gem_id stringlengths 20 25 | id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 270 | target stringlengths 1 270 | references list | answers dict |
|---|---|---|---|---|---|---|---|
gem-squad_v2-train-5700 | 5706afdf2eaba6190074ac27 | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | when did the DJ International Tour take place? | when did the DJ International Tour take place? | [
"when did the DJ International Tour take place?"
] | {
"text": [
"March 1987"
],
"answer_start": [
12
]
} |
gem-squad_v2-train-5701 | 5706afdf2eaba6190074ac28 | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | what was the name of MARRS' number-one single in October 1987? | what was the name of MARRS' number-one single in October 1987? | [
"what was the name of MARRS' number-one single in October 1987?"
] | {
"text": [
"\"Pump Up The Volume\""
],
"answer_start": [
193
]
} |
gem-squad_v2-train-5702 | 5706afdf2eaba6190074ac29 | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | what was frequently an important element of UK house music? | what was frequently an important element of UK house music? | [
"what was frequently an important element of UK house music?"
] | {
"text": [
"humor"
],
"answer_start": [
662
]
} |
gem-squad_v2-train-5703 | 5706afdf2eaba6190074ac2a | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | Sample montages were a key difference between british house music and what? | Sample montages were a key difference between british house music and what? | [
"Sample montages were a key difference between british house music and what?"
] | {
"text": [
"the original Chicago house sound"
],
"answer_start": [
480
]
} |
gem-squad_v2-train-5704 | 5ad2878bd7d075001a42991a | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | What tour boosted house in the US in the late 80s? | What tour boosted house in the US in the late 80s? | [
"What tour boosted house in the US in the late 80s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5705 | 5ad2878bd7d075001a42991b | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | When did the Chicago Tour take place? | When did the Chicago Tour take place? | [
"When did the Chicago Tour take place?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5706 | 5ad2878bd7d075001a42991c | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | What was the name of MARRS's number-one single in October 1989? | What was the name of MARRS's number-one single in October 1989? | [
"What was the name of MARRS's number-one single in October 1989?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5707 | 5ad2878bd7d075001a42991d | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | What was frequently an important element of US house music? | What was frequently an important element of US house music? | [
"What was frequently an important element of US house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5708 | 5ad2878bd7d075001a42991e | House_music | The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element. | What was not used for vocals? | What was not used for vocals? | [
"What was not used for vocals?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5709 | 5706b03f0eeca41400aa0d23 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | who released the hit single "promised land"? | who released the hit single "promised land"? | [
"who released the hit single \"promised land\"?"
] | {
"text": [
"Joe Smooth"
],
"answer_start": [
52
]
} |
gem-squad_v2-train-5710 | 5706b03f0eeca41400aa0d24 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | who covered and charted the single "promised land"? | who covered and charted the single "promised land"? | [
"who covered and charted the single \"promised land\"?"
] | {
"text": [
"Style Council"
],
"answer_start": [
109
]
} |
gem-squad_v2-train-5711 | 5706b03f0eeca41400aa0d25 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | who was the resident of the Ministry of Sound? | who was the resident of the Ministry of Sound? | [
"who was the resident of the Ministry of Sound?"
] | {
"text": [
"Justin Berkmann"
],
"answer_start": [
266
]
} |
gem-squad_v2-train-5712 | 5706b03f0eeca41400aa0d26 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | who did Justin Berkmann bring into the club to play? | who did Justin Berkmann bring into the club to play? | [
"who did Justin Berkmann bring into the club to play?"
] | {
"text": [
"Larry Levan"
],
"answer_start": [
293
]
} |
gem-squad_v2-train-5713 | 5ad28874d7d075001a429952 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | Who released the hit single "American Land"? | Who released the hit single "American Land"? | [
"Who released the hit single \"American Land\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5714 | 5ad28874d7d075001a429953 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | Who covered and charted the single "American Land"? | Who covered and charted the single "American Land"? | [
"Who covered and charted the single \"American Land\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5715 | 5ad28874d7d075001a429954 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | Who was the resident of the Ministry of House? | Who was the resident of the Ministry of House? | [
"Who was the resident of the Ministry of House?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5716 | 5ad28874d7d075001a429955 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | Who did Joe Smooth bring into the club to play? | Who did Joe Smooth bring into the club to play? | [
"Who did Joe Smooth bring into the club to play?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5717 | 5ad28874d7d075001a429956 | House_music | One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan. | Who covered and chartered "Ministry of Sound"? | Who covered and chartered "Ministry of Sound"? | [
"Who covered and chartered \"Ministry of Sound\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5718 | 5706b0a62eaba6190074ac3a | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | what cities in the UK had major house scenes? | what cities in the UK had major house scenes? | [
"what cities in the UK had major house scenes?"
] | {
"text": [
"Birmingham, Leeds, Sheffield and London"
],
"answer_start": [
34
]
} |
gem-squad_v2-train-5719 | 5706b0a62eaba6190074ac3b | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | what helped to bolster house music in the uk? | what helped to bolster house music in the uk? | [
"what helped to bolster house music in the uk?"
] | {
"text": [
"underground Pirate Radio stations and DJs"
],
"answer_start": [
103
]
} |
gem-squad_v2-train-5720 | 5706b0a62eaba6190074ac3c | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | what were the earliest and most influential record labels in UK house music? | what were the earliest and most influential record labels in UK house music? | [
"what were the earliest and most influential record labels in UK house music?"
] | {
"text": [
"Warp Records and Network Records"
],
"answer_start": [
320
]
} |
gem-squad_v2-train-5721 | 5706b0a62eaba6190074ac3d | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | what was network records also known as? | what was network records also known as? | [
"what was network records also known as?"
] | {
"text": [
"Kool Kat records"
],
"answer_start": [
373
]
} |
gem-squad_v2-train-5722 | 5706b0a62eaba6190074ac3e | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | what type of dance music was later introduced alongside American house music? | what type of dance music was later introduced alongside American house music? | [
"what type of dance music was later introduced alongside American house music?"
] | {
"text": [
"Italian dance music"
],
"answer_start": [
427
]
} |
gem-squad_v2-train-5723 | 5ad289c1d7d075001a429994 | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | What cities in the UK had major Warp scenes? | What cities in the UK had major Warp scenes? | [
"What cities in the UK had major Warp scenes?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5724 | 5ad289c1d7d075001a429995 | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | What helped to bolster house music in Sheffield? | What helped to bolster house music in Sheffield? | [
"What helped to bolster house music in Sheffield?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5725 | 5ad289c1d7d075001a429996 | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | What were the earliest and most influential record labels in Sheffield house music? | What were the earliest and most influential record labels in Sheffield house music? | [
"What were the earliest and most influential record labels in Sheffield house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5726 | 5ad289c1d7d075001a429997 | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | What was Italian Records also known as? | What was Italian Records also known as? | [
"What was Italian Records also known as?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5727 | 5ad289c1d7d075001a429998 | House_music | The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts. | What type of dance music was later introduced alongside UK house music? | What type of dance music was later introduced alongside UK house music? | [
"What type of dance music was later introduced alongside UK house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5728 | 5706b11d0eeca41400aa0d35 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | what tiny island was house music also being devloped on? | what tiny island was house music also being devloped on? | [
"what tiny island was house music also being devloped on?"
] | {
"text": [
"Ibiza"
],
"answer_start": [
38
]
} |
gem-squad_v2-train-5729 | 5706b11d0eeca41400aa0d36 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | what was a popular club in ibiza that started playing dance and house music? | what was a popular club in ibiza that started playing dance and house music? | [
"what was a popular club in ibiza that started playing dance and house music?"
] | {
"text": [
"Amnesia"
],
"answer_start": [
251
]
} |
gem-squad_v2-train-5730 | 5706b11d0eeca41400aa0d37 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | who was the DJ at Amnesia in the mid 80s? | who was the DJ at Amnesia in the mid 80s? | [
"who was the DJ at Amnesia in the mid 80s?"
] | {
"text": [
"DJ Alfredo"
],
"answer_start": [
264
]
} |
gem-squad_v2-train-5731 | 5706b11d0eeca41400aa0d38 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | who were some of the DJs that brought the ibiza sound to uk clubs in late 1987? | who were some of the DJs that brought the ibiza sound to uk clubs in late 1987? | [
"who were some of the DJs that brought the ibiza sound to uk clubs in late 1987?"
] | {
"text": [
"Trevor Fung, Paul Oakenfold and Danny Rampling"
],
"answer_start": [
460
]
} |
gem-squad_v2-train-5732 | 5706b11d0eeca41400aa0d39 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | what was the name of the big dance club in Manchester UK in the late 80s? | what was the name of the big dance club in Manchester UK in the late 80s? | [
"what was the name of the big dance club in Manchester UK in the late 80s?"
] | {
"text": [
"Haçienda"
],
"answer_start": [
561
]
} |
gem-squad_v2-train-5733 | 5ad28af9d7d075001a4299d4 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | What tiny island was Rampling music also being developed on? | What tiny island was Rampling music also being developed on? | [
"What tiny island was Rampling music also being developed on?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5734 | 5ad28af9d7d075001a4299d5 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | What was a popular club in Southwark that started playing dance and house music? | What was a popular club in Southwark that started playing dance and house music? | [
"What was a popular club in Southwark that started playing dance and house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5735 | 5ad28af9d7d075001a4299d6 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | Who was the DJ at Southwark in the mid 80s? | Who was the DJ at Southwark in the mid 80s? | [
"Who was the DJ at Southwark in the mid 80s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5736 | 5ad28af9d7d075001a4299d7 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | Who were some of the DJs that brought the Southwark sound to UK clubs in late 1987? | Who were some of the DJs that brought the Southwark sound to UK clubs in late 1987? | [
"Who were some of the DJs that brought the Southwark sound to UK clubs in late 1987?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5737 | 5ad28af9d7d075001a4299d8 | House_music | But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. | What was the name of the big dance club in Southwark UK in the late 80s? | What was the name of the big dance club in Southwark UK in the late 80s? | [
"What was the name of the big dance club in Southwark UK in the late 80s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5738 | 5706b1910eeca41400aa0d3f | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | what group did Marshall Jefferson form? | what group did Marshall Jefferson form? | [
"what group did Marshall Jefferson form?"
] | {
"text": [
"Ten City Byron Burke, Byron Stingily & Herb Lawson(from \"intensity\")"
],
"answer_start": [
205
]
} |
gem-squad_v2-train-5739 | 5706b1910eeca41400aa0d40 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | what sound emerged in Detroit with the recordings of juan atkins and derrick may? | what sound emerged in Detroit with the recordings of juan atkins and derrick may? | [
"what sound emerged in Detroit with the recordings of juan atkins and derrick may?"
] | {
"text": [
"proto-techno music sound"
],
"answer_start": [
387
]
} |
gem-squad_v2-train-5740 | 5706b1910eeca41400aa0d41 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | where were mateo & matos based? | where were mateo & matos based? | [
"where were mateo & matos based?"
] | {
"text": [
"New York"
],
"answer_start": [
275
]
} |
gem-squad_v2-train-5741 | 5706b1910eeca41400aa0d42 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | where was marshall jefferson based? | where was marshall jefferson based? | [
"where was marshall jefferson based?"
] | {
"text": [
"Chicago"
],
"answer_start": [
150
]
} |
gem-squad_v2-train-5742 | 5706b1910eeca41400aa0d43 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | what sound did US house music move beyond in the late 80s? | what sound did US house music move beyond in the late 80s? | [
"what sound did US house music move beyond in the late 80s?"
] | {
"text": [
"drum loops and short samples"
],
"answer_start": [
117
]
} |
gem-squad_v2-train-5743 | 5ad28c61d7d075001a429a04 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | What group did Devin Saunderson form? | What group did Devin Saunderson form? | [
"What group did Devin Saunderson form?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5744 | 5ad28c61d7d075001a429a05 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | What sound emerged in Detroit with the recordings of Juan May and Derrick Atkins? | What sound emerged in Detroit with the recordings of Juan May and Derrick Atkins? | [
"What sound emerged in Detroit with the recordings of Juan May and Derrick Atkins?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5745 | 5ad28c61d7d075001a429a06 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | Where were Mateo & Saunderson based? | Where were Mateo & Saunderson based? | [
"Where were Mateo & Saunderson based?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5746 | 5ad28c61d7d075001a429a07 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | Where was Marshall Saunderson based? | Where was Marshall Saunderson based? | [
"Where was Marshall Saunderson based?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5747 | 5ad28c61d7d075001a429a08 | House_music | In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson. | What sound did US house music move beyond in the late 70s? | What sound did US house music move beyond in the late 70s? | [
"What sound did US house music move beyond in the late 70s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5748 | 5706b4af0eeca41400aa0d5b | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | atkins was a former member of what music group? | atkins was a former member of what music group? | [
"atkins was a former member of what music group?"
] | {
"text": [
"Cybotron"
],
"answer_start": [
27
]
} |
gem-squad_v2-train-5749 | 5706b4af0eeca41400aa0d5c | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | what hit single did atkins release in 1985? | what hit single did atkins release in 1985? | [
"what hit single did atkins release in 1985?"
] | {
"text": [
"\"No UFOs\""
],
"answer_start": [
56
]
} |
gem-squad_v2-train-5750 | 5706b4af0eeca41400aa0d5d | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | what unusual single did derrick may release, featuring a darker strain of house? | what unusual single did derrick may release, featuring a darker strain of house? | [
"what unusual single did derrick may release, featuring a darker strain of house?"
] | {
"text": [
"\"Strings of Life\""
],
"answer_start": [
197
]
} |
gem-squad_v2-train-5751 | 5706b4af0eeca41400aa0d5e | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | what did knights of the turntable release in 1984? | what did knights of the turntable release in 1984? | [
"what did knights of the turntable release in 1984?"
] | {
"text": [
"Techno-Scratch"
],
"answer_start": [
277
]
} |
gem-squad_v2-train-5752 | 5706b4af0eeca41400aa0d5f | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | who was the manager of the factory nightclub and co-owner of the hacienda? | who was the manager of the factory nightclub and co-owner of the hacienda? | [
"who was the manager of the factory nightclub and co-owner of the hacienda?"
] | {
"text": [
"Tony Wilson"
],
"answer_start": [
459
]
} |
gem-squad_v2-train-5753 | 5ad28d6fd7d075001a429a2a | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | May was a former member of what music group? | May was a former member of what music group? | [
"May was a former member of what music group?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5754 | 5ad28d6fd7d075001a429a2b | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | What hit single did May release in 1985? | What hit single did May release in 1985? | [
"What hit single did May release in 1985?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5755 | 5ad28d6fd7d075001a429a2c | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | What unusual single did Derrick Atkins release, featuring a darker strain of house? | What unusual single did Derrick Atkins release, featuring a darker strain of house? | [
"What unusual single did Derrick Atkins release, featuring a darker strain of house?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5756 | 5ad28d6fd7d075001a429a2d | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | What did Knights of the turntable release in 1980? | What did Knights of the turntable release in 1980? | [
"What did Knights of the turntable release in 1980?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5757 | 5ad28d6fd7d075001a429a2e | House_music | Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird. | Who was the manager of the factory nightclub and co-owner of The Hummingbird? | Who was the manager of the factory nightclub and co-owner of The Hummingbird? | [
"Who was the manager of the factory nightclub and co-owner of The Hummingbird?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5758 | 5706b5100eeca41400aa0d65 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | what was a top club for house music in new york city? | what was a top club for house music in new york city? | [
"what was a top club for house music in new york city?"
] | {
"text": [
"Paradise Garage"
],
"answer_start": [
379
]
} |
gem-squad_v2-train-5759 | 5706b5100eeca41400aa0d66 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | who was a pioneer of the genre in america? | who was a pioneer of the genre in america? | [
"who was a pioneer of the genre in america?"
] | {
"text": [
"Todd Terry"
],
"answer_start": [
451
]
} |
gem-squad_v2-train-5760 | 5706b5100eeca41400aa0d67 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | what hit house song did todd terry cover? | what hit house song did todd terry cover? | [
"what hit house song did todd terry cover? "
] | {
"text": [
"Weekend"
],
"answer_start": [
560
]
} |
gem-squad_v2-train-5761 | 5706b5100eeca41400aa0d68 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | what new influences led to a new house sound? | what new influences led to a new house sound? | [
"what new influences led to a new house sound?"
] | {
"text": [
"hip-hop influences"
],
"answer_start": [
649
]
} |
gem-squad_v2-train-5762 | 5706b5100eeca41400aa0d69 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | what was different about the bass-line in the hip-hop influenced house songs? | what was different about the bass-line in the hip-hop influenced house songs? | [
"what was different about the bass-line in the hip-hop influenced house songs?"
] | {
"text": [
"more rugged"
],
"answer_start": [
708
]
} |
gem-squad_v2-train-5763 | 5ad28fb0d7d075001a429a78 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | What was a top club for house music in Detroit? | What was a top club for house music in Detroit? | [
"What was a top club for house music in Detroit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5764 | 5ad28fb0d7d075001a429a79 | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | Who was a pioneer of the genre in the UK? | Who was a pioneer of the genre in the UK? | [
"Who was a pioneer of the genre in the UK?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5765 | 5ad28fb0d7d075001a429a7a | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | What hit house song did Larry Levan cover? | What hit house song did Larry Levan cover? | [
"What hit house song did Larry Levan cover?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5766 | 5ad28fb0d7d075001a429a7b | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | What new influences led to a new bass sound? | What new influences led to a new bass sound? | [
"What new influences led to a new bass sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5767 | 5ad28fb0d7d075001a429a7c | House_music | Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line. | What was different about the bass-line in the hip-hop influenced Chicago songs? | What was different about the bass-line in the hip-hop influenced Chicago songs? | [
"What was different about the bass-line in the hip-hop influenced Chicago songs?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5768 | 5706b5912eaba6190074ac58 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | what label launched the careers of burrell? | what label launched the careers of burrell? | [
"what label launched the careers of burrell?"
] | {
"text": [
"Nu Groove Records"
],
"answer_start": [
19
]
} |
gem-squad_v2-train-5769 | 5706b5912eaba6190074ac59 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | what sound are the burrell's responsible for? | what sound are the burrell's responsible for? | [
"what sound are the burrell's responsible for? "
] | {
"text": [
"\"New York Underground\""
],
"answer_start": [
336
]
} |
gem-squad_v2-train-5770 | 5706b5912eaba6190074ac5a | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | how much can old vinyl releases of the burrells sell for today? | how much can old vinyl releases of the burrells sell for today? | [
"how much can old vinyl releases of the burrells sell for today?"
] | {
"text": [
"$100"
],
"answer_start": [
605
]
} |
gem-squad_v2-train-5771 | 5706b5912eaba6190074ac5b | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | what label were the burrell's briefly with before their success? | what label were the burrell's briefly with before their success? | [
"what label were the burrell's briefly with before their success?"
] | {
"text": [
"Virgin America"
],
"answer_start": [
163
]
} |
gem-squad_v2-train-5772 | 5ad29173d7d075001a429aa6 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | What label launched the careers of DJ? | What label launched the careers of DJ? | [
"What label launched the careers of DJ?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5773 | 5ad29173d7d075001a429aa7 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | What sounds are the Mendezes responsible for? | What sounds are the Mendezes responsible for? | [
"What sounds are the Mendezes responsible for?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5774 | 5ad29173d7d075001a429aa8 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | How much can old vinyl releases of the Mendezes sell for today? | How much can old vinyl releases of the Mendezes sell for today? | [
"How much can old vinyl releases of the Mendezes sell for today?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5775 | 5ad29173d7d075001a429aa9 | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | What label were the Mendez's briefly with before their success? | What label were the Mendez's briefly with before their success? | [
"What label were the Mendez's briefly with before their success?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5776 | 5ad29173d7d075001a429aaa | House_music | In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market. | When did DJ Records prolong the Burells's careers? | When did DJ Records prolong the Burells's careers? | [
"When did DJ Records prolong the Burells's careers?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5777 | 5706b5fa0eeca41400aa0d6f | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | where did DJs marques wyatt and billy long become successful? | where did DJs marques wyatt and billy long become successful? | [
"where did DJs marques wyatt and billy long become successful?"
] | {
"text": [
"Los Angeles"
],
"answer_start": [
123
]
} |
gem-squad_v2-train-5778 | 5706b5fa0eeca41400aa0d70 | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | what is the oldest dance club in america? | what is the oldest dance club in america? | [
"what is the oldest dance club in america?"
] | {
"text": [
"Jewel's Catch One"
],
"answer_start": [
240
]
} |
gem-squad_v2-train-5779 | 5706b5fa0eeca41400aa0d71 | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | what label did robert ozn start in 1989? | what label did robert ozn start in 1989? | [
"what label did robert ozn start in 1989?"
] | {
"text": [
"One Voice Records"
],
"answer_start": [
384
]
} |
gem-squad_v2-train-5780 | 5706b5fa0eeca41400aa0d72 | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | one voice records released a remix of what dada nada song in 1989? | one voice records released a remix of what dada nada song in 1989? | [
"one voice records released a remix of what dada nada song in 1989?"
] | {
"text": [
"Haunted House"
],
"answer_start": [
460
]
} |
gem-squad_v2-train-5781 | 5706b5fa0eeca41400aa0d73 | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | dada nada was the moniker for what artist's solo act? | dada nada was the moniker for what artist's solo act? | [
"dada nada was the moniker for what artist's solo act?"
] | {
"text": [
"Ozn"
],
"answer_start": [
762
]
} |
gem-squad_v2-train-5782 | 5ad2932ad7d075001a429adc | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | Where did DJs Marques, Wyatt, and Mike Wilson become successful? | Where did DJs Marques, Wyatt, and Mike Wilson become successful? | [
"Where did DJs Marques, Wyatt, and Mike Wilson become successful?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5783 | 5ad2932ad7d075001a429add | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | What is the oldest dance club in San Deigo? | What is the oldest dance club in San Deigo? | [
"What is the oldest dance club in San Deigo?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5784 | 5ad2932ad7d075001a429ade | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | What label did Mike Wilson start in 1989? | What label did Mike Wilson start in 1989? | [
"What label did Mike Wilson start in 1989?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5785 | 5ad2932ad7d075001a429adf | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | One Voice Records released a remix of what dada nada song in 1988? | One Voice Records released a remix of what dada nada song in 1988? | [
"One Voice Records released a remix of what dada nada song in 1988?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5786 | 5ad2932ad7d075001a429ae0 | House_music | By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno. | David Morales was the moniker for what artist's solo act? | David Morales was the moniker for what artist's solo act? | [
"David Morales was the moniker for what artist's solo act?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5787 | 5706b68e0eeca41400aa0d79 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | what madonna single is credited as helping bring house music to the mainstream? | what madonna single is credited as helping bring house music to the mainstream? | [
"what madonna single is credited as helping bring house music to the mainstream?"
] | {
"text": [
"Vogue"
],
"answer_start": [
131
]
} |
gem-squad_v2-train-5788 | 5706b68e0eeca41400aa0d7a | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | when was madonna's hit single "vogue" released? | when was madonna's hit single "vogue" released? | [
"when was madonna's hit single \"vogue\" released?"
] | {
"text": [
"1990"
],
"answer_start": [
118
]
} |
gem-squad_v2-train-5789 | 5706b68e0eeca41400aa0d7b | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | what decade did house music hit the mainstream in the us? | what decade did house music hit the mainstream in the us? | [
"what decade did house music hit the mainstream in the us?"
] | {
"text": [
"1990s"
],
"answer_start": [
10
]
} |
gem-squad_v2-train-5790 | 5706b68e0eeca41400aa0d7c | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | who sang the hit single "vogue"? | who sang the hit single "vogue"? | [
"who sang the hit single \"vogue\"?"
] | {
"text": [
"Madonna"
],
"answer_start": [
108
]
} |
gem-squad_v2-train-5791 | 5706b68e0eeca41400aa0d7d | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | how well did madonna's single "vogue" do in the us? | how well did madonna's single "vogue" do in the us? | [
"how well did madonna's single \"vogue\" do in the us? "
] | {
"text": [
"topped the US charts"
],
"answer_start": [
177
]
} |
gem-squad_v2-train-5792 | 5ad29458d7d075001a429af0 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | What Madonna single is credited as helping bring US music to the mainstream? | What Madonna single is credited as helping bring US music to the mainstream? | [
"What Madonna single is credited as helping bring US music to the mainstream?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5793 | 5ad29458d7d075001a429af1 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | When was Madonna's hit single "House" released? | When was Madonna's hit single "House" released? | [
"When was Madonna's hit single \"House\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5794 | 5ad29458d7d075001a429af2 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | What decade did Madonna's music hit the mainstream in the US? | What decade did Madonna's music hit the mainstream in the US? | [
"What decade did Madonna's music hit the mainstream in the US?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5795 | 5ad29458d7d075001a429af3 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | Who sang the hit single "Pop"? | Who sang the hit single "Pop"? | [
"Who sang the hit single \"Pop\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5796 | 5ad29458d7d075001a429af4 | House_music | The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream. | How well did Madonna's single "Pop" do in the US? | How well did Madonna's single "Pop" do in the US? | [
"How well did Madonna's single \"Pop\" do in the US?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5797 | 5706b74a0eeca41400aa0d83 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | What gospel/R&B-influenced group released "Time Passes On" in 1993? | What gospel/R&B-influenced group released "Time Passes On" in 1993? | [
"What gospel/R&B-influenced group released \"Time Passes On\" in 1993?"
] | {
"text": [
"Aly-us"
],
"answer_start": [
34
]
} |
gem-squad_v2-train-5798 | 5706b74a0eeca41400aa0d84 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | who released the hit single "time for the perculator" in the us? | who released the hit single "time for the perculator" in the us? | [
"who released the hit single \"time for the perculator\" in the us?"
] | {
"text": [
"Cajmere"
],
"answer_start": [
268
]
} |
gem-squad_v2-train-5799 | 5706b74a0eeca41400aa0d85 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | what was cajmere's alternate name? | what was cajmere's alternate name? | [
"what was cajmere's alternate name?"
] | {
"text": [
"Green Velvet"
],
"answer_start": [
472
]
} |
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