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Will you get Gloria? I'm dying. You're not dying. Here. Serves you right for drinking some stupid potion from some half-assed santera. Who told you? She told me. So I told her to give you some roots and berries. Make you shit your brains out and learn your lesson. So the tea was bullshit? It's not gonna work? You think I'm gonna let you ice my grandbaby? You want me to end up like you? I'm already in prison. All I need is five different baby daddies and an ass tattoo of a dog. It's a wolf. Daya, I made mistakes, okay? I didn't have nobody teaching me what to do. Oh, get away from me. Maybe I'm not the mother of the year... Oh, you think? But at least I put something into this world that could still be good. I made something. I fucked up my own life, but Eva, Lucy and Christina, Emiliano, even you could still be something. Babies give you hope. Fuck. (BOTH CHUCKLING) Oh, my God. There's mold.
There's mold on the bologna. Oh, my God. VOICE: I found a maggot. Hello? Is someone there? VOICE: Are you real? Yes. Yes, I'm real. Are you real? VOICE: I don't know. I'm gonna take a bus all the way to the Bronx. Right to Angelo's Pizza and I'm gonna get a giant slice with the works. But just one, because after, we're gonna have a big old Thanksgiving at my cousin, Neicey, house, and we probably gonna go out dancing at the Monte Carlo Room, and I'ma order a Sex on the Beach with 10 maraschino cherries in it. And some man gonna buy it for me. (BOTH LAUGH) Well, that sounds like a plan. You know, ain't no one on the outside gonna do my 'do for a can of Pepsi. Which you still owe me, by the way. (CHUCKLES) Jefferson, they're releasing you now. Van's leaving. Right now? I gotta say my goodbyes. It's a holiday. cos wanna go home and see their families. If you don't go now, you're not getting out till Monday.
Let's go. Yo! Where's Poussey at? Jefferson! Now. What the fuck? What the fuck? They already took her? I didn't even say goodbye. Taystee! Yo! (BANGING) Tays! She can't hear you. (BANGING) (CHUCKLES) (INMATES CHUCKLING) - POLLY: Hello? - Hello! - PETE: Hello! Whoo-hoo! - Hi! Come in, new family. (KISSES) Hello, happy Thanksgiving. - Ooh, your parents have a nice place. - Yeah. - Cal! - Hi. - Hi. Do you know Pete?
- Mmm-mmm. No. And this is Finn. Wow. He looks like Steve Buscemi. Congratulations, man. PETE: Gotta wash your hands first. LARRY: Isn't that just to touch the baby? And to touch me, too. Polly's being a total nutter. If it were up to Pete, he'd let him suck on the bottom of his shoe. I hope you guys don't mind, but we brought a stray. - Larry, this is our friend, Maury. - Hi. Yeah, Maury Kind. I'm sorry, you're not a stray. You're Maury Kind from NPR! - Guilty. - Oh, my God, I love you. I love your show. I mean, I love... (STUTTERS) I love you. - (CHUCKLES) Thank you. - POLLY: Wow. - Back off, Larry. - LARRY: Sorry, sorry. Where should we put our stuff?
Put it in the kitchen, follow me. You come meet my girlfriend! Don't get in her way, Cal! She's got an angry, red vagina and she's been drinking rum punch since 10:00 a.m. Thank God we pumped. I cannot believe you brought Maury Kind. Yeah, I'm mixing sound on Urban Tales. He's going through a divorce, so I invited him. I didn't know you'd geek out so hard. You know, I'd love to talk to him. Well, it'd be weird if you didn't. Besides, he read your "Modern Love" column and loved it. - Stop it. Seriously? - Uh-huh. Holy shit. PETE: Hey! Your language. Huh? Sorry. Shh. PIPER: What an asshole. I cannot believe people like him are even allowed to work here. They take these insecure, and frustrated men and they put them in charge of a bunch of powerless women and they become these predatory creeps. I mean, all of that condescending "I know what's best for you" bullshit. VOICE: You can rage, but they always win. They're the ones with the keys.
How long have you been down here? I've lost track. I don't know. Nine months? A year? A year? That's insane. VOICE: They keep the lights on, so you lose all sense of time. It's not living. I mean, yeah, you're breathing, but you ain't a person no more. It's bad. You start to see shit that ain't there. You start to hear voices. Oh, my God. They keep you here till they break you. (GULPS) I feel like I'm gonna throw up. Why did I do that? Why did I say those things? He's never going to let me out of here. I am so fucking stupid. I am so fucking stupid! What's wrong with me? (SOBBING) VOICE: You still there? I swear to God that if they let me out of here... I will shut up. I will shut up and I will put my head down and I will do my time and I'll smile at Healy and I (CRYING) won't go near her.
I won't even look at her. I can do that. I can do that. I can. Please. Please don't leave me here. Please. Hey, Vause, I know you're not working, but can I get my bag? Yeah, just give me a sec. What happened to your glasses? (MIMICKING PENNSATUCKY) Smashed in the name of Jesus. Oh, shit. Pennsatucky? Wow, you guys have released the kraken. She's decided it's her Christian duty to annihilate me. Because I'm a "privileged rich girl." (SCOFFS) Which is hilarious, because those types of girls tortured me my whole fucking life. If you and I had met in fifth grade, you'd have made fun of my clothes. - (LAUGHS) - Who, me? No, no, no, no. I would never. You look terrific. (SIGHS) Fuck! (NICKY CHUCKLES) I know what you were like. Upper West Side, doorman building, skiing in Jackson Hole. Am I wrong? - Who told you that shit? - No one.
My business was built on sniffing out girls like you and turning 'em into drug mules. I knew it. You're a pimp. Man, you would've been perfect. Little Nicky at 19? Mmm! I would've turned you out in two seconds. I'd make a terrible mule. I would've done all your drugs. (ALEX CHUCKLES) Besides, okay, what makes you think I would've fallen for your shit? Well, you grew up rich, so you're used to easy money. You have enough stamps in your passport to avoid suspicion. - You hate your parents. - Yeah, totally. You're in your experimental phase. All you wanna do is fuck a woman or black guy, - have some adventure... - Hmm. (CHUCKLES) ...and still be able to afford a Birkin bag. - Shit, I'm in! - (CHUCKLES) Fuck it. You know me. Sign me up. Oh, was that who Piper was? No, no, Piper was different. Why? 'Cause you loved her? Because she was different. Get some glue, pimp.
(SIGHS) Fuck. Crystal is in love with her pastor. Ah. (CLICKS TONGUE) I'm not surprised. A lot of women lust after their pastors, it's very common. And pastors can do that. Priests have to learn to bounce their eyes. Um, what's that? You never stay focused on a member of the opposite sex for too long. That's how I watch every Russell Crowe movie. (CHUCKLES) She wants my blessing. Then you should give it to her. Why? I don't understand why she needs to have sex. I mean, (CHUCKLES) look at you. I'm a nun, I took a vow. She married a man with a penis, I assume because she wanted to use it occasionally. (SIGHS) How much time do you have left? (SIGHS) Three years, eight months. You got what you needed at a pretty big cost to your family. This is what she needs. Doesn't Crystal deserve some happiness? Let her go. I can't. It's the right thing to do. (GUESTS LAUGHING AND CHATTERING) POLLY: Did you want some more sweet potatoes? So, Neri, what do you do?
I'm a hyperbaric welder. Yeah, I used to work on the pipelines, but now I just normal weld. - Isn't she a badass? - (CHUCKLES) We met when I was fabricating some sculptures. Hmm, I have so many burn scars, Cal and I are naming them. Oh, oh! Speaking of scars, how was it? The whole birth thing? Did you eat your placenta? No. We passed on that. CAL: Oh, it's really good for you. Crazy nutrients. People dehydrate it and make it into pills, but that's the expensive way. I always just thought you could, like, scramble it up. (CHUCKLES) Just, like, put it in a pan with some salt and pepper. (POPS) Bam! It sounds gross, but possibly delicious. Throw some sage in there, too. - Do you still have it? - I don't. Pete, you're dropping food on his head. So, yeah, you know, we both decided to stick it out, you know. I mean, it hasn't been easy, but, you know, relationships are not easy. - Right? - Right. Yeah. Well, I thought your column was an interesting perspective.
You know, the long-suffering husband. Fiance. I mean, I didn't really mean for it to come off that way. No. No, no, no, it was very entertaining. - Thank you... Yeah. - Yeah. - Well, I'm a big fan of yours. I mean... - Oh, well. Yeah, I love your show and... I was just listening to the one on road trips. Cal, the turkey is amazing. - It's perfectly cooked. - Thanks, man. It's a heritage bird. Actually, Maury, um... (STUTTERS) I was thinking that my story would work really well aloud. - Right. - You know, 'cause I consider myself a much better verbal storyteller. - Right. - You know, I don't know if you ever... Cal, what is a heritage... I'm sorry, what was that? Sorry. No, I didn't know if you ever were open to maybe doing a prison episode. You know, if you ever had guests like me on. Yeah. The thing is, if we wanted to document prison, we'd probably talk to actual inmates.
And if we were gonna do a story about someone whose loved one was in prison, we'd find a more representative example. Cycle of poverty, that sort of thing. Right. Yeah, no, that... (STUTTERS) I get... That makes sense. I get it. But we are working on a show about unique long-distance relationships. You know, a guy who works down on the ice every year, a pair of married missionaries. Your story could be good on that. - Really? - Yeah. Wow. Yeah. I mean... Wow, I would love that. I mean, I would love to do that. CAL: Hey, toast! NERI: Yes! CAL: Toast. PETE: Cheers. - Happy Thanksgiving. - Happy Thanksgiving. Eye contact. (RB MUSIC PLAYING) (INMATES CHATTERING) BIG BOO:
No gravy? Why is there no gravy? You complaining? Uh... No, ma'am. No, no, no. Come on, Little Boo. Let's not complain. I don't know why you threw it out. I tried it. It tasted great to me. I'm thankful for my health, for my strong body and mind. And for you girls, who remind me every day that self-forgiveness is possible. Hmm. I'm thankful that Taystee got the fuck out of this dump. Yeah, I'll second that. I'm thankful for my new bitch, Little Boo. Sit, hooker. Ah! Good girl. (CHUCKLES) There you go. (INMATES CHUCKLE) Oh, and, of course, I'm thankful for all y'all other bitches. (INMATES CHUCKLE) Do you wanna say grace, Sister? I trust in the Lord with all my heart and lean not on my own understanding. Amen. Amen. POUSSEY:
Amen. Man, it sucks to get glasses replaced, you have to get someone on the outside to fill your prescription. (SCOFFS) How blind are you? Blindish. Bright side, you can't see the color of these potatoes. (CHUCKLES) It doesn't feel right to be eating while she's in there. Straight girls. (SCOFFS) They'll fuck you up every time. (INMATE SCREAMS) (SPITS) Hey! Hey. (KNOCKS) Did you get this loaf thing? (KNOCKS) Looks like three different dinners mushed together into a mound. Are you looking at it? Hello? Can you hear me? Please tell me that you're still there. CAPUTO: You can't leave her in there. I don't know what the hell she's doing in Seg in the first place. Christ, even Mendez said it was uncalled for and that guy lives to throw people in the box. - You're not my boss. - Today I am. Fig is on vacation. And I am telling you I don't have the write-ups or the paperwork to support it. She got under your skin, Sam. This is personal. She thinks she's running the place.
You don't have to tell me that. Her fiance is raising a stink bigger than the shit I took this morning. Christ, he's probably got the Obamas on the phone by now. These liberal, wealthy offenders, they're connected. And if they review this, the paper trail is going to be sweaty. So do us all a favor and get her out of there. It's not even 48 hours. Get her out of there. (INMATES PRAYING IN SPANISH) GLORIA: Mmm-hmm. ALEIDA: Mmm-hmm. GLORIA: Mmm. ALEIDA: Mmm-hmm. I'm sorry you feeling like shit, chica, but I had to do it. It's okay. I'm relieved, actually. (WHISPERING) I wanna keep it. (SPEAKING SPANISH) But I don't wanna get him in trouble, though. Don't worry, nena. We'll figure something out. You're gonna have a baby. I'm gonna be a grandmother. (SIGHS) (CELL PHONE RINGING) Hello?
FEMALE VOICE: An inmate from Litchfield Federal Prison is attempting to contact you. To accept the call, please press one. (BEEPS) SOPHIA: Baby? It's me. Uh, I'm just getting in the car. I'll just take a minute. I was wrong. You do whatever you need to do. You have my blessing. Thank you. Happy Thanksgiving. Happy Thanksgiving. You Josie's girl? My cousin, Neicey, told me I could stay here. Neicey don't live here no more. And I know she ain't your cousin. We had the same foster family. Look, I ain't getting my ass in trouble letting some ex-con stay in my house. But I have to stay here. This is the address I gave my supervisor. The system gonna come check on me. That ain't my problem. I ain't got nowhere else to stay at. Shit. You can sleep in that corner. On the floor. Leave that mattress where it is.
'Cause I ain't having no rapey motherfuckers coming in off that fire-escape again. And you're out in the morning, understand? Hmm, Burset. Um... You gave me four. Yeah, new doctor. He said your chart was wrong. So you're back to your old dosage. Thank you. - Hmm? - Thank you. (CHUCKLES) Chapman! You're out. Back to camp. FISCHER: (KNOCKS AT DOOR) Mr. Healy? Piper Chapman's fiance came to visit while she was in lock-up. (SIGHS) And? He left his number, sir. I'm sorry, I know that's against the rules, but he wanted to know why she was in SHU. Okay. Thank you. I'll take that. (LINE RINGING) LARRY: Hello? Hello, Mr. Bloom? This is Counselor Healy from the Department of Corrections. I have some information that might interest you regarding your fiancee. (THEME SONG PLAYING)
Holy shit, Chapman, you're out. Oh, my God... - Let's get out of here. - Are you okay? What are we doing here? (BOTH MOANING) Adam? Adam! (Ringtone) (Ringing) # Venez dans mes bras # Closer to me, dear # Donnez-vous a moi # Set aside all fear # Restons enlacés # Pour I'éternité # Yes, you shall be mine # Till the end of time Armed police! Clear! (Shouts) Guys? (Bleep) Chuks? GPS co-ordinates. He's giving us a location. CHUKS: OK. (Types) Vicarage Lane.
About 10 miles from here. (Soft click) (Exhales heavily) That's Adam's, Elise. Some kind of negative ions thing. Maybe he's put it there to show us where he was. Yeah, trouble is, Kieran wants us to know where... What are you doing with my son? ! Think of what he wants you to do and do exactly the opposite. - Why hasn't he left us a message? - It's part of the torture. Karl? We can't lose focus. I used to work with him. OK. And why is he? He's a man who lost everything. All his truths stem from that. His real name is Kieran Ashton. - Why is he doing this to us, Karl? - I slept with his wife. (Sighs) When they were living in France she came to me to talk about his... decline. We only... Anyway, he knows. So now he feels betrayed... by... society, by the police. - And by his friend. - Yeah. Karl...
I'm so sorry to hear about your mother. The last thing I would have ever wanted was for Daniella to get hurt. Well, she was. And all of it, the blood and the... the bodies, it all goes back to you. Don't do this. Please, just listen. I let myself believe there was something good in you, and I was wrong. I'm gonna tell the FBI everything I know. I just don't care. It's over. Fine. I won't stop you if that's what you want to do. But just know Stavos left me this message yesterday. I didn't get it until you gave me my phone. Listen. We have a problem. Trapani lied about the cartel. There is no truce. Trapani never even passed on your offer to pay Luke's debt. If they find out you killed their man without trying to negotiate, this is going to get ugly fast. An hour after he sent me this message, he and half my crew were gunned down... executed. It was Trapani who set me up. He didn't negotiate with the cartel. He sent the cartel. Why would he do that? Why do you think? He saw an opportunity to seize power, and he took it. Why do you think he told you about me? Trying to drive a wedge between us.
Grace, the cartel may have pulled the trigger, but Al Trapani is the one who's responsible for your mother's murder. And if you want the bloodshed to end and you want justice, then you and me are gonna have to take him down. What would I have to do? No way. That's insane. You're the only one who can contact the Nogales cartel without involving Al Trapani. Yeah, of course they'd like to hear from me, so they can find me and kill me. All I'm asking you to do is use your Miami contacts to set up a meeting between me and Tiago Enriquez. He's cartel's lieutenant here in Chicago. This is crazy. Why do you think this guy will even meet you? Because I'm authorized to speak for Constantine. 'Cause I'm his daughter. So you know. Will you make the call? Grace, I'm just a real-estate guy who screwed up. -I shouldn't even be here. -And I'm a surgeon. We're both out of our element. I am asking you to help. How can I say no to my sister? What's that? Grace Devlin's phone records. So? Looks like you two are a lot closer than I thought. Until you left town a month ago, you spoke several times a day. The calls are highlighted. She's Constantine's doctor. I was gaining her trust. She has his ear.
Cut the crap, Franco. You used to date. Isn't that right? Yeah, a long time ago. You just failed to mention it? It wasn't relevant. It ended the day I was recruited. You told her she was being investigated, didn't you? You lied to me, Franco. She's not just Constantine's doctor. She's under his thumb, and she aided and abetted outfit activity. I don't know. Okay. Well, then, let me tell you what I know. I know you still got the hots for Dr. Devlin and I know you two started up again recently. She helped me with my investigation. That's it. Then how do you explain CSU finding her fingerprints all over your safe house... You know, the motel room the bureau set you up in before you took off? I'm reporting you to the Attorney General's office. They're gonna press charges. I need your gun and your badge. If you're going after Grace, you're wasting your time. Well, that's not your call to make. I checked the back parking lot. There's no sign of him. He's late. We're not in a rush. When I told him we wanted to meet at the police station, he didn't seem too happy. Yeah, well, we need to be safe.
You're sure he listened to Stavos' message? Yeah, it's the whole reason he agreed to meet. Here we go. Mr. Enriquez, I'm Grace Devlin. Constantine Alexander's daughter? That's right. And this piece of crap is Constantine's son? Yeah. Al Trapani... Seems he played me against Constantine. Is your father as pissed off as I am? Yeah, that's why we're here. What do you propose we do about it? Constantine is willing to forgo retaliation and give you free access to the West Side Eisenhower Expressway. It's worth millions. It's not his to offer. Al Trapani controls the expressway. In exchange, you'll agree to a truce and you'll forgive Luke's debt. You'll take the hit off of Luke, and you'll put it on Trapani. And you're telling me Constantine's got enough juice to take over the West Side from his hospital bed? Well, he owns enough aldermen to shift city council votes. He's got enough soldiers on the street to crush anyone who won't play ball. And the CPD will turn a blind eye, thanks to every cop he's got in his pocket. If I agree to this and Constantine doesn't keep up his end, we'll come after the both of you. You understand? You have my father's word and mine. It's done. Not yet. Which one of you shot my mother? Now we're done.
Does the patient need Insulin? No, his sugar levels are fine. I just gave him a sedative. Can we have a moment, please? Of course, doctor. So, what happened? It's done. Enriquez will take care of Trapani in exchange for the Expressway, and Luke will get a free pass. Okay. That'll give us the breathing room we need until we're ready to make our move. What do you mean, "ready to make our move"? What do you think? Why don't you tell me? After the ambush, the cartel... they could have taken everything away from us. We had to trick them into a sense of security. All war is deception, Grace. And a war with the cartel is one we can't lose. But we're not losing 'cause we're not fighting. That's the deal we made. There is no deal. There never was a deal. It's all a tactic, an illusion. You used me? Well, if you knew the plan, you wouldn't have done it. And there is nobody that could have pulled this off like you, Grace... nobody. I don't want any part of this. You don't have a choice. Don't you see? You're my blood, my family. What is in me is in you.
I'm tired now. I need to rest. I'm gonna need all my strength for the fight ahead. Nate. Grace. How's Constantine? Is he okay? Yeah, he's... He's doing good. Can I see him? Oh, he's... He needs his rest right now. I'm done. Yeah? Constantine, the organization... I don't want anything to do with it anymore. What about you? I made my decision a long time ago. I love you. I love you, too. ♪ Finger on the trigger, baby ♪ come on, take me down ♪ I drug your name across my wrist ♪ ♪ just to hear the sound ♪ want to feel the metal, hot, smoking on my lips ♪ ♪ take me low and take me high ♪ I just need a hit ♪ let's melt into the shadows until there's nothing left ♪ ♪ my blood spreads like a fire ♪ with your breath across my neck ♪
♪ I'm not looking for a lover to be gentle through the night ♪ ♪ won't you be my killer? ♪ Keep me in your sight ♪ bang, bang, bang ♪ bang, bang, bang are you sure you're ready for this? It's you and me now. Mexico, here we come. It's all on the strength of the voice. It's uniquely about talent. It's about nothing else. It's not like a traditional karaoke talent show. It's not about what you look like or the package or your story. It's about there and then in the moment. Can you sing or can't you sing? And if they can, I'll be the one to tell them so. Welcome to The Voice. A singing competition unlike any other. Because it puts vocal ability first. Tonight, four of the most influential names in all of music are on a mission to discover and develop Britain's next great voice. With 140 million record sales, hundreds of thousands of fans worldwide and countless number one hits between them, these are four of the biggest names in music. Pop's hottest property. With six top 10 singles, a double platinum selling debut album and four MOBO Awards. ♪ ..down like I'm a domino. ♪ founding member of global supergroup, the Black Eyed Peas. ♪ Let's get it started... ♪ Seven-time Grammy winner and established producer who has collaborated with music's biggest names. Producer, songwriter and lead vocalist for hit Irish rock band The Script. He's had two global smash hit number one albums and played sold-out stadium tours alongside U2 and Paul McCartney. With a career that has spanned six decades, sold over 100 million records worldwide, seen him sing alongside Aretha Franklin, the Beatles, Sammy Davis Jr and Elvis Presley... ♪ Kiss...
♪ Mama told me... ♪ won him a Grammy, two Brits and a knighthood, he's the Welsh godfather of popular music, Sir Tom Jones. These four superstars have come together to help nurture the next generation of artists. But first, they're going to show us how it's done. ♪ I got a feeling ♪ That tonight's gonna be a good, good night ♪ I got a feeling ♪ Woo-hoo ♪ That tonight's gonna be a good night ♪ That tonight's gonna be a good night ♪ That tonight's gonna be a good, good night, yeah ♪ Tonight's the night, hey Let's live it up ♪ I got my money, hey Let's spend it up ♪ Go out and smash it Like, oh, my God ♪ Jump off that sofa ♪ Let's get, get, woo! ♪ I know that we'll have a ball ♪ If we get down and go out ♪ And just lose it all ♪ I feel stressed out I wanna let it go ♪ Let's get way out, spaced out ♪ Losing all control ♪ A feeling, woo-hoo ♪ That tonight's gonna be a good night ♪ Tonight's gonna be a good night Good night ♪ That tonight's gonna be a good, good night ♪ Tonight's the night, hey ♪ Let's live it up Let's live it up ♪ I got my money, hey ♪ Let's spend it up Let's spend it up ♪ Go out and smash it
♪ Like, oh, my God Like, oh, my God ♪ Jump off that sofa Come on ♪ Let's get it on, yeah Let's do it, let's do it ♪ Let's do it, let's do it ♪ Let's do it, let's do it ♪ Let's do it, let's live it up and do it ♪ Let's do it, let's do it ♪ Let's do it, let's do it ♪ Let's do it, let's do it Let's do it ♪ Here we come, here we go We gotta rock, rock, rock ♪ Easy come, easy go Now we on top, top, top, top ♪ Feel the shot, body rock Rock and don't stop, stop, stop ♪ Round and round, up and down Around the clock ♪ Cos I got a feeling Woo-hoo ♪ That tonight's gonna be a good night ♪ That tonight's gonna be a good night ♪ That tonight's gonna be a good, good night ♪ I got a feeling Woo-hoo ♪ That tonight's gonna be a good night ♪ That tonight's gonna be a good night ♪ That tonight's gonna be ♪ A good, good ni-i-ght. ♪ Give it up for our coaches. will.i.am! Danny O'Donoghue. Jessie J. And Sir Tom Jones. Wow! Now that is how you do it. And this is how we would do it. ♪ And it goes like this. ♪
'Tonight, the coaches begin their search to find The Voice. 'They'll each choose a team of ten singers from a select group of the UK's best artists 'who have been invited to audition for our coaches. 'But, it won't be easy, because the coaches will have their backs to the artists, as they sing.' 'Our chairs are facing away from the stage, so we have no idea what's going on behind us.' We are blind. This is all about the voice. 'How an artist looks...' I've got more of a face for radio. '.. Their size...' Too short. Too fat. '.. Their age...' I'm 47. In the music business, that's pushing it. 'None of that matters! ' That's what's amazing. 'Only the voice counts.' This is how the show works. When a coach likes what they hear, they hit a button. Which turns their chair. And that artist wins a place on their team. I can't wait to work with you. I'm the one who can't wait to work with you. Yeah! However, if more than one chair turns, the power shifts, and the artist can decide which coach they'd most like to work with. You know we want you. Who do you want? The coaches need to do everything in their power to persuade the artist to join their team.
It's fisticuffs at dawn. Pick me! Come on! 'But, if no coach turns, the artist is out of the competition.' What I need to stress, when we don't turn around, it's not because you're not a great singer, you are. It's just that we only get to pick ten. 'Each coach wants to discover the one artist who will win it all. 'A record deal with Universal Music, and the chance to be named The Voice.' The potential that this could change my life is huge. 'This is their moment.' 'It's now or never.' The blind auditions start now. Our talent scouts have invited the nation's most gifted vocalists to the blind auditions. And, as our artists begin to arrive from up and down the country, the anticipation is building. 17-year-old Belfast schoolgirl Jessica Hammond is hoping to swap teenage dreams for musical reality. Songwriting's always been kind of a way out for me. There's been a few incidences where I was getting picked on. I'd always come home and play my guitar. I used to say to her, "Jess, write down what you are worried about, "and then we'll read over it." So, now, she writes lyrics about it, and turns it into a positive. 'In my bedroom, I'm a superstar. And people are listening to me.' And I just imagine the raindrops on the windows, they're clapping for me. And I don't feel alone. 'I've chosen to sin Jesse J, Price Tag. 'Whenever it's a cover, you have to really look in and do your research, 'and think about the kind of message of the song, and what you're trying to say to people.' I definitely will put my heart and soul into this. And hopefully she likes it. ♪ Seems like everybody's got a price
♪ I wonder how they sleep at night ♪ When the sale comes first And the truth comes second ♪ Just stop for a minute and smile ♪ Why is everybody so serious? ♪ Acting so damn mysterious? ♪ You got shades on your eyes And your heels so high ♪ That you can't even have A good time ♪ Everybody look to their left ♪ Everybody look to their right ♪ Can you feel that? Yeah We'll pay them with love tonight ♪ It's not about the money Money, money ♪ We don't need your money Money, money ♪ We just wanna make the world dance ♪ Forget about the price tag ♪ Ain't about the, oh, yeah Cha-ching, cha-ching ♪ Ain't about the oh, yeah Ba-bling, ba-bling ♪ Wanna make the world dance ♪ Forget about the price tag ♪ It's not about the money Money, money ♪ We don't need your money Money, money ♪ We just wanna make the world dance ♪ Forget about the price tag ♪ Ain't about the, oh, yeah Cha-ching, cha-ching ♪ Ain't about the oh, yeah, Ba-bling, ba-bling ♪ We just wanna make the world dance Forget about the price tag ♪ Yeah... ♪ What's your name? Mary Jessica Hammond. How old are you?
17. So, I would like to work with you. The way I work with Macy and Michael Jackson, and... He just drops it in there, the name. I'll give it up to you, if you want. So, I would like to have you on my team. We need to make an album, and we need to put it out to where it's big, in the UK, America, Brazil, Philippines, Australia, New Zealand, Mexico, Argentina... Russia, Czech Republic, Slovakia, Kazakhstan, Turkey, Poland, Hungary, Ireland. He's like a lobster, giving it all that! I'm telling you, you need to come here, babes! Do you want to put your guitar down? It's stuck to me. Hold on. I'll be your roadie. I'll hold it for you. I will be your producer and your roadie. Thank you. AUDIENCE LAUGHS I don't mind carrying the guitar. I want to talk to you as if I was you when I was 17. There's things in your voice that remind me of me. I'm not going to sit here as Will said, and go, "You're going to do this," because I don't surround myself with yes men. You need... I'm being serious. That wasn't a yes man. Wait, wait, wait! No, no. She's blowing me up.
Do you mind if I do something with your guitar? Let me talk. I can understand where you're coming from. You're a female, you're young. You don't understand how amazing it is for me to sit here and have someone like yourself sing one of my songs. What I will say is, number ones, albums, touring, all that stuff is a bonus, yeah? Music is where it should stem from, and that's something me and you could enjoy. I can't compete with that. You can, you're Sir Tom Jones. What I can compete with is this. This show is called The Voice, right? And the thing we have to concentrate on, if you come with me, is picking the right songs in order to win this thing. And I feel I can help you with that. So, here I am, babe. I understand guitar playing and singing, something I've done since I was your age, even before. And I really feel the musicianship coming from you. I think we would work incredibly together. I really do. You've got four coaches - you've got only one decision. That's the beautiful part of the show, you've got artistic control. I really hope you make the right decision and come with me. Um, Will... Ssssh. Let her decide! I appreciate everything you said. Um, I'm a songwriter, I'm only 17 and from Belfast. Number one hits don't matter to me, making music and sharing my message is what matters to me. Beautiful, beautiful. Um... I'm going to go with Jessie.
♪ It's not about the money, money, money ♪ We don't need your money, money, money ♪ We just want to make the world... ♪ It's fine, it's fine. I can't wait to work with you. I thought it was gorgeous when Jessie picked Jessie, you're coming out against a Jessie J song, you know, I'm in for the pitch, she's Irish as well, so I might've been in there but, ah well, didn't work. She's so good! While Jessica takes her first step into the spotlight, some of our artists have already tasted fame. A decade ago, 30-year-old Sean Conlon was at the top of the game. Now he's hoping his voice will give him a second chance to shine. Hello, Sean. How are you doing? Good to see you again, shall I say. Could you explain why we've met before, please? I was in a band called Five. ♪ Get on up, when you're down ♪ Baby, take a good look around... ♪ It was kind of instant success, overnight. We got a Brit Award. We played with Brian May, he was playing his guitar... That was pretty mad. Obviously the band broke up, but if I remember correctly, you left first? I remember looking in the mirror and, I just knew I had to go and find who Sean Conlon was. I could just see this cartoon character Sean from Five and it just hit me really hard. I had a gut feeling that I had to walk my own path, and it was a really big decision at the time. 'I think the fact it's a blind audition really works in my favour.' Sean from Five doesn't come into it. If one of the coaches turns round, it's because of my voice. 'It's the consequences of doing what I'm doing that worries me.
'What will the reaction be? ' 'I really want this. 'It means everything to me. 'Otherwise I wouldn't take the risk.' ♪ Oh, no ♪ I see... ♪ ♪ The spider web is tangled up with me... ♪ And I lost my head ♪ And thought of all the stupid things I said... ♪ One light. One light. ♪ Oh no, what's this? ♪ A spider web and I'm caught in the middle ♪ So I turn to run ♪ And thought of all the stupid things I said... ♪ One light, come on, here we go, big notes. ♪ Singing, I never meant to cause you trouble... ♪ ♪ I never meant to do you wrong... ♪ Oh, come on, I'm so proud of you. Please. ♪ Oh, I never meant to cause you trouble ♪ Oh, I never meant to do you harm... ♪ Come on, Will, push the button, mate! Come on. One light, come on. Oh my God. ♪ And if I ever caused you trouble... ♪ Oh no, I never meant to do you harm. ♪ Thank you. Oh, no.
Oh, no. Ah, so that's it then? No, it isn't. What's your name? Sean Conlon. Sean Conlon? Yeah, I used to be in a boy band many years ago - about ten years ago... Yeah, you look really familiar. Five. Five! You were the first concert I ever saw. Really? Five! Thank you. For one, thank you for singing for us, it was a wonderful song. It sounded like you were blending in with the band instead of leading it. Yeah. For a person that's stepping out of a group to go solo, and you were in a group and you're trying to go solo. You want to be the maestro. Take the reins and conduct. I kind of disagree, I really enjoyed it and the only reason I didn't turn around is I was thinking, "What can I do for you?" Your voice to me is beautiful how it is and I... I would happily listen to you like, at home, all day cos your voice is... Really? Yeah! It completely chilled me out. Thank you. Darling, nice to meet you. Cheers.
Nice to meet you, amazing voice, seriously. Yeah? Yeah. Well done, well done. Not to be. Pretty gutted. I would've loved to have gone on but it's not to be. Today was definitely a step in the right direction. For sure, yeah. Ten years away, you know, you just come back and it wasn't a small stage, yeah? Pretty big one! Yeah. Nothing like putting yourself in the lion's den. I did it and who knows what the future's going to bring, eh? Something good though, Reggie! Phew, just take me heart out... and throw it on the ground. Yeah, it's hard to know what to say to a person like that, isn't it? Sean's voice wasn't enough to get the coaches turning, but with a standard so high what exactly will it take to push their buttons? I've always been into tone, and technique and breathing. I want to hear someone's personality in their singing. Rock, folk, country, whatever, doesn't matter, man, it's all in. I'm just looking for someone that makes the hairs on the back of my neck stand up. Doesn't necessarily have to have vocal gymnastics... ♪ Ooh-ooh! ♪ I'm not looking for that. I'm looking for... just uniqueness. I like to listen to raw talent. As far as I'm concerned, you have a voice or you don't. And that's from a man who knows. Keen to prove that he has a voice worth listening to is 20 year-old Brummie Samuel Buttery. I am Samuel Buttery, I'm 20.
I'd describe myself as being relatively happy, quite jolly but that's what people usually use for the word "fat", don't they? "He was jolly." I have never entered anything like this before but the fact that it is about the voice appeals to me. If the coaches saw me beforehand, they might get a totally different impression of my voice cos... I might be wrong, but I don't think my voice necessarily matches... me. Tom Jones is like a massive icon to me. When I was in primary school, I used to sing: ♪ What's new pussycat... ♪ And no-one liked it really. I think I'm ready. Is this family Buttery? Yes, this is the family Buttery. I'll take some credit for that! This is my dad, Mark. Hello. Hello, nice to meet you. Pleased to meet you. My little sister, Beth. Hi! And this is my best friend Grace. Hello. Who do you want to turn around? They're all like phenomenal, and I would like, obviously, anyone. Amazing! But Tom Jones I think is the one that I'd like to impress. Well, good luck. Thank you very much. I think you're fabulous already. Oh, thank you.
Through that door are four of the biggest artists in the world... 'I'm really nervous.' ♪ I let it fall, my heart ♪ And as it fell You rose to claim it ♪ It was dark and I was over ♪ Until you kissed my lips and you saved me ♪ To stand in your arms ♪ Without falling to your feet ♪ Cos there's a side to you that I never knew, never knew... ♪ Come on! ♪ .. All the things you'd say they were never true, never true ♪ And the games you play You would always win ♪ Always win ♪ And I set fire to the rain ♪ Watched it pour as I touched your face... ♪ ♪ Let it burn... ♪ .. I heard it screaming out your name ♪ Your name ♪ And I set fire to the rain ♪ Watched it pour ♪ As I touched your face ♪ Let it burn as I cried cos I heard it ♪ Screaming out your name ♪ Your name ♪ Let it burn! ♪ Oh! Oh! Oh my God!
Yes! Ohhh! Sorry, I'm a bit hysterical! What's your name? My name's Samuel Buttery. And I'm... I'm 20. I am really, really happy you turned round. What brings you to The Voice? I loved the sound of the programme because it is all about the voice and, I don't think I'm necessarily the package like, J-Lo or Beyonce! Aw! Yeah, but I'm still fabulous but just not J-Lo or Beyonce! But it brought me to The Voice because I just wanted to sing and I really... and it's just amazing. Oh! I've been singing and listening to Tom for... Sir Tom! I'll just do a little... I am just so happy you turned around. I am not going to lie, I was really surprised when I turned around. Honestly, I was expecting to see a female. Really... Really. Me too. Me too. But again, people have made that mistake about my own voice too. Look, I think you are in great hands you have a very strong, powerful voice. Who better to pair you up with than the legend himself. Fantastic. I heard a bit of me there, to be honest with you. You've inspired me a lot, so that's probably why.
There you go, I really did, there were a few notes in there that sounded like me. Sounds like me in my head anyway. You've got a great voice. Thank you. I think we'll work really good together. So do I. Come down, come down. Lovely to see you. Thank you. Don't worry, good luck. Ah! Well done, son. 'You can see, I don't really know what to say.' That is who I wanted to turn round and he's Sir Tom for a reason. Congratulations. Thank you. Amazing. Swear to God, I thought it was a girl. Me too. I turned around and I was like... Really? ! I thought it was a girl. Really? ! Yeah. Didn't sound like a girl to me. Do I sound like a girl? No, not at all! Oh.
You're the manliest sounding man I know! ♪ You don't have to be beautiful... ♪ So, Samuel is the first addition to Team Tom, and as the other coaches are realising, going up against music's equivalent of Muhammad Ali won't be an easy fight. I'm afraid of Tom Jones. Number one, 1965, by the way! That dude has knowledge! What? ! '65, '66, '67, '68, '69! I slackened off a bit in 1970, but hey! Out of the 150 years of experience that you have on stage, I think a lot of that belongs to him. I think most people know that I've been around a long time. I think I've sung with most people. Aretha Franklin, for instance. Yeah. Come here often? No! I sang with Frank Sinatra and Janis Joplin. Fats Domino, Chuck Berry, I mean the list goes on and on, so if I can put that to good use, then I will. It's the truth! Wow, that's Tom Jones right there. I want to do a song with him. Oh, that's right, we're here for The Voice. I'm competing against him! And ready to compete for her place on one of the coach's teams is 34-year-old Toni Warne, who's been waiting years to be judged on her voice and not her appearance. My name is Toni. I'm 34 and I work in a bank in Great Yarmouth. I've always gigged. Bars, pubs, clubs, cabaret, that was pretty much my work.
I've suffered with alopecia since I was a young girl. But then at 21, I lost all my hair completely. And it had quite an impact... on me. You sort of... You sort of lose confidence. There's no question about it. I didn't think that I could gig the way that I am. And I got a 9-to-5 job. £197. Did you pay some money in, did you? So, what's different about now? This feels right, because it's called The Voice. It's not about having to cover up. Just to be herself, I know that she will feel comfortable with that. Especially the fact that she's not going to feel judged with the way she looks initially. She's going to go out, she's going to sing amazing, and then they're going to turn around, and be knocked out. It's time now to sing, and if they turn their chairs around, of course it would be the most amazing possible thing. I'm looking forward to walking on stage and being me for the first time ever, really. It feels good. ♪ Well I'm here just like I said ♪ Though it's breaking every rule ♪ I've ever made ♪ My racing heart is just the same ♪ Why make it strong to break it once again ♪ Mm-mmmm ♪ And I'd love to say I do ♪ Give everything to you ♪ But I can never now be true So I say ♪ I think I better leave right now Come on, turn around.
# Before I fall any deeper ♪ I think I better leave right now ♪ I'm feeling weaker and weaker ♪ Somebody better show me how ♪ Before I fall any deeper ♪ Think I better leave right now ♪ You may never know why ♪ Once bitten twice as shy ♪ If I'm proud perhaps I should explain ♪ I couldn't bare to lose you again Hit that button! Come on! Get the button down! Do it! ♪ Ooh, yeah ♪ I think I better leave right now I'm feeling weaker and weaker ♪ Somebody better show me how Before I fall any deeper ♪ Think I better leave right now. ♪ Before I ask your name and why you're so amazing, YOU! And little tactics! You see him? "You should press the button". And then I turned around, and there you both are! Hello, Jessie! Hello! We were waiting for you. Ladies first! You pushed your button, it's fine! What's your name? Toni.
Toni. And what is your inspiration, Toni? I sung for a living but I'd suffered with alopecia since I was little girl, but I lost all of my hair. And it really just knocked the stuffing out of me, really, you know, and I felt that I couldn't pursue what was in my heart because I didn't believe in myself. The last couple of years, I've had two beautiful, beautiful children and, sort of, you realise that life is short, you know, and music is my absolute passion beyond passion. I'm blown away. I thought, you have an old soul. You know, as I was listening, I could tell you'd been through something, been through pain, you'd been through the wars. And that's what really moved me, emotionally, to hit my button. But if you pick me, honestly, I will fight to the death for you, because I think you're fantastic. You're amazing. Your tone is so old school, that I feel like you could teach me something. And I love the fact that you didn't go ♪ Woooahhhhh! ♪ Right at the beginning, you went and let it grow, and that was what may be fall in love with your voice, so please, please, let's hang out and make music and have fun. Thank you, Jessie. You are what I call a real singer, you know? I mean, you are a real, REAL singer. You sound fantastic! I'm just overcome. I can't tell you how overwhelmed I am. This is just unbelievable. You deserve it. Thank you. You deserve it. You really deserve it. Really. Hey, look, you've got creative control, this is all up to you. Just know the right person is over here, he's Irish!
Four years ago, somebody said to me, "Check this out, Toni, listen, "you're not going to believe what you hear," and I heard Jessie J for the first time and I'm telling you, Jessie, I would love to choose you. I'm so excited! I said I wouldn't cry. Come here, Toni. Well done. Toni's voice takes her to the next stage of the competition as part of Team Jessie. And while Toni's success sinks in, indie guitarist Adam Isaac is arriving, hoping that he too will strike a chord with the coaches. I'm Adam. I'm 28 years old. I've lived and breathed music for the last ten years of my life. ♪ Dreaming of another world. ♪ I've always done OK around my little gig circuit that I played for years, but this is the first time I put myself out there on this scale. I have got a fear of failure, which has stopped me from going for something like this before. While Adam gets ready to face his fears head-on, our next artist can't wait to hit the stage. Again. I spent a lot of years doing backing singing. I sang for people like Puff Daddy, R Kelly. And then when I had my children, I stopped. Now, it's mummy time! What am I going to be? A rocket star. Yay! You guys seem to have some pretty strong support, so who do we have with you today? Here's my mum, Tricia. My bestie! This is my beautiful daughter, Tian. And this is Talia! Can I hold Talia, please?
Go-ahead! You're lovely. Hello, gorgeous. OK, well, you've got four amazing coaches sat in front of you when you finally get on that stage. What have you done to prepare for the show? I got my daughter and my auntie and I made them sit in the living room facing backwards. I was like, "Don't turn around, until you feel it!" And if you turn around before, no dinner for you! OK, well, good luck. Thank you. I can't wait to see you on stage. Thank you, I can't wait! And see you soon as well, all right? I'm glad that they're not going to see me straight away. I like the way I look. But, you know, it's just being a big girl, you always get put in this box. I am about to go out there and sing like it's my last performance. For me and my girls, this could be the first step to a really big change. So, yeah, this is big, this is big. Come on, Aundrea. Come on, I want to push it! ♪ I remember when, I remember I remember when I lost my mind ♪ There was something so pleasant about that place ♪ Even your emotions had an echo In so much space Come on! Come on! Press that button! ♪ And when you're out there without care, yeah, I was out of touch ♪ But it wasn't because I didn't know enough ♪ I just knew too much
♪ Does that make me crazy? ♪ Does that make me crazy? ♪ Does that make me crazy? ♪ Probably ♪ Oh, oh, oh ♪ Come on now, who do you ♪ Who do you, who do you, who do you think you are? ♪ Ha ha ha! Bless your soul ♪ You really think you're in control ♪ Well, I think you're crazy ♪ I think you're crazy ♪ I think you're crazy ♪ Just like me ♪ Woah, oh, oh, oh ♪ Yes-ah! ♪ So what's your name? I'm Aundrea Nyle. Why The Voice? Cos you couldn't see me! Aaw. I'm fabulous. Don't get too serious. I just wanted you to see all of this afterwards! So... Hey! How are you doin'? I believe you have a beautiful voice, but you just need to learn to control it. It kind of splinters all over the place, a bit.
Thank you. But you have a powerful, beautiful voice. Thank you. Hello, darlin'. Hello. Can I start by saying "yes" to the purple hair? Hello, hair! Team Purple! A-ha! I didn't turn around, not because I don't think you have an amazing voice - I think you do... but I think you're vibrato. I don't know if it was nerves, but I thought it could just chill out. But I think you and Tom are going to have a wild time. Yeah. Very excited! Oh, yeah? ! Yeah, baby! I loved your vibrato. I think it's spot on. You give it the full Monty and I'm looking forward to working with you and having you on my team. Thank you. Let's start the way we're going to continue. Give us a kiss, sweetheart. Thank you so much. You've made my dreams come true. ♪ You make me feel like... ♪ 'With a mentor like Tom Jones, ' I think the sky is the limit, so I'm so ready for whatever he's got. I'm like a sponge, ready to soak it all up, so you'll see more of all this! So Aundrea got the result she wanted, but the enormity of the competition is weighing heavy on Adam's mind, as he heads to the stage.
'Taking part in The Voice is a really big thing for me, 'because I am being judged' on the thing I love to do. 'My biggest fear is to get a "no".' ♪ I've been down and I'm wondering why ♪ These little black clouds keep walking around with me ♪ With me ♪ I look around at a beautiful life I've been the upper side of down ♪ Been the inside of out ♪ But we breathe, we breathe ♪ Maybe tomorrow ♪ I'll find my way home... ♪ Yes! Yes! Tom! Tom! ♪ I'll find my way home ♪ So maybe tomorrow, I'll find my ♪ Way-y-y-y home. ♪ So, what's your name? My name's Adam Isaac. That was a great performance. It was a really great performance. I hope you take that through the next stages, after two of the biggest artists in the world turned around to you, fantastic. Thank you very much. You have a great voice. You remind me of cats that I hang out with at home, that just love and eat music. Your voice is warm. It seems like star quality... the kind of voice you hear when you are in a restaurant and your girl's telling you something and you totally ignore everything she's saying, because the song's playing in the background. As far as I'm concerned, I've sung with a lot of people and recorded a lot of different kinds of song. I need somebody with a strong voice, because we're going to have a lot of different kinds of songs to do... when we win this.
It's creative control at this stage. It's down to you now. This is one of the toughest decisions I've had to make - ever... in my life. Can I say one other thing? I was with Elvis Presley in Hawaii... and I was invited over to his house. When I got in there this day, Elvis wasn't there, so I said to Priscilla, his wife, I said, "What happened to Elvis?" And she said, "He's realised that we don't have guitars here and you are coming over "and he is very excited about it, so he's gone out to get two guitars." And Elvis Presley - and this is hand to God - walked into a music shop and told the girl behind the counter, "I've got Tom Jones coming over to my house today "and I need two guitars." The girl fainted. Anyway, he got the two guitars and he came back to the house and we played and sang together all day. So, I know when I hear somebody singing like that and playing like that. If you want experience, you're looking right at it. Wait a second. Can I say one more thing? There was one time I was living in Ireland, with Michael Jackson, and we were recording... This is why I didn't turn around, cos I can't compete! I met Justin Bieber once! Woo! I was making this track, right, and the beat was real mellow and he said, "I want you to make the beat a little louder. It's too slow." So I was, like, "You want it harder, Mike?" "Yes, if you could make the beat a little more aggressive. "I want a tasty beat, a beat that when people hear it, they just want to eat it." So... yeah, that was my little thing. OK. Thank you very much, both of you. It's amazing.
I think...will.i.am. No, hang on, right? I was going to say, will.i.am, I'd like to say, that I have much respect for what you do. I jumped the gun! You're amazing... That's classic! .. But I'd like to go with the legend that is Tom Jones. ♪ A little less conversation ♪ A little more action, please ♪ All this aggravation ain't satisfying me. ♪ Na-na-na-na-na-nah! 'And the winner is... Tom Jones! ' That was good. Still to come on The Voice tonight... an internet sensation... I've had over one million hits, which is quite substantial in the YouTube scene. A Strictly star... Last year, I stood in for one of the singers on Strictly Come Dancing. And the coaches go all out to get what they want... Temper, temper! Oooh! Come on! I remember the first time we had success. And the second time, the third time, the fourth time. Eugh! Where I come from, I'm known as "The Voice". Coaches!
As a great man once said, where is the love? It would appear there is no love lost between our next hopefuls - boyfriend and girlfriend, Max and Twinnielee. My name is Max Milner, I'm 20 and I'm a singer-songwriter. 'I just love writing. Singing music's my passion. I'm Twinnielee Moore, I'm 24 and I'm a performer. 'I've never been that confident as a singer, but this is always what' I've wanted to do. So are you two auditioning together? No. No. No. Separate artists. Have you thought about that horrible situation, if one goes through and one of you doesn't? Yeah, yeah. But I would obviously be massively happy for Twin if she got through, even if I didn't. I'm still going to be 100% behind her. I just love her so much. She's brilliant. ♪ Why do birds... ♪ I will be nervous to watch Max. He's amazing, he's brilliant. I'm incredibly proud of him. My girlfriend's obviously going to be supporting me, as I will her. I didn't tell anyone that I applied. Not even my boyfriend. I didn't know that she was applying. It's just an opportunity that you can't turn down. It was a bit of a shock. She was speaking to me like it was my thing.
Then, all of a sudden, it was ours. I suppose it's because I wanted to do something for me. It's cool. I like it. I'm excited. I think we're going to be there for each other. I'd always be there for her. Obviously, I want to be there for him, but I don't know whether I can. Like you say, we've entered the competition separately. ♪ Here come old flat top ♪ He come groovin' up slowly ♪ He got joo-joo eyeballs ♪ He one holy roller ♪ He got hair down to his knee ♪ Got to be a joker He just do what he please ♪ You better lose yourself in the music, the moment ♪ You own it You better never let it go ♪ You only get one shot Do not miss your chance to blow ♪ This opportunity comes once in a lifetime ♪ You better lose yourself in the music, the moment, you own it ♪ You better never let it go ♪ You only get one shot Do not miss your chance to blow ♪ This opportunity comes once in a lifetime ♪ His palms are sweaty, knees weak Arms are heavy ♪ There's vomit on his sweater already, mom's spaghetti ♪ He's nervous, but on the surface he looks calm and ready ♪ To drop bombs But he keeps on forgetting ♪ What he wrote down The whole crowd goes so loud ♪ He opens his mouth but the words won't come out ♪ He's chokin' how Everybody's jokin' now
♪ The clock's run out Times up, over, blaw! ♪ Snap, back to reality Oh, there goes gravity ♪ Oh, there goes Rabbit He won't give up that easy, no! ♪ You better lose yourself in the music, the moment ♪ You own it You better never let it go ♪ You only get one shot Do not miss your chance to blow ♪ This opportunity comes once in a lifetime... ♪ ♪ He say one and one and one is three ♪ And got to be good looking cos he's so hard to see ♪ Come together, right now Over me. ♪ Wow! Phew. Hi! Well done! Thank you. I forgot to push my button, didn't I? That was great, anyway. What's your name? Max Milner. Max. What I loved was you got those two songs together and mashed them in. You've made them yours. To be honest, I didn't know what to expect when I turned around. I was so glad you were there with the amp, the guitar, just like you walked in off the street. And I think you're great. Thanks a lot. Cheers. Thanks. I think you're someone very special and I think that what you did with the two songs was very, very interesting and that's what having a voice is all about. It's about exploring things.
That's why I would want you on my team, to make sure we can do that more. Max, you don't just have a voice... You're an artist. It's different. I worked with Macy Gray before she was big. She toured like this in LA, with her band. He dropped another name over here! It's not a name drop. Macy Gray was signed to my label. That's not a name drop, I'm just saying I know artists. And you belong with somebody that can take you that p-lace, up in s-pace. I've got to say, for me, coming from a fellow guitar player. I'm doing anything I can here! Do you have any Irish in your family? No! Can I just say, I'm an artist out right now. Does that count as anything interesting? I know how it is "right now"! Eugh! I didn't know Macy Gray before she got big. But we did do a gig together a couple of weeks ago in Brazil. You can tell that there's going to be a feeding frenzy over you, but now it's your choice, to see whose team you want to be on. Come on! I... I know who I'm going with. I'm going to go with this person because I think they're very similar to me. So I'm going to go with Danny. Yeah!
Oh! Come here. Give it up, come on! Smokin'! Oh, that made my whole day, that did. A-ha! - Yeah! I'm so proud of you! That was a tough decision to me. How did you choose? I just feel as if we were very... I don't know, I think we'll get on very well. Yeah. I'm excited. Max picked me, even though Will was dropping names left, right and centre. I think he picked the wrong choice only because I think he picked a choice based on what he's comfortable with. Comfort isn't always the best thing. You could be comfortable in hell, you could find a cosy spot next to a hot rock. Don't mean it's the place to be. You're done. Yes. Twinnielee's not, however. Good luck, sweetheart. Oh! Find out if Twinnielee can match the success of her boyfriend, Max, soon. But first Ben Kelly is dressed and dicky-bowed to impress but on our stage, only his voice can do that. ♪ I'm just waiting for my chance to come. ♪ My name is Ben, I'm 22 years old and I come from a place called Derry in Northern Ireland. You know, a lot of people there have traditional, real jobs and it took a long time for my parents to realise what I actually wanted to do and even longer to accept that I want to be a pop star.
Probably about two years ago I started putting all these covers on YouTube. In that time I've had over a million hits which is quite substantial if you're on the YouTube scene. 'But The Voice offers me what I need next which is the recording contract and that's what I really need.' Opportunities don't come along like this very often, I must admit. I am trying to prove to myself, to my family, to everyone knows me that I'm doing the right thing, I'm on the right path. This feels like the big moment. ♪ She packed my bags last night, pre-flight ♪ Zero hour, nine AM ♪ And I'm gonna be high ♪ As a kite by then Oh, my God! Oh, my God! ♪ I miss the Earth so much I miss my wife ♪ Gets so lonely out in space Ooh, yeah ♪ On such a ti-i-imeless flight Oh, ooh oh ♪ And I think it's gonna be a long, long time ♪ Till touchdown brings me round again to find ♪ I'm not the man they think I am at home... ♪ Jessie's think about it now, isn't she? Come on, Jessie! Come on. ♪ I'm a rocket man ♪ Rocket man Do it! Come on, press the button. ♪ Whoa ♪ And I think it's gonna be a long, long time ♪ Till touchdown brings me round again to find ♪ I'm not the man they think I am at home ♪ Ooh, noo noo, no
♪ I'm a rocket man Yeah! ♪ Yeah, yeah ♪ Rocket man, burning out his fuse up her alone Yeah! ♪ And it'll be a lo-o-ong time. ♪ Thank you. What's your name? My name is Ben Kelly. The reason why I turned around - FIRST, and I was trying to disguise my turnaround but then Danny got hip to my moves! Hey, I had my eyes closed, I had my eyes closed. I went off the feeling. Sorry, continue. Lies! I can tell that you're singing for something. You're not just singing cos you have a great voice. I can tell that there's passion and you have a vision of where you want to go and music is the vehicle to get you there. Hi. Hello. As soon as I heard you sing, I was like yeah, yeah, yeah, yeah, and I sat forward like this and I was, like, yeah, yeah, yeah. I was kind of imagining what you'd look like and when I turned around it was all or more than I thought it was going to be. Your licks are mad clean, your tone is there. Your range is there. You're a risk taker and that's what I look for in vocalists. I know a star when I see one. Seriously, you're an absolute... Out of the box, out of the box. We can say that we want to work on stuff with this guy but this guy is the finished article right now. Then what's the point in him being on your team? In fairness... Wait, wait, wait, wait, wait, wait.
To that point there, we could dream together, toward the things we come up with... We can go and eat together! Hold on, wait, let me finish. Really, interrupting, seriously? Are we interrupting, seriously? The things that we could dream together will be taught in the future to other people and she's going to be teaching the style that we dream up to somebody else, right? That's all I'm saying. Can I also say I could teach you how to put out a record worldwide and it be successful? One second, please. One second. False information coming from the second chair. If we're going there, I can do it consecutively in every country on the planet. I don't want to pull that out, but... hello. You know, I know everybody wants you on their team but what I have to say is where I come from, I am known as "The Voice". You know what I'm saying? And this show is called The Voice so you come on my team, right? And we can win this. The best part about this is you have the artistic control. You get the chance here to pick any of us. I want someone who can help my voice progress. Someone who can help me with my songwriting which I do a lot of. Someone who can help me pursue the creative person I want to be. And... the boys are great but I think this girl's for me. Yeah! Thank you. Thank you so much. Don't worry. I know, I know. Come on, let's go and high-five them together.
Yeah, yeah. In your face! Thank you. It's an honour. Oh, in-your-face. All right, all right, all right! One more, one more. Oh! No, well done. Congratulations. We love you, Jessie! I think he didn't really know what he was doing. I think he was faced with the batting lashes and he went straight for it. That's the problem, it's like a black hole. He'll get sucked in, he won't come back out again. It was such a great moment. The kind of moment I've been dreaming of my whole life. The kind of moment I've always wanted and it did feel like a dream. Ben, did that really just happen? I don't know, you tell me! It felt pretty cool to be picked over the other three coaches. Female power. So Jessie's on a roll bagging her third team member. ♪ Back to reality... ♪ Earlier Max Milner became the first member of Team Danny. So I'm going to go with Danny. Yeah! But can his girlfriend, performer and dancer Twinnielee, match his success? Especially when she knows looks count for nothing in a blind audition. This is what I've always dreamt of.
In my industry, everything's kind of based on what you look like. I'm quite excited for them just to hear my voice. And only my voice. Here she is, OK, this is it. This is my pretty baby. ♪ I can almost see it ♪ That dream I'm dreaming ♪ But there's a voice inside my head saying ♪ "You'll never reach it" ♪ The struggles I'm facing ♪ These chances I'm taking ♪ Sometimes may knock me down But no, I'm not breaking ♪ I... ♪ I'm gonna be strong ♪ Just keep pushing on, yeah ♪ Always gonna be another mountain ♪ Always gonna wanna make it move... ♪ Come on! ♪ Always gonna be an uphill battle ♪ Sometimes I'm gonna have to lose ♪ Ain't about how fast I get there ♪ Ain't about what's waiting on the other side... ♪ Oh, Danny, come on! ♪ Oooh aahhh ♪ Keep on moving, keep climbing Yeah, yeah... ♪ Push, come on, push. You all right? ♪ It's all about It's all about the climb. ♪ I knew I should've pressed the button. What's your name? Twinnielee Moore.
Personally I didn't press my button just because I thought you were quite pitchy in places. Yeah. I do think a lot of it was nerves, to be honest. I felt like you didn't open up as much as I felt you could've done. You need to own it. You know, you sang it really well. But I didn't feel it. I didn't feel like you got inside it and... You know, and made it your own. Nice, though. Thank you. Cheers. I felt it. Oh, it's all right. I mean, I think my main focus was kind of on it all so I probably should start focusing more on my singing and I just totally agree with what they said. Yeah, and everything they said was correct so I can't argue with that. It's fine. You must be so proud of her. Ridiculously. She's amazing. And now you know what you have to do, you've got to go and win it for her. Absolutely! With four superstars to impress, you need top talent and big support so Phil Poole has brought his biggest fan - his Nan. My name's Phil, I'm 27 and I'm a delivery driver. That involves driving all around the country. Thousands of miles here, there and everywhere. I'll put my own music on and many times I think customers have heard me singing as I'm pulling up outside warehouses and they can hear me belting something out, yeah! How good a singer is he then? Brilliant. Do you think he'll do well today?
He's been brilliant. Since he were at school, ain't you? OK, if you say so! How close are you guys? I'm so proud of him. What makes you so proud of him? Well, he's loving. Ain't ya? How well do you think he'll do? Good, I hope. Keep my fingers crossed. I'll do me best for ya. 'I do feel a bit of a fish out of water, I suppose. 'I've never auditioned for anything before, 'I've never put myself out there on such a scale.' 'I'm a delivery driver at the moment, but if I get a yes,' there's going to be a chance to really take something forward with singing, achieve something with it. I'm not sure I've ever been this nervous before in my life. ♪ She's back in the atmosphere ♪ Drops of Jupiter in her hair ♪ Yeah. ♪ Yes! ♪ She acts like summer and walks like rain ♪ Reminds me that there's time to change, yeah ♪ Now that she's back in the atmosphere ♪ I'm afraid that she might think of me, yeah ♪ Plain old Jane told a story about a man who was too afraid to fly ♪ So he never did land ♪ Tell me, did the wind sweep you off your feet? ♪ Did you finally get the chance to dance along the light of day? ♪ Head back to the Milky Way
♪ Tell me, did Venus blow your mind? ♪ Was it anything you wanted to find ♪ And did you miss me while you were looking for yourself? ♪ La la la la la-la. ♪ ♪ Did you finally get the chance to dance along the light of day? ♪ Oh ♪ Did you fall on a shooting star? ♪ Fall on a shooting star ♪ Whoa. ♪ Come on! ♪ Did you fa-a-a-a-ll? ♪ What's your name? My name's Phil. I'm from Leicester, delivery van driver. Delivery van driver? Yes, indeed. Thank you for singing for us, and I didn't press my button because I wanted Danny to press his button. Throws the blame over here again. Seriously, I was like, "Danny, hit it, this guy is amazing, "you could really help him to make your team a better team." Thank you very much. Unfortunately, we toured with Train over in America, and I've heard that version and Pat Monahan singing it every night, and he goes hell-for-leather on it with the emotion. I was looking for that fire in my belly, and I didn't hear it. Not to say it wasn't a great performance, it was, but not enough for me to finally hit my button. When you try to do a song like that, that is so well-known, that you have to take it somewhere else. I mean, you have the voice for it, there's nothing wrong with your voice. That means a lot. You just need to take it to another place. Thank you for coming along, it was great.
Thank you very much. Thank you. It's OK. Amazing. It was amazing. As long as these people are proud of me, that's what matters to me. Hey, come on. As long as I did you proud. I know you done me proud, darling. With one performance left to go, Tom, Jessie and Danny's teams are taking shape. But Will has yet to secure his first artist. I'm not annoyed. I have a strategy with what I'm doing here. Mwa-ha-ha! Could our next artist become part of Will's masterplan? My name's J Marie Cooper, I'm 27 years old. Music's a huge part of my life. My mum always heard me singing, so she decided to send me to Saturday classes, because she realised how much I enjoyed it. My mother passed away four years ago. Since then, it's given me a drive to just really go for my career. I've sang at weddings, birthday parties, but the work isn't consistent enough, just dribs and drabs. Last year I stood in for one of the singers on Strictly Come Dancing. I haven't really done a gig ever as big as that, so it was exciting for me. The only sad thing about it was it was only a one-off. What I really want now, especially without my mum around, is to build a life for myself. I'm singing Jessie J, Mama Knows Best for my audition. I miss my mum, so today's performance will be for her. ♪ Whoa, there is something going down ♪ Like the storm in the sky ♪ I ain't gonna be played by your behaviour
♪ How can I trust someone who's lying to me? ♪ Mama knows best when times get hard ♪ And Papa always has a joke to make me laugh ♪ Mama knows best when I feel down ♪ To bring me up and always keep my feet on solid ground ♪ See, no, I ain't no old rag doll ♪ That you can pick up and drop ♪ Hey, and all of this inconsistent love ♪ I think it's time that it S-T-O stops ♪ So bow out, go ♪ Now I said bow out and leave ♪ I said, take your bags and go ♪ Cos you're not for me ♪ Mama knows best when times get hard ♪ Papa always has a joke to make me laugh ♪ Mama knows best when I feel down ♪ To bring me up and always keep my feet on solid ground, sing it ♪ Ye-e-e-e-e-e-eah. ♪ That was insane. Thank you, you're insane. Not insane, insane! I'm so nervous right now. Why The Voice? Because I've been trying to do this for 10 years, I'm 27 now. I love it and I want to share my gift with everyone. Your voice is re-donk-u-loso. What, re-donk-u-loso? Re-donk-u-loso. I love it. I would write songs like that for you all day, so be on my team, please.
There's lots of singers that can sing and do the runs and flips and tricks. Not like that. I come from a gospel family. I've seen all the flips in the world. The power, really, was when you weren't flipping. Bob Marley didn't do flips but you felt his pain. I felt it from the first couple of notes. I saw a pain, a love for the craft, and that's why I turned around and think you're a star of an artist. For me, you were on fire. Thank you. I was the last to turn around because I was listening. I wanted to hear the whole thing. It really was great. Thank you. You kicked it. Personally, I thought you killed it. It was amazing. If you go on Jessie's team, you'd cancel each other out. - You're that good. I'm just saying! - No! I think we're very different, the two of us. I think that would work very well together. Thanks for that. Oh, gosh! I'm stuck between you two guys at the moment. I don't know what to do. I'm just like... Am I number one right now? Am I number one right now?
Jessie J! Jessie J! This is the voice coming from above. So, Jessie J, she's hot right now. She is hot right now. She's hot, current, right now. Oooh! And that's great. Ooooh! I remember the first time we had success, and the second time, third time, fourth time, fifth time, sixth time, seventh time. The thing that's making me stuck here is the fact you were saying about pain. I'm not trying to be dramatic or anything like that, but I like someone that can feel that inner voice. Believe me, that's why I wrote the song. Erm... I think... I'm going to cry if you don't pick me. Oh, my gosh! This is so hard. Flip the whole thing on its head and go with Team Dan. I will fight for you. Erm, oh, man... Come on! Come on! OK, this is probably going to surprise people but I'm going with Will because he turned round first. Oh, I really wanted her. It's on, now. Argh! Temper, temper! Ooh! So, after a night of hard-fought competition, the coaches' battle to build their teams has begun.
Tom has three artists. Jessie has also secured three. I didn't start this show thinking I'd be competitive, but I'm feeling a little burn in my stomach. Danny has one artist. Will matches him with one artist. I already know what I got, and I know what I need. Then I'm going to get what I want. Next week, the blind auditions continue. More incredible artists fight for their place in the competition. You're going to beat these people. As the battle to build their teams intensifies, the coaches go all out to win. I can do it consecutively in every country on the planet. I don't want to pull that out, but hello. Everybody's in it to win it. Pick me! AJMOO Previously on "The mentalist"... We need to find kira tinsley. She either works for Red John, or she's about to become his next victim. Who did this to you? Tell me. Jane, what did she say? She told me Red John has a tattoo on his left shoulder-- Three dots. That's my leverage. - Jane. - Hello, Lisbon. Jane, don't do this, not without me. Listen, I'm sorry.
Jane, I am begging you. You're in danger! I-it's gonna be okay. I-I'm gonna be okay. No, you're not. You do this, and you're throwing your life away. Bye, Lisbon. Jane... no. A tattoo? Yes. That we can use to identify Red John? - Yes. - That's great. So all we have to do is check each one of the suspects one by one until we find out who has the tattoo. No. Why not? Red John doesn't know I know about the tattoo. Okay. So if we start checking suspects, it's very likely that red john will find out. And disappear before we have a chance of getting him. Exactly. Then what do you want to do? Gather all five suspects together at the same place, same time, And then start checking for the tattoo. And how do we do that? We'll ask them. And you think they'll agree? Wasn't planning on giving them a choice. Even so, there's a problem. Bret Stiles--he's wanted by the F.B.I.
in connection to two homicides. Yeah. Cold cases from over 20 years ago. You're kidding, after all this time, the F.B.I. is moving in now? Well, they must have found something new- forensics, a witness. Well, where's Stiles? Well, that's the thing. Nobody knows, Not even the F.B.I. Stiles disappeared weeks ago. We'll find him. How? I don't know, but we'll find him. We have to. I'm on board with your plan. Good. On one condition. I want to be there when you reveal Red John. Okay. Seriously. - I said okay. - Yeah, but you didn't mean it. Did I not? Uh, how can you tell? This is non-negotiable, Jane. I agree 100%. I think I've made myself clear, agents. I have no knowledge of Bret Stiles' whereabouts. Yes, and we've made it clear that we're not buying it. Stiles leaves you in charge of Visualize, but he keeps you in the dark about where he's hiding? Doesn't make sense.
Stiles has and always will put the church's needs before his own. This time is no different. He doesn't want me to know because he wants to protect me. And because he doesn't want to be found. I doubt Bret Stiles is worried about being found. You seem confident. Call it faith. You see, Stiles' time in our... reality is limited. As we speak, he's preparing his mind and body for a departure from the confines of our material world. He's dying? That is a very naive, very ignorant way of looking at it. Bret Stiles is not dying. Bret Stiles cannot die. He is elevating himself to another plane, one lesser men like ourselves can only strive to reach. And one some of us obviously can't comprehend. Coffee--one cream, one sugar. Thanks, Russell. Forensics is here when you're ready. Send them over. Get his I.D. for me, will you? You know how I am about heights. Sure. Oh, and, uh, someone's here to see you. Thanks. There's been a breakthrough in the Red John investigation. I have some new information. Some very significant information. Okay. What is it? No, no.
Not yet. I'm not sure who I can trust. I'm not even sure I can trust you. Red John has some very powerful allies. Patrick, come on. Okay, but not here. Meet me at 8:00 on Thursday night. Thursday? Why? I need time to find a safe place to meet. Fine. Where? I'll let you know the day of. This is crazy. I've made the mistake of underestimating Red John a number of times now. I don't want to make that mistake again. If you want the information, it's on my terms. Okay. Thursday night. This is Sheriff McAllister. Sheriff? Patrick Jane. Hello, Patrick. How are things? Good. Good. - I'm calling because I had a question. - Shoot. Last month when I was in Napa, you said that you were at my disposal. Yes, I remember.
Did you mean what you said? I like to think I'm a man of my word. Oh, I don't doubt it. But can I count on you for your help? Can I count on you? Of course. Thursday night at 8:00 I'll need your help. Well, then you've got it. Thank you. I'll let you know where to be the day of. Patrick? Yeah? This is about Red John, isn't it? Thursday night. They're ready for you, sir. Thank you, Evelyn. Also, this came for you. You are here tonight to witness my ascension. My ascension from this world to a world beyond. Do not mourn me, my children, for this is not a passing, but a departure. And I promise... I... will... return! Listen to me, Don, you don't have a mistresst. You have a vindictive screwball who's about to ruin your life. Yes, well, it's very lucky for you my job is to fix problems, so here's what you're gonna do. You are gonna write her a check-- It is gonna be a very big check-- And then you are gonna pray that this problem goes away. If it doesn't, don't worry, Don.
There are plenty of ways to keep a woman quiet, OK? I gotta go. All right. You're late. It's good to see you, too, Teresa. Uh, excuse me, can I get coffee, black, please? Thanks. So why am I here at 8:00 a.m.? I need help with an investigation. What investigation? It's not important. Really? It is if you want my help. I can't tell you. Come on, Teresa. I know you better than that. What, you and Jane got something going on with the Red John case? Maybe. "Maybe." Yeah, right. What is with all the secrecy? Seriously, why are you always holding out on me? You don't think I'm Red John, do you? You do, don't you? Tell you what. You want to question me, you arrest me. Otherwise, you leave me the hell out of this. Sit down. Sit. If asking's not gonna work, I won't ask. You're no longer with the CBI.
You don't get the same protection law enforcement gets. - What, you threatening me? - No, Jane is. He wants to see you tomorrow night. If you don't show up, he will assume you're Red John. And, Ray, he will come after you. You gotta be kidding me. You know Jane. You know what happened to him. You know what Red John did to him. If I were you, I wouldn't test him. I'm not afraid of Patrick Jane. Well, what's the problem with showing up? If I do this, will you and Jane drop the whole that "I'm Red John" business? For once and for all. What time? 08:00. I'm not done. There's one more thing that I need. You're killing me here. - Stiles. - Yeah? - Where is he? - I can't help you. Come on, Ray, you've been with Visualize for years. I don't want to arrest him. I just want to talk to him. You do this, and I will owe you. And in your line of work, sooner or later you're gonna need a favor. So Ray Haffner told me that Stiles uses a private jet to move around the country undetected.
Belongs to a guy named Ryan Parks. Parks. Got it. I'll check it out. Has Jane been in yet? No, I haven't heard from him. Mr. Lamotte? Yeah? Can I help you? Agents Cho and Rigsby from the CBI. We were wondering if you could answer a few questions for us. Sure. A G6 landed here late last night, tail number M550MT. It would have been around 11:00. I remember. What about it? Do you know who was on the flight? No. Private aircraft aren't required to provide passenger manifests. Did you happen to see anyone who was getting off the plane? No. Sorry. Oh, but whoever it was had a car service pick him up. They might be able to help you. You don't happen to have the name of that car service, by any chance? Yes, I do. So what happened with the car service? Well, they said that they picked up a silver-haired man with a British accent from the airport last night. - Stiles. - We think so.
Well, where'd he go? The address was for the Ecuadorian Consulate in San Francisco. Good job. You two go and check it out. You know what? Van Pelt, why don't you go alone? Stiles likes you. Maybe we can use that to our advantage. Is...there a problem? - Uh, no. - No. - I'll be fine. - I know. - It's my job. - I know. I love you. I know. Hey, Lisbon. Where are you? Oh, just running some errands. Everything okay? Yeah, right as rain. What's up? Haffner's in. Good. What about Stiles? Van Pelt may have a bead on his location. She's checking it out now. That leaves one more Red John suspect left to talk to. Yes.
Bertram. I'm on my way to his office. - You want to meet me there? - All right. Grace Van Pelt. Well...how lovely to see you again. Well...so, please sit. What do I owe this pleasure? Jane. He needs a favor. Oh. Clever, him, sending you. So exactly what can I do for Patrick Jane? He would like to meet with you. Tomorrow night at 8:00. You've changed since we last met. You're married. Yes. Oh, don't tell me you married that genial oaf. Oh. Oh, well. Congratulations. Yeah. Thank you. So...will you meet with Jane? Ah...you know, nothing would please me more than to meet with him. I mean, really, I would love to. But... unfortunately, my circumstances-- it's probably not gonna happen. You mean because of the F.B.I.? Mm.
You have been doing your homework. They don't know I'm here. Which means they don't know you're here. But they will if you don't agree to meet with Jane. You have changed, haven't you? Have you ever been to Ecuador, by any chance? No. I was there--oh, god, years and years ago doing missionary work. Uh... lovely people. But there was a young man there... he was underprivileged, ferociously ambitious. I saw something in him. So I decided to try and help him. You know, I-I paid for his school fees, that sort of thing. N-nothing really much, but wouldn't you know it? All these years later, that same man is now Minister of State. I'm happy for him. Anyway, he invited me to stay in this palatial consulate. This morsel of foreign soil. Foreign soil, of which, as you know, is outside the jurisdiction of you, the F.B.I., and all U.S. law enforcement. So, you see, Gracie, your idle threats are just that. Well, it's been so lovely seeing you again. Please give my best to Mr. Jane. Close the door on your way out! It's gonna be fine. Thanks. I feel a lot better. Come on in. We've made a breakthrough, sir. - In... - The Red John case.
We're close to identifying him. Well, then this is fantastic news. After all these years. Y-you-- You really think you've got him? I do. I'll know the second you have something concrete. You will, sir. And I want to be there when you end this. I was hoping you'd say that. Yeah, it's me. I just had a very interesting conversation with Patrick Jane. How'd it go with Bertram? He's in. What about Stiles? - Not so good. - Did you find him? Yes. Then what's the problem? He's at the Ecuadorian consulate. As long as he's there, we can't touch him. What do you want to do? I'll handle Stiles. He's not gonna come with you. He doesn't have to. I'll be persuasive. What is that? A shot gun? You sure it's big enough? We need to talk about tomorrow night.
I've already told you. Just hear me out, please. You don't want me to be there. No, I don't. You don't want to be there because you think I'm gonna try and stop you from killing red john. Are you saying that you won't? What I'm saying is some men-- men like Red John-- they don't deserve a trial. They don't deserve a jury. They deserve what they have coming to them. Wait, l-let me get this straight. After close to 20 years working in law enforcement, you're just-- you're changing your mind? About Red John? Yes. I'm surprised, Lisbon. What, you don't believe me? Heavens, no. You're the most honest person I know. You would never lie, not about something like this. Right? Right. Tomorrow night then. Tomorrow night. Patrick, dear boy. Well, how are you? Well, I'm not your boy. Oh, I see. So this is not a social meeting, eh? You're gonna meet me tonight at 8:00. - Patrick.
- No, you listen to me. You're gonna meet me tonight at 8:00, Or I'm gonna come back here, and when I do, you will need more than these walls to keep you safe. Threats? That's so out of character. I mean every word of it. Yes. I believe you do. But you see, Patrick, a dying man does not fear death. Oh, please. This charade might work on your disciples. It doesn't work on me. You think too highly of me. Unfortunately, it's not a charade. How long have you got? It's spread to the blood. There's nothing they can do. I don't know... Two weeks, a month. You see... it's not personal. It's just that... my time now is very precious. I'm still gonna need you tonight. For god sake, why? What's so damned important? Red John. I'm close. Closer than I've ever been. Red John... Look... nothing would give me more pleasure than to be with you there tonight. But?
There's more to this than you know. There's--there's more keeping me here. The F.B.I? Yeah, as a matter of fact. You know, they tracked me here. They're just waiting for me to leave so they can arrest me. Look, I'm not choosing to stay here, but I'm trapped. So the F.B.I's the only thing that's keeping you here? Eyes up, we've got movement at the front entry. That's a Visualize car. I think they're sneaking someone out. Get ready to move. Go! Go! Go! - Don't move! - Don't move! Hands on your steering wheel! Keep your hands where we can see 'em. Hello. Gentlemen. Something I can help you with? Stiles is in. We'd better get going. We've got a long drive ahead of us. Take him. Well, then Sac P.D.'s just gonna have to wait. Look, I-I don't wanna pull rank... but I will. Kevin, I gotta call you back. I'll be needing a car.
What are we doing? I want to see the sunset. There's something I want to tell you, Lisbon. Something I should have said a long time ago. I want to thank you for everything that you've done. You can thank me later. No, I... I need to say this now. You have... no idea what you've meant to me. What you mean to me. Thank you. I almost forgot. I have a surprise for you. Wait here. Jane? Jane! Hey! Stop! Please. My name is Teresa Lisbon. I am an agent with the California Bureau of Investigation, and I need to borrow your car. It's an emergency. What? ! No way. Get out. Now. Come on. Come on. This is outrageous.
I'm calling the police. Good idea. Thanks. - Jane. - Hello, Lisbon. Jane, don't do this, not without me. Listen, I'm sorry. Jane, I am begging you. You're in danger! I-it's gonna be okay. I-I'm gonna be okay. No, you're not. You do this, and you're throwing your life away. Bye, Lisbon. Jane... No. Oh. Hello, Patrick. Am I early? No, no. Right on time. Have a seat. 9-1-1. What's your emergency? This is Agent Teresa Lisbon with the California Bureau of Investigation. I need officers at 1309 Cedar Street in Malibu. I have an agent who needs immediate assistance. I brought you five together for a reason. Some of you may know that reason. Some of you may have guessed.
But one of you here... is Red John. What? ! One of us? One of us here is Red John? Well, that's very interesting. - Who is it? - I don't know. And that's what we're gonna find out. Wait, you're trying to say that one of us in this room... is a serial killer? - I know it. - No, this is crazy. I can assure you it's not. Well, I can assure you I'm not sticking around for this crap. Sit down. Do not move toward the door. No one is leaving. Take it easy, Patrick. Do I look distressed? Don't. I will shoot you. That goes for the rest of you as well. Take out your weapons slowly, place them on the floor, and push them toward me. Thank you. Thank you. Okay, Patrick. This is... this is enough. It's gone far enough. No, we're just getting started. I've waited ten years for this moment.
All those years, Red John has been smart. One of you has been smart. Careful. But not this time. This time, you made a mistake. Kira Tinsley told me something before she passed. She told me that her killer- - Red John-- has a tattoo. Three dots on his left arm. On the shoulder. And you all... are gonna show me... now. Let's go. Come on. That's it. Take it off. Nonsense. Very good. It's not what you think. - You got it wrong. - Enough. I'm not Red John. Patrick, wait. Patrick! Look... here. Look. On your feet. Over with those two. You stay there. Okay, you three... Over against that wall-- now.
Wait! No! Jane! Previously on "The Mentalist"... We need to find Kira Tinsley. She either works for Red John, or she's about to become his next victim. (Grunting) (Engine roaring) (Fabric ripping, siren wailing in distance) Who did this to you? Tell me. (Gasping) (Lisbon) Jane, what did she say? She told me Red John has a tattoo on his left shoulder-- three dots. That's my leverage. (Crickets chirping) (Engine roaring) (Engine stops) (Closes door) (Clicks switch) (Pops) (Clattering, cell phone rings) (Ringing continues) (Lisbon) Jane. Hello, Lisbon. Jane, don't do this, not without me. Listen, I'm sorry. Jane, I am begging you. You're in danger! I-it's gonna be okay.
I-I'm gonna be okay. No, you're not. You do this, and you're throwing your life away. Bye, Lisbon. Jane... no. (Snaps phone shut) (Clicks switch) (Clicks latches) (Clicks switch) (Vehicle arriving) (Exhales) (Vehicle door opens and closes) (Footsteps approaching, man whistling) (Footsteps and whistling continue) (Whistling stops) ♪ The Mentalist 6x06 ♪ Fire and Brimstone Original Air Date on November 3, 2013 == sync, corrected by elderman == @elder_man A tattoo? Yes. That we can use to identify Red John? Yes. That's great. So all we have to do is check each one of the suspects one by one until we find out who has the tattoo. No. Why not? Red John doesn't know I know about the tattoo. Okay. So if we start checking suspects, it's very likely that Red John will find out. And disappear before we have a chance of getting him. Exactly.
Then what do you want to do? Gather all five suspects together at the same place, same time, and then start checking for the tattoo. And how do we do that? We'll ask them. And you think they'll agree? Wasn't planning on giving them a choice. (Groans) Even so, there's a problem. Bret Stiles--he's wanted by the F.B.I. In connection to two homicides. Yeah. Cold cases from over 20 years ago. You're kidding. After all this time, the F.B.I. is moving in now? Well, they must have found something new-- forensics, a witness. Well, where's Stiles? Well, that's the thing. Nobody knows, not even the F.B.I. Stiles disappeared weeks ago. We'll find him. How? I don't know, but we'll find him. We have to. I'm on board with your plan. Good. On one condition. I want to be there when you reveal Red John. Okay. Seriously. I said okay. Yeah, but you didn't mean it. Did I not?
Uh, how can you tell? This is non-negotiable, Jane. I agree 100%. I think I've made myself clear, agents. I have no knowledge of Bret Stiles' whereabouts. You have to cooperate. Yes, and we've made it clear that we're not buying it. Stiles leaves you in charge of Visualize, but he keeps you in the dark about where he's hiding? Doesn't make sense. Stiles has and always will put the church's needs before his own. This time is no different. He doesn't want me to know because he wants to protect me. And because he doesn't want to be found. I doubt Bret Stiles is worried about being found. You seem confident. Call it faith. You see, Stiles' time in our... reality is limited. Huh? As we speak, he's preparing his mind and body for a departure from the confines of our material world. He's dying? That is a very naive, very ignorant way of looking at it. Bret Stiles is not dying. Bret Stiles cannot die. He is elevating himself to another plane, one lesser men like ourselves can only strive to reach. And one some of us obviously can't comprehend. (Horns honking in distance) (Police radio chatter) Coffee--one cream, one sugar. Thanks, Russell. Forensics is here when you're ready.
Send them over. Get his I.D. for me, will you? You know how I am about heights. Sure. Oh, and, uh, someone's here to see you. Thanks. There's been a breakthrough in the Red John investigation. I have some new information. Some very significant information. Okay. What is it? No, no. Not yet. I'm not sure who I can trust. I'm not even sure I can trust you. Red John has some very powerful allies. Patrick, come on. (Speaking indistinctly) Okay, but not here. Meet me at 8:00 on Thursday night. Thursday? Why? I need time to find a safe place to meet. Fine. Where? I'll let you know the day of. This is crazy. I've made the mistake of underestimating Red John a number of times now. I don't want to make that mistake again. If you want the information, it's on my terms.
Okay. Thursday night. (Crickets chirping) (Cocks gun) (Scope clicking) (Cell phone rings) (Hoofbeats retreating) (Ringing continues) (Sighs) (Beeps) This is Sheriff McAllister. Sheriff? Patrick Jane. Hello, Patrick. How are things? Good. Good. I'm calling because I had a question. Shoot. Last month when I was in Napa, you said that you were at my disposal. Yes, I remember. Did you mean what you said? I like to think I'm a man of my word. Oh, I don't doubt it. But can I count on you for your help? Can I count on you? (Exhales) Of course. Thursday night at 8:00 I'll need your help. Well, then you've got it. Thank you.
I'll let you know where to be the day of. Patrick? Yeah? This is about Red John, isn't it? Thursday night. (Exhales) They're ready for you, sir. Thank you, Evelyn. (Inhales) Also, this came for you. Hmm? Hmm. (Sighs) (Inhales) ♪ (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Bell chimes) (Sets down chalice) You are here tonight to witness my ascension. My ascension from this world to a world beyond. Do not mourn me, my children, for this is not a passing, but a departure.
And I promise... I... will... return! (Cheers and applause) (Cheering continues) Listen to me, Don, you don't have a mistress. You have a vindictive screwball who's about to ruin your life. Yes, well, it's very lucky for you my job is to fix problems, so here's what you're gonna do. You are gonna write her a check-- it is gonna be a a very big check-- and then you are gonna pray that this problem goes away. If it doesn't, don't worry, Don. There are plenty of ways to keep a woman quiet. Okay? All right. I gotta go. All right. (Indistinct conversations) Hello. You're late. It's good to see you, too, Teresa. Uh, excuse me, can I get coffee, black, please? Thanks. So why am I here at 8:00 a.m.? I need help with an investigation. What investigation? It's not important. Really? It is if you want my help. I can't tell you. Come on, Teresa. I know you better than that. What, you and Jane got something going on with the Red John case?
Maybe. "Maybe." Yeah, right. (Inhales sharply) What is with all the secrecy? Seriously, why are you always holding out on me? You don't think I'm Red John, do you? You do, don't you? Tell you what. You want to question me, you arrest me. Otherwise, you leave me the hell out of this. Sit down. Sit. If asking's not gonna work, I won't ask. You're no longer with the CBI. You don't get the same protection law enforcement gets. What, you threatening me? No, Jane is. He wants to see you tomorrow night. (Sets coffee cup down) If you don't show up, he will assume you are Red John. And, Ray, he will come after you. You gotta be kidding me. You know Jane. You know what happened to him. You know what Red John did to him. If I were you, I wouldn't test him. I'm not afraid of Patrick Jane. Well, what's the problem with showing up? If I do this, will you and Jane drop the whole that "I'm Red John" business? For once and for all.
What time? 8:00. I'm not done. There's one more thing that I need. (Sighs) You're killing me here. Stiles. Yeah? Where is he? I can't help you. Come on, Ray, you've been with Visualize for years. I don't want to arrest him. I just want to talk to him. You do this, and I will owe you. And in your line of work, sooner or later you're gonna need a favor. So Ray Haffner told me that Stiles uses a private jet to move around the country undetected. Belongs to a guy named Ryan Parks. Parks. Got it. I'll check it out. Has Jane been in yet? No, I haven't heard from him. (Knocks on door) (Speaking inaudibly) (Engines whirring) Mr. Lamotte? Yeah? Can I help you? Agents Cho and Rigsby from the CBI. We were wondering if you could answer a few questions for us. Sure. A G6 landed here late last night, tail number N550MT.
It would have been around 11:00. I remember. What about it? Do you know who was on the flight? No. Private aircraft aren't required to provide passenger manifests. Did you happen to see anyone who was getting off the plane? No. Sorry. Oh, but whoever it was had a car service pick him up. They might be able to help you. You don't happen to have the name of that car service, by any chance? Yes I do. So what happened with the car service? Well, they said that they picked up a silver-haired man with a British accent from the airport last night. Stiles. We think so. Well, where'd he go? The address was for the Ecuadorian consulate in San Francisco. Good job. You two go and check it out. You know what? Van Pelt, why don't you go alone? Stiles likes you. Maybe we can use that to our advantage. Is... there a problem? Uh, no. No. I'll be fine. I know.

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