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3 , ▁when ▁he ▁was ▁attached ▁to ▁star ▁in ▁the ▁film , ▁while ▁Barry ▁Le vin son ▁was ▁still ▁sl ated ▁to ▁direct ▁and ▁principal ▁phot ography ▁was ▁scheduled ▁to ▁begin ▁in ▁May ▁ 2 0 1 3 . ▁De pp ▁briefly ▁ex ited ▁the ▁project ▁shortly ▁after ▁its ▁sale ▁at ▁the ▁ 6 6 th ▁annual ▁C annes ▁Film ▁Festival , ▁because ▁of ▁a ▁sal ary ▁dispute ▁with ▁Cross ▁Creek ▁Pictures . ▁He ▁later ▁rejo ined ▁at ▁around ▁the ▁same ▁time ▁Scott ▁Cooper ▁was ▁attached ▁to ▁replace ▁Le vin son ▁as ▁director , ▁and ▁his ▁signing ▁for ▁the ▁film ▁was ▁made ▁official ▁in ▁February ▁ 2 0 1 4 . ▁J esse ▁P lem ons ▁and ▁Jun o ▁Temple ▁joined ▁the ▁cast ▁to ▁play ▁as ▁Kevin ▁We eks ▁( a ▁coh ort ▁of ▁Bul ger ) ▁and ▁Deb or ah ▁Hus sey , ▁one ▁of ▁Bul ger ' s ▁vict ims , ▁respectively , ▁around ▁April ▁ 2 0 1 4 . ▁P lem ons ▁reported ly ▁prepared ▁for ▁his ▁role ▁by ▁h iring ▁a ▁dialect ▁coach ▁and ▁studying ▁video ▁of ▁the ▁actual ▁Kevin ▁We eks . ▁ ▁Bened ict ▁C umber batch ▁replaced ▁Guy ▁Pear ce ▁as ▁William ▁" B illy " ▁Bul ger ▁on ▁May ▁ 2 2 , ▁ 2 0 1 4 . ▁On ▁June ▁ 1 0 , ▁it ▁was ▁announced ▁that ▁Jer emy ▁Str ong ▁would ▁co - star ▁in ▁the ▁film . ▁On ▁June ▁ 1 4 , ▁James ▁Rus so ▁joined ▁the ▁cast ▁of |
▁the ▁film ▁to ▁play ▁Scott ▁Gar ri ola , ▁one ▁of ▁the ▁F BI ▁agents ▁who ▁took ▁down ▁Bul ger . ▁On ▁June ▁ 2 6 , ▁Kevin ▁Ba con ▁was ▁added ▁to ▁the ▁cast ▁to ▁play ▁Charles ▁Mc Gu ire , ▁the ▁F BI ▁Special ▁Agent ▁in ▁charge ▁of ▁the ▁Boston ▁field ▁office ▁and ▁John ▁Con n olly ' s ▁b oss . ▁On ▁July ▁ 1 , ▁David ▁Har bour ▁was ▁added ▁to ▁the ▁cast ▁of ▁the ▁film ▁to ▁star ▁as ▁John ▁Morris , ▁a ▁cor rupt ▁F BI ▁agent ▁along ▁with ▁Con n olly . ▁ ▁The ▁roles ▁of ▁Con n olly ▁– ▁who ▁was ▁White y ▁Bul ger ' s ▁F BI ▁handler ▁– ▁and ▁his ▁first ▁wife ▁Marian ne , ▁were ▁filled ▁by ▁Jo el ▁Ed g erton ▁and ▁Julian ne ▁Nich ol son , ▁respectively . ▁Cooper ▁chose ▁Nich ol son ▁for ▁the ▁part ▁after ▁her ▁performance ▁as ▁S ally ▁in ▁Sam ▁She p ard ' s ▁off - B road way ▁play ▁Heart less ▁( before ▁Cla ire ▁van ▁der ▁Bo om ▁succeeded ▁her ▁for ▁the ▁play ' s ▁two - week ▁extension ). ▁Ed g erton ▁developed ▁his ▁port ray al ▁of ▁Con n olly ▁by ▁studying ▁past ▁foot age ▁of ▁the ▁F BI ▁agent ▁before ▁his ▁imprison ment , ▁some ▁of ▁which ▁include ▁his ▁appearances ▁on ▁talk ▁shows ▁and ▁in ▁court rooms . ▁In ▁an ▁interview ▁with ▁The ▁Wall ▁Street ▁Journal , ▁Ed g erton ▁stated ▁that ▁he ▁decl ined ▁trying ▁to ▁meet ▁with |
▁the ▁actual ▁Con n olly , ▁reasoning ▁that ▁Con n olly ▁" has ▁one ▁version ▁of ▁events ▁and ▁the ▁film ▁has ▁a ▁different ▁version ". ▁Ed g erton ▁originally ▁dropped ▁out ▁of ▁the ▁project ▁when ▁De pp ▁agreed ▁to ▁return , ▁and ▁Tom ▁Hard y ▁was ▁in ▁early ▁tal ks ▁for ▁the ▁role . ▁However , ▁Ed g erton ▁returned ▁in ▁the ▁role . ▁ ▁In ▁prepar ing ▁for ▁his ▁role , ▁De pp ▁similarly ▁studied ▁surve ill ance ▁and ▁police ▁audio ▁foot age ▁involving ▁Bul ger . ▁The ▁actor ▁was ▁ad am ant ▁in ▁dep ict ing ▁the ▁Boston ▁gang ▁leader ' s ▁criminal ▁and ▁personal ▁life ▁as ▁would ▁be ▁ultimately ▁port rayed ▁in ▁the ▁film . ▁To ▁achieve ▁that , ▁De pp ▁attempted ▁to ▁meet ▁with ▁Bul ger ▁himself , ▁but ▁was ▁decl ined ▁a ▁meeting ▁and ▁instead ▁consult ed ▁Jay ▁Car ney , ▁Bul ger ' s ▁att orney . ▁Car ney ▁appeared ▁on ▁set ▁a ▁few ▁times , ▁to ▁provide ▁feedback ▁on ▁De pp ' s ▁performance . ▁ ▁Fil ming ▁Princi pal ▁phot ography ▁comm enced ▁on ▁May ▁ 1 9 , ▁ 2 0 1 4 ▁in ▁Boston ; ▁actors ▁were ▁seen ▁film ing ▁scenes ▁in ▁Dor chester . ▁On ▁May ▁ 2 3 , ▁some ▁sh ots ▁were ▁also ▁fil med ▁at ▁Polish ▁American ▁Club ▁( alter ed ▁to ▁re create ▁West ▁Broadway ' s ▁Tri ple ▁O ' s ▁L oun ge , ▁White y ' s ▁inf am ous ▁South ▁Boston ▁hang out ), |
▁on ▁Cambridge ▁Street ▁in ▁Cambridge . ▁On ▁May ▁ 2 7 , ▁film ing ▁was ▁taking ▁place ▁in ▁East ▁Boston , ▁where ▁Johnny ▁De pp ▁and ▁J esse ▁P lem ons ▁were ▁seen ▁together ▁on ▁the ▁set . ▁Next ▁day ▁on ▁May ▁ 2 8 , ▁Jo el ▁Ed g erton ▁was ▁seen ▁during ▁film ing ▁of ▁a ▁scene ▁on ▁Silver ▁Street ▁in ▁South ▁Boston . ▁On ▁June ▁ 4 , ▁De pp ▁was ▁sp otted ▁in ▁Lyn n ▁during ▁a ▁recre ation ▁of ▁the ▁ 1 9 8 2 ▁mur ders ▁of ▁Brian ▁Hall or an ▁and ▁Michael ▁Don ah ue ▁by ▁Bul ger . ▁On ▁June ▁ 6 – 7 , ▁De pp ▁was ▁seen ▁film ing ▁scenes ▁at ▁C ople y ▁Square ▁in ▁Boston . ▁ ▁On ▁June ▁ 9 , ▁De pp ' s ▁ 5 1 st ▁birth day , ▁he ▁was ▁film ing ▁scenes ▁on ▁location ▁in ▁Qu in cy , ▁where ▁actress ▁Dak ota ▁Johnson ▁was ▁in ▁Back ▁Bay , ▁playing ▁White y ▁Bul ger ' s ▁long time ▁former ▁girl friend , ▁Lind sey ▁C yr . ▁On ▁June ▁ 1 1 , ▁shooting ▁was ▁under way ▁in ▁Lyn n , ▁where ▁the ▁crew ▁was ▁film ing ▁scenes ▁in ▁which ▁Bul ger ▁and ▁Stephen ▁F lem mi ▁pick ▁up ▁a ▁prost itute ▁named ▁Deb or ah ▁Hus sey ▁( play ed ▁by ▁Jun o ▁Temple ) ▁from ▁the ▁police ▁station . ▁Temple ▁was ▁seen ▁on ▁the ▁set . ▁On ▁June ▁ 1 6 , ▁De |
pp ▁and ▁P lem ons ▁were ▁sp otted ▁on ▁the ▁set ▁of ▁the ▁film ▁in ▁South ▁Boston . ▁ ▁On ▁June ▁ 2 0 , ▁news ▁posted ▁some ▁photos ▁from ▁the ▁set ▁of ▁the ▁film , ▁which ▁features ▁classic ▁cars ▁from ▁the ▁film ▁set ▁in ▁South ▁Boston . ▁On ▁June ▁ 2 3 , ▁C umber batch ▁and ▁De pp ▁were ▁sp otted ▁during ▁a ▁re - cre ation ▁of ▁Saint ▁Patrick ' s ▁Day ▁para de ▁scenes ▁in ▁Lyn n . ▁On ▁June ▁ 2 4 , ▁scenes ▁were ▁shot ▁at ▁the ▁Harvard ▁Club ▁in ▁Boston . ▁On ▁June ▁ 2 6 , ▁C umber batch ▁was ▁sp otted ▁with ▁crew ▁while ▁film ing ▁around ▁Ash mont ▁Gr ill ▁in ▁Dor chester . ▁On ▁June ▁ 2 9 , ▁the ▁pav ement ▁outside ▁South ▁Boston ▁High ▁School ▁had ▁gra ff iti ▁read ings ▁of ▁" Stop ▁For ced ▁B using " ▁and ▁" Press ▁Print ▁the ▁Tr uth ." ▁ ▁On ▁July ▁ 2 , ▁De pp ▁and ▁C umber batch ▁were ▁together ▁film ing ▁some ▁scenes ▁in ▁Boston . ▁On ▁July ▁ 7 – 8 , ▁film ing ▁was ▁set ▁to ▁take ▁place ▁on ▁Gil son ▁Road ▁in ▁Qu in cy . ▁A ▁four - story ▁building ▁on ▁ 6 ▁Gil son ▁Road ▁was ▁transformed ▁to ▁res emble ▁the ▁Princess ▁Eugen ia ▁apart ments ▁in ▁Santa ▁Mon ica , ▁California , ▁where ▁F BI ▁agents ▁arrested ▁Bul ger ▁on ▁June ▁ 2 2 , ▁ 2 0 1 1 . ▁Ar |
rest ▁scenes ▁were ▁fil med ▁there ▁on ▁July ▁ 7 ▁and ▁ 8 , ▁and ▁S ien na ▁Miller ▁was ▁sp otted ▁dressed ▁as ▁Catherine ▁Gre ig . ▁From ▁July ▁ 8 – 1 0 , ▁scenes ▁were ▁fil med ▁on ▁Re vere ▁Beach , ▁so ▁that ▁a ▁portion ▁of ▁Re vere ▁Beach ▁remained ▁closed . ▁Between ▁July ▁ 1 1 – 1 2 , ▁Re vere ▁Beach ▁Bou lev ard ▁remained ▁closed ▁for ▁shooting . ▁Re vere ▁Beach ▁was ▁transformed ▁into ▁Miami ▁Beach , ▁Florida , ▁as ▁live ▁pal m ▁trees ▁had ▁been ▁plant ed ▁in ▁the ▁sand ▁and ▁a ▁p izza ▁restaurant ▁was ▁transformed ▁into ▁a ▁Cub an ▁ca fe ▁on ▁Re vere ▁Beach ▁Bou lev ard ▁across ▁the ▁street ▁from ▁Beach . ▁De pp ▁as ▁White y ▁Bul ger ▁and ▁Miller ▁as ▁Catherine ▁Gre ig ▁were ▁sp otted ▁on ▁the ▁Black ▁Mass ▁set ▁on ▁the ▁Re vere ▁Beach ▁on ▁July ▁ 1 0 , ▁ 2 0 1 4 . ▁ ▁On ▁July ▁ 1 5 , ▁C umber batch ▁wrapped ▁film ing ▁for ▁his ▁part ▁in ▁Boston . ▁On ▁July ▁ 2 1 , ▁De pp ▁fil med ▁some ▁scenes ▁at ▁the ▁former ▁Anthony ' s ▁Haw th or ne ▁restaurant , ▁located ▁at ▁Oxford ▁Street ▁and ▁Central ▁Avenue ▁in ▁Lyn n . ▁De pp ' s ▁wife ▁Am ber ▁He ard ▁visited ▁De pp ▁on ▁the ▁set ▁of ▁the ▁film ▁on ▁July ▁ 2 1 , ▁the ▁last ▁day ▁of ▁film ing ▁for ▁De pp ' s ▁role |
. ▁ ▁In ▁July , ▁director ▁Cooper ▁told ▁The ▁Boston ▁Glo be ▁that ▁film ing ▁had ▁to ▁take ▁place ▁for ▁two ▁more ▁weeks ▁in ▁Boston , ▁foc using ▁on ▁the ▁F BI ' s ▁role ▁in ▁the ▁Bul ger ▁story . ▁On ▁July ▁ 2 5 , ▁Kevin ▁Ba con ▁was ▁in ▁Boston , ▁film ing ▁some ▁remaining ▁scenes ▁for ▁the ▁film . ▁According ▁to ▁The ▁Boston ▁Glo be , ▁film ing ▁for ▁Black ▁Mass ▁wrapped ▁up ▁on ▁Friday , ▁August ▁ 1 , ▁ 2 0 1 4 , ▁in ▁Boston . ▁ ▁Post - production ▁S ien na ▁Miller ▁was ▁cast ▁and ▁fil med ▁scenes ▁as ▁Catherine ▁Gre ig , ▁Bul ger ' s ▁companion ▁while ▁a ▁fug itive , ▁but ▁her ▁scenes ▁ended ▁up ▁getting ▁cut ▁from ▁the ▁film ▁due ▁to ▁" n arr ative ▁choices ". ▁Er ica ▁Mc D erm ott ▁was ▁cast ▁as ▁Mary ▁Bul ger , ▁wife ▁of ▁Billy ▁Bul ger , ▁but ▁the ▁majority ▁of ▁her ▁scenes ▁were ▁cut ▁out . ▁ ▁Release ▁On ▁June ▁ 3 0 , ▁ 2 0 1 4 , ▁Warner ▁B ros . ▁set ▁the ▁film ▁for ▁a ▁September ▁ 1 8 , ▁ 2 0 1 5 ▁world wide ▁release . ▁It ▁was ▁selected ▁to ▁be ▁shown ▁in ▁the ▁" F u ori ▁Con cor so " ▁section ▁of ▁the ▁Ven ice ▁Film ▁Festival . ▁It ▁was ▁also ▁shown ▁at ▁the ▁Tell ur ide ▁Film ▁Festival ▁the ▁next ▁day , ▁and ▁in ▁the ▁Special ▁Pres entation ▁section ▁of |
▁the ▁ 2 0 1 5 ▁Toronto ▁International ▁Film ▁Festival . ▁ ▁Mark eting ▁On ▁April ▁ 2 3 , ▁ 2 0 1 5 , ▁the ▁first ▁tra iler ▁for ▁the ▁film ▁was ▁released , ▁followed ▁by ▁a ▁second ▁tra iler ▁on ▁May ▁ 2 2 . ▁A ▁third ▁tra iler ▁was ▁released ▁on ▁July ▁ 3 0 . ▁ ▁Home ▁media ▁Black ▁Mass ▁was ▁released ▁on ▁DVD ▁and ▁Bl u - ray ▁on ▁February ▁ 1 6 , ▁ 2 0 1 6 . ▁ ▁Re ception ▁ ▁Box ▁office ▁Black ▁Mass ▁gross ed ▁$ 6 2 . 6 ▁million ▁in ▁the ▁United ▁States ▁and ▁Canada , ▁and ▁$ 3 7 . 2 ▁million ▁in ▁other ▁territ ories , ▁for ▁a ▁world wide ▁total ▁of ▁$ 9 9 . 8 ▁million , ▁against ▁a ▁production ▁budget ▁of ▁$ 5 3 ▁million . ▁ ▁In ▁its ▁opening ▁week end , ▁the ▁film ▁was ▁project ed ▁to ▁ear n ▁around ▁$ 2 6 ▁million ▁from ▁ 3 , 1 8 8 ▁the aters . ▁It ▁gross ed ▁$ 8 . 8 ▁million ▁on ▁its ▁first ▁day , ▁including ▁$ 1 . 4 ▁million ▁from ▁its ▁early ▁Th urs day ▁show ings . ▁It ▁ended ▁up ▁debut ing ▁to ▁$ 2 2 . 6 ▁million , ▁finishing ▁second ▁at ▁the ▁box ▁office ▁behind ▁fellow ▁new com er ▁Maz e ▁Run ner : ▁The ▁Sc orch ▁Tri als ▁($ 3 0 . 3 ▁million ). ▁It ▁dropped ▁ 5 1 % ▁in ▁its ▁second ▁week |
end , ▁making ▁$ 1 1 ▁million ▁and ▁finishing ▁ 5 th . ▁ ▁Crit ical ▁response ▁On ▁Rotten ▁Tomatoes ▁the ▁film ▁has ▁an ▁appro val ▁rating ▁of ▁ 7 3 % ▁based ▁on ▁ 2 8 4 ▁reviews ▁and ▁an ▁average ▁rating ▁of ▁ 6 . 7 / 1 0 . ▁The ▁site ' s ▁critical ▁cons ensus ▁reads , ▁" Black ▁Mass ▁sp ins ▁a ▁g ri pping ▁y arn ▁out ▁of ▁its ▁fact - based ▁story ▁– ▁and ▁leaves ▁aud ien ces ▁with ▁one ▁of ▁Johnny ▁De pp ' s ▁most ▁comp elling ▁performances ▁in ▁years ." ▁On ▁Met ac rit ic , ▁the ▁film ▁has ▁a ▁rating ▁of ▁ 6 8 ▁out ▁of ▁ 1 0 0 , ▁based ▁on ▁ 4 3 ▁critics , ▁indicating ▁" gener ally ▁favor able ▁reviews ". ▁Aud ien ces ▁pol led ▁by ▁Cinema Score ▁gave ▁the ▁film ▁an ▁average ▁grade ▁of ▁" B " ▁on ▁an ▁A + ▁to ▁F ▁scale . ▁ ▁De pp ' s ▁port ray al ▁of ▁Bul ger ▁received ▁critical ▁acc laim . ▁Crit ics ▁from ▁The ▁Hollywood ▁Re porter , ▁Vari ety , ▁and ▁The W rap ▁called ▁it ▁one ▁of ▁his ▁best ▁performances ▁to ▁date . ▁The ▁Hollywood ▁Re por ters ▁Tod d ▁Mc Car thy , ▁in ▁addition ▁to ▁pra ising ▁the ▁film , ▁called ▁De pp ' s ▁performance ▁" fully ▁convin cing ▁and ▁fright ening ", ▁saying ▁it ▁is ▁" very ▁welcome ▁at ▁this ▁point ▁in ▁his ▁career ▁and ▁one ▁of ▁his |
▁best ." ▁ ▁Similarly , ▁Ind ie ▁W ires ▁Eric ▁K ohn ▁pra ised ▁the ▁cast ▁and ▁highlight ed ▁De pp ' s ▁performance ▁and ▁Cooper ' s ▁director ial ▁efforts ▁to ▁dep ict ▁" the ▁ha un ting ▁legacy ▁of ▁Bul ger ' s ▁criminal ▁de eds , ▁and ▁the ▁ling ering ▁sense ▁that ▁no ▁justice ▁can ▁er ase ▁their ▁impact ." ▁Ad m iring ▁Black ▁Mass ▁as ▁an ▁" e leg antly ▁under st ated ▁crime ▁drama ", ▁Vari et ys ▁Scott ▁Found as ▁posit ively ▁compared ▁De pp ' s ▁performance ▁in ▁the ▁film ▁to ▁his ▁earlier ▁roles ▁with ▁Tim ▁Bur ton . ▁ ▁The W ra ps ▁Al onso ▁D ural de ▁pra ised ▁De pp ' s ▁performance , ▁but ▁was ▁less ▁positive ▁towards ▁the ▁film ' s ▁p acing ▁and ▁short ▁on screen ▁appearances ▁of ▁some ▁supporting ▁characters . ▁BBC ▁Culture ' s ▁Nicolas ▁Bar ber ▁found ▁some ▁of ▁the ▁sub plots ▁to ▁be ▁unnecessary ▁( specific ally ▁mention ing ▁Bened ict ▁C umber batch ▁as ▁Billy ▁Bul ger ), ▁and ▁argued ▁that ▁" the ▁film ▁is ▁never ▁bad , ▁but , ▁given ▁the ▁g ob - sm ack ing ▁true ▁story , ▁it ' s ▁disappoint ing ▁that ▁it ' s ▁not ▁great ". ▁In ▁a ▁negative ▁review , ▁Cra ve On line ' s ▁Fred ▁Top el ▁l abeled ▁Black ▁Mass ▁as ▁a ▁" black ▁mess ". ▁He ▁critic ized ▁the ▁screen writing ▁and ▁argued ▁that ▁the ▁film ▁bor rows ▁too ▁heavily ▁from ▁Good f |
ell as , ▁writing : ▁"... it ' s ▁clear ▁that ▁the ▁film m akers ▁wanted ▁to ▁turn ▁this ▁into ▁Good f ell as ▁and ▁tried ▁to ▁sh oe horn ▁this ▁story ▁into ▁a ▁similar ▁kind ▁of ▁sed uct ive , ▁fun ny , ▁shock ing ▁gang ster ▁tale . ▁... S ever al ▁scenes ▁seem ▁to ▁want ▁to ▁be ▁like ▁the ▁' how ▁am ▁I ▁fun ny ?' ▁scene ▁in ▁Good f ell as , ▁but ▁it ' s ▁bl at ant ". ▁ ▁Response ▁by ▁the ▁subjects ▁White y ▁Bul ger ▁himself ▁disapp ro ved ▁of ▁the ▁film ▁and ▁refused ▁to ▁see ▁it , ▁while ▁his ▁associate ▁Kevin ▁We eks , ▁while ▁adm itting ▁the ▁kill ings ▁took ▁place , ▁otherwise ▁called ▁the ▁movie ▁" p ure ▁fiction ", ▁compreh ens ively ▁disput ing ▁most ▁of ▁the ▁film ' s ▁dep iction ▁of ▁events .</ blockquote > ▁ ▁Most ▁cru cially ▁he ▁also ▁dis av owed ▁the ▁character is ations ▁of ▁the ▁key ▁figures : ▁ ▁The ▁only ▁res embl ance ▁to ▁White y ' s ▁character ▁was ▁the ▁hair line . ▁[...] ▁The ▁manner isms ▁— ▁the ▁way ▁that ▁White y ▁talked ▁to ▁us ▁— ▁he ▁never ▁sw ore ▁at ▁us . ▁In ▁all ▁the ▁years ▁I ▁was ▁with ▁that ▁man , ▁he ▁never ▁sw ore ▁at ▁me ▁once . ▁We ▁never ▁y elled ▁at ▁each ▁other . ▁[...] ▁The ▁language ▁is ▁all ▁wrong ▁[...] ▁and ▁White y ▁never ▁would ' ve ▁ber ated ▁Ste vie , ▁either . ▁Ste |
vie ▁was ▁a ▁psych op ath . ▁Ste vie ▁would ' ve ▁killed ▁him . ▁[...] ▁Ste vie ▁wasn ' t ▁all ▁sympath etic , ▁m our ning , ▁and ▁sorrow ful ▁like ▁he ▁is ▁in ▁the ▁movie . ▁Ste vie ▁enjoyed ▁murder . ▁ ▁We eks ▁also ▁disag rees ▁completely ▁with ▁his ▁port ray al ▁in ▁the ▁film , ▁for ▁instance , ▁the ▁suggestion ▁the ▁loss ▁of ▁his ▁son ▁had ▁any ▁impact ▁on ▁his ▁behavior , ▁or ▁that ▁Bul ger ▁ever ▁once ▁discussed ▁business ▁at ▁home ▁or ▁with ▁his ▁brother . ▁ ▁Acc ol ades ▁ ▁Many ▁people ▁believed ▁De pp ▁des erved ▁an ▁Academy ▁Award ▁nom ination ▁for ▁his ▁performance ▁as ▁Bul ger ▁and ▁were ▁surprised ▁when ▁his ▁name ▁was ▁left ▁off ▁the ▁list ▁of ▁nom ine es . ▁ ▁Sound track ▁The ▁sound track , ▁written ▁and ▁composed ▁by ▁Tom ▁Hol ken borg , ▁was ▁released ▁on ▁September ▁ 1 1 , ▁ 2 0 1 5 ▁at ▁Water T ower ▁Music ▁ ▁Track ▁listing ▁" Black ▁Mass ▁Open ing ▁Title " ▁" B oston ▁Crime ▁Lord " ▁" John ▁Con n olly " ▁" B ul ger ▁Bur ial ▁Gr ound " ▁" My ▁Boy " ▁" Don ' t ▁W ake ▁Him ▁Up " ▁" You ▁Got ▁Two ▁Min utes " ▁" A sp ir in " ▁" No ▁Dru gs , ▁No ▁Mur der " ▁" I ▁Will ▁P ull ▁the ▁Pl ug ▁Mys elf " ▁" When ▁You ▁W ake ▁Up ▁In ▁the ▁Mor ning " |
▁" It ' s ▁Just ▁the ▁Begin ning " ▁" Mart or ano " ▁" Did ▁You ▁Ever ▁See ▁White y ▁Bul ger ▁Mur der ▁Anyone ?" ▁" Thanks ▁to ▁White y " ▁" J im my ▁and ▁Marian ne " ▁" You ' ll ▁Be ▁Sorry " ▁" B oston ▁Glo be " ▁" Val hal la " ▁" Str ict ly ▁C riminal " ▁" Take ▁Care ▁Kid " ▁▁ 2 0 1 5 ▁Wat ert ower ▁Music ▁( 6 1 : 2 6 ) ▁ ▁References ▁ ▁External ▁links ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁▁ ▁Category : 2 0 1 5 ▁films ▁Category : 2 0 1 0 s ▁bi ographical ▁drama ▁films ▁Category : 2 0 1 0 s ▁crime ▁drama ▁films ▁Category : 2 0 1 0 s ▁crime ▁thr iller ▁films ▁Category : American ▁films ▁Category : American ▁bi ographical ▁drama ▁films ▁Category : American ▁crime ▁drama ▁films ▁Category : American ▁crime ▁thr iller ▁films ▁Category : Cr ime ▁films ▁based ▁on ▁actual ▁events ▁Category : C ross ▁Creek ▁Pictures ▁films ▁Category : Inf init um ▁N ih il ▁films ▁Category : W ar ner ▁B ros . ▁films ▁Category : D rama ▁films ▁based ▁on ▁actual ▁events ▁Category : English - language ▁films ▁Category : Fil ms ▁scored ▁by ▁J unk ie ▁X L ▁Category : Fil ms ▁about ▁the ▁Irish ▁M ob ▁Category : Fil ms ▁about ▁organized ▁crime ▁in ▁the ▁United ▁States ▁Category : Fil ms ▁based ▁on ▁non - f iction ▁books ▁about ▁organized ▁crime ▁Category : |
Fil ms ▁directed ▁by ▁Scott ▁Cooper ▁Category : Fil ms ▁produced ▁by ▁Brian ▁Oliver ▁Category : Fil ms ▁set ▁in ▁ 1 9 7 5 ▁Category : Fil ms ▁set ▁in ▁Boston ▁Category : Fil ms ▁set ▁in ▁California ▁Category : Fil ms ▁set ▁in ▁Florida ▁Category : Fil ms ▁set ▁in ▁Massachusetts ▁Category : Fil ms ▁set ▁in ▁Miami ▁Category : Fil ms ▁set ▁on ▁be aches ▁Category : Fil ms ▁shot ▁in ▁Boston ▁Category : Fil ms ▁shot ▁in ▁Massachusetts ▁Category : T hr iller ▁films ▁based ▁on ▁actual ▁events ▁Category : W inter ▁Hill ▁Gang ▁Category : Fil ms ▁with ▁screen plays ▁by ▁Je z ▁But ter worth <0x0A> </s> ▁Robert ▁F lyn n ▁( né ▁Robert ▁L ope z ▁F lyn n ; ▁born ▁ 1 2 ▁April ▁ 1 9 3 2 , ▁in ▁Ch ill ic othe , ▁Texas ) ▁is ▁an ▁author ▁and ▁professor ▁emer it us ▁at ▁Tr inity ▁University . ▁ ▁St yles ▁and ▁them es ▁F lyn n ' s ▁early ▁fame ▁came ▁with ▁the ▁novel , ▁North ▁to ▁Y esterday , ▁which ▁was ▁a ▁national ▁best s eller . ▁In ▁Don ▁Qu ix ote ▁fashion , ▁it ▁mock ed ▁the ▁legend ▁of ▁the ▁cow boy ▁in ▁Western ▁nov els ▁while ▁pay ing ▁hom age ▁to ▁it ▁at ▁the ▁same ▁time ▁( antic ip ating ▁Larry ▁Mc M ur try ' s ▁L ones ome ▁D ove ). ▁Later ▁works ▁focused ▁on ▁more ▁modern ▁them es : ▁rural ▁life , ▁going ▁to ▁war |
, ▁religion ▁in ▁modern ▁times ▁and ▁conflicts ▁between ▁" small ▁town ▁mor ality " ▁and ▁mass ▁media / pop ▁culture . ▁ ▁Nov els ▁like ▁In ▁the ▁House ▁of ▁the ▁Lord ▁expl ored ▁more ▁religious / sp irit ual ▁them es . ▁W ander er ▁Spr ings ▁adopted ▁the ▁g ently ▁sat ir ical ▁tone ▁of ▁his ▁earlier ▁works ▁while ▁also ▁exam ining ▁the ▁inter connected ness ▁between ▁people ▁and ▁families ▁in ▁a ▁small ▁Texas ▁town ▁( inv iting ▁comparison ▁to ▁writers ▁like ▁El mer ▁Kel ton ▁or ▁G arrison ▁Ke ill or ). ▁ ▁The ▁Last ▁K lick ▁touch es ▁upon ▁them es ▁of ▁his ▁service ▁in ▁the ▁Vietnam ▁War ▁( re min is cent ▁of ▁novel ist ▁Tim ▁O ' B rien ). ▁In ▁his ▁latest ▁novel ▁T ie - F ast ▁Country , ▁F lyn n ▁returns ▁to ▁earlier ▁them es , ▁dep ict ing ▁a ▁grand m other ▁ran cher ▁with ▁a ▁check ered ▁past ▁who ▁is ▁out ▁of ▁sync ▁with ▁contemporary ▁life . ▁( The ▁narr ator , ▁on ▁the ▁other ▁hand , ▁is ▁a ▁TV ▁news ▁producer ▁who ▁has ▁to ▁confront ▁her ). ▁ ▁F lyn n ' s ▁short ▁stories ▁touch ▁upon ▁more ▁serious ▁them es ▁and ▁are ▁written ▁perhaps ▁with ▁a ▁more ▁lyr ical ▁style . ▁ ▁In ▁ 2 0 1 0 ▁and ▁ 2 0 1 1 , ▁F lyn n ▁ ▁published ▁two ▁nov els ▁through ▁Jo S ara ▁Me D ia , ▁J ade : Out law ▁and ▁its ▁sequ el |
, ▁J ade : ▁the ▁Law . ▁Both ▁nov els ▁port ray ▁the ▁gr im ▁real ities ▁of ▁living ▁in ▁west ▁Texas ▁in ▁the ▁late ▁ 1 9 th ▁century ▁where ▁sett lers / Ind ians / M ex icans ▁frequently ▁cl ash . ▁J ade , ▁the ▁protagon ist , ▁is ▁h ired ▁as ▁an ▁ ▁esc ort ▁for ▁cattle , ▁guard ing ▁property ▁and ▁ch asing ▁after ▁rust lers . ▁He ▁quickly ▁disco vers ▁that ▁just ▁to ▁do ▁his ▁job ▁means ▁getting ▁involved ▁in ▁brut al ▁situations ▁that ▁trouble ▁his ▁conscience . ▁J ade ▁ends ▁up ▁falling ▁in ▁love ▁with ▁Crow ▁Po ison , ▁an ▁Indian ▁woman ▁whose ▁husband ▁he ▁had ▁killed . ▁Event ually ▁he ▁real izes ▁that ▁both ▁sides ▁have ▁cul p ability . ▁His ▁out rage ▁transl ates ▁into ▁a ▁desire ▁to ▁fight ▁for ▁the ▁sake ▁of ▁justice ▁( even ▁if ▁it ▁results ▁in ▁tra ged y ). ▁At ▁the ▁end ▁of ▁the ▁novel , ▁J ade ▁( with ▁the ▁support ▁of ▁his ▁wife ) ▁agre es ▁to ▁serve ▁as ▁sh er iff ▁for ▁his ▁town ▁( which ▁becomes ▁the ▁basis ▁for ▁the ▁sequ el , ▁J ade : ▁The ▁Law ). ▁Of ▁this ▁e book , ▁San ▁Antonio ▁Express ▁News ▁book ▁rev iewer ▁Ed ▁Con roy ▁writes : ▁" F lyn n ▁br illi antly ▁emp lo ys ▁a ▁directly ▁simple , ▁subt le ▁and ▁at ▁times ▁s ard onic ▁narr ative ▁voice ▁to ▁tell ▁this ▁tale . ▁It ▁is ▁altern ately ▁t ough ▁and ▁tender , |
▁succ inct ▁and ▁sweet , ▁c aden ced ▁to ▁the ▁clip - c lop ▁of ▁a ▁horse ▁tro tt ing ▁down ▁Main ▁Street , ▁the ▁h ull ab al oo ▁of ▁a ▁steam ▁locomot ive ▁triumph antly ▁making ▁its ▁way ▁into ▁town ▁amid ▁a ▁j ub il ant ▁crowd ' s ▁ho op la , ▁and , ▁of ▁course , ▁to ▁the ▁sh ots ▁of ▁guns ▁of ▁many ▁kinds ▁fired ▁in ▁self - def ense , ▁anger , ▁tre ach ery ▁and ▁has te .... T hr ough ▁chron ic ling ▁J ade ' s ▁strugg les ▁to ▁bring ▁some ▁ordinary ▁order ▁into ▁what ▁eventually ▁becomes ▁J ade ▁Town , ▁F lyn n ▁makes ▁clear ▁that ▁the ▁cost ▁of ▁many ▁of ▁our ▁male ▁ancest ors ' ▁gen oc idal ▁policies ▁toward ▁Indians , ▁system atic ▁ab use ▁of ▁women ▁and ▁fear s ▁of ▁the ▁" m ong rel ization " ▁of ▁the ▁" white ▁race " ▁was ▁massive ▁social ▁tra uma ▁of ▁imm ens ely ▁trag ic ▁proport ions ." ▁ ▁F lyn n ▁was ▁induct ed ▁into ▁the ▁Texas ▁Liter ary ▁Hall ▁of ▁Fame ▁in ▁October ▁ 2 0 1 2 . ▁ ▁F lyn n ▁taught ▁writing ▁to ▁college ▁students ▁over ▁four ▁dec ades . ▁In ▁a ▁ 2 0 0 7 ▁audio ▁interview , ▁he ▁said , ▁ ▁" You ▁can ▁read ▁any ▁book ▁on ▁writing ▁fiction ▁for ▁example , ▁and ▁they ▁will ▁tell ▁you ▁the ▁same ▁thing . ▁Some one ▁may ▁say ▁it ▁in ▁a ▁different ▁way ▁that ▁gives |
▁you ▁better ▁insight , ▁but ▁there ▁are ▁ ▁no ▁secre ts ▁in ▁writing ; ▁it ' s ▁just ▁a ▁matter ▁of ▁doing ▁it ." ▁ ▁Early ▁life ▁and ▁education ▁F lyn n ▁joined ▁the ▁Mar ines ▁and ▁served ▁for ▁two ▁years ▁during ▁the ▁Korea ▁War ▁era . ▁In ▁ 1 9 5 4 , ▁he ▁received ▁drama ▁degree ▁from ▁Bay lor ▁University . ▁In ▁ 1 9 7 0 , ▁during ▁the ▁Vietnam ▁War , ▁F lyn n ▁embedded ▁with ▁G olf ▁Company , ▁ 2 nd ▁Battalion , ▁ 5 th ▁Mar ines ▁as ▁a ▁civil ian ▁war ▁correspond ent ▁for ▁two ▁months . ▁ ▁Bibli ography ▁ ▁Nov els ▁North ▁To ▁Y esterday ▁In ▁the ▁House ▁of ▁the ▁Lord ▁The ▁S ounds ▁of ▁Res cue , ▁The ▁Sign s ▁of ▁Hope ▁W ander er ▁Spr ings ▁The ▁Last ▁K lick ▁The ▁Dev il ' s ▁T iger , ▁with ▁Dan ▁Kle pper ▁T ie - F ast ▁Country ▁J ade : ▁The ▁Out law ▁( ebook ▁+ ▁p b ) ▁Jo S ara ▁Me D ia ▁( Se ptember ▁ 1 , ▁ 2 0 1 0 ) ▁J ade : ▁The ▁Law ▁( ebook ▁+ ▁p b ) ▁Jo S ara ▁Me D ia ▁( Oct ober ▁ 2 0 1 1 ) ▁ ▁Vietnam ▁Mem oir ▁A ▁Personal ▁War ▁In ▁Vietnam ▁ ▁Short ▁story ▁collections ▁Living ▁with ▁the ▁Hy enas ▁Season al ▁Rain ▁Sl ouch ing ▁towards ▁Z ion ▁ ▁Ess ays ▁When ▁I ▁was ▁Just ▁Your ▁Age , |
▁or al ▁histor ies , ▁edited ▁with ▁Susan ▁Russell ▁G row ing ▁Up ▁a ▁S ull en ▁Bapt ist ▁Paul ▁Baker ▁and ▁the ▁Integr ation ▁of ▁Ab ilities ▁ ▁Relig ious / social ▁ess ays ▁The ▁Most ▁Fam ous ▁Christian ▁of ▁the ▁ 2 0 th ▁century ? ▁For ▁the ▁love ▁of ▁A ga pe ▁ ▁References ▁ ▁Further ▁reading ▁Art ▁at ▁Our ▁Do or step : ▁San ▁Antonio ▁Writ ers ▁and ▁Art ists ▁featuring ▁Robert ▁F lyn n . ▁Ed ited ▁by ▁Nan ▁Cuba ▁and ▁R iley ▁Robinson ▁( Tr inity ▁University ▁Press , ▁ 2 0 0 8 ). ▁ ▁External ▁links ▁ ▁Inter view ▁with ▁Robert ▁F lyn n ( about ▁his ▁book ▁G row ing ▁Up ▁a ▁S ull en ▁Bapt ist ). ▁ ▁The ▁Do or : ▁The ▁World ' s ▁Pre tty ▁Much ▁Only ▁Magazine ▁of ▁Relig ious ▁Sat ire . ▁Ess ay ▁by ▁Robert ▁F lyn n . ▁Robert ▁F lyn n ' s ▁Author ▁Website ▁▁ 2 0 0 7 ▁Inter view ▁with ▁Texas ▁Author ▁Robert ▁F lyn n ▁( audio ) ▁ 2 0 1 9 ▁hum orous ▁reading ▁ ▁at ▁ ▁Pe cha K ucha ▁San ▁Antonio ▁Vol . ▁ 3 6 . ▁Sub ject ▁was ▁growing ▁up ▁as ▁a ▁ ▁Southern ▁Bapt ist ▁from ▁the ▁small ▁town ▁of ▁Ch ill ic othe , ▁Texas . ▁( video ) ▁ ▁Category : 1 9 3 2 ▁birth s ▁Category : L iving ▁people ▁Category : 2 0 th - century ▁American ▁novel ists |
▁Category : 2 1 st - century ▁American ▁novel ists ▁Category : American ▁male ▁novel ists ▁Category : American ▁war ▁correspond ents ▁of ▁the ▁Vietnam ▁War ▁Category : West ern ▁( gen re ) ▁writers ▁Category : W rit ers ▁from ▁San ▁Antonio ▁Category : Nov el ists ▁from ▁Texas ▁Category : Pe ople ▁from ▁Ch ill ic othe , ▁Texas ▁Category : Un ited ▁States ▁Mar ines <0x0A> </s> ▁Ort ol anus ▁( fl . ▁ 1 3 0 0 ), ▁also ▁known ▁as ▁H ort ul anus , ▁was ▁a ▁medieval ▁al chem ist . ▁Little ▁information ▁exists ▁about ▁his ▁life ▁and ▁identity . ▁He ▁is ▁best ▁known ▁for ▁his ▁influ ential ▁comment ary ▁on ▁The ▁Emer ald ▁Table t ▁entitled ▁Liber ▁super ▁text um ▁Herm et is . ▁It ▁was ▁composed ▁before ▁ 1 3 2 5 , ▁and ▁the ▁original ▁work ▁has ▁two ▁sections . ▁ ▁The ▁first ▁is ▁entitled ▁Spirit us ▁qu inte ▁ess ent ie ▁et ▁in ▁qu o ▁element o ▁habitat . ▁It ▁is ▁dedicated ▁to ▁making ▁a ▁pro dig ious ▁subst ance , ▁the ▁qu int ess ence , ▁from ▁a ▁myster ious ▁material ▁called ▁arg ento ▁v ivo , ▁which ▁happens ▁to ▁be ▁wine . ▁Orth olan ▁is ▁the ▁first ▁author ▁to ▁relate ▁alco hol ▁and ▁qu int ess ence , ▁half ▁a ▁century ▁before ▁Jean ▁de ▁Ro quet ail lade . ▁According ▁to ▁his ▁view , ▁the ▁qu int ess ence ▁would ▁have ▁a ▁universal ▁presence , ▁but ▁is ▁best ▁obtained ▁of ▁some |
▁subst ances ; ▁ide ally ▁the ▁wine . ▁ ▁The ▁second ▁part ▁is ▁a ▁theoretical ▁text . ▁It ▁is ▁written ▁as ▁a ▁comment ▁to ▁the ▁Emer ald ▁Table t ▁attributed ▁to ▁Herm es . ▁Its ▁theme ▁revol ves ▁around ▁the ▁prim ord ial ▁heat , ▁pra ised ▁by ▁Herm es ▁as ▁a ▁universal ▁substr ate ▁that ▁gives ▁dynam ism ▁to ▁the ▁whole ▁cos mos . ▁Ort ol anus ▁bel ieves ▁alco hol ▁or ▁qu int ess ence ▁is ▁the ▁hidden ▁prim ord ial ▁heat ▁in ▁all ▁material ▁things . ▁This ▁second ▁part ▁was ▁published ▁in ▁the ▁al chem ical ▁compilation ▁In ▁h oc ▁vol um ine ▁de ▁al chem ia ▁continent ur ▁h æ c ▁( 1 5 4 1 ). ▁ ▁It ▁was ▁printed ▁again ▁in ▁ 1 5 4 5 . ▁A ▁ 1 5 6 0 ▁edition ▁appeared ▁under ▁the ▁name ▁Comp end ium ▁al ch im iae ▁and ▁was ▁attributed ▁to ▁Johannes ▁de ▁Gar land ia ▁( ph il ologist ). ▁Another ▁edition ▁followed ▁in ▁ 1 5 7 1 . ▁With ▁this ▁w ides p read ▁publishing , ▁the ▁second ▁section ▁became ▁very ▁popular ▁among ▁al chem ists ▁of ▁the ▁Early ▁modern ▁period . ▁The ▁first ▁part , ▁which ▁was ▁never ▁published , ▁was ▁forgotten ▁and ▁no ▁one ▁related ▁Ort ol anus ▁to ▁the ▁development ▁of ▁the ▁concept ▁of ▁qu inta ess encia . ▁ ▁Identity ▁The ▁true ▁identity ▁of ▁Ort ol anus ▁is ▁unknown . ▁His ▁works ▁have ▁been ▁f als ely ▁attributed ▁to ▁Johannes ▁de ▁Gar |
land ia ▁( ph il ologist ) ▁( fl . ▁ 1 2 0 5 - 1 2 5 5 ), ▁and ▁more ▁probably ▁to ▁Jakob ▁Ort lein ▁of ▁N örd lingen ▁( fl . ▁ 1 2 7 5 - 1 3 2 5 ), ▁who ▁may ▁have ▁been ▁a ▁Domin ican ▁fri ar . ▁He ▁has ▁also ▁been ▁given ▁the ▁names ▁Martin ▁Ort olan ▁or ▁L orth ol ain ▁in ▁later ▁sources . ▁ ▁The ▁pre face ▁of ▁his ▁famous ▁comment ary ▁gives ▁a ▁hint ▁to ▁his ▁identity : ▁" I ▁H ort ul anus , ▁so ▁called ▁from ▁the ▁Gard ens ▁border ing ▁upon ▁the ▁sea ▁coast , ▁wrapped ▁in ▁a ▁I ac ob in ▁skin ne , ▁un worth y ▁to ▁be ▁called ▁a ▁Dis ci ple ▁of ▁Philosoph ie ... ". ▁ ▁Works ▁ ▁Ros arius ▁minor . ▁Can ▁be ▁found ▁in ▁the ▁M ell on ▁Collection , ▁pp Y ale ▁University ▁Library ]] ▁MS . ▁ 5 . ▁ ▁Text us ▁al kim ie . ▁ ▁Liber ▁super ▁text um ▁Herm et is ▁or ▁Comment ary ▁on ▁the ▁emer ald ▁table t ▁of ▁Herm es . ▁Ort ol anus ▁interpreted ▁the ▁text ▁of ▁the ▁Emer ald ▁Table t ▁as ▁an ▁alleg or ical ▁phys ico - chem ical ▁reci pe ▁for ▁the ▁Phil os opher ' s ▁Stone . ▁ ▁There ▁is ▁a ▁later ▁comment ary ▁by ▁an ▁al chem ist ▁called ▁John ▁B umb les ▁or ▁D omb el ay : ▁Pract ica ▁ver a ▁al |
chem ica . ▁It ▁was ▁completed ▁in ▁ 1 3 8 6 ▁and ▁dedicated ▁to ▁K uno ▁II ▁von ▁Fal ken stein . ▁This ▁work ▁claims ▁to ▁be ▁based ▁on ▁a ▁practice ▁done ▁by ▁the ▁author ▁himself ▁or ▁someone ▁else ▁in ▁ 1 3 5 8 . ▁ ▁References ▁ ▁Category : Med ieval ▁al chem ists ▁Category : 1 4 th - century ▁people <0x0A> </s> ▁In ▁tax onomy , ▁a ▁group ▁is ▁par ap hy let ic ▁if ▁it ▁consists ▁of ▁the ▁group ' s ▁last ▁common ▁ancest or ▁and ▁ ▁all ▁descend ants ▁of ▁that ▁ancest or ▁ex cluding ▁a ▁few — typ ically ▁only ▁one ▁or ▁two — mon oph y let ic ▁sub groups . ▁The ▁group ▁is ▁said ▁to ▁be ▁par ap hy let ic ▁with ▁respect ▁to ▁the ▁ex cluded ▁sub groups . ▁The ▁arrangement ▁of ▁the ▁members ▁of ▁a ▁par ap hy let ic ▁group ▁is ▁called ▁a ▁par ap hy ly . ▁The ▁term ▁is ▁commonly ▁used ▁in ▁ph y log en et ics ▁( a ▁sub field ▁of ▁bi ology ) ▁and ▁in ▁lingu istics . ▁▁ ▁The ▁term ▁was ▁co ined ▁to ▁apply ▁to ▁well - known ▁tax a ▁like ▁Re pt ilia ▁( re pt iles ) ▁which , ▁as ▁commonly ▁named ▁and ▁tradition ally ▁defined , ▁is ▁par ap hy let ic ▁with ▁respect ▁to ▁m amm als ▁and ▁birds . ▁Re pt ilia ▁contains ▁the ▁last ▁common ▁ancest or ▁of ▁re pt iles ▁and ▁all ▁descend ants ▁of ▁that |
▁ancest or , ▁including ▁all ▁ext ant ▁re pt iles ▁as ▁well ▁as ▁the ▁ext inct ▁syn aps ids , ▁except ▁for ▁m amm als ▁and ▁birds . ▁ ▁Other ▁commonly ▁recognized ▁par ap hy let ic ▁groups ▁include ▁fish , ▁mon keys , ▁and ▁l iz ards . ▁ ▁If ▁many ▁sub groups ▁are ▁missing ▁from ▁the ▁named ▁group , ▁it ▁is ▁said ▁to ▁be ▁poly par ap hy let ic . ▁A ▁par ap hy let ic ▁group ▁cannot ▁be ▁a ▁cla de , ▁or ▁mon oph y let ic ▁group , ▁which ▁is ▁any ▁group ▁of ▁species ▁that ▁includes ▁a ▁common ▁ancest or ▁and ▁all ▁of ▁its ▁descend ants . ▁Form ally , ▁a ▁par ap hy let ic ▁group ▁is ▁the ▁relative ▁complement ▁of ▁one ▁or ▁more ▁sub cl ades ▁within ▁a ▁cla de : ▁removing ▁one ▁or ▁more ▁sub cl ades ▁leaves ▁a ▁par ap hy let ic ▁group . ▁ ▁Et ym ology ▁ ▁The ▁term ▁par ap hy ly , ▁or ▁par ap hy let ic , ▁der ives ▁from ▁the ▁two ▁An cient ▁Greek ▁words ▁ ▁( ), ▁meaning ▁" bes ide , ▁near ", ▁and ▁ ▁( ), ▁meaning ▁" gen us , ▁species ", ▁and ▁refers ▁to ▁the ▁situation ▁in ▁which ▁one ▁or ▁several ▁mon oph y let ic ▁sub groups ▁of ▁organ isms ▁( e . g ., ▁gener a , ▁species ) ▁are ▁left ▁apart ▁from ▁all ▁other ▁descend ants ▁of ▁a ▁unique ▁common ▁ancest or . ▁ ▁Con vers ely |
, ▁the ▁term ▁mon oph y ly , ▁or ▁mon oph y let ic , ▁builds ▁on ▁the ▁An cient ▁Greek ▁prefix ▁ ▁( ), ▁meaning ▁" alone , ▁only , ▁unique ", ▁and ▁refers ▁to ▁the ▁fact ▁that ▁a ▁mon oph y let ic ▁group ▁includes ▁organ isms ▁consisting ▁of ▁all ▁the ▁descend ants ▁of ▁a ▁unique ▁common ▁ancest or . ▁ ▁By ▁comparison , ▁the ▁term ▁poly phy ly , ▁or ▁poly phy let ic , ▁uses ▁the ▁An cient ▁Greek ▁prefix ▁ ▁( ), ▁meaning ▁" many , ▁a ▁lot ▁of ", ▁and ▁refers ▁to ▁the ▁fact ▁that ▁a ▁poly phy let ic ▁group ▁includes ▁organ isms ▁ar ising ▁from ▁multiple ▁ancest ral ▁sources . ▁ ▁Ph y log en et ics ▁ ▁In ▁cl ad istics ▁▁ ▁Gr oups ▁that ▁include ▁all ▁the ▁descend ants ▁of ▁a ▁common ▁ancest or ▁are ▁said ▁to ▁be ▁mon oph y let ic . ▁A ▁par ap hy let ic ▁group ▁is ▁a ▁mon oph y let ic ▁group ▁from ▁which ▁one ▁or ▁more ▁subs idi ary ▁cl ades ▁( mon oph y let ic ▁groups ) ▁are ▁ex cluded ▁to ▁form ▁a ▁separate ▁group . ▁E res he f sky ▁has ▁argued ▁that ▁par ap hy let ic ▁tax a ▁are ▁the ▁result ▁of ▁an agen esis ▁in ▁the ▁ex cluded ▁group ▁or ▁groups . ▁ ▁A ▁group ▁whose ▁ident ifying ▁features ▁evol ved ▁conver g ently ▁in ▁two ▁or ▁more ▁line ages ▁is ▁poly phy let ic ▁( G reek ▁ |
π ο λ ύ ς ▁[ pol ys ], ▁" many "). ▁More ▁broad ly , ▁any ▁tax on ▁that ▁is ▁not ▁par ap hy let ic ▁or ▁mon oph y let ic ▁can ▁be ▁called ▁poly phy let ic . ▁ ▁These ▁terms ▁were ▁developed ▁during ▁the ▁deb ates ▁of ▁the ▁ 1 9 6 0 s ▁and ▁ 1 9 7 0 s ▁accomp any ing ▁the ▁rise ▁of ▁cl ad istics . ▁ ▁Par ap hy let ic ▁group ings ▁are ▁considered ▁problem atic ▁by ▁many ▁tax onom ists , ▁as ▁it ▁is ▁not ▁possible ▁to ▁talk ▁precisely ▁about ▁their ▁ph y log en etic ▁relationships , ▁their ▁characteristic ▁tra its ▁and ▁literal ▁ext inction . ▁Rel ated ▁termin ology ▁that ▁may ▁be ▁encountered ▁are ▁stem ▁group , ▁chron os pecies , ▁ ▁bud ding ▁cl ad ogen esis , ▁an agen esis , ▁or ▁' grade ' ▁group ings . ▁Par ap hy let ic ▁groups ▁are ▁often ▁a ▁re lic ▁from ▁previous ▁err one ous ▁assess ments ▁about ▁ph y log en ic ▁relationships , ▁or ▁from ▁before ▁the ▁rise ▁of ▁cl ad istics . ▁ ▁Ex amples ▁▁ ▁The ▁pro k ary otes ▁( single - cel led ▁life ▁forms ▁without ▁cell ▁nuc lei ), ▁because ▁they ▁exclude ▁the ▁e uk ary otes , ▁a ▁desc endant ▁group . ▁B acter ia ▁and ▁Arch ae a ▁are ▁pro k ary otes , ▁but ▁arch ae a ▁and ▁e uk ary otes ▁share ▁a ▁common ▁ancest or ▁that |
▁is ▁not ▁ancest ral ▁to ▁the ▁b acter ia . ▁The ▁pro k ary ote / e uk ary ote ▁distinction ▁was ▁proposed ▁by ▁Ed ou ard ▁Ch at ton ▁in ▁ 1 9 3 7 ▁and ▁was ▁generally ▁accepted ▁after ▁being ▁adopted ▁by ▁Roger ▁Stan ier ▁and ▁C . B . ▁van ▁N iel ▁in ▁ 1 9 6 2 . ▁The ▁botan ical ▁code ▁( the ▁IC B N , ▁now ▁the ▁I CN ) ▁abandoned ▁consideration ▁of ▁b acter ial ▁nom en cl ature ▁in ▁ 1 9 7 5 ; ▁currently , ▁pro k ary otic ▁nom en cl ature ▁is ▁reg ulated ▁under ▁the ▁I CN B ▁with ▁a ▁starting ▁date ▁of ▁ 1 ▁January ▁ 1 9 8 0 ▁( in ▁contrast ▁to ▁a ▁ 1 7 5 3 ▁start ▁date ▁under ▁the ▁IC B N / IC N ). ▁ ▁Among ▁plants , ▁dic oty led ons ▁( in ▁the ▁traditional ▁sense ) ▁are ▁par ap hy let ic ▁because ▁the ▁group ▁ex cludes ▁mon oc oty led ons . ▁" D ic oty led on " ▁has ▁not ▁been ▁used ▁as ▁a ▁botan ic ▁classification ▁for ▁dec ades , ▁but ▁is ▁allowed ▁as ▁a ▁syn onym ▁of ▁Magn oli ops ida . ▁Ph y log en etic ▁analysis ▁indicates ▁that ▁the ▁mon oc ots ▁are ▁a ▁development ▁from ▁a ▁dic ot ▁ancest or . ▁Ex cluding ▁mon oc ots ▁from ▁the ▁dic ots ▁makes ▁the ▁latter ▁a ▁par ap hy let ic ▁group . ▁ |
▁Among ▁animals , ▁several ▁familiar ▁groups ▁are ▁not , ▁in ▁fact , ▁cl ades . ▁The ▁order ▁Ar ti od act y la ▁( even - to ed ▁ung ul ates ) ▁is ▁par ap hy let ic ▁because ▁it ▁ex cludes ▁Cet ace ans ▁( wh ales , ▁dol ph ins , ▁etc .). ▁In ▁the ▁IC Z N ▁Code , ▁the ▁two ▁tax a ▁are ▁orders ▁of ▁equal ▁rank . ▁M ole cular ▁studies , ▁however , ▁have ▁shown ▁that ▁the ▁Cet ace a ▁descend ▁from ▁art iod act yl ▁ancest ors , ▁although ▁the ▁precise ▁ph y log eny ▁within ▁the ▁order ▁remains ▁uncertain . ▁Without ▁the ▁Cet ace an ▁descend ants ▁the ▁Ar ti od act yl s ▁must ▁be ▁par ap hy let ic . ▁The ▁class ▁Re pt ilia ▁as ▁tradition ally ▁defined ▁is ▁par ap hy let ic ▁because ▁it ▁ex cludes ▁birds ▁( class ▁A ves ) ▁and ▁m amm als . ▁In ▁the ▁IC Z N ▁Code , ▁the ▁three ▁tax a ▁are ▁classes ▁of ▁equal ▁rank . ▁However , ▁m amm als ▁ha il ▁from ▁the ▁syn aps ids ▁( which ▁were ▁once ▁described ▁as ▁" m amm al - like ▁re pt iles ") ▁and ▁birds ▁are ▁desc ended ▁from ▁the ▁din osa urs ▁( a ▁group ▁of ▁Dia ps ida ), ▁both ▁of ▁which ▁are ▁re pt iles . ▁Alternatively , ▁re pt iles ▁are ▁par ap hy let ic ▁because ▁they ▁gave ▁rise ▁to ▁( only ) ▁birds . ▁Bird |
s ▁and ▁re pt iles ▁together ▁make ▁Sau ro ps ids . ▁O ste ich th yes , ▁b ony ▁fish , ▁are ▁par ap hy let ic ▁when ▁they ▁include ▁only ▁Act in opter yg ii ▁( ray - f inned ▁fish ) ▁and ▁S arc opter yg ii ▁( lung fish , ▁etc .), ▁ex cluding ▁t et rap ods ; ▁more ▁recently , ▁O ste ich th yes ▁is ▁treated ▁as ▁a ▁cla de , ▁including ▁the ▁t et rap ods . ▁The ▁was ps ▁are ▁par ap hy let ic , ▁consisting ▁of ▁the ▁narrow - wa isted ▁Ap oc rita ▁without ▁the ▁an ts ▁and ▁be es . ▁The ▁saw f lies ▁( Sym phy ta ) ▁are ▁similarly ▁par ap hy let ic , ▁forming ▁all ▁of ▁the ▁H ymen optera ▁except ▁for ▁the ▁Ap oc rita , ▁a ▁cla de ▁deep ▁within ▁the ▁saw fly ▁tree . ▁Cr ust ace ans ▁are ▁not ▁a ▁cla de ▁because ▁the ▁H ex ap oda ▁( in sect s ) ▁are ▁ex cluded . ▁The ▁modern ▁cla de ▁that ▁sp ans ▁all ▁of ▁them ▁is ▁the ▁T etra con ata . ▁ ▁Par ap hy ly ▁in ▁species ▁▁ ▁Species ▁have ▁a ▁special ▁status ▁in ▁system at ics ▁as ▁being ▁an ▁observable ▁feature ▁of ▁nature ▁itself ▁and ▁as ▁the ▁basic ▁unit ▁of ▁classification . ▁The ▁ph y log en etic ▁species ▁concept ▁requires ▁species ▁to ▁be ▁mon oph y let ic , ▁but ▁par ap hy let ic ▁species |
▁are ▁common ▁in ▁nature . ▁Par ap hy ly ▁is ▁common ▁in ▁spe ci ation , ▁where by ▁a ▁mother ▁species ▁( a ▁par as pecies ) ▁gives ▁rise ▁to ▁a ▁daughter ▁species ▁without ▁itself ▁becoming ▁ext inct . ▁Research ▁indicates ▁as ▁many ▁as ▁ 2 0 ▁percent ▁of ▁all ▁animal ▁species ▁and ▁between ▁ 2 0 ▁and ▁ 5 0 ▁percent ▁of ▁plant ▁species ▁are ▁par ap hy let ic . ▁Account ing ▁for ▁these ▁facts , ▁some ▁tax onom ists ▁argue ▁that ▁par ap hy ly ▁is ▁a ▁trait ▁of ▁nature ▁that ▁should ▁be ▁acknowled ged ▁at ▁higher ▁tax onom ic ▁levels . ▁ ▁Us es ▁for ▁par ap hy let ic ▁groups ▁▁ ▁When ▁the ▁appearance ▁of ▁significant ▁tra its ▁has ▁led ▁a ▁sub cla de ▁on ▁an ▁evolution ary ▁path ▁very ▁diver gent ▁from ▁that ▁of ▁a ▁more ▁inclus ive ▁cla de , ▁it ▁often ▁makes ▁sense ▁to ▁study ▁the ▁par ap hy let ic ▁group ▁that ▁remains ▁without ▁considering ▁the ▁larger ▁cla de . ▁For ▁example , ▁the ▁Ne ogene ▁evolution ▁of ▁the ▁Ar ti od act y la ▁( even - to ed ▁ung ul ates , ▁like ▁de er ) ▁has ▁taken ▁place ▁in ▁an ▁environment ▁so ▁different ▁from ▁that ▁of ▁the ▁Cet ace a ▁( wh ales , ▁dol ph ins , ▁and ▁por po ises ) ▁that ▁the ▁Ar ti od act y la ▁are ▁often ▁studied ▁in ▁isol ation ▁even ▁though ▁the ▁cet ace ans ▁are ▁a ▁desc endant ▁group . ▁The ▁pro |
k ary ote ▁group ▁is ▁another ▁example ; ▁it ▁is ▁par ap hy let ic ▁because ▁it ▁ex cludes ▁many ▁of ▁its ▁desc endant ▁organ isms ▁( the ▁e uk ary otes ), ▁but ▁it ▁is ▁very ▁useful ▁because ▁it ▁has ▁a ▁clearly ▁defined ▁and ▁significant ▁distinction ▁( abs ence ▁of ▁a ▁cell ▁nucle us , ▁a ▁pl esi omorph y ) ▁from ▁its ▁ex cluded ▁descend ants . ▁ ▁Also , ▁par ap hy let ic ▁groups ▁are ▁involved ▁in ▁evolution ary ▁trans itions , ▁the ▁development ▁of ▁the ▁first ▁t et rap ods ▁from ▁their ▁ancest ors ▁for ▁example . ▁Any ▁name ▁given ▁to ▁these ▁ancest ors ▁to ▁distinguish ▁them ▁from ▁t et rap ods — " fish ", ▁for ▁example — necess arily ▁pick s ▁out ▁a ▁par ap hy let ic ▁group , ▁because ▁the ▁desc endant ▁t et rap ods ▁are ▁not ▁included . ▁ ▁The ▁term ▁" e volution ary ▁grade " ▁is ▁sometimes ▁used ▁for ▁par ap hy let ic ▁groups . ▁Moreover , ▁the ▁concepts ▁of ▁mon oph y ly , ▁par ap hy ly , ▁and ▁poly phy ly ▁have ▁been ▁used ▁in ▁ded uc ing ▁key ▁gen es ▁for ▁bar c oding ▁of ▁diverse ▁group ▁of ▁species . ▁ ▁Independ ently ▁evol ved ▁tra its ▁▁ ▁Viv ip ar ity , ▁the ▁production ▁of ▁off spring ▁without ▁the ▁lay ing ▁of ▁a ▁fert il ized ▁egg , ▁developed ▁independently ▁in ▁the ▁line ages ▁that ▁led ▁to ▁humans ▁( H omo ▁s api ens |
) ▁and ▁southern ▁water ▁sk inks ▁( E ul amp us ▁tym pan um , ▁a ▁kind ▁of ▁l izard ). ▁Put ▁another ▁way , ▁at ▁least ▁one ▁of ▁the ▁line ages ▁that ▁led ▁to ▁these ▁species ▁from ▁their ▁last ▁common ▁ancest or ▁contains ▁non viv ip ar ous ▁animals , ▁the ▁p ely c osa urs ▁ancest ral ▁to ▁m amm als ; ▁viv ip ary ▁appeared ▁subsequently ▁in ▁the ▁m amm al ▁line age . ▁ ▁Independ ently - develop ed ▁tra its ▁like ▁these ▁cannot ▁be ▁used ▁to ▁distinguish ▁par ap hy let ic ▁groups ▁because ▁par ap hy ly ▁requires ▁the ▁ex cluded ▁groups ▁to ▁be ▁mon oph y let ic . ▁P ely c osa urs ▁were ▁desc ended ▁from ▁the ▁last ▁common ▁ancest or ▁of ▁sk inks ▁and ▁humans , ▁so ▁viv ip ary ▁could ▁be ▁par ap hy let ic ▁only ▁if ▁the ▁p ely c osa urs ▁were ▁part ▁of ▁an ▁ex cluded ▁mon oph y let ic ▁group . ▁Because ▁this ▁group ▁is ▁mon oph y let ic , ▁it ▁contains ▁all ▁descend ants ▁of ▁the ▁p ely c osa urs ; ▁because ▁it ▁is ▁ex cluded , ▁it ▁contains ▁no ▁viv ip ar ous ▁animals . ▁This ▁does ▁not ▁work , ▁because ▁humans ▁are ▁among ▁these ▁descend ants . ▁Viv ip ary ▁in ▁a ▁group ▁that ▁includes ▁humans ▁and ▁sk inks ▁cannot ▁be ▁par ap hy let ic . ▁ ▁Not ▁par ap hy ly ▁▁▁ ▁Am ph ib ious ▁fish ▁are ▁poly |
phy let ic , ▁not ▁par ap hy let ic . ▁Although ▁they ▁appear ▁similar , ▁several ▁different ▁groups ▁of ▁am ph ib ious ▁fish es ▁such ▁as ▁mud ski ppers ▁and ▁lung fish es ▁evol ved ▁independently ▁in ▁a ▁process ▁of ▁conver gent ▁evolution ▁in ▁distant ▁relatives ▁faced ▁with ▁similar ▁e colog ical ▁circumstances . ▁ ▁Fl ight less ▁birds ▁are ▁poly phy let ic ▁because ▁they ▁independently ▁( in ▁parallel ) ▁lost ▁the ▁ability ▁to ▁fly . ▁ ▁Anim als ▁with ▁a ▁d ors al ▁fin ▁are ▁not ▁par ap hy let ic , ▁even ▁though ▁their ▁last ▁common ▁ancest or ▁may ▁have ▁had ▁such ▁a ▁fin , ▁because ▁the ▁Mes oz o ic ▁ancest ors ▁of ▁por po ises ▁did ▁not ▁have ▁such ▁a ▁fin , ▁whereas ▁pre - M es oz o ic ▁fish ▁did ▁have ▁one . ▁ ▁Qu ad ru ped al ▁arch osa urs ▁are ▁not ▁a ▁par ap hy let ic ▁group . ▁B ip ed al ▁din osa urs ▁like ▁E or apt or , ▁ancest ral ▁to ▁quad ru ped al ▁ones , ▁were ▁descend ants ▁of ▁the ▁last ▁common ▁ancest or ▁of ▁quad ru ped al ▁din osa urs ▁and ▁other ▁quad ru ped al ▁arch osa urs ▁like ▁the ▁cro cod ili ans . ▁ ▁Non - ex ha ust ive ▁list ▁of ▁par ap hy let ic ▁groups ▁ ▁The ▁following ▁list ▁rec ap itul ates ▁a ▁number ▁of ▁par ap hy let ic ▁groups ▁proposed ▁in ▁the ▁literature , |
▁and ▁provides ▁the ▁corresponding ▁mon oph y let ic ▁tax a . ▁ ▁L ingu istics ▁▁ ▁The ▁concept ▁of ▁par ap hy ly ▁has ▁also ▁been ▁applied ▁to ▁historical ▁lingu istics , ▁where ▁the ▁methods ▁of ▁cl ad istics ▁have ▁found ▁some ▁utility ▁in ▁comparing ▁languages . ▁For ▁instance , ▁the ▁Form os an ▁languages ▁form ▁a ▁par ap hy let ic ▁group ▁of ▁the ▁Aust ron esian ▁languages ▁because ▁they ▁consist ▁of ▁the ▁nine ▁branches ▁of ▁the ▁Aust ron esian ▁family ▁that ▁are ▁not ▁Mal ay o - Pol yn esian ▁and ▁are ▁restricted ▁to ▁the ▁island ▁of ▁Taiwan . ▁ ▁See ▁also ▁▁ ▁G loss ary ▁of ▁scientific ▁naming ▁ ▁Notes ▁ ▁References ▁ ▁Bibli ography ▁▁▁▁▁ ▁Par ap hy let ic ▁groups ▁as ▁natural ▁units ▁of ▁bi ological ▁classification ▁ ▁External ▁links ▁▁▁▁▁ ▁Category : Ph y log en et ics ▁Category : Par ap hy let ic ▁groups <0x0A> </s> ▁Pu ig au de au ▁is ▁a ▁surname . ▁Notable ▁people ▁with ▁the ▁surname ▁include : ▁▁ ▁Ferdinand ▁du ▁Pu ig au de au ▁( 1 8 6 4 – 1 9 3 0 ), ▁French ▁painter ▁Od ette ▁du ▁Pu ig au de au ▁( 1 8 9 4 – 1 9 9 1 ), ▁French ▁eth n ologist <0x0A> </s> ▁Jeff ▁Hart ▁and ▁the ▁Ru ins ▁were ▁a ▁four - pie ce ▁Amer icana ▁and ▁alt . country - sty led ▁power ▁pop ▁band ▁composed ▁of ▁Jeff ▁Hart ▁( mus ician ), ▁Brian ▁Yam am oto |
, ▁Sym en ▁Bl umen feld ▁and ▁John ▁Flow ers . ▁After ▁ 2 3 ▁years ▁under ▁that ▁name , ▁they ▁became ▁Jefferson ▁Hart ▁& ▁The ▁G hosts ▁of ▁the ▁Old ▁North ▁State ▁in ▁January ▁ 2 0 1 3 . ▁ ▁Career ▁Jeff ▁Hart ▁and ▁the ▁Ru ins ▁was ▁formed ▁in ▁January ▁ 1 9 9 0 ▁by ▁Jeff ▁Hart , ▁along ▁with ▁bass ist ▁Ch ip ▁Robinson ▁and ▁drum mer ▁John ▁Flow ers . ▁ ▁As ▁with ▁musical ▁prede cess ors ▁The ▁By rd s , ▁Tom ▁Pet ty , ▁and ▁The ▁K inks ▁( Mus well ▁Hill b ill ies ▁era ) ▁and ▁contempor aries ▁like ▁Paul ▁West er berg ▁and ▁The ▁Jay h aw ks , ▁the ▁music ▁of ▁the ▁band ▁st ray s ▁into ▁both ▁the ▁" alt . country " ▁and ▁power ▁pop ▁styles ▁of ▁rock ▁and ▁roll . ▁Don ▁Ba iley ▁later ▁joined ▁the ▁original ▁three ▁to ▁round ▁out ▁the ▁first ▁era ▁of ▁the ▁band . ▁ ▁Jeff ▁Hart : ▁The ▁Singles ▁ 1 9 6 0 - 1 9 9 0 ▁Their ▁debut ▁CD ▁was ▁released ▁in ▁November ▁ 1 9 9 0 ▁and ▁entitled ▁Jeff ▁Hart : ▁The ▁Singles ▁ 1 9 6 0 - 1 9 9 0 ▁( B omb ay ▁Records ▁A BR - 0 0 1 ). ▁Though ▁Jeff ▁Hart ▁and ▁the ▁Ru ins ▁played ▁live ▁in ▁support ▁of ▁the ▁CD , ▁the ▁record ings ▁were ▁essentially ▁a ▁solo ▁anth ology ▁of ▁studio ▁material ▁that ▁Hart ▁wrote ▁and ▁sang ▁from |
▁his ▁previous ▁bands . ▁ ▁This ▁consisted ▁of ▁se lections ▁from ▁the ▁North ▁Carolina ▁alt . country ▁pione ers ▁The ▁H anks , ▁The ▁R ag d ads ▁and ▁some ▁ac oust ic ▁sessions ▁at ▁D uck ▁K ee ▁Studio ▁with ▁Jerry ▁K ee , ▁Ron ▁Bar th ol ome w , ▁Ch ip ▁Robinson , ▁D anny ▁Mos es ▁and ▁Steve ▁How ell . ▁ ▁Gl ances ▁From ▁a ▁N erv ous ▁Gro om ▁Following ▁the ▁departure ▁of ▁Robinson , ▁Ba iley ▁and ▁Flow ers ▁in ▁ 1 9 9 1 , ▁numerous ▁members ▁( not ably ▁Dave ▁Bar th ol ome w ▁of ▁T res ▁Ch icas ▁and ▁D anny ▁Kurt z ▁of ▁Wh is key town ▁and ▁The ▁Back sl iders ) ▁and ▁bass ist ▁Thomas ▁Wilson ▁filled ▁their ▁roles ▁in ▁the ▁short ▁term . ▁ ▁Begin ning ▁in ▁ 1 9 9 4 , ▁a ▁core ▁line up ▁of ▁Brian ▁Yam am oto ▁on ▁guitar ▁and ▁vocals , ▁Gl enn ▁Jones ▁on ▁bass ▁and ▁vocals ▁and ▁Bry an ▁S ode mann ▁on ▁drums ▁and ▁vocals ▁held ▁steady ▁until ▁ 1 9 9 6 . ▁ ▁The ▁next ▁CD , ▁Gl ances ▁From ▁a ▁N erv ous ▁Gro om ▁( B omb ay ▁Records ▁A BR - 0 0 2 ), ▁was ▁released ▁in ▁December ▁ 1 9 9 5 ▁and ▁recorded ▁with ▁this ▁new ▁line up . ▁ ▁It ▁was ▁the ▁first ▁( and ▁to ▁date ▁only ) ▁CD ▁cred ited ▁to ▁Jeff ▁Hart ▁and ▁the ▁Ru ins . |
▁ ▁Eric ▁Mid k iff ▁replaced ▁Gl enn ▁Jones ▁in ▁the ▁band ▁in ▁ 1 9 9 6 ▁and ▁played ▁guitar ▁while ▁Hart ▁moved ▁to ▁bass . ▁ ▁After ▁Mid k iff ' s ▁departure ▁in ▁ 1 9 9 6 , ▁Steve ▁His ada ▁replaced ▁him ▁on ▁guitar ▁and ▁occas ional ▁bass ▁while ▁Hart ▁split ▁bass ▁and ▁guitar ▁duties ▁with ▁His ada . ▁ ▁Jeff ▁Hart ▁and ▁the ▁Ru ins ▁dis band ed ▁in ▁July ▁ 1 9 9 8 . ▁ ▁Re union ▁After ▁a ▁five - year ▁hi atus , ▁Mid k iff ▁rejo ined ▁the ▁band ▁for ▁their ▁re union ▁in ▁April ▁ 2 0 0 3 ▁with ▁Sym en ▁Bl umen feld ▁on ▁bass ▁along ▁with ▁previous ▁members ▁Hart , ▁Yam am oto ▁and ▁S ode mann . ▁Mid k iff ▁took ▁time ▁off ▁again ▁in ▁ 2 0 0 8 . ▁Original ▁drum mer ▁John ▁Flow ers ▁rejo ined ▁briefly ▁in ▁ 2 0 1 0 ▁and ▁upon ▁his ▁departure , ▁he ▁was ▁replaced ▁by ▁Jim ▁Mc Ph ail . ▁Mc Ph ail ▁depart ed ▁in ▁July ▁ 2 0 1 2 ▁and ▁Flow ers ▁re - jo ined . ▁The ▁Ru ins ▁also ▁appear ▁on ▁ 7 ▁of ▁the ▁ 1 4 ▁songs ▁( Good bye ▁Anne ▁Sh ore ▁Good bye , ▁All ▁Al ong ▁the ▁Wall flow er , ▁View ▁Ye ▁Living , ▁Love ▁in ▁Return , ▁Better ▁Days , ▁Mar gar ite ▁and ▁Walk ing ▁Between ▁Rain dro ps ) on ▁Hart ' s |
▁December ▁ 2 0 1 1 ▁CD ▁release ▁" G hosts ▁of ▁the ▁Old ▁North ▁State ". ▁The ▁Hart , ▁Yam am oto , ▁Bl umen feld ▁and ▁Flow ers ▁line up ▁continues ▁to ▁be ▁active ▁today . ▁ ▁" You ▁and ▁Your ▁Kind ", ▁a ▁song ▁Hart ▁wrote ▁while ▁with ▁The ▁H anks , ▁but ▁played ▁for ▁the ▁better ▁part ▁of ▁a ▁de cade ▁with ▁The ▁Ru ins , ▁was ▁featured ▁in ▁the ▁" B et ty ▁and ▁Ver onica " ▁episode ▁in ▁the ▁first ▁season ▁of ▁the ▁W B ▁Network ▁show ▁Ver onica ▁Mars . ▁The ▁recording ▁used ▁was ▁from ▁a ▁ 2 0 0 3 ▁live ▁CD ▁by ▁The ▁Brown ▁Mountain ▁L ights , ▁Late ▁Show ▁at ▁the ▁C ave ▁( AB R - 0 0 3 ). ▁ ▁Jeff ▁Hart ' s ▁songs ▁" L ove ▁In ▁Return " ▁and ▁" So ▁Old " ▁have ▁also ▁been ▁covered ▁live ▁by ▁Chris ▁St ame y ▁and ▁Ch ip ▁Robinson ▁in ▁the ▁V ib ek ill ers ▁respectively . ▁ ▁Jefferson ▁Hart ▁& ▁The ▁G hosts ▁of ▁the ▁Old ▁North ▁State ▁ ▁The ▁band ▁renamed ▁itself ▁after ▁ 2 3 ▁years ▁as ▁Jeff ▁Hart ▁and ▁the ▁Ru ins ▁to ▁Jefferson ▁Hart ▁and ▁The ▁G hosts ▁of ▁the ▁Old ▁North ▁State ▁( after ▁the ▁album ▁of ▁the ▁same ▁name ) ▁in ▁February ▁ 2 0 1 3 . ▁Jeff ▁has ▁also ▁been ▁playing ▁solo ▁under ▁the ▁name ▁Jefferson ▁Hart ▁since ▁early ▁in ▁ 2 0 1 3 . ▁ ▁In ▁ 2 |
0 1 4 , ▁Jefferson ▁Hart ▁and ▁The ▁G hosts ▁of ▁the ▁Old ▁North ▁State ▁released , ▁Cor ol la ▁Pon ies ▁In ▁The ▁Snow , ▁which ▁was ▁the ▁cul min ation ▁of ▁a ▁ 1 2 - week ▁song ▁writing ▁project ▁in ▁which ▁Jeff ▁wrote ▁a ▁song ▁a ▁week ▁for ▁ 1 2 ▁weeks ▁and ▁posted ▁them ▁to ▁Sound Cloud . ▁The ▁title ▁track ▁was ▁inspired ▁by ▁a ▁YouTube ▁video ▁of ▁pon ies ▁running ▁on ▁the ▁North ▁Carolina ▁Out er ▁B anks ▁during ▁a ▁snow ▁storm . ▁ ▁References ▁ ▁S ources ▁▁ ▁No ▁De pression ▁issue ▁ ▁Another ▁No ▁De pression ▁issue ▁ ▁[ ▁All music . com ] ▁ ▁P ais le yp op . com ▁ ▁Ind y week . com ▁ 5 ▁January ▁ 2 0 0 5 ▁ ▁Ind y week . com ▁ 1 2 ▁February ▁ 2 0 0 3 ▁ ▁Ind y week . com ▁ 1 3 ▁February ▁ 2 0 0 2 ▁ ▁D riv em ag azine . net ▁ ▁Ind y week . com ▁ 1 6 ▁January ▁ 2 0 0 2 ▁ ▁Ver onica ▁Music ▁ ▁TV . com ▁Ver onica ▁Mars ▁ ▁UP N . com ▁Ver onica ▁Mars ▁ ▁Sm irk ing Ch imp . com ▁ ▁M eb tel . net ▁( Studio ) ▁ ▁M eb tel . net ▁ ▁i Pass . net ▁Comp ilation ▁of ▁print - only ▁reviews ▁from ▁ 1 9 9 5 ▁- ▁ 2 0 0 6 ▁from |
▁No ▁De pression , ▁J em ▁( J apan ), ▁Big ▁Take over ▁( N Y C ), ▁Circ us ▁( B rit ain ), ▁Mid western ▁Sk ies ▁( Sw eden ), ▁Not ▁L ame ▁( Den ver , ▁Co .), ▁P ais ley ▁Pop ▁( Port land , ▁OR ), ▁News ▁and ▁Ob server ▁( R ale igh , ▁NC ), ▁The ▁Independent ▁( D ur ham , ▁NC ). ▁ ▁Jeff ▁Hart , ▁The ▁Brown ▁Mountain ▁L ights , ▁The ▁Fro sted ▁Sug ar ▁Bomb s , ▁Chris ▁St ame y , ▁Ar rog ance , ▁Ver onica ▁Mars . ▁ ▁Category : American ▁alternative ▁country ▁groups <0x0A> </s> ▁" Th ose ▁Sex y ▁Sau cer ▁G als ▁( We Have L ove ▁Rem ix )" ▁is ▁the ▁fourth ▁single ▁by ▁The ▁Super ions , ▁a ▁side ▁project ▁of ▁Fred ▁Schne ider ▁of ▁The ▁B - 5 2 s . ▁ ▁From ▁April – J une ▁ 2 0 1 0 , ▁The ▁Super ions ▁held ▁a ▁rem ix ▁contest ▁for ▁their ▁song ▁" Th ose ▁Sex y ▁Sau cer ▁G als ", ▁the ▁Swedish ▁band ▁We Have L ove ▁was ▁chosen ▁as ▁the ▁winner ▁and ▁" Th ose ▁Sex y ▁Sau cer ▁G als ▁( We Have L ove ▁Rem ix )" ▁was ▁released ▁as ▁a ▁digital ▁single ▁on ▁i T unes ▁on ▁August ▁ 2 4 , ▁ 2 0 1 0 . ▁The ▁song ▁was ▁later ▁included ▁on ▁the ▁digital ▁" B on us ▁Track ▁Version " |
▁of ▁The ▁Super ions ▁EP ▁released ▁on ▁March ▁ 1 , ▁ 2 0 1 1 . ▁ ▁Track ▁listing ▁ ▁" Th ose ▁Sex y ▁Sau cer ▁G als ▁( We Have L ove ▁Rem ix )" ▁ 3 : 5 6 ▁ ▁Person nel ▁▁ ▁Production ▁ ▁Add itional ▁Rem ix ▁and ▁Production ▁by ▁We Have L ove ▁ ▁Art work : ▁Dan ▁Marshall ▁ ▁Music ▁video ▁A ▁music ▁video ▁by ▁Tom ▁Y az ▁st arring ▁the ▁bur les que ▁group ▁The ▁At omic ▁Bomb sh ells ▁was ▁released ▁on ▁YouTube ▁on ▁August ▁ 2 7 , ▁ 2 0 1 0 . ▁ ▁External ▁links ▁ ▁Those ▁Sex y ▁Sau cer ▁G als ▁( We Have L ove ▁Rem ix ) ▁- ▁Single ▁on ▁i T unes ▁ ▁References ▁ ▁Category : The ▁Super ions ▁songs ▁Category : S ongs ▁written ▁by ▁Fred ▁Schne ider ▁Category : 2 0 1 0 ▁songs <0x0A> </s> ▁The ▁Trans - S ah aran ▁C ounter ter ror ism ▁Part ners hip ▁( TS CT P ) ▁is ▁an ▁inter ag ency ▁plan ▁by ▁the ▁United ▁States ▁government , ▁combining ▁efforts ▁by ▁both ▁civil ▁and ▁military ▁ag encies , ▁" to ▁combat ▁terror ism ▁in ▁Trans - S ah aran ▁Africa . ▁The ▁military ▁component ▁of ▁T S CT I ▁compr ises ▁the ▁U . S . ▁efforts ▁of ▁Operation ▁End uring ▁Fre edom ▁- ▁Trans ▁Sah ara . ▁The ▁goal ▁of ▁T S CT I ▁is ▁to ▁counter ▁terror ist ▁influ ences ▁in |
▁the ▁region ▁and ▁assist ▁govern ments ▁to ▁better ▁control ▁their ▁territory ▁and ▁to ▁prevent ▁huge ▁tract s ▁of ▁largely ▁desert ed ▁African ▁territory ▁from ▁becoming ▁a ▁safe ▁haven ▁for ▁terror ist ▁groups ." ▁The ▁first ▁partner ▁nations ▁in ▁the ▁program ▁included ▁Al ger ia , ▁Ch ad , ▁M ali , ▁Maur it ania , ▁Mor oc co , ▁Niger , ▁Sen eg al , ▁Niger ia ▁and ▁Tun is ia . ▁ ▁Current ▁membership ▁includes ▁eleven ▁African ▁countries : ▁Al ger ia , ▁Bur k ina ▁F aso , ▁Lib ya , ▁Mor oc co , ▁Tun is ia , ▁Ch ad , ▁M ali , ▁Maur it ania , ▁Niger , ▁Niger ia , ▁and ▁Sen eg al . ▁The ▁goal ▁of ▁the ▁al liance ▁is ▁not ▁to ▁fight ▁in ▁hot ▁sp ots , ▁but ▁to ▁provide ▁prevent ive ▁training ▁and ▁eng agement ▁with ▁govern ments ▁to ▁help ▁prevent ▁the ▁growth ▁of ▁terror ist ▁organizations ▁in ▁the ▁partner ▁countries . ▁Ex erc ise ▁Fl int lock ▁ 2 0 0 5 , ▁a ▁joint ▁military ▁exercise ▁first ▁held ▁in ▁June ▁ 2 0 0 5 , ▁was ▁the ▁first ▁result ▁of ▁the ▁new ▁program . ▁ ▁The ▁Congress ▁approved ▁$ 5 0 0 ▁million ▁for ▁the ▁T S CT I ▁over ▁six ▁years ▁to ▁support ▁countries ▁involved ▁in ▁counter ter ror ism ▁against ▁thre ats ▁of ▁Al ▁Q a eda ▁operating ▁in ▁central ▁African ▁countries . ▁In ▁February ▁ 2 0 0 7 , ▁President ▁George ▁W . ▁Bush ▁also ▁author |
ized ▁the ▁creation ▁of ▁a ▁new ▁Africa ▁Command ▁to ▁be ▁established ▁by ▁September ▁ 2 0 0 7 , ▁under ▁which ▁future ▁African ▁contin ental ▁operations ▁would ▁be ▁conducted . ▁T S CT I ▁followed ▁the ▁Pan ▁Sah el ▁In iti ative ▁( P SI ), ▁which ▁began ▁in ▁ 2 0 0 2 ▁by ▁training ▁soldiers ▁from ▁M ali , ▁Maur it ania , ▁Niger ▁and ▁Ch ad ▁and ▁concluded ▁operations ▁in ▁December ▁ 2 0 0 4 . ▁ ▁Crit ics ▁of ▁the ▁initi ative ▁have ▁question ed ▁of ▁the ▁extent ▁and ▁presence ▁of ▁Islam ic - ext rem ist ▁terror ism ▁in ▁the ▁region ▁and ▁the ▁actions ▁and ▁past ▁behavior ▁of ▁some ▁of ▁the ▁partner ▁govern ments , ▁who ▁may ▁be ▁using ▁the ▁program ▁to ▁gain ▁training , ▁equipment ▁and ▁funds ▁in ▁order ▁to ▁effectively ▁control ▁and ▁repr ess ▁legit imate ▁dem ocr atic ▁movements ▁in ▁member ▁states , ▁or ▁to ▁fuel ▁wars ▁between ▁neighbor ing ▁African ▁countries . ▁ ▁Similar ▁questions ▁were ▁raised ▁about ▁the ▁T S CT I ' s ▁prede cess or , ▁the ▁Pan ▁Sah el ▁In iti ative . ▁ ▁Transfer ▁to ▁Afr ic om ▁On ▁October ▁ 1 , ▁ 2 0 0 8 , ▁ ▁responsibility ▁was ▁transferred ▁from ▁the ▁United ▁States ▁Central ▁Command ▁( C ENT COM ) ▁and ▁the ▁United ▁States ▁European ▁Command ▁( E U COM ) ▁to ▁the ▁United ▁States ▁Africa ▁Command ▁( AF R IC OM ) ▁as ▁it ▁assumed ▁authority ▁over ▁the ▁African ▁the ater ▁of ▁operations |
. ▁ ▁References ▁ ▁Further ▁reading ▁ ▁( 1 4 - A ug - 2 0 0 9 ) ▁▁▁ ▁Category : W ar ▁on ▁T error ▁Category : Counter - ter ror ism ▁in ▁the ▁United ▁States ▁Category : Counter - ter ror ism <0x0A> </s> ▁" What ' s ▁New ▁P uss y cat ?" ▁is ▁the ▁theme ▁song ▁for ▁the ▁e pon ym ous ▁movie , ▁s ung ▁by ▁Wel sh ▁singer ▁Tom ▁Jones , ▁and ▁written ▁by ▁B urt ▁Bach ar ach ▁and ▁Hal ▁David . ▁N omin ated ▁for ▁the ▁Academy ▁Award ▁for ▁Best ▁Original ▁Song ▁in ▁ 1 9 6 6 , ▁it ▁lost ▁to ▁" The ▁Sh adow ▁of ▁Your ▁Sm ile ". ▁It ▁was ▁Jones ' ▁third ▁UK ▁top ▁ 3 0 ▁record , ▁and ▁pe aked ▁at ▁number ▁ 1 1 . ▁ ▁In ▁the ▁US , ▁" What ' s ▁New ▁P uss y cat ?" ▁pe aked ▁at ▁number ▁ 3 , ▁and ▁was ▁Jones ' ▁second ▁entry ▁on ▁the ▁Top ▁ 4 0 . ▁ ▁The ▁original ▁single ▁included ▁a ▁ 1 3 - second ▁instrument al ▁introduction , ▁ending ▁in ▁the ▁sound ▁of ▁sh atter ing ▁glass , ▁but ▁later ▁issues ▁omitted ▁this ▁introduction . ▁ ▁It ▁has ▁also ▁been ▁performed ▁by ▁Bobby ▁Dar in , ▁Steve ▁Lawrence , ▁An ita ▁K err , ▁The ▁W ail ers ▁and ▁The ▁Four ▁Se asons . ▁Bar bra ▁Stre is and ▁performed ▁several ▁lines ▁in ▁her ▁" Color ▁Me ▁Bar bra ▁Med |
ley " ▁from ▁the ▁TV ▁special ▁and ▁album ▁Color ▁Me ▁Bar bra . ▁ ▁In ▁popular ▁culture ▁and ▁cover ▁versions ▁The ▁song ▁was ▁covered ▁by ▁Al vin ▁and ▁the ▁Ch ip m unks ▁in ▁their ▁ 1 9 6 5 ▁album ▁Ch ip m unks ▁à ▁Go - Go . ▁ ▁The ▁song ▁was ▁used ▁in ▁the ▁films ▁Paul ie ▁( 1 9 9 8 ) ▁and ▁the ▁end ▁cred its ▁of ▁C ats ▁& ▁D ogs ▁( 2 0 0 1 ) ▁and ▁Fl ushed ▁A way ▁( 2 0 0 6 ). ▁ ▁It ▁has ▁also ▁been ▁referenced ▁in ▁John ▁Mul an ey ’ s ▁popular ▁segment ▁“ The ▁Salt ▁and ▁Pe pper ▁D iner ,” ▁the ▁last ▁segment ▁in ▁his ▁stand ▁up ▁routine ▁The ▁Top ▁Part . ▁ ▁A ▁metal ▁version ▁of ▁the ▁song ▁was ▁recorded ▁by ▁Leo ▁Mor ac chi oli ▁for ▁his ▁YouTube ▁channel , ▁F rog ▁Le ap ▁Studios . ▁ ▁The ▁song ▁was ▁also ▁heard ▁at ▁the ▁end ▁of ▁the ▁ 2 0 0 6 ▁British ▁computer - anim ated ▁Dream Work s ▁An imation ▁film ▁Fl ushed ▁A way ▁and ▁at ▁the ▁episode ▁of ▁The ▁Sim ps ons ▁where ▁Mil o ▁( vo iced ▁by ▁Jack ▁Black ) ▁plays ▁the ▁Korean - language ▁version . ▁ ▁References ▁ ▁Category : Bar bra ▁Stre is and ▁songs ▁Category : S ongs ▁about ▁c ats ▁Category : Tom ▁Jones ▁( sing er ) ▁songs ▁Category : 1 9 6 5 ▁singles ▁Category : S ongs ▁written ▁for |
▁films ▁Category : S ongs ▁with ▁music ▁by ▁B urt ▁Bach ar ach ▁Category : S ongs ▁with ▁lyr ics ▁by ▁Hal ▁David ▁Category : R PM ▁Top ▁Singles ▁number - one ▁singles ▁Category : 1 9 6 5 ▁songs ▁Category : De cca ▁Records ▁singles <0x0A> </s> ▁Nik ola ▁Mand ić ▁( born ▁ 1 9 ▁March ▁ 1 9 9 5 ) ▁is ▁a ▁Cro at ian ▁professional ▁footballer ▁currently ▁plays ▁for ▁FK ▁Kru pa ▁as ▁a ▁forward . ▁ ▁Club ▁career ▁A ▁native ▁of ▁D ren ov ci , ▁Mand ić ▁started ▁his ▁career ▁at ▁the ▁local ▁NK ▁Bor ac , ▁before ▁moving ▁on ▁early ▁to ▁the ▁better - known ▁NK ▁Gran ič ar ▁in ▁the ▁nearby ▁Ž up anja . ▁He ▁joined ▁the ▁NK ▁Os ij ek ▁a cademy ▁aged ▁ 1 3 , ▁and ▁progress ed ▁through ▁the ▁ranks ▁and ▁through ▁Cro at ian ▁youth ▁football ▁national ▁team ▁categories . ▁He ▁made ▁his ▁first ▁team ▁debut ▁in ▁the ▁ 8 9 th ▁minute ▁of ▁the ▁ 2 – 1 ▁home ▁win ▁against ▁G N K ▁Din amo ▁Zag reb ▁on ▁ 1 0 ▁February ▁ 2 0 1 3 , ▁aged ▁ 1 7 . ▁After ▁altern ating ▁between ▁the ▁U 1 9 ▁and ▁the ▁senior ▁side ▁for ▁the ▁following ▁year ▁and ▁a ▁half , ▁Mand ić ▁was ▁loan ed ▁to ▁the ▁Dru ga ▁H NL ▁side ▁H N K ▁C ib alia . ▁He ▁returned ▁to ▁Os ij ek ▁during ▁the ▁winter ▁break , ▁but ▁was ▁loan |
ed ▁back ▁again ▁to ▁C ib alia ▁in ▁late ▁February . ▁ ▁References ▁ ▁External ▁links ▁▁▁▁▁ ▁Category : 1 9 9 5 ▁birth s ▁Category : L iving ▁people ▁Category : Associ ation ▁football ▁for wards ▁Category : C ro at ian ▁football ers ▁Category : N K ▁Os ij ek ▁players ▁Category : H N K ▁C ib alia ▁players ▁Category : N K ▁D ug opol je ▁players ▁Category : N K ▁Kr š ko ▁players ▁Category : F K ▁Kru pa ▁players ▁Category : S lo ven ian ▁Pr va L iga ▁players ▁Category : P rem ier ▁League ▁of ▁Bos nia ▁and ▁Herz egov ina ▁players ▁Category : C ro at ian ▁First ▁Football ▁League ▁players ▁Category : C ro at ian ▁Second ▁Football ▁League ▁players ▁Category : C ro at ian ▁exp atri ate ▁football ers ▁Category : C ro at ian ▁exp atri ate ▁sports people ▁in ▁Sloven ia ▁Category : Ex pat ri ate ▁football ers ▁in ▁Sloven ia ▁Category : C ro atia ▁youth ▁international ▁football ers <0x0A> </s> ▁Val eri ya ▁Serge ev na ▁K oz lo va ▁( Russ ian : ▁Ва ле рия ▁Сер ге ев на ▁Ко з лова ) ▁( born ▁January ▁ 2 2 , ▁ 1 9 8 8 ▁in ▁Moscow ) ▁better ▁known ▁as ▁L era ▁K oz lo va ▁is ▁a ▁Russian ▁music ian ▁most ▁famous ▁for ▁her ▁work ▁with ▁the ▁pop - rock ▁band ▁Ran et ki ▁where ▁she ▁provided ▁the ▁vocals ▁and ▁played |
▁the ▁drums . ▁After ▁a ▁three ▁year ▁st int ▁in ▁the ▁band ▁with ▁one ▁full ▁album ▁and ▁a ▁live ▁album , ▁she ▁was ▁forced ▁to ▁leave ▁the ▁band ▁during ▁the ▁recording ▁of ▁the ▁second ▁album ▁by ▁the ▁band ' s ▁producer ▁Serge y ▁Mil n ichen ko . ▁ ▁She ▁then ▁started ▁a ▁solo ▁career ▁under ▁the ▁name ▁Le R a ▁( Л е P а ). ▁She ▁is ▁currently ▁working ▁on ▁her ▁first ▁album ▁which ▁has ▁been ▁given ▁the ▁tent ative ▁title ▁" My ▁Summer ▁Rain ". ▁ ▁Ran et ki ▁Girls ▁L era ▁formed ▁the ▁band ▁Ran et ki ▁girls ▁with ▁school ▁friends ▁Anna ▁Rud ne va , ▁Ev gen i ya ▁Og urt so va , ▁Natal ya ▁Sch el k ova ▁and ▁the ▁first ▁bass ▁player ▁Al ina ▁Z ub it ska . ▁Al ina ▁quickly ▁left , ▁to ▁be ▁replaced ▁by ▁El ena ▁Tre ty ak ova . ▁The ▁first ▁album ▁" R an et ki " ▁was ▁released ▁in ▁ 2 0 0 6 . ▁The ▁song ▁" O ▁T eb e " ▁found ▁its ▁way ▁to ▁the ▁world ▁as ▁a ▁part ▁of ▁Vlad iv ost ok ▁FM , ▁a ▁mock ▁Russian ▁radi ost ation ▁in ▁Grand ▁The ft ▁Auto ▁IV . ▁This ▁gave ▁the ▁band ▁initial ▁world wide ▁recognition . ▁ ▁In ▁November ▁ 2 0 0 8 , ▁it ▁was ▁revealed ▁that ▁L era ▁had ▁left ▁Ran et ki , ▁under ▁pressure ▁of ▁former ▁boy friend , ▁producer ▁Serge y ▁Mil n ichen ko . |
▁▁ ▁In ▁ 2 0 1 1 , ▁after ▁performing ▁ 3 ▁songs ▁for ▁the ▁magazine ▁O OP S , ▁L era ▁announced ▁the ▁closure ▁of ▁project ▁L ER A ▁and ▁her ▁departure ▁from ▁the ▁scene . ▁Rum ors ▁circ led ▁in ▁June ▁about ▁the ▁res umption ▁of ▁concert s , ▁however ▁L era ▁herself ▁denied ▁the ▁statements , ▁the ▁girl ▁wants ▁a ▁personal ▁life . ▁ ▁Television ▁Since ▁ 2 0 0 6 , ▁L era ▁has ▁star red ▁in ▁the ▁TV ▁show ▁Ran et ki ▁on ▁the ▁Russian ▁channel ▁ST S ▁( CT C ) ▁following ▁a ▁fict ional ▁story ▁on ▁the ▁formation ▁of ▁Ran et ki . ▁After ▁her ▁departure ▁from ▁the ▁band , ▁it ▁was ▁noted ▁that ▁she ▁would ▁also ▁slowly ▁leave ▁the ▁TV ▁show . ▁A ▁story line ▁was ▁written ▁about ▁L era ▁being ▁invited ▁to ▁study ▁over se as ▁in ▁London , ▁which ▁she ▁would ▁accept . ▁Rec ently , ▁L era ▁has ▁returned ▁to ▁the ▁show . ▁ ▁References ▁ ▁On ▁some ▁sites ▁the ▁last ▁name ▁of ▁actress ▁is ▁indicated ▁as ▁V od nik ova . ▁However ▁on ▁conf ession ▁of ▁actress , ▁it ▁did ▁not ▁change ▁the ▁last ▁name ▁is ▁simply ▁error , ▁which ▁is ▁often ▁circul ated ▁in ▁the ▁internet ▁at ▁pointing ▁of ▁list ▁of ▁actors , ▁playing ▁in ▁a ▁serial . ▁ ▁External ▁links ▁▁▁ ▁Official ▁website ▁of ▁L era ▁K oz lo va ▁( Russ ian ) ▁ ▁Category : 1 9 8 8 ▁birth s ▁Category : L iving ▁people ▁Category |
: Russ ian ▁female ▁sing ers ▁Category : Russ ian ▁pop ▁sing ers ▁Category : Sing ers ▁from ▁Moscow ▁Category : 2 1 st - century ▁Russian ▁sing ers ▁Category : 2 1 st - century ▁women ▁sing ers <0x0A> </s> ▁D ried ▁sh red ded ▁squ id ▁is ▁a ▁d ried , ▁sh red ded , ▁season ed , ▁sea fo od ▁product , ▁made ▁from ▁squ id ▁or ▁c utt le fish , ▁commonly ▁found ▁in ▁coast al ▁Asian ▁countries , ▁Russia , ▁and ▁Hawai i . ▁The ▁sn ack ▁is ▁also ▁referred ▁to ▁as ▁d ried ▁sh red ded ▁c utt le fish . ▁ ▁History ▁and ▁orig ins ▁Histor ically , ▁squ id ▁is ▁common ▁in ▁Pacific ▁coast al ▁regions ▁of ▁East ▁Asia ▁and ▁S out heast ▁Asia . ▁After ▁the ▁pack aged ▁form ▁began ▁sh ipping ▁to ▁English - spe aking ▁regions , ▁the ▁Japanese ▁word ▁sur ume ▁and ▁y ó u ▁y ú ▁s ī ▁in ▁Chinese ▁for ▁this ▁form ▁of ▁sea fo od ▁was ▁translated ▁as ▁" d ried ▁sh red ded ▁squ id " ▁and ▁im print ed ▁on ▁packages . ▁The ▁sn ack ▁was ▁popular ized , ▁sold , ▁and ▁consum ed ▁regularly ▁in ▁Hong ▁Kong ▁during ▁the ▁ 1 9 7 0 s . ▁Sh red ded ▁squ id ▁began ▁being ▁sold ▁in ▁Mac au ▁as ▁an ▁addition ▁to ▁their ▁al mond ▁bis c uit . ▁In ▁China , ▁it ▁is ▁usually ▁considered ▁to ▁be ▁a ▁light ▁sn ack , ▁sold ▁in ▁b |
ags ▁in ▁many ▁department ▁stores ▁in ▁major ▁cities . ▁In ▁Japan , ▁d ried ▁sh red ded ▁squ id ▁is ▁popular ly ▁served ▁as ▁an ▁o ts um ami ▁( sn ack ▁consum ed ▁while ▁drink ing ▁alco hol ). ▁In ▁Korean ▁cu is ine , ▁d ried ▁sh red ded ▁squ id ▁is ▁e aten ▁as ▁an ju ▁( fo od ▁to ▁eat ▁while ▁drink ing ) ▁and ▁as ▁ban chan ▁( small ▁side ▁d ishes ), ▁such ▁as ▁the ▁d ish ▁o j inge och ae ▁b ok ke um , ▁which ▁is ▁made ▁by ▁stir - f ry ing ▁d ried ▁sh red ded ▁squ id ▁season ed ▁with ▁a ▁mixture ▁of ▁go ch uj ang ▁( ch ili ▁pe pper ▁paste ), ▁gar lic s , ▁and ▁mul ly e ot ▁( c orn ▁sy rup - like ▁cond iment ). ▁In ▁Singapore , ▁it ▁was ▁also ▁popular ▁amongst ▁the ▁older ▁generation ▁when ▁it ▁was ▁sold ▁in ▁a ▁M ama ▁shop . ▁It ▁was ▁market ed ▁as ▁the ▁Che wing ▁g um ▁of ▁the ▁Orient als ▁by ▁the ▁food ▁manufact uring ▁company ▁Ken ▁Ken ▁in ▁the ▁ 1 9 7 0 s , ▁way ▁before ▁the ▁che wing ▁g um ▁ban ▁in ▁Singapore ▁in ▁ 1 9 9 2 . ▁ ▁Pre par ation ▁ ▁Northern ▁Pacific ▁squ id ▁is ▁separated ▁into ▁different ▁parts ▁and ▁sk inned ; ▁cook ed ▁at ▁ 6 5 – 8 0 ° C ▁for ▁ 3 – 5 ▁minutes ; ▁and ▁co |
o led , ▁gr ated ▁and ▁season ed ▁at ▁a ▁temperature ▁below ▁ 2 0 ° C ▁for ▁more ▁than ▁four ▁hours . ▁Sug ar , ▁salt , ▁sor bit ol , ▁swe eten ers , ▁organ ic ▁acid , ▁and ▁MS G ▁are ▁typical ▁add it ives . ▁They ▁are ▁then ▁d ried ▁at ▁ 4 0 – 4 5 ° C ▁for ▁ 1 2 – 2 0 ▁hours ▁until ▁it ▁reaches ▁a ▁mo ist ure ▁level ▁of ▁ 4 0 %. ▁It ▁is ▁then ▁aged ▁in ▁a ▁cold ▁room ▁for ▁two ▁weeks ▁or ▁longer ▁and ▁d ried ▁at ▁a ▁higher ▁temperature ▁of ▁ 1 1 0 – 1 2 0 ° C ▁for ▁ 3 – 5 ▁minutes . ▁It ▁is ▁then ▁machine ▁sh red ded ▁and ▁season ed ▁for ▁a ▁second ▁time ▁and ▁d ried ▁again ▁to ▁a ▁reduced ▁mo ist ure ▁level ▁of ▁ 2 5 – 2 7 %. ▁At ▁this ▁phase , ▁the ▁color ▁is ▁yellow ▁or ▁brown ish . ▁The ▁am ino ▁ac ids ▁on ▁the ▁squ id ▁are ▁revealed ▁by ▁the ▁increase ▁in ▁brown ▁color ▁over ▁prolong ed ▁storage ▁time . ▁V acu um ▁pack aging ▁or ▁nit ro gen - filled ▁pack aging ▁also ▁increase ▁brow ning . ▁Cons um ers ▁generally ▁do ▁not ▁want ▁excess ive ▁brow ning . ▁ ▁Pack aging ▁The ▁most ▁common ▁distribution ▁method ▁in ▁today ' s ▁Asian ▁countries ▁is ▁the ▁pre pack aged ▁format . ▁The ▁b ags ▁are ▁usually ▁se aled ▁a irt |
ight ▁to ▁keep ▁the ▁squ id ▁che wy ▁and ▁t ough . ▁ ▁Depending ▁on ▁the ▁company ▁doing ▁the ▁pack aging ▁or ▁prepar ation , ▁each ▁brand ▁usually ▁has ▁its ▁own ▁ratio ▁of ▁MS G ▁added . ▁ ▁Un pack aged ▁versions ▁are ▁much ▁r ar er ▁than ▁tradition ally ▁available ▁in ▁certain ▁special ty ▁sh ops , ▁usually ▁sold ▁next ▁to ▁be ef ▁j er ky . ▁ ▁Cultural ▁significance ▁" C hew ing ▁g um ▁of ▁the ▁Orient als " ▁is ▁the ▁tag line ▁for ▁a ▁Singapore an ▁sn ack , ▁Pon ▁Pon , ▁season ed ▁and ▁prepared ▁d ried ▁sh red ded ▁squ id . ▁It ▁was ▁sold ▁in ▁the ▁early ▁ 1 9 6 0 s ▁in ▁Singapore ▁as ▁Pon ▁Pon , ▁and ▁later ▁as ▁Ken ▁Ken , ▁before ▁the ▁ban ▁on ▁che wing ▁g um ▁in ▁Singapore ▁in ▁ 1 9 9 2 . ▁The ▁concept ▁stuck ▁with ▁Singapore ans . ▁Many ▁older ▁Singapore ans ▁grew ▁up ▁e ating ▁this ▁c utt le fish ▁sn ack ▁before ▁the ▁advent ▁of ▁modern - day ▁sn acks ▁such ▁as ▁ch oc ol ates ▁and ▁ch ips . ▁Ken ▁Ken ▁C utt le fish ▁is ▁still ▁available ▁in ▁all ▁the ▁major ▁super mark ets ▁in ▁Singapore . ▁ ▁The ▁Ken ▁Ken ▁prepared ▁c utt le fish ▁“ C hew ing ▁g um ▁of ▁the ▁Orient als ” ▁is ▁one ▁of ▁the ▁nost alg ic ▁sn acks ▁which ▁older ▁Singapore ans ▁remember , ▁like ▁White ▁Rab bit ▁( c andy ) ▁and |
▁ha w ▁fla kes . ▁The ▁sn ack ▁was ▁sold ▁in ▁m am ak ▁sh ops ▁along ▁the ▁streets ▁in ▁Singapore . ▁These ▁were ▁little ▁provision ▁stores ▁that ▁provided ▁daily ▁amen ities ▁and ▁sn acks ▁to ▁the ▁community ▁in ▁old en ▁Singapore . ▁This ▁was ▁before ▁the ▁entrance ▁of ▁large ▁chain ▁super mark ets ▁that ▁caused ▁rising ▁competition ▁towards ▁the ▁m am ak ▁shop ' s ▁surv ival . ▁Sn acks ▁like ▁prepared ▁c utt le fish ▁that ▁were ▁popular ▁amongst ▁the ▁older ▁generation ▁are ▁slowly ▁being ▁ph ased ▁out . ▁The ▁younger ▁generation ▁of ▁Singapore ans ▁is ▁more ▁western ised ▁and ▁less ▁likely ▁to ▁form ▁a ▁taste ▁for ▁the ▁traditional ▁sn ack . ▁The ▁sn ack ▁with ▁its ▁icon ic ▁green ▁and ▁white ▁pack aging ▁was ▁show c ased ▁in ▁the ▁Im ages ▁of ▁Singapore ▁museum ▁in ▁Sent osa . ▁ ▁T aste ▁and ▁texture ▁Joe ▁D iste f ano ▁from ▁The ▁Village ▁Vo ice ▁describes ▁it ▁as ▁“ The ▁f ibr ous ▁bits ▁are ▁just ▁che wy ▁enough ▁to ▁give ▁your ▁j aws ▁a ▁slight ▁work ▁out . ▁A ▁good ly ▁amount ▁of ▁sugar , ▁ch ili ▁pe pper , ▁and ▁salt ▁help ▁round ▁out ▁the ▁fun ky ▁fish iness .” ▁ ▁Cont am ination ▁News ▁reports ▁have ▁claimed ▁that ▁ar sen ic ▁and ▁other ▁to xic ▁met als ▁have ▁been ▁found ▁in ▁D SS ▁pack aged ▁in ▁Hong ▁Kong . ▁ ▁See ▁also ▁ ▁Jer ky ▁ ▁List ▁of ▁d ried ▁food s ▁ ▁List ▁of ▁sea fo od ▁d |
ishes ▁ ▁R ous ong ▁ ▁Salt ed ▁squ id ▁ ▁References ▁ ▁Category : D ried ▁fish ▁Category : S n ack ▁food s ▁Category : S qu id ▁d ishes ▁Category : Ch inese ▁cu is ine ▁Category : J apan ese ▁cu is ine ▁Category : K ore an ▁cu is ine ▁Category : T ai wan ese ▁cu is ine ▁Category : Mac au ▁cu is ine ▁Category : H ong ▁Kong ▁cu is ine <0x0A> </s> ▁John ▁Bar ron ▁( 1 9 3 4 – 2 0 0 8 ) ▁was ▁an ▁Irish ▁sports man . ▁ ▁He ▁played ▁hur ling ▁with ▁his ▁local ▁club ▁De ▁La ▁S alle ▁and ▁with ▁the ▁Water ford ▁senior ▁inter - count y ▁team ▁from ▁ 1 9 5 4 ▁until ▁ 1 9 6 4 . ▁ ▁Play ing ▁career ▁ ▁Club ▁ ▁Bar ron ▁played ▁his ▁club ▁hur ling ▁with ▁his ▁local ▁De ▁La ▁S alle ▁club . ▁ ▁He ▁never ▁won ▁a ▁senior ▁county ▁title . ▁ ▁Inter - count y ▁ ▁Bar ron ▁first ▁came ▁to ▁prom in ence ▁on ▁the ▁inter - count y ▁scene ▁in ▁the ▁late ▁ 1 9 5 0 s ▁as ▁a ▁member ▁of ▁the ▁Water ford ▁senior ▁hur ling ▁team . ▁ ▁At ▁this ▁time , ▁however , ▁Ti pper ary ▁and ▁C ork ▁were ▁the ▁king p ins ▁of ▁Mun ster ▁hur ling , ▁with ▁all ▁the ▁other ▁count ies ▁only ▁providing ▁a ▁supporting ▁role . ▁ ▁All ▁this ▁changed ▁in |
▁ 1 9 5 7 ▁when ▁Bar ron ▁won ▁his ▁first ▁Mun ster ▁title ▁following ▁a ▁victory ▁over ▁reign ing ▁champions ▁C ork . ▁ ▁Water ford ▁later ▁played ▁Kil ken ny ▁in ▁the ▁All - I reland ▁final , ▁however , ▁victory ▁went ▁to ▁the ▁men ▁from ▁Le in ster ▁on ▁that ▁occasion . ▁ ▁Water ford ▁were ▁leading ▁by ▁six ▁points ▁with ▁fifteen ▁minutes ▁left , ▁however , ▁the ▁game ▁ended ▁ 4 – 1 0 ▁to ▁ 3 – 1 2 . ▁ ▁Two ▁years ▁later ▁in ▁ 1 9 5 9 ▁Bar ron ▁won ▁a ▁second ▁provincial ▁title . ▁ ▁Once ▁again ▁Water ford ▁l ined ▁out ▁in ▁the ▁championship ▁dec ider ▁and ▁once ▁again ▁Kil ken ny ▁provided ▁the ▁opposition . ▁ ▁The ▁game ▁ended ▁in ▁a ▁draw , ▁however , ▁when ▁the ▁two ▁sides ▁met ▁for ▁the ▁re play ▁the ▁men ▁from ▁Water ford ▁made ▁no ▁mistake ▁in ▁defe ating ▁their ▁near ▁riv als ▁and ▁Bar ron ▁collected ▁an ▁All - I reland ▁medal . ▁ ▁In ▁ 1 9 6 3 ▁he ▁added ▁a ▁National ▁Hur ling ▁League ▁medal ▁to ▁his ▁collection ▁before ▁winning ▁a ▁third ▁Mun ster ▁title . ▁ ▁For ▁the ▁third ▁success ive ▁time ▁Kil ken ny ▁were ▁Water ford ' s ▁oppon ents ▁in ▁the ▁All - I reland ▁final , ▁however , ▁the ▁men ▁from ▁the ▁Dé ise ▁came ▁back ▁from ▁an ▁ 1 1 - point ▁def ic it ▁but ▁were ▁still ▁be aten ▁by ▁' the ▁C ats '. |
▁ ▁Bar ron ▁retired ▁from ▁inter - count y ▁hur ling ▁in ▁ 1 9 6 4 . ▁ ▁Inter - pro vin cial ▁ ▁Bar ron ▁also ▁l ined ▁out ▁with ▁Mun ster ▁in ▁the ▁inter - pro vin cial ▁hur ling ▁competition . ▁ ▁He ▁captured ▁four ▁success ive ▁Railway ▁Cup ▁med als ▁in ▁ 1 9 5 8 , ▁ 1 9 5 9 , ▁ 1 9 6 0 ▁and ▁ 1 9 6 1 . ▁ ▁Post - play ing ▁career ▁ ▁John ▁Bar ron ▁died ▁on ▁ 2 8 ▁April ▁ 2 0 0 8 ▁aged ▁ 7 4 . ▁ ▁Teams ▁ ▁References ▁ ▁John ▁Bar ron ' s ▁ob itu ary ▁on ▁Hog an stand . com ▁ ▁Mun ster ▁final ▁winning ▁teams ▁ ▁Water ford ▁G AA ▁hon ours ▁ ▁Category : 1 9 3 4 ▁birth s ▁Category : 2 0 0 8 ▁death s ▁Category : D ual ▁players ▁Category : De ▁La ▁S alle ▁h url ers ▁Category : De ▁La ▁S alle ▁G ael ic ▁football ers ▁Category : W ater ford ▁inter - count y ▁h url ers ▁Category : M un ster ▁inter - pro vin cial ▁h url ers ▁Category : H ur ling ▁goal keep ers ▁Category : All - I reland ▁Senior ▁Hur ling ▁Championship ▁w inners <0x0A> </s> ▁Ch ase ▁Ko ep ka ▁( born ▁January ▁ 3 0 , ▁ 1 9 9 4 ) ▁is ▁an ▁American ▁professional ▁gol fer . ▁He |
▁is ▁the ▁younger ▁brother ▁of ▁Bro oks ▁Ko ep ka , ▁who ▁is ▁also ▁a ▁professional ▁gol fer . ▁His ▁great ▁uncle ▁is ▁Major ▁League ▁Baseball ▁player ▁Dick ▁Gro at . ▁ ▁Ko ep ka ▁attended ▁the ▁University ▁of ▁South ▁Florida ▁from ▁ 2 0 1 2 ▁to ▁ 2 0 1 6 , ▁winning ▁four ▁tournament s ▁in ▁his ▁college ▁career . ▁ ▁Ko ep ka ▁turned ▁professional ▁in ▁the ▁middle ▁of ▁ 2 0 1 6 ▁and ▁played ▁on ▁the ▁Challenge ▁Tour ▁in ▁the ▁latter ▁part ▁of ▁the ▁year ▁with ▁little ▁success . ▁He ▁played ▁on ▁the ▁tour ▁again ▁in ▁ 2 0 1 7 ▁and ▁had ▁much ▁more ▁success . ▁He ▁finished ▁in ▁the ▁top - 1 0 ▁on ▁five ▁occasions , ▁including ▁being ▁runner - up ▁in ▁the ▁Italian ▁Challenge ▁and ▁the ▁Kaz akh stan ▁Open , ▁and ▁finished ▁the ▁season ▁ 9 th ▁in ▁the ▁Order ▁of ▁Mer it ▁to ▁ear n ▁a ▁place ▁on ▁the ▁European ▁Tour ▁for ▁ 2 0 1 8 . ▁He ▁te amed ▁with ▁his ▁brother ▁Bro oks ▁in ▁the ▁ 2 0 1 7 ▁Zur ich ▁Classic ▁of ▁New ▁Orleans , ▁the ▁pair ▁finishing ▁tied ▁for ▁ 5 th . ▁ ▁Ko ep ka ▁started ▁ 2 0 1 8 ▁well , ▁finishing ▁tied ▁for ▁ 7 th ▁place ▁in ▁the ▁B MW ▁SA ▁Open ▁but ▁there after ▁failed ▁to ▁finish ▁in ▁the ▁top ▁ 2 0 ▁of ▁any ▁European ▁Tour ▁event ▁and ▁finished ▁ 1 8 2 nd ▁in ▁the ▁Order |
▁of ▁Mer it . ▁In ▁ 2 0 1 9 , ▁Ko ep ka ▁played ▁on ▁the ▁Challenge ▁Tour ▁but ▁only ▁made ▁the ▁cut ▁three ▁times ▁in ▁ 1 2 ▁events . ▁He ▁also ▁made ▁an ▁attempt ▁to ▁qual ify ▁for ▁the ▁ 2 0 2 0 ▁K orn ▁Fer ry ▁Tour . ▁ ▁Am ateur ▁wins ▁ 2 0 1 3 ▁Re es ▁Jones ▁Inv it ational , ▁Auto Tr ader . com ▁Colleg iate ▁ 2 0 1 4 ▁Inv it ational ▁at ▁the ▁Ocean ▁Cour se ▁ 2 0 1 6 ▁Mission ▁Inn ▁Spring ▁Spect ac ular ▁ ▁Play off ▁record ▁ ▁Challenge ▁Tour ▁play off ▁record ▁( 0 – 1 ) ▁ ▁See ▁also ▁ 2 0 1 7 ▁Challenge ▁Tour ▁gradu ates ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : American ▁male ▁golf ers ▁Category : Europe an ▁Tour ▁golf ers ▁Category : G olf ers ▁from ▁Florida ▁Category : Univers ity ▁of ▁South ▁Florida ▁al umn i ▁Category : Pe ople ▁from ▁West ▁Pal m ▁Beach , ▁Florida ▁Category : Pe ople ▁from ▁Jup iter , ▁Florida ▁Category : 1 9 9 4 ▁birth s ▁Category : L iving ▁people <0x0A> </s> ▁S iv uch ▁( Russ ian ▁- ▁Си ву ч ; ▁" se alion ") ▁was ▁a ▁G ily ak - class ▁gun bo at ▁of ▁the ▁Imperial ▁Russian ▁Navy . ▁During ▁World ▁War ▁I , ▁she ▁was ▁s unk ▁in ▁the ▁G ulf ▁of ▁R iga ▁during ▁the ▁Battle ▁of ▁the ▁G ulf ▁of |
▁R iga ▁on ▁ 1 9 ▁August ▁ 1 9 1 5 ▁by ▁the ▁German ▁batt les hips ▁N ass au ▁and ▁P osen . ▁ ▁References ▁ ▁Bibli ography ▁Ch es ne au , ▁Roger , ▁and ▁Eug ene ▁M . ▁K oles nik , ▁ed s ., ▁Con way ′ s ▁All ▁the ▁World ′ s ▁Fight ing ▁Sh ips ▁ 1 8 6 0 - 1 9 0 5 , ▁New ▁York : ▁May flow er ▁Books , ▁ 1 9 7 9 , ▁. ▁Gray , ▁Rand al , ▁ed ., ▁Con way ′ s ▁All ▁the ▁World ′ s ▁Fight ing ▁Sh ips ▁ 1 9 0 6 - 1 9 2 1 , ▁Ann apolis , ▁Maryland : ▁Naval ▁Institute ▁Press , ▁ 1 9 8 5 , ▁ ▁External ▁links ▁Мо ре ход ная ▁ка но нер ская ▁ло д ка ▁" С и ву ч " ▁( Russ ian ) ▁ ▁Category : G un bo ats ▁of ▁the ▁Imperial ▁Russian ▁Navy ▁Category : World ▁War ▁I ▁gun bo ats ▁Category : World ▁War ▁I ▁naval ▁ships ▁of ▁Russia ▁Category : World ▁War ▁I ▁ship w re cks ▁in ▁the ▁Balt ic ▁Sea ▁Category : Mar itime ▁inc idents ▁in ▁ 1 9 1 5 ▁Category : 1 9 0 7 ▁ships <0x0A> </s> ▁Soph ia ▁College ▁for ▁Women ▁is ▁an ▁under grad uate ▁women ' s ▁college ▁established ▁in ▁ 1 9 4 1 ▁by ▁Society ▁of ▁the ▁Sac red ▁Heart ▁of ▁Jesus . |
▁It ▁is ▁affili ated ▁to ▁the ▁University ▁of ▁M umb ai . ▁The ▁gover ning ▁body ▁of ▁The ▁Society ▁for ▁the ▁High er ▁Education ▁of ▁Women ▁in ▁India ▁runs ▁the ▁college . ▁The ▁Relig ious ▁Sister s ▁of ▁the ▁Sac red ▁Heart ▁of ▁Jesus ▁and ▁lay ▁staff ▁form ▁the ▁staff ▁of ▁the ▁college . ▁Soph ia , ▁as ▁the ▁name ▁suggests , ▁stands ▁for ▁Wis dom ▁in ▁Greek ▁ Σ ο φ ί α . ▁ ▁History ▁The ▁Society ▁of ▁the ▁Sac red ▁Heart , ▁a ▁Roman ▁Catholic ▁religious ▁order ▁was ▁founded ▁in ▁France ▁in ▁ 1 8 0 0 , ▁by ▁St . ▁Made le ine ▁Soph ie ▁Bar at , ▁a ▁young ▁French w oman . ▁Mother ▁Catherine ▁Anders son ▁brought ▁the ▁Society ▁to ▁India ▁in ▁ 1 9 3 9 . ▁ ▁The ▁Soph ia ▁College ▁campus ▁area ▁and ▁the ▁land ▁in ▁the ▁vic inity ▁belonged ▁to ▁the ▁British ▁East ▁India ▁Company , ▁and ▁was ▁later ▁sub div ided ▁and ▁sold . ▁The ▁property ▁changed ▁several ▁hands ▁before ▁it ▁was ▁acquired ▁by ▁the ▁Society ▁of ▁the ▁Sac red ▁Heart ▁in ▁ 1 9 4 0 ▁from ▁the ▁Mah ar aja ▁of ▁B hav n agar . ▁A ▁part ▁of ▁the ▁property ▁was ▁given ▁to ▁the ▁Par si ▁family ▁of ▁Ash burn er ▁in ▁the ▁early ▁ 1 9 th ▁century . ▁The ▁b ung al ow ▁which ▁is ▁now ▁the ▁main ▁building ▁was ▁named ▁Som erset ▁House ▁after ▁Sir ▁Henry ▁Som erset , ▁one ▁of ▁the ▁command ers - in |
- ch ief ▁of ▁the ▁Bomb ay ▁Pres iden cy . ▁In ▁ 1 8 8 2 , ▁the ▁property ▁was ▁acquired ▁by ▁the ▁Hon ou rable ▁B adr ud din ▁Ty abi . ▁He ▁built ▁Som erset ▁Anne xe , ▁the ▁nucle us ▁of ▁the ▁present ▁science ▁building . ▁In ▁ 1 9 1 7 , ▁H orm us ji ▁N os her wan je e ▁V ake el ▁bought ▁the ▁property ▁and ▁added ▁the ▁east - west ▁wing . ▁In ▁ 1 9 2 3 , ▁the ▁house ▁was ▁occupied ▁by ▁the ▁Mah ar aja ▁of ▁Ind ore ▁before ▁the ▁Mah ar aja ▁of ▁B hav n agar ▁bought ▁the ▁house ▁in ▁ 1 9 3 7 . ▁In ▁ 1 9 3 9 , ▁Arch bishop ▁Thomas ▁Roberts ▁S . ▁J . ▁of ▁Bomb ay ▁invited ▁the ▁Sac red ▁Heart ▁n uns ▁to ▁start ▁a ▁women ' s ▁college ▁in ▁Bomb ay ▁and ▁in ▁ 1 9 4 0 , ▁The ▁Society ▁bought ▁the ▁property . ▁The ▁Home ▁and ▁Social ▁Culture ▁centre ▁was ▁formally ▁opened ▁by ▁Arch bishop ▁Roberts ▁and ▁the ▁name ▁adopted ; ▁Mother ▁Anders son ▁became ▁the ▁first ▁principal . ▁ ▁In ▁ 1 9 4 1 , ▁the ▁Arts ▁Fac ulty ▁was ▁started . ▁The ▁University ▁of ▁Bomb ay ▁granted ▁temporary ▁affili ation ▁to ▁the ▁college ▁for ▁first ▁year ▁and ▁intermediate ▁classes . ▁In ▁ 1 9 4 2 ▁the ▁extension ▁of ▁affili ation ▁was ▁granted ▁for ▁Bach elor ▁of ▁Arts ▁classes . ▁In ▁ 1 9 |
4 5 , ▁the ▁Soph ia ▁mot to , ▁cr est ▁and ▁colours ▁were ▁adopted . ▁In ▁ 1 9 5 0 , ▁the ▁University ▁of ▁Bomb ay ▁granted ▁permanent ▁affili ation ▁to ▁the ▁college . ▁In ▁ 1 9 5 2 , ▁the ▁Science ▁Fac ulty ▁was ▁started ▁with ▁classes ▁up ▁to ▁the ▁Inter mediate ▁Science ▁level . ▁Kar una ▁Mary ▁B rag anza , ▁who ▁would ▁later ▁receive ▁the ▁Indian ▁civil ian ▁honour ▁of ▁the ▁Pad ma ▁Sh ri , ▁took ▁over ▁as ▁the ▁Princi pal ▁of ▁the ▁college ▁in ▁ 1 9 6 5 . ▁In ▁ 1 9 6 6 , ▁the ▁Inter mediate ▁Science ▁course ▁was ▁extended ▁ ▁into ▁a ▁Bach elor ▁of ▁Science ▁degree . ▁In ▁ 1 9 7 0 , ▁Soph ia ▁Poly techn ic ▁was ▁introduced . ▁In ▁ 1 9 7 5 , ▁the ▁Junior ▁college ▁was ▁introduced . ▁In ▁ 1 9 7 8 , ▁the ▁post grad uate ▁Di pl oma ▁Cour se ▁in ▁C lin ical ▁Analysis ▁was ▁started . ▁In ▁ 1 9 9 3 , ▁the ▁post ▁gradu ate ▁di pl oma ▁course ▁in ▁Qu ality ▁Ass urance ▁in ▁the ▁Food ▁and ▁Ph arma ce ut ical ▁Indust ries ▁was ▁introduced . ▁At ▁the ▁start ▁of ▁the ▁ 2 1 st ▁century , ▁the ▁Soph ia ▁Centre ▁for ▁Women ' s ▁Studies ▁and ▁Development ▁and ▁Soph ia ▁Anders son ▁Anne xe ▁was ▁inaugur ated . ▁Later ▁in ▁ 2 0 0 3 , ▁the ▁Bach elor ▁of ▁Mass |
▁Media ▁was ▁introduced . ▁ ▁In ▁July ▁ 2 0 1 8 , ▁the ▁University ▁Gr ants ▁Commission ▁( U GC ) ▁granted ▁the ▁status ▁of ▁aut onomy ▁to ▁Soph ia ▁College ▁for ▁Women . ▁ ▁Soph ia ▁Poly techn ic ▁Soph ia ▁Poly techn ic ▁is ▁a ▁further ▁education ▁college ▁in ▁M umb ai , ▁India . ▁It ▁is ▁pre domin antly ▁a ▁women ’ s ▁poly techn ic , ▁but ▁male ▁students ▁are ▁admitted ▁to ▁the ▁courses ▁of ▁the ▁Hospital ity ▁Studies ▁( H AF T ) ▁Department ▁as ▁well ▁as ▁in ▁the ▁Social ▁Communic ations ▁Media ▁( SC M ) ▁course . ▁Since ▁its ▁in ception ▁in ▁ 1 9 7 0 , ▁Soph ia ▁Poly techn ic ▁has ▁been ▁committed ▁to ▁women ’ s ▁education , ▁which ▁is ▁perce ived ▁by ▁the ▁institution ▁to ▁be ▁the ▁means ▁for ▁both ▁personal ▁and ▁soci etal ▁transformation . ▁Through ▁the ▁‘ S oph ia ▁Co over ji ▁H orm us ji ▁Program me ▁in ▁Eth ics ▁and ▁Spirit ual ity ’ , ▁Soph ia ▁Poly techn ic ▁provides ▁the ▁opportunity ▁for ▁students ▁to ▁focus ▁on ▁values , ▁eth ical ▁living ▁and ▁concern ▁for ▁the ▁under priv ile ged . ▁The ▁institution ▁cons iders ▁itself ▁fort un ate ▁in ▁having ▁a ▁highly ▁qualified ▁and ▁motiv ated ▁teaching ▁fac ulty ▁and ▁dedicated ▁non - te aching ▁and ▁support ▁staff . ▁ ▁Depart ments ▁Depart ments ▁include ▁Hospital ity ▁Studies ▁( H AF T ), ▁Art ▁and ▁Design , ▁D ress ▁Design ing ▁and ▁Gar |
ment ▁Man ufact uring , ▁and ▁Social ▁Communic ations ▁Media . ▁ ▁Hospital ity ▁Studies ▁H AF T ▁ ▁The ▁H AF T ▁programme ▁is ▁one ▁of ▁the ▁oldest ▁and ▁most ▁pr estig ious ▁courses ▁in ▁hospital ity ▁in ▁the ▁city . ▁This ▁D eg ree ▁is ▁recognized ▁by ▁all ▁del ux e ▁hotel ▁ch ains ▁in ▁India . ▁H AF T ▁provides ▁ 3 ▁state - of - the - art ▁k itch ens ▁and ▁a ▁b ak ery ▁with ▁the ▁latest ▁equipment , ▁as ▁well ▁as ▁two ▁training ▁restaur ants ▁to ▁facil itate ▁learning ▁in ▁a ▁professional ▁environment . ▁ ▁The ▁H AF T ▁tradition ▁of ▁' learning ▁to ▁look ▁after ' ▁continues ▁beyond ▁the ▁academic ▁hor iz ons . ▁ ▁Art ▁& ▁Design ▁The ▁Department ▁of ▁Art ▁and ▁Design , ▁which ▁is ▁recogn ised ▁by ▁the ▁Director ate ▁of ▁Art , ▁Government ▁of ▁Mah ar as ht ra , ▁conduct s ▁the ▁following ▁courses : ▁Foundation ▁Art , ▁Di pl oma ▁in ▁App lied ▁Art , ▁and ▁Di pl oma ▁in ▁Text ile ▁Design ing ▁ ▁Department ▁of ▁D ress ▁Design ing ▁and ▁Gar ment ▁Man ufact uring ▁ ▁The ▁D ress ▁Design ing ▁& ▁Gar ment ▁Man ufact uring ▁courses ▁covers ▁virt ually ▁the ▁entire ▁gam ut ▁of ▁the ▁fashion ▁business . ▁The ▁aim ▁of ▁these ▁courses ▁is ▁to ▁prepare ▁students ▁for ▁the ▁industry . ▁Several ▁al umn i ▁are ▁highly ▁placed ▁profession als . ▁ ▁Social ▁Communic ations ▁Media ▁The ▁Social ▁Communic ations ▁Media ▁Department ▁( SC M |
▁Soph ia ), ▁conduct s ▁a ▁one - year , ▁full - time , ▁integrated ▁post - grad uate ▁di pl oma ▁course ▁in ▁social ▁communic ations ▁media ▁that ▁is ▁open ▁to ▁forty ▁bright ▁young ▁women ▁and ▁men . ▁The ▁course ▁is ▁affili ated ▁to ▁the ▁University ▁of ▁M umb ai ’ s ▁Gar ware ▁Institute ▁of ▁Career ▁Education ▁and ▁Development . ▁The ▁course ▁offers ▁document ary ▁film ▁production , ▁phot ography , ▁journal ism , ▁corpor ate ▁communication ▁and ▁advert ising . ▁Al umn i ▁of ▁this ▁degree ▁include ▁Deep a ▁B hat ia , ▁Re ema ▁K ag ti , ▁Rich a ▁Ch ad ha , ▁An ub ha ▁B hos le ▁ ▁College ▁cr est ▁and ▁mot to ▁The ▁design ▁of ▁the ▁cr est ▁draw s ▁upon ▁Indian ▁art istic ▁trad itions . ▁On ▁the ▁outer ▁edge ▁is ▁a ▁row ▁of ▁p ear ls ; ▁inside , ▁a ▁lot us ▁bl oss om ▁design . ▁In ▁the ▁centre ▁is ▁a ▁tree , ▁a ▁traditional ▁Indian ▁symbol . ▁ ▁The ▁lot us ▁symbol ises ▁pur ity ▁and ▁good ness . ▁The ▁lot us ▁flower , ▁which ▁has ▁its ▁roots ▁in ▁st agn ant ▁water ▁and ▁mud , ▁press es ▁up ▁through ▁the ▁water ▁towards ▁the ▁light ▁and ▁emer ges ▁in ▁full ▁blo om ▁above ▁the ▁refuse ▁and ▁m uck ▁beneath . ▁It ▁represents ▁a ▁see ker ▁of ▁wisdom , ▁who ▁conqu ers ▁the ▁problems ▁surrounding ▁them . ▁The ▁tree ▁is ▁a ▁symbol ▁of ▁life ▁and ▁unity , ▁growth ▁and ▁expansion , |
▁strength ▁and ▁shelter . ▁ ▁Notable ▁people ▁ ▁Kar una ▁Mary ▁B rag anza , ▁Pad ma ▁Sh ri ▁ ▁for ▁social ▁contributions ▁ ▁Vas und h ara ▁R aje , ▁ 1 3 th ▁Chief ▁Minister ▁of ▁Raj as than ▁ ▁S hr add ha ▁Sh ash id har , ▁Miss ▁D iva ▁- ▁ 2 0 1 7 ▁ ▁Am rita ▁R ao , ▁Bol lywood ▁Act ress ▁ ▁R ash mi ▁B ans al , ▁Author ▁ ▁Kir an ▁R ao , ▁Fil mm aker ▁ ▁N iti ▁Taylor , ▁Indian ▁television ▁actress ▁ ▁Pri ya ▁D utt ▁ ▁Re ema ▁K ag ti , ▁Indian ▁film ▁director ▁ ▁Sh w eta ▁Sal ve , ▁Indian ▁television ▁actress ▁ ▁An ita ▁R au ▁Bad ami , ▁writer ▁ ▁P reet ika ▁R ao , ▁Indian ▁model , ▁actress ▁ ▁Shah ana ▁G os w ami , ▁Indian ▁actress ▁▁ ▁Man ji ri ▁P rab hu , ▁Indian ▁author ▁ ▁Kar is ma ▁Kap oor , ▁Bol lywood ▁Act ress ▁N ish ita ▁N irm al ▁M hat re , ▁Act ing ▁chief ▁justice ▁of ▁High ▁Court ▁ ▁K art ika ▁R ane , ▁Indian ▁television ▁▁ ▁D h ru vi ▁Ach ary a , ▁Indian ▁P ain ter ▁/ ▁Art ist ▁Vin ita ▁Co el ho , ▁Indian ▁W riter , ▁Director ▁and ▁Art ist ▁Rich a ▁Ch add a , ▁Indian ▁actress ▁ ▁Victoria ▁D ' S ou za , ▁Professor ▁of ▁M ole cular ▁and ▁Cell ular ▁Bi |
ology , ▁Harvard ▁University ▁ ▁See ▁also ▁ ▁Soph ia ▁College , ▁M umb ai ▁al umn i ▁ ▁References ▁ ▁External ▁links ▁ ▁Soph ia ▁College ▁for ▁Women , ▁M umb ai , ▁website ▁ ▁Category : S ac red ▁Heart ▁univers ities ▁and ▁colleg es ▁Category : C atholic ▁univers ities ▁and ▁colleg es ▁in ▁India ▁Category : Col leg es ▁in ▁India ▁Category : W omen ' s ▁univers ities ▁and ▁colleg es ▁in ▁Mah ar as ht ra ▁Category : Univers ities ▁and ▁colleg es ▁in ▁M umb ai ▁Category : Aff ili ates ▁of ▁the ▁University ▁of ▁M umb ai ▁Category : E du c ational ▁institutions ▁established ▁in ▁ 1 9 4 1 ▁Category : 1 9 4 1 ▁establish ments ▁in ▁India <0x0A> </s> ▁Z ooth am ni um ▁n ive um ▁is ▁a ▁species ▁of ▁c ili ate ▁proto zo an ▁which ▁forms ▁fe ather - sh aped ▁colon ies ▁in ▁marine ▁coast al ▁environments . ▁The ▁c ili ates ▁form ▁a ▁sym b ios is ▁with ▁sul fur - ox id izing ▁chem os yn th etic ▁b acter ia ▁of ▁the ▁species ▁" C andid atus ▁Th io b ios ▁z ooth am nic oli ", ▁which ▁live ▁on ▁the ▁surface ▁of ▁the ▁colon ies ▁and ▁give ▁them ▁their ▁unusual ▁white ▁color . ▁ ▁Character istics ▁ ▁The ▁consp ic u ously ▁white ▁and ▁fe ather - sh aped ▁colon ies ▁are ▁composed ▁of ▁individual ▁bell - sh aped ▁cells ▁known ▁as ▁zo |
oid s . ▁The ▁stal ks ▁of ▁individual ▁cells ▁grow ▁from ▁a ▁single ▁central ▁st alk . ▁Col on ies ▁can ▁reach ▁a ▁length ▁of ▁up ▁to ▁ 1 5 mm , ▁formed ▁from ▁hundreds ▁of ▁single ▁zo oid s , ▁each ▁with ▁a ▁length ▁of ▁only ▁ 1 2 0 µ m . ▁An ▁entire ▁col ony ▁can ▁contract ▁into ▁a ▁ball - sh aped ▁bunch ▁through ▁the ▁contra ction ▁of ▁my on emes ▁in ▁their ▁stal ks . ▁ ▁The ▁white ▁color ▁is ▁produced ▁by ▁chem ol ith o aut ot roph ic ▁sul fur - ox id izing ▁b acter ia , ▁which ▁cover ▁the ▁entire ▁surface ▁of ▁the ▁Z . ▁n ive um ▁col ony . ▁In ▁most ▁other ▁species ▁of ▁Z ooth am ni um , ▁b acter ia ▁are ▁only ▁known ▁to ▁cover ▁the ▁stal ks . ▁The ▁b acter ia ▁contain ▁element al ▁sul fur , ▁which ▁appear ▁white . ▁Z . ▁n ive um ▁appears ▁color less ▁when ▁the ▁b acter ia ▁are ▁absent . ▁ ▁Like ▁in ▁other ▁c ili ates , ▁a ▁contract ile ▁vac u ole ▁maintain s ▁os m otic ▁balance ▁for ▁the ▁cell , ▁and ▁allows ▁it ▁to ▁surv ive ▁the ▁salt ▁concentr ations ▁in ▁both ▁marine ▁and ▁bra ck ish ▁water . ▁The ▁vac u ole ▁is ▁located ▁in ▁Z . ▁n ive um ▁directly ▁below ▁the ▁lip ▁of ▁the ▁per ist ome . ▁ ▁Pol ym orphism ▁ ▁Most ▁c ili ates ▁live ▁as ▁single - |
cel led ▁organ isms ▁in ▁aqu atic ▁environments , ▁and ▁the ▁single ▁cell ▁car ries ▁out ▁all ▁functions ▁of ▁life , ▁such ▁as ▁nut r ition , ▁met abol ism , ▁and ▁reprodu ction . ▁Col on ies ▁of ▁Z . ▁n ive um ▁are ▁composed ▁of ▁numerous ▁individual ▁cells ▁that ▁form ▁a ▁fe ather - like ▁colonial ▁unit , ▁with ▁several ▁different ▁cell ▁types . ▁Old ▁branches ▁of ▁the ▁col ony ▁illustrate ▁the ▁polym orphism ▁of ▁the ▁zo oid s ▁when ▁viewed ▁under ▁the ▁mic ros cope . ▁Three ▁different ▁forms ▁of ▁the ▁individual ▁c ili ate ▁cells ▁are ▁present , ▁which ▁are ▁distinct ▁in ▁both ▁form ▁and ▁function . ▁The ▁large ▁macro zo oid s ▁can ▁transform ▁into ▁sw arm ers ▁and ▁leave ▁the ▁col ony . ▁They ▁sett le ▁on ▁suitable ▁surfaces ▁and ▁develop ▁into ▁new ▁colon ies . ▁The ▁micro zo oid s ▁are ▁small ▁cells ▁special ized ▁for ▁feed ing , ▁which ▁the ▁col ony ▁does ▁by ▁consumption ▁of ▁their ▁sym bi otic ▁b acter ia ▁and ▁other ▁organ ic ▁particles . ▁At ▁the ▁terminal ▁ends ▁of ▁the ▁col ony ▁are ▁special ized ▁zo oid s ▁that ▁can ▁el ong ate ▁and ▁facil itate ▁the ▁a sex ual ▁reprodu ction ▁of ▁the ▁col ony . ▁ ▁The ▁b acter ia ▁on ▁different ▁parts ▁of ▁a ▁host ▁have ▁different ▁shapes ▁despite ▁belonging ▁to ▁the ▁same ▁species ▁( pol ym orphism ). ▁Those ▁on ▁the ▁stal ks ▁are ▁sh aped ▁like ▁ro ds , ▁but ▁those ▁in ▁the ▁region ▁of |
▁the ▁c ili ated ▁or al ▁appar atus ▁of ▁the ▁micro zo oid s ▁are ▁sh aped ▁like ▁small ▁spher es ▁( c oc co id ). ▁Inter mediate ▁forms ▁are ▁also ▁found ▁in ▁between . ▁ ▁Distribution ▁and ▁habitat ▁ ▁The ▁sess ile ▁colon ies ▁of ▁Z . ▁n ive um ▁were ▁first ▁described ▁from ▁the ▁shall ow ▁waters ▁of ▁the ▁Red ▁Sea . ▁They ▁were ▁later ▁also ▁found ▁in ▁the ▁Florida ▁Ke ys ▁in ▁the ▁G ulf ▁of ▁Mexico , ▁and ▁at ▁the ▁Bel ize ▁Bar rier ▁Re ef ▁in ▁the ▁Car ib bean ▁Sea . ▁ ▁The ▁colon ies ▁sett le ▁in ▁environments ▁that ▁contain ▁sul f ide . ▁H ydro gen ▁sul f ide , ▁sul f ide , ▁and ▁related ▁sul fur - cont aining ▁comp ounds ▁like ▁th ios ulf ate ▁are ▁produced ▁during ▁the ▁decomposition ▁and ▁rem iner al ization ▁of ▁organ ic ▁material . ▁For ▁example , ▁plant ▁material ▁like ▁the ▁torn - off ▁leaves ▁of ▁Pos id onia ▁ocean ica ▁in ▁se agr ass ▁me adows ▁of ▁the ▁Mediter rane an ▁accum ulate ▁in ▁de press ions ▁of ▁rock y ▁led ges ▁and ▁de compose . ▁In ▁mang ro ve ▁for ests ▁of ▁the ▁Car ib bean , ▁organ ic ▁material ▁can ▁form ▁pe at ▁and ▁release ▁sul f ide . ▁H ydro gen ▁sul f ide ▁can ▁also ▁origin ate ▁from ▁ge ological ▁phen omena ▁such ▁as ▁at ▁under water ▁hydro ther mal ▁v ents , ▁e . g . ▁off ▁the ▁Can |
ary ▁Islands . ▁ ▁E colog ical ▁conditions ▁ ▁Ext reme ▁e colog ical ▁conditions ▁prev ail ▁at ▁these ▁sources ▁of ▁sul f ide ▁close ▁to ▁which ▁colon ies ▁of ▁Z . ▁n ive um ▁sett le . ▁Because ▁there ▁is ▁little ▁water ▁current ▁under ▁mang ro ve ▁roots ▁and ▁at ▁se agr ass ▁depos its ▁under ▁rock ▁led ges , ▁these ▁decomposition ▁hot - sp ots ▁are ▁extremely ▁poor ▁in ▁o xygen ▁and ▁rich ▁in ▁sul f ide . ▁In ▁mang ro ve ▁for ests ▁off ▁the ▁coast ▁of ▁Bel ize , ▁they ▁have ▁been ▁found ▁around ▁small ▁holes ▁in ▁the ▁mang ro ve ▁pe at ▁which ▁form ▁when ▁the ▁mang ro ve ▁root lets ▁de compose . ▁These ▁open ings ▁have ▁been ▁called ▁sul f ide ▁" m icro vent [ s ] ", ▁because ▁they ▁res emble ▁in ▁mini ature ▁the ▁hydro ther mal ▁v ents ▁of ▁the ▁deep ▁sea , ▁the ▁so - called ▁black ▁sm ok ers , ▁although ▁the ▁temper atures ▁in ▁shall ow ▁waters ▁are ▁much ▁lower ▁( 2 8 ° C ▁in ▁the ▁Car ib bean , ▁ 2 1 ° C - 2 5 ° C ▁in ▁the ▁Mediter rane an ▁( sum mer )), ▁compared ▁to ▁the ▁gradient ▁between ▁> 3 0 0 ° C ▁and ▁ 2 ° C ▁in ▁the ▁deep ▁sea ▁because ▁of ▁vol can ic ▁activity . ▁The ▁Z ooth am ni um ▁colon ies ▁do ▁not ▁sett le ▁directly ▁over ▁the ▁decom pos |
ing ▁material , ▁but ▁nearby ▁e . g . ▁on ▁over h anging ▁rocks , ▁leaves ▁of ▁se agr ass ▁or ▁sea we ed , ▁or ▁mang ro ve ▁roots . ▁ ▁Sym b ios is ▁ ▁The ▁sym bi otic ▁benefits ▁provided ▁by ▁the ▁colon ies ▁of ▁Z . ▁n ive um ▁for ▁its ▁attached ▁b acter ia ▁C andid atus ▁Th io b ios ▁z ooth am nic oli ▁( a ▁member ▁of ▁the ▁Gam map rote ob acter ia ) ▁are ▁its ▁active ▁altern ation ▁between ▁o xygen - rich ▁and ▁sul f ide - rich ▁conditions . ▁This ▁altern ation ▁can ▁occur ▁through ▁the ▁regular ▁contra ction ▁and ▁extension ▁of ▁the ▁colon ies ▁and ▁through ▁the ▁water ▁curr ents ▁set ▁up ▁by ▁the ▁be ating ▁of ▁the ▁c ilia ▁in ▁the ▁region ▁of ▁the ▁or al ▁opening ▁of ▁the ▁c ili ates . ▁ ▁The ▁rapid ▁contra ction ▁and ▁slow ▁re - extension ▁of ▁the ▁colon ies ▁causes ▁a ▁flow ▁of ▁both ▁sul f ide - rich ▁water ▁for ▁the ▁feed ing ▁of ▁the ▁b acter ia ▁and ▁normal ▁o xygen ated ▁se aw ater ▁for ▁the ▁resp iration ▁of ▁Z . ▁n ive um . ▁Through ▁the ▁be ating ▁of ▁its ▁c ilia ▁at ▁the ▁or al ▁appar atus ▁of ▁Z ooth am ni um ▁is ▁the ▁mixing ▁reg ulated . ▁When ▁there ▁is ▁a ▁low ▁supply ▁of ▁sul fur ▁comp ounds , ▁the ▁b acter ia ▁use ▁the ▁sul fur ▁that ▁is ▁stored ▁inside ▁their ▁cells . |
▁They ▁eventually ▁appear ▁pale ▁and ▁transparent ▁after ▁four ▁hours ▁because ▁the ▁stored ▁sul fur ▁has ▁been ▁consum ed . ▁However , ▁if ▁the ▁sul f ide ▁concentration ▁is ▁too ▁high , ▁it ▁can ▁be ▁to xic ▁to ▁the ▁Z ooth am ni um ▁colon ies ▁and ▁kill ▁the ▁c ili ates ▁despite ▁the ▁b acter ia . ▁ ▁B acter ia ▁close ▁to ▁the ▁or al ▁end ▁of ▁the ▁micro zo oid s ▁have ▁a ▁c oc co id ▁form , ▁a ▁larger ▁volume , ▁and ▁a ▁higher ▁division ▁rate ▁than ▁the ▁rod - sh aped ▁b acter ia ▁on ▁the ▁stal ks , ▁despite ▁both ▁belonging ▁to ▁the ▁same ▁species . ▁This ▁is ▁because ▁the ▁mixing ▁of ▁water ▁by ▁the ▁be ating ▁of ▁the ▁or al ▁c ilia ▁result ▁in ▁a ▁more ▁optimal ▁concentration ▁of ▁both ▁o xygen ▁and ▁sul f ide ▁in ▁the ▁water ▁there . ▁The ▁b acter ia ▁at ▁the ▁or al ▁region ▁can ▁thus ▁be ▁used ▁as ▁a ▁food ▁source ▁and ▁are ▁sw ir led ▁into ▁the ▁mouth ▁( cy to st ome ) ▁of ▁the ▁c ili ate ▁and ▁dig ested . ▁ ▁References ▁ ▁Liter ature ▁▁ ▁Christian ▁R in ke , ▁J ör g ▁A . ▁Ott ▁und ▁Mon ika ▁Bright : ▁" N ut r itional ▁processes ▁in ▁the ▁chem o aut ot roph ic ▁Z ooth am ni um ▁n ive um ▁sym b ios es ", ▁Sym pos ium ▁of ▁the ▁Bi ology ▁of ▁Trop ical ▁Sh allow ▁Water ▁Hab itats , |
▁L un z , ▁Österreich , ▁Oktober ▁ 2 0 0 1 , ▁S . ▁ 1 9 - 2 1 ▁ ▁External ▁links ▁▁ ▁Smith son ian ▁Marine ▁Station ▁at ▁Fort ▁Pier ce ▁- ▁Z ooth am ni um ▁n ive um ▁▁▁ ▁Category : Ch emos yn th etic ▁sym b ios is ▁Category : O lig oh ymen oph ore a <0x0A> </s> ▁Am os ▁Pie per ▁( born ▁ 1 7 ▁January ▁ 1 9 9 8 ) ▁is ▁a ▁German ▁professional ▁footballer ▁who ▁plays ▁as ▁a ▁def ender ▁for ▁Ar min ia ▁B iele feld . ▁ ▁Career ▁On ▁ 2 8 ▁January ▁ 2 0 1 9 , ▁Pie per ▁moved ▁from ▁Bor uss ia ▁Dort mund ▁II ▁to ▁ 2 . ▁Bundes liga ▁club ▁Ar min ia ▁B iele feld . ▁He ▁made ▁his ▁professional ▁debut ▁for ▁B iele feld ▁in ▁the ▁ 2 . ▁Bundes liga ▁on ▁ 8 ▁February ▁ 2 0 1 9 , ▁coming ▁on ▁as ▁a ▁half - time ▁substitute ▁for ▁Brian ▁Be hr end t ▁in ▁the ▁ 3 – 0 ▁away ▁win ▁against ▁Jah n ▁Reg ens burg . ▁ ▁References ▁ ▁External ▁links ▁ ▁Profile ▁at ▁D FB . de ▁ ▁Profile ▁at ▁k icker . de ▁ ▁Category : 1 9 9 8 ▁birth s ▁Category : L iving ▁people ▁Category : Pe ople ▁from ▁L üd ing hausen ▁Category : Foot ball ers ▁from ▁North ▁Rh ine - West phal ia ▁Category : G erman ▁football |
ers ▁Category : G erm any ▁youth ▁international ▁football ers ▁Category : Associ ation ▁football ▁def enders ▁Category : B or uss ia ▁Dort mund ▁II ▁players ▁Category : Ar min ia ▁B iele feld ▁players ▁Category : 2 . ▁Bundes liga ▁players ▁Category : Region all iga ▁players <0x0A> </s> ▁The ▁Moon ▁has ▁been ▁the ▁subject ▁of ▁many ▁works ▁of ▁art ▁and ▁literature ▁and ▁the ▁insp iration ▁for ▁numerous ▁others . ▁It ▁is ▁a ▁mot if ▁in ▁the ▁visual ▁arts , ▁the ▁performing ▁arts , ▁poetry , ▁pro se , ▁and ▁music . ▁ ▁Fant asy ▁In ▁the ▁ 2 0 0 0 ▁video ▁game ▁The ▁Leg end ▁of ▁Zel da : ▁Maj ora ' s ▁M ask ▁( as ▁well ▁as ▁its ▁ 2 0 1 5 ▁ 3 DS ▁re make ), ▁the ▁Moon ▁poss esses ▁a ▁face ▁with ▁an ▁o min ous ▁expression , ▁and ▁is ▁set ▁to ▁crash ▁into ▁Term ina ▁and ▁end ▁the ▁world ▁after ▁ 3 ▁days . ▁The ▁player ▁controls ▁Link ▁as ▁he ▁races ▁to ▁prevent ▁this . ▁ ▁Liter ary ▁The ▁T ale ▁of ▁the ▁B am bo o ▁C utter , ▁a ▁ 1 0 th - century ▁Japanese ▁fol kt ale , ▁tells ▁of ▁a ▁myster ious ▁Moon ▁Princess ▁growing ▁up ▁on ▁Earth ▁as ▁the ▁adopted ▁daughter ▁of ▁a ▁b am bo o ▁cut ter ▁and ▁his ▁wife , ▁d azz ling ▁human ▁Prin ces ▁and ▁the ▁Emperor ▁himself ▁with ▁her ▁beauty , ▁and ▁finally ▁going ▁back ▁to ▁her ▁people ▁at ▁" |
The ▁Capital ▁of ▁the ▁Moon " ▁( T su ki - no - M iy ako ▁ 月 の 都 ), ▁leaving ▁many ▁broken ▁hearts ▁on ▁Earth . ▁It ▁is ▁among ▁the ▁first ▁texts ▁of ▁any ▁culture ▁assuming ▁the ▁Moon ▁to ▁be ▁an ▁inhab ited ▁world ▁and ▁describing ▁travel ▁between ▁it ▁and ▁the ▁Earth . ▁John ▁Hey wood ' s ▁Pro ver bes ▁( 1 5 4 6 ) ▁co ined ▁the ▁famous ▁phrase ▁that ▁" The ▁moon ▁is ▁made ▁of ▁a ▁gre ene ▁che ese ", ▁" gre ene " ▁meaning ▁" not ▁aged ", ▁but ▁Hey wood ▁was ▁probably ▁being ▁sar cast ic . ▁ ▁One ▁of ▁the ▁earliest ▁fict ional ▁fl ights ▁to ▁the ▁Moon ▁took ▁place ▁on ▁the ▁pages ▁of ▁Lud ov ico ▁Ari osto ' s ▁well - known ▁Italian ▁ep ic ▁poem ▁Or lando ▁Fur ioso ▁( 1 5 1 6 ). ▁The ▁protagon ist ▁Or lando , ▁having ▁been ▁th wart ed ▁in ▁love , ▁goes ▁mad ▁with ▁desp air ▁and ▁r amp ages ▁through ▁Europe ▁and ▁Africa , ▁destroy ing ▁everything ▁in ▁his ▁path . ▁The ▁English ▁kn ight ▁Ast ol fo , ▁seeking ▁to ▁find ▁a ▁c ure ▁for ▁Or lando ' s ▁mad ness , ▁f lies ▁up ▁to ▁the ▁Moon ▁in ▁E lij ah ' s ▁fl aming ▁ch ari ot . ▁In ▁this ▁dep iction , ▁the ▁Moon ▁is ▁where ▁everything ▁lost ▁on ▁Earth ▁is ▁to ▁be ▁found , ▁including ▁Or lando ' s ▁w its , ▁and ▁Ast ol fo |
▁brings ▁them ▁back ▁in ▁a ▁bott le ▁and ▁makes ▁Or lando ▁sn iff ▁them , ▁thus ▁rest oring ▁him ▁to ▁san ity . ▁ ▁Pan ▁T ward owski , ▁a ▁sor cer er ▁who ▁made ▁a ▁deal ▁with ▁the ▁Dev il ▁ ▁in ▁Polish ▁fol kl ore ▁and ▁literature , ▁is ▁dep icted ▁as ▁having ▁escaped ▁from ▁the ▁Dev il ▁who ▁was ▁taking ▁him ▁to ▁Hell ▁and ▁ending ▁up ▁living ▁on ▁the ▁Moon , ▁his ▁only ▁companion ▁being ▁a ▁sp ider ; ▁from ▁time ▁to ▁time ▁T ward owski ▁lets ▁the ▁sp ider ▁descend ▁to ▁Earth ▁on ▁a ▁thread ▁and ▁bring ▁him ▁news ▁from ▁the ▁world ▁below . ▁ ▁Edward ▁Young ' s ▁poem ▁entitled ▁The ▁Comp la int , ▁and ▁the ▁Cons olation ; ▁or , ▁Night ▁Th ought s ▁( 1 7 4 2 - 1 7 4 5 ), ▁was ▁a ▁favorite ▁of ▁po ets ▁and ▁pain ters ▁of ▁Rom antic ism ▁including ▁William ▁Bla ke ▁and ▁Samuel ▁Pal mer . ▁▁▁▁▁ ▁" The ▁Gal osh es ▁of ▁Fort une " ▁( 1 8 3 8 ) ▁by ▁Hans ▁Christian ▁Anders en . ▁A ▁watch man ▁un know ingly ▁fits ▁on ▁a ▁pair ▁of ▁magic ▁gal osh es ▁that ▁can ▁grant ▁people ' s ▁wishes . ▁As ▁he ▁wishes ▁he ▁could ▁visit ▁the ▁Moon ▁the ▁sho es ▁send ▁him ▁flying ▁there . ▁There ▁he ▁meets ▁several ▁Moon ▁men ▁who ▁all ▁wonder ▁whether ▁Earth ▁is ▁inhab ited ▁and ▁decide ▁this ▁must ▁be ▁impossible . ▁Back ▁on ▁Earth ▁the ▁lif eless ▁body |
▁of ▁the ▁watch man ▁is ▁found ▁and ▁he ▁is ▁brought ▁to ▁a ▁hospital , ▁where ▁they ▁take ▁his ▁sho es ▁off , ▁breaking ▁the ▁spell ▁again . ▁He ▁aw ak ens ▁and ▁decl ares ▁it ▁to ▁have ▁been ▁the ▁most ▁terrible ▁night ▁he ▁had ▁ever ▁experienced . ▁The ▁Princess ▁of ▁the ▁Moon : ▁A ▁Confeder ate ▁Fair y ▁Story ▁( 1 8 6 9 ) ▁by ▁" A ▁Lady ▁of ▁W arr ent on , ▁Va " ▁( C ora ▁Sem mes ▁I ves ) ▁has ▁the ▁" F air y ▁of ▁the ▁Moon " ▁descend ▁to ▁Earth ▁to ▁save ▁a ▁Confeder ate ▁soldier ▁from ▁his ▁gr ief ▁after ▁the ▁U . S . ▁Civil ▁War . ▁She ▁g ifts ▁him ▁with ▁a ▁Peg as us ▁ste ed ▁that ▁can ▁fly ▁him ▁anywhere . ▁After ▁surve ying ▁the ▁South ▁and ▁the ▁Union , ▁he ▁f lies ▁to ▁the ▁Moon , ▁meets ▁the ▁king ▁of ▁the ▁Moon ▁and ▁his ▁people , ▁falls ▁in ▁love ▁with ▁the ▁prin cess , ▁and ▁helps ▁their ▁kingdom ▁fight ▁off ▁an ▁invasion ▁of ▁Union ▁soldiers ▁arriv ing ▁in ▁bal lo ons . ▁In ▁Li ud my la ▁St ary t ska - Ch ern ia kh iv ska ' s ▁Living ▁Gra ve : ▁A ▁Ukrain ian ▁Leg end ▁[ Z hy va ▁Moh y la : ▁Ukrain ska ▁Le h enda ], ▁first ▁published ▁in ▁ 1 8 8 9 , ▁the ▁Moon ▁is ▁often ▁referred ▁as ▁the ▁' koz ak ▁( c oss ack ) ▁sun '. |
▁Johnny ▁Gru elle ' s ▁ 1 9 2 2 ▁children ' s ▁book , ▁The ▁Mag ical ▁Land ▁of ▁No om , ▁rel ates ▁the ▁advent ures ▁of ▁two ▁Earth ▁children ▁among ▁the ▁inhabitants ▁of ▁the ▁far ▁side ▁of ▁the ▁Moon . ▁R over andom ▁by ▁J . ▁R . ▁R . ▁Tol k ien ▁was ▁written ▁in ▁ 1 9 2 5 ▁to ▁console ▁his ▁son ▁Michael , ▁then ▁four ▁years ▁old , ▁for ▁the ▁loss ▁of ▁a ▁bel oved ▁to y ▁dog . ▁In ▁the ▁story , ▁the ▁dog ▁has ▁flow n ▁to ▁the ▁Moon ▁and ▁had ▁a ▁whole ▁series ▁of ▁am using ▁advent ures ▁there . ▁The ▁story ▁was ▁only ▁published ▁post hum ously . ▁In ▁addition , ▁Is il ▁and ▁the ▁gu ides man ▁T il ion ▁in ▁J . ▁R . ▁R . ▁Tol k ien ' s ▁fict ional ▁Middle - ear th ▁cosm ology ▁are ▁based ▁in ▁Tol k ien ' s ▁familiar ity ▁with ▁Nor se ▁and ▁G ael ic ▁myth s ▁of ▁the ▁Moon . ▁Doctor ▁Dol ittle ▁in ▁the ▁Moon ▁( 1 9 2 8 ) ▁was ▁intended ▁to ▁be ▁the ▁last ▁of ▁Hugh ▁Lo ft ing ' s ▁Doctor ▁Dol ittle ▁books . ▁The ▁Doctor , ▁with ▁his ▁unique ▁ability ▁to ▁communicate ▁with ▁animals , ▁arrived ▁in ▁the ▁Moon ▁on ▁the ▁back ▁of ▁a ▁giant ▁moth ▁and ▁finds ▁a ▁consider ably ▁different ▁kind ▁of ▁fa una ▁( for ▁example , ▁Moon ▁insect s ▁are ▁far ▁bigger ▁than ▁the ▁local ▁birds ), |
▁and ▁more ▁start ling ly , ▁intellig ent ▁plants ▁whose ▁language ▁he ▁lear ns ▁( as ▁he ▁never ▁did ▁with ▁earth ly ▁plants ). ▁He ▁also ▁meets ▁the ▁Moon ' s ▁single ▁human ▁inhab it ant , ▁a ▁pre histor ic ▁man ▁who ▁has ▁grown ▁into ▁an ▁enorm ous ▁giant ▁due ▁to ▁lun ar ▁food s ▁and ▁conditions ▁( which ▁soon ▁happens ▁to ▁the ▁doctor ▁himself ). ▁But ▁it ▁is ▁doubt ful ▁whether ▁he ▁would ▁ever ▁be ▁allowed ▁to ▁return ▁to ▁Earth . ▁Good night ▁Moon ▁( 1 9 4 7 ) ▁by ▁Margaret ▁W ise ▁Brown , ▁illustrated ▁by ▁Clement ▁H urd . ▁Winter ▁Moon , ▁a ▁poem ▁ ▁by ▁Lang ston ▁Hugh es . ▁Rab bit ▁and ▁the ▁Moon ▁( 1 9 9 8 ) ▁by ▁Douglas ▁Wood , ▁how ▁Rab bit ▁reached ▁the ▁Moon . ▁ ▁Cloud ▁Atlas . ▁In ▁a ▁future ▁Korea , ▁a ▁project or ▁on ▁Mount ▁Fu ji ▁be ams ▁pro jections ▁of ▁advert is ements ▁onto ▁the ▁Moon ' s ▁face . ▁The ▁Boy ▁Who ▁Cl im bed ▁In to ▁the ▁Moon ▁( 2 0 1 0 ) ▁by ▁David ▁Al mond , ▁about ▁a ▁boy ▁who ▁clim bs ▁a ▁lad der ▁to ▁the ▁Moon ▁and ▁goes ▁inside . ▁ ▁Theater ▁Frau ▁L una , ▁an ▁ 1 8 9 9 ▁oper etta ▁by ▁Paul ▁Lin cke , ▁dep ict s ▁a ▁fant astic ▁Moon ▁which ▁the ▁protagon ist , ▁amateur ▁invent or ▁Ste pp ke , ▁comes ▁to ▁visit . ▁The ▁End ▁of ▁the ▁Moon |
▁by ▁Laur ie ▁Anderson ▁is ▁a ▁ 9 0 - min ute ▁mon olog ue ▁created ▁as ▁part ▁of ▁Anderson ' s ▁two ▁years ▁as ▁NASA ▁artist - in - res idence . ▁It ▁premier ed ▁in ▁a ▁two - week ▁run ▁at ▁the ▁Brook lyn ▁Academy ▁of ▁Music ' s ▁Har vey ▁Theater ▁in ▁March ▁ 2 0 0 5 . ▁Far ▁Side ▁of ▁the ▁Moon ▁by ▁Robert ▁Le page , ▁a ▁theatre ▁cre ator / perform er ▁from ▁Québec . ▁ ▁Science ▁fiction ▁ ▁Liter ature ▁ ▁Early ▁stories ▁Luci an ' s ▁I car omen ipp us ▁and ▁True ▁History , ▁written ▁in ▁the ▁ 2 nd ▁century ▁AD , ▁deal ▁with ▁imag inary ▁voy ages ▁to ▁the ▁Moon ▁such ▁as ▁on ▁a ▁f ount ain ▁after ▁going ▁past ▁the ▁P ill ars ▁of ▁Her cules . ▁The ▁theme ▁did ▁not ▁become ▁popular ▁until ▁the ▁ 1 7 th ▁century , ▁however , ▁when ▁the ▁in vention ▁of ▁the ▁teles cope ▁hast ened ▁the ▁popular ▁accept ance ▁of ▁the ▁concept ▁of ▁" a ▁world ▁in ▁the ▁Moon ", ▁that ▁is , ▁that ▁the ▁Moon ▁was ▁an ▁inhab itable ▁planet , ▁which ▁might ▁be ▁reached ▁via ▁some ▁sort ▁of ▁a ë rial ▁carriage . ▁The ▁concept ▁of ▁another ▁world , ▁close ▁to ▁our ▁own ▁and ▁capable ▁of ▁looking ▁down ▁at ▁it ▁from ▁a ▁distance , ▁provided ▁am ple ▁scope ▁for ▁sat ir ical ▁comments ▁on ▁the ▁man ners ▁of ▁the ▁Earth ly ▁world . ▁Among ▁the ▁early ▁stories ▁dealing ▁with ▁this |
▁concept ▁are : ▁Som ni um ▁( 1 5 4 1 ) ▁by ▁Juan ▁M ald on ado ▁The ▁Dream ▁( S om ni um ) ▁( 1 6 3 4 ) ▁by ▁Johannes ▁Ke pler ▁( written ▁before ▁ 1 6 1 0 , ▁but ▁not ▁published ▁during ▁Ke pler ' s ▁life ). ▁An ▁I cel and ic ▁voy ager ▁is ▁transport ed ▁to ▁the ▁Moon ▁by ▁a ë rial ▁dem ons ; ▁an ▁occasion ▁for ▁Ke pler ▁to ▁offer ▁some ▁of ▁his ▁astronom ical ▁theories ▁in ▁the ▁gu ise ▁of ▁fiction . ▁The ▁Man ▁in ▁the ▁Mo one ▁( 1 6 3 8 ) ▁by ▁Francis ▁God win . ▁A ▁Sp ani ard ▁f lies ▁to ▁the ▁Moon ▁using ▁a ▁contra ption ▁pulled ▁by ▁ge ese . ▁ ▁The ▁Disc overy ▁of ▁a ▁World ▁in ▁the ▁Mo one , ▁or ▁a ▁disc ourse ▁t ending ▁to ▁prove ▁that ▁' tis ▁probable ▁there ▁may ▁be ▁another ▁habit able ▁world ▁in ▁that ▁planet . ▁( 1 6 3 8 ) ▁by ▁John ▁Wil kins . ▁ ▁Vo y age ▁dans ▁la ▁L une ▁( 1 6 5 7 ) ▁by ▁Cy rano ▁de ▁Ber ger ac , ▁inspired ▁by ▁God win . ▁Cy rano ▁is ▁launched ▁toward ▁the ▁Moon ▁by ▁fire works . ▁The ▁Cons olid ator ▁( 1 7 0 5 ) ▁by ▁Daniel ▁De fo e . ▁Tra vel s ▁between ▁China ▁and ▁the ▁Moon ▁on ▁an ▁engine ▁called ▁The ▁Cons olid ator ▁( a ▁sat ire ▁on ▁the ▁Parliament |
▁of ▁England ). ▁A ▁Vo y age ▁to ▁C ack log all in ia ▁( 1 7 2 7 ) ▁by ▁Samuel ▁Br unt ▁A ca jou ▁et ▁Z ir ph ile ▁( 1 7 4 4 ) ▁by ▁Charles ▁Pin ot ▁Du clos . ▁In ▁this ▁sat ir ical ▁fair y ▁tale , ▁the ▁prince ▁A ca jou ▁travel s ▁to ▁the ▁Moon ▁to ▁retrieve ▁the ▁sever ed ▁head ▁of ▁the ▁prin cess ▁Z ir ph ile ▁and ▁restore ▁it ▁to ▁her ▁body . ▁Sy zy g ies ▁and ▁L un ar ▁Qu adr atures ▁Al igned ▁to ▁the ▁Mer id ian ▁of ▁M ér ida ▁of ▁the ▁Y uc at án ▁by ▁an ▁An ct it one ▁or ▁In hab it ant ▁of ▁the ▁Moon ▁( 1 7 7 5 ), ▁by ▁Francis can ▁fri ar ▁Manuel ▁Antonio ▁de ▁R ivas ▁New est ▁Vo y age ▁( 1 7 8 4 ) ▁by ▁Vas ily ▁Lev sh in . ▁A ▁protagon ist ▁f lies ▁in ▁a ▁self - construct ed ▁wing ed ▁appar atus . ▁The ▁impro b able ▁advent ures ▁of ▁Baron ▁M unch aus en ▁( 1 7 8 6 ) ▁included ▁two ▁voy ages ▁to ▁the ▁Moon , ▁and ▁a ▁description ▁of ▁its ▁fl ora ▁and ▁fa una . ▁A ▁Vo y age ▁to ▁the ▁Moon ▁( 1 7 9 3 ) ▁by ▁Ar atus ▁( the ▁pen name ▁of ▁an ▁anonymous ▁British ▁author , ▁not ▁the ▁original ▁Greek ▁scient ist ) ▁The ▁Con quest ▁by ▁the ▁Moon |
▁( 1 8 0 9 ) ▁by ▁Washington ▁Ir ving . ▁ ▁An ▁invasion ▁story ▁meant ▁as ▁an ▁alleg ory ▁about ▁treatment ▁of ▁Native ▁Americans ▁by ▁European ▁sett lers ▁in ▁America . ▁A ▁Fl ight ▁to ▁the ▁Moon ▁( 1 8 1 3 ) ▁by ▁George ▁F ow ler . ▁Land ▁of ▁A ce ph als ▁( 1 8 2 4 ) ▁by ▁Wilhelm ▁Kü ch el be cker . ▁Fl ight ▁in ▁a ▁bal lo on . ▁A ▁Vo y age ▁to ▁the ▁Moon ▁( 1 8 2 7 ) ▁by ▁George ▁T ucker . ▁" The ▁Un par alle led ▁Advent ure ▁of ▁One ▁Hans ▁P fa all " ▁( 1 8 3 5 ) ▁by ▁Ed gar ▁All an ▁Po e ▁features ▁a ▁repair er ▁of ▁bell ows ▁in ▁Rot ter dam ▁who ▁creates ▁a ▁giant ▁bal lo on ▁and ▁an ▁' air ▁compress or ' ▁to ▁allow ▁him ▁to ▁travel ▁to ▁the ▁Moon . ▁In ▁the ▁Great ▁Moon ▁Ho ax ▁of ▁ 1 8 3 5 , ▁a ▁newspaper ▁rep orter ▁con co cted ▁a ▁series ▁of ▁stories ▁pur port ing ▁to ▁describe ▁the ▁discovery ▁of ▁life ▁on ▁the ▁Moon , ▁talking ▁of ▁such ▁cre atures ▁as ▁wing ed ▁hum ano ids ▁and ▁go ats . ▁" Rec ol lections ▁of ▁Six ▁Days ' ▁J our ney ▁in ▁the ▁Moon . ▁By ▁An ▁Aer io - N aut ical ▁Man " ▁( 1 8 4 4 ). ▁ ▁Pub lished ▁in ▁the ▁July ▁and ▁August ▁issues ▁of ▁the ▁Southern |
▁Liter ary ▁M essen ger . ▁ ▁The ▁Hop kins ▁Man us cript ▁( 1 9 3 9 ) ▁is ▁a ▁social - polit ical ▁d yst op ian ▁novel ▁written ▁by ▁R . ▁C . ▁Sh err iff . ▁It ▁describes ▁how ▁the ▁nations ▁of ▁the ▁world , ▁bent ▁on ▁destroy ing ▁each ▁other , ▁band ▁together ▁to ▁meet ▁a ▁common ▁dis aster -- ▁the ▁im min ent ▁threat ▁of ▁the ▁Moon ▁itself ▁landing ▁on ▁Earth . ▁ ▁First ▁voyage ▁The ▁first ▁flight ▁to ▁the ▁Moon ▁was ▁a ▁popular ▁topic ▁of ▁science ▁fiction ▁before ▁the ▁actual ▁landing ▁in ▁ 1 9 6 9 . ▁ ▁From ▁the ▁Earth ▁to ▁the ▁Moon ▁( 1 8 6 5 ) ▁and ▁its ▁sequ el ▁Ar ound ▁the ▁Moon ▁( 1 8 7 0 ) ▁by ▁Jules ▁Ver ne , ▁in ▁which ▁a ▁project ile ▁is ▁launched ▁from ▁Florida ▁and ▁lands ▁in ▁the ▁Pacific ▁Ocean , ▁not ▁unlike ▁in ▁the ▁Apol lo ▁program ▁lun ar ▁orbit ▁rende z vous . ▁ ▁In ▁Les ▁Ex il és ▁de ▁la ▁Ter re ▁( Ex iled ▁from ▁Earth , ▁ 1 8 8 7 ), ▁by ▁Pas ch al ▁Gr ous set ▁( writing ▁as ▁André ▁Laur ie ), ▁a ▁Sud an ese ▁mountain ▁composed ▁of ▁pure ▁iron ▁ore ▁is ▁converted ▁into ▁a ▁huge ▁electro - mag net ▁and ▁cat ap ult ed ▁to ▁the ▁Moon ▁where ▁the ▁protagon ists ▁have ▁various ▁advent ures . ▁ ▁The ▁First ▁Men ▁in ▁the ▁Moon ▁( 1 9 0 1 ) ▁by |
▁H . ▁G . ▁Well s ▁in ▁which ▁a ▁spaces hip ▁gets ▁to ▁the ▁Moon ▁with ▁the ▁aid ▁of ▁C avor ite ▁- a ▁material ▁which ▁shield s ▁out ▁gravity . ▁It ▁is ▁inhab ited ▁by ▁insect - like ▁S elen ites ▁who ▁are ▁ruled ▁by ▁a ▁Grand ▁L un ar , ▁and ▁who ▁prevent ▁C avor ▁from ▁returning ▁to ▁Earth ▁after ▁learning ▁of ▁human ity ' s ▁war like ▁nature . ▁ ▁Na ▁s re br nym ▁glob ie ▁[ The ▁Silver ▁Glo be ] ▁( 1 9 0 3 ), ▁by ▁Polish ▁writer ▁Jer zy ▁Ż u ław ski ▁in ▁which ▁a ▁first ▁expedition ▁from ▁Earth ▁gives ▁birth ▁to ▁a ▁lun ar ▁society . ▁The ▁story ▁was ▁continued ▁in ▁Zw yci ę z ca ▁[ The ▁Con quer or ] ▁( 1 9 1 0 ) ▁and ▁St ara ▁Z iem ia ▁[ The ▁Old ▁Earth ] ▁( 1 9 1 1 ). ▁This ▁so - called ▁L un ar ▁Tr il ogy ▁was ▁the ▁first ▁modern ▁Polish ▁SF ▁story . ▁It ▁was ▁adapted ▁to ▁the ▁screen ▁as ▁On ▁the ▁Silver ▁Glo be ▁by ▁And r zej ▁Ż u ław ski . ▁ ▁" Tr ends " ▁is ▁a ▁ 1 9 3 9 ▁short ▁story ▁by ▁Isaac ▁As im ov ▁in ▁which ▁religious ▁fan at ics ▁opp ose ▁a ▁fict ional ▁first ▁flight ▁to ▁the ▁Moon ▁in ▁the ▁ 1 9 7 0 s . ▁ ▁P rel ude ▁to ▁Space ▁is ▁a ▁ 1 9 5 1 ▁novel ▁by |
▁Arthur ▁C . ▁Clar ke ▁rec ount ing ▁the ▁events ▁leading ▁up ▁to ▁a ▁fict ional ▁first ▁flight ▁to ▁the ▁Moon ▁in ▁ 1 9 7 8 . ▁ ▁Robert ▁A . ▁Hein lein ▁Robert ▁A . ▁Hein lein ▁wrote ▁extens ively , ▁pro l ific ally , ▁and ▁inter - connected ly ▁about ▁first ▁voy ages ▁and ▁colon ization ▁of ▁the ▁Moon , ▁which ▁he ▁most ▁often ▁called ▁L una . ▁Hein lein ▁was ▁also ▁involved ▁with ▁the ▁films ▁Dest ination ▁Moon ▁and ▁Project ▁Moon base . ▁ ▁" Re qu iem " ▁ 1 9 4 0 . ▁A ▁lyr ical ▁story ▁about ▁Harr iman , ▁the ▁man ▁who ▁fin anced ▁the ▁first ▁Moon ▁landing ▁( see ▁also ▁" The ▁Man ▁Who ▁Sold ▁the ▁Moon ", ▁below ). ▁Ro cket ▁Sh ip ▁Gal ile o ▁ 1 9 4 7 . ▁ ▁A ▁phys ic ist ▁and ▁several ▁pro dig y ▁te en agers ▁convert ▁a ▁sub - orb ital ▁ro cket ▁ship ▁to ▁reach ▁the ▁Moon ▁where ▁they ▁are ▁prof ound ly ▁surprised ▁and ▁have ▁to ▁act ▁quickly ▁to ▁deal ▁with ▁a ▁m align ant ▁men ace . ▁" Col umb us ▁Was ▁a ▁Do pe ", ▁as ▁L yle ▁Mon roe , ▁ 1 9 4 7 . ▁ ▁In ▁a ▁bar ▁on ▁the ▁Moon , ▁a ▁chance ▁encounter ▁reve als ▁both ▁deep ▁and ▁practical ▁att itudes ▁about ▁space ▁expl oration . ▁" The ▁Long ▁Watch " ▁( aka ▁" R eb ell ion ▁on ▁the ▁Moon ", ▁ |
1 9 4 8 ). ▁An ▁officer ▁in ▁charge ▁of ▁a ▁nuclear ▁ar sen al ▁on ▁the ▁Moon ▁makes ▁t ough ▁dec isions . ▁" G ent le men , ▁Be ▁Se ated ! ", ▁ 1 9 4 8 . ▁ ▁A ▁dangerous ▁leak ▁develop s ▁in ▁a ▁lun ar ▁tunnel ▁and ▁the ▁men ▁dev ise ▁a ▁unique ▁way ▁to ▁deal ▁with ▁it ▁until ▁a ▁repair ▁can ▁be ▁made . ▁" The ▁Black ▁P its ▁of ▁L una ", ▁ 1 9 4 8 . ▁ ▁A ▁Boy ▁Sc out ▁vis its ▁cities ▁on ▁the ▁Moon . ▁" The ▁Man ▁Who ▁Sold ▁the ▁Moon ", ▁a ▁ 1 9 4 9 ▁short ▁story , ▁first ▁published ▁in ▁ 1 9 5 1 . ▁In ▁this ▁story , ▁a ▁pre quel ▁to ▁" Re qu iem " ▁( above ), ▁events ▁revol ve ▁around ▁a ▁fict ional ▁first ▁Moon ▁landing ▁in ▁ 1 9 7 8 . ▁" Nothing ▁Ever ▁H app ens ▁on ▁the ▁Moon ", ▁ 1 9 4 9 . ▁A ▁ 2 1 st - century ▁Boy ▁Sc out ▁on ▁the ▁Moon ▁enc oun ters ▁numerous ▁ha z ards ▁and ▁pred ic aments ▁in ▁a ▁bid ▁to ▁ear n ▁E agle ▁Sc out ▁( M oon ). ▁The ▁Rol ling ▁St ones ▁ 1 9 5 2 . ▁ ▁The ▁exception al ▁Stone ▁family ▁lives ▁on ▁the ▁Moon ▁and ▁after ▁extensive ▁background ▁and ▁prepar ation ▁of ▁their ▁own ▁ship ▁they ▁depart ▁to ▁tour ▁and ▁live ▁in ▁the ▁Sol ar |
▁System . ▁" The ▁Men ace ▁From ▁Earth ", ▁ 1 9 5 7 . ▁A ▁lun ar ▁te en age ▁girl ' s ▁rom ance ▁is ▁dis rupted ▁by ▁a ▁new com er . ▁Ext ensive ▁descri ptions , ▁most ▁not ew orth y ▁is ▁the ▁mus cle - power ▁flying ▁in ▁a ▁huge ▁se aled ▁ca vern . ▁" Search light ", ▁ 1 9 6 2 . ▁ ▁A ▁short - short ▁piece ▁about ▁a ▁rescue ▁on ▁the ▁Moon . ▁The ▁Moon ▁Is ▁a ▁Har sh ▁M ist ress ▁( 1 9 6 6 ). ▁In ▁this ▁Hugo ▁Award ▁winning ▁novel , ▁the ▁Moon ▁is ▁a ▁pen al ▁col ony , ▁especially ▁for ▁political ▁prisoners ▁and ▁their ▁descend ants . ▁ ▁They ▁revol t ▁for ▁independence ▁from ▁Earth - based ▁control . ▁ ▁The ▁novel ▁discuss es ▁issues ▁of ▁sust ain ability , ▁health , ▁transport ation , ▁family ▁organization , ▁artificial ▁intelligence , ▁and ▁political ▁govern ance . ▁The ▁Cat ▁Who ▁Wal ks ▁Through ▁W alls ▁ 1 9 8 5 . ▁ ▁About ▁a ▁third ▁of ▁the ▁book ▁takes ▁place ▁on ▁a ▁Free ▁L una ▁that ▁is ▁a ▁continu ation ▁of ▁the ▁L una ▁in ▁The ▁Moon ▁is ▁a ▁Har sh ▁M ist ress ▁( TM ia H M ▁above ). ▁ ▁Free - enter prise ▁is ▁r amp ant ; ▁L una ▁City ▁is ▁called ▁L - City . ▁ ▁Haz el ▁Stone ▁from ▁The ▁Rol ling ▁St ones ▁and ▁T M ia H M ▁appears . |
▁ ▁In hab ited ▁Moon ▁The ▁Moon ▁is ▁sometimes ▁imag ined ▁as ▁having , ▁now ▁or ▁in ▁the ▁distant ▁past , ▁ind igen ous ▁life ▁and ▁civil ization . ▁The ▁First ▁Men ▁in ▁the ▁Moon ▁( 1 9 0 1 ) ▁by ▁H . ▁G . ▁Well s , ▁the ▁Moon ▁is ▁inhab ited ▁by ▁insect oid ▁" S elen ites ." ▁Lost ▁Parad ise ▁( 1 9 3 6 ) ▁by ▁C . ▁L . ▁Moore . ▁This ▁North west ▁Smith ▁story ▁tells ▁how ▁the ▁once - fert ile ▁Moon ▁became ▁an ▁air less ▁was t eland . ▁In ▁C . ▁S . ▁Lewis ' s ▁That ▁H ide ous ▁Str ength ▁( 1 9 4 5 ), ▁the ▁Moon ▁( S ul va ) ▁is ▁described ▁as ▁being ▁home ▁to ▁a ▁race ▁of ▁extreme ▁e ugen ic ists . ▁On ▁the ▁near ▁side , ▁the ▁el ite ▁cas te ▁seems ▁to ▁have ▁disp ensed ▁with ▁organ ic ▁existence ▁altogether , ▁by ▁some ▁means ▁never ▁clearly ▁described ; ▁the ▁only ▁hold outs ▁against ▁this ▁tr end ▁are ▁an ▁emb att led ▁minor ity ▁on ▁the ▁far ▁side . ▁The ▁response ▁of ▁the ▁characters ▁to ▁this ▁state ▁of ▁affairs ▁var ies ▁according ▁to ▁their ▁status : ▁Professor ▁Fil ost r ato , ▁of ▁the ▁w icked ▁N . I . C . E ., ▁cons iders ▁the ▁Sul v ans ▁"[ a ] ▁great ▁race , ▁further ▁advanced ▁than ▁we ", ▁while ▁the ▁Christian ▁champion ▁El win ▁R ans om ▁describes ▁them ▁as |
▁" an ▁acc urs ed ▁people , ▁full ▁of ▁pride ▁and ▁l ust ." ▁In ▁Bad ger ' s ▁Moon ▁( 1 9 4 9 ) ▁by ▁Ell eston ▁Tre vor , ▁four ▁animals ▁travel ▁to ▁the ▁Moon ▁by ▁ro cket ▁ship ▁and ▁meet ▁the ▁inhabitants . ▁ ▁Moon ▁Man ▁( 1 9 6 6 ) ▁by ▁Tom i ▁Un ger er ▁features ▁the ▁Man ▁from ▁the ▁Moon ▁coming ▁to ▁Earth , ▁where ▁he ▁is ▁imprison ed ▁because ▁he ' s ▁different . ▁▁ ▁The ▁ ″ L om ok ome ″ ▁Pap ers ▁( 1 9 6 8 ) ▁by ▁H erman ▁W ou k . ▁L t . ▁Daniel ▁Butler ▁is ▁left ▁mar oon ed ▁on ▁the ▁Moon . ▁A ▁rescue ▁ship ▁finds ▁a ▁manuscript ▁written ▁by ▁L t . ▁Butler ▁where ▁he ▁tells ▁a ▁story ▁of ▁how ▁he ▁was ▁held ▁capt ive ▁by ▁people ▁who ▁live ▁beneath ▁the ▁Moon ' s ▁surface ▁and ▁how ▁they ▁conduct ▁their ▁lives , ▁introdu cing ▁various ▁social ▁and ▁political ▁comment aries ▁by ▁W ou k . ▁For ▁example , ▁since ▁wars ▁are ▁won ▁by ▁the ▁poss essor ▁of ▁the ▁greatest ▁industrial ▁potential , ▁the ▁city ▁states ▁of ▁the ▁Moon ▁have ▁replaced ▁war ▁by ▁int ensive ▁drives ▁to ▁produce ▁consumer ▁goods , ▁the ▁highest ▁producer ▁being ▁declared ▁the ▁winner ▁without ▁need ing ▁to ▁mobil ize ▁soldiers ▁to ▁kill ▁each ▁other . ▁ ▁The ▁Matthew ▁Lo oney ▁series ▁of ▁children ' s ▁books ▁by ▁Jer ome ▁Beat ty ▁Jr ▁( written ▁ 1 9 6 1 |
▁- ▁ 1 9 7 8 ) ▁is ▁an ▁am using ▁set ▁of ▁stories ▁about ▁an ▁inhab ited ▁Moon ▁whose ▁government ▁is ▁intent ▁on ▁inv ading ▁the ▁Earth . ▁ ▁Col on ization ▁Human ▁settlement s ▁on ▁the ▁Moon ▁are ▁found ▁in ▁many ▁science ▁fiction ▁nov els , ▁short ▁stories ▁and ▁films . ▁Not ▁all ▁have ▁the ▁Moon ▁col ony ▁itself ▁as ▁central ▁to ▁the ▁plot . ▁ ▁Men ace ▁from ▁the ▁Moon ▁( 1 9 2 5 ), ▁by ▁English ▁writer ▁Boh un ▁Lyn ch . ▁A ▁lun ar ▁col ony , ▁founded ▁in ▁ 1 6 5 4 ▁by ▁a ▁Dutch man , ▁an ▁English man , ▁an ▁Italian , ▁and ▁" the ir ▁women ", ▁threat ens ▁Earth ▁with ▁heat - ray ▁do om ▁unless ▁it ▁helps ▁them ▁escape ▁their ▁dying ▁world . ▁ ▁Earth light ▁( 1 9 5 5 ) ▁by ▁Arthur ▁C . ▁Clar ke . ▁A ▁settlement ▁on ▁the ▁Moon ▁becomes ▁caught ▁in ▁the ▁cross fire ▁of ▁a ▁war ▁between ▁Earth ▁and ▁a ▁feder ation ▁of ▁Mars ▁and ▁Ven us . ▁The ▁Tr ouble ▁With ▁Ty cho ▁( 1 9 6 0 ) ▁by ▁Cl iff ord ▁D . ▁Sim ak . ▁A ▁young ▁lun ar ▁prospect or ▁see ks ▁to ▁find ▁a ▁lost ▁expedition ▁to ▁the ▁Moon . ▁A ▁Fall ▁of ▁Mo ond ust ▁( 1 9 6 1 ) ▁by ▁Arthur ▁C . ▁Clar ke . ▁A ▁lun ar ▁dust ▁boat ▁full ▁of ▁tour ists ▁s inks ▁into ▁a ▁sea ▁of ▁Moon ▁dust . |
▁The ▁Lat he ▁of ▁Heaven ▁( 1 9 7 1 ) ▁by ▁Urs ula ▁K . ▁Le ▁Gu in . ▁In ▁one ▁of ▁the ▁alternate ▁real ities ▁in ▁the ▁novel ▁lun ar ▁bases ▁are ▁established ▁by ▁ 2 0 0 2 , ▁only ▁to ▁be ▁attacked ▁by ▁al iens ▁from ▁Al de bar an ▁( who ▁in ▁another ▁reality ▁turn ▁out ▁to ▁be ▁ben ign ). ▁The ▁God s ▁Th ems el ves ▁( 1 9 7 3 ) ▁by ▁Isaac ▁As im ov . ▁The ▁third ▁section ▁of ▁the ▁novel ▁takes ▁place ▁in ▁a ▁lun ar ▁settlement ▁in ▁the ▁early ▁ 2 2 nd ▁Century . ▁Dark , ▁Dark ▁W ere ▁the ▁T unn els ▁( 1 9 7 4 ) ▁by ▁George ▁R . ▁R . ▁Martin . ▁This ▁story ▁takes ▁place ▁on ▁Earth , ▁dev ast ated ▁by ▁nuclear ▁war ▁ 5 0 0 ▁years ▁earlier ▁and ▁being ▁expl ored ▁by ▁descend ants ▁of ▁a ▁small ▁rem nant ▁of ▁human ity ▁that ▁surv ived ▁on ▁a ▁lun ar ▁col ony . ▁In herit ▁the ▁Stars ▁( 1 9 7 7 ) ▁by ▁James ▁P . ▁Hog an ▁is ▁the ▁first ▁book ▁of ▁the ▁Gi ants ▁series . ▁The ▁Moon ▁turns ▁out ▁to ▁have ▁previously ▁orb ited ▁Min erva , ▁a ▁planet ▁that ▁expl oded ▁to ▁form ▁the ▁astero id ▁bel t ▁ 5 0 , 0 0 0 ▁years ▁ago . ▁The ▁L un at ics ▁( 1 9 8 8 ) ▁by ▁Kim ▁Stanley ▁Robinson . ▁A ▁group ▁of |
▁ens la ved ▁min ers ▁forced ▁to ▁work ▁under ▁the ▁lun ar ▁surface ▁launch ▁a ▁re bell ion . ▁L un ar ▁Des cent ▁by ▁Allen ▁Ste ele ▁( 1 9 9 1 ) ▁Set ▁in ▁ 2 0 2 4 , ▁the ▁novel ▁describes ▁a ▁base ▁called ▁Des cart es ▁Station . ▁Trans m igration ▁of ▁Sou ls ▁( 1 9 9 6 ) ▁by ▁William ▁Bart on . ▁An ▁expedition ▁from ▁a ▁Moon ▁base ▁disco vers ▁an ▁al ien ▁base ▁with ▁technology ▁that ▁allows ▁tele port ation ▁and ▁time ▁travel . ▁. ▁Ice ▁( 2 0 0 2 ) ▁by ▁Sh ane ▁Johnson . ▁A ▁fict ional ▁Apol lo ▁ 1 9 ▁mission ▁takes ▁a ▁dis astr ous ▁turn ▁when ▁the ▁Apol lo ▁L un ar ▁Module ▁as cent ▁engine ▁fails ▁to ▁fire . ▁The ▁astr onaut s ▁then ▁set ▁out ▁on ▁their ▁own ▁as ▁far ▁as ▁their ▁new ▁heavy ▁lun ar ▁ro ver ▁will ▁take ▁them . ▁Their ▁expl oration ▁leads ▁mi rac ul ously ▁to ▁an ▁ancient — but ▁still ▁function ing — l un ar ▁base . ▁People ▁C ame ▁From ▁Earth ▁by ▁Stephen ▁B ax ter , ▁printed ▁in ▁The ▁Year ' s ▁Best ▁Science ▁F iction : ▁Se vent e enth ▁Ann ual ▁Collection . ▁In ▁the ▁nov els ▁A ▁Fall ▁of ▁Mo ond ust , ▁Earth light , ▁R ende z vous ▁with ▁R ama , ▁and ▁ 2 0 0 1 : ▁A ▁Space ▁Od ys sey , by ▁Arthur ▁C . ▁Clar ke |
, ▁colon ies ▁of ▁various ▁sizes ▁and ▁functions ▁exist ▁on ▁the ▁Moon — some ▁the ▁size ▁of ▁cities ▁The ▁Moon r ise ▁and ▁Moon war ▁books ▁by ▁Ben ▁B ova ▁tell ▁the ▁story ▁of ▁a ▁lun ar ▁base ▁built ▁by ▁an ▁American ▁corpor ation , ▁which ▁eventually ▁reb els ▁against ▁Earth ▁control . ▁The ▁books ▁form ▁part ▁of ▁the ▁" Gr and ▁Tour " ▁series . ▁Moon fall ▁( 1 9 9 8 ) ▁by ▁Jack ▁Mc Dev itt ▁features ▁a ▁com et ▁heading ▁for ▁a ▁collision ▁with ▁the ▁Moon ▁just ▁as ▁the ▁first ▁base ▁is ▁being ▁opened . ▁. ▁The ▁short ▁story ▁" By rd ▁Land ▁Six " ▁( 2 0 1 0 ) ▁by ▁Al ast air ▁Reyn olds ▁includes ▁a ▁Moon ▁col ony ▁centered ▁around ▁min ing ▁hel ium - 3 . ▁ ▁In ▁the ▁Hyper ion ▁stories ▁by ▁Dan ▁Sim m ons , ▁the ▁Moon ▁is ▁one ▁of ▁several ▁hundred ▁colon ized ▁cel est ial ▁bodies ; ▁however , ▁it ▁is ▁left ▁almost ▁entirely ▁abandoned ▁as ▁ 9 9 % ▁of ▁the ▁existing ▁colon ized ▁plan ets ▁are ▁prefer able ▁to ▁the ▁Moon . ▁Life ▁as ▁We ▁K new ▁It ▁( 2 0 0 6 ) ▁by ▁Susan ▁Beth ▁Pf ef fer , ▁a ▁novel ▁foc using ▁on ▁the ▁effects ▁of ▁an ▁astero id ▁coll iding ▁with ▁the ▁Moon ▁and ▁knock ing ▁its ▁orbit ▁closer ▁to ▁Earth . ▁Learning ▁the ▁World ▁by ▁Ken ▁Mac Le od , ▁a ▁first ▁contact ▁novel . ▁ ▁Hum ans ▁trace ▁their ▁history ▁from |
▁the ▁Moon ▁c aves , ▁the ▁inference ▁being ▁failure ▁of ▁the ▁primary . ▁ ▁L una ▁is ▁the ▁capital ▁of ▁the ▁Society ▁and ▁home ▁of ▁its ▁S over eign ▁in ▁Pier ce ▁Brown ' s ▁Red ▁R ising ▁series ▁of ▁nov els : ▁Red ▁R ising ▁( 2 0 1 4 ), ▁Golden ▁Son ▁( 2 0 1 5 ) ▁and ▁Mor ning ▁Star ▁( 2 0 1 6 ). ▁L una : ▁New ▁Moon ▁( 2 0 1 5 ) ▁by ▁Ian ▁Mc Donald , ▁and ▁its ▁ 2 0 1 6 ▁sequ el ▁L una : ▁Wolf ▁Moon , ▁are ▁about ▁several ▁rival ▁families ▁which ▁comp ete ▁for ▁hel ium - 3 ▁min ing ▁operations ▁on ▁the ▁Moon . ▁Lim it ▁( 2 0 1 3 ) ▁by ▁Frank ▁Sch ät zing : ▁a ▁sf ▁thr iller ▁concerning ▁the ▁min ing ▁of ▁Hel ium - 3 ▁and ▁tour ism ▁activities ▁on ▁the ▁Moon . ▁Ar tem is , ▁a ▁ 2 0 1 7 ▁Andy ▁We ir ▁novel ▁set ▁in ▁a ▁fict ional ▁but ▁scientific ally ▁pla us ible ▁lun ar ▁city . ▁The ▁city ' s ▁well ▁developed ▁economy ▁( ult imately ▁based ▁on ▁tour ism ) ▁is ▁described ▁in ▁considerable ▁detail . ▁ ▁Major ▁resources ▁include ▁a ▁nuclear ▁power ▁plant , ▁al umin ium ▁sm elter ▁and ▁o xygen ▁production ▁facility . ▁ ▁Film ▁Le ▁Vo y age ▁dans ▁la ▁L une ▁( 1 9 0 2 ) ▁written ▁and ▁directed ▁by ▁Georges ▁Mé li ès . ▁Re leased |
▁in ▁the ▁US ▁as ▁A ▁T rip ▁to ▁the ▁Moon . ▁A ▁French ▁silent ▁film ▁lo os ely ▁based ▁upon ▁the ▁Jules ▁Ver ne ▁novel ▁From ▁the ▁Earth ▁to ▁the ▁Moon ▁and ▁the ▁First ▁Men ▁in ▁the ▁Moon . ▁In cludes ▁a ▁famous ▁scene ▁where ▁the ▁ro cket ▁hits ▁the ▁Man ▁of ▁the ▁Moon ▁in ▁the ▁eye . ▁Frau ▁im ▁Mond ▁(" W oman ▁in ▁the ▁Moon ", ▁ 1 9 2 9 ), ▁written ▁and ▁directed ▁by ▁Fritz ▁Lang . ▁Based ▁on ▁the ▁novel ▁Die ▁Frau ▁im ▁Mond ▁( 1 9 2 8 ) ▁by ▁Lang ' s ▁then - w ife ▁and ▁collabor ator ▁The a ▁von ▁Har b ou , ▁translated ▁in ▁English ▁as ▁The ▁Ro cket ▁to ▁the ▁Moon ▁( 1 9 3 0 ). ▁ ▁The ▁film ▁was ▁released ▁in ▁the ▁US ▁as ▁By ▁Ro cket ▁to ▁the ▁Moon , ▁and ▁in ▁the ▁UK ▁as ▁Woman ▁in ▁the ▁Moon . ▁A ▁silent ▁movie ▁often ▁considered ▁to ▁be ▁one ▁of ▁the ▁first ▁" ser ious " ▁science ▁fiction ▁films , ▁in ▁which ▁the ▁bas ics ▁of ▁ro cket ▁travel ▁were ▁presented ▁to ▁a ▁mass ▁audience ▁for ▁the ▁first ▁time . ▁Things ▁to ▁Come ▁( 1 9 3 6 ) ▁was ▁an ▁early ▁science ▁fiction ▁film ▁and ▁featured ▁a ▁space craft ▁sending ▁two ▁people ▁on ▁the ▁first ▁man ned ▁flight ▁around ▁the ▁Moon ▁launched ▁into ▁space ▁by ▁a ▁space ▁gun ▁in ▁the ▁year ▁ 2 0 3 6 . ▁Mel ody ▁Time ▁( 1 9 4 8 ). ▁In ▁the |
▁segment ▁" P ec os ▁Bill ", ▁P ec os ▁Bill ' s ▁f ian c ée ▁Sl ue ▁Foot ▁Sue ▁gets ▁thrown ▁to ▁the ▁Moon ▁by ▁P ec os ' ▁horse ▁W id ow maker , ▁where ▁she ▁stays ▁for ▁all ▁time . ▁Bill ▁is ▁so ▁de pressed ▁by ▁the ▁loss ▁of ▁his ▁love ▁that ▁he ▁how ls ▁at ▁the ▁Moon , ▁and ▁co y otes ▁join ▁in ▁out ▁of ▁sympathy . ▁This ▁is ▁a ▁tall ▁tale ▁of ▁why ▁co y otes ▁how l ▁at ▁the ▁Moon . ▁Dest ination ▁Moon ▁( 1 9 5 0 ) ▁was ▁a ▁ground bre aking ▁science ▁fiction ▁film , ▁based ▁on ▁a ▁story ▁treatment ▁by ▁Robert ▁A . ▁Hein lein ▁and ▁directed ▁by ▁George ▁Pal . ▁Project ▁Moon base ▁( 1 9 5 3 ). ▁A ▁failed ▁television ▁pilot ▁converted ▁into ▁a ▁film . ▁First ▁Men ▁in ▁the ▁Moon ▁( 1 9 6 4 ) ▁is ▁a ▁science ▁fiction ▁film ▁lo os ely ▁based ▁on ▁H . ▁G . ▁Well s ' ▁novel ▁The ▁First ▁Men ▁in ▁the ▁Moon . ▁ 2 0 0 1 : ▁A ▁Space ▁Od ys sey ▁( 1 9 6 8 ) ▁by ▁Stanley ▁Kub rick ▁and ▁Arthur ▁C . ▁Clar ke . ▁In cludes ▁a ▁scene ▁at ▁a ▁lun ar ▁administrative ▁base ▁in ▁the ▁Cla vi us ▁cr ater . ▁Planet ▁of ▁the ▁A pes ▁( 1 9 6 8 ) ▁by ▁Franklin ▁J . ▁Sch aff ner . ▁D odge ▁obser ves ▁that ▁there ▁is ▁no ▁moon ▁in |
▁the ▁sky , ▁imp lying ▁that ▁the ▁Moon ▁was ▁destroyed ▁during ▁the ▁wars ▁that ▁turned ▁the ▁Earth ▁into ▁the ▁Planet ▁of ▁the ▁A pes . ▁Moon ▁Zero ▁Two ▁( 1 9 6 9 ). ▁Bil led ▁as ▁a ▁' space ▁western ', ▁this ▁Ham mer ▁Films ▁production ▁followed ▁shortly ▁after ▁ 2 0 0 1 : ▁A ▁Space ▁Od ys sey . ▁ ▁In ▁the ▁year ▁ 2 0 2 1 ▁the ▁Moon ▁is ▁in ▁the ▁process ▁of ▁being ▁colon ized , ▁and ▁this ▁new ▁front ier ▁is ▁attract ing ▁a ▁diverse ▁group ▁of ▁people . ▁Flash ▁Gordon ▁( 1 9 8 0 ). ▁Emperor ▁M ing ▁the ▁Mer cil ess ▁plans ▁to ▁destroy ▁the ▁Earth ▁by ▁pushing ▁the ▁Moon ▁on ▁a ▁collision ▁course ; ▁at ▁the ▁beginning ▁of ▁the ▁film ▁he ▁show ers ▁the ▁Earth ▁with ▁lun ar ▁rocks . ▁Super man ▁II ▁( 1 9 8 0 ) ▁Three ▁super villa ins ▁from ▁the ▁Ph antom ▁Zone ▁( U rs a , ▁General ▁Z od , ▁and ▁Non ) ▁kill ▁all ▁the ▁astr onaut s ▁on ▁a ▁mission ▁on ▁the ▁Moon ▁before ▁heading ▁to ▁Earth . ▁Air plane ▁II : ▁The ▁Se quel ▁( 1 9 8 2 ) ▁A ▁space plane ▁is ▁launched ▁on ▁a ▁voyage ▁to ▁a ▁colon ized ▁settlement ▁on ▁the ▁Moon , ▁encounter ing ▁many ▁difficulties ▁on ▁the ▁way . ▁Nothing ▁Last s ▁Fore ver ▁( 1 9 8 4 ) ▁A ▁comedy ▁in ▁which ▁the ▁New ▁York ▁Port ▁Author ity ▁takes ▁tour ists ▁on ▁bus ▁tri |