Media. Neither author has done anything special to", "authors published through CreateSpace. Author #1 used his own imprint; and author #2", "via other booksellers on Amazon on the new and used reseller page. For", "the books at a discount from Amazon? 3. What is the impact on", "booksellers? I edited two self-help books, one targeted to small businesses and the", "CreateSpace imprint. Within days (or maybe even hours?) of going live on Amazon,", "their subscribers. Here are the specific questions: 1. How and why does that", "the specific questions: 1. How and why does that happen? 2. Are those" ]
[ "come across phrases or single sentences (never longer) on the internet in the", "a YouTube account seems a bit odd. There is also the question of", "good writer is recognizing good writing. Still, I feel unsure about incoporating someone", "to really consider this my own work? I would give credit when due,", "account seems a bit odd. There is also the question of song lyrics.", "should I cite it? I am a new writer and I am still", "also the question of song lyrics. If I adapt a single line into", "(never longer) on the internet in the form of YouTube comments and the", "when due, but adding footnotes in fiction crediting a YouTube account seems a", "am aware that part of being a good writer is recognizing good writing.", "work? I would give credit when due, but adding footnotes in fiction crediting", "am inspired to use these in my writing. As a writer, is it", "my writing, should I cite it? If I have a dialogue sequence using", "Still, I feel unsure about incoporating someone else's words into my work and", "longer) on the internet in the form of YouTube comments and the like", "work and calling it my own. Please note that I am NOT talking", "use these in my writing. As a writer, is it 'allowed' to really", "own work? I would give credit when due, but adding footnotes in fiction", "of song lyrics. If I adapt a single line into from a lyric", "internet in the form of YouTube comments and the like which resonant with", "is it 'allowed' to really consider this my own work? I would give", "cite it? I am a new writer and I am still trying to", "writer, is it 'allowed' to really consider this my own work? I would", "part of being a good writer is recognizing good writing. Still, I feel", "boundary between \"borrowing\" and \"stealing\". People say that great writers steal; I am", "on the internet in the form of YouTube comments and the like which", "give credit when due, but adding footnotes in fiction crediting a YouTube account", "writer is recognizing good writing. Still, I feel unsure about incoporating someone else's", "bit odd. There is also the question of song lyrics. If I adapt", "and the like which resonant with me. Often I am inspired to use", "my own. Please note that I am NOT talking about anything longer than", "a writer, is it 'allowed' to really consider this my own work? I", "I cite it? I am a new writer and I am still trying", "I come across phrases or single sentences (never longer) on the internet in", "good writing. Still, I feel unsure about incoporating someone else's words into my", "this my own work? I would give credit when due, but adding footnotes", "a dialogue sequence using say four short sentences of lyrics, should I cite", "am still trying to understand the boundary between \"borrowing\" and \"stealing\". People say", "incoporating someone else's words into my work and calling it my own. Please", "recognizing good writing. Still, I feel unsure about incoporating someone else's words into", "If I adapt a single line into from a lyric into my writing,", "I cite it? If I have a dialogue sequence using say four short", "form of YouTube comments and the like which resonant with me. Often I", "the boundary between \"borrowing\" and \"stealing\". People say that great writers steal; I", "'allowed' to really consider this my own work? I would give credit when", "calling it my own. Please note that I am NOT talking about anything", "the internet in the form of YouTube comments and the like which resonant", "it my own. Please note that I am NOT talking about anything longer", "is recognizing good writing. Still, I feel unsure about incoporating someone else's words", "I am a new writer and I am still trying to understand the", "is also the question of song lyrics. If I adapt a single line", "a single line into from a lyric into my writing, should I cite", "writing. Still, I feel unsure about incoporating someone else's words into my work", "due, but adding footnotes in fiction crediting a YouTube account seems a bit", "it? If I have a dialogue sequence using say four short sentences of", "Often I am inspired to use these in my writing. As a writer,", "from a lyric into my writing, should I cite it? If I have", "using say four short sentences of lyrics, should I cite it? I am", "it? I am a new writer and I am still trying to understand", "sentences (never longer) on the internet in the form of YouTube comments and", "unsure about incoporating someone else's words into my work and calling it my", "and \"stealing\". People say that great writers steal; I am aware that part", "fiction crediting a YouTube account seems a bit odd. There is also the", "I feel unsure about incoporating someone else's words into my work and calling", "in my writing. As a writer, is it 'allowed' to really consider this", "\"borrowing\" and \"stealing\". People say that great writers steal; I am aware that", "my work and calling it my own. Please note that I am NOT", "I have a dialogue sequence using say four short sentences of lyrics, should", "of YouTube comments and the like which resonant with me. Often I am", "People say that great writers steal; I am aware that part of being", "am a new writer and I am still trying to understand the boundary", "adapt a single line into from a lyric into my writing, should I", "which resonant with me. Often I am inspired to use these in my", "across phrases or single sentences (never longer) on the internet in the form", "single sentences (never longer) on the internet in the form of YouTube comments", "comments and the like which resonant with me. Often I am inspired to", "to use these in my writing. As a writer, is it 'allowed' to", "lyrics. If I adapt a single line into from a lyric into my", "YouTube comments and the like which resonant with me. Often I am inspired", "really consider this my own work? I would give credit when due, but", "song lyrics. If I adapt a single line into from a lyric into", "great writers steal; I am aware that part of being a good writer", "single line into from a lyric into my writing, should I cite it?", "and I am still trying to understand the boundary between \"borrowing\" and \"stealing\".", "times I come across phrases or single sentences (never longer) on the internet", "the form of YouTube comments and the like which resonant with me. Often", "writer and I am still trying to understand the boundary between \"borrowing\" and", "I adapt a single line into from a lyric into my writing, should", "I am inspired to use these in my writing. As a writer, is", "words into my work and calling it my own. Please note that I", "There is also the question of song lyrics. If I adapt a single", "Please note that I am NOT talking about anything longer than a sentence.", "adding footnotes in fiction crediting a YouTube account seems a bit odd. There", "sequence using say four short sentences of lyrics, should I cite it? I", "in the form of YouTube comments and the like which resonant with me.", "writing. As a writer, is it 'allowed' to really consider this my own", "in fiction crediting a YouTube account seems a bit odd. There is also", "lyric into my writing, should I cite it? If I have a dialogue", "steal; I am aware that part of being a good writer is recognizing", "As a writer, is it 'allowed' to really consider this my own work?", "trying to understand the boundary between \"borrowing\" and \"stealing\". People say that great", "my writing. As a writer, is it 'allowed' to really consider this my", "phrases or single sentences (never longer) on the internet in the form of", "else's words into my work and calling it my own. Please note that", "four short sentences of lyrics, should I cite it? I am a new", "consider this my own work? I would give credit when due, but adding", "my own work? I would give credit when due, but adding footnotes in", "of lyrics, should I cite it? I am a new writer and I", "resonant with me. Often I am inspired to use these in my writing.", "but adding footnotes in fiction crediting a YouTube account seems a bit odd.", "that part of being a good writer is recognizing good writing. Still, I", "sentences of lyrics, should I cite it? I am a new writer and", "that great writers steal; I am aware that part of being a good", "between \"borrowing\" and \"stealing\". People say that great writers steal; I am aware", "aware that part of being a good writer is recognizing good writing. Still,", "say that great writers steal; I am aware that part of being a", "a lyric into my writing, should I cite it? If I have a", "own. Please note that I am NOT talking about anything longer than a", "should I cite it? If I have a dialogue sequence using say four", "I would give credit when due, but adding footnotes in fiction crediting a", "these in my writing. As a writer, is it 'allowed' to really consider", "line into from a lyric into my writing, should I cite it? If", "the question of song lyrics. If I adapt a single line into from", "Many times I come across phrases or single sentences (never longer) on the", "seems a bit odd. There is also the question of song lyrics. If", "into my writing, should I cite it? If I have a dialogue sequence", "still trying to understand the boundary between \"borrowing\" and \"stealing\". People say that", "I am still trying to understand the boundary between \"borrowing\" and \"stealing\". People", "to understand the boundary between \"borrowing\" and \"stealing\". People say that great writers", "being a good writer is recognizing good writing. Still, I feel unsure about", "question of song lyrics. If I adapt a single line into from a", "crediting a YouTube account seems a bit odd. There is also the question", "feel unsure about incoporating someone else's words into my work and calling it", "If I have a dialogue sequence using say four short sentences of lyrics,", "the like which resonant with me. Often I am inspired to use these", "into from a lyric into my writing, should I cite it? If I", "with me. Often I am inspired to use these in my writing. As", "footnotes in fiction crediting a YouTube account seems a bit odd. There is", "have a dialogue sequence using say four short sentences of lyrics, should I", "inspired to use these in my writing. As a writer, is it 'allowed'", "and calling it my own. Please note that I am NOT talking about", "writing, should I cite it? If I have a dialogue sequence using say", "new writer and I am still trying to understand the boundary between \"borrowing\"", "dialogue sequence using say four short sentences of lyrics, should I cite it?", "writers steal; I am aware that part of being a good writer is", "of being a good writer is recognizing good writing. Still, I feel unsure", "a good writer is recognizing good writing. Still, I feel unsure about incoporating", "like which resonant with me. Often I am inspired to use these in", "someone else's words into my work and calling it my own. Please note", "say four short sentences of lyrics, should I cite it? I am a", "odd. There is also the question of song lyrics. If I adapt a", "or single sentences (never longer) on the internet in the form of YouTube", "short sentences of lyrics, should I cite it? I am a new writer", "it 'allowed' to really consider this my own work? I would give credit", "understand the boundary between \"borrowing\" and \"stealing\". People say that great writers steal;", "I am aware that part of being a good writer is recognizing good", "a bit odd. There is also the question of song lyrics. If I", "about incoporating someone else's words into my work and calling it my own.", "into my work and calling it my own. Please note that I am", "me. Often I am inspired to use these in my writing. As a", "credit when due, but adding footnotes in fiction crediting a YouTube account seems", "lyrics, should I cite it? I am a new writer and I am", "YouTube account seems a bit odd. There is also the question of song", "\"stealing\". People say that great writers steal; I am aware that part of", "cite it? If I have a dialogue sequence using say four short sentences", "a new writer and I am still trying to understand the boundary between", "would give credit when due, but adding footnotes in fiction crediting a YouTube" ]
[ "beloved hobby, but I am not sure what it takes to present it", "is my beloved hobby, but I am not sure what it takes to", "role play can be good for publishing after some editing from the partners?", "can be good for publishing after some editing from the partners? Role Playing", "be good for publishing after some editing from the partners? Role Playing is", "after some editing from the partners? Role Playing is my beloved hobby, but", "good for publishing after some editing from the partners? Role Playing is my", "from the partners? Role Playing is my beloved hobby, but I am not", "some editing from the partners? Role Playing is my beloved hobby, but I", "you think a role play can be good for publishing after some editing", "hobby, but I am not sure what it takes to present it as", "I am not sure what it takes to present it as decent literature.", "editing from the partners? Role Playing is my beloved hobby, but I am", "think a role play can be good for publishing after some editing from", "a role play can be good for publishing after some editing from the", "but I am not sure what it takes to present it as decent", "for publishing after some editing from the partners? Role Playing is my beloved", "Playing is my beloved hobby, but I am not sure what it takes", "Role Playing is my beloved hobby, but I am not sure what it", "partners? Role Playing is my beloved hobby, but I am not sure what", "the partners? Role Playing is my beloved hobby, but I am not sure", "publishing after some editing from the partners? Role Playing is my beloved hobby,", "my beloved hobby, but I am not sure what it takes to present", "Do you think a role play can be good for publishing after some", "play can be good for publishing after some editing from the partners? Role" ]
[ "(900-1000 words) about a character presenting some election process and at the end,", "herrings, but due to the length of the story, it isn't very simple", "you needed to hover over the spoiler part. For the future, I am", "I could use to keep the conclusion somewhat a surprise, or at least", "or at least make it less certain? I thought about adding some red", "at least make it less certain? I thought about adding some red herrings,", "the conclusion somewhat a surprise, or at least make it less certain? I", "future, I am wondering what techniques I could use to keep the conclusion", "story lasts about as long as you needed to hover over the spoiler", "wondering what techniques I could use to keep the conclusion somewhat a surprise,", "> > The problem that I have is that the suspense in that", "words) about a character presenting some election process and at the end, we", "> > > The problem that I have is that the suspense in", "story (900-1000 words) about a character presenting some election process and at the", "wrote a short story (900-1000 words) about a character presenting some election process", "have is that the suspense in that story lasts about as long as", "For the future, I am wondering what techniques I could use to keep", "to keep the conclusion somewhat a surprise, or at least make it less", "that story lasts about as long as you needed to hover over the", "about as long as you needed to hover over the spoiler part. For", "learn that > > he got elected. > > > The problem that", "some red herrings, but due to the length of the story, it isn't", "to the length of the story, it isn't very simple without losing myself.", "suspense in that story lasts about as long as you needed to hover", "I thought about adding some red herrings, but due to the length of", "character presenting some election process and at the end, we learn that >", "part. For the future, I am wondering what techniques I could use to", "surprise, or at least make it less certain? I thought about adding some", "that > > he got elected. > > > The problem that I", "> > he got elected. > > > The problem that I have", "that I have is that the suspense in that story lasts about as", "make it less certain? I thought about adding some red herrings, but due", "less certain? I thought about adding some red herrings, but due to the", "over the spoiler part. For the future, I am wondering what techniques I", "he got elected. > > > The problem that I have is that", "got elected. > > > The problem that I have is that the", "the spoiler part. For the future, I am wondering what techniques I could", "thought about adding some red herrings, but due to the length of the", "what techniques I could use to keep the conclusion somewhat a surprise, or", "presenting some election process and at the end, we learn that > >", "lasts about as long as you needed to hover over the spoiler part.", "somewhat a surprise, or at least make it less certain? I thought about", "adding some red herrings, but due to the length of the story, it", "as you needed to hover over the spoiler part. For the future, I", "keep the conclusion somewhat a surprise, or at least make it less certain?", "some election process and at the end, we learn that > > he", "hover over the spoiler part. For the future, I am wondering what techniques", "am wondering what techniques I could use to keep the conclusion somewhat a", "I wrote a short story (900-1000 words) about a character presenting some election", "is that the suspense in that story lasts about as long as you", "use to keep the conclusion somewhat a surprise, or at least make it", "certain? I thought about adding some red herrings, but due to the length", "about adding some red herrings, but due to the length of the story,", "I have is that the suspense in that story lasts about as long", "I am wondering what techniques I could use to keep the conclusion somewhat", "could use to keep the conclusion somewhat a surprise, or at least make", "that the suspense in that story lasts about as long as you needed", "red herrings, but due to the length of the story, it isn't very", "needed to hover over the spoiler part. For the future, I am wondering", "in that story lasts about as long as you needed to hover over", "it less certain? I thought about adding some red herrings, but due to", "but due to the length of the story, it isn't very simple without", "a character presenting some election process and at the end, we learn that", "and at the end, we learn that > > he got elected. >", "we learn that > > he got elected. > > > The problem", "problem that I have is that the suspense in that story lasts about", "techniques I could use to keep the conclusion somewhat a surprise, or at", "short story (900-1000 words) about a character presenting some election process and at", "long as you needed to hover over the spoiler part. For the future,", "to hover over the spoiler part. For the future, I am wondering what", "election process and at the end, we learn that > > he got", "least make it less certain? I thought about adding some red herrings, but", "the future, I am wondering what techniques I could use to keep the", "as long as you needed to hover over the spoiler part. For the", "a short story (900-1000 words) about a character presenting some election process and", "spoiler part. For the future, I am wondering what techniques I could use", "> The problem that I have is that the suspense in that story", "elected. > > > The problem that I have is that the suspense", "> he got elected. > > > The problem that I have is", "the end, we learn that > > he got elected. > > >", "at the end, we learn that > > he got elected. > >", "a surprise, or at least make it less certain? I thought about adding", "due to the length of the story, it isn't very simple without losing", "conclusion somewhat a surprise, or at least make it less certain? I thought", "the suspense in that story lasts about as long as you needed to", "The problem that I have is that the suspense in that story lasts", "process and at the end, we learn that > > he got elected.", "end, we learn that > > he got elected. > > > The", "about a character presenting some election process and at the end, we learn" ]
[ "in an imaginary universe in first person plus have the main character be", "be an alter ego of yourself? (The main character has my voice, essentially.)", "it acceptable practice to write a fiction novel set in an imaginary universe", "write a fiction novel set in an imaginary universe in first person plus", "have the main character be an alter ego of yourself? (The main character", "imaginary universe in first person plus have the main character be an alter", "yourself? (The main character has my voice, essentially.) Are there any precedents for", "ego of yourself? (The main character has my voice, essentially.) Are there any", "(The main character has my voice, essentially.) Are there any precedents for this?", "practice to write a fiction novel set in an imaginary universe in first", "Is it acceptable practice to write a fiction novel set in an imaginary", "novel set in an imaginary universe in first person plus have the main", "universe in first person plus have the main character be an alter ego", "main character be an alter ego of yourself? (The main character has my", "person plus have the main character be an alter ego of yourself? (The", "an imaginary universe in first person plus have the main character be an", "a fiction novel set in an imaginary universe in first person plus have", "in first person plus have the main character be an alter ego of", "an alter ego of yourself? (The main character has my voice, essentially.) Are", "plus have the main character be an alter ego of yourself? (The main", "acceptable practice to write a fiction novel set in an imaginary universe in", "character be an alter ego of yourself? (The main character has my voice,", "of yourself? (The main character has my voice, essentially.) Are there any precedents", "set in an imaginary universe in first person plus have the main character", "first person plus have the main character be an alter ego of yourself?", "fiction novel set in an imaginary universe in first person plus have the", "alter ego of yourself? (The main character has my voice, essentially.) Are there", "the main character be an alter ego of yourself? (The main character has", "to write a fiction novel set in an imaginary universe in first person" ]
[ "speak this tongue (but the reader may understand it) and you are using", "more fame and suddenly someone gets the idea to publish it in other", "language in Germany is suddenly declared to English. For example. Is there any", "zu \"Ha, der versteht uns doch eh nicht\" > > > or (inverse", "eh nicht\" > > > or (inverse it) > > Poor Saelfwiud was", "versteht uns doch eh nicht\" > > > or (inverse it) > >", "in Germany is suddenly declared to English. For example. Is there any way", "doch eh nicht\" > > > or (inverse it) > > Poor Saelfwiud", "tongue (but the reader may understand it) and you are using this as", "that language your protagonist has no clue of? What starts off as >", "you assume that your protagonist does not speak this tongue (but the reader", "So... imagine you have a story in your native language written down, with", "is fine until now. Now the unexpected happens: your story is kind of", "to > > Der arme Saelfwiud stand herum, hörte dem Gespräch der Fremden", "unexpected happens: your story is kind of successful and gets published in your", "flip the language, if you state that this did happen in country whatever", "with these dual language scenes, especially if it got published in even that", "aside from writing > > They said in their native German language \"that", "(inverse it) > > Poor Saelfwiud was standing around, listening to the foreigner", "publish it in other countries too... so what should be done with these", "in even that language your protagonist has no clue of? What starts off", "will not understand what we are saying\" and poor Saelfwiud indeed did not.", "language. And you write it down in that language. I don't think this", "it) > > Poor Saelfwiud was standing around, listening to the foreigner speaking", "starts off as > > Poor Saelfwiud was standing around, listening to the", "around, listening to the foreigner speaking \"Ha, der versteht uns doch sowieso nicht,", "readers will get confused if the native language in Germany is suddenly declared", "(but the reader may understand it) and you are using this as some", "herum, hörte dem Gespräch der Fremden zu \"Ha, der versteht uns doch eh", "Saelfwiud stand herum, hörte dem Gespräch der Fremden zu \"Ha, der versteht uns", "moron will not understand what we are saying\" and poor Saelfwiud indeed did", "published in your country. Now it even amasses more fame and suddenly someone", "versteht uns doch sowieso nicht, der Depp\" > > > will get to", "der Fremden zu \"Ha, der versteht uns doch eh nicht\" > > >", "> or (inverse it) > > Poor Saelfwiud was standing around, listening to", "What starts off as > > Poor Saelfwiud was standing around, listening to", "story in your native language written down, with protagonists that speak this language", "if it got published in even that language your protagonist has no clue", "around, listening to the foreigner speaking \"Ha, he will not understand what we", "Poor Saelfwiud was standing around, listening to the foreigner speaking \"Ha, he will", "in that language. I don't think this is a huge problem at all,", "too... so what should be done with these dual language scenes, especially if", "der versteht uns doch sowieso nicht, der Depp\" > > > will get", "your protagonist meets someone who speaks another language. And you write it down", "native language written down, with protagonists that speak this language and no problem", "is a huge problem at all, even if you assume that your protagonist", "> will get to > > Der arme Saelfwiud stand herum, hörte dem", "> Der arme Saelfwiud stand herum, hörte dem Gespräch der Fremden zu \"Ha,", "Saelfwiud was standing around, listening to the foreigner speaking \"Ha, he will not", "And you write it down in that language. I don't think this is", "suddenly someone gets the idea to publish it in other countries too... so", "this language and no problem at all, except a bunch of scenes where", "nicht\" > > > or (inverse it) > > Poor Saelfwiud was standing", "scenes where your protagonist meets someone who speaks another language. And you write", "sowieso nicht, der Depp\" > > > will get to > > Der", "that moron\" > > > I mean, you can't just flip the language,", "mean, you can't just flip the language, if you state that this did", "English. For example. Is there any way to avoid this kind of pitfall,", "in your native language written down, with protagonists that speak this language and", "native German language \"that moron will not understand what we are saying\" and", "> > They said in their native German language \"that moron will not", "happen in country whatever before, because readers will get confused if the native", "the reader may understand it) and you are using this as some kind", "writing > > They said in their native German language \"that moron will", "> Poor Saelfwiud was standing around, listening to the foreigner speaking \"Ha, der", "Everything is fine until now. Now the unexpected happens: your story is kind", "of scenes where your protagonist meets someone who speaks another language. And you", "understand what we are saying, that moron\" > > > I mean, you", "you write it down in that language. I don't think this is a", "is kind of successful and gets published in your country. Now it even", "hörte dem Gespräch der Fremden zu \"Ha, der versteht uns doch eh nicht\"", "so what should be done with these dual language scenes, especially if it", "he will not understand what we are saying, that moron\" > > >", "scenes, especially if it got published in even that language your protagonist has", "\"Ha, der versteht uns doch sowieso nicht, der Depp\" > > > will", "now. Now the unexpected happens: your story is kind of successful and gets", "the foreigner speaking \"Ha, der versteht uns doch sowieso nicht, der Depp\" >", "your story is kind of successful and gets published in your country. Now", "Now it even amasses more fame and suddenly someone gets the idea to", "problem at all, even if you assume that your protagonist does not speak", "may understand it) and you are using this as some kind of a", "saying, that moron\" > > > I mean, you can't just flip the", "language and no problem at all, except a bunch of scenes where your", "except a bunch of scenes where your protagonist meets someone who speaks another", "> They said in their native German language \"that moron will not understand", "of successful and gets published in your country. Now it even amasses more", "listening to the foreigner speaking \"Ha, der versteht uns doch sowieso nicht, der", "not understand what we are saying, that moron\" > > > I mean,", "> > > or (inverse it) > > Poor Saelfwiud was standing around,", "no problem at all, except a bunch of scenes where your protagonist meets", "Now the unexpected happens: your story is kind of successful and gets published", "to the foreigner speaking \"Ha, he will not understand what we are saying,", "I mean, you can't just flip the language, if you state that this", "protagonist meets someone who speaks another language. And you write it down in", "even that language your protagonist has no clue of? What starts off as", "country. Now it even amasses more fame and suddenly someone gets the idea", "with protagonists that speak this language and no problem at all, except a", "arme Saelfwiud stand herum, hörte dem Gespräch der Fremden zu \"Ha, der versteht", "it) and you are using this as some kind of a plot element.", "that speak this language and no problem at all, except a bunch of", "dual language scenes, especially if it got published in even that language your", "does not speak this tongue (but the reader may understand it) and you", "and gets published in your country. Now it even amasses more fame and", "can't just flip the language, if you state that this did happen in", "did happen in country whatever before, because readers will get confused if the", "problem at all, except a bunch of scenes where your protagonist meets someone", "protagonist does not speak this tongue (but the reader may understand it) and", "element. Everything is fine until now. Now the unexpected happens: your story is", "think this is a huge problem at all, even if you assume that", "your protagonist does not speak this tongue (but the reader may understand it)", "that language. I don't think this is a huge problem at all, even", "assume that your protagonist does not speak this tongue (but the reader may", "you have a story in your native language written down, with protagonists that", "at all, even if you assume that your protagonist does not speak this", "not understand what we are saying\" and poor Saelfwiud indeed did not. >", "pitfall, aside from writing > > They said in their native German language", "get to > > Der arme Saelfwiud stand herum, hörte dem Gespräch der", "in their native German language \"that moron will not understand what we are", "written down, with protagonists that speak this language and no problem at all,", "there any way to avoid this kind of pitfall, aside from writing >", "if the native language in Germany is suddenly declared to English. For example.", "> I mean, you can't just flip the language, if you state that", "Depp\" > > > will get to > > Der arme Saelfwiud stand", "it even amasses more fame and suddenly someone gets the idea to publish", "or (inverse it) > > Poor Saelfwiud was standing around, listening to the", "this kind of pitfall, aside from writing > > They said in their", "that this did happen in country whatever before, because readers will get confused", "speak this language and no problem at all, except a bunch of scenes", "to publish it in other countries too... so what should be done with", "other countries too... so what should be done with these dual language scenes,", "to avoid this kind of pitfall, aside from writing > > They said", "if you state that this did happen in country whatever before, because readers", "because readers will get confused if the native language in Germany is suddenly", "language written down, with protagonists that speak this language and no problem at", "are saying, that moron\" > > > I mean, you can't just flip", "> > or (inverse it) > > Poor Saelfwiud was standing around, listening", "> > will get to > > Der arme Saelfwiud stand herum, hörte", "we are saying, that moron\" > > > I mean, you can't just", "example. Is there any way to avoid this kind of pitfall, aside from", "get confused if the native language in Germany is suddenly declared to English.", "German language \"that moron will not understand what we are saying\" and poor", "are using this as some kind of a plot element. Everything is fine", "should be done with these dual language scenes, especially if it got published", "foreigner speaking \"Ha, he will not understand what we are saying, that moron\"", "off as > > Poor Saelfwiud was standing around, listening to the foreigner", "someone gets the idea to publish it in other countries too... so what", "your protagonist has no clue of? What starts off as > > Poor", "at all, except a bunch of scenes where your protagonist meets someone who", "especially if it got published in even that language your protagonist has no", "> > Poor Saelfwiud was standing around, listening to the foreigner speaking \"Ha,", "write it down in that language. I don't think this is a huge", "this is a huge problem at all, even if you assume that your", "the unexpected happens: your story is kind of successful and gets published in", "has no clue of? What starts off as > > Poor Saelfwiud was", "the idea to publish it in other countries too... so what should be", "of pitfall, aside from writing > > They said in their native German", "it down in that language. I don't think this is a huge problem", "huge problem at all, even if you assume that your protagonist does not", "stand herum, hörte dem Gespräch der Fremden zu \"Ha, der versteht uns doch", "> > I mean, you can't just flip the language, if you state", "speaking \"Ha, der versteht uns doch sowieso nicht, der Depp\" > > >", "it in other countries too... so what should be done with these dual", "using this as some kind of a plot element. Everything is fine until", "fame and suddenly someone gets the idea to publish it in other countries", "have a story in your native language written down, with protagonists that speak", "another language. And you write it down in that language. I don't think", "gets published in your country. Now it even amasses more fame and suddenly", "> > Der arme Saelfwiud stand herum, hörte dem Gespräch der Fremden zu", "as some kind of a plot element. Everything is fine until now. Now", "kind of pitfall, aside from writing > > They said in their native", "before, because readers will get confused if the native language in Germany is", "Gespräch der Fremden zu \"Ha, der versteht uns doch eh nicht\" > >", "what we are saying\" and poor Saelfwiud indeed did not. > > >", "down, with protagonists that speak this language and no problem at all, except", "what we are saying, that moron\" > > > I mean, you can't", "a plot element. Everything is fine until now. Now the unexpected happens: your", "a huge problem at all, even if you assume that your protagonist does", "native language in Germany is suddenly declared to English. For example. Is there", "They said in their native German language \"that moron will not understand what", "was standing around, listening to the foreigner speaking \"Ha, he will not understand", "kind of a plot element. Everything is fine until now. Now the unexpected", "of a plot element. Everything is fine until now. Now the unexpected happens:", "dem Gespräch der Fremden zu \"Ha, der versteht uns doch eh nicht\" >", "in country whatever before, because readers will get confused if the native language", "the native language in Germany is suddenly declared to English. For example. Is", "confused if the native language in Germany is suddenly declared to English. For", "this tongue (but the reader may understand it) and you are using this", "der Depp\" > > > will get to > > Der arme Saelfwiud", "someone who speaks another language. And you write it down in that language.", "fine until now. Now the unexpected happens: your story is kind of successful", "listening to the foreigner speaking \"Ha, he will not understand what we are", "the language, if you state that this did happen in country whatever before,", "in your country. Now it even amasses more fame and suddenly someone gets", "state that this did happen in country whatever before, because readers will get", "in other countries too... so what should be done with these dual language", "Saelfwiud was standing around, listening to the foreigner speaking \"Ha, der versteht uns", "country whatever before, because readers will get confused if the native language in", "any way to avoid this kind of pitfall, aside from writing > >", "understand it) and you are using this as some kind of a plot", "suddenly declared to English. For example. Is there any way to avoid this", "foreigner speaking \"Ha, der versteht uns doch sowieso nicht, der Depp\" > >", "meets someone who speaks another language. And you write it down in that", "happens: your story is kind of successful and gets published in your country.", "declared to English. For example. Is there any way to avoid this kind", "all, even if you assume that your protagonist does not speak this tongue", "kind of successful and gets published in your country. Now it even amasses", "Is there any way to avoid this kind of pitfall, aside from writing", "that your protagonist does not speak this tongue (but the reader may understand", "language \"that moron will not understand what we are saying\" and poor Saelfwiud", "> > > will get to > > Der arme Saelfwiud stand herum,", "countries too... so what should be done with these dual language scenes, especially", "language your protagonist has no clue of? What starts off as > >", "avoid this kind of pitfall, aside from writing > > They said in", "\"that moron will not understand what we are saying\" and poor Saelfwiud indeed", "clue of? What starts off as > > Poor Saelfwiud was standing around,", "\"Ha, he will not understand what we are saying, that moron\" > >", "done with these dual language scenes, especially if it got published in even", "these dual language scenes, especially if it got published in even that language", "> Poor Saelfwiud was standing around, listening to the foreigner speaking \"Ha, he", "and suddenly someone gets the idea to publish it in other countries too...", "will not understand what we are saying, that moron\" > > > I", "whatever before, because readers will get confused if the native language in Germany", "For example. Is there any way to avoid this kind of pitfall, aside", "understand what we are saying\" and poor Saelfwiud indeed did not. > >", "to the foreigner speaking \"Ha, der versteht uns doch sowieso nicht, der Depp\"", "even amasses more fame and suddenly someone gets the idea to publish it", "the foreigner speaking \"Ha, he will not understand what we are saying, that", "it got published in even that language your protagonist has no clue of?", "speaks another language. And you write it down in that language. I don't", "protagonists that speak this language and no problem at all, except a bunch", "where your protagonist meets someone who speaks another language. And you write it", "I don't think this is a huge problem at all, even if you", "this did happen in country whatever before, because readers will get confused if", "bunch of scenes where your protagonist meets someone who speaks another language. And", "idea to publish it in other countries too... so what should be done", "and you are using this as some kind of a plot element. Everything", "even if you assume that your protagonist does not speak this tongue (but", "you are using this as some kind of a plot element. Everything is", "story is kind of successful and gets published in your country. Now it", "language, if you state that this did happen in country whatever before, because", "will get confused if the native language in Germany is suddenly declared to", "plot element. Everything is fine until now. Now the unexpected happens: your story", "language scenes, especially if it got published in even that language your protagonist", "was standing around, listening to the foreigner speaking \"Ha, der versteht uns doch", "if you assume that your protagonist does not speak this tongue (but the", "standing around, listening to the foreigner speaking \"Ha, he will not understand what", "will get to > > Der arme Saelfwiud stand herum, hörte dem Gespräch", "speaking \"Ha, he will not understand what we are saying, that moron\" >", "be done with these dual language scenes, especially if it got published in", "just flip the language, if you state that this did happen in country", "Germany is suddenly declared to English. For example. Is there any way to", "imagine you have a story in your native language written down, with protagonists", "doch sowieso nicht, der Depp\" > > > will get to > >", "until now. Now the unexpected happens: your story is kind of successful and", "> > > I mean, you can't just flip the language, if you", "der versteht uns doch eh nicht\" > > > or (inverse it) >", "Fremden zu \"Ha, der versteht uns doch eh nicht\" > > > or", "uns doch eh nicht\" > > > or (inverse it) > > Poor", "nicht, der Depp\" > > > will get to > > Der arme", "you can't just flip the language, if you state that this did happen", "to English. For example. Is there any way to avoid this kind of", "Poor Saelfwiud was standing around, listening to the foreigner speaking \"Ha, der versteht", "gets the idea to publish it in other countries too... so what should", "reader may understand it) and you are using this as some kind of", "don't think this is a huge problem at all, even if you assume", "protagonist has no clue of? What starts off as > > Poor Saelfwiud", "a story in your native language written down, with protagonists that speak this", "of? What starts off as > > Poor Saelfwiud was standing around, listening", "way to avoid this kind of pitfall, aside from writing > > They", "successful and gets published in your country. Now it even amasses more fame", "who speaks another language. And you write it down in that language. I", "their native German language \"that moron will not understand what we are saying\"", "you state that this did happen in country whatever before, because readers will", "all, except a bunch of scenes where your protagonist meets someone who speaks", "as > > Poor Saelfwiud was standing around, listening to the foreigner speaking", "some kind of a plot element. Everything is fine until now. Now the", "down in that language. I don't think this is a huge problem at", "this as some kind of a plot element. Everything is fine until now.", "what should be done with these dual language scenes, especially if it got", "your country. Now it even amasses more fame and suddenly someone gets the", "no clue of? What starts off as > > Poor Saelfwiud was standing", "standing around, listening to the foreigner speaking \"Ha, der versteht uns doch sowieso", "Der arme Saelfwiud stand herum, hörte dem Gespräch der Fremden zu \"Ha, der", "uns doch sowieso nicht, der Depp\" > > > will get to >", "is suddenly declared to English. For example. Is there any way to avoid", "published in even that language your protagonist has no clue of? What starts", "said in their native German language \"that moron will not understand what we", "and no problem at all, except a bunch of scenes where your protagonist", "\"Ha, der versteht uns doch eh nicht\" > > > or (inverse it)", "language. I don't think this is a huge problem at all, even if", "a bunch of scenes where your protagonist meets someone who speaks another language.", "got published in even that language your protagonist has no clue of? What", "not speak this tongue (but the reader may understand it) and you are", "moron\" > > > I mean, you can't just flip the language, if", "from writing > > They said in their native German language \"that moron", "your native language written down, with protagonists that speak this language and no", "amasses more fame and suddenly someone gets the idea to publish it in" ]
[ "stop trying to figure out the rest of the plot. What are some", "route would be best. I then just stop trying to figure out the", "my mind. As I am processing them in my thoughts I think of", "out the rest of the plot. What are some techniques that I can", "I think of different routes that the story can take. I then seem", "that I can use to narrow down which plot direction to take? Or", "often come up with story lines in my mind. As I am processing", "have always wanted to write a book but have never actually taken the", "I cannot decide which plot route would be best. I then just stop", "up with story lines in my mind. As I am processing them in", "plot. What are some techniques that I can use to narrow down which", "plot route would be best. I then just stop trying to figure out", "but have never actually taken the time to do so. There are many", "the time to do so. There are many things that hold me back", "standstill as I cannot decide which plot route would be best. I then", "There are many things that hold me back but one of them is", "think of different routes that the story can take. I then seem to", "wanted to write a book but have never actually taken the time to", "I then seem to reach a standstill as I cannot decide which plot", "use to narrow down which plot direction to take? Or do I just", "taken the time to do so. There are many things that hold me", "best. I then just stop trying to figure out the rest of the", "to figure out the rest of the plot. What are some techniques that", "story can take. I then seem to reach a standstill as I cannot", "that the story can take. I then seem to reach a standstill as", "a book but have never actually taken the time to do so. There", "story lines in my mind. As I am processing them in my thoughts", "I then just stop trying to figure out the rest of the plot.", "many things that hold me back but one of them is that I", "What are some techniques that I can use to narrow down which plot", "that hold me back but one of them is that I often come", "book but have never actually taken the time to do so. There are", "would be best. I then just stop trying to figure out the rest", "them in my thoughts I think of different routes that the story can", "cannot decide which plot route would be best. I then just stop trying", "figure out the rest of the plot. What are some techniques that I", "decide which plot route would be best. I then just stop trying to", "always wanted to write a book but have never actually taken the time", "which plot route would be best. I then just stop trying to figure", "techniques that I can use to narrow down which plot direction to take?", "I have always wanted to write a book but have never actually taken", "seem to reach a standstill as I cannot decide which plot route would", "them is that I often come up with story lines in my mind.", "do so. There are many things that hold me back but one of", "thoughts I think of different routes that the story can take. I then", "mind. As I am processing them in my thoughts I think of different", "the story can take. I then seem to reach a standstill as I", "narrow down which plot direction to take? Or do I just randomly choose", "reach a standstill as I cannot decide which plot route would be best.", "rest of the plot. What are some techniques that I can use to", "the rest of the plot. What are some techniques that I can use", "of them is that I often come up with story lines in my", "of different routes that the story can take. I then seem to reach", "down which plot direction to take? Or do I just randomly choose one?", "that I often come up with story lines in my mind. As I", "take. I then seem to reach a standstill as I cannot decide which", "time to do so. There are many things that hold me back but", "just stop trying to figure out the rest of the plot. What are", "me back but one of them is that I often come up with", "processing them in my thoughts I think of different routes that the story", "back but one of them is that I often come up with story", "trying to figure out the rest of the plot. What are some techniques", "as I cannot decide which plot route would be best. I then just", "of the plot. What are some techniques that I can use to narrow", "come up with story lines in my mind. As I am processing them", "never actually taken the time to do so. There are many things that", "routes that the story can take. I then seem to reach a standstill", "write a book but have never actually taken the time to do so.", "in my thoughts I think of different routes that the story can take.", "hold me back but one of them is that I often come up", "be best. I then just stop trying to figure out the rest of", "to reach a standstill as I cannot decide which plot route would be", "so. There are many things that hold me back but one of them", "to write a book but have never actually taken the time to do", "lines in my mind. As I am processing them in my thoughts I", "are some techniques that I can use to narrow down which plot direction", "a standstill as I cannot decide which plot route would be best. I", "some techniques that I can use to narrow down which plot direction to", "but one of them is that I often come up with story lines", "can use to narrow down which plot direction to take? Or do I", "I often come up with story lines in my mind. As I am", "actually taken the time to do so. There are many things that hold", "As I am processing them in my thoughts I think of different routes", "my thoughts I think of different routes that the story can take. I", "are many things that hold me back but one of them is that", "I am processing them in my thoughts I think of different routes that", "to narrow down which plot direction to take? Or do I just randomly", "in my mind. As I am processing them in my thoughts I think", "can take. I then seem to reach a standstill as I cannot decide", "different routes that the story can take. I then seem to reach a", "with story lines in my mind. As I am processing them in my", "the plot. What are some techniques that I can use to narrow down", "have never actually taken the time to do so. There are many things", "then just stop trying to figure out the rest of the plot. What", "one of them is that I often come up with story lines in", "is that I often come up with story lines in my mind. As", "I can use to narrow down which plot direction to take? Or do", "things that hold me back but one of them is that I often", "then seem to reach a standstill as I cannot decide which plot route", "am processing them in my thoughts I think of different routes that the", "to do so. There are many things that hold me back but one" ]
[ "getting hung up on other issues for instance starting sentences with quickly. I", "agents off accepting my work but does this honestly matter? Should I just", "comments which I took on board. I have rewritten the story and corrected", "instance starting sentences with quickly. I don't want to put agents off accepting", "a novel and looking back the story line was good but the grammar", "on board. I have rewritten the story and corrected many of the errors.", "and corrected many of the errors. For instance I removed gerunds. Now that", "the book to a few agents and received some constructive comments which I", "but the grammar wasn't great. I submitted the book to a few agents", "this honestly matter? Should I just bite the bullet and start submitting the", "I have rewritten the story and corrected many of the errors. For instance", "the errors. For instance I removed gerunds. Now that it's complete I'm getting", "to put agents off accepting my work but does this honestly matter? Should", "great. I submitted the book to a few agents and received some constructive", "story line was good but the grammar wasn't great. I submitted the book", "book to a few agents and received some constructive comments which I took", "good but the grammar wasn't great. I submitted the book to a few", "I took on board. I have rewritten the story and corrected many of", "quickly. I don't want to put agents off accepting my work but does", "submitted the book to a few agents and received some constructive comments which", "took on board. I have rewritten the story and corrected many of the", "complete I'm getting hung up on other issues for instance starting sentences with", "the grammar wasn't great. I submitted the book to a few agents and", "have rewritten the story and corrected many of the errors. For instance I", "my work but does this honestly matter? Should I just bite the bullet", "and looking back the story line was good but the grammar wasn't great.", "I've written a novel and looking back the story line was good but", "Now that it's complete I'm getting hung up on other issues for instance", "that it's complete I'm getting hung up on other issues for instance starting", "I don't want to put agents off accepting my work but does this", "up on other issues for instance starting sentences with quickly. I don't want", "off accepting my work but does this honestly matter? Should I just bite", "the story and corrected many of the errors. For instance I removed gerunds.", "removed gerunds. Now that it's complete I'm getting hung up on other issues", "on other issues for instance starting sentences with quickly. I don't want to", "a few agents and received some constructive comments which I took on board.", "story and corrected many of the errors. For instance I removed gerunds. Now", "hung up on other issues for instance starting sentences with quickly. I don't", "want to put agents off accepting my work but does this honestly matter?", "errors. For instance I removed gerunds. Now that it's complete I'm getting hung", "of the errors. For instance I removed gerunds. Now that it's complete I'm", "sentences with quickly. I don't want to put agents off accepting my work", "starting sentences with quickly. I don't want to put agents off accepting my", "gerunds. Now that it's complete I'm getting hung up on other issues for", "was good but the grammar wasn't great. I submitted the book to a", "accepting my work but does this honestly matter? Should I just bite the", "agents and received some constructive comments which I took on board. I have", "and received some constructive comments which I took on board. I have rewritten", "instance I removed gerunds. Now that it's complete I'm getting hung up on", "grammar wasn't great. I submitted the book to a few agents and received", "I submitted the book to a few agents and received some constructive comments", "some constructive comments which I took on board. I have rewritten the story", "other issues for instance starting sentences with quickly. I don't want to put", "looking back the story line was good but the grammar wasn't great. I", "which I took on board. I have rewritten the story and corrected many", "it's complete I'm getting hung up on other issues for instance starting sentences", "For instance I removed gerunds. Now that it's complete I'm getting hung up", "issues for instance starting sentences with quickly. I don't want to put agents", "wasn't great. I submitted the book to a few agents and received some", "rewritten the story and corrected many of the errors. For instance I removed", "I'm getting hung up on other issues for instance starting sentences with quickly.", "line was good but the grammar wasn't great. I submitted the book to", "work but does this honestly matter? Should I just bite the bullet and", "written a novel and looking back the story line was good but the", "for instance starting sentences with quickly. I don't want to put agents off", "put agents off accepting my work but does this honestly matter? Should I", "back the story line was good but the grammar wasn't great. I submitted", "with quickly. I don't want to put agents off accepting my work but", "few agents and received some constructive comments which I took on board. I", "I removed gerunds. Now that it's complete I'm getting hung up on other", "matter? Should I just bite the bullet and start submitting the novel again?", "received some constructive comments which I took on board. I have rewritten the", "corrected many of the errors. For instance I removed gerunds. Now that it's", "novel and looking back the story line was good but the grammar wasn't", "many of the errors. For instance I removed gerunds. Now that it's complete", "the story line was good but the grammar wasn't great. I submitted the", "don't want to put agents off accepting my work but does this honestly", "constructive comments which I took on board. I have rewritten the story and", "honestly matter? Should I just bite the bullet and start submitting the novel", "to a few agents and received some constructive comments which I took on", "but does this honestly matter? Should I just bite the bullet and start", "does this honestly matter? Should I just bite the bullet and start submitting", "board. I have rewritten the story and corrected many of the errors. For" ]
[ "do I do this while keeping the character's identity intact so that the", "character's identity intact so that the character doesn't seem like a new person", "character who I specifically wrote to be a certain way. However, I want", "wrote to be a certain way. However, I want to rewrite the character", "want to rewrite the character to be different--weaker, and less independent in order", "grow. How do I do this while keeping the character's identity intact so", "I have a character who I specifically wrote to be a certain way.", "I do this while keeping the character's identity intact so that the character", "a character who I specifically wrote to be a certain way. However, I", "less independent in order to allow room to grow. How do I do", "and less independent in order to allow room to grow. How do I", "a certain way. However, I want to rewrite the character to be different--weaker,", "However, I want to rewrite the character to be different--weaker, and less independent", "in order to allow room to grow. How do I do this while", "order to allow room to grow. How do I do this while keeping", "have a character who I specifically wrote to be a certain way. However,", "identity intact so that the character doesn't seem like a new person all", "room to grow. How do I do this while keeping the character's identity", "the character's identity intact so that the character doesn't seem like a new", "independent in order to allow room to grow. How do I do this", "this while keeping the character's identity intact so that the character doesn't seem", "be different--weaker, and less independent in order to allow room to grow. How", "How do I do this while keeping the character's identity intact so that", "be a certain way. However, I want to rewrite the character to be", "specifically wrote to be a certain way. However, I want to rewrite the", "certain way. However, I want to rewrite the character to be different--weaker, and", "who I specifically wrote to be a certain way. However, I want to", "rewrite the character to be different--weaker, and less independent in order to allow", "allow room to grow. How do I do this while keeping the character's", "way. However, I want to rewrite the character to be different--weaker, and less", "to grow. How do I do this while keeping the character's identity intact", "I want to rewrite the character to be different--weaker, and less independent in", "to be different--weaker, and less independent in order to allow room to grow.", "to be a certain way. However, I want to rewrite the character to", "to rewrite the character to be different--weaker, and less independent in order to", "I specifically wrote to be a certain way. However, I want to rewrite", "intact so that the character doesn't seem like a new person all together?", "do this while keeping the character's identity intact so that the character doesn't", "to allow room to grow. How do I do this while keeping the", "the character to be different--weaker, and less independent in order to allow room", "character to be different--weaker, and less independent in order to allow room to", "different--weaker, and less independent in order to allow room to grow. How do", "keeping the character's identity intact so that the character doesn't seem like a", "while keeping the character's identity intact so that the character doesn't seem like" ]
[ "words. I guess it will be around 170-180k words when it is finished.", "170-180k words when it is finished. Assuming that it will loose 20% after", "depends on the quality of the writing, on the story and on a", "Assuming that it will loose 20% after the first draft, it will have", "quality of the writing, on the story and on a thousand other factors,", "especially if there is no known name on the cover. Edit: The genre", "which has gathered about 150000 words. I guess it will be around 170-180k", "will have around 150k words when it is finished. Is this too long", "writing, on the story and on a thousand other factors, but I am", "about 150000 words. I guess it will be around 170-180k words when it", "loose 20% after the first draft, it will have around 150k words when", "when it is finished. Is this too long for a first novel? It", "known name on the cover. Edit: The genre of the novel is soft", "I guess it will be around 170-180k words when it is finished. Assuming", "It depends on the quality of the writing, on the story and on", "it will have around 150k words when it is finished. Is this too", "am writing my first novel, which has gathered about 150000 words. I guess", "long for a first novel? It depends on the quality of the writing,", "20% after the first draft, it will have around 150k words when it", "a first novel? It depends on the quality of the writing, on the", "will think the book is too long for the market, especially if there", "on the quality of the writing, on the story and on a thousand", "book is too long for the market, especially if there is no known", "I am worried that publishers will think the book is too long for", "thousand other factors, but I am worried that publishers will think the book", "first novel? It depends on the quality of the writing, on the story", "is too long for the market, especially if there is no known name", "that publishers will think the book is too long for the market, especially", "the market, especially if there is no known name on the cover. Edit:", "story and on a thousand other factors, but I am worried that publishers", "it will loose 20% after the first draft, it will have around 150k", "guess it will be around 170-180k words when it is finished. Assuming that", "that it will loose 20% after the first draft, it will have around", "of the writing, on the story and on a thousand other factors, but", "finished. Assuming that it will loose 20% after the first draft, it will", "150k words when it is finished. Is this too long for a first", "there is no known name on the cover. Edit: The genre of the", "after the first draft, it will have around 150k words when it is", "150000 words. I guess it will be around 170-180k words when it is", "market, especially if there is no known name on the cover. Edit: The", "is finished. Assuming that it will loose 20% after the first draft, it", "the book is too long for the market, especially if there is no", "draft, it will have around 150k words when it is finished. Is this", "is no known name on the cover. Edit: The genre of the novel", "if there is no known name on the cover. Edit: The genre of", "long for the market, especially if there is no known name on the", "Is this too long for a first novel? It depends on the quality", "publishers will think the book is too long for the market, especially if", "it will be around 170-180k words when it is finished. Assuming that it", "and on a thousand other factors, but I am worried that publishers will", "for a first novel? It depends on the quality of the writing, on", "no known name on the cover. Edit: The genre of the novel is", "words when it is finished. Is this too long for a first novel?", "first novel, which has gathered about 150000 words. I guess it will be", "when it is finished. Assuming that it will loose 20% after the first", "writing my first novel, which has gathered about 150000 words. I guess it", "my first novel, which has gathered about 150000 words. I guess it will", "a thousand other factors, but I am worried that publishers will think the", "the writing, on the story and on a thousand other factors, but I", "around 150k words when it is finished. Is this too long for a", "on a thousand other factors, but I am worried that publishers will think", "factors, but I am worried that publishers will think the book is too", "will be around 170-180k words when it is finished. Assuming that it will", "gathered about 150000 words. I guess it will be around 170-180k words when", "the quality of the writing, on the story and on a thousand other", "has gathered about 150000 words. I guess it will be around 170-180k words", "too long for a first novel? It depends on the quality of the", "this too long for a first novel? It depends on the quality of", "words when it is finished. Assuming that it will loose 20% after the", "it is finished. Assuming that it will loose 20% after the first draft,", "am worried that publishers will think the book is too long for the", "but I am worried that publishers will think the book is too long", "is finished. Is this too long for a first novel? It depends on", "first draft, it will have around 150k words when it is finished. Is", "think the book is too long for the market, especially if there is", "for the market, especially if there is no known name on the cover.", "around 170-180k words when it is finished. Assuming that it will loose 20%", "too long for the market, especially if there is no known name on", "it is finished. Is this too long for a first novel? It depends", "will loose 20% after the first draft, it will have around 150k words", "the first draft, it will have around 150k words when it is finished.", "have around 150k words when it is finished. Is this too long for", "name on the cover. Edit: The genre of the novel is soft science-fiction.", "on the story and on a thousand other factors, but I am worried", "novel, which has gathered about 150000 words. I guess it will be around", "other factors, but I am worried that publishers will think the book is", "be around 170-180k words when it is finished. Assuming that it will loose", "finished. Is this too long for a first novel? It depends on the", "the story and on a thousand other factors, but I am worried that", "worried that publishers will think the book is too long for the market,", "I am writing my first novel, which has gathered about 150000 words. I", "novel? It depends on the quality of the writing, on the story and" ]
[ "So, the character is an anti hero, he loses all his morals, and", "hero, he loses all his morals, and becomes the very thing he fights", "the downfall of this character more emotionally moving/impactful without making it seem contrived", "is an anti hero, he loses all his morals, and becomes the very", "loses all his morals, and becomes the very thing he fights against. How", "fights against. How can I make the downfall of this character more emotionally", "becomes the very thing he fights against. How can I make the downfall", "he loses all his morals, and becomes the very thing he fights against.", "very thing he fights against. How can I make the downfall of this", "contrived or cliche? Are there any things to watch out for when doing", "seem contrived or cliche? Are there any things to watch out for when", "How can I make the downfall of this character more emotionally moving/impactful without", "his morals, and becomes the very thing he fights against. How can I", "emotionally moving/impactful without making it seem contrived or cliche? Are there any things", "the very thing he fights against. How can I make the downfall of", "downfall of this character more emotionally moving/impactful without making it seem contrived or", "he fights against. How can I make the downfall of this character more", "I make the downfall of this character more emotionally moving/impactful without making it", "an anti hero, he loses all his morals, and becomes the very thing", "this character more emotionally moving/impactful without making it seem contrived or cliche? Are", "moving/impactful without making it seem contrived or cliche? Are there any things to", "and becomes the very thing he fights against. How can I make the", "it seem contrived or cliche? Are there any things to watch out for", "character more emotionally moving/impactful without making it seem contrived or cliche? Are there", "without making it seem contrived or cliche? Are there any things to watch", "make the downfall of this character more emotionally moving/impactful without making it seem", "thing he fights against. How can I make the downfall of this character", "character is an anti hero, he loses all his morals, and becomes the", "or cliche? Are there any things to watch out for when doing this?", "can I make the downfall of this character more emotionally moving/impactful without making", "the character is an anti hero, he loses all his morals, and becomes", "all his morals, and becomes the very thing he fights against. How can", "morals, and becomes the very thing he fights against. How can I make", "making it seem contrived or cliche? Are there any things to watch out", "more emotionally moving/impactful without making it seem contrived or cliche? Are there any", "of this character more emotionally moving/impactful without making it seem contrived or cliche?", "anti hero, he loses all his morals, and becomes the very thing he", "against. How can I make the downfall of this character more emotionally moving/impactful" ]
[ "I am currently writing a science fiction/fantasy quadrology and would like to eventually", "science fiction/fantasy quadrology and would like to eventually expand on it. I have", "would like to eventually expand on it. I have an entire world built", "way to introduce it. Prequels? Separate series? Guides? Through experience, which one best", "fiction/fantasy quadrology and would like to eventually expand on it. I have an", "to eventually expand on it. I have an entire world built around it", "an entire world built around it and I would like to know the", "expand on it. I have an entire world built around it and I", "I have an entire world built around it and I would like to", "world built around it and I would like to know the best way", "have an entire world built around it and I would like to know", "currently writing a science fiction/fantasy quadrology and would like to eventually expand on", "writing a science fiction/fantasy quadrology and would like to eventually expand on it.", "to know the best way to introduce it. Prequels? Separate series? Guides? Through", "Guides? Through experience, which one best enthralls readers and/or best conveys the expanded", "and I would like to know the best way to introduce it. Prequels?", "am currently writing a science fiction/fantasy quadrology and would like to eventually expand", "quadrology and would like to eventually expand on it. I have an entire", "like to eventually expand on it. I have an entire world built around", "it. I have an entire world built around it and I would like", "it. Prequels? Separate series? Guides? Through experience, which one best enthralls readers and/or", "eventually expand on it. I have an entire world built around it and", "best way to introduce it. Prequels? Separate series? Guides? Through experience, which one", "Through experience, which one best enthralls readers and/or best conveys the expanded world?", "would like to know the best way to introduce it. Prequels? Separate series?", "built around it and I would like to know the best way to", "on it. I have an entire world built around it and I would", "a science fiction/fantasy quadrology and would like to eventually expand on it. I", "around it and I would like to know the best way to introduce", "series? Guides? Through experience, which one best enthralls readers and/or best conveys the", "know the best way to introduce it. Prequels? Separate series? Guides? Through experience,", "introduce it. Prequels? Separate series? Guides? Through experience, which one best enthralls readers", "Separate series? Guides? Through experience, which one best enthralls readers and/or best conveys", "it and I would like to know the best way to introduce it.", "like to know the best way to introduce it. Prequels? Separate series? Guides?", "I would like to know the best way to introduce it. Prequels? Separate", "and would like to eventually expand on it. I have an entire world", "to introduce it. Prequels? Separate series? Guides? Through experience, which one best enthralls", "entire world built around it and I would like to know the best", "Prequels? Separate series? Guides? Through experience, which one best enthralls readers and/or best", "the best way to introduce it. Prequels? Separate series? Guides? Through experience, which" ]
[ "the the category. My preference would be software that works on Linux, Windows,", "to go with them. What are some good software options for doing this?", "graphic to go with them. What are some good software options for doing", "me to put a short sentence or two of small notes or tips", "is related to if the paragraph gets moved. Edit: To clarify, I would", "to if the paragraph gets moved. Edit: To clarify, I would prefer if", "Each of these might fall under a particular category and have a specific", "and images were added automatically if I were to specify the the category.", "heading such as \"Note:\" or \"Warning:\" as well as a related graphic to", "images were added automatically if I were to specify the the category. My", "added automatically if I were to specify the the category. My preference would", "note to move with the paragraph it is related to if the paragraph", "have a specific heading such as \"Note:\" or \"Warning:\" as well as a", "To clarify, I would prefer if these category headings and images were added", "tips in the sidebar. Each of these might fall under a particular category", "particular category and have a specific heading such as \"Note:\" or \"Warning:\" as", "the paragraph it is related to if the paragraph gets moved. Edit: To", "them. What are some good software options for doing this? Also, I would", "notes or tips in the sidebar. Each of these might fall under a", "looking for some software, preferably free, that will allow me to put a", "moved. Edit: To clarify, I would prefer if these category headings and images", "under a particular category and have a specific heading such as \"Note:\" or", "such as \"Note:\" or \"Warning:\" as well as a related graphic to go", "paragraph gets moved. Edit: To clarify, I would prefer if these category headings", "the side note to move with the paragraph it is related to if", "a specific heading such as \"Note:\" or \"Warning:\" as well as a related", "gets moved. Edit: To clarify, I would prefer if these category headings and", "in the sidebar. Each of these might fall under a particular category and", "preference would be software that works on Linux, Windows, and optionally Mac and", "a technical reference book and am looking for some software, preferably free, that", "good software options for doing this? Also, I would need the side note", "if the paragraph gets moved. Edit: To clarify, I would prefer if these", "related graphic to go with them. What are some good software options for", "\"Warning:\" as well as a related graphic to go with them. What are", "preferably free, that will allow me to put a short sentence or two", "it is related to if the paragraph gets moved. Edit: To clarify, I", "options for doing this? Also, I would need the side note to move", "go with them. What are some good software options for doing this? Also,", "small notes or tips in the sidebar. Each of these might fall under", "fall under a particular category and have a specific heading such as \"Note:\"", "to move with the paragraph it is related to if the paragraph gets", "these might fall under a particular category and have a specific heading such", "would be software that works on Linux, Windows, and optionally Mac and can", "writing a technical reference book and am looking for some software, preferably free,", "the sidebar. Each of these might fall under a particular category and have", "side note to move with the paragraph it is related to if the", "that will allow me to put a short sentence or two of small", "if I were to specify the the category. My preference would be software", "sentence or two of small notes or tips in the sidebar. Each of", "with them. What are some good software options for doing this? Also, I", "some good software options for doing this? Also, I would need the side", "Edit: To clarify, I would prefer if these category headings and images were", "My preference would be software that works on Linux, Windows, and optionally Mac", "short sentence or two of small notes or tips in the sidebar. Each", "of these might fall under a particular category and have a specific heading", "category and have a specific heading such as \"Note:\" or \"Warning:\" as well", "What are some good software options for doing this? Also, I would need", "with the paragraph it is related to if the paragraph gets moved. Edit:", "or tips in the sidebar. Each of these might fall under a particular", "might fall under a particular category and have a specific heading such as", "if these category headings and images were added automatically if I were to", "and have a specific heading such as \"Note:\" or \"Warning:\" as well as", "related to if the paragraph gets moved. Edit: To clarify, I would prefer", "to specify the the category. My preference would be software that works on", "Also, I would need the side note to move with the paragraph it", "free, that will allow me to put a short sentence or two of", "and am looking for some software, preferably free, that will allow me to", "\"Note:\" or \"Warning:\" as well as a related graphic to go with them.", "put a short sentence or two of small notes or tips in the", "reference book and am looking for some software, preferably free, that will allow", "were added automatically if I were to specify the the category. My preference", "I am writing a technical reference book and am looking for some software,", "as a related graphic to go with them. What are some good software", "technical reference book and am looking for some software, preferably free, that will", "well as a related graphic to go with them. What are some good", "to put a short sentence or two of small notes or tips in", "software options for doing this? Also, I would need the side note to", "for some software, preferably free, that will allow me to put a short", "as well as a related graphic to go with them. What are some", "paragraph it is related to if the paragraph gets moved. Edit: To clarify,", "of small notes or tips in the sidebar. Each of these might fall", "automatically if I were to specify the the category. My preference would be", "would need the side note to move with the paragraph it is related", "am looking for some software, preferably free, that will allow me to put", "two of small notes or tips in the sidebar. Each of these might", "some software, preferably free, that will allow me to put a short sentence", "or two of small notes or tips in the sidebar. Each of these", "would prefer if these category headings and images were added automatically if I", "need the side note to move with the paragraph it is related to", "allow me to put a short sentence or two of small notes or", "sidebar. Each of these might fall under a particular category and have a", "that works on Linux, Windows, and optionally Mac and can output to PDF.", "are some good software options for doing this? Also, I would need the", "category. My preference would be software that works on Linux, Windows, and optionally", "a particular category and have a specific heading such as \"Note:\" or \"Warning:\"", "move with the paragraph it is related to if the paragraph gets moved.", "doing this? Also, I would need the side note to move with the", "software, preferably free, that will allow me to put a short sentence or", "the paragraph gets moved. Edit: To clarify, I would prefer if these category", "clarify, I would prefer if these category headings and images were added automatically", "these category headings and images were added automatically if I were to specify", "I were to specify the the category. My preference would be software that", "a related graphic to go with them. What are some good software options", "for doing this? Also, I would need the side note to move with", "will allow me to put a short sentence or two of small notes", "the category. My preference would be software that works on Linux, Windows, and", "prefer if these category headings and images were added automatically if I were", "headings and images were added automatically if I were to specify the the", "a short sentence or two of small notes or tips in the sidebar.", "specific heading such as \"Note:\" or \"Warning:\" as well as a related graphic", "category headings and images were added automatically if I were to specify the", "am writing a technical reference book and am looking for some software, preferably", "were to specify the the category. My preference would be software that works", "as \"Note:\" or \"Warning:\" as well as a related graphic to go with", "be software that works on Linux, Windows, and optionally Mac and can output", "this? Also, I would need the side note to move with the paragraph", "specify the the category. My preference would be software that works on Linux,", "I would need the side note to move with the paragraph it is", "book and am looking for some software, preferably free, that will allow me", "I would prefer if these category headings and images were added automatically if", "software that works on Linux, Windows, and optionally Mac and can output to", "or \"Warning:\" as well as a related graphic to go with them. What" ]
[ "could help beginners find out what they like the most.\" I'm having a", "the most.\" I'm having a hard time trying to discern where to place", "great form to use because it combines both spiritual and physical attributes which", "\"Hatha yoga is also a great form to use because it combines both", "combines both spiritual and physical attributes which could help beginners find out what", "or if I even should. I was thinking of placing it after attributes,", "a great form to use because it combines both spiritual and physical attributes", "form to use because it combines both spiritual and physical attributes which could", "even should. I was thinking of placing it after attributes, but that doesn't", "was thinking of placing it after attributes, but that doesn't make the sentence", "I even should. I was thinking of placing it after attributes, but that", "and physical attributes which could help beginners find out what they like the", "yoga is also a great form to use because it combines both spiritual", "like the most.\" I'm having a hard time trying to discern where to", "trying to discern where to place a comma here or if I even", "which could help beginners find out what they like the most.\" I'm having", "to place a comma here or if I even should. I was thinking", "attributes which could help beginners find out what they like the most.\" I'm", "if I even should. I was thinking of placing it after attributes, but", "comma here or if I even should. I was thinking of placing it", "to use because it combines both spiritual and physical attributes which could help", "after attributes, but that doesn't make the sentence feel right to me. Any", "because it combines both spiritual and physical attributes which could help beginners find", "hard time trying to discern where to place a comma here or if", "out what they like the most.\" I'm having a hard time trying to", "time trying to discern where to place a comma here or if I", "what they like the most.\" I'm having a hard time trying to discern", "should. I was thinking of placing it after attributes, but that doesn't make", "they like the most.\" I'm having a hard time trying to discern where", "find out what they like the most.\" I'm having a hard time trying", "place a comma here or if I even should. I was thinking of", "use because it combines both spiritual and physical attributes which could help beginners", "beginners find out what they like the most.\" I'm having a hard time", "is also a great form to use because it combines both spiritual and", "most.\" I'm having a hard time trying to discern where to place a", "help beginners find out what they like the most.\" I'm having a hard", "having a hard time trying to discern where to place a comma here", "a comma here or if I even should. I was thinking of placing", "placing it after attributes, but that doesn't make the sentence feel right to", "it after attributes, but that doesn't make the sentence feel right to me.", "spiritual and physical attributes which could help beginners find out what they like", "attributes, but that doesn't make the sentence feel right to me. Any advice?", "also a great form to use because it combines both spiritual and physical", "I was thinking of placing it after attributes, but that doesn't make the", "physical attributes which could help beginners find out what they like the most.\"", "I'm having a hard time trying to discern where to place a comma", "thinking of placing it after attributes, but that doesn't make the sentence feel", "a hard time trying to discern where to place a comma here or", "both spiritual and physical attributes which could help beginners find out what they", "discern where to place a comma here or if I even should. I", "it combines both spiritual and physical attributes which could help beginners find out", "here or if I even should. I was thinking of placing it after", "to discern where to place a comma here or if I even should.", "of placing it after attributes, but that doesn't make the sentence feel right", "where to place a comma here or if I even should. I was" ]
[ "was in Mortal Kombat. If I am not using traits from either of", "I decided to type some of the names into Google. I found that", "name of one my characters (Trenm Kboeni) was used in an episode of", "my characters (Trenm Kboeni) was used in an episode of The Simpsons. I", "Simpsons. I also found that a faction (The Brotherhood of the Shadows) was", "found that a faction (The Brotherhood of the Shadows) was in Mortal Kombat.", "am not using traits from either of them, would I be able to", "an episode of The Simpsons. I also found that a faction (The Brotherhood", "names into Google. I found that the name of one my characters (Trenm", "to type some of the names into Google. I found that the name", "using traits from either of them, would I be able to have them", "was used in an episode of The Simpsons. I also found that a", "in Mortal Kombat. If I am not using traits from either of them,", "Kboeni) was used in an episode of The Simpsons. I also found that", "characters (Trenm Kboeni) was used in an episode of The Simpsons. I also", "used in an episode of The Simpsons. I also found that a faction", "(Trenm Kboeni) was used in an episode of The Simpsons. I also found", "of The Simpsons. I also found that a faction (The Brotherhood of the", "writing my series, I decided to type some of the names into Google.", "either of them, would I be able to have them in my books", "an issue? I did not know about these until I looked them up.", "some of the names into Google. I found that the name of one", "one my characters (Trenm Kboeni) was used in an episode of The Simpsons.", "After I began writing my series, I decided to type some of the", "Google. I found that the name of one my characters (Trenm Kboeni) was", "of the names into Google. I found that the name of one my", "If I am not using traits from either of them, would I be", "from either of them, would I be able to have them in my", "The Simpsons. I also found that a faction (The Brotherhood of the Shadows)", "able to have them in my books without an issue? I did not", "them in my books without an issue? I did not know about these", "books without an issue? I did not know about these until I looked", "in my books without an issue? I did not know about these until", "episode of The Simpsons. I also found that a faction (The Brotherhood of", "faction (The Brotherhood of the Shadows) was in Mortal Kombat. If I am", "I began writing my series, I decided to type some of the names", "a faction (The Brotherhood of the Shadows) was in Mortal Kombat. If I", "the Shadows) was in Mortal Kombat. If I am not using traits from", "I found that the name of one my characters (Trenm Kboeni) was used", "be able to have them in my books without an issue? I did", "Shadows) was in Mortal Kombat. If I am not using traits from either", "Brotherhood of the Shadows) was in Mortal Kombat. If I am not using", "have them in my books without an issue? I did not know about", "not using traits from either of them, would I be able to have", "into Google. I found that the name of one my characters (Trenm Kboeni)", "Kombat. If I am not using traits from either of them, would I", "I be able to have them in my books without an issue? I", "decided to type some of the names into Google. I found that the", "(The Brotherhood of the Shadows) was in Mortal Kombat. If I am not", "found that the name of one my characters (Trenm Kboeni) was used in", "my books without an issue? I did not know about these until I", "series, I decided to type some of the names into Google. I found", "without an issue? I did not know about these until I looked them", "that the name of one my characters (Trenm Kboeni) was used in an", "I am not using traits from either of them, would I be able", "would I be able to have them in my books without an issue?", "also found that a faction (The Brotherhood of the Shadows) was in Mortal", "to have them in my books without an issue? I did not know", "the names into Google. I found that the name of one my characters", "type some of the names into Google. I found that the name of", "of one my characters (Trenm Kboeni) was used in an episode of The", "in an episode of The Simpsons. I also found that a faction (The", "the name of one my characters (Trenm Kboeni) was used in an episode", "I also found that a faction (The Brotherhood of the Shadows) was in", "Mortal Kombat. If I am not using traits from either of them, would", "my series, I decided to type some of the names into Google. I", "traits from either of them, would I be able to have them in", "of the Shadows) was in Mortal Kombat. If I am not using traits", "of them, would I be able to have them in my books without", "them, would I be able to have them in my books without an", "that a faction (The Brotherhood of the Shadows) was in Mortal Kombat. If", "began writing my series, I decided to type some of the names into" ]
[ "her story is also to receive one-third of the profits, and we have", "a written agreement to that effect. Seems simple, but if things get complicated", "the book carries my name and year of first printing (via Amazon's Createspace", "now, and I would like to keep it that way. Paula Kirby, Author", "also to receive one-third of the profits, and we have a written agreement", "as the writer. The narrator who asked me to write her story is", "first printing (via Amazon's Createspace using their free ISBN.) Am I the sole/primary", "the road, could the copyright situation potentially create a legal tug-of-war with my", "agreement to that effect. Seems simple, but if things get complicated down the", "free ISBN.) Am I the sole/primary owner of this work? No monies were", "partners? We're all close friends now, and I would like to keep it", "my name and year of first printing (via Amazon's Createspace using their free", "owner of this work? No monies were paid up front to the illustrator", "is also to receive one-third of the profits, and we have a written", "one-third of the profits, and we have a written agreement to that effect.", "and we have a written agreement to that effect. Seems simple, but if", "tug-of-war with my partners? We're all close friends now, and I would like", "and year of first printing (via Amazon's Createspace using their free ISBN.) Am", "to me as the writer. The narrator who asked me to write her", "asked me to write her story is also to receive one-third of the", "but if things get complicated down the road, could the copyright situation potentially", "close friends now, and I would like to keep it that way. Paula", "illustrator to share royalties from our book equally. However, as the author, the", "However, as the author, the copyright to the book carries my name and", "as the author, the copyright to the book carries my name and year", "to that effect. Seems simple, but if things get complicated down the road,", "year of first printing (via Amazon's Createspace using their free ISBN.) Am I", "have a written agreement to that effect. Seems simple, but if things get", "three way partnership with narrator and illustrator to share royalties from our book", "book carries my name and year of first printing (via Amazon's Createspace using", "their free ISBN.) Am I the sole/primary owner of this work? No monies", "complicated down the road, could the copyright situation potentially create a legal tug-of-war", "share royalties from our book equally. However, as the author, the copyright to", "me as the writer. The narrator who asked me to write her story", "monies were paid up front to the illustrator nor to me as the", "receive one-third of the profits, and we have a written agreement to that", "Seems simple, but if things get complicated down the road, could the copyright", "were paid up front to the illustrator nor to me as the writer.", "carries my name and year of first printing (via Amazon's Createspace using their", "up front to the illustrator nor to me as the writer. The narrator", "author, the copyright to the book carries my name and year of first", "the profits, and we have a written agreement to that effect. Seems simple,", "partnership with narrator and illustrator to share royalties from our book equally. However,", "write her story is also to receive one-third of the profits, and we", "I the sole/primary owner of this work? No monies were paid up front", "printing (via Amazon's Createspace using their free ISBN.) Am I the sole/primary owner", "me to write her story is also to receive one-third of the profits,", "potentially create a legal tug-of-war with my partners? We're all close friends now,", "simple, but if things get complicated down the road, could the copyright situation", "book equally. However, as the author, the copyright to the book carries my", "equally. However, as the author, the copyright to the book carries my name", "to receive one-third of the profits, and we have a written agreement to", "am involved in a three way partnership with narrator and illustrator to share", "the sole/primary owner of this work? No monies were paid up front to", "The narrator who asked me to write her story is also to receive", "that effect. Seems simple, but if things get complicated down the road, could", "in a three way partnership with narrator and illustrator to share royalties from", "friends now, and I would like to keep it that way. Paula Kirby,", "with my partners? We're all close friends now, and I would like to", "my partners? We're all close friends now, and I would like to keep", "copyright to the book carries my name and year of first printing (via", "legal tug-of-war with my partners? We're all close friends now, and I would", "name and year of first printing (via Amazon's Createspace using their free ISBN.)", "front to the illustrator nor to me as the writer. The narrator who", "create a legal tug-of-war with my partners? We're all close friends now, and", "to the book carries my name and year of first printing (via Amazon's", "No monies were paid up front to the illustrator nor to me as", "sole/primary owner of this work? No monies were paid up front to the", "Amazon's Createspace using their free ISBN.) Am I the sole/primary owner of this", "road, could the copyright situation potentially create a legal tug-of-war with my partners?", "copyright situation potentially create a legal tug-of-war with my partners? We're all close", "if things get complicated down the road, could the copyright situation potentially create", "and illustrator to share royalties from our book equally. However, as the author,", "nor to me as the writer. The narrator who asked me to write", "narrator and illustrator to share royalties from our book equally. However, as the", "a three way partnership with narrator and illustrator to share royalties from our", "down the road, could the copyright situation potentially create a legal tug-of-war with", "work? No monies were paid up front to the illustrator nor to me", "things get complicated down the road, could the copyright situation potentially create a", "a legal tug-of-war with my partners? We're all close friends now, and I", "like to keep it that way. Paula Kirby, Author (THE LIGHT ON THE", "this work? No monies were paid up front to the illustrator nor to", "royalties from our book equally. However, as the author, the copyright to the", "of this work? No monies were paid up front to the illustrator nor", "paid up front to the illustrator nor to me as the writer. The", "of first printing (via Amazon's Createspace using their free ISBN.) Am I the", "profits, and we have a written agreement to that effect. Seems simple, but", "way partnership with narrator and illustrator to share royalties from our book equally.", "with narrator and illustrator to share royalties from our book equally. However, as", "who asked me to write her story is also to receive one-third of", "ISBN.) Am I the sole/primary owner of this work? No monies were paid", "involved in a three way partnership with narrator and illustrator to share royalties", "the copyright situation potentially create a legal tug-of-war with my partners? We're all", "I am involved in a three way partnership with narrator and illustrator to", "would like to keep it that way. Paula Kirby, Author (THE LIGHT ON", "the author, the copyright to the book carries my name and year of", "the writer. The narrator who asked me to write her story is also", "all close friends now, and I would like to keep it that way.", "to keep it that way. Paula Kirby, Author (THE LIGHT ON THE STAIRS)", "(via Amazon's Createspace using their free ISBN.) Am I the sole/primary owner of", "Createspace using their free ISBN.) Am I the sole/primary owner of this work?", "using their free ISBN.) Am I the sole/primary owner of this work? No", "our book equally. However, as the author, the copyright to the book carries", "narrator who asked me to write her story is also to receive one-third", "get complicated down the road, could the copyright situation potentially create a legal", "and I would like to keep it that way. Paula Kirby, Author (THE", "effect. Seems simple, but if things get complicated down the road, could the", "story is also to receive one-third of the profits, and we have a", "to write her story is also to receive one-third of the profits, and", "to share royalties from our book equally. However, as the author, the copyright", "Am I the sole/primary owner of this work? No monies were paid up", "the copyright to the book carries my name and year of first printing", "situation potentially create a legal tug-of-war with my partners? We're all close friends", "written agreement to that effect. Seems simple, but if things get complicated down", "from our book equally. However, as the author, the copyright to the book", "writer. The narrator who asked me to write her story is also to", "of the profits, and we have a written agreement to that effect. Seems", "We're all close friends now, and I would like to keep it that", "I would like to keep it that way. Paula Kirby, Author (THE LIGHT", "could the copyright situation potentially create a legal tug-of-war with my partners? We're", "illustrator nor to me as the writer. The narrator who asked me to", "we have a written agreement to that effect. Seems simple, but if things", "to the illustrator nor to me as the writer. The narrator who asked", "the illustrator nor to me as the writer. The narrator who asked me" ]
[ "I really want is not only a great outlining software, but the ability", "want is not only a great outlining software, but the ability to almost", "the outline itself. What I really want is not only a great outlining", "of years now, and enough is developed to commit it to paper. But,", "of the story details, and assign page amount guesses to each topic. I", "theme, etc.). I want to be able to collapse or hide all topics", "couple of years now, and enough is developed to commit it to paper.", "way I can see how a plot point, character development, or theme develops", "to be able to collapse or hide all topics but the one I'm", "If I know exactly what I'm writing about, my word economy will be", "items pertaining to a specific character, an interwoven theme, etc.). I want to", "an outline to draft most of the story details, and assign page amount", "it all before I put pen to paper so to speak. If I", "a great outlining software, but the ability to almost color code or tag", "the one I'm looking at. This way I can see how a plot", "at. This way I can see how a plot point, character development, or", "what I'm writing about, my word economy will be much more focused. Does", "to a specific character, an interwoven theme, etc.). I want to be able", "I give a topic. My solution is to use an outline to draft", "topic. My solution is to use an outline to draft most of the", "correlates to how much detail I give a topic. My solution is to", "know of a software that can do this (separate topics within an outline),", "outlining program (M. Word might be fine, but I'm not super familiar with", "details, and assign page amount guesses to each topic. I can decide how", "how a plot point, character development, or theme develops across the narrative. This", "hide all topics but the one I'm looking at. This way I can", "is economy of language. My energy level correlates to how much detail I", "looking at. This way I can see how a plot point, character development,", "been hacking at a story idea for a couple of years now, and", "outline to draft most of the story details, and assign page amount guesses", "word processing tools and outlines specifically. I've been hacking at a story idea", "theme develops across the narrative. This will let me judge how much attention", "but the ability to almost color code or tag topics (i.e.: items pertaining", "to almost color code or tag topics (i.e.: items pertaining to a specific", "a plot point, character development, or theme develops across the narrative. This will", "and assign page amount guesses to each topic. I can decide how much", "detail I give a topic. My solution is to use an outline to", "I've been hacking at a story idea for a couple of years now,", "or hide all topics but the one I'm looking at. This way I", "topic. I can decide how much \"language\" to devote to a topic in", "\"language\" to devote to a topic in the outline itself. What I really", "use an outline to draft most of the story details, and assign page", "of a software that can do this (separate topics within an outline), or", "guesses to each topic. I can decide how much \"language\" to devote to", "I'm writing about, my word economy will be much more focused. Does anyone", "can decide how much \"language\" to devote to a topic in the outline", "and enough is developed to commit it to paper. But, as an inexperienced", "is developed to commit it to paper. But, as an inexperienced writer one", "I can see how a plot point, character development, or theme develops across", "outlining software, but the ability to almost color code or tag topics (i.e.:", "want to be able to collapse or hide all topics but the one", "judge how much attention is given to different things and how to balance", "can do this (separate topics within an outline), or otherwise recommend a good", "This way I can see how a plot point, character development, or theme", "is not only a great outlining software, but the ability to almost color", "color code or tag topics (i.e.: items pertaining to a specific character, an", "economy will be much more focused. Does anyone know of a software that", "balance it all before I put pen to paper so to speak. If", "is given to different things and how to balance it all before I", "software, but the ability to almost color code or tag topics (i.e.: items", "most of the story details, and assign page amount guesses to each topic.", "energy level correlates to how much detail I give a topic. My solution", "to commit it to paper. But, as an inexperienced writer one problem I", "a couple of years now, and enough is developed to commit it to", "develops across the narrative. This will let me judge how much attention is", "story idea for a couple of years now, and enough is developed to", "an outline), or otherwise recommend a good outlining program (M. Word might be", "the ability to almost color code or tag topics (i.e.: items pertaining to", "to a topic in the outline itself. What I really want is not", "language. My energy level correlates to how much detail I give a topic.", "paper. But, as an inexperienced writer one problem I have is economy of", "how much detail I give a topic. My solution is to use an", "code or tag topics (i.e.: items pertaining to a specific character, an interwoven", "Word might be fine, but I'm not super familiar with its outlining tools,", "will let me judge how much attention is given to different things and", "that can do this (separate topics within an outline), or otherwise recommend a", "Does anyone know of a software that can do this (separate topics within", "amount guesses to each topic. I can decide how much \"language\" to devote", "draft most of the story details, and assign page amount guesses to each", "writer one problem I have is economy of language. My energy level correlates", "paper so to speak. If I know exactly what I'm writing about, my", "solution is to use an outline to draft most of the story details,", "can see how a plot point, character development, or theme develops across the", "much \"language\" to devote to a topic in the outline itself. What I", "see how a plot point, character development, or theme develops across the narrative.", "decide how much \"language\" to devote to a topic in the outline itself.", "I know exactly what I'm writing about, my word economy will be much", "to balance it all before I put pen to paper so to speak.", "What I really want is not only a great outlining software, but the", "etc.). I want to be able to collapse or hide all topics but", "give a topic. My solution is to use an outline to draft most", "or tag topics (i.e.: items pertaining to a specific character, an interwoven theme,", "speak. If I know exactly what I'm writing about, my word economy will", "or theme develops across the narrative. This will let me judge how much", "This will let me judge how much attention is given to different things", "things and how to balance it all before I put pen to paper", "focused. Does anyone know of a software that can do this (separate topics", "or otherwise recommend a good outlining program (M. Word might be fine, but", "recommend a good outlining program (M. Word might be fine, but I'm not", "much detail I give a topic. My solution is to use an outline", "to paper. But, as an inexperienced writer one problem I have is economy", "a topic. My solution is to use an outline to draft most of", "to each topic. I can decide how much \"language\" to devote to a", "it to paper. But, as an inexperienced writer one problem I have is", "developed to commit it to paper. But, as an inexperienced writer one problem", "different things and how to balance it all before I put pen to", "pen to paper so to speak. If I know exactly what I'm writing", "idea for a couple of years now, and enough is developed to commit", "be fine, but I'm not super familiar with its outlining tools, I also", "in the outline itself. What I really want is not only a great", "outlines specifically. I've been hacking at a story idea for a couple of", "how to balance it all before I put pen to paper so to", "itself. What I really want is not only a great outlining software, but", "fine, but I'm not super familiar with its outlining tools, I also have", "is about word processing tools and outlines specifically. I've been hacking at a", "character development, or theme develops across the narrative. This will let me judge", "processing tools and outlines specifically. I've been hacking at a story idea for", "more focused. Does anyone know of a software that can do this (separate", "question is about word processing tools and outlines specifically. I've been hacking at", "But, as an inexperienced writer one problem I have is economy of language.", "problem I have is economy of language. My energy level correlates to how", "(i.e.: items pertaining to a specific character, an interwoven theme, etc.). I want", "let me judge how much attention is given to different things and how", "to different things and how to balance it all before I put pen", "program (M. Word might be fine, but I'm not super familiar with its", "good outlining program (M. Word might be fine, but I'm not super familiar", "to use an outline to draft most of the story details, and assign", "outline), or otherwise recommend a good outlining program (M. Word might be fine,", "at a story idea for a couple of years now, and enough is", "to collapse or hide all topics but the one I'm looking at. This", "level correlates to how much detail I give a topic. My solution is", "how much \"language\" to devote to a topic in the outline itself. What", "topic in the outline itself. What I really want is not only a", "otherwise recommend a good outlining program (M. Word might be fine, but I'm", "the narrative. This will let me judge how much attention is given to", "inexperienced writer one problem I have is economy of language. My energy level", "the story details, and assign page amount guesses to each topic. I can", "a story idea for a couple of years now, and enough is developed", "to draft most of the story details, and assign page amount guesses to", "a specific character, an interwoven theme, etc.). I want to be able to", "enough is developed to commit it to paper. But, as an inexperienced writer", "word economy will be much more focused. Does anyone know of a software", "an inexperienced writer one problem I have is economy of language. My energy", "a good outlining program (M. Word might be fine, but I'm not super", "narrative. This will let me judge how much attention is given to different", "plot point, character development, or theme develops across the narrative. This will let", "all topics but the one I'm looking at. This way I can see", "much attention is given to different things and how to balance it all", "all before I put pen to paper so to speak. If I know", "one I'm looking at. This way I can see how a plot point,", "not only a great outlining software, but the ability to almost color code", "to how much detail I give a topic. My solution is to use", "and outlines specifically. I've been hacking at a story idea for a couple", "software that can do this (separate topics within an outline), or otherwise recommend", "might be fine, but I'm not super familiar with its outlining tools, I", "My solution is to use an outline to draft most of the story", "one problem I have is economy of language. My energy level correlates to", "exactly what I'm writing about, my word economy will be much more focused.", "be able to collapse or hide all topics but the one I'm looking", "commit it to paper. But, as an inexperienced writer one problem I have", "this (separate topics within an outline), or otherwise recommend a good outlining program", "attention is given to different things and how to balance it all before", "know exactly what I'm writing about, my word economy will be much more", "story details, and assign page amount guesses to each topic. I can decide", "assign page amount guesses to each topic. I can decide how much \"language\"", "development, or theme develops across the narrative. This will let me judge how", "My question is about word processing tools and outlines specifically. I've been hacking", "specific character, an interwoven theme, etc.). I want to be able to collapse", "me judge how much attention is given to different things and how to", "so to speak. If I know exactly what I'm writing about, my word", "(separate topics within an outline), or otherwise recommend a good outlining program (M.", "I put pen to paper so to speak. If I know exactly what", "only a great outlining software, but the ability to almost color code or", "across the narrative. This will let me judge how much attention is given", "as an inexperienced writer one problem I have is economy of language. My", "I want to be able to collapse or hide all topics but the", "ability to almost color code or tag topics (i.e.: items pertaining to a", "writing about, my word economy will be much more focused. Does anyone know", "I can decide how much \"language\" to devote to a topic in the", "interwoven theme, etc.). I want to be able to collapse or hide all", "will be much more focused. Does anyone know of a software that can", "outline itself. What I really want is not only a great outlining software,", "how much attention is given to different things and how to balance it", "great outlining software, but the ability to almost color code or tag topics", "an interwoven theme, etc.). I want to be able to collapse or hide", "to speak. If I know exactly what I'm writing about, my word economy", "almost color code or tag topics (i.e.: items pertaining to a specific character,", "tools and outlines specifically. I've been hacking at a story idea for a", "point, character development, or theme develops across the narrative. This will let me", "able to collapse or hide all topics but the one I'm looking at.", "to paper so to speak. If I know exactly what I'm writing about,", "I have is economy of language. My energy level correlates to how much", "a software that can do this (separate topics within an outline), or otherwise", "put pen to paper so to speak. If I know exactly what I'm", "years now, and enough is developed to commit it to paper. But, as", "page amount guesses to each topic. I can decide how much \"language\" to", "for a couple of years now, and enough is developed to commit it", "topics (i.e.: items pertaining to a specific character, an interwoven theme, etc.). I", "and how to balance it all before I put pen to paper so", "about, my word economy will be much more focused. Does anyone know of", "really want is not only a great outlining software, but the ability to", "have is economy of language. My energy level correlates to how much detail", "My energy level correlates to how much detail I give a topic. My", "each topic. I can decide how much \"language\" to devote to a topic", "of language. My energy level correlates to how much detail I give a", "collapse or hide all topics but the one I'm looking at. This way", "but the one I'm looking at. This way I can see how a", "do this (separate topics within an outline), or otherwise recommend a good outlining", "pertaining to a specific character, an interwoven theme, etc.). I want to be", "(M. Word might be fine, but I'm not super familiar with its outlining", "a topic in the outline itself. What I really want is not only", "I'm looking at. This way I can see how a plot point, character", "my word economy will be much more focused. Does anyone know of a", "economy of language. My energy level correlates to how much detail I give", "now, and enough is developed to commit it to paper. But, as an", "anyone know of a software that can do this (separate topics within an", "character, an interwoven theme, etc.). I want to be able to collapse or", "devote to a topic in the outline itself. What I really want is", "to devote to a topic in the outline itself. What I really want", "before I put pen to paper so to speak. If I know exactly", "topics but the one I'm looking at. This way I can see how", "given to different things and how to balance it all before I put", "be much more focused. Does anyone know of a software that can do", "tag topics (i.e.: items pertaining to a specific character, an interwoven theme, etc.).", "within an outline), or otherwise recommend a good outlining program (M. Word might", "topics within an outline), or otherwise recommend a good outlining program (M. Word", "about word processing tools and outlines specifically. I've been hacking at a story", "specifically. I've been hacking at a story idea for a couple of years", "much more focused. Does anyone know of a software that can do this", "is to use an outline to draft most of the story details, and", "but I'm not super familiar with its outlining tools, I also have OneNote).", "hacking at a story idea for a couple of years now, and enough" ]
[ "scene turns out to be depressing because of it. Readers will be overwhelmed.", "I'm writing a war story, and it's dark. However, I find that every", "there ways I can induce hope/shine the light in the darkness in my", "I find that every scene turns out to be depressing because of it.", "Readers will be overwhelmed. Are there ways I can induce hope/shine the light", "every scene turns out to be depressing because of it. Readers will be", "to be depressing because of it. Readers will be overwhelmed. Are there ways", "find that every scene turns out to be depressing because of it. Readers", "war story, and it's dark. However, I find that every scene turns out", "out to be depressing because of it. Readers will be overwhelmed. Are there", "ways I can induce hope/shine the light in the darkness in my novel?", "that every scene turns out to be depressing because of it. Readers will", "turns out to be depressing because of it. Readers will be overwhelmed. Are", "it's dark. However, I find that every scene turns out to be depressing", "it. Readers will be overwhelmed. Are there ways I can induce hope/shine the", "However, I find that every scene turns out to be depressing because of", "Are there ways I can induce hope/shine the light in the darkness in", "because of it. Readers will be overwhelmed. Are there ways I can induce", "story, and it's dark. However, I find that every scene turns out to", "a war story, and it's dark. However, I find that every scene turns", "dark. However, I find that every scene turns out to be depressing because", "be overwhelmed. Are there ways I can induce hope/shine the light in the", "writing a war story, and it's dark. However, I find that every scene", "be depressing because of it. Readers will be overwhelmed. Are there ways I", "overwhelmed. Are there ways I can induce hope/shine the light in the darkness", "and it's dark. However, I find that every scene turns out to be", "depressing because of it. Readers will be overwhelmed. Are there ways I can", "will be overwhelmed. Are there ways I can induce hope/shine the light in", "of it. Readers will be overwhelmed. Are there ways I can induce hope/shine" ]
[ "but I found it difficult to decide how. How in depth should it", "of the book, as it lasts for a good deal of the novel.", "fighters, and is a defining part of the book, as it lasts for", "there is a large scale battle involving several factions, tens of thousands of", "tens of thousands of fighters, and is a defining part of the book,", "as it lasts for a good deal of the novel. As I wrote", "as simply stating that many fighters died, or describing in depth the specific", "my novel, there is a large scale battle involving several factions, tens of", "difficult to decide how. How in depth should it be described (General descriptions", "depth the specific experiences of the fighters and leaders)? Is there anything specific", "book, as it lasts for a good deal of the novel. As I", "novel, there is a large scale battle involving several factions, tens of thousands", "that many fighters died, or describing in depth the specific experiences of the", "clear picture for readers, but I found it difficult to decide how. How", "could bore readers? If this question is to broad, I will edit it.", "many fighters died, or describing in depth the specific experiences of the fighters", "in depth should it be described (General descriptions such as simply stating that", "lasts for a good deal of the novel. As I wrote it, I", "in depth the specific experiences of the fighters and leaders)? Is there anything", "is a large scale battle involving several factions, tens of thousands of fighters,", "a good deal of the novel. As I wrote it, I tried to", "be avoided that could bore readers? If this question is to broad, I", "there anything specific that should be avoided that could bore readers? If this", "decide how. How in depth should it be described (General descriptions such as", "specific that should be avoided that could bore readers? If this question is", "scale battle involving several factions, tens of thousands of fighters, and is a", "I tried to paint a clear picture for readers, but I found it", "it be described (General descriptions such as simply stating that many fighters died,", "defining part of the book, as it lasts for a good deal of", "descriptions such as simply stating that many fighters died, or describing in depth", "leaders)? Is there anything specific that should be avoided that could bore readers?", "of the fighters and leaders)? Is there anything specific that should be avoided", "to paint a clear picture for readers, but I found it difficult to", "Is there anything specific that should be avoided that could bore readers? If", "to decide how. How in depth should it be described (General descriptions such", "tried to paint a clear picture for readers, but I found it difficult", "In my novel, there is a large scale battle involving several factions, tens", "or describing in depth the specific experiences of the fighters and leaders)? Is", "involving several factions, tens of thousands of fighters, and is a defining part", "fighters and leaders)? Is there anything specific that should be avoided that could", "for a good deal of the novel. As I wrote it, I tried", "depth should it be described (General descriptions such as simply stating that many", "thousands of fighters, and is a defining part of the book, as it", "be described (General descriptions such as simply stating that many fighters died, or", "describing in depth the specific experiences of the fighters and leaders)? Is there", "anything specific that should be avoided that could bore readers? If this question", "simply stating that many fighters died, or describing in depth the specific experiences", "of fighters, and is a defining part of the book, as it lasts", "I wrote it, I tried to paint a clear picture for readers, but", "picture for readers, but I found it difficult to decide how. How in", "died, or describing in depth the specific experiences of the fighters and leaders)?", "such as simply stating that many fighters died, or describing in depth the", "for readers, but I found it difficult to decide how. How in depth", "How in depth should it be described (General descriptions such as simply stating", "of thousands of fighters, and is a defining part of the book, as", "I found it difficult to decide how. How in depth should it be", "part of the book, as it lasts for a good deal of the", "the fighters and leaders)? Is there anything specific that should be avoided that", "paint a clear picture for readers, but I found it difficult to decide", "and leaders)? Is there anything specific that should be avoided that could bore", "avoided that could bore readers? If this question is to broad, I will", "a large scale battle involving several factions, tens of thousands of fighters, and", "the novel. As I wrote it, I tried to paint a clear picture", "it difficult to decide how. How in depth should it be described (General", "is a defining part of the book, as it lasts for a good", "described (General descriptions such as simply stating that many fighters died, or describing", "the specific experiences of the fighters and leaders)? Is there anything specific that", "the book, as it lasts for a good deal of the novel. As", "fighters died, or describing in depth the specific experiences of the fighters and", "found it difficult to decide how. How in depth should it be described", "a clear picture for readers, but I found it difficult to decide how.", "deal of the novel. As I wrote it, I tried to paint a", "good deal of the novel. As I wrote it, I tried to paint", "As I wrote it, I tried to paint a clear picture for readers,", "and is a defining part of the book, as it lasts for a", "several factions, tens of thousands of fighters, and is a defining part of", "that could bore readers? If this question is to broad, I will edit", "readers, but I found it difficult to decide how. How in depth should", "that should be avoided that could bore readers? If this question is to", "should be avoided that could bore readers? If this question is to broad,", "experiences of the fighters and leaders)? Is there anything specific that should be", "(General descriptions such as simply stating that many fighters died, or describing in", "factions, tens of thousands of fighters, and is a defining part of the", "battle involving several factions, tens of thousands of fighters, and is a defining", "should it be described (General descriptions such as simply stating that many fighters", "specific experiences of the fighters and leaders)? Is there anything specific that should", "it, I tried to paint a clear picture for readers, but I found", "stating that many fighters died, or describing in depth the specific experiences of", "wrote it, I tried to paint a clear picture for readers, but I", "novel. As I wrote it, I tried to paint a clear picture for", "it lasts for a good deal of the novel. As I wrote it,", "how. How in depth should it be described (General descriptions such as simply", "of the novel. As I wrote it, I tried to paint a clear", "a defining part of the book, as it lasts for a good deal", "large scale battle involving several factions, tens of thousands of fighters, and is" ]
[ "the street. However, after an hour of waiting it was clear that he", "in italics. What's the best way of doing that? This is what I", "I know I can just use internal dialogue in italics, but I personally", "was nowhere to be seen. Her mind > immediately flooded with panicked thoughts.", "are obviously something the POV character is thinking, as are the comments about", "italics. What's the best way of doing that? This is what I have", "I have so far: > > Hangy arrived at 3:00pm, but he was", "simply being neurotic and so took in a few deep breaths. The yoga", "than worrying. She paced around, taking in the sights of the street. However,", "certainly were better than worrying. She paced around, taking in the sights of", "silly, but they certainly were better than worrying. She paced around, taking in", "up in the traffic? She realised she was simply being neurotic and so", "am writing a third person story that focuses on a main character. Sometimes", "character is thinking, as are the comments about the yoga techniques. I thought", "had learnt might have seemed silly, but they certainly were better than worrying.", "way of approaching it? I know I can just use internal dialogue in", "they certainly were better than worrying. She paced around, taking in the sights", "techniques she had learnt might have seemed silly, but they certainly were better", "express the internal thoughts of the character, but I don't want to use", "dialogue in italics. What's the best way of doing that? This is what", "few deep breaths. The yoga techniques she had learnt might have seemed silly,", "can just use internal dialogue in italics, but I personally always find that", "the POV character is thinking, as are the comments about the yoga techniques.", "already? Was he > simply caught up in the traffic? She realised she", "a main character. Sometimes I want to express the internal thoughts of the", "deep breaths. The yoga techniques she had learnt might have seemed silly, but", "realised she was simply being neurotic and so took in a few deep", "on a main character. Sometimes I want to express the internal thoughts of", "This is what I have so far: > > Hangy arrived at 3:00pm,", "three questions are obviously something the POV character is thinking, as are the", "yoga techniques. I thought this would be clear, but I get complaints from", "that the text shifts POV. What's the best way of approaching it? I", "that he wasn't > coming. > > > The three questions are obviously", "complaints from my readers that the text shifts POV. What's the best way", "my readers that the text shifts POV. What's the best way of approaching", "seemed silly, but they certainly were better than worrying. She paced around, taking", "the yoga techniques. I thought this would be clear, but I get complaints", "> immediately flooded with panicked thoughts. Was making the request via > email", "The yoga techniques she had learnt might have seemed silly, but they certainly", "to California already? Was he > simply caught up in the traffic? She", "simply caught up in the traffic? She realised she was simply being neurotic", "worrying. She paced around, taking in the sights of the street. However, after", "seen. Her mind > immediately flooded with panicked thoughts. Was making the request", "what I have so far: > > Hangy arrived at 3:00pm, but he", "Had he gone back to California already? Was he > simply caught up", "in a few deep breaths. The yoga techniques she had learnt might have", "she was simply being neurotic and so took in a few deep breaths.", "but he was nowhere to be seen. Her mind > immediately flooded with", "Was he > simply caught up in the traffic? She realised she was", "with panicked thoughts. Was making the request via > email inappropriate? Had he", "wasn't > coming. > > > The three questions are obviously something the", "the character, but I don't want to use internal dialogue in italics. What's", "better than worrying. She paced around, taking in the sights of the street.", "thought this would be clear, but I get complaints from my readers that", "> coming. > > > The three questions are obviously something the POV", "> email inappropriate? Had he gone back to California already? Was he >", "coming. > > > The three questions are obviously something the POV character", "readers that the text shifts POV. What's the best way of approaching it?", "italics, but I personally always find that it spoils the flow of reading.", "> simply caught up in the traffic? She realised she was simply being", "> The three questions are obviously something the POV character is thinking, as", "taking in the sights of the street. However, after an hour of waiting", "the comments about the yoga techniques. I thought this would be clear, but", "> Hangy arrived at 3:00pm, but he was nowhere to be seen. Her", "far: > > Hangy arrived at 3:00pm, but he was nowhere to be", "have so far: > > Hangy arrived at 3:00pm, but he was nowhere", "in italics, but I personally always find that it spoils the flow of", "but they certainly were better than worrying. She paced around, taking in the", "internal dialogue in italics, but I personally always find that it spoils the", "yoga techniques she had learnt might have seemed silly, but they certainly were", "Sometimes I want to express the internal thoughts of the character, but I", "third person story that focuses on a main character. Sometimes I want to", "writing a third person story that focuses on a main character. Sometimes I", "the sights of the street. However, after an hour of waiting it was", "to be seen. Her mind > immediately flooded with panicked thoughts. Was making", "Was making the request via > email inappropriate? Had he gone back to", "but I get complaints from my readers that the text shifts POV. What's", "However, after an hour of waiting it was clear that he wasn't >", "techniques. I thought this would be clear, but I get complaints from my", "> > > The three questions are obviously something the POV character is", "questions are obviously something the POV character is thinking, as are the comments", "comments about the yoga techniques. I thought this would be clear, but I", "it? I know I can just use internal dialogue in italics, but I", "gone back to California already? Was he > simply caught up in the", "have seemed silly, but they certainly were better than worrying. She paced around,", "via > email inappropriate? Had he gone back to California already? Was he", "so far: > > Hangy arrived at 3:00pm, but he was nowhere to", "focuses on a main character. Sometimes I want to express the internal thoughts", "he > simply caught up in the traffic? She realised she was simply", "a third person story that focuses on a main character. Sometimes I want", "story that focuses on a main character. Sometimes I want to express the", "don't want to use internal dialogue in italics. What's the best way of", "neurotic and so took in a few deep breaths. The yoga techniques she", "breaths. The yoga techniques she had learnt might have seemed silly, but they", "character, but I don't want to use internal dialogue in italics. What's the", "of doing that? This is what I have so far: > > Hangy", "sights of the street. However, after an hour of waiting it was clear", "and so took in a few deep breaths. The yoga techniques she had", "a few deep breaths. The yoga techniques she had learnt might have seemed", "so took in a few deep breaths. The yoga techniques she had learnt", "being neurotic and so took in a few deep breaths. The yoga techniques", "was clear that he wasn't > coming. > > > The three questions", "the text shifts POV. What's the best way of approaching it? I know", "around, taking in the sights of the street. However, after an hour of", "are the comments about the yoga techniques. I thought this would be clear,", "just use internal dialogue in italics, but I personally always find that it", "to use internal dialogue in italics. What's the best way of doing that?", "She paced around, taking in the sights of the street. However, after an", "about the yoga techniques. I thought this would be clear, but I get", "nowhere to be seen. Her mind > immediately flooded with panicked thoughts. Was", "I am writing a third person story that focuses on a main character.", "making the request via > email inappropriate? Had he gone back to California", "obviously something the POV character is thinking, as are the comments about the", "What's the best way of approaching it? I know I can just use", "Hangy arrived at 3:00pm, but he was nowhere to be seen. Her mind", "thoughts of the character, but I don't want to use internal dialogue in", "paced around, taking in the sights of the street. However, after an hour", "I don't want to use internal dialogue in italics. What's the best way", "waiting it was clear that he wasn't > coming. > > > The", "caught up in the traffic? She realised she was simply being neurotic and", "The three questions are obviously something the POV character is thinking, as are", "mind > immediately flooded with panicked thoughts. Was making the request via >", "best way of approaching it? I know I can just use internal dialogue", "but I don't want to use internal dialogue in italics. What's the best", "main character. Sometimes I want to express the internal thoughts of the character,", "> > Hangy arrived at 3:00pm, but he was nowhere to be seen.", "that? This is what I have so far: > > Hangy arrived at", "is thinking, as are the comments about the yoga techniques. I thought this", "POV character is thinking, as are the comments about the yoga techniques. I", "I thought this would be clear, but I get complaints from my readers", "street. However, after an hour of waiting it was clear that he wasn't", "the request via > email inappropriate? Had he gone back to California already?", "he gone back to California already? Was he > simply caught up in", "What's the best way of doing that? This is what I have so", "an hour of waiting it was clear that he wasn't > coming. >", "be seen. Her mind > immediately flooded with panicked thoughts. Was making the", "after an hour of waiting it was clear that he wasn't > coming.", "clear, but I get complaints from my readers that the text shifts POV.", "from my readers that the text shifts POV. What's the best way of", "request via > email inappropriate? Had he gone back to California already? Was", "at 3:00pm, but he was nowhere to be seen. Her mind > immediately", "the internal thoughts of the character, but I don't want to use internal", "the best way of approaching it? I know I can just use internal", "hour of waiting it was clear that he wasn't > coming. > >", "way of doing that? This is what I have so far: > >", "of waiting it was clear that he wasn't > coming. > > >", "as are the comments about the yoga techniques. I thought this would be", "clear that he wasn't > coming. > > > The three questions are", "that focuses on a main character. Sometimes I want to express the internal", "doing that? This is what I have so far: > > Hangy arrived", "thinking, as are the comments about the yoga techniques. I thought this would", "want to use internal dialogue in italics. What's the best way of doing", "something the POV character is thinking, as are the comments about the yoga", "learnt might have seemed silly, but they certainly were better than worrying. She", "I get complaints from my readers that the text shifts POV. What's the", "internal dialogue in italics. What's the best way of doing that? This is", "she had learnt might have seemed silly, but they certainly were better than", "he wasn't > coming. > > > The three questions are obviously something", "in the sights of the street. However, after an hour of waiting it", "thoughts. Was making the request via > email inappropriate? Had he gone back", "took in a few deep breaths. The yoga techniques she had learnt might", "know I can just use internal dialogue in italics, but I personally always", "of the character, but I don't want to use internal dialogue in italics.", "in the traffic? She realised she was simply being neurotic and so took", "arrived at 3:00pm, but he was nowhere to be seen. Her mind >", "immediately flooded with panicked thoughts. Was making the request via > email inappropriate?", "would be clear, but I get complaints from my readers that the text", "might have seemed silly, but they certainly were better than worrying. She paced", "of the street. However, after an hour of waiting it was clear that", "I want to express the internal thoughts of the character, but I don't", "best way of doing that? This is what I have so far: >", "of approaching it? I know I can just use internal dialogue in italics,", "approaching it? I know I can just use internal dialogue in italics, but", "use internal dialogue in italics, but I personally always find that it spoils", "is what I have so far: > > Hangy arrived at 3:00pm, but", "traffic? She realised she was simply being neurotic and so took in a", "to express the internal thoughts of the character, but I don't want to", "shifts POV. What's the best way of approaching it? I know I can", "person story that focuses on a main character. Sometimes I want to express", "the traffic? She realised she was simply being neurotic and so took in", "the best way of doing that? This is what I have so far:", "email inappropriate? Had he gone back to California already? Was he > simply", "be clear, but I get complaints from my readers that the text shifts", "were better than worrying. She paced around, taking in the sights of the", "use internal dialogue in italics. What's the best way of doing that? This", "California already? Was he > simply caught up in the traffic? She realised", "POV. What's the best way of approaching it? I know I can just", "inappropriate? Had he gone back to California already? Was he > simply caught", "it was clear that he wasn't > coming. > > > The three", "text shifts POV. What's the best way of approaching it? I know I", "back to California already? Was he > simply caught up in the traffic?", "3:00pm, but he was nowhere to be seen. Her mind > immediately flooded", "he was nowhere to be seen. Her mind > immediately flooded with panicked", "this would be clear, but I get complaints from my readers that the", "dialogue in italics, but I personally always find that it spoils the flow", "flooded with panicked thoughts. Was making the request via > email inappropriate? Had", "I can just use internal dialogue in italics, but I personally always find", "get complaints from my readers that the text shifts POV. What's the best", "Her mind > immediately flooded with panicked thoughts. Was making the request via", "panicked thoughts. Was making the request via > email inappropriate? Had he gone", "character. Sometimes I want to express the internal thoughts of the character, but", "internal thoughts of the character, but I don't want to use internal dialogue", "want to express the internal thoughts of the character, but I don't want", "She realised she was simply being neurotic and so took in a few", "> > The three questions are obviously something the POV character is thinking,", "was simply being neurotic and so took in a few deep breaths. The" ]
[ "Naruto is the hero (son of the 4th Kage), Sakura is the nerd", "nerd girl (best student in the class) and the last one is a", "hero (whose parent is famous), another is a nerd girl (best student in", "the nerd girl and The Flea is the weird kid. * In \"Aaahh!!!", "Herrl is the hero (son of a famous wizard), Hewvuonu is the nerd", "Rikochet is the hero (son of a famous wrestler called \"Lone Star), Buena", "(best student in the class) and the last one is a freaky/weird kid", "nerd girl and Krumm is the weird boy. * In \"Naruto Shippuden\": Naruto", "the weird boy. * In \"Naruto Shippuden\": Naruto is the hero (son of", "a coincidence. So, my questions is: which is the origin of this combination", "hero (son of Slickis, a famous scarer), Oblina is the nerd girl and", "last one is a freaky/weird kid** (best friend of the hero). For example:", "\"Hijrp Potfeq\": Herrl is the hero (son of a famous wizard), Hewvuonu is", "For example: * In \"Hijrp Potfeq\": Herrl is the hero (son of a", "girl and Krumm is the weird boy. * In \"Naruto Shippuden\": Naruto is", "a famous wizard), Hewvuonu is the nerd girl and Ron is the freaky", "wrestler called \"Lone Star), Buena Girl is the nerd girl and The Flea", "the protagonists are three children, they normally follow these stereotypes: one is the", "freaky/weird kid (best friend of the hero). For example: * In \"Hijrp Potfeq\":", "an ancient and famous book which uses this combination (and that serves as", "Sai is the weird boy. I assume that this is not a coincidence.", "combination of these three stereotypes?** Is there an ancient and famous book which", "is the nerd girl and Ron is the freaky kid. In \"Mucha", "of this combination of these three stereotypes?** Is there an ancient and famous", "class) and the last one is a freaky/weird kid* (best friend of the", "is famous), another is a nerd girl (best student in the class) and", "a freaky/weird kid (best friend of the hero). For example: * In \"Hijrp", "of a famous wizard), Hewvuonu is the nerd girl and Ron is the", "the weird boy. I assume that this is not a coincidence. So, my", "in the class) and the last one is a freaky/weird kid (best friend", "the freaky kid. * In \"Mucha Lucha\": Rikochet is the hero (son of", "the nerd girl and Sai is the weird boy. I assume that this", "the hero (son of the 4th Kage), Sakura is the nerd girl and", "In \"Mucha Lucha\": Rikochet is the hero (son of a famous wrestler called", "is the hero (son of a famous wizard), Hewvuonu is the nerd girl", "famous scarer), Oblina is the nerd girl and Krumm is the weird boy.", "is the nerd girl and The Flea is the weird kid. * In", "three children, they normally follow these stereotypes: one is the hero (whose parent", "kid** (best friend of the hero). For example: * In \"Hijrp Potfeq\": Herrl", "noticed that (in fiction) when the protagonists are three children, they normally follow", "friend of the hero). For example: * In \"Hijrp Potfeq\": Herrl is the", "famous), another is a nerd girl (best student in the class) and the", "is the hero (son of a famous wrestler called \"Lone Star), Buena Girl", "\"Aaahh!!! Real Monsters\": Ickis is the hero (son of Slickis, a famous scarer),", "which is the origin of this combination of these three stereotypes? Is there", "Ickis is the hero (son of Slickis, a famous scarer), Oblina is the", "Monsters\": Ickis is the hero (son of Slickis, a famous scarer), Oblina is", "is a nerd girl* (best student in the class) and the last one", "stereotypes: one is the hero (whose parent is famous), another is a nerd", "one is a freaky/weird kid** (best friend of the hero). For example: ", "Potfeq\": Herrl is the hero (son of a famous wizard), Hewvuonu is the", "Hewvuonu is the nerd girl and Ron is the freaky kid. In", "* In \"Naruto Shippuden\": Naruto is the hero (son of the 4th Kage),", "one is the hero (whose parent is famous), another is a nerd girl", "student in the class) and the last one is a freaky/weird kid (best", "4th Kage), Sakura is the nerd girl and Sai is the weird boy.", "of a famous wrestler called \"Lone Star), Buena Girl is the nerd girl", "called \"Lone Star), Buena Girl is the nerd girl and The Flea is", "coincidence. So, my questions is: *which is the origin of this combination of", "Ron is the freaky kid. In \"Mucha Lucha\": Rikochet is the hero", "boy. I assume that this is not a coincidence. So, my questions is:", "of these three stereotypes?** Is there an ancient and famous book which uses", "Is there an ancient and famous book which uses this combination (and that", "Krumm is the weird boy. * In \"Naruto Shippuden\": Naruto is the hero", "are three children, they normally follow these stereotypes: one is the hero (whose", "the nerd girl and Ron is the freaky kid. * In \"Mucha Lucha\":", "Girl is the nerd girl and The Flea is the weird kid. ", "of Slickis, a famous scarer), Oblina is the nerd girl and Krumm is", "is the hero* (whose parent is famous), another is a nerd girl (best", "girl and Sai is the weird boy. I assume that this is not", "ancient and famous book which uses this combination (and that serves as inspiration", "the class) and the last one is a freaky/weird kid (best friend of", "hero (son of a famous wizard), Hewvuonu is the nerd girl and Ron", "is the hero (son of the 4th Kage), Sakura is the nerd girl", "a famous scarer), Oblina is the nerd girl and Krumm is the weird", "famous book which uses this combination (and that serves as inspiration for later", "these three stereotypes?** Is there an ancient and famous book which uses this", "the hero (son of a famous wizard), Hewvuonu is the nerd girl and", "a famous wrestler called \"Lone Star), Buena Girl is the nerd girl and", "Oblina is the nerd girl and Krumm is the weird boy. In", "is the weird kid. * In \"Aaahh!!! Real Monsters\": Ickis is the hero", "boy. * In \"Naruto Shippuden\": Naruto is the hero (son of the 4th", "hero (son of the 4th Kage), Sakura is the nerd girl and Sai", "and Sai is the weird boy. I assume that this is not a", "(whose parent is famous), another is a nerd girl (best student in the", "* In \"Hijrp Potfeq\": Herrl is the hero (son of a famous wizard),", "questions is: which is the origin of this combination of these three stereotypes?", "the hero (whose parent is famous), another is a nerd girl (best student", "is the weird boy. * In \"Naruto Shippuden\": Naruto is the hero (son", "Star), Buena Girl is the nerd girl and The Flea is the weird", "is the nerd girl and Krumm is the weird boy. * In \"Naruto", "Shippuden\": Naruto is the hero (son of the 4th Kage), Sakura is the", "my questions is: *which is the origin of this combination of these three", "scarer), Oblina is the nerd girl and Krumm is the weird boy. ", "\"Naruto Shippuden\": Naruto is the hero (son of the 4th Kage), Sakura is", "they normally follow these stereotypes: one is the hero (whose parent is famous),", "Sakura is the nerd girl and Sai is the weird boy. I assume", "and Ron is the freaky kid. * In \"Mucha Lucha\": Rikochet is the", "(in fiction) when the protagonists are three children, they normally follow these stereotypes:", "and The Flea is the weird kid. * In \"Aaahh!!! Real Monsters\": Ickis", "girl (best student in the class) and the last one is a freaky/weird", "(son of a famous wrestler called \"Lone Star), Buena Girl is the nerd", "\"Mucha Lucha\": Rikochet is the hero (son of a famous wrestler called \"Lone", "assume that this is not a coincidence. So, my questions is: *which is", "hero). For example: In \"Hijrp Potfeq\": Herrl is the hero (son of", "is not a coincidence. So, my questions is: which is the origin of", "So, my questions is: which is the origin of this combination of these", "Buena Girl is the nerd girl and The Flea is the weird kid.", "wizard), Hewvuonu is the nerd girl and Ron is the freaky kid. ", "is: which is the origin of this combination of these three stereotypes?* Is", "kid. In \"Aaahh!!! Real Monsters\": Ickis is the hero (son of Slickis,", "Flea is the weird kid. * In \"Aaahh!!! Real Monsters\": Ickis is the", "the hero (son of Slickis, a famous scarer), Oblina is the nerd girl", "and the last one is a freaky/weird kid (best friend of the hero).", "Lucha\": Rikochet is the hero (son of a famous wrestler called \"Lone Star),", "parent is famous), another is a nerd girl (best student in the class)", "* In \"Aaahh!!! Real Monsters\": Ickis is the hero (son of Slickis, a", "weird boy. I assume that this is not a coincidence. So, my questions", "The Flea is the weird kid. * In \"Aaahh!!! Real Monsters\": Ickis is", "Slickis, a famous scarer), Oblina is the nerd girl and Krumm is the", "famous wizard), Hewvuonu is the nerd girl and Ron is the freaky kid.", "(son of a famous wizard), Hewvuonu is the nerd girl and Ron is", "\"Lone Star), Buena Girl is the nerd girl and The Flea is the", "In \"Aaahh!!! Real Monsters\": Ickis is the hero (son of Slickis, a famous", "and famous book which uses this combination (and that serves as inspiration for", "of the hero). For example: * In \"Hijrp Potfeq\": Herrl is the hero", "the 4th Kage), Sakura is the nerd girl and Sai is the weird", "children, they normally follow these stereotypes: one is the hero (whose parent is", "that this is not a coincidence. So, my questions is: *which is the", "the weird kid. In \"Aaahh!!! Real Monsters\": Ickis is the hero (son", "normally follow these stereotypes: one is the hero (whose parent is famous), another", "weird kid. * In \"Aaahh!!! Real Monsters\": Ickis is the hero (son of", "is the origin of this combination of these three stereotypes?** Is there an", "and Krumm is the weird boy. In \"Naruto Shippuden\": Naruto is the", "there an ancient and famous book which uses this combination (and that serves", "the hero (son of a famous wrestler called \"Lone Star), Buena Girl is", "(best friend of the hero). For example: * In \"Hijrp Potfeq\": Herrl is", "the nerd girl and Krumm is the weird boy. * In \"Naruto Shippuden\":", "this combination of these three stereotypes?** Is there an ancient and famous book", "three stereotypes?* Is there an ancient and famous book which uses this combination", "example: In \"Hijrp Potfeq\": Herrl is the hero (son of a famous", "hero (son of a famous wrestler called \"Lone Star), Buena Girl is the", "nerd girl and The Flea is the weird kid. * In \"Aaahh!!! Real", "In \"Hijrp Potfeq\": Herrl is the hero (son of a famous wizard), Hewvuonu", "Real Monsters\": Ickis is the hero (son of Slickis, a famous scarer), Oblina", "freaky kid. * In \"Mucha Lucha\": Rikochet is the hero (son of a", "weird boy. * In \"Naruto Shippuden\": Naruto is the hero (son of the", "the last one is a freaky/weird kid (best friend of the hero). For", "the hero). For example: * In \"Hijrp Potfeq\": Herrl is the hero (son", "(son of the 4th Kage), Sakura is the nerd girl and Sai is", "another is a nerd girl (best student in the class) and the last", "of the 4th Kage), Sakura is the nerd girl and Sai is the", "is the nerd girl and Sai is the weird boy. I assume that", "book which uses this combination (and that serves as inspiration for later works)?", "when the protagonists are three children, they normally follow these stereotypes: one is", "have noticed that (in fiction) when the protagonists are three children, they normally", "these stereotypes: one is the hero* (whose parent is famous), another is a", "this is not a coincidence. So, my questions is: *which is the origin", "famous wrestler called \"Lone Star), Buena Girl is the nerd girl and The", "is the freaky kid. In \"Mucha Lucha\": Rikochet is the hero (son", "the origin of this combination of these three stereotypes?** Is there an ancient", "nerd girl and Ron is the freaky kid. In \"Mucha Lucha\": Rikochet", "In \"Naruto Shippuden\": Naruto is the hero (son of the 4th Kage), Sakura", "I have noticed that (in fiction) when the protagonists are three children, they", "kid. * In \"Mucha Lucha\": Rikochet is the hero (son of a famous", "is a freaky/weird kid (best friend of the hero). For example: * In", "fiction) when the protagonists are three children, they normally follow these stereotypes: one", "a nerd girl (best student in the class) and the last one is", "that (in fiction) when the protagonists are three children, they normally follow these", "protagonists are three children, they normally follow these stereotypes: one is the hero", "nerd girl and Sai is the weird boy. I assume that this is", "* In \"Mucha Lucha\": Rikochet is the hero (son of a famous wrestler", "Kage), Sakura is the nerd girl and Sai is the weird boy. I", "stereotypes?** Is there an ancient and famous book which uses this combination (and", "is the weird boy. I assume that this is not a coincidence. So,", "follow these stereotypes: one is the hero* (whose parent is famous), another is", "I assume that this is not a coincidence. So, my questions is: which", "not a coincidence. So, my questions is: which is the origin of this", "girl and Ron is the freaky kid. * In \"Mucha Lucha\": Rikochet is", "is the hero (son of Slickis, a famous scarer), Oblina is the nerd", "(son of Slickis, a famous scarer), Oblina is the nerd girl and Krumm", "origin of this combination of these three stereotypes?** Is there an ancient and", "girl and The Flea is the weird kid. In \"Aaahh!!! Real Monsters\":" ]
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[ "the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure", "some cat food. 2. Kanny asked not once, not twice, but three times", "never remember where to put the comma when using the conjunction word, *but.", "but three times to see the open house that weekend. 3. But where", "remember where to put the comma when using the conjunction word, but. For", "is right. Can anybody confirm the different comma configurations of the 'but' in", "twice, but three times to see the open house that weekend. 3. But", "1. I'd like to stay home and read a book, but I need", "stay home and read a book, but I need to pick up some", "the first example is right. Can anybody confirm the different comma configurations of", "I need to pick up some cat food. 2. Kanny asked not once,", "2. Kanny asked not once, not twice, but three times to see the", "pick up some cat food. 2. Kanny asked not once, not twice, but", "to pick up some cat food. 2. Kanny asked not once, not twice,", "third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they covered the correct comma placement.", "when using the conjunction word, but. For example: 1. I'd like to stay", "Kanny asked not once, not twice, but three times to see the open", "comma when using the conjunction word, but. For example: 1. I'd like to", "book, but I need to pick up some cat food. 2. Kanny asked", "open house that weekend. 3. But where is Godot? I'm pretty sure the", "anybody confirm the different comma configurations of the 'but' in the second and", "and read a book, but I need to pick up some cat food.", "house that weekend. 3. But where is Godot? I'm pretty sure the first", "Godot? I'm pretty sure the first example is right. Can anybody confirm the", "I'm pretty sure the first example is right. Can anybody confirm the different", "not once, not twice, but three times to see the open house that", "weekend. 3. But where is Godot? I'm pretty sure the first example is", "is Godot? I'm pretty sure the first example is right. Can anybody confirm", "the conjunction word, but. For example: 1. I'd like to stay home and", "first example is right. Can anybody confirm the different comma configurations of the", "not twice, but three times to see the open house that weekend. 3.", "example is right. Can anybody confirm the different comma configurations of the 'but'", "the open house that weekend. 3. But where is Godot? I'm pretty sure", "read a book, but I need to pick up some cat food. 2.", "right. Can anybody confirm the different comma configurations of the 'but' in the", "a book, but I need to pick up some cat food. 2. Kanny", "asked not once, not twice, but three times to see the open house", "need to pick up some cat food. 2. Kanny asked not once, not", "to see the open house that weekend. 3. But where is Godot? I'm", "the comma when using the conjunction word, but. For example: 1. I'd like", "food. 2. Kanny asked not once, not twice, but three times to see", "the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they covered the", "up some cat food. 2. Kanny asked not once, not twice, but three", "like to stay home and read a book, but I need to pick", "three times to see the open house that weekend. 3. But where is", "conjunction word, but. For example: 1. I'd like to stay home and read", "home and read a book, but I need to pick up some cat", "but. For example: 1. I'd like to stay home and read a book,", "the different comma configurations of the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)>", "3. But where is Godot? I'm pretty sure the first example is right.", "can never remember where to put the comma when using the conjunction word,", "In English, I can never remember where to put the comma when using", "to stay home and read a book, but I need to pick up", "second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they covered the correct", "where to put the comma when using the conjunction word, but. For example:", "using the conjunction word, but. For example: 1. I'd like to stay home", "example: 1. I'd like to stay home and read a book, but I", "word, but. For example: 1. I'd like to stay home and read a", "I'd like to stay home and read a book, but I need to", "see the open house that weekend. 3. But where is Godot? I'm pretty", "once, not twice, but three times to see the open house that weekend.", "in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they covered", "pretty sure the first example is right. Can anybody confirm the different comma", "but I need to pick up some cat food. 2. Kanny asked not", "For example: 1. I'd like to stay home and read a book, but", "comma configurations of the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps,", "to put the comma when using the conjunction word, but. For example: 1.", "confirm the different comma configurations of the 'but' in the second and third?", "put the comma when using the conjunction word, but*. For example: 1. I'd", "cat food. 2. Kanny asked not once, not twice, but three times to", "But where is Godot? I'm pretty sure the first example is right. Can", "'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they", "of the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not", "where is Godot? I'm pretty sure the first example is right. Can anybody", "Can anybody confirm the different comma configurations of the 'but' in the second", "times to see the open house that weekend. 3. But where is Godot?", "English, I can never remember where to put the comma when using the", "configurations of the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but", "sure the first example is right. Can anybody confirm the different comma configurations", "different comma configurations of the 'but' in the second and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This", "that weekend. 3. But where is Godot? I'm pretty sure the first example", "and third? <https://en.wikipedia.org/wiki/Conjunction_(grammar)> This helps, but not sure they covered the correct comma", "I can never remember where to put the comma when using the conjunction" ]
[ "fictional races, but I have been trying to decide how to name them.", "languages? I have seen examples of both (for instance Girth Vedur means dark", "I have been trying to decide how to name them. Therefore, I must", "races or to use words from other languages? I have seen examples of", "instance Girth Vedur means dark father). I wish to use the less common", "have been trying to decide how to name them. Therefore, I must ask:", "but I have been trying to decide how to name them. Therefore, I", "fiction/fantasy writers to completely make up the names of races or to use", "dark father). I wish to use the less common method, whichever it may", "them. Therefore, I must ask: is it more common for science fiction/fantasy writers", "have seen examples of both (for instance Girth Vedur means dark father). I", "examples of both (for instance Girth Vedur means dark father). I wish to", "is it more common for science fiction/fantasy writers to completely make up the", "or to use words from other languages? I have seen examples of both", "(for instance Girth Vedur means dark father). I wish to use the less", "ask: is it more common for science fiction/fantasy writers to completely make up", "Vedur means dark father). I wish to use the less common method, whichever", "means dark father). I wish to use the less common method, whichever it", "completely make up the names of races or to use words from other", "make up the names of races or to use words from other languages?", "several fictional races, but I have been trying to decide how to name", "been trying to decide how to name them. Therefore, I must ask: is", "how to name them. Therefore, I must ask: is it more common for", "it more common for science fiction/fantasy writers to completely make up the names", "to use words from other languages? I have seen examples of both (for", "names of races or to use words from other languages? I have seen", "Girth Vedur means dark father). I wish to use the less common method,", "of races or to use words from other languages? I have seen examples", "seen examples of both (for instance Girth Vedur means dark father). I wish", "writers to completely make up the names of races or to use words", "words from other languages? I have seen examples of both (for instance Girth", "more common for science fiction/fantasy writers to completely make up the names of", "name them. Therefore, I must ask: is it more common for science fiction/fantasy", "I must ask: is it more common for science fiction/fantasy writers to completely", "science fiction/fantasy writers to completely make up the names of races or to", "both (for instance Girth Vedur means dark father). I wish to use the", "decide how to name them. Therefore, I must ask: is it more common", "for science fiction/fantasy writers to completely make up the names of races or", "common for science fiction/fantasy writers to completely make up the names of races", "races, but I have been trying to decide how to name them. Therefore,", "novels contain several fictional races, but I have been trying to decide how", "I have seen examples of both (for instance Girth Vedur means dark father).", "to name them. Therefore, I must ask: is it more common for science", "to decide how to name them. Therefore, I must ask: is it more", "up the names of races or to use words from other languages? I", "use words from other languages? I have seen examples of both (for instance", "father). I wish to use the less common method, whichever it may be.", "must ask: is it more common for science fiction/fantasy writers to completely make", "Therefore, I must ask: is it more common for science fiction/fantasy writers to", "to completely make up the names of races or to use words from", "of both (for instance Girth Vedur means dark father). I wish to use", "My novels contain several fictional races, but I have been trying to decide", "trying to decide how to name them. Therefore, I must ask: is it", "other languages? I have seen examples of both (for instance Girth Vedur means", "the names of races or to use words from other languages? I have", "contain several fictional races, but I have been trying to decide how to", "from other languages? I have seen examples of both (for instance Girth Vedur" ]
[ "traditionally have a lot of unsold books. It's only printed while traditional publishers", "a publisher. I want to have control and remain responsible for marketing and", "a book when there is a buyer is amazing. But is POD cheaper", "I want to have control and remain responsible for marketing and for my", "buyer is amazing. But is POD cheaper than publishers? I think it should", "idea of giving my book away to a publisher. I want to have", "lot of unsold books. It's only printed while traditional publishers have a huge", "of unsold books. It's only printed while traditional publishers have a huge team", "to have control and remain responsible for marketing and for my book in", "have a huge team working on the book for an entire year. And", "book for an entire year. And making a lot of PR for the", "it should be: you don't have waste while you traditionally have a lot", "only printed while traditional publishers have a huge team working on the book", "and remain responsible for marketing and for my book in general. I don't", "don't want waste; the idea of first printing a book when there is", "a huge team working on the book for an entire year. And making", "team working on the book for an entire year. And making a lot", "I don't want waste; the idea of first printing a book when there", "have waste while you traditionally have a lot of unsold books. It's only", "amazing. But is POD cheaper than publishers? I think it should be: you", "like to publish it as print on demand. I don't like the idea", "would like to publish it as print on demand. I don't like the", "on demand. I don't like the idea of giving my book away to", "like the idea of giving my book away to a publisher. I want", "is a buyer is amazing. But is POD cheaper than publishers? I think", "I think it should be: you don't have waste while you traditionally have", "the idea of giving my book away to a publisher. I want to", "while traditional publishers have a huge team working on the book for an", "don't like the idea of giving my book away to a publisher. I", "a lot of unsold books. It's only printed while traditional publishers have a", "want waste; the idea of first printing a book when there is a", "waste while you traditionally have a lot of unsold books. It's only printed", "book away to a publisher. I want to have control and remain responsible", "I don't like the idea of giving my book away to a publisher.", "have control and remain responsible for marketing and for my book in general.", "cheaper than publishers? I think it should be: you don't have waste while", "It's only printed while traditional publishers have a huge team working on the", "away to a publisher. I want to have control and remain responsible for", "my book in general. I don't want waste; the idea of first printing", "my book. I would like to publish it as print on demand. I", "giving my book away to a publisher. I want to have control and", "for an entire year. And making a lot of PR for the book", "demand. I don't like the idea of giving my book away to a", "printed while traditional publishers have a huge team working on the book for", "traditional publishers have a huge team working on the book for an entire", "books. It's only printed while traditional publishers have a huge team working on", "be: you don't have waste while you traditionally have a lot of unsold", "entire year. And making a lot of PR for the book as well.", "But is POD cheaper than publishers? I think it should be: you don't", "of giving my book away to a publisher. I want to have control", "print on demand. I don't like the idea of giving my book away", "for marketing and for my book in general. I don't want waste; the", "waste; the idea of first printing a book when there is a buyer", "book. I would like to publish it as print on demand. I don't", "huge team working on the book for an entire year. And making a", "as print on demand. I don't like the idea of giving my book", "when there is a buyer is amazing. But is POD cheaper than publishers?", "you traditionally have a lot of unsold books. It's only printed while traditional", "it as print on demand. I don't like the idea of giving my", "an entire year. And making a lot of PR for the book as", "should be: you don't have waste while you traditionally have a lot of", "publisher. I want to have control and remain responsible for marketing and for", "control and remain responsible for marketing and for my book in general. I", "don't have waste while you traditionally have a lot of unsold books. It's", "on the book for an entire year. And making a lot of PR", "to publish it as print on demand. I don't like the idea of", "of first printing a book when there is a buyer is amazing. But", "working on the book for an entire year. And making a lot of", "POD cheaper than publishers? I think it should be: you don't have waste", "a buyer is amazing. But is POD cheaper than publishers? I think it", "while you traditionally have a lot of unsold books. It's only printed while", "to a publisher. I want to have control and remain responsible for marketing", "in general. I don't want waste; the idea of first printing a book", "the idea of first printing a book when there is a buyer is", "book in general. I don't want waste; the idea of first printing a", "is POD cheaper than publishers? I think it should be: you don't have", "I would like to publish it as print on demand. I don't like", "think it should be: you don't have waste while you traditionally have a", "like to publish my book. I would like to publish it as print", "than publishers? I think it should be: you don't have waste while you", "first printing a book when there is a buyer is amazing. But is", "publish my book. I would like to publish it as print on demand.", "publish it as print on demand. I don't like the idea of giving", "have a lot of unsold books. It's only printed while traditional publishers have", "book when there is a buyer is amazing. But is POD cheaper than", "is amazing. But is POD cheaper than publishers? I think it should be:", "for my book in general. I don't want waste; the idea of first", "publishers have a huge team working on the book for an entire year.", "general. I don't want waste; the idea of first printing a book when", "publishers? I think it should be: you don't have waste while you traditionally", "to publish my book. I would like to publish it as print on", "unsold books. It's only printed while traditional publishers have a huge team working", "idea of first printing a book when there is a buyer is amazing.", "remain responsible for marketing and for my book in general. I don't want", "marketing and for my book in general. I don't want waste; the idea", "there is a buyer is amazing. But is POD cheaper than publishers? I", "printing a book when there is a buyer is amazing. But is POD", "my book away to a publisher. I want to have control and remain", "and for my book in general. I don't want waste; the idea of", "you don't have waste while you traditionally have a lot of unsold books.", "responsible for marketing and for my book in general. I don't want waste;", "would like to publish my book. I would like to publish it as", "I would like to publish my book. I would like to publish it", "want to have control and remain responsible for marketing and for my book", "the book for an entire year. And making a lot of PR for" ]
[ "statement is followed by part embracement of a solution and part differing view,", "of a solution and part differing view, but subtly hinting at complete disagreement.", "make your life easier :).\" This is made by a higher ranking official", "solution from someone who is not very favored by him. Hint?: This statement", "from someone who is not very favored by him. Hint?: This statement is", "a solution and part differing view, but subtly hinting at complete disagreement. Does", "subtly hinting at complete disagreement. Does the above statement means to be sarcastic?.", "glad you're constantly thinking about how to make your life easier :).\" This", "is meant to be sarcastic. \"I'm glad you're constantly thinking about how to", "This is made by a higher ranking official in reference to an senior", "easier :).\" This is made by a higher ranking official in reference to", "meant to be sarcastic. \"I'm glad you're constantly thinking about how to make", "in reference to an senior and respected person proposing a solution from someone", "is not very favored by him. Hint?: This statement is followed by part", "part embracement of a solution and part differing view, but subtly hinting at", "is followed by part embracement of a solution and part differing view, but", "constantly thinking about how to make your life easier :).\" This is made", "be sarcastic. \"I'm glad you're constantly thinking about how to make your life", "unable to understand if this phrase is meant to be sarcastic. \"I'm glad", "favored by him. Hint?: This statement is followed by part embracement of a", "by part embracement of a solution and part differing view, but subtly hinting", "proposing a solution from someone who is not very favored by him. Hint?:", "very favored by him. Hint?: This statement is followed by part embracement of", "by him. Hint?: This statement is followed by part embracement of a solution", "a solution from someone who is not very favored by him. Hint?: This", "Hint?: This statement is followed by part embracement of a solution and part", "embracement of a solution and part differing view, but subtly hinting at complete", "\"I'm glad you're constantly thinking about how to make your life easier :).\"", "by a higher ranking official in reference to an senior and respected person", "This statement is followed by part embracement of a solution and part differing", "and part differing view, but subtly hinting at complete disagreement. Does the above", "but subtly hinting at complete disagreement. Does the above statement means to be", "not very favored by him. Hint?: This statement is followed by part embracement", "respected person proposing a solution from someone who is not very favored by", "who is not very favored by him. Hint?: This statement is followed by", "higher ranking official in reference to an senior and respected person proposing a", "solution and part differing view, but subtly hinting at complete disagreement. Does the", "part differing view, but subtly hinting at complete disagreement. Does the above statement", ":).\" This is made by a higher ranking official in reference to an", "to be sarcastic. \"I'm glad you're constantly thinking about how to make your", "life easier :).\" This is made by a higher ranking official in reference", "him. Hint?: This statement is followed by part embracement of a solution and", "about how to make your life easier :).\" This is made by a", "a higher ranking official in reference to an senior and respected person proposing", "understand if this phrase is meant to be sarcastic. \"I'm glad you're constantly", "to make your life easier :).\" This is made by a higher ranking", "person proposing a solution from someone who is not very favored by him.", "how to make your life easier :).\" This is made by a higher", "is made by a higher ranking official in reference to an senior and", "an senior and respected person proposing a solution from someone who is not", "ranking official in reference to an senior and respected person proposing a solution", "to an senior and respected person proposing a solution from someone who is", "thinking about how to make your life easier :).\" This is made by", "your life easier :).\" This is made by a higher ranking official in", "differing view, but subtly hinting at complete disagreement. Does the above statement means", "I am unable to understand if this phrase is meant to be sarcastic.", "made by a higher ranking official in reference to an senior and respected", "view, but subtly hinting at complete disagreement. Does the above statement means to", "official in reference to an senior and respected person proposing a solution from", "and respected person proposing a solution from someone who is not very favored", "someone who is not very favored by him. Hint?: This statement is followed", "reference to an senior and respected person proposing a solution from someone who", "to understand if this phrase is meant to be sarcastic. \"I'm glad you're", "senior and respected person proposing a solution from someone who is not very", "you're constantly thinking about how to make your life easier :).\" This is", "am unable to understand if this phrase is meant to be sarcastic. \"I'm", "this phrase is meant to be sarcastic. \"I'm glad you're constantly thinking about", "sarcastic. \"I'm glad you're constantly thinking about how to make your life easier", "phrase is meant to be sarcastic. \"I'm glad you're constantly thinking about how", "followed by part embracement of a solution and part differing view, but subtly", "if this phrase is meant to be sarcastic. \"I'm glad you're constantly thinking" ]
[ "characters, themes etc., often with a view to what the writer is doing", "where I find myself putting down books fast, turning to music or art", "they need to do their magic thing. Language itself starts feeling alien. It", "As long as I successfully avoid paying too much attention to the lyrics...", "thing. Language itself starts feeling alien. It has gotten to the point where", "enough for me to ignore a song's simple chords or formulaic structure and", "am just starting out and twice as infuriated with what I write. Is", "musical training, it is easy enough for me to ignore a song's simple", "much attention to the lyrics... Did you experience something similar when you started", "taking my writing seriously, I have had trouble getting immersed in books. Every", "into analyzing the style, characters, themes etc., often with a view to what", "sure.) The experience is educational, but getting too focused on the craft means", "books fast, turning to music or art instead for inspiration. With no musical", "no musical training, it is easy enough for me to ignore a song's", "or art instead for inspiration. With no musical training, it is easy enough", "devolves into analyzing the style, characters, themes etc., often with a view to", "focused on the craft means I can't give the words the distance they", "a view to what the writer is doing wrong in my not yet", "not yet humble opinion. (I am just starting out and twice as infuriated", "for me to ignore a song's simple chords or formulaic structure and just", "magic thing. Language itself starts feeling alien. It has gotten to the point", "attention to the lyrics... Did you experience something similar when you started writing?", "words the distance they need to do their magic thing. Language itself starts", "I write. Is it envy? I am not sure.) The experience is educational,", "a song's simple chords or formulaic structure and just \"feel it\". As long", "ignore a song's simple chords or formulaic structure and just \"feel it\". As", "started taking my writing seriously, I have had trouble getting immersed in books.", "seriously, I have had trouble getting immersed in books. Every reading session devolves", "session devolves into analyzing the style, characters, themes etc., often with a view", "to the point where I find myself putting down books fast, turning to", "means I can't give the words the distance they need to do their", "the words the distance they need to do their magic thing. Language itself", "the craft means I can't give the words the distance they need to", "analyzing the style, characters, themes etc., often with a view to what the", "opinion. (I am just starting out and twice as infuriated with what I", "down books fast, turning to music or art instead for inspiration. With no", "the style, characters, themes etc., often with a view to what the writer", "it\". As long as I successfully avoid paying too much attention to the", "had trouble getting immersed in books. Every reading session devolves into analyzing the", "Language itself starts feeling alien. It has gotten to the point where I", "infuriated with what I write. Is it envy? I am not sure.) The", "educational, but getting too focused on the craft means I can't give the", "has gotten to the point where I find myself putting down books fast,", "turning to music or art instead for inspiration. With no musical training, it", "reading session devolves into analyzing the style, characters, themes etc., often with a", "With no musical training, it is easy enough for me to ignore a", "have had trouble getting immersed in books. Every reading session devolves into analyzing", "inspiration. With no musical training, it is easy enough for me to ignore", "me to ignore a song's simple chords or formulaic structure and just \"feel", "to music or art instead for inspiration. With no musical training, it is", "starts feeling alien. It has gotten to the point where I find myself", "gotten to the point where I find myself putting down books fast, turning", "to do their magic thing. Language itself starts feeling alien. It has gotten", "what I write. Is it envy? I am not sure.) The experience is", "I started taking my writing seriously, I have had trouble getting immersed in", "training, it is easy enough for me to ignore a song's simple chords", "I am not sure.) The experience is educational, but getting too focused on", "wrong in my not yet humble opinion. (I am just starting out and", "but getting too focused on the craft means I can't give the words", "lyrics... Did you experience something similar when you started writing? How did you", "I can't give the words the distance they need to do their magic", "simple chords or formulaic structure and just \"feel it\". As long as I", "find myself putting down books fast, turning to music or art instead for", "style, characters, themes etc., often with a view to what the writer is", "my not yet humble opinion. (I am just starting out and twice as", "itself starts feeling alien. It has gotten to the point where I find", "\"feel it\". As long as I successfully avoid paying too much attention to", "humble opinion. (I am just starting out and twice as infuriated with what", "craft means I can't give the words the distance they need to do", "etc., often with a view to what the writer is doing wrong in", "too focused on the craft means I can't give the words the distance", "on the craft means I can't give the words the distance they need", "it is easy enough for me to ignore a song's simple chords or", "in books. Every reading session devolves into analyzing the style, characters, themes etc.,", "what the writer is doing wrong in my not yet humble opinion. (I", "to the lyrics... Did you experience something similar when you started writing? How", "I have had trouble getting immersed in books. Every reading session devolves into", "trouble getting immersed in books. Every reading session devolves into analyzing the style,", "books. Every reading session devolves into analyzing the style, characters, themes etc., often", "out and twice as infuriated with what I write. Is it envy? I", "starting out and twice as infuriated with what I write. Is it envy?", "structure and just \"feel it\". As long as I successfully avoid paying too", "too much attention to the lyrics... Did you experience something similar when you", "envy? I am not sure.) The experience is educational, but getting too focused", "Is it envy? I am not sure.) The experience is educational, but getting", "myself putting down books fast, turning to music or art instead for inspiration.", "formulaic structure and just \"feel it\". As long as I successfully avoid paying", "just starting out and twice as infuriated with what I write. Is it", "instead for inspiration. With no musical training, it is easy enough for me", "The experience is educational, but getting too focused on the craft means I", "Ever since I started taking my writing seriously, I have had trouble getting", "distance they need to do their magic thing. Language itself starts feeling alien.", "in my not yet humble opinion. (I am just starting out and twice", "to ignore a song's simple chords or formulaic structure and just \"feel it\".", "chords or formulaic structure and just \"feel it\". As long as I successfully", "It has gotten to the point where I find myself putting down books", "and just \"feel it\". As long as I successfully avoid paying too much", "(I am just starting out and twice as infuriated with what I write.", "the lyrics... Did you experience something similar when you started writing? How did", "themes etc., often with a view to what the writer is doing wrong", "is doing wrong in my not yet humble opinion. (I am just starting", "writer is doing wrong in my not yet humble opinion. (I am just", "Did you experience something similar when you started writing? How did you overcome", "with what I write. Is it envy? I am not sure.) The experience", "do their magic thing. Language itself starts feeling alien. It has gotten to", "my writing seriously, I have had trouble getting immersed in books. Every reading", "or formulaic structure and just \"feel it\". As long as I successfully avoid", "getting immersed in books. Every reading session devolves into analyzing the style, characters,", "often with a view to what the writer is doing wrong in my", "just \"feel it\". As long as I successfully avoid paying too much attention", "is educational, but getting too focused on the craft means I can't give", "you experience something similar when you started writing? How did you overcome it?", "immersed in books. Every reading session devolves into analyzing the style, characters, themes", "art instead for inspiration. With no musical training, it is easy enough for", "putting down books fast, turning to music or art instead for inspiration. With", "since I started taking my writing seriously, I have had trouble getting immersed", "for inspiration. With no musical training, it is easy enough for me to", "give the words the distance they need to do their magic thing. Language", "song's simple chords or formulaic structure and just \"feel it\". As long as", "view to what the writer is doing wrong in my not yet humble", "feeling alien. It has gotten to the point where I find myself putting", "I find myself putting down books fast, turning to music or art instead", "getting too focused on the craft means I can't give the words the", "as I successfully avoid paying too much attention to the lyrics... Did you", "fast, turning to music or art instead for inspiration. With no musical training,", "long as I successfully avoid paying too much attention to the lyrics... Did", "Every reading session devolves into analyzing the style, characters, themes etc., often with", "experience is educational, but getting too focused on the craft means I can't", "successfully avoid paying too much attention to the lyrics... Did you experience something", "with a view to what the writer is doing wrong in my not", "am not sure.) The experience is educational, but getting too focused on the", "yet humble opinion. (I am just starting out and twice as infuriated with", "music or art instead for inspiration. With no musical training, it is easy", "can't give the words the distance they need to do their magic thing.", "is easy enough for me to ignore a song's simple chords or formulaic", "the distance they need to do their magic thing. Language itself starts feeling", "point where I find myself putting down books fast, turning to music or", "not sure.) The experience is educational, but getting too focused on the craft", "it envy? I am not sure.) The experience is educational, but getting too", "avoid paying too much attention to the lyrics... Did you experience something similar", "easy enough for me to ignore a song's simple chords or formulaic structure", "the writer is doing wrong in my not yet humble opinion. (I am", "the point where I find myself putting down books fast, turning to music", "as infuriated with what I write. Is it envy? I am not sure.)", "I successfully avoid paying too much attention to the lyrics... Did you experience", "twice as infuriated with what I write. Is it envy? I am not", "their magic thing. Language itself starts feeling alien. It has gotten to the", "to what the writer is doing wrong in my not yet humble opinion.", "and twice as infuriated with what I write. Is it envy? I am", "write. Is it envy? I am not sure.) The experience is educational, but", "writing seriously, I have had trouble getting immersed in books. Every reading session", "need to do their magic thing. Language itself starts feeling alien. It has", "paying too much attention to the lyrics... Did you experience something similar when", "alien. It has gotten to the point where I find myself putting down", "doing wrong in my not yet humble opinion. (I am just starting out" ]
[ "story with a strong theme of spirituality and divinity. At around the halfway", "my protagonist has a religious experience which changes them. This experience is a", "the first-person perspective of the protagonist in question. How would you write a", "changes them. This experience is a highly important and pivotal to the make-up", "a life changing and pivotal religious experience? Also, any examples of religious experiences", "halfway point my protagonist has a religious experience which changes them. This experience", "experience which changes them. This experience is a highly important and pivotal to", "would you write a life changing and pivotal religious experience? Also, any examples", "has a religious experience which changes them. This experience is a highly important", "I'm currently writing a story with a strong theme of spirituality and divinity.", "a strong theme of spirituality and divinity. At around the halfway point my", "of spirituality and divinity. At around the halfway point my protagonist has a", "spirituality and divinity. At around the halfway point my protagonist has a religious", "protagonist has a religious experience which changes them. This experience is a highly", "the protagonist in question. How would you write a life changing and pivotal", "pivotal religious experience? Also, any examples of religious experiences in fiction would be", "Also, any examples of religious experiences in fiction would be a great help.", "write a life changing and pivotal religious experience? Also, any examples of religious", "the make-up of the story. The story is from the first-person perspective of", "highly important and pivotal to the make-up of the story. The story is", "a highly important and pivotal to the make-up of the story. The story", "make-up of the story. The story is from the first-person perspective of the", "changing and pivotal religious experience? Also, any examples of religious experiences in fiction", "and pivotal religious experience? Also, any examples of religious experiences in fiction would", "is a highly important and pivotal to the make-up of the story. The", "At around the halfway point my protagonist has a religious experience which changes", "the halfway point my protagonist has a religious experience which changes them. This", "question. How would you write a life changing and pivotal religious experience? Also,", "experience? Also, any examples of religious experiences in fiction would be a great", "point my protagonist has a religious experience which changes them. This experience is", "religious experience which changes them. This experience is a highly important and pivotal", "in question. How would you write a life changing and pivotal religious experience?", "and divinity. At around the halfway point my protagonist has a religious experience", "theme of spirituality and divinity. At around the halfway point my protagonist has", "of the story. The story is from the first-person perspective of the protagonist", "to the make-up of the story. The story is from the first-person perspective", "first-person perspective of the protagonist in question. How would you write a life", "divinity. At around the halfway point my protagonist has a religious experience which", "with a strong theme of spirituality and divinity. At around the halfway point", "religious experience? Also, any examples of religious experiences in fiction would be a", "This experience is a highly important and pivotal to the make-up of the", "experience is a highly important and pivotal to the make-up of the story.", "around the halfway point my protagonist has a religious experience which changes them.", "How would you write a life changing and pivotal religious experience? Also, any", "the story. The story is from the first-person perspective of the protagonist in", "important and pivotal to the make-up of the story. The story is from", "writing a story with a strong theme of spirituality and divinity. At around", "of the protagonist in question. How would you write a life changing and", "them. This experience is a highly important and pivotal to the make-up of", "and pivotal to the make-up of the story. The story is from the", "protagonist in question. How would you write a life changing and pivotal religious", "The story is from the first-person perspective of the protagonist in question. How", "which changes them. This experience is a highly important and pivotal to the", "story is from the first-person perspective of the protagonist in question. How would", "a religious experience which changes them. This experience is a highly important and", "from the first-person perspective of the protagonist in question. How would you write", "pivotal to the make-up of the story. The story is from the first-person", "perspective of the protagonist in question. How would you write a life changing", "currently writing a story with a strong theme of spirituality and divinity. At", "story. The story is from the first-person perspective of the protagonist in question.", "life changing and pivotal religious experience? Also, any examples of religious experiences in", "strong theme of spirituality and divinity. At around the halfway point my protagonist", "is from the first-person perspective of the protagonist in question. How would you", "a story with a strong theme of spirituality and divinity. At around the", "you write a life changing and pivotal religious experience? Also, any examples of" ]
[ "small novel, and my structure just doesn't seem right. The text just flows", "the text is structured like I described mine except after a certain number", "my structure just doesn't seem right. The text just flows continuously until the", "end of the chapter (with dialog being typed on their own lines). Do", "use of paragraphs, and if so: * Do I just write start a", "paragraph after a certain number of lines (if so how many lines would", "paragraphs, and if so: * Do I just write start a new paragraph", "of paragraphs, and if so: * Do I just write start a new", "many lines would constitute a paragraph)? OR -- * Do I just use", "continuously until the end of the chapter (with dialog being typed on their", "if so: * Do I just write start a new paragraph after a", "and if so: * Do I just write start a new paragraph after", "chapter (with dialog being typed on their own lines). Do I need to", "indentation at the start of a particular line to mark a new paragraph?", "use indentation at the start of a particular line to mark a new", "mark a new paragraph? I have seen in some novels, the text is", "a certain number of lines (if so how many lines would constitute a", "and my structure just doesn't seem right. The text just flows continuously until", "novel, and my structure just doesn't seem right. The text just flows continuously", "lines). Do I need to make use of paragraphs, and if so: ", "paragraph? I have seen in some novels, the text is structured like I", "to make use of paragraphs, and if so: Do I just write", "particular line to mark a new paragraph? I have seen in some novels,", "their own lines). Do I need to make use of paragraphs, and if", "I am trying to write a small novel, and my structure just doesn't", "seen in some novels, the text is structured like I described mine except", "so how many lines would constitute a paragraph)? OR -- * Do I", "just write start a new paragraph after a certain number of lines (if", "I just write start a new paragraph after a certain number of lines", "just flows continuously until the end of the chapter (with dialog being typed", "how many lines would constitute a paragraph)? OR -- * Do I just", "* Do I just use indentation at the start of a particular line", "(if so how many lines would constitute a paragraph)? OR -- * Do", "would constitute a paragraph)? OR -- * Do I just use indentation at", "a certain number of lines there's an indentation at the start of a", "text just flows continuously until the end of the chapter (with dialog being", "The text just flows continuously until the end of the chapter (with dialog", "of the chapter (with dialog being typed on their own lines). Do I", "right. The text just flows continuously until the end of the chapter (with", "be a stupid question but I am trying to write a small novel,", "text is structured like I described mine except after a certain number of", "a stupid question but I am trying to write a small novel, and", "until the end of the chapter (with dialog being typed on their own", "new paragraph? I have seen in some novels, the text is structured like", "dialog being typed on their own lines). Do I need to make use", "a new paragraph? I have seen in some novels, the text is structured", "seem right. The text just flows continuously until the end of the chapter", "novels, the text is structured like I described mine except after a certain", "structured like I described mine except after a certain number of lines there's", "so: * Do I just write start a new paragraph after a certain", "after a certain number of lines (if so how many lines would constitute", "-- * Do I just use indentation at the start of a particular", "make use of paragraphs, and if so: * Do I just write start", "start of a particular line to mark a new paragraph? I have seen", "stupid question but I am trying to write a small novel, and my", "a paragraph)? OR -- * Do I just use indentation at the start", "the end of the chapter (with dialog being typed on their own lines).", "number of lines (if so how many lines would constitute a paragraph)? OR", "of a particular line to mark a new paragraph? I have seen in", "mine except after a certain number of lines there's an indentation at the", "constitute a paragraph)? OR -- * Do I just use indentation at the", "have seen in some novels, the text is structured like I described mine", "* Do I just write start a new paragraph after a certain number", "paragraph)? OR -- * Do I just use indentation at the start of", "I just use indentation at the start of a particular line to mark", "I described mine except after a certain number of lines there's an indentation", "new paragraph after a certain number of lines (if so how many lines", "except after a certain number of lines there's an indentation at the start", "to write a small novel, and my structure just doesn't seem right. The", "line to mark a new paragraph? I have seen in some novels, the", "typed on their own lines). Do I need to make use of paragraphs,", "I have seen in some novels, the text is structured like I described", "the chapter (with dialog being typed on their own lines). Do I need", "question but I am trying to write a small novel, and my structure", "(with dialog being typed on their own lines). Do I need to make", "Do I just write start a new paragraph after a certain number of", "Do I just use indentation at the start of a particular line to", "flows continuously until the end of the chapter (with dialog being typed on", "a new paragraph after a certain number of lines (if so how many", "structure just doesn't seem right. The text just flows continuously until the end", "of lines (if so how many lines would constitute a paragraph)? OR --", "on their own lines). Do I need to make use of paragraphs, and", "Do I need to make use of paragraphs, and if so: * Do", "might be a stupid question but I am trying to write a small", "write a small novel, and my structure just doesn't seem right. The text", "to mark a new paragraph? I have seen in some novels, the text", "at the start of a particular line to mark a new paragraph? I", "I need to make use of paragraphs, and if so: * Do I", "lines would constitute a paragraph)? OR -- * Do I just use indentation", "a particular line to mark a new paragraph? I have seen in some", "after a certain number of lines there's an indentation at the start of", "just doesn't seem right. The text just flows continuously until the end of", "doesn't seem right. The text just flows continuously until the end of the", "start a new paragraph after a certain number of lines (if so how", "own lines). Do I need to make use of paragraphs, and if so:", "write start a new paragraph after a certain number of lines (if so", "need to make use of paragraphs, and if so: * Do I just", "is structured like I described mine except after a certain number of lines", "This might be a stupid question but I am trying to write a", "am trying to write a small novel, and my structure just doesn't seem", "being typed on their own lines). Do I need to make use of", "some novels, the text is structured like I described mine except after a", "OR -- * Do I just use indentation at the start of a", "but I am trying to write a small novel, and my structure just", "described mine except after a certain number of lines there's an indentation at", "like I described mine except after a certain number of lines there's an", "trying to write a small novel, and my structure just doesn't seem right.", "certain number of lines there's an indentation at the start of a line.", "lines (if so how many lines would constitute a paragraph)? OR -- *", "certain number of lines (if so how many lines would constitute a paragraph)?", "a small novel, and my structure just doesn't seem right. The text just", "the start of a particular line to mark a new paragraph? I have", "in some novels, the text is structured like I described mine except after", "just use indentation at the start of a particular line to mark a" ]
[ "infinitely more nouns then these other special words and thus they are more", "are more flexible. Can anyone point me as to how to achive varaity", "use nouns as sentence openings as well. Colors flooded his face. Pages flew", "I can combine short sentences into long ones. I guess I need to", "verbs and using other parts of speach. And also I can combine short", "potato. (Doesn't sound right for my ear) * Arkadiy Arkadiyevich was an interesting", "big as potato. (Doesn't sound right for my ear) * Arkadiy Arkadiyevich was", "> > > To a Russian reader it is clear from the context", "* Arkadiy Arkadiyevich was an interesting man with an interesting nose. It was", "the focus. E.g from nose to flies. Or it uses other words not", "nose was interesting, just like potato. * Though his nose was just like", "was very proud of it. * When somebody looked at his nose all", "I guess I need to change my mindest, switch somehow from thinking in", "land on his potato like nose. * ... So to avoid using words", "of \"some\" or \"any\" objects. Not specific object like in the case of", "was just like potato. * Arkadiy Arkadiyevich was an interesting man with an", "nose. The nose was just like potato. * Arkadiy Arkadiyevich was an interesting", "potato. * Even his nose was interesting, just like potato. * Though his", "potato... > > > To a Russian reader it is clear from the", "other parts of speach. And also I can combine short sentences into long", "was interesting, just like potato. * Though his nose was just like potato,", "book. But it seems it applies only to a set of \"some\" or", "in the abvoe example? I know that you can start sentences with adverbs,", "can start sentences with adverbs, verbs and using other parts of speach. And", "interesting, just like potato. * Though his nose was just like potato, he", "whos nose are we talking about. I can still say \"His nose\" or", "potato. * Though his nose was just like potato, he nonetheless was very", "his face. Pages flew out of the book. But it seems it applies", "Arkadiy Arkadiyevich was an interesting man with an interesting nose. It was just", "* Though his nose was just like potato, he nonetheless was very proud", "Am I missing something? Can I start sentences with nouns in the abvoe", "a Russian reader it is clear from the context whos nose are we", "potato like nose. * ... So to avoid using words like Arkadiy's, his,", "a potato... > > > In my native language (Russian) I can write", "they are more flexible. Can anyone point me as to how to achive", "openings. I know that in English you can use nouns as sentence openings", "a potato. * A little potato-like nose was planted on his face. ", "me to vary sentence openings. I know that in English you can use", "me as to how to achive varaity in sentence openings? Am I missing", "regarding sentence openings in English language. When I write most of my sentences", " A little potato-like nose was planted on his face. * Nose of", "his, he, a, the, it, my brain tends to rephrase the sentence often", "something? Can I start sentences with nouns in the abvoe example? I know", "seems it applies only to a set of \"some\" or \"any\" objects. Not", "And also I can combine short sentences into long ones. I guess I", "from the context whos nose are we talking about. I can still say", "This gets repetative quickly. For example. > > Arkadiy Arkadiyevich was an interesting", "nouns as sentence openings as well. Colors flooded his face. Pages flew out", "think of following variations. * His nose resembled a potato. * A little", "is very easy for me to vary sentence openings. I know that in", "sentence often times completely loosing the original meaning or at least shifting the", "have a question regarding sentence openings in English language. When I write most", "* All round him were countless flies that attempted to land on his", "\"any\" objects. Not specific object like in the case of Arkadiy's nose. I", "nose\" or even \"Nose his\" but that is not required. Because of this", "interesting man with an interesting nose. It was just like a potato. ", "very easy for me to vary sentence openings. I know that in English", " His nose resembled a potato. * A little potato-like nose was planted", "potato-like nose was planted on his face. * Nose of his was as", "* Nose of his was as big as potato. (Doesn't sound right for", "language (Russian) I can write this. > > Arkadiy Arkadiyevich was an interesting", "Arkadiy Arkadiyevich was an interesting man with an interesting nose. The nose was", "words not nouns to add varaity. The problem is there are infinitely more", "His nose resembled a potato... > > > In my native language (Russian)", "potato, he nonetheless was very proud of it. * When somebody looked at", "guess I need to change my mindest, switch somehow from thinking in Russian", "language. When I write most of my sentences start with determiners and pronouns", "it uses other words not nouns to add varaity. The problem is there", "When I write most of my sentences start with determiners and pronouns (personal", "the context whos nose are we talking about. I can still say \"His", "vary sentence openings. I know that in English you can use nouns as", "flexible. Can anyone point me as to how to achive varaity in sentence", "face. * Nose of his was as big as potato. (Doesn't sound right", "> > To a Russian reader it is clear from the context whos", "I can write this. > > Arkadiy Arkadiyevich was an interesting man. Nose", "for my ear) * Arkadiy Arkadiyevich was an interesting man with an interesting", "(personal and posessive). This gets repetative quickly. For example. > > Arkadiy Arkadiyevich", "least shifting the focus. E.g from nose to flies. Or it uses other", "was a potato. * All round him were countless flies that attempted to", "Pages flew out of the book. But it seems it applies only to", "out of the book. But it seems it applies only to a set", "interesting man with an interesting nose. The nose was just like potato. ", "this. > > Arkadiy Arkadiyevich was an interesting man. Nose resembled potato... >", "start with determiners and pronouns (personal and posessive). This gets repetative quickly. For", "more flexible. Can anyone point me as to how to achive varaity in", "... So to avoid using words like Arkadiy's, his, he, a, the, it,", "just like potato. Though his nose was just like potato, he nonetheless", "loosing the original meaning or at least shifting the focus. E.g from nose", "add varaity. The problem is there are infinitely more nouns then these other", "of following variations. * His nose resembled a potato. * A little potato-like", "point me as to how to achive varaity in sentence openings? Am I", "anyone point me as to how to achive varaity in sentence openings? Am", "of speach. And also I can combine short sentences into long ones. I", "interesting nose. It was just like a potato. * Even his nose was", "long ones. I guess I need to change my mindest, switch somehow from", "nouns then these other special words and thus they are more flexible. Can", "special words and thus they are more flexible. Can anyone point me as", "planted on his face. * Nose of his was as big as potato.", "I can still say \"His nose\" or even \"Nose his\" but that is", "nose. * ... So to avoid using words like Arkadiy's, his, he, a,", "uses other words not nouns to add varaity. The problem is there are", "with nouns in the abvoe example? I know that you can start sentences", "* ... So to avoid using words like Arkadiy's, his, he, a, the,", "on his face. * Nose of his was as big as potato. (Doesn't", "start sentences with nouns in the abvoe example? I know that you can", "resembled a potato. * A little potato-like nose was planted on his face.", "Or it uses other words not nouns to add varaity. The problem is", "then these other special words and thus they are more flexible. Can anyone", "man with an interesting nose. The nose was just like potato. * Arkadiy", "his nose all they could see was a potato. * All round him", "* Even his nose was interesting, just like potato. * Though his nose", "object like in the case of Arkadiy's nose. I can think of following", "a potato. * All round him were countless flies that attempted to land", "were countless flies that attempted to land on his potato like nose. ", "is there are infinitely more nouns then these other special words and thus", "other special words and thus they are more flexible. Can anyone point me", "> Arkadiy Arkadiyevich was an interesting man. His nose resembled a potato... >", "nose resembled a potato... > > > In my native language (Russian) I", "sentences into long ones. I guess I need to change my mindest, switch", "to vary sentence openings. I know that in English you can use nouns", "write this. > > Arkadiy Arkadiyevich was an interesting man. Nose resembled potato...", "Even his nose was interesting, just like potato. Though his nose was", "focus. E.g from nose to flies. Or it uses other words not nouns", "But it seems it applies only to a set of \"some\" or \"any\"", "at least shifting the focus. E.g from nose to flies. Or it uses", "or \"any\" objects. Not specific object like in the case of Arkadiy's nose.", "Arkadiy's, his, he, a, the, it, my brain tends to rephrase the sentence", "only to a set of \"some\" or \"any\" objects. Not specific object like", "E.g from nose to flies. Or it uses other words not nouns to", "an interesting nose. The nose was just like potato. * Arkadiy Arkadiyevich was", "can write this. > > Arkadiy Arkadiyevich was an interesting man. Nose resembled", "nose was just like potato. * Arkadiy Arkadiyevich was an interesting man with", "start sentences with adverbs, verbs and using other parts of speach. And also", "change my mindest, switch somehow from thinking in Russian to thinking in English.", "potato. * All round him were countless flies that attempted to land on", "following variations. * His nose resembled a potato. * A little potato-like nose", "my sentences start with determiners and pronouns (personal and posessive). This gets repetative", "A little potato-like nose was planted on his face. * Nose of his", "see was a potato. * All round him were countless flies that attempted", "like nose. * ... So to avoid using words like Arkadiy's, his, he,", "repetative quickly. For example. > > Arkadiy Arkadiyevich was an interesting man. His", "So to avoid using words like Arkadiy's, his, he, a, the, it, my", "man with an interesting nose. It was just like a potato. * Even", "Not specific object like in the case of Arkadiy's nose. I can think", "but that is not required. Because of this it is very easy for", "I need to change my mindest, switch somehow from thinking in Russian to", "example? I know that you can start sentences with adverbs, verbs and using", "> > > In my native language (Russian) I can write this. >", "clear from the context whos nose are we talking about. I can still", "can think of following variations. * His nose resembled a potato. * A", "like potato. * Arkadiy Arkadiyevich was an interesting man with an interesting nose.", "parts of speach. And also I can combine short sentences into long ones.", "native language (Russian) I can write this. > > Arkadiy Arkadiyevich was an", "can combine short sentences into long ones. I guess I need to change", "was as big as potato. (Doesn't sound right for my ear) * Arkadiy", "his nose was just like potato, he nonetheless was very proud of it.", "round him were countless flies that attempted to land on his potato like", "somebody looked at his nose all they could see was a potato. ", "resembled a potato... > > > In my native language (Russian) I can", "countless flies that attempted to land on his potato like nose. ...", "it is clear from the context whos nose are we talking about. I", "Arkadiyevich was an interesting man with an interesting nose. It was just like", "flies that attempted to land on his potato like nose. * ... So", "potato... > > > In my native language (Russian) I can write this.", "my brain tends to rephrase the sentence often times completely loosing the original", "> > In my native language (Russian) I can write this. > >", "was an interesting man with an interesting nose. It was just like a", "> > Arkadiy Arkadiyevich was an interesting man. His nose resembled a potato...", "combine short sentences into long ones. I guess I need to change my", "my ear) * Arkadiy Arkadiyevich was an interesting man with an interesting nose.", "flooded his face. Pages flew out of the book. But it seems it", "of the book. But it seems it applies only to a set of", "> Arkadiy Arkadiyevich was an interesting man. Nose resembled potato... > > >", "(Russian) I can write this. > > Arkadiy Arkadiyevich was an interesting man.", "just like potato. * Arkadiy Arkadiyevich was an interesting man with an interesting", "for me to vary sentence openings. I know that in English you can", "and using other parts of speach. And also I can combine short sentences", "in English you can use nouns as sentence openings as well. Colors flooded", "problem is there are infinitely more nouns then these other special words and", "Can I start sentences with nouns in the abvoe example? I know that", "nose to flies. Or it uses other words not nouns to add varaity.", "varaity in sentence openings? Am I missing something? Can I start sentences with", "are we talking about. I can still say \"His nose\" or even \"Nose", "reader it is clear from the context whos nose are we talking about.", "and posessive). This gets repetative quickly. For example. > > Arkadiy Arkadiyevich was", "applies only to a set of \"some\" or \"any\" objects. Not specific object", "we talking about. I can still say \"His nose\" or even \"Nose his\"", "His nose resembled a potato. * A little potato-like nose was planted on", "I missing something? Can I start sentences with nouns in the abvoe example?", "at his nose all they could see was a potato. * All round", "* When somebody looked at his nose all they could see was a", "that you can start sentences with adverbs, verbs and using other parts of", "as sentence openings as well. Colors flooded his face. Pages flew out of", "other words not nouns to add varaity. The problem is there are infinitely", "words like Arkadiy's, his, he, a, the, it, my brain tends to rephrase", "times completely loosing the original meaning or at least shifting the focus. E.g", "> > Arkadiy Arkadiyevich was an interesting man. Nose resembled potato... > >", "Though his nose was just like potato, he nonetheless was very proud of", "talking about. I can still say \"His nose\" or even \"Nose his\" but", "determiners and pronouns (personal and posessive). This gets repetative quickly. For example. >", "it, my brain tends to rephrase the sentence often times completely loosing the", "words and thus they are more flexible. Can anyone point me as to", "to avoid using words like Arkadiy's, his, he, a, the, it, my brain", "flew out of the book. But it seems it applies only to a", "I know that in English you can use nouns as sentence openings as", "his\" but that is not required. Because of this it is very easy", "it applies only to a set of \"some\" or \"any\" objects. Not specific", "was an interesting man with an interesting nose. The nose was just like", "easy for me to vary sentence openings. I know that in English you", "of his was as big as potato. (Doesn't sound right for my ear)", "Nose of his was as big as potato. (Doesn't sound right for my", "like a potato. * Even his nose was interesting, just like potato. ", "\"Nose his\" but that is not required. Because of this it is very", "his face. Nose of his was as big as potato. (Doesn't sound", "know that you can start sentences with adverbs, verbs and using other parts", "an interesting man with an interesting nose. The nose was just like potato.", "> In my native language (Russian) I can write this. > > Arkadiy", "are infinitely more nouns then these other special words and thus they are", "with determiners and pronouns (personal and posessive). This gets repetative quickly. For example.", "he, a, the, it, my brain tends to rephrase the sentence often times", "Arkadiy's nose. I can think of following variations. * His nose resembled a", "to how to achive varaity in sentence openings? Am I missing something? Can", "that attempted to land on his potato like nose. * ... So to", "flies. Or it uses other words not nouns to add varaity. The problem", "was an interesting man. Nose resembled potato... > > > To a Russian", "can still say \"His nose\" or even \"Nose his\" but that is not", "\"His nose\" or even \"Nose his\" but that is not required. Because of", "was an interesting man. His nose resembled a potato... > > > In", "him were countless flies that attempted to land on his potato like nose.", "openings? Am I missing something? Can I start sentences with nouns in the", "Colors flooded his face. Pages flew out of the book. But it seems", "missing something? Can I start sentences with nouns in the abvoe example? I", "I can think of following variations. * His nose resembled a potato. ", "his nose was interesting, just like potato. Though his nose was just", "resembled potato... > > > To a Russian reader it is clear from", "interesting man. His nose resembled a potato... > > > In my native", "an interesting nose. It was just like a potato. * Even his nose", "It was just like a potato. * Even his nose was interesting, just", "proud of it. * When somebody looked at his nose all they could", "like in the case of Arkadiy's nose. I can think of following variations.", "often times completely loosing the original meaning or at least shifting the focus.", "The nose was just like potato. * Arkadiy Arkadiyevich was an interesting man", "my mindest, switch somehow from thinking in Russian to thinking in English. Thanks.", "interesting man. Nose resembled potato... > > > To a Russian reader it", "set of \"some\" or \"any\" objects. Not specific object like in the case", "say \"His nose\" or even \"Nose his\" but that is not required. Because", "like potato. * Though his nose was just like potato, he nonetheless was", "also I can combine short sentences into long ones. I guess I need", "> To a Russian reader it is clear from the context whos nose", "gets repetative quickly. For example. > > Arkadiy Arkadiyevich was an interesting man.", "in sentence openings? Am I missing something? Can I start sentences with nouns", "the book. But it seems it applies only to a set of \"some\"", "nose all they could see was a potato. * All round him were", "write most of my sentences start with determiners and pronouns (personal and posessive).", "short sentences into long ones. I guess I need to change my mindest,", "that in English you can use nouns as sentence openings as well. Colors", "little potato-like nose was planted on his face. * Nose of his was", "When somebody looked at his nose all they could see was a potato.", "just like potato, he nonetheless was very proud of it. * When somebody", "nose. I can think of following variations. * His nose resembled a potato.", "and pronouns (personal and posessive). This gets repetative quickly. For example. > >", "potato. * A little potato-like nose was planted on his face. * Nose", "I have a question regarding sentence openings in English language. When I write", "Arkadiy Arkadiyevich was an interesting man. His nose resembled a potato... > >", "(Doesn't sound right for my ear) * Arkadiy Arkadiyevich was an interesting man", "sentence openings in English language. When I write most of my sentences start", "sentence openings? Am I missing something? Can I start sentences with nouns in", "a set of \"some\" or \"any\" objects. Not specific object like in the", "his potato like nose. * ... So to avoid using words like Arkadiy's,", "I start sentences with nouns in the abvoe example? I know that you", "can use nouns as sentence openings as well. Colors flooded his face. Pages", "it. * When somebody looked at his nose all they could see was", "most of my sentences start with determiners and pronouns (personal and posessive). This", "with an interesting nose. The nose was just like potato. * Arkadiy Arkadiyevich", "the, it, my brain tends to rephrase the sentence often times completely loosing", "to a set of \"some\" or \"any\" objects. Not specific object like in", "into long ones. I guess I need to change my mindest, switch somehow", "openings in English language. When I write most of my sentences start with", "to land on his potato like nose. * ... So to avoid using", "of Arkadiy's nose. I can think of following variations. * His nose resembled", "to add varaity. The problem is there are infinitely more nouns then these", "variations. * His nose resembled a potato. * A little potato-like nose was", "still say \"His nose\" or even \"Nose his\" but that is not required.", "specific object like in the case of Arkadiy's nose. I can think of", "or at least shifting the focus. E.g from nose to flies. Or it", "an interesting man. His nose resembled a potato... > > > In my", "even \"Nose his\" but that is not required. Because of this it is", "on his potato like nose. * ... So to avoid using words like", "Because of this it is very easy for me to vary sentence openings.", "not nouns to add varaity. The problem is there are infinitely more nouns", "from nose to flies. Or it uses other words not nouns to add", "well. Colors flooded his face. Pages flew out of the book. But it", "a potato. * Even his nose was interesting, just like potato. * Though", "there are infinitely more nouns then these other special words and thus they", "original meaning or at least shifting the focus. E.g from nose to flies.", "could see was a potato. * All round him were countless flies that", "face. Pages flew out of the book. But it seems it applies only", "looked at his nose all they could see was a potato. * All", "more nouns then these other special words and thus they are more flexible.", "with adverbs, verbs and using other parts of speach. And also I can", "Russian reader it is clear from the context whos nose are we talking", "pronouns (personal and posessive). This gets repetative quickly. For example. > > Arkadiy", "an interesting man with an interesting nose. It was just like a potato.", "nose was planted on his face. * Nose of his was as big", "nouns to add varaity. The problem is there are infinitely more nouns then", "his was as big as potato. (Doesn't sound right for my ear) ", "like potato, he nonetheless was very proud of it. When somebody looked", "English language. When I write most of my sentences start with determiners and", "that is not required. Because of this it is very easy for me", "how to achive varaity in sentence openings? Am I missing something? Can I", "speach. And also I can combine short sentences into long ones. I guess", "meaning or at least shifting the focus. E.g from nose to flies. Or", "nose was just like potato, he nonetheless was very proud of it. ", "of this it is very easy for me to vary sentence openings. I", "context whos nose are we talking about. I can still say \"His nose\"", "sentences start with determiners and pronouns (personal and posessive). This gets repetative quickly.", "man. Nose resembled potato... > > > To a Russian reader it is", "just like a potato. Even his nose was interesting, just like potato.", "quickly. For example. > > Arkadiy Arkadiyevich was an interesting man. His nose", "as big as potato. (Doesn't sound right for my ear) * Arkadiy Arkadiyevich", "adverbs, verbs and using other parts of speach. And also I can combine", "need to change my mindest, switch somehow from thinking in Russian to thinking", "in English language. When I write most of my sentences start with determiners", "of it. * When somebody looked at his nose all they could see", "to flies. Or it uses other words not nouns to add varaity. The", "sentence openings. I know that in English you can use nouns as sentence", "The problem is there are infinitely more nouns then these other special words", "using other parts of speach. And also I can combine short sentences into", "the abvoe example? I know that you can start sentences with adverbs, verbs", "All round him were countless flies that attempted to land on his potato", "as to how to achive varaity in sentence openings? Am I missing something?", "all they could see was a potato. * All round him were countless", "is not required. Because of this it is very easy for me to", "the case of Arkadiy's nose. I can think of following variations. * His", "In my native language (Russian) I can write this. > > Arkadiy Arkadiyevich", "required. Because of this it is very easy for me to vary sentence", "Arkadiyevich was an interesting man. Nose resembled potato... > > > To a", "nose. It was just like a potato. * Even his nose was interesting,", "right for my ear) * Arkadiy Arkadiyevich was an interesting man with an", "to rephrase the sentence often times completely loosing the original meaning or at", "not required. Because of this it is very easy for me to vary", "thus they are more flexible. Can anyone point me as to how to", "attempted to land on his potato like nose. * ... So to avoid", "varaity. The problem is there are infinitely more nouns then these other special", "as well. Colors flooded his face. Pages flew out of the book. But", "nose resembled a potato. * A little potato-like nose was planted on his", "\"some\" or \"any\" objects. Not specific object like in the case of Arkadiy's", "was just like potato, he nonetheless was very proud of it. * When", "man. His nose resembled a potato... > > > In my native language", "an interesting man. Nose resembled potato... > > > To a Russian reader", "it seems it applies only to a set of \"some\" or \"any\" objects.", "very proud of it. * When somebody looked at his nose all they", "completely loosing the original meaning or at least shifting the focus. E.g from", "these other special words and thus they are more flexible. Can anyone point", "rephrase the sentence often times completely loosing the original meaning or at least", "you can start sentences with adverbs, verbs and using other parts of speach.", "sentence openings as well. Colors flooded his face. Pages flew out of the", "they could see was a potato. * All round him were countless flies", "nose are we talking about. I can still say \"His nose\" or even", "Arkadiyevich was an interesting man with an interesting nose. The nose was just", "abvoe example? I know that you can start sentences with adverbs, verbs and", "case of Arkadiy's nose. I can think of following variations. * His nose", "ear) * Arkadiy Arkadiyevich was an interesting man with an interesting nose. The", "know that in English you can use nouns as sentence openings as well.", "with an interesting nose. It was just like a potato. * Even his", "he nonetheless was very proud of it. * When somebody looked at his", "about. I can still say \"His nose\" or even \"Nose his\" but that", "or even \"Nose his\" but that is not required. Because of this it", "* Arkadiy Arkadiyevich was an interesting man with an interesting nose. The nose", "Arkadiy Arkadiyevich was an interesting man. Nose resembled potato... > > > To", "this it is very easy for me to vary sentence openings. I know", "achive varaity in sentence openings? Am I missing something? Can I start sentences", "a, the, it, my brain tends to rephrase the sentence often times completely", "tends to rephrase the sentence often times completely loosing the original meaning or", "using words like Arkadiy's, his, he, a, the, it, my brain tends to", "posessive). This gets repetative quickly. For example. > > Arkadiy Arkadiyevich was an", "question regarding sentence openings in English language. When I write most of my", "I write most of my sentences start with determiners and pronouns (personal and", "and thus they are more flexible. Can anyone point me as to how", "Arkadiyevich was an interesting man. His nose resembled a potato... > > >", "Can anyone point me as to how to achive varaity in sentence openings?", "it is very easy for me to vary sentence openings. I know that", "avoid using words like Arkadiy's, his, he, a, the, it, my brain tends", "a question regarding sentence openings in English language. When I write most of", "shifting the focus. E.g from nose to flies. Or it uses other words", "like Arkadiy's, his, he, a, the, it, my brain tends to rephrase the", "English you can use nouns as sentence openings as well. Colors flooded his", "was planted on his face. * Nose of his was as big as", "interesting nose. The nose was just like potato. * Arkadiy Arkadiyevich was an", "Nose resembled potato... > > > To a Russian reader it is clear", "sentences with adverbs, verbs and using other parts of speach. And also I", "the sentence often times completely loosing the original meaning or at least shifting", "is clear from the context whos nose are we talking about. I can", "example. > > Arkadiy Arkadiyevich was an interesting man. His nose resembled a", "For example. > > Arkadiy Arkadiyevich was an interesting man. His nose resembled", "you can use nouns as sentence openings as well. Colors flooded his face.", "potato. * Arkadiy Arkadiyevich was an interesting man with an interesting nose. It", "nonetheless was very proud of it. * When somebody looked at his nose", "brain tends to rephrase the sentence often times completely loosing the original meaning", "sentences with nouns in the abvoe example? I know that you can start", "openings as well. Colors flooded his face. Pages flew out of the book.", "To a Russian reader it is clear from the context whos nose are", "the original meaning or at least shifting the focus. E.g from nose to", "sound right for my ear) * Arkadiy Arkadiyevich was an interesting man with", "ones. I guess I need to change my mindest, switch somehow from thinking", "of my sentences start with determiners and pronouns (personal and posessive). This gets", "was just like a potato. * Even his nose was interesting, just like", "nouns in the abvoe example? I know that you can start sentences with", "to change my mindest, switch somehow from thinking in Russian to thinking in", "I know that you can start sentences with adverbs, verbs and using other", "to achive varaity in sentence openings? Am I missing something? Can I start", "as potato. (Doesn't sound right for my ear) * Arkadiy Arkadiyevich was an", "objects. Not specific object like in the case of Arkadiy's nose. I can", "my native language (Russian) I can write this. > > Arkadiy Arkadiyevich was", "in the case of Arkadiy's nose. I can think of following variations. *" ]
[ "short, the POV changes — usually 3 POVs per chapter — are very", "the chapters are relatively short, the POV changes — usually 3 POVs per", "should a segment in one POV be? I'm writing ensemble 3rd person and", "ensemble 3rd person and tend to like to let the story dictate its", "and tend to like to let the story dictate its own pace. However,", "chapters are relatively short, the POV changes — usually 3 POVs per chapter", "story dictate its own pace. However, I'm concerned that as the chapters are", "tend to like to let the story dictate its own pace. However, I'm", "pace. However, I'm concerned that as the chapters are relatively short, the POV", "are relatively short, the POV changes — usually 3 POVs per chapter —", "3rd person and tend to like to let the story dictate its own", "writing ensemble 3rd person and tend to like to let the story dictate", "usually 3 POVs per chapter — are very frequent, and the segments may", "POV be? I'm writing ensemble 3rd person and tend to like to let", "segment in one POV be? I'm writing ensemble 3rd person and tend to", "own pace. However, I'm concerned that as the chapters are relatively short, the", "dictate its own pace. However, I'm concerned that as the chapters are relatively", "one POV be? I'm writing ensemble 3rd person and tend to like to", "let the story dictate its own pace. However, I'm concerned that as the", "per chapter — are very frequent, and the segments may be jarringly short.", "concerned that as the chapters are relatively short, the POV changes — usually", "as the chapters are relatively short, the POV changes — usually 3 POVs", "to let the story dictate its own pace. However, I'm concerned that as", "characters, how long should a segment in one POV be? I'm writing ensemble", "rotating POV between multiple characters, how long should a segment in one POV", "be? I'm writing ensemble 3rd person and tend to like to let the", "multiple characters, how long should a segment in one POV be? I'm writing", "POV between multiple characters, how long should a segment in one POV be?", "like to let the story dictate its own pace. However, I'm concerned that", "changes — usually 3 POVs per chapter — are very frequent, and the", "long should a segment in one POV be? I'm writing ensemble 3rd person", "the story dictate its own pace. However, I'm concerned that as the chapters", "person and tend to like to let the story dictate its own pace.", "— usually 3 POVs per chapter — are very frequent, and the segments", "POVs per chapter — are very frequent, and the segments may be jarringly", "its own pace. However, I'm concerned that as the chapters are relatively short,", "I'm concerned that as the chapters are relatively short, the POV changes —", "However, I'm concerned that as the chapters are relatively short, the POV changes", "3 POVs per chapter — are very frequent, and the segments may be", "a segment in one POV be? I'm writing ensemble 3rd person and tend", "POV changes — usually 3 POVs per chapter — are very frequent, and", "in one POV be? I'm writing ensemble 3rd person and tend to like", "between multiple characters, how long should a segment in one POV be? I'm", "relatively short, the POV changes — usually 3 POVs per chapter — are", "the POV changes — usually 3 POVs per chapter — are very frequent,", "how long should a segment in one POV be? I'm writing ensemble 3rd", "to like to let the story dictate its own pace. However, I'm concerned", "When rotating POV between multiple characters, how long should a segment in one", "that as the chapters are relatively short, the POV changes — usually 3", "I'm writing ensemble 3rd person and tend to like to let the story" ]
[ "or a writing and you have two people doing it, do you put", "put a comma before the and in something like... By Arielle, and Volla?", "are doing a research paper or a writing and you have two people", "you are doing a research paper or a writing and you have two", "doing it, do you put a comma before the and in something like...", "you put a comma before the and in something like... By Arielle, and", "and you have two people doing it, do you put a comma before", "When you are doing a research paper or a writing and you have", "people doing it, do you put a comma before the and in something", "it, do you put a comma before the and in something like... By", "doing a research paper or a writing and you have two people doing", "a writing and you have two people doing it, do you put a", "research paper or a writing and you have two people doing it, do", "paper or a writing and you have two people doing it, do you", "you have two people doing it, do you put a comma before the", "do you put a comma before the and in something like... By Arielle,", "a research paper or a writing and you have two people doing it,", "two people doing it, do you put a comma before the and in", "writing and you have two people doing it, do you put a comma", "have two people doing it, do you put a comma before the and" ]
[ "their personal thoughts, reactions etc. My question is how far can you go", "past with half a dozen POV characters. I make an effort to never", "give a lot of their personal thoughts, reactions etc. My question is how", "half a dozen POV characters. I make an effort to never slip into", "tend—with one character especially—to give a lot of their personal thoughts, reactions etc.", "POV characters. I make an effort to never slip into omniscient and try", "own voices i.e wheel of time. My problem is that I tend—with one", "of time. My problem is that I tend—with one character especially—to give a", "thoughts, reactions etc. My question is how far can you go before it", "a dozen POV characters. I make an effort to never slip into omniscient", "especially—to give a lot of their personal thoughts, reactions etc. My question is", ", past with half a dozen POV characters. I make an effort to", "omniscient and try to keep my character POVs in their own voices i.e", "time. My problem is that I tend—with one character especially—to give a lot", "person, limited , past with half a dozen POV characters. I make an", "is that I tend—with one character especially—to give a lot of their personal", "writing in third person, limited , past with half a dozen POV characters.", "that I tend—with one character especially—to give a lot of their personal thoughts,", "i.e wheel of time. My problem is that I tend—with one character especially—to", "reactions etc. My question is how far can you go before it needs", "far can you go before it needs to be in the first person.", "to keep my character POVs in their own voices i.e wheel of time.", "in their own voices i.e wheel of time. My problem is that I", "make an effort to never slip into omniscient and try to keep my", "never slip into omniscient and try to keep my character POVs in their", "problem is that I tend—with one character especially—to give a lot of their", "etc. My question is how far can you go before it needs to", "characters. I make an effort to never slip into omniscient and try to", "My problem is that I tend—with one character especially—to give a lot of", "question is how far can you go before it needs to be in", "personal thoughts, reactions etc. My question is how far can you go before", "voices i.e wheel of time. My problem is that I tend—with one character", "limited , past with half a dozen POV characters. I make an effort", "third person, limited , past with half a dozen POV characters. I make", "character POVs in their own voices i.e wheel of time. My problem is", "to never slip into omniscient and try to keep my character POVs in", "I am writing in third person, limited , past with half a dozen", "character especially—to give a lot of their personal thoughts, reactions etc. My question", "their own voices i.e wheel of time. My problem is that I tend—with", "POVs in their own voices i.e wheel of time. My problem is that", "lot of their personal thoughts, reactions etc. My question is how far can", "of their personal thoughts, reactions etc. My question is how far can you", "and try to keep my character POVs in their own voices i.e wheel", "My question is how far can you go before it needs to be", "with half a dozen POV characters. I make an effort to never slip", "a lot of their personal thoughts, reactions etc. My question is how far", "I make an effort to never slip into omniscient and try to keep", "wheel of time. My problem is that I tend—with one character especially—to give", "in third person, limited , past with half a dozen POV characters. I", "slip into omniscient and try to keep my character POVs in their own", "is how far can you go before it needs to be in the", "try to keep my character POVs in their own voices i.e wheel of", "one character especially—to give a lot of their personal thoughts, reactions etc. My", "into omniscient and try to keep my character POVs in their own voices", "I tend—with one character especially—to give a lot of their personal thoughts, reactions", "effort to never slip into omniscient and try to keep my character POVs", "my character POVs in their own voices i.e wheel of time. My problem", "how far can you go before it needs to be in the first", "am writing in third person, limited , past with half a dozen POV", "dozen POV characters. I make an effort to never slip into omniscient and", "keep my character POVs in their own voices i.e wheel of time. My", "an effort to never slip into omniscient and try to keep my character" ]
[ "experiences of the past. The fantasy part would be this: the world is", "any obvious problem with this style for a fantasy fiction novel? For example,", "there any obvious problem with this style for a fantasy fiction novel? For", "memoir be suitable? More specifically, the writing would be the personal account of", "for my own entertainment). Would the style of a memoir be suitable? More", "tension and excitement? If so, is there any way to achieve those effects", "obvious problem with this style for a fantasy fiction novel? For example, would", "removing the tension and excitement? If so, is there any way to achieve", "where it would be natural for the character to talk about things involving", "the one we have, up until 2015, when magic \"invaded\" it. A bunch", "be this: the world is like the one we have, up until 2015,", "about writing a work on fantasy fiction (casually, mostly for my own entertainment).", "for a fantasy fiction novel? For example, would there be many situations where", "work on fantasy fiction (casually, mostly for my own entertainment). Would the style", "More specifically, the writing would be the personal account of a fictional character", "no matter how intense things get, the narrator will survive, and thus removing", "problem with this style for a fantasy fiction novel? For example, would there", "the writing is a memoir suggest to the reader that no matter how", "get, the narrator will survive, and thus removing the tension and excitement? If", "be suitable? More specifically, the writing would be the personal account of a", "the narrator will survive, and thus removing the tension and excitement? If so,", "his experiences of the past. The fantasy part would be this: the world", "of people died and an apocalypse started, the narrator struggles to survive in", "would be natural for the character to talk about things involving magic but", "part would be this: the world is like the one we have, up", "and excitement? If so, is there any way to achieve those effects in", "many situations where it would be natural for the character to talk about", "after everything got better. My question is, is there any obvious problem with", "fictional character on his experiences of the past. The fantasy part would be", "up until 2015, when magic \"invaded\" it. A bunch of people died and", "survive in the post-apocalyptic, magical world. The memoir is written after everything got", "things get, the narrator will survive, and thus removing the tension and excitement?", "My question is, is there any obvious problem with this style for a", "would be the personal account of a fictional character on his experiences of", "in the post-apocalyptic, magical world. The memoir is written after everything got better.", "talk about things involving magic but the reader may not know enough background", "struggles to survive in the post-apocalyptic, magical world. The memoir is written after", "a work on fantasy fiction (casually, mostly for my own entertainment). Would the", "is, is there any obvious problem with this style for a fantasy fiction", "the conversation to make sense? Also, would the fact that the writing is", "to make sense? Also, would the fact that the writing is a memoir", "narrator struggles to survive in the post-apocalyptic, magical world. The memoir is written", "the writing would be the personal account of a fictional character on his", "reader that no matter how intense things get, the narrator will survive, and", "background for the conversation to make sense? Also, would the fact that the", "this style for a fantasy fiction novel? For example, would there be many", "with this style for a fantasy fiction novel? For example, would there be", "fantasy part would be this: the world is like the one we have,", "this: the world is like the one we have, up until 2015, when", "reader may not know enough background for the conversation to make sense? Also,", "intense things get, the narrator will survive, and thus removing the tension and", "fact that the writing is a memoir suggest to the reader that no", "the reader that no matter how intense things get, the narrator will survive,", "an apocalypse started, the narrator struggles to survive in the post-apocalyptic, magical world.", "a fictional character on his experiences of the past. The fantasy part would", "of the past. The fantasy part would be this: the world is like", "a fantasy fiction novel? For example, would there be many situations where it", "that the writing is a memoir suggest to the reader that no matter", "not know enough background for the conversation to make sense? Also, would the", "the personal account of a fictional character on his experiences of the past.", "own entertainment). Would the style of a memoir be suitable? More specifically, the", "to talk about things involving magic but the reader may not know enough", "Would the style of a memoir be suitable? More specifically, the writing would", "suitable? More specifically, the writing would be the personal account of a fictional", "situations where it would be natural for the character to talk about things", "magic \"invaded\" it. A bunch of people died and an apocalypse started, the", "character on his experiences of the past. The fantasy part would be this:", "would there be many situations where it would be natural for the character", "example, would there be many situations where it would be natural for the", "matter how intense things get, the narrator will survive, and thus removing the", "style of a memoir be suitable? More specifically, the writing would be the", "account of a fictional character on his experiences of the past. The fantasy", "enough background for the conversation to make sense? Also, would the fact that", "to the reader that no matter how intense things get, the narrator will", "post-apocalyptic, magical world. The memoir is written after everything got better. My question", "writing a work on fantasy fiction (casually, mostly for my own entertainment). Would", "memoir is written after everything got better. My question is, is there any", "The fantasy part would be this: the world is like the one we", "be the personal account of a fictional character on his experiences of the", "better. My question is, is there any obvious problem with this style for", "would the fact that the writing is a memoir suggest to the reader", "of a memoir be suitable? More specifically, the writing would be the personal", "is there any obvious problem with this style for a fantasy fiction novel?", "thus removing the tension and excitement? If so, is there any way to", "am thinking about writing a work on fantasy fiction (casually, mostly for my", "make sense? Also, would the fact that the writing is a memoir suggest", "but the reader may not know enough background for the conversation to make", "character to talk about things involving magic but the reader may not know", "Also, would the fact that the writing is a memoir suggest to the", "everything got better. My question is, is there any obvious problem with this", "people died and an apocalypse started, the narrator struggles to survive in the", "when magic \"invaded\" it. A bunch of people died and an apocalypse started,", "the narrator struggles to survive in the post-apocalyptic, magical world. The memoir is", "and thus removing the tension and excitement? If so, is there any way", "the reader may not know enough background for the conversation to make sense?", "A bunch of people died and an apocalypse started, the narrator struggles to", "for the conversation to make sense? Also, would the fact that the writing", "past. The fantasy part would be this: the world is like the one", "one we have, up until 2015, when magic \"invaded\" it. A bunch of", "The memoir is written after everything got better. My question is, is there", "on fantasy fiction (casually, mostly for my own entertainment). Would the style of", "be many situations where it would be natural for the character to talk", "survive, and thus removing the tension and excitement? If so, is there any", "fiction (casually, mostly for my own entertainment). Would the style of a memoir", "conversation to make sense? Also, would the fact that the writing is a", "magic but the reader may not know enough background for the conversation to", "have, up until 2015, when magic \"invaded\" it. A bunch of people died", "magical world. The memoir is written after everything got better. My question is,", "a memoir be suitable? More specifically, the writing would be the personal account", "died and an apocalypse started, the narrator struggles to survive in the post-apocalyptic,", "is written after everything got better. My question is, is there any obvious", "there be many situations where it would be natural for the character to", "know enough background for the conversation to make sense? Also, would the fact", "world is like the one we have, up until 2015, when magic \"invaded\"", "thinking about writing a work on fantasy fiction (casually, mostly for my own", "If so, is there any way to achieve those effects in this style?", "like the one we have, up until 2015, when magic \"invaded\" it. A", "bunch of people died and an apocalypse started, the narrator struggles to survive", "the fact that the writing is a memoir suggest to the reader that", "apocalypse started, the narrator struggles to survive in the post-apocalyptic, magical world. The", "natural for the character to talk about things involving magic but the reader", "started, the narrator struggles to survive in the post-apocalyptic, magical world. The memoir", "on his experiences of the past. The fantasy part would be this: the", "that no matter how intense things get, the narrator will survive, and thus", "would be this: the world is like the one we have, up until", "specifically, the writing would be the personal account of a fictional character on", "sense? Also, would the fact that the writing is a memoir suggest to", "a memoir suggest to the reader that no matter how intense things get,", "involving magic but the reader may not know enough background for the conversation", "\"invaded\" it. A bunch of people died and an apocalypse started, the narrator", "the world is like the one we have, up until 2015, when magic", "how intense things get, the narrator will survive, and thus removing the tension", "be natural for the character to talk about things involving magic but the", "the post-apocalyptic, magical world. The memoir is written after everything got better. My", "2015, when magic \"invaded\" it. A bunch of people died and an apocalypse", "writing is a memoir suggest to the reader that no matter how intense", "my own entertainment). Would the style of a memoir be suitable? More specifically,", "(casually, mostly for my own entertainment). Would the style of a memoir be", "narrator will survive, and thus removing the tension and excitement? If so, is", "about things involving magic but the reader may not know enough background for", "the past. The fantasy part would be this: the world is like the", "fantasy fiction novel? For example, would there be many situations where it would", "is like the one we have, up until 2015, when magic \"invaded\" it.", "of a fictional character on his experiences of the past. The fantasy part", "novel? For example, would there be many situations where it would be natural", "entertainment). Would the style of a memoir be suitable? More specifically, the writing", "written after everything got better. My question is, is there any obvious problem", "style for a fantasy fiction novel? For example, would there be many situations", "suggest to the reader that no matter how intense things get, the narrator", "world. The memoir is written after everything got better. My question is, is", "the character to talk about things involving magic but the reader may not", "for the character to talk about things involving magic but the reader may", "may not know enough background for the conversation to make sense? Also, would", "memoir suggest to the reader that no matter how intense things get, the", "excitement? If so, is there any way to achieve those effects in this", "the tension and excitement? If so, is there any way to achieve those", "to survive in the post-apocalyptic, magical world. The memoir is written after everything", "fantasy fiction (casually, mostly for my own entertainment). Would the style of a", "until 2015, when magic \"invaded\" it. A bunch of people died and an", "writing would be the personal account of a fictional character on his experiences", "fiction novel? For example, would there be many situations where it would be", "and an apocalypse started, the narrator struggles to survive in the post-apocalyptic, magical", "it. A bunch of people died and an apocalypse started, the narrator struggles", "the style of a memoir be suitable? More specifically, the writing would be", "will survive, and thus removing the tension and excitement? If so, is there", "is a memoir suggest to the reader that no matter how intense things", "question is, is there any obvious problem with this style for a fantasy", "we have, up until 2015, when magic \"invaded\" it. A bunch of people", "For example, would there be many situations where it would be natural for", "it would be natural for the character to talk about things involving magic", "I am thinking about writing a work on fantasy fiction (casually, mostly for", "things involving magic but the reader may not know enough background for the", "personal account of a fictional character on his experiences of the past. The", "got better. My question is, is there any obvious problem with this style", "mostly for my own entertainment). Would the style of a memoir be suitable?" ]
[ "to stop my evil, but look at you, you've become just like me\".", "used in the plot, something like \"You came to stop my evil, but", "things considered evil. Now, maybe this could be used in the plot, something", "people. The hero (a.k.a \"the good guy who does good things and is", "to stop this evil, and goes in a journey to face the villain", "please, I know this is cliché, I'm just asking about the good-guy-becoming-evil stuff,", "(a.k.a \"the good guy who does good things and is against the villain\")", "came to stop my evil, but look at you, you've become just like", "guy who does good things and is against the villain\") wants to stop", "evil, but look at you, you've become just like me\". But I'm not", "is evil; he does evil things to the world's people. The hero (a.k.a", "does evil things to the world's people. The hero (a.k.a \"the good guy", "the world's people. The hero (a.k.a \"the good guy who does good things", "I know this is cliché, I'm just asking about the good-guy-becoming-evil stuff, everything", "a journey to face the villain and stop him. However, in order to", "I'm just asking about the good-guy-becoming-evil stuff, everything else is just an example.", "evil, and goes in a journey to face the villain and stop him.", "contradictory? Edit: Oh, please, I know this is cliché, I'm just asking about", "wants to stop this evil, and goes in a journey to face the", "villain and stop him. However, in order to achieve that, the hero ends", "evil; he does evil things to the world's people. The hero (a.k.a \"the", "the plot, something like \"You came to stop my evil, but look at", "evil things to the world's people. The hero (a.k.a \"the good guy who", "to achieve that, the hero ends up also doing things considered evil. Now,", "not sure. Wouldn't it be contradictory? Edit: Oh, please, I know this is", "The villain is evil; he does evil things to the world's people. The", "like me\". But I'm not sure. Wouldn't it be contradictory? Edit: Oh, please,", "also doing things considered evil. Now, maybe this could be used in the", "I'm not sure. Wouldn't it be contradictory? Edit: Oh, please, I know this", "However, in order to achieve that, the hero ends up also doing things", "something like \"You came to stop my evil, but look at you, you've", "villain\") wants to stop this evil, and goes in a journey to face", "doing things considered evil. Now, maybe this could be used in the plot,", "to face the villain and stop him. However, in order to achieve that,", "is against the villain\") wants to stop this evil, and goes in a", "in order to achieve that, the hero ends up also doing things considered", "and stop him. However, in order to achieve that, the hero ends up", "Now, maybe this could be used in the plot, something like \"You came", "Edit: Oh, please, I know this is cliché, I'm just asking about the", "it be contradictory? Edit: Oh, please, I know this is cliché, I'm just", "plot, something like \"You came to stop my evil, but look at you,", "does good things and is against the villain\") wants to stop this evil,", "you, you've become just like me\". But I'm not sure. Wouldn't it be", "me\". But I'm not sure. Wouldn't it be contradictory? Edit: Oh, please, I", "that, the hero ends up also doing things considered evil. Now, maybe this", "maybe this could be used in the plot, something like \"You came to", "my evil, but look at you, you've become just like me\". But I'm", "things and is against the villain\") wants to stop this evil, and goes", "the hero ends up also doing things considered evil. Now, maybe this could", "is cliché, I'm just asking about the good-guy-becoming-evil stuff, everything else is just", "this is cliché, I'm just asking about the good-guy-becoming-evil stuff, everything else is", "journey to face the villain and stop him. However, in order to achieve", "this evil, and goes in a journey to face the villain and stop", "goes in a journey to face the villain and stop him. However, in", "in the plot, something like \"You came to stop my evil, but look", "\"the good guy who does good things and is against the villain\") wants", "stop this evil, and goes in a journey to face the villain and", "look at you, you've become just like me\". But I'm not sure. Wouldn't", "become just like me\". But I'm not sure. Wouldn't it be contradictory? Edit:", "things to the world's people. The hero (a.k.a \"the good guy who does", "\"You came to stop my evil, but look at you, you've become just", "at you, you've become just like me\". But I'm not sure. Wouldn't it", "and goes in a journey to face the villain and stop him. However,", "be contradictory? Edit: Oh, please, I know this is cliché, I'm just asking", "this could be used in the plot, something like \"You came to stop", "stop him. However, in order to achieve that, the hero ends up also", "the villain\") wants to stop this evil, and goes in a journey to", "hero (a.k.a \"the good guy who does good things and is against the", "stop my evil, but look at you, you've become just like me\". But", "in a journey to face the villain and stop him. However, in order", "he does evil things to the world's people. The hero (a.k.a \"the good", "you've become just like me\". But I'm not sure. Wouldn't it be contradictory?", "like \"You came to stop my evil, but look at you, you've become", "considered evil. Now, maybe this could be used in the plot, something like", "against the villain\") wants to stop this evil, and goes in a journey", "world's people. The hero (a.k.a \"the good guy who does good things and", "Wouldn't it be contradictory? Edit: Oh, please, I know this is cliché, I'm", "but look at you, you've become just like me\". But I'm not sure.", "him. However, in order to achieve that, the hero ends up also doing", "be used in the plot, something like \"You came to stop my evil,", "order to achieve that, the hero ends up also doing things considered evil.", "face the villain and stop him. However, in order to achieve that, the", "the villain and stop him. However, in order to achieve that, the hero", "achieve that, the hero ends up also doing things considered evil. Now, maybe", "good things and is against the villain\") wants to stop this evil, and", "up also doing things considered evil. Now, maybe this could be used in", "could be used in the plot, something like \"You came to stop my", "But I'm not sure. Wouldn't it be contradictory? Edit: Oh, please, I know", "and is against the villain\") wants to stop this evil, and goes in", "good guy who does good things and is against the villain\") wants to", "The hero (a.k.a \"the good guy who does good things and is against", "who does good things and is against the villain\") wants to stop this", "know this is cliché, I'm just asking about the good-guy-becoming-evil stuff, everything else", "hero ends up also doing things considered evil. Now, maybe this could be", "evil. Now, maybe this could be used in the plot, something like \"You", "villain is evil; he does evil things to the world's people. The hero", "to the world's people. The hero (a.k.a \"the good guy who does good", "Oh, please, I know this is cliché, I'm just asking about the good-guy-becoming-evil", "ends up also doing things considered evil. Now, maybe this could be used", "cliché, I'm just asking about the good-guy-becoming-evil stuff, everything else is just an", "just like me\". But I'm not sure. Wouldn't it be contradictory? Edit: Oh,", "sure. Wouldn't it be contradictory? Edit: Oh, please, I know this is cliché," ]
[ "so? This story would be based on a slight mix with the supernatural", "set a dark tone or mood to the story? Just in a short", "tone or mood to the story? Just in a short introduction, if I", "slight mix with the supernatural with realistic touches. Let's say I have a", "would not like or a person I would not like, what is the", "a seen where I have to build up tension till a certain character", "a dark tone or mood to the story? Just in a short introduction,", "I would not like or a person I would not like, what is", "with realistic touches. Let's say I have a seen where I have to", "horror story. What are the best ways to set a dark tone or", "have a seen where I have to build up tension till a certain", "dark tone or mood to the story? Just in a short introduction, if", "supernatural with realistic touches. Let's say I have a seen where I have", "to introduce a character or place as a place I would not like", "like or a person I would not like, what is the best way", "where I have to build up tension till a certain character meets a", "what is the best way to do so? This story would be based", "story. What are the best ways to set a dark tone or mood", "best way to do so? This story would be based on a slight", "the supernatural with realistic touches. Let's say I have a seen where I", "not like, what is the best way to do so? This story would", "short horror story. What are the best ways to set a dark tone", "mood to the story? Just in a short introduction, if I want to", "do so? This story would be based on a slight mix with the", "up tension till a certain character meets a ghost or demon, how would", "based on a slight mix with the supernatural with realistic touches. Let's say", "person I would not like, what is the best way to do so?", "tension till a certain character meets a ghost or demon, how would I", "or mood to the story? Just in a short introduction, if I want", "a person I would not like, what is the best way to do", "realistic touches. Let's say I have a seen where I have to build", "are the best ways to set a dark tone or mood to the", "like, what is the best way to do so? This story would be", "to build up tension till a certain character meets a ghost or demon,", "the best way to do so? This story would be based on a", "a certain character meets a ghost or demon, how would I do so?", "I would not like, what is the best way to do so? This", "to write a short horror story. What are the best ways to set", "to set a dark tone or mood to the story? Just in a", "touches. Let's say I have a seen where I have to build up", "would be based on a slight mix with the supernatural with realistic touches.", "to the story? Just in a short introduction, if I want to introduce", "I want to introduce a character or place as a place I would", "This story would be based on a slight mix with the supernatural with", "best ways to set a dark tone or mood to the story? Just", "introduction, if I want to introduce a character or place as a place", "a short horror story. What are the best ways to set a dark", "ways to set a dark tone or mood to the story? Just in", "if I want to introduce a character or place as a place I", "character or place as a place I would not like or a person", "is the best way to do so? This story would be based on", "a character or place as a place I would not like or a", "I have a seen where I have to build up tension till a", "or a person I would not like, what is the best way to", "have to build up tension till a certain character meets a ghost or", "in a short introduction, if I want to introduce a character or place", "Let's say I have a seen where I have to build up tension", "story would be based on a slight mix with the supernatural with realistic", "write a short horror story. What are the best ways to set a", "the story? Just in a short introduction, if I want to introduce a", "till a certain character meets a ghost or demon, how would I do", "place as a place I would not like or a person I would", "mix with the supernatural with realistic touches. Let's say I have a seen", "to do so? This story would be based on a slight mix with", "seen where I have to build up tension till a certain character meets", "with the supernatural with realistic touches. Let's say I have a seen where", "a place I would not like or a person I would not like,", "want to introduce a character or place as a place I would not", "way to do so? This story would be based on a slight mix", "or place as a place I would not like or a person I", "would not like, what is the best way to do so? This story", "short introduction, if I want to introduce a character or place as a", "want to write a short horror story. What are the best ways to", "build up tension till a certain character meets a ghost or demon, how", "Just in a short introduction, if I want to introduce a character or", "introduce a character or place as a place I would not like or", "story? Just in a short introduction, if I want to introduce a character", "say I have a seen where I have to build up tension till", "a slight mix with the supernatural with realistic touches. Let's say I have", "I have to build up tension till a certain character meets a ghost", "on a slight mix with the supernatural with realistic touches. Let's say I", "as a place I would not like or a person I would not", "What are the best ways to set a dark tone or mood to", "the best ways to set a dark tone or mood to the story?", "be based on a slight mix with the supernatural with realistic touches. Let's", "place I would not like or a person I would not like, what", "not like or a person I would not like, what is the best", "I want to write a short horror story. What are the best ways", "a short introduction, if I want to introduce a character or place as" ]
[ "novel begins to revolve around what happened the very day before the day", "for a novel? * What should I include/not include in my title? At", "these questions. * What creates a good title for a novel? * What", "What should I include/not include in my title? At the moment, I have", "Day Before', however I believe that that's quite generic. On the other hand,", "it does fit the plot, as the end of the novel begins to", "set. So, after writing that paragraph I came up with this addition. ", "come up with 'The Day Before', however I believe that that's quite generic.", "So I created these questions. What creates a good title for a", "On the other hand, it does fit the plot, as the end of", "should I include/not include in my title? At the moment, I have come", "came up with this addition. * How can I make my title original?", "a dilemma, as I cannot title my novel. So I created these questions.", "plot, as the end of the novel begins to revolve around what happened", "I am at a dilemma, as I cannot title my novel. So I", "am at a dilemma, as I cannot title my novel. So I created", "my novel. So I created these questions. * What creates a good title", "moment, I have come up with 'The Day Before', however I believe that", "have come up with 'The Day Before', however I believe that that's quite", "first chapter is set. So, after writing that paragraph I came up with", "writing that paragraph I came up with this addition. * How can I", "* What creates a good title for a novel? * What should I", "So, after writing that paragraph I came up with this addition. * How", "happened the very day before the day in which the first chapter is", "day in which the first chapter is set. So, after writing that paragraph", "* What should I include/not include in my title? At the moment, I", "questions. * What creates a good title for a novel? * What should", "in my title? At the moment, I have come up with 'The Day", "creates a good title for a novel? * What should I include/not include", "that that's quite generic. On the other hand, it does fit the plot,", "created these questions. * What creates a good title for a novel? ", "At the moment, I have come up with 'The Day Before', however I", "a good title for a novel? What should I include/not include in", "that's quite generic. On the other hand, it does fit the plot, as", "novel? * What should I include/not include in my title? At the moment,", "the very day before the day in which the first chapter is set.", "very day before the day in which the first chapter is set. So,", "cannot title my novel. So I created these questions. * What creates a", "which the first chapter is set. So, after writing that paragraph I came", "title? At the moment, I have come up with 'The Day Before', however", "to revolve around what happened the very day before the day in which", "I include/not include in my title? At the moment, I have come up", "is set. So, after writing that paragraph I came up with this addition.", "at a dilemma, as I cannot title my novel. So I created these", "'The Day Before', however I believe that that's quite generic. On the other", "quite generic. On the other hand, it does fit the plot, as the", "generic. On the other hand, it does fit the plot, as the end", "Before', however I believe that that's quite generic. On the other hand, it", "good title for a novel? * What should I include/not include in my", "I believe that that's quite generic. On the other hand, it does fit", "I created these questions. * What creates a good title for a novel?", "believe that that's quite generic. On the other hand, it does fit the", "around what happened the very day before the day in which the first", "my title? At the moment, I have come up with 'The Day Before',", "the end of the novel begins to revolve around what happened the very", "a novel? * What should I include/not include in my title? At the", "the first chapter is set. So, after writing that paragraph I came up", "I came up with this addition. * How can I make my title", "the plot, as the end of the novel begins to revolve around what", "the novel begins to revolve around what happened the very day before the", "the moment, I have come up with 'The Day Before', however I believe", "up with 'The Day Before', however I believe that that's quite generic. On", "with 'The Day Before', however I believe that that's quite generic. On the", "novel. So I created these questions. * What creates a good title for", "begins to revolve around what happened the very day before the day in", "after writing that paragraph I came up with this addition. * How can", "fit the plot, as the end of the novel begins to revolve around", "I have come up with 'The Day Before', however I believe that that's", "What creates a good title for a novel? * What should I include/not", "revolve around what happened the very day before the day in which the", "include in my title? At the moment, I have come up with 'The", "the other hand, it does fit the plot, as the end of the", "include/not include in my title? At the moment, I have come up with", "does fit the plot, as the end of the novel begins to revolve", "however I believe that that's quite generic. On the other hand, it does", "end of the novel begins to revolve around what happened the very day", "paragraph I came up with this addition. * How can I make my", "day before the day in which the first chapter is set. So, after", "before the day in which the first chapter is set. So, after writing", "in which the first chapter is set. So, after writing that paragraph I", "I cannot title my novel. So I created these questions. * What creates", "other hand, it does fit the plot, as the end of the novel", "title my novel. So I created these questions. * What creates a good", "what happened the very day before the day in which the first chapter", "dilemma, as I cannot title my novel. So I created these questions. ", "chapter is set. So, after writing that paragraph I came up with this", "as the end of the novel begins to revolve around what happened the", "the day in which the first chapter is set. So, after writing that", "title for a novel? What should I include/not include in my title?", "of the novel begins to revolve around what happened the very day before", "as I cannot title my novel. So I created these questions. * What", "hand, it does fit the plot, as the end of the novel begins", "that paragraph I came up with this addition. * How can I make" ]
[ "parallels. My question is: Since my story will obviously include ideas and words", "without direct references to their origins. (5) My intent is not to pass", "Furthermore, even some of Tom's dialogue may include direct quotations or paraphrases of", "Adams's ideas that he wrote in his works for use in my character", "may include direct quotations or paraphrases of Adams's works without direct references to", "it is my hope that people will see the parallels. My question is:", "figure. (2) Tom is based on Qohn Idejs. (3) Therefore, without references, I", "lot of Adams's ideas that he wrote in his works for use in", "direct references to their origins. (5) My intent is not to pass these", "references, I paraphrase a lot of Adams's ideas that he wrote in his", "that he wrote in his works for use in my character development. (4)", "in his works for use in my character development. (4) Furthermore, even some", "of Tom's dialogue may include direct quotations or paraphrases of Adams's works without", "question is: Since my story will obviously include ideas and words that are", "for use in my character development. (4) Furthermore, even some of Tom's dialogue", "Tom, who is a political figure. (2) Tom is based on Qohn Idejs.", "is based on Qohn Idejs. (3) Therefore, without references, I paraphrase a lot", "without references, I paraphrase a lot of Adams's ideas that he wrote in", "but under a different name? For example: (1) I write a story with", "works for use in my character development. (4) Furthermore, even some of Tom's", "development. (4) Furthermore, even some of Tom's dialogue may include direct quotations or", "Tom is based on Qohn Idejs. (3) Therefore, without references, I paraphrase a", "of Adams's works without direct references to their origins. (5) My intent is", "is a political figure. (2) Tom is based on Qohn Idejs. (3) Therefore,", "my story will obviously include ideas and words that are not my own,", "the parallels. My question is: Since my story will obviously include ideas and", "wrote in his works for use in my character development. (4) Furthermore, even", "see the parallels. My question is: Since my story will obviously include ideas", "as original, but it is my hope that people will see the parallels.", "is not to pass these off as original, but it is my hope", "different name? For example: (1) I write a story with a hero named", "character development. (4) Furthermore, even some of Tom's dialogue may include direct quotations", "include direct quotations or paraphrases of Adams's works without direct references to their", "story with a hero named Tom, who is a political figure. (2) Tom", "My intent is not to pass these off as original, but it is", "off a historical figure but under a different name? For example: (1) I", "hope that people will see the parallels. My question is: Since my story", "my hope that people will see the parallels. My question is: Since my", "(4) Furthermore, even some of Tom's dialogue may include direct quotations or paraphrases", "a different name? For example: (1) I write a story with a hero", "if I decide to write a story with a character based off a", "or paraphrases of Adams's works without direct references to their origins. (5) My", "(1) I write a story with a hero named Tom, who is a", "quotations or paraphrases of Adams's works without direct references to their origins. (5)", "write a story with a hero named Tom, who is a political figure.", "paraphrase a lot of Adams's ideas that he wrote in his works for", "origins. (5) My intent is not to pass these off as original, but", "on Qohn Idejs. (3) Therefore, without references, I paraphrase a lot of Adams's", "is my hope that people will see the parallels. My question is: Since", "(3) Therefore, without references, I paraphrase a lot of Adams's ideas that he", "off as original, but it is my hope that people will see the", "Since my story will obviously include ideas and words that are not my", "to write a story with a character based off a historical figure but", "a political figure. (2) Tom is based on Qohn Idejs. (3) Therefore, without", "original, but it is my hope that people will see the parallels. My", "with a character based off a historical figure but under a different name?", "will obviously include ideas and words that are not my own, am I", "but it is my hope that people will see the parallels. My question", "Idejs. (3) Therefore, without references, I paraphrase a lot of Adams's ideas that", "a story with a hero named Tom, who is a political figure. (2)", "I write a story with a hero named Tom, who is a political", "story will obviously include ideas and words that are not my own, am", "Therefore, without references, I paraphrase a lot of Adams's ideas that he wrote", "What if I decide to write a story with a character based off", "My question is: Since my story will obviously include ideas and words that", "a story with a character based off a historical figure but under a", "a hero named Tom, who is a political figure. (2) Tom is based", "ideas that he wrote in his works for use in my character development.", "I decide to write a story with a character based off a historical", "figure but under a different name? For example: (1) I write a story", "references to their origins. (5) My intent is not to pass these off", "a lot of Adams's ideas that he wrote in his works for use", "not to pass these off as original, but it is my hope that", "Tom's dialogue may include direct quotations or paraphrases of Adams's works without direct", "works without direct references to their origins. (5) My intent is not to", "is: Since my story will obviously include ideas and words that are not", "dialogue may include direct quotations or paraphrases of Adams's works without direct references", "that people will see the parallels. My question is: Since my story will", "my character development. (4) Furthermore, even some of Tom's dialogue may include direct", "based on Qohn Idejs. (3) Therefore, without references, I paraphrase a lot of", "under a different name? For example: (1) I write a story with a", "Adams's works without direct references to their origins. (5) My intent is not", "name? For example: (1) I write a story with a hero named Tom,", "write a story with a character based off a historical figure but under", "named Tom, who is a political figure. (2) Tom is based on Qohn", "use in my character development. (4) Furthermore, even some of Tom's dialogue may", "with a hero named Tom, who is a political figure. (2) Tom is", "to pass these off as original, but it is my hope that people", "a character based off a historical figure but under a different name? For", "Qohn Idejs. (3) Therefore, without references, I paraphrase a lot of Adams's ideas", "historical figure but under a different name? For example: (1) I write a", "(2) Tom is based on Qohn Idejs. (3) Therefore, without references, I paraphrase", "story with a character based off a historical figure but under a different", "to their origins. (5) My intent is not to pass these off as", "paraphrases of Adams's works without direct references to their origins. (5) My intent", "he wrote in his works for use in my character development. (4) Furthermore,", "people will see the parallels. My question is: Since my story will obviously", "example: (1) I write a story with a hero named Tom, who is", "I paraphrase a lot of Adams's ideas that he wrote in his works", "their origins. (5) My intent is not to pass these off as original,", "political figure. (2) Tom is based on Qohn Idejs. (3) Therefore, without references,", "For example: (1) I write a story with a hero named Tom, who", "of Adams's ideas that he wrote in his works for use in my", "will see the parallels. My question is: Since my story will obviously include", "obviously include ideas and words that are not my own, am I plagiarizing?", "who is a political figure. (2) Tom is based on Qohn Idejs. (3)", "some of Tom's dialogue may include direct quotations or paraphrases of Adams's works", "hero named Tom, who is a political figure. (2) Tom is based on", "direct quotations or paraphrases of Adams's works without direct references to their origins.", "his works for use in my character development. (4) Furthermore, even some of", "pass these off as original, but it is my hope that people will", "a historical figure but under a different name? For example: (1) I write", "decide to write a story with a character based off a historical figure", "these off as original, but it is my hope that people will see", "intent is not to pass these off as original, but it is my", "based off a historical figure but under a different name? For example: (1)", "in my character development. (4) Furthermore, even some of Tom's dialogue may include", "(5) My intent is not to pass these off as original, but it", "even some of Tom's dialogue may include direct quotations or paraphrases of Adams's", "character based off a historical figure but under a different name? For example:" ]
[ "reads Book A and decides to model the main character in his novel,", "main character in Book A. Is he alluding, plagiarizing, or neither? The same", "no secret that in literature we see characters that remind us of other", "secret we see plots that remind us of other plots. For example, an", "Juliet. Nvikuspeara, although he did include elements of his own, borrowed from prior", "Furthermore, it’s no secret we see plots that remind us of other plots.", "in literature we see characters that remind us of other characters. Furthermore, it’s", "after the main character in Book A. Is he alluding, plagiarizing, or neither?", "main character in his novel, Book B, after the main character in Book", "we see plots that remind us of other plots. For example, an author", "an author reads Book A and decides to model the main character in", "question goes for plot as well. To give some flesh to this example,", "and Juliet. Nvikuspeara, although he did include elements of his own, borrowed from", "from prior written works. Do we give Nvikuspeara a pass because of his", "his brilliance? Perhaps the conduct I’ve described isn’t unethical. Where do we draw", "Book B, after the main character in Book A. Is he alluding, plagiarizing,", "see characters that remind us of other characters. Furthermore, it’s no secret we", "no secret we see plots that remind us of other plots. For example,", "although he did include elements of his own, borrowed from prior written works.", "Nvikuspeara a pass because of his brilliance? Perhaps the conduct I’ve described isn’t", "literature we see characters that remind us of other characters. Furthermore, it’s no", "It’s no secret that in literature we see characters that remind us of", "for plot as well. To give some flesh to this example, consider the", "or neither? The same question goes for plot as well. To give some", "of Romeo and Juliet. Nvikuspeara, although he did include elements of his own,", "pass because of his brilliance? Perhaps the conduct I’ve described isn’t unethical. Where", "of other characters. Furthermore, it’s no secret we see plots that remind us", "we give Nvikuspeara a pass because of his brilliance? Perhaps the conduct I’ve", "borrowed from prior written works. Do we give Nvikuspeara a pass because of", "author reads Book A and decides to model the main character in his", "novel, Book B, after the main character in Book A. Is he alluding,", "Do we give Nvikuspeara a pass because of his brilliance? Perhaps the conduct", "he did include elements of his own, borrowed from prior written works. Do", "model the main character in his novel, Book B, after the main character", "characters that remind us of other characters. Furthermore, it’s no secret we see", "remind us of other plots. For example, an author reads Book A and", "us of other plots. For example, an author reads Book A and decides", "same question goes for plot as well. To give some flesh to this", "that in literature we see characters that remind us of other characters. Furthermore,", "own, borrowed from prior written works. Do we give Nvikuspeara a pass because", "some flesh to this example, consider the case of Romeo and Juliet. Nvikuspeara,", "the main character in Book A. Is he alluding, plagiarizing, or neither? The", "the main character in his novel, Book B, after the main character in", "A and decides to model the main character in his novel, Book B,", "plots that remind us of other plots. For example, an author reads Book", "give Nvikuspeara a pass because of his brilliance? Perhaps the conduct I’ve described", "example, an author reads Book A and decides to model the main character", "Book A and decides to model the main character in his novel, Book", "elements of his own, borrowed from prior written works. Do we give Nvikuspeara", "Romeo and Juliet. Nvikuspeara, although he did include elements of his own, borrowed", "plots. For example, an author reads Book A and decides to model the", "plot as well. To give some flesh to this example, consider the case", "remind us of other characters. Furthermore, it’s no secret we see plots that", "A. Is he alluding, plagiarizing, or neither? The same question goes for plot", "alluding, plagiarizing, or neither? The same question goes for plot as well. To", "to model the main character in his novel, Book B, after the main", "decides to model the main character in his novel, Book B, after the", "his novel, Book B, after the main character in Book A. Is he", "he alluding, plagiarizing, or neither? The same question goes for plot as well.", "include elements of his own, borrowed from prior written works. Do we give", "it’s no secret we see plots that remind us of other plots. For", "in his novel, Book B, after the main character in Book A. Is", "us of other characters. Furthermore, it’s no secret we see plots that remind", "see plots that remind us of other plots. For example, an author reads", "secret that in literature we see characters that remind us of other characters.", "to this example, consider the case of Romeo and Juliet. Nvikuspeara, although he", "and decides to model the main character in his novel, Book B, after", "works. Do we give Nvikuspeara a pass because of his brilliance? Perhaps the", "of other plots. For example, an author reads Book A and decides to", "that remind us of other plots. For example, an author reads Book A", "plagiarizing, or neither? The same question goes for plot as well. To give", "characters. Furthermore, it’s no secret we see plots that remind us of other", "neither? The same question goes for plot as well. To give some flesh", "give some flesh to this example, consider the case of Romeo and Juliet.", "as well. To give some flesh to this example, consider the case of", "For example, an author reads Book A and decides to model the main", "did include elements of his own, borrowed from prior written works. Do we", "brilliance? Perhaps the conduct I’ve described isn’t unethical. Where do we draw the", "because of his brilliance? Perhaps the conduct I’ve described isn’t unethical. Where do", "case of Romeo and Juliet. Nvikuspeara, although he did include elements of his", "other plots. For example, an author reads Book A and decides to model", "Book A. Is he alluding, plagiarizing, or neither? The same question goes for", "Perhaps the conduct I’ve described isn’t unethical. Where do we draw the line?", "example, consider the case of Romeo and Juliet. Nvikuspeara, although he did include", "Is he alluding, plagiarizing, or neither? The same question goes for plot as", "B, after the main character in Book A. Is he alluding, plagiarizing, or", "consider the case of Romeo and Juliet. Nvikuspeara, although he did include elements", "of his brilliance? Perhaps the conduct I’ve described isn’t unethical. Where do we", "written works. Do we give Nvikuspeara a pass because of his brilliance? Perhaps", "that remind us of other characters. Furthermore, it’s no secret we see plots", "this example, consider the case of Romeo and Juliet. Nvikuspeara, although he did", "prior written works. Do we give Nvikuspeara a pass because of his brilliance?", "other characters. Furthermore, it’s no secret we see plots that remind us of", "we see characters that remind us of other characters. Furthermore, it’s no secret", "To give some flesh to this example, consider the case of Romeo and", "Nvikuspeara, although he did include elements of his own, borrowed from prior written", "a pass because of his brilliance? Perhaps the conduct I’ve described isn’t unethical.", "The same question goes for plot as well. To give some flesh to", "the case of Romeo and Juliet. Nvikuspeara, although he did include elements of", "flesh to this example, consider the case of Romeo and Juliet. Nvikuspeara, although", "in Book A. Is he alluding, plagiarizing, or neither? The same question goes", "character in his novel, Book B, after the main character in Book A.", "well. To give some flesh to this example, consider the case of Romeo", "of his own, borrowed from prior written works. Do we give Nvikuspeara a", "his own, borrowed from prior written works. Do we give Nvikuspeara a pass", "character in Book A. Is he alluding, plagiarizing, or neither? The same question", "goes for plot as well. To give some flesh to this example, consider" ]
[ "of a journey they have been on, during which events have happened unbeknownst", "appear in a \"how we got here\" summary without it being silly or", "know (or at least think they know) about the last few years of", "to explain all this to the reader. The story itself starts three years", "least think they know) about the last few years of a journey they", "without it being silly or feeling contrived. (e.g. it would be like in", "on, during which events have happened unbeknownst to (most of) the characters, and", "during which events have happened unbeknownst to (most of) the characters, and other", "this. I want the reader to have similar knowledge to the characters, so", "information that would obviously appear in a \"how we got here\" summary without", "at least think they know) about the last few years of a journey", "the characters believe they did. But the chapter is a summary to explain", "silly or feeling contrived. (e.g. it would be like in a novelisation of", "or leave out vital information that would obviously appear in a \"how we", "which events have happened unbeknownst to (most of) the characters, and other things", "the end. The problem is that the one of the sources of the", "beginning. It sets up what all the characters know (or at least think", "knowledge to the characters, so they will be surprised by the reveal. But", "last few years of a journey they have been on, during which events", "to the reader. The story itself starts three years into the journey. The", "The problem is that the one of the sources of the misdirection comes", "It sets up what all the characters know (or at least think they", "But the chapter is a summary to explain all this to the reader.", "I want the reader to have similar knowledge to the characters, so they", "the journey. The problem is this. I want the reader to have similar", "have similar knowledge to the characters, so they will be surprised by the", "in detail Bruce Willis' > > operation after he was shot and heavily", "so they will be surprised by the reveal. But I can't have the", "chapter towards the beginning. It sets up what all the characters know (or", "reader to have similar knowledge to the characters, so they will be surprised", "a journey they have been on, during which events have happened unbeknownst to", "itself starts three years into the journey. The problem is this. I want", "by the reveal. But I can't have the narrator simply lie to the", "of the sources of the misdirection comes from a kind of \"Story so", "\"how we got here\" summary without it being silly or feeling contrived. (e.g.", "surprised by the reveal. But I can't have the narrator simply lie to", "a novelisation of The Sixth Sense, the author describing in detail Bruce Willis'", "author describing in detail Bruce Willis' > > operation after he was shot", "few years of a journey they have been on, during which events have", "they will be surprised by the reveal. But I can't have the narrator", "a kind of \"Story so far\" chapter towards the beginning. It sets up", "reveal. But I can't have the narrator simply lie to the reader, or", "in a novelisation of The Sixth Sense, the author describing in detail Bruce", "involves a kind of plot-twist towards the end. The problem is that the", "so far\" chapter towards the beginning. It sets up what all the characters", "of The Sixth Sense, the author describing in detail Bruce Willis' > >", "would obviously appear in a \"how we got here\" summary without it being", "it being silly or feeling contrived. (e.g. it would be like in a", "be surprised by the reveal. But I can't have the narrator simply lie", "the characters know (or at least think they know) about the last few", "a \"how we got here\" summary without it being silly or feeling contrived.", "end. The problem is that the one of the sources of the misdirection", "this to the reader. The story itself starts three years into the journey.", "describing in detail Bruce Willis' > > operation after he was shot and", "starts three years into the journey. The problem is this. I want the", "misdirection comes from a kind of \"Story so far\" chapter towards the beginning.", "sources of the misdirection comes from a kind of \"Story so far\" chapter", "to have similar knowledge to the characters, so they will be surprised by", "years into the journey. The problem is this. I want the reader to", "we got here\" summary without it being silly or feeling contrived. (e.g. it", "problem is this. I want the reader to have similar knowledge to the", "the narrator simply lie to the reader, or leave out vital information that", "all the characters know (or at least think they know) about the last", "Sixth Sense, the author describing in detail Bruce Willis' > > operation after", "have been on, during which events have happened unbeknownst to (most of) the", "the sources of the misdirection comes from a kind of \"Story so far\"", "the reader, or leave out vital information that would obviously appear in a", "about the last few years of a journey they have been on, during", "comes from a kind of \"Story so far\" chapter towards the beginning. It", "would be like in a novelisation of The Sixth Sense, the author describing", "story involves a kind of plot-twist towards the end. The problem is that", "of the misdirection comes from a kind of \"Story so far\" chapter towards", "the reader. The story itself starts three years into the journey. The problem", "to the reader, or leave out vital information that would obviously appear in", "things didn't happen the way the characters believe they did. But the chapter", "have the narrator simply lie to the reader, or leave out vital information", "Willis' > > operation after he was shot and heavily implying that it", "Bruce Willis' > > operation after he was shot and heavily implying that", "characters, and other things didn't happen the way the characters believe they did.", "> > operation after he was shot and heavily implying that it was", "of plot-twist towards the end. The problem is that the one of the", "a kind of plot-twist towards the end. The problem is that the one", "all this to the reader. The story itself starts three years into the", "sets up what all the characters know (or at least think they know)", "and other things didn't happen the way the characters believe they did. But", "similar knowledge to the characters, so they will be surprised by the reveal.", "summary without it being silly or feeling contrived. (e.g. it would be like", "detail Bruce Willis' > > operation after he was shot and heavily implying", "was shot and heavily implying that it was a success. > > >", "they know) about the last few years of a journey they have been", "that the one of the sources of the misdirection comes from a kind", "(or at least think they know) about the last few years of a", "believe they did. But the chapter is a summary to explain all this", "characters know (or at least think they know) about the last few years", "journey. The problem is this. I want the reader to have similar knowledge", "want the reader to have similar knowledge to the characters, so they will", "I can't have the narrator simply lie to the reader, or leave out", "unbeknownst to (most of) the characters, and other things didn't happen the way", "events have happened unbeknownst to (most of) the characters, and other things didn't", "into the journey. The problem is this. I want the reader to have", "the reveal. But I can't have the narrator simply lie to the reader,", "journey they have been on, during which events have happened unbeknownst to (most", "or feeling contrived. (e.g. it would be like in a novelisation of The", "characters, so they will be surprised by the reveal. But I can't have", "chapter is a summary to explain all this to the reader. The story", "got here\" summary without it being silly or feeling contrived. (e.g. it would", "vital information that would obviously appear in a \"how we got here\" summary", "out vital information that would obviously appear in a \"how we got here\"", "he was shot and heavily implying that it was a success. > >", "years of a journey they have been on, during which events have happened", "can't have the narrator simply lie to the reader, or leave out vital", "The problem is this. I want the reader to have similar knowledge to", "the author describing in detail Bruce Willis' > > operation after he was", "like in a novelisation of The Sixth Sense, the author describing in detail", "reader, or leave out vital information that would obviously appear in a \"how", "explain all this to the reader. The story itself starts three years into", "Sense, the author describing in detail Bruce Willis' > > operation after he", "the characters, and other things didn't happen the way the characters believe they", "happened unbeknownst to (most of) the characters, and other things didn't happen the", "kind of \"Story so far\" chapter towards the beginning. It sets up what", "The story itself starts three years into the journey. The problem is this.", "story itself starts three years into the journey. The problem is this. I", "three years into the journey. The problem is this. I want the reader", "the last few years of a journey they have been on, during which", "way the characters believe they did. But the chapter is a summary to", "summary to explain all this to the reader. The story itself starts three", "characters believe they did. But the chapter is a summary to explain all", "is that the one of the sources of the misdirection comes from a", "But I can't have the narrator simply lie to the reader, or leave", "it would be like in a novelisation of The Sixth Sense, the author", "one of the sources of the misdirection comes from a kind of \"Story", "of) the characters, and other things didn't happen the way the characters believe", "what all the characters know (or at least think they know) about the", "contrived. (e.g. it would be like in a novelisation of The Sixth Sense,", "will be surprised by the reveal. But I can't have the narrator simply", "\"Story so far\" chapter towards the beginning. It sets up what all the", "is this. I want the reader to have similar knowledge to the characters,", "problem is that the one of the sources of the misdirection comes from", "(most of) the characters, and other things didn't happen the way the characters", "simply lie to the reader, or leave out vital information that would obviously", "lie to the reader, or leave out vital information that would obviously appear", "happen the way the characters believe they did. But the chapter is a", "didn't happen the way the characters believe they did. But the chapter is", "novelisation of The Sixth Sense, the author describing in detail Bruce Willis' >", "towards the beginning. It sets up what all the characters know (or at", "to the characters, so they will be surprised by the reveal. But I", "obviously appear in a \"how we got here\" summary without it being silly", "kind of plot-twist towards the end. The problem is that the one of", "think they know) about the last few years of a journey they have", "(e.g. it would be like in a novelisation of The Sixth Sense, the", "the one of the sources of the misdirection comes from a kind of", "know) about the last few years of a journey they have been on,", "plot-twist towards the end. The problem is that the one of the sources", "the chapter is a summary to explain all this to the reader. The", "of \"Story so far\" chapter towards the beginning. It sets up what all", "leave out vital information that would obviously appear in a \"how we got", "here\" summary without it being silly or feeling contrived. (e.g. it would be", "shot and heavily implying that it was a success. > > > )", "reader. The story itself starts three years into the journey. The problem is", "far\" chapter towards the beginning. It sets up what all the characters know", "the way the characters believe they did. But the chapter is a summary", "from a kind of \"Story so far\" chapter towards the beginning. It sets", "the misdirection comes from a kind of \"Story so far\" chapter towards the", "they have been on, during which events have happened unbeknownst to (most of)", "they did. But the chapter is a summary to explain all this to", "The Sixth Sense, the author describing in detail Bruce Willis' > > operation", "towards the end. The problem is that the one of the sources of", "other things didn't happen the way the characters believe they did. But the", "be like in a novelisation of The Sixth Sense, the author describing in", "a summary to explain all this to the reader. The story itself starts", "being silly or feeling contrived. (e.g. it would be like in a novelisation", "in a \"how we got here\" summary without it being silly or feeling", "operation after he was shot and heavily implying that it was a success.", "have happened unbeknownst to (most of) the characters, and other things didn't happen", "to (most of) the characters, and other things didn't happen the way the", "My story involves a kind of plot-twist towards the end. The problem is", "the characters, so they will be surprised by the reveal. But I can't", "after he was shot and heavily implying that it was a success. >", "the reader to have similar knowledge to the characters, so they will be", "the beginning. It sets up what all the characters know (or at least", "that would obviously appear in a \"how we got here\" summary without it", "up what all the characters know (or at least think they know) about", "been on, during which events have happened unbeknownst to (most of) the characters,", "is a summary to explain all this to the reader. The story itself", "feeling contrived. (e.g. it would be like in a novelisation of The Sixth", "did. But the chapter is a summary to explain all this to the", "narrator simply lie to the reader, or leave out vital information that would", "> operation after he was shot and heavily implying that it was a" ]
[ "My question is: how do I visually separate the conclusion from Part II,", "a full page with \"Part I: topic\" on it, a relevant picture and", "Part II and now we get something else entirely\"? Is there a standard", "and now we get something else entirely\"? Is there a standard way to", "Part I: some topic + Chapter 1: ... + Chapter 2: ... ", "this: Acronyms * Preface * Introduction * Part I: some topic +", "+ Chapter 3: ... + Chapter 4: ... * Conclusion * Recommendations and", "Preface * Introduction * Part I: some topic + Chapter 1: ... +", "Conclusion * Recommendations and outlook * Glossary * etc. From the table of", "* Introduction * Part I: some topic + Chapter 1: ... + Chapter", "thesis looks like this: * Acronyms * Preface * Introduction * Part I:", "topic + Chapter 1: ... + Chapter 2: ... * Part II: another", "conclusion from Part II, such that when reading the entire book it is", "entire work. In the actual body of the thesis, parts are indicated by", "the parts, and it is therefore a conclusion about the entire work. In", "Chapter 3: ... + Chapter 4: ... * Conclusion * Recommendations and outlook", "on it, a relevant picture and probably a bombastic quote of some kind.", "topic\" on it, a relevant picture and probably a bombastic quote of some", "is the end of Part II and now we get something else entirely\"?", "level as the parts, and it is therefore a conclusion about the entire", "something else entirely\"? Is there a standard way to do this? Any ideas?", "the thesis, parts are indicated by a full page with \"Part I: topic\"", "From the table of contents it is immediately clear that the Conclusion chapter", "the entire work. In the actual body of the thesis, parts are indicated", "I visually separate the conclusion from Part II, such that when reading the", "it is therefore a conclusion about the entire work. In the actual body", "... + Chapter 2: ... * Part II: another topic + Chapter 3:", "about the entire work. In the actual body of the thesis, parts are", "probably a bombastic quote of some kind. My question is: how do I", "from Part II, such that when reading the entire book it is clear", "PhD thesis looks like this: * Acronyms * Preface * Introduction * Part", "the entire book it is clear to the reader that \"ah, this is", "* Preface * Introduction * Part I: some topic + Chapter 1: ...", "Conclusion chapter is on the same level as the parts, and it is", "* Acronyms * Preface * Introduction * Part I: some topic + Chapter", "the end of Part II and now we get something else entirely\"? Is", "the conclusion from Part II, such that when reading the entire book it", "the Conclusion chapter is on the same level as the parts, and it", "page with \"Part I: topic\" on it, a relevant picture and probably a", "clear to the reader that \"ah, this is the end of Part II", "on the same level as the parts, and it is therefore a conclusion", "I: some topic + Chapter 1: ... + Chapter 2: ... * Part", "and outlook * Glossary * etc. From the table of contents it is", "Chapter 2: ... * Part II: another topic + Chapter 3: ... +", "... + Chapter 4: ... * Conclusion * Recommendations and outlook * Glossary", "another topic + Chapter 3: ... + Chapter 4: ... * Conclusion ", "Recommendations and outlook Glossary * etc. From the table of contents it", "Glossary * etc. From the table of contents it is immediately clear that", "the table of contents it is immediately clear that the Conclusion chapter is", "and it is therefore a conclusion about the entire work. In the actual", "entire book it is clear to the reader that \"ah, this is the", "relevant picture and probably a bombastic quote of some kind. My question is:", "therefore a conclusion about the entire work. In the actual body of the", "the same level as the parts, and it is therefore a conclusion about", "+ Chapter 2: ... * Part II: another topic + Chapter 3: ...", "some topic + Chapter 1: ... + Chapter 2: ... * Part II:", "that \"ah, this is the end of Part II and now we get", "is immediately clear that the Conclusion chapter is on the same level as", "parts are indicated by a full page with \"Part I: topic\" on it,", "the outline of my PhD thesis looks like this: * Acronyms * Preface", "contents it is immediately clear that the Conclusion chapter is on the same", "bombastic quote of some kind. My question is: how do I visually separate", "visually separate the conclusion from Part II, such that when reading the entire", "like this: * Acronyms * Preface * Introduction * Part I: some topic", "... * Part II: another topic + Chapter 3: ... + Chapter 4:", "* Part II: another topic + Chapter 3: ... + Chapter 4: ...", "that the Conclusion chapter is on the same level as the parts, and", "by a full page with \"Part I: topic\" on it, a relevant picture", "+ Chapter 1: ... + Chapter 2: ... * Part II: another topic", "a relevant picture and probably a bombastic quote of some kind. My question", "is therefore a conclusion about the entire work. In the actual body of", "thesis, parts are indicated by a full page with \"Part I: topic\" on", "some kind. My question is: how do I visually separate the conclusion from", "this is the end of Part II and now we get something else", "quote of some kind. My question is: how do I visually separate the", "are indicated by a full page with \"Part I: topic\" on it, a", "Acronyms * Preface * Introduction * Part I: some topic + Chapter 1:", "\"Part I: topic\" on it, a relevant picture and probably a bombastic quote", "actual body of the thesis, parts are indicated by a full page with", "end of Part II and now we get something else entirely\"? Is there", "the reader that \"ah, this is the end of Part II and now", "Chapter 4: ... * Conclusion * Recommendations and outlook * Glossary * etc.", "* Part I: some topic + Chapter 1: ... + Chapter 2: ...", "picture and probably a bombastic quote of some kind. My question is: how", "work. In the actual body of the thesis, parts are indicated by a", "II, such that when reading the entire book it is clear to the", "parts, and it is therefore a conclusion about the entire work. In the", "such that when reading the entire book it is clear to the reader", "Part II, such that when reading the entire book it is clear to", "it is clear to the reader that \"ah, this is the end of", "Introduction * Part I: some topic + Chapter 1: ... + Chapter 2:", "of the thesis, parts are indicated by a full page with \"Part I:", "my PhD thesis looks like this: * Acronyms * Preface * Introduction ", "a bombastic quote of some kind. My question is: how do I visually", "reader that \"ah, this is the end of Part II and now we", "we get something else entirely\"? Is there a standard way to do this?", " Recommendations and outlook * Glossary * etc. From the table of contents", "3: ... + Chapter 4: ... * Conclusion * Recommendations and outlook ", "clear that the Conclusion chapter is on the same level as the parts,", "as the parts, and it is therefore a conclusion about the entire work.", "kind. My question is: how do I visually separate the conclusion from Part", "book it is clear to the reader that \"ah, this is the end", "In the actual body of the thesis, parts are indicated by a full", "II and now we get something else entirely\"? Is there a standard way", "looks like this: Acronyms * Preface * Introduction * Part I: some", "and probably a bombastic quote of some kind. My question is: how do", "of my PhD thesis looks like this: * Acronyms * Preface * Introduction", "... * Conclusion * Recommendations and outlook * Glossary * etc. From the", "Part II: another topic + Chapter 3: ... + Chapter 4: ... ", "table of contents it is immediately clear that the Conclusion chapter is on", "it is immediately clear that the Conclusion chapter is on the same level", "the actual body of the thesis, parts are indicated by a full page", "when reading the entire book it is clear to the reader that \"ah,", "is clear to the reader that \"ah, this is the end of Part", "immediately clear that the Conclusion chapter is on the same level as the", "to the reader that \"ah, this is the end of Part II and", "I: topic\" on it, a relevant picture and probably a bombastic quote of", " etc. From the table of contents it is immediately clear that the", "4: ... * Conclusion * Recommendations and outlook * Glossary * etc. From", "question is: how do I visually separate the conclusion from Part II, such", "with \"Part I: topic\" on it, a relevant picture and probably a bombastic", "full page with \"Part I: topic\" on it, a relevant picture and probably", "get something else entirely\"? Is there a standard way to do this? Any", "topic + Chapter 3: ... + Chapter 4: ... * Conclusion * Recommendations", "is on the same level as the parts, and it is therefore a", "conclusion about the entire work. In the actual body of the thesis, parts", "do I visually separate the conclusion from Part II, such that when reading", "\"ah, this is the end of Part II and now we get something", "Chapter 1: ... + Chapter 2: ... * Part II: another topic +", "that when reading the entire book it is clear to the reader that", "body of the thesis, parts are indicated by a full page with \"Part", "+ Chapter 4: ... * Conclusion * Recommendations and outlook * Glossary ", "etc. From the table of contents it is immediately clear that the Conclusion", "1: ... + Chapter 2: ... Part II: another topic + Chapter", "* Glossary * etc. From the table of contents it is immediately clear", "indicated by a full page with \"Part I: topic\" on it, a relevant", "separate the conclusion from Part II, such that when reading the entire book", "outline of my PhD thesis looks like this: * Acronyms * Preface ", "II: another topic + Chapter 3: ... + Chapter 4: ... Conclusion", "Suppose the outline of my PhD thesis looks like this: * Acronyms ", "outlook Glossary * etc. From the table of contents it is immediately", "is: how do I visually separate the conclusion from Part II, such that", "now we get something else entirely\"? Is there a standard way to do", "of contents it is immediately clear that the Conclusion chapter is on the", "of some kind. My question is: how do I visually separate the conclusion", "chapter is on the same level as the parts, and it is therefore", "it, a relevant picture and probably a bombastic quote of some kind. My", "* Conclusion * Recommendations and outlook * Glossary * etc. From the table", "how do I visually separate the conclusion from Part II, such that when", "of Part II and now we get something else entirely\"? Is there a", "reading the entire book it is clear to the reader that \"ah, this", "same level as the parts, and it is therefore a conclusion about the", "2: ... * Part II: another topic + Chapter 3: ... + Chapter", "a conclusion about the entire work. In the actual body of the thesis," ]
[ "like writing with a pencil because it is more relaxing and pleasant to", "pleasant to edit: The words just flow and there is no bright light.", "flow and there is no bright light. Are there options that combine the", "relaxing and pleasant to edit: The words just flow and there is no", "just flow and there is no bright light. Are there options that combine", "and there is no bright light. Are there options that combine the advantages", "on my laptop because I can type quickly. I like writing with a", "to edit: The words just flow and there is no bright light. Are", "type quickly. I like writing with a pencil because it is more relaxing", "my laptop because I can type quickly. I like writing with a pencil", "is more relaxing and pleasant to edit: The words just flow and there", "can type quickly. I like writing with a pencil because it is more", "it is more relaxing and pleasant to edit: The words just flow and", "words just flow and there is no bright light. Are there options that", "like writing on my laptop because I can type quickly. I like writing", "I like writing on my laptop because I can type quickly. I like", "because it is more relaxing and pleasant to edit: The words just flow", "because I can type quickly. I like writing with a pencil because it", "The words just flow and there is no bright light. Are there options", "is no bright light. Are there options that combine the advantages of both?", "a pencil because it is more relaxing and pleasant to edit: The words", "writing on my laptop because I can type quickly. I like writing with", "and pleasant to edit: The words just flow and there is no bright", "edit: The words just flow and there is no bright light. Are there", "pencil because it is more relaxing and pleasant to edit: The words just", "laptop because I can type quickly. I like writing with a pencil because", "I like writing with a pencil because it is more relaxing and pleasant", "there is no bright light. Are there options that combine the advantages of", "more relaxing and pleasant to edit: The words just flow and there is", "I can type quickly. I like writing with a pencil because it is", "quickly. I like writing with a pencil because it is more relaxing and", "with a pencil because it is more relaxing and pleasant to edit: The", "writing with a pencil because it is more relaxing and pleasant to edit:" ]
[ "having them be the over-the-top, in-your-face \"Patrick Star\" type character who spews non-sequiturs", "how I should write her so that she can be believable and, while", "a moron/fool without having them be the over-the-top, in-your-face \"Patrick Star\" type character", "and dim, and I want to know how I should write her so", "he can find. A character in my story is naive and dim, and", "and stumbles mindlessly into every trap he can find. A character in my", "want to know how to write a moron/fool without having them be the", "direction. I want to know how to write a moron/fool without having them", "be believable and, while making some facepalm-inducing decisions, genuinely tries her best to", "character who spews non-sequiturs and stumbles mindlessly into every trap he can find.", "a written work, but I'd like to go in the opposite direction. 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A character in my story is naive and dim, and I want", "moron/fool without having them be the over-the-top, in-your-face \"Patrick Star\" type character who", "to know how to write a moron/fool without having them be the over-the-top,", "I want to know how to write a moron/fool without having them be", "properly depict intelligence in a written work, but I'd like to go in", "into every trap he can find. A character in my story is naive", "in my story is naive and dim, and I want to know how", "to go in the opposite direction. I want to know how to write", "to properly depict intelligence in a written work, but I'd like to go", "know how to write a moron/fool without having them be the over-the-top, in-your-face", "go in the opposite direction. I want to know how to write a", "opposite direction. I want to know how to write a moron/fool without having", "and, while making some facepalm-inducing decisions, genuinely tries her best to make the", "of people ask how to properly depict intelligence in a written work, but", "but I'd like to go in the opposite direction. I want to know", "while making some facepalm-inducing decisions, genuinely tries her best to make the best", "depict intelligence in a written work, but I'd like to go in the", "so that she can be believable and, while making some facepalm-inducing decisions, genuinely", "non-sequiturs and stumbles mindlessly into every trap he can find. A character in", "character in my story is naive and dim, and I want to know", "my story is naive and dim, and I want to know how I", "making some facepalm-inducing decisions, genuinely tries her best to make the best decisions", "without having them be the over-the-top, in-your-face \"Patrick Star\" type character who spews", "I should write her so that she can be believable and, while making", "can be believable and, while making some facepalm-inducing decisions, genuinely tries her best", "written work, but I'd like to go in the opposite direction. I want", "I'd like to go in the opposite direction. I want to know how", "how to properly depict intelligence in a written work, but I'd like to", "like to go in the opposite direction. I want to know how to", "spews non-sequiturs and stumbles mindlessly into every trap he can find. A character", "that she can be believable and, while making some facepalm-inducing decisions, genuinely tries", "in a written work, but I'd like to go in the opposite direction.", "A character in my story is naive and dim, and I want to", "story is naive and dim, and I want to know how I should", "stumbles mindlessly into every trap he can find. A character in my story", "a lot of people ask how to properly depict intelligence in a written", "heard a lot of people ask how to properly depict intelligence in a", "to know how I should write her so that she can be believable", "the over-the-top, in-your-face \"Patrick Star\" type character who spews non-sequiturs and stumbles mindlessly", "Star\" type character who spews non-sequiturs and stumbles mindlessly into every trap he", "and I want to know how I should write her so that she", "intelligence in a written work, but I'd like to go in the opposite", "she can be believable and, while making some facepalm-inducing decisions, genuinely tries her", "who spews non-sequiturs and stumbles mindlessly into every trap he can find. A", "mindlessly into every trap he can find. A character in my story is", "is naive and dim, and I want to know how I should write", "write her so that she can be believable and, while making some facepalm-inducing", "the opposite direction. I want to know how to write a moron/fool without", "be the over-the-top, in-your-face \"Patrick Star\" type character who spews non-sequiturs and stumbles", "them be the over-the-top, in-your-face \"Patrick Star\" type character who spews non-sequiturs and", "want to know how I should write her so that she can be", "in the opposite direction. I want to know how to write a moron/fool", "should write her so that she can be believable and, while making some", "I want to know how I should write her so that she can", "lot of people ask how to properly depict intelligence in a written work,", "every trap he can find. A character in my story is naive and", "write a moron/fool without having them be the over-the-top, in-your-face \"Patrick Star\" type", "\"Patrick Star\" type character who spews non-sequiturs and stumbles mindlessly into every trap", "can find. A character in my story is naive and dim, and I", "over-the-top, in-your-face \"Patrick Star\" type character who spews non-sequiturs and stumbles mindlessly into", "how to write a moron/fool without having them be the over-the-top, in-your-face \"Patrick", "I've heard a lot of people ask how to properly depict intelligence in", "to write a moron/fool without having them be the over-the-top, in-your-face \"Patrick Star\"", "some facepalm-inducing decisions, genuinely tries her best to make the best decisions possible." ]
[ "again. What do you do to keep youself motivated and get back into", "screenwriting. I can also come up with ideas and start writing. But there", "I can also come up with ideas and start writing. But there is", "and start writing. But there is one problem, I just start writing them", "keep youself motivated and get back into writing a certain story? Are there", "really love writing, mainly screenwriting. I can also come up with ideas and", "can also come up with ideas and start writing. But there is one", "do you do to keep youself motivated and get back into writing a", "also come up with ideas and start writing. But there is one problem,", "with ideas and start writing. But there is one problem, I just start", "do to keep youself motivated and get back into writing a certain story?", "just start writing them and never take up the work again. What do", "to keep youself motivated and get back into writing a certain story? Are", "you do to keep youself motivated and get back into writing a certain", "take up the work again. What do you do to keep youself motivated", "motivated and get back into writing a certain story? Are there any tricks?", "I really love writing, mainly screenwriting. I can also come up with ideas", "I just start writing them and never take up the work again. What", "ideas and start writing. But there is one problem, I just start writing", "up the work again. What do you do to keep youself motivated and", "is one problem, I just start writing them and never take up the", "the work again. What do you do to keep youself motivated and get", "there is one problem, I just start writing them and never take up", "them and never take up the work again. What do you do to", "youself motivated and get back into writing a certain story? Are there any", "writing. But there is one problem, I just start writing them and never", "But there is one problem, I just start writing them and never take", "problem, I just start writing them and never take up the work again.", "What do you do to keep youself motivated and get back into writing", "one problem, I just start writing them and never take up the work", "and never take up the work again. What do you do to keep", "work again. What do you do to keep youself motivated and get back", "writing them and never take up the work again. What do you do", "never take up the work again. What do you do to keep youself", "love writing, mainly screenwriting. I can also come up with ideas and start", "come up with ideas and start writing. But there is one problem, I", "start writing. But there is one problem, I just start writing them and", "up with ideas and start writing. But there is one problem, I just", "start writing them and never take up the work again. What do you", "writing, mainly screenwriting. I can also come up with ideas and start writing.", "mainly screenwriting. I can also come up with ideas and start writing. But" ]
[ "a different character. How can I describe that concisely? I tried: > >", "appropriate. The whole process is mostly subconscious. The viewpoint in the scene is", "not entirely appropriate. The whole process is mostly subconscious. The viewpoint in the", "him. He lets out a satisfied chuckle but tries with partial success to", "is a scene where a character is trying to be level-headed and professional.", "it in as it is not entirely appropriate. The whole process is mostly", "a satisfied chuckle but tries with partial success to hold it in as", "in as it is not entirely appropriate. The whole process is mostly subconscious.", "The viewpoint in the scene is a different character. How can I describe", "sounds good, or that it means exactly what I intend. What are some", "scene is a different character. How can I describe that concisely? I tried:", "viewpoint in the scene is a different character. How can I describe that", "character is trying to be level-headed and professional. However, something happens that is", "to be level-headed and professional. However, something happens that is funny to him.", "stifled a satisfied chuckle. > > > He suppressed a satisfied chuckle. >", "is funny to him. He lets out a satisfied chuckle but tries with", "I tried: > > He stifled a satisfied chuckle. > > > He", "but tries with partial success to hold it in as it is not", "different character. How can I describe that concisely? I tried: > > He", "How can I describe that concisely? I tried: > > He stifled a", "happens that is funny to him. He lets out a satisfied chuckle but", "character. How can I describe that concisely? I tried: > > He stifled", "> > He suppressed a satisfied chuckle. > > > but I'm not", "good, or that it means exactly what I intend. What are some other", "as it is not entirely appropriate. The whole process is mostly subconscious. The", "a scene where a character is trying to be level-headed and professional. However,", "chuckle. > > > He suppressed a satisfied chuckle. > > > but", "funny to him. He lets out a satisfied chuckle but tries with partial", "to him. He lets out a satisfied chuckle but tries with partial success", "convinced that sounds good, or that it means exactly what I intend. What", "that sounds good, or that it means exactly what I intend. What are", "He lets out a satisfied chuckle but tries with partial success to hold", "it is not entirely appropriate. The whole process is mostly subconscious. The viewpoint", "> but I'm not convinced that sounds good, or that it means exactly", "a character is trying to be level-headed and professional. However, something happens that", "chuckle. > > > but I'm not convinced that sounds good, or that", "can I describe that concisely? I tried: > > He stifled a satisfied", "I describe that concisely? I tried: > > He stifled a satisfied chuckle.", "subconscious. The viewpoint in the scene is a different character. How can I", "something happens that is funny to him. He lets out a satisfied chuckle", "and professional. However, something happens that is funny to him. He lets out", "> > He stifled a satisfied chuckle. > > > He suppressed a", "the scene is a different character. How can I describe that concisely? I", "be level-headed and professional. However, something happens that is funny to him. He", "> > > He suppressed a satisfied chuckle. > > > but I'm", "satisfied chuckle. > > > He suppressed a satisfied chuckle. > > >", "concisely? I tried: > > He stifled a satisfied chuckle. > > >", "a satisfied chuckle. > > > He suppressed a satisfied chuckle. > >", "a satisfied chuckle. > > > but I'm not convinced that sounds good,", "or that it means exactly what I intend. What are some other options?", "However, something happens that is funny to him. He lets out a satisfied", "> > but I'm not convinced that sounds good, or that it means", "entirely appropriate. The whole process is mostly subconscious. The viewpoint in the scene", "hold it in as it is not entirely appropriate. The whole process is", "is a different character. How can I describe that concisely? I tried: >", "describe that concisely? I tried: > > He stifled a satisfied chuckle. >", "He suppressed a satisfied chuckle. > > > but I'm not convinced that", "He stifled a satisfied chuckle. > > > He suppressed a satisfied chuckle.", "with partial success to hold it in as it is not entirely appropriate.", "scene where a character is trying to be level-headed and professional. However, something", "where a character is trying to be level-headed and professional. However, something happens", "There is a scene where a character is trying to be level-headed and", "suppressed a satisfied chuckle. > > > but I'm not convinced that sounds", "lets out a satisfied chuckle but tries with partial success to hold it", "to hold it in as it is not entirely appropriate. The whole process", "The whole process is mostly subconscious. The viewpoint in the scene is a", "> > > but I'm not convinced that sounds good, or that it", "out a satisfied chuckle but tries with partial success to hold it in", "partial success to hold it in as it is not entirely appropriate. The", "that concisely? I tried: > > He stifled a satisfied chuckle. > >", "> He stifled a satisfied chuckle. > > > He suppressed a satisfied", "tries with partial success to hold it in as it is not entirely", "tried: > > He stifled a satisfied chuckle. > > > He suppressed", "level-headed and professional. However, something happens that is funny to him. He lets", "process is mostly subconscious. The viewpoint in the scene is a different character.", "but I'm not convinced that sounds good, or that it means exactly what", "is not entirely appropriate. The whole process is mostly subconscious. The viewpoint in", "satisfied chuckle. > > > but I'm not convinced that sounds good, or", "is trying to be level-headed and professional. However, something happens that is funny", "chuckle but tries with partial success to hold it in as it is", "is mostly subconscious. The viewpoint in the scene is a different character. How", "> He suppressed a satisfied chuckle. > > > but I'm not convinced", "that is funny to him. He lets out a satisfied chuckle but tries", "satisfied chuckle but tries with partial success to hold it in as it", "trying to be level-headed and professional. However, something happens that is funny to", "mostly subconscious. The viewpoint in the scene is a different character. How can", "I'm not convinced that sounds good, or that it means exactly what I", "whole process is mostly subconscious. The viewpoint in the scene is a different", "success to hold it in as it is not entirely appropriate. The whole", "not convinced that sounds good, or that it means exactly what I intend.", "in the scene is a different character. How can I describe that concisely?", "professional. However, something happens that is funny to him. He lets out a" ]
[ "to read it through. IMO this is a valid, specific question, albeit a", "example: Imagine you have a character who plans her life and daily activities", "something that will make this woman realize that there is no such thing", "has suffered some past trauma and thinks she is fated to never meet", "notion it tries to dispel (the presence of fate)? EDIT: Based on Anir", "like to clarify this a bit: By \"turning point\", if the term isn't", "you \"awaken\" someone from their fallacious thought that life should be lived according", "or generic, take a moment to read it through. IMO this is a", "realize that there is no such thing as fate. Any thought on how", "on Anir Mass's input, I'd like to clarify this a bit: By \"turning", "plans her life and daily activities according to \"fate\" or \"signs\". Let's say", "a bit complex. To try and unpack the admittedly obscure title, I will", "admittedly obscure title, I will use an example: Imagine you have a character", "through. IMO this is a valid, specific question, albeit a bit complex. To", "according to \"fate\" or \"signs\". Let's say she has suffered some past trauma", "Any thought on how to achieve that, since the idea of a turning", "Anir Mass's input, I'd like to clarify this a bit: By \"turning point\",", "subjective or generic, take a moment to read it through. IMO this is", "is fated to never meet a kind man. Now, assume you want to", "tries to dispel (the presence of fate)? EDIT: Based on Anir Mass's input,", "who plans her life and daily activities according to \"fate\" or \"signs\". Let's", "question as subjective or generic, take a moment to read it through. IMO", "a kind man. Now, assume you want to introduce a turning point in", "such thing as fate. Any thought on how to achieve that, since the", "she has suffered some past trauma and thinks she is fated to never", "suffered some past trauma and thinks she is fated to never meet a", "EDIT: Based on Anir Mass's input, I'd like to clarify this a bit:", "thought on how to achieve that, since the idea of a turning point", "activities according to \"fate\" or \"signs\". Let's say she has suffered some past", "intrinsically connected with the very notion it tries to dispel (the presence of", "have a character who plans her life and daily activities according to \"fate\"", "past trauma and thinks she is fated to never meet a kind man.", "signs, if such a device (i.e. that would cause the awakening) can be", "How do you \"awaken\" someone from their fallacious thought that life should be", "make this woman realize that there is no such thing as fate. Any", "read it through. IMO this is a valid, specific question, albeit a bit", "(the presence of fate)? EDIT: Based on Anir Mass's input, I'd like to", "is a valid, specific question, albeit a bit complex. To try and unpack", "of fate)? EDIT: Based on Anir Mass's input, I'd like to clarify this", "try and unpack the admittedly obscure title, I will use an example: Imagine", "her life and daily activities according to \"fate\" or \"signs\". Let's say she", "thing as fate. Any thought on how to achieve that, since the idea", "machina\" device. In our case, then, the question becomes: How do you \"awaken\"", "something in the direction of a \"Dais ex machina\" device. In our case,", "the narrative journey, something that will make this woman realize that there is", "albeit a bit complex. To try and unpack the admittedly obscure title, I", "By \"turning point\", if the term isn't transparent, imagine something in the direction", "\"Dais ex machina\" device. In our case, then, the question becomes: How do", "point seems intrinsically connected with the very notion it tries to dispel (the", "that, since the idea of a turning point seems intrinsically connected with the", "\"fate\" or \"signs\". Let's say she has suffered some past trauma and thinks", "on how to achieve that, since the idea of a turning point seems", "point in the narrative journey, something that will make this woman realize that", "the admittedly obscure title, I will use an example: Imagine you have a", "a device (i.e. that would cause the awakening) can be construed as a", "fate)? EDIT: Based on Anir Mass's input, I'd like to clarify this a", "this question as subjective or generic, take a moment to read it through.", "To try and unpack the admittedly obscure title, I will use an example:", "seems intrinsically connected with the very notion it tries to dispel (the presence", "the idea of a turning point seems intrinsically connected with the very notion", "journey, something that will make this woman realize that there is no such", "will use an example: Imagine you have a character who plans her life", "fallacious thought that life should be lived according to signs, if such a", "device (i.e. that would cause the awakening) can be construed as a sign", "to dispel (the presence of fate)? EDIT: Based on Anir Mass's input, I'd", "flagging this question as subjective or generic, take a moment to read it", "say she has suffered some past trauma and thinks she is fated to", "daily activities according to \"fate\" or \"signs\". Let's say she has suffered some", "\"signs\". Let's say she has suffered some past trauma and thinks she is", "never meet a kind man. Now, assume you want to introduce a turning", "lived according to signs, if such a device (i.e. that would cause the", "a turning point seems intrinsically connected with the very notion it tries to", "connected with the very notion it tries to dispel (the presence of fate)?", "this woman realize that there is no such thing as fate. Any thought", "from their fallacious thought that life should be lived according to signs, if", "will make this woman realize that there is no such thing as fate.", "this a bit: By \"turning point\", if the term isn't transparent, imagine something", "introduce a turning point in the narrative journey, something that will make this", "generic, take a moment to read it through. IMO this is a valid,", "a valid, specific question, albeit a bit complex. To try and unpack the", "this is a valid, specific question, albeit a bit complex. To try and", "how to achieve that, since the idea of a turning point seems intrinsically", "fate. Any thought on how to achieve that, since the idea of a", "if the term isn't transparent, imagine something in the direction of a \"Dais", "their fallacious thought that life should be lived according to signs, if such", "a \"Dais ex machina\" device. In our case, then, the question becomes: How", "since the idea of a turning point seems intrinsically connected with the very", "idea of a turning point seems intrinsically connected with the very notion it", "no such thing as fate. Any thought on how to achieve that, since", "character who plans her life and daily activities according to \"fate\" or \"signs\".", "presence of fate)? EDIT: Based on Anir Mass's input, I'd like to clarify", "trauma and thinks she is fated to never meet a kind man. Now,", "of a \"Dais ex machina\" device. In our case, then, the question becomes:", "the question becomes: How do you \"awaken\" someone from their fallacious thought that", "Now, assume you want to introduce a turning point in the narrative journey,", "complex. To try and unpack the admittedly obscure title, I will use an", "some past trauma and thinks she is fated to never meet a kind", "fated to never meet a kind man. Now, assume you want to introduce", "with the very notion it tries to dispel (the presence of fate)? EDIT:", "a bit: By \"turning point\", if the term isn't transparent, imagine something in", "it through. IMO this is a valid, specific question, albeit a bit complex.", "question, albeit a bit complex. To try and unpack the admittedly obscure title,", "of a turning point seems intrinsically connected with the very notion it tries", "valid, specific question, albeit a bit complex. To try and unpack the admittedly", "in the direction of a \"Dais ex machina\" device. In our case, then,", "you have a character who plans her life and daily activities according to", "if such a device (i.e. that would cause the awakening) can be construed", "thinks she is fated to never meet a kind man. Now, assume you", "achieve that, since the idea of a turning point seems intrinsically connected with", "should be lived according to signs, if such a device (i.e. that would", "she is fated to never meet a kind man. Now, assume you want", "isn't transparent, imagine something in the direction of a \"Dais ex machina\" device.", "that life should be lived according to signs, if such a device (i.e.", "kind man. Now, assume you want to introduce a turning point in the", "I'd like to clarify this a bit: By \"turning point\", if the term", "to never meet a kind man. Now, assume you want to introduce a", "the very notion it tries to dispel (the presence of fate)? EDIT: Based", "imagine something in the direction of a \"Dais ex machina\" device. In our", "unpack the admittedly obscure title, I will use an example: Imagine you have", "then, the question becomes: How do you \"awaken\" someone from their fallacious thought", "obscure title, I will use an example: Imagine you have a character who", "bit complex. To try and unpack the admittedly obscure title, I will use", "you want to introduce a turning point in the narrative journey, something that", "want to introduce a turning point in the narrative journey, something that will", "turning point seems intrinsically connected with the very notion it tries to dispel", "be lived according to signs, if such a device (i.e. that would cause", "do you \"awaken\" someone from their fallacious thought that life should be lived", "such a device (i.e. that would cause the awakening) can be construed as", "Mass's input, I'd like to clarify this a bit: By \"turning point\", if", "case, then, the question becomes: How do you \"awaken\" someone from their fallacious", "that there is no such thing as fate. Any thought on how to", "becomes: How do you \"awaken\" someone from their fallacious thought that life should", "In our case, then, the question becomes: How do you \"awaken\" someone from", "moment to read it through. IMO this is a valid, specific question, albeit", "and unpack the admittedly obscure title, I will use an example: Imagine you", "or \"signs\". Let's say she has suffered some past trauma and thinks she", "use an example: Imagine you have a character who plans her life and", "meet a kind man. Now, assume you want to introduce a turning point", "a character who plans her life and daily activities according to \"fate\" or", "that will make this woman realize that there is no such thing as", "to clarify this a bit: By \"turning point\", if the term isn't transparent,", "the direction of a \"Dais ex machina\" device. In our case, then, the", "(i.e. that would cause the awakening) can be construed as a sign itself", "specific question, albeit a bit complex. To try and unpack the admittedly obscure", "narrative journey, something that will make this woman realize that there is no", "bit: By \"turning point\", if the term isn't transparent, imagine something in the", "dispel (the presence of fate)? EDIT: Based on Anir Mass's input, I'd like", "a moment to read it through. IMO this is a valid, specific question,", "term isn't transparent, imagine something in the direction of a \"Dais ex machina\"", "and daily activities according to \"fate\" or \"signs\". Let's say she has suffered", "man. Now, assume you want to introduce a turning point in the narrative", "before flagging this question as subjective or generic, take a moment to read", "point\", if the term isn't transparent, imagine something in the direction of a", "to signs, if such a device (i.e. that would cause the awakening) can", "turning point in the narrative journey, something that will make this woman realize", "Imagine you have a character who plans her life and daily activities according", "Based on Anir Mass's input, I'd like to clarify this a bit: By", "according to signs, if such a device (i.e. that would cause the awakening)", "very notion it tries to dispel (the presence of fate)? EDIT: Based on", "ex machina\" device. In our case, then, the question becomes: How do you", "direction of a \"Dais ex machina\" device. In our case, then, the question", "question becomes: How do you \"awaken\" someone from their fallacious thought that life", "title, I will use an example: Imagine you have a character who plans", "someone from their fallacious thought that life should be lived according to signs,", "Let's say she has suffered some past trauma and thinks she is fated", "to \"fate\" or \"signs\". Let's say she has suffered some past trauma and", "there is no such thing as fate. Any thought on how to achieve", "it tries to dispel (the presence of fate)? EDIT: Based on Anir Mass's", "life should be lived according to signs, if such a device (i.e. that", "woman realize that there is no such thing as fate. Any thought on", "I will use an example: Imagine you have a character who plans her", "is no such thing as fate. Any thought on how to achieve that,", "an example: Imagine you have a character who plans her life and daily", "to achieve that, since the idea of a turning point seems intrinsically connected", "as subjective or generic, take a moment to read it through. IMO this", "thought that life should be lived according to signs, if such a device", "our case, then, the question becomes: How do you \"awaken\" someone from their", "assume you want to introduce a turning point in the narrative journey, something", "the term isn't transparent, imagine something in the direction of a \"Dais ex", "clarify this a bit: By \"turning point\", if the term isn't transparent, imagine", "and thinks she is fated to never meet a kind man. Now, assume", "as fate. Any thought on how to achieve that, since the idea of", "Please, before flagging this question as subjective or generic, take a moment to", "life and daily activities according to \"fate\" or \"signs\". Let's say she has", "transparent, imagine something in the direction of a \"Dais ex machina\" device. In", "\"awaken\" someone from their fallacious thought that life should be lived according to", "a turning point in the narrative journey, something that will make this woman", "take a moment to read it through. IMO this is a valid, specific", "device. In our case, then, the question becomes: How do you \"awaken\" someone", "IMO this is a valid, specific question, albeit a bit complex. To try", "in the narrative journey, something that will make this woman realize that there", "input, I'd like to clarify this a bit: By \"turning point\", if the", "to introduce a turning point in the narrative journey, something that will make", "\"turning point\", if the term isn't transparent, imagine something in the direction of" ]
[ "fan and the bolt locations of the safety belts which have to be", "are the type of labels which most of you did mention in your", "simpler model of the control panels that we are using. Again, I don't", "for it and if it's necessary the pressure limits of the heating supply.", "machine > > > Do not clean the machine using water or materials", "the inlet type, a pictogram for it and if it's necessary the pressure", "connection quickly and precisely. Those inlets are also designated on the installation layouts", "future but I'll wait for your reactions to the detailed edit to my", "are there mostly to quickly remind the authorized personnel of their functions. They", "my suggested corrections to make my case more clear: > > Do not", "are informational labels which are used to designate the inlets (The type of", "any problems with these labels. * There are two purely graphical labels which", "don't have any words on them. They only show the rotation direction of", "possible but at the same time to display this information in a practical", "be more open minded when dealing with them in the future but I'll", "much space for details, too. We have 4 kinds of labels: * There", "labels. We've designed the labels to include as much information as possible but", "message type of the label in colored background and big fonts (Information, Warning,", "power switch, and the grounding connection quickly and precisely. Those inlets are also", "limits of the heating supply. I don't have any problems with these labels.", "most of your answers can still be valid for them, too. I'll try", "to explain things, using the imperative mode to shorten verbs, even tossing out", "is disconnected before servicing > > Ensure that the power is disconnected before", "or materials that can generate an > explosive atmosphere > > Do not", "the grounding connection quickly and precisely. Those inlets are also designated on the", "labels include an internationally valid pictogram, a word describing the message type of", "but I'll wait for your reactions to the detailed edit to my question", "background and big fonts (Information, Warning, Caution, and Panguf), a *title of the", "any words on them. They only show the rotation direction of the blades", "the explanation of the abbreviations used on the simpler model of the control", "are using. Again, I don't have any problems with these labels. There", "too. We have 4 kinds of labels: * There are informational labels which", "text written by those outsiders and my suggested corrections to make my case", "by not presenting my case in detail. I'll give more details even if", "I did mislead you by not presenting my case in detail. I'll give", "powered > > Do not open this cover while the machine is powered", "more open minded when dealing with them in the future but I'll wait", "> EDIT Thanks for your answers. I mostly conclude with every answer but", "after the installation phase. I don't have any problems with these labels, too.", "machine using chemicals that can generate an > explosive atmosphere or using water", "powered > > > Ensure power is disconnected before servicing > > Ensure", "(Information, Warning, Caution, and Panguf), a title of the label in very big", "tossing out basic grammar rules etc. Are there some rules of thumb or", "can generate an > explosive atmosphere > > Do not clean the machine", "this information in a practical and useful manner. Most of these labels include", "constantly suggest that to attain a short, quick, economic, comprehensive message some basic", "pictogram, a word describing the message type of the label in colored background", "the simpler model of the control panels that we are using. Again, I", "material which is the reason for different font colors. The ones with black", "be valid for them, too. I'll try to be more open minded when", "the language of machine safety labels? I'm citing a few examples of text", "of these labels include an internationally valid pictogram, a word describing the message", "if it's necessary the pressure limits of the heating supply. I don't have", "not open this cover while the machine is powered > > > Ensure", "colors. The ones with black fonts are meant to be fixed on light", "the blades of a fan and the bolt locations of the safety belts", "and the details of the title message in either just one font size", "on them. They only show the rotation direction of the blades of a", "a pictogram for it and if it's necessary the pressure limits of the", "generate an > explosive atmosphere > > Do not clean the machine using", "be fixed on light colored panels whereas the ones with white fonts are", "and precisely. Those inlets are also designated on the installation layouts and projects,", "safety belts which have to be unbolted after the installation phase. I don't", "of you were answering) and the details of the title message in either", "there mostly to quickly remind the authorized personnel of their functions. They just", "as possible but at the same time to display this information in a", "in detail. I'll give more details even if it's a little bit late.", "my case more clear: > > Do not open this cover while powered", "with these detailed text parts of our labels. I'm including a screenshot which", "different font sizes. I mostly don't have any problems with the title of", "conclude with every answer but I have to apologize to all of you", "layouts and projects, so these labels are not the only markers of these", "purely graphical labels which don't have any words on them. They only show", "reactions to the detailed edit to my question before accepting one of your", "materials that can generate an > explosive atmosphere > > Do not clean", "not clean the machine using chemicals that can generate an > explosive atmosphere", "unbolted after the installation phase. I don't have any problems with these labels,", "the only markers of these inlets. They are there mostly to quickly remind", "the bolt locations of the safety belts which have to be unbolted after", "the authorized personnel of their functions. They just include the 1 or 2", "with white fonts are meant to be fixed on dark colored panels to", "display this information in a practical and useful manner. Most of these labels", "minded when dealing with them in the future but I'll wait for your", "edit to my question before accepting one of your answers Note: These label", "and if it's necessary the pressure limits of the heating supply. I don't", "black fonts are meant to be fixed on light colored panels whereas the", "type of labels which most of you did mention in your answers. My", "of labels which most of you did mention in your answers. My problem", "an > explosive atmosphere > > Do not clean the machine using chemicals", "have to apologize to all of you because I think I did mislead", "too long in two different font sizes. I mostly don't have any problems", "title message in either just one font size or sometimes if the message", "the 1 or 2 words describing the inlet type, a pictogram for it", "that can generate an > explosive atmosphere or using water that can create", "either just one font size or sometimes if the message details are too", "which have too much surface area and therefore our labels have too much", "but at the same time to display this information in a practical and", "and the water inlets), the power switch, and the grounding connection quickly and", "Most of these labels include an internationally valid pictogram*, a word describing the", "with the title of our labels. They are the type of labels which", "written by those outsiders and my suggested corrections to make my case more", "I mostly conclude with every answer but I have to apologize to all", "of their functions. They just include the 1 or 2 words describing the", "to be fixed on light colored panels whereas the ones with white fonts", "designed the labels to include as much information as possible but at the", "labels. There are two purely graphical labels which don't have any words", "pressure limits of the heating supply. I don't have any problems with these", "don't have any problems with these labels. * There are the *safety and", "generate an > explosive atmosphere or using water that can create an electric", "Things like completely omitting the articles, using simpler words to explain things, using", "my case in detail. I'll give more details even if it's a little", "type, a pictogram for it and if it's necessary the pressure limits of", "with these labels. There are two purely graphical labels which don't have", "Panguf), a title of the label in very big fonts (which corresponds to", "this idea but a few people who contribute to the technical documentation project", "mostly don't have any problems with the title of our labels. They are", "much information as possible but at the same time to display this information", "a short, quick, economic, comprehensive message some basic rules can be broken. Things", "the machine using water or materials that can generate an > explosive atmosphere", "installation phase. I don't have any problems with these labels, too. * There", "manner. Most of these labels include an internationally valid pictogram, a word describing", "all of you because I think I did mislead you by not presenting", "these labels. * There are the safety and information labels. We've designed the", "to the content that most of you were answering) and the *details of", "one font size or sometimes if the message details are too long in", "detailed text parts of our labels. I'm including a screenshot which contains four", "rules etc. Are there some rules of thumb or even legal directives about", "electric shock > > > EDIT Thanks for your answers. I mostly conclude", "light colored panels whereas the ones with white fonts are meant to be", "disconnected before servicing > > Ensure that the power is disconnected before servicing", "labels. There are the safety and information labels. We've designed the labels", "the technical documentation project constantly suggest that to attain a short, quick, economic,", "They just include the 1 or 2 words describing the inlet type, a", "> > Do not open this cover while the machine is powered >", "I'm including a screenshot which contains four types of our safety and information", "I don't have any problems with these labels. * There are the *safety", "but I have to apologize to all of you because I think I", "labels: There are informational labels which are used to designate the inlets", "are used to designate the inlets (The type of the heating power such", "can be broken. Things like completely omitting the articles, using simpler words to", "any problems with these labels. * There are the safety and information labels.", "> Ensure power is disconnected before servicing > > Ensure that the power", "that to attain a short, quick, economic, comprehensive message some basic rules can", "be broken. Things like completely omitting the articles, using simpler words to explain", "grammar rules etc. Are there some rules of thumb or even legal directives", "while powered > > Do not open this cover while the machine is", "grounding connection quickly and precisely. Those inlets are also designated on the installation", "belts which have to be unbolted after the installation phase. I don't have", "are too long in two different font sizes. I mostly don't have any", "but a few people who contribute to the technical documentation project constantly suggest", "etc. Are there some rules of thumb or even legal directives about the", "an internationally valid pictogram, a word describing the message type of the label", "four types of our safety and information labels so you can clearly see", "completely against this idea but a few people who contribute to the technical", "precisely. Those inlets are also designated on the installation layouts and projects, so", "ones with white fonts are meant to be fixed on dark colored panels", "> Do not clean the machine using water or materials that can generate", "of our labels. They are the type of labels which most of you", "for them, too. I'll try to be more open minded when dealing with", "dark colored panels to enhance the readibility. Thanks again. [![safety and information labels](https://i.stack.imgur.com/MIq3B.png)](https://i.stack.imgur.com/MIq3B.png)", "therefore our labels have too much space for details, too. We have 4", "colored background and big fonts (Information, Warning, Caution, and Panguf), a *title of", "I'm completely against this idea but a few people who contribute to the", "> Ensure that the power is disconnected before servicing the machine > >", "mostly to quickly remind the authorized personnel of their functions. They just include", "out basic grammar rules etc. Are there some rules of thumb or even", "machine using water or materials that can generate an > explosive atmosphere >", "not presenting my case in detail. I'll give more details even if it's", "with these labels, too. There two legends for the explanation of the", "I don't have any problems with these labels. * There are two purely", "on dark colored panels to enhance the readibility. Thanks again. [![safety and information", "steam or gas and the water inlets), the power switch, and the grounding", "on a transparent material which is the reason for different font colors. The", "of the label** in very big fonts (which corresponds to the content that", "the water inlets), the power switch, and the grounding connection quickly and precisely.", "title of our labels. They are the type of labels which most of", "details, too. We have 4 kinds of labels: * There are informational labels", "in either just one font size or sometimes if the message details are", "light patterns and the explanation of the abbreviations used on the simpler model", "rules of thumb or even legal directives about the language of machine safety", "about the language of machine safety labels? I'm citing a few examples of", "not the only markers of these inlets. They are there mostly to quickly", "printed on a transparent material which is the reason for different font colors.", "> > > Do not clean the machine using water or materials that", "we are using. Again, I don't have any problems with these labels. ", "language of machine safety labels? I'm citing a few examples of text written", "in your answers. My problem is with these detailed text parts of our", "our safety and information labels so you can clearly see how they are", "also designated on the installation layouts and projects, so these labels are not", "have any problems with these labels. There are the safety and information", "are two purely graphical labels which don't have any words on them. They", "my question before accepting one of your answers Note: These label are printed", "are printed on a transparent material which is the reason for different font", "and projects, so these labels are not the only markers of these inlets.", "most of you did mention in your answers. My problem is with these", "the power is disconnected before servicing the machine > > > Do not", "aware that most of your answers can still be valid for them, too.", "verbs, even tossing out basic grammar rules etc. Are there some rules of", "as much information as possible but at the same time to display this", "words describing the inlet type, a pictogram for it and if it's necessary", "Do not clean the machine using water or materials that can generate an", "personnel of their functions. They just include the 1 or 2 words describing", "that most of you were answering) and the details of the title message*", "their functions. They just include the 1 or 2 words describing the inlet", "few people who contribute to the technical documentation project constantly suggest that to", "these labels. There are two purely graphical labels which don't have any", "your answers can still be valid for them, too. I'll try to be", "and my suggested corrections to make my case more clear: > > Do", "same time to display this information in a practical and useful manner. Most", "a practical and useful manner. Most of these labels include an internationally valid", "power is disconnected before servicing the machine > > > Do not clean", "These label are printed on a transparent material which is the reason for", "They are the type of labels which most of you did mention in", "designated on the installation layouts and projects, so these labels are not the", "I'll wait for your reactions to the detailed edit to my question before", "safety and information labels so you can clearly see how they are constructed.", "in very big fonts (which corresponds to the content that most of you", "clearly see how they are constructed. I'm aware that most of your answers", "on the installation layouts and projects, so these labels are not the only", "things, using the imperative mode to shorten verbs, even tossing out basic grammar", "of these inlets. They are there mostly to quickly remind the authorized personnel", "to the technical documentation project constantly suggest that to attain a short, quick,", "don't have any problems with the title of our labels. They are the", "of all I'm completely against this idea but a few people who contribute", "only markers of these inlets. They are there mostly to quickly remind the", "the label** in colored background and big fonts (Information, Warning, Caution, and Panguf),", "directives about the language of machine safety labels? I'm citing a few examples", "mostly conclude with every answer but I have to apologize to all of", "safety labels? I'm citing a few examples of text written by those outsiders", "water that can create an electric shock > > > EDIT Thanks for", "for your answers. I mostly conclude with every answer but I have to", "cover while the machine is powered > > > Ensure power is disconnected", "labels which most of you did mention in your answers. My problem is", "cover while powered > > Do not open this cover while the machine", "any problems with these labels, too. * There two legends for the explanation", "model of the control panels that we are using. Again, I don't have", "not clean the machine using water or materials that can generate an >", "you did mention in your answers. My problem is with these detailed text", "you were answering) and the details of the title message in either just", "the pressure limits of the heating supply. I don't have any problems with", "are meant to be fixed on dark colored panels to enhance the readibility.", "like completely omitting the articles, using simpler words to explain things, using the", "contains four types of our safety and information labels so you can clearly", "details even if it's a little bit late. We manufacture big machines which", "so these labels are not the only markers of these inlets. They are", "as steam or gas and the water inlets), the power switch, and the", "water inlets), the power switch, and the grounding connection quickly and precisely. Those", "you by not presenting my case in detail. I'll give more details even", "servicing the machine > > > Do not clean the machine using water", "corresponds to the content that most of you were answering) and the details", "while the machine is powered > > > Ensure power is disconnected before", "which most of you did mention in your answers. My problem is with", "much surface area and therefore our labels have too much space for details,", "to be more open minded when dealing with them in the future but", "people who contribute to the technical documentation project constantly suggest that to attain", "include an internationally valid pictogram, a word describing the message type of the", "including a screenshot which contains four types of our safety and information labels", "abbreviations used on the simpler model of the control panels that we are", "labels? I'm citing a few examples of text written by those outsiders and", "one of your answers Note: These label are printed on a transparent material", "quickly remind the authorized personnel of their functions. They just include the 1", "ones with black fonts are meant to be fixed on light colored panels", "that can create an electric shock > > > EDIT Thanks for your", "the label in very big fonts (which corresponds to the content that most", "label are printed on a transparent material which is the reason for different", "just include the 1 or 2 words describing the inlet type, a pictogram", "very big fonts (which corresponds to the content that most of you were", "details are too long in two different font sizes. I mostly don't have", "the labels to include as much information as possible but at the same", "to include as much information as possible but at the same time to", "big fonts (Information, Warning, Caution, and Panguf), a title of the label** in", "* There two legends for the explanation of the status light patterns and", "even if it's a little bit late. We manufacture big machines which have", "it's necessary the pressure limits of the heating supply. I don't have any", "informational labels which are used to designate the inlets (The type of the", "these labels, too. * There two legends for the explanation of the status", "Do not open this cover while powered > > Do not open this", "more details even if it's a little bit late. We manufacture big machines", "water or materials that can generate an > explosive atmosphere > > Do", "atmosphere or using water that can create an electric shock > > >", "(The type of the heating power such as steam or gas and the", "I don't have any problems with these labels, too. * There two legends", "switch, and the grounding connection quickly and precisely. Those inlets are also designated", "you because I think I did mislead you by not presenting my case", "that we are using. Again, I don't have any problems with these labels.", "and Panguf), a title of the label in very big fonts (which corresponds", "message details are too long in two different font sizes. I mostly don't", "a little bit late. We manufacture big machines which have too much surface", "two purely graphical labels which don't have any words on them. They only", "Caution, and Panguf), a title of the label in very big fonts (which", "such as steam or gas and the water inlets), the power switch, and", "corrections to make my case more clear: > > Do not open this", "atmosphere > > Do not clean the machine using chemicals that can generate", "are also designated on the installation layouts and projects, so these labels are", "broken. Things like completely omitting the articles, using simpler words to explain things,", "inlets. They are there mostly to quickly remind the authorized personnel of their", "Do not clean the machine using chemicals that can generate an > explosive", "and information labels. We've designed the labels to include as much information as", "rules can be broken. Things like completely omitting the articles, using simpler words", "for the explanation of the status light patterns and the explanation of the", "to the detailed edit to my question before accepting one of your answers", "bolt locations of the safety belts which have to be unbolted after the", "> > Ensure power is disconnected before servicing > > Ensure that the", "can create an electric shock > > > EDIT Thanks for your answers.", "of the heating power such as steam or gas and the water inlets),", "them. They only show the rotation direction of the blades of a fan", "transparent material which is the reason for different font colors. The ones with", "the installation layouts and projects, so these labels are not the only markers", "examples of text written by those outsiders and my suggested corrections to make", "installation layouts and projects, so these labels are not the only markers of", "create an electric shock > > > EDIT Thanks for your answers. I", "or sometimes if the message details are too long in two different font", "and big fonts (Information, Warning, Caution, and Panguf), a title of the label*", "too. I'll try to be more open minded when dealing with them in", "there some rules of thumb or even legal directives about the language of", "open this cover while the machine is powered > > > Ensure power", "I'll try to be more open minded when dealing with them in the", "labels to include as much information as possible but at the same time", "the abbreviations used on the simpler model of the control panels that we", "if the message details are too long in two different font sizes. I", "see how they are constructed. I'm aware that most of your answers can", "and information labels so you can clearly see how they are constructed. I'm", "can generate an > explosive atmosphere or using water that can create an", "the control panels that we are using. Again, I don't have any problems", "reason for different font colors. The ones with black fonts are meant to", "suggested corrections to make my case more clear: > > Do not open", "of the safety belts which have to be unbolted after the installation phase.", "Those inlets are also designated on the installation layouts and projects, so these", "any problems with the title of our labels. They are the type of", "type of the heating power such as steam or gas and the water", "to apologize to all of you because I think I did mislead you", "long in two different font sizes. I mostly don't have any problems with", "if it's a little bit late. We manufacture big machines which have too", "the installation phase. I don't have any problems with these labels, too. ", "safety and information labels. We've designed the labels to include as much information", "internationally valid pictogram, a word describing the message type of the label in", "the safety belts which have to be unbolted after the installation phase. I", "how they are constructed. I'm aware that most of your answers can still", "or 2 words describing the inlet type, a pictogram for it and if", "> > Do not clean the machine using water or materials that can", "the inlets (The type of the heating power such as steam or gas", "don't have any problems with these labels. * There are two purely *graphical", "the message details are too long in two different font sizes. I mostly", "Do not open this cover while the machine is powered > > >", "kinds of labels: There are informational labels which are used to designate", "different font colors. The ones with black fonts are meant to be fixed", "open minded when dealing with them in the future but I'll wait for", "the explanation of the status light patterns and the explanation of the abbreviations", "a transparent material which is the reason for different font colors. The ones", "> Do not open this cover while the machine is powered > >", "every answer but I have to apologize to all of you because I", "to shorten verbs, even tossing out basic grammar rules etc. Are there some", "shock > > > EDIT Thanks for your answers. I mostly conclude with", "information labels. We've designed the labels to include as much information as possible", "before servicing > > Ensure that the power is disconnected before servicing the", "the status light patterns and the explanation of the abbreviations used on the", "shorten verbs, even tossing out basic grammar rules etc. Are there some rules", "of the label in colored background and big fonts (Information, Warning, Caution, and", "dealing with them in the future but I'll wait for your reactions to", "remind the authorized personnel of their functions. They just include the 1 or", "explosive atmosphere or using water that can create an electric shock > >", "technical documentation project constantly suggest that to attain a short, quick, economic, comprehensive", "inlets (The type of the heating power such as steam or gas and", "labels are not the only markers of these inlets. They are there mostly", "the message type of the label in colored background and big fonts (Information,", "meant to be fixed on light colored panels whereas the ones with white", "font sizes. I mostly don't have any problems with the title of our", "it and if it's necessary the pressure limits of the heating supply. I", "basic grammar rules etc. Are there some rules of thumb or even legal", "describing the inlet type, a pictogram for it and if it's necessary the", "graphical labels which don't have any words on them. They only show the", "have any problems with the title of our labels. They are the type", "for details, too. We have 4 kinds of labels: * There are *informational", "clean the machine using water or materials that can generate an > explosive", "direction of the blades of a fan and the bolt locations of the", "(which corresponds to the content that most of you were answering) and the", "before accepting one of your answers Note: These label are printed on a", "some basic rules can be broken. Things like completely omitting the articles, using", "did mislead you by not presenting my case in detail. I'll give more", "few examples of text written by those outsiders and my suggested corrections to", "our labels. I'm including a screenshot which contains four types of our safety", "explosive atmosphere > > Do not clean the machine using chemicals that can", "to quickly remind the authorized personnel of their functions. They just include the", "in a practical and useful manner. Most of these labels include an internationally", "a fan and the bolt locations of the safety belts which have to", "explanation of the status light patterns and the explanation of the abbreviations used", "still be valid for them, too. I'll try to be more open minded", "wait for your reactions to the detailed edit to my question before accepting", "when dealing with them in the future but I'll wait for your reactions", "detailed edit to my question before accepting one of your answers Note: These", "using water or materials that can generate an > explosive atmosphere > >", "machine safety labels? I'm citing a few examples of text written by those", "First of all I'm completely against this idea but a few people who", "big fonts (which corresponds to the content that most of you were answering)", "They are there mostly to quickly remind the authorized personnel of their functions.", "the rotation direction of the blades of a fan and the bolt locations", "> explosive atmosphere > > Do not clean the machine using chemicals that", "an electric shock > > > EDIT Thanks for your answers. I mostly", "My problem is with these detailed text parts of our labels. I'm including", "or even legal directives about the language of machine safety labels? I'm citing", "> > Do not open this cover while powered > > Do not", "can still be valid for them, too. I'll try to be more open", "the ones with white fonts are meant to be fixed on dark colored", "mention in your answers. My problem is with these detailed text parts of", "for your reactions to the detailed edit to my question before accepting one", "in the future but I'll wait for your reactions to the detailed edit", "answers. I mostly conclude with every answer but I have to apologize to", "late. We manufacture big machines which have too much surface area and therefore", "and therefore our labels have too much space for details, too. We have", "of labels: There are informational labels which are used to designate the", "There are informational labels which are used to designate the inlets (The type", "the details of the title message in either just one font size or", "simpler words to explain things, using the imperative mode to shorten verbs, even", "quick, economic, comprehensive message some basic rules can be broken. Things like completely", "that can generate an > explosive atmosphere > > Do not clean the", "documentation project constantly suggest that to attain a short, quick, economic, comprehensive message", "> > > EDIT Thanks for your answers. I mostly conclude with every", "were answering) and the details of the title message in either just one", "which contains four types of our safety and information labels so you can", "content that most of you were answering) and the *details of the title", "area and therefore our labels have too much space for details, too. We", "you can clearly see how they are constructed. I'm aware that most of", "these labels are not the only markers of these inlets. They are there", "We have 4 kinds of labels: There are informational labels which are", "chemicals that can generate an > explosive atmosphere or using water that can", "of our labels. I'm including a screenshot which contains four types of our", "labels. I'm including a screenshot which contains four types of our safety and", "bit late. We manufacture big machines which have too much surface area and", "so you can clearly see how they are constructed. I'm aware that most", "I have to apologize to all of you because I think I did", "blades of a fan and the bolt locations of the safety belts which", "I'm aware that most of your answers can still be valid for them,", "to designate the inlets (The type of the heating power such as steam", "Ensure power is disconnected before servicing > > Ensure that the power is", "case in detail. I'll give more details even if it's a little bit", "just one font size or sometimes if the message details are too long", "fixed on light colored panels whereas the ones with white fonts are meant", "heating supply. I don't have any problems with these labels. * There are", "these detailed text parts of our labels. I'm including a screenshot which contains", "I think I did mislead you by not presenting my case in detail.", "status light patterns and the explanation of the abbreviations used on the simpler", "> > > Ensure power is disconnected before servicing > > Ensure that", "of you because I think I did mislead you by not presenting my", "include as much information as possible but at the same time to display", "of the title message in either just one font size or sometimes if", "constructed. I'm aware that most of your answers can still be valid for", "be fixed on dark colored panels to enhance the readibility. Thanks again. [![safety", "outsiders and my suggested corrections to make my case more clear: > >", "try to be more open minded when dealing with them in the future", "of you did mention in your answers. My problem is with these detailed", "necessary the pressure limits of the heating supply. I don't have any problems", "your answers. I mostly conclude with every answer but I have to apologize", "size or sometimes if the message details are too long in two different", "We manufacture big machines which have too much surface area and therefore our", "they are constructed. I'm aware that most of your answers can still be", "inlet type, a pictogram for it and if it's necessary the pressure limits", "detail. I'll give more details even if it's a little bit late. We", "that the power is disconnected before servicing the machine > > > Do", "authorized personnel of their functions. They just include the 1 or 2 words", "only show the rotation direction of the blades of a fan and the", "most of you were answering) and the details of the title message in", "have too much space for details, too. We have 4 kinds of labels:", "type of the label** in colored background and big fonts (Information, Warning, Caution,", "make my case more clear: > > Do not open this cover while", "disconnected before servicing the machine > > > Do not clean the machine", "have too much surface area and therefore our labels have too much space", "control panels that we are using. Again, I don't have any problems with", "the machine using chemicals that can generate an > explosive atmosphere or using", "contribute to the technical documentation project constantly suggest that to attain a short,", "are meant to be fixed on light colored panels whereas the ones with", "have to be unbolted after the installation phase. I don't have any problems", "using water that can create an electric shock > > > EDIT Thanks", "a few examples of text written by those outsiders and my suggested corrections", "to display this information in a practical and useful manner. Most of these", "this cover while the machine is powered > > > Ensure power is", "omitting the articles, using simpler words to explain things, using the imperative mode", "too. * There two legends for the explanation of the status light patterns", "answer but I have to apologize to all of you because I think", "phase. I don't have any problems with these labels, too. * There two", "parts of our labels. I'm including a screenshot which contains four types of", "Again, I don't have any problems with these labels. * There are the", "of text written by those outsiders and my suggested corrections to make my", "of machine safety labels? I'm citing a few examples of text written by", "to all of you because I think I did mislead you by not", "by those outsiders and my suggested corrections to make my case more clear:", "the power switch, and the grounding connection quickly and precisely. Those inlets are", "using the imperative mode to shorten verbs, even tossing out basic grammar rules", "text parts of our labels. I'm including a screenshot which contains four types", "designate the inlets (The type of the heating power such as steam or", "of your answers can still be valid for them, too. I'll try to", "> > Ensure that the power is disconnected before servicing the machine >", "which is the reason for different font colors. The ones with black fonts", "white fonts are meant to be fixed on dark colored panels to enhance", "is powered > > > Ensure power is disconnected before servicing > >", "* There are two purely graphical labels which don't have any words on", "of our safety and information labels so you can clearly see how they", "information labels so you can clearly see how they are constructed. I'm aware", "clean the machine using chemicals that can generate an > explosive atmosphere or", "problems with the title of our labels. They are the type of labels", "idea but a few people who contribute to the technical documentation project constantly", "is the reason for different font colors. The ones with black fonts are", "the title of our labels. They are the type of labels which most", "answers can still be valid for them, too. I'll try to be more", "title of the label in very big fonts (which corresponds to the content", "to my question before accepting one of your answers Note: These label are", "is disconnected before servicing the machine > > > Do not clean the", "There are the safety and information labels. We've designed the labels to include", "I mostly don't have any problems with the title of our labels. They", "a word describing the message type of the label in colored background and", "of thumb or even legal directives about the language of machine safety labels?", "which don't have any words on them. They only show the rotation direction", "Note: These label are printed on a transparent material which is the reason", "thumb or even legal directives about the language of machine safety labels? I'm", "have any problems with these labels, too. * There two legends for the", "using. Again, I don't have any problems with these labels. * There are", "are not the only markers of these inlets. They are there mostly to", "your answers. My problem is with these detailed text parts of our labels.", "sometimes if the message details are too long in two different font sizes.", "message some basic rules can be broken. Things like completely omitting the articles,", "to be unbolted after the installation phase. I don't have any problems with", "information in a practical and useful manner. Most of these labels include an", "screenshot which contains four types of our safety and information labels so you", "Are there some rules of thumb or even legal directives about the language", "There two legends for the explanation of the status light patterns and the", "font size or sometimes if the message details are too long in two", "the articles, using simpler words to explain things, using the imperative mode to", "legends for the explanation of the status light patterns and the explanation of", "explanation of the abbreviations used on the simpler model of the control panels", "labels. They are the type of labels which most of you did mention", "mislead you by not presenting my case in detail. I'll give more details", "of the control panels that we are using. Again, I don't have any", "too much space for details, too. We have 4 kinds of labels: ", "surface area and therefore our labels have too much space for details, too.", "the machine is powered > > > Ensure power is disconnected before servicing", "completely omitting the articles, using simpler words to explain things, using the imperative", "project constantly suggest that to attain a short, quick, economic, comprehensive message some", "two legends* for the explanation of the status light patterns and the explanation", "attain a short, quick, economic, comprehensive message some basic rules can be broken.", "answers Note: These label are printed on a transparent material which is the", "message in either just one font size or sometimes if the message details", "to be fixed on dark colored panels to enhance the readibility. Thanks again.", "> > EDIT Thanks for your answers. I mostly conclude with every answer", "meant to be fixed on dark colored panels to enhance the readibility. Thanks", "more clear: > > Do not open this cover while powered > >", "power is disconnected before servicing > > Ensure that the power is disconnected", "I'll give more details even if it's a little bit late. We manufacture", "and the bolt locations of the safety belts which have to be unbolted", "details of the title message in either just one font size or sometimes", "the title message in either just one font size or sometimes if the", "our labels. They are the type of labels which most of you did", "We've designed the labels to include as much information as possible but at", "of your answers Note: These label are printed on a transparent material which", "machines which have too much surface area and therefore our labels have too", "basic rules can be broken. Things like completely omitting the articles, using simpler", "big machines which have too much surface area and therefore our labels have", "answers. My problem is with these detailed text parts of our labels. I'm", "to attain a short, quick, economic, comprehensive message some basic rules can be", "economic, comprehensive message some basic rules can be broken. Things like completely omitting", "patterns and the explanation of the abbreviations used on the simpler model of", "manufacture big machines which have too much surface area and therefore our labels", "suggest that to attain a short, quick, economic, comprehensive message some basic rules", "practical and useful manner. Most of these labels include an internationally valid pictogram,", "problem is with these detailed text parts of our labels. I'm including a", "of the status light patterns and the explanation of the abbreviations used on", "even tossing out basic grammar rules etc. Are there some rules of thumb", "of a fan and the bolt locations of the safety belts which have", "* There are the safety and information labels. We've designed the labels to", "labels have too much space for details, too. We have 4 kinds of", "whereas the ones with white fonts are meant to be fixed on dark", "problems with these labels, too. * There two legends for the explanation of", "these labels include an internationally valid pictogram, a word describing the message *type", "because I think I did mislead you by not presenting my case in", "and the grounding connection quickly and precisely. Those inlets are also designated on", "of the blades of a fan and the bolt locations of the safety", "a few people who contribute to the technical documentation project constantly suggest that", "supply. I don't have any problems with these labels. There are two", "fonts (Information, Warning, Caution, and Panguf), a title of the label in very", "colored panels whereas the ones with white fonts are meant to be fixed", "inlets), the power switch, and the grounding connection quickly and precisely. Those inlets", "the machine > > > Do not clean the machine using water or", "who contribute to the technical documentation project constantly suggest that to attain a", "that most of your answers can still be valid for them, too. I'll", "the detailed edit to my question before accepting one of your answers Note:", "include the 1 or 2 words describing the inlet type, a pictogram for", "labels so you can clearly see how they are constructed. I'm aware that", "labels** which are used to designate the inlets (The type of the heating", "Ensure that the power is disconnected before servicing the machine > > >", "don't have any problems with these labels, too. * There two legends for", "time to display this information in a practical and useful manner. Most of", "this cover while powered > > Do not open this cover while the", "with them in the future but I'll wait for your reactions to the", "our labels have too much space for details, too. We have 4 kinds", "valid for them, too. I'll try to be more open minded when dealing", "presenting my case in detail. I'll give more details even if it's a", "for different font colors. The ones with black fonts are meant to be", "short, quick, economic, comprehensive message some basic rules can be broken. Things like", "explain things, using the imperative mode to shorten verbs, even tossing out basic", "fonts (which corresponds to the content that most of you were answering) and", "them, too. I'll try to be more open minded when dealing with them", "fixed on dark colored panels to enhance the readibility. Thanks again. [![safety and", "label** in very big fonts (which corresponds to the content that most of", "or gas and the water inlets), the power switch, and the grounding connection", "apologize to all of you because I think I did mislead you by", "space for details, too. We have 4 kinds of labels: * There are", "give more details even if it's a little bit late. We manufacture big", "label in colored background and big fonts (Information, Warning, Caution, and Panguf), a", "valid pictogram, a word describing the message type of the label** in colored", "too much surface area and therefore our labels have too much space for", "inlets are also designated on the installation layouts and projects, so these labels", "the same time to display this information in a practical and useful manner.", "those outsiders and my suggested corrections to make my case more clear: >", "is with these detailed text parts of our labels. I'm including a screenshot", "a screenshot which contains four types of our safety and information labels so", "the heating supply. I don't have any problems with these labels. * There", "two different font sizes. I mostly don't have any problems with the title", "an > explosive atmosphere or using water that can create an electric shock", "words to explain things, using the imperative mode to shorten verbs, even tossing", "legal directives about the language of machine safety labels? I'm citing a few", "your answers Note: These label are printed on a transparent material which is", "The ones with black fonts are meant to be fixed on light colored", "in colored background and big fonts (Information, Warning, Caution, and Panguf), a *title", "fonts are meant to be fixed on dark colored panels to enhance the", "projects, so these labels are not the only markers of these inlets. They", "think I did mislead you by not presenting my case in detail. I'll", "used to designate the inlets (The type of the heating power such as", "imperative mode to shorten verbs, even tossing out basic grammar rules etc. Are", "I'm citing a few examples of text written by those outsiders and my", "using chemicals that can generate an > explosive atmosphere or using water that", "them in the future but I'll wait for your reactions to the detailed", "2 words describing the inlet type, a pictogram for it and if it's", "fonts are meant to be fixed on light colored panels whereas the ones", "pictogram for it and if it's necessary the pressure limits of the heating", "have any problems with these labels. There are two purely graphical labels", "citing a few examples of text written by those outsiders and my suggested", "which have to be unbolted after the installation phase. I don't have any", "not open this cover while powered > > Do not open this cover", "and useful manner. Most of these labels include an internationally valid pictogram, a", "servicing > > Ensure that the power is disconnected before servicing the machine", "power such as steam or gas and the water inlets), the power switch,", "against this idea but a few people who contribute to the technical documentation", "of the abbreviations used on the simpler model of the control panels that", "all I'm completely against this idea but a few people who contribute to", "labels, too. * There two legends for the explanation of the status light", "types of our safety and information labels so you can clearly see how", "They only show the rotation direction of the blades of a fan and", "4 kinds of labels: * There are informational labels which are used to", "the imperative mode to shorten verbs, even tossing out basic grammar rules etc.", "comprehensive message some basic rules can be broken. Things like completely omitting the", "rotation direction of the blades of a fan and the bolt locations of", "and the explanation of the abbreviations used on the simpler model of the", "used on the simpler model of the control panels that we are using.", "be unbolted after the installation phase. I don't have any problems with these", "in two different font sizes. I mostly don't have any problems with the", "EDIT Thanks for your answers. I mostly conclude with every answer but I", "useful manner. Most of these labels include an internationally valid pictogram, a word", "your reactions to the detailed edit to my question before accepting one of", "mode to shorten verbs, even tossing out basic grammar rules etc. Are there", "are the safety and information labels. We've designed the labels to include as", "with every answer but I have to apologize to all of you because", "are constructed. I'm aware that most of your answers can still be valid", "* There are informational labels which are used to designate the inlets (The", "open this cover while powered > > Do not open this cover while", "the heating power such as steam or gas and the water inlets), the", "even legal directives about the language of machine safety labels? I'm citing a", "have 4 kinds of labels: * There are informational labels which are used", "sizes. I mostly don't have any problems with the title of our labels.", "> > Do not clean the machine using chemicals that can generate an", "words on them. They only show the rotation direction of the blades of", "font colors. The ones with black fonts are meant to be fixed on", "> Do not open this cover while powered > > Do not open", "markers of these inlets. They are there mostly to quickly remind the authorized", "which are used to designate the inlets (The type of the heating power", "problems with these labels. * There are the safety and information labels. We've", "the type of labels which most of you did mention in your answers.", "the reason for different font colors. The ones with black fonts are meant", "these inlets. They are there mostly to quickly remind the authorized personnel of", "quickly and precisely. Those inlets are also designated on the installation layouts and", "the safety and information labels. We've designed the labels to include as much", "to make my case more clear: > > Do not open this cover", "machine is powered > > > Ensure power is disconnected before servicing >", "it's a little bit late. We manufacture big machines which have too much", "Thanks for your answers. I mostly conclude with every answer but I have", "heating power such as steam or gas and the water inlets), the power", "of the heating supply. I don't have any problems with these labels. ", "describing the message type of the label* in colored background and big fonts", "did mention in your answers. My problem is with these detailed text parts", "on light colored panels whereas the ones with white fonts are meant to", "have any words on them. They only show the rotation direction of the", "can clearly see how they are constructed. I'm aware that most of your", "> Do not clean the machine using chemicals that can generate an >", "panels whereas the ones with white fonts are meant to be fixed on", "on the simpler model of the control panels that we are using. Again,", "show the rotation direction of the blades of a fan and the bolt", "with these labels. * There are the safety and information labels. We've designed", "functions. They just include the 1 or 2 words describing the inlet type,", "1 or 2 words describing the inlet type, a pictogram for it and", "answering) and the details of the title message in either just one font", "some rules of thumb or even legal directives about the language of machine", "the content that most of you were answering) and the details of the", "with black fonts are meant to be fixed on light colored panels whereas", "little bit late. We manufacture big machines which have too much surface area", "or using water that can create an electric shock > > > EDIT", "case more clear: > > Do not open this cover while powered >", "question before accepting one of your answers Note: These label are printed on", "before servicing the machine > > > Do not clean the machine using", "panels that we are using. Again, I don't have any problems with these", "a title of the label in very big fonts (which corresponds to the", "There are two purely graphical labels** which don't have any words on them.", "problems with these labels. * There are two purely graphical labels which don't", "word describing the message type of the label in colored background and big", "labels which don't have any words on them. They only show the rotation", "information as possible but at the same time to display this information in", "> explosive atmosphere or using water that can create an electric shock >", "using simpler words to explain things, using the imperative mode to shorten verbs,", "the future but I'll wait for your reactions to the detailed edit to", "articles, using simpler words to explain things, using the imperative mode to shorten", "Warning, Caution, and Panguf), a title of the label** in very big fonts", "gas and the water inlets), the power switch, and the grounding connection quickly", "at the same time to display this information in a practical and useful", "locations of the safety belts which have to be unbolted after the installation", "accepting one of your answers Note: These label are printed on a transparent", "clear: > > Do not open this cover while powered > > Do" ]
[ "important for children to learn the difference between right and wrong at an", "at an early age. Punishment is necessary to help them learn this distinction.", "I sound as partially agreeing? OR am I being away from the topic?", "difference between right and wrong at an early age. Punishment is necessary to", "extent do you agree or disagree with this opinion\" I want to say", "accepted and reasonable punishment\" do I sound as partially agreeing? OR am I", "introduction as \"In my opinion, I believe that although sometimes punishment is necessary", "an early age. Punishment is necessary to help them learn this distinction. To", "is necessary to guide the children in the right path it should be", "is important, it should not be severe punishment that would affect a child", "mentally. So if I say in the introduction as \"In my opinion, I", "that although sometimes punishment is necessary to guide the children in the right", "help them learn this distinction. To what extent do you agree or disagree", "that would affect a child physically or mentally. So if I say in", "important, it should not be severe punishment that would affect a child physically", "is necessary to help them learn this distinction. To what extent do you", "is important for children to learn the difference between right and wrong at", "I want to say that although I think sometimes punishment is important, it", "punishment that would affect a child physically or mentally. So if I say", "learn the difference between right and wrong at an early age. Punishment is", "in the right path it should be well thought, accepted and reasonable punishment\"", "In preparation for IELTS I want to write on \"It is important for", "the introduction as \"In my opinion, I believe that although sometimes punishment is", "wrong at an early age. Punishment is necessary to help them learn this", "affect a child physically or mentally. So if I say in the introduction", "this opinion\" I want to say that although I think sometimes punishment is", "necessary to help them learn this distinction. To what extent do you agree", "that although I think sometimes punishment is important, it should not be severe", "I want to write on \"It is important for children to learn the", "reasonable punishment\" do I sound as partially agreeing? OR am I being away", "preparation for IELTS I want to write on \"It is important for children", "on \"It is important for children to learn the difference between right and", "So if I say in the introduction as \"In my opinion, I believe", "thought, accepted and reasonable punishment\" do I sound as partially agreeing? OR am", "this distinction. To what extent do you agree or disagree with this opinion\"", "want to write on \"It is important for children to learn the difference", "and reasonable punishment\" do I sound as partially agreeing? OR am I being", "I believe that although sometimes punishment is necessary to guide the children in", "if I say in the introduction as \"In my opinion, I believe that", "say that although I think sometimes punishment is important, it should not be", "I think sometimes punishment is important, it should not be severe punishment that", "punishment\" do I sound as partially agreeing? OR am I being away from", "with this opinion\" I want to say that although I think sometimes punishment", "and wrong at an early age. Punishment is necessary to help them learn", "write on \"It is important for children to learn the difference between right", "my opinion, I believe that although sometimes punishment is necessary to guide the", "necessary to guide the children in the right path it should be well", "punishment is necessary to guide the children in the right path it should", "learn this distinction. To what extent do you agree or disagree with this", "believe that although sometimes punishment is necessary to guide the children in the", "not be severe punishment that would affect a child physically or mentally. So", "Punishment is necessary to help them learn this distinction. To what extent do", "want to say that although I think sometimes punishment is important, it should", "to say that although I think sometimes punishment is important, it should not", "right and wrong at an early age. Punishment is necessary to help them", "to write on \"It is important for children to learn the difference between", "although sometimes punishment is necessary to guide the children in the right path", "for children to learn the difference between right and wrong at an early", "sometimes punishment is important, it should not be severe punishment that would affect", "physically or mentally. So if I say in the introduction as \"In my", "say in the introduction as \"In my opinion, I believe that although sometimes", "children in the right path it should be well thought, accepted and reasonable", "agree or disagree with this opinion\" I want to say that although I", "be severe punishment that would affect a child physically or mentally. So if", "the right path it should be well thought, accepted and reasonable punishment\" do", "punishment is important, it should not be severe punishment that would affect a", "should be well thought, accepted and reasonable punishment\" do I sound as partially", "for IELTS I want to write on \"It is important for children to", "although I think sometimes punishment is important, it should not be severe punishment", "do I sound as partially agreeing? OR am I being away from the", "early age. Punishment is necessary to help them learn this distinction. To what", "it should not be severe punishment that would affect a child physically or", "I say in the introduction as \"In my opinion, I believe that although", "should not be severe punishment that would affect a child physically or mentally.", "to guide the children in the right path it should be well thought,", "IELTS I want to write on \"It is important for children to learn", "think sometimes punishment is important, it should not be severe punishment that would", "child physically or mentally. So if I say in the introduction as \"In", "or mentally. So if I say in the introduction as \"In my opinion,", "age. Punishment is necessary to help them learn this distinction. To what extent", "right path it should be well thought, accepted and reasonable punishment\" do I", "distinction. To what extent do you agree or disagree with this opinion\" I", "them learn this distinction. To what extent do you agree or disagree with", "you agree or disagree with this opinion\" I want to say that although", "To what extent do you agree or disagree with this opinion\" I want", "sometimes punishment is necessary to guide the children in the right path it", "children to learn the difference between right and wrong at an early age.", "to learn the difference between right and wrong at an early age. Punishment", "the children in the right path it should be well thought, accepted and", "\"It is important for children to learn the difference between right and wrong", "between right and wrong at an early age. Punishment is necessary to help", "to help them learn this distinction. To what extent do you agree or", "opinion, I believe that although sometimes punishment is necessary to guide the children", "do you agree or disagree with this opinion\" I want to say that", "what extent do you agree or disagree with this opinion\" I want to", "a child physically or mentally. So if I say in the introduction as", "or disagree with this opinion\" I want to say that although I think", "severe punishment that would affect a child physically or mentally. So if I", "opinion\" I want to say that although I think sometimes punishment is important,", "\"In my opinion, I believe that although sometimes punishment is necessary to guide", "guide the children in the right path it should be well thought, accepted", "the difference between right and wrong at an early age. Punishment is necessary", "as \"In my opinion, I believe that although sometimes punishment is necessary to", "path it should be well thought, accepted and reasonable punishment\" do I sound", "in the introduction as \"In my opinion, I believe that although sometimes punishment", "be well thought, accepted and reasonable punishment\" do I sound as partially agreeing?", "disagree with this opinion\" I want to say that although I think sometimes", "well thought, accepted and reasonable punishment\" do I sound as partially agreeing**? OR", "would affect a child physically or mentally. So if I say in the", "it should be well thought, accepted and reasonable punishment\" do I sound as" ]
[ "a dozen erotic romance novels because \"I\" don't think they are good enough", "dozen erotic romance novels because \"I\" don't think they are good enough and", "novels because \"I\" don't think they are good enough and never finish them.", "good enough and never finish them. How do I put my own doubt", "them. How do I put my own doubt aside so I can finish", "least a dozen erotic romance novels because \"I\" don't think they are good", "have started and stopped at least a dozen erotic romance novels because \"I\"", "I put my own doubt aside so I can finish what I started?", "I have started and stopped at least a dozen erotic romance novels because", "started and stopped at least a dozen erotic romance novels because \"I\" don't", "enough and never finish them. How do I put my own doubt aside", "are good enough and never finish them. How do I put my own", "never finish them. How do I put my own doubt aside so I", "How do I put my own doubt aside so I can finish what", "and never finish them. How do I put my own doubt aside so", "\"I\" don't think they are good enough and never finish them. How do", "erotic romance novels because \"I\" don't think they are good enough and never", "romance novels because \"I\" don't think they are good enough and never finish", "think they are good enough and never finish them. How do I put", "finish them. How do I put my own doubt aside so I can", "at least a dozen erotic romance novels because \"I\" don't think they are", "don't think they are good enough and never finish them. How do I", "because \"I\" don't think they are good enough and never finish them. How", "do I put my own doubt aside so I can finish what I", "and stopped at least a dozen erotic romance novels because \"I\" don't think", "stopped at least a dozen erotic romance novels because \"I\" don't think they", "they are good enough and never finish them. How do I put my" ]
[ "her bed while one of the songs of her favourite singer was being", "is she listening to? Or I better skip that part and and say", "part and and say something like \"she sat on her bed while one", "scene of a girl listening to music. My question is, should I say", "on her bed while one of the songs of her favourite singer was", "to music. My question is, should I say what singer is she listening", "girl listening to music. My question is, should I say what singer is", "say what singer is she listening to? Or I better skip that part", "a girl listening to music. My question is, should I say what singer", "skip that part and and say something like \"she sat on her bed", "\"she sat on her bed while one of the songs of her favourite", "say something like \"she sat on her bed while one of the songs", "better skip that part and and say something like \"she sat on her", "listening to? Or I better skip that part and and say something like", "what singer is she listening to? Or I better skip that part and", "to? Or I better skip that part and and say something like \"she", "and say something like \"she sat on her bed while one of the", "like \"she sat on her bed while one of the songs of her", "describing a scene of a girl listening to music. My question is, should", "question is, should I say what singer is she listening to? Or I", "she listening to? Or I better skip that part and and say something", "I'm currently describing a scene of a girl listening to music. My question", "something like \"she sat on her bed while one of the songs of", "currently describing a scene of a girl listening to music. My question is,", "singer is she listening to? Or I better skip that part and and", "sat on her bed while one of the songs of her favourite singer", "music. My question is, should I say what singer is she listening to?", "a scene of a girl listening to music. My question is, should I", "should I say what singer is she listening to? Or I better skip", "I say what singer is she listening to? Or I better skip that", "My question is, should I say what singer is she listening to? Or", "listening to music. My question is, should I say what singer is she", "is, should I say what singer is she listening to? Or I better", "Or I better skip that part and and say something like \"she sat", "I better skip that part and and say something like \"she sat on", "bed while one of the songs of her favourite singer was being played\"?", "and and say something like \"she sat on her bed while one of", "of a girl listening to music. My question is, should I say what", "that part and and say something like \"she sat on her bed while" ]
[ "goals, but has lost everything, then he gets badly wounded and slowly dies.", "has lost everything, then he gets badly wounded and slowly dies. What is", "succeed in his goals, but has lost everything, then he gets badly wounded", "everything, then he gets badly wounded and slowly dies. What is to avoid", "has succeed in his goals, but has lost everything, then he gets badly", "badly wounded and slowly dies. What is to avoid when writing his death?", "say the protagonist has succeed in his goals, but has lost everything, then", "the protagonist has succeed in his goals, but has lost everything, then he", "general. Let's say the protagonist has succeed in his goals, but has lost", "slowly dies. What is to avoid when writing his death? Just asking in", "in his goals, but has lost everything, then he gets badly wounded and", "but has lost everything, then he gets badly wounded and slowly dies. What", "he gets badly wounded and slowly dies. What is to avoid when writing", "question in general. Let's say the protagonist has succeed in his goals, but", "wounded and slowly dies. What is to avoid when writing his death? Just", "protagonist has succeed in his goals, but has lost everything, then he gets", "gets badly wounded and slowly dies. What is to avoid when writing his", "dies. What is to avoid when writing his death? Just asking in general.", "then he gets badly wounded and slowly dies. What is to avoid when", "and slowly dies. What is to avoid when writing his death? Just asking", "his goals, but has lost everything, then he gets badly wounded and slowly", "lost everything, then he gets badly wounded and slowly dies. What is to", "in general. Let's say the protagonist has succeed in his goals, but has", "Just a question in general. Let's say the protagonist has succeed in his", "a question in general. Let's say the protagonist has succeed in his goals,", "Let's say the protagonist has succeed in his goals, but has lost everything," ]
[ "to become an Ernest Hemingway?* Sure, someone can learn to spell, put punctuation", "this way: (1) If writing well were teachable, then anyone could become a", "not everyone who knows the rules can do it. Think of it this", "everyone who knows the rules can do it. Think of it this way:", "in the right places, and keep his sentences down to twenty words. That", "do it. Think of it this way: (1) If writing well were teachable,", "good writers, and we know writing well isn't teachable. They had to have", "had to have been born with such potential. What do you guys think?", "can do it. Think of it this way: (1) If writing well were", "someone can learn to spell, put punctuation in the right places, and keep", "who knows the rules can do it. Think of it this way: (1)", "Not anyone can become a good writer. (3) Hence, writing well isn't teachable.", "the rules and yet still write poorly just quit? I'd like to know", "you guys think? Should people who follow the rules and yet still write", "potential. What do you guys think? Should people who follow the rules and", "the right places, and keep his sentences down to twenty words. That doesn’t", "anyone can become a good writer. (3) Hence, writing well isn't teachable. So", "an Ernest Hemingway?* Sure, someone can learn to spell, put punctuation in the", "it possible to become an Ernest Hemingway?* Sure, someone can learn to spell,", "must be an inherent quality because there are good writers, and we know", "inherent quality because not everyone who knows the rules can do it. Think", "Hence, writing well isn't teachable. So writing well must be an inherent quality", "Ernest Hemingway?* Sure, someone can learn to spell, put punctuation in the right", "(3) Hence, writing well isn't teachable. So writing well must be an inherent", "Hemingway?* Sure, someone can learn to spell, put punctuation in the right places,", "be an inherent quality because there are good writers, and we know writing", "quality because there are good writers, and we know writing well isn't teachable.", "knows the rules can do it. Think of it this way: (1) If", "places, and keep his sentences down to twenty words. That doesn’t make you", "That doesn’t make you Earnest Hemingway, though. Being good at writing appears to", "there are good writers, and we know writing well isn't teachable. They had", "writer. (3) Hence, writing well isn't teachable. So writing well must be an", "writer. (2) Not anyone can become a good writer. (3) Hence, writing well", "writing appears to be an inherent quality because not everyone who knows the", "teachable. They had to have been born with such potential. What do you", "writing well isn't teachable. They had to have been born with such potential.", "been born with such potential. What do you guys think? Should people who", "who follow the rules and yet still write poorly just quit? I'd like", "to spell, put punctuation in the right places, and keep his sentences down", "If writing well were teachable, then anyone could become a good writer. (2)", "words. That doesn’t make you Earnest Hemingway, though. Being good at writing appears", "writing well isn't teachable. So writing well must be an inherent quality because", "an inherent quality because there are good writers, and we know writing well", "appears to be an inherent quality because not everyone who knows the rules", "it. Think of it this way: (1) If writing well were teachable, then", "because there are good writers, and we know writing well isn't teachable. They", "Being good at writing appears to be an inherent quality because not everyone", "down to twenty words. That doesn’t make you Earnest Hemingway, though. Being good", "an inherent quality because not everyone who knows the rules can do it.", "good at writing appears to be an inherent quality because not everyone who", "have been born with such potential. What do you guys think? Should people", "teachable, then anyone could become a good writer. (2) Not anyone can become", "well were teachable, then anyone could become a good writer. (2) Not anyone", "good writer. (2) Not anyone can become a good writer. (3) Hence, writing", "Think of it this way: (1) If writing well were teachable, then anyone", "(1) If writing well were teachable, then anyone could become a good writer.", "doesn’t make you Earnest Hemingway, though. Being good at writing appears to be", "and yet still write poorly just quit? I'd like to know your thoughts.", "guys think? Should people who follow the rules and yet still write poorly", "anyone could become a good writer. (2) Not anyone can become a good", "writers, and we know writing well isn't teachable. They had to have been", "Should people who follow the rules and yet still write poorly just quit?", "you Earnest Hemingway, though. Being good at writing appears to be an inherent", "inherent quality because there are good writers, and we know writing well isn't", "well isn't teachable. They had to have been born with such potential. What", "born with such potential. What do you guys think? Should people who follow", "They had to have been born with such potential. What do you guys", "a good writer. (3) Hence, writing well isn't teachable. So writing well must", "it this way: (1) If writing well were teachable, then anyone could become", "and keep his sentences down to twenty words. That doesn’t make you Earnest", "rules can do it. Think of it this way: (1) If writing well", "of it this way: (1) If writing well were teachable, then anyone could", "follow the rules and yet still write poorly just quit? I'd like to", "rules and yet still write poorly just quit? I'd like to know your", "teachable. So writing well must be an inherent quality because there are good", "right places, and keep his sentences down to twenty words. That doesn’t make", "well isn't teachable. So writing well must be an inherent quality because there", "become an Ernest Hemingway?* Sure, someone can learn to spell, put punctuation in", "quality because not everyone who knows the rules can do it. Think of", "and we know writing well isn't teachable. They had to have been born", "isn't teachable. They had to have been born with such potential. What do", "So writing well must be an inherent quality because there are good writers,", "(2) Not anyone can become a good writer. (3) Hence, writing well isn't", "because not everyone who knows the rules can do it. Think of it", "do you guys think? Should people who follow the rules and yet still", "with such potential. What do you guys think? Should people who follow the", "to twenty words. That doesn’t make you Earnest Hemingway, though. Being good at", "possible to become an Ernest Hemingway?* Sure, someone can learn to spell, put", "people who follow the rules and yet still write poorly just quit? I'd", "keep his sentences down to twenty words. That doesn’t make you Earnest Hemingway,", "writing well were teachable, then anyone could become a good writer. (2) Not", "punctuation in the right places, and keep his sentences down to twenty words.", "his sentences down to twenty words. That doesn’t make you Earnest Hemingway, though.", "to be an inherent quality because not everyone who knows the rules can", "though. Being good at writing appears to be an inherent quality because not", "Hemingway, though. Being good at writing appears to be an inherent quality because", "Is it possible to become an Ernest Hemingway? Sure, someone can learn to", "spell, put punctuation in the right places, and keep his sentences down to", "become a good writer. (2) Not anyone can become a good writer. (3)", "make you Earnest Hemingway, though. Being good at writing appears to be an", "well must be an inherent quality because there are good writers, and we", "Sure, someone can learn to spell, put punctuation in the right places, and", "at writing appears to be an inherent quality because not everyone who knows", "can learn to spell, put punctuation in the right places, and keep his", "then anyone could become a good writer. (2) Not anyone can become a", "good writer. (3) Hence, writing well isn't teachable. So writing well must be", "we know writing well isn't teachable. They had to have been born with", "learn to spell, put punctuation in the right places, and keep his sentences", "could become a good writer. (2) Not anyone can become a good writer.", "isn't teachable. So writing well must be an inherent quality because there are", "writing well must be an inherent quality because there are good writers, and", "can become a good writer. (3) Hence, writing well isn't teachable. So writing", "become a good writer. (3) Hence, writing well isn't teachable. So writing well", "to have been born with such potential. What do you guys think? Should", "a good writer. (2) Not anyone can become a good writer. (3) Hence,", "be an inherent quality because not everyone who knows the rules can do", "sentences down to twenty words. That doesn’t make you Earnest Hemingway, though. Being", "What do you guys think? Should people who follow the rules and yet", "Earnest Hemingway, though. Being good at writing appears to be an inherent quality", "are good writers, and we know writing well isn't teachable. They had to", "twenty words. That doesn’t make you Earnest Hemingway, though. Being good at writing", "know writing well isn't teachable. They had to have been born with such", "were teachable, then anyone could become a good writer. (2) Not anyone can", "put punctuation in the right places, and keep his sentences down to twenty", "think? Should people who follow the rules and yet still write poorly just", "way: (1) If writing well were teachable, then anyone could become a good", "such potential. What do you guys think? Should people who follow the rules", "the rules can do it. Think of it this way: (1) If writing" ]
[ "to. If I absolutely hate this character, does that mean my reader will", "slap across the face to. If I absolutely hate this character, does that", "my reader will hate him too? Is it good to purposely include a", "to purposely include a character in your writing which the reader is designed", "a huge slap across the face to. If I absolutely hate this character,", "hate this character, does that mean my reader will hate him too? Is", "have a character that I want to give a huge slap across the", "character that I want to give a huge slap across the face to.", "him too? Is it good to purposely include a character in your writing", "Is it good to purposely include a character in your writing which the", "that mean my reader will hate him too? Is it good to purposely", "include a character in your writing which the reader is designed to hate?", "the face to. If I absolutely hate this character, does that mean my", "I absolutely hate this character, does that mean my reader will hate him", "mean my reader will hate him too? Is it good to purposely include", "good to purposely include a character in your writing which the reader is", "a character that I want to give a huge slap across the face", "absolutely hate this character, does that mean my reader will hate him too?", "I have a character that I want to give a huge slap across", "I want to give a huge slap across the face to. If I", "too? Is it good to purposely include a character in your writing which", "huge slap across the face to. If I absolutely hate this character, does", "will hate him too? Is it good to purposely include a character in", "purposely include a character in your writing which the reader is designed to", "to give a huge slap across the face to. If I absolutely hate", "reader will hate him too? Is it good to purposely include a character", "want to give a huge slap across the face to. If I absolutely", "give a huge slap across the face to. If I absolutely hate this", "face to. If I absolutely hate this character, does that mean my reader", "across the face to. If I absolutely hate this character, does that mean", "If I absolutely hate this character, does that mean my reader will hate", "character, does that mean my reader will hate him too? Is it good", "it good to purposely include a character in your writing which the reader", "hate him too? Is it good to purposely include a character in your", "does that mean my reader will hate him too? Is it good to", "this character, does that mean my reader will hate him too? Is it", "that I want to give a huge slap across the face to. If" ]
[ "so I'm wondering whether to keep it in a public repository, which anybody", "track of changes. I've got one ebook about Cycle touring that I have", "is it a problem to share my work publicly like this, before its", "of an earlier draft that the other one, so I'm wondering whether to", "to clone a repository from one service to the other with all its", "private repository, e.g. on bitbucket, where only I would have access. It is", "access. It is possible to clone a repository from one service to the", "with all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking", "I have in a public repository on Github. I've got a new one", "public repository on Github. I've got a new one I'm working on about", "is possible to clone a repository from one service to the other with", "It's rather more of an earlier draft that the other one, so I'm", "that I have in a public repository on Github. I've got a new", "on about Investing. It's rather more of an earlier draft that the other", "Cycle touring that I have in a public repository on Github. I've got", "other with all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not", "in a private repository, e.g. on bitbucket, where only I would have access.", "to keep it in a public repository, which anybody can see, e.g. on", "of changes. I've got one ebook about Cycle touring that I have in", "repository from one service to the other with all its revision history and", "I'm working on about Investing. It's rather more of an earlier draft that", "I'm wondering whether to keep it in a public repository, which anybody can", "a writer. I use Github version control for some of my writing, to", "touring that I have in a public repository on Github. I've got a", "on bitbucket, where only I would have access. It is possible to clone", "repository on Github. I've got a new one I'm working on about Investing.", "([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to either platform. My question", "a problem to share my work publicly like this, before its fully baked?", "wondering whether to keep it in a public repository, which anybody can see,", "a public repository, which anybody can see, e.g. on github, or in a", "repository, e.g. on bitbucket, where only I would have access. It is possible", "about Cycle touring that I have in a public repository on Github. I've", "earlier draft that the other one, so I'm wondering whether to keep it", "one I'm working on about Investing. It's rather more of an earlier draft", "a developer and a writer. I use Github version control for some of", "I've got one ebook about Cycle touring that I have in a public", "one service to the other with all its revision history and branches ([details", "repository, which anybody can see, e.g. on github, or in a private repository,", "branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to either platform. My", "to either platform. My question is, is it a problem to share my", "use Github version control for some of my writing, to keep track of", "here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to either platform. My question is,", "a new one I'm working on about Investing. It's rather more of an", "Github version control for some of my writing, to keep track of changes.", "e.g. on bitbucket, where only I would have access. It is possible to", "which anybody can see, e.g. on github, or in a private repository, e.g.", "a repository from one service to the other with all its revision history", "working on about Investing. It's rather more of an earlier draft that the", "my writing, to keep track of changes. I've got one ebook about Cycle", "Investing. It's rather more of an earlier draft that the other one, so", "or in a private repository, e.g. on bitbucket, where only I would have", "would have access. It is possible to clone a repository from one service", "My question is, is it a problem to share my work publicly like", "the other one, so I'm wondering whether to keep it in a public", "anybody can see, e.g. on github, or in a private repository, e.g. on", "from one service to the other with all its revision history and branches", "it in a public repository, which anybody can see, e.g. on github, or", "it a problem to share my work publicly like this, before its fully", "keep it in a public repository, which anybody can see, e.g. on github,", "I would have access. It is possible to clone a repository from one", "its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in", "can see, e.g. on github, or in a private repository, e.g. on bitbucket,", "the other with all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm", "one, so I'm wondering whether to keep it in a public repository, which", "history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to either", "whether to keep it in a public repository, which anybody can see, e.g.", "more of an earlier draft that the other one, so I'm wondering whether", "e.g. on github, or in a private repository, e.g. on bitbucket, where only", "on github, or in a private repository, e.g. on bitbucket, where only I", "one ebook about Cycle touring that I have in a public repository on", "a private repository, e.g. on bitbucket, where only I would have access. It", "public repository, which anybody can see, e.g. on github, or in a private", "github, or in a private repository, e.g. on bitbucket, where only I would", "see, e.g. on github, or in a private repository, e.g. on bitbucket, where", "in to either platform. My question is, is it a problem to share", "draft that the other one, so I'm wondering whether to keep it in", "revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to", "all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself", "on Github. I've got a new one I'm working on about Investing. It's", "I've got a new one I'm working on about Investing. It's rather more", "in a public repository on Github. I've got a new one I'm working", "clone a repository from one service to the other with all its revision", "writing, to keep track of changes. I've got one ebook about Cycle touring", "keep track of changes. I've got one ebook about Cycle touring that I", "a public repository on Github. I've got a new one I'm working on", "question is, is it a problem to share my work publicly like this,", "service to the other with all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)),", "locking myself in to either platform. My question is, is it a problem", "in a public repository, which anybody can see, e.g. on github, or in", "other one, so I'm wondering whether to keep it in a public repository,", "changes. I've got one ebook about Cycle touring that I have in a", "new one I'm working on about Investing. It's rather more of an earlier", "got one ebook about Cycle touring that I have in a public repository", "and a writer. I use Github version control for some of my writing,", "of my writing, to keep track of changes. I've got one ebook about", "and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so I'm not locking myself in to either platform.", "rather more of an earlier draft that the other one, so I'm wondering", "writer. I use Github version control for some of my writing, to keep", "an earlier draft that the other one, so I'm wondering whether to keep", "It is possible to clone a repository from one service to the other", "where only I would have access. It is possible to clone a repository", "that the other one, so I'm wondering whether to keep it in a", "to the other with all its revision history and branches ([details here](https://stackoverflow.com/questions/22906917/how-to-move-git-repository-with-all-branches-from-bitbucket-to-github)), so", "some of my writing, to keep track of changes. I've got one ebook", "about Investing. It's rather more of an earlier draft that the other one,", "got a new one I'm working on about Investing. It's rather more of", "ebook about Cycle touring that I have in a public repository on Github.", "I use Github version control for some of my writing, to keep track", "Github. I've got a new one I'm working on about Investing. It's rather", "I'm a developer and a writer. I use Github version control for some", "only I would have access. It is possible to clone a repository from", "have access. It is possible to clone a repository from one service to", "I'm not locking myself in to either platform. My question is, is it", "bitbucket, where only I would have access. It is possible to clone a", "is, is it a problem to share my work publicly like this, before", "either platform. My question is, is it a problem to share my work", "for some of my writing, to keep track of changes. I've got one", "possible to clone a repository from one service to the other with all", "so I'm not locking myself in to either platform. My question is, is", "version control for some of my writing, to keep track of changes. I've", "myself in to either platform. My question is, is it a problem to", "platform. My question is, is it a problem to share my work publicly", "have in a public repository on Github. I've got a new one I'm", "control for some of my writing, to keep track of changes. I've got", "not locking myself in to either platform. My question is, is it a", "to keep track of changes. I've got one ebook about Cycle touring that", "developer and a writer. I use Github version control for some of my" ]
[ "technology evolves in our world. The speed of the magic evolution would begin", "progresses over a number of years. Throughout the story, I want to display", "same order as in our world, there will be some steps missed out,", "of the story, therefore there will be a great many more things that", "of the story than the beginning. One of my worries is that it", "basic robotics in a span of years (not necessarily in the same order", "introduce early into the story, that the magic in my world will advance", "robotics in a span of years (not necessarily in the same order as", "slowly but would eventually progress very quickly, due to reasons to do with", "I'm making up new rules for the magic system as I go? For", "the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore computers will", "that it will seemingly appear from nowhere (the protagonists contribute some of the", "era, and progress to basic robotics in a span of years (not necessarily", "or introduce early into the story, that the magic in my world will", "imagine that the technology equivalent would begin in a medieval - flintlock era,", "there will be a great many more things that the magic allows close", "flintlock era, and progress to basic robotics in a span of years (not", "antagonist behind the scenes). How can I foreshadow, or introduce early into the", "be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore computers will still not exist).", "world. The speed of the magic evolution would begin slowly but would eventually", "of the magic evolution would begin slowly but would eventually progress very quickly,", "magic allows close to the end of the story than the beginning. One", "as in our world, there will be some steps missed out, as the", "I go along, due to the fact that it will seemingly appear from", "our world. The speed of the magic evolution would begin slowly but would", "One of my worries is that it may seem as though I'm making", "the magic evolution would begin slowly but would eventually progress very quickly, due", "of years. Throughout the story, I want to display an evolution of the", "though I'm making up new rules for the magic system as I go?", "things that the magic allows close to the end of the story than", "(the protagonists contribute some of the magic evolution, but the majority of it", "story, that the magic in my world will advance quickly in the future,", "without it appearing as though I'm making up new rules for the magic", "new realms of my magic system will eventually become available, without it appearing", "my world will advance quickly in the future, and entirely new realms of", "magic in my world will advance quickly in the future, and entirely new", "due to reasons to do with the plot and the main characters of", "want to display an evolution of the magic, much like technology evolves in", "great many more things that the magic allows close to the end of", "along, due to the fact that it will seemingly appear from nowhere (the", "seemingly appear from nowhere (the protagonists contribute some of the magic evolution, but", "of the magic evolution, but the majority of it is done by the", "entirely new realms of my magic system will eventually become available, without it", "fantasy novel, in which the story progresses over a number of years. Throughout", "will eventually become available, without it appearing as though I'm making up new", "technology equivalent would begin in a medieval - flintlock era, and progress to", "as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore computers", "story than the beginning. One of my worries is that it may seem", "to the end of the story than the beginning. One of my worries", "be a great many more things that the magic allows close to the", "- flintlock era, and progress to basic robotics in a span of years", "the story, therefore there will be a great many more things that the", "of the magic, much like technology evolves in our world. The speed of", "magic, much like technology evolves in our world. The speed of the magic", "years. Throughout the story, I want to display an evolution of the magic,", "do with the plot and the main characters of the story, therefore there", "evolution, but the majority of it is done by the antagonist behind the", "the antagonist behind the scenes). How can I foreshadow, or introduce early into", "early into the story, that the magic in my world will advance quickly", "my magic system will eventually become available, without it appearing as though I'm", "therefore there will be a great many more things that the magic allows", "available, without it appearing as though I'm making up new rules for the", "rules for my magic as I go along, due to the fact that", "for the magic system as I go? For reference, imagine that the technology", "story progresses over a number of years. Throughout the story, I want to", "speed of the magic evolution would begin slowly but would eventually progress very", "main characters of the story, therefore there will be a great many more", "(not necessarily in the same order as in our world, there will be", "advance quickly in the future, and entirely new realms of my magic system", "novel, in which the story progresses over a number of years. Throughout the", "from nowhere (the protagonists contribute some of the magic evolution, but the majority", "I want to display an evolution of the magic, much like technology evolves", "The speed of the magic evolution would begin slowly but would eventually progress", "it appearing as though I'm making up new rules for the magic system", "magic as I go along, due to the fact that it will seemingly", "some of the magic evolution, but the majority of it is done by", "a fantasy novel, in which the story progresses over a number of years.", "in our world, there will be some steps missed out, as the [robots", "evolves in our world. The speed of the magic evolution would begin slowly", "and progress to basic robotics in a span of years (not necessarily in", "to do with the plot and the main characters of the story, therefore", "of it is done by the antagonist behind the scenes). How can I", "out, as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore", "with the plot and the main characters of the story, therefore there will", "I foreshadow, or introduce early into the story, that the magic in my", "of my magic system will eventually become available, without it appearing as though", "become available, without it appearing as though I'm making up new rules for", "plot and the main characters of the story, therefore there will be a", "due to the fact that it will seemingly appear from nowhere (the protagonists", "number of years. Throughout the story, I want to display an evolution of", "my worries is that it may seem as though I'm making up additional", "the story progresses over a number of years. Throughout the story, I want", "into the story, that the magic in my world will advance quickly in", "go? For reference, imagine that the technology equivalent would begin in a medieval", "to reasons to do with the plot and the main characters of the", "future, and entirely new realms of my magic system will eventually become available,", "it will seemingly appear from nowhere (the protagonists contribute some of the magic", "our world, there will be some steps missed out, as the [robots will", "evolution of the magic, much like technology evolves in our world. The speed", "in our world. The speed of the magic evolution would begin slowly but", "realms of my magic system will eventually become available, without it appearing as", "magic system as I go? For reference, imagine that the technology equivalent would", "and entirely new realms of my magic system will eventually become available, without", "which the story progresses over a number of years. Throughout the story, I", "would eventually progress very quickly, due to reasons to do with the plot", "and the main characters of the story, therefore there will be a great", "the end of the story than the beginning. One of my worries is", "that the magic in my world will advance quickly in the future, and", "reasons to do with the plot and the main characters of the story,", "a span of years (not necessarily in the same order as in our", "display an evolution of the magic, much like technology evolves in our world.", "contribute some of the magic evolution, but the majority of it is done", "in which the story progresses over a number of years. Throughout the story,", "of years (not necessarily in the same order as in our world, there", "much like technology evolves in our world. The speed of the magic evolution", "I'm making up additional rules for my magic as I go along, due", "as I go along, due to the fact that it will seemingly appear", "the fact that it will seemingly appear from nowhere (the protagonists contribute some", "How can I foreshadow, or introduce early into the story, that the magic", "quickly, due to reasons to do with the plot and the main characters", "is done by the antagonist behind the scenes). How can I foreshadow, or", "the scenes). How can I foreshadow, or introduce early into the story, that", "For reference, imagine that the technology equivalent would begin in a medieval -", "the magic, much like technology evolves in our world. The speed of the", "progress to basic robotics in a span of years (not necessarily in the", "end of the story than the beginning. One of my worries is that", "appear from nowhere (the protagonists contribute some of the magic evolution, but the", "in my world will advance quickly in the future, and entirely new realms", "magic evolution, but the majority of it is done by the antagonist behind", "for my magic as I go along, due to the fact that it", "will seemingly appear from nowhere (the protagonists contribute some of the magic evolution,", "to basic robotics in a span of years (not necessarily in the same", "done by the antagonist behind the scenes). How can I foreshadow, or introduce", "the plot and the main characters of the story, therefore there will be", "up additional rules for my magic as I go along, due to the", "characters of the story, therefore there will be a great many more things", "I'm writing a fantasy novel, in which the story progresses over a number", "to display an evolution of the magic, much like technology evolves in our", "reference, imagine that the technology equivalent would begin in a medieval - flintlock", "the magic in my world will advance quickly in the future, and entirely", "some steps missed out, as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and", "be some steps missed out, as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic)", "[robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore computers will still", "the technology equivalent would begin in a medieval - flintlock era, and progress", "my magic as I go along, due to the fact that it will", "as though I'm making up new rules for the magic system as I", "eventually progress very quickly, due to reasons to do with the plot and", "though I'm making up additional rules for my magic as I go along,", "there will be some steps missed out, as the [robots will be built", "the majority of it is done by the antagonist behind the scenes). How", "additional rules for my magic as I go along, due to the fact", "missed out, as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology,", "as though I'm making up additional rules for my magic as I go", "system as I go? For reference, imagine that the technology equivalent would begin", "the story, I want to display an evolution of the magic, much like", "world, there will be some steps missed out, as the [robots will be", "the story than the beginning. One of my worries is that it may", "Throughout the story, I want to display an evolution of the magic, much", "close to the end of the story than the beginning. One of my", "the story, that the magic in my world will advance quickly in the", "appearing as though I'm making up new rules for the magic system as", "majority of it is done by the antagonist behind the scenes). How can", "nowhere (the protagonists contribute some of the magic evolution, but the majority of", "will advance quickly in the future, and entirely new realms of my magic", "in the future, and entirely new realms of my magic system will eventually", "the magic evolution, but the majority of it is done by the antagonist", "progress very quickly, due to reasons to do with the plot and the", "will be some steps missed out, as the [robots will be built using", "the beginning. One of my worries is that it may seem as though", "in a medieval - flintlock era, and progress to basic robotics in a", "span of years (not necessarily in the same order as in our world,", "necessarily in the same order as in our world, there will be some", "magic system will eventually become available, without it appearing as though I'm making", "is that it may seem as though I'm making up additional rules for", "steps missed out, as the [robots will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not", "the main characters of the story, therefore there will be a great many", "a number of years. Throughout the story, I want to display an evolution", "story, I want to display an evolution of the magic, much like technology", "up new rules for the magic system as I go? For reference, imagine", "go along, due to the fact that it will seemingly appear from nowhere", "order as in our world, there will be some steps missed out, as", "may seem as though I'm making up additional rules for my magic as", "in a span of years (not necessarily in the same order as in", "equivalent would begin in a medieval - flintlock era, and progress to basic", "story, therefore there will be a great many more things that the magic", "medieval - flintlock era, and progress to basic robotics in a span of", "the same order as in our world, there will be some steps missed", "writing a fantasy novel, in which the story progresses over a number of", "will be built using magic](https://worldbuilding.stackexchange.com/questions/14942/how-to-build-a-robot-using-magic) and not technology, therefore computers will still not", "foreshadow, or introduce early into the story, that the magic in my world", "it is done by the antagonist behind the scenes). How can I foreshadow,", "behind the scenes). How can I foreshadow, or introduce early into the story,", "a great many more things that the magic allows close to the end", "beginning. One of my worries is that it may seem as though I'm", "begin slowly but would eventually progress very quickly, due to reasons to do", "making up additional rules for my magic as I go along, due to", "making up new rules for the magic system as I go? For reference,", "than the beginning. One of my worries is that it may seem as", "protagonists contribute some of the magic evolution, but the majority of it is", "rules for the magic system as I go? For reference, imagine that the", "like technology evolves in our world. The speed of the magic evolution would", "to the fact that it will seemingly appear from nowhere (the protagonists contribute", "can I foreshadow, or introduce early into the story, that the magic in", "scenes). How can I foreshadow, or introduce early into the story, that the", "in the same order as in our world, there will be some steps", "more things that the magic allows close to the end of the story", "will be a great many more things that the magic allows close to", "that it may seem as though I'm making up additional rules for my", "system will eventually become available, without it appearing as though I'm making up", "I go? For reference, imagine that the technology equivalent would begin in a", "of my worries is that it may seem as though I'm making up", "evolution would begin slowly but would eventually progress very quickly, due to reasons", "it may seem as though I'm making up additional rules for my magic", "seem as though I'm making up additional rules for my magic as I", "that the technology equivalent would begin in a medieval - flintlock era, and", "would begin in a medieval - flintlock era, and progress to basic robotics", "years (not necessarily in the same order as in our world, there will", "fact that it will seemingly appear from nowhere (the protagonists contribute some of", "that the magic allows close to the end of the story than the", "worries is that it may seem as though I'm making up additional rules", "the magic system as I go? For reference, imagine that the technology equivalent", "but the majority of it is done by the antagonist behind the scenes).", "as I go? For reference, imagine that the technology equivalent would begin in", "over a number of years. Throughout the story, I want to display an", "many more things that the magic allows close to the end of the", "by the antagonist behind the scenes). How can I foreshadow, or introduce early", "the future, and entirely new realms of my magic system will eventually become", "but would eventually progress very quickly, due to reasons to do with the", "the magic allows close to the end of the story than the beginning.", "quickly in the future, and entirely new realms of my magic system will", "new rules for the magic system as I go? For reference, imagine that", "world will advance quickly in the future, and entirely new realms of my", "eventually become available, without it appearing as though I'm making up new rules", "very quickly, due to reasons to do with the plot and the main", "an evolution of the magic, much like technology evolves in our world. The", "allows close to the end of the story than the beginning. One of", "a medieval - flintlock era, and progress to basic robotics in a span", "begin in a medieval - flintlock era, and progress to basic robotics in", "magic evolution would begin slowly but would eventually progress very quickly, due to", "would begin slowly but would eventually progress very quickly, due to reasons to" ]
[ "attempting to pursue publication it while I am still unexperienced, but I don't", "of one's career? Should ideas with large potential be reserved or acted on", "they are had, or to reserve them until one has more experience in", "until one has more experience in order to get the most out of", "first Writers.SE question so feel free to be as critical as you like!)", "Should ideas with large potential be reserved or acted on immediately (considering skill", "ideas are fine to develop at the start of one's career? Should ideas", "the story by attempting to pursue publication it while I am still unexperienced,", "or to reserve them until one has more experience in order to get", "developed, I don't want to ruin the story by attempting to pursue publication", "or acted on immediately (considering skill level)? (PS: This is also my first", "I would like to flesh out and turn into a full story. Being", "would like to flesh out and turn into a full story. Being extremely", "have virtually zero experience), I have an idea I would like to flesh", "turn into a full story. Being extremely proud of the concepts I have", "start writing it. In general, is it better to start developing/writing ideas (with", "into a full story. Being extremely proud of the concepts I have developed,", "don't want to ruin the story by attempting to pursue publication it while", "fine to develop at the start of one's career? Should ideas with large", "wait too long to actually start writing it. In general, is it better", "are fine to develop at the start of one's career? Should ideas with", "has more experience in order to get the most out of it? What", "out of it? What ideas are fine to develop at the start of", "also my first Writers.SE question so feel free to be as critical as", "of publication) as soon as they are had, or to reserve them until", "publication) as soon as they are had, or to reserve them until one", "I don't want to ruin the story by attempting to pursue publication it", "of it? What ideas are fine to develop at the start of one's", "want to have to wait too long to actually start writing it. In", "as soon as they are had, or to reserve them until one has", "large potential be reserved or acted on immediately (considering skill level)? (PS: This", "at the start of one's career? Should ideas with large potential be reserved", "commencement of my writing \"career\" (I have virtually zero experience), I have an", "goal of publication) as soon as they are had, or to reserve them", "them until one has more experience in order to get the most out", "out and turn into a full story. Being extremely proud of the concepts", "skill level)? (PS: This is also my first Writers.SE question so feel free", "be reserved or acted on immediately (considering skill level)? (PS: This is also", "publication it while I am still unexperienced, but I don't want to have", "most out of it? What ideas are fine to develop at the start", "to pursue publication it while I am still unexperienced, but I don't want", "\"career\" (I have virtually zero experience), I have an idea I would like", "is also my first Writers.SE question so feel free to be as critical", "the start of one's career? Should ideas with large potential be reserved or", "an idea I would like to flesh out and turn into a full", "unexperienced, but I don't want to have to wait too long to actually", "story. Being extremely proud of the concepts I have developed, I don't want", "to ruin the story by attempting to pursue publication it while I am", "reserve them until one has more experience in order to get the most", "have to wait too long to actually start writing it. In general, is", "I am still unexperienced, but I don't want to have to wait too", "develop at the start of one's career? Should ideas with large potential be", "long to actually start writing it. In general, is it better to start", "one has more experience in order to get the most out of it?", "idea I would like to flesh out and turn into a full story.", "ruin the story by attempting to pursue publication it while I am still", "start of one's career? Should ideas with large potential be reserved or acted", "writing it. In general, is it better to start developing/writing ideas (with the", "my writing \"career\" (I have virtually zero experience), I have an idea I", "virtually zero experience), I have an idea I would like to flesh out", "with large potential be reserved or acted on immediately (considering skill level)? (PS:", "potential be reserved or acted on immediately (considering skill level)? (PS: This is", "(with the goal of publication) as soon as they are had, or to", "had, or to reserve them until one has more experience in order to", "I don't want to have to wait too long to actually start writing", "full story. Being extremely proud of the concepts I have developed, I don't", "writing \"career\" (I have virtually zero experience), I have an idea I would", "experience), I have an idea I would like to flesh out and turn", "it? What ideas are fine to develop at the start of one's career?", "I have developed, I don't want to ruin the story by attempting to", "it while I am still unexperienced, but I don't want to have to", "to have to wait too long to actually start writing it. In general,", "to get the most out of it? What ideas are fine to develop", "(considering skill level)? (PS: This is also my first Writers.SE question so feel", "while I am still unexperienced, but I don't want to have to wait", "am still unexperienced, but I don't want to have to wait too long", "of the concepts I have developed, I don't want to ruin the story", "Being extremely proud of the concepts I have developed, I don't want to", "and turn into a full story. Being extremely proud of the concepts I", "don't want to have to wait too long to actually start writing it.", "more experience in order to get the most out of it? What ideas", "acted on immediately (considering skill level)? (PS: This is also my first Writers.SE", "are had, or to reserve them until one has more experience in order", "extremely proud of the concepts I have developed, I don't want to ruin", "to reserve them until one has more experience in order to get the", "to develop at the start of one's career? Should ideas with large potential", "still unexperienced, but I don't want to have to wait too long to", "This is also my first Writers.SE question so feel free to be as", "want to ruin the story by attempting to pursue publication it while I", "as they are had, or to reserve them until one has more experience", "my first Writers.SE question so feel free to be as critical as you", "concepts I have developed, I don't want to ruin the story by attempting", "to wait too long to actually start writing it. In general, is it", "flesh out and turn into a full story. Being extremely proud of the", "In general, is it better to start developing/writing ideas (with the goal of", "proud of the concepts I have developed, I don't want to ruin the", "too long to actually start writing it. In general, is it better to", "level)? (PS: This is also my first Writers.SE question so feel free to", "story by attempting to pursue publication it while I am still unexperienced, but", "to flesh out and turn into a full story. Being extremely proud of", "experience in order to get the most out of it? What ideas are", "have an idea I would like to flesh out and turn into a", "like to flesh out and turn into a full story. Being extremely proud", "to actually start writing it. In general, is it better to start developing/writing", "the most out of it? What ideas are fine to develop at the", "developing/writing ideas (with the goal of publication) as soon as they are had,", "of my writing \"career\" (I have virtually zero experience), I have an idea", "ideas (with the goal of publication) as soon as they are had, or", "reserved or acted on immediately (considering skill level)? (PS: This is also my", "pursue publication it while I am still unexperienced, but I don't want to", "soon as they are had, or to reserve them until one has more", "very commencement of my writing \"career\" (I have virtually zero experience), I have", "career? Should ideas with large potential be reserved or acted on immediately (considering", "actually start writing it. In general, is it better to start developing/writing ideas", "in order to get the most out of it? What ideas are fine", "What ideas are fine to develop at the start of one's career? Should", "by attempting to pursue publication it while I am still unexperienced, but I", "start developing/writing ideas (with the goal of publication) as soon as they are", "better to start developing/writing ideas (with the goal of publication) as soon as", "zero experience), I have an idea I would like to flesh out and", "(I have virtually zero experience), I have an idea I would like to", "(PS: This is also my first Writers.SE question so feel free to be", "have developed, I don't want to ruin the story by attempting to pursue", "one's career? Should ideas with large potential be reserved or acted on immediately", "general, is it better to start developing/writing ideas (with the goal of publication)", "get the most out of it? What ideas are fine to develop at", "ideas with large potential be reserved or acted on immediately (considering skill level)?", "immediately (considering skill level)? (PS: This is also my first Writers.SE question so", "I have an idea I would like to flesh out and turn into", "the very commencement of my writing \"career\" (I have virtually zero experience), I", "a full story. Being extremely proud of the concepts I have developed, I", "the goal of publication) as soon as they are had, or to reserve", "on immediately (considering skill level)? (PS: This is also my first Writers.SE question", "it. In general, is it better to start developing/writing ideas (with the goal", "order to get the most out of it? What ideas are fine to", "to start developing/writing ideas (with the goal of publication) as soon as they", "but I don't want to have to wait too long to actually start", "the concepts I have developed, I don't want to ruin the story by", "it better to start developing/writing ideas (with the goal of publication) as soon", "At the very commencement of my writing \"career\" (I have virtually zero experience),", "is it better to start developing/writing ideas (with the goal of publication) as" ]
[]
[ "female antagonist. I was wondering if anyone has heard of anything related to", "harder). To me, this seems like a gross and peculiar generalization (though it's", "(though she couldn't remember the source) that men can identify and empathize with", "well as female protagonists, while women identify better with female protagonists (the claim", "To me, this seems like a gross and peculiar generalization (though it's hard", "protagonist and a female antagonist. I was wondering if anyone has heard of", "hard to say more about it without knowing the source). Still, if it's", "gross and peculiar generalization (though it's hard to say more about it without", "couldn't remember the source) that men can identify and empathize with male as", "with someone who claimed she'd once read (though she couldn't remember the source)", "it's hypothetically valid, it would create some odd dynamics in stories with a", "wondering if anyone has heard of anything related to that - if you", "identify better with female protagonists (the claim being, they can certainly sympathize with", "Still, if it's hypothetically valid, it would create some odd dynamics in stories", "discussion with someone who claimed she'd once read (though she couldn't remember the", "antagonist. I was wondering if anyone has heard of anything related to that", "anyone has heard of anything related to that - if you also remember", "with a male protagonist and a female antagonist. I was wondering if anyone", "claimed she'd once read (though she couldn't remember the source) that men can", "while women identify better with female protagonists (the claim being, they can certainly", "identify and empathize with male as well as female protagonists, while women identify", "related to that - if you also remember any possible source, it'd be", "has heard of anything related to that - if you also remember any", "better with female protagonists (the claim being, they can certainly sympathize with male", "a female antagonist. I was wondering if anyone has heard of anything related", "odd dynamics in stories with a male protagonist and a female antagonist. I", "remember the source) that men can identify and empathize with male as well", "heard of anything related to that - if you also remember any possible", "can certainly sympathize with male protagonists, but identification is harder). To me, this", "identification is harder). To me, this seems like a gross and peculiar generalization", "she'd once read (though she couldn't remember the source) that men can identify", "female protagonists, while women identify better with female protagonists (the claim being, they", "hypothetically valid, it would create some odd dynamics in stories with a male", "if anyone has heard of anything related to that - if you also", "that - if you also remember any possible source, it'd be a bonus.", "would create some odd dynamics in stories with a male protagonist and a", "empathize with male as well as female protagonists, while women identify better with", "as well as female protagonists, while women identify better with female protagonists (the", "I had a discussion with someone who claimed she'd once read (though she", "source). Still, if it's hypothetically valid, it would create some odd dynamics in", "source) that men can identify and empathize with male as well as female", "seems like a gross and peculiar generalization (though it's hard to say more", "men can identify and empathize with male as well as female protagonists, while", "with female protagonists (the claim being, they can certainly sympathize with male protagonists,", "valid, it would create some odd dynamics in stories with a male protagonist", "but identification is harder). To me, this seems like a gross and peculiar", "with male protagonists, but identification is harder). To me, this seems like a", "this seems like a gross and peculiar generalization (though it's hard to say", "some odd dynamics in stories with a male protagonist and a female antagonist.", "stories with a male protagonist and a female antagonist. I was wondering if", "sympathize with male protagonists, but identification is harder). To me, this seems like", "female protagonists (the claim being, they can certainly sympathize with male protagonists, but", "(though it's hard to say more about it without knowing the source). Still,", "she couldn't remember the source) that men can identify and empathize with male", "say more about it without knowing the source). Still, if it's hypothetically valid,", "like a gross and peculiar generalization (though it's hard to say more about", "women identify better with female protagonists (the claim being, they can certainly sympathize", "is harder). To me, this seems like a gross and peculiar generalization (though", "being, they can certainly sympathize with male protagonists, but identification is harder). To", "about it without knowing the source). Still, if it's hypothetically valid, it would", "to say more about it without knowing the source). Still, if it's hypothetically", "it would create some odd dynamics in stories with a male protagonist and", "can identify and empathize with male as well as female protagonists, while women", "I was wondering if anyone has heard of anything related to that -", "knowing the source). Still, if it's hypothetically valid, it would create some odd", "without knowing the source). Still, if it's hypothetically valid, it would create some", "was wondering if anyone has heard of anything related to that - if", "create some odd dynamics in stories with a male protagonist and a female", "of anything related to that - if you also remember any possible source,", "male protagonists, but identification is harder). To me, this seems like a gross", "claim being, they can certainly sympathize with male protagonists, but identification is harder).", "generalization (though it's hard to say more about it without knowing the source).", "as female protagonists, while women identify better with female protagonists (the claim being,", "male protagonist and a female antagonist. I was wondering if anyone has heard", "male as well as female protagonists, while women identify better with female protagonists", "protagonists (the claim being, they can certainly sympathize with male protagonists, but identification", "with male as well as female protagonists, while women identify better with female", "and a female antagonist. I was wondering if anyone has heard of anything", "a gross and peculiar generalization (though it's hard to say more about it", "it's hard to say more about it without knowing the source). Still, if", "a male protagonist and a female antagonist. I was wondering if anyone has", "protagonists, while women identify better with female protagonists (the claim being, they can", "read (though she couldn't remember the source) that men can identify and empathize", "protagonists, but identification is harder). To me, this seems like a gross and", "someone who claimed she'd once read (though she couldn't remember the source) that", "a discussion with someone who claimed she'd once read (though she couldn't remember", "dynamics in stories with a male protagonist and a female antagonist. I was", "anything related to that - if you also remember any possible source, it'd", "and empathize with male as well as female protagonists, while women identify better", "(the claim being, they can certainly sympathize with male protagonists, but identification is", "more about it without knowing the source). Still, if it's hypothetically valid, it", "it without knowing the source). Still, if it's hypothetically valid, it would create", "that men can identify and empathize with male as well as female protagonists,", "the source). Still, if it's hypothetically valid, it would create some odd dynamics", "and peculiar generalization (though it's hard to say more about it without knowing", "who claimed she'd once read (though she couldn't remember the source) that men", "me, this seems like a gross and peculiar generalization (though it's hard to", "certainly sympathize with male protagonists, but identification is harder). To me, this seems", "peculiar generalization (though it's hard to say more about it without knowing the", "the source) that men can identify and empathize with male as well as", "once read (though she couldn't remember the source) that men can identify and", "to that - if you also remember any possible source, it'd be a", "if it's hypothetically valid, it would create some odd dynamics in stories with", "had a discussion with someone who claimed she'd once read (though she couldn't", "in stories with a male protagonist and a female antagonist. I was wondering", "they can certainly sympathize with male protagonists, but identification is harder). To me," ]
[ "a few weeks ago. As I was messing around with it trying to", "use it I accidentally added too many scenes in one chapter. How do", "hang of how to use it I accidentally added too many scenes in", "few weeks ago. As I was messing around with it trying to get", "get a hang of how to use it I accidentally added too many", "it trying to get a hang of how to use it I accidentally", "ago. As I was messing around with it trying to get a hang", "I accidentally added too many scenes in one chapter. How do I delete", "of how to use it I accidentally added too many scenes in one", "it I accidentally added too many scenes in one chapter. How do I", "added too many scenes in one chapter. How do I delete these scenes?", "I purchased Scrivener a few weeks ago. As I was messing around with", "around with it trying to get a hang of how to use it", "was messing around with it trying to get a hang of how to", "to use it I accidentally added too many scenes in one chapter. How", "a hang of how to use it I accidentally added too many scenes", "I was messing around with it trying to get a hang of how", "trying to get a hang of how to use it I accidentally added", "how to use it I accidentally added too many scenes in one chapter.", "accidentally added too many scenes in one chapter. How do I delete these", "messing around with it trying to get a hang of how to use", "weeks ago. As I was messing around with it trying to get a", "As I was messing around with it trying to get a hang of", "Scrivener a few weeks ago. As I was messing around with it trying", "purchased Scrivener a few weeks ago. As I was messing around with it", "to get a hang of how to use it I accidentally added too", "with it trying to get a hang of how to use it I" ]
[ "use to evaluate whether or not a piece of fiction is good or", "or bad? For example, if you really had to explain why a piece", "would be required to rebuild that > which the Empire had taken away.Ψ", "something like the following excerpt and you had to evaluate it. > >", "rebuild that > which the Empire had taken away.Ψ > > > ```", "of > destruction, of complete collapse. > > > They had thought that", "collapse. > > > They had thought that with the fall > of", "taken away.Ψ > > > ``` Ψ Star Wars: Lhe Fomme Arakupv (page", "to explain why a piece of fiction were terrible what criteria might you", "> > She needed him. And he was nowhere to be found. >", "> destruction, of complete collapse. > > > They had thought that with", "he was nowhere to be found. > > There was no one >", "stood on the verge of implosion, of > destruction, of complete collapse. >", "following excerpt and you had to evaluate it. > > She needed him.", "you use to evaluate whether or not a piece of fiction is good", "Suppose you had something like the following excerpt and you had to evaluate", "Can you provide list of specific items you use to evaluate whether or", "of complete collapse. > > > They had thought that with the fall", "might you use to analyze it in order to inform the writer without", "so easy. That people would understand > the need for patience, that time", "Empire it would all be so easy. That people would understand > the", "could rely on. No one like her brother. No one else at all,", "one > else she could rely on. No one like her brother. No", "be so easy. That people would understand > the need for patience, that", "good or bad? For example, if you really had to explain why a", "time would be required to rebuild that > which the Empire had taken", "which the Empire had taken away.Ψ > > > ``` Ψ Star Wars:", "> else she could rely on. No one like her brother. No one", "she could rely on. No one like her brother. No one else at", "provide list of specific items you use to evaluate whether or not a", "needed him. And he was nowhere to be found. > > There was", "you really had to explain why a piece of fiction were terrible what", "or not a piece of fiction is good or bad? For example, if", "the fall > of the Empire it would all be so easy. That", "items you use to evaluate whether or not a piece of fiction is", "a piece of fiction were terrible what criteria might you use to analyze", "of specific items you use to evaluate whether or not a piece of", "> which the Empire had taken away.Ψ > > > ``` Ψ Star", "it in order to inform the writer without (blatantly) hurting her feelings? Suppose", "why a piece of fiction were terrible what criteria might you use to", "him. And he was nowhere to be found. > > There was no", "that > which the Empire had taken away.Ψ > > > ``` Ψ", "you use to analyze it in order to inform the writer without (blatantly)", "evaluate whether or not a piece of fiction is good or bad? For", "verge of implosion, of > destruction, of complete collapse. > > > They", "bad? For example, if you really had to explain why a piece of", "piece of fiction were terrible what criteria might you use to analyze it", "inform the writer without (blatantly) hurting her feelings? Suppose you had something like", "(blatantly) hurting her feelings? Suppose you had something like the following excerpt and", "it would all be so easy. That people would understand > the need", "had taken away.Ψ > > > ``` Ψ Star Wars: Lhe Fomme Arakupv", "example, if you really had to explain why a piece of fiction were", "fiction is good or bad? For example, if you really had to explain", "No one else at all, > now that the New Republic stood on", "it. > > She needed him. And he was nowhere to be found.", "complete collapse. > > > They had thought that with the fall >", "that time would be required to rebuild that > which the Empire had", "patience, that time would be required to rebuild that > which the Empire", "the New Republic stood on the verge of implosion, of > destruction, of", "easy. That people would understand > the need for patience, that time would", "to rebuild that > which the Empire had taken away.Ψ > > >", "on the verge of implosion, of > destruction, of complete collapse. > >", "> of the Empire it would all be so easy. That people would", "away.Ψ > > > ``` Ψ Star Wars: Lhe Fomme Arakupv (page 1)", "that with the fall > of the Empire it would all be so", "the following excerpt and you had to evaluate it. > > She needed", "the writer without (blatantly) hurting her feelings? Suppose you had something like the", "And he was nowhere to be found. > > There was no one", "Republic stood on the verge of implosion, of > destruction, of complete collapse.", "is good or bad? For example, if you really had to explain why", "now that the New Republic stood on the verge of implosion, of >", "the Empire it would all be so easy. That people would understand >", "> She needed him. And he was nowhere to be found. > >", "to evaluate whether or not a piece of fiction is good or bad?", "like her brother. No one else at all, > now that the New", "be found. > > There was no one > else she could rely", "really had to explain why a piece of fiction were terrible what criteria", "of fiction is good or bad? For example, if you really had to", "brother. No one else at all, > now that the New Republic stood", "criteria might you use to analyze it in order to inform the writer", "were terrible what criteria might you use to analyze it in order to", "would all be so easy. That people would understand > the need for", "That people would understand > the need for patience, that time would be", "use to analyze it in order to inform the writer without (blatantly) hurting", "be required to rebuild that > which the Empire had taken away.Ψ >", "evaluate it. > > She needed him. And he was nowhere to be", "New Republic stood on the verge of implosion, of > destruction, of complete", "Empire had taken away.Ψ > > > ``` Ψ Star Wars: Lhe Fomme", "with the fall > of the Empire it would all be so easy.", "had thought that with the fall > of the Empire it would all", "whether or not a piece of fiction is good or bad? For example,", "of fiction were terrible what criteria might you use to analyze it in", "No one like her brother. No one else at all, > now that", "else she could rely on. No one like her brother. No one else", "to be found. > > There was no one > else she could", "thought that with the fall > of the Empire it would all be", "had to explain why a piece of fiction were terrible what criteria might", "her feelings? Suppose you had something like the following excerpt and you had", "hurting her feelings? Suppose you had something like the following excerpt and you", "> the need for patience, that time would be required to rebuild that", "terrible what criteria might you use to analyze it in order to inform", "you had something like the following excerpt and you had to evaluate it.", "explain why a piece of fiction were terrible what criteria might you use", "all be so easy. That people would understand > the need for patience,", "for patience, that time would be required to rebuild that > which the", "She needed him. And he was nowhere to be found. > > There", "the need for patience, that time would be required to rebuild that >", "you provide list of specific items you use to evaluate whether or not", "at all, > now that the New Republic stood on the verge of", "a piece of fiction is good or bad? For example, if you really", "nowhere to be found. > > There was no one > else she", "> > There was no one > else she could rely on. 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Suppose you had something", "list of specific items you use to evaluate whether or not a piece", "the verge of implosion, of > destruction, of complete collapse. > > >", "like the following excerpt and you had to evaluate it. > > She", "was nowhere to be found. > > There was no one > else", "fiction were terrible what criteria might you use to analyze it in order", "destruction, of complete collapse. > > > They had thought that with the", "found. > > There was no one > else she could rely on.", "understand > the need for patience, that time would be required to rebuild", "of implosion, of > destruction, of complete collapse. > > > They had", "writer without (blatantly) hurting her feelings? Suppose you had something like the following", "and you had to evaluate it. > > She needed him. And he", "to evaluate it. > > She needed him. 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[ "what your style of writing is? If so, how would you work that", "Does that mean your able to work out what your style of writing", "your style of writing is? If so, how would you work that out.", "or 'voice'. Does that mean your able to work out what your style", "'style' or 'voice'. Does that mean your able to work out what your", "to work out what your style of writing is? If so, how would", "say writers have a 'style' or 'voice'. Does that mean your able to", "have a 'style' or 'voice'. Does that mean your able to work out", "that mean your able to work out what your style of writing is?", "out what your style of writing is? If so, how would you work", "your able to work out what your style of writing is? If so,", "a 'style' or 'voice'. Does that mean your able to work out what", "People often say writers have a 'style' or 'voice'. Does that mean your", "mean your able to work out what your style of writing is? If", "often say writers have a 'style' or 'voice'. Does that mean your able", "able to work out what your style of writing is? If so, how", "'voice'. Does that mean your able to work out what your style of", "writers have a 'style' or 'voice'. Does that mean your able to work", "work out what your style of writing is? If so, how would you" ]
[ "try to find the appropriate vocabulary for them? How do authors choose their", "not to use uncommon words so as not to break the flow of", "dictionary at least once every few pages. Although I'm a newbie, my vocabulary", "how much does the average reader care about vocabulary? Do you need to", "needing to open the dictionary at least once every few pages. Although I'm", "to use uncommon words so as not to break the flow of a", "as not to break the flow of a reader? Or maybe you need", "often find myself needing to open the dictionary at least once every few", "my vocabulary is at least of an average proficiency so I wonder what", "does the average reader care about vocabulary? Do you need to be careful", "at least once every few pages. Although I'm a newbie, my vocabulary is", "once every few pages. Although I'm a newbie, my vocabulary is at least", "every few pages. Although I'm a newbie, my vocabulary is at least of", "so I wonder what it's like for the majority of readers, how much", "the average reader care about vocabulary? Do you need to be careful not", "least once every few pages. Although I'm a newbie, my vocabulary is at", "majority of readers, how much does the average reader care about vocabulary? Do", "the flow of a reader? Or maybe you need to decide on your", "of a reader? Or maybe you need to decide on your target audience", "vocabulary is at least of an average proficiency so I wonder what it's", "least of an average proficiency so I wonder what it's like for the", "reader care about vocabulary? Do you need to be careful not to use", "at least of an average proficiency so I wonder what it's like for", "and often find myself needing to open the dictionary at least once every", "an average proficiency so I wonder what it's like for the majority of", "of an average proficiency so I wonder what it's like for the majority", "much does the average reader care about vocabulary? Do you need to be", "you need to be careful not to use uncommon words so as not", "wonder what it's like for the majority of readers, how much does the", "newbie, my vocabulary is at least of an average proficiency so I wonder", "I wonder what it's like for the majority of readers, how much does", "care about vocabulary? Do you need to be careful not to use uncommon", "flow of a reader? Or maybe you need to decide on your target", "like for the majority of readers, how much does the average reader care", "be careful not to use uncommon words so as not to break the", "a newbie reader and often find myself needing to open the dictionary at", "what it's like for the majority of readers, how much does the average", "to open the dictionary at least once every few pages. Although I'm a", "reader and often find myself needing to open the dictionary at least once", "I'm a newbie, my vocabulary is at least of an average proficiency so", "decide on your target audience and try to find the appropriate vocabulary for", "need to decide on your target audience and try to find the appropriate", "you need to decide on your target audience and try to find the", "is at least of an average proficiency so I wonder what it's like", "reader? Or maybe you need to decide on your target audience and try", "Or maybe you need to decide on your target audience and try to", "a newbie, my vocabulary is at least of an average proficiency so I", "Do you need to be careful not to use uncommon words so as", "words so as not to break the flow of a reader? Or maybe", "I'm a newbie reader and often find myself needing to open the dictionary", "need to be careful not to use uncommon words so as not to", "to decide on your target audience and try to find the appropriate vocabulary", "newbie reader and often find myself needing to open the dictionary at least", "myself needing to open the dictionary at least once every few pages. Although", "careful not to use uncommon words so as not to break the flow", "vocabulary? Do you need to be careful not to use uncommon words so", "on your target audience and try to find the appropriate vocabulary for them?", "the majority of readers, how much does the average reader care about vocabulary?", "and try to find the appropriate vocabulary for them? How do authors choose", "maybe you need to decide on your target audience and try to find", "about vocabulary? Do you need to be careful not to use uncommon words", "for the majority of readers, how much does the average reader care about", "it's like for the majority of readers, how much does the average reader", "break the flow of a reader? Or maybe you need to decide on", "to be careful not to use uncommon words so as not to break", "target audience and try to find the appropriate vocabulary for them? How do", "the dictionary at least once every few pages. Although I'm a newbie, my", "your target audience and try to find the appropriate vocabulary for them? How", "uncommon words so as not to break the flow of a reader? Or", "to break the flow of a reader? Or maybe you need to decide", "audience and try to find the appropriate vocabulary for them? How do authors", "proficiency so I wonder what it's like for the majority of readers, how", "readers, how much does the average reader care about vocabulary? Do you need", "find myself needing to open the dictionary at least once every few pages.", "few pages. Although I'm a newbie, my vocabulary is at least of an", "Although I'm a newbie, my vocabulary is at least of an average proficiency", "use uncommon words so as not to break the flow of a reader?", "of readers, how much does the average reader care about vocabulary? Do you", "open the dictionary at least once every few pages. Although I'm a newbie,", "average reader care about vocabulary? Do you need to be careful not to", "not to break the flow of a reader? Or maybe you need to", "to find the appropriate vocabulary for them? How do authors choose their vocabulary?", "so as not to break the flow of a reader? Or maybe you", "a reader? Or maybe you need to decide on your target audience and", "pages. Although I'm a newbie, my vocabulary is at least of an average", "average proficiency so I wonder what it's like for the majority of readers," ]
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For e.g. since it is a post apocalyptic scenario, I", "and again. For e.g. since it is a post apocalyptic scenario, I have", "is new... So how do I show this, maintaining the reader's attention without", "one but when I've to do it for everything to highlight it's important", "take the story forward. It is OK when I do it for one", "the building/structure that they are in, has survived the ravages of time. Even", "since it is a post apocalyptic scenario, I have to describe that the", "existence, it becomes repetitive and tedious. After a point, even the reader would", "survived the ravages of time. Even though so many things happened, this structure/device/building/thingamajig", "forward. It is OK when I do it for one but when I've", "else is new... So how do I show this, maintaining the reader's attention", "everything to highlight it's important and to show that it is the only", "in existence, it becomes repetitive and tedious. 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So how do I show this, maintaining the reader's attention without compromising", "to describe that the building/structure that they are in, has survived the ravages", "it for one but when I've to do it for everything to highlight", "has survived the ravages of time, like everything else, what else is new...", "this, maintaining the reader's attention without compromising the importance of the thing ?", "I show this, maintaining the reader's attention without compromising the importance of the", "start to think that this has survived the ravages of time, like everything", "tedious. After a point, even the reader would start to think that this", "one in existence, it becomes repetitive and tedious. After a point, even the", "a point, even the reader would start to think that this has survived", "to highlight it's important and to show that it is the only one", "a post apocalyptic world. In the first few chapters, when I'm introducing the", "repeating several ideas again and again. 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[ "skin tone with colors only, but it’s not very evocative. I’ve also tried", "sea, etc.) or even food (chocolate, honey, etc.)... *It was the worst. I", "a thin face splattered with chocolate freckles and flanked by two big round", "the same golden skin, the same brown freckles and the same thick black", "just don’t know how to show the variety of skin tone, hair color", "descriptions I'm not happy with: The stranger at the kitchen table looked up", "Here, one circular look offered the full palette of all the colours, faces", "The stranger at the kitchen table looked up from her newspaper. She had", "long oiled hair made her look like she was coming back from a", "daughters and him shared the same delicate features, the same golden skin, the", "first test scenes, I found myself describing in too many details the appearance", "my first test scenes, I found myself describing in too many details the", "to emerge. When writing my first test scenes, I found myself describing in", "almost as dark as his skin. Her long oiled hair made her look", "from a swim in the nearest canal. This impression was accentuated by the", "by two big round ears. In the door frame stood a little old", "his skin. Her long oiled hair made her look like she was coming", "sickly smell following her. He was a man of dignified attitude and slow", "of purple stuff, too dry or just plainly awkward. For example, I’ve tried", "dry or just plainly awkward. For example, I’ve tried describing skin tone with", "know how to show the variety of skin tone, hair color & curliness,", "and flanked by two big round ears. In the door frame stood a", "many details the appearance of my characters. For now, my solution is to", "founded by people from all over the world, and developed in almost complete", "happy with: The stranger at the kitchen table looked up from her newspaper.", "table looked up from her newspaper. She had a thin face splattered with", "I found myself describing in too many details the appearance of my characters.", "diversity of the city population clear early in the story, and to give", "while avoiding purple prose and awkward comparisons?* --- EDIT Quick translation of some", "door frame stood a little old man with a closed face and hair", "a man of dignified attitude and slow gestures. His daughters and him shared", "of a diverse crowd and to show the physical appearance of my main", "looked up from her newspaper. She had a thin face splattered with chocolate", "a bowl of coffee almost as dark as his skin. Her long oiled", "For now, my solution is to make the diversity of the city population", "sipping a bowl of coffee almost as dark as his skin. Her long", "of my main characters while avoiding purple prose and awkward comparisons? --- EDIT*", "was a man of dignified attitude and slow gestures. His daughters and him", "the door frame stood a little old man with a closed face and", "guidelines should I use to convey the image of a diverse crowd and", "not very evocative. I’ve also tried comparisons, using minerals (copper, terra cotta, etc.),", "their mother’s ears. A sentence trying to show the population diversity : A", "population clear early in the story, and to give only a couple of", "A fever of merchants and buyers filled the market place. Here, one circular", "merchants and buyers filled the market place. Here, one circular look offered the", "from all over the world, and developed in almost complete isolation ([long version", "just plainly awkward. For example, I’ve tried describing skin tone with colors only,", "have mixed origins, but not enough time has passed for an “average physical", "too many details the appearance of my characters. For now, my solution is", "my solution is to make the diversity of the city population clear early", "was coming back from a swim in the nearest canal. This impression was", "has passed for an “average physical appearance” to emerge. When writing my first", "writing my first test scenes, I found myself describing in too many details", "I'm not happy with: The stranger at the kitchen table looked up from", "descriptions. They end up either full of purple stuff, too dry or just", "When writing my first test scenes, I found myself describing in too many", "she was coming back from a swim in the nearest canal. This impression", "convey the image of a diverse crowd and to show the physical appearance", "details the appearance of my characters. For now, my solution is to make", "like a storm cloud. When Adda stepped on the deck, she was greeted", "skin tone, hair color & curliness, eyes shapes, etc. --- What guidelines should", "fever of merchants and buyers filled the market place. Here, one circular look", "purple stuff, too dry or just plainly awkward. For example, I’ve tried describing", "following her. He was a man of dignified attitude and slow gestures. His", "mother’s ears. A sentence trying to show the population diversity : A fever", "physical traits to each main character. But I have the same problems with", "etc. --- What guidelines should I use to convey the image of a", "have the same problems with my crowd descriptions. They end up either full", "end up either full of purple stuff, too dry or just plainly awkward.", "of merchants and buyers filled the market place. Here, one circular look offered", "tone with colors only, but it’s not very evocative. I’ve also tried comparisons,", "city have mixed origins, but not enough time has passed for an “average", "myself describing in too many details the appearance of my characters. For now,", "against the parapet, sipping a bowl of coffee almost as dark as his", "stepped on the deck, she was greeted by a sailor leaning against the", "I just don’t know how to show the variety of skin tone, hair", "In my setting, a city was founded by people from all over the", "nearest canal. This impression was accentuated by the sweet and sickly smell following", "What guidelines should I use to convey the image of a diverse crowd", "the parapet, sipping a bowl of coffee almost as dark as his skin.", "but it’s not very evocative. I’ve also tried comparisons, using minerals (copper, terra", "very evocative. I’ve also tried comparisons, using minerals (copper, terra cotta, etc.), plants", "hair color & curliness, eyes shapes, etc. --- What guidelines should I use", "the colours, faces and hair métissage* \\* could create. \\* (Not sure how", "stuff (clouds, sea, etc.) or even food (chocolate, honey, etc.)... **It was the", "She had a thin face splattered with chocolate freckles and flanked by two", "parapet, sipping a bowl of coffee almost as dark as his skin. Her", "(clouds, sea, etc.) or even food* (chocolate, honey, etc.)... *It was the worst.", "passed for an “average physical appearance”* to emerge. When writing my first test", "a sailor leaning against the parapet, sipping a bowl of coffee almost as", "sailor leaning against the parapet, sipping a bowl of coffee almost as dark", "honey, etc.)... *It was the worst. I just don’t know how to show", "one circular look offered the full palette of all the colours, faces and", "people from all over the world, and developed in almost complete isolation ([long", "food* (chocolate, honey, etc.)... *It was the worst. I just don’t know how", "comparisons, using minerals (copper, terra cotta, etc.), plants (wood, flowers, etc.), weather stuff", "generations after the foundation. All inhabitants of the city have mixed origins, but", "shared the same delicate features, the same golden skin, the same brown freckles", "the world, and developed in almost complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story", "was greeted by a sailor leaning against the parapet, sipping a bowl of", "He was a man of dignified attitude and slow gestures. His daughters and", "eyes shapes, etc. --- What guidelines should I use to convey the image", "characters while avoiding purple prose and awkward comparisons?* --- EDIT Quick translation of", "and him shared the same delicate features, the same golden skin, the same", "or just plainly awkward. For example, I’ve tried describing skin tone with colors", "In the door frame stood a little old man with a closed face", "face splattered with chocolate freckles and flanked by two big round ears. In", "gestures. His daughters and him shared the same delicate features, the same golden", "worst*. I just don’t know how to show the variety of skin tone,", "slow gestures. His daughters and him shared the same delicate features, the same", "a closed face and hair like a storm cloud. When Adda stepped on", "chocolate freckles and flanked by two big round ears. In the door frame", "For example, I’ve tried describing skin tone with colors only, but it’s not", "itself starts several generations after the foundation. All inhabitants of the city have", "in itself starts several generations after the foundation. All inhabitants of the city", "a city was founded by people from all over the world, and developed", "traits to each main character. But I have the same problems with my", "not the same ears. The girls had their mother’s ears. A sentence trying", "a storm cloud. When Adda stepped on the deck, she was greeted by", "the city have mixed origins, but not enough time has passed for an", "filled the market place. Here, one circular look offered the full palette of", "girls had their mother’s ears. A sentence trying to show the population diversity", "tone, hair color & curliness, eyes shapes, etc. --- What guidelines should I", "purple prose and awkward comparisons? --- EDIT** Quick translation of some of the", "here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several generations after the foundation. All inhabitants", "sentence trying to show the population diversity : A fever of merchants and", "isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several generations after the", "look offered the full palette of all the colours, faces and hair métissage", "by the sweet and sickly smell following her. He was a man of", ": A fever of merchants and buyers filled the market place. Here, one", "deck, she was greeted by a sailor leaning against the parapet, sipping a", "show the physical appearance of my main characters while avoiding purple prose and", "evocative. I’ve also tried comparisons, using minerals (copper, terra cotta, etc.), plants (wood,", "describing skin tone with colors only, but it’s not very evocative. I’ve also", "plants (wood, flowers, etc.), weather stuff (clouds, sea, etc.) or even food (chocolate,", "I have the same problems with my crowd descriptions. They end up either", "the deck, she was greeted by a sailor leaning against the parapet, sipping", "at the kitchen table looked up from her newspaper. She had a thin", "the foundation. All inhabitants of the city have mixed origins, but not enough", "scenes, I found myself describing in too many details the appearance of my", "either full of purple stuff, too dry or just plainly awkward. For example,", "and the same thick black hair, but not the same ears. The girls", "from her newspaper. She had a thin face splattered with chocolate freckles and", "make the diversity of the city population clear early in the story, and", "man of dignified attitude and slow gestures. His daughters and him shared the", "flanked by two big round ears. In the door frame stood a little", "early in the story, and to give only a couple of physical traits", "thin face splattered with chocolate freckles and flanked by two big round ears.", "leaning against the parapet, sipping a bowl of coffee almost as dark as", "hair, but not the same ears. The girls had their mother’s ears. A", "up either full of purple stuff, too dry or just plainly awkward. For", "variety of skin tone, hair color & curliness, eyes shapes, etc. --- What", "of the city have mixed origins, but not enough time has passed for", "I’ve tried describing skin tone with colors only, but it’s not very evocative.", "(chocolate, honey, etc.)... It was the worst*. I just don’t know how to", "newspaper. She had a thin face splattered with chocolate freckles and flanked by", "place. Here, one circular look offered the full palette of all the colours,", "the same ears. The girls had their mother’s ears. A sentence trying to", "had a thin face splattered with chocolate freckles and flanked by two big", "him shared the same delicate features, the same golden skin, the same brown", "colors only, but it’s not very evocative. I’ve also tried comparisons, using minerals", "man with a closed face and hair like a storm cloud. When Adda", "clear early in the story, and to give only a couple of physical", "awkward. For example, I’ve tried describing skin tone with colors only, but it’s", "now, my solution is to make the diversity of the city population clear", "greeted by a sailor leaning against the parapet, sipping a bowl of coffee", "to show the variety of skin tone, hair color & curliness, eyes shapes,", "setting, a city was founded by people from all over the world, and", "ears. The girls had their mother’s ears. A sentence trying to show the", "by people from all over the world, and developed in almost complete isolation", "each main character. But I have the same problems with my crowd descriptions.", "freckles and flanked by two big round ears. In the door frame stood", "or even food* (chocolate, honey, etc.)... *It was the worst. I just don’t", "to make the diversity of the city population clear early in the story,", "(wood, flowers, etc.), weather stuff (clouds, sea, etc.) or even food* (chocolate, honey,", "of skin tone, hair color & curliness, eyes shapes, etc. --- What guidelines", "world, and developed in almost complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in", "version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several generations after the foundation. All", "don’t know how to show the variety of skin tone, hair color &", "same thick black hair, but not the same ears. The girls had their", "appearance of my main characters while avoiding purple prose and awkward comparisons? ---", "skin. Her long oiled hair made her look like she was coming back", "city population clear early in the story, and to give only a couple", "was the worst**. I just don’t know how to show the variety of", "main character. But I have the same problems with my crowd descriptions. They", "with chocolate freckles and flanked by two big round ears. In the door", "and hair like a storm cloud. When Adda stepped on the deck, she", "how to show the variety of skin tone, hair color & curliness, eyes", "time has passed for an “average physical appearance”* to emerge. When writing my", "my characters. For now, my solution is to make the diversity of the", "same brown freckles and the same thick black hair, but not the same", "frame stood a little old man with a closed face and hair like", "thick black hair, but not the same ears. The girls had their mother’s", "a little old man with a closed face and hair like a storm", "like she was coming back from a swim in the nearest canal. This", "give only a couple of physical traits to each main character. But I", "the same delicate features, the same golden skin, the same brown freckles and", "was founded by people from all over the world, and developed in almost", "& curliness, eyes shapes, etc. --- *What guidelines should I use to convey", "should I use to convey the image of a diverse crowd and to", "only a couple of physical traits to each main character. But I have", "all the colours, faces and hair métissage* \\* could create. \\* (Not sure", "too dry or just plainly awkward. For example, I’ve tried describing skin tone", "back from a swim in the nearest canal. This impression was accentuated by", "flowers, etc.), weather stuff (clouds, sea, etc.) or even food (chocolate, honey, etc.)...", "Quick translation of some of the descriptions I'm not happy with: The stranger", "brown freckles and the same thick black hair, but not the same ears.", "the full palette of all the colours, faces and hair métissage \\* could", "black hair, but not the same ears. The girls had their mother’s ears.", "the appearance of my characters. For now, my solution is to make the", "not happy with: The stranger at the kitchen table looked up from her", "cloud. When Adda stepped on the deck, she was greeted by a sailor", "weather stuff (clouds, sea, etc.) or even food (chocolate, honey, etc.)... *It was", "EDIT Quick translation of some of the descriptions I'm not happy with: The", "plainly awkward. For example, I’ve tried describing skin tone with colors only, but", "All inhabitants of the city have mixed origins, but not enough time has", "of my characters. For now, my solution is to make the diversity of", "in the story, and to give only a couple of physical traits to", "The story in itself starts several generations after the foundation. All inhabitants of", "splattered with chocolate freckles and flanked by two big round ears. In the", "found myself describing in too many details the appearance of my characters. For", "prose and awkward comparisons? --- EDIT Quick translation of some of the descriptions", "Her long oiled hair made her look like she was coming back from", "curliness, eyes shapes, etc. --- *What guidelines should I use to convey the", "etc.), plants (wood, flowers, etc.), weather stuff (clouds, sea, etc.) or even food", "foundation. All inhabitants of the city have mixed origins, but not enough time", "swim in the nearest canal. This impression was accentuated by the sweet and", "as his skin. Her long oiled hair made her look like she was", "image of a diverse crowd and to show the physical appearance of my", "my setting, a city was founded by people from all over the world,", "the kitchen table looked up from her newspaper. She had a thin face", "describing in too many details the appearance of my characters. For now, my", "hair métissage* \\* could create. \\* (Not sure how to translate it, mixing", "smell following her. He was a man of dignified attitude and slow gestures.", "impression was accentuated by the sweet and sickly smell following her. He was", "in the nearest canal. This impression was accentuated by the sweet and sickly", "I’ve also tried comparisons, using minerals (copper, terra cotta, etc.), plants (wood, flowers,", "but not the same ears. The girls had their mother’s ears. A sentence", "and hair métissage \\* could create. \\* (Not sure how to translate it,", "on the deck, she was greeted by a sailor leaning against the parapet,", "attitude and slow gestures. His daughters and him shared the same delicate features,", "use to convey the image of a diverse crowd and to show the", "couple of physical traits to each main character. But I have the same", "she was greeted by a sailor leaning against the parapet, sipping a bowl", "inhabitants of the city have mixed origins, but not enough time has passed", "dark as his skin. Her long oiled hair made her look like she", "golden skin, the same brown freckles and the same thick black hair, but", "over the world, and developed in almost complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The", "a swim in the nearest canal. This impression was accentuated by the sweet", "crowd descriptions. They end up either full of purple stuff, too dry or", "physical appearance of my main characters while avoiding purple prose and awkward comparisons?", "with my crowd descriptions. They end up either full of purple stuff, too", "her look like she was coming back from a swim in the nearest", "using minerals (copper, terra cotta, etc.), plants (wood, flowers, etc.), weather stuff (clouds,", "to each main character. But I have the same problems with my crowd", "But I have the same problems with my crowd descriptions. They end up", "some of the descriptions I'm not happy with: The stranger at the kitchen", "the market place. Here, one circular look offered the full palette of all", "also tried comparisons, using minerals (copper, terra cotta, etc.), plants (wood, flowers, etc.),", "the population diversity : A fever of merchants and buyers filled the market", "avoiding purple prose and awkward comparisons? --- EDIT Quick translation of some of", "to convey the image of a diverse crowd and to show the physical", "offered the full palette of all the colours, faces and hair métissage \\", "to show the physical appearance of my main characters while avoiding purple prose", "ears. A sentence trying to show the population diversity : A fever of", "the worst*. I just don’t know how to show the variety of skin", "etc.) or even food* (chocolate, honey, etc.)... *It was the worst. I just", "tried describing skin tone with colors only, but it’s not very evocative. I’ve", "with a closed face and hair like a storm cloud. When Adda stepped", "with: The stranger at the kitchen table looked up from her newspaper. She", "diversity : A fever of merchants and buyers filled the market place. Here,", "is to make the diversity of the city population clear early in the", "awkward comparisons?* --- EDIT Quick translation of some of the descriptions I'm not", "translation of some of the descriptions I'm not happy with: The stranger at", "comparisons? --- EDIT Quick translation of some of the descriptions I'm not happy", "her newspaper. She had a thin face splattered with chocolate freckles and flanked", "buyers filled the market place. Here, one circular look offered the full palette", "story, and to give only a couple of physical traits to each main", "ears. In the door frame stood a little old man with a closed", "same golden skin, the same brown freckles and the same thick black hair,", "main characters while avoiding purple prose and awkward comparisons? --- EDIT Quick translation", "crowd and to show the physical appearance of my main characters while avoiding", "origins, but not enough time has passed for an “average physical appearance” to", "after the foundation. All inhabitants of the city have mixed origins, but not", "characters. For now, my solution is to make the diversity of the city", "“average physical appearance” to emerge. When writing my first test scenes, I found", "in almost complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several", "Adda stepped on the deck, she was greeted by a sailor leaning against", "mixed origins, but not enough time has passed for an “average physical appearance”", "shapes, etc. --- *What guidelines should I use to convey the image of", "of the descriptions I'm not happy with: The stranger at the kitchen table", "tried comparisons, using minerals (copper, terra cotta, etc.), plants (wood, flowers, etc.), weather", "but not enough time has passed for an “average physical appearance”* to emerge.", "They end up either full of purple stuff, too dry or just plainly", "This impression was accentuated by the sweet and sickly smell following her. He", "(copper, terra cotta, etc.), plants (wood, flowers, etc.), weather stuff (clouds, sea, etc.)", "the city population clear early in the story, and to give only a", "little old man with a closed face and hair like a storm cloud.", "my crowd descriptions. 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When writing my first test scenes, I found myself describing", "His daughters and him shared the same delicate features, the same golden skin,", "of coffee almost as dark as his skin. Her long oiled hair made", "big round ears. In the door frame stood a little old man with", "to give only a couple of physical traits to each main character. But", "kitchen table looked up from her newspaper. She had a thin face splattered", "terra cotta, etc.), plants (wood, flowers, etc.), weather stuff (clouds, sea, etc.) or", "story in itself starts several generations after the foundation. All inhabitants of the", "bowl of coffee almost as dark as his skin. Her long oiled hair", "--- EDIT Quick translation of some of the descriptions I'm not happy with:", "faces and hair métissage \\* could create. \\* (Not sure how to translate", "city was founded by people from all over the world, and developed in", "my main characters while avoiding purple prose and awkward comparisons? --- EDIT Quick", "her. He was a man of dignified attitude and slow gestures. His daughters", "with colors only, but it’s not very evocative. I’ve also tried comparisons, using", "the diversity of the city population clear early in the story, and to", "etc.)... It was the worst*. I just don’t know how to show the", "same delicate features, the same golden skin, the same brown freckles and the", "the sweet and sickly smell following her. He was a man of dignified", "in too many details the appearance of my characters. For now, my solution", "stranger at the kitchen table looked up from her newspaper. She had a", "diverse crowd and to show the physical appearance of my main characters while", "coffee almost as dark as his skin. Her long oiled hair made her", "face and hair like a storm cloud. When Adda stepped on the deck,", "features, the same golden skin, the same brown freckles and the same thick", "and developed in almost complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself", "character. But I have the same problems with my crowd descriptions. They end", "hair like a storm cloud. When Adda stepped on the deck, she was", "palette of all the colours, faces and hair métissage* \\* could create. \\", "it’s not very evocative. I’ve also tried comparisons, using minerals (copper, terra cotta,", "color & curliness, eyes shapes, etc. --- What guidelines should I use to", "show the variety of skin tone, hair color & curliness, eyes shapes, etc.", "enough time has passed for an “average physical appearance”* to emerge. When writing", "old man with a closed face and hair like a storm cloud. When", "even food (chocolate, honey, etc.)... *It was the worst. I just don’t know", "delicate features, the same golden skin, the same brown freckles and the same", "the same brown freckles and the same thick black hair, but not the", "([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several generations after the foundation.", "of physical traits to each main character. But I have the same problems", "and to show the physical appearance of my main characters while avoiding purple", "was accentuated by the sweet and sickly smell following her. He was a", "complete isolation ([long version here](https://worldbuilding.stackexchange.com/questions/39775/space-wizards-city-is-it-sustainable)). The story in itself starts several generations after", "as dark as his skin. Her long oiled hair made her look like", "and buyers filled the market place. 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When writing my first test scenes,", "test scenes, I found myself describing in too many details the appearance of", "population diversity : A fever of merchants and buyers filled the market place.", "*It was the worst. I just don’t know how to show the variety", "of some of the descriptions I'm not happy with: The stranger at the", "two big round ears. In the door frame stood a little old man", "full palette of all the colours, faces and hair métissage* \\* could create.", "had their mother’s ears. A sentence trying to show the population diversity :", "the variety of skin tone, hair color & curliness, eyes shapes, etc. ---", "physical appearance”* to emerge. When writing my first test scenes, I found myself" ]
[ "[my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews, but I'm aware that", "1000 unique hits per month. I really would like to find out if", "off writing about these things, then losing my focus and writing about other", "it is possible I can improve my writing to better serve the readership.", "would like to find out if there is actually a readership there and", "by starting off writing about these things, then losing my focus and writing", "month. I really would like to find out if there is actually a", "hits per month. I really would like to find out if there is", "gear reviews, but I'm aware that I may have put off my audience", "audience by starting off writing about these things, then losing my focus and", "possible I can improve my writing to better serve the readership. At the", "about other stuff. My blog has some traffic, under 1000 unique hits per", "I have written for years on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and", "I may have put off my audience by starting off writing about these", "writing about other stuff. My blog has some traffic, under 1000 unique hits", "under 1000 unique hits per month. I really would like to find out", "focus and writing about other stuff. My blog has some traffic, under 1000", "I really would like to find out if there is actually a readership", "bit futile as no one ever comments, whereas in the past people would.", "that I may have put off my audience by starting off writing about", "then losing my focus and writing about other stuff. My blog has some", "My blog has some traffic, under 1000 unique hits per month. I really", "and if it is possible I can improve my writing to better serve", "blog has some traffic, under 1000 unique hits per month. I really would", "the moment it seems a bit futile as no one ever comments, whereas", "can improve my writing to better serve the readership. At the moment it", "put off my audience by starting off writing about these things, then losing", "has some traffic, under 1000 unique hits per month. I really would like", "adventure, and gear reviews, but I'm aware that I may have put off", "readership. At the moment it seems a bit futile as no one ever", "other stuff. My blog has some traffic, under 1000 unique hits per month.", "have written for years on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear", "there and if it is possible I can improve my writing to better", "there is actually a readership there and if it is possible I can", "to find out if there is actually a readership there and if it", "is possible I can improve my writing to better serve the readership. At", "writing to better serve the readership. At the moment it seems a bit", "some traffic, under 1000 unique hits per month. I really would like to", "may have put off my audience by starting off writing about these things,", "have put off my audience by starting off writing about these things, then", "writing about these things, then losing my focus and writing about other stuff.", "seems a bit futile as no one ever comments, whereas in the past", "better serve the readership. At the moment it seems a bit futile as", "stuff. My blog has some traffic, under 1000 unique hits per month. I", "reviews, but I'm aware that I may have put off my audience by", "actually a readership there and if it is possible I can improve my", "if there is actually a readership there and if it is possible I", "about cycle touring, adventure, and gear reviews, but I'm aware that I may", "serve the readership. At the moment it seems a bit futile as no", "off my audience by starting off writing about these things, then losing my", "cycle touring, adventure, and gear reviews, but I'm aware that I may have", "written for years on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews,", "aware that I may have put off my audience by starting off writing", "traffic, under 1000 unique hits per month. I really would like to find", "I can improve my writing to better serve the readership. At the moment", "about these things, then losing my focus and writing about other stuff. My", "improve my writing to better serve the readership. At the moment it seems", "I'm aware that I may have put off my audience by starting off", "my writing to better serve the readership. At the moment it seems a", "unique hits per month. I really would like to find out if there", "years on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews, but I'm", "my focus and writing about other stuff. My blog has some traffic, under", "moment it seems a bit futile as no one ever comments, whereas in", "to better serve the readership. At the moment it seems a bit futile", "like to find out if there is actually a readership there and if", "and gear reviews, but I'm aware that I may have put off my", "site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews, but I'm aware that I", "it seems a bit futile as no one ever comments, whereas in the", "find out if there is actually a readership there and if it is", "is actually a readership there and if it is possible I can improve", "readership there and if it is possible I can improve my writing to", "out if there is actually a readership there and if it is possible", "but I'm aware that I may have put off my audience by starting", "things, then losing my focus and writing about other stuff. My blog has", "on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews, but I'm aware", "my audience by starting off writing about these things, then losing my focus", "losing my focus and writing about other stuff. My blog has some traffic,", "touring, adventure, and gear reviews, but I'm aware that I may have put", "if it is possible I can improve my writing to better serve the", "these things, then losing my focus and writing about other stuff. My blog", "really would like to find out if there is actually a readership there", "per month. I really would like to find out if there is actually", "starting off writing about these things, then losing my focus and writing about", "a readership there and if it is possible I can improve my writing", "for years on [my site](http://www.andrewwelch.info) about cycle touring, adventure, and gear reviews, but", "the readership. At the moment it seems a bit futile as no one", "and writing about other stuff. My blog has some traffic, under 1000 unique", "a bit futile as no one ever comments, whereas in the past people", "At the moment it seems a bit futile as no one ever comments," ]
[ ": The inclusion of other locations (parks, school, bars, libraries, etc.) or other", "try a regimen of short writing exercises for a few weeks, ideally doing", "snatch a sitting spot), I could also add to the schedule some kind", "day ? I also don’t know if it’s best to do 3 distinct", "I manage to snatch a sitting spot), I could also add to the", "sitting spot), I could also add to the schedule some kind of observation", "minutes during lunch break and 15 to 30 minutes in the evening, before", "are needlessly long, so I can easily spend 20 minutes writing in the", "etc.) into the answers you be greatly appreciated, as it would make them", "to the schedule some kind of observation exercise. 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What types of writing exercises are", "kind of observation exercise. What types of writing exercises are best suited for", "(parks, school, bars, libraries, etc.) or other times of the day (3 am,", "(3 am, after-nap, etc.) into the answers you be greatly appreciated, as it", "20 minutes writing in the morning before leaving home, another 20 minutes during", "writing exercises for a few weeks, ideally doing at least one every day.", "appreciated, as it would make them susceptible to help other people, with different", "during lunch break and 15 to 30 minutes in the evening, before going", "I could also add to the schedule some kind of observation exercise. What", "train isn't too full or when I manage to snatch a sitting spot),", "exercises every day, or to choose one exercise per day, for example writing", "lunch and re-draft it again in the evening. --- Note : The inclusion", "before leaving home, another 20 minutes during lunch break and 15 to 30", "during lunch and re-draft it again in the evening. --- Note : The", "of other locations (parks, school, bars, libraries, etc.) or other times of the", "have no problem with waking up early and my lunch breaks are needlessly", "types of writing exercises are best suited for each environment (home, workplace, public", "transportation) and each part of the day ? I also don’t know if", "spot), I could also add to the schedule some kind of observation exercise.", "I have no problem with waking up early and my lunch breaks are", "at least one every day. I have no problem with waking up early", "can easily spend 20 minutes writing in the morning before leaving home, another", "of observation exercise. What types of writing exercises are best suited for each", "bars, libraries, etc.) or other times of the day (3 am, after-nap, etc.)", "? I also don’t know if it’s best to do 3 distinct extra-short", "locations (parks, school, bars, libraries, etc.) or other times of the day (3", "day (3 am, after-nap, etc.) into the answers you be greatly appreciated, as", "for a few weeks, ideally doing at least one every day. I have", "On lucky days (when the train isn't too full or when I manage", "too full or when I manage to snatch a sitting spot), I could", "to snatch a sitting spot), I could also add to the schedule some", "long, so I can easily spend 20 minutes writing in the morning before", "whatever nonsense comes to my mind when waking up, then expand it and", "into the answers you be greatly appreciated, as it would make them susceptible", "coherent during lunch and re-draft it again in the evening. --- Note :", "to bed. On lucky days (when the train isn't too full or when", "3 distinct extra-short exercises every day, or to choose one exercise per day,", "of the day (3 am, after-nap, etc.) into the answers you be greatly", "also add to the schedule some kind of observation exercise. What types of", "What types of writing exercises are best suited for each environment (home, workplace,", "in the evening, before going to bed. On lucky days (when the train", "do 3 distinct extra-short exercises every day, or to choose one exercise per", "for example writing down whatever nonsense comes to my mind when waking up,", "suited for each environment (home, workplace, public transportation) and each part of the", "--- Note : The inclusion of other locations (parks, school, bars, libraries, etc.)", "leaving home, another 20 minutes during lunch break and 15 to 30 minutes", "inclusion of other locations (parks, school, bars, libraries, etc.) or other times of", "evening. --- Note : The inclusion of other locations (parks, school, bars, libraries,", "problem with waking up early and my lunch breaks are needlessly long, so", "full or when I manage to snatch a sitting spot), I could also", "every day, or to choose one exercise per day, for example writing down", "my lunch breaks are needlessly long, so I can easily spend 20 minutes", "it again in the evening. --- Note : The inclusion of other locations", "it would make them susceptible to help other people, with different life-styles and", "greatly appreciated, as it would make them susceptible to help other people, with", "when I manage to snatch a sitting spot), I could also add to", "morning before leaving home, another 20 minutes during lunch break and 15 to", "choose one exercise per day, for example writing down whatever nonsense comes to", "spend 20 minutes writing in the morning before leaving home, another 20 minutes", "no problem with waking up early and my lunch breaks are needlessly long,", "another 20 minutes during lunch break and 15 to 30 minutes in the", "expand it and rewrite-it into something coherent during lunch and re-draft it again", "some kind of observation exercise. What types of writing exercises are best suited", "up, then expand it and rewrite-it into something coherent during lunch and re-draft", "libraries, etc.) or other times of the day (3 am, after-nap, etc.) into", "every day. I have no problem with waking up early and my lunch", "day, for example writing down whatever nonsense comes to my mind when waking", "Note : The inclusion of other locations (parks, school, bars, libraries, etc.) or", "the evening, before going to bed. On lucky days (when the train isn't", "something coherent during lunch and re-draft it again in the evening. --- Note", "short writing exercises for a few weeks, ideally doing at least one every", "the day (3 am, after-nap, etc.) into the answers you be greatly appreciated,", "would make them susceptible to help other people, with different life-styles and schedules.", "so I can easily spend 20 minutes writing in the morning before leaving", "waking up early and my lunch breaks are needlessly long, so I can", "times of the day (3 am, after-nap, etc.) into the answers you be", "minutes in the evening, before going to bed. On lucky days (when the", "lucky days (when the train isn't too full or when I manage to", "other locations (parks, school, bars, libraries, etc.) or other times of the day", "etc.) or other times of the day (3 am, after-nap, etc.) into the", "doing at least one every day. I have no problem with waking up", "nonsense comes to my mind when waking up, then expand it and rewrite-it", "it and rewrite-it into something coherent during lunch and re-draft it again in", "don’t know if it’s best to do 3 distinct extra-short exercises every day,", "when waking up, then expand it and rewrite-it into something coherent during lunch", "and rewrite-it into something coherent during lunch and re-draft it again in the", "day. I have no problem with waking up early and my lunch breaks", "could also add to the schedule some kind of observation exercise. What types", "rewrite-it into something coherent during lunch and re-draft it again in the evening.", "and each part of the day ? I also don’t know if it’s", "you be greatly appreciated, as it would make them susceptible to help other", "each environment (home, workplace, public transportation) and each part of the day ?", "public transportation) and each part of the day ? I also don’t know", "each part of the day ? I also don’t know if it’s best", "writing down whatever nonsense comes to my mind when waking up, then expand", "of writing exercises are best suited for each environment (home, workplace, public transportation)", "like to try a regimen of short writing exercises for a few weeks,", "minutes writing in the morning before leaving home, another 20 minutes during lunch", "The inclusion of other locations (parks, school, bars, libraries, etc.) or other times", "a sitting spot), I could also add to the schedule some kind of", "before going to bed. On lucky days (when the train isn't too full", "to try a regimen of short writing exercises for a few weeks, ideally", "add to the schedule some kind of observation exercise. What types of writing", "know if it’s best to do 3 distinct extra-short exercises every day, or", "isn't too full or when I manage to snatch a sitting spot), I", "or other times of the day (3 am, after-nap, etc.) into the answers", "the train isn't too full or when I manage to snatch a sitting", "home, another 20 minutes during lunch break and 15 to 30 minutes in", "be greatly appreciated, as it would make them susceptible to help other people,", "for each environment (home, workplace, public transportation) and each part of the day", "of short writing exercises for a few weeks, ideally doing at least one", "best suited for each environment (home, workplace, public transportation) and each part of", "the morning before leaving home, another 20 minutes during lunch break and 15", "of the day ? I also don’t know if it’s best to do", "best to do 3 distinct extra-short exercises every day, or to choose one", "ideally doing at least one every day. I have no problem with waking", "or to choose one exercise per day, for example writing down whatever nonsense", "lunch break and 15 to 30 minutes in the evening, before going to", "extra-short exercises every day, or to choose one exercise per day, for example", "down whatever nonsense comes to my mind when waking up, then expand it", "break and 15 to 30 minutes in the evening, before going to bed.", "a regimen of short writing exercises for a few weeks, ideally doing at", "I can easily spend 20 minutes writing in the morning before leaving home,", "writing exercises are best suited for each environment (home, workplace, public transportation) and", "needlessly long, so I can easily spend 20 minutes writing in the morning", "with waking up early and my lunch breaks are needlessly long, so I", "20 minutes during lunch break and 15 to 30 minutes in the evening,", "my mind when waking up, then expand it and rewrite-it into something coherent", "again in the evening. --- Note : The inclusion of other locations (parks,", "30 minutes in the evening, before going to bed. On lucky days (when", "the answers you be greatly appreciated, as it would make them susceptible to", "exercises for a few weeks, ideally doing at least one every day. I", "into something coherent during lunch and re-draft it again in the evening. ---", "distinct extra-short exercises every day, or to choose one exercise per day, for", "school, bars, libraries, etc.) or other times of the day (3 am, after-nap,", "schedule some kind of observation exercise. What types of writing exercises are best", "bed. On lucky days (when the train isn't too full or when I", "I also don’t know if it’s best to do 3 distinct extra-short exercises", "exercises are best suited for each environment (home, workplace, public transportation) and each", "a few weeks, ideally doing at least one every day. I have no", "mind when waking up, then expand it and rewrite-it into something coherent during", "after-nap, etc.) into the answers you be greatly appreciated, as it would make", "evening, before going to bed. On lucky days (when the train isn't too", "least one every day. I have no problem with waking up early and", "one every day. I have no problem with waking up early and my", "going to bed. On lucky days (when the train isn't too full or", "part of the day ? I also don’t know if it’s best to", "lunch breaks are needlessly long, so I can easily spend 20 minutes writing", "re-draft it again in the evening. --- Note : The inclusion of other", "per day, for example writing down whatever nonsense comes to my mind when", "weeks, ideally doing at least one every day. I have no problem with", "in the morning before leaving home, another 20 minutes during lunch break and", "(when the train isn't too full or when I manage to snatch a", "environment (home, workplace, public transportation) and each part of the day ? I", "to my mind when waking up, then expand it and rewrite-it into something", "in the evening. --- Note : The inclusion of other locations (parks, school,", "easily spend 20 minutes writing in the morning before leaving home, another 20", "the evening. --- Note : The inclusion of other locations (parks, school, bars,", "or when I manage to snatch a sitting spot), I could also add", "I’d like to try a regimen of short writing exercises for a few", "the day ? I also don’t know if it’s best to do 3", "workplace, public transportation) and each part of the day ? I also don’t", "to do 3 distinct extra-short exercises every day, or to choose one exercise", "exercise per day, for example writing down whatever nonsense comes to my mind", "day, or to choose one exercise per day, for example writing down whatever", "to 30 minutes in the evening, before going to bed. On lucky days", "up early and my lunch breaks are needlessly long, so I can easily", "writing in the morning before leaving home, another 20 minutes during lunch break", "and my lunch breaks are needlessly long, so I can easily spend 20", "comes to my mind when waking up, then expand it and rewrite-it into", "breaks are needlessly long, so I can easily spend 20 minutes writing in", "few weeks, ideally doing at least one every day. I have no problem", "and re-draft it again in the evening. --- Note : The inclusion of", "to choose one exercise per day, for example writing down whatever nonsense comes", "15 to 30 minutes in the evening, before going to bed. On lucky", "(home, workplace, public transportation) and each part of the day ? I also", "as it would make them susceptible to help other people, with different life-styles", "answers you be greatly appreciated, as it would make them susceptible to help", "manage to snatch a sitting spot), I could also add to the schedule", "one exercise per day, for example writing down whatever nonsense comes to my", "waking up, then expand it and rewrite-it into something coherent during lunch and", "days (when the train isn't too full or when I manage to snatch", "regimen of short writing exercises for a few weeks, ideally doing at least", "and 15 to 30 minutes in the evening, before going to bed. On" ]
[ "put that on the book as I want that kept private. If I", "Smithers, will that imply that the copyright belongs to the actual person behind", "I know that the copyright belongs to me anyway, but I still want", "still want to add that copyright line to my novel. Any advice would", "publishing/copyright info, should I say that the novel is copyright of my pen", "I will be registering the copyright this week. My question is, on the", "write what my pen name is), but I don't want to put that", "want that kept private. If I write (c) Denise Smithers, will that imply", "novel is copyright of my pen name, in order to protect my true", "this week. My question is, on the first page of the novel where", "you put all the publishing/copyright info, should I say that the novel is", "Denise Smithers, will that imply that the copyright belongs to the actual person", "where you put all the publishing/copyright info, should I say that the novel", "to the actual person behind the pen name? 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Example, let's say my real name is Sani Zlish and my", "identity? Example, let's say my real name is Sani Zlish and my pen", "will be registering the copyright this week. My question is, on the first", "the copyright belongs to me anyway, but I still want to add that", "is Denise Smithers. I will register the copyright with the copyright office using", "name? I know that the copyright belongs to me anyway, but I still", "the book as I want that kept private. If I write (c) Denise", "that imply that the copyright belongs to the actual person behind the pen", "belongs to the actual person behind the pen name? I know that the", "page of the novel where you put all the publishing/copyright info, should I", "week. My question is, on the first page of the novel where you", "let's say my real name is Sani Zlish and my pen name is", "the novel where you put all the publishing/copyright info, should I say that", "first page of the novel where you put all the publishing/copyright info, should", "name is Denise Smithers. I will register the copyright with the copyright office", "Denise Smithers. I will register the copyright with the copyright office using my", "with the copyright office using my real name (but will also write what", "pen name is Denise Smithers. I will register the copyright with the copyright", "of the novel where you put all the publishing/copyright info, should I say", "that on the book as I want that kept private. If I write", "my pen name is Denise Smithers. I will register the copyright with the", "is), but I don't want to put that on the book as I", "in order to protect my true identity? Example, let's say my real name", "using a pen name. 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My question is, on the first page of", "know that the copyright belongs to me anyway, but I still want to", "all the publishing/copyright info, should I say that the novel is copyright of", "behind the pen name? I know that the copyright belongs to me anyway,", "info, should I say that the novel is copyright of my pen name,", "I still want to add that copyright line to my novel. Any advice", "My question is, on the first page of the novel where you put", "(but will also write what my pen name is), but I don't want", "the novel is copyright of my pen name, in order to protect my", "want to add that copyright line to my novel. Any advice would be", "of my pen name, in order to protect my true identity? Example, let's", "to protect my true identity? Example, let's say my real name is Sani", "that the copyright belongs to the actual person behind the pen name? I", "kept private. 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Example, let's say my real", "belongs to me anyway, but I still want to add that copyright line", "my real name (but will also write what my pen name is), but" ]
[ "can I avoid when writing the happy ending? What makes it too cliché?", "happy end too cheesy? For example, if the story is about a anti-hero,", "a protagonist a happy ending, but what is there to avoid? What makes", "too cheesy? For example, if the story is about a anti-hero, who destroys", "makes a happy end too cheesy? For example, if the story is about", "if the story is about a anti-hero, who destroys his enemies, what can", "example, if the story is about a anti-hero, who destroys his enemies, what", "story is about a anti-hero, who destroys his enemies, what can I avoid", "For example, if the story is about a anti-hero, who destroys his enemies,", "anti-hero, who destroys his enemies, what can I avoid when writing the happy", "enemies, what can I avoid when writing the happy ending? What makes it", "is there to avoid? What makes a happy end too cheesy? For example,", "finally decided to give a protagonist a happy ending, but what is there", "there to avoid? What makes a happy end too cheesy? For example, if", "about a anti-hero, who destroys his enemies, what can I avoid when writing", "his enemies, what can I avoid when writing the happy ending? What makes", "ending, but what is there to avoid? What makes a happy end too", "the story is about a anti-hero, who destroys his enemies, what can I", "give a protagonist a happy ending, but what is there to avoid? What", "a anti-hero, who destroys his enemies, what can I avoid when writing the", "to give a protagonist a happy ending, but what is there to avoid?", "cheesy? For example, if the story is about a anti-hero, who destroys his", "is about a anti-hero, who destroys his enemies, what can I avoid when", "but what is there to avoid? What makes a happy end too cheesy?", "what is there to avoid? What makes a happy end too cheesy? For", "what can I avoid when writing the happy ending? What makes it too", "What makes a happy end too cheesy? For example, if the story is", "destroys his enemies, what can I avoid when writing the happy ending? What", "a happy ending, but what is there to avoid? What makes a happy", "to avoid? What makes a happy end too cheesy? For example, if the", "decided to give a protagonist a happy ending, but what is there to", "I've finally decided to give a protagonist a happy ending, but what is", "protagonist a happy ending, but what is there to avoid? What makes a", "avoid? What makes a happy end too cheesy? For example, if the story", "end too cheesy? For example, if the story is about a anti-hero, who", "who destroys his enemies, what can I avoid when writing the happy ending?", "happy ending, but what is there to avoid? What makes a happy end", "a happy end too cheesy? For example, if the story is about a" ]
[ "a story with magic and stuff): The Main Character meets early in the", "know auntie A show signs of bigotry towards sexual minorities. While investigating the", "of one of her relatives, MC finds the months old corpse of a", "find it weird or unusual, the MC doesn’t comment on it. She regularly", "investigating the disappearance of one of her relatives, MC finds the months old", "discover that she is immune to some specific types of magic (including illusions", "the story, MC discover that she is immune to some specific types of", "afraid that since the readers will have every element they need to realise", "deceptions that (ideally) should be obvious in hindsight (By obvious, I mean \"elephant", "what is right in front of them. --- Example (in a story with", "the MC doesn’t comment on it. She regularly goes to Auntie A for", "room\" kind of obvious). How to give to the reader every element they", "early in the story auntie A, who appears to be an old man", "Example (in a story with magic and stuff): The Main Character meets early", "old man wearing women clothes. Since other characters have known auntie A for", "for years and don’t seem to find it weird or unusual, the MC", "guidance afterwards. During the course of the story, MC discover that she is", "that she is immune to some specific types of magic (including illusions and", "bigotry towards sexual minorities. While investigating the disappearance of one of her relatives,", "her home, wearing her clothes to increase the spell’s effectiveness. I’m afraid that", "auntie A, who appears to be an old man wearing women clothes. Since", "comment on it. She regularly goes to Auntie A for advices and guidance", "is right in front of them. --- Example (in a story with magic", "real Auntie A, and that the man she met actually stole her indentity,", "in the room\" kind of obvious). How to give to the reader every", "minorities. While investigating the disappearance of one of her relatives, MC finds the", "or unusual, the MC doesn’t comment on it. She regularly goes to Auntie", "idea, so I won’t know if it works when I’ll show them the", "right in front of them. --- Example (in a story with magic and", "A for advices and guidance afterwards. During the course of the story, MC", "who appears to be an old man wearing women clothes. Since other characters", "other characters have known auntie A for years and don’t seem to find", "mental manipulation), and learns why they don’t affect her. Also, a couple of", "to some specific types of magic (including illusions and mental manipulation), and learns", "her. Also, a couple of characters who know auntie A show signs of", "sexual minorities. While investigating the disappearance of one of her relatives, MC finds", "to find it weird or unusual, the MC doesn’t comment on it. She", "stole her indentity, used a spell to make himself look like her and", "so I won’t know if it works when I’ll show them the first", "reader every element they need to unravel a mystery, while keeping them from", "effectiveness. I’m afraid that since the readers will have every element they need", "like to include in a story “mysteries” and deceptions that (ideally) should be", "(preferably) for methods to keep the reader from seeing what is right in", "doesn’t comment on it. She regularly goes to Auntie A for advices and", "mean \"elephant in the room\" kind of obvious). How to give to the", "illusions and mental manipulation), and learns why they don’t affect her. Also, a", "\"elephant in the room\" kind of obvious). How to give to the reader", "and mental manipulation), and learns why they don’t affect her. Also, a couple", "in hindsight (By obvious, I mean \"elephant in the room\" kind of obvious).", "that it’s the corpse of the real Auntie A, and that the man", "of the story, MC discover that she is immune to some specific types", "to make himself look like her and lives in her home, wearing her", "don’t seem to find it weird or unusual, the MC doesn’t comment on", "only readers for now are close friends and I already talked with them", "why they don’t affect her. Also, a couple of characters who know auntie", "immune to some specific types of magic (including illusions and mental manipulation), and", "A, who appears to be an old man wearing women clothes. Since other", "At first she assumes that the deceased is the person she was looking", "characters have known auntie A for years and don’t seem to find it", "a woman. At first she assumes that the deceased is the person she", "she met actually stole her indentity, used a spell to make himself look", "be an old man wearing women clothes. Since other characters have known auntie", "and I already talked with them about this idea, so I won’t know", "it weird or unusual, the MC doesn’t comment on it. She regularly goes", "looking for. She realises later that it’s the corpse of the real Auntie", "it. She regularly goes to Auntie A for advices and guidance afterwards. During", "Auntie A, and that the man she met actually stole her indentity, used", "(ideally) should be obvious in hindsight (By obvious, I mean \"elephant in the", "she is immune to some specific types of magic (including illusions and mental", "home, wearing her clothes to increase the spell’s effectiveness. I’m afraid that since", "element they need to realise the deception, the reveal won’t have any impact.", "I won’t know if it works when I’ll show them the first complete", "course of the story, MC discover that she is immune to some specific", "readers for now are close friends and I already talked with them about", "make himself look like her and lives in her home, wearing her clothes", "I’m looking (preferably) for methods to keep the reader from seeing what is", "obvious in hindsight (By obvious, I mean \"elephant in the room\" kind of", "Since other characters have known auntie A for years and don’t seem to", "deception, the reveal won’t have any impact. Moreover, my only readers for now", "the disappearance of one of her relatives, MC finds the months old corpse", "my only readers for now are close friends and I already talked with", "The Main Character meets early in the story auntie A, who appears to", "years and don’t seem to find it weird or unusual, the MC doesn’t", "auntie A show signs of bigotry towards sexual minorities. While investigating the disappearance", "A show signs of bigotry towards sexual minorities. While investigating the disappearance of", "to include in a story “mysteries” and deceptions that (ideally) should be obvious", "some specific types of magic (including illusions and mental manipulation), and learns why", "impact. Moreover, my only readers for now are close friends and I already", "for methods to keep the reader from seeing what is right in front", "MC discover that she is immune to some specific types of magic (including", "old corpse of a woman. At first she assumes that the deceased is", "assumes that the deceased is the person she was looking for. She realises", "element they need to unravel a mystery, while keeping them from resolving it?", "resolving it? How to hide something in plain sight? ----------------------------------------- I’m looking (preferably)", "on it. She regularly goes to Auntie A for advices and guidance afterwards.", "advices and guidance afterwards. During the course of the story, MC discover that", "How to give to the reader every element they need to unravel a", "magic (including illusions and mental manipulation), and learns why they don’t affect her.", "disappearance of one of her relatives, MC finds the months old corpse of", "and don’t seem to find it weird or unusual, the MC doesn’t comment", "relatives, MC finds the months old corpse of a woman. At first she", "for now are close friends and I already talked with them about this", "in front of them. --- Example (in a story with magic and stuff):", "something in plain sight? ----------------------------------------- I’m looking (preferably) for methods to keep the", "A, and that the man she met actually stole her indentity, used a", "himself look like her and lives in her home, wearing her clothes to", "plain sight? ----------------------------------------- I’m looking (preferably) for methods to keep the reader from", "I’d like to include in a story “mysteries” and deceptions that (ideally) should", "that the deceased is the person she was looking for. She realises later", "of the real Auntie A, and that the man she met actually stole", "later that it’s the corpse of the real Auntie A, and that the", "will have every element they need to realise the deception, the reveal won’t", "have every element they need to realise the deception, the reveal won’t have", "----------------------------------------- I’m looking (preferably) for methods to keep the reader from seeing what", "MC finds the months old corpse of a woman. At first she assumes", "to be an old man wearing women clothes. Since other characters have known", "first she assumes that the deceased is the person she was looking for.", "to realise the deception, the reveal won’t have any impact. Moreover, my only", "Moreover, my only readers for now are close friends and I already talked", "and lives in her home, wearing her clothes to increase the spell’s effectiveness.", "that since the readers will have every element they need to realise the", "person she was looking for. She realises later that it’s the corpse of", "to keep the reader from seeing what is right in front of them.", "unravel a mystery, while keeping them from resolving it? How to hide something", "is the person she was looking for. She realises later that it’s the", "Character meets early in the story auntie A, who appears to be an", "the deception, the reveal won’t have any impact. Moreover, my only readers for", "the story auntie A, who appears to be an old man wearing women", "methods to keep the reader from seeing what is right in front of", "realise the deception, the reveal won’t have any impact. Moreover, my only readers", "her clothes to increase the spell’s effectiveness. I’m afraid that since the readers", "corpse of the real Auntie A, and that the man she met actually", "I already talked with them about this idea, so I won’t know if", "need to unravel a mystery, while keeping them from resolving it? How to", "story with magic and stuff): The Main Character meets early in the story", "include in a story “mysteries” and deceptions that (ideally) should be obvious in", "and deceptions that (ideally) should be obvious in hindsight (By obvious, I mean", "need to realise the deception, the reveal won’t have any impact. Moreover, my", "friends and I already talked with them about this idea, so I won’t", "weird or unusual, the MC doesn’t comment on it. She regularly goes to", "they don’t affect her. Also, a couple of characters who know auntie A", "clothes to increase the spell’s effectiveness. I’m afraid that since the readers will", "since the readers will have every element they need to realise the deception,", "known auntie A for years and don’t seem to find it weird or", "the spell’s effectiveness. I’m afraid that since the readers will have every element", "the reader every element they need to unravel a mystery, while keeping them", "I’m afraid that since the readers will have every element they need to", "story “mysteries” and deceptions that (ideally) should be obvious in hindsight (By obvious,", "spell’s effectiveness. I’m afraid that since the readers will have every element they", "seeing what is right in front of them. --- Example (in a story", "readers will have every element they need to realise the deception, the reveal", "indentity, used a spell to make himself look like her and lives in", "appears to be an old man wearing women clothes. Since other characters have", "hindsight (By obvious, I mean \"elephant in the room\" kind of obvious). How", "affect her. Also, a couple of characters who know auntie A show signs", "her relatives, MC finds the months old corpse of a woman. At first", "of magic (including illusions and mental manipulation), and learns why they don’t affect", "now are close friends and I already talked with them about this idea,", "in her home, wearing her clothes to increase the spell’s effectiveness. I’m afraid", "won’t have any impact. Moreover, my only readers for now are close friends", "the reveal won’t have any impact. Moreover, my only readers for now are", "A for years and don’t seem to find it weird or unusual, the", "hide something in plain sight? ----------------------------------------- I’m looking (preferably) for methods to keep", "her and lives in her home, wearing her clothes to increase the spell’s", "reveal won’t have any impact. Moreover, my only readers for now are close", "be obvious in hindsight (By obvious, I mean \"elephant in the room\" kind", "(in a story with magic and stuff): The Main Character meets early in", "unusual, the MC doesn’t comment on it. She regularly goes to Auntie A", "finds the months old corpse of a woman. At first she assumes that", "wearing women clothes. Since other characters have known auntie A for years and", "afterwards. During the course of the story, MC discover that she is immune", "meets early in the story auntie A, who appears to be an old", "for. She realises later that it’s the corpse of the real Auntie A,", "they need to realise the deception, the reveal won’t have any impact. Moreover,", "obvious). How to give to the reader every element they need to unravel", "stuff): The Main Character meets early in the story auntie A, who appears", "auntie A for years and don’t seem to find it weird or unusual,", "goes to Auntie A for advices and guidance afterwards. During the course of", "man wearing women clothes. Since other characters have known auntie A for years", "She regularly goes to Auntie A for advices and guidance afterwards. During the", "realises later that it’s the corpse of the real Auntie A, and that", "a mystery, while keeping them from resolving it? How to hide something in", "keep the reader from seeing what is right in front of them. ---", "“mysteries” and deceptions that (ideally) should be obvious in hindsight (By obvious, I", "the room\" kind of obvious). How to give to the reader every element", "front of them. --- Example (in a story with magic and stuff): The", "the months old corpse of a woman. At first she assumes that the", "it? How to hide something in plain sight? ----------------------------------------- I’m looking (preferably) for", "spell to make himself look like her and lives in her home, wearing", "close friends and I already talked with them about this idea, so I", "with them about this idea, so I won’t know if it works when", "them about this idea, so I won’t know if it works when I’ll", "(including illusions and mental manipulation), and learns why they don’t affect her. Also,", "the course of the story, MC discover that she is immune to some", "this idea, so I won’t know if it works when I’ll show them", "Main Character meets early in the story auntie A, who appears to be", "--- Example (in a story with magic and stuff): The Main Character meets", "in a story “mysteries” and deceptions that (ideally) should be obvious in hindsight", "from seeing what is right in front of them. --- Example (in a", "couple of characters who know auntie A show signs of bigotry towards sexual", "to Auntie A for advices and guidance afterwards. During the course of the", "the man she met actually stole her indentity, used a spell to make", "obvious, I mean \"elephant in the room\" kind of obvious). How to give", "clothes. Since other characters have known auntie A for years and don’t seem", "met actually stole her indentity, used a spell to make himself look like", "the reader from seeing what is right in front of them. --- Example", "actually stole her indentity, used a spell to make himself look like her", "one of her relatives, MC finds the months old corpse of a woman.", "of her relatives, MC finds the months old corpse of a woman. At", "of a woman. At first she assumes that the deceased is the person", "specific types of magic (including illusions and mental manipulation), and learns why they", "about this idea, so I won’t know if it works when I’ll show", "mystery, while keeping them from resolving it? How to hide something in plain", "regularly goes to Auntie A for advices and guidance afterwards. During the course", "Also, a couple of characters who know auntie A show signs of bigotry", "(By obvious, I mean \"elephant in the room\" kind of obvious). How to", "a story “mysteries” and deceptions that (ideally) should be obvious in hindsight (By", "During the course of the story, MC discover that she is immune to", "any impact. Moreover, my only readers for now are close friends and I", "is immune to some specific types of magic (including illusions and mental manipulation),", "was looking for. She realises later that it’s the corpse of the real", "kind of obvious). How to give to the reader every element they need", "manipulation), and learns why they don’t affect her. Also, a couple of characters", "to give to the reader every element they need to unravel a mystery,", "reader from seeing what is right in front of them. --- Example (in", "Auntie A for advices and guidance afterwards. During the course of the story,", "have any impact. Moreover, my only readers for now are close friends and", "story, MC discover that she is immune to some specific types of magic", "a couple of characters who know auntie A show signs of bigotry towards", "they need to unravel a mystery, while keeping them from resolving it? How", "every element they need to unravel a mystery, while keeping them from resolving", "learns why they don’t affect her. Also, a couple of characters who know", "I mean \"elephant in the room\" kind of obvious). How to give to", "woman. At first she assumes that the deceased is the person she was", "a spell to make himself look like her and lives in her home,", "already talked with them about this idea, so I won’t know if it", "used a spell to make himself look like her and lives in her", "are close friends and I already talked with them about this idea, so", "of obvious). How to give to the reader every element they need to", "to unravel a mystery, while keeping them from resolving it? How to hide", "the corpse of the real Auntie A, and that the man she met", "She realises later that it’s the corpse of the real Auntie A, and", "to hide something in plain sight? ----------------------------------------- I’m looking (preferably) for methods to", "and that the man she met actually stole her indentity, used a spell", "have known auntie A for years and don’t seem to find it weird", "story auntie A, who appears to be an old man wearing women clothes.", "it’s the corpse of the real Auntie A, and that the man she", "like her and lives in her home, wearing her clothes to increase the", "deceased is the person she was looking for. She realises later that it’s", "of bigotry towards sexual minorities. While investigating the disappearance of one of her", "characters who know auntie A show signs of bigotry towards sexual minorities. While", "an old man wearing women clothes. Since other characters have known auntie A", "looking (preferably) for methods to keep the reader from seeing what is right", "who know auntie A show signs of bigotry towards sexual minorities. While investigating", "that the man she met actually stole her indentity, used a spell to", "lives in her home, wearing her clothes to increase the spell’s effectiveness. I’m", "that (ideally) should be obvious in hindsight (By obvious, I mean \"elephant in", "while keeping them from resolving it? How to hide something in plain sight?", "of characters who know auntie A show signs of bigotry towards sexual minorities.", "show signs of bigotry towards sexual minorities. While investigating the disappearance of one", "don’t affect her. Also, a couple of characters who know auntie A show", "magic and stuff): The Main Character meets early in the story auntie A,", "While investigating the disappearance of one of her relatives, MC finds the months", "the real Auntie A, and that the man she met actually stole her", "look like her and lives in her home, wearing her clothes to increase", "sight? ----------------------------------------- I’m looking (preferably) for methods to keep the reader from seeing", "for advices and guidance afterwards. During the course of the story, MC discover", "types of magic (including illusions and mental manipulation), and learns why they don’t", "corpse of a woman. At first she assumes that the deceased is the", "towards sexual minorities. While investigating the disappearance of one of her relatives, MC", "her indentity, used a spell to make himself look like her and lives", "signs of bigotry towards sexual minorities. While investigating the disappearance of one of", "should be obvious in hindsight (By obvious, I mean \"elephant in the room\"", "MC doesn’t comment on it. She regularly goes to Auntie A for advices", "to the reader every element they need to unravel a mystery, while keeping", "them from resolving it? How to hide something in plain sight? ----------------------------------------- I’m", "women clothes. Since other characters have known auntie A for years and don’t", "in the story auntie A, who appears to be an old man wearing", "and learns why they don’t affect her. Also, a couple of characters who", "she assumes that the deceased is the person she was looking for. She", "and stuff): The Main Character meets early in the story auntie A, who", "every element they need to realise the deception, the reveal won’t have any", "the deceased is the person she was looking for. She realises later that", "man she met actually stole her indentity, used a spell to make himself", "won’t know if it works when I’ll show them the first complete draft.", "she was looking for. She realises later that it’s the corpse of the", "with magic and stuff): The Main Character meets early in the story auntie", "and guidance afterwards. During the course of the story, MC discover that she", "to increase the spell’s effectiveness. I’m afraid that since the readers will have", "the readers will have every element they need to realise the deception, the", "from resolving it? How to hide something in plain sight? ----------------------------------------- I’m looking", "give to the reader every element they need to unravel a mystery, while", "of them. --- Example (in a story with magic and stuff): The Main", "in plain sight? ----------------------------------------- I’m looking (preferably) for methods to keep the reader", "the person she was looking for. She realises later that it’s the corpse", "them. --- Example (in a story with magic and stuff): The Main Character", "talked with them about this idea, so I won’t know if it works", "wearing her clothes to increase the spell’s effectiveness. I’m afraid that since the", "months old corpse of a woman. At first she assumes that the deceased", "increase the spell’s effectiveness. I’m afraid that since the readers will have every", "How to hide something in plain sight? ----------------------------------------- I’m looking (preferably) for methods", "keeping them from resolving it? How to hide something in plain sight? -----------------------------------------", "seem to find it weird or unusual, the MC doesn’t comment on it." ]
[ "I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple", "take a look, and give some feedback ~ especially areas where I can", "use colorful adjectives/verbs in writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and", "language. I'd love to have you guys take a look, and give some", "they advised me to use simpler language. I'd love to have you guys", "simpler language. I'd love to have you guys take a look, and give", "you guys take a look, and give some feedback ~ especially areas where", "guys take a look, and give some feedback ~ especially areas where I", "on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends, they advised me to", "I'd love to have you guys take a look, and give some feedback", "a couple friends, they advised me to use simpler language. I'd love to", "recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends,", "it to a couple friends, they advised me to use simpler language. I'd", "[blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends, they advised me", "sent it to a couple friends, they advised me to use simpler language.", "I can improve... it feels like my English is getting worse by the", "to use colorful adjectives/verbs in writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh)", "can improve... it feels like my English is getting worse by the day.", "taught to use colorful adjectives/verbs in writing. I recently wrote a [blog on", "where I can improve... it feels like my English is getting worse by", "to have you guys take a look, and give some feedback ~ especially", "in writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to", "especially areas where I can improve... it feels like my English is getting", "Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends, they advised me to use", "me to use simpler language. I'd love to have you guys take a", "look, and give some feedback ~ especially areas where I can improve... it", "areas where I can improve... it feels like my English is getting worse", "give some feedback ~ especially areas where I can improve... it feels like", "use simpler language. I'd love to have you guys take a look, and", "to use simpler language. I'd love to have you guys take a look,", "some feedback ~ especially areas where I can improve... it feels like my", "couple friends, they advised me to use simpler language. I'd love to have", "been taught to use colorful adjectives/verbs in writing. I recently wrote a [blog", "and sent it to a couple friends, they advised me to use simpler", "always been taught to use colorful adjectives/verbs in writing. I recently wrote a", "friends, they advised me to use simpler language. I'd love to have you", "love to have you guys take a look, and give some feedback ~", "have you guys take a look, and give some feedback ~ especially areas", "colorful adjectives/verbs in writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent", "adjectives/verbs in writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it", "to a couple friends, they advised me to use simpler language. I'd love", "and give some feedback ~ especially areas where I can improve... it feels", "feedback ~ especially areas where I can improve... it feels like my English", "school I've always been taught to use colorful adjectives/verbs in writing. I recently", "advised me to use simpler language. I'd love to have you guys take", "~ especially areas where I can improve... it feels like my English is", "I've always been taught to use colorful adjectives/verbs in writing. I recently wrote", "writing. I recently wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a", "wrote a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends, they", "a look, and give some feedback ~ especially areas where I can improve...", "In school I've always been taught to use colorful adjectives/verbs in writing. I", "a [blog on Medium](https://medium.com/@danielmeng07/media-trump-and-democracy-a162a5ca866b#.c9kzynsqh) and sent it to a couple friends, they advised" ]
[ "fact is X and not Y. Writing this is well and good from", "ruffling his hair as he moved forward towards > his destination. The target", "foremost of the > Forsworn and he would not be denied his revenge.", "a major twist later on. I would like to make my readers believe", "as he moved forward towards > his destination. The target had eluded him,", "well and good from other character's POV but when I'm writing from the", "that he in fact is X and not Y. Writing this is well", "the foremost of the > Forsworn and he would not be denied his", "would like to make my readers believe that he in fact is X", "hair as he moved forward towards > his destination. The target had eluded", "finally, > vengeance was his, X of the elvish clan. He was the", "I am writing a story from a 3rd person perspective as the omniscient", "plot point in the novel and serves a major twist later on. I", "hard. In fact, even introducing him at beginning of the chapter presents a", "long but finally, > vengeance was his, X of the elvish clan. He", "themselves. This is a major plot point in the novel and serves a", "a difficulty. I'm trying to retain the illusion when writing from the antagonist's", "moved forward towards > his destination. The target had eluded him, for so", "introducing him at beginning of the chapter presents a difficulty. I'm trying to", "antagonist is revealed first, people believe him to be a certain person -", "that any one says that to him or confirms with him but they", "blew, ruffling his hair as he moved forward towards > his destination. The", "serves a major twist later on. I would like to make my readers", "suggest ? > > E.g. - A cool wind blew, ruffling his hair", "wind blew, ruffling his hair as he moved forward towards > his destination.", "the illusion when writing from the antagonist's POV, what are some of the", "him or confirms with him but they believe it amongst themselves. This is", "my antagonist is revealed first, people believe him to be a certain person", "him but they believe it amongst themselves. This is a major plot point", "the omniscient narrator. When my antagonist is revealed first, people believe him to", "X of the elvish clan. He was the foremost of the > Forsworn", "but when I'm writing from the antagonist's POV, I find it hard. In", "to him or confirms with him but they believe it amongst themselves. This", "first, people believe him to be a certain person - X, not that", "POV, what are some of the tips that you can suggest ? >", "the antagonist's POV, I find it hard. In fact, even introducing him at", "one says that to him or confirms with him but they believe it", "Y. Writing this is well and good from other character's POV but when", "towards > his destination. The target had eluded him, for so long but", "a 3rd person perspective as the omniscient narrator. When my antagonist is revealed", "- X, not that any one says that to him or confirms with", "but finally, > vengeance was his, X of the elvish clan. He was", "be a certain person - X, not that any one says that to", "The target had eluded him, for so long but finally, > vengeance was", "some of the tips that you can suggest ? > > E.g. -", "people believe him to be a certain person - X, not that any", "his destination. The target had eluded him, for so long but finally, >", "to retain the illusion when writing from the antagonist's POV, what are some", "is X and not Y. Writing this is well and good from other", "he in fact is X and not Y. Writing this is well and", "can suggest ? > > E.g. - A cool wind blew, ruffling his", "vengeance was his, X of the elvish clan. He was the foremost of", "of the chapter presents a difficulty. I'm trying to retain the illusion when", "I find it hard. In fact, even introducing him at beginning of the", "target had eluded him, for so long but finally, > vengeance was his,", "major plot point in the novel and serves a major twist later on.", "beginning of the chapter presents a difficulty. I'm trying to retain the illusion", "at beginning of the chapter presents a difficulty. I'm trying to retain the", "twist later on. I would like to make my readers believe that he", "> his destination. The target had eluded him, for so long but finally,", "point in the novel and serves a major twist later on. I would", "not Y. Writing this is well and good from other character's POV but", "antagonist's POV, I find it hard. In fact, even introducing him at beginning", "difficulty. I'm trying to retain the illusion when writing from the antagonist's POV,", "when I'm writing from the antagonist's POV, I find it hard. In fact,", "him, for so long but finally, > vengeance was his, X of the", "writing a story from a 3rd person perspective as the omniscient narrator. When", "trying to retain the illusion when writing from the antagonist's POV, what are", "later on. I would like to make my readers believe that he in", "is revealed first, people believe him to be a certain person - X,", "eluded him, for so long but finally, > vengeance was his, X of", "a major plot point in the novel and serves a major twist later", "tips that you can suggest ? > > E.g. - A cool wind", "readers believe that he in fact is X and not Y. Writing this", "clan. He was the foremost of the > Forsworn and he would not", "he moved forward towards > his destination. The target had eluded him, for", "good from other character's POV but when I'm writing from the antagonist's POV,", "perspective as the omniscient narrator. When my antagonist is revealed first, people believe", "omniscient narrator. When my antagonist is revealed first, people believe him to be", "any one says that to him or confirms with him but they believe", "- A cool wind blew, ruffling his hair as he moved forward towards", "but they believe it amongst themselves. This is a major plot point in", "a story from a 3rd person perspective as the omniscient narrator. When my", "in fact is X and not Y. Writing this is well and good", "I'm trying to retain the illusion when writing from the antagonist's POV, what", "of the tips that you can suggest ? > > E.g. - A", "was his, X of the elvish clan. He was the foremost of the", "believe that he in fact is X and not Y. Writing this is", "forward towards > his destination. The target had eluded him, for so long", "the > Forsworn and he would not be denied his revenge. > >", "other character's POV but when I'm writing from the antagonist's POV, I find", "find it hard. In fact, even introducing him at beginning of the chapter", "the novel and serves a major twist later on. I would like to", "the tips that you can suggest ? > > E.g. - A cool", "a certain person - X, not that any one says that to him", "are some of the tips that you can suggest ? > > E.g.", "believe it amongst themselves. This is a major plot point in the novel", "not that any one says that to him or confirms with him but", "this is well and good from other character's POV but when I'm writing", "they believe it amongst themselves. This is a major plot point in the", "certain person - X, not that any one says that to him or", "amongst themselves. This is a major plot point in the novel and serves", "X, not that any one says that to him or confirms with him", "from the antagonist's POV, I find it hard. In fact, even introducing him", "I'm writing from the antagonist's POV, I find it hard. In fact, even", "it hard. In fact, even introducing him at beginning of the chapter presents", "novel and serves a major twist later on. I would like to make", "in the novel and serves a major twist later on. I would like", "person perspective as the omniscient narrator. When my antagonist is revealed first, people", "his hair as he moved forward towards > his destination. The target had", "that to him or confirms with him but they believe it amongst themselves.", "POV but when I'm writing from the antagonist's POV, I find it hard.", "and good from other character's POV but when I'm writing from the antagonist's", "was the foremost of the > Forsworn and he would not be denied", "that you can suggest ? > > E.g. - A cool wind blew,", "so long but finally, > vengeance was his, X of the elvish clan.", "it amongst themselves. This is a major plot point in the novel and", "the chapter presents a difficulty. I'm trying to retain the illusion when writing", "A cool wind blew, ruffling his hair as he moved forward towards >", "> Forsworn and he would not be denied his revenge. > > >", "as the omniscient narrator. When my antagonist is revealed first, people believe him", "of the elvish clan. He was the foremost of the > Forsworn and", "my readers believe that he in fact is X and not Y. Writing", "In fact, even introducing him at beginning of the chapter presents a difficulty.", "elvish clan. He was the foremost of the > Forsworn and he would", "Writing this is well and good from other character's POV but when I'm", "is a major plot point in the novel and serves a major twist", "had eluded him, for so long but finally, > vengeance was his, X", "am writing a story from a 3rd person perspective as the omniscient narrator.", "This is a major plot point in the novel and serves a major", "him to be a certain person - X, not that any one says", "like to make my readers believe that he in fact is X and", "even introducing him at beginning of the chapter presents a difficulty. I'm trying", "character's POV but when I'm writing from the antagonist's POV, I find it", "what are some of the tips that you can suggest ? > >", "> E.g. - A cool wind blew, ruffling his hair as he moved", "X and not Y. Writing this is well and good from other character's", "retain the illusion when writing from the antagonist's POV, what are some of", "> vengeance was his, X of the elvish clan. He was the foremost", "writing from the antagonist's POV, I find it hard. In fact, even introducing", "major twist later on. I would like to make my readers believe that", "antagonist's POV, what are some of the tips that you can suggest ?", "He was the foremost of the > Forsworn and he would not be", "believe him to be a certain person - X, not that any one", "from a 3rd person perspective as the omniscient narrator. When my antagonist is", "the elvish clan. He was the foremost of the > Forsworn and he", "you can suggest ? > > E.g. - A cool wind blew, ruffling", "fact, even introducing him at beginning of the chapter presents a difficulty. I'm", "revealed first, people believe him to be a certain person - X, not", "I would like to make my readers believe that he in fact is", "when writing from the antagonist's POV, what are some of the tips that", "to make my readers believe that he in fact is X and not", "from other character's POV but when I'm writing from the antagonist's POV, I", "make my readers believe that he in fact is X and not Y.", "illusion when writing from the antagonist's POV, what are some of the tips", "says that to him or confirms with him but they believe it amongst", "> > E.g. - A cool wind blew, ruffling his hair as he", "writing from the antagonist's POV, what are some of the tips that you", "for so long but finally, > vengeance was his, X of the elvish", "is well and good from other character's POV but when I'm writing from", "to be a certain person - X, not that any one says that", "him at beginning of the chapter presents a difficulty. I'm trying to retain", "When my antagonist is revealed first, people believe him to be a certain", "and not Y. Writing this is well and good from other character's POV", "3rd person perspective as the omniscient narrator. When my antagonist is revealed first,", "from the antagonist's POV, what are some of the tips that you can", "POV, I find it hard. In fact, even introducing him at beginning of", "narrator. When my antagonist is revealed first, people believe him to be a", "of the > Forsworn and he would not be denied his revenge. >", "story from a 3rd person perspective as the omniscient narrator. When my antagonist", "presents a difficulty. I'm trying to retain the illusion when writing from the", "person - X, not that any one says that to him or confirms", "cool wind blew, ruffling his hair as he moved forward towards > his", "his, X of the elvish clan. He was the foremost of the >", "and serves a major twist later on. I would like to make my", "confirms with him but they believe it amongst themselves. This is a major", "on. I would like to make my readers believe that he in fact", "or confirms with him but they believe it amongst themselves. This is a", "destination. The target had eluded him, for so long but finally, > vengeance", "with him but they believe it amongst themselves. This is a major plot", "chapter presents a difficulty. I'm trying to retain the illusion when writing from", "the antagonist's POV, what are some of the tips that you can suggest", "? > > E.g. - A cool wind blew, ruffling his hair as", "E.g. - A cool wind blew, ruffling his hair as he moved forward" ]
[ "something remotely close to the subject like how the hardware actually performs and", "to the subject like how the hardware actually performs and even later it", "test case and not about its company, rivals, company history, or market competition.", "writer thought about those moves taken by the company and then some poor", "the article actually showed something remotely close to the subject like how the", "or market competition. So why do so many articles contain placeholder information? Is", "so many articles contain placeholder information? Is due to a lack of quality", "then some poor assumptions of what the public thinks. It's almost as if", "with an abstract talk about how NVIDIA was battling AMD and certain other", "figures and bar charts. Mind that the title of the article was about", "like how the hardware actually performs and even later it showed the actual", "to the subject, including a lot of personal opinions. For example, I was", "So why do so many articles contain placeholder information? Is due to a", "a YouTube stream It took like 3-4 paragraphs of scrolling before the article", "quotes and abstract thoughts or philosophy, not on the actual subject, but on", "about its company, rivals, company history, or market competition. So why do so", "said what the writer thought about those moves taken by the company and", "the subject like how the hardware actually performs and even later it showed", "thought about those moves taken by the company and then some poor assumptions", "those moves taken by the company and then some poor assumptions of what", "magazines hiring dozens of low-quality writers so they have something to put out", "opinions. For example, I was reading articles on the performance of a particular", "I was reading articles on the performance of a particular graphics hardware. Almost", "lack of quality control? Like big online magazines hiring dozens of low-quality writers", "like 3-4 paragraphs of scrolling before the article actually showed something remotely close", "public thinks. It's almost as if the article writer is making a YouTube", "it showed the actual figures and bar charts. Mind that the title of", "example, I was reading articles on the performance of a particular graphics hardware.", "company, rivals, company history, or market competition. So why do so many articles", "contain placeholder information? Is due to a lack of quality control? Like big", "reading articles on the performance of a particular graphics hardware. Almost all articles", "by the company and then some poor assumptions of what the public thinks.", "article actually showed something remotely close to the subject like how the hardware", "of quality control? Like big online magazines hiring dozens of low-quality writers so", "quality control? Like big online magazines hiring dozens of low-quality writers so they", "on things related to the subject, including a lot of personal opinions. For", "making a YouTube stream It took like 3-4 paragraphs of scrolling before the", "information? Is due to a lack of quality control? Like big online magazines", "do so many articles contain placeholder information? Is due to a lack of", "random quotes and abstract thoughts or philosophy, not on the actual subject, but", "article writer is making a YouTube stream It took like 3-4 paragraphs of", "talk about how NVIDIA was battling AMD and certain other moves by the", "For example, I was reading articles on the performance of a particular graphics", "and certain other moves by the manufacturer etc. It said what the writer", "articles contain placeholder information? Is due to a lack of quality control? Like", "philosophy, not on the actual subject, but on things related to the subject,", "It's almost as if the article writer is making a YouTube stream It", "writer is making a YouTube stream It took like 3-4 paragraphs of scrolling", "It took like 3-4 paragraphs of scrolling before the article actually showed something", "stream It took like 3-4 paragraphs of scrolling before the article actually showed", "Many articles you read online start with random quotes and abstract thoughts or", "showed the actual figures and bar charts. Mind that the title of the", "if the article writer is making a YouTube stream It took like 3-4", "many articles contain placeholder information? Is due to a lack of quality control?", "read online start with random quotes and abstract thoughts or philosophy, not on", "on the performance of a particular graphics hardware. Almost all articles started off", "of low-quality writers so they have something to put out quickly all the", "with random quotes and abstract thoughts or philosophy, not on the actual subject,", "articles on the performance of a particular graphics hardware. Almost all articles started", "almost as if the article writer is making a YouTube stream It took", "that the title of the article was about that hardware test case and", "of personal opinions. For example, I was reading articles on the performance of", "was battling AMD and certain other moves by the manufacturer etc. It said", "the writer thought about those moves taken by the company and then some", "off with an abstract talk about how NVIDIA was battling AMD and certain", "articles started off with an abstract talk about how NVIDIA was battling AMD", "the actual subject, but on things related to the subject, including a lot", "before the article actually showed something remotely close to the subject like how", "due to a lack of quality control? Like big online magazines hiring dozens", "AMD and certain other moves by the manufacturer etc. It said what the", "assumptions of what the public thinks. It's almost as if the article writer", "about those moves taken by the company and then some poor assumptions of", "the actual figures and bar charts. Mind that the title of the article", "thoughts or philosophy, not on the actual subject, but on things related to", "remotely close to the subject like how the hardware actually performs and even", "performance of a particular graphics hardware. Almost all articles started off with an", "the article writer is making a YouTube stream It took like 3-4 paragraphs", "subject, but on things related to the subject, including a lot of personal", "charts. Mind that the title of the article was about that hardware test", "the title of the article was about that hardware test case and not", "including a lot of personal opinions. For example, I was reading articles on", "moves taken by the company and then some poor assumptions of what the", "not about its company, rivals, company history, or market competition. So why do", "start with random quotes and abstract thoughts or philosophy, not on the actual", "NVIDIA was battling AMD and certain other moves by the manufacturer etc. It", "even later it showed the actual figures and bar charts. Mind that the", "the subject, including a lot of personal opinions. For example, I was reading", "etc. It said what the writer thought about those moves taken by the", "is making a YouTube stream It took like 3-4 paragraphs of scrolling before", "how the hardware actually performs and even later it showed the actual figures", "of what the public thinks. It's almost as if the article writer is", "things related to the subject, including a lot of personal opinions. For example,", "to a lack of quality control? Like big online magazines hiring dozens of", "the public thinks. It's almost as if the article writer is making a", "actual subject, but on things related to the subject, including a lot of", "of a particular graphics hardware. Almost all articles started off with an abstract", "actually performs and even later it showed the actual figures and bar charts.", "scrolling before the article actually showed something remotely close to the subject like", "company history, or market competition. So why do so many articles contain placeholder", "competition. So why do so many articles contain placeholder information? Is due to", "poor assumptions of what the public thinks. It's almost as if the article", "its company, rivals, company history, or market competition. So why do so many", "about that hardware test case and not about its company, rivals, company history,", "Like big online magazines hiring dozens of low-quality writers so they have something", "Is due to a lack of quality control? Like big online magazines hiring", "you read online start with random quotes and abstract thoughts or philosophy, not", "not on the actual subject, but on things related to the subject, including", "market competition. So why do so many articles contain placeholder information? Is due", "and not about its company, rivals, company history, or market competition. So why", "of the article was about that hardware test case and not about its", "actual figures and bar charts. Mind that the title of the article was", "about how NVIDIA was battling AMD and certain other moves by the manufacturer", "company and then some poor assumptions of what the public thinks. It's almost", "what the public thinks. It's almost as if the article writer is making", "close to the subject like how the hardware actually performs and even later", "and even later it showed the actual figures and bar charts. Mind that", "why do so many articles contain placeholder information? Is due to a lack", "took like 3-4 paragraphs of scrolling before the article actually showed something remotely", "all articles started off with an abstract talk about how NVIDIA was battling", "the performance of a particular graphics hardware. Almost all articles started off with", "a lack of quality control? Like big online magazines hiring dozens of low-quality", "dozens of low-quality writers so they have something to put out quickly all", "how NVIDIA was battling AMD and certain other moves by the manufacturer etc.", "started off with an abstract talk about how NVIDIA was battling AMD and", "actually showed something remotely close to the subject like how the hardware actually", "hardware test case and not about its company, rivals, company history, or market", "title of the article was about that hardware test case and not about", "case and not about its company, rivals, company history, or market competition. So", "low-quality writers so they have something to put out quickly all the time?", "battling AMD and certain other moves by the manufacturer etc. It said what", "the manufacturer etc. It said what the writer thought about those moves taken", "big online magazines hiring dozens of low-quality writers so they have something to", "and then some poor assumptions of what the public thinks. It's almost as", "online start with random quotes and abstract thoughts or philosophy, not on the", "abstract thoughts or philosophy, not on the actual subject, but on things related", "or philosophy, not on the actual subject, but on things related to the", "the company and then some poor assumptions of what the public thinks. It's", "personal opinions. For example, I was reading articles on the performance of a", "that hardware test case and not about its company, rivals, company history, or", "what the writer thought about those moves taken by the company and then", "the hardware actually performs and even later it showed the actual figures and", "abstract talk about how NVIDIA was battling AMD and certain other moves by", "It said what the writer thought about those moves taken by the company", "lot of personal opinions. For example, I was reading articles on the performance", "was reading articles on the performance of a particular graphics hardware. Almost all", "a particular graphics hardware. Almost all articles started off with an abstract talk", "history, or market competition. So why do so many articles contain placeholder information?", "hardware. Almost all articles started off with an abstract talk about how NVIDIA", "and bar charts. Mind that the title of the article was about that", "certain other moves by the manufacturer etc. It said what the writer thought", "article was about that hardware test case and not about its company, rivals,", "YouTube stream It took like 3-4 paragraphs of scrolling before the article actually", "but on things related to the subject, including a lot of personal opinions.", "later it showed the actual figures and bar charts. Mind that the title", "a lot of personal opinions. For example, I was reading articles on the", "particular graphics hardware. Almost all articles started off with an abstract talk about", "placeholder information? Is due to a lack of quality control? Like big online", "other moves by the manufacturer etc. It said what the writer thought about", "articles you read online start with random quotes and abstract thoughts or philosophy,", "some poor assumptions of what the public thinks. It's almost as if the", "thinks. It's almost as if the article writer is making a YouTube stream", "and abstract thoughts or philosophy, not on the actual subject, but on things", "manufacturer etc. It said what the writer thought about those moves taken by", "online magazines hiring dozens of low-quality writers so they have something to put", "by the manufacturer etc. It said what the writer thought about those moves", "the article was about that hardware test case and not about its company,", "was about that hardware test case and not about its company, rivals, company", "bar charts. Mind that the title of the article was about that hardware", "related to the subject, including a lot of personal opinions. For example, I", "subject, including a lot of personal opinions. For example, I was reading articles", "moves by the manufacturer etc. It said what the writer thought about those", "performs and even later it showed the actual figures and bar charts. Mind", "taken by the company and then some poor assumptions of what the public", "graphics hardware. Almost all articles started off with an abstract talk about how", "Almost all articles started off with an abstract talk about how NVIDIA was", "paragraphs of scrolling before the article actually showed something remotely close to the", "subject like how the hardware actually performs and even later it showed the", "on the actual subject, but on things related to the subject, including a", "Mind that the title of the article was about that hardware test case", "showed something remotely close to the subject like how the hardware actually performs", "control? Like big online magazines hiring dozens of low-quality writers so they have", "hiring dozens of low-quality writers so they have something to put out quickly", "hardware actually performs and even later it showed the actual figures and bar", "rivals, company history, or market competition. So why do so many articles contain", "as if the article writer is making a YouTube stream It took like", "of scrolling before the article actually showed something remotely close to the subject", "3-4 paragraphs of scrolling before the article actually showed something remotely close to", "an abstract talk about how NVIDIA was battling AMD and certain other moves" ]
[ "the vampire completely mad to the point where he can no longer keep", "to be told from the point of view of the friend, who has", "vampire in a medieval setting, and from two perspectives, one from the vampire's", "to be during a confrontation between the two warring kingdoms, where the sheer", "confrontation between the two warring kingdoms, where the sheer amount of blood makes", "a rampage, murdering friend and foe alike. The problem with my idea is", "story is that i would rewrite the story of the first ever vampire", "idea is that this scene is supposed to be told from the point", "lust for blood\" as if it was completely new and mysterious? EDIT: The", "ever vampire in a medieval setting, and from two perspectives, one from the", "and mysterious? EDIT: The idea is that the description feels foreign even for", "is that this scene is supposed to be told from the point of", "brothers in arms, and the other from the vampire itself. The climax of", "during a confrontation between the two warring kingdoms, where the sheer amount of", "actions it feels too \"familiar\". Basically, how do i describe the cliche \"Red", "keep up appearances, where he goes on a rampage, murdering friend and foe", "is that i would rewrite the story of the first ever vampire in", "this scene is supposed to be told from the point of view of", "one from the vampire's friend and brothers in arms, and the other from", "cliche \"Red eyes, sharp teeth, lust for blood\" as if it was completely", "other from the vampire itself. The climax of the story is supposed to", "amount of blood makes the vampire completely mad to the point where he", "The idea is that the description feels foreign even for the reader, who", "vampire's friend and brothers in arms, and the other from the vampire itself.", "view of the friend, who has no idea what is going on. Every", "up appearances, where he goes on a rampage, murdering friend and foe alike.", "foe alike. The problem with my idea is that this scene is supposed", "the point where he can no longer keep up appearances, where he goes", "The concept of my story is that i would rewrite the story of", "supposed to be during a confrontation between the two warring kingdoms, where the", "a medieval setting, and from two perspectives, one from the vampire's friend and", "the first ever vampire in a medieval setting, and from two perspectives, one", "do i describe the cliche \"Red eyes, sharp teeth, lust for blood\" as", "where he can no longer keep up appearances, where he goes on a", "and his actions it feels too \"familiar\". Basically, how do i describe the", "as if it was completely new and mysterious? EDIT: The idea is that", "is that the description feels foreign even for the reader, who has a", "point where he can no longer keep up appearances, where he goes on", "would rewrite the story of the first ever vampire in a medieval setting,", "my story is that i would rewrite the story of the first ever", "itself. The climax of the story is supposed to be during a confrontation", "of my story is that i would rewrite the story of the first", "no longer keep up appearances, where he goes on a rampage, murdering friend", "with my idea is that this scene is supposed to be told from", "idea is that the description feels foreign even for the reader, who has", "is supposed to be told from the point of view of the friend,", "told from the point of view of the friend, who has no idea", "point of view of the friend, who has no idea what is going", "it was completely new and mysterious? EDIT: The idea is that the description", "setting, and from two perspectives, one from the vampire's friend and brothers in", "i describe the cliche \"Red eyes, sharp teeth, lust for blood\" as if", "on a rampage, murdering friend and foe alike. The problem with my idea", "who has no idea what is going on. Every time i try to", "that i would rewrite the story of the first ever vampire in a", "time i try to describe the vampire and his actions it feels too", "be during a confrontation between the two warring kingdoms, where the sheer amount", "the description feels foreign even for the reader, who has a vague knowledge", "of the first ever vampire in a medieval setting, and from two perspectives,", "describe the cliche \"Red eyes, sharp teeth, lust for blood\" as if it", "alike. The problem with my idea is that this scene is supposed to", "my idea is that this scene is supposed to be told from the", "that the description feels foreign even for the reader, who has a vague", "of blood makes the vampire completely mad to the point where he can", "foreign even for the reader, who has a vague knowledge of that character's", "feels too \"familiar\". Basically, how do i describe the cliche \"Red eyes, sharp", "can no longer keep up appearances, where he goes on a rampage, murdering", "two perspectives, one from the vampire's friend and brothers in arms, and the", "kingdoms, where the sheer amount of blood makes the vampire completely mad to", "i would rewrite the story of the first ever vampire in a medieval", "rewrite the story of the first ever vampire in a medieval setting, and", "where the sheer amount of blood makes the vampire completely mad to the", "supposed to be told from the point of view of the friend, who", "try to describe the vampire and his actions it feels too \"familiar\". Basically,", "appearances, where he goes on a rampage, murdering friend and foe alike. The", "Every time i try to describe the vampire and his actions it feels", "describe the vampire and his actions it feels too \"familiar\". Basically, how do", "his actions it feels too \"familiar\". Basically, how do i describe the cliche", "the story is supposed to be during a confrontation between the two warring", "medieval setting, and from two perspectives, one from the vampire's friend and brothers", "friend, who has no idea what is going on. Every time i try", "mysterious? EDIT: The idea is that the description feels foreign even for the", "and from two perspectives, one from the vampire's friend and brothers in arms,", "the sheer amount of blood makes the vampire completely mad to the point", "is going on. Every time i try to describe the vampire and his", "he goes on a rampage, murdering friend and foe alike. The problem with", "scene is supposed to be told from the point of view of the", "friend and brothers in arms, and the other from the vampire itself. The", "from the vampire's friend and brothers in arms, and the other from the", "and foe alike. The problem with my idea is that this scene is", "was completely new and mysterious? EDIT: The idea is that the description feels", "of the friend, who has no idea what is going on. Every time", "arms, and the other from the vampire itself. The climax of the story", "i try to describe the vampire and his actions it feels too \"familiar\".", "from the point of view of the friend, who has no idea what", "the friend, who has no idea what is going on. Every time i", "\"familiar\". Basically, how do i describe the cliche \"Red eyes, sharp teeth, lust", "the point of view of the friend, who has no idea what is", "feels foreign even for the reader, who has a vague knowledge of that", "problem with my idea is that this scene is supposed to be told", "Basically, how do i describe the cliche \"Red eyes, sharp teeth, lust for", "and the other from the vampire itself. The climax of the story is", "is supposed to be during a confrontation between the two warring kingdoms, where", "the vampire's friend and brothers in arms, and the other from the vampire", "between the two warring kingdoms, where the sheer amount of blood makes the", "what is going on. Every time i try to describe the vampire and", "the cliche \"Red eyes, sharp teeth, lust for blood\" as if it was", "The problem with my idea is that this scene is supposed to be", "completely new and mysterious? EDIT: The idea is that the description feels foreign", "even for the reader, who has a vague knowledge of that character's \"vampirism\".", "perspectives, one from the vampire's friend and brothers in arms, and the other", "the other from the vampire itself. The climax of the story is supposed", "a confrontation between the two warring kingdoms, where the sheer amount of blood", "murdering friend and foe alike. The problem with my idea is that this", "eyes, sharp teeth, lust for blood\" as if it was completely new and", "going on. Every time i try to describe the vampire and his actions", "The climax of the story is supposed to be during a confrontation between", "the two warring kingdoms, where the sheer amount of blood makes the vampire", "the vampire and his actions it feels too \"familiar\". Basically, how do i", "warring kingdoms, where the sheer amount of blood makes the vampire completely mad", "description feels foreign even for the reader, who has a vague knowledge of", "friend and foe alike. The problem with my idea is that this scene", "the vampire itself. The climax of the story is supposed to be during", "concept of my story is that i would rewrite the story of the", "be told from the point of view of the friend, who has no", "for blood\" as if it was completely new and mysterious? EDIT: The idea", "and brothers in arms, and the other from the vampire itself. The climax", "that this scene is supposed to be told from the point of view", "sheer amount of blood makes the vampire completely mad to the point where", "it feels too \"familiar\". Basically, how do i describe the cliche \"Red eyes,", "vampire completely mad to the point where he can no longer keep up", "of view of the friend, who has no idea what is going on.", "no idea what is going on. Every time i try to describe the", "story of the first ever vampire in a medieval setting, and from two", "vampire itself. The climax of the story is supposed to be during a", "story is supposed to be during a confrontation between the two warring kingdoms,", "teeth, lust for blood\" as if it was completely new and mysterious? EDIT:", "too \"familiar\". Basically, how do i describe the cliche \"Red eyes, sharp teeth,", "where he goes on a rampage, murdering friend and foe alike. The problem", "vampire and his actions it feels too \"familiar\". Basically, how do i describe", "to the point where he can no longer keep up appearances, where he", "blood\" as if it was completely new and mysterious? EDIT: The idea is", "makes the vampire completely mad to the point where he can no longer", "to describe the vampire and his actions it feels too \"familiar\". Basically, how", "completely mad to the point where he can no longer keep up appearances,", "from the vampire itself. The climax of the story is supposed to be", "first ever vampire in a medieval setting, and from two perspectives, one from", "longer keep up appearances, where he goes on a rampage, murdering friend and", "the story of the first ever vampire in a medieval setting, and from", "if it was completely new and mysterious? EDIT: The idea is that the", "from two perspectives, one from the vampire's friend and brothers in arms, and", "in arms, and the other from the vampire itself. The climax of the", "goes on a rampage, murdering friend and foe alike. The problem with my", "how do i describe the cliche \"Red eyes, sharp teeth, lust for blood\"", "on. Every time i try to describe the vampire and his actions it", "\"Red eyes, sharp teeth, lust for blood\" as if it was completely new", "new and mysterious? EDIT: The idea is that the description feels foreign even", "rampage, murdering friend and foe alike. The problem with my idea is that", "has no idea what is going on. Every time i try to describe", "climax of the story is supposed to be during a confrontation between the", "in a medieval setting, and from two perspectives, one from the vampire's friend", "he can no longer keep up appearances, where he goes on a rampage,", "of the story is supposed to be during a confrontation between the two", "two warring kingdoms, where the sheer amount of blood makes the vampire completely", "idea what is going on. Every time i try to describe the vampire", "mad to the point where he can no longer keep up appearances, where", "EDIT: The idea is that the description feels foreign even for the reader,", "sharp teeth, lust for blood\" as if it was completely new and mysterious?", "blood makes the vampire completely mad to the point where he can no" ]
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