gem_id stringlengths 20 25 | id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 270 | target stringlengths 1 270 | references list | answers dict |
|---|---|---|---|---|---|---|---|
gem-squad_v2-train-5800 | 5706b74a0eeca41400aa0d86 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | what was the name of the label operated by dj funk in chicago? | what was the name of the label operated by dj funk in chicago? | [
"what was the name of the label operated by dj funk in chicago?"
] | {
"text": [
"Dance Mania"
],
"answer_start": [
686
]
} |
gem-squad_v2-train-5801 | 5706b74a0eeca41400aa0d87 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | what was the prototype of ghetto house? | what was the prototype of ghetto house? | [
"what was the prototype of ghetto house?"
] | {
"text": [
"\"Time for the Perculator\" by Cajmere"
],
"answer_start": [
239
]
} |
gem-squad_v2-train-5802 | 5ad29865d7d075001a429b42 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | What gospel/R&B-influenced group released "DJ Sneak" in 1993? | What gospel/R&B-influenced group released "DJ Sneak" in 1993? | [
"What gospel/R&B-influenced group released \"DJ Sneak\" in 1993?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5803 | 5ad29865d7d075001a429b43 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | Who released the hit single "DJ Sneak" in the US? | Who released the hit single "DJ Sneak" in the US? | [
"Who released the hit single \"DJ Sneak\" in the US?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5804 | 5ad29865d7d075001a429b44 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | What was Cajual's alternative name? | What was Cajual's alternative name? | [
"What was Cajual's alternative name?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5805 | 5ad29865d7d075001a429b45 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | What was the name of the label operated by Cajmere in Chicago? | What was the name of the label operated by Cajmere in Chicago? | [
"What was the name of the label operated by Cajmere in Chicago?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5806 | 5ad29865d7d075001a429b46 | House_music | Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago. | What was the prototype of Chicago house? | What was the prototype of Chicago house? | [
"What was the prototype of Chicago house?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5807 | 5706b7a92eaba6190074ac6a | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | where did the "chilling out" concept develop? | where did the "chilling out" concept develop? | [
"where did the \"chilling out\" concept develop?"
] | {
"text": [
"Britain"
],
"answer_start": [
213
]
} |
gem-squad_v2-train-5808 | 5706b7a92eaba6190074ac6b | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | who released the album analogue bubblebath? | who released the album analogue bubblebath? | [
"who released the album analogue bubblebath?"
] | {
"text": [
"Aphex Twin"
],
"answer_start": [
302
]
} |
gem-squad_v2-train-5809 | 5706b7a92eaba6190074ac6c | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | where was the band deee-lite based? | where was the band deee-lite based? | [
"where was the band deee-lite based?"
] | {
"text": [
"New York"
],
"answer_start": [
592
]
} |
gem-squad_v2-train-5810 | 5706b7a92eaba6190074ac6d | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | who released the track "little fluffy clouds"? | who released the track "little fluffy clouds"? | [
"who released the track \"little fluffy clouds\"?"
] | {
"text": [
"Orb"
],
"answer_start": [
715
]
} |
gem-squad_v2-train-5811 | 5706b7a92eaba6190074ac6e | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | who transformed happy mondays' "wrote for luck" into a dance hit? | who transformed happy mondays' "wrote for luck" into a dance hit? | [
"who transformed happy mondays' \"wrote for luck\" into a dance hit?"
] | {
"text": [
"Vince Clarke"
],
"answer_start": [
890
]
} |
gem-squad_v2-train-5812 | 5ad29983d7d075001a429b70 | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | Where did the "indie dance" concept develop? | Where did the "indie dance" concept develop? | [
"Where did the \"indie dance\" concept develop?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5813 | 5ad29983d7d075001a429b71 | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | Who released the album "Fluffy Orb"? | Who released the album "Fluffy Orb"? | [
"Who released the album \"Fluffy Orb\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5814 | 5ad29983d7d075001a429b72 | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | Where was the band Fluffy Orb based? | Where was the band Fluffy Orb based? | [
"Where was the band Fluffy Orb based?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5815 | 5ad29983d7d075001a429b73 | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | Who released the track "Little Indie Dance"? | Who released the track "Little Indie Dance"? | [
"Who released the track \"Little Indie Dance\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5816 | 5ad29983d7d075001a429b74 | House_music | In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. | Who transformed happy mondays' "Little Fluffy Clouds" into a dance hit? | Who transformed happy mondays' "Little Fluffy Clouds" into a dance hit? | [
"Who transformed happy mondays' \"Little Fluffy Clouds\" into a dance hit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5817 | 5706b81c0eeca41400aa0d97 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | what act was passed in england in an attempt to ban large rave dance events? | what act was passed in england in an attempt to ban large rave dance events? | [
"what act was passed in england in an attempt to ban large rave dance events?"
] | {
"text": [
"Criminal Justice and Public Order Act 1994"
],
"answer_start": [
143
]
} |
gem-squad_v2-train-5818 | 5706b81c0eeca41400aa0d98 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | what was the nail in the coffin for illegal raves? | what was the nail in the coffin for illegal raves? | [
"what was the nail in the coffin for illegal raves?"
] | {
"text": [
"The Spiral Tribe at Castle Morten"
],
"answer_start": [
347
]
} |
gem-squad_v2-train-5819 | 5706b81c0eeca41400aa0d99 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | when did the bill become a law? | when did the bill become a law? | [
"when did the bill become a law? "
] | {
"text": [
"November 1994"
],
"answer_start": [
486
]
} |
gem-squad_v2-train-5820 | 5706b81c0eeca41400aa0d9a | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | what single introduced dub and reggae into the house sound? | what single introduced dub and reggae into the house sound? | [
"what single introduced dub and reggae into the house sound?"
] | {
"text": [
"\"Release the Pressure\""
],
"answer_start": [
571
]
} |
gem-squad_v2-train-5821 | 5706b81c0eeca41400aa0d9b | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | who recorded the hit single "release the pressure"? | who recorded the hit single "release the pressure"? | [
"who recorded the hit single \"release the pressure\"?"
] | {
"text": [
"Leftfield"
],
"answer_start": [
556
]
} |
gem-squad_v2-train-5822 | 5ad29c02d7d075001a429be2 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | What act was passed in England in attempt to ban large records? | What act was passed in England in attempt to ban large records? | [
"What act was passed in England in attempt to ban large records?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5823 | 5ad29c02d7d075001a429be3 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | What was the nail in the coffin for illegal records? | What was the nail in the coffin for illegal records? | [
"What was the nail in the coffin for illegal records?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5824 | 5ad29c02d7d075001a429be4 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | When did the bill get repealed? | When did the bill get repealed? | [
"When did the bill get repealed?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5825 | 5ad29c02d7d075001a429be5 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | What single introduced dub and reggae into the Castle sound? | What single introduced dub and reggae into the Castle sound? | [
"What single introduced dub and reggae into the Castle sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5826 | 5ad29c02d7d075001a429be6 | House_music | In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. | Who recorded the hit single "Not Released"? | Who recorded the hit single "Not Released"? | [
"Who recorded the hit single \"Not Released\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5827 | 5706b8b42eaba6190074ac74 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | where was a new type of club called Cream located? | where was a new type of club called Cream located? | [
"where was a new type of club called Cream located?"
] | {
"text": [
"Liverpool"
],
"answer_start": [
34
]
} |
gem-squad_v2-train-5828 | 5706b8b42eaba6190074ac75 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | what was a new subgenre of house in chicago, developed by bad boy bill and others, called? | what was a new subgenre of house in chicago, developed by bad boy bill and others, called? | [
"what was a new subgenre of house in chicago, developed by bad boy bill and others, called?"
] | {
"text": [
"Chicago hard house"
],
"answer_start": [
401
]
} |
gem-squad_v2-train-5829 | 5706b8b42eaba6190074ac76 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city? | george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city? | [
"george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?"
] | {
"text": [
"Los Angeles"
],
"answer_start": [
699
]
} |
gem-squad_v2-train-5830 | 5706b8b42eaba6190074ac77 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | what was another name for hardcore techno from the netherlands? | what was another name for hardcore techno from the netherlands? | [
"what was another name for hardcore techno from the netherlands?"
] | {
"text": [
"gabber"
],
"answer_start": [
740
]
} |
gem-squad_v2-train-5831 | 5706b8b42eaba6190074ac78 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | who began opening "superclubs"? | who began opening "superclubs"? | [
"who began opening \"superclubs\"?"
] | {
"text": [
"Major record companies"
],
"answer_start": [
137
]
} |
gem-squad_v2-train-5832 | 5ad29df8d7d075001a429c38 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | Where was a new type of club called Darren Located? | Where was a new type of club called Darren Located? | [
"Where was a new type of club called Darren Located?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5833 | 5ad29df8d7d075001a429c39 | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | What was a new subgenre of house in Los Angeles, developed by bad boy bill and others, called? | What was a new subgenre of house in Los Angeles, developed by bad boy bill and others, called? | [
"What was a new subgenre of house in Los Angeles, developed by bad boy bill and others, called?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5834 | 5ad29df8d7d075001a429c3a | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | George Centeno, Darren Ramirez, and Martin O. Cairo developed a superclub sound in what city? | George Centeno, Darren Ramirez, and Martin O. Cairo developed a superclub sound in what city? | [
"George Centeno, Darren Ramirez, and Martin O. Cairo developed a superclub sound in what city?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5835 | 5ad29df8d7d075001a429c3b | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | What was another name for hardcore techno from Chicago? | What was another name for hardcore techno from Chicago? | [
"What was another name for hardcore techno from Chicago?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5836 | 5ad29df8d7d075001a429c3c | House_music | A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century. | Who began opening gabbers? | Who began opening gabbers? | [
"Who began opening gabbers?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5837 | 5706b9072eaba6190074ac7e | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | Daft Punk began producing a new sound out of what european city? | Daft Punk began producing a new sound out of what european city? | [
"Daft Punk began producing a new sound out of what european city?"
] | {
"text": [
"Paris"
],
"answer_start": [
158
]
} |
gem-squad_v2-train-5838 | 5706b9072eaba6190074ac7f | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene? | Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene? | [
"Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene?"
] | {
"text": [
"Paris's house scene"
],
"answer_start": [
158
]
} |
gem-squad_v2-train-5839 | 5706b9072eaba6190074ac80 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | When did Daft Punk begin producing a new sound? | When did Daft Punk begin producing a new sound? | [
"When did Daft Punk begin producing a new sound?"
] | {
"text": [
"end of the 1990s and into the 2000s"
],
"answer_start": [
12
]
} |
gem-squad_v2-train-5840 | 5ad2a0efd7d075001a429cb4 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | Daft Chicago began producing a new sound out of what European city? | Daft Chicago began producing a new sound out of what European city? | [
"Daft Chicago began producing a new sound out of what European city?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5841 | 5ad2a0efd7d075001a429cb5 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | Daft Stardust and Germain Chicago came from what scene? | Daft Stardust and Germain Chicago came from what scene? | [
"Daft Stardust and Germain Chicago came from what scene?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5842 | 5ad2a0efd7d075001a429cb6 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | When did Germain Chicago begin producing a new sound? | When did Germain Chicago begin producing a new sound? | [
"When did Germain Chicago begin producing a new sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5843 | 5ad2a0efd7d075001a429cb7 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | When did Daft Punk begin producing the a new sound out of Chicago's house scene? | When did Daft Punk begin producing the a new sound out of Chicago's house scene? | [
"When did Daft Punk begin producing the a new sound out of Chicago's house scene?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5844 | 5ad2a0efd7d075001a429cb8 | House_music | Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music. | What did Chicago's house scene lead to? | What did Chicago's house scene lead to? | [
"What did Chicago's house scene lead to?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5845 | 5706b9942eaba6190074ac84 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | When was House Unity Day in Chicago? | When was House Unity Day in Chicago? | [
"When was House Unity Day in Chicago?"
] | {
"text": [
"August 10, 2005"
],
"answer_start": [
42
]
} |
gem-squad_v2-train-5846 | 5706b9942eaba6190074ac85 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | Who proclaimed House Unity Day in Chicago? | Who proclaimed House Unity Day in Chicago? | [
"Who proclaimed House Unity Day in Chicago?"
] | {
"text": [
"Chicago Mayor Richard M. Daley"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-5847 | 5706b9942eaba6190074ac86 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | In 2005, what anniversary was house music celebrating? | In 2005, what anniversary was house music celebrating? | [
"In 2005, what anniversary was house music celebrating?"
] | {
"text": [
"\"21st anniversary of house music\""
],
"answer_start": [
116
]
} |
gem-squad_v2-train-5848 | 5706b9942eaba6190074ac87 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | what was recognized as the original home of house music in 2005? | what was recognized as the original home of house music in 2005? | [
"what was recognized as the original home of house music in 2005?"
] | {
"text": [
"Chicago"
],
"answer_start": [
285
]
} |
gem-squad_v2-train-5849 | 5706b9942eaba6190074ac88 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | What event was organized by Chicago's Department of Cultural Affairs to celebrate house music? | What event was organized by Chicago's Department of Cultural Affairs to celebrate house music? | [
"What event was organized by Chicago's Department of Cultural Affairs to celebrate house music?"
] | {
"text": [
"Summer Dance Series"
],
"answer_start": [
631
]
} |
gem-squad_v2-train-5850 | 5ad2a0e8d7d075001a429ca4 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | When was House Unity Day in Jefferson? | When was House Unity Day in Jefferson? | [
"When was House Unity Day in Jefferson?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5851 | 5ad2a0e8d7d075001a429ca5 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | Who proclaimed House Unity Day in Jefferson? | Who proclaimed House Unity Day in Jefferson? | [
"Who proclaimed House Unity Day in Jefferson?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5852 | 5ad2a0e8d7d075001a429ca6 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | In 2005, what anniversary was Oliver music celebrating? | In 2005, what anniversary was Oliver music celebrating? | [
"In 2005, what anniversary was Oliver music celebrating?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5853 | 5ad2a0e8d7d075001a429ca7 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | What was recognized as the original home of Oliver music in 2005? | What was recognized as the original home of Oliver music in 2005? | [
"What was recognized as the original home of Oliver music in 2005?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5854 | 5ad2a0e8d7d075001a429ca8 | House_music | Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs. | What event was organized by Chicago's Department of Cultural Affairs to celebrate Oliver music? | What event was organized by Chicago's Department of Cultural Affairs to celebrate Oliver music? | [
"What event was organized by Chicago's Department of Cultural Affairs to celebrate Oliver music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5855 | 5706bad60eeca41400aa0db3 | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | Defected Records was at the forefront of what type of house music? | Defected Records was at the forefront of what type of house music? | [
"Defected Records was at the forefront of what type of house music?"
] | {
"text": [
"vocal house"
],
"answer_start": [
31
]
} |
gem-squad_v2-train-5856 | 5706bad60eeca41400aa0db4 | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | Roule and Om was at the forefront of what type of house music? | Roule and Om was at the forefront of what type of house music? | [
"Roule and Om was at the forefront of what type of house music?"
] | {
"text": [
"vocal house"
],
"answer_start": [
31
]
} |
gem-squad_v2-train-5857 | 5706bad60eeca41400aa0db5 | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | Dennis Ferrer produced what type of house fusion? | Dennis Ferrer produced what type of house fusion? | [
"Dennis Ferrer produced what type of house fusion?"
] | {
"text": [
"electro house and fidget house"
],
"answer_start": [
272
]
} |
gem-squad_v2-train-5858 | 5706bad60eeca41400aa0db6 | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | in what time period did fusion genres of house emerge? | in what time period did fusion genres of house emerge? | [
"in what time period did fusion genres of house emerge?"
] | {
"text": [
"mid-2000s"
],
"answer_start": [
239
]
} |
gem-squad_v2-train-5859 | 5ad2a231d7d075001a429cec | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | Defected Records was at the forefront of what type of Roule music? | Defected Records was at the forefront of what type of Roule music? | [
"Defected Records was at the forefront of what type of Roule music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5860 | 5ad2a231d7d075001a429ced | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | Roule and Om was at the forefront of what type of Shade music? | Roule and Om was at the forefront of what type of Shade music? | [
"Roule and Om was at the forefront of what type of Shade music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5861 | 5ad2a231d7d075001a429cee | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | What type of Shade fusion did Dennis Ferrer produce? | What type of Shade fusion did Dennis Ferrer produce? | [
"What type of Shade fusion did Dennis Ferrer produce?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5862 | 5ad2a231d7d075001a429cef | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | In what time period did Shade genres of house emerge? | In what time period did Shade genres of house emerge? | [
"In what time period did Shade genres of house emerge?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5863 | 5ad2a231d7d075001a429cf0 | House_music | It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. | What is apparent in the crossover of market styles? | What is apparent in the crossover of market styles? | [
"What is apparent in the crossover of market styles?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5864 | 5706bb610eeca41400aa0dbb | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | Where did the Winter Music Conference take place? | Where did the Winter Music Conference take place? | [
"Where did the Winter Music Conference take place? "
] | {
"text": [
"Miami"
],
"answer_start": [
180
]
} |
gem-squad_v2-train-5865 | 5706bb610eeca41400aa0dbc | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | The Shambhala Music Festival was dedicated to what? | The Shambhala Music Festival was dedicated to what? | [
"The Shambhala Music Festival was dedicated to what? "
] | {
"text": [
"house music"
],
"answer_start": [
46
]
} |
gem-squad_v2-train-5866 | 5706bb610eeca41400aa0dbd | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | where did house music gain popularity in the middle east? | where did house music gain popularity in the middle east? | [
"where did house music gain popularity in the middle east?"
] | {
"text": [
"Dubai & Abu Dhabi"
],
"answer_start": [
283
]
} |
gem-squad_v2-train-5867 | 5706bb610eeca41400aa0dbe | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | what event led to an increase in popularity for house music in the middle east? | what event led to an increase in popularity for house music in the middle east? | [
"what event led to an increase in popularity for house music in the middle east?"
] | {
"text": [
"Creamfields"
],
"answer_start": [
337
]
} |
gem-squad_v2-train-5868 | 5706bb610eeca41400aa0dbf | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | what large event in Miami was industry sponsored? | what large event in Miami was industry sponsored? | [
"what large event in Miami was industry sponsored?"
] | {
"text": [
"Shambhala Music Festival"
],
"answer_start": [
114
]
} |
gem-squad_v2-train-5869 | 5ad2a391d7d075001a429d50 | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | Where did the Middle East Conference take place? | Where did the Middle East Conference take place? | [
"Where did the Middle East Conference take place?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5870 | 5ad2a391d7d075001a429d51 | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | What was the Numerous Conference dedicated to? | What was the Numerous Conference dedicated to? | [
"What was the Numerous Conference dedicated to?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5871 | 5ad2a391d7d075001a429d52 | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | Where did Miami music gain popularity in the Middle East? | Where did Miami music gain popularity in the Middle East? | [
"Where did Miami music gain popularity in the Middle East?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5872 | 5ad2a391d7d075001a429d53 | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | What event led to an increase in popularity for Shambhala in the Middle East? | What event led to an increase in popularity for Shambhala in the Middle East? | [
"What event led to an increase in popularity for Shambhala in the Middle East?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5873 | 5ad2a391d7d075001a429d54 | House_music | Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields. | What large event in the Middle East was industry sponsored? | What large event in the Middle East was industry sponsored? | [
"What large event in the Middle East was industry sponsored?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5874 | 5706bbe32eaba6190074acc8 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | What was different about swedish progressive house music? | What was different about swedish progressive house music? | [
"What was different about swedish progressive house music?"
] | {
"text": [
"snare-less"
],
"answer_start": [
100
]
} |
gem-squad_v2-train-5875 | 5706bbe32eaba6190074acc9 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Sebastian Ingrosso, Axwell, and Steve Angello formed what successful trio? | Sebastian Ingrosso, Axwell, and Steve Angello formed what successful trio? | [
"Sebastian Ingrosso, Axwell, and Steve Angello formed what successful trio?"
] | {
"text": [
"Swedish House Mafia"
],
"answer_start": [
237
]
} |
gem-squad_v2-train-5876 | 5706bbe32eaba6190074acca | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | What concept is characterized by abrasive leads and darker arpeggios? | What concept is characterized by abrasive leads and darker arpeggios? | [
"What concept is characterized by abrasive leads and darker arpeggios?"
] | {
"text": [
"Dirty Dutch"
],
"answer_start": [
323
]
} |
gem-squad_v2-train-5877 | 5706bbe32eaba6190074accb | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Progressive house blended sounds were prominent in the song "Marry the Night" by what popular artist? | Progressive house blended sounds were prominent in the song "Marry the Night" by what popular artist? | [
"Progressive house blended sounds were prominent in the song \"Marry the Night\" by what popular artist?"
] | {
"text": [
"Lady Gaga"
],
"answer_start": [
980
]
} |
gem-squad_v2-train-5878 | 5706bbe32eaba6190074accc | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Big room house has found increasing popularity since what year? | Big room house has found increasing popularity since what year? | [
"Big room house has found increasing popularity since what year?"
] | {
"text": [
"2010"
],
"answer_start": [
1165
]
} |
gem-squad_v2-train-5879 | 5ad2a48ad7d075001a429d82 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | What was different about US progressive house music? | What was different about US progressive house music? | [
"What was different about US progressive house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5880 | 5ad2a48ad7d075001a429d83 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Sebastian Ingrosso, Aswell, and Steve Spears formed what successful trio? | Sebastian Ingrosso, Aswell, and Steve Spears formed what successful trio? | [
"Sebastian Ingrosso, Aswell, and Steve Spears formed what successful trio?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5881 | 5ad2a48ad7d075001a429d84 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | What concept is characterized by abrasive leads and darker houses? | What concept is characterized by abrasive leads and darker houses? | [
"What concept is characterized by abrasive leads and darker houses?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5882 | 5ad2a48ad7d075001a429d85 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Progressive house blended sounds were prominent in the song "Swedish House" by what popular artist? | Progressive house blended sounds were prominent in the song "Swedish House" by what popular artist? | [
"Progressive house blended sounds were prominent in the song \"Swedish House\" by what popular artist?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5883 | 5ad2a48ad7d075001a429d86 | House_music | 2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival. | Big room house has found increasing arpeggios since what year? | Big room house has found increasing arpeggios since what year? | [
"Big room house has found increasing arpeggios since what year?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5884 | 5706bc630eeca41400aa0dc5 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | There has been a reunification of contemporary house with what? | There has been a reunification of contemporary house with what? | [
"There has been a reunification of contemporary house with what?"
] | {
"text": [
"its roots"
],
"answer_start": [
110
]
} |
gem-squad_v2-train-5885 | 5706bc630eeca41400aa0dc6 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | What genre of artists has recently turned to house music to add mass appeal? | What genre of artists has recently turned to house music to add mass appeal? | [
"What genre of artists has recently turned to house music to add mass appeal?"
] | {
"text": [
"hip hop and R&B"
],
"answer_start": [
126
]
} |
gem-squad_v2-train-5886 | 5706bc630eeca41400aa0dc7 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | Why do many hip hop and R&B artists turn to house music? | Why do many hip hop and R&B artists turn to house music? | [
"Why do many hip hop and R&B artists turn to house music?"
] | {
"text": [
"to add a mass appeal to the music they produce"
],
"answer_start": [
175
]
} |
gem-squad_v2-train-5887 | 5ad2a599d7d075001a429dd4 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | What has there been a reunification of contemporary mass with? | What has there been a reunification of contemporary mass with? | [
"What has there been a reunification of contemporary mass with?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5888 | 5ad2a599d7d075001a429dd5 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | What genre of artists has recently turned to house music to add music roots? | What genre of artists has recently turned to house music to add music roots? | [
"What genre of artists has recently turned to house music to add music roots?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5889 | 5ad2a599d7d075001a429dd6 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | Why do many hip hop and R&B artists turn to roots? | Why do many hip hop and R&B artists turn to roots? | [
"Why do many hip hop and R&B artists turn to roots?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5890 | 5ad2a599d7d075001a429dd7 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | What has there been a separation of? | What has there been a separation of? | [
"What has there been a separation of?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5891 | 5ad2a599d7d075001a429dd8 | House_music | In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. | Who turns to country music? | Who turns to country music? | [
"Who turns to country music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5892 | 57268c14dd62a815002e891c | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | What shattered the unity of the Catholic Church? | What shattered the unity of the Catholic Church? | [
"What shattered the unity of the Catholic Church?"
] | {
"text": [
"the Western Schism"
],
"answer_start": [
585
]
} |
gem-squad_v2-train-5893 | 57268c14dd62a815002e891d | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | What are the series of events that ended centuries of prosperity in Europe, starting around 1300, known as? | What are the series of events that ended centuries of prosperity in Europe, starting around 1300, known as? | [
"What are the series of events that ended centuries of prosperity in Europe, starting around 1300, known as?"
] | {
"text": [
"the Crisis of the Late Middle Ages"
],
"answer_start": [
652
]
} |
gem-squad_v2-train-5894 | 57268c14dd62a815002e891e | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | In what years was the Great Famine? | In what years was the Great Famine? | [
"In what years was the Great Famine?"
] | {
"text": [
"1315–1317"
],
"answer_start": [
137
]
} |
gem-squad_v2-train-5895 | 57268c14dd62a815002e891f | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | Which two countries experienced peasant uprisings? | Which two countries experienced peasant uprisings? | [
"Which two countries experienced peasant uprisings?"
] | {
"text": [
"France and England"
],
"answer_start": [
308
]
} |
gem-squad_v2-train-5896 | 57268c14dd62a815002e8920 | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | What major conflict occurred in Europe during the Crisis of the Late Middle Ages? | What major conflict occurred in Europe during the Crisis of the Late Middle Ages? | [
"What major conflict occurred in Europe during the Crisis of the Late Middle Ages?"
] | {
"text": [
"Hundred Years' War"
],
"answer_start": [
472
]
} |
gem-squad_v2-train-5897 | 5ad01b7a77cf76001a686a1e | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | What saved the unity of the Catholic Church? | What saved the unity of the Catholic Church? | [
"What saved the unity of the Catholic Church?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5898 | 5ad01b7a77cf76001a686a1f | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | What are the series of events that ended centuries of prosperity in Europe, starting around 1400, known as? | What are the series of events that ended centuries of prosperity in Europe, starting around 1400, known as? | [
"What are the series of events that ended centuries of prosperity in Europe, starting around 1400, known as?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5899 | 5ad01b7a77cf76001a686a20 | Late_Middle_Ages | Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict in the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are sometimes called the Crisis of the Late Middle Ages. | In what years wasn't the Great Famine? | In what years wasn't the Great Famine? | [
"In what years wasn't the Great Famine?"
] | {
"text": [],
"answer_start": []
} |
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