gem_id stringlengths 20 25 | id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 270 | target stringlengths 1 270 | references list | answers dict |
|---|---|---|---|---|---|---|---|
gem-squad_v2-train-5600 | 5706a62375f01819005e7ccb | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | what types of people did the club The Warehouse attract? | what types of people did the club The Warehouse attract? | [
"what types of people did the club The Warehouse attract?"
] | {
"text": [
"primarily black and gay"
],
"answer_start": [
156
]
} |
gem-squad_v2-train-5601 | 5706a62375f01819005e7ccc | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | who was the resident DJ at The Warehouse in Chicago? | who was the resident DJ at The Warehouse in Chicago? | [
"who was the resident DJ at The Warehouse in Chicago?"
] | {
"text": [
"Frankie Knuckles"
],
"answer_start": [
241
]
} |
gem-squad_v2-train-5602 | 5ad2783ed7d075001a429560 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | What club did the term "Warehouse music" originate from? | What club did the term "Warehouse music" originate from? | [
"What club did the term \"Warehouse music\" originate from?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5603 | 5ad2783ed7d075001a429561 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | What city was the club The Remix located in? | What city was the club The Remix located in? | [
"What city was the club The Remix located in?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5604 | 5ad2783ed7d075001a429562 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | What years was the club The Remix located in? | What years was the club The Remix located in? | [
"What years was the club The Remix located in?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5605 | 5ad2783ed7d075001a429563 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | What types of people did the club The Remix attract? | What types of people did the club The Remix attract? | [
"What types of people did the club The Remix attract?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5606 | 5ad2783ed7d075001a429564 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | Who was the resident DJ at The Remix in Chicago? | Who was the resident DJ at The Remix in Chicago? | [
"Who was the resident DJ at The Remix in Chicago?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5607 | 5706a69352bb891400689b24 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | what is the name of Chip E's 1985 house hit? | what is the name of Chip E's 1985 house hit? | [
"what is the name of Chip E's 1985 house hit?"
] | {
"text": [
"\"It's House\""
],
"answer_start": [
25
]
} |
gem-squad_v2-train-5608 | 5706a69352bb891400689b25 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | when was Chip E's hit "It's House" released? | when was Chip E's hit "It's House" released? | [
"when was Chip E's hit \"It's House\" released?"
] | {
"text": [
"1985"
],
"answer_start": [
10
]
} |
gem-squad_v2-train-5609 | 5706a69352bb891400689b26 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | the term 'house music' came from the labeling of records at what store? | the term 'house music' came from the labeling of records at what store? | [
"the term 'house music' came from the labeling of records at what store?"
] | {
"text": [
"Importes Etc"
],
"answer_start": [
236
]
} |
gem-squad_v2-train-5610 | 5ad27ab2d7d075001a429616 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | What is the name of Chip E's 1980 house hit? | What is the name of Chip E's 1980 house hit? | [
"What is the name of Chip E's 1980 house hit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5611 | 5ad27ab2d7d075001a429617 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | When was Warehouse's hit "It's House" released? | When was Warehouse's hit "It's House" released? | [
"When was Warehouse's hit \"It's House\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5612 | 5ad27ab2d7d075001a429618 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | The term "house bins" came from the labeling records at what store? | The term "house bins" came from the labeling records at what store? | [
"The term \"house bins\" came from the labeling records at what store?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5613 | 5ad27ab2d7d075001a429619 | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | Where did Warehouse work in the early 1980s? | Where did Warehouse work in the early 1980s? | [
"Where did Warehouse work in the early 1980s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5614 | 5ad27ab2d7d075001a42961a | House_music | Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits. | What recording helped to define rock music? | What recording helped to define rock music? | [
"What recording helped to define rock music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5615 | 5706a6d852bb891400689b2a | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | who ran the D.J. International record label? | who ran the D.J. International record label? | [
"who ran the D.J. International record label?"
] | {
"text": [
"Rocky Jones"
],
"answer_start": [
21
]
} |
gem-squad_v2-train-5616 | 5706a6d852bb891400689b2b | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | House is a regional catch-all term for what kind of music? | House is a regional catch-all term for what kind of music? | [
"House is a regional catch-all term for what kind of music?"
] | {
"text": [
"dance music,"
],
"answer_start": [
231
]
} |
gem-squad_v2-train-5617 | 5706a6d852bb891400689b2c | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | what was 'house music' once synonymous with? | what was 'house music' once synonymous with? | [
"what was 'house music' once synonymous with?"
] | {
"text": [
"older disco music"
],
"answer_start": [
281
]
} |
gem-squad_v2-train-5618 | 5ad27b5bd7d075001a429648 | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | Who ran the Jones International record label? | Who ran the Jones International record label? | [
"Who ran the Jones International record label?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5619 | 5ad27b5bd7d075001a429649 | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | For what kind of music was Jones a regional catch-all term? | For what kind of music was Jones a regional catch-all term? | [
"For what kind of music was Jones a regional catch-all term?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5620 | 5ad27b5bd7d075001a42964a | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | What was "Jones music" once synonymous with? | What was "Jones music" once synonymous with? | [
"What was \"Jones music\" once synonymous with?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5621 | 5ad27b5bd7d075001a42964b | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | Who ran the Rocky International record label? | Who ran the Rocky International record label? | [
"Who ran the Rocky International record label?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5622 | 5ad27b5bd7d075001a42964c | House_music | In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music. | What was a regional catch-all term for rap music? | What was a regional catch-all term for rap music? | [
"What was a regional catch-all term for rap music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5623 | 5706a92752bb891400689b30 | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | What was the stage name of Larry Heard? | What was the stage name of Larry Heard? | [
"What was the stage name of Larry Heard?"
] | {
"text": [
"Mr. Fingers"
],
"answer_start": [
21
]
} |
gem-squad_v2-train-5624 | 5706a92752bb891400689b31 | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | Why did the term house become popular? | Why did the term house become popular? | [
"Why did the term house become popular? "
] | {
"text": [
"early DJs creating music in their own homes"
],
"answer_start": [
98
]
} |
gem-squad_v2-train-5625 | 5706a92752bb891400689b32 | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | what are the Roland TR-808, TR-909, and TB 303 examples of? | what are the Roland TR-808, TR-909, and TB 303 examples of? | [
"what are the Roland TR-808, TR-909, and TB 303 examples of?"
] | {
"text": [
"synthesizers and drum machines"
],
"answer_start": [
148
]
} |
gem-squad_v2-train-5626 | 5706a92752bb891400689b33 | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | synthesizers were used to create what house subgenre? | synthesizers were used to create what house subgenre? | [
"synthesizers were used to create what house subgenre?"
] | {
"text": [
"acid house"
],
"answer_start": [
310
]
} |
gem-squad_v2-train-5627 | 5706a92752bb891400689b34 | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | what was the real name of Mr. Fingers? | what was the real name of Mr. Fingers? | [
"what was the real name of Mr. Fingers?"
] | {
"text": [
"Larry Heard"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-5628 | 5ad27d08d7d075001a4296aa | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | What was the stage name of Larry House? | What was the stage name of Larry House? | [
"What was the stage name of Larry House?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5629 | 5ad27d08d7d075001a4296ab | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | Why did the term fingers become popular? | Why did the term fingers become popular? | [
"Why did the term fingers become popular?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5630 | 5ad27d08d7d075001a4296ac | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | What are the Fingers TR-808, TR-909, and TB 303 examples of? | What are the Fingers TR-808, TR-909, and TB 303 examples of? | [
"What are the Fingers TR-808, TR-909, and TB 303 examples of?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5631 | 5ad27d08d7d075001a4296ad | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | Synthesizers were used to create what Fingers subgenre? | Synthesizers were used to create what Fingers subgenre? | [
"Synthesizers were used to create what Fingers subgenre?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5632 | 5ad27d08d7d075001a4296ae | House_music | Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house. | What was the real name of Mr. Roland? | What was the real name of Mr. Roland? | [
"What was the real name of Mr. Roland?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5633 | 5706aab252bb891400689b3a | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | What is Juan Atkins an originator of? | What is Juan Atkins an originator of? | [
"What is Juan Atkins an originator of?"
] | {
"text": [
"Detroit techno music"
],
"answer_start": [
30
]
} |
gem-squad_v2-train-5634 | 5706aab252bb891400689b3b | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | What did Atkins claim the term house reflected? | What did Atkins claim the term house reflected? | [
"What did Atkins claim the term house reflected?"
] | {
"text": [
"the exclusive association of particular tracks with particular clubs and DJs"
],
"answer_start": [
86
]
} |
gem-squad_v2-train-5635 | 5706aab252bb891400689b3c | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | Why were DJs inspired to create their own house records? | Why were DJs inspired to create their own house records? | [
"Why were DJs inspired to create their own house records?"
] | {
"text": [
"differentiate the clubs and DJs"
],
"answer_start": [
185
]
} |
gem-squad_v2-train-5636 | 5ad27e04d7d075001a4296f6 | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | What is Juan House an originator of? | What is Juan House an originator of? | [
"What is Juan House an originator of?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5637 | 5ad27e04d7d075001a4296f7 | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | What did House claim the term house Atkins reflected? | What did House claim the term house Atkins reflected? | [
"What did House claim the term house Atkins reflected?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5638 | 5ad27e04d7d075001a4296f8 | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | Why were DJs inspired to create their own Atkins records? | Why were DJs inspired to create their own Atkins records? | [
"Why were DJs inspired to create their own Atkins records?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5639 | 5ad27e04d7d075001a4296f9 | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | Who was the originator of DJ music? | Who was the originator of DJ music? | [
"Who was the originator of DJ music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5640 | 5ad27e04d7d075001a4296fa | House_music | Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records. | What was Juan Atkins inspired to create? | What was Juan Atkins inspired to create? | [
"What was Juan Atkins inspired to create?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5641 | 5706ab2075f01819005e7cec | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who did House relay political messages to? | Who did House relay political messages to? | [
"Who did House relay political messages to? "
] | {
"text": [
"outcasts of society"
],
"answer_start": [
95
]
} |
gem-squad_v2-train-5642 | 5706ab2075f01819005e7ced | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who did Frankie Knuckles once say the Warehouse club was for? | Who did Frankie Knuckles once say the Warehouse club was for? | [
"Who did Frankie Knuckles once say the Warehouse club was for? "
] | {
"text": [
"church for people who have fallen from grace"
],
"answer_start": [
315
]
} |
gem-squad_v2-train-5643 | 5706ab2075f01819005e7cee | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who was a famous house producer? | Who was a famous house producer? | [
"Who was a famous house producer?"
] | {
"text": [
"Marshall Jefferson"
],
"answer_start": [
380
]
} |
gem-squad_v2-train-5644 | 5706ab2075f01819005e7cef | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | where was the warehouse club located? | where was the warehouse club located? | [
"where was the warehouse club located?"
] | {
"text": [
"Chicago"
],
"answer_start": [
297
]
} |
gem-squad_v2-train-5645 | 5706ab2075f01819005e7cf0 | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | what community was deep house popular with? | what community was deep house popular with? | [
"what community was deep house popular with?"
] | {
"text": [
"the black community"
],
"answer_start": [
549
]
} |
gem-squad_v2-train-5646 | 5ad27edad7d075001a42972e | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who did Jefferson replay political messages to? | Who did Jefferson replay political messages to? | [
"Who did Jefferson replay political messages to?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5647 | 5ad27edad7d075001a42972f | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who did Jefferson once say the Warehouse club was for? | Who did Jefferson once say the Warehouse club was for? | [
"Who did Jefferson once say the Warehouse club was for?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5648 | 5ad27edad7d075001a429730 | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Who was a famous freedom producer? | Who was a famous freedom producer? | [
"Who was a famous freedom producer?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5649 | 5ad27edad7d075001a429731 | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | Where was the Jefferson club located? | Where was the Jefferson club located? | [
"Where was the Jefferson club located?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5650 | 5ad27edad7d075001a429732 | House_music | House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community. | What community was deep Jefferson popular with? | What community was deep Jefferson popular with? | [
"What community was deep Jefferson popular with?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5651 | 5706abba75f01819005e7d00 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | what was one of the earliest Detroit techno hits? | what was one of the earliest Detroit techno hits? | [
"what was one of the earliest Detroit techno hits?"
] | {
"text": [
"\"Big Fun\" by Inner City"
],
"answer_start": [
128
]
} |
gem-squad_v2-train-5652 | 5706abba75f01819005e7d01 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | who started the Detroit techno development? | who started the Detroit techno development? | [
"who started the Detroit techno development?"
] | {
"text": [
"The Electrifying Mojo"
],
"answer_start": [
207
]
} |
gem-squad_v2-train-5653 | 5706abba75f01819005e7d02 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | what was the nickname of juan atkins, derrick may, and devin saunderson? | what was the nickname of juan atkins, derrick may, and devin saunderson? | [
"what was the nickname of juan atkins, derrick may, and devin saunderson?"
] | {
"text": [
"the \"godfathers\" of Detroit Techno"
],
"answer_start": [
657
]
} |
gem-squad_v2-train-5654 | 5706abba75f01819005e7d03 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | who were the early b-boy hip-hop artists that inspired detroit techno? | who were the early b-boy hip-hop artists that inspired detroit techno? | [
"who were the early b-boy hip-hop artists that inspired detroit techno?"
] | {
"text": [
"Man Parrish, Soul Sonic Force"
],
"answer_start": [
502
]
} |
gem-squad_v2-train-5655 | 5706abba75f01819005e7d04 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | who were the european electronica artists that inspired detroit techno? | who were the european electronica artists that inspired detroit techno? | [
"who were the european electronica artists that inspired detroit techno?"
] | {
"text": [
"Kraftwerk, Art of Noise"
],
"answer_start": [
411
]
} |
gem-squad_v2-train-5656 | 5ad28119d7d075001a4297de | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | What was one of the earliest Parrish techno hits? | What was one of the earliest Parrish techno hits? | [
"What was one of the earliest Parrish techno hits?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5657 | 5ad28119d7d075001a4297df | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | Who started the Parrish techno development? | Who started the Parrish techno development? | [
"Who started the Parrish techno development?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5658 | 5ad28119d7d075001a4297e0 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | What was the nickname of Juan Kraftwerk, Derrick Saunderson, and Devin May? | What was the nickname of Juan Kraftwerk, Derrick Saunderson, and Devin May? | [
"What was the nickname of Juan Kraftwerk, Derrick Saunderson, and Devin May?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5659 | 5ad28119d7d075001a4297e1 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | Who were the early b-boy hip-hop artists that inspired Yellow techno? | Who were the early b-boy hip-hop artists that inspired Yellow techno? | [
"Who were the early b-boy hip-hop artists that inspired Yellow techno?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5660 | 5ad28119d7d075001a4297e2 | House_music | Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed] | Who were the European electronica artists that inspired Yellow Techno? | Who were the European electronica artists that inspired Yellow Techno? | [
"Who were the European electronica artists that inspired Yellow Techno?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5661 | 5706adf975f01819005e7d1a | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | What was the real name of the artist Mayday? | What was the real name of the artist Mayday? | [
"What was the real name of the artist Mayday?"
] | {
"text": [
"Derrick May"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-5662 | 5706adf975f01819005e7d1b | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | Mayday and Thomas Barnett released what hit in 1987? | Mayday and Thomas Barnett released what hit in 1987? | [
"Mayday and Thomas Barnett released what hit in 1987?"
] | {
"text": [
"\"Nude Photo\""
],
"answer_start": [
56
]
} |
gem-squad_v2-train-5663 | 5706adf975f01819005e7d1c | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | what was the name of Mayday's record label? | what was the name of Mayday's record label? | [
"what was the name of Mayday's record label?"
] | {
"text": [
"Transmat Records"
],
"answer_start": [
93
]
} |
gem-squad_v2-train-5664 | 5706adf975f01819005e7d1d | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | what year was the hit song "wiggin" released? | what year was the hit song "wiggin" released? | [
"what year was the hit song \"wiggin\" released?"
] | {
"text": [
"1988"
],
"answer_start": [
507
]
} |
gem-squad_v2-train-5665 | 5706adf975f01819005e7d1e | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | what label did Derrick May have successful releases on after his own? | what label did Derrick May have successful releases on after his own? | [
"what label did Derrick May have successful releases on after his own?"
] | {
"text": [
"Kool Kat Records"
],
"answer_start": [
589
]
} |
gem-squad_v2-train-5666 | 5ad2822fd7d075001a429816 | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | What was the real name of the artist Wiggin? | What was the real name of the artist Wiggin? | [
"What was the real name of the artist Wiggin?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5667 | 5ad2822fd7d075001a429817 | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | Mayday and Thomas Strings released what hit in 1987? | Mayday and Thomas Strings released what hit in 1987? | [
"Mayday and Thomas Strings released what hit in 1987?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5668 | 5ad2822fd7d075001a429818 | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | What was the name of Wiggin's record label? | What was the name of Wiggin's record label? | [
"What was the name of Wiggin's record label?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5669 | 5ad2822fd7d075001a429819 | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | What year was the hit song "Mayday" released? | What year was the hit song "Mayday" released? | [
"What year was the hit song \"Mayday\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5670 | 5ad2822fd7d075001a42981a | House_music | Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist. | What label did Wiggin have successful releases on after his own? | What label did Wiggin have successful releases on after his own? | [
"What label did Wiggin have successful releases on after his own?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5671 | 5706ae9775f01819005e7d24 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | who founded KMS Records? | who founded KMS Records? | [
"who founded KMS Records?"
] | {
"text": [
"Kevin Saunderson"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-5672 | 5706ae9775f01819005e7d25 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | what was the name of Blake Baxter's 1986 hit recording? | what was the name of Blake Baxter's 1986 hit recording? | [
"what was the name of Blake Baxter's 1986 hit recording?"
] | {
"text": [
"\"When we Used to Play / Work your Body\""
],
"answer_start": [
249
]
} |
gem-squad_v2-train-5673 | 5706ae9775f01819005e7d26 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | what was the name of Blake Baxter's 1987 hit recording? | what was the name of Blake Baxter's 1987 hit recording? | [
"what was the name of Blake Baxter's 1987 hit recording?"
] | {
"text": [
"\"Bounce Your Body to the Box\""
],
"answer_start": [
297
]
} |
gem-squad_v2-train-5674 | 5706ae9775f01819005e7d27 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | what group released "Big Fun" and "Good Life" in 1988? | what group released "Big Fun" and "Good Life" in 1988? | [
"what group released \"Big Fun\" and \"Good Life\" in 1988?"
] | {
"text": [
"Inner City"
],
"answer_start": [
552
]
} |
gem-squad_v2-train-5675 | 5706ae9775f01819005e7d28 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | what was the 1989 hit theme released by KMS? | what was the 1989 hit theme released by KMS? | [
"what was the 1989 hit theme released by KMS?"
] | {
"text": [
"\"Rock to the Beat\""
],
"answer_start": [
873
]
} |
gem-squad_v2-train-5676 | 5ad283add7d075001a429850 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | Who founded Groove Records? | Who founded Groove Records? | [
"Who founded Groove Records?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5677 | 5ad283add7d075001a429851 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | What was the name of Steve Hurley's 1986 hit recording? | What was the name of Steve Hurley's 1986 hit recording? | [
"What was the name of Steve Hurley's 1986 hit recording?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5678 | 5ad283add7d075001a429852 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | What was the name of Blake Hurley's 1987 hit recording? | What was the name of Blake Hurley's 1987 hit recording? | [
"What was the name of Blake Hurley's 1987 hit recording?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5679 | 5ad283add7d075001a429853 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | What group released "Big Fun" and "Good Life" in 1987? | What group released "Big Fun" and "Good Life" in 1987? | [
"What group released \"Big Fun\" and \"Good Life\" in 1987?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5680 | 5ad283add7d075001a429854 | House_music | Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed] | What was the 1988 hit theme released by KMS? | What was the 1988 hit theme released by KMS? | [
"What was the 1988 hit theme released by KMS?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5681 | 5706aecd75f01819005e7d2e | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | what is credited as the first house hit in the UK? | what is credited as the first house hit in the UK? | [
"what is credited as the first house hit in the UK?"
] | {
"text": [
"Farley \"Jackmaster\" Funk's \"Love Can't Turn Around\""
],
"answer_start": [
215
]
} |
gem-squad_v2-train-5682 | 5706aecd75f01819005e7d2f | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | what did "Love Can't Turn Around" peak at in the UK charts? | what did "Love Can't Turn Around" peak at in the UK charts? | [
"what did \"Love Can't Turn Around\" peak at in the UK charts?"
] | {
"text": [
"#10"
],
"answer_start": [
281
]
} |
gem-squad_v2-train-5683 | 5706aecd75f01819005e7d30 | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | what year did Farley Funk have his first UK hit? | what year did Farley Funk have his first UK hit? | [
"what year did Farley Funk have his first UK hit?"
] | {
"text": [
"1986"
],
"answer_start": [
322
]
} |
gem-squad_v2-train-5684 | 5ad2855cd7d075001a42989a | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | What is created as the second house hit in the UK? | What is created as the second house hit in the UK? | [
"What is created as the second house hit in the UK?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5685 | 5ad2855cd7d075001a42989b | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | What did "Love Can't Turn Around" peak at in the Farley charts? | What did "Love Can't Turn Around" peak at in the Farley charts? | [
"What did \"Love Can't Turn Around\" peak at in the Farley charts?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5686 | 5ad2855cd7d075001a42989c | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | What year did Love Funk have his first UK hit? | What year did Love Funk have his first UK hit? | [
"What year did Love Funk have his first UK hit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5687 | 5ad2855cd7d075001a42989d | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | Which song reached #6 in the UK singles chart? | Which song reached #6 in the UK singles chart? | [
"Which song reached #6 in the UK singles chart?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5688 | 5ad2855cd7d075001a42989e | House_music | With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986. | When did "Jackmaster" reach #10 in the UK singles chart? | When did "Jackmaster" reach #10 in the UK singles chart? | [
"When did \"Jackmaster\" reach #10 in the UK singles chart?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5689 | 5706af4352bb891400689b78 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What was the first house single to hit #1 in the UK? | What was the first house single to hit #1 in the UK? | [
"What was the first house single to hit #1 in the UK?"
] | {
"text": [
"Steve \"Silk\" Hurley's \"Jack Your Body\""
],
"answer_start": [
32
]
} |
gem-squad_v2-train-5690 | 5706af4352bb891400689b79 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What year did "Jack Your Body" hit #1 in the UK? | What year did "Jack Your Body" hit #1 in the UK? | [
"What year did \"Jack Your Body\" hit #1 in the UK?"
] | {
"text": [
"1987"
],
"answer_start": [
11
]
} |
gem-squad_v2-train-5691 | 5706af4352bb891400689b7a | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | Who had a hit single with "jack the groove"? | Who had a hit single with "jack the groove"? | [
"Who had a hit single with \"jack the groove\"?"
] | {
"text": [
"Raze"
],
"answer_start": [
180
]
} |
gem-squad_v2-train-5692 | 5706af4352bb891400689b7b | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | what group's productions for Mel and Kim added elements of house to the europop sound? | what group's productions for Mel and Kim added elements of house to the europop sound? | [
"what group's productions for Mel and Kim added elements of house to the europop sound?"
] | {
"text": [
"Stock Aitken Waterman"
],
"answer_start": [
288
]
} |
gem-squad_v2-train-5693 | 5706af4352bb891400689b7c | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | what was the name of mel and kim's number-one hit single in the UK? | what was the name of mel and kim's number-one hit single in the UK? | [
"what was the name of mel and kim's number-one hit single in the UK?"
] | {
"text": [
"Respectable"
],
"answer_start": [
371
]
} |
gem-squad_v2-train-5694 | 5ad2864dd7d075001a4298d2 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What was the first house single to hit #2 in the UK? | What was the first house single to hit #2 in the UK? | [
"What was the first house single to hit #2 in the UK?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5695 | 5ad2864dd7d075001a4298d3 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What year did "Jack Your Body" hit #2 in the UK? | What year did "Jack Your Body" hit #2 in the UK? | [
"What year did \"Jack Your Body\" hit #2 in the UK?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5696 | 5ad2864dd7d075001a4298d4 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | Who had a hit single with Mel and Kim? | Who had a hit single with Mel and Kim? | [
"Who had a hit single with Mel and Kim?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5697 | 5ad2864dd7d075001a4298d5 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What groups productions for Mel and Kim added elements of house to the Hurley sound? | What groups productions for Mel and Kim added elements of house to the Hurley sound? | [
"What groups productions for Mel and Kim added elements of house to the Hurley sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5698 | 5ad2864dd7d075001a4298d6 | House_music | In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included: | What was the name of Mel and Kim's number-one hit single in Chicago? | What was the name of Mel and Kim's number-one hit single in Chicago? | [
"What was the name of Mel and Kim's number-one hit single in Chicago?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5699 | 5706afdf2eaba6190074ac26 | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | what tour boosted house in the UK in the late 80s? | what tour boosted house in the UK in the late 80s? | [
"what tour boosted house in the UK in the late 80s?"
] | {
"text": [
"Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour"
],
"answer_start": [
43
]
} |
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