text
stringlengths
1
22.8M
De Bannelingen is a 1911 Dutch silent drama film directed by Léon Boedels and Caroline van Dommelen. Plot In the 19th century a group of nihilists wants to improve the horrible conditions for prisoners in Russia. Cast Caroline van Dommelen ... Alexandra Iwanovna Medjanof Cato Mertens-de Jaeger ... Warwara Bogodouchow Louis van Dommelen Jef Mertens Oscar Tourniaire Jan van Dommelen Jan Buderman Anton Roemer Manus Hulsman Wim Grelinger Jopie Tourniaire Ansje van Dommelen-Kapper Kees Lageman Tilly Lus Piet Fuchs External links 1911 films Dutch silent feature films Dutch black-and-white films 1911 drama films Films directed by Caroline van Dommelen Silent Dutch drama films
Rajshahi Science & Technology University or RSTU () is a private university in Natore, Bangladesh. It was established in 2013. Faculties and departments The university has the following faculties and departments: Faculty of Science and Engineering Department of Computer Science and Engineering Bachelor of Science in Computer Science and Engineering (CSE) Bachelor of Science in Computer Science and Engineering (CSE)-For Diploma Department of Electrical & Electronics Engineering Bachelor of Science in Electrical & Electronics Engineering (EEE) Bachelor of Science in Electrical & Electronics Engineering (EEE)-For Diploma Department of Civil Engineering Bachelor of Science in Civil Engineering (CE) Bachelor of Science in Civil Engineering (CE)-For Diploma Department of Textile Engineering Bachelor of Science in Textile Engineering (TE) Bachelor of Science in Textile Engineering (TE)-For Diploma Department of Science Bachelor of Pharmacy [B.Pharm(Hons.)] Faculty of Business School of Business Bachelor of Business Administration (BBA) Master of Business Administration (MBA) (Regular) Master of Business Administration (Executive) Faculty of liberal arts and social sciences School of liberal arts and social sciences' Bachelor of Laws (LLB) (2 Yrs.) Bachelor of Laws with Honours (LLB-Hons.) Master of Laws (LLM) Bachelor of Arts in English (Hons.) Master of Arts in English BSS in Economics (Hons.) BSS in media and journalism BSS in Sociology (Hons.) Newly constructed Academic Building of Rajshahi Science & Technology University at VIP Tower, Holding # 112 Dhaka Road, Bara Harishpur, Natore Sadar Natore 6400. List of vice-chancellors Mohammed Shahjahan Prof. Dr. Abdul Gaffar Miah (present) Accreditation The academic programs of the university are recognized by the following organizations: UGC University Grants Commission Bangladesh Notable alumni and faculty members Banaj Kumar Majumder, Chief, Police Bureau of Investigation. References External links Private universities in Bangladesh Private engineering universities of Bangladesh Universities of science and technology in Bangladesh 2013 establishments in Bangladesh Educational institutions established in 2013
Gerlaw is an unincorporated community in Warren County, Illinois, United States. Gerlaw is north-northeast of Monmouth. Gerlaw had a post office, which closed on August 28, 2010. References Unincorporated communities in Warren County, Illinois Unincorporated communities in Illinois
All-Star Baseball 2005 is a baseball video game developed by Acclaim Studios Austin and published by Acclaim Entertainment for PlayStation 2 and Xbox in 2004. It was released exclusively in North America. The game features Derek Jeter on the cover. It is the eighth and last game in the series. Gameplay The game includes several features that most previous versions did not include, such as old players like Babe Ruth, Yogi Berra and others. Apart from each of the Major League Baseball (MLB) teams, the game also features teams made up with legends of different eras. Players can play an exhibition game against the computer, or a 162-game season, choosing their favorite team. Users can also create their own players and set their playing talent to one of five levels: rookie, veteran, all-star, legend and hall-of-famer. The rookie level is recommended for beginners: when using the rookie level, hitting the ball becomes automatically easier (with a mechanism that the game calls "timing"). In addition, players can choose whether the fielding during a game will be done entirely by the player, by the computer, or as a combination, both by the player and the computer. The latter is called the "assist" fielding mode. There are other modes of play. These are called the "Bonus play modes". The bonus play modes consist of a pick-up baseball bame, a Baseball Weekly trivia game, a trivia game, batting practice, and a home run contest. The pick-up game in particular features four different fields where the player can stage games, these being a schoolyard, a sandlot, a city park and a corn field. Major League players chosen by the computer "show up" for the pick-up games; the player has no control over who will show up. Typically, 16 contemporary players and two retired players (ex. Ty Cobb and Satchel Paige) show up for games. The player chooses the field and the number of innings that the pick-up games will be held for. The trivia game offers an image of a board game. In the trivia game, two players play against each other. The computer picks up cards from a "stack of cards" placed on the board, in a somewhat similar way to the cards and the board used in Monopoly. Players must then correctly answer the question on each card. If the player is wrong, that represents one out. The player gets a "hit" for a correct answer, and the computer determines whether the hit was a single, double, triple or home run. Every time a player gets a "hit" by answering a question correctly, the computer places a chess figure on board, and the figure moves to the corresponding base, depending on what the computer determines. Before this game, players also choose what level of competition they want, and how many "innings" is the trivia game going to be played for. Barry Bonds does not appear in All Star Baseball 2005, because he is not a member of the Professional Baseball Players Association. Instead of him, the San Francisco Giants have a make-believe player named "Wes Mailman". "Mailman" actually announces himself on one of the billboards at the Philadelphia Phillies home games. The game does feature play by play commentary by Arizona Diamondbacks television broadcaster Thom Brennaman and former major league player Steve Lyons, who sometimes offers long answers to Brennaman's questions during games. All-Star Baseball 2005 features a variety of things that most previous versions (except 2004) did not include, such as classic players like Babe Ruth, Yogi Berra and others. Apart from each of the MLB teams, the game also features MLB legends of different eras and the 2004 American and National league teams. One particular game characteristic is that it includes the Montreal Expos, who relocated from Montreal to Washington, D.C., and changed their name to the Washington Nationals for the 2005 MLB season. The game includes all thirty stadiums as of the 2004 season, as well as other fictional and non-fictional ball parks to bring the total to over eighty parks. Some of these parks include: the Polo Grounds used by the then New York Giants (the New York Yankees played their home games there as well from 1913-1922); Ebbets Field used by the Brooklyn Dodgers from 1913–1957, Houston Astrodome; Hiram Bithorn Stadium used by the Montreal Expos in their final season; retro, current and future versions of Fenway Park, Yankee Stadium, Shea Stadium and Dodger Stadium. Reception The Xbox version received "generally favorable reviews", while the PS2 version received "average" reviews, according to the review aggregation website Metacritic. References External links 2004 video games Acclaim Entertainment games Acclaim Studios Austin games All-Star Baseball video games Baseball video games North America-exclusive video games PlayStation 2 games Video games developed in the United States Video games set in 2005 Xbox games
"Uprising" is the third episode of the fourth season of the American television series Agents of S.H.I.E.L.D. Based on the Marvel Comics organization S.H.I.E.L.D., it follows Phil Coulson and his team of S.H.I.E.L.D. agents as they face worldwide attacks on Inhumans. It is set in the Marvel Cinematic Universe (MCU) and acknowledges the franchise's films. The episode was written by Craig Titley and directed by Magnus Martens. Clark Gregg reprises his role as Coulson from the film series, and is joined by series regulars Ming-Na Wen, Chloe Bennet, Iain De Caestecker, Elizabeth Henstridge, Henry Simmons, and John Hannah. The episode explores the increasing threat of the Watchdogs terrorist group, and introduces recurring guest star Parminder Nagra as Ellen Nadeer, a U.S. senator working with the Watchdogs. The episode also further explores other recurring guests, including Gabriel Luna's Robbie Reyes and Natalia Cordova-Buckley's Elena Rodriguez, and sees S.H.I.E.L.D. announced as a government organization after working in secret since the end of the first season. It is part of the first "pod" of eight episodes for the season, subtitled Ghost Rider. "Uprising" debuted at New York Comic Con, before airing on ABC on October 11, 2016. The episode was watched by 4.89 million viewers within a week of its release. Critical response was mostly positive, with praise going to the episode's action and the cast's chemistry, but several story elements were criticized as forced. The S.H.I.E.L.D. announcement was seen to be overly ambitious for the series given the MCU films are considered unlikely to ever acknowledge it. Plot Inhuman and S.H.I.E.L.D. asset Elena "Yo-Yo" Rodriguez is attending a bachelorette party for a friend in Miami when power throughout the city goes out. A group claiming to be the Inhuman resistance takes responsibility for this, but with no known Inhuman having the power to do such a thing, S.H.I.E.L.D. believes that an EMP device has been used. In Los Angeles, Robbie Reyes and Daisy Johnson, the vigilantes Ghost Rider and Quake, plan to visit the former's uncle in prison to talk to him about his past working at Momentum Energy labs, which they are investigating. However, another blackout hits that city, and the pair race to get Robbie's brother Gabe. Fighting off some looters, Johnson injures her arms, so when they get Gabe to safety, Robbie goes to get her medical supplies. While he is gone, Gabe tells Johnson that he recognizes her as Quake, and asks her to leave his brother to keep him out of trouble. In Miami, S.H.I.E.L.D. agents Phil Coulson, Alphonso "Mack" Mackenzie, and Leo Fitz arrive to find a group of armed men holding the bachelorette party at gun point, searching for an Inhuman. Yo-Yo helps the agents fight off the group, revealing her Inhuman abilities to her friends who spurn her. Fitz uses non-electronic tracking methods to find the EMP used to take out the power, which they find to be run by Watchdogs, anti-Inhuman terrorists who have used the "resistance" as a cover to target Inhumans around the world. The agents disarm the EMP, now knowing that someone with access to the government's Inhuman register must be backing the Watchdogs. Agent Jemma Simmons and S.H.I.E.L.D. ally Holden Radcliffe are able to save agent Melinda May from a mysterious illness by killing her and then restarting her heart. After all of the Watchdogs' EMPs are disabled around the world, S.H.I.E.L.D. director Jeffrey Mace looks to avoid mass fear and anti-Inhuman feelings by announcing S.H.I.E.L.D. as a public organization after working in secret for years. Senator Ellen Nadeer, the leader of the Humans First political movement, later speaks out against S.H.I.E.L.D. She then receives a report from the Watchdogs, whom she is actually working with, and it is revealed that she has a brother who is trapped within an Inhuman Terrigen cocoon. Production Development and writing In September 2016, Marvel revealed that the third episode of the season would be titled "Uprising". The episode is written by Craig Titley, with Magnus Martens directing. Martens previously directed for the Marvel Netflix series Luke Cage. "Uprising" is part of the first "pod" of eight episodes for the season, subtitled Ghost Rider. When the series' writers were first breaking the story for the episode, Lilla Zuckerman suggested that a blackout would be a perfect opportunity for Ghost Rider to break into a prison and murder criminals. The other writers loved the idea, but the situation did not fit into the episode. The idea later became the basis for the episode "Lockup". With S.H.I.E.L.D. being announced as a legitimate organization again, after working in secret since the end of the series' first season, executive producer Jed Whedon said that the reaction to this would be mixed, as "there are people who, as we see with the senator, are outspoken against Inhumans and will be against any form of protection for them. There are also people who are afraid. The idea of bringing S.H.I.E.L.D. back into the light is to ease their fears. So it's going to be mixed." Elaborating on this fear of Inhumans, Whedon said, "the fun part about a genre TV show is you can speak in metaphor. There is a lot of fear of the other in our world right now. We get to do that with humans and Inhumans. We get to tackle those issues head-on without ever really talking about them." Actor Gabriel Luna said that Robbie Reyes chose to work with Daisy Johnson after the last episode because "I respect her power and I respect her. I understand that she's going in the same direction I am, she's seeking the same ends that I am, so I offer the opportunity for her to jump in and saddle up and we go find these things out." He noted that they "get sidetracked" with the blackouts in this episode, and then Gabe asks Johnson to leave. Luna said "that look on his face you see is perhaps a little disappointment in that he started to have a bond with someone he hasn't killed. I think that face you see is one of—not fear, but definitely concern that the one person who knows that Robbie Reyes is Ghost Rider is now back out there running around, doing whatever she has to do." Whedon called Gabe asking Johnson to leave Robbie "another blow to Daisy and her emotional makeup" as she "has been trying to operate alone, because she doesn't want to be a danger to anyone else. Now ... Gabe voices her very fear". Additionally, discussing May's death and revival at the hands of Dr. Radcliffe in the episode, Whedon said, "she's May, so she's kind of like, 'Oh, that happened', But she now has common ground with Coulson, as if they didn't have enough common ground as it is." Executive producer Maurissa Tancharoen added that May's dying "will impact her life in ways that you may not expect at this point in time." Casting In August 2016, Parminder Nagra was cast in the recurring role of an anti-Inhuman politician. The next month, her character was revealed to be Senator Rota Nadeer, to first appear in "Uprising", Nadeer's first name was later revealed to actually be Ellen. Marvel also confirmed to appear in the episode main cast members Clark Gregg as Phil Coulson, Ming-Na Wen as Melinda May, Chloe Bennet as Daisy Johnson, Iain De Caestecker as Leo Fitz, Elizabeth Henstridge as Jemma Simmons, Henry Simmons as Alphonso "Mack" Mackenzie, and John Hannah as Holden Radcliffe. The episode introduces backstory concerning Nadeer's brother, and her reasoning for being anti-Inhumans, to be explored in later episodes. In addition to Nagra, guest stars for the episode include Natalia Cordova-Buckley as Elena "Yo-Yo" Rodriguez, Jason O'Mara as the Director, Gabriel Luna as Robbie Reyes, Mallory Jansen as Aida, Alexander Wraith as Agent Anderson, Lorenzo James Henrie as Gabe Reyes, Patrick Cavanaugh as Burrows, Ricky Saenz as pistol punk, Devon Libran as slugger punk, Valery Ortiz as Maria, Derek Hughes as The Amazing Mertz, Preston Flagg as Darryl, Stephanie Maura Sanchez as bridesmaid #1, Jen Kuo Sung as Chen, Dale Pavinski as Briggs, Michael Cory Davis as agitator, Aaron Gaffrey as mystery figure and Adriana Diaz as hostage. Cordova-Buckley, O'Mara, Luna, Jansen, Wraith, Henrie, and Sung reprise their roles from earlier in the series. The Amazing Mertz is a magician, with Hughes himself having reached the finals of America's Got Talent in 2015 with a magic act. Cordova-Buckley, who began appearing on the show during the third season, was surprised to find the writers' characterization of Rodriguez in the episode to closely mirror her own life. Cordova-Buckley stated that, like how Rodriguez is seen in the episode, she dislikes nightclubs, and has found herself changing over time to be a different person from who her old friends remember; for Cordova-Buckley, this was seen in returning to Mexico after becoming an actor in the United States, which is reflected with Rodriguez's friends from Colombia from before she worked with S.H.I.E.L.D. as an Inhuman asset. Release "Uprising" was first screened at New York Comic Con on October 7, 2016, where Gregg, Bennet and Luna promoted the series. The episode later aired in the United States on ABC on October 11. It began streaming on Netflix, along with the rest of the fourth season, on June 15, 2017. Reception Ratings In the United States the episode received a 0.9/3 percent share among adults between the ages of 18 and 49, meaning that it was seen by 0.9 percent of all households, and 3 percent of all of those watching television at the time of the broadcast. It was watched by 2.68 million viewers. Within a week of its release, "Uprising" had been watched by 4.89 million U.S. viewers, above the season average of 4.22 million. Critical response Scott Meslow at Vulture scored the episode 4 stars out of 5, saying that "like a good stock portfolio, the key to a good Agents of S.H.I.E.L.D. is diversification. The best thing about ["Uprising"] isn't any individual story. It's how deftly the show juggles so many stories without losing track of any." He felt the character of Maria was "cartoonishly one note ... [but] it's heartbreaking to watch Yo-Yo stand quietly as her friends unknowingly denounce her", and compared the use of Yo-Yo's powers to "a small-screen version of that great Quicksilver scene from X-Men: Days of Future Past ... it's still pretty cool". Alex McLevy of The A.V. Club graded the episode a "B+", feeling the action-heavy episode was a strong follow up to the more dialogue-focused "Meet the New Boss", and praising Martens direction and the episode's fight choreography. He particularly highlighted the fight sequence where an EMP creates a strobe effect. Evan Valentine at Collider rated the episode a "good" 3 stars out of 5, calling it a solid episode and highlighting the chemistry between the series' cast and the episode's fight sequences and visual effects, which he felt were "a nice and breezy combination of the show's strengths". IGNs Terri Schwartz gave the episode a "good" 7.8 out of 10, calling the blackout plot "fairly throwaway" but a backdrop to "tell far more interesting stories", with Luna's Reyes continuing to be the strongest new element of the season. Schwartz criticized the episode's killing and resurrection of May as "one of the weaker storytelling tricks in an otherwise solid episode—and as expected, May came back and is just fine." Writing for Nerdist, Joseph McCabe had mixed feelings about the episode's political angle and the use of Inhumans as a stand-in for minorities, but praised the chemistry between Coulson, Mack, and Fitz, and the further exploration of Jeffrey Mace. McCabe was highly critical of guest star Lorenzo James Henrie, calling him "no more charismatic here than he was in Fear the Walking Dead, and his character is every bit as unsympathetic as his misguided rebel was on that show, wheelchair or no." Kevin Fitzpatrick of ScreenCrush was particularly negative, feeling the episodes' different storylines "ended up feeling like three disparate stories with some notable reaching'. He felt the Inhuman prejudice storyline and attack by looters on Gabe were forced, and that the May storyline did not "really [advance] our idea of where the AI or ghostly threads will end up". Fitzpatrick did think that the introduction of Nagra would "help Season 4 find its footing again" with a more focused overarching story. Several critics felt that events in the episode—particularly the terrorist-caused blackouts in major cities around the world, and the public relegitimization of S.H.I.E.L.D.—were problematic due to the series' connection to the Marvel Cinematic Universe. Meslow felt it was questionable for the series to feature a crisis such as the blackouts, given they "would surely attract the attention of at least one Avenger". Valentine felt that the S.H.I.E.L.D. announcement would fall alongside other events on the series that "will never be reflected in the [MCU] movies ... it does sometimes make you aggravated when the series can go for such broad strokes to the universe without any mention in the movies themselves". Fitzpatrick concurred with Valentine, saying the announcement will "never, ever be acknowledged by any other Marvel property." References External links "Uprising" at ABC 2016 American television episodes Agents of S.H.I.E.L.D. (season 4) episodes Television episodes directed by Magnus Martens Television episodes written by Craig Titley
Urbánek (feminine Urbánková) is a surname of Czech and Slovak origin, derived from the name Urban. Notable people with the surname include: Aleš Urbánek (born 1980), Czech footballer Jim Urbanek (1945–2009), American football player Johann Urbanek (1910–2000), Austrian footballer Karel Urbánek (born 1941), Czech communist politician Naďa Urbánková (1939–2023), Czech singer Petra Urbánková (born 1991, Czech track and field sprinter Robert Urbanek (born 1987), Polish discus thrower Růžena Urbánková (1912–?), Czech politician See also
Namps-Quevauvillers is a railway station located in the commune of Namps-Maisnil and near Quevauvillers, in the Somme department, France. The station is served by TER Hauts-de-France trains from Amiens to Abancourt. The station is one of several low importance stations along the 139 km long line. According to the SNCF, in 2003 it averaged 5 passengers per operating day. See also List of SNCF stations in Hauts-de-France References Namps
Pseudaneitea sorenseni is a leaf-veined slug, a terrestrial gastropod mollusc in the family Athoracophoridae. References Powell A. W. B., New Zealand Mollusca, William Collins Publishers Ltd, Auckland, New Zealand 1979 NZETC Athoracophoridae Gastropods of New Zealand Gastropods described in 1955
```rust use anyhow::Result; use turbo_tasks::{Completion, RcStr, State, Value, Vc}; use turbopack_core::introspect::{Introspectable, IntrospectableChildren}; use super::{ route_tree::{MapGetContentSourceContent, RouteTree, RouteTrees}, ContentSource, ContentSourceData, ContentSourceDataVary, ContentSourceSideEffect, GetContentSourceContent, }; use crate::source::{ContentSourceContent, ContentSources}; /// Combines two [ContentSource]s like the [CombinedContentSource], but only /// allows to serve from the second source when the first source has /// successfully served something once. /// This is a laziness optimization when the content of the second source can /// only be reached via references from the first source. /// /// For example, we use that in the content source that handles SSR rendering of /// pages. Here HTML and "other assets" are in different content sources. So we /// use this source to only serve (and process) "other assets" when the HTML was /// served once. #[turbo_tasks::value(serialization = "none", eq = "manual", cell = "new")] pub struct ConditionalContentSource { activator: Vc<Box<dyn ContentSource>>, action: Vc<Box<dyn ContentSource>>, activated: State<bool>, } #[turbo_tasks::value_impl] impl ConditionalContentSource { #[turbo_tasks::function] pub fn new( activator: Vc<Box<dyn ContentSource>>, action: Vc<Box<dyn ContentSource>>, ) -> Vc<Self> { ConditionalContentSource { activator, action, activated: State::new(false), } .cell() } } #[turbo_tasks::value_impl] impl ContentSource for ConditionalContentSource { #[turbo_tasks::function] async fn get_routes(self: Vc<Self>) -> Result<Vc<RouteTree>> { let this = self.await?; Ok(if !*this.activated.get() { this.activator.get_routes().map_routes(Vc::upcast( ConditionalContentSourceMapper { source: self }.cell(), )) } else { Vc::<RouteTrees>::cell(vec![this.activator.get_routes(), this.action.get_routes()]) .merge() }) } #[turbo_tasks::function] fn get_children(&self) -> Vc<ContentSources> { Vc::cell(vec![self.activator, self.action]) } } #[turbo_tasks::value] struct ConditionalContentSourceMapper { source: Vc<ConditionalContentSource>, } #[turbo_tasks::value_impl] impl MapGetContentSourceContent for ConditionalContentSourceMapper { #[turbo_tasks::function] fn map_get_content( &self, get_content: Vc<Box<dyn GetContentSourceContent>>, ) -> Vc<Box<dyn GetContentSourceContent>> { Vc::upcast( ActivateOnGetContentSource { source: self.source, get_content, } .cell(), ) } } #[turbo_tasks::function] fn introspectable_type() -> Vc<RcStr> { Vc::cell("conditional content source".into()) } #[turbo_tasks::function] fn activator_key() -> Vc<RcStr> { Vc::cell("activator".into()) } #[turbo_tasks::function] fn action_key() -> Vc<RcStr> { Vc::cell("action".into()) } #[turbo_tasks::value_impl] impl Introspectable for ConditionalContentSource { #[turbo_tasks::function] fn ty(&self) -> Vc<RcStr> { introspectable_type() } #[turbo_tasks::function] async fn details(&self) -> Result<Vc<RcStr>> { Ok(Vc::cell( if *self.activated.get() { "activated" } else { "not activated" } .into(), )) } #[turbo_tasks::function] async fn title(&self) -> Result<Vc<RcStr>> { if let Some(activator) = Vc::try_resolve_sidecast::<Box<dyn Introspectable>>(self.activator).await? { Ok(activator.title()) } else { Ok(Vc::<RcStr>::default()) } } #[turbo_tasks::function] async fn children(&self) -> Result<Vc<IntrospectableChildren>> { Ok(Vc::cell( [ Vc::try_resolve_sidecast::<Box<dyn Introspectable>>(self.activator) .await? .map(|i| (activator_key(), i)), Vc::try_resolve_sidecast::<Box<dyn Introspectable>>(self.action) .await? .map(|i| (action_key(), i)), ] .into_iter() .flatten() .collect(), )) } } #[turbo_tasks::value(serialization = "none", eq = "manual", cell = "new")] struct ActivateOnGetContentSource { source: Vc<ConditionalContentSource>, get_content: Vc<Box<dyn GetContentSourceContent>>, } #[turbo_tasks::value_impl] impl GetContentSourceContent for ActivateOnGetContentSource { #[turbo_tasks::function] fn vary(&self) -> Vc<ContentSourceDataVary> { self.get_content.vary() } #[turbo_tasks::function] async fn get( self: Vc<Self>, path: RcStr, data: Value<ContentSourceData>, ) -> Result<Vc<ContentSourceContent>> { turbo_tasks::emit(Vc::upcast::<Box<dyn ContentSourceSideEffect>>(self)); Ok(self.await?.get_content.get(path, data)) } } #[turbo_tasks::value_impl] impl ContentSourceSideEffect for ActivateOnGetContentSource { #[turbo_tasks::function] async fn apply(&self) -> Result<Vc<Completion>> { self.source.await?.activated.set(true); Ok(Completion::new()) } } ```
```php <?php /* * * * path_to_url * * Unless required by applicable law or agreed to in writing, software * WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the */ namespace Google\Service\DisplayVideo; class InventorySourceFilter extends \Google\Collection { protected $collection_key = 'inventorySourceIds'; /** * @var string[] */ public $inventorySourceIds; /** * @param string[] */ public function setInventorySourceIds($inventorySourceIds) { $this->inventorySourceIds = $inventorySourceIds; } /** * @return string[] */ public function getInventorySourceIds() { return $this->inventorySourceIds; } } // Adding a class alias for backwards compatibility with the previous class name. class_alias(InventorySourceFilter::class, 'Google_Service_DisplayVideo_InventorySourceFilter'); ```
```xml import { Optional, Directive, Input, Renderer2, ElementRef, Inject, forwardRef, } from '@angular/core'; import { TdLayoutComponent } from './layout.component'; import { BaseLayoutToggleDirective } from './layout-toggle.class'; @Directive({ selector: '[tdLayoutToggle]', }) export class TdLayoutToggleDirective extends BaseLayoutToggleDirective { @Input() set tdLayoutToggle(tdLayoutToggle: boolean | string) { this.disabled = !(<any>tdLayoutToggle === '' || tdLayoutToggle); } constructor( @Optional() @Inject(forwardRef(() => TdLayoutComponent)) layout: TdLayoutComponent, renderer: Renderer2, elementRef: ElementRef ) { super(layout, renderer, elementRef); } onClick(): void { this._layout.toggle(); } } @Directive({ selector: '[tdLayoutClose]', }) export class TdLayoutCloseDirective extends BaseLayoutToggleDirective { @Input() set tdLayoutClose(tdLayoutClose: boolean | string | undefined) { this.disabled = !(<any>tdLayoutClose === '' || tdLayoutClose); } constructor( @Optional() @Inject(forwardRef(() => TdLayoutComponent)) layout: TdLayoutComponent, renderer: Renderer2, elementRef: ElementRef ) { super(layout, renderer, elementRef); } onClick(): void { this._layout.close(); } } @Directive({ selector: '[tdLayoutOpen]', }) export class TdLayoutOpenDirective extends BaseLayoutToggleDirective { @Input('tdLayoutOpen') set tdLayoutClose(tdLayoutOpen: boolean) { this.disabled = !(<any>tdLayoutOpen === '' || tdLayoutOpen); } constructor( @Optional() @Inject(forwardRef(() => TdLayoutComponent)) layout: TdLayoutComponent, renderer: Renderer2, elementRef: ElementRef ) { super(layout, renderer, elementRef); } onClick(): void { this._layout.open(); } } ```
Malita, officially the Municipality of Malita (; ), is a 1st class municipality and capital of the province of Davao Occidental, Philippines. According to the 2020 census, it has a population of 118,197 people. Malita is known for various cultural arts and heritage of its people and tribes. Gaginaway Festival is celebrated annually every full moon on the month of November and Araw ng Malita is also celebrated annually on November 17. Etymology According to folk etymology, the name "Malita" is derived from the Spanish word "maleta" which means suitcase. It is said that purportedly Don Mariano Peralta, a retired veteran of the Spanish–American War who ventured to the place, decided to live on the vast, fertile plain across the river. One day while bodily fording the deep and swift river with his suitcase and other belongings in hand, the force of the current overwhelmed his perilous balance and got swept by the water consequently losing his grip on the suitcase. His frantic shouts of "maleta, maleta" attracted the attention of the bathing natives who after realizing the situation promptly responded and retrieved the vanishing to settle as Malita. How it came to its present spelling and usage maybe attributed to the natives’ prevalent use of suitcase. Hardly forgetting the shouts of Peralta, the natives later thought the word referred to the land he intended long 'e' sound for the vowels 'i' and 'e'. History Malita is the oldest community in the province. Malita's existence dates back scores of years before its formal creation as municipality on November 17, 1936. Records show that Malita must have existed long before the passage of the Philippine Commission Act, the Laws of the Moro Province that mentioned Malita in Section 1 of Act No. 164 dated December 10, 1904. Through the said Act it is presumed that it existed as a barrio of Santa Cruz long before the coming of the Americans to Davao. Executive Order No. 64 issued by President Manuel L. Quezon officially created Malita into a municipality. Marcelino Maruya, from whom the town of Don Marcelino was named after, was the first appointed municipal mayor. Waves of migrants from the Visayan islands, most of whom hail from Cebu, came on what is now Malita long before it became a municipality. They were later followed by immigrants from Luzon. Even after the destruction brought by World War II by the belligerents, there are still waves of migrants towards Malita and other parts of then-Davao province. This increased its population until it later became the most populous municipality in the province. Cityhood In the 19th Congress of the Philippines, house bills were filed by various representatives which seeks Malita including other capital towns of provinces with no current component cities, independent component cities or highly urbanized cities to automatically convert into cities. Geography Climate Barangays Malita is subdivided into 30 barangays: Each barangay consists of puroks while some have sitios. Bito Bolila Buhangin Culaman Datu Danwata Demoloc Felis Fishing Village Kibalatong Kidalapong Kilalag Kinangan Lacaron Lagumit Lais Little Baguio Macol Mana Manuel Peralta New Argao Pangian Pinalpalan Poblacion Sangay Talogoy Tical Ticulon Tingolo Tubalan Pangaleon Demographics Economy The municipality is the main economic center of Davao Occidental province. Agriculture and fishery is the main industry of the municipality. Being far from other major urban centers in its vicinity like Davao City, Digos, and General Santos, and although only a town, Malita also serves as the major urban center of the province. However, as economic activity in the town continues its rapid growth, Malita will soon become the province's first component city for years to come. Government Municipal officials (2013-2016): Congressman: Franklin Bautista (2nd District of Davao del Sur) Mayor: Benjamin Bautista, Jr. Vice Mayor: Bradly Bautista Councilors: Estefanie T. Bautista Zaldy S. Lataban Marianela C. Malinao Ali G. Colina, Jr. Artemio J. Peralta Paulito M. Montero Jimmy L. Danwata Raymund G. Danwata Education Tertiary Southern Philippines Agri-Business and Marine and Aquatic School of Technology - Poblacion, Malita (Main Campus) and Buhangin, Malita (Buhangin Campus) Adventure College of Malita, Inc. Seng Pek Chuan Academy, Inc. Don Juan Technical Academy of Davao, Inc. (Malita Branch) Secondary B'laan National High School Benjamin V. Bautista Sr. Special High School Demoloc Valley National High School Fishing Village Comprehensive National High School Holy Cross of Malita, Inc. Mariano Peralta National High School (Campuses in barangays: Poblacion, Sangay, Manuel Peralta, Datu Danwata, Talogoy, Pangian, and New Argao) Ticulon National High School Tubalan Comprehensive National High School References External links Malita Profile at the DTI Cities and Municipalities Competitive Index [ Philippine Standard Geographic Code] Philippine Census Information Local Governance Performance Management System Municipalities of Davao Occidental Provincial capitals of the Philippines Establishments by Philippine executive order
Stormy Weather is a 1935 British comedy film directed by Tom Walls and starring Walls, Ralph Lynn and Robertson Hare. Plot Sir Duncan Craggs retires from the Colonial Service and returns to London with his new French wife. The couple are devoted to each other, but continually flirt with other people. Sir Duncan is appointed to the board of clothing retail chain. On his tour of inspection, he encounters a successful store run by the efficient Mr. Bullock. By contrast, a neighbouring shop is filled with unhelpful staff overseen by an incompetent and lazy manager, Raymond Penny, who is more interested in horseracing than running his shop. Craggs is unimpressed by Penny and summons him to a meeting in London. Both Bullock and his domineering wife travel up to London as well, fearing that Penny will tell Craggs malicious stories about them. Back in London, Mrs. Craggs is horrified to discover she is still married to the White Russian Count Polotsky, whom she had thought was dead. The villainous Polotsky plans to kidnap her and blackmail her new husband. Craggs, Penny and Bullock eventually rescue her from the Chinatown dive where she is being held. It is discovered that Polotsky has married a young Chinese woman and is equally guilty of bigamy. They are able to recover all incriminating evidence as well. In gratitude, Craggs appoints Penny as his assistant. Cast Tom Walls as Sir Duncan Craggs Ralph Lynn as Mr. Raymond Penny Yvonne Arnaud as Louise Craggs Robertson Hare as Mr. Bullock Norma Varden as Mrs. Dulcie Bullock Andrews Engelmann as Count Polotsky Davy Burnaby as Merritt Veronica Rose as Trixie Merritt Stella Moya as Moya Gordon James as Salt Jasper Louis Bradfield as Lacey Fewlass Llewellyn as Pullman Peter Gawthorne as Police Inspector Production Stormy Weather is based on a story by Ben Travers. Since 1930, a popular series of film adaptations of Traver's Aldwych Farces had been released. Although the film was based on an original screenplay by Travers rather than one of his stage farces, it features a number of actors who had appeared in Aldwych films. The film was made by Gainsborough Pictures at Islington Studios. The film's sets were designed by art director Alex Vetchinsky. References Bibliography Cook, Pam. Gainsborough Pictures. Cassell, 1997. Low, Rachael. Filmmaking in 1930s Britain. George Allen & Unwin, 1985. Warren, Patricia. Elstree: The British Hollywood. Columbus Books, 1988. Wood, Linda. British Films, 1927–1939. British Film Institute, 1986. External links 1935 films British comedy films British black-and-white films 1935 comedy films Films directed by Tom Walls Islington Studios films Films set in England Films set in London Films produced by Michael Balcon Films scored by Jack Beaver 1930s English-language films 1930s British films English-language comedy films
{{Infobox MLB yearly | name = Toronto Blue Jays | image = Ceremony (3431778679).jpg | caption = Singing of the national anthem during the Opening Day ceremony | season = 2009 | slogan = You Belong at the Game" | misc = | logo = Toronto Blue Jays.svg| | current league = American League | y1 = 1977 | division = East Division | y2 = 1977 | Uniform logo = Al 2005 toronto 01a.gif | ballpark = Rogers Centre | y4 = 1989 | city = Toronto, Ontario | y5 = 1977 | record = 75–87 (.463) | divisional place = 4th | owners = Rogers; Paul Beeston (CEO) | general managers = J. P. Ricciardi | managers = Cito Gaston | television = TSN, TSN2(Rod Black, Pat Tabler)Rogers Sportsnet(Jamie Campbell, Pat Tabler, Rance Mulliniks, Darrin Fletcher) | radio = FAN 590(Jerry Howarth, Alan Ashby, Mike Wilner) }} The 2009 Toronto Blue Jays season was the franchise's 33rd in Major League Baseball, and the 20th full season of play at the Rogers Centre. The team was managed by Cito Gaston, who was hired by the team midway through the 2008 season. General manager J. P. Ricciardi was fired on the penultimate day of the season, as the team again failed to make the playoffs. He was replaced by Assistant General Manager Alex Anthopoulos. The team started the season well, and was in first place in the American League East with a 27–14 record. The team was swept by the Red Sox at Fenway Park from May 19 to 21, the first of nine straight losses that ultimately led to a disappointing season with a record of 75–87, 28 games behind the division lead, and 20 games behind the wild card spot. It was the first time that Toronto had finished with a losing record since 2005, when they finished 80–82. Offseason Front office reorganization Ted Rogers, the founder of Rogers Communications and the Blue Jays' owner, died at the age of 75 on December 2, 2008, at his home in Toronto. Rogers purchased the Blue Jays in 2000, hoping to lead the franchise to its first playoff berth since the club last won the World Series in 1993. The team continues to be owned and operated by Rogers Blue Jays Baseball Partnership, a division of Rogers Communications. Prior to Rogers' death, the team named Paul Beeston as interim president of baseball operations and chief operating officer replacing retiring president Paul Godfrey. The first employee in Toronto Blue Jays history, Beeston served in the same capacity with the organization from 1989 to 1997. Soon after being introduced on October 14, 2008, Beeston began a significant reorganization of the baseball operations of the club. In the wake of the global financial crisis and the loss of advertising revenue, the team let go of several employees from its media division on December 2. On January 21, 2009, assistant general manager Bart Given was also dismissed to keep "costs down" for the upcoming season according to the team. Additions were made to the scouting department, including the hiring of pro scouts Roy Smith, Steve Springer and four others. Player transactions The most significant change from the 2008 team was the departure of pitcher A. J. Burnett, who filed for free agency and signed a contract with the New York Yankees. Shaun Marcum (elbow), Casey Janssen (shoulder) and Dustin McGowan (labrum) started the season on the disabled list. Janssen has since returned, Getting a loss in his season debut vs the Braves, which the Jays lost 4-3. Retentions For the twelfth consecutive season the organization avoided going to an arbitration hearing, re-signing the five arbitration eligible players on the team. The team and relievers Brandon League (one year/$640K), Jeremy Accardo (one year/$900K), Jason Frasor (one year/$1.45M), Brian Tallet (one year/$1.025M) and Shawn Camp (one year/$750K) along with infielder José Bautista (one year/$2.4M) all came to terms. The team also picked up the club option held on catcher Rod Barajas. Departures On November 5, 2008, pitcher A. J. Burnett opted out of the remaining two years of his five-year contract, ending months of speculation that the starter was planning to leave Toronto. Burnett, who in 2008 led the team in strikeouts and won 18 games, went on to sign with the division rival New York Yankees on December 18. None of the five major league free agents from the Blue Jays' 2008 roster were tendered contracts. Catcher Gregg Zaun ended his five-year tenure in Toronto and signed a one-year deal with the rival Baltimore Orioles. Outfielder Brad Wilkerson (Boston), relief pitcher John Parrish (Orioles), and infielder Héctor Luna (Los Angeles (NL)) all signed minor league contracts elsewhere, while outfielder Kevin Mench signed a one-year deal with the Hanshin Tigers of Japan's Nippon League. Minor league pitching prospect Jean Machi, who had been on the forty-man roster, was also released by the club in November. Another major departure, third baseman Scott Rolen, was traded to the Cincinnati Reds for personal reasons. Arrivals The Blue Jays, faced with financial hardships, the fall of the Canadian dollar against the American dollar and a smaller budget, did not opt to make any major impact moves. Towards the end of spring training, they did however sign Kevin Millar to a one-year deal. Millar is known as a solid player to have in the clubhouse and would find time playing the DH and utility infield. However, with the trade of Scott Rolen to the Cincinnati Reds, the Blue Jays welcomed infielder Edwin Encarnación, relief pitcher Josh Roenicke and a minor league pitching prospect. Pitchers Two starters recovering from major shoulder surgery would have an opportunity to claim rotation slots with the club coming out of spring training. Former All-Star starter Matt Clement, who spent an injury riddled 2008 season with St. Louis was signed on December 12. Left-handed starter Mike Maroth, who last pitched in the majors in 2007 with St. Louis, was inked to a minor league deal on December 30. Two former first overall draft picks were also acquired by the club. 2002 top selection Bryan Bullington was claimed off waivers from Cleveland in October. The Jays also traded for 2004 number one choice Matt Bush in February. Bush had previously been in the Padres organisation. The team imported fourteen-year Nippon League veteran Ken Takahashi from Japan. Toronto claimed southpaw Brian Burres (Baltimore), and reliever T. J. Beam (Pittsburgh) off waivers. The club also re-signed Dirk Hayhurst in February, days after releasing the former waiver claim. Position players Former silver slugging catcher Michael Barrett and infielder Kevin Millar were among the prominent additions to the team offensively. Barrett, who missed much of his 2008 season with the Padres due to a facial fracture, is a top candidate to be the Blue Jays backup catcher. Millar, who spent the previous three seasons with Baltimore and hit twenty home runs in 2008, will have an opportunity for a bench or platoon role with the Jays. In January, the team signed outfielder Jason Lane (Boston) and infielder Brandon Fahey (Baltimore) to minor league deals. In December, the team inked catcher Raúl Chávez (Pittsburgh) and designated hitter Randy Ruiz (Minnesota). In October the club announced it signed former Orioles pitcher Adam Loewen and will attempt to convert him to a first baseman. Injuries Starter Shaun Marcum was lost for the 2009 season when he underwent Tommy John surgery in the fall of 2008. The right-hander went under the knife to repair ligaments in his pitching elbow, and is tentatively expected to be back for the Jays' 2010 spring training. Pitcher Casey Janssen who missed all of 2008 due to shoulder problems was expected to compete for a rotation spot, but was put on the 15-day disabled list just before the season began. Starter Dustin McGowan who is recovering from right labrum surgery is expected to rejoin the club sometime in May. On April 23, the Blue Jays placed starting pitcher Ricky Romero and closer B. J. Ryan on the 15-day disabled list. Romero was suffering from a right oblique strain, while Ryan was sent to see a specialist for a tight left trapezius muscle. Ryan has since returned, but not as the closer. On June 9, it was announced that Jesse Litsch will undergo season-ending ligament replacement ("Tommy John") surgery. Broadcasts The Jays' flagship station for radio is The FAN 590, which has all 162 regular season games. Jerry Howarth and Alan Ashby will call all 162, with Mike Wilner being the third personality. Mike will also host the pregame and postgame show for each game, as long as there is time for it before/after. The Blue Jays' flagship TV station is Rogers Sportsnet, which is airing over 100 games in 2009 for the Jays. The two other stations are both in the TSN network, TSN and TSN2. TSN has coverage starting after they are done with NHL on TSN (during the Stanley Cup Finals, coverage usually starts). From May 19–21, the two Jays stations were occupied with hockey and TSN2 airs the Jays in TSN's place. With Sportsnet taking care of the annual Memorial Cup, and TSN covering the NHL conference finals, TSN2 was open, and took in at the time, the biggest series of the Jays' young season. Rod Black and Pat Tabler did not cover this series though, TSN2 broadcast NESN coverage. TSN2 had the September 13 game versus the Tigers and will air the Jays home closer versus the Mariners on September 27. Untelevised games can be seen on JaysVision on Rogers Cable (digital only). Otherwise, the viewer must subscribe to MLB Extra Innings, which gets the feed from the opposing team's station. MLB Extra Innings is available on satellite and digital cable. Regular season Season summary The Jays began the year with a schedule that had them playing teams from the Central and the West divisions for 24 games in April. Adam Lind slugged out an opening day record 6 RBI, and the Jays pummeled the Tigers, giving Roy Halladay the win. They went on to win the first 6 series of the season, and finished April with a 15-9 record, tied with the Red Sox for first in the AL East. The first game against the New York Yankees occurred on May 12, in a marquee matchup of Roy Halladay versus former teammate A. J. Burnett. Not only did the Jays win 8-2, but Halladay recorded his first complete game of the season, while giving Burnett his first loss on the year. The Jays drew a crowd of 43,737 fans. This was the first non-home opener Rogers Centre sell out since July 22 of the previous year against the Yankees, drawing a crowd of 50,014. However, the remaining two games of the 2009series were won by the Yankees, making this the first series lost by the Jays at home that season. They followed this with a series sweep of the Chicago White Sox, at which time the Jays had the best record (27-14) in the American League, but this was followed by a disastrous road trip to Boston, Atlanta and Baltimore during which the Jays lost 9 straight games, tying their longest away-game losing streak since a nine-game run in May 2007. This left the Jays at 27-23, behind Boston and the Yankees by 1.5 games. The Blue Jays then bounced back, taking two out of three from Boston, and had some more considerable successes, most notably a three-game road sweep of the Philadelphia Phillies. However, they never again held a playoff position, and gradually faded out of the picture: they were out of contention by the All-Star break, and were never able to mount any sort of charge reminiscent of 2008's 10-game winning streak to get back in the race. Roy Halladay and Aaron Hill were named to the American League All-Star team. Halladay was the starting pitcher, and Hill started the game at second base. Firing of J. P. Ricciardi On October 3, the J. P. Ricciardi era ended in Toronto. When he took over in 2002, he guaranteed a playoff berth; the Jays never even came close to a playoff berth, never finishing better than 10 games behind the top of the division during Ricciardi's reign. After a promising start to 2009, the Jays faltered, and Ricciardi publicized the topic of a Roy Halladay trade, which many Jays fans disapproved. Allegedly, Ricciardi told Ken Rosenthal of Fox Sports a day before the firing, in which some Blue Jays players spoke critically about Cito Gaston. A day later, Paul Beeston reportedly found out about Ricciardi leaking the information to the media, and promptly fired him. Assistant GM Alex Anthopoulos took over immediately. Season standings AL East Detailed record Vs. opponents 2009 draft picks SourceThe 2009 MLB Draft was held on June 9–11. The Blue Jays had a first round pick, along with one compensation pick. The Blue Jays also had two picks in the third round. * The Blue Jays received the 37th pick as compensation for loss of free agent A. J. Burnett Roster Game log |- align="center" bgcolor="bbffbb" | 1 || April 6 || Tigers || 12–5 || Halladay (1–0) || Verlander (0–1) || || 48,027 || 1–0 || 0 |- align="center" bgcolor="bbffbb" | 2 || April 7 || Tigers || 5–4 || Ryan (1–0) || Lyon (0–1) || || 16,790 || 2–0 || +½ |- align="center" bgcolor="ffbbbb" | 3 || April 8 || Tigers || 5–1 || Miner (1–0) || Litsch (0–1) || || 12,145 || 2–1 || ½ |- align="center" bgcolor="bbffbb" | 4 || April 9 || Tigers || 6–2 || Romero (1–0) || Porcello (0–1) || || 15,297 || 3–1 || +½ |- align="center" bgcolor="bbffbb" | 5 || April 10 || @ Indians || 13–7 || League (1–0) || Pérez (0–1) || || 42,473 || 4–1 || +½ |- align="center" bgcolor="bbffbb" | 6 || April 11 || @ Indians || 5–4 || Halladay (2–0) || Lee (0–2) || Frasor (1) || 20,895 || 5–1 || +½ |- align="center" bgcolor="ffbbbb" | 7 || April 12 || @ Indians || 8–4 || Reyes (1–0) || Purcey (0–1) || || 14,216 || 5–2 || +½ |- align="center" bgcolor="bbffbb" | 8 || April 13 || @ Twins || 8–6 || Frasor (1–0) || Ayala (1–1) || Ryan (1) || 16,410 || 6–2 || +½ |- align="center" bgcolor="ffbbbb" | 9 || April 14 || @ Twins || 3–2 (11) || Crain (1–0) || Carlson (0–1) || || 15,375 || 6–3 || ½ |- align="center" bgcolor="bbffbb" | 10 || April 15 || @ Twins || 12–2 || Richmond (1–0) || Baker (0–1) || || 19,471 || 7–3 || +½ |- align="center" bgcolor="bbffbb" | 11 || April 16 || @ Twins || 9–2 || Halladay (3–0) || Liriano (0–3) || || 15,169 || 8–3 || +1 |- align="center" bgcolor="ffbbbb" | 12 || April 17 || Athletics || 8–5 || Bailey (2–0) || League (1–1) || Ziegler (3) || 18,272 || 8–4 || +1 |- align="center" bgcolor="bbffbb" | 13 || April 18 || Athletics || 4–2 (12) || Frasor (2–0) || Giese (0–1) || || 21,698 || 9–4 || +2 |- align="center" bgcolor="bbffbb" | 14 || April 19 || Athletics || 1–0 || Romero (2–0) || Braden (1–2) || Ryan (2) || 22,164 || 10–4 || +2½ |- align="center" bgcolor="ffbbbb" | 15 || April 21 || Rangers || 5–4 || McCarthy (2–0) || Halladay (3–1) || Francisco (2) || 20,996 || 10–5 || +1½ |- align="center" bgcolor="bbffbb" | 16 || April 22 || Rangers || 8–7 (11) || Frasor (3–0) || Wilson (0–2) || || 13,090 || 11–5 || +1½ |- align="center" bgcolor="bbffbb" | 17 || April 23 || Rangers || 5–2 || Richmond (2–0) || Millwood (1–2) || Downs (1) || 15,487 || 12–5 || +2 |- align="center" bgcolor="bbffbb" | 18 || April 24 || @ White Sox || 14–0 || Tallet (1–0) || Floyd (2–2) || || 27,103 || 13–5 || +2 |- align="center" bgcolor="ffbbbb" | 19 || April 25 || @ White Sox || 10–2 || Buehrle (3–0) || Burres (0–1) || || 30,383 || 13–6 || +1 |- align="center" bgcolor="bbffbb" | 20 || April 26 || @ White Sox || 4–3 || Halladay (4–1) || Linebrink (0–1) || Downs (2) || 31,459 || 14–6 || +1 |- align="center" bgcolor="ffbbbb" | 21 || April 27 || @ Royals || 7–1 || Bannister (2–0) || Purcey (0–2) || || 9,685 || 14–7 || 0 |- align="center" bgcolor="bbffbb" | 22 || April 28 || @ Royals || 8–1 || Richmond (3–0) || Meche (1–2) || || 15,191 || 15–7 || +1 |- align="center" bgcolor="ffbbbb" | 23 || April 29 || @ Royals || 11–3 || Greinke (5–0) || Tallet (1–1) || || 10,619 || 15–8 || 0 |- align="center" bgcolor="ffbbbb" | 24 || April 30 || @ Royals || 8–6 || Davies (2–1) || Burres (0–2) || || 11,896 || 15–9 || 0 |- align="center" |- align="center" bgcolor="bbffbb" | 25 || May 1 || Orioles || 8–4 || Halladay (5–1) || Hendrickson (1–4) || || 20,020 || 16–9 || +1 |- align="center" bgcolor="bbffbb" | 26 || May 2 || Orioles || 5–4 (11) || Frasor (4–0) || Bass (0–1) || || 18,331 || 17–9 || +1 |- align="center" bgcolor="bbffbb" | 27 || May 3 || Orioles || 4–3 || Richmond (4–0) || Guthrie (2–2) || Downs (3) || 20,418 || 18–9 || +2 |- align="center" bgcolor="ffbbbb" | 28 || May 4 || Indians || 9–7 (12) || Betancourt (1–1) || Camp (0–1) || Lewis (1) || 15,295 || 18–10 || +1 |- align="center" bgcolor="bbffbb" | 29 || May 5 || Indians || 10–6|| Wolfe (1–0) || Chulk (0–1) || || 22,005 || 19–10 || +1 |- align="center" bgcolor="bbffbb" | 30 || May 6 || @ Angels || 13–1 || Halladay (6–1) || Ortega (0–2) || || 41,123 || 20–10 || +2 |- align="center" bgcolor="ffbbbb" | 31 || May 7 || @ Angels || 6–1 || Weaver (3–1) || Ray (0–1) || || 41,007 || 20–11 || +1 |- align="center" bgcolor="ffbbbb" | 32 || May 8 || @ Athletics || 5–3 || Wuertz (2–1) || Richmond (4–1) || Bailey (1) || 14,103 || 20–12 || 0 |- align="center" bgcolor="bbffbb" | 33 || May 9 || @ Athletics || 6–4 || Tallet (2–1) || Gallagher (1–1) || || 15,817 || 21–12 || +1 |- align="center" bgcolor="bbffbb" | 34 || May 10 || @ Athletics || 5–0 || Cecil (1–0) || Braden (3–4) || || 15,126 || 22–12 || +1 |- align="center" bgcolor="bbffbb" | 35 || May 12 || Yankees || 5–1 || Halladay (7–1) || Burnett (2–1) || || 43,737 || 23–12 || +1 |- align="center" bgcolor="ffbbbb" | 36 || May 13 || Yankees || 8–2 || Pettitte (3–1) || Richmond (4–2) || || 20,164 || 23–13 || +1 |- align="center" bgcolor="ffbbbb" | 37 || May 14 || Yankees || 3–2 || Sabathia (3–3) || Carlson (0–2) || Rivera (7) || 22,667 || 23–14 || +1 |- align="center" bgcolor="bbffbb" | 38 || May 15 || White Sox || 8–3 || Cecil (2–0) || Danks (2–3) || || 17,241 || 24–14 || +2 |- align="center" bgcolor="bbffbb" | 39 || May 16 || White Sox || 2–1 || Ray (1–1) || Linebrink (1–2) || Downs (4) || 21,879 || 25–14 || +2 |- align="center" bgcolor="bbffbb" | 40 || May 17 || White Sox || 8–2 || Halladay (8–1) || Floyd (2–4) || || 37,137 || 26–14 || +3 |- align="center" bgcolor="bbffbb" | 41 || May 18 || White Sox || 3–2 || Carlson (1–2) || Dotel (1–1) || Downs (5) || 24,206 || 27–14 || +3½ |- align="center" bgcolor="ffbbbb" | 42 || May 19 || @ Red Sox || 2–1 || Wakefield (5–2) || Tallet (2–2) || Papelbon (11) || 37,830 || 27–15 || +2½ |- align="center" bgcolor="ffbbbb" | 43 || May 20 || @ Red Sox || 8–3 || Penny (4–1) || Cecil (2–1) || || 38,099 || 27–16 || +1½ |- align="center" bgcolor="ffbbbb" | 44 || May 21 || @ Red Sox || 5–1 || Lester (3–4) || Ray (1–2)|| || 38,347 || 27–17 || +½ |- align="center" bgcolor="ffbbbb" | 45 || May 22 || @ Braves || 1–0 || Kawakami (3–5) || Carlson (1–3) || González (7) || 21,533 || 27–18 || +½ |- align="center" bgcolor="ffbbbb" | 46 || May 23 || @ Braves || 4–3 || Lowe (6–2) || Janssen (0–1) || Soriano (4) || 27,377 || 27–19 || +½ |- align="center" bgcolor="ffbbbb" | 47 || May 24 || @ Braves || 10–2 || Bennett (2–1) || Camp (0–2) || || 23,971 || 27–20 || ½ |- align="center" bgcolor="ffbbbb" | 48 || May 25 || @ Orioles || 4–1 || Guthrie (4–4) || Tallet (2–3) || Sherrill (10) || 24,904 || 27–21 || 1½ |- align="center" bgcolor="ffbbbb" | 49 || May 26 || @ Orioles || 7–2 || Berken (1–0) || Romero (2–1) || || 10,130 || 27–22 || 1½ |- align="center" bgcolor="ffbbbb" | 50 || May 27 || @ Orioles || 12–10 (11) || Báez (4–1) || Wolfe (1–1) || || 13,713 || 27–23 || 1½ |- align="center" bgcolor="bbffbb" | 51 || May 29 || Red Sox || 6–3 || Janssen (1–1) || Wakefield (6–3)|| Downs (6) || 32,026 || 28–23 || 1½ |- align="center" bgcolor="bbffbb" | 52 || May 30 || Red Sox || 5–3 || Tallet (3–3) || Ramírez (4–2) || Downs (7) || 35,484 || 29–23 || 1½ |- align="center" bgcolor="ffbbbb" | 53 || May 31 || Red Sox || 8–2 || Lester (4–5) || Romero (2–2) || || 30,496 || 29–24 || 1½ |- |- align="center" bgcolor="bbffbb" | 54 || June 2 || Angels || 6–4 || Halladay (9–1) || Saunders (6–4) || || 26,809 || 30–24 || 2 |- align="center" bgcolor="ffbbbb" | 55 || June 3 || Angels || 8–1 || Weaver (5–2) || Janssen (1–2) || || 17,127 || 30–25 || 2 |- align="center" bgcolor="ffbbbb" | 56 || June 4 || Angels || 6–5 || Speier (2–1) || League (1–2) || || 31,163 || 30–26 || 3 |- align="center" bgcolor="bbffbb" | 57 || June 5 || Royals || 9–3 || Romero (3–2) || Greinke (8–2) || || 15,435 || 31–26 || 2½ |- align="center" bgcolor="ffbbbb" | 58 || June 6 || Royals || 6–2 || Hochevar (1–2) || Richmond (4–3) || || 16,552 || 31–27 || 3 |- align="center" bgcolor="bbffbb" | 59 || June 7 || Royals || 4–0 || Halladay (10–1)|| Davies (2–6) || || 21,071 || 32–27 || 2½ |- align="center" bgcolor="bbffbb" | 60 || June 8 || @ Rangers || 6–3 || Janssen (2–2) || Feldman (5–1) || Downs (8) || 17,856 || 33–27 || 2½ |- align="center" bgcolor="bbffbb" | 61 || June 9 || @ Rangers || 9–0 || Tallet (4–3) || Mathis (0–1) || || 17,535 || 34–27 || 1½ |- align="center" bgcolor="bbbbbb" |–|| June 10 || @ Rangers || colspan=6|Postponed (rain) Rescheduled for September 1|| 2 |- align="center" bgcolor="ffbbbb" | 62 || June 11 || @ Rangers || 1–0 || Millwood (6–4) || Romero (3–3) || Wilson (6) || 16,073 || 34–28|| 3 |- align="center" bgcolor="ffbbbb" | 63 || June 12 || Marlins || 7–3 || Meyer (1–0) || League (1–3) || || 17,922 || 34–29 || 4 |- align="center" bgcolor="ffbbbb" | 64 || June 13 || Marlins || 6–5 || West (2–1) || Janssen (2–3) || Lindstrom (12) || 20,634 || 34–30 || 5 |- align="center" bgcolor="ffbbbb" | 65 || June 14 || Marlins || 11–3 || Johnson (6–1) || Tallet (4–4)|| || 20,985 || 34–31 || 5 |- align="center" bgcolor="bbffbb" | 66 || June 16 || @ Phillies || 8–3 (10) || Downs (1–0) || Condrey (4–2) || || 44,958 || 35–31 || 5 |- align="center" bgcolor="bbffbb" | 67 || June 17 || @ Phillies || 7–1 || Richmond (5–3) || Moyer (4–6) || || 42,091 || 36–31 || 5 |- align="center" bgcolor="bbffbb" | 68 || June 18 || @ Phillies || 8–7 || Frasor (5–0) || Madson (2–2) || Accardo (1) || 44,036 || 37–31 || 4 |- align="center" bgcolor="ffbbbb" | 69 || June 19 || @ Nationals || 2–1 (11) || Colomé (1–0) || Frasor (5–1) || || 20,860 || 37–32 || 4 |- align="center" bgcolor="ffbbbb" | 70 || June 20 || @ Nationals || 5–3 (12) || Tavárez (3–4) || Richmond (5–4) || || 22,142 || 37–33 || 5 |- align="center" bgcolor="bbffbb" | 71 || June 21 || @ Nationals || 9–4 || Romero (4–3) || Martis (5–2) || || 26,610 || 38–33 || 5 |- align="center" bgcolor="bbffbb" | 72 || June 23 || Reds || 7–5 || Tallet (5–4) || Owings (4–8) || Frasor (2) || 30,351 || 39–33 ||5 |- align="center" bgcolor="bbffbb" | 73 || June 24 || Reds || 8–2 || Richmond (6–4) || Arroyo (8–6) || || 15,409 || 40–33 || 5 |- align="center" bgcolor="ffbbbb" | 74 || June 25 || Reds || 7–5 || Cueto (6–4) || Camp (0–3) || Cordero (18) || 15,329 || 40–34 || 5 |- align="center" bgcolor="bbffbb" | 75 || June 26 || Phillies || 6–1 || Romero (5–3) || Hamels (4–4) || || 21,331 || 41–34 || 5 |- align="center" bgcolor="ffbbbb" | 76 || June 27 || Phillies || 10–0 || Happ (5–0)|| Mills (0–1) || || 28,805 || 41–35 || 6 |- align="center" bgcolor="ffbbbb" | 77 || June 28 || Phillies || 5–4 || Moyer (6–6) || Tallet (5–5) || Lidge (14) || 36,378 || 41–36 || 6 |- align="center" bgcolor="ffbbbb" | 78 || June 29 || Rays || 4–1 || Niemann (7–4) || Halladay (10–2) || Choate (4) || 15,665 || 41–37 || 7 |- align="center" bgcolor="ffbbbb" | 79 || June 30 || Rays || 4–1 || Garza (6–5) || Richmond (6–5) || Howell (6) || 15,477 || 41–38 || 7 |- |- align="center" bgcolor="bbffbb" | 80 || July 1 || Rays || 5–0 || Romero (6–3) || Shields (6–6) || || 30,533 || 42–38 || 7 |- align="center" bgcolor="ffbbbb" | 81 || July 3 || @ Yankees || 4–2|| Burnett (7–4) || Tallet (5–6)|| Rivera (21)|| 46,308|| 42–39||7 |- align="center" bgcolor="ffbbbb" | 82 || July 4 || @ Yankees || 6–5 (12) || Tomko (1–2)|| Camp (0–4)|| || 46,620|| 42–40||7 |- align="center" bgcolor="ffbbbb" | 83 || July 5 || @ Yankees || 10–8 || Albaladejo (3–1) || Ryan (1–1)|| Aceves (1) || 46,320 || 42–41 ||8 |- align="center" bgcolor="bbffbb" | 84 || July 6 || @ Yankees || 7–6 || Romero (7–3) || Pettitte (8–4) || Frasor (3) || 46,450 || 43–41 || 7 |- align="center" bgcolor="ffbbbb" | 85 || July 7 || @ Rays || 3–1 (11) || Wheeler (3–1) || League (1–4) || || 15,244 || 43–42 || 8 |- align="center" bgcolor="ffbbbb" | 86 || July 8 || @ Rays || 10–9 || Howell (5–2) || Frasor (5–2) || || 15,252 || 43–43 || 9 |- align="center" bgcolor="ffbbbb" | 87 || July 9 || @ Rays || 3–2 || Price (3–3) || Halladay (10–3) || Wheeler (1) || 25,749 || 43–44 || 9 |- align="center" bgcolor="bbffbb" | 88 || July 10 || @ Orioles || 2–0 || Cecil (3–1) || Berken (1–6) || Downs (9) || 30,574 || 44–44 || 9 |- align="center" bgcolor="ffbbbb" | 89 || July 11 || @ Orioles || 4–3 (12) || Hendrickson (5–4) || Carlson (1–4) || || 28,281 || 44–45 || 10 |- align="center" bgcolor="ffbbbb" | 90 || July 12 || @ Orioles || 4–2 || Bergesen (6–3) || Rzepczynski (0–1) || Sherrill (20) || 21,621 || 44–46 || 11 |- align="center" bgcolor="ffbbbb" | 91 || July 17 || Red Sox || 4–1 || Buchholz (1–0) || Romero (7–4) || Papelbon (24) || 32,928 || 44–47 || 12 |- align="center" bgcolor="bbffbb" | 92 || July 18 || Red Sox || 6–2 || Rzepczynski (1–1) || Penny (6–4) || || 36,926 || 45–47 || 11 |- align="center" bgcolor="bbffbb" | 93 || July 19 || Red Sox || 3–1 || Halladay (11–3) || Lester (8–7) || || 36,534 || 46–47 || 10 |- align="center" bgcolor="ffbbbb" | 94 || July 21 || Indians || 2–1 || Lee (6–9) || Downs(1–1) || || 18,330 || 46–48 || 10½ |- align="center" bgcolor="bbffbb" | 95 || July 22 || Indians || 10–6 || Romero (8–4) || Pavano (8–8) || || 18,375 || 47–48 || 10½ |- align="center" bgcolor="ffbbbb" | 96 || July 23 || Indians || 5–4 || Huff (5–4) || Rzepczynski (1–2)|| Wood (13) || 32,061 || 47–49 || 11½ |- align="center" bgcolor="ffbbbb" | 97 || July 24 || Rays || 4–2 || Garza (7–7) || Downs (1–2)|| Howell (11) || 24,161|| 47–50 || 12½ |- align="center" bgcolor="ffbbbb" | 98 || July 25 || Rays || 10–9 (12) || Howell (6–2) || Camp (0–5) || Nelson (3) || 26,527 || 47–51 || 12½ |- align="center" bgcolor="bbffbb" | 99 || July 26 || Rays || 5–1 || Cecil (4–1) || Niemann (9–5)|| || 30,610 || 48–51 || 12½ |- align="center" bgcolor="bbffbb" | 100 || July 27 || @ Mariners || 11–4 || Romero (9–4) || Hernández (11–4) || || 28,696 || 49–51 || 12½ |- align="center" bgcolor="ffbbbb" | 101 || July 28 || @ Mariners || 4–3 || Aardsma (3–3) || Downs (1–3) || || 26,148 || 49–52 || 12½ |- align="center" bgcolor="ffbbbb" | 102 || July 29 || @ Mariners || 3–2 || Rowland-Smith (1–1)|| Halladay (11–4) || Aardsma (25) || 32,649 || 49–53 || 13½ |- align="center" bgcolor="ffbbbb" | 103 || July 31 || @ Athletics || 8–5 || Braden (8–9) || Richmond (6–6)|| Bailey (14) || 12,151 || 49–54 || 13 |- |- align="center" bgcolor="bbffbb" | 104 || August 1 || @ Athletics || 6–5 || Cecil (5–1) || Cahill (6–10) || Frasor (4) || 35,067 || 50–54 || 12 |- align="center" bgcolor="bbffbb" | 105 || August 2 || @ Athletics || 7–2 || Romero (10–4) || Mazzaro (2–8) || || 13,070 || 51–54 || 12 |- align="center" bgcolor="ffbbbb" | 106 || August 4 || Yankees || 5–3 || Pettitte (9–6) || Halladay (11–5) || || 33,669 || 51–55 || 13 |- align="center" bgcolor="ffbbbb" | 107 || August 5 || Yankees || 8–4 || Aceves (7–1) || Rzepczynski (1–3) || || 31,402 || 51–56 || 14 |- align="center" bgcolor="ffbbbb" | 108 || August 7 || Orioles || 7–5 || Berken (2–9) || Romero (10–5) || Johnson (3) || 30,795 || 51–57 || 15½ |- align="center" bgcolor="bbffbb" | 109 || August 8 || Orioles || 3–2 (10) || Frasor (6–2)|| Báez (4–6) || || 28,613 || 52–57 || 16½ |- align="center" bgcolor="bbffbb" | 110 || August 9 || Orioles || 7–3 || Halladay (12–5) || Matusz (1–1) || || 27,464 || 53–57 || 15½ |- align="center" bgcolor="bbffbb" | 111 || August 10 || @ Yankees || 5–4 || Camp (1–5) || Mitre (1–1)|| Frasor (5) || 46,376|| 54–57 || 14½ |- align="center" bgcolor="ffbbbb" | 112 || August 11 || @ Yankees || 7–5 || Robertson (2–1)|| Carlson (1–5) || Rivera (33)|| 46,523 || 54–58 || 15½ |- align="center" bgcolor="ffbbbb" | 113 || August 12 || @ Yankees || 4–3 || Gaudin (5–10) || Camp (1–6) || || 47,113 || 54–59 || 16½ |- align="center" bgcolor="bbffbb" | 114 || August 14 || @ Rays || 5–2 || Halladay (13–5) || Shields (7–9) || Frasor (6) || 21,522 || 55–59 || 17 |- align="center" bgcolor="ffbbbb" | 115 || August 15 || @ Rays || 8–3 || Kazmir (7–7) || Tallet (5–7) || || 29,632 || 55–60 || 18 |- align="center" bgcolor="ffbbbb" | 116 || August 16 || @ Rays || 5–2 || Wheeler (4–3)|| League (1–5) || || 24,625 || 55–61 || 18½ |- align="center" bgcolor="ffbbbb" | 117 || August 18 || Red Sox || 10–9 || Okajima (4–0) || Janssen (2–4) || Papelbon (29) || 25,472|| 55–62 || 18½ |- align="center" bgcolor="ffbbbb" | 118 || August 19 || Red Sox || 6–1 || Buchholz (2–3) || Halladay (13–6) || || 25,925 || 55–63 || 19½ |- align="center" bgcolor="ffbbbb" | 119 || August 20 || Red Sox || 8–1 || Lester (10–7) || Cecil (5–2) || || 22,817 || 55–64 || 20 |- align="center" bgcolor="bbffbb" | 120 || August 21 || Angels || 5–4 || Rzepczynski (2–3) || O'Sullivan (3–2) || Janssen (1) || 15,993 || 56–64 || 20 |- align="center" bgcolor="ffbbbb" | 121 || August 22 || Angels || 7–3 || Santana (7–6) || Richmond (6–7) || || 23,235 || 56–65 || 20 |- align="center" bgcolor="bbffbb" | 122 || August 23 || Angels || 8–3 || Romero (11–5) || Bell (1–1) || || 23,935 || 57–65 || 20½ |- align="center" bgcolor="ffbbbb" | 123 || August 24 || Rays || 12–7 || Niemann (12–5) || Halladay (13–7) || || 17,184 || 57–66 || 20½ |- align="center" bgcolor="ffbbbb" | 124 || August 25 || Rays || 7–3 || Shields (8–10) || Cecil (5–3) || || 17,307 || 57–67 || 20½ |- align="center" bgcolor="bbffbb" | 125 || August 26 || Rays || 3–2 || League (2–5) || Howell (6–4) || || 15,349 || 58–67 || 20½ |- align="center" bgcolor="ffbbbb" | 126 || August 28 || @ Red Sox || 6–5 || Okajima (5–0) || Tallet (5–8) || Papelbon (31) || 37,844 || 58–68 || 21 |- align="center" bgcolor="ffbbbb" | 127 || August 29 || @ Red Sox || 3–2 || Buchholz (3–3) || Romero (11–6) || Papelbon (32) || 37,452 || 58–69|| 22 |- align="center" bgcolor="ffbbbb" | 128 || August 30 || @ Red Sox || 7–0 || Byrd (1–0) || Halladay (13–8) || || 37,560 || 58–70 || 23 |- align="center" bgcolor="bbffbb" | 129 || August 31 || @ Rangers || 18–10 || Cecil (6–3) || Holland (7–9) || || 16,675 || 59–70 || 23 |- |- align="center" bgcolor="ffbbbb" | 130 || September 1 || @ Rangers || 5–2 || Nippert (5–2) || Rzepczynski (2–4) || Francisco (20) || || 59–71 || 24½ |- align="center" bgcolor="ffbbbb" | 131 || September 1 || @ Rangers || 5–2 || McCarthy (6–2) || Tallet (5–9) || Francisco (21) || 17,203 || 59–72 || 24½ |- align="center" bgcolor="ffbbbb" | 132 || September 2 || @ Rangers || 6–4 || Hunter (7–3) || Richmond (6–8) || Francisco (22) || 21,836 || 59–73 || 25½ |- align="center" bgcolor="ffbbbb" | 133 || September 3 || Yankees || 10–5 || Aceves (10–1) || Romero (11–7)|| || 22,773 || 59–74 || 26½ |- align="center" bgcolor="bbffbb" | 134 || September 4 || Yankees || 6–0 || Halladay (14–8) || Chamberlain (8–5) || || 22,179 || 60–74 || 25½ |- align="center" bgcolor="ffbbbb" | 135 || September 5 || Yankees || 6–4 || Pettitte (13–6) || Cecil (6–4) || Hughes (3) || 31,295 || 60–75 || 26½ |- align="center" bgcolor="bbffbb" | 136 || September 6 || Yankees || 14–8 || Tallet (6–9) || Mitre (3–2) || || 30,873 || 61–75 || 25½ |- align="center" bgcolor="ffbbbb" | 137 || September 7 || Twins || 6–3 || Crain (5–4) || Richmond (6–9) || Nathan (37) || 13,153 || 61–76 || 27 |- align="center" bgcolor="bbffbb" | 138 || September 8 || Twins || 6–3 || Romero (12–7) || Rauch (4–3) || Frasor (7) || 13,488 || 62–76|| 27 |- align="center" bgcolor="ffbbbb" | 139 || September 9 || Twins || 4–1 || Pavano (12–11) || Halladay (14–9) || Nathan (38) || 11,159 || 62–77 || 28 |- align="center" bgcolor="bbffbb" | 140 || September 10 || Twins || 3–2 || Cecil (7–4) || Baker (13–8) || Frasor (8) || 11,461 || 63–77 || 27½ |- align="center" bgcolor="bbffbb" | 141 || September 11 || @ Tigers || 6–4 || Tallet (7–9) || Robertson (2–1) || Frasor (9) || 31,575 || 64–77 || 26½ |- align="center" bgcolor="bbffbb" | 142 || September 12 || @ Tigers || 8–6 || League (3–5) || Rodney (2–4) || Frasor (10) || 36,142 || 65–77 || 25½ |- align="center" bgcolor="ffbbbb" | 143 || September 13 || @ Tigers || 7–2 || Porcello (13–8) || Romero (12–8) || || 32,468 || 65–78 || 26½ |- align="center" bgcolor="ffbbbb" | 144 || September 14 || @ Tigers || 6–5 (10) || Seay (6–3) || Wolfe (1–2) || || 24,375 || 65–79 || 27½ |- align="center" bgcolor="bbffbb" | 145 || September 15 || @ Yankees || 10–4 || Halladay (15–9) || Mitre (3–3) || || 45,847 || 66–79 || 26½ |- align="center" bgcolor="ffbbbb" | 146 || September 16 || @ Yankees || 5–4 || Rivera (3–2) || Frasor (6–3) || || 46,046 || 66–80 || 27½ |- align="center" bgcolor="ffbbbb" | 147 || September 18 || @ Rays || 11–4 || Shields (10–11) || Richmond (6–10) || || 18,426 || 66–81 || 27½ |- align="center" bgcolor="ffbbbb" | 148 || September 19 || @ Rays || 4–0 || Garza (8–10) || Romero (12–9) || || 22,705 || 66–82 || 28½ |- align="center" bgcolor="ffbbbb" | 149 || September 20 || @ Rays || 3–1 || Price (9–7) || Halladay (15–10) || Howell (17) || 20,937 || 66–83 || 28½ |- align="center" bgcolor="bbffbb" | 150 || September 21 || Orioles || 9–2 || Purcey (1–2) || Tillamn (2–4) || || 11,598 || 67–83 || 27½ |- align="center" bgcolor="bbffbb" | 151 || September 22 || Orioles || 6–5 (11) || Camp (2–6) || Sarfate (0–1)|| || 11,869 || 68–83 || 27½ |- align="center" bgcolor="bbffbb" | 152 || September 23 || Orioles || 7–3 || Richmond (7–10) || Guthrie (10–16) || || 13,743 || 69–83 || 27½ |- align="center" bgcolor="ffbbbb" | 153 || September 24 || Mariners || 5–4 || Hernández (17–5) || Carlson (1–6) || Aardsma (36) || 15,306 || 69–84 || 28 |- align="center" bgcolor="bbffbb" | 154 || September 25 || Mariners || 5–0 || Halladay (16–10) || Fister (2–4) || || 20,668 || 70–84 || 28 |- align="center" bgcolor="bbffbb" | 155 || September 26 || Mariners || 5–4 (10) || Frasor (7–3) || Kelley (5–4) || || 29,783 || 71–84 || 28 |- align="center" bgcolor="bbffbb" | 156 || September 27 || Mariners || 5–4 || Wolfe (2–2) || Rowland-Smith (4–4) || Camp (1) || 39,052 || 72–84 || 28 |- align="center" bgcolor="bbffbb" | 157 || September 28 || @ Red Sox || 11–5 (7) || Richmond (8–10)|| Bowden (0–1) || || 37,591 || 73–84 || 28 |- align="center" bgcolor="bbffbb" | 158 || September 29 || @ Red Sox || 8–7 || Romero (13–9) || Buchholz (7–4) || Frasor (11) || 37,618 || 74–84 || 28 |- align="center" bgcolor="bbffbb" | 159 || September 30 || @ Red Sox || 12–0 || Halladay (17–10) || Wakefield (11–5) || || 37,246 || 75–84 || 27 |- |- align="center" bgcolor="ffbbbb" | 160 || October 2 || @ Orioles || 13–7 || Berken (6–12) || Purcey (1–3) || || 16,921 || 75–85 || 27 |- align="center" bgcolor="ffbbbb" | 161 || October 3 || @ Orioles || 6–3 || Hendrickson (6–5) || Richmond (8–11) || Johnson (10) || 23,254 || 75–86 || 27 |- align="center" bgcolor="ffbbbb" | 162 || October 4 || @ Orioles || 5–4 (11) || Albers (3–6) || League (3–6) || || 17,969 || 75–87 || 28 |- Player stats Note: Yellow background = Team leader Batting Note: G = Games played; AB = At Bats; R = Runs scored; H = Hits; 2B = Doubles; 3B = Triples; HR = Home runs; RBI = Runs batted in; AVG = Batting average; SB = Stolen bases Pitching Note: W = Wins; L = Losses; ERA = Earned run average; G = Games pitched; GS = Games started; SV = Saves; IP = Innings pitched; H = Hits allowed; R = Runs allowed; ER = Earned runs allowed; BB = Walks allowed; K = Strikeouts'' Honours and awards All-Star Game Aaron Hill – 2B (starter) Roy Halladay – P (starter) Awards Aaron Hill – AL Comeback Player of the Year Award Aaron Hill – Silver Slugger Award -2B Adam Lind Silver Slugger Award -DH Farm system References External links 2009 Toronto Blue Jays season at Baseball Reference 2009 Toronto Blue Jays team page at www.baseball-almanac.com 2009 Toronto Blue Jays official site Toronto Blue Jays seasons Toronto Blue Jays season 2009 in Canadian sports 2009 in Toronto
```java // This source code is licensed under both the GPLv2 (found in the // (found in the LICENSE.Apache file in the root directory). package org.rocksdb; import java.util.*; public class MutableColumnFamilyOptions extends AbstractMutableOptions { /** * User must use builder pattern, or parser. * * @param keys the keys * @param values the values * * See {@link #builder()} and {@link #parse(String)}. */ private MutableColumnFamilyOptions(final String[] keys, final String[] values) { super(keys, values); } /** * Creates a builder which allows you * to set MutableColumnFamilyOptions in a fluent * manner * * @return A builder for MutableColumnFamilyOptions */ public static MutableColumnFamilyOptionsBuilder builder() { return new MutableColumnFamilyOptionsBuilder(); } /** * Parses a String representation of MutableColumnFamilyOptions * * The format is: key1=value1;key2=value2;key3=value3 etc * * For int[] values, each int should be separated by a comma, e.g. * * key1=value1;intArrayKey1=1,2,3 * * @param str The string representation of the mutable column family options * * @return A builder for the mutable column family options */ public static MutableColumnFamilyOptionsBuilder parse(final String str) { Objects.requireNonNull(str); final MutableColumnFamilyOptionsBuilder builder = new MutableColumnFamilyOptionsBuilder(); final String[] options = str.trim().split(KEY_VALUE_PAIR_SEPARATOR); for(final String option : options) { final int equalsOffset = option.indexOf(KEY_VALUE_SEPARATOR); if(equalsOffset <= 0) { throw new IllegalArgumentException( "options string has an invalid key=value pair"); } final String key = option.substring(0, equalsOffset); if(key.isEmpty()) { throw new IllegalArgumentException("options string is invalid"); } final String value = option.substring(equalsOffset + 1); if(value.isEmpty()) { throw new IllegalArgumentException("options string is invalid"); } builder.fromString(key, value); } return builder; } private interface MutableColumnFamilyOptionKey extends MutableOptionKey {} public enum MemtableOption implements MutableColumnFamilyOptionKey { write_buffer_size(ValueType.LONG), arena_block_size(ValueType.LONG), memtable_prefix_bloom_size_ratio(ValueType.DOUBLE), @Deprecated memtable_prefix_bloom_bits(ValueType.INT), @Deprecated memtable_prefix_bloom_probes(ValueType.INT), memtable_huge_page_size(ValueType.LONG), max_successive_merges(ValueType.LONG), @Deprecated filter_deletes(ValueType.BOOLEAN), max_write_buffer_number(ValueType.INT), inplace_update_num_locks(ValueType.LONG); private final ValueType valueType; MemtableOption(final ValueType valueType) { this.valueType = valueType; } @Override public ValueType getValueType() { return valueType; } } public enum CompactionOption implements MutableColumnFamilyOptionKey { disable_auto_compactions(ValueType.BOOLEAN), @Deprecated soft_rate_limit(ValueType.DOUBLE), soft_pending_compaction_bytes_limit(ValueType.LONG), @Deprecated hard_rate_limit(ValueType.DOUBLE), hard_pending_compaction_bytes_limit(ValueType.LONG), level0_file_num_compaction_trigger(ValueType.INT), level0_slowdown_writes_trigger(ValueType.INT), level0_stop_writes_trigger(ValueType.INT), max_compaction_bytes(ValueType.LONG), target_file_size_base(ValueType.LONG), target_file_size_multiplier(ValueType.INT), max_bytes_for_level_base(ValueType.LONG), max_bytes_for_level_multiplier(ValueType.INT), max_bytes_for_level_multiplier_additional(ValueType.INT_ARRAY), ttl(ValueType.LONG); private final ValueType valueType; CompactionOption(final ValueType valueType) { this.valueType = valueType; } @Override public ValueType getValueType() { return valueType; } } public enum MiscOption implements MutableColumnFamilyOptionKey { max_sequential_skip_in_iterations(ValueType.LONG), paranoid_file_checks(ValueType.BOOLEAN), report_bg_io_stats(ValueType.BOOLEAN), compression_type(ValueType.ENUM); private final ValueType valueType; MiscOption(final ValueType valueType) { this.valueType = valueType; } @Override public ValueType getValueType() { return valueType; } } public static class MutableColumnFamilyOptionsBuilder extends AbstractMutableOptionsBuilder<MutableColumnFamilyOptions, MutableColumnFamilyOptionsBuilder, MutableColumnFamilyOptionKey> implements MutableColumnFamilyOptionsInterface<MutableColumnFamilyOptionsBuilder> { private final static Map<String, MutableColumnFamilyOptionKey> ALL_KEYS_LOOKUP = new HashMap<>(); static { for(final MutableColumnFamilyOptionKey key : MemtableOption.values()) { ALL_KEYS_LOOKUP.put(key.name(), key); } for(final MutableColumnFamilyOptionKey key : CompactionOption.values()) { ALL_KEYS_LOOKUP.put(key.name(), key); } for(final MutableColumnFamilyOptionKey key : MiscOption.values()) { ALL_KEYS_LOOKUP.put(key.name(), key); } } private MutableColumnFamilyOptionsBuilder() { super(); } @Override protected MutableColumnFamilyOptionsBuilder self() { return this; } @Override protected Map<String, MutableColumnFamilyOptionKey> allKeys() { return ALL_KEYS_LOOKUP; } @Override protected MutableColumnFamilyOptions build(final String[] keys, final String[] values) { return new MutableColumnFamilyOptions(keys, values); } @Override public MutableColumnFamilyOptionsBuilder setWriteBufferSize( final long writeBufferSize) { return setLong(MemtableOption.write_buffer_size, writeBufferSize); } @Override public long writeBufferSize() { return getLong(MemtableOption.write_buffer_size); } @Override public MutableColumnFamilyOptionsBuilder setArenaBlockSize( final long arenaBlockSize) { return setLong(MemtableOption.arena_block_size, arenaBlockSize); } @Override public long arenaBlockSize() { return getLong(MemtableOption.arena_block_size); } @Override public MutableColumnFamilyOptionsBuilder setMemtablePrefixBloomSizeRatio( final double memtablePrefixBloomSizeRatio) { return setDouble(MemtableOption.memtable_prefix_bloom_size_ratio, memtablePrefixBloomSizeRatio); } @Override public double memtablePrefixBloomSizeRatio() { return getDouble(MemtableOption.memtable_prefix_bloom_size_ratio); } @Override public MutableColumnFamilyOptionsBuilder setMemtableHugePageSize( final long memtableHugePageSize) { return setLong(MemtableOption.memtable_huge_page_size, memtableHugePageSize); } @Override public long memtableHugePageSize() { return getLong(MemtableOption.memtable_huge_page_size); } @Override public MutableColumnFamilyOptionsBuilder setMaxSuccessiveMerges( final long maxSuccessiveMerges) { return setLong(MemtableOption.max_successive_merges, maxSuccessiveMerges); } @Override public long maxSuccessiveMerges() { return getLong(MemtableOption.max_successive_merges); } @Override public MutableColumnFamilyOptionsBuilder setMaxWriteBufferNumber( final int maxWriteBufferNumber) { return setInt(MemtableOption.max_write_buffer_number, maxWriteBufferNumber); } @Override public int maxWriteBufferNumber() { return getInt(MemtableOption.max_write_buffer_number); } @Override public MutableColumnFamilyOptionsBuilder setInplaceUpdateNumLocks( final long inplaceUpdateNumLocks) { return setLong(MemtableOption.inplace_update_num_locks, inplaceUpdateNumLocks); } @Override public long inplaceUpdateNumLocks() { return getLong(MemtableOption.inplace_update_num_locks); } @Override public MutableColumnFamilyOptionsBuilder setDisableAutoCompactions( final boolean disableAutoCompactions) { return setBoolean(CompactionOption.disable_auto_compactions, disableAutoCompactions); } @Override public boolean disableAutoCompactions() { return getBoolean(CompactionOption.disable_auto_compactions); } @Override public MutableColumnFamilyOptionsBuilder setSoftPendingCompactionBytesLimit( final long softPendingCompactionBytesLimit) { return setLong(CompactionOption.soft_pending_compaction_bytes_limit, softPendingCompactionBytesLimit); } @Override public long softPendingCompactionBytesLimit() { return getLong(CompactionOption.soft_pending_compaction_bytes_limit); } @Override public MutableColumnFamilyOptionsBuilder setHardPendingCompactionBytesLimit( final long hardPendingCompactionBytesLimit) { return setLong(CompactionOption.hard_pending_compaction_bytes_limit, hardPendingCompactionBytesLimit); } @Override public long hardPendingCompactionBytesLimit() { return getLong(CompactionOption.hard_pending_compaction_bytes_limit); } @Override public MutableColumnFamilyOptionsBuilder setLevel0FileNumCompactionTrigger( final int level0FileNumCompactionTrigger) { return setInt(CompactionOption.level0_file_num_compaction_trigger, level0FileNumCompactionTrigger); } @Override public int level0FileNumCompactionTrigger() { return getInt(CompactionOption.level0_file_num_compaction_trigger); } @Override public MutableColumnFamilyOptionsBuilder setLevel0SlowdownWritesTrigger( final int level0SlowdownWritesTrigger) { return setInt(CompactionOption.level0_slowdown_writes_trigger, level0SlowdownWritesTrigger); } @Override public int level0SlowdownWritesTrigger() { return getInt(CompactionOption.level0_slowdown_writes_trigger); } @Override public MutableColumnFamilyOptionsBuilder setLevel0StopWritesTrigger( final int level0StopWritesTrigger) { return setInt(CompactionOption.level0_stop_writes_trigger, level0StopWritesTrigger); } @Override public int level0StopWritesTrigger() { return getInt(CompactionOption.level0_stop_writes_trigger); } @Override public MutableColumnFamilyOptionsBuilder setMaxCompactionBytes(final long maxCompactionBytes) { return setLong(CompactionOption.max_compaction_bytes, maxCompactionBytes); } @Override public long maxCompactionBytes() { return getLong(CompactionOption.max_compaction_bytes); } @Override public MutableColumnFamilyOptionsBuilder setTargetFileSizeBase( final long targetFileSizeBase) { return setLong(CompactionOption.target_file_size_base, targetFileSizeBase); } @Override public long targetFileSizeBase() { return getLong(CompactionOption.target_file_size_base); } @Override public MutableColumnFamilyOptionsBuilder setTargetFileSizeMultiplier( final int targetFileSizeMultiplier) { return setInt(CompactionOption.target_file_size_multiplier, targetFileSizeMultiplier); } @Override public int targetFileSizeMultiplier() { return getInt(CompactionOption.target_file_size_multiplier); } @Override public MutableColumnFamilyOptionsBuilder setMaxBytesForLevelBase( final long maxBytesForLevelBase) { return setLong(CompactionOption.max_bytes_for_level_base, maxBytesForLevelBase); } @Override public long maxBytesForLevelBase() { return getLong(CompactionOption.max_bytes_for_level_base); } @Override public MutableColumnFamilyOptionsBuilder setMaxBytesForLevelMultiplier( final double maxBytesForLevelMultiplier) { return setDouble(CompactionOption.max_bytes_for_level_multiplier, maxBytesForLevelMultiplier); } @Override public double maxBytesForLevelMultiplier() { return getDouble(CompactionOption.max_bytes_for_level_multiplier); } @Override public MutableColumnFamilyOptionsBuilder setMaxBytesForLevelMultiplierAdditional( final int[] maxBytesForLevelMultiplierAdditional) { return setIntArray( CompactionOption.max_bytes_for_level_multiplier_additional, maxBytesForLevelMultiplierAdditional); } @Override public int[] maxBytesForLevelMultiplierAdditional() { return getIntArray( CompactionOption.max_bytes_for_level_multiplier_additional); } @Override public MutableColumnFamilyOptionsBuilder setMaxSequentialSkipInIterations( final long maxSequentialSkipInIterations) { return setLong(MiscOption.max_sequential_skip_in_iterations, maxSequentialSkipInIterations); } @Override public long maxSequentialSkipInIterations() { return getLong(MiscOption.max_sequential_skip_in_iterations); } @Override public MutableColumnFamilyOptionsBuilder setParanoidFileChecks( final boolean paranoidFileChecks) { return setBoolean(MiscOption.paranoid_file_checks, paranoidFileChecks); } @Override public boolean paranoidFileChecks() { return getBoolean(MiscOption.paranoid_file_checks); } @Override public MutableColumnFamilyOptionsBuilder setCompressionType( final CompressionType compressionType) { return setEnum(MiscOption.compression_type, compressionType); } @Override public CompressionType compressionType() { return (CompressionType)getEnum(MiscOption.compression_type); } @Override public MutableColumnFamilyOptionsBuilder setReportBgIoStats( final boolean reportBgIoStats) { return setBoolean(MiscOption.report_bg_io_stats, reportBgIoStats); } @Override public boolean reportBgIoStats() { return getBoolean(MiscOption.report_bg_io_stats); } @Override public MutableColumnFamilyOptionsBuilder setTtl(final long ttl) { return setLong(CompactionOption.ttl, ttl); } @Override public long ttl() { return getLong(CompactionOption.ttl); } } } ```
Barbarella is a 1968 science fiction film directed by Roger Vadim, based on the French comic series of the same name by Jean-Claude Forest. The film stars Jane Fonda as the title character, a space traveler and representative of the United Earth government sent to find scientist Durand Durand, who has created a weapon that could destroy humanity. The supporting cast includes John Phillip Law, Anita Pallenberg, Milo O'Shea, Marcel Marceau, David Hemmings, Ugo Tognazzi, and Claude Dauphin. Having expressed an interest in comics and science fiction, Vadim was hired to direct Barbarella after producer Dino De Laurentiis purchased the film rights to the comic series. Vadim attempted to cast several actresses—Brigitte Bardot and Sophia Loren—in the title role before choosing Fonda, his then-wife. A friend of Vadim's, Terry Southern, wrote the initial screenplay, which changed considerably during filming and led to seven other writers being credited in the final release, including Vadim and Forest, the latter of whom also worked on the film's production design. The film began shooting immediately following the completion of another De Laurentiis comic adaptation, Danger: Diabolik, with both films sharing several cast and crew members. The film was particularly popular in the United Kingdom, where it was the year's second-highest-grossing film. Contemporary film critics praised Barbarella visuals and cinematography but found its storyline weak after the first few scenes. Although several attempts at sequels, remakes, and other adaptations have been planned, none of these have entered production. Plot In an unspecified future, space adventurer Barbarella is sent by the Earth's president to retrieve Durand Durand from the Tau Ceti planetary system. Durand is the inventor of a laser-powered weapon, the positronic ray, which Earth's leaders fear will cause mass destruction. Barbarella crash-lands on Tau Ceti's 16th planet and is knocked unconscious by two children. They bring her to the wreckage of a spaceship, where they bind and attack her using mechanical dolls with razor-sharp teeth. Barbarella is rescued by Mark Hand, the Catchman who patrols the ice looking for errant children. Hand tells her that Durand is in the city of Sogo and offers her a ride to her ship in his ice boat. When Barbarella offers to repay him, Hand asks her to make love to him. Barbarella is confused since Earthlings no longer have intimate physical contact; instead, they take pills "until full rapport is achieved." Hand suggests having sex in his bed instead. Barbarella relents and enjoys it but admits that she understands why sex is considered primitive and distracting on Earth. Barbarella leaves the planet and crashes into a labyrinth inhabited by outcasts exiled from Sogo. She is found by Pygar, a blind angel who has lost the will to fly. Pygar introduces her to Professor Ping, who offers to repair her ship. Pygar flies Barbarella to Sogo, a den of violence and debauchery after she restores his will to fly by having sex with him. Pygar and Barbarella are captured by Sogo's Black Queen and her concierge. The concierge describes the Mathmos: living energy in liquid form, powered by evil thoughts and used as an energy source in Sogo, which sits atop it. Pygar endures a mock crucifixion and Barbarella is placed in a cage, where hundreds of birds prepare to attack her. She is rescued by Dildano, leader of the local underground, who joins in her pursuit of Durand. Dildano gives her an invisible key to the Black Queen's chamber of dreams, where she sleeps. After returning to Sogo, Barbarella is promptly recaptured by the concierge. He places her in the "Exsexsive Machine" which induces fatal sexual pleasure. She outlasts the machine and makes it go haywire. The concierge, shocked at its destruction, reveals himself as Durand Durand. Barbarella is surprised since he is only 25 years old but has aged tremendously—a side-effect of the Mathmos. Durand wants to overthrow the Black Queen and become Sogo's new leader, which requires using his positronic ray and gaining access to the Queen's chamber of dreams. Durand takes Barbarella to the chamber and locks her inside with the invisible key. She sees the Queen, who warns that if two people are in the chamber, the Mathmos will devour them. Durand seizes control of Sogo as Dildano and his rebels begin their attack on the city. The Black Queen retaliates by releasing the Mathmos to destroy Sogo. Because of Barbarella's innocence, the Mathmos form a protective bubble around her and the Black Queen and safely expels them. They find Pygar, who clutches them in his arms and flies off. When Barbarella asks Pygar why he saved a tyrant, he tells her that an angel has no memory of the past. Production Development and writing Having bought the film rights to Jean-Claude Forest's Barbarella comics, producer Dino De Laurentiis secured a distribution deal in the United States between France's Marianne Productions and Paramount Pictures. He planned to film Danger: Diabolik, a less-expensive feature, to help cover production costs. In 1966 Roger Vadim expressed admiration for comics (particularly Charles Schulz's Peanuts), saying that he liked "the wild humor and impossible exaggeration of comic strips" and wanted to "do something in that style myself in my next film, Barbarella." Vadim saw the film as a chance to "depict a new futuristic morality ... Barbarella has [no] guilt about her body. I want to make something beautiful out of eroticism." His wife, actress Jane Fonda, noted that Vadim was a fan of science fiction; according to the director, "In science fiction, technology is everything ... The characters are so boring—they have no psychology. I want to do this film as though I had arrived on a strange planet with my camera directly on my shoulder—as though I was a reporter doing a newsreel." After Terry Southern finished writing Peter Sellers' dialogue for Casino Royale, he flew to Paris to meet Vadim and Fonda. Southern, who had known Vadim in Paris during the early 1950s, saw writing a science-fiction comedy based on a comic book as a new challenge. He enjoyed writing the script, particularly the opening striptease and the scenes with tiny robotic toys pursuing Barbarella to bite her. Southern enjoyed working with Vadim and Fonda, but he felt that De Laurentiis was intent only on making a cheap film that was not necessarily good. Southern said later, "Vadim wasn't particularly interested in the script, but he was a lot of fun, with a discerning eye for the erotic, grotesque, and the absurd. And Jane Fonda was super in all regards." Southern was surprised to see his screenplay credited to Vadim and several Italian screenwriters in addition to himself. Credited screenwriters included Claude Brulé, Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, Tudor Gates, and Forest; Degas and Gates were hired by De Laurentiis after he was impressed with their work on Danger: Diabolik. Charles B. Griffith later said that he had done uncredited work on the script; the production team "hired fourteen other writers" after Southern "before they got to me. I didn't get credit because I was the last one." According to Griffith, he "rewrote about a quarter of the film that was shot, then re-shot, and I added the concept that there had been thousands of years since violence existed so that Barbarella was very clumsy all through the picture. She shoots herself in the foot and everything. It was pretty ludicrous. The stuff with Claude Dauphin and the suicide room was also part of my contribution to the film." Pre-production and casting Several actresses were approached before Jane Fonda was cast as Barbarella: Brigitte Bardot, who was not interested in a sexualized role, and Sophia Loren who was pregnant and felt that she would not fit the role. Fonda was uncertain about the film, but Vadim convinced her by saying that science fiction was a rapidly-evolving genre. Before filming Barbarella, she was the subject of two sex scandals: the first when her nude body was displayed across an eight-story billboard promoting the premiere of Circle of Love in 1965, and the second when several candid nude photos from Vadim's closed set for The Game Is Over were sold to Playboy the following year. According to biographer Thomas Kiernan, the billboard incident made her a sex symbol in the United States. Vadim said he did not want the actress to play Barbarella "tongue in cheek", and he saw the character as "just a lovely, average girl with a terrific space record and a lovely body. I am not going to intellectualise her. Although there is going to be a bit of satire about our morals and our ethics, the picture is going to be more of a spectacle than a cerebral exercise for a few way-out intellectuals." Fonda felt her priority for Barbarella was to "keep her innocent"; the character "is not a vamp and her sexuality is not measured by the rules of our society. She is not being promiscuous but she follows the natural reaction of another type of upbringing. She is not a so-called 'sexually liberated woman' either. That would mean rebellion against something. She is different. She was born free". Fonda personally recommended John Phillip Law as Pygar to Vadim following their work on Hurry Sundown; for the duration of his stay in Rome, the actor lived with Fonda, Vadim and Forest in their rented villa on Appian Way. Law, an avid comic book reader since childhood, read the Forest comics and studied the DC Comics character Hawkman for inspiration. The delayed pre-production of Barbarella allowed Law to film two roles before committing to the film: as Bill Meceita in the Spaghetti Western Death Rides a Horse, and as the title character in Danger: Diabolik. For the role of the Black Queen, Southern recommended model Anita Pallenberg, the then-girlfriend of The Rolling Stones member Brian Jones; Southern had befriended her while working with the band on the film A Clockwork Orange. On the English-language prints of the film, Pallenberg's voice was dubbed by English actress Joan Greenwood. French mime Marcel Marceau had his first speaking role in the film as Professor Ping. Comparing Ping to his stage persona Bip the Clown and Harpo Marx, he said that he did not "forget the lines, but I have trouble organising them. It's a different way of making what's inside come out. It goes from the brain to the vocal chords, and not directly to the body." All costumes in the film, including Fonda's, were designed by French costume designer Jacques Fonteray and manufactured by Sartoria Farani, with Barbarella's costume in the final scenes being, as the credits put it, "inspired by ideas of" fashion designer Paco Rabanne. Barbarella's outfits were Fonteray's interpretation of Forest's vision, combining Orientalist and medieval aesthetics with samurai armors. Forest also worked on the film's production design, and was credited in the film as its "artistic consultant". In a 1985 interview, he said that during production he did not care about his original comic strip and was more interested in the film industry: "The Italian artists were incredible; they could build anything in an extremely short time. I saw all the daily rushes, an incredible amount of film. The choices that were made for the final cut from those images were not the ones I would have liked, but I was not the director. It wasn't my affair." Filming According to Law, Barbarella began shooting after production on Danger: Diabolik ended on 18 June 1967; sets such as Valmont's night club in Danger: Diabolik were used in both films. Barbarella was shot at Cinecittà in Rome. To film the striptease titles sequence, Fonda said that the set was turned upward to face the ceiling of the soundstage. A pane of thick glass was laid across the opening of the set, with the camera hung from the rafters above it. Fonda then climbed onto the glass to perform the scene. Other scenes involved hanging Fonda upside down in an enormous vat of oil and dry ice, and her stomach being skinned when being shot through a plastic tube. For the scenes involving the Excessive Pleasure Machine, Fonda and Milo O'Shea were not told of explosions that would happen on set since the prop was rigged with flares and smoke bombs. Fonda explained that "Vadim wanted us to look natural, so he didn't tell us what a big explosion there would be. When the machine blew up, flames and smoke were everywhere, and sparks were running up and down the wires. I was frightened to death, and poor Milo was convinced something had really gone wrong and I was being electrocuted." For the scene involving Barbarella being attacked by hummingbirds, wrens and lovebirds were used as it was illegal to ship hummingbirds overseas. The birds were not behaving as Vadim had expected, which led to him employing a large fan to blow them at Fonda, who had birdseed in her costume. Film critic Roger Ebert, after visiting the set, wrote that the fan led to birds "losing control over natural body functions, so it was all a little messy". Ebert concluded that "After two weeks of this, [Fonda] got a fever and was hospitalized. I can't reveal here how they finally did the scene". The actress later described her discomfort on the film's set. In her autobiography, Fonda said that Vadim began drinking during lunch; his words slurred, and "his decisions about how to shoot scenes often seemed ill-considered". Fonda was bulimic and, at the time, was "a young woman who hated her body...playing a scantily clad, sometimes-naked sexual heroine". Photographer David Hurn echoed Fonda, noting that she was insecure about her appearance during the production's photo shoots. The actress took sick days so the film's insurance policy would cover the cost of a shutdown while the script was edited. Vadim would later state in his memoir that Fonda "didn't enjoy shooting Barbarella", specifically that she "disliked the central character for her lack of principle, her shameless exploitation of her sexuality and her irrelevance to contemporary social and political realities." Soundtrack Michel Magne was commissioned to score Barbarella, but his effort was discarded. The film's soundtrack, completed by composer-producers Bob Crewe and Charles Fox, has been described as lounge or exotica. Crewe was known for composing 1960s songs such as the Four Seasons' "Big Girls Don't Cry". Some of the music is credited to the Bob Crewe Generation, a group of session musicians who contributed to the soundtrack. Crewe invited the New York-based group The Glitterhouse, whom he knew through his production work, to provide vocals for the songs. He reflected on the soundtrack in his autobiography, saying that it "clearly needed to have a fun and futuristic approach to it, with sixties-music sensibility". Release Barbarella opened in New York on 11 October 1968 and earned $2.5 million in North American theaters that year. It was the second-most-popular film in general release in the United Kingdom in 1968, after The Jungle Book. The film was shown in Paris that month, and was released in Italy on 18 October. It was released on 25 October throughout France, where it was distributed by Paramount. Barbarella received a "condemned" rating from the National Catholic Office for Motion Pictures, which called the film a "sick, heavy-handed fantasy with nudity and graphic representations of sadism" and criticized the Production Code Administration for approving it. Following the success of Star Wars, Paramount theatrically re-released the film in 1977; for this release, which was referred to in promotional materials as Barbarella: Queen of the Galaxy, the scenes of nudity were removed. Home media Despite frequently using the Barbarella: Queen of the Galaxy title and promotional art, home media releases of the film have been of the uncut 1968 version rather than the edited 1977 version. In 1994, the film's LaserDisc presented it in widescreen for the first time on home video. Reviewing this release for Video Watchdog, Tim Lucas noted that the film was presented with an incorrect aspect ratio of 2.47:1, resulting in the cropping of visual information that was present in the earlier pan and scan VHS releases, but noted that "many of Claude Renoir's "psychedelia" images work on video only in this widescreen setting". Barbarella was released on DVD on 22 June 1999, and on Blu-ray in July 2012, with the 1968 theatrical trailer the disc's only bonus feature. According to Charles Taylor of The New York Times, home media releases of the film before the Blu-ray version were "murky". Chris Nashawaty (Entertainment Weekly), Sean Axmaker (Video Librarian) and Glenn Erickson (DVD Talk) called Barbarella Blu-ray transfer "breathtaking", "superb-looking" and "really good", respectively. Reception On review aggregator website Rotten Tomatoes, the film holds a 74% approval rating based on 46 reviews, with an average score of 6.2/10; the site's "critics consensus" reads: "Unevenly paced and thoroughly cheesy, Barbarella is nonetheless full of humor, entertaining visuals, and Jane Fonda's sex appeal". Contemporary Some contemporary publications reported that the film's first scenes were enjoyable, but its quality declined thereafter. According to Wendy Michener's review in The Globe and Mail, after the striptease scene "we are plunged back into the mundane, not to say inane world, of the spy thriller with a dreary overlay of futuristic science-fiction" and it "just lies there, with all its psychedelic plastic settings". Barbarella script and humor were criticized; a reviewer in Variety described the writing as "flat" with only "a few silly-funny lines of dialog" for a "cast that is not particularly adept at comedy". Dan Bates wrote in Film Quarterly that "sharp satiric moments ... are welcome and refreshing but are rather infrequent", and Renata Adler of The New York Times noted that "there is the assumption that just mentioning a thing (sex, politics, religion) makes it funny". Critics praised the film's design and cinematography. Variety mainly negative review noted "a certain amount of production dash and polish" and, according to Derek Malcolm of The Guardian, "Claude Renoir's limpid colour photography and August Lohman's eye-catching special effects are what save the movie time and again". A Monthly Film Bulletin reviewer wrote that Barbarella decor is "remarkably faithful to Jean-Claude Forest's originals", noting a "major contribution of Claude Renoir as director of photography" and "Jacques Fonterary's and Paco Rabanne's fantastic costumes". James Price (Sight & Sound) agreed, citing "the inventiveness of the decors and the richness of Claude Renoir's photography". Malcolm and Lohman criticized Barbarella nature, themes and tone, with Malcolm calling it a "nasty kind of film", "modish to the core" and "essentially just a shrewd piece of exploitation". Lohman suggested the film's humor was "not jokes, but hard-breathing, sadistic thrashings." Bates called it "pure sub-adolescent junk" and "bereft of redeeming social or artistic importance". Michener praised Barbarella as part of "the first female sci-fi". Its shaggy gold rugs, impressionist paintings and spaceship were "unquestionably female in design compared with any of today's projectiles"; Barbarella is "no man-challenging superwoman, but a sweet soft creature who's always willing to please a man who's kind to her". According to Price, "There is a real fascination in its basic idea, which is a happy belief in the survival of sexuality... The idea fascinates, but the execution somehow disappoints (how often one has to say that about Vadim)." Bates' review concluded, "In the year that Stanley Kubrick and Franklin Schaffner finally elevated the science-fiction movie beyond the abyss of the kiddie show, Roger Vadim has knocked it right back down." Retrospective Numerous retrospective reviews have discussed Barbarella plot and design. While stating that Barbarella "hardly ranks with Blood and Roses or Charlotte as one of Vadim's best", Lucas says that "Whatever charm the film still holds is entirely due to its visual imagination and highly over-done, Felliniesque artifice". According to The A.V. Clubs Keith Phipps, "Mario Garbuglia keeps throwing inventive visuals and remarkable sets at the heroine" but "the journey itself is an unrelenting trudge". Sean Axmaker of Video Librarian called the film's "set design and wild color triumphing over story and character". Taylor perceived a lack of "plot impetus", suggesting that Vadim may have been "preoccupied with the special effects, though they are [and were] rather cheesy". Kim Newman (Empire) gave Barbarella three stars out of five, calling the film "literally episodic" and writing that the episodes spend "more time on the art direction, the costuming and the psychedelic music track than the plot". About its sexual elements, Brian J. Dillard wrote that the film's gender roles were not "particularly progressive, especially given the running gag about Barbarella getting her first few tastes of physical copulation after a lifetime of 'advanced' virtual sex" in his review on AllMovie. Phipps found the film "a missed opportunity", saying that the source material was part of "an emerging wave of European comics for adults" which "Vadim film[ed] indifferently." David Kehr of the Chicago Reader found the film "ugly" on several levels, particularly its "human values". Newman summarized the film as "cheerful, kitsch and camp", with "a succession of truly amazing fashion creations with all the confidence of a generation that thought sex was, above all, fun". Newman compared the film to 2001: A Space Odyssey and Star Wars, writing that Barbarella makes them seem "stuffy" by comparison. Charles Webb's review for MTV said that Barbarella suffers when described as a "camp classic", since there was "so much to like about Fonda's work here and the movie as a whole"; "Fonda brings naivete and sweetness to a part that requires a certain level of comfort going bare onscreen, while the hostile planet Lythion is a parade of inventive and odd ways to imperil our heroine." Similarly, Lucas declared that "Fonda's performance, which the silly persist in finding controversial or compromising, has dated better than 90% of her 'serious' work; without her centrifugal, wide-eyed presence and suspenseful costume changes, one gets the impression that the whole production might spin madly out of control and off the screen". Legacy and influence [[File:Barbarella-cosplayer.jpg|thumb|A woman cosplaying as Barbarella. Author Jerry Lembcke noted that ''Barbarellas popularity went beyond the film buff community.]] Barbarella and Danger: Diabolik were both part of a minor trend of Italian film adaptations of European comics (known in Italy as fumetti) that emphasized mild sadomasochism and late 1960s fetish gear; aside from these two films, 1968 saw the release of Piero Vivarelli's similarly-themed Satanik. These were followed by Bruno Corbucci's Ms. Stiletto in 1969, and Corrado Farina's Baba Yaga in 1973. The production and costume design of both films also reflected a larger movement of retrofuturism seen in European genre films of the 1960s and 1970s. These include Pasquale Festa Campanile's The Libertine and Check to the Queen, Umberto Lenzi's So Sweet... So Perverse, Tinto Brass' Col cuore in gola, Lucio Fulci's One on Top of the Other and A Lizard in a Woman's Skin, Elio Petri's The 10th Victim, Piero Schivazappa's The Laughing Woman and Radley Metzger's Camille 2000 and The Lickerish Quartet. According to the Los Angeles Times, Barbarella may seem "quaint" to modern audiences but its "imagery has echoed for years in pop culture." Lisa Eisner of The New York Times called Barbarella "the most iconic sex goddess of the '60s." The film's costumes influenced Jean-Paul Gaultier's designs in The Fifth Element, and Gaultier noted Paco Rabanne's metallic dress that was worn by Fonda. Barbarella was later called a cult film. Author Jerry Lembcke noted the film's popularity; it was available in small video stores, and was familiar beyond the film buff community. According to Lembcke, any "doubt about its cult status was dispelled when Entertainment Weekly ranked it number 40 on its list of top 50 cult movies" in 2003. He cited the film's popularity on the internet, with fansites ranging from a Barbarella festival in Sweden to memorabilia sales and reviews. Lembcke writes that the websites focus on the character of Barbarella. Barbarella has influenced popular music, with English new wave band Duran Duran taking its name from the film's antagonist. The group later released a 1984 concert film, Arena (An Absurd Notion), with Milo O'Shea reprising his role from Barbarella. Their 1981 debut album is called Duran Duran and in 1997 they released the song Electric Barbarella, again taking inspiration from the film. The musical duo Matmos took their name from the living lake of slime under the city in the movie. Music videos influenced by Barbarella include Kylie Minogue's "Put Yourself In My Place," Katy Perry's "E.T.", and Ariana Grande's "Break Free". Camille Paglia opined Lady Gaga drew influence from Fonda's performance in the film. Proposed sequel, remake and TV series A sequel to Barbarella was planned in November 1968. Producer Robert Evans said that its working title would be Barbarella Goes Down, with the character having undersea adventures. Terry Southern said that he was contacted by de Laurentiis in 1990 to write a sequel "on the cheap ... but with plenty of action and plenty of sex", and possibly starring Fonda's daughter. A new version of Barbarella was proposed in the 2000s, and director Robert Rodriguez was interested in developing a version after the release of Sin City. Universal Pictures planned to produce the film, with Rose McGowan playing Barbarella. Dino and Martha De Laurentiis signed on with writers Neal Purvis and Robert Wade, who had worked on Casino Royale. When the film's budget exceeded $80 million, Universal withdrew. According to Rodriguez, he did not want his film to look like Vadim's. He searched for alternate financing when Universal did not meet his budget, and found a studio in Germany which would provide a $70 million budget. Rodriguez eventually left the project, since using that studio would require a long separation from his family. Joe Gazzam was then approached to write a screenplay, with Robert Luketic directing and Dino and Martha De Laurentiis still credited as producers. Gaumont International Television announced a pilot for a TV series based on the film by Amazon Studios in 2012. The pilot would be written by Purvis and Wade and directed by Nicolas Winding Refn, and the series would be set in Asia. Refn spoke about the show in 2016 where he discussed about having a greater interest on developing The Neon Demon than Barbarella, concluding that "certain things are better left untouched. You don't need to remake everything." Sydney Sweeney will star as the titular character and be an executive producer. See also List of films based on French-language comics List of French films of 1968 List of Italian films of 1968 List of science fiction films of the 1960s ReferencesInformational notesCitationsBibliography''' External links 1968 films 1960s French films 1960s Italian films 1960s English-language films 1960s fantasy adventure films 1960s science fiction adventure films French fantasy adventure films Italian fantasy adventure films French science fiction adventure films Italian science fiction adventure films Space adventure films Films based on French comics Films set in the future Films set on fictional planets Films directed by Roger Vadim Films with screenplays by Terry Southern Films produced by Dino De Laurentiis Films scored by Charles Fox Fiction set around Tau Ceti Live-action films based on comics Mad scientist films Paramount Pictures films Films shot at Cinecittà Studios English-language French films English-language Italian films Retrofuturism Catholic Legion of Decency condemned film
Darryl Wayne Milburn (born October 25, 1968) is an American former gridiron football defensive end. He played college football for the Grambling State Tigers and was selected in the ninth round of the 1991 NFL Draft by the Detroit Lions; he appeared in two games for the team. Milburn played for the Toronto Argonauts of the Canadian Football League (CFL) in and , before spending time with the New Orleans Saints and Arizona Cardinals in . He then moved on to the Arena Football League (AFL), playing for the Anaheim Piranhas in and , then as a member of the Tampa Bay Storm in . Early life and education Milburn was born on October 25, 1968, in Baton Rouge, Louisiana. He attended McKinley High School and at 6 ft 3 in, 230 lb, played wide receiver and free safety. He was recruited to various schools, including major teams such as Georgia Southern, LSU, Georgia, Alabama and Tulane, as well as his hometown college Southern. However, he chose to play for Grambling State, citing his liking of their coach Eddie Robinson. Milburn began attending Grambling State University in 1987 and spent his first season with the Tigers playing tight end. However, he was told by coach Robinson that the team needed someone to rush the passer and Milburn began spending more time in the weight room training to play defensive end. He was able to increase his weight to 264 lb, grew two inches, and became one of the team's top defenders and highest regarded players. Despite his size, coaches still noted that he was among the top four fastest players on the team. Milburn graduated following the 1990 season. Professional career Milburn was selected in the ninth round (213th overall) of the 1991 NFL Draft by the Detroit Lions. He received a contract on July 11 but was released on August 19. Shortly thereafter, he was re-signed to the practice roster. Milburn spent the majority of the season there before receiving promotion for the final two games against the Green Bay Packers and Buffalo Bills. He appeared in both games and also in their first playoff match-up against the Dallas Cowboys; he was inactive for the second, a loss to the Washington Redskins, due to a hamstring injury. Milburn became an unprotected free agent after the season and was later waived on August 25, 1992. In September 1992, Milburn was added to the practice roster of the Toronto Argonauts of the CFL. He was later activated and made his CFL debut on his 24th birthday, appearing in the Argonauts' loss to the Winnipeg Blue Bombers. Following the game, Milburn was placed on the injury list; he did not appear in any further games for Toronto that season. Milburn was released by Toronto at the start of July 1993 and afterwards returned as a member of the practice roster. After the Toronto defense allowed 55 points in week seven against the BC Lions, Milburn was promoted to the active roster and was made a starter in an attempt to improve the team. After having appeared in four games, he was released on October 1. Milburn finished his stint at Toronto with five total games played, nine tackles, including three for-loss, and one sack. His salary with the team was $60,000. Milburn was signed by the New Orleans Saints in 1994 but was waived on July 16. Afterwards, he was claimed by the Arizona Cardinals but was again waived on August 23. Milburn joined the Anaheim Piranhas of the Arena Football League (AFL) in 1996, after spending a year out of football. He became one of their top linemen, helping the team lead the league in sacks. While appearing in all 14 games for the Piranhas, who reached the AFL playoffs, he posted seven sacks, made two pass deflections, recovered a fumble, and also caught two receptions for 36 yards and a touchdown. He appeared in one game for Anaheim in 1997 before being placed on injured reserve, having made one tackle and one reception for four yards. After the Piranhas folded, Milburn was selected by the Tampa Bay Storm in the AFL dispersal draft. He was placed on the injured reserve list prior to the regular season, however, and was released in December 1998. References 1968 births Living people American football defensive ends American football safeties American football wide receivers American football tight ends Players of American football from Baton Rouge, Louisiana Grambling State Tigers football players Detroit Lions players Canadian football defensive linemen Toronto Argonauts players New Orleans Saints players Arizona Cardinals players Anaheim Piranhas players Tampa Bay Storm players
```javascript Weak vs Strict equality operator Deleting properties Labeling your loops Closures Extra function arguments are undefined by default ```
The Face Australia Season 1 is an Australian reality television modelling competition series, based upon the American version with the same format. This series follows three supermodel coaches, Cheyenne Tozzi, Naomi Campbell, and Nicole Trunfio as they compete with each other to find 'the face' of Fresh Effects, Olay. The series premiered on 18 March 2014, on Fox8. Casting All applicants attempting to enter the competition were required to be female and be over the age of 18 or under the age 30 as of 1 November 2013. Applying contestants were also required to meet the minimum height requirement of 172 cm. Past experience as a model was not a requisite. Those with experience as a model could not have been in any national campaign within previous five years before applying. The deadline for all applications was 22 September 2013. Contestants (ages stated are at start of filming) Episodes Episode 1: 24 Become 12 First aired 18 March 2014 Twenty four model hopefuls arrive at the casting of their lives. There they meet the model mentors Cheyenne Tozzi, Naomi Campbell, and Nicole Trunfio, who will each assemble a group of four models to be a part of their team. After half of the contestants are gobbled up in two separate eliminations, the final twelve prepare to compete to become the new face of Olay. Episode 2: Game On! First aired 25 March 2014 Naomi watches the twelve finalists perform in their first test shoot challenge, where they must pose with miscellaneous items in order to win a Givenchy handbag. For the campaign, the teams are styled by their mentors for a Marie Claire editorial. One of the mentors is not pleased by the outcome of the first elimination, and decides to confront Naomi. Winning coach and team: Naomi Campbell Bottom two: Natalie Roser & Shenika Rule Eliminated: Natalie Roser Special Guests: Jackie Frank Episode 3: Circus Circus First aired 1 April 2014 The remaining eleven models take part in a 'who wore it better' test shoot overseen by Cheyenne. The girls are later taken to a circus, where they learn that they will have to perform in a Max Factor commercial portraying different roles. In a shocking turn of events, one of the models is forced to withdraw from the competition. After the elimination, one of the teams is reduced to just two girls. Winning coach and team: Cheyenne Tozzi Bottom two: Brittaney Johnston & Shenika Rule Eliminated: Shenika Rule Quit: Susan Yovan Episode 4: Movement and Fashion First aired 8 April 2014 For the challenge, the models must jump on a trampoline to create dynamic body shapes. The winner receives a $1,000 shopping voucher from G Star, who also provides the clothes for the challenge. The girls must later pose with their teams in a sporty Stylerunner photo shoot to create an edgy online advertisement for the brand's website. It's one girls' moment on top of the sun as she is showered with praise from both the client, and her team. Team Nicole receives yet another blow, and Anouska becomes the sole member of her team. Winning coach and team: Naomi Campbell Bottom two: Olivia Donaldson & Melise Williams Eliminated: Melise Williams Special Guests: Sali Stevanja, Julie Stevanja Episode 5: Walk the Walk First aired 15 April 2014 The models are given two minutes to run back stage, undress, and re-dress into a runway outfit. The winner of the challenge receives a collection from ASOS, along with a feature on Naomi Campbell's website. The contestants later face their biggest campaign yet; walking down 250 steps for a Steven Khalil wedding dress runway show at the Sydney Opera House in front of a crowd of 500 people. The best performing contestants are given the opportunity to front Khalil's next online campaign. Drama ensues after one team is obliterated following elimination. Winning coach and team: Naomi Campbell Bottom two: Yaya Deng & Anouska Freedman Eliminated: Anouska Freedman Eliminated Mentor: Nicole Trunfio Special Guests: Gail Elliott, Steven Khalil Episode 6: Modelling with Men First aired 22 April 2014 The models are challenged to a steamy photo shoot session with a male model while wearing lingerie from Dita Von Tesse's new line. During the campaign, the girls compete for the opportunity of being featured in the new Le Specs 2014 summer lookbook. Each group is allotted twenty minutes to take a group shot and one individual picture for each team member. With only two teams left in the competition, the losing mentor must nominate two of her models for elimination. Winning coach and team: Cheyenne Tozzi Bottom two: Brittaney Johnston & Chantal Monaghan Eliminated: Brittaney Johnston Special Guests: Jordan Coulter, Hamish Tame, Lana Rowil Episode 7: The Race to the Final First aired 29 April 2014 It's the week of the semi-final, and the remaining six contestants face the last test shoot of the series. In it, they are asked to portray a wide range of emotions. For the final campaign, the girls are introduced to their client, Lexus Brand Ambassador Yolande Waldock. It is explained that each model will be tied to a cable that will enable them to jump over their partner for the shoot: a brand new Lexus CT 200h. The tight race between the teams sways if favor of team Naomi, and for the first time since the beginning of the series, team Cheyenne loses another member. Winning coach and team: Naomi Campbell Bottom two: Yaya Deng & Nikolina Kovacevic Eliminated: Nikolina Kovacevic Special Guests: Yolande Waldock Episode 8: Final Walk First aired 6 May 2014 Final Five: Yaya Deng & Sarah Tilleke & Olivia Donaldson & Ruth Willmer & Chantal Monaghan Eliminated: Ruth Willmer & Chantal Monaghan Final three Yaya Deng & Sarah Tilleke & Olivia Donaldson The Face Australia: Olivia Donaldson Winning coach and team: Cheyenne Tozzi Featured Photographer: Jez Smith Special Guests: Lauren Young, Alex Noonan, Emma Hogan, Zac Posen Summaries Elimination table The contestant was part of the winning team for the episode. The contestant was at risk of elimination. The contestant was eliminated from the competition. The contestant withdrew from the competition. The contestant was a Runner-Up. The contestant won The Face. Episode 1 was the casting episode. The final twelve were divided into individual teams of four as they were selected. In Episode 3, Susan withdrew from the competition after learning that she was pregnant In Episode 5, Anouska, who was the last standing member in Nicole's team, was eliminated. Nicole was automatically disqualified as a result of having no models left to compete. In Episodes 6 and 7, since the competition was down to two teams, the losing coach had to nominate two girls for elimination. In Episode 7, the winning team for the campaign was determined by the total combined number of points allotted to each girl for her performance. Although Team Naomi had the highest combined score, Team Cheyenne's Olivia was scored the highest overall by the client despite being on the losing team. In Episode 8, Olivia, Sarah, and Yaya were put through to the final runway show while Chantal and Ruth were eliminated. Campaigns Episode 1: Natural Beauty Shots; Self Administered 'Transformations' (Casting) Episode 2: Marie Claire Editorial Episode 3: Max Factor Commercials in a Circus. Episode 4: Stylerunner Photo Shoot Episode 5: Steven Khalil Runway Show at the Sydney Opera House Episode 6: Le Specs lookbook with Male Models Episode 7: Leaping Over a Lexus CT 200h Episode 8: Olay Beauty Shots for Fresh Effects References External links Official site Australia, 1 2014 Australian television seasons
```java /* * * * path_to_url * * Unless required by applicable law or agreed to in writing, * "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY * specific language governing permissions and limitations */ package io.ballerina.semantic.api.test.typebynode.newapi; import io.ballerina.compiler.api.SemanticModel; import io.ballerina.compiler.api.symbols.TypeDescKind; import io.ballerina.compiler.api.symbols.TypeSymbol; import io.ballerina.compiler.syntax.tree.Node; import io.ballerina.compiler.syntax.tree.NodeVisitor; import io.ballerina.compiler.syntax.tree.TypeCastExpressionNode; import io.ballerina.compiler.syntax.tree.TypeTestExpressionNode; import io.ballerina.compiler.syntax.tree.TypeofExpressionNode; import org.testng.annotations.Test; import java.util.Optional; import static io.ballerina.compiler.api.symbols.TypeDescKind.BOOLEAN; import static io.ballerina.compiler.api.symbols.TypeDescKind.STRING; import static io.ballerina.compiler.api.symbols.TypeDescKind.TYPEDESC; import static org.testng.Assert.assertEquals; import static org.testng.Assert.assertTrue; /** * Tests for getting the type of typeof and type cast exprs. * * @since 2.0.0 */ @Test public class TypeByTypeExprTest extends TypeByNodeTest { @Override String getTestSourcePath() { return "test-src/type-by-node/type_by_type_exprs.bal"; } @Override NodeVisitor getNodeVisitor(SemanticModel model) { return new NodeVisitor() { @Override public void visit(TypeCastExpressionNode typeCastExpressionNode) { assertType(typeCastExpressionNode, model, STRING); } @Override public void visit(TypeofExpressionNode typeofExpressionNode) { assertType(typeofExpressionNode, model, TYPEDESC); } @Override public void visit(TypeTestExpressionNode typeTestExpressionNode) { assertType(typeTestExpressionNode, model, BOOLEAN); } }; } void verifyAssertCount() { assertEquals(getAssertCount(), 3); } private Optional<TypeSymbol> assertType(Node node, SemanticModel model, TypeDescKind typeKind) { Optional<TypeSymbol> type = model.typeOf(node); assertTrue(type.isPresent()); assertEquals(type.get().typeKind(), typeKind); incrementAssertCount(); return type; } } ```
The 2020 UCI Cycling Esports World Championships was the first edition of the UCI Cycling Esports World Championships, the annual world championships for esport road bicycle racing. It was held on 9 December 2020 on the platform Zwift. The men's race was won by Jason Osborne, an Olympic rower for Germany, while the women's race was won by Ashleigh Moolman Pasio, a South African professional road cyclist. Both winners received $9,600 in prize money. Schedule Results Men's race Women's race References External links
```cmake vcpkg_from_github( OUT_SOURCE_PATH SOURCE_PATH REPO Atliac/minitest REF "v${VERSION}" SHA512 your_sha256_hashyour_sha256_hash HEAD_REF master ) vcpkg_cmake_configure(SOURCE_PATH ${SOURCE_PATH} OPTIONS -DBUILD_TESTS=OFF -DMINITEST_PACKAGE_NAME=${PORT} ) vcpkg_cmake_install() vcpkg_cmake_config_fixup() configure_file("${CMAKE_CURRENT_LIST_DIR}/usage" "${CURRENT_PACKAGES_DIR}/share/${PORT}/usage") vcpkg_copy_pdbs() vcpkg_install_copyright(FILE_LIST "${SOURCE_PATH}/LICENSE.txt") file(REMOVE_RECURSE "${CURRENT_PACKAGES_DIR}/debug/include") file(REMOVE_RECURSE "${CURRENT_PACKAGES_DIR}/debug/share") ```
Culture24, originally the 24 Hour Museum, is a British charity which publishes websites, Culture24, Museum Crush and Show Me, about visual culture and heritage in the United Kingdom, as well as supplying data and support services to other cultural websites including Engaging Places. It operates independently, and receives government funding. Organisation Culture24 is based in Brighton, southern England, and has ten employees. The Culture24 Director is Jane Finnis, who contributed a chapter to Learning to Live: Museums, young people and education and in March 2010 was named as one of 50 "Women to Watch" in the United Kingdom cultural and creative sectors by the Cultural Leadership Programme. Past Culture24 chairman include John Newbigin, who was named as one of Wired Magazine's top 100 people shaping the digital world in May 2010. The charity was founded in 2001 as the 24 Hour Museum, when the website of the same name became an independent company. The organisation changed its name to Culture24 in November 2007, and the website followed suit on 11 February 2009. Culture24 is a registered charity and is funded by the UK government through Arts Council England (ACE). Purpose The (now defunct) Museums, Libraries and Archives Council was working with Culture24 as one of its partners in furthering the council's digital agenda, specifically helping to deliver: Culture24 also administered Museums at Night (UK) between 2010 and 2019, the annual weekend of late openings at museums, galleries and heritage sites. Websites The main Culture24 website is a guide to museums, public galleries, libraries, archives, heritage sites and science centres. It has a database of over 5,000 cultural institutions, who are able to update the information about their activities. It features daily arts, museum, history and heritage news, and exhibition reviews. News stories are available as RSS newsfeed. Culture24 also runs a site for children, Show Me, which has online activities related to UK museums and galleries, including interactive games, quizzes and competitions. A section of the site contains guidance for parents and teachers about using online resources from museums and galleries. In 2009, Culture24 was runner-up in the Nominet Trust Best Practice Challenge. The Culture24 suite of websites won the 2010 "best of the web" award (long lived category) at the Museums and the Web Conference. Culture24 is also listed as one of the Guardian's top 100 essential websites, and one of the Sunday Times' top 10 museum websites. References External links Culture24 company website Museum Crush website Show Me children's website Organizations established in 2001 Organisations based in Brighton and Hove Virtual museums Culture24 Charities based in East Sussex Museum organizations
The Capt. Goodgame House is a historic house at 45 Highway 128 in Holly Springs, Arkansas. Built in 1918, this single story wood-frame house is an unusual late and high quality example of a vernacular style of house architecture more typically seen in 19th century construction in the area. It has a gable roof, and is clad in novelty siding. A porch extends across the front facade, supported by plain chamfered posts. The gable ends of the roof are extended, with full pediments, and the door and window surrounds are more elaborate than are typically seen in the area. The interior of the house follows a standard central hall plan, but the detailing is again of a particularly high quality. The house was listed on the National Register of Historic Places in 1983. See also National Register of Historic Places listings in Dallas County, Arkansas References Houses on the National Register of Historic Places in Arkansas Houses completed in 1918 Houses in Dallas County, Arkansas National Register of Historic Places in Dallas County, Arkansas
Jesu / Sun Kil Moon is a collaborative studio album by American indie folk act Sun Kil Moon and British experimental act Jesu, released on January 21, 2016 on Caldo Verde Records and Rough Trade. The album also features guest musicians Will Oldham (a.k.a. Bonnie "Prince" Billy), members of Low, Rachel Goswell of Slowdive, and Isaac Brock of Modest Mouse. Jesu and Sun Kil Moon including drummer Steve Shelley of Sonic Youth played six shows in February and March 2016 to support the album. Background Mark Kozelek first hinted at the collaborative album in an interview in the January 2015 issue of Uncut magazine, and officially announced on April 27, 2015, by Jesu frontman Justin Broadrick via Twitter. In the tweet Broadrick said, "A lot of questions about a new Jesu record, I've been working on it for some time, it's a collaboration LP between Sun Kil Moon and Jesu." The album grew out of a long-standing relationship between Broadrick and Sun Kil Moon frontman Mark Kozelek. Kozelek first approached Broadrick in 2007 about a release through his label, after being impressed by a live performance in San Francisco. In 2009 Jesu released Opiate Sun through Caldo Verde Records (a record label owned by Kozelek), and later the same year Broadrick interviewed Kozelek for the Caldo Verde website. In 2013, Kozelek covered Broadrick's band Godflesh's song "Like Rats". Broadrick and Godflesh are mentioned in "The Possum", the opening track from Sun Kil Moon's 2015 album Universal Themes. On October 5, 2015, the track "America's Most Wanted Mark Kozelek and John Dillinger" was made available for streaming; on October 21 the track "Exodus" was available for streaming, pre-orders of the album's CDs were enabled, and Isaac Brock of Modest Mouse was added to the album's guesting musicians. On January 15, 2016, a week before the album's official January 22 release date, the project was available to stream in full on Sun Kil Moon's website. Critical reception Jesu/Sun Kil Moon was positively received by critics. Track listing Personnel Musicians Mark Kozelek – vocals, nylon string guitar on "Fragile" Justin Broadrick – all instruments (on all tracks except "Fragile" and "Exodus") Chris Connolly – keyboards on "Exodus" Will Oldham – guest vocals on "Fragile" Rachel Goswell – guest vocals on "Father's Day", "Exodus", and "Beautiful You" Alan Sparhawk – guest vocals on "Exodus" Mimi Parker – guest vocals on "Exodus" Isaac Brock – guest vocals on "Beautiful You" Production Produced by Justin Broadrick and Mark Kozelek Recorded by Justin Broadrick, Will Chason, and Nathan Winter Additional recording by Steve Clarke and Jeremy Sherrer Mixed by Will Chason and Nathan Winter Cover photo of Mark Kozelek and Macha Kouznetsova by Steve Shelley Back cover photo by Mark Kozelek Inside photo of Broadrick and Kozelek by Mike Stevens Sleeve design by Brian Azer at Et Cetera References 2016 albums Sun Kil Moon albums Jesu (band) albums Caldo Verde Records albums Collaborative albums
Piel de otoño (English: Autumn's Skin) is a Mexican telenovela produced by Mapat L. de Zatarain for Televisa in 2005. Is a remake of the 1986 Mexican telenovela Cicatrices del alma. On Monday, May 9, 2005, Canal de las Estrellas started broadcasting Piel de otoño weekdays at 5:00pm, replacing Inocente de Ti. The last episode was broadcast on Friday, September 23, 2005 with El Amor No Tiene Precio replacing it on Monday, September 26, 2005. Laura Flores and René Strickler starred as protagonists, while Sergio Goyri, Sabine Moussier and Manuel Landeta starred as antagonists. Gerardo Murguía and María Marcela starred as stellar performances. Raquel Olmedo starred as special participation. Plot With the love and unconditional support of his wife Lucía, Ramón Mendoza has progressed in his work to achieve an excellent economic position. Their two children, Liliana and Miguel Ángel, attend the best schools and never endured the shortages that their parents suffered at the beginning of their marriage. However, Lucía isn't happy; Ramón has become materialistic and cruel. He constantly humiliates her and has made it so that their children have lost respect for her. Liliana, spoiled and capricious, goes as far as to follow her boyfriend to Spain, where the boy gets her pregnant and abandons her. Hiding the secret of her maternity, Liliana leaves her daughter Natalia in the care of some nuns and returns to Mexico, where she must steal money from her father in order to care for the baby. Miguel Ángel, for his part, is a lazy and irresponsible boy who believes that he deserves everything. Lucía has become a shadow, sad and doesn't know where her dreams have gone. Her only happy moments are when, alone before her computer, she opens her heart to a twin soul who understands her, advises her, and with whom, little by little and in silence, she has been falling in love — that mysterious man whose face she can only imagine, whose voice she hasn't heard, and signs his messages simply as "wind". Her friend Rosario also carries a heavy cross. She had to flee with her children because her husband is a psychopath that beat her constantly. Eduardo and Gabriela don't remember how Víctor was in reality; Rosario let them believe that their father was a loving and responsible man who died when they were small. This lie creates a rift between Rosario and her children when Víctor finds them. He wins the friendship of the young adults; Gabriela eventually leaves to live with him, and Rosario lives in a constant terror for her daughter's life. The story of Triana is a great story of love. Having left Spain three decades ago after discovering her husband in the arms of her best friend, she arrives in Mexico and meets Martín, with whom she lived for many years in love and happiness. But after her beloved Martín's death, Triana finds out that she will be reunited with him when she is diagnosed with terminal cancer. When she receives the news that her husband in Spain has died and she's inherited his entire fortune, Triana laughs at the irony of fate. Before dying, she makes her will and leaves Rosario her apartment in Mexico City and Lucía her inheritance in Spain. Rosario and Lucía feel great pain for the loss of their dear friend, and gratitude for her generosity. One day, by coincidence, Lucía finds out that Liliana has a daughter, and wants to give her up for adoption. Lucía, who spent her childhood in an orphanage, will not allow her granddaughter to suffer as she did. Determined, Lucía confronts Liliana, who refuses to admit the existence of the little girl. Lucía goes to Ramón to ask for his help, but she finds him with Rebeca, his lover. Destroyed, Lucía receives the final blow when her son Miguel Ángel blames her for his break-up with his most recent conquest and stops talking to her. With a shattered soul and feeling that she is a hindrance for her family, she packs her things and goes to Spain to start a new life and try to find little Natalia. In Spain she meets three of Triana's friends: Santiago, a distinguished painter, and Jordi and Mayte, who welcome her with care and offer her a home. Santiago and Lucía feel attracted to one another immediately, but, although her heart is consumed with love for Santiago, turns out to be "Wind", Lucía is still married and offers him her friendship. In short time, Ramón asks for a divorce and annuls their marriage. Lucía is able to restart her life with Santiago and her love for him becomes stronger, which causes the love that she had for Ramón to dissolve. While Ramón's company collapses from debts and their children's lives sink further into vice and emptiness, Lucía transforms into a new, elegant woman who is sure of herself. Lucía discovers her talent for finance upon becoming Mayte's associate and her fortune increases. Furthermore, her happiness is immense when, with Santiago's help, she finally finds Natalia. Now, Lucía knows that in order to be completely happy, in order to be able to turn over her body and soul to her passionate love for Santiago, she must return to Mexico one more time and confront the fears and pain she left behind so that she can finally take out all of her illusions out of the drawer of memories and take the reins of her destiny. The love that Santiago has shown her has reinvigorated her autumn skin, and love never arrives too late. Cast Laura Flores as Lucía Villareal Pérez de Mendoza René Strickler as Don Santiago Mestre Sergio Goyri as Don Ramón Mendoza Sabine Moussier as Rebeca Franco Raquel Olmedo as Triana Gallasteguí Gerardo Murguía as Gustavo Hellman María Marcela as Rosario Ruiz de Gutiérrez Manuel Landeta as Víctor Gutiérrez Alejandro Ávila as Bruno Dordelli Lourdes Reyes as Claudia Lambarí Andrea Torre as Gabriela "Gaby" Gutiérrez Ruíz Yolanda Ventura as Mayte Gómez de Samperio Jorge de Silva as Eduardo Gutiérrez Ruíz Florencia de Saracho as Liliana Mendoza Villarreal Agustín Arana as Pablo Castañeda Franco Gala as Miguel Ángel Mendoza Villarreal Arancha Gómez as Nora Berumen Luis Xavier as Jordi Sampeiro Carlos de la Mota as Diego Osvaldo Benavides as Damián Ramón Menéndez as Martín Francisco Avendaño as Luis Gabriela Rivero as Lucrecia Durán Ricardo Crespo as Juan Carlos Ricardo Margaleff as Edson Rosángela Balbó as Elvira Castañeda Susy-Lu Peña as Alexa Riveroll Archie Lanfranco as Dr. Silva Mónica Garza as Carmina Rubio Marco Muñoz as Lic. Alberto Díaz Paola Ochoa as Conchita Pérez Joana Brito as Jovita Muñoz Roberto Sen as Julián Bandera Sergio Jurado as Father René Ruiz Yousi Díaz as Cristina Miranda Luis Bayardo as Rodrigo Jorge Ortín as Rafael Roberto Miquel as Octavio Escalante Héctor del Puerto as Enrique Abraham Stavans as Arcadio Fernando Carrera as Jorge Poncela Patricia Romero as Jessica Rodríguez Óscar Alberto López as Rafa Adrián Ruiz as Eusebio Hurtado Juárez Claudia Troyo as Carmina Norma Iturbe as Nurse Jorge Peralta Mirta Renée Jose Maria Negri Javier Ruán Arturo Lorca Benjamín Islas Ricardo Vera Awards DVD release Piel de otoño was released to region 1 DVD on 13 June 2006. The series was considerable abridged in order to fit onto the three double-sided DVD set, which contains 761 minutes of footage. In addition to bonus material, the release also features optional English subtitles. References External links at esmas.com 2005 telenovelas 2005 Mexican television series debuts 2005 Mexican television series endings Spanish-language telenovelas Television shows set in Mexico City Television shows set in Madrid Televisa telenovelas
Edmonton East (formerly known as Edmonton Centre-East) was a federal electoral district in Alberta, Canada, that was represented in the House of Commons of Canada from 1917 to 2015. The district included a portion of the city of Edmonton. Geography The district at first was a far-flung mixed urban and rural riding that extended from the North Saskatchewan River into the Northland northeast of Edmonton. It covered the area stretching north and east of the connection of 101st Street and the North Saskatchewan River, in the middle of present-day Edmonton, all the way to the north boundary of Alberta. In 1924 it was compressed to nearby farmland north of Edmonton (an area that is within the present limits of Edmonton), plus on the north side of the river the whole of Edmonton lying east of 101st Street, and on the south side of the river the area lying within Edmonton and east of the C&E line. Later, it became an urban riding within the City of Edmonton. In 1966, it was in the area lying north of 98th Avenue and east of 101st Street. In 1976, it was entirely on the north side and between Groat Road/109th Street and 97th Street. History This riding was originally created in 1914 as "Edmonton East" from Edmonton and Victoria ridings. At the time of its creation, this district included a massive, sparsely populated rural area. Most of this area was removed due to the creation of Athabaska in 1924, and although it gained some back when Pembina riding was abolished in 1987, it became a fully urban riding by the end of its existence. In 1924, it took in parts of the now-abolished Strathcona riding that had been within Edmonton city limits. As Edmonton's population has grown, Edmonton East also lost urban territory to new ridings. Edmonton East lost territory due to the creation of Edmonton—Strathcona (in 1952), Edmonton Centre (1966), Edmonton North (1976), and Edmonton Northwest (1987). It gained area due to the (temporary) abolition of Edmonton Centre in 1976. In 2000, it was renamed "Edmonton Centre-East". In 2003 Edmonton Centre-East was abolished and its territory reassigned to a re-created Edmonton Centre, a new Edmonton East riding, and Edmonton—Sherwood Park. The new "Edmonton East" riding was created from parts of Edmonton Centre-East and the dissolved riding of Edmonton North. Historical boundaries Members of Parliament This riding elected the following members of the House of Commons of Canada: Election results Edmonton East, 2004–2015 Edmonton Centre-East, 2000 Note: Canadian Alliance vote is compared to the Reform vote in 1997. Edmonton East, 1997 Note: Social Credit vote is compared to New Democracy vote in 1940 election. See also Edmonton East provincial electoral district List of Canadian federal electoral districts Historical federal electoral districts of Canada References Expenditures (2008) Expenditures (2004) - (2000) - (1997) Elections Canada Elections Canada Edmonton East Riding Information Notes External links CBC Edmonton East Riding Profile Website of the Parliament of Canada Former federal electoral districts of Alberta Politics of Edmonton
```c++ #include "test_threads.h" #include <future> #include <functional> #include <chrono> using namespace std::chrono_literals; int main(int argc, char** argv) { int rc = test_threads(); return rc; } ```
The 2010–11 Oman First Division League (known as the Omantel First Division League for sponsorship reasons) is the 35th edition of the second-highest division overall football league in Oman. The season began on 3 November 2010 and concluded on 21 April 2011. Ahli Sidab Club were the defending champions, having won their first title in the previous 2009–10 season. Group stage Group A Group B Semifinals 4 teams played a knockout tie. 2 ties were played over two legs. The first match was played between Majees SC and Sur SC on 8 April 2011. 1st Legs 2nd Legs 3/4th Place match Finals Promotion/relegation play-off 1st leg 2nd leg ''Fanja secured promotion after winning by away goals rule (2-2). References Oman First Division League seasons Oman 2010–11 in Omani football
The Lady Lies is a 1929 American Pre-Code drama film directed by Hobart Henley, and starring Walter Huston, Claudette Colbert and Charles Ruggles. As was common during the early sound era, multiple-language versions were shot at the Joinville Studios in Paris for release in their respective markets including a Swedish version The Two of Us. Plot Children of a widower who is having an affair with a salesgirl try to break it up but are won over by the girl. Cast Walter Huston as Robert Rossiter Claudette Colbert as Joyce Roamer Charles Ruggles as Charlie Tayler Tom Brown as Bob Rossiter Betty Garde as Hilda Pearson Jean Dixon as Ann Gardner Duncan Penwarden as Henry Tuttle Virginia True Boardman as Amelia Tuttle Filming locations Paramount Studios - 5555 Melrose Ave., Hollywood, Los Angeles, California. See also List of early sound feature films (1926–1929) Notes External links 1929 films American black-and-white films Paramount Pictures films 1929 drama films American drama films Films produced by Walter Wanger 1920s English-language films Films with screenplays by Garrett Fort Films shot in Los Angeles 1920s American films English-language drama films
Famprofazone (Gewodin, Gewolen) is a nonsteroidal anti-inflammatory agent (NSAID) of the pyrazolone series which is available over-the-counter in some countries such as Taiwan. It has analgesic, anti-inflammatory, and antipyretic effects. Famprofazone has been known to produce methamphetamine as an active metabolite, with 15–20% of an oral dose being converted to it. As a result, famprofazone has occasionally been implicated in causing positives on drug tests for amphetamines. See also Difenamizole Morazone References Amines Nonsteroidal anti-inflammatory drugs Pyrazolones Stimulants Norepinephrine-dopamine releasing agents Isopropyl compounds
```go package css_parser import ( "fmt" "strings" "github.com/evanw/esbuild/internal/ast" "github.com/evanw/esbuild/internal/css_ast" "github.com/evanw/esbuild/internal/css_lexer" "github.com/evanw/esbuild/internal/logger" ) type composesContext struct { parentRefs []ast.Ref parentRange logger.Range problemRange logger.Range } func (p *parser) handleComposesPragma(context composesContext, tokens []css_ast.Token) { type nameWithLoc struct { loc logger.Loc text string } var names []nameWithLoc fromGlobal := false for i, t := range tokens { if t.Kind == css_lexer.TIdent { // Check for a "from" clause at the end if strings.EqualFold(t.Text, "from") && i+2 == len(tokens) { last := tokens[i+1] // A string or a URL is an external file if last.Kind == css_lexer.TString || last.Kind == css_lexer.TURL { var importRecordIndex uint32 if last.Kind == css_lexer.TString { importRecordIndex = uint32(len(p.importRecords)) p.importRecords = append(p.importRecords, ast.ImportRecord{ Kind: ast.ImportComposesFrom, Path: logger.Path{Text: last.Text}, Range: p.source.RangeOfString(last.Loc), }) } else { importRecordIndex = last.PayloadIndex p.importRecords[importRecordIndex].Kind = ast.ImportComposesFrom } for _, parentRef := range context.parentRefs { composes := p.composes[parentRef] for _, name := range names { composes.ImportedNames = append(composes.ImportedNames, css_ast.ImportedComposesName{ ImportRecordIndex: importRecordIndex, Alias: name.text, AliasLoc: name.loc, }) } } return } // An identifier must be "global" if last.Kind == css_lexer.TIdent { if strings.EqualFold(last.Text, "global") { fromGlobal = true break } p.log.AddID(logger.MsgID_CSS_CSSSyntaxError, logger.Warning, &p.tracker, css_lexer.RangeOfIdentifier(p.source, last.Loc), fmt.Sprintf("\"composes\" declaration uses invalid location %q", last.Text)) p.prevError = t.Loc return } } names = append(names, nameWithLoc{t.Loc, t.Text}) continue } // Any unexpected tokens are a syntax error var text string switch t.Kind { case css_lexer.TURL, css_lexer.TBadURL, css_lexer.TString, css_lexer.TUnterminatedString: text = fmt.Sprintf("Unexpected %s", t.Kind.String()) default: text = fmt.Sprintf("Unexpected %q", t.Text) } p.log.AddID(logger.MsgID_CSS_CSSSyntaxError, logger.Warning, &p.tracker, logger.Range{Loc: t.Loc}, text) p.prevError = t.Loc return } // If we get here, all of these names are not references to another file old := p.makeLocalSymbols if fromGlobal { p.makeLocalSymbols = false } for _, parentRef := range context.parentRefs { composes := p.composes[parentRef] for _, name := range names { composes.Names = append(composes.Names, p.symbolForName(name.loc, name.text)) } } p.makeLocalSymbols = old } ```
The Rt Revd Walter Julius Carey (12 July 1875 – 17 February 1955) was an English Anglican clergyman and author who served as Bishop of Bloemfontein in South Africa from 1921 to 1935. Carey was a rugby union forward who played club rugby for Oxford University and Blackheath and played international rugby for the British Isles XV in their 1896 tour of South Africa. Personal history Carey was born in Billesdon, Leicestershire, in 1875 to Alfred Henry Carey, who was an Oxford-educated priest, and was educated at Bedford School before gaining entry to Hertford College, Oxford, in 1894 He received his BA in 1896 and by 1899 he was the curate at the Church of the Ascension in Lavender Hill, London, a post he held until 1908. In 1908 Casey became the librarian for Pusey House, a college of Oxford; and remained there until 1914. During the war, Carey served as a chaplain to the Royal Navy and was present at the Battle of Jutland, on board the battleship HMS Warspite. Carey married during wartime, to Fanny Emma Parfitt in 1917. They had one child, Wilfred Herbert. After the end of the war, he was granted the post of warden of the Bishop's Hostel, Lincoln Theological College, remaining at the college only until 1921. He then emigrated to South Africa, becoming the Bishop of Bloemfontein, remaining there until 1934, returning to Britain due to ill-health. Back in England, Carey accepted the post of chief messenger of Society for the Propagation of the Gospel, but resigned from the role the next year. In 1936 he was appointed chaplain of Eastbourne College, holding the office until 1940 and again after the war from 1945 to 1948. Rugby career Carey was a keen sportsman, and while at Cambridge as a student, he was captain of the College Boat and won four sporting 'Blues' in The Varsity Match between 1894 and 1897. In 1894 Carey was selected to represent invitational touring rugby team, the Barbarians, and became forever linked to the team when he instituted the club motto: Although Carey never played international rugby for England, he was selected in 1896 to represent the British Isles in their tour of South Africa, after being nominated by his university along with Cuth Mullins. Carey played in all four Tests against the South Africans, and scored a try in the opening Test at Port Elizabeth. Writing career Carey wrote several theological works, often in relation to his experiences abroad. Although many of his writings were entries within large collected journals, he penned two main works, Good-bye to my Generation, an autobiography, published London & Oxford: A. R. Mowbray, 1951, and Crisis in Kenya: Christian common sense on Mau Mau and the colour bar, published in 1953. Notes References 1875 births 1955 deaths Military personnel from Leicestershire People from Harborough District English rugby union players British & Irish Lions rugby union players from England Oxford University RFC players Barbarian F.C. players Blackheath F.C. players People educated at Bedford School Alumni of Hertford College, Oxford English librarians Royal Navy personnel of World War I World War I chaplains Anglican chaplains English religious writers Anglican bishops of Bloemfontein 20th-century Anglican Church of Southern Africa bishops English military chaplains Rugby union players from Leicestershire Staff of Lincoln Theological College Rugby union forwards
Ópera do Malandro (), from 1979, is a Brazilian musical play, written by Chico Buarque and directed by Luiz Antônio Martinez Corrêa. The play is inspired by the classic Beggar's Opera of John Gay and the Threepenny Opera, of Bertolt Brecht and Kurt Weill. It is also a posthumous tribute to Paulo Pontes (1940–1976) (pt). Synopsis and analysis The Ópera do Malandro reveals past features of Brazilian culture that still persist. A pimp called Duran disguises himself as a successful salesman. Vitória was a madam who also lived by selling her own body. Her daughter, Teresinha, had fallen in love with an upper-class citizen, Max Overseas, a man that lived off corruption in complicity with the chief Police officer, Chaves. The other characters are prostitutes, presented as saleswomen in a clothes store, and the promiscuous transvestite Geni, who was frequently attacked with rocks; people used to say she was "useful" because of this. The play's action takes place in the 1940s; its theme: gambling prohibition, prostitution and smuggling. Then it shows a context similar to the third millennium, with piracy and other black-market activities. Max Overseas really works in international businesses, even on the threshold of legality, in collusion with a pimp and the chief Police officer. All of the songs are composed by Chico, who, due to his brightness, manages to make them in harmony with the text. The song Geni e o Zepelim (the overture), tells about a transvestite whose only gift or skill is to be a "whipping-post" for the neighborhood. This fact, that is only revealed to spectators of the show, means that she has no value. Nevertheless, when the captain of a bright zeppelin intends to bombard the city, accepting to change his mind only if he had a one night stand with the transvestite, all the citizens ask her to consent to the captain's desires. The songs follow the pattern of rhymed and metrical verses, according to the intellectual tradition of the author's family. Technical staff (first performance) The official source gives the following information: Crew: General director: Luiz Antônio Martinez Corrêa Assistant to the general director: João Carlos Motta Scenography: Maurício Sette Scenography assistant: Rita Murtinho Musical director: John Neschling Assistant to the musical director: Paulo Sauer Arrangement: John Neschling, Paulo Sauer Interpretative vocal director: Glorinha Beutenmuller Corporal director: Fernando Pinto Lighting: Jorge Carvalho Script: Maurício Arraes Cast - in order of appearance: The producer: Ary Fontoura The matriarch: Maria Alice Vergueiro João Alegre: Nadinho Da Ilha Duran: Ary Fontoura Vitória: Maria Alice Vergueiro Teresinha: Marieta Severo Max: Otávio Augusto Lúcia: Elba Ramalho Geni: Emiliano Queirós Barrabás: Ivens Godinho Johnny Walker: Vander De Castro Phillip Morris: Paschoal Villamboim Big Bem: Ivan De Almeida : Vicente Barcelos Dóris Pelanca: Ilva Nino Fichinha: Cidinha Milan Dorinha Tubão: Elza De Andrade Shirley Paquete: Neuza Borges Jussara Pé De Anjo: Maria Alves Mimi Bibelô: Cláudia Jimenez Track list Songs used in the play are: (Mack the Knife) (B.Brecht, K.Weill) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Chico Buarque) (Adpt. e texto de Chico Buarque sobre trechos de "Rigoletto" de Verdi, "Carmen" de Bizet, "Aida" de Verdi, "La Traviata" de Verdi e Taunhauser de Wagner) (Mack the Knife) (Chico Buarque) Reception Most critics were positive, complimenting the veracity of its portrayal of the hypocritical Brazilian society of the 40-70's. See also Ópera do Malandro (movie) Ópera do Malandro (opera soundtrack) Chico Buarque References External links Official Chico Buarque's Site Brazilian plays 1978 in theatre
"We're Coming Home" is a song by Australian electronic rock band Rogue Traders, released in June 2006 as the fourth and final commercial single from their second studio album, Here Come the Drums (2005). Unlike previous singles from the album, "We're Coming Home" was released exclusively in Australia and did not see an international release. Chart performance "We're Coming Home" debuted at number 25 on the Australian ARIA Singles Chart on 25 June 2006. During its second week in, the single descended two places down to number 27 but re-ascended during its third week to number 23. On week four, "We're Coming Home" reached its peak at number 14, where it spent a week. Track listing Australian CD single "We're Coming Home" – 3:21 "We're Coming Home" (James Ash remix) – 6:13 "We're Coming Home" (live at Adelaide Skyshow) – 3:37 "Voodoo Child" (Tom Neville remix) – 7:04 Charts Weekly charts Year-end charts References 2006 singles Columbia Records singles Rogue Traders songs Sony BMG singles
Force Majeure is the ninth studio album by the German group Tangerine Dream. It was originally issued on transparent vinyl. Following Stratosfear, the album developed Tangerine Dream's further evolution toward the more melodic sound they would adopt in the 1980s, with a heavier presence of guitars, drums and distinct musical suites in the tradition of progressive rock, rather than the band's 1970s output of Berlin School. The distortion of the bass sequence on "Thru Metamorphic Rocks" was the result of a burnt-out transistor in the mixing desk. When the band heard the result, they decided to keep it. Force Majeure is Tangerine Dream's fourth-biggest-selling album in the UK, reaching No. 26 and spending 7 weeks on the chart. Monique Froese's rear cover artwork collage includes an image of a man's lower face, apparently a photograph of a sculpture, which looks extremely like classical composer Ludwig van Beethoven. His musical influence (heard particularly in some of the harmonic and melodic progressions in Tangerine Dream's music) may possibly be the 'force majeure' to which the album title refers. Use in other media Remixed excerpts of "Force Majeure" and "Cloudburst Flight" titled "Lana" and "Guido The Killer Pimp" respectively, were used on the film soundtrack of Risky Business while a remixed excerpt of "Thru Metamorphic Rocks" titled "Igneous" was used on the film Thief. A heavily remixed version was played live in 2003, and later released as "Meta Morph Magic" on the DM 4 album. In 1991, Christopher Franke played "Cloudburst Flight" as part of his solo London Concert. Track listing A 2019 CD version, re-mastered from the original master tapes, includes a 1979 Christopher Franke solo recording, 'Chimes and Chains', as a bonus track. Personnel Tangerine Dream Edgar Froese – keyboards, electric and acoustic guitars, effects Christopher Franke – keyboards, sequencers Klaus Krüger – drums, percussion Guest Eduard Meyer – cello Production Produced and mixed – Christopher Franke, Edgar Froese Engineered – Eduard Meyer Painting and cover design – Monica Froese. Charts References 1979 albums Tangerine Dream albums Virgin Records albums
The Longtang Dam (龙塘大坝), also known as Longtang Reservoir and Nandu River Dam, is located on the Nandu River at Longtang, Hainan, China. When the water level is low enough this concrete dam serves as a river crossing for vehicles and pedestrians. The dam has a normal water level of 7.7 metres. At 11.5 metres, an alert is issued. When the dam is closed, large metal doors are lowered at each end to prevent access. The dam also has hydro electric stations on both banks. Nandu River Hydro Station The Nandu River Hydro Station consists of a power generation station on the east and west bank, both operational. West Hydro Station The west station's head race is essentially a concrete wall within the river that diverts some water to the station. The station has five, small generators. East Hydro Station Planning for the East Hydro Station started in 1998. Work began in 2001, and in November 2011, it began operating. The station receives water from a head race that runs along the east side of the river for approximately 200 metres. Water enters the turbine, which is the Chongqing-made GZ SK115-WP-275. The SFG2500-40/2860 generator can receive a 5.5-metre intake of head water at a rate of 54.8 cubic metres per second. It is attached to speed monitor model PWST-100-4. This system is mostly automated and can be managed and monitored from the central control office located on the western bank of the Nandu. The generator's output capacity is 5,000 kW (2 x 2,400 kW / 6.3 kV). This station is a Haikou Water project, and is under the supervision of the Haikou Nandu River Water Diversion Project. 2016 high water level At 12:00, August 19, 2016, after Tropical Storm Dianmu brought heavy rains, the water level at the dam reached 13.35 metres, a ten-year high. This prompted a yellow alert indicating that water levels for the Nandu River downstream of the dam would be around two metres higher than normal. References , Dams in China Road bridges in China
```smalltalk Class { #name : 'OCCodeReparatorTest', #superclass : 'TestCase', #category : 'OpalCompiler-Tests-FromOld', #package : 'OpalCompiler-Tests', #tag : 'FromOld' } { #category : 'tests' } OCCodeReparatorTest >> testDeclareClassVar [ | requestor method goo | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. goo := MockForCompilation classVariableNamed: #goo ifAbsent: [ nil ]. goo ifNotNil: [ MockForCompilation removeClassVariable: goo ]. method := [ OpalCompiler new class: MockForCompilation ; compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator declareClassVar. e retry ]. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. goo := MockForCompilation classVariableNamed: #goo. self assert: method literals first equals: goo. MockForCompilation removeClassVariable: goo ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareClassVarBlock [ | compiler requestor method goo | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. goo := MockForCompilation classVariableNamed: #goo ifAbsent: [ nil ]. goo ifNotNil: [ MockForCompilation removeClassVariable: goo ]. method := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator declareClassVar. compiler compile ]; compile: requestor text. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. goo := MockForCompilation classVariableNamed: #goo. self assert: method literals first equals: goo. MockForCompilation removeClassVariable: goo ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareGlobal [ | requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. Smalltalk globals removeKey: #goo ifAbsent: []. method := [ OpalCompiler new compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator declareGlobal. e retry ]. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. self assert: method literals first equals: (Smalltalk globals associationAt: #goo). self assert: method sourceCode withSeparatorsCompacted equals: 'griffle ^ goo'. Smalltalk globals removeKey: #goo ifAbsent: [] ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareGlobalBlock [ | compiler requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. Smalltalk globals removeKey: #goo ifAbsent: []. method := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator declareGlobal. compiler compile ]; compile: requestor text. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. self assert: method literals first equals: (Smalltalk globals associationAt: #goo). self assert: method sourceCode withSeparatorsCompacted equals: 'griffle ^ goo'. Smalltalk globals removeKey: #goo ifAbsent: [] ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareInstVar [ | requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. (MockForCompilation hasInstVarNamed: #goo) ifTrue: [ MockForCompilation removeInstVarNamed: #goo ]. self deny: (MockForCompilation hasInstVarNamed: #goo). method := [ OpalCompiler new class: MockForCompilation ; compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator declareInstVar: #goo. e retry ]. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. self assert: (MockForCompilation hasInstVarNamed: #goo). MockForCompilation removeInstVarNamed: #goo ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareInstVarBlock [ | compiler requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. (MockForCompilation hasInstVarNamed: #goo) ifTrue: [ MockForCompilation removeInstVarNamed: #goo ]. self deny: (MockForCompilation hasInstVarNamed: #goo). method := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator declareInstVar: #goo. compiler compile ]; compile: requestor text. self assert: requestor text withSeparatorsCompacted equals: 'griffle ^ goo'. self assert: method isCompiledMethod. self assert: (MockForCompilation hasInstVarNamed: #goo). MockForCompilation removeInstVarNamed: #goo ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareTempAndPaste [ | requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. method := [ OpalCompiler new compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator requestor: requestor; declareTempAndPaste: 'goo'. e retry ]. self assert: requestor text withSeparatorsCompacted equals: 'griffle | goo | ^ goo'. self assert: method isCompiledMethod. self assert: method sourceCode withSeparatorsCompacted equals: 'griffle | goo | ^ goo' ] { #category : 'tests' } OCCodeReparatorTest >> testDeclareTempAndPasteBlock [ | compiler requestor method | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. method := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator requestor: requestor; declareTempAndPaste: 'goo'. compiler compile: requestor text ]; compile: requestor text. self assert: requestor text withSeparatorsCompacted equals: 'griffle | goo | ^ goo'. self assert: method isCompiledMethod. self assert: method sourceCode withSeparatorsCompacted equals: 'griffle | goo | ^ goo' ] { #category : 'tests' } OCCodeReparatorTest >> testPossibleVariablesFor [ | requestor names | requestor := OCMockRequestor new. requestor text: 'griffle | foo | ^ goo'. names := [ OpalCompiler new compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator requestor: requestor; possibleVariablesFor: #goo. ]. self assert: (names includes: #foo) ] { #category : 'tests' } OCCodeReparatorTest >> testPossibleVariablesForBlock [ | compiler requestor names | requestor := OCMockRequestor new. requestor text: 'griffle | foo | ^ goo'. names := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator possibleVariablesFor: #goo ]; compile: requestor text. self assert: (names includes: #foo) ] { #category : 'tests' } OCCodeReparatorTest >> testSubstituteVariableAtInterval [ | requestor method | requestor := OCMockRequestor new. requestor text: 'griffle | foo | ^ goo'. method := [ OpalCompiler new compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | e notice reparator requestor: requestor; substituteVariable: 'foo' atInterval: e node sourceInterval. e retry ]. self assert: requestor text withSeparatorsCompacted equals: 'griffle | foo | ^ foo'. self assert: method isCompiledMethod. self assert: method sourceCode withSeparatorsCompacted equals: 'griffle | foo | ^ foo' ] { #category : 'tests' } OCCodeReparatorTest >> testSubstituteVariableAtIntervalBlock [ | compiler requestor method | requestor := OCMockRequestor new. requestor text: 'griffle | foo | ^ goo'. method := (compiler := OpalCompiler new) class: MockForCompilation; failBlock: [ :notice | notice reparator requestor: requestor; substituteVariable: 'foo' atInterval: notice node sourceInterval. compiler compile: requestor text ]; compile: requestor text. self assert: requestor text withSeparatorsCompacted equals: 'griffle | foo | ^ foo'. self assert: method isCompiledMethod. self assert: method sourceCode withSeparatorsCompacted equals: 'griffle | foo | ^ foo' ] { #category : 'tests' } OCCodeReparatorTest >> testUndeclaredVariable [ | requestor method flag | requestor := OCMockRequestor new. requestor text: 'griffle ^ goo'. flag := false. method := [ OpalCompiler new compile: requestor text ] on: OCUndeclaredVariableWarning , CodeError do: [ :e | flag := true. e resume "continue" ]. self assert: flag. self assert: method isCompiledMethod. self assert: method literals first isUndeclaredVariable. self assert: method sourceCode withSeparatorsCompacted equals: 'griffle ^ goo' ] { #category : 'tests' } OCCodeReparatorTest >> testdefineClass [ self skip. "we need to resume: not with true, but the code, ProvideAnswerNotification needs to be improved to provide the defaultAnswer, too" [ OCCodeReparator new node: (self class>>#testdefineClass) ast; defineClass: 'MyTestClassForDefineClass' ] on: ProvideAnswerNotification do: [ :e | e resume: true ]. self assert: (Smalltalk globals hasClassNamed: #MyTestClassForDefineClass). Smalltalk globals removeClassNamed: #MyTestClassForDefineClass ] { #category : 'tests' } OCCodeReparatorTest >> testdefineTrait [ self skip. "we need to resume: not with true, but the code, ProvideAnswerNotification needs to be improved to provide the defaultAnswer, too" [ OCCodeReparator new node: (self class>>#testdefineTrait) ast; defineTrait: 'MyTestTraitForDefineTrait' ] on: ProvideAnswerNotification do: [ :e | e resume: true ]. self assert: (Smalltalk traitNames includes: #MyTestTraitForDefineTrait). Smalltalk globals removeClassNamed: #MyTestTraitForDefineTrait ] ```
```c++ /* */ /* * This file is part of Scylla. * * Scylla is free software: you can redistribute it and/or modify * (at your option) any later version. * * Scylla is distributed in the hope that it will be useful, * but WITHOUT ANY WARRANTY; without even the implied warranty of * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the * * along with Scylla. If not, see <path_to_url */ #include "view_update_from_staging_generator.hh" namespace db::view { future<> view_update_from_staging_generator::start() { _started = seastar::async([this]() mutable { while (!_as.abort_requested()) { if (_sstables_with_tables.empty()) { _pending_sstables.wait().get(); } while (!_sstables_with_tables.empty()) { auto& entry = _sstables_with_tables.front(); schema_ptr s = entry.t->schema(); flat_mutation_reader staging_sstable_reader = entry.sst->read_rows_flat(s); auto result = staging_sstable_reader.consume_in_thread(view_updating_consumer(s, _proxy, entry.sst, _as), db::no_timeout); if (result == stop_iteration::yes) { break; } entry.t->move_sstable_from_staging_in_thread(entry.sst); _registration_sem.signal(); _sstables_with_tables.pop_front(); } } }); return make_ready_future<>(); } future<> view_update_from_staging_generator::stop() { _as.request_abort(); _pending_sstables.signal(); return std::move(_started).then([this] { _registration_sem.broken(); }); } future<> view_update_from_staging_generator::register_staging_sstable(sstables::shared_sstable sst, lw_shared_ptr<table> table) { if (_as.abort_requested()) { return make_ready_future<>(); } _sstables_with_tables.emplace_back(std::move(sst), std::move(table)); _pending_sstables.signal(); return _registration_sem.wait(1); } } ```
Jorge Estévez Martínez is a Puerto Rican politician and the former mayor of Añasco. Estévez is affiliated with the Popular Democratic Party (PPD) who served as mayor from 2009 to 2021. Tenure Jorge Estevens was mayor of Añasco for three terms. He won the 2016 election with 53% of the vote against Pablo Crespo, the PNP candidate, who won 44% of the vote. In 2020 he was defeated by the PNP candidate Kabir Solares who obtained 54% of the vote while Jorge Estevens obtained 39%. During his tenure the mayor's most recognized projects are the remodeling of the town square and the market Square. His administration also created the town's convention Center and a community Center in Dagüey. In 2019 Osvaldo Tubens a former candidate for mayor alleged the municipalities parks where not well maintained. In 2021 an investigation revealed that the municipal government had left multiple vehicles with simple issues rusting away resulting in a loss for the town. The incoming mayor also indicated that the municipal water park was abandoned with horses grazing on the public land nearby. References Living people Mayors of places in Puerto Rico Popular Democratic Party (Puerto Rico) politicians People from Añasco, Puerto Rico Year of birth missing (living people)
Red Dart is the name of different characters appearing in comic books published by DC Comics. A female version of Red Dart appeared on the seventh season of The CW Arrowverse show Arrow, played by actress Holly Elissa. Fictional character biography Jonathan Mallory Jonathan "Midas" Mallory is a man who has been going around stopping crimes in Star City. This attracted the attention of Green Arrow and Speedy. They didn't know it yet, but Red Dart is secretly in allegiance with some gold thieves. The next night, Green Arrow deduced the truth about Red Dart where he and Speedy captured him and the gold thieves. Green Arrow proved Red Dart's allegiance to the gold thieves by removing one of Mallory's gloves to reveal gold stains which is a tell-tale sign of testing gold with Aqua-Regia. Red Dart later plotted to assassinate Green Arrow by using a booby trap at the time he was going to speak at an engagement in Dallas, Texas. This plan fails because Atom shows up instead. He teams up with Air Wave to defeat Red Dart. When Red Dart tries to beam up to the Justice League's satellite, he is instead taken away by another teleportation beam. Anthony When the Justice League arrived in Belle Reve to deal with the prison riots, a minor criminal named Anthony who calls himself Red Dart steals Green Lantern's power ring during his fight with the Color Queens prison gang (consisting of Crazy Quilt, Doctor Light, Doctor Spectro, Multi-Man, and Rainbow Raider) where he plans to give it to someone on the Green Mile and then return it to Green Lantern. When Superman reclaims the power ring from Red Dart as the prison riot is being quelled, Red Dart privately remarks that this is probably the coolest thing he will ever do knowing that he will be partly responsible for the death of Superman. When Red Dart is back in his cell with nothing but a picture of Green Lantern's power ring, he wonders what his employers wanted as it is secretly revealed that his employers are Lex Luthor and Prometheus who are forming the next incarnation of the Injustice Gang. Their temporary theft of the ring somehow allowed them to sabotage it so that Green Lantern couldn't use it, but it is later revealed that this was under the influence of the universe-destroyed weapon Mageddon, with Green Lantern eventually restoring the ring to working order through force of will. Unnamed female In "The New 52", a reboot of the DC Comics universe, a third Red Dart appeared. This version is an unnamed female and is a member of Ricardo Diaz's Longbow Hunters alongside Brick, Count Vertigo, and Killer Moth. Red Dart is the first to attack Green Arrow who protects Henry Fyff and Naomi Sing from them. Brick and Killer Moth then assisted Red Dart in beating up Green Arrow until Oliver Queen's half-sister Emiko strikes them with a volley of trick arrows. Red Dart tries to take Emiko hostage only for Naomi to knock her in the back of her head. Powers and abilities The Jonathan Mallory uses trick darts. In other media The female incarnation of Red Dart appears in the seventh season of Arrow, portrayed by Holly Elissa. This version is a member of the Longbow Hunters who prefers quiet subterfuge and subtle tactics. See also Image Comics' Dart References External links Red Dart (Jonathan Mallory) at DC Wiki Red Dart (Anthony) at DC Wiki Red Dart (female version) at DC Wiki Red Dart at Comic Vine 1958 comics debuts DC Comics supervillains
Pace Settlement is a community of the Halifax Regional Municipality in the Canadian province of Nova Scotia. References Explore HRM General Service Areas in Nova Scotia Communities in Halifax, Nova Scotia
Zhuang Yan (February 1918 – March 5, 2017) was a Chinese diplomat. He served as the first Ambassador of the People's Republic of China to Bangladesh from 1976 to 1979, Ambassador to Iran from 1980 to 1982 in the aftermath of the 1979 Iranian Revolution, and Ambassador of Greece from 1983 to 1985. Chinese diplomat Jiao Ruoyu was Ambassador to Iran at the time of the Iranian Revolution of 1979 which overthrew Shah Mohammad Reza Pahlavi and established the Islamic Republic of Iran. In August 1979, months after the revolution, Ambassador Jiao returned to China after the Chinese government refused to apologize to Iran for its relations with Pahlavi. China declined to send a new Ambassador to Iran for the remainder of 1979, marking a period of strained relations between the two countries. In April 1980, China appointed Zhuang Yan as its new Ambassador to Iran. Diplomatic experts viewed Zhuang's appointment as a small gesture by the Chinese to improve relations with Iran. In May 1980, Zhuang Yan arranged the first high-level meetings between officials from the People's Republic of China and the Islamic Republic of Iran while both delegations were attending the funeral of Josip Broz Tito in Belgrade, Yugoslavia. Zhuang went on to serve as Ambassador to Greece from May 1983 to May 1985, his last diplomatic posting as an ambassador. Zhuang Yan died on March 5, 2017, at the age of 99. His death was announced by Chinese state media. See also China–Iran relations References 1918 births 2017 deaths Ambassadors of China to Iran Ambassadors of China to Bangladesh Ambassadors of China to Greece China–Iran relations
```yaml # This file has been generated by hack/update-gatekeeper-crds.sh, DO NOT EDIT. apiVersion: apiextensions.k8s.io/v1 kind: CustomResourceDefinition metadata: annotations: controller-gen.kubebuilder.io/version: v0.11.3 labels: gatekeeper.sh/system: "yes" name: providers.externaldata.gatekeeper.sh spec: group: externaldata.gatekeeper.sh names: kind: Provider listKind: ProviderList plural: providers singular: provider preserveUnknownFields: false scope: Cluster versions: - deprecated: true deprecationWarning: externaldata.gatekeeper.sh/v1alpha1 is deprecated. Use externaldata.gatekeeper.sh/v1beta1 instead. name: v1alpha1 schema: openAPIV3Schema: description: Provider is the Schema for the Provider API properties: apiVersion: description: 'APIVersion defines the versioned schema of this representation of an object. Servers should convert recognized schemas to the latest internal value, and may reject unrecognized values. More info: path_to_url#resources' type: string kind: description: 'Kind is a string value representing the REST resource this object represents. Servers may infer this from the endpoint the client submits requests to. Cannot be updated. In CamelCase. More info: path_to_url#types-kinds' type: string metadata: type: object spec: description: Spec defines the Provider specifications. properties: caBundle: description: CABundle is a base64-encoded string that contains the TLS CA bundle in PEM format. It is used to verify the signature of the provider's certificate. type: string timeout: description: Timeout is the timeout when querying the provider. type: integer url: description: URL is the url for the provider. URL is prefixed with path_to_url type: string type: object type: object served: true storage: false - name: v1beta1 schema: openAPIV3Schema: description: Provider is the Schema for the providers API properties: apiVersion: description: 'APIVersion defines the versioned schema of this representation of an object. Servers should convert recognized schemas to the latest internal value, and may reject unrecognized values. More info: path_to_url#resources' type: string kind: description: 'Kind is a string value representing the REST resource this object represents. Servers may infer this from the endpoint the client submits requests to. Cannot be updated. In CamelCase. More info: path_to_url#types-kinds' type: string metadata: type: object spec: description: Spec defines the Provider specifications. properties: caBundle: description: CABundle is a base64-encoded string that contains the TLS CA bundle in PEM format. It is used to verify the signature of the provider's certificate. type: string timeout: description: Timeout is the timeout when querying the provider. type: integer url: description: URL is the url for the provider. URL is prefixed with path_to_url type: string type: object type: object served: true storage: true ```
Balsam Creek may refer to: Balsam Creek (Prairie River), a river in Minnesota Balsam Creek, Ontario, a community
Jana Šramková (born 3 January 1976, Brno, Czechoslovakia) is a retired Czech rhythmic gymnast. She competed for Czechoslovakia in the rhythmic gymnastics all-around competition at the 1992 Olympic Games in Barcelona. She was 13th in the qualification and advanced to the final, placing 16th overall. References External links Jana Šramková at Sports-Reference.com 1976 births Living people Czechoslovak rhythmic gymnasts Gymnasts at the 1992 Summer Olympics Olympic gymnasts for Czechoslovakia Sportspeople from Brno
Vittorio Fiorucci (1932 – July 30, 2008) was an Italian Canadian poster artist from Montreal, Quebec, Canada. Fiorucci was born on 2 November 1932, in Zara, Italy. During World War Two when Zara was about to be captured by Yugoslavia, Fiorucci and his family fled to Venice, Italy, where he subsequently spent most of his childhood before coming to Canada in 1951. By 1960, he was an established artist and by 1980 was one of the most renowned poster designers in the world. Fiorucci was awarded a Moebius Award at the 1998 International Advertising Awards of Chicago, and lifetime achievement awards from the Canadian Association of Photographers and Illustrators and the Institute of Design Montréal. Fiorucci worked in a variety of mediums: he did illustration works for magazines (including the film magazine Take One), children's books, animation, and was an established photographer who was exhibited in 1958 at George Eastman House's International Exhibition of the World's Greatest Photographers. His work was used to promote many of the films that marked the beginning of independent Québécois cinema, and appeared in magazines as varied as Time and (the cinema magazine) Take One. He created the logo for the Le Château chain of clothing stores, and the green mascot Victor of the Just For Laughs festival. He died from a stroke on July 30, 2008, and was entombed at the Notre Dame des Neiges Cemetery in Montreal. References Further reading L'art de Vittorio Fiorucci: Affiches 1964-1981 (1981), Paris: Centre culturel Canadien. Fulvio Caccia, Daniel Sloate (1998) "Vittorio Fiorucci: The Devil behind the Poster", in Interviews with the Phoenix: Interviews with Fifteen Italian-Québécois Artists, Guernica Editions, pp. 67–76. External links Gallery on the website of the Cinémathèque Québécoise Short biography on the emission Un pilule, Une peite Granule Obituary from La Presse Obituary from The Gazette Obituary from The Globe and Mail Vittorio Fiorucci fonds (R4512) at Library and Archives Canada 1932 births 2008 deaths Artists from Montreal Canadian poster artists Italian emigrants to Canada Burials at Notre Dame des Neiges Cemetery
Glebiska is a village in the administrative district of Gmina Pieniężno, within Braniewo County, Warmian-Masurian Voivodeship, in northern Poland. References Glebiska
Abronia villosa is a species of sand-verbena known by the common names desert sand-verbena and chaparral sand-verbena. It is in the four o'clock plant family (Nyctaginaceae). It is native to sandy areas in the deserts of the southwestern United States and northern Mexico, associated with creosote-bush and coastal-sage scrub habitats. Description Abronia villosa is a short, hairy annual wildflower which grows in creeping prostrate masses along the ground. It has oval-shaped dull green leaves and many peduncles bearing rounded inflorescences of bright magenta or purplish-pink flowers. It grows in the sand of the deserts and coastlines. It has a very sweet fragrance, and is also very sticky. They usually grow between February and May. Chemistry The rotenoids abronione and boeravinone C, and the terpenoid lupeol can be found in A. villosa. References Further reading External links Abronia villosa — CalPhotos photo gallery villosa Flora of Arizona Flora of Baja California Flora of California Flora of Sonora Flora of the California desert regions Flora of the Sonoran Deserts Natural history of the Colorado Desert Natural history of the Mojave Desert Taxa named by Sereno Watson Flora without expected TNC conservation status
Samshvilde Canyon Natural Monument () is part of the Khrami gorge, and provided natural defense to the Samshvilde fortress in the area around the confluence of the Khrami and Chivchavi (Chivchava or Chivchivi) rivers near Samshvilde village and the ruins of historic Samshvilde located in Tetritsqaro Municipality, in the Kvemo Kartli region of southeastern Georgia, 548-605 meters above sea level. Samshvilde Canyon also includes part of the Chivchav (Chivchava) gorge in the same location, since historically it also was part of the natural defenses of the Samshvilde fortress. Morphology Samshvilde Canyon was created by erosion in a volcanic plateau. Samshvilde Canyon is about 5-6 km long in the middle part of the Khrami River valley, and a 3-4 km long in the Chivchav River valley. The depth of the Samshvilde Canyon is 300 meters on average. The ruins of fortress Samshvilde, which the canyon is named after, stands on a naturally fortified cape at the confluence of the Khrami and Chychavka rivers and offers magnificent views of the canyon. Samshvilde Canyon features the intrusive rocks of a stripped quartz-porphyry, which, as a result of its depletion, splits into a beautifully folded bi-pyramidal crystals of magmatic quartz. These quartz crystals are a truly remarkable natural feature of this canyon. See also Samshvilde Algeti National Park References Natural monuments of Georgia (country) Canyons and gorges of Georgia (country) Geography of Kvemo Kartli Protected areas established in 2013
The Virginia Information Technologies Agency (VITA) is an executive department that provides information technology services to other Virginia state agencies. It is headed by Virginia's Chief Information Officer (CIO) who currently is Robert 'Bob' Osmond. VITA is the designated provider of information technology (IT) services for government agencies and public bodies including local government entities and higher education. VITA provides computing and telecommunication services, which it groups as ‘custom infrastructure services’ and ‘bundled infrastructure services’. The ‘custom’ services are inclusive of the individual computing services required to process customer applications. The ‘bundled’ services are inclusive of hardware, software, maintenance and support. The rates that VITA charges to its clients are posted on its website and are approved by the Joint Legislative Audit and Review Commission (JLARC). In most cases, VITA charges the same rate to executive branch agencies and to other government entities. In the 2010 session of the General Assembly, Governor Bob McDonnell proposed legislation (SB 236), which was enacted on March 11, 2010, to have the Virginia Information Technologies Agency report to the Executive Branch instead of an independent board. The law abolished the Information Technology Investment Board (ITIB) and replaced it with a new Information Technology Advisory Council. Under the new arrangement, the Governor appoints the CIO, who reports to the Virginia Secretary of Technology. Currently, VITA resides under the Secretary of Administration as the Secretary of Technology role has been eliminated. In September 2018, Governor Ralph Northam issued an executive order requiring Virginia state government agencies shift their technology services to cloud based platforms in order to modernize the Commonwealth's IT infrastructure. Additionally, VITA has begun a transition to a multi-vendor IT model (MSI). Towards the end of 2018, VITA terminated a single vendor relationship with Northrop Grumman and settled with the company to the amount of $35.8 million. VITA has implemented a new organizational model which aligned the major service areas of cyber security, operations, and administration. CIO Nelson Moe cited the new model where CAO Dan Wolf and COO Jon Ozovek handle administrative and operations work respectively has freed him up to spend more time in visionary thinking and marketing offerings to the rest of the executive branch. VITA has successfully implemented and stabilized their MSI model after delays in 2018 and 2019 according to the 2020 JLARC report on VITA. This successful implementation allowed VITA to effectively respond to the technology needs of the state government after a state of emergency was declared on March 12, 2020, related to the COVID-19 pandemic, whereby 75 percent of state agencies were satisfied with VITA's efforts. CIO Nelson Moe praised COO Jon Ozovek regarding these recent developments, indicating "His experience in deploying multisupplier environments and efforts over the past year have been key to our success”. For these efforts, VITA has been awarded a top honor by the National Association of State Chief Information Officers (NASCIO) under the Enterprise IT Management Initiatives category - Virginia Pioneering a New Method of State IT Services Delivery. As VITA has stabilized their MSI model, the focus appears to have shifted to deploy modern technology services. In June 2021, VITA announced a new messaging contract with a first in the country multiplatform solution giving agencies the option to choose Google or Microsoft for their email and collaboration needs. In addition, VITA has deployed the country's first end-to-end service for Robotic Process Automation in July 2021. References External links Official Website State agencies of Virginia 2003 establishments in Virginia
Paulding is an extinct town in Dunklin County, in the U.S. state of Missouri. The GNIS classifies it as a populated place. A post office called Paulding was established in 1900, and remained in operation until 1918. The community took its name from the Paulding Stave Company. References Ghost towns in Missouri Former populated places in Dunklin County, Missouri
Bill Behrens and Matt Lucena were the defending champions but only Behrens competed that year with Kelly Jones. Behrens and Jones lost in the first round to Rikard Bergh and Shelby Cannon. Ctislav Doseděl and Pavel Vízner won in the final 6–7, 6–4, 6–3 against David Adams and Menno Oosting. Seeds Champion seeds are indicated in bold text while text in italics indicates the round in which those seeds were eliminated. Luis Lobo / Javier Sánchez (quarterfinals) Libor Pimek / Byron Talbot (semifinals) David Adams / Menno Oosting (final) Jim Grabb / Gary Muller (first round) Draw References 1996 International ÖTV Raiffeisen Grand Prix Doubles Draw Hypo Group Tennis International 1996 ATP Tour
James H. Harris (1828 – January 28, 1898) was a Union Army soldier during the American Civil War. He earned the highest military decoration in the United States—the Medal of Honor—for his actions at the Battle of Chaffin's Farm. He was African American. Biography Born in Saint Mary's County, Maryland, Harris worked as a farmer before joining the U.S. Army from Great Mills at age 36. He enlisted on February 14, 1864, as a private in Company B of the 38th United States Colored Troops regiment. He was promoted to corporal five months later, on July 25, and to sergeant two months after that, on September 10. At the Battle of Chaffin's Farm, on September 29, 1864, Harris' regiment was among a division of black troops assigned to attack the center of the Confederate defenses at New Market Heights. The defenses consisted of two lines of abatis and one line of palisades manned by Brigadier General John Gregg's Texas Brigade. The attack was met with intense Confederate fire; over fifty percent of the black troops were killed, captured, or wounded. The initial attack stalled at the abatis, but when a renewed effort began, Harris and two other men of the 38th USCT, Private William H. Barnes and Sergeant Edward Ratcliff, ran at the head of the assault. Being the first to breach the defenses, the three soldiers engaged the Confederates in hand-to-hand combat. They were soon joined by the remainder of their division, and the Confederate force was routed. Over seven years later, on February 18, 1874, he was issued the Medal of Honor for "[g]allantry in the assault" at Chaffin's Farm. Harris died at the approximate age of 69 and was buried at Arlington National Cemetery in Arlington County, Virginia. Medal of Honor citation Rank and organization: Sergeant, Company B, 38th U.S. Colored Troops. Place and date: At New Market Heights, Va., September 29, 1864. Entered service at:------. Birth: St. Marys County, Md. Date of issue: February 18, 1874. Citation: Gallantry in the assault. United States Colored Troops Memorial Statue James H. Harris is specifically honored and memorialized by the United States Colored Troops Memorial Statue in Lexington Park, Maryland (in St. Mary's County, where he grew up and also worked as a farmer). The informational kiosk at the memorial mentions him specifically. See also List of American Civil War Medal of Honor recipients: G–L List of African American Medal of Honor recipients Battle of Chaffin's Farm 38th Regiment United States Colored Troops United States Colored Troops Notes References External links 1828 births 1898 deaths People from St. Mary's County, Maryland People of Maryland in the American Civil War African Americans in the American Civil War Union Army soldiers United States Army Medal of Honor recipients Burials at Arlington National Cemetery American Civil War recipients of the Medal of Honor
Milatkovići (Cyrillic: Милатковићи) is a village in the municipality of Čajniče, Bosnia and Herzegovina. References Populated places in Čajniče
Andrew Griffiths (born January 11, 1969) is a former field hockey forward from Canada. He is currently the head coach of the Old Dominion Monarchs field hockey team. International senior competitions 1989 – World Cup Qualifier, Madison, USA (2nd) 1990 – World Cup, Lahore (11th) 1991 – Pan American Games, Havana (2nd) 1991 – Olympic Qualifier, Auckland (6th) 1993 – World Cup Qualifier, Poznan (7th) 1995 – Pan American Games, Mar del Plata (2nd) 1996 – Olympic Qualifier, Barcelona (6th) 1996 – World Cup Preliminary, Sardinia (2nd) 1997 – World Cup Qualifier, Kuala Lumpur (5th) 1998 – World Cup, Utrecht (8th) 1999 – Sultan Azlan Shah Cup, Kuala Lumpur (4th) 1999 – Pan American Games, Winnipeg (1st) 2000 – Sultan Azlan Shah Cup, Kuala Lumpur (7th) 2000 – Americas Cup, Cuba (2nd) 2000 – Olympic Games, Sydney (10th) References Profile External links Planet Field Hockey 1969 births Living people Canadian male field hockey players Canadian expatriate sportspeople in England Olympic field hockey players for Canada Field hockey players at the 2000 Summer Olympics Pan American Games gold medalists for Canada Pan American Games silver medalists for Canada Field hockey players at the 1991 Pan American Games Field hockey players at the 1995 Pan American Games Field hockey players at the 1999 Pan American Games Canadian people of Welsh descent English emigrants to Canada Sportspeople from Sheffield Field hockey players from Toronto Pan American Games medalists in field hockey 1998 Men's Hockey World Cup players Male field hockey forwards Medalists at the 1995 Pan American Games Medalists at the 1991 Pan American Games
HMR may refer to: HMR, the IATA code for Hamar Airport, Stafsberg, in Norway HMR, the ICAO code for NAC Air, a Canadian airline HMR, the ISO 639-3 code for the Hmar language of India .17 HMR, a rimfire rifle cartridge As an abbreviation Health Management Resources High Mountain Rangers, a television series Hoboken Manufacturers Railroad Hoechst Marion Roussel, an American subsidiary of Hoechst AG Hot module replacement, web technology Housing Market Renewal Initiative, in the United Kingdom Hyderabad Metro Rail
Overwater Hall is a country house near Ireby in Cumbria. It is a Grade II Listed building. History The house was built for Joseph Gillbanks, who had made his money in the Jamaica, in 1840 and was originally known as Whitefield House. He incorporated an older 18th Century building which seems to have been built by John Gaff in about 1785. The house was sold by the Gillbanks family in 1929 to Frederick Gatty, a textile merchant. After Gatty's death in 1951, it was bought by Charles de Courcy-Parry, who had achieved notoriety when he shot Percy Toplis, a convicted criminal, in 1920 and who went on to become a journalist who wrote under the name of Dalesman. The house was acquired by a Mr & Mrs Henry Hays in 1957, and then became a hotel owned by Mr Monte Green in 1967: it has changed hands several times since then but remains a hotel. The Gaff family It appears that John Gaff (1746-1794) acquired Whitefield in about 1781 when it was advertised for sale. The advertisement implies that there was a fairly modest dwelling there at this time which was owned by Mungo Simpson. A newspaper notice shows that John was living at Whitefield by 1788. He died in 1794 and shortly after his son Thomas advertised the property but it appears that he did not sell it. By now the house seems to be very substantial as the notice of 1797 describes it as follows. "The buildings consist of a well-built brick mansion house with six cellars, all arched, a front and back kitchen, a brew house, two parlours, a drawing room, ten lodging rooms, two large barns, three stables with lofts, four byers, cart lodge with granary above, coach house and every other office complete and fit for the reception of a genteel family." Thomas Gaff owned Whitefield until 1814 when he advertised it for sale. The sale notice describes the whole estate. It was bought by Joseph Gillbanks. The Gillbanks family Joseph Gillbanks (1780-1853) appears to have used the existing mansion as the core of his new house in 1840. He was the son of Joseph Gillbanks (1737-1806) of Scawthwaite Close Farm near Ireby. In 1800 he went to Jamaica and over the next fourteen years he amassed a large fortune as a merchant. In 1814 he returned to England and bought Whitefield and several other large properties in the area. In 1819 he married Mary Jackson who was the daughter of Ralph Jackson of Normanby Hall in Cleveland. She was also the niece of R. Jackson, the Chief Justice of Jamaica. The couple had three children Jackson who did not marry, Mary Elizabeth who married a doctor, Richard Lawrence and Maria Josephine who married Rev. Henry Gough. Joseph became the Deputy Lieutenant for Cumberland and for almost forty years was a magistrate. Joseph died in 1853 and his son Jackson inherited Whitefield. He did not marry and he lived with his mother Mary Jackson in the house until his death in 1878. Mary died in the same year and the house was left to Jackson’s sister Maria Josephine Gough. When Maria Josephine Gough inherited the Hall in 1878 she had been a widow for sixteen years. At his time she was living in Abingdon in Berkshire with her only child Josephine Mary Agnes Gough (1860-1912). She and her daughter continued to live in Abingdon and they rented Whitefield Hall to several tenants. Maria Josephine died in 1888 and her daughter inherited the property. Josephine Mary Agnes did not immediately move to the Hall but the Census data of 1901 shows that she and her friend Mary Edith Macray were living there by this date. Josephine died in 1912 and left the house to her friend Mary as she had no other close relatives. In 1922 Mary Macray sold some of the outlying portions of the estate. In the following year she married Reverend Donald Jones who was the Principal of Bede College Durham. They both lived at Whitefield but in 1925 he died at the age of 67 and four years later she died. The house was put it on the market for sale. References External links Overwater Hotel website Country houses in Cumbria Grade II listed buildings in Cumbria Hotels in Cumbria Country house hotels
Nürtingen is an electoral constituency (German: Wahlkreis) represented in the Bundestag. It elects one member via first-past-the-post voting. Under the current constituency numbering system, it is designated as constituency 262. It is located in central Baden-Württemberg, comprising the southern part of the Esslingen district. Nürtingen was created for the 1965 federal election. Since 2002, it has been represented by Michael Hennrich of the Christian Democratic Union (CDU). Geography Nürtingen is located in central Baden-Württemberg. As of the 2021 federal election, it comprises entirety of the Esslingen district excluding the municipalities of Aichwald, Altbach, Baltmannsweiler, Deizisau, Denkendorf, Esslingen am Neckar, Hochdorf, Köngen, Lichtenwald, Neuhausen auf den Fildern, Ostfildern, Plochingen, Reichenbach an der Fils, Wendlingen am Neckar, and Wernau. It also contains the municipalities of Steinenbronn and Waldenbuch from the Böblingen district. History Nürtingen was created in 1965, then known as Nürtingen – Böblingen. It acquired its current name in the 1980 election. In the 1965 through 1976 elections, it was constituency 170 in the numbering system. In the 1980 through 1998 elections, it was number 166. In the 2002 and 2005 elections, it was number 263. Since the 2009 election, it has been number 262. Originally, the constituency comprised the Nürtingen district and the Böblingen district excluding the municipalities of Dätzingen, Döffingen, Magstadt, and Sindelfingen. In the 1976 election, it gained the municipalities of Dätzingen and Döffingen while losing the municipalities of Böblingen, Grafenau, Leonberg, Renningen, Rutesheim, Weil der Stadt, and Weissach. In the 1980 election, it acquired a configuration very similar to its current borders, but excluding the municipalities of Steinenbronn und Waldenbuch from the Böblingen district. It acquired its current borders in the 2005 election. Members The constituency has been held continuously by the Christian Democrat Union (CDU) since its creation. It was first represented by Anton Stark from 1965 to 1990, a total of seven consecutive terms. Elmar Müller was representative from 1990 to 2002. Michael Hennrich has been representative since 2002. Election results 2021 election 2017 election 2013 election 2009 election References Federal electoral districts in Baden-Württemberg 1965 establishments in West Germany Constituencies established in 1965 Esslingen (district)
```javascript // Redistribution and use in source and binary forms, with or without // modification, are permitted provided that the following conditions are // met: // // * Redistributions of source code must retain the above copyright // notice, this list of conditions and the following disclaimer. // * Redistributions in binary form must reproduce the above // copyright notice, this list of conditions and the following // disclaimer in the documentation and/or other materials provided // with the distribution. // * Neither the name of Google Inc. nor the names of its // contributors may be used to endorse or promote products derived // from this software without specific prior written permission. // // THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS // "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT // LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR // A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT // OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, // SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT // LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, // DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY // THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT // (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE // OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. // // A JavaScript implementation of the RSA Data Security, Inc. MD5 Message // Digest Algorithm, as defined in RFC 1321. // Other contributors: Greg Holt, Andrew Kepert, Ydnar, Lostinet // See path_to_url for more info. // function hex_md5(s) { return binl2hex(core_md5(str2binl(s), s.length * 8)); } function core_md5(x, len) { /* append padding */ x[len >> 5] |= 0x80 << ((len) % 32); x[(((len + 64) >>> 9) << 4) + 14] = len; var a = 1732584193; var b = -271733879; var c = -1732584194; var d = 271733878; for (var i = 0; i < x.length; i += 16) { var olda = a; var oldb = b; var oldc = c; var oldd = d; a = md5_ff(a, b, c, d, x[i+ 0], 7 , -680876936); d = md5_ff(d, a, b, c, x[i+ 1], 12, -389564586); c = md5_ff(c, d, a, b, x[i+ 2], 17, 606105819); b = md5_ff(b, c, d, a, x[i+ 3], 22, -1044525330); a = md5_ff(a, b, c, d, x[i+ 4], 7 , -176418897); d = md5_ff(d, a, b, c, x[i+ 5], 12, 1200080426); c = md5_ff(c, d, a, b, x[i+ 6], 17, -1473231341); b = md5_ff(b, c, d, a, x[i+ 7], 22, -45705983); a = md5_ff(a, b, c, d, x[i+ 8], 7 , 1770035416); d = md5_ff(d, a, b, c, x[i+ 9], 12, -1958414417); c = md5_ff(c, d, a, b, x[i+10], 17, -42063); b = md5_ff(b, c, d, a, x[i+11], 22, -1990404162); a = md5_ff(a, b, c, d, x[i+12], 7 , 1804603682); d = md5_ff(d, a, b, c, x[i+13], 12, -40341101); c = md5_ff(c, d, a, b, x[i+14], 17, -1502002290); b = md5_ff(b, c, d, a, x[i+15], 22, 1236535329); a = md5_gg(a, b, c, d, x[i+ 1], 5 , -165796510); d = md5_gg(d, a, b, c, x[i+ 6], 9 , -1069501632); c = md5_gg(c, d, a, b, x[i+11], 14, 643717713); b = md5_gg(b, c, d, a, x[i+ 0], 20, -373897302); a = md5_gg(a, b, c, d, x[i+ 5], 5 , -701558691); d = md5_gg(d, a, b, c, x[i+10], 9 , 38016083); c = md5_gg(c, d, a, b, x[i+15], 14, -660478335); b = md5_gg(b, c, d, a, x[i+ 4], 20, -405537848); a = md5_gg(a, b, c, d, x[i+ 9], 5 , 568446438); d = md5_gg(d, a, b, c, x[i+14], 9 , -1019803690); c = md5_gg(c, d, a, b, x[i+ 3], 14, -187363961); b = md5_gg(b, c, d, a, x[i+ 8], 20, 1163531501); a = md5_gg(a, b, c, d, x[i+13], 5 , -1444681467); d = md5_gg(d, a, b, c, x[i+ 2], 9 , -51403784); c = md5_gg(c, d, a, b, x[i+ 7], 14, 1735328473); b = md5_gg(b, c, d, a, x[i+12], 20, -1926607734); a = md5_hh(a, b, c, d, x[i+ 5], 4 , -378558); d = md5_hh(d, a, b, c, x[i+ 8], 11, -2022574463); c = md5_hh(c, d, a, b, x[i+11], 16, 1839030562); b = md5_hh(b, c, d, a, x[i+14], 23, -35309556); a = md5_hh(a, b, c, d, x[i+ 1], 4 , -1530992060); d = md5_hh(d, a, b, c, x[i+ 4], 11, 1272893353); c = md5_hh(c, d, a, b, x[i+ 7], 16, -155497632); b = md5_hh(b, c, d, a, x[i+10], 23, -1094730640); a = md5_hh(a, b, c, d, x[i+13], 4 , 681279174); d = md5_hh(d, a, b, c, x[i+ 0], 11, -358537222); c = md5_hh(c, d, a, b, x[i+ 3], 16, -722521979); b = md5_hh(b, c, d, a, x[i+ 6], 23, 76029189); a = md5_hh(a, b, c, d, x[i+ 9], 4 , -640364487); d = md5_hh(d, a, b, c, x[i+12], 11, -421815835); c = md5_hh(c, d, a, b, x[i+15], 16, 530742520); b = md5_hh(b, c, d, a, x[i+ 2], 23, -995338651); a = md5_ii(a, b, c, d, x[i+ 0], 6 , -198630844); d = md5_ii(d, a, b, c, x[i+ 7], 10, 1126891415); c = md5_ii(c, d, a, b, x[i+14], 15, -1416354905); b = md5_ii(b, c, d, a, x[i+ 5], 21, -57434055); a = md5_ii(a, b, c, d, x[i+12], 6 , 1700485571); d = md5_ii(d, a, b, c, x[i+ 3], 10, -1894986606); c = md5_ii(c, d, a, b, x[i+10], 15, -1051523); b = md5_ii(b, c, d, a, x[i+ 1], 21, -2054922799); a = md5_ii(a, b, c, d, x[i+ 8], 6 , 1873313359); d = md5_ii(d, a, b, c, x[i+15], 10, -30611744); c = md5_ii(c, d, a, b, x[i+ 6], 15, -1560198380); b = md5_ii(b, c, d, a, x[i+13], 21, 1309151649); a = md5_ii(a, b, c, d, x[i+ 4], 6 , -145523070); d = md5_ii(d, a, b, c, x[i+11], 10, -1120210379); c = md5_ii(c, d, a, b, x[i+ 2], 15, 718787259); b = md5_ii(b, c, d, a, x[i+ 9], 21, -343485551); a = safe_add(a, olda); b = safe_add(b, oldb); c = safe_add(c, oldc); d = safe_add(d, oldd); } return Array(a, b, c, d); } function md5_cmn(q, a, b, x, s, t) { return safe_add(bit_rol(safe_add(safe_add(a, q), safe_add(x, t)), s),b); } function md5_ff(a, b, c, d, x, s, t) { return md5_cmn((b & c) | ((~b) & d), a, b, x, s, t); } function md5_gg(a, b, c, d, x, s, t) { return md5_cmn((b & d) | (c & (~d)), a, b, x, s, t); } function md5_hh(a, b, c, d, x, s, t) { return md5_cmn(b ^ c ^ d, a, b, x, s, t); } function md5_ii(a, b, c, d, x, s, t) { return md5_cmn(c ^ (b | (~d)), a, b, x, s, t); } function safe_add(x, y) { var lsw = (x & 0xFFFF) + (y & 0xFFFF); var msw = (x >> 16) + (y >> 16) + (lsw >> 16); return (msw << 16) | (lsw & 0xFFFF); } function bit_rol(num, cnt) { return (num << cnt) | (num >>> (32 - cnt)); } function str2binl(str) { var bin = Array(); var mask = (1 << 8) - 1; for(var i = 0; i < str.length * 8; i += 8) bin[i>>5] |= (str.charCodeAt(i / 8) & mask) << (i%32); return bin; } function binl2hex(binarray) { var hex_tab = "0123456789abcdef"; var str = ""; for(var i = 0; i < binarray.length * 4; i++) { str += hex_tab.charAt((binarray[i>>2] >> ((i%4)*8+4)) & 0xF) + hex_tab.charAt((binarray[i>>2] >> ((i%4)*8 )) & 0xF); } return str; } var plainText = "Rebellious subjects, enemies to peace,\n\ Profaners of this neighbour-stained steel,--\n\ Will they not hear? What, ho! you men, you beasts,\n\ That quench the fire of your pernicious rage\n\ With purple fountains issuing from your veins,\n\ On pain of torture, from those bloody hands\n\ Throw your mistemper'd weapons to the ground,\n\ And hear the sentence of your moved prince.\n\ Three civil brawls, bred of an airy word,\n\ By thee, old Capulet, and Montague,\n\ Have thrice disturb'd the quiet of our streets,\n\ And made Verona's ancient citizens\n\ Cast by their grave beseeming ornaments,\n\ To wield old partisans, in hands as old,\n\ Canker'd with peace, to part your canker'd hate:\n\ If ever you disturb our streets again,\n\ Your lives shall pay the forfeit of the peace.\n\ For this time, all the rest depart away:\n\ You Capulet; shall go along with me:\n\ And, Montague, come you this afternoon,\n\ To know our further pleasure in this case,\n\ To old Free-town, our common judgment-place.\n\ Once more, on pain of death, all men depart.\n" for (var i = 0; i < 4; ++i) { plainText += plainText; } assertEquals(hex_md5("abc"), "900150983cd24fb0d6963f7d28e17f72"); for (var i = 0; i < 11; ++i) { assertEquals(hex_md5(plainText), "1b8719c72d5d8bfd06e096ef6c6288c5"); } ```
Hyposmia, or microsmia, is a reduced ability to smell and to detect odors. A related condition is anosmia, in which no odors can be detected. Some of the causes of olfaction problems are allergies, nasal polyps, viral infections and head trauma. In 2012 an estimated 9.8 million people aged 40 and older in the United States had hyposmia and an additional 3.4 million had anosmia/severe hyposmia. Hyposmia might be a very early sign of Parkinson's disease. Hyposmia is also an early and almost universal finding in Alzheimer's disease and dementia with Lewy bodies. Lifelong hyposmia could be caused by Kallmann syndrome or Autism Spectrum Disorder. Along with other chemosensory disturbances, hyposmia can be a key indicator of COVID-19. Epidemiology The National Health and Nutrition Examination Survey (NHANES) collected data on chemosensory function (taste and smell) in a nationally-representative sample of US civilian, non-institutionalized persons in 2012. Olfactory function was assessed on persons aged 40 years and older with an 8-item, odor identification test (Pocket Smell Tests, Sensonics, Inc., Haddon Heights, NJ). Odors included food odors (strawberry, chocolate, onion, grape), warning odors (natural gas, smoke) and household odors (leather, soap). Olfactory function score was based on the number of correct identifications. Prevalence (%) of anosmia/severe hyposmia (scores 0 to 3) was 0.3 at age 40–49 rising to 14.1 at age 80+. Prevalence of hyposmia (scores 4 to 5) was much higher: 3.7% at age 40–49 and 25.9% at 80+. Both were more prevalent in individuals of African descent than in those of Caucasian descent. Chemosensory data were also collected in a larger NHANES sample in 2013–2014. The prevalence of smell disorder (scores 0–5 out of 8 correct) was 13.5% in persons aged 40 years and over. If the same prevalence occurred in 2016, an estimated 20.5 million persons 40 and over had hyposmia or anosmia. In addition multiple demographic socioeconomic, and lifestyle characteristics were assessed as risk factors for diminished smell. In statistical analyses, greater age and male sex, coupled with either black and/or non-Hispanic ethnicity, low family income, low educational attainment, high alcohol consumption (more than 4 drinks per day), and a history of asthma or cancer were independently associated with a greater prevalence of smell impairment. See also Hyperosmia Dysosmia Anosmia References Olfaction
Priol is a village in central Goa, in western India. It is situated in Ponda Taluka, north of the city of Ponda. The Mangueshi Temple is located northwest of the village. From Mardol, Priol is around 2 km, Mardol is on Panaji-Ponda highway. It is 7 km from Ponda or 22 km from Panaji. The famous Kelekar family is from Priol and their famous ancestral KELEKAR HOUSE is located near Betal Temple. Another Kelekar House is situated at Nagar near Village Panchayat, which was constructed in the year 1937 by father of writer, Ravindra Kelekar. Government and politics Priol is part of Priol (Goa Assembly constituency) and North Goa (Lok Sabha constituency). As of 2017, its representative in the Goa Legislative Assembly is Govind Gaude. References Villages in North Goa district
Christopher's Diary: Echoes of Dollanganger is a 2015 gothic fiction novel by V.C. Andrews based on her Dollanganger series. It is the second installment of a set of novels that are spin-offs to the Dollanganger Saga. It is a sequel to Christopher's Diary: Secrets of Foxworth. Plot The story is set after the last book in the Dollanganger series Garden of Shadows and Christopher's Diary: Secrets of Foxworth. The father of 17-year-old Kristin Masterwood has been hired to renovate Foxworth Hall after it was abandoned after Seeds of Yesterday. While accompanying him during the renovation, she discovers the remains of Christopher Dollanganger's diary which records, in detail, the events of his and his siblings' captivity in the attic (first covered in the book Flowers in the Attic). Kristen and her boyfriend then go on to re-enact these events, and more secrets from the previous books are revealed. They find out more about the family and the person rebuilding Foxworth Hall. Summary Kristin Masterwood's mother was distantly related to the notorious Foxworth family—but she died when Kristin was a child, leaving her daughter to wonder how the ancestral link might affect her. Now that Kristin is the sole possessor of Christopher's diary, the story of the abandoned estate has her enthralled. Watching Christopher and his sister Cathy's forbidden love blossom is overwhelming, and shocking revelations about the family are more potent than she ever could have imagined. And when her boyfriend urges her to give in to desires as tempting and dangerous as those from the attic, the twisted world of the Dollangangers becomes Kristin's own burning obsession.... Sequel The book is directly succeeded by Christopher's Diary: Secret Brother. References American gothic novels Novels by V. C. Andrews 2015 American novels Gallery Books books
Alexander Rypinski (; 10 September 1809 - 8 November 1886) was a Belarusian and Polish poet, translator and folklorist, participant in the November Uprising. Rypinski was born into a Polonised Ruthenian (Belarusian) noble family on the Kukaviačyna estate near Viciebsk (nowadays the village of Kukaviačyna in Viciebsk district of Belarus). The family adhered to the Greek rite until the late 17th century. Early years Rypinski grew up in Staiki near Viciebsk, on his grandfather's estate, where he learned Belarusian folk songs and fairy tales. He acquired interest in poetry and translation at school and wrote his first poem (in Polish) at the age of 16. Two years later he translated A. Pushkin's "Mermaid" into Polish. After graduating from a Viciebsk gymnasium in 1829-30 he enrolled in a military school in Dinaburg (now Daugavpils, Latvia). In Dinaburg he became acquainted with W. Küchelbecker, a Russian-German Romantic poet and Decembrist. November Uprising and exile in Paris Rypinski took part in the November Uprising of 1830–31. When the uprising was suppressed by the Russian troops, he fled to Prussia and then to Paris where he lived until  1846. He was elected a member of the French Academy of Industry, Agriculture, Crafts and Trade and opened an art shop. On 21 November 1839, at a meeting of the Polish Literary Society in Paris, he read the first report on Belarusian ethnography and folklore, and in 1840, on the basis of his own lectures, published the book “Belarus”. The Parisian period includes a close acquaintance with A. Mickiewicz, which was based on the unity of civic and aesthetic ideals. He prepared for publication his memoirs from the time of the November Uprising (fragments of which were published in Paris in 1836 - "The Uprising of Vileіka, Zavilеіка and Dzisna districts"). Life in London In 1846 Rypinski moved to London, where he engaged in publishing and creative activities, teaching languages, mathematics and drawing - becoming “one of the most versatile Belarusian expatriates living in England during the 19th century”. He established himself as an artist, designed his own books and became one of the pioneers of photography. In 1852 he founded a printing house in Tottenham, London where he published collections of his Polish poems "Poetic Works" (1853) and "Sergeant-Philosopher" (1854). Within the collections he included his Belarusian romantic ballad Niačyścik ("The Little Devil") which was also published in a separate edition in Poznań in 1853. The well-known poem "Play, play, little boy ..." by Belarusian poet was also published in Rypinski's printing house. Return home In 1859, the Tsar granted amnesty to participants of the November Uprising. Rypinski abandoned his application for naturalisation as a British subject and returned to his family's Kukaviačyna estate where he lived under police surveillance. He worked on the history of Belarusian literature and wrote a number of biographies of Belarusian writers, including those of Jan Barščeŭski, and . Death Rypinski died on 8 November 1886. He was buried in the family cemetery of the Zablocki family. Legacy Because of his work Niačyścik ("The Little Devil") Rypinsky is considered “one of the creators of the genre of ballads in [Belarusian] literature.” The ballad “about a lax farmer carried off by the devil for making sausages in Lent” was written in 1853. Rypinski is known for his efforts to streamline the norms of Belarusian orthoepy. He was also the first author and publisher to use the “short u” (Ŭ) letter in the Belarusian language (Latin alphabet) - until then there had been no single standard of how that sound should be conveyed in writing. This letter was later adopted in the Belarusian Cyrillic alphabet too. References 1809 births 1886 deaths Belarusian poets Belarusian emigrants to France Belarusian emigrants to England November Uprising participants
```c++ /////////////////////////////////////////////////////////////////////////////// // any_matcher.hpp // // LICENSE_1_0.txt or copy at path_to_url #ifndef your_sha256_hash05 #define your_sha256_hash05 // MS compatible compilers support #pragma once #if defined(_MSC_VER) # pragma once #endif #include <boost/xpressive/detail/detail_fwd.hpp> #include <boost/xpressive/detail/core/quant_style.hpp> #include <boost/xpressive/detail/core/state.hpp> namespace boost { namespace xpressive { namespace detail { /////////////////////////////////////////////////////////////////////////////// // any_matcher // struct any_matcher { BOOST_XPR_QUANT_STYLE(quant_fixed_width, 1, true) template<typename BidiIter, typename Next> static bool match(match_state<BidiIter> &state, Next const &next) { if(state.eos()) { return false; } ++state.cur_; if(next.match(state)) { return true; } --state.cur_; return false; } }; }}} #endif ```
Rise of the Renegades (2019) was a professional wrestling supercard event produced by Major League Wrestling (MLW), which took place on April 4, 2019, at the Melrose Ballroom in Queens, New York City, New York. The event was a television taping for MLW Fusion, with Battle Riot II airing as a live Fusion special the following day. It was the second event under the Rise of the Renegades chronology and the first to be held since 2003. Fifteen matches were taped at the event. In the main event, L. A. Park defeated Pentagon Jr. Other prominent matches on the card included a Street Fight, in which Tom Lawlor successfully defended the World Heavyweight Championship against Jimmy Havoc and a Tables match between The Dynasty (Alexander Hammerstone, Maxwell Jacob Friedman and Richard Holliday) and The Hart Foundation (Brian Pillman Jr., Davey Boy Smith Jr. and Teddy Hart). Production Background In July 2017, Major League Wrestling resumed promoting events for the first time since the promotion's original closure in 2004. The success of these events lead MLW to secure a television deal with beIN Sports for a new program, MLW Fusion, which debuted on April 20, 2018. On August 27, 2018, MLW owner Court Bauer announced that MLW would be hosting an event at the Melrose Ballroom in Queens, New York City, New York, which would also be a television taping for Fusion on April 4, 2019. On October 5, MLW.com announced that a second card had been added to the April 4 television taping for April 5, which would be Battle Riot II. On January 15, it was announced that the April 4 event would be titled "Rise of the Renegades", marking the return of the event since 2003 and also being the second event in the chronology. Storylines The card consisted of matches that resulted from scripted storylines, where wrestlers portrayed villains, heroes, or less distinguishable characters in scripted events that built tension and culminated in a wrestling match or series of matches, with results predetermined by MLW's writers. Storylines were played out on MLW's television program Fusion. On December 14, it was announced that L. A. Park and the newly debuted Rush would compete in the main event of Rise of the Renegades. However, Rush signed a contract with Ring of Honor in 2019 and was pulled out of the event by ROH. Pentagon Jr. was named Rush's replacement, thus setting up a rematch between Park and Pentagon, as the two had competed in a match on the October 5 episode of Fusion, which was named the Match of the Year by MLW. The duo had also competed against each other in opposing teams on the November 30 episode of Fusion where Lucha Brothers (Pentagon Jr. and Rey Fénix) successfully defended the World Tag Team Championship against Los Parks (L. A. Park and El Hijo de L.A. Park). On the July 20, 2018 episode of Fusion, Jimmy Havoc defeated Tom Lawlor in an Anything Goes match. Havoc took a hiatus from MLW in October until it was announced on February 25 that he would return to MLW at Rise of the Renegades. It was teased that Havoc wanted a title shot against Lawlor due to being the last person to have beaten him thus far. On March 5, it was announced that Havoc would receive a title shot against Lawlor for the World Heavyweight Championship in a New York City Street Fight at Rise of the Renegades. On the February 16 episode of Fusion, Teddy Hart successfully defended the World Middleweight Championship against Maxwell Jacob Friedman. Friedman then attacked Hart during a post-match interview along with his new teammate Richard Holliday, thus forming a new team called The Dynasty and began feuding with The Hart Foundation. MJF took exception to Hart Foundation member Brian Pillman Jr. being awarded the 2018 Rookie of the Year by MLW management, which led to a match between the two at Rise of the Renegades. On the March 16 episode of Fusion, Alexander Hammerstone attacked Hart Foundation during their World Tag Team Championship title defense against Dynasty, which led to Hammerstone joining Dynasty. On March 18, MLW.com announced that Hart Foundation and Dynasty would compete in a six-man Tables match at Rise of the Renegades. On March 7, it was announced that Sami Callihan would return to MLW to take on Mance Warner at Rise of the Renegades. On March 13, MLW.com announced that Minoru Tanaka would make his MLW debut against Daga at Rise of the Renegades as part of a talent exchange partnership between MLW and Pro Wrestling Noah. On March 14, a middleweight match was announced between El Hijo de L.A. Park and Gringo Loco to take place at Rise of the Renegades. On the December 28 episode of Fusion, Ace Romero became the first wrestler to defeat Simon Gotch in the $20,000 Simon Gotch Prize Fight Challenge. This led to a brief feud between the two as they competed in a rematch on the March 9 episode of Fusion, where Gotch was disqualified after his Contra Unit teammates Jacob Fatu and Josef Samael attacked Romero. On March 19, it was announced that Romero would take on Samael at Rise of the Renegades. Contra's attack on Romero led to his friend Barrington Hughes challenging Contra member Jacob Fatu to a match, which was made official by MLW on April 1. On March 21, it was announced that Rey Horus would take on Ace Austin in a middleweight match at Rise of the Renegades. The next day, another middleweight match was made for Rise of the Renegades between Rey Fénix and Air Wolf. Event Preliminary matches The opening match of the event pitted Ariel Dominguez against the debuting Bryan Idol. Dominguez executed a satellite DDT for the win. Next, Kotto Brazil took on the debuting Jordan Oliver. Ricky Martinez and Salina de la Renta from Promociones Dorado interfered in the match by distracting Brazil but Brazil delivered a springboard diving crossbody to Martinez. The distraction allowed Oliver to hit a diving cutter to Brazil for the win. Next, Brian Pillman Jr. took on Maxwell Jacob Friedman. Despite interference by Friedman's The Dynasty teammates, Pillman pinned MJF with a small package for the win. Next, the undefeated Barrington Hughes took on Jacob Fatu. Near the end of the match, Fatu superkicked Hughes and nailed a springboard front flip senton to Hughes for the win thus ending his undefeated streak. Next, Rey Horus took on Ace Austin. Horus hit Austin with a Super Victory Roll from the top rope for the win. Next, the team of Low Ki and Ricky Martinez took on enhancement talents Chris Pagan and Troy Hollywood. Ki nailed a diving double foot stomp to Hollywood for the win. Contra Unit attacked Ki after the match while Martinez and Salina de la Renta turned on Ki by abandoning him instead of saving him from the assault. Next, Myron Reed and Rich Swann took on the team of Jimmy Yuta and Lance Anoa'i. Reed and Swann hit 450 splashes on their both opponents for the win. Next, Daga took on Minoru Tanaka. Tanaka applied a cross armbreaker and pinned Daga with a cradle while applying the hold for the win. Next, The Dynasty (Alexander Hammerstone, Maxwell Jacob Friedman and Richard Holliday) took on The Hart Foundation (Brian Pillman Jr., Davey Boy Smith Jr. and Teddy Hart) in a Tables match. Near the end of the match, Holliday low blowed both Smith and Hart, leaving Pillman alone in the ring, which led to Hammerstone driving Pillman through a table in the corner with a running powerbomb. Next, Ace Romero took on Contra Unit member Josef Samael. Samael nailed a DDT and a kick to the face of Romero for the win. Next, Puma King took on Gringo Loco. Near the end of the match, King tried to perform a diving hurricanrana on Loco but Loco countered it into a powerbomb and followed it by hitting a double underhook powerbomb for the win. Next, Mance Warner took on Sami Callihan. The match ended in a no contest when El Hijo de L.A. Park and Ricky Martinez interfered in the match by attacking both men but Warner and Callihan cleared the ring to win the brawl. Next, Rey Fénix took on Air Wolf. After countering the first Black Fire Driver by Fénix, Wolf countered a second Black Fire Driver into a roll-up and pinned him for the win. The penultimate match was a street fight, in which Tom Lawlor defended the World Heavyweight Championship against Jimmy Havoc. Lawlor kneed Havoc with the chair in his jaw twice to win the match and retain the title. Main event match In the main event, L. A. Park took on Pentagon Jr. Salina de la Renta interfered on Park's behalf and Pentagon kissed her. Near the end of the match, Park hit a diving spin kick to Pentagon and a spear for the win. Aftermath The duo of Barrington Hughes and Ace Romero continued their feud with Contra Unit as Contra Unit members Jacob Fatu and Josef Samael defeated the duo in a tag team match on the May 25 episode of Fusion. Mance Warner and Sami Callihan joined forces as they began feuding with Promociones Dorado, defeating the group members El Hijo de LA Park and Ricky Martinez in a tag team match on the May 18 episode of Fusion. The feud between The Dynasty and The Hart Foundation continued as Dynasty's Alexander Hammerstone defeated Hart Foundation's Brian Pillman Jr. in the finals of a four-man tournament to become the inaugural National Openweight Champion at Fury Road. Results References External links Rise of the Renegades official website 2019 in professional wrestling Events in New York City Major League Wrestling shows Professional wrestling in New York City April 2019 events in the United States Professional wrestling in New York (state)
Michael Lawrence Fleisher (November 1, 1942 — February 2, 2018) was an American writer known for his DC Comics of the 1970s and 1980s, particularly for the characters Spectre and Jonah Hex. Biography Early life and career Fleisher was raised in New York City. His parents divorced when he was four years old, and Fleisher developed the foundation of his later Western writing by spending Saturdays with his visiting father at Western movie double features. "I saw two Westerns every Saturday for years," Fleisher recalled in 2010. "So it wasn't very hard to write [Westerns] at all." Fleisher wrote three volumes of The Encyclopedia of Comic Books Heroes, doing some research on-site at DC Comics. He started comic book scripting in 1972, co-writing with Lynn Marron the full-issue supernatural story "Death at Castle Dunbar" in DC's Secrets of Sinister House #5 (July 1972). He co-wrote supernatural short stories with Maxene Fabe in DC's House of Mystery, and a solo story in the companion title House of Secrets #111 (Sept. 1973). Collaborating with Russell Carley, who provided art breakdowns for Fleisher's scripts, Fleisher wrote seven stories for those titles and Forbidden Tales of Dark Mansion late in 1973. Fleisher scripted the Steve Ditko-created Shade, the Changing Man series in 1977-1978. Fleisher made several contributions to the Batman mythos in the early 1980s. He reintroduced the Crime Doctor in Detective Comics #494 (Sept. 1980), co-created the Electrocutioner in Batman #331 (Jan. 1981), and wrote the origin of the Penguin in The Best of DC #10 (March 1981). The Spectre After becoming, variously, an assistant editor and an associate editor under Joe Orlando on the DC humor series Plop! and the superhero anthology series Adventure Comics, Fleisher, with Carley's script-breakdown assistance, began writing the feature "The Spectre" in the latter title. Beginning with the 12-page "The Wrath of ... the Spectre" in issue #431 (Feb. 1974), Fleisher and artist Jim Aparo went on to produce 10 stories of the supernatural avenger through issue #440 (July 1975) (without Carley's assistance toward the end) that became controversial for what was considered gruesome, albeit bloodless, violence. As comics historian Les Daniels observed, the character, created during the 1940s Golden Age and briefly revived in the late 1960s, Jonah Hex Fleisher wrote DC Comics' Jonah Hex character for more than a dozen years, beginning in 1974 in Weird Western Tales (taking over from the character's creator, John Albano), then from 1977 to 1985 in the character's self-titled comic. A sequel series, Hex (1985–1987) transported the character into a postapocalyptic setting, making him the lead in a science-fiction feature. Controversy and later career Writer Harlan Ellison in a 1979 interview praised Fleisher's comics work, while also describing Fleisher and his work as "crazy", "certifiable", "twisted", "derange-o", "bugfuck", and a "lunatic". He also claimed that a Publishers Weekly review called Fleisher's novel Chasing Hairy "the product of a sick mind", and that Fleisher's Spectre run on Adventure Comics had been discontinued by DC Comics because the company "realized they had turned loose a lunatic on the world." While Ellison stated that some of what he was claiming was said "in some humor", Fleisher, saying his "business reputation has been destroyed" and believing he was falsely portrayed as insane, filed a $2 million libel suit against Ellison, publisher Gary Groth and the magazine in which the interview appeared, The Comics Journal. The case came to court in 1986 and resulted in a verdict for the defendants. Afterward, Fleisher attended college at Columbia University in New York City, from 1987 to 1991, while also writing for the British comics magazine 2000 AD. Leaving the comics field that year, he moved to Ann Arbor, Michigan for graduate school at the University of Michigan, spending from 1994 to 1996 researching his Ph.D thesis on commercialized cattle theft in Tanzania while living for two years near Nairobi. He then spent a year in New York writing his dissertation and earned a doctorate in anthropology. After that, he worked as a "freelance anthropological consultant carrying out research assignments for humanitarian organizations in the developing world." Fleisher died from complications of Alzheimer's disease in Beaverton, Oregon on February 2, 2018. Bibliography Books The Encyclopedia of Comic Book Heroes Volume One: Batman (Collier Books, 1976, ) (DC Comics, 2007, ) The Encyclopedia of Comic Book Heroes Volume Two: Wonder Woman (Collier Books, 1976, ) (DC Comics, 2007, ) The Encyclopedia of Comic Book Heroes Volume Three: Superman (a.k.a. The Great Superman Book: The Complete Encyclopedia of the Folk Hero of America (Warner Books, 1978, hardback , paperback ) (DC Comics, 2007, ) Chasing Hairy (St. Martin's Press, 1979, ) Kuria Cattle Raiders: Violence and Vigilantism on the Tanzania/Kenya Frontier (University of Michigan Press, 2000, hardback , paperback 0-472-08698-8) Shambler: An Insider's Novel of the Comic Book World (iUniverse, 2008) , Comic books Atlas/Seaboard Comics The Brute #1–2 (1975) The Grim Ghost #1–2 (1975) Ironjaw #1–3 (1975) Morlock 2001 #1–2 (1975) Weird Suspense featuring The Tarantula #1–2 (1975) DC Comics 1st Issue Special #7 (Creeper) (1975) Advanced Dungeons and Dragons #1–4 (1988–1989) Adventure Comics #431–440 (Spectre) (1974–1975) Batman #265, 331 (1975–1981) The Best of DC #10, 22 (1981–1982) The Brave and the Bold #166, 180 (1980–1981) Cancelled Comic Cavalcade #2 (1978) DC Special Series #16, 21 (1978–1980) Detective Comics #494-496 (1980) Elvira's House of Mystery Special #1 (1987) Forbidden Tales of Dark Mansion #13–15 (1973–1974) Haywire #1–13 (1988–1989) Heroes Against Hunger #1 (1986) Hex #1–18 (1985–1987) House of Mystery #205, 210, 212, 215, 218–222, 224–225, 227–228, 230, 233–234, 237, 239, 242, 246, 249, 253–254, 256 (1972–1978) House of Secrets #111–112, 114, 118–119, 123, 128–129, 131–133, 135, 145 (1973–1977) Jonah Hex #1–12, 16–92 (1977–1985) Justice League of America #242 (M.A.S.K. insert preview) (1985) Little Shop of Horrors #1 (1986) M.A.S.K. #1–4 (1985–1986) M.A.S.K. vol. 2 #1–9 (1987) Phantom Stranger vol. 2 #32, 38–41 (1974–1976) Power Lords #1–3 (1983–1984) Sandman #2–6 (1975–1976) Secret Origins vol. 2 #16 (The Warlord), #21 (Jonah Hex) (1987) Secrets of Haunted House #13 (1978) Secrets of Sinister House #5, 14–15 (1972–1973) Shade, the Changing Man #1–8 (1977–1978) Sinister House of Secret Love #4 (1972) Spiral Zone #1–4 (1988) Star Trek #38 (1987) Time Warp #1 (1979) The Unexpected #152 (1973) The Warlord #100–133, Annual #5–6 (1985–1988) Weird Mystery Tales #10, 15, 22–24 (1974–1975) Weird War Tales #41, 88, 102 (1975–1981) Weird Western Tales #22–44, 59 (1974–1979) The Witching Hour #44 (1974) Wrath of the Spectre #4 (1988) 2000AD Junker (with John Ridgway) "Junker Part 1" (in 2000 AD #708-716, 1990–1991) "Junker Part 2" (in 2000 AD #724-730, 1991) Rogue Trooper: "The Arena of Long Knives" (with Kev Walker, in 2000 AD Yearbook 1992, 1991) Rogue Trooper (Friday): "Circus Daze" (with John Hicklenton, "Decoys" with Chris Weston, "The Undeath Project" with Ron Smith & Tim Perkins, Bio-Death" with Steve Dillon in Rogue Trooper Annual 1991, 1990) "Golden Fox Rebellion" (with Ron Smith, in 2000 AD #712-723, 1991) "Saharan Ice Belt War" (with Simon Coleby, in 2000 AD #730-741, 1991) "Apocalypse Dreadnought" (with Ron Smith, in 2000 AD #780-791, 1992) "Scavenger of Souls Prologue" (with Simon Coleby, in 2000 AD #850-851, 1993) "Scavenger of Souls" (with Chris Weston, in 2000 AD #873-880, 1994) Harlem Heroes in 2000 AD 671–676, 683–699, 701–705, 745–749, 776–779 and 928-939 with Steve Dillon and Kev Walker, Geoff Senior, Ron Smith, Kev Hopgood, Stewart Johnson and Siku Marvel Comics The Amazing Spider-Man #220 (1981) Captain America #236 (1979) Conan the Barbarian #150–163, 165–171, 223, 225, Annual #9 (1983–1989) Daredevil #162 (1980) Ghost Rider #36–66 (1979–1982) G.I. Joe Special Missions #27 (1989) Man-Thing vol. 2 #1–3 (1979–1980) Marvel Fanfare #36 (1988) Marvel Super Special #21 (Conan the Barbarian), #35 (Conan the Destroyer) (1982–1984) Savage Sword of Conan #61–63, 65, 71, 73, 75–104, 106–109, 111–112 (1981–1985) Spider-Woman #21–32 (1979–1980) Star Trek #10 (1981) What If ... ? #28 (1981) Warren Publishing Creepy #117, 123, 133, 135, 145 (1980–1983) Eerie #110 (1980) Vampirella #71, 77, 79, 85–86, 94, 112 (1978–1983) Collections Wrath of the Spectre collects Adventure Comics #431–440, 200 pages, June 2005, Showcase Presents Jonah Hex Volume 1 includes Weird Western Tales #22–33, 526 pages, November 2005, Essential Spider-Woman Volume 1 collects Marvel Spotlight #32, Marvel Two-In-One #29–33 and Spider-Woman #1–25, 576 pages, December 2005, Volume 2 includes Spider-Woman #26–32, 608 pages, July 2007, The Chronicles of Conan Volume 19: Deathmark and Other Stories collects Conan the Barbarian #150, 200 pages, June 2010, Volume 20: Night of the Wolf and Other Stories collects Conan the Barbarian #151-159, 200 pages, December 2010, Volume 21: Blood of the Titan and Other Stories collects Conan the Barbarian #160-162 and 164-167, 200 pages, August 2011, Volume 22: Reavers in the Borderland and Other Stories collects Conan the Barbarian #168-171 and Annual #9, 232 pages, June 2012, Volume 28: Blood and Ice and Other Stories collects Conan the Barbarian #223, 224 pages, November 2014, Volume 29: The Shape in the Shadow and Other Stories collects Conan the Barbarian #225, 224 pages, March 2015, The Steve Ditko Omnibus Volume 1 collects Shade, the Changing Man #1–8 and Cancelled Comic Cavalcade #2, 480 pages, September 2011, The Spectre: The Wrath of the Spectre Omnibus collects Adventure Comics #431-440 and The Brave and the Bold #180, 680 pages, September 2020, References External links Michael Fleisher: Comic Book Writer, 1942-2018 at The Comics Journal "DC Profiles #3: Michael Fleisher" at the Grand Comics Database Michael Fleisher at Mike's Amazing World of Comics Michael Fleisher at the Unofficial Handbook of Marvel Comics Creators Michael Fleisher at 2000 AD online 1942 births 2018 deaths American comics writers Neurological disease deaths in Oregon Deaths from Alzheimer's disease Jonah Hex Marvel Comics writers University of Michigan alumni
Chowdary Satyanarayana (July 13, 1908 – July 15, 1981), also known as Jananayaka Chowdary Satyanarayana was an Indian freedom fighter, anti-colonial nationalist, politician, legislator in Andhra Pradesh Assembly (1955–62, 1967–72) and a civil rights activist. Born and raised in a Hindu Zamindar family who belongs to Kalinga community, was from Srikakulam, a coastal district in Andhra Pradesh. He was well known as Cycle MLA in Srikakulam district as he used only cycle to commute even when he was serving as the Member of Legislative Assembly, Andhra Pradesh and always led a simple life. Personal information Childhood He was born on July 13, 1908, to Chowdari Purushottama Naidu and Narayanamma as their second child in Sher Mohammad Puram (SM Puram) village of Ganjam District (now in Srikakulam District) of erstwhile Madras province. He belongs to 'Kalinga' community and was born into a rich zamindar family Education His early education was done in the native village SM Puram. He studied in Srikakulam Municipal High School (now NTR Municipal High School) from 1st form to 4th form. Marriage He married Saraswatamma, daughter of Boddepalli Rammurthy Naidu & Lakshmamma of Kanugulavalasa village, Amadalavalasa Mandal when he was just eight years old. Satyanarayana & Saraswatamma had 9 children. Indian freedom movement Drawing inspiration from Mahatma Gandhi, Subhash Chandra Bose he took part in freedom movement and participated in Satyagrahas and protests against the colonial rule. Freedom fighter 1921 - On the call given by the then Indian National Congress, he participated in school boycott when he was studying 3rd form and was just 13 years old. He had to suffer severe injuries as the police beat him for participating the protest. It took around 6 months time to recover completely from the injuries. Thus he started his freedom movement at an early age. 1929 - He participated in "Salt heaps looting" under the leadership of Ramalingam Master in Naupada. 1934 - He joined as a Revenue Inspector in Tenneti Viswanatham Estate in Budumuru. 1935 - Before completing one year, he resigned from the job in protest against the British rule. 1940 - After the failure of August Offer, Mahatma Gandhi initiated the Vyakti Satyagraham (also known as 'Chalo Delhi Movement') to affirm the right to free speech and to propagate views against the participation of war when the very democracy for which the war was fought was denied to India. He was not in favour of a mass Satyagraha to avoid violence. The first Satyagrahi was Vinoba Bhave followed by Jawaharlal Nehru and Brahma Datt. All the three were arrested. Gandhiji had carefully chosen his few of his followers in every locality across the country to do the satyagraha on individual basis. Chowdari Satyanarayana was one of them. He started his Satyagraha at seven roads junction in Srikakulam Town. The British government arrested him under violation of Defence of India Act and imprisoned him for six months. 1942 - When Gandhi visited Dusi Railway Station as part of the Quit India movement, he met Gandhiji and presented a Dhoti made of Ponduru Khadi. 1942 - As part of Quit India movement, he participated in destroying British Government's properties. He along with his colleagues removed railway tracks between Dusi Railway Station and Boddepalli village, set fire to Kalingapatnam post office, destroyed communication systems etc. During this period he had to spend most of the time in anonymity to escape the police arrests. He served three months imprisonment for destroying Kalingapatnam post office. 1946 - On confirmation of independence to India, all political prisoners were released from jail. He was one among them who was released after being in jail for 9 months. During his participation in freedom movement, he was put in Cuddalore, Kannanur, Rajahmundry central jails at different times. Leader of peasants Though he was born in a zamindar family, he fought against the zamindari system. 1936 - Under the leadership of NG Ranga, participated in 'Rythu Rakshana Yatra' (Farmers Protection March) from Ichchapuram to Madras, along with Killi Appalanaidu and others. 1945 - He extended his complete support and fought for the rights of the people who revolted against the Zamindari System in Mandasa, Srikakulam District. 1947 - Organised 'Ubhaya Visakha Mandala Dwitiya Kisan Congress Maha Sabha' in his native village SM Puram in which the former President of India VV Giri and Prof. NG Ranga participated. Post independence political career He served as Member of Legislative Assembly of Andhra Pradesh twice for a cumulative period of 12 years. 1951 - Resigned from Indian National Congress and joined Krishikar Lok Party. 1955 - Contested from SM Puram Constituency as a candidate of Krishikar Lok Party and won for the first time as MLA of Andhra Pradesh Assembly. 1967 - He won for the second time as legislature to Andhra Pradesh Assembly as a candidate of Swatantra Party from Ponduru Constituency. 1972 - He resigned from traditional politics in protest of the events taking place for power between individuals and parties. 1974 - He joined with Tarimella Nagireddy and Sri Sri (Srirangam Srinivasa Rao) to launch Human Rights activism. 1975 - He served as the founding state Vice President of OPDR (Organisation for Protection of Democratic Rights) Andhra Pradesh wing. 1975 - He led the Human Rights Activism initiated by OPDR in Srikakulam District. Movement for separate Andhra State All Telugu speaking people in Madras State demanded for a separate state. Potti Sreeramulu started fast unto death demanding a new state. Chowdari Satyanarayana conducted protests and rallies in Srikakulam demanding a separate state. Geetha Satyagraha The then state government implemented prohibition in Andhra State. As a result, the poor toddy tappers were left unemployed across the state. Geetha Satyagraha was launched in 1954 demanding to allow tapping toddy by the respective community as it was the only means of their livelihood. Chowdari Satyanarayana was imprisoned for 7 months for organising the protests in Srikakulam District. Jai Andhra movement Jai Andhra movement is a 1972 political movement in support for the creation of Andhra state in the light of injustices felt by the people of the Coastal Andhra and Rayalaseema Regions. This was after the HC and SC upheld the Mulki rules in existence at the time. As an MLA, in the assembly, he demanded for an early resolution by the government. He participated in many agitations in support of the movement. He was put under house arrest as well as arrested by the police for taking part in the movement. Civil Rights Activism In 1974, he associated with Tarimella Nagireddy (Ideologist) and Sri Sri (Srirangam Srinivas Rao). Organisation for Protection of Democratic Rights of the people (OPDR) was formed for Civil Rights Activism. Chowdari Satyanarayana served as Vice President of OPDR's AP wing and as well as its Srikakulam District President until his death in 1981. He was the pioneer of Civil Rights Activism in Srikakulam District. He fought for the rights of the tribals and represented to Central & State Human Rights Commissions. He was instrumental in guiding the fact-finding committee which was formed against the police tyranny on the tribals. Honours In 1972, on the occasion of India's 25 years of independence, Government of India honoured Chowdari Satyanarayana with “Tamrapatra” for his remarkable contribution for Indian Freedom Movement. A colony in the jurisdiction of Srikakulam municipality is named after him as “Chowdari Satyanarayana Colony”. A colony for scheduled castes in SM Puram village is named after him. A statue of Chowdari Satyanarayana has been placed at the entrance of Srikakulam town by the Government. 'Jananayak Dr. Chowdari Satyanarayana' Sportsman of the year Award named after him which is given every year by a Sports Trust in Srikakulam. Honorary Doctorate recipient (Posthumously) Gallery Testimonials "Chowdari Satyanarayana is an inspiration for many. He is 'The Jananayak' a true people's leader”. - V. V. Giri, Former President of India; Dt. April 1947 "Without CSN, the Human Rights activism in Uttarandhra wouldn't have taken shape" - T. Nagi Reddy, Founder of OPDR, Former Legislator & pioneer of Rights activism in Andhra Pradesh. "The torch bearer of Truth & Integrity; the man of masses who lived until his last breath for the welfare of the downtroden families." - Sri Sri, Progressive Poet, co-founder of OPDR, Human Rights Activist; Dt. Remembered him on the day of mourning after the death of CSN in August 1981 Organisation for Protection of Democratic Rights (OPDR) Resolution dated 19, July 1981 Copy of OPDR Resolution References Indian revolutionaries Indian civil rights activists Political prisoners Prisoners and detainees of British India Andhra Pradesh politicians People from Andhra Pradesh People from Uttarandhra People from Srikakulam Telugu people People from Srikakulam district 1908 births 1981 deaths
Daguao is a barrio in the municipality of Naguabo, Puerto Rico. Its population in 2010 was 2,273. History In its early days, Daguao was slated to be the capital of Puerto Rico but the area was destroyed by Caribs from neighbor-island Vieques and by Taínos from the eastern area of Puerto Rico. Daguao was in Spain's gazetteers until Puerto Rico was ceded by Spain in the aftermath of the Spanish–American War under the terms of the Treaty of Paris of 1898 and became an unincorporated territory of the United States. In 1899, the United States Department of War conducted a census of Puerto Rico finding that the population of Daguao barrio was 756. Sectors Barrios (which are, in contemporary times, roughly comparable to minor civil divisions) in turn are further subdivided into smaller local populated place areas/units called sectores (sectors in English). The types of sectores may vary, from normally sector to urbanización to reparto to barriada to residencial, among others. The following sectors are in Daguao barrio: , and . See also List of communities in Puerto Rico List of barrios and sectors of Naguabo, Puerto Rico References Barrios of Naguabo, Puerto Rico
This is an incomplete list of Statutory Instruments of the United Kingdom in 1979. 1–100 The Motor Fuel (Lead Content of Petrol) (Amendment) Regulations 1979 S.I. 1979/1 The Local Government Superannuation (Amendment) Regulations 1979 S.I. 1979/2 The Petrol Prices (Display) (Amendment) Order 1979 S.I. 1979/4 The Civil Aviation (Air Travel Organisers' Licensing) (Third Amendment) Regulations 1979 S.I. 1979/5 The Social Security (Contributions, Re-rating) Consequential Amendment Regulations 1979 S.I. 1979/9 The Industrial Training Levy (Footwear, Leather and Fur Skin) Order 1979 S.I. 1979/11 The Agriculture (Miscellaneous Provisions) Act 1968 (Amendment) Regulations 1979 S.I. 1979/25 The Cereals Marketing Act 1965 (Amendment) Regulations 1979 S.I. 1979/26 The Food Hygiene (Ships) Regulations 1979 S.I. 1979/27 The General Medical Council (Review Board for Overseas Qualified Practitioners Rules) Order of Council 1979 S.I. 1979/29 The Protection of Wrecks (Designation No. 1) Order 1979 S.I. 1979/31 The Butter Prices (Amendment) Order 1979 S.I. 1979/34 The Rules of the Supreme Court (Amendment) 1979 S.I. 1979/35 The Medicines (Prescription Only) Amendment Order 1979 S.I. 1979/36 The Diseases of Animals (Approved Disinfectants) (Amendment) Order 1979 S.I. 1979/37 The Measuring Instruments (Intoxicating Liquor) (Amendment) Regulations 1979 S.I. 1979/41 The Goods Vehicles (Authorisation of International Journeys) (Fees) (Amendment) Regulations 1979 S.I. 1979/42 The Balloon-Making Compounds (Safety) Order 1979 S.I. 1979/44 The Medicines (Exemptions from Restrictions on the Retail Sale or Supply of Veterinary Drugs) Order 1979 S.I. 1979/45 The Teachers' Superannuation (Policy Schemes) Regulations 1979 S.I. 1979/47 The Nurses and Enrolled Nurses (Amendment) Rules Approval Instrument 1979 S.I. 1979/49 The National Health Service (Preservation of Boards of Governors) Order 1979 S.I. 1979/51 The Protection of Wrecks (Designation No. 1 and No. 4 Orders 1978) (Amendment) Order 1979 S.I. 1979/56 The Wild Birds (Special Protection in Severe Weather) Order 1979 S.I. 1979/70 The Haddock (West of Scotland and Rockall) Licensing Order 1979 S.I. 1979/71 The Isles of Scilly (Functions) Order 1979 S.I. 1979/72 The Police Cadets (Pensions) (Amendment) Regulations 1979 S.I. 1979/75 The Special Constables (Pensions) (Amendment) Regulations 1979 S.I. 1979/76 The Measuring Instruments (EEC Requirements) (Amendment) Regulations 1979 S.I. 1979/80 The Tweeddale District (Electoral Arrangements) Order 1979 S.I. 1979/84 The Road Traffic Act 1974 (Commencement No. 1) (Scotland) Order 1979 S.I. 1979/85 (C.2) (S.3) The Firearms (Variation of Fees) Order 1979 S.I. 1979/86 The Harford and Ivybridge (Areas) Order 1979 S.I. 1979/90 The Firearms (Variation of Fees) (Scotland) Order 1979 S.I. 1979/91 (S.4) The Pensions Appeal Tribunals (Scotland) (Amendment) Rules 1979 S.I. 1979/94 (S.7) Act of Adjournal (Criminal Legal Aid Fees Amendment) 1979 S.I. 1979/95 (S.8) The Liverpool—Leeds Trunk Road (Micklethorn to Broughton Bridge Access Road Improvement) Order 1979 S.I. 1979/96 The Merchant Shipping (Repatriation) Regulations 1979 S.I. 1979/97 The Wild Birds (Special Protection in Severe Weather) (Scotland) Order 1979 S.I. 1979/99 (S.10) The Housing Support Grant (Scotland) Order 1979 S.I. 1979/100 (S.11) 101–200 The Anti-Dumping Duty (Revocation) Order 1979 S.I. 1979/104 The County Court Funds (Amendment) Rules 1979 S.I. 1979/105 Supreme Court Funds (Amendment) Rules 1979 S.I. 1979/106 (L.3) The Colouring Matter in Food (Scotland) Amendment Regulations 1979 S.I. 1979/107 (S.12) The Foreign Compensation (Financial Provisions) Order 1979 S.I. 1979/109 The Merchant Shipping (Confirmation of Legislation) (South Australia) Order 1979 S.I. 1979/110 The Statute Law (Repeals) Act 1976 (Colonies) Order 1979 S.I. 1979/111 General Medical Council (Constitution) Order 1979 S.I. 1979/112 The Naval, Military and Air Forces etc. (Disablement and Death) Service Pensions Amendment Order 1979 S.I. 1979/113 The Independent Broadcasting Authority Act 1973 (Channel Islands) Order 1979 S.I. 1979/114 The Reciprocal Enforcement of Maintenance Orders (Designation of Reciprocating Countries) Order 1979 S.I. 1979/115 The Maintenance Orders (Facilities for Enforcement) (Revocation) Order 1979 S.I. 1979/116 The Double Taxation Relief (Taxes on Income) (Austria) Order 1979 S.I. 1979/117 The Double Taxation Relief (Taxes on Income) (Norway) Order 1979 S.I. 1979/118 Control of Off-Street Parking (Scotland) Order 1979 S.I. 1979/119 The Merchant Shipping (Foreign Deserters) (Disapplication) Order 1979 S.I. 1979/120 The Agricultural Levy Reliefs (Frozen Beef and Veal) Order 1979 S.I. 1979/121 The Judicature (Northern Ireland) Act 1978 (Commencement No. 3) Order 1979 S.I. 1979/124 (C.3) The Children and Young Persons Act 1969 (Transitional Modifications of Part I) Order 1979 S.I. 1979/125 The Distribution of Footwear (Prices) (Amendment) Order 1979 S.I. 1979/129 The Alcohol Tables Regulations 1979 S.I. 1979/132 The Seeds (National Lists of Varieties) Regulations 1979 S.I. 1979/133 The Rabies Virus Order 1979 S.I. 1979/135 The Export of Goods (Control) (Amendment) Order 1979 S.I. 1979/136 The Motor Vehicles (Construction and Use) (Amendment) Regulations 1979 S.I. 1979/138 The Town and Country Planning (Repeal of Provisions No. 14) (Isle of Wight) Order 1979 S.I. 1979/139 The Town and Country Planning Act 1971 (Commencement No. 42) (Isle of Wight) Order 1979 S.I. 1979/140 (C.4) The Wild Birds (Special Protection in Severe Weather) (Scotland) (No. 2) Order 1979 S.I. 1979/141 (S.13) The Ancillary Dental Workers (Amendment) Regulations 1979 S.I. 1979/142 The Registration of Births, Deaths and Marriages (Fees) (Scotland) Regulations 1979 S.I. 1979/143 (S.14) The Marriage Fees (Scotland) Regulations 1979 S.I. 1979/144 (S.15) The Aviation Security Fund (Amendment) Regulations 1979 S.I. 1979/145 The General Betting Duty (Amendment) Regulations (Northern Ireland) 1979 S.I. 1979/146 The New Forest (Parishes) Order 1979 S.I. 1979/148 The Registration of Births, Deaths and Marriages (Fees) Order 1979 S.I. 1979/149 The Customs Duties (ECSC) (Quota and Other Reliefs) (Amendment) Order 1979 S.I. 1979/153 The Civil Aviation (Route Charges for Navigation Services) (Second Amendment) Regulations 1979 S.I. 1979/154 The Customs Duties (ECSC) Anti-Dumping (Amendment) Order 1979 S.I. 1979/155 The Legal Advice and Assistance (Scotland) (Financial Conditions) (No. 1) Regulations 1979 S.I. 1979/156 (S.16) The North East Fife District (Electoral Arrangements) Order 1979 S.I. 1979/158 The Caithness District (Electoral Arrangements) Order 1979 S.I. 1979/159 The Family Income Supplements (General) Amendment Regulations 1979 S.I. 1979/160 The Export of Goods (Control) (Amendment No. 2) Order 1979 S.I. 1979/164 The British Aerospace (Design, Development and Production of Civil Aircraft) (Payments) Order 1978 S.I. 1979/165 The Legal Advice and Assistance (Financial Conditions) Regulations 1979 S.I. 1979/166 The Prevention of Terrorism (Supplemental Temporary Provisions) (Northern Ireland) (Amendment) Order 1979 S.I. 1979/168 The Prevention of Terrorism (Supplemental Temporary Provisions) (Amendment) Order 1979 S.I. 1979/169 The Magistrates' Courts (Reciprocal Enforcement of Maintenance Orders) (Amendment) Rules 1979 S.I. 1979/170 (L.4) The Social Security Pensions Act 1975 (Commencement No. 13) Order 1979 S.I. 1979/171 (C.5) The Mobility Allowance Amendment Regulations 1979 S.I. 1979/172 The Prices and Charges (Notification of Increases) (Amendment No. 2) Order 1979 S.I. 1979/178 The Export Guarantees (Extension of Period) Order 1979 S.I. 1979/180 The Customs Duties (ECSC) Provisional Anti-Dumping Order 1979 S.I. 1979/181 The Industrial Training Levy (Knitting, Lace and Net) Order 1979 S.I. 1979/184 The Industrial Training Levy (Petroleum) Order 1979 S.I. 1979/185 The Public Trustee (Fees) (Amendment) Order 1979 S.I. 1979/189 Act of Sederunt (Sessions of Court and Sederunt Days) 1979 S.I. 1979/190 (S.19) The Customs Duties (ECSC) Provisional Anti Dumping (No. 2) Order 1979 S.I. 1979/191 The Royal Navy Terms of Service (Amendment) Regulations 1979 S.I. 1979/192 The Paraffin (Maximum Retail Prices) (Third Amendment) Order 1979 S.I. 1979/193 The Parochial Fees Order 1979 S.I. 1979/194 Payments to Redundant Churches Fund Order 1979 S.I. 1979/195 The Immigration (Registration with Police) (Amendment) Regulations 1979 S.I. 1979/196 201–300 The Town and Country Planning Act 1971 (Commencement No. 43) (West Berkshire) Order 1979 S.I. 1979/200 (C.6) The Town and Country Planning Act 1971 (Commencement No. 44) (Oxfordshire) Order 1979 S.I. 1979/201 (C.7) The Town and Country Planning (Repeal of Provisions No. 15) (West Berkshire) Order 1979 S.I. 1979/202 The Town and Country Planning (Repeal of Provisions No. 16) (Oxfordshire) Order 1979 S.I. 1979/203 The New Towns (Limit on Borrowing) Order 1979 S.I. 1979/204 The Customs Warehousing Regulations 1979 S.I. 1979/207 The Excise Warehousing Regulations 1979 S.I. 1979/208 The Companies (Winding-up) (Amendment) Rules 1979 S.I. 1979/209 The Judicial Pensions (Widows' and Children's Benefits) (Amendment) Regulations 1979 S.I. 1979/210 The Ironstone Restoration Fund (Standard Rate) Order 1979 S.I. 1979/211 The Local Authorities' Traffic Orders (Procedure) (Scotland) Amendment Regulations 1979 S.I. 1979/213 (S.21) The Secretary of State's Traffic Orders (Procedure) (Scotland) Amendment Regulations 1979 S.I. 1979/214 (S.22) The Royal Air Force Terms of Service (Amendment) Regulations 1979 S.I. 1979/215 The Misuse of Drugs (Licence Fees) Regulations 1979 S.I. 1979/218 The European Assembly Elections (Day of Election) Order 1979 S.I. 1979/219 The European Assembly Elections (Returning Officers) (England and Wales) Order 1979 S.I. 1979/220 The Agricultural or Forestry Tractors and Tractor Components (Type Approval) Regulations 1979 S.I. 1979/221 The Sugar Beet (Research and Education) Order 1979 S.I. 1979/222 The Social Security (Hospital In-Patients) Amendment Regulations 1979 S.I. 1979/223 The Value Added Tax (Supplies by Retailers) (Amendment) Regulations 1979 S.I. 1979/224 Act of Sederunt (Suspension of Business) 1979 S.I. 1979/226 (S.24) The Local Government (Rate Product) (Scotland) Amendment Regulations 1979 S.I. 1979/227 (S.25) The Water Authorities (Collection of Charges) Order 1979 S.I. 1979/228 The Prices and Charges (Safeguard for Basic Profits) Regulations 1979 S.I. 1979/229 The Customs Duties (ECSC) Provisional Anti-Dumping (No. 3) Order 1979 S.I. 1979/231 Act of Adjournal (Suspension of Sittings etc.) 1979 S.I. 1979/232 The Cycle Racing on Highways (Special Authorisation) (England and Wales) Regulations 1979 S.I. 1979/233 The Housing Finance (Rent Allowance Subsidy) Order 1979 S.I. 1979/234 The Domestic Water Rate Product (Scotland) Amendment Regulations 1979 S.I. 1979/235 (S.26) The Control of Off-Street Parking outside Greater London (Appeals Procedure) (England and Wales) Regulations 1979 S.I. 1979/236 The Civil Aviation (Canadian Navigation Services) (Second Amendment) Regulations 1979 S.I. 1979/237 The Stock Exchange (Designation of Nominees) Order 1979 S.I. 1979/238 The British Nationality (Amendment) Regulations 1979 S.I. 1979/240 The Alcoholic Liquors (Amendment of Enactments Relating to Strength and to Units of Measurement) Order 1979 S.I. 1979/241 The Value Added Tax (Donated Medical Equipment) Order 1979 S.I. 1979/242 The Value Added Tax (Finance) Order 1979 S.I. 1979/243 The Value Added Tax (International Services) Order 1979 S.I. 1979/244 The Value Added Tax (Aids for the Disabled) Order 1979 S.I. 1979/245 The Value Added Tax (Medical Goods and Services) Order 1979 S.I. 1979/246 The Milk Marketing Scheme (Amendment) Regulations 1979 S.I. 1979/249 The Industrial Training Levy (Wool, Jute and Flax) Order 1979 S.I. 1979/251 The Housing (Improvement of Amenities of Residential Areas) (Scotland) Order 1979 S.I. 1979/253 (S.28) The Fishing Boats (Faroe Islands) Designation Order 1979 S.I. 1979/256 The Eggs Authority (Rates of Levy) Order 1979 S.I. 1979/257 The Savings Banks (Registrar's Fees) (Amendment) Warrant 1979 S.I. 1979/258 The Trustee Savings Banks (Amendment) Regulations 1979 S.I. 1979/259 The Scholarships and Other Benefits (Amendment) Regulations 1979 S.I. 1979/260 The Legal Aid (General) (Amendment) Regulations 1979 S.I. 1979/263 The Social Security (Industrial Injuries) (Prescribed Diseases) Amendment Regulations 1979 S.I. 1979/264 The Social Security (Industrial Injuries) (Prescribed Diseases) Amendment (No. 2) Regulations 1979 S.I. 1979/265 The Civil Aviation (Navigation Services Charges) (Second Amendment) Regulations 1979 S.I. 1979/267 The Cod and Whiting (Licensing) Order 1979 S.I. 1979/268 The Special Development Area (Falmouth) Order 1979 S.I. 1979/269 The Personal Injuries (Civilians) Amendment Scheme 1979 S.I. 1979/270 The Export of Goods (Control) (Amendment No. 3) Order 1979 S.I. 1979/276 The Stock Transfer (Addition of Forms) Order 1979 S.I. 1979/277 The Daily Telegraph Limited (Prices) Order 1979 S.I. 1979/278 The Legal Aid (Assessment of Resources) (Amendment) Regulations 1979 S.I. 1979/280 The Legal Advice and Assistance (Amendment) Regulations 1979 S.I. 1979/281 The Irish Republic (Termination of 1927 Agreement) Order 1979 S.I. 1979/289 The Social Security (Reciprocal Agreements) Order 1979 S.I. 1979/290 The Reserve and Auxiliary Forces (Protection of Civil Interests) (Northern Ireland) Order 1979 S.I. 1979/291 The European Communities (Definition of Treaties) (ECSC Decision on Supplementary Revenues) Order 1979 S.I. 1979/292 The Merchant Shipping (Foreign Deserters) (Revocation) Order 1979 S.I. 1979/293 Aircraft and Shipbuilding Industries (Northern Ireland) Order 1979 S.I. 1979/294 (N.I. 1) Judgments Enforcement and Debts Recovery (Northern Ireland) Order 1979 S.I. 1979/296 (N.I. 3) Rates Amendment (Northern Ireland) Order 1979 S.I. 1979/297 (N.I. 4) The Judgments Enforcement (Consequential Provisions) (Northern Ireland) Order 1979 S.I. 1979/298 The Misuse of Drugs Act 1971 (Modification) Order 1979 S.I. 1979/299 The Double Taxation Relief (Shipping and Air Transport Profits) (Jordan) Order 1979 S.I. 1979/300 301–400 The Double Taxation Relief (Shipping and Air Transport Profits) (Venezuela) Order 1979 S.I. 1979/301 The Double Taxation Relief (Taxes on Income) (Malawi) Order 1979 S.I. 1979/302 The Double Taxation Relief (Taxes on Income) (Norway) (No. 2) Order 1979 S.I. 1979/303 The Arbitration (Foreign Awards) Order 1979 S.I. 1979/304 The Hovercraft (Civil Liability) Order 1979 S.I. 1979/305 The Monegasque Tonnage Order 1979 S.I. 1979/306 The Building Standards (Scotland) Amendment Regulations 1979 S.I. 1979/310 (S.29) The Skye and Lochalsh District (Electoral Arrangements) Order 1979 S.I. 1979/312 The Industrial Training Levy (Iron and Steel) Order 1979 S.I. 1979/313 The Customs Duties (ECSC) Provisional Anti-Dumping (No. 4) Order 1979 S.I. 1979/314 The Medicines (General Sale List) Amendment Order 1979 S.I. 1979/315 The Mines (Precautions Against Inrushes) Regulations 1979 S.I. 1979/318 The Scottish Milk Marketing Schemes (Amendment) Regulations 1979 S.I. 1979/319 (S.30) Residential Establishments (Payments by Local Authorities) (Scotland) Amendment Order 1979 S.I. 1979/320 (S.30) The Exchange Control (Authorised Dealers and Depositaries) (Amendment) Order 1979 S.I. 1979/321 The European Assembly Elections (Northern Ireland) Regulations 1979 S.I. 1979/322 Grants for Guarantees of Bank Loans (Extension of Period) Order 1979 S.I. 1979/323 The Legal Aid (Scotland) (Assessment of Resources) Amendment Regulations 1979 S.I. 1979/324 (S.32) The Legal Advice and Assistance (Scotland) Amendment Regulations 1979 S.I. 1979/325 (S.33) The Misuse of Drugs (Amendment) Regulations 1979 S.I. 1979/326 The Princess Parkway, Princess Road (A5103) Manchester Section, Altrincham Road to Riverside Avenue, Northbank Walk (Trunking) Order 1979 S.I. 1979/327 The Town and Country Planning (Repeal of Provisions No. 17) (Humberside) Order 1979 S.I. 1979/328 The Town and Country Planning Act 1971 (Commencement No. 45) (Humberside) Order 1979 S.I. 1979/329 (C.8) St Helens–Ormskirk–Southport Trunk Road (Prohibition of Waiting) (Clearways) Order 1979 S.I. 1979/332 The State Awards (State Bursaries for Adult Education) (Wales) Regulations 1979 S.I. 1979/333 The House-Building Standards (Approved Scheme etc.) Order 1970 S.I. 1979/381 The Medicines (Chloroform Prohibition) Order 1979 S.I. 1979/382 The Coffee and Coffee Products (Scotland) Regulations 1979 S.I. 1979/383 (S.41) The Bread Prices (No. 2) Order 1976 (Revocation) Order 1979 S.I. 1979/384 The Redundant Mineworkers and Concessionary Coal (Payments Schemes) (Amendment) Order 1979 S.I. 1979/385 The Industrial Training Levy (Air Transport and Travel) Order 1979 S.I. 1979/386 The Industrial Training Levy (Food, Drink and Tobacco) Order 1979 S.I. 1979/387 The Llandeilo-Carmarthen Trunk road (Penrock Bends Diversion) Order 1979 S.I. 1979/388 The Meat and Livestock Commission Levy Scheme (Confirmation) Order 1979 S.I. 1979/393 The Social Security Pensions Act 1975 (Commencement No. 15) Order 1979 S.I. 1979/394 (C.11) The Cinematograph Films (Limits of Levy) Order 1979 S.I. 1979/395 Social Security (Northern Ireland) Order 1979 S.I. 1979/396 (N.I. 5) The Herring By-Catch (Restrictions on Landing) (No. 2) (Variation) Order 1979 S.I. 1979/398 The Matrimonial Causes (Costs) Rules 1979 S.I. 1979/399 The Matrimonial Causes (Amendment) Rules 1979 S.I. 1979/400 401–500 The "Pelican" Pedestrian Crossings (Amendment) Regulations and General Directions 1979 S.I. 1979/401 The Rules of the Supreme Court (Amendment No. 2) 1979 S.I. 1979/402 (L.5) Police Pensions (Amendment) Regulations 1979 S.I. 1979/406 The Firemen's Pension Scheme (Amendment) Order 1979 S.I. 1979/407 The Insurance Brokers Registration Council (Indemnity Insurance and Grants Scheme) Rules Approval Order 1979 S.I. 1979/408 The Legal Aid (Scotland) (Financial Conditions) Regulations 1979 S.I. 1979/409 (S.42) The Legal Advice and Assistance (Scotland) (Financial Conditions) (No. 2) Regulations 1979 S.I. 1979/410 (S.43) The Firearms (Variation of Fees) (Scotland) Order 1979 Revocation Order 1979 S.I. 1979/411 (S.44) The North of Scotland Hydro-Electric Board (Compensation for Smelter Deficits) Order 1979 S.I. 1979/412 (S.45) Vaccine Damage Payments Regulations 1979 S.I. 1979/432 Extradition (Internationally Protected Persons) Order 1979 S.I. 1979/453 501–600 Customs Duties (Standard Exchange Relief) Regulations 1979 S.I. 1979/554 Outward Processing Relief Regulations 1979 S.I. 1979/555 Social Security (Contributions) Regulations 1979 S.I. 1979/591 Social Security (Overlapping Benefits) Regulations 1979 S.I. 1979/597 601–700 Social Security (Claims and Payments) Regulations 1979 S.I. 1979/628 Superannuation (Judicial Offices) (Amendment) Rules 1979 S.I. 1979/668 The Strathclyde Region (Electoral Arrangements) Order 1979 S.I. 1979/673 Social Security (Earnings Factor) Regulations 1979 S.I. 1979/676 The Inverness District (Electoral Arrangements) Order 1979 S.I. 1979/698 The Nairn District (Electoral Arrangements) Order 1979 S.I. 1979/699 701–800 National Health Service (Dental and Optical Charges) (Scotland) Regulations 1979 S.I. 1979/705 The Borough of Great Yarmouth (Electoral Arrangements) Order 1979 S.I. 1979/710 Forestry (Felling of Trees) Regulations 1979 S.I. 1979/791 Industrial Training (Transfer of the Activities of Establishments) Order 1979 S.I. 1979/793 801–900 The Clackmannan District (Electoral Arrangements) Order 1979 S.I. 1979/821 The Stirling District (Electoral Arrangements) Order 1979 S.I. 1979/822 901–1000 Inheritance (Provision for Family and Dependants) (Northern Ireland) Order 1979 S.I. 1979/924 (N.I. 8) Pneumoconiosis, etc., (Workers' Compensation) (Northern Ireland) Order 1979 S.I. 1979/925 (N.I. 9) Tattooing of Minors (Northern Ireland) Order 1979 S.I. 1979/926 (N.I. 10) Industrial and Provident Societies (Credit Unions) Regulations 1979 S.I. 1979/937 The Badenoch and Strathspey District (Electoral Arrangements) Order 1979 S.I. 1979/943 Scottish Land Court Rules 1979 S.I. 1979/979 1001–1100 The District of North Wiltshire (Electoral Arrangements) Order 1979 S.I. 1979/1015 The District of Waverley (Electoral Arrangements) Order 1979 S.I. 1979/1016 The Borough of Doncaster (Electoral Arrangements) Order 1979 S.I. 1979/1027 The Borough of Trafford (Electoral Arrangements) Order 1979 S.I. 1979/1028 Pensions Increase (Review) Order 1979 S.I. 1979/1047 The District of Wealden (Electoral Arrangements) Order 1979 S.I. 1979/1071 Motor Vehicles (Designation of Approval Marks) Regulations 1979 S.I. 1979/1088 The Sutherland District (Electoral Arrangements) Order 1979 S.I. 1979/1096 The Midlothian District (Electoral Arrangements) Order 1979 S.I. 1979/1097 1101–1200 The District of Newbury (Electoral Arrangements) Order 1979 S.I. 1979/1107 The District of West Wiltshire (Electoral Arrangements) Order 1979 S.I. 1979/1108 The District of Teesdale (Electoral Arrangements) Order 1979 S.I. 1979/1109 The District of Ryedale (Electoral Arrangements) Order 1979 S.I. 1979/1110 The District of Lewes (Electoral Arrangements) Order 1979 S.I. 1979/1111 The District of Harborough (Electoral Arrangements) Order 1979 S.I. 1979/1112 The City of Kingston upon Hull (Electoral Arrangements) Order 1979 S.I. 1979/1113 The City of Carlisle (Electoral Arrangements) Order 1979 S.I. 1979/1131 1201–1300 The Berwickshire District (Electoral Arrangements) Order 1979 S.I. 1979/1201 The Nithsdale District (Electoral Arrangements) Order 1979 S.I. 1979/1202 Police Pensions (War Service) Regulations 1979 S.I. 1979/1259 The District of Sedgefield (Electoral Arrangements) Order 1979 S.I. 1979/1264 The District of Wear Valley (Electoral Arrangements) Order 1979 S.I. 1979/1265 The Borough of Worthing (Electoral Arrangements) Order 1979 S.I. 1979/1266 Police Pensions (Amendment) (No. 2) Regulations 1979 S.I. 1979/1287 The City of Edinburgh District (Electoral Arrangements) Order 1979 S.I. 1979/1291 The District of West Norfolk (Electoral Arrangements) Order 1979 S.I. 1979/1295 1301–1400 Reciprocal Enforcement of Maintenance Orders (Hague Convention Countries) Order 1979 S.I. 1979/1317 The Borough of Calderdale (Electoral Arrangements) Order 1979 S.I. 1979/1320 The Borough of Bolton (Electoral Arrangements) Order 1979 S.I. 1979/1321 The City of Coventry (Electoral Arrangements) Order 1979 S.I. 1979/1322 The Borough of Rotherham (Electoral Arrangements) Order 1979 S.I. 1979/1323 The Borough of Stockport (Electoral Arrangements) Order 1979 S.I. 1979/1324 The Borough of Harrogate (Electoral Arrangements) Order 1979 S.I. 1979/1327 The District of Warwick (Electoral Arrangements) Order 1979 S.I. 1979/1328 The Borough of Rochdale (Electoral Arrangements) Order 1979 S.I. 1979/1341 The Dunfermline District (Electoral Arrangements) Order 1979 S.I. 1979/1345 The Borough of Reading (Electoral Arrangements) Order 1979 S.I. 1979/1346 The Borough of Poole (Electoral Arrangements) Order 1979 S.I. 1979/1347 The Borough of St. Helens (Electoral Arrangements) Order 1979 S.I. 1979/1348 The District of East Devon (Electoral Arrangements) (Amendment) Order 1979 S.I. 1979/1349 The Borough of Tameside (Electoral Arrangements) Order 1979 S.I. 1979/1368 Explosives Act 1875 (Exemptions) Regulations 1979 S.I. 1979/1378 Taximeters (EEC Requirements) Regulations 1979 S.I. 1979/1379 1401–1500 The Perth and Kinross District (Electoral Arrangements) Order 1979 S.I. 1979/1401 The East Lothian District (Electoral Arrangements) Order 1979 S.I. 1979/1402 The City of Liverpool (Electoral Arrangements) Order 1979 S.I. 1979/1411 The District of East Lindsey (Electoral Arrangements) Order 1979 S.I. 1979/1415 Weights and Measures Local Standards: Periods of Validity) Regulations 1979 S.I. 1979/1436 The Falkirk District (Electoral Arrangements) Order 1979 S.I. 1979/1462 The Borough of Walsall (Electoral Arrangements) Order 1979 S.I. 1979/1472 The City of Exeter (Electoral Arrangements) Order 1979 S.I. 1979/1473 The City of Leicester (Electoral Arrangements) Order 1979 S.I. 1979/1474 The City of Portsmouth (Electoral Arrangements) Order 1979 S.I. 1979/1494 The District of Stroud (Electoral Arrangements) Order 1979 S.I. 1979/1495 The Borough of Torbay (Electoral Arrangements) Order 1979 S.I. 1979/1496 1501–1600 The Borough of Wirral (Electoral Arrangements) Order 1979 S.I. 1979/1523 The Borough of Wigan (Electoral Arrangements) Order 1979 S.I. 1979/1524 The Borough of Cheltenham (Electoral Arrangements) Order 1979 S.I. 1979/1525 Statutory Rules (Northern Ireland) Order 1979 S.I. 1979/1573 (N.I. 12) Industrial Assurance (Northern Ireland) Order 1979 S.I. 1979/1574 (N.I. 13) Administration of Estates (Northern Ireland) Order 1979 S.I. 1979/1575 (N.I. 14) Brucellosis (Scotland) Order 1979 S.I. 1979/1596 1601–1700 The City of Sheffield (Electoral Arrangements) Order 1979 S.I. 1979/1615 The City of Leeds (Electoral Arrangements) Order 1979 S.I. 1979/1616 Supreme Court Funds (Amendment No. 2) Rules 1979 S.I. 1979/1620 The City of Bradford (Electoral Arrangements) Order 1979 S.I. 1979/1634 Immigration (Ports of Entry) (Amendment) Order 1979 S.I. 1979/1635 The Cunninghame District (Electoral Arrangements) Order 1979 S.I. 1979/1640 The District of North Bedfordshire (Electoral Arrangements) Order 1979 S.I. 1979/1663 The Borough of Restormel (Electoral Arrangements) Order 1979 S.I. 1979/1670 The Borough of Wellingborough (Electoral Arrangements) Order 1979 S.I. 1979/1695 The Annandale and Eskdale District (Electoral Arrangements) Order 1979 S.I. 1979/1696 1701–1800 Building Regulations (Northern Ireland) Order 1979 S.I. 1979/1709 (N.I. 16) Mineral Exploration (Northern Ireland) Order 1979 S.I. 1979/1713 (N.I. 18) Perjury (Northern Ireland) Order 1979 S.I. 1979/1714 (N.I. 19) The Copyright (International Conventions) Order 1979 S.I. 1979/1715 Working Standards and Testing Equipment (Testing and Adjustment) (Amendment) Regulations 1979 S.I. 1979/1719 The Strathclyde Region (Electoral Arrangements) (Amendment) Order 1979 S.I. 1979/1757 See also List of Statutory Instruments of the United Kingdom References External links Legislation.gov.uk delivered by the UK National Archive UK SI's on legislation.gov.uk UK Draft SI's on legislation.gov.uk Lists of Statutory Instruments of the United Kingdom Statutory Instruments
```javascript var searchData= [ ['hana',['hana',['../namespaceboost_1_1hana.html',1,'boost']]], ['literals',['literals',['../namespaceboost_1_1hana_1_1literals.html',1,'boost::hana']]] ]; ```
Harold Meyer Phillips (15 December 1874 – 7 January 1967) was an American chess player and chess life organizer. Biography Phillips was a lawyer by profession. In 1903, he won Manhattan Chess Club Championship. He was one of the leading organizers of American chess life in the first half of the 20th century. Phillips was the organizer and director of the great New York Tournament (1924), President of the Manhattan Chess Club in the 1930s, President of the Marshall Chess Club, and President of the Intercollegiate Chess League. Phillips played for United States in the Chess Olympiad: in 1930, at third board in the 3rd Chess Olympiad in Hamburg (+0−1=1). He played in chess tournaments for over 70 years. References External links Harold Meyer Phillips chess games at 365chess.com 1874 births 1967 deaths American chess players Chess Olympiad competitors Chess officials
Zhu Yudong (; born May 16, 1974) is a Chinese director, screenwriter and lecturer. Zhu is employed as a director at the Science & Education of Programming Center of China Central Television (CCTV). He is mainly responsible for the filming of documentaries in the field of humanities and cultures. Early life Zhu Yudong was born in Wuxi, Jiangsu Province in China. He started to study painting at high school. In the year of 1992, he was enrolled to the Department of Fine Arts at Nanjing University of the Arts, majoring in the disciplines of Fine Arts. He received a bachelor's degree in the Fine Arts four years later. In the year of 2000, Zhu was accepted by the Departments of Directing at Beijing Film Academy and started his Master's Program in drama directing. He graduated with a master's degree in Directing in the year of 2003. Later that year, he got allocated to the Science & Education of Programming Center of China Central Television (CCTV) and he has been working there ever since. Between the year of 2003 and 2007, Zhu also took up the position as a part-time lecturer to the Central Academy of Drama, where he was mostly involved with the teaching of the disciplines of directing . Career Ever since the early stage of his employment at CCTV, Zhu has been directing numerous documentaries, such as The Legend of Falcon Hunting (2004), The Boatman of River Gui (2007) to name but a few. Most of his film works are published and issued by China International Television Corporation. In the year of 2008, Zhu directed and filmed the episode of the Temple of Heaven of the CCTV epic documentary series The World Cultural Heritage in China. Seven years in total were spent upon the producing and filming of the series which, in the form of a high-definition documentary for the very first time, systemically and concentrically displays 33 heritage sites in China that have been inserted into the World Heritage Site List. The categories of the heritage sites mentioned inside the series range from natural heritages, cultural heritages, folk narrations as well as intangible cultural heritages. That same year, Zhu, as a director who constantly replays historical events in the present era, directed the filming of a 20-episode cultural feature TV series The Waters of China. This series, which is produced by CCTV and takes the typically renowned waters-related historical and contemporary events as the starting point, comprehensively showcases the relationship between China's civilization and waters, and explains the unique role waters play in the historical development of China as well as the influence a series of water-control projects have cast upon China's historical process through many a vivid stories. The series has been very highly spoken of by CCTV and received excellent reviews. In 2009, Zhu played a significant role as a literature planner in producing the feature film for China Pavilion at Shanghai Expo 2010. He was majorly responsible for the designing of the filming schemes. In 2012, Zhu wrote and directed the theatre movie The Island's Dream. It tells a story of the residents at the East Sea Isle, who, inspired by the "Hai Xia Spirit", strive hard as a team to complete the project of the connection of five isles during the critical period of China's economic development. The film also succeeds in promoting and propelling the Hai Xia Spirit by combining the elements of story-telling with artistry. Zhu has successfully gained a great deal of filming & directing experience through the various short clips he has created and directed, including diverse commercial & advertising clips, music videos, the corporate videos for the promotion of cities and for the applications of World Heritage Site List, etc. In the meanwhile, Zhu has been awarded with many national and international screenplay prizes for the screenplays he has written, such as The Other (2002), Da Vinci's Boy (2006) and some others. Achievements In 2002, Zhu Yudong won the Best Screenplay at the Annual Taiwan Government Information Office of Executive Yuan Excellent Screenplay Award for his screenplay The Other. In 2006, Zhu Yudong's screenplay Da Vinci's Boy won the Prize of the Best Screenplay of Governmental Support at the Annual Xia Yan Cup State Administration of Radio, Film, and Television Screenplay Award. In 2011, Zhu was appointed as one of the special guests for the Chinese Cinema Forum, which is the most important activity at the event of the 20th Annual Golden Rooster and Hundred Flowers Film Festival. Zhu Yudong's first novel The Other has just been published in its English translation by the American Publisher Boulevard Books. In 2016, Zhu Yudong won the Prize of the Best New Concept Screenwriting at the San Francisco International New Concept Film Festival for his screenplay Rescue as a co-writer External links 朱昱东 1974 births Living people Film directors from Jiangsu Writers from Wuxi Screenwriters from Jiangsu People's Republic of China writers
Francesco Coleman (1851–1918) was an Italian painter. He was the son of the English painter Charles Coleman and brother of the better-known Italian painter Enrico Coleman. He was known as a painter, in oil and in water-colour, of the people and landscapes of the Campagna Romana and the Agro Pontino, and of oriental subjects. Life Francesco Coleman was born in Rome on 23 July 1851. He was the sixth of eight children of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and his wife Fortunata Segadori, a famous artist's model from Subiaco, whom he had married in 1836. He studied painting in his father's studio, and showed a particular aptitude for water-colours. He shared this studio at via Margutta 33 with his father and brother throughout his life. He ceased all artistic activity after the death of Enrico in 1911. He died on 9 January 1918 at his home in via Valenziani, near the Porta Salaria. He was buried in the Cimitero del Verano. References 1851 births 1918 deaths 19th-century Italian painters 20th-century Italian painters 20th-century Italian male artists Painters from Rome Campagna Romana Italian male painters Italian landscape painters Orientalist painters 19th-century Italian male artists
Grant Golden may refer to: Grant Golden (tennis) Grant Golden (basketball)
Archive de la Morte (French for "Archive of Death") is a DVD released by American heavy metal band Danzig in 2004. The DVD continues the collection that began with the band's first two VHS releases, Danzig (1989) and Lucifuge: The Video (1991), and chronicles the band's video singles from their third album Danzig III: How the Gods Kill (1992) and their first EP Thrall-Demonsweatlive (1993). The DVD contains 12 music videos for the US release and the European release includes an extra bonus video. Frontman Glenn Danzig regained the right of ownership over the music videos after winning a lawsuit against Rick Rubin. However, the R-rated version of "How the Gods Kill" differs slightly from that released in 1992 as part of the How the Gods Kill limited edition CD and VHS box set. According to Danzig, the earlier edit and all other music videos officially released previously by Rubin's American Recordings remain the property of the label. Track listing "Dirty Black Summer" "Dirty Black Summer" - Glenn Danzig performance "Dirty Black Summer" - Band performance "How the Gods Kill" - R-rated version "How the Gods Kill" - Band performance "Sistinas" (Previously unreleased) "Bodies" - Camera 1 (Previously unreleased) "Bodies" - Camera 2 (Previously unreleased) "It's Coming Down" - MTV version "It's Coming Down" - R-rated version (broadcast on The Box in 1993) "It's Coming Down" - Totally uncensored version "Mother '93" (Live) - (Live video footage and studio recorded music) Europe bonus track "Left Hand Black" (Live) - (Live performance on October 31, 1992, at the Irvine Meadows Amphitheatre) All music videos directed by Glenn Danzig, except "Dirty Black Summer" by Anton Corbijn and "It's Coming Down" by Jonathan Reiss. Danzig (band) video albums 2004 video albums Music video compilation albums 2004 compilation albums
Terebellides stroemii is a species of polychaete worms in the family Trichobranchidae. References External links Terebellida Fauna of the Atlantic Ocean Animals described in 1835 Taxa named by Michael Sars
Afroditi Laoutari (, 1893–1975) was a famous Greek singer and actress in musical theatre. She was born in Patras in 1893. At an early age, she became involved with the musical theatre of , a leading operatic producer, where it didn't take long for her voice and stage talents to be appreciated, though she was self-taught. By 1915, she was already performing lead roles with the company. From that date through the 1920s, she performed roles in many works of musical theatre, both foreign and especially, Greek operettas. She was a muse to composer and conductor Theophrastos Sakellaridis. By the early 1930s, she had retired from the theatre. She then became one of, if not the, first Greek radio announcers on Athens Radio Station (RCA) in 1938, where she was a dominating force. She continued to broadcast after the end of World War II for another decade. Sofia Vembo has been said to resemble Afroditi Laoutari at the height of her fame. She died in 1975. Stage performances Filmography Shattered Dreams (Γκρεμισμένα όνειρα) (1949) Legacy Laoutari has been portrayed on stage in the operetta Remember Those Years (Θυμήσου εκείνα τα χρόνια) (2008), composed by musicologist Lambros Liavas as a tribute to Theophrastos Sakellaridis. References External links Afroditi Laoutari singing 'Aurelia' from Diabolical child 1893 births 1975 deaths Greek stage actresses 20th-century Greek women opera singers Actors from Patras Musicians from Patras
Lambe Alabakovski (, ; born 15 November 1987, in Ljubojno, SFR Yugoslavia) is a Macedonian singer. Biography Alabakovski attended the Euro-College in Kumanovo. He won the M2 Production's Play: Search For A New Star 2004. He made it to the finals and performed the hit "Spasi Me" ("Save Me"), composed by Darko Dimitrov and won by the televoting audience. Alabakovski was signed to the M2 Production's label. In 2005, Alabakovski recorded his next single, "Kade Pesno Moja" ("Where, My Song"), a cover of a song by Slave Dimitrov, which was the first Macedonian song to be sold as an internet download. In 2005, Alabakovski, along with former M2 colleague, Aleksandra Pileva, traveled to Braşov, Romania to participate in the Golden Stag Festival. He performed his Macedonian hit "Kade Pesno Moja" and a Romanian song called "Dragostea Mea". Later that year in October, he took part in the annual Macedonia festival, Makfest 2005, where he promoted his new song "Eh Da Mozam" ("If I Could"). During the holidays, Alabakovski released another single called "Kazano E Sè" ("Everything is Said"). During February 2006, Alabakovski took part in a charity song called "Otvori Oci" ("Open Your Eyes") written by Darko Dimitrov, in which the Macedonian divas Elena Risteska, Kaliopi, as well as Aleksandra Pileva, Adrian Gaxha and Maja Grozdanovska-Pancheva participated. Shortly after that, MKTV revealed the list of participants for the national Macedonian Eurovision selection for 2006 and Alabakovski was a participant with the song "More od Solzi" ("Sea of Tears") written by Darko Dimitrov and lyrics by Elena Risteska. In March, Alabakovski and nineteen other artists took the stage in Skopje to compete for first place. He scored third place with 5282 points. Alabakovski released his debut album titled More od Solzi, which contained 10 song composed of his past hits and some new material. In June, he competed in the Budva festival in Montenegro with a Serbian song and in a duet with Aleksandra Pileva. They reached the final with "Da Mogu Vreme Vratiti" and finished in 12th place. Alabakovski competed at Skopje Fest 2007, the Macedonian Eurovision Song Selection. He performed the song "Belo e Se" which was written by Elena Risteska and composed by Robert Bilbilov. The song gained 101 points, placing Alabakovski in third position for a consecutive year. Alabakovski competed in the Macedonian Eurovision qualifier on 23 February 2008, with the song "Zemjo Moja". Personal life Alabakovski moved to the US where he married his Macedonian-American girlfriend, Magdalena Jovčeska, in 2013. They have two sons together. The family returned to North Macedonia in 2021. Controversy On 7 June 2022, he was arrested by police officers in Bitola, regarding the case of the fire at the Bulgarian cultural center "Ivan Mihaylov" in the city. Searches were conducted in his home, during which items related to the crime were found and confiscated. Alabakovski fully admitted the crime and later criminal charges were filed against him. The incident was condemned by the presidents and prime ministers of both countries. The club itself sent a letter of protest to the embassies of the US and EU member states in North Macedonia. He was put in custody and had his passport revoked, which was replaced by house arrest, until he was released on 14 June. On 4 July, during the 2022 North Macedonia protests, he symbolically burned in Skopje the Treaty of Good Neighbourhood with Bulgaria, the Prespa Agreement with Greece and the French proposal for the start of the negotiation process of North Macedonia and EU. According to him, these documents are fascist. This came on the third day of protests organized by the nationalist opposition against the EU's proposal to approve the country's negotiating framework. On September 7, 2022, he was given a six-month suspended sentence. On 20 April 2023 in a podcast, commenting the incident he says: "Seen from today's perspective, I am very joyful and happy with what I did...". Discography Albums More od Solzi Vrati mi go Srceto Da ne te Ljubev (2009) Singles Spasi Me (Save Me) Kade Pesno Moja (Where, My Song?) Eh Da Mozam (If I Could) Kazano E Se (It's All Said) More od solzi (Sea of tears) I Posle Se (And After Everything) Belo e Se (Everything's White) Vrati Mi Go Srceto ft. Darko Dimitrov (Give Me Back My Heart) Zemjo Moja (My Land) Se e po staro (Everything is same) Da ne te ljubev (If I didn't love you) Najdobro do sega feat Elena Risteska (The best ever ) Bidi prijatel nas – oficijalna himna na SOS, Makedonija (Be our friend -the official anthem of SOS, Macedonia ) Zar ne e dobro (Isn't it good) Koga sonce gree, placham (When the sun shines, I cry) Awards (2006) Hit of the Year for the song "More od Solzi" (as voted by the listeners of Radio Fortuna) References External links Lambe Alabakovski M2 Productions Page M2 Productions Gallery 1987 births 21st-century Macedonian male singers Macedonian pop singers Living people People from Resen Municipality People convicted of arson
```javascript /** * Calcaultes the fibonacci retracements for given start and end points * * If calculating for up trend start should be low and end should be high and vice versa * * returns an array of retracements level containing [0 , 23.6, 38.2, 50, 61.8, 78.6, 100, 127.2, 161.8, 261.8, 423.6] * * @export * @param {number} start * @param {number} end * @returns {number[]} */ export function fibonacciretracement(start, end) { let levels = [0, 23.6, 38.2, 50, 61.8, 78.6, 100, 127.2, 161.8, 261.8, 423.6]; let retracements; if (start < end) { retracements = levels.map(function (level) { let calculated = end - Math.abs(start - end) * (level) / 100; return calculated > 0 ? calculated : 0; }); } else { retracements = levels.map(function (level) { let calculated = end + Math.abs(start - end) * (level) / 100; return calculated > 0 ? calculated : 0; }); } return retracements; } ```
Ming's Bight is a town in the Canadian province of Newfoundland and Labrador. The town had a population of 298 in 2021 Census, down from 319 in the Canada 2016 Census. Demographics In the 2021 Census of Population conducted by Statistics Canada, Ming's Bight had a population of living in of its total private dwellings, a change of from its 2016 population of . With a land area of , it had a population density of in 2021. See also Baie Verte, Newfoundland and Labrador List of cities and towns in Newfoundland and Labrador References Towns in Newfoundland and Labrador
Arthur Lummis Gibson (10 March 1899 – 17 February 1959) was a British politician and trade unionist, who served as Lord Mayor of Birmingham. Born in Northwich, in Cheshire, Gibson was educated at Cheetham Secondary School and the Manchester High School of Commerce. He began working at the age of fourteen, initially for a silk wholesaler, but then as a clerk and typist for the Friendly Society of Ironfounders. In 1929, Gibson moved to work for the National Union of Clerks and Administrative Workers (NUCAW), initially as its organiser for the Midlands. Under his leadership, membership in the region grew steadily, and by the end of World War II, he was supported by two members of staff. He represented the union at the Trades Union Congress (TUC) on several occasions, and served as Auditor of the TUC. Gibson was elected as a Labour Party member of Birmingham City Council in 1945, representing Northfield. He was defeated in 1949, but won a seat in All Saints the following year, and in 1954 was made an alderman. He was regarded as being on the right wing of the party. From 1953 to 1955, he chaired the council's finance committee, and then in 1955–56, he served as Lord Mayor of Birmingham. During his time as Lord Mayor, he led a delegation to Sverdlovsk in the Soviet Union, and then entertained Khrushchev and Bulganin in Birmingham. Gibson had a heart attack in late 1956, and took two years off work. He returned, but had a second heart attack in February 1959, and died soon after, aged 59. References 1899 births 1959 deaths British trade unionists Labour Party (UK) councillors Lord Mayors of Birmingham, West Midlands People from Northwich
The Valuev Circular (; ) of 18 July 1863 was a decree (ukaz) issued by Pyotr Valuev (Valuyev), Minister of Internal Affairs of the Russian Empire, by which many publications (religious and educational literature recommended for the use in primary literacy training) in the Little Russian (Ukrainian language) were forbidden, except for belles-lettres works. History The circular put the reason for the growing number of textbooks in Ukrainian and beginner-level books in Ukrainian as "the Poles' political interests" and the "separatist intentions of some of the Little Russians". The circular quoted the opinion of the Kiev Censorship Committee that "a separate Little Russian language never existed, does not exist, and shall not exist, and the tongue used by commoners (i.e. Ukrainian) is nothing but Russian corrupted by the influence of Poland." The circular ordered the Censorship Committees to ban the publication of religious texts, educational texts, and beginner-level books in Ukrainian; but permitted publication of belles-lettres works in the language. Further restrictions were placed on Ukrainian by the Ems Ukaz in 1876, which completely prohibited the usage of the language in open print. See also Lithuanian press ban Notes Further reading Andrii Danylenko The Ukrainian Bible and the Valuev Circular ofJuly 18, 1863, Acta Slavica Iaponica, Tomus 28 (2010), pp. 1‒21 Volodymyr Dibrova The Valuev Circular and the End of Little Russian Literature, 124 Kyiv-Mohyla Humanities Journal 4 (2017) Andrii Danylenko Linguistic russification in Russian Ukraine: languages, imperial models, and policies, Russ Linguist (2019) 43:19–39 Alexei Miller, The Ukrainian Question. The Russian Empire and Nationalism in the Nineteenth Century, Central European University Press, Budapest - New York, 2003, Magocsi, Paul Robert (1996). A History of Ukraine. Toronto: University of Toronto Press. . pp. 369-70 contain a translation. 1863 in Europe 1863 in Ukraine 1863 in the Russian Empire Language policy in Ukraine Politics of the Russian Empire Ukrainian language Anti-Ukrainian sentiment Russification Language policy in Russia
Robert Haskell Hill (April 2, 1892 – December 28, 1942), aka War Horse, was a professional football player who played in the National Football League during the 1922 season. That season, he joined the NFL's Oorang Indians. The Indians were a team based in LaRue, Ohio, composed only of Native Americans, and coached by Jim Thorpe. Hill was a member of the Mohawks. References Uniform Numbers of the NFL Notes 1892 births 1942 deaths Native American players of American football American football guards Carlisle Indians football players Oorang Indians players Players of American football from Pennsylvania People from Smethport, Pennsylvania
```javascript PR.registerLangHandler(PR.createSimpleLexer([["pln",/^[\t\n\r \xa0]+/,null,"\t\n\r \u00a0"],["str",/^!?"(?:[^"\\]|\\[\S\s])*(?:"|$)/,null,'"'],["com",/^;[^\n\r]*/,null,";"]],[["pln",/^[!%@](?:[$\-.A-Z_a-z][\w$\-.]*|\d+)/],["kwd",/^[^\W\d]\w*/,null],["lit",/^\d+\.\d+/],["lit",/^(?:\d+|0[Xx][\dA-Fa-f]+)/],["pun",/^[(-*,:<->[\]{}]|\.\.\.$/]]),["llvm","ll"]); ```
Pumdibhumdi is a former Village Development Committee south of Pokhara in Kaski District in the Gandaki Zone of northern-central Nepal. In 2015 it was annexed to Pokhara. At the time of the 1991 Nepal census it had a population of 6,512 persons living in 1326 individual households. References External links UN map of the municipalities of Kaski District Populated places in Kaski District
Denise Sundberg (born 16 November 1990) is a Swedish footballer defender who plays for Kvarnsvedens IK. External links 1990 births Living people Swedish women's footballers Damallsvenskan players Women's association football defenders Kvarnsvedens IK players
Carúpano is a city in the eastern Venezuelan state of Sucre. It is located on the Venezuelan Caribbean coast at the opening of two valleys, some 120 km east of the capital of Sucre, Cumaná. This city is the shire town of the Bermúdez Municipality and, according to the 2010 Venezuelan census, the municipality has a population of 173,877 inhabitants. Carúpano is considered the gateway to the Paria Peninsula and its main commercial and financial center. History It was somewhere on the Peninsula of Paria, near Carúpano, where Christopher Columbus first set foot on the American continent for the only time, during his third voyage (in all his other trips he only explored the Caribbean islands). It was in Carúpano where Simón Bolívar, the liberator of Venezuela, issued a decree ending slavery in 1814. In 1815, King Ferdinand VII of Spain, sent a fleet of 18 warships and 42 cargo ships to Carupano and Isla Margarita with the mission of pacifying the revolts against the Spanish monarchy in the South American colonies. In May 1962 Carúpano was the scene of a short-lived military rebellion against the government of Rómulo Betancourt, in which rebel military officers took over the city. The incident is known as El Carupanazo. In July 1997, a violent earthquake struck the city and most of the state. This earthquake was centered in the town of Cariaco, where most of the deaths and damage occurred. Economy Cacao, coffee, sugar, cotton, timber and rum have been important exports of Carúpano since colonial times. Carupanese rums are highly appreciated nationwide, so the internal consumption usually leaves little surplus rum for export. Currently the local General José Francisco Bermúdez Airport does not carry regular commercial flights. Demographics The Bermúdez Municipality, according to the 2001 Venezuelan census, has a population of 175,877 (up from 100,794 in 1990). This amounts to 15.5% of Sucre's population. The municipality's population density is 1,559 people per square mile (601.95/km2). Government Carúpano is the administrative centre of Bermúdez Municipality. The mayor of the Bermúdez Municipality is Nircia Villegas, elected in 2017. Sites of interest House of Cable The House of Cable was where the first submarine cable between Europe and America arrived, joining the French city of Marseille with Carúpano, back in the late 19th century. This house is today the headquarters of the Tomas Merle foundation and the Paria Project, two organizations that promote tourism and industry. Religious buildings Iglesia Catedral Santa Rosa de Lima Iglesia Santa Catalina de Siena Iglesia Nuestra Señora de Coromoto Iglesia San Martín de Porres Iglesia Ntra. Señora del Valle Iglesia San Rafael Ancargél Capilla Santa Cruz(Guayacan de las Flores) Capilla Santa Cruz(Guayacan de los Pescadores) Capilla Santa Cruz(Sector el Mangle) Squares and parks Plaza Andrés Plaza Bolívar Plaza Colón Plaza Miranda Plaza Santa Rosa Plaza Suniaga Parque Karupana Middle Schools and High Schools: U.E.P " Ramón León Santelli"(Escuela Privada,ubicada en Av. Independencia frente al Hotel Lilma). U.E " J.J Martinez Mata "(Escuela Publica,ubicada en Av. Libertad,con calle Paez). U.E.P " Rafael Osío Perez "(Liceo Privado,ubicada en Av. Independencia,con calle Paez). U.E.P " Dr. José Gregorio Hernandez "(Escuela y Liceo Privado,ubicada en Av. Carabobo). U.E.P " San José "(Escuela y Liceo Privado,ubicada en Av. Carabobo,con calle Las Margaritas,y calle Calvario). U.E.P " Don Andrés Bello "(Escuela y Liceo Privado,ubicada en Av. Independencia frente a la Plaza Santa Rosa,y calle Dominicci). U.E.P " Sagrado Corazón de Jesús "(Escuela Privada,ubicada en Calle Ecuador). U.E.P " Inmaculado Corazón de María(Escuela Privada,ubicada en Av. Juncal,cerca del Supermercado Francys). U.E " Antonio Jesús Rodriguez Abreu "(Escuela Publica,ubicada en Av. Principal de Canchunchu). U.E " Pedro Elías Aristeguieta "(Escuela Publica,ubicada en calle Bolívar al Frente de la Infantería). U.E " Manuel María Urbaneja "(Escuela Publica,ubicada en Calle Principal del Sector Curacho). Liceo Metropolitano "José Eusebio Acosta Peña" "( Liceo Publico,ubicado en el muco las casitas ) Notable people Famous Carupaneros include Wolfgang Larrazábal, former president of Venezuela; Jictzad Viña, Miss Venezuela 2005; Antonio José de Sucre, one of the paramount leaders of the South American war of independence, was thought to have lived there but hailed from Cumana; Andrés Eloy Blanco, one of the most important Venezuelan poets also came from Cumana; Eladio Lárez, president of Radio Caracas Television, one of Venezuela's largest television networks; and Washington Nationals major league baseball catcher Jesús Flores. See also Corsican immigration to Venezuela References External links https://web.archive.org/web/20180806161836/http://carupanizate.com/ Cities in Sucre (state) Populated places established in 1647 1647 establishments in the Spanish Empire
M84 or M-84 may refer to: Messier 84, a galaxy in the Virgo Cluster M-84, a Yugoslav main battle tank M84 machine gun, Yugoslavia M84 camouflage pattern, used by the Danish Army M84 stun grenade, a non-lethal grenade 152 mm field gun-howitzer M84 NORA-A, Yugoslavia M-84 (Michigan highway), a US state highway M84 Mortar Carrier nl:M84
```c++ /// Source : path_to_url /// Author : liuyubobobo /// Time : 2023-02-11 #include <iostream> #include <vector> using namespace std; /// Brute Force /// Time Complexity: O(nlog(MAX_NUMS)) /// Space Complexity: O(log(MAX_NUMS)) class Solution { public: long long findTheArrayConcVal(vector<int>& nums) { int n = nums.size(); long long res = 0; for(int i = 0, j = n - 1; i <= j; i ++, j --){ if(i == j) res += nums[i]; else{ long long a = nums[i], b = nums[j]; string a_str = to_string(a), b_str = to_string(b); res += atoll((a_str + b_str).c_str()); } } return res; } }; int main() { return 0; } ```
A Christmas Carol. In Prose. Being a Ghost Story of Christmas, commonly known as A Christmas Carol, is a novella by Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. A Christmas Carol recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come. After their visits, Scrooge is transformed into a kinder, gentler man. Dickens wrote A Christmas Carol during a period when the British were exploring and re-evaluating past Christmas traditions, including carols, and newer customs such as cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors, including Washington Irving and Douglas Jerrold. Dickens had written three Christmas stories prior to the novella, and was inspired following a visit to the Field Lane Ragged School, one of several establishments for London's street children. The treatment of the poor and the ability of a selfish man to redeem himself by transforming into a more sympathetic character are the key themes of the story. There is discussion among academics as to whether this is a fully secular story, or if it is a Christian allegory. Published on 19 December, the first edition sold out by Christmas Eve; by the end of 1844 thirteen editions had been released. Most critics reviewed the novella favourably. The story was illicitly copied in January 1844; Dickens took legal action against the publishers, who went bankrupt, further reducing Dickens's small profits from the publication. He went on to write four other Christmas stories in subsequent years. In 1849 he began public readings of the story, which proved so successful he undertook 127 further performances until 1870, the year of his death. A Christmas Carol has never been out of print and has been translated into several languages; the story has been adapted many times for film, stage, opera and other media. A Christmas Carol captured the zeitgeist of the early Victorian revival of the Christmas holiday. Dickens acknowledged the influence of the modern Western observance of Christmas and later inspired several aspects of Christmas, including family gatherings, seasonal food and drink, dancing, games and a festive generosity of spirit. Plot The book is divided into five chapters, which Dickens titled "staves". Stave one A Christmas Carol opens on a bleak, cold Christmas Eve in London, seven years after the death of Ebenezer Scrooge's business partner, Jacob Marley. Scrooge, an ageing miser, dislikes Christmas and refuses a dinner invitation from his nephew Fred. He turns away two men who seek a donation from him to provide food and heating for the poor and only grudgingly allows his overworked, underpaid clerk, Bob Cratchit, Christmas Day off with pay to conform to the social custom. That night Scrooge is visited at home by Marley's ghost, who wanders the Earth entwined by heavy chains and money boxes forged during a lifetime of greed and selfishness. Marley tells Scrooge that he has a single chance to avoid the same fate: he will be visited by three spirits and must listen or be cursed to carry much heavier chains of his own. Stave two The first spirit, the Ghost of Christmas Past, takes Scrooge to Christmas scenes of Scrooge's boyhood, reminding him of a time when he was more innocent. The scenes reveal Scrooge's lonely childhood at boarding school, his relationship with his beloved sister Fan, who died young while giving birth to Fred, and a Christmas party hosted by his first employer, Mr Fezziwig, who treated him like a son. Scrooge's neglected fiancée Belle is shown ending their relationship, as she realises that he will never love her as much as he loves money. Finally, they visit a now-married Belle with her large, happy family on the Christmas Eve that Marley died. Scrooge, upset by hearing Belle's description of the man that he has become, demands that the ghost remove him from the house. Stave three The second spirit, the Ghost of Christmas Present, takes Scrooge to a joyous market with people buying the makings of Christmas dinner and to celebrations of Christmas in a miner's cottage and in a lighthouse. Scrooge and the ghost also visit Fred's Christmas party. A major part of this stave is taken up with Bob Cratchit's family feast and introduces his youngest son, Tiny Tim, a happy boy who is seriously ill. The spirit informs Scrooge that Tiny Tim will die unless the course of events changes. Before disappearing, the spirit shows Scrooge two hideous, emaciated children named Ignorance and Want. He tells Scrooge to beware the former above all and mocks Scrooge's concern for their welfare. Stave four The third spirit, the Ghost of Christmas Yet to Come, shows Scrooge a Christmas Day in the future. The silent ghost reveals scenes involving the death of a disliked man whose funeral is attended by local businessmen only on condition that lunch is provided. His charwoman, laundress and the local undertaker steal his possessions to sell to a fence. When he asks the spirit to show a single person who feels emotion over his death, he is only given the pleasure of a poor couple who rejoice that his death gives them more time to put their finances in order. When Scrooge asks to see tenderness connected with any death, the ghost shows him Bob Cratchit and his family mourning the death of Tiny Tim. The ghost then allows Scrooge to see a neglected grave, with a tombstone bearing Scrooge's name. Sobbing, Scrooge pledges to change his ways. Stave five Scrooge awakens on Christmas morning a changed man. He makes a large donation to the charity he rejected the previous day, anonymously sends a large turkey to the Cratchit home for Christmas dinner and spends the afternoon at Fred's Christmas party. The following day he gives Cratchit an increase in pay, and begins to become a father figure to Tiny Tim. From then on Scrooge treats everyone with kindness, generosity and compassion, embodying the spirit of Christmas. Background The writer Charles Dickens was born to a middle-class family which got into financial difficulties as a result of the spendthrift nature of his father John. In 1824 John was committed to the Marshalsea, a debtors' prison in Southwark, London. Dickens, aged 12, was forced to pawn his collection of books, leave school and work at a dirty and rat-infested shoe-blacking factory. The change in circumstances gave him what his biographer, Michael Slater, describes as a "deep personal and social outrage", which heavily influenced his writing and outlook. By the end of 1842 Dickens was a well-established author, having written six major works, as well as several short stories, novellas and other pieces. On 31 December that year he began publishing his novel Martin Chuzzlewit as a monthly serial; the novel was his favourite work, but sales were disappointing and he faced temporary financial difficulties. Celebrating the Christmas season had been growing in popularity through the Victorian era. The Christmas tree had been introduced in Britain during the 18th century, and its use was popularised by Queen Victoria and Prince Albert. Their practice was copied in many homes across the country. In the early 19th century there had been a revival of interest in Christmas carols, following a decline in popularity over the previous hundred years. The publication of Davies Gilbert's 1823 work Some Ancient Christmas Carols, With the Tunes to Which They Were Formerly Sung in the West of England and William Sandys's 1833 collection Christmas Carols, Ancient and Modern led to a growth in the form's popularity in Britain. Dickens had an interest in Christmas, and his first story on the subject was "Christmas Festivities", published in Bell's Weekly Messenger in 1835; the story was then published as "A Christmas Dinner" in Sketches by Boz (1836). "The Story of the Goblins Who Stole a Sexton", another Christmas story, appeared in the 1836 novel The Pickwick Papers. In the episode, a Mr Wardle describes a misanthropic sexton, Gabriel Grub, who undergoes a Christmas conversion after being visited by goblins who show him the past and future. Slater considers that "the main elements of the Carol are present in the story", but not yet in a firm form. The story is followed by a passage about Christmas in Dickens's editorial Master Humphrey's Clock. The professor of English literature Paul Davis writes that although the "Goblins" story appears to be a prototype of A Christmas Carol, all Dickens's earlier writings about Christmas influenced the story. Literary influences Dickens was not the first author to celebrate the Christmas season in literature. Among earlier authors who influenced Dickens was Washington Irving, whose 1819–20 work The Sketch Book of Geoffrey Crayon, Gent. included four essays on old English Christmas traditions that he experienced while staying at Aston Hall near Birmingham. The tales and essays attracted Dickens, and the two authors shared the belief that returning to Christmas traditions might promote a type of social connection that they felt had been lost in the modern world. Several works may have had an influence on the writing of A Christmas Carol, including two Douglas Jerrold essays: one from an 1841 issue of Punch, "How Mr. Chokepear Keeps a Merry Christmas" and one from 1843, "The Beauties of the Police". More broadly, Dickens was influenced by fairy tales and nursery stories, which he closely associated with Christmas, because he saw them as stories of conversion and transformation. Social influences Dickens was touched by the lot of poor children in the middle decades of the 19th century. In early 1843 he toured the Cornish tin mines, where he was angered by seeing children working in appalling conditions. The suffering he witnessed there was reinforced by a visit to the Field Lane Ragged School, one of several London schools set up for the education of the capital's half-starved, illiterate street children. In February 1843 the Second Report of the Children's Employment Commission was published. It was a parliamentary report exposing the effects of the Industrial Revolution upon working class children. Horrified by what he read, Dickens planned to publish an inexpensive political pamphlet tentatively titled, An Appeal to the People of England, on behalf of the Poor Man's Child, but changed his mind, deferring the pamphlet's production until the end of the year. In March he wrote to Dr Southwood Smith, one of the four commissioners responsible for the Second Report, about his change in plans: "you will certainly feel that a Sledge hammer has come down with twenty times the force—twenty thousand times the force—I could exert by following out my first idea". In a fundraising speech on 5 October 1843 at the Manchester Athenaeum, Dickens urged workers and employers to join together to combat ignorance with educational reform, and realised in the days following that the most effective way to reach the broadest segment of the population with his social concerns about poverty and injustice was to write a deeply felt Christmas narrative rather than polemical pamphlets and essays. Writing history By mid-1843 Dickens began to suffer from financial problems. Sales of Martin Chuzzlewit were falling off, and his wife, Catherine, was pregnant with their fifth child. Matters worsened when Chapman & Hall, his publishers, threatened to reduce his monthly income by £50 if sales dropped further. He began A Christmas Carol in October 1843. Michael Slater, Dickens's biographer, describes the book as being "written at white heat"; it was completed in six weeks, the final pages being written in early December. He built much of the work in his head while taking night-time walks of around London. Dickens's sister-in-law wrote how he "wept, and laughed, and wept again, and excited himself in a most extraordinary manner, in composition". Slater says that A Christmas Carol was intended to open its readers' hearts towards those struggling to survive on the lower rungs of the economic ladder and to encourage practical benevolence, but also to warn of the terrible danger to society created by the toleration of widespread ignorance and actual want among the poor. George Cruikshank, the illustrator who had earlier worked with Dickens on Sketches by Boz (1836) and Oliver Twist (1838), introduced him to the caricaturist John Leech. By 24 October Dickens invited Leech to work on A Christmas Carol, and four hand-coloured etchings and four black-and-white wood engravings by the artist accompanied the text. Dickens's hand-written manuscript of the story does not include the sentence in the penultimate paragraph "... and to Tiny Tim, who did not die"; this was added later, during the printing process. Characters The central character of A Christmas Carol is Ebenezer Scrooge, a miserly London-based businessman, described in the story as "a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner!" Kelly writes that Scrooge may have been influenced by Dickens's conflicting feelings for his father, whom he both loved and demonised. This psychological conflict may be responsible for the two radically different Scrooges in the tale—one a cold, stingy and greedy semi-recluse, the other a benevolent, sociable man. The professor of English literature Robert Douglas-Fairhurst considers that in the opening part of the book covering young Scrooge's lonely and unhappy childhood, and his aspiration for money to avoid poverty "is something of a self-parody of Dickens's fears about himself"; the post-transformation parts of the book are how Dickens optimistically sees himself. Scrooge could also be based on two misers: the eccentric John Elwes, MP, or Jemmy Wood, the owner of the Gloucester Old Bank and also known as "The Gloucester Miser". According to the sociologist Frank W. Elwell, Scrooge's views on the poor are a reflection of those of the demographer and political economist Thomas Malthus, while the miser's questions "Are there no prisons? ... And the Union workhouses? ... The treadmill and the Poor Law are in full vigour, then?" are a reflection of a sarcastic question raised by the philosopher Thomas Carlyle, "Are there not treadmills, gibbets; even hospitals, poor-rates, New Poor-Law?" There are literary precursors for Scrooge in Dickens's own works. Peter Ackroyd, Dickens's biographer, sees similarities between the character and the elder Martin Chuzzlewit character, although the miser is "a more fantastic image" than the Chuzzlewit patriarch; Ackroyd observes that Chuzzlewit's transformation to a charitable figure is a parallel to that of the miser. Douglas-Fairhurst sees that the minor character Gabriel Grub from The Pickwick Papers was also an influence when creating Scrooge. It is possible that Scrooge's name came from a tombstone Dickens had seen on a visit to Edinburgh. The grave was for Ebenezer Lennox Scroggie, whose job was given as a meal man—a corn merchant; Dickens misread the inscription as "mean man". This theory has been described as "a probable Dickens hoax" for which "[n]o one could find any corroborating evidence". When Dickens was young he lived near a tradesman's premises with the sign "Goodge and Marney", which may have provided the name for Scrooge's former business partner. For the chained Marley, Dickens drew on his memory of a visit to the Western Penitentiary in Pittsburgh, Pennsylvania, in March 1842, where he saw—and was affected by seeing—fettered prisoners. For the character Tiny Tim, Dickens used his nephew Henry, a disabled boy who was five at the time A Christmas Carol was written. The two figures of Want and Ignorance, sheltering in the robes of the Ghost of Christmas Present, were inspired by the children Dickens had seen on his visit to a ragged school in the East End of London. Themes The transformation of Scrooge is central to the story. Davis considers Scrooge to be "a protean figure always in process of reformation"; Kelly writes that the transformation is reflected in the description of Scrooge, who begins as a two-dimensional character, but who then grows into one who "possess[es] an emotional depth [and] a regret for lost opportunities". Some writers, including Grace Moore, the Dickens scholar, consider that there is a Christian theme running through A Christmas Carol, and that the novella should be seen as an allegory of the Christian concept of redemption. Dickens's biographer, Claire Tomalin, sees the conversion of Scrooge as carrying the Christian message that "even the worst of sinners may repent and become a good man". Dickens's attitudes towards organised religion were complex; he based his beliefs and principles on the New Testament. Dickens's statement that Marley "had no bowels" is a reference to the "bowels of compassion" mentioned in the First Epistle of John, the reason for his eternal damnation. Other writers, including Kelly, consider that Dickens put forward a "secular vision of this sacred holiday". The Dickens scholar John O. Jordan argues that A Christmas Carol shows what Dickens referred to in a letter to his friend John Forster as his "Carol philosophy, cheerful views, sharp anatomisation of humbug, jolly good temper ... and a vein of glowing, hearty, generous, mirthful, beaming reference in everything to Home and Fireside". From a secular viewpoint, the cultural historian Penne Restad suggests that Scrooge's redemption underscores "the conservative, individualistic and patriarchal aspects" of Dickens's "Carol philosophy" of charity and altruism. Dickens wrote A Christmas Carol in response to British social attitudes towards poverty, particularly child poverty, and wished to use the novella as a means to put forward his arguments against it. The story shows Scrooge as a paradigm for self-interest, and the possible repercussions of ignoring the poor, especially children in poverty—personified by the allegorical figures of Want and Ignorance. The two figures were created to arouse sympathy with readers—as was Tiny Tim. Douglas-Fairhurst observes that the use of such figures allowed Dickens to present his message of the need for charity, without alienating his largely middle-class readership. Publication As the result of the disagreements with Chapman and Hall over the commercial failures of Martin Chuzzlewit, Dickens arranged to pay for the publishing himself, in exchange for a percentage of the profits. Production of A Christmas Carol was not without problems. The first printing was meant to have festive green endpapers, but they came out a dull olive colour. Dickens' publisher Chapman and Hall replaced these with yellow endpapers and reworked the title page in harmonising red and blue shades. The final product was bound in red cloth with gilt-edged pages, completed only two days before the publication date of 19 December 1843. Following publication, Dickens arranged for the manuscript to be bound in red Morocco leather and presented as a gift to his solicitor, Thomas Mitton. Priced at five shillings (equal to £ in pounds), the first run of 6,000 copies sold out by Christmas Eve. Chapman and Hall issued second and third editions before the new year, and the book continued to sell well into 1844. By the end of 1844 eleven more editions had been released. Since its initial publication the book has been issued in numerous hardback and paperback editions, translated into several languages and has never been out of print. It was Dickens's most popular book in the United States, and sold over two million copies in the hundred years following its first publication there. The high production costs upon which Dickens insisted led to reduced profits, and the first edition brought him only £230 (equal to £ in pounds) rather than the £1,000 (equal to £ in pounds) he expected. A year later, the profits were only £744, and Dickens was deeply disappointed. Reception According to Douglas-Fairhurst, contemporary reviews of A Christmas Carol "were almost uniformly kind". The Illustrated London News described how the story's "impressive eloquence ... its unfeigned lightness of heart—its playful and sparkling humour ... its gentle spirit of humanity" all put the reader "in good humour with ourselves, with each other, with the season and with the author". The critic from The Athenaeum, the literary magazine, considered it a "tale to make the reader laugh and cry – to open his hands, and open his heart to charity even toward the uncharitable ... a dainty dish to set before a King." William Makepeace Thackeray, writing in Fraser's Magazine, described the book as "a national benefit and to every man or woman who reads it, a personal kindness. The last two people I heard speak of it were women; neither knew the other, or the author, and both said, by way of criticism, 'God bless him!'" The poet Thomas Hood, in his own journal, wrote that "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were ever in danger of decay, this is the book that would give them a new lease." The reviewer for Tait's Edinburgh Magazine—Theodore Martin, who was usually critical of Dickens's work—spoke well of A Christmas Carol, noting it was "a noble book, finely felt and calculated to work much social good". After Dickens's death, Margaret Oliphant deplored the turkey and plum pudding aspects of the book but admitted that in the days of its first publication it was regarded as "a new gospel", and noted that the book was unique in that it made people behave better. The religious press generally ignored the tale but, in January 1884, Christian Remembrancer thought the tale's old and hackneyed subject was treated in an original way and praised the author's sense of humour and pathos. The writer and social thinker John Ruskin told a friend that he thought Dickens had taken the religion from Christmas, and had imagined it as "mistletoe and pudding – neither resurrection from the dead, nor rising of new stars, nor teaching of wise men, nor shepherds". There were critics of the book. The New Monthly Magazine praised the story, but thought the book's physical excesses—the gilt edges and expensive binding—kept the price high, making it unavailable to the poor. The review recommended that the tale should be printed on cheap paper and priced accordingly. An unnamed writer for The Westminster Review mocked Dickens's grasp of economics, asking "Who went without turkey and punch in order that Bob Cratchit might get them—for, unless there were turkeys and punch in surplus, someone must go without". Dickens had criticised the US in American Notes and Martin Chuzzlewit, making American readers reluctant to embrace his work, but by the end of the American Civil War, the book had gained wide recognition in American households. In 1863 The New York Times published an enthusiastic review, noting that the author brought the "old Christmas ... of bygone centuries and remote manor houses, into the living rooms of the poor of today". Aftermath In January 1844 Parley's Illuminated Library published an unauthorised version of the story in a condensed form which they sold for twopence. Dickens wrote to his solicitor I have not the least doubt that if these Vagabonds can be stopped they must. ... Let us be the sledge-hammer in this, or I shall be beset by hundreds of the same crew when I come out with a long story. Two days after the release of the Parley version, Dickens sued on the basis of copyright infringement and won. The publishers declared themselves bankrupt and Dickens was left to pay £700 in costs. The small profits Dickens earned from A Christmas Carol further strained his relationship with his publishers, and he broke with them in favour of Bradbury and Evans, who had been printing his works to that point. Dickens returned to the tale several times during his life to amend the phrasing and punctuation. He capitalised on the success of the book by publishing other Christmas stories: The Chimes (1844), The Cricket on the Hearth (1845), The Battle of Life (1846) and The Haunted Man and the Ghost's Bargain (1848); these were secular conversion tales which acknowledged the progressive societal changes of the previous year, and highlighted those social problems which still needed to be addressed. While the public eagerly bought the later books, the reviewers were highly critical of the stories. Performances and adaptations By 1849 Dickens was engaged with David Copperfield and had neither the time nor the inclination to produce another Christmas book. He decided the best way to reach his audience with his "Carol philosophy" was by public readings. During Christmas 1853 Dickens gave a reading in Birmingham Town Hall to the Industrial and Literary Institute; the performance was a great success. Thereafter, he read the tale in an abbreviated version 127 times, until 1870 (the year of his death), including at his farewell performance. In the years following the book's publication, responses to the tale were published by W. M. Swepstone (Christmas Shadows, 1850), Horatio Alger (Job Warner's Christmas, 1863), Louisa May Alcott (A Christmas Dream, and How It Came True, 1882), and others who followed Scrooge's life as a reformed man – or some who thought Dickens had got it wrong and needed to be corrected. The novella was adapted for the stage almost immediately. Three productions opened on 5 February 1844, one by Edward Stirling, A Christmas Carol; or, Past, Present, and Future, being sanctioned by Dickens and running for more than 40 nights. By the close of February 1844 eight rival A Christmas Carol theatrical productions were playing in London. The story has been adapted for film and television more than any of Dickens's other works. In 1901 it was produced as Scrooge, or, Marley's Ghost, a silent black-and-white British film; it was one of the first known adaptations of a Dickens work on film, but it is now largely lost. The story was adapted in 1923 for BBC radio. The story has been adapted to other media, including opera, ballet, animation, stage musicals and a BBC mime production starring Marcel Marceau. Davis considers the adaptations have become better remembered than the original. Some of Dickens's scenes—such as visiting the miners and lighthouse keepers—have been forgotten by many, while other events often added—such as Scrooge visiting the Cratchits on Christmas Day—are now thought by many to be part of the original story. Accordingly, Davis distinguishes between the original text and the "remembered version". Legacy The phrase "Merry Christmas" had been around for many years – the earliest known written use was in a letter in 1534 – but Dickens's use of the phrase in A Christmas Carol popularised it among the Victorian public. The exclamation "Bah! Humbug!" entered popular use in the English language as a retort to anything sentimental or overly festive; the name "Scrooge" became used as a designation for a miser and was added to the Oxford English Dictionary as such in 1982. In the early 19th century the celebration of Christmas was associated in Britain with the countryside and peasant revels, disconnected to the increasing urbanisation and industrialisation taking place. Davis considers that in A Christmas Carol, Dickens showed that Christmas could be celebrated in towns and cities, despite increasing modernisation. The modern observance of Christmas in English-speaking countries is largely the result of a Victorian-era revival of the holiday. The Oxford Movement of the 1830s and 1840s had produced a resurgence of the traditional rituals and religious observances associated with Christmastide and, with A Christmas Carol, Dickens captured the zeitgeist while he reflected and reinforced his vision of Christmas. Dickens advocated a humanitarian focus of the holiday, which influenced several aspects of Christmas that are still celebrated in Western culture, such as family gatherings, seasonal food and drink, dancing, games and a festive generosity of spirit. The historian Ronald Hutton writes that Dickens "linked worship and feasting, within a context of social reconciliation". The novelist William Dean Howells, analysing several of Dickens's Christmas stories, including A Christmas Carol, considered that by 1891 the "pathos appears false and strained; the humor largely horseplay; the characters theatrical; the joviality pumped; the psychology commonplace; the sociology alone funny". The writer James Joyce considered that Dickens took a childish approach with A Christmas Carol, producing a gap between the naïve optimism of the story and the realities of life at the time. Ruth Glancy, the professor of English literature, states that the largest impact of A Christmas Carol was the influence felt by individual readers. In early 1844 The Gentleman's Magazine attributed a rise of charitable giving in Britain to Dickens's novella; in 1874, Robert Louis Stevenson, after reading Dickens's Christmas books, vowed to give generously to those in need, and Thomas Carlyle expressed a generous hospitality by hosting two Christmas dinners after reading the book. In 1867 one American businessman was so moved by attending a reading that he closed his factory on Christmas Day and sent every employee a turkey, while in the early years of the 20th century Maud of Wales – the Queen of Norway – sent gifts to London's crippled children signed "With Tiny Tim's Love". On the novella, the author G. K. Chesterton wrote "The beauty and blessing of the story ... lie in the great furnace of real happiness that glows through Scrooge and everything around him. ... Whether the Christmas visions would or would not convert Scrooge, they convert us." Analysing the changes made to adaptations over time, Davis sees changes to the focus of the story and its characters to reflect mainstream thinking of the period. While Dickens's Victorian audiences would have viewed the tale as a spiritual but secular parable, in the early 20th century it became a children's story, read by parents who remembered their parents reading it when they were younger. In the lead-up to and during the Great Depression, Davis suggests that while some saw the story as a "denunciation of capitalism, ...most read it as a way to escape oppressive economic realities". The film versions of the 1930s were different in the UK and US. British-made films showed a traditional telling of the story, while US-made works showed Cratchit in a more central role, escaping the depression caused by European bankers and celebrating what Davis calls "the Christmas of the common man". In the 1960s, Scrooge was sometimes portrayed as a Freudian figure wrestling with his past. By the 1980s he was again set in a world of depression and economic uncertainty. See also List of Christmas-themed literature Dickens Christmas fair The Man Who Invented Christmas Notes References Sources Books Online resources Newspapers, journals and magazines External links A Christmas Carol read online at Bookwise A Christmas Carol at Internet Archive A Christmas Carol e-book with illustrations A Christmas Carol Project Gutenberg free online book Using Textual Clues to Understand A Christmas Carol 1843 British novels 1840s fantasy novels Articles containing video clips Books illustrated by Arthur Rackham British fantasy novels British novellas British novels adapted into films British novels adapted into plays British novels adapted into television shows Chapman & Hall books Christmas novels English-language novels Ghost novels Novels about time travel Novels adapted into ballets Novels adapted into operas Novels by Charles Dickens Novels set in London Novels set in the 19th century Victorian novels Works about atonement Books illustrated by John Leech
```python #!/usr/bin/env python3 # # All rights reserved. # # Redistribution and use in source and binary forms, with or without # modification, are permitted provided that the following conditions are met: # 1. Redistributions of source code must retain the above copyright # notice, this list of conditions and the following disclaimer. # 2. Redistributions in binary form must reproduce the above copyright # notice, this list of conditions and the following disclaimer in the # documentation and/or other materials provided with the distribution. # 3. Neither the name of the copyright holder nor the # names of its contributors may be used to endorse or promote products # derived from this software without specific prior written permission. # # THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" # AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE # IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE # ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE # LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR # CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF # SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS # INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN # CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) # ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE # POSSIBILITY OF SUCH DAMAGE. # import ipaddress import unittest import config import command import thread_cert # Test description: # # This test verifies the radio filter mechanism. # # Topology: # # Leader -- Router # | # | # Child # # LEADER = 1 ROUTER = 2 SED = 3 WAIT_TIME = 5 class RadioFilter(thread_cert.TestCase): USE_MESSAGE_FACTORY = False SUPPORT_NCP = False TOPOLOGY = { LEADER: { 'mode': 'rdn', 'allowlist': [ROUTER, SED] }, ROUTER: { 'mode': 'rdn', 'allowlist': [LEADER] }, SED: { 'is_mtd': True, 'mode': '-', 'timeout': config.DEFAULT_CHILD_TIMEOUT, 'allowlist': [LEADER] }, } def test(self): leader = self.nodes[LEADER] router = self.nodes[ROUTER] sed = self.nodes[SED] nodes = [leader, router, sed] leader.start() self.simulator.go(config.LEADER_STARTUP_DELAY) self.assertEqual(leader.get_state(), 'leader') router.start() self.simulator.go(WAIT_TIME) self.assertEqual(router.get_state(), 'router') sed.start() sed.set_pollperiod(40) self.simulator.go(WAIT_TIME) self.assertEqual(sed.get_state(), 'child') # Validate initial state of `radiofilter` upon start for node in nodes: self.assertFalse(node.radiofilter_is_enabled()) leader_mleid = leader.get_mleid() router_mleid = router.get_mleid() sed_mleid = sed.get_mleid() # Validate connections by pinging from leader, SED, and router self.assertTrue(leader.ping(router_mleid)) self.assertTrue(sed.ping(leader_mleid)) self.assertTrue(router.ping(leader_mleid)) # Validate behavior when `radiofilter` is enabled on router router.radiofilter_enable() self.assertTrue(router.radiofilter_is_enabled()) self.assertFalse(leader.ping(router_mleid)) self.assertFalse(router.ping(leader_mleid)) # Validate behavior when `radiofilter` is disabled on router router.radiofilter_disable() self.assertFalse(router.radiofilter_is_enabled()) self.assertTrue(leader.ping(router_mleid)) self.assertTrue(router.ping(leader_mleid)) # Validate `radiofilter` behavior on sed. self.assertTrue(sed.ping(leader_mleid)) sed.radiofilter_enable() self.assertTrue(sed.radiofilter_is_enabled()) self.assertFalse(sed.ping(leader_mleid)) self.assertTrue(sed.radiofilter_is_enabled()) self.assertEqual(sed.get_state(), 'detached') sed.radiofilter_disable() self.assertFalse(sed.radiofilter_is_enabled()) self.simulator.go(WAIT_TIME) self.assertEqual(sed.get_state(), 'child') self.assertTrue(leader.ping(sed_mleid)) self.assertTrue(sed.ping(leader_mleid)) # Validate energy scan when `radiofilter` is enabled scan_result = leader.scan_energy() self.assertTrue(len(scan_result) > 0) leader.radiofilter_enable() self.assertTrue(leader.radiofilter_is_enabled()) scan_result = leader.scan_energy() self.assertTrue(len(scan_result) == 0) if __name__ == '__main__': unittest.main() ```
The term protomatter may reference: in programming, a Java logging framework in cosmology, a theoretical primordial plasma, ylem, in the Big-Bang generation of matter in fiction, a substance featuring in the list of Star Trek materials
```elixir defmodule Nerves.Artifact.Resolvers.GiteaAPI do @moduledoc false @behaviour Nerves.Artifact.Resolver alias Nerves.Utils.{HTTPClient, Shell} defstruct artifact_name: nil, base_url: nil, headers: [], http_client: HTTPClient, http_pid: nil, public?: false, opts: [], repo: nil, tag: "", token: "", url: nil @impl Nerves.Artifact.Resolver def get({repo, opts}) do opts = %{struct(__MODULE__, opts) | opts: opts, repo: repo} |> maybe_adjust_token() |> add_http_opts() |> maybe_start_http() result = fetch_artifact(opts) opts.http_client.stop(opts.http_pid) result end defp add_http_opts(opts) do headers = if opts.public? do [] else # make safe values here in case nil was supplied as an option # The request will fail and error will be reported later on token = opts.token || "" [{"Authorization", "token " <> token}] end %{ opts | headers: headers, url: Path.join([opts.base_url, "api", "v1", "repos", opts.repo, "releases", "tags", opts.tag]) } end defp maybe_adjust_token(opts) do token = System.get_env("GITEA_TOKEN") if token do # Let the env var take precedence %{opts | token: token} else opts end end defp maybe_start_http(%{http_pid: pid} = opts) when is_pid(pid), do: opts defp maybe_start_http(opts) do {:ok, http_pid} = opts.http_client.start_link() %{opts | http_pid: http_pid} end defp fetch_artifact(opts) do info = if System.get_env("NERVES_DEBUG") == "1", do: opts.url, else: opts.artifact_name Shell.info([" [Gitea] ", info]) with {:ok, assets_or_url} <- release_details(opts), {:ok, asset_url} <- get_asset_url(assets_or_url, opts) do opts.http_client.get(opts.http_pid, asset_url, headers: [{"Accept", "application/octet-stream"} | opts.headers] ) end end defp release_details(opts) do case opts.http_client.get(opts.http_pid, opts.url, headers: opts.headers, progress?: false) do {:ok, data} -> Jason.decode(data) {:error, "Status 404 Not Found"} -> invalid_token? = is_nil(opts.token) or opts.token == "" msg = if not opts.public? and invalid_token? do """ Missing token For private releases, you must authenticate the request to fetch release assets. You can do this in a few ways: * export or set GITEA_TOKEN=<your-token> * set `token: <get-token-function>` for this Gitea repository in your Nerves system mix.exs """ else "No release" end {:error, msg} result -> result end end defp get_asset_url(url, _) when is_binary(url), do: {:ok, url} defp get_asset_url(%{"assets" => []}, _opts) do {:error, "No release artifacts"} end defp get_asset_url(%{"assets" => assets}, %{artifact_name: artifact_name}) do ret = Enum.find(assets, fn %{"name" => name} -> String.equivalent?(artifact_name, name) end) case ret do nil -> available = for %{"name" => name} <- assets, do: [" * ", name, "\n"] msg = ["No artifact with valid checksum\n\n Found:\n", available] {:error, msg} %{"browser_download_url" => url} -> {:ok, url} end end end ```
Horace Maybray Maybray-King, Baron Maybray-King, (; 25 May 1901 – 3 September 1986), was a British politician who served as a member of Parliament (MP) from 1950 until 1971 before becoming a life peer. For most of his time in Parliament, he sat as a Labour MP. Following the death of Harry Hylton-Foster in September 1965, King, who had served as deputy speaker for ten months, became the Speaker of the House of Commons. As was customary, he renounced his party allegiance upon taking up the post. He was the first person from the Labour Party to hold the post. Early life Horace King was born in Grangetown near Middlesbrough. His father John William King was an insurance salesman and Methodist local preacher. He was educated at Stockton Secondary School, Stockton-on-Tees, from 1912 to 1917 and never lost touch with these local roots. Horace attended King's College London and graduated with a first-class bachelor's degree in English. Upon graduating in 1922 King worked as a teacher in Taunton's School in Southampton. He became head of the English department in 1927. While working as a teacher, King studied part-time for his Ph.D. His thesis was on the Folios of Shakespeare. He received his doctorate from King's College London in 1940. He had been excused from military service during World War II due to a duodenal ulcer. He and his family—first wife Victoria Florence (née Harris) and daughter Margaret—and Taunton's school were evacuated to Bournemouth from Southampton in 1940. Among the many pupils was 15-year-old Benny Hill. King was always a keen musician, playing the piano, piano-accordion and organ. During the Second World War he formed various concert parties—"The V Concert Party" was one—which toured the smaller outlying military bases and entertained troops not often reached by ENSA. He also raised funds by organising concerts to "buy" Spitfires and send aid to Russia. He is believed to have instigated fund raising in Hampshire by letters he wrote to the Hampshire Chronicle in July and August 1940. "The Spitfire Song" - for which he wrote both words and music (originally titled "The Hampshire Spitfire Song") - was recorded by Joe Loss and his Orchestra. The recording changes the phrase "the Hampshire planes" to "the British planes". He and a teacher colleague were the first to translate "Lili Marlene" but were too slow to get their version to the song-publishing market. He left Taunton's in 1947 to become headteacher of Regent's Park Secondary School. Political career King first stood as a Labour party candidate in the 1945 general election. Labour won with a massive landslide, but King was unsuccessful in his attempt to take the ultra-safe Conservative seat of New Forest and Christchurch. The following year he was elected to Hampshire County Council, on which he served until 1965 with only a single three-year break. His wife, Victoria Florence King, was also politically active - a town councillor and Mayor of Southampton in coronation year, 1953. She received a posthumous OBE. Parliament In the 1950 general election, King successfully fought the newly created Southampton Test seat, albeit with a very small majority. He successfully defended the seat in the 1951 election, which had been called after Labour's 1950 majority had proved unworkable. However, at the 1955 election, King switched his candidacy to the far safer neighbouring seat of Southampton Itchen, where he was re-elected until he left Parliament in 1971. During his time in Parliament he established links with the USA and Canada and lectured there on the British Constitution and Parliament. During one lecture trip in Georgia he and Martin Luther King Jr. appeared on a local TV station together under the billing of "The Two Dr Kings". He was instrumental in gaining UK support for the UNESCO project of the raising of the temples at Abu Simbel after the flooding of the Nile by the Aswan dam. He promoted bills on corneal grafts and attempted to raise awareness in the 1960s of autism. A keen European, he served in the Council of Europe. When Harold Wilson was elected as the first Labour Prime Minister for 13 years in 1964, King was selected as the Chairman of Ways and Means and the Deputy Speaker. Speaker On 9 September 1965 he was elected Speaker of the House of Commons, a position he held until his retirement on 12 January 1971. While serving as speaker, King was responsible for the speeding up of question time and for changing the dress code to allow women MPs to wear trousers in the House of Commons chamber. He was once deemed unfit to act as speaker due to his drinking. An anecdote in Order Order: The Rise and Fall of Political Drinking recalled King's inebriation with the story that "Horace came in at 9:25pm, and he had two goes at getting up into his chair and the second time he fell to the right across the Clerks' Table with his wig 45 degrees to the left and Bob Mellish (the Government Chief Whip) called out, "You're a disgrace, Horace, and I'll have you out of that chair within three months". Horace turned round so abruptly that his wig was then 45 degrees out the other way, and he gave a brilliant riposte: "How can you get me out of the chair, Bob, when I can't get myself into it?". In July 1966 King attended the opening of the new Knesset building in Jerusalem, the home of the Israeli legislature. King was asked by the Israeli government to bring the basic records of the British constitution and he bought reproductions of the Magna Carta, the Petition of Right, the Declaration of Rights and the Bill of Rights. During the parliamentary recess in 1966 King lectured in Athens and Venice on the British parliament and democracy also attended events in Bonn and the Middle East. After the Commons After leaving the Commons, he was created a life peer as Baron Maybray-King, of the City of Southampton, on 2 March 1971, having legally changed his surname to Maybray-King on 4 February. He took Maybray from his own middle name, which was his mother Margaret's maiden name. Maybray-King served as a deputy speaker in the House of Lords. He was awarded an honorary degree (Doctor of Laws) by the University of Bath in 1969. In 1977 he celebrated the opening of the Itchen Bridge by being driven across it in a horse-dawn landau. He is commemorated by his name having been given to an arched passageway leading to the site of the former primary school, off the High Street in the village of Norton-on-Tees, County Durham, in which he lived as a child and in the naming of the A3024 Maybray King Way in Southampton. He was an active fraternalist with the Loyal Order of Moose in Great Britain. He was created an honorary Grand Governor in 1972 and served as Grand Governor from 1976 to 1977. Family He was married four times: 1) Victoria Florence Harris (one daughter, Margaret), died June 1966 2) Una Porter, who predeceased him 3) Ivy (divorced) 4) Sheila Maybray-King, who survived him, returning to her home town of Stockton An unpublished biography/autobiography (A Boy Called Horace) is in the Parliamentary Archives. Arms References External links 1901 births 1986 deaths Alumni of King's College London Maybray-King Fellows of King's College London Labour Party (UK) MPs for English constituencies Members of the Privy Council of the United Kingdom National Union of Teachers-sponsored MPs Speakers of the House of Commons of the United Kingdom UK MPs 1950–1951 UK MPs 1951–1955 UK MPs 1955–1959 UK MPs 1959–1964 UK MPs 1964–1966 UK MPs 1966–1970 UK MPs 1970–1974 UK MPs who were granted peerages Members of Hampshire County Council Schoolteachers from Hampshire People from Grangetown, North Yorkshire Life peers created by Elizabeth II Abu Simbel
The Cure are an English alternative rock band from Crawley. Formed in May 1978, the group originally consisted of vocalist, guitarist and keyboardist Robert Smith (the only constant member), bassist Michael Dempsey and drummer Lol Tolhurst. The current lineup includes Smith, bassist Simon Gallup (from 1979 to 1982, and since 1984), keyboardist Roger O'Donnell (from 1987 to 1990, 1995 to 2005, and since 2011), guitarist and keyboardist Perry Bamonte (from 1990 to 2005, and since 2022), drummer Jason Cooper (since 1995) and guitarist Reeves Gabrels (since 2012). History The Cure formed in May 1978, evolving from the previous outfits Malice and Easy Cure. The band's original incarnation featured vocalist and guitarist Robert Smith, bassist Michael Dempsey and drummer Lol Tolhurst. After the release and promotion of Three Imaginary Boys, Dempsey was replaced by Simon Gallup in November 1979, when keyboardist Matthieu Hartley also joined the band. Hartley performed on Seventeen Seconds, but by August 1980 had left the band. Keyboards on Faith and Pornography were performed by Smith, Gallup and Tolhurst. Following the end of the Pornography touring cycle in June 1982, Gallup left the Cure and the band was placed on a temporary hiatus. Later in the year, Smith and Tolhurst – now the band's keyboardist – returned with the single "Let's Go to Bed". After several performances with stand-in musicians, the Cure returned in 1983 with new bassist Phil Thornalley and drummer Andy Anderson. Former Malice and Easy Cure guitarist Porl Thompson performed saxophone on the 1984 album The Top, before returning to the group on a full-time basis on guitar and keyboards. During the Top World Tour, Anderson was fired from the band due to problems stemming from alcohol abuse; he was briefly replaced by Vince Ely and later by Boris Williams, the latter of whom was subsequently offered the position full-time. Thornalley also left the band upon the tour's conclusion, replaced by the returning Gallup. The five-piece lineup of Smith, Thompson, Gallup, Williams and Tolhurst released two studio albums: 1985's The Head on the Door and 1987's Kiss Me, Kiss Me, Kiss Me. For the tour in support of Kiss Me, Kiss Me, Kiss Me, the Cure added Roger O'Donnell as a second keyboardist. Tolhurst eventually left the band entirely, after limited contributions to both Kiss Me, Kiss Me, Kiss Me and its follow-up Disintegration. His departure was announced in April 1989, when Smith claimed that he "wasn't taking it seriously enough". O'Donnell remained only until the following June, when he left due to "personal differences" and was replaced by the band's guitar technician Perry Bamonte. The new lineup released Wish in 1992, before Thompson left in early 1993 and Bamonte took over as main guitarist. The Cure spent much of 1994 on hiatus, as Smith was involved in a legal dispute with former bandmate Tolhurst. By the time they returned to the studio later in the year, Williams had left. In spring 1995, the Cure commenced recording for their next album with new drummer Jason Cooper and returning keyboardist O'Donnell. This lineup remained active for ten years, releasing three studio albums and one live collection, before Bamonte and O'Donnell were dismissed in May 2005. The keyboardist later claimed that Smith would be reducing the Cure back to a three-piece, with Bamonte and himself the two members culled from the lineup. The remaining trio recorded a cover of John Lennon's "Love" for the Amnesty International album Make Some Noise, before Porl Thompson returned for summer tour dates starting in July. In May and November 2011, the band performed a series of shows with former members Tolhurst and O'Donnell as special guests, although Thompson was not included. On 1 May 2012, after not performing with the band since 2009, Thompson announced that he was no longer a member of the Cure. He was replaced for subsequent tour dates by Reeves Gabrels, who became an official member after a few shows. In 2019, Eden Gallup filled in on bass guitar for two shows when his father, Simon Gallup, was prevented from playing, due to personal circumstances. On October 6, 2022, Perry Bamonte returned to the lineup on the first show of the Lost World Tour in Riga, Latvia. Members Current Former Substitute performers Timeline Lineups References External links The Cure official website Cure, The
Slingshot Dakota is an American rock band from Bethlehem, Pennsylvania. History Slingshot Dakota formed in Long Island in 2003 as a three-piece, issuing their debut, Keener Sighs, in 2004. At the time, the group was composed of Carly Comando, Pat Schramm (of the band Latterman) and Jeff Cunningham. In the spring of 2005, Schramm was replaced by Patterson. In the fall of 2006, Cunningham left the band, and the band remained a two-piece. In November 2007, the band released its sophomore effort, Their Dreams Are Dead, but Ours Is the Golden Ghost!. The group's third full-length, Dark Hearts, was released in November 2012, after the group signed with Topshelf Records. Comando also scored the short video Everyday by Noah Kalina and the documentary film Lily Topples the World. Members Current Carly Comando – keys, vocals (2003–present) Tom Patterson – drums, vocals (2005–present) Former Jeff Cunningham – guitar, vocals (2003–2006) Pat Schramm – drums (2003–2005) Discography Keener Sighs – Immigrant Sun Records (2004) Their Dreams Are Dead, But Ours Is the Golden Ghost! – Self-released (2007) Dark Hearts – Topshelf Records (2012) Break – Topshelf Records (2016) Heavy Banding – Community Records (USA), Specialist Subject Records (UK/EU) (2019) References Musical duos from Pennsylvania Musical groups established in 2003 Topshelf Records artists Specialist Subject Records artists
Michael or Mike Thomas may refer to: Entertainment Michael M. Thomas (1936–2021), American novelist of financial thrillers Michael Tilson Thomas (born 1944), American conductor, pianist, and composer Michael Thomas (actor) (1952–2019), British actor Mike Thomas (author) (born 1971), British novelist, Pocket Notebook Michael Thomas (born 1981), Welsh heavy metal drummer of Bullet for My Valentine Michael Thomas (Man Gone Down author), American author Michael Damian Thomas, American magazine editor and podcaster Michael J Thomas, American saxophonist, songwriter, and vocalist Michael Thomas, former guitarist with the metal band Tuff Sports American football Michael Thomas (defensive back) (born 1989), American football defensive back Mike Thomas (running back) (1953–2019), American football running back Mike Thomas (wide receiver, born 1987), American football wide receiver Michael Thomas (wide receiver, born 1993), American football wide receiver Mike Thomas (wide receiver, born 1994), American football wide receiver Association football/soccer Mickey Thomas (footballer) (born 1954), Welsh footballer, played for Manchester United and Chelsea Michael Thomas (footballer, born 1967), English footballer, played for Arsenal and Liverpool Michael Thomas (American soccer) (born 1988), American soccer player Michael Thomas (footballer, born 1992), English footballer Other sports Mike Thomas (baseball) (born 1969), American baseball pitcher Other Michael David Thomas (born 1933), former attorney general of Hong Kong Michael E. Thomas (1937–2018), university administrator and professor of industrial engineering Mike Thomas (politician) (born 1944), Labour Party member of the UK Parliament who defected to the SDP Michael C. Thomas (1948–2019), American entomologist Michael Thomas (academic) (born 1969), English professor and author in digital education Mike Thomas (athletic director), American university administrator Mike Seager Thomas, British archaeologist Michael Albert Thomas, Indian-American physicist, academic, and clinical researcher See also Mick Thomas (born 1960), Australian singer-songwriter Michel Thomas (1914–2005), language instructor Mickey Thomas (disambiguation)
Static grass is used in scale models and miniatures to create realistic-looking grass textures. It consists of small coloured fibres charged with static electricity, making them stand on end when sprinkled onto a surface coated with glue that then hardens, holding the fibres in place. Static grass is usually prepared by applying a layer of glue on the surface, then pouring the fibres on and tipping off the excess. The fibres can also be applied with a shaker, also known as a puffer. Static grass consists of man-made fibres selected for their ability to hold a static electric charge. They are usually a blend of coloured nylon, rayon, or polyester fibres that are used to more realistically replicate grass on a modeller's layout. The fibres are usually sold by weight in 2, 4, 6, 10 and 12 millimetre lengths, although fibres can be found from as little as 0.5 mm in length. If using an electronic applicator, the fibres are attracted to the adhesive vertically and "end-on", giving the grass-like effect the modeller requires. The application sequence is as follows: Apply adhesive to the area to be covered with grass; Ground the applicator to the adhesive area; Load the applicator with fibres; Apply the fibres; Allow the adhesive to dry; Remove excess fibres. Once the basic technique is mastered, advanced techniques can be learned, such as developing differing lengths, dead grass and creating grass tufts, to enhance realism.. Several companies produce static grass products, including PECO, Woodland Scenics and WW Scenics. See also Rail transport modelling#Scatter (modeling)), alternative that may be just dyed sawdust External links How to Make a Homemade Static Grass Applicator for Model Train Scenery Easy Static Grass application by Craig Stocks Static Grass Applicator & Static Grass specialists — DoubleO Scenics Static Grass Applicator — GrassTech USA Scale modeling
```java /* */ package akka.http.javadsl.coding; import java.util.concurrent.CompletionStage; import akka.http.javadsl.model.HttpRequest; import akka.http.javadsl.model.HttpResponse; import akka.stream.Materializer; import akka.util.ByteString; import scala.compat.java8.FutureConverters; /** * A coder is an implementation of the predefined encoders/decoders defined for HTTP. */ @SuppressWarnings({"deprecation", "removal"}) public enum Coder { NoCoding(akka.http.scaladsl.coding.NoCoding$.MODULE$), Deflate(akka.http.scaladsl.coding.Deflate$.MODULE$), Gzip(akka.http.scaladsl.coding.Gzip$.MODULE$), DeflateLevel1(akka.http.scaladsl.coding.Deflate$.MODULE$.withLevel(1)), DeflateLevel9(akka.http.scaladsl.coding.Deflate$.MODULE$.withLevel(9)), GzipLevel1(akka.http.scaladsl.coding.Gzip$.MODULE$.withLevel(1)), GzipLevel9(akka.http.scaladsl.coding.Gzip$.MODULE$.withLevel(9)); private akka.http.scaladsl.coding.Coder underlying; Coder(akka.http.scaladsl.coding.Coder underlying) { this.underlying = underlying; } public HttpResponse encodeMessage(HttpResponse message) { return (HttpResponse) underlying.encodeMessage((akka.http.scaladsl.model.HttpMessage) message); } public HttpRequest encodeMessage(HttpRequest message) { return (HttpRequest) underlying.encodeMessage((akka.http.scaladsl.model.HttpMessage) message); } /** * @deprecated Synchronous encoding is deprecated since 10.2.0 */ @Deprecated public ByteString encode(ByteString input) { return underlying.encode(input); } public HttpResponse decodeMessage(HttpResponse message) { return (HttpResponse) underlying.decodeMessage((akka.http.scaladsl.model.HttpMessage) message); } public HttpRequest decodeMessage(HttpRequest message) { return (HttpRequest) underlying.decodeMessage((akka.http.scaladsl.model.HttpMessage) message); } public CompletionStage<ByteString> decode(ByteString input, Materializer mat) { return FutureConverters.toJava(underlying.decode(input, mat)); } public akka.http.scaladsl.coding.Coder _underlyingScalaCoder() { return underlying; } } ```