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. ▁Direct ed ▁by ▁Luci ano ▁Sab ino , ▁Marco ▁Rod r igo , ▁Cla udio ▁Bo e ck el , ▁with ▁general ▁and ▁core ▁direction ▁of ▁Wolf ▁May a . ▁Naz ar é ▁T edes co , ▁Ren ata ▁Sor rah ' s ▁character , ▁is ▁the ▁great ▁villa in ▁of ▁the ▁plot , ▁and ▁entered ▁the ▁history ▁of ▁Brazil ian ▁television ▁drama ▁as ▁one ▁of ▁the ▁best ▁known ▁and ▁cruel ▁villa ins ▁of ▁Brazil ian ▁soap ▁oper as . ▁ ▁Fe ature d ▁Su z ana ▁Vie ira , ▁José ▁Wil ker , ▁Carolina ▁Die ck mann , ▁Edu ardo ▁Mos cov is , ▁Let í cia ▁Sp iller , ▁José ▁May er , ▁Leon ardo ▁Vie ira , ▁D éb ora ▁Fal abel la , ▁Marcel lo ▁Anton y , ▁Dan ▁St ul bach , ▁T ania ▁K hal ill , ▁Carol ▁Castro , ▁D ado ▁Dol abel la , ▁Mar ília ▁Gab ri ela , ▁José ▁de ▁A bre u , ▁Le andra ▁Le al ▁and ▁Ren ata ▁Sor rah ▁in ▁leading ▁roles . ▁ ▁Production ▁ ▁The ▁t elen ov ela ▁had ▁prov is ional ▁title ▁of ▁Din ast ia . ▁But ▁one ▁business man ▁registered ▁the ▁mark ▁before , ▁and ▁two ▁months ▁before ▁its ▁debut ▁had ▁its ▁name ▁changed ▁to ▁Sen hora ▁do ▁Dest ino . ▁Carolina ▁Die ck mann ▁and ▁Adri ana ▁Este ves ▁participated ▁in ▁the ▁first ▁phase , ▁playing ▁the ▁characters ▁Maria ▁do ▁Car mo ▁and ▁Naz ar é ▁T edes co ▁respectively . |
▁The ▁first ▁record ings ▁started ▁in ▁May ▁ 2 0 0 4 . ▁Die ck mann ▁returned ▁to ▁the ▁second ▁phase ▁of ▁history ▁to ▁play ▁Maria ▁do ▁Car mo ' s ▁st olen ▁daughter . ▁Al ong ▁with ▁her , ▁actress ▁Ren ata ▁Sor rah ▁also ▁appeared ▁in ▁the ▁t elen ov ela . ▁Their ▁first ▁scenes ▁in ▁the ▁second ▁phase ▁a ired ▁on ▁the ▁July ▁ 2 4 , ▁ 2 0 0 4 ▁episode . ▁ ▁The ▁t elen ov ela ▁had ▁a ▁first ▁phase ▁of ▁four ▁episodes ▁showing ▁the ▁theme ▁of ▁military ▁dict ator ship ▁in ▁Brazil . ▁After ▁that , ▁the ▁story ▁takes ▁place ▁at ▁a ▁fict ional ▁time , ▁which ▁had ▁characteristics ▁of ▁the ▁early ▁ 1 9 9 0 s ▁and ▁the ▁ 2 0 0 0 s , ▁as ▁stated ▁by ▁the ▁author . ▁This ▁has ▁given ▁rise ▁to ▁a ▁number ▁of ▁critic isms , ▁since , ▁due ▁to ▁the ▁age ▁of ▁Maria ▁do ▁Car mo ' s ▁children ▁( who ▁appear ▁to ▁be ▁between ▁ 3 0 ▁and ▁ 3 5 ▁years ▁old ), ▁it ▁is ▁assumed ▁that ▁the ▁story ▁was ▁about ▁ 2 5 ▁years ▁after ▁A I - 5 ▁( between ▁ 1 9 9 3 ▁and ▁ 1 9 9 4 ) ▁and ▁current ▁cars ▁were ▁shown , ▁the ▁real ▁as ▁currency , ▁adopted ▁only ▁in ▁ 1 9 9 4 , ▁and ▁mer ch and ising ▁of ▁non - ex istent ▁products ▁at ▁that ▁time . ▁The ▁first ▁phase ▁of ▁the |
▁plot ▁last ed ▁only ▁the ▁first ▁two ▁episodes . ▁From ▁the ▁third ▁episode , ▁a ired ▁on ▁June ▁ 3 0 , ▁ 2 0 0 4 , ▁the ▁second ▁phase ▁begins . ▁ ▁Cast ing ▁ ▁Origin ally ▁Regin a ▁Du arte ▁was ▁invited ▁to ▁the ▁protagon ist ▁Maria ▁do ▁Car mo , ▁but ▁the ▁actress ▁im posed ▁as ▁a ▁condition ▁that ▁her ▁daughter , ▁Gab ri ela ▁Du arte , ▁could ▁play ▁Lind al va , ▁which ▁was ▁not ▁accepted ▁by ▁the ▁board , ▁since ▁Carolina ▁Die ck mann ▁was ▁already ▁confirmed ▁on ▁paper , ▁causing ▁her ▁to ▁refuse ▁the ▁character ▁as ▁a ▁protest . ▁The ▁actress ▁revers ed ▁the ▁decision ▁days ▁later ▁and ▁contact ed ▁the ▁board ▁to ▁accept ▁the ▁role , ▁but ▁Sus ana ▁Vie ira ▁had ▁already ▁been ▁confirmed ▁in ▁her ▁place . ▁Sus ana ▁was ▁scheduled ▁to ▁play ▁Naz ar é , ▁but ▁with ▁the ▁problem ▁with ▁Regin a , ▁was ▁eventually ▁moved ▁to ▁the ▁role ▁of ▁Maria ▁do ▁Car mo , ▁while ▁Ren ata ▁Sor rah ▁was ▁invited ▁to ▁play ▁the ▁ant agon ist ▁at ▁the ▁request ▁of ▁Sus ana ▁herself ▁who ▁was ▁her ▁personal ▁friend . ▁Ra ul ▁Cor te z ▁would ▁play ▁Colonel ▁Just ino ▁in ▁Cab oc la , ▁but ▁gave ▁up ▁the ▁character ▁to ▁accept ▁Bar ão ▁de ▁B ons u cess o ▁at ▁Agu inal do ▁Silva ' s ▁request . ▁The ▁director ▁thought ▁of ▁removing ▁Marcel lo ▁Anton y ▁from ▁the ▁cast ▁when ▁the ▁actor ▁was ▁arrested ▁for ▁drug ▁possession |
▁in ▁April ▁ 2 0 0 4 , ▁before ▁starting ▁the ▁t elen ov ela ▁record ings , ▁however ▁decided ▁to ▁keep ▁it . ▁ ▁Barbara ▁Borg es ▁was ▁reserved ▁for ▁the ▁t elen ov ela ▁when ▁she ▁was ▁still ▁in ▁Mal ha ção ▁at ▁the ▁request ▁of ▁the ▁author ▁himself , ▁who ▁had ▁already ▁approved ▁her ▁work ▁in ▁his ▁t elen ov ela ▁Porto ▁dos ▁Mil ag res . ▁Mi ri am ▁P ires ▁died ▁on ▁September ▁ 7 , ▁ 2 0 0 4 ▁of ▁to x op las mos is ▁after ▁recording ▁ 6 2 ▁episodes , ▁but ▁her ▁character ▁was ▁not ▁killed ▁in ▁the ▁t elen ov ela , ▁explaining ▁that ▁she ▁had ▁been ▁injured ▁and ▁needed ▁to ▁rest , ▁but ▁several ▁characters ▁were ▁visit ing ▁her ▁to ▁continue ▁the ▁story . ▁ ▁Trans mission ▁ ▁In ▁Brazil , ▁it ▁was ▁re - present ed ▁at ▁V ale ▁a ▁P ena ▁Ver ▁de ▁Nov o ▁from ▁March ▁ 2 ▁to ▁August ▁ 2 1 , ▁ 2 0 0 9 , ▁in ▁ 1 2 3 ▁episodes , ▁replacing ▁Mul her es ▁A pa ixon adas ▁and ▁being ▁replaced ▁by ▁Al ma ▁G ême a . ▁During ▁the ▁screen ing ▁of ▁this ▁r er un , ▁episode ▁ 9 2 , ▁which ▁was ▁to ▁air ▁on ▁July ▁ 7 , ▁ 2 0 0 9 , ▁did ▁not ▁air ▁due ▁to ▁the ▁broadcast ▁of ▁Michael ▁Jackson ' s ▁fun eral . ▁The ▁episode ▁ 1 1 7 , ▁which |
▁would ▁be ▁a ired ▁on ▁August ▁ 1 2 , ▁ 2 0 0 9 ▁also ▁did ▁not ▁air , ▁due ▁to ▁the ▁transmission ▁of ▁the ▁friendly ▁between ▁Brazil ▁and ▁Est onia . ▁It ▁was ▁re - a ired ▁from ▁March ▁ 1 3 ▁to ▁December ▁ 8 , ▁ 2 0 1 7 , ▁in ▁ 1 9 5 ▁episodes , ▁replacing ▁Che ias ▁de ▁Char me ▁and ▁being ▁replaced ▁by ▁C ele br idade ▁( its ▁original ▁prede cess or ), ▁making ▁it ▁the ▁longest ▁r er un ▁of ▁the ▁track . ▁Sen hora ▁do ▁Dest ino ▁has ▁already ▁been ▁sold ▁to ▁ 3 6 ▁countries . ▁ ▁Open ing ▁ ▁The ▁opening ▁of ▁the ▁t elen ov ela ▁and ▁the ▁song ▁" En cont ros ▁e ▁Des ped idas " ▁( com posed ▁by ▁Mil ton ▁N asc imento ▁and ▁Fernando ▁Br ant , ▁performed ▁by ▁Maria ▁R ita ), ▁showing ▁photos ▁of ▁people , ▁with ▁color ▁photos ▁of ▁the ▁t elen ov ela ▁actors , ▁while ▁the ▁black ▁and ▁white ▁photos ▁were ▁of ▁anonymous . ▁ ▁Plot ▁ ▁The ▁plot ▁is ▁divided ▁into ▁two ▁phases . ▁The ▁first ▁- ▁a ired ▁in ▁four ▁chap ters ▁- ▁takes ▁place ▁in ▁December ▁ 1 9 6 8 , ▁telling ▁the ▁story ▁of ▁three ▁women : ▁Jose fa ▁de ▁M ede iros ▁Du arte ▁P into ▁( Mar ília ▁Gab ri ela ), ▁journalist ▁for ▁the ▁Di ário ▁de ▁Not í cias , ▁a ▁st unning ▁and ▁brave ▁woman ▁who ▁becomes ▁a |
▁mort al ▁enemy . ▁against ▁dict ator ship ; ▁Maria ▁do ▁Car mo ▁Fer re ira ▁da ▁Silva ▁( Car ol ina ▁Die ck mann ), ▁a ▁hum ble ▁n ort he astern ▁woman ▁who ▁comes ▁to ▁the ▁city ▁of ▁Rio ▁de ▁Janeiro ▁in ▁search ▁of ▁a ▁better ▁life ▁for ▁herself ▁and ▁her ▁children ; ▁and ▁Maria ▁de ▁Naz ar é ▁Este ves ▁T edes co ▁( Ad ri ana ▁Este ves ), ▁a ▁prost itute ▁who ▁wants ▁to ▁change ▁her ▁life ▁at ▁all ▁costs ▁and ▁will ▁play ▁dirty ▁for ▁it . ▁First ▁phase ▁ ▁Maria ▁do ▁Car mo , ▁a ▁suffering ▁N ort he astern , ▁abandoned ▁by ▁her ▁husband ▁Jos ival do , ▁leaves ▁with ▁her ▁five ▁children ▁from ▁Bel ém ▁de ▁São ▁Francisco , ▁in ▁the ▁P ern amb u co ▁hinter land , ▁to ▁Rio ▁de ▁Janeiro . ▁She ▁is ▁des perate ▁not ▁to ▁see ▁a ▁better ▁future ▁for ▁her ▁children ▁because ▁she ▁lives ▁in ▁extreme ▁pover ty . ▁Therefore , ▁she ▁writes ▁to ▁her ▁brother , ▁Sebast ião , ▁asking ▁him ▁to ▁receive ▁them ▁in ▁his ▁house . ▁Sebast ião ▁works ▁as ▁a ▁driver ▁for ▁Jose fa ▁de ▁M ede iros ▁Du arte ▁P into , ▁for ▁whom ▁he ▁is ▁secret ly ▁in ▁love . ▁She ▁is ▁the ▁daughter ▁of ▁a ▁traditional ▁family ▁and ▁owner ▁of ▁the ▁Rio ▁de ▁Janeiro ▁newspaper ▁Di ário ▁de ▁Not í cias , ▁inherited ▁after ▁the ▁death ▁of ▁her ▁second ▁husband . ▁After ▁a ▁series ▁of ▁set back s ▁on ▁the ▁trip , |
▁Maria ▁do ▁Car mo ▁and ▁her ▁children ▁arrive ▁in ▁Rio ▁de ▁Janeiro ▁on ▁December ▁ 1 3 , ▁ 1 9 6 8 , ▁the ▁very ▁day ▁of ▁the ▁dec ree ▁of ▁Institution al ▁Act ▁Number ▁Five ▁( AI - 5 ). ▁There ▁is ▁a ▁great ▁comm otion ▁in ▁the ▁streets ▁of ▁the ▁City ▁Center , ▁taken ▁by ▁protest ers ▁and ▁war ▁police . ▁ ▁The ▁Di ário ▁de ▁Not í cias , ▁an ▁oppon ent ▁of ▁the ▁military ▁regime , ▁is ▁inv aded ▁by ▁the ▁police , ▁and ▁Sebast ião ▁cannot ▁get ▁Maria ▁do ▁Car mo ▁from ▁the ▁bus ▁station . ▁Since ▁she ▁lost ▁her ▁paper ▁on ▁the ▁road ▁where ▁she ▁had ▁written ▁her ▁brother ' s ▁address , ▁she ▁goes ▁with ▁her ▁children ▁looking ▁for ▁the ▁newspaper , ▁where ▁she ▁expects ▁to ▁find ▁Sebast ião . ▁Maria ▁do ▁Car mo ▁man ages ▁to ▁take ▁refuge ▁with ▁the ▁children ▁in ▁an ▁abandoned ▁house . ▁Naz ar é , ▁a ▁prost itute ▁from ▁Madame ▁Bert he ' s ▁bro th el , ▁is ▁also ▁hous ed ▁there . ▁She ▁wants ▁to ▁marry ▁her ▁lo ver ▁José ▁Carlos ▁and ▁change ▁her ▁life . ▁So ▁she ▁pret ends ▁to ▁be ▁a ▁nur se ▁and ▁to ▁be ▁pre gn ant ▁because ▁she ▁bel ieves ▁that ▁pre gn ancy ▁is ▁the ▁only ▁way ▁to ▁separate ▁him ▁from ▁his ▁wife ▁and ▁daughter . ▁As ▁she ▁became ▁ster ile ▁after ▁ 5 ▁success ive ▁mis car ri ages , ▁she ▁invent ed ▁that ▁she ▁was ▁pre gn ant ▁to |
▁force ▁Jose ▁Carlos ▁to ▁take ▁over ▁the ▁child . ▁In ▁the ▁abandoned ▁place , ▁Naz ar é ▁tells ▁Maria ▁do ▁Car mo ▁that ▁his ▁name ▁is ▁L our des ▁and ▁promises ▁to ▁take ▁care ▁of ▁the ▁children ▁while ▁Maria ▁do ▁Car mo ▁takes ▁Regin al do , ▁who ▁had ▁been ▁injured , ▁to ▁the ▁hospital . ▁Being ▁alone ▁with ▁the ▁young est ▁two ▁months ▁Lind al va ▁in ▁her ▁arms , ▁Naz ar é ▁g lim ps es ▁the ▁chance ▁to ▁realize ▁his ▁plan ▁and ▁kid nap ▁the ▁girl . ▁She ▁sets ▁a ▁fake ▁and ▁pret ends ▁to ▁have ▁given ▁birth ▁to ▁the ▁child , ▁sens it izing ▁the ▁lo ver , ▁who ▁dro ps ▁his ▁wife ▁and ▁daughter ▁to ▁be ▁with ▁her . ▁Maria ▁do ▁Car mo ' s ▁struggle ▁to ▁redis cover ▁her ▁st olen ▁daughter ▁is ▁the ▁gu iding ▁thread ▁of ▁the ▁plot . ▁ ▁Des olate ▁with ▁the ▁kid n apping ▁of ▁Lind al va , ▁Maria ▁do ▁Car mo ▁is ▁lost ▁in ▁the ▁streets ▁of ▁Rio , ▁is ▁confused ▁with ▁the ▁protest ers ▁and ▁arrested , ▁along ▁with ▁two ▁other ▁men ▁in ▁particular : ▁one ▁of ▁them ▁is ▁Dir ceu ▁de ▁Castro , ▁a ▁rep orter ▁for ▁the ▁Di ário ▁de ▁Not í cias , ▁who ▁ref uses ▁to ▁leave ▁the ▁news room ▁of ▁the ▁newspaper ; ▁The ▁other ▁is ▁Giovanni ▁Im pro tta , ▁a ▁well - known ▁g amb ler ▁of ▁the ▁animal ▁game ▁full ▁of ▁sc ams ▁and ▁sh ady ▁activities ▁in ▁his ▁life . |
▁Jose fa ▁is ▁also ▁arrested , ▁has ▁her ▁newspaper ▁closed , ▁and ▁is ▁ad vised ▁to ▁leave ▁the ▁country , ▁which ▁leads ▁her ▁to ▁a ▁lux ur ious ▁ex ile ▁in ▁Paris . ▁Maria ▁do ▁Car mo , ▁Dir ceu ▁and ▁Giovanni ▁are ▁in ▁neighbor ing ▁cells ▁in ▁a ▁prison , ▁and ▁the ▁journalist ▁lear ns ▁about ▁the ▁history ▁of ▁the ▁N ort he astern . ▁Dir ceu ▁draw s ▁the ▁attention ▁of ▁the ▁prison ▁commander , ▁the ▁w icked ▁Commander ▁S ara iva , ▁to ▁the ▁mis con ception , ▁and ▁the ▁young ▁woman ▁is ▁released . ▁She ▁enc oun ters ▁Sebastian ▁by ▁chance , ▁and ▁the ▁two ▁manage ▁to ▁prevent ▁the ▁children ▁of ▁Maria ▁do ▁Car mo , ▁who ▁had ▁been ▁taken ▁to ▁the ▁Ju ven ile ▁Court , ▁to ▁be ▁sent ▁to ▁an ▁or phan age . ▁Maria ▁do ▁Car mo ▁dec ides ▁to ▁sett le ▁in ▁the ▁same ▁place ▁where ▁her ▁brother ▁lives , ▁in ▁V ila ▁São ▁Miguel , ▁fict it ious ▁district ▁of ▁Du que ▁de ▁C ax ias , ▁in ▁the ▁Ba ix ada ▁Fl umin ense , ▁and ▁swe ars ▁that ▁she ▁will ▁dedic ate ▁her ▁life ▁to ▁locate ▁her ▁daughter ▁Lind al va . ▁Second ▁phase ▁ ▁The ▁years ▁pass , ▁and ▁Maria ▁do ▁Car mo ▁is ▁a ▁strong ▁and ▁successful ▁woman , ▁dedicated ▁mother , ▁owner ▁of ▁the ▁Do ▁Car mo ▁building ▁supply ▁store , ▁dear ▁and ▁respect ed ▁in ▁V ila ▁São ▁Miguel ▁for ▁her ▁eth ics ▁and ▁gener os ity . |
▁She ▁still ▁suff ers ▁a ▁lot ▁because ▁she ▁never ▁heard ▁from ▁Lind al va ▁again , ▁and ▁no ▁one ▁has ▁found ▁the ▁where about s ▁of ▁the ▁kid n apper ▁who ▁thinks ▁she ▁is ▁named ▁L our des . ▁She ▁has ▁an ▁old ▁love ▁relationship ▁with ▁Dir ceu , ▁now ▁editor ▁and ▁political ▁column ist ▁for ▁a ▁major ▁Rio ▁newspaper . ▁The ▁two ▁live ▁in ▁separate ▁houses ▁and ▁live ▁a ▁quiet ▁relationship . ▁But ▁the ▁n ort he astern ▁has ▁another ▁adm ir er : ▁the ▁now ▁former ▁b iche iro ▁Giovanni ▁Im pro tta , ▁who ▁honest ly ▁liquid ated ▁all ▁his ▁past ▁accounts ▁and ▁ear ns ▁his ▁living ▁as ▁president ▁of ▁the ▁V ila ▁Sa o ▁Miguel ▁United ▁s amba ▁school ▁and ▁disput es ▁with ▁Dir ceu ▁the ▁love ▁of ▁Maria ▁do ▁Car mo . ▁One ▁of ▁its ▁characteristics ▁is ▁the ▁in separ able ▁bow ▁tie , ▁as ▁well ▁as ▁the ▁effort ▁to ▁speak ▁correctly , ▁which ▁causes ▁him ▁to ▁make ▁several ▁Portuguese ▁mistakes . ▁His ▁way ▁of ▁speaking ▁fell ▁in ▁favor ▁of ▁the ▁public , ▁who ▁reprodu ced ▁on ▁the ▁streets ▁expressions ▁such ▁as ▁“ fel omen al ” ▁( inst ead ▁of ▁“ phen omen al ” ). ▁Among ▁the ▁phr ases ▁popular ized ▁by ▁the ▁character ▁are : ▁" There ▁are ▁suit cases ▁that ▁come ▁by ▁train ! "; ▁" I ' m ▁going ▁to ▁l olly ▁myself "; ▁" Do ▁not ▁forget ▁my ▁mot to : ▁with ▁Giovanni ▁Im pro tta ▁no ▁problem "; ▁" Then ▁there |
▁is ▁the ▁saying ▁by ▁the ▁un sp oken , ▁the ▁un sp oken ▁by ▁the ▁said ▁and , ▁as ▁always , ▁the ▁writing ▁is ▁worth while "; ▁" Here ▁you ▁do , ▁here ▁you ▁pay "; ▁" In ▁life , ▁as ▁in ▁the ▁restaurant , ▁the ▁bill ▁always ▁comes "; ▁" I str aste g ic ▁output "; ▁" The ▁cow ▁will ▁fly ! ", ▁" Time ▁is ▁ro aring , ▁and ▁S ap uca i ▁is ▁big ! ", ▁" Gi ov anni ▁Im pro tta , ▁in ▁charm ▁and ▁b one ." ▁Giovanni ▁is ▁the ▁father ▁of ▁João ▁M ano el ▁and ▁Jen ifer . ▁W id ower , ▁lives ▁with ▁his ▁children ▁and ▁his ▁mother - in - law , ▁F lav iana . ▁His ▁girl friend ▁is ▁asp iring ▁celebr ity ▁Daniel le , ▁whom ▁he ▁calls ▁" B aby ▁N ym ph " ▁( and ▁is ▁called ▁" D addy "). ▁But ▁the ▁former ▁b iche iro , ▁who ▁keeps ▁repeating ▁his ▁deb t ▁to ▁the ▁police ▁or ▁tax ▁authorities , ▁is ▁in ▁love ▁even ▁with ▁Do ▁Car mo , ▁having ▁to ▁vie ▁for ▁his ▁love ▁with ▁rival ▁Dir ceu , ▁whom ▁he ▁calls ▁" letter ▁exchange ." ▁ ▁Sebast ião , ▁Maria ▁do ▁Car mo ' s ▁brother , ▁married ▁Jan ice ▁and ▁has ▁three ▁children : ▁Ele on ora , ▁Ven ân cio ▁and ▁Regin inha ; ▁He ▁is ▁the ▁driver ▁of ▁the ▁ref ined ▁Pedro ▁Cor re ia ▁de ▁And rade ▁and ▁C out o |
, ▁Baron ▁de ▁B ons u cess o , ▁and ▁his ▁wife , ▁Baron ess ▁Laura ▁- ▁a ▁happy ▁couple ▁who ▁enjoy ▁celebr ating ▁life , ▁although ▁they ▁no ▁longer ▁have ▁the ▁same ▁financial ▁situation ▁as ▁before . ▁The ▁baron ' s ▁money ▁is ▁managed ▁by ▁his ▁son , ▁Leon ardo , ▁who ▁compla ins ▁about ▁his ▁father ' s ▁ecc ent ric ▁sp ending . ▁After ▁meeting ▁Giovanni ▁Im pro tta , ▁the ▁baron ▁agre es ▁to ▁be ▁his ▁personal ▁sty list ▁and ▁teach es ▁the ▁former ▁b oss , ▁who ▁addresses ▁Laura ▁as ▁D ona ▁Bar oa , ▁ens uring ▁many ▁com ic ▁moments ▁in ▁history . ▁In ▁the ▁course ▁of ▁the ▁plot , ▁the ▁baron ess ▁finds ▁herself ▁suffering ▁from ▁Al z heimer ' s . ▁ ▁The ▁children ▁of ▁Maria ▁do ▁Car mo ▁are ▁head ed ▁in ▁life . ▁The ▁el dest , ▁Regin al do , ▁has ▁become ▁an ▁am bit ious ▁politician ▁who ▁does ▁not ▁sh y ▁away ▁from ▁trying ▁to ▁take ▁advantage ▁of ▁his ▁mother ' s ▁popular ity , ▁a verse ▁to ▁his ▁popul ist ▁and ▁dem agog ic ▁profile . ▁Maria ▁do ▁Car mo ▁always ▁knew ▁that ▁Regin al do , ▁known ▁as ▁N al do , ▁was ▁never ▁worth ▁anything ▁and ▁was ▁always ▁false ▁and ▁in ▁favor ▁of ▁his ▁father ▁who ▁abandoned ▁them ▁in ▁mis ery . ▁Regin al do ▁wants ▁to ▁become ▁mayor ▁of ▁V ila ▁São ▁Miguel ▁and ▁campaign s ▁for ▁the ▁em an cip ation ▁of ▁the ▁town , ▁which |
▁is ▁in ▁the ▁municipality ▁of ▁Du que ▁de ▁C ax ias , ▁in ▁the ▁Ba ix ada ▁Fl umin ense ▁( R J ). ▁He ▁is ▁married ▁to ▁Le ila , ▁with ▁whom ▁he ▁has ▁two ▁children , ▁Bruno ▁and ▁Bian ca , ▁but ▁keeps ▁a ▁secret ▁affair ▁with ▁his ▁parliament ary ▁ad visor ▁Viv iane , ▁as ▁am bit ious ▁as ▁he . ▁Le ila ▁disco vers ▁her ▁husband ' s ▁un fa ith ful ness ▁and , ▁willing ▁to ▁catch ▁him ▁with ▁his ▁mist ress , ▁asks ▁for ▁help ▁from ▁Regin al do ' s ▁cousin ▁Ven an cio ▁to ▁follow ▁them ▁to ▁a ▁mot el . ▁She ▁tries ▁to ▁get ▁to ▁Regin al do ' s ▁room ▁through ▁the ▁wall , ▁but ▁suff ers ▁a ▁fatal ▁accident ▁as ▁she ▁falls ▁from ▁the ▁building . ▁Cle ver , ▁Regin al do ▁revers es ▁the ▁situation , ▁acc uses ▁his ▁wife ▁of ▁being ▁his ▁cousin ' s ▁lo ver , ▁and ▁convin ces ▁him ▁not ▁to ▁den y ▁the ▁story . ▁Sebast ião ▁bel ieves ▁and ▁exp els ▁Ven an cio ▁from ▁home , ▁unh appy ▁with ▁his ▁invol vement ▁with ▁his ▁cousin ' s ▁wife . ▁The ▁driver ▁only ▁makes ▁his ▁peace ▁with ▁his ▁son ▁months ▁later , ▁when ▁he ▁is ▁in ▁an ▁accident ▁and ▁gets ▁between ▁life ▁and ▁death , ▁being ▁saved ▁thanks ▁to ▁a ▁blood ▁don ation ▁made ▁by ▁his ▁own ▁father . ▁Although ▁forg iven , ▁Ven an cio ▁makes ▁a ▁point ▁of ▁telling ▁his ▁father ▁the ▁truth |
▁about ▁Le ila ' s ▁death . ▁Sebast ião ▁is ▁dis g usted ▁by ▁his ▁nep hew ' s ▁attitude , ▁but ▁cannot ▁tell ▁the ▁truth , ▁as ▁it ▁would ▁harm ▁his ▁son , ▁who ▁li ed ▁to ▁the ▁police . ▁Al ready ▁Regin al do , ▁wid owed , ▁mar ries ▁Viv iane , ▁and ▁the ▁double ▁arms ▁many ▁f ights ▁along ▁the ▁plot ▁in ▁favor ▁of ▁their ▁personal ▁interests . ▁Among ▁the ▁frames ▁are ▁the ▁false ▁kid n apping ▁of ▁his ▁own ▁son , ▁the ▁arrest ▁of ▁the ▁mother ▁and ▁the ▁mur ders ▁of ▁the ▁marg inal ▁Gy ps y ▁and ▁Seb oso . ▁ ▁Le andro , ▁second ▁son ▁of ▁Maria ▁do ▁Car mo , ▁works ▁as ▁an ▁account ant ▁for ▁Giovanni . ▁He ▁has ▁a ▁trouble d ▁relationship ▁with ▁his ▁wife , ▁Mar inal va , ▁a ▁highlight ▁of ▁the ▁V ila ▁Sa o ▁Miguel ▁Unidos ▁s amba ▁school ▁( bet ter ▁known ▁as ▁N al va ), ▁which ▁h ides ▁a ▁passion ▁for ▁his ▁brother - in - law ▁Vi ri ato , ▁which ▁causes ▁many ▁conflicts ▁in ▁his ▁marriage . ▁ ▁Vi ri ato , ▁the ▁third ▁son ▁of ▁Maria ▁do ▁Car mo , ▁is ▁the ▁head ▁of ▁Ed g ard ▁L egr and ' s ▁restaurant , ▁Monsieur ▁V atel , ▁in ▁I pan ema , ▁in ▁the ▁southern ▁part ▁of ▁the ▁city . ▁Her ▁fate ▁intersect s ▁with ▁Maria ▁Edu arda ' s , ▁D uda ' s , ▁when ▁he ▁saves ▁her ▁from ▁a |
▁rob ber y . ▁Edu arda ' s ▁parents , ▁Leon ardo ▁and ▁G is ela , ▁do ▁not ▁accept ▁their ▁daughter ' s ▁relationship ▁with ▁a ▁lower - class ▁man ▁and ▁do ▁what ▁they ▁can ▁to ▁see ▁her ▁married ▁to ▁young ▁federal ▁deput y ▁Thomas ▁Jefferson . ▁In ▁the ▁end , ▁Leon ardo ▁disco vers ▁that ▁he ▁is ▁the ▁son ▁of ▁Butler ▁Alfred ▁with ▁a ▁cook ▁who ▁died ▁in ▁child b irth ▁and ▁was ▁adopted ▁by ▁the ▁Baron , ▁which ▁changes ▁his ▁out look ▁on ▁life . ▁ ▁The ▁young est , ▁Pl ín io , ▁is ▁a ▁young ▁woman izer ▁who ▁doesn ' t ▁want ▁to ▁know ▁about ▁work ▁and ▁just ▁thinks ▁about ▁enjo ying ▁life . ▁He ▁ends ▁up ▁in ▁the ▁trap ▁of ▁the ▁independent ▁Y ara , ▁a ▁few ▁years ▁older ▁woman ▁who ▁wants ▁to ▁be ▁a ▁mother ▁and ▁cho oses ▁him ▁as ▁a ▁" sur rog ate ▁father " ▁without ▁even ▁consult ing ▁him . ▁Although ▁she ▁only ▁wanted ▁to ▁use ▁it , ▁Y ara ▁is ▁forced ▁to ▁turn ▁to ▁Pl iny ▁when ▁her ▁company ▁goes ▁bank rupt . ▁For ▁the ▁first ▁time , ▁then , ▁the ▁boy ▁faces ▁a ▁responsibility ▁in ▁life . ▁ ▁Lind al va , ▁the ▁young est ▁st olen ▁from ▁Maria ▁do ▁Car mo ▁and ▁bapt ized ▁as ▁Like ▁Isabel , ▁she ▁has ▁grown ▁into ▁a ▁sweet ▁and ▁beautiful ▁young ▁woman ▁who ▁has ▁a ▁lov ing , ▁lov ing , ▁respect ful , ▁and ▁comp licit ▁relationship ▁with ▁the ▁trouble d ▁and ▁dangerous |
▁psych op ath ▁Naz are th , ▁whom ▁she ▁thinks ▁is ▁her ▁mother . ▁Naz ar é ▁still ▁lives ▁with ▁José ▁Carlos ▁and ▁is ▁always ▁at ▁war ▁with ▁step d augh ter ▁Maria ▁Claud ia , ▁who ▁went ▁to ▁live ▁with ▁her ▁father ▁after ▁her ▁mother , ▁abandoned ▁by ▁her ▁husband , ▁succ umb ▁to ▁de pression ▁and ▁die . ▁ ▁The ▁far ce ▁of ▁Naz are th ▁begins ▁to ▁surface ▁when ▁photograph er ▁Rod ol fo ▁hands ▁Dir ceu ▁a ▁picture ▁of ▁a ▁pre gn ant ▁nur se ▁with ▁a ▁baby ▁on ▁his ▁lap ▁taken ▁by ▁him ▁during ▁the ▁ri ot ▁in ▁central ▁Rio ▁on ▁December ▁ 1 3 , ▁ 1 9 6 8 . ▁Maria ▁do ▁Car mo ▁e ▁Le andro ▁recognize ▁the ▁kid n apper . ▁Dir ceu ▁asks ▁Rod ol fo ▁to ▁use ▁computer ▁programs ▁to ▁“ age ” ▁the ▁photo ▁and ▁get ▁to ▁the ▁woman ' s ▁current ▁face . ▁Then , ▁he ▁gets ▁Maria ▁do ▁Car mo ' s ▁story ▁to ▁be ▁the ▁subject ▁of ▁an ▁investig ative ▁program ▁on ▁TV . ▁José ▁Carlos ▁watch es ▁the ▁program ▁and ▁tells ▁Naz ar é ▁that ▁he ▁will ▁report ▁it . ▁They ▁argue ▁and ▁she ▁push es ▁him ▁off ▁the ▁st airs . ▁On ▁the ▁floor , ▁with ▁severe ▁ch est ▁p ains , ▁he ▁asks ▁Naz are th ▁to ▁take ▁his ▁medicine , ▁but ▁the ▁villa in ▁throws ▁it ▁away , ▁leaving ▁him ▁to ▁die ▁in ▁Isabel ' s ▁arms . ▁ ▁With ▁the ▁death ▁of ▁the |
▁man ▁she ▁thinks ▁is ▁her ▁father ▁and ▁lov es ▁very ▁much , ▁Isabel ▁begins ▁to ▁work ▁in ▁the ▁restaurant ▁Monsieur ▁V atel . ▁She ▁and ▁Ed g ard ▁fall ▁in ▁love , ▁and ▁M ait re ▁Vi ri ato ▁doesn ' t ▁even ▁know ▁that ▁the ▁b oss ' s ▁girl friend ▁is ▁his ▁missing ▁sister . ▁Isabel ▁and ▁Ed g ard ' s ▁d ating ▁makes ▁Naz ar é ▁des perate ▁because ▁the ▁boy ▁is ▁Madame ▁Bert he ' s ▁grand son . ▁At ▁the ▁end ▁of ▁the ▁plot , ▁Naz ar é ' s ▁fear ▁is ▁just ified : ▁it ▁is ▁the ▁c aff e ine ▁di ary ▁that ▁confir ms ▁the ▁story ▁of ▁the ▁ab du ction . ▁Before ▁that , ▁however , ▁the ▁villa in ▁gets ▁many ▁ready . ▁She ▁has ▁as ▁lo ver ▁and ▁al ly ▁the ▁un sc rup ul ous ▁Jos ival do , ▁the ▁n aught y ▁husband ▁of ▁Do ▁Car mo , ▁who ▁returns ▁to ▁the ▁family ▁after ▁leaving ▁her ▁to ▁have ▁a ▁wealth ▁that ▁no ▁longer ▁wanted , ▁asking ▁for ▁al im ony ▁from ▁his ▁wife . ▁ ▁While ▁Maria ▁do ▁Car mo ▁continues ▁to ▁search ▁for ▁her ▁daughter , ▁Dir ceu ▁and ▁Giovanni ▁try ▁hard ▁to ▁locate ▁the ▁girl . ▁In ▁one ▁of ▁these ▁attempts , ▁Angel ica ▁appears , ▁who ▁was ▁found ▁as ▁a ▁baby ▁on ▁the ▁same ▁day ▁Lind al va ▁disappeared . ▁But ▁Maria ▁do ▁Car mo ' s ▁joy ▁is ▁short - l ived : ▁Angel ica ▁has |
▁a ▁birth mark ▁on ▁her ▁leg ▁and ▁therefore ▁cannot ▁be ▁the ▁kid n apped ▁daughter . ▁Even ▁so , ▁Maria ▁do ▁Car mo ▁wel comes ▁her ▁home ▁and ▁makes ▁her ▁his ▁secretary ▁in ▁the ▁store . ▁Angel ica ▁gets ▁involved ▁with ▁Pl ín io , ▁and ▁the ▁two ▁end ▁up ▁getting ▁married . ▁In ▁the ▁course ▁of ▁the ▁plot , ▁she ▁reun ites ▁with ▁her ▁real ▁mother , ▁Bel mi ra , ▁but ▁is ▁disappoint ed ▁to ▁find ▁that ▁she ▁has ▁abandoned ▁her ▁to ▁marry ▁a ▁million aire ▁out ▁of ▁interest . ▁That ▁is ▁why ▁he ▁dec ides ▁to ▁keep ▁the ▁story ▁a ▁secret . ▁But ▁Regin al do ▁and ▁Viv iane ▁discover ▁and ▁force ▁her ▁to ▁collabor ate ▁with ▁the ▁over pr iced ▁works ▁of ▁V ila ▁São ▁Miguel ▁City ▁Hall , ▁issu ing ▁cold ▁in vo ices ▁at ▁Do ▁Car mo ' s ▁store , ▁and ▁threaten ▁to ▁tell ▁the ▁truth ▁about ▁her ▁origin ▁to ▁the ▁Fer re ira ▁da ▁Silva ▁family ▁if ▁she ▁doesn ' t ▁obey ▁them . ▁Angel ica ▁gives ▁in ▁to ▁black mail , ▁but ▁one ▁day ▁the ▁frame ▁is ▁discovered ▁by ▁the ▁I RS ▁inspect ors ▁who ▁appear ▁in ▁the ▁store . ▁She ▁man ages ▁to ▁fle e , ▁but ▁Maria ▁do ▁Car mo ▁ends ▁up ▁being ▁held ▁responsible ▁for ▁the ▁ill ic it ▁acts ▁and ▁is ▁caught ▁red - hand ed ▁for ▁tax ▁ev asion ▁and ▁cont empt ▁of ▁authority . ▁Regin al do ▁lear ns ▁that ▁Angel ica ▁is ▁hiding ▁in ▁the ▁real ▁mother |
' s ▁house ▁and ▁the ▁threat ▁of ▁death ▁if ▁she ▁doesn ' t ▁leave ▁town , ▁as ▁she ▁fear s ▁her ▁sister - in - law ▁will ▁reve al ▁that ▁he ▁is ▁involved ▁in ▁the ▁scheme . ▁But ▁Pl iny ▁man ages ▁to ▁locate ▁the ▁woman , ▁lear ns ▁her ▁true ▁story , ▁and ▁forces ▁her ▁to ▁tell ▁the ▁truth ▁to ▁the ▁police . ▁And ▁so ▁can ▁prove ▁the ▁innoc ence ▁of ▁Do ▁Car mo , ▁who ▁promises ▁to ▁send ▁Regin al do ▁to ▁j ail . ▁ ▁The ▁sie ge ▁against ▁Naz are th ▁is ▁closing , ▁with ▁the ▁collaboration ▁of ▁several ▁friends ▁of ▁Maria ▁do ▁Car mo , ▁including ▁Claud ia . ▁She ▁also ▁becomes ▁an ▁al ly ▁of ▁the ▁N ort he astern , ▁since ▁she ▁always ▁h ated ▁her ▁ste pm other ▁and ▁suffered ▁a ▁lot ▁from ▁her ▁child hood . ▁Claud ia ▁meets ▁Le andro , ▁who ▁is ▁interested ▁in ▁Isabel ▁without ▁suspect ing ▁that ▁she ▁is ▁her ▁sister ▁Lind al va . ▁He ▁has ▁a ▁difficult ▁time , ▁because ▁he ▁has ▁decided ▁to ▁separate ▁from ▁Mar inal va , ▁and ▁conf uses ▁Isabel ' s ▁friendship ▁with ▁love . ▁Claud ia ▁war ns ▁about ▁their ▁feelings , ▁the ▁two ▁approach ▁and ▁end ▁up ▁falling ▁in ▁love . ▁ ▁The ▁lad der ▁of ▁the ▁character ' s ▁house ▁and ▁his ▁sc iss ors ▁became ▁symbols ▁of ▁his ▁psych otic ▁person ality . ▁At ▁the ▁same ▁time , ▁Naz ar é ▁was ▁la ughing ▁at ▁her ▁curs es ▁- |
▁among ▁other ▁expressions , ▁she ▁referred ▁to ▁Maria ▁do ▁Car mo ▁as ▁“ n ort he astern ▁tap ir ”, ▁called ▁Claud ia ▁“ song a ▁m ong a ” ▁and ▁Jos ival do ▁“ flag ell ad ão ” ▁- ▁and ▁also ▁made ▁her ▁laugh ▁in ▁scenes ▁where ▁pra ised ▁himself ▁before ▁the ▁mirror . ▁One ▁of ▁the ▁highlight s ▁of ▁the ▁plot ▁was ▁the ▁meeting ▁of ▁Naz are th ▁with ▁Maria ▁do ▁Car mo , ▁which ▁gives ▁her ▁a ▁good ▁be ating ▁that ▁leaves ▁her ▁blo ody ▁and ▁broken . ▁ ▁Even ▁after ▁discover ing ▁that ▁she ▁was ▁st olen ▁from ▁her ▁real ▁mother , ▁Isabel ▁still ▁takes ▁a ▁while ▁to ▁accept ▁Do ▁Car mo ▁as ▁her ▁mother . ▁Naz ar é ▁apolog izes ▁to ▁Isabel , ▁says ▁she ▁kid n apped ▁her ▁because ▁José ▁Carlos ▁forced ▁her . ▁Div ided ▁and ▁sens it ized , ▁Isabel ▁dec ides ▁to ▁stand ▁by ▁the ▁sh rew ▁because ▁she ▁was ▁raised ▁by ▁her ▁as ▁a ▁mother ▁and ▁lov es ▁her ▁very ▁much , ▁until ▁she ▁real izes ▁her ▁true ▁character . ▁ ▁Giovanni , ▁the ▁stud ious ▁daughter ▁of ▁Giovanni , ▁and ▁Ele on ora , ▁daughter ▁of ▁Sebast ião , ▁fall ▁in ▁love , ▁and ▁after ▁much ▁resistance ▁the ▁parents ▁find ▁themselves ▁or ced ▁to ▁accept ▁rom ance , ▁overrid ing ▁pre jud ice . ▁The ▁two ▁assume ▁the ▁relationship , ▁live ▁together ▁and ▁adopt ▁a ▁new born , ▁abandoned ▁near ▁the ▁hospital ▁where ▁Ele on ora ▁works ▁as ▁a ▁doctor . |
▁Jen ifer ▁and ▁Ele on ora ▁did ▁not ▁form ▁the ▁only ▁hom osex ual ▁couple ▁in ▁the ▁plot : ▁Car n ival ▁U bi racy , ▁B ira , ▁also ▁had ▁his ▁partner , ▁Tur c ão . ▁ ▁The ▁Ped ra ▁L asc ada ▁community , ▁located ▁in ▁V ila ▁São ▁Miguel , ▁is ▁the ▁setting ▁for ▁the ▁history ▁of ▁R ita ▁de ▁C áss ia . ▁Mother ▁of ▁Lady ▁Da iane ▁and ▁Ma ikel ▁Jackson , ▁R ita ▁is ▁a ▁victim ▁of ▁domestic ▁violence ▁and ▁drug ▁add iction . ▁She ▁pick s ▁up ▁her ▁husband , ▁the ▁marg inal ▁and ▁evil ▁Gy ps y ▁- ▁who ▁is ▁tra pped ▁at ▁the ▁beginning ▁of ▁the ▁plot ▁- ▁and ▁w ages ▁a ▁fight ▁against ▁dru gs . ▁Her ▁life ▁gets ▁even ▁more ▁tum ult uous ▁when ▁her ▁ 1 5 - year - old ▁daughter ▁becomes ▁pre gn ant ▁with ▁Sh ao ▁Lin . ▁He ▁is ▁a ▁dread ed ▁“ fr inge ” ▁in ▁the ▁community ▁( his ▁real ▁name ▁is ▁Poly b ius ), ▁leader ▁of ▁an ▁un occup ied ▁class , ▁and ▁does ▁not ▁want ▁to ▁assume ▁the ▁pat ern ity ▁of ▁the ▁child . ▁Later , ▁R ita ▁goes ▁on ▁to ▁date ▁the ▁Portuguese ▁tax i ▁driver ▁Constant ino , ▁who ▁faces ▁Gy ps y ▁in ▁the ▁name ▁of ▁his ▁love . ▁Da iane , ▁already ▁with ▁her ▁son ▁in ▁her ▁arms , ▁gets ▁pre gn ant ▁again , ▁this ▁time ▁from ▁Bruno , ▁Regin al do ' s ▁son |
, ▁but ▁los es ▁the ▁baby . ▁At ▁the ▁end ▁of ▁the ▁plot , ▁Sh ao ▁Lin ▁becomes ▁a ▁responsible ▁boy , ▁real izes ▁that ▁he ▁is ▁in ▁love ▁with ▁Da iane ▁and ▁takes ▁over ▁his ▁son . ▁Da iane , ▁in ▁turn , ▁begins ▁to ▁work ▁on ▁educ ating ▁young ▁girls , ▁prevent ing ▁them ▁from ▁the ▁difficulties ▁of ▁early ▁pre gn ancy . ▁ ▁Another ▁theme ▁that ▁had ▁re per cuss ions ▁was ▁the ▁drama ▁lived ▁by ▁Se u ▁Jacques . ▁He ▁has ▁become ▁a ▁kind ▁of ▁representative ▁of ▁ret ire es ▁who ▁suffer ▁from ▁the ▁del ays , ▁om issions , ▁mismatch es ▁and ▁hum ili ations ▁im posed ▁by ▁the ▁IN SS . ▁Out rag ed , ▁he ▁keeps ▁repeating ▁his ▁story ▁wherever ▁he ▁goes : ▁a ▁former ▁sales man , ▁his ▁ret irement ▁was ▁mis calcul ated , ▁and ▁his ▁request ▁for ▁review ▁has ▁been ▁going ▁on ▁for ▁seven ▁years . ▁Se u ▁Jacques , ▁in ▁hum orous ▁scenes , ▁has ▁become ▁a ▁r uth less ▁" chron ic ler " ▁of ▁every day ▁life , ▁with ▁accurate ▁and ▁cutting ▁analysis ▁of ▁reality . ▁ ▁Se u ▁Jacques ▁falls ▁in ▁love ▁with ▁D jen ane , ▁Naz ar é ' s ▁former ▁colle ague ▁at ▁the ▁bro th el , ▁who ▁re app ears ▁in ▁the ▁former ▁prost itute ' s ▁life ▁to ▁black mail ▁her , ▁as ▁he ▁witness ed ▁along ▁with ▁Madame ▁Bert he ▁that ▁Naz ar é ▁kid n apped ▁and ▁for ged ▁the ▁birth |
▁of ▁Lind al va ▁( Is abel ), ▁and ▁threat ens ▁to ▁tell ▁everything ▁to ▁Isabel ▁if ▁Naz are th ▁doesn ' t ▁give ▁her ▁much ▁money , ▁because ▁she ▁knows ▁where ▁Madame ▁Bert he ' s ▁di ary ▁inc rimin ating ▁Naz are th ▁is . ▁During ▁an ▁argument ▁with ▁Naz are th , ▁D jen ane ▁falls ▁down ▁the ▁st airs ▁and ▁dies . ▁F ear ful ▁of ▁being ▁sus pected ▁of ▁her ▁colle ague ' s ▁death , ▁the ▁v ixen ▁sets ▁up ▁a ▁situation ▁for ▁people ▁to ▁think ▁that ▁D jen ane ▁had ▁st olen ▁her ▁j ew el ry ▁and ▁too ▁much ▁money ▁from ▁her ▁home ▁and ▁would ▁have ▁st umbled ▁and ▁fallen ▁down ▁the ▁st airs . ▁[ 2 3 ] ▁At ▁the ▁end ▁of ▁the ▁plot , ▁Se u ▁Jacques ▁meets ▁D jen ane ' s ▁sister ▁and ▁the ▁two ▁end ▁up ▁together . ▁The ▁core ▁scenario ▁is ▁B air ro ▁Pe ix oto , ▁in ▁Cop ac ab ana ▁( s ou thern ▁Rio ). ▁Naz ar é ▁has ▁done ▁a ▁lot ▁and ▁will ▁do ▁more : ▁he ▁killed ▁a ▁lo ver ▁of ▁his ▁elect roc uted , ▁st ole ▁a ▁lot ▁of ▁money ▁from ▁a ▁bank ▁and ▁tried ▁to ▁kill ▁Claud ia ▁with ▁tre asures , ▁as ▁well ▁as ▁emot ional ▁black mail ▁with ▁Isabel . ▁ ▁Act ress ▁Mar ilia ▁Gab ri ela ▁returns ▁to ▁the ▁soap ▁opera ▁as ▁Gu il h erm ina , ▁Jose fa ' s ▁daughter , ▁who ▁becomes |
▁an ▁obst acle ▁in ▁the ▁real ization ▁of ▁an ▁old ▁dream ▁of ▁Sebast ião ▁and ▁Dir ceu : ▁re open ing ▁the ▁Di ário ▁de ▁Not í cias . ▁Gu il h erm ina ▁tries ▁to ▁prevent ▁the ▁au ction ▁of ▁an ▁original ▁by ▁the ▁painter ▁C ez anne , ▁which ▁Jose fa ▁had ▁left ▁for ▁Sebast ião , ▁and ▁whose ▁income ▁would ▁be ▁used ▁to ▁re open ▁the ▁newspaper . ▁The ▁screen ▁remained ▁hidden ▁for ▁several ▁years ▁in ▁the ▁Ford ▁Gal ax ie ▁that ▁Sebast ião ▁inherited ▁from ▁his ▁former ▁employ er ▁and ▁keeps ▁in ▁his ▁gar age . ▁[ 2 4 ] ▁Despite ▁the ▁obst acles , ▁the ▁newspaper ▁is ▁re open ed , ▁and ▁work ▁on ▁it ▁Claud ia , ▁Alberto ▁and ▁Rod ol fo . ▁Gu il h erm ina ▁and ▁Dir ceu ▁are ▁surprised ▁at ▁first , ▁and ▁their ▁meet ings ▁always ▁end ▁in ▁exchange ▁for ▁accus ations . ▁Mut ual ▁host ility ▁gives ▁way ▁to ▁passion , ▁and ▁the ▁two ▁are ▁together ▁at ▁the ▁end ▁of ▁the ▁story ▁after ▁Maria ▁do ▁Car mo ▁agre es ▁to ▁marry ▁Giovanni . ▁ ▁Regin al do , ▁den ounced ▁for ▁his ▁sc ams ▁in ▁the ▁town ▁hall ▁of ▁V ila ▁São ▁Miguel , ▁is ▁har ass ed ▁by ▁the ▁people . ▁He ▁dec ides ▁to ▁hold ▁a ▁r ally , ▁where ▁he ▁hopes ▁to ▁once ▁again ▁dece ive ▁vot ers . ▁Sebast ião , ▁however , ▁reve als ▁the ▁truth ▁about ▁Le ila ' s ▁death ▁to ▁Maria ▁do ▁Car |
mo , ▁who ▁in ▁turn ▁tells ▁the ▁elect or ate ▁everything . ▁Regin al do ▁is ▁bo o ed ▁and ▁st oned ▁by ▁the ▁popular . ▁One ▁stone ▁in ▁particular ▁thrown ▁by ▁his ▁former ▁elect oral ▁corpor al ▁Mer ival ▁hits ▁him ▁in ▁the ▁head ▁and ▁this ▁time ▁he ▁dies . ▁ ▁Naz ar é ▁apparently ▁dies ▁after ▁throwing ▁himself ▁from ▁a ▁bridge ▁in ▁the ▁Paulo ▁Af onso ▁water fall ▁in ▁Bah ia . ▁She ▁commits ▁suic ide ▁after ▁ab duct ing ▁L inda , ▁the ▁daughter ▁of ▁Isabel ▁and ▁Ed g ard . ▁Before ▁Isabel , ▁however , ▁she ▁re de ems ▁herself ▁and ▁gives ▁him ▁the ▁baby ▁before ▁she ▁j umps ▁to ▁her ▁death . ▁But ▁Fa usta , ▁his ▁former ▁ma id , ▁sees ▁the ▁figure ▁of ▁a ▁myster ious ▁person ▁very ▁close ▁to ▁his ▁home , ▁imp lying ▁that ▁Naz are th ▁might ▁still ▁be ▁alive . ▁ ▁Le andro ▁mar ries ▁Claud ia , ▁who ▁becomes ▁pre gn ant . ▁Vi ri ato , ▁after ▁sp ending ▁a ▁period ▁in ▁France ▁special izing ▁in ▁cook ing , ▁returns ▁to ▁Brazil ▁and ▁reun ites ▁with ▁D uda , ▁who ▁is ▁pre gn ant , ▁with ▁whom ▁he ▁had ▁married . ▁Pl ín io , ▁married ▁to ▁Angel ica , ▁who ▁becomes ▁pre gn ant ▁with ▁him , ▁ear ns ▁from ▁Y ara ▁the ▁permission ▁to ▁stay ▁with ▁the ▁son ▁D ado , ▁since ▁she ▁will ▁move ▁to ▁Japan . ▁Regin inha ▁becomes ▁pre gn ant ▁with ▁her ▁boy friend |
▁João ▁M ano el ▁and ▁they ▁both ▁r ush ▁the ▁marriage . ▁Daniel le ▁and ▁Ven an cio , ▁married , ▁discover ▁that ▁they ▁will ▁be ▁parents . ▁N al va ▁mar ries ▁Congress man ▁Thomas ▁Jefferson , ▁and ▁Viv iane ▁re app ears ▁in ▁Brasil ia , ▁married ▁to ▁Vict ó rio ▁V ian na ▁( soap ▁opera ▁character ▁Porto ▁dos ▁Mil ag res , ▁who ▁returned ▁to ▁Sen hora ▁do ▁Dest ino ▁as ▁sen ator , ▁played ▁in ▁both ▁versions ▁by ▁Lima ▁Du arte ). ▁Jos ival do ▁ends ▁up ▁in ▁the ▁streets , ▁like ▁a ▁ra gg ed ▁and ▁fre aking ▁begg ar , ▁with ▁the ▁only ▁friend , ▁the ▁statue ▁of ▁Carlos ▁Dr um mond ▁de ▁And rade , ▁Maria ▁do ▁Car mo ▁mar ries ▁Giovanni . ▁Through ▁a ▁narr ation ▁by ▁Maria ▁do ▁Car mo , ▁view ers ▁learn ▁about ▁the ▁future ▁of ▁the ▁young ▁characters : ▁Da iane ▁wins ▁the ▁Nobel ▁Peace ▁Prize ▁for ▁her ▁social ▁role ▁in ▁raising ▁aw aren ess ▁of ▁te en age ▁pre gn ancy ▁and ▁Bian ca , ▁grand d augh ter ▁of ▁Do ▁Car mo ▁and ▁daughter ▁of ▁Regin al do , ▁will ▁be ▁elected ▁mayor ▁of ▁V ila ▁São ▁Miguel , ▁always ▁seeking ▁to ▁ensure ▁respect ▁and ▁hon esty . ▁ ▁Cast ▁ ▁Re ception ▁ ▁Rat ings ▁▁ ▁The ▁t elen ov ela ▁debut ▁had ▁ 5 2 ▁audience ▁points . ▁Hit ▁a ▁hearing ▁record ▁on ▁October ▁ 1 4 , ▁ 2 0 0 4 , ▁when ▁it |
▁scored ▁ 5 5 ▁points . ▁In ▁the ▁episode ▁of ▁that ▁day ▁was ▁shown ▁the ▁scene ▁of ▁the ▁first ▁meeting ▁between ▁Maria ▁do ▁Car mo ▁and ▁her ▁daughter ▁Lind al va . ▁This ▁record ▁was ▁exceed ed ▁on ▁October ▁ 2 6 , ▁ 2 0 0 4 , ▁when ▁it ▁registered ▁ 5 8 ▁points . ▁On ▁the ▁occasion , ▁the ▁scenes ▁of ▁the ▁fight ▁between ▁Maria ▁do ▁Car mo ▁and ▁Naz ar é ▁were ▁shown . ▁The ▁lowest ▁rating ▁of ▁the ▁t elen ov ela ▁is ▁ 3 4 ▁points , ▁registered ▁on ▁December ▁ 2 4 ▁and ▁December ▁ 3 1 , ▁ 2 0 0 4 , ▁Christmas ▁E ve ▁and ▁New ▁Year , ▁respectively . ▁The ▁t elen ov ela ' s ▁highest ▁audience ▁was ▁ 6 5 ▁points , ▁reached ▁in ▁the ▁pen ult imate ▁episode . ▁ ▁His ▁last ▁episode ▁had ▁ 6 0 ▁audience ▁points . ▁His ▁overall ▁average ▁was ▁ 5 0 , 4 ▁points ▁being ▁the ▁most ▁watched ▁t elen ov ela ▁of ▁the ▁ 2 0 0 0 s ▁in ▁Brazil . ▁ ▁References ▁ ▁External ▁links ▁▁▁▁ ▁Category : 2 0 0 4 ▁Brazil ian ▁television ▁series ▁deb uts ▁Category : 2 0 0 5 ▁Brazil ian ▁television ▁series ▁end ings ▁Category : 2 0 0 4 ▁t elen ov el as ▁Category : R ede ▁Glo bo ▁t elen ov el as ▁Category : B raz ilian ▁t elen ov el as ▁Category : B raz ilian ▁L GB T |
- related ▁television ▁shows ▁Category : Port ug uese - language ▁t elen ov el as <0x0A> </s> ▁The ▁ 2 0 0 9 ▁T aj ik ▁League ▁was ▁the ▁ 1 7 th ▁season ▁of ▁T aj ik ▁League , ▁the ▁T aj ik istan ▁Football ▁Federation ' s ▁top ▁division ▁of ▁association ▁football . ▁Reg ar - T ad A Z ▁retained ▁their ▁championship , ▁having ▁won ▁the ▁previous ▁season . ▁ ▁Table ▁ ▁Top ▁sc or ers ▁ ▁References ▁Season ▁at ▁R SS SF ▁ ▁Category : T aj ik ▁League ▁seasons ▁ 1 ▁T aj ik ▁T aj ik <0x0A> </s> ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁is ▁a ▁song ▁written ▁and ▁performed ▁by ▁British ▁music ian ▁Joe ▁Jackson . ▁It ▁was ▁released ▁in ▁October ▁ 1 9 7 8 ▁as ▁his ▁debut ▁single ▁and ▁was ▁later ▁included ▁on ▁Jackson ' s ▁debut ▁album , ▁Look ▁Sh arp ! ▁The ▁track ▁was ▁one ▁of ▁the ▁first ▁Jackson ▁recorded ▁with ▁his ▁new ▁backing ▁band , ▁a ▁band ▁he ▁would ▁perform ▁with ▁for ▁his ▁first ▁three ▁albums . ▁Writ ten ▁as ▁a ▁hum orous ▁comment ary ▁on ▁women ▁d ating ▁un att ract ive ▁men , ▁the ▁song ▁contains ▁a ▁prominent ▁bass ▁line ▁and ▁a ▁ch orus ▁pra ised ▁by ▁critics ▁as ▁memor able . ▁Jackson ▁has ▁since ▁stated ▁that ▁the ▁song ' s ▁reputation ▁for ▁being ▁angry ▁was ▁un true . ▁ ▁On ▁its ▁initial ▁release , ▁the ▁single ▁was ▁commer cially ▁un success ful |
▁and ▁failed ▁to ▁chart . ▁Two ▁follow - up ▁singles , ▁" S und ay ▁Pap ers " ▁and ▁" One ▁More ▁Time ", ▁were ▁also ▁chart ▁fail ures . ▁However , ▁when ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁was ▁r ere leased ▁in ▁ 1 9 7 9 ▁after ▁Jackson ' s ▁reputation ▁and ▁new ▁wave ▁music ▁grew ▁in ▁popular ity , ▁the ▁single ▁saw ▁more ▁attention ▁and ▁became ▁a ▁chart ▁success . ▁This ▁second ▁release ▁reached ▁the ▁top ▁ 2 0 ▁in ▁the ▁UK ▁and ▁top ▁ 3 0 ▁in ▁the ▁US , ▁becoming ▁one ▁of ▁Jackson ' s ▁highest ▁chart ing ▁singles ▁world wide . ▁ ▁Since ▁then , ▁the ▁song ▁has ▁been ▁pra ised ▁as ▁one ▁of ▁Jackson ' s ▁greatest ▁and ▁most ▁famous ▁and ▁has ▁been ▁covered ▁by ▁multiple ▁artists . ▁The ▁song ▁has ▁appeared ▁on ▁several ▁of ▁Jackson ' s ▁compilation ▁albums ▁and ▁remains ▁a ▁st ap le ▁of ▁Jackson ' s ▁live ▁set list . ▁A ▁live ▁a ▁c app ella ▁version ▁released ▁in ▁ 1 9 8 8 ▁was ▁a ▁top ▁five ▁single ▁in ▁the ▁Netherlands . ▁It ▁has ▁been ▁described ▁as ▁one ▁of ▁the ▁class ics ▁of ▁the ▁new ▁wave ▁genre , ▁though ▁Jackson ▁does ▁not ▁consider ▁it ▁his ▁best ▁song . ▁ ▁Background ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁was ▁one ▁of ▁the ▁first ▁songs ▁Joe ▁Jackson ▁recorded ▁with ▁the ▁Joe ▁Jackson ▁band , ▁which ▁included ▁bass ist ▁Graham ▁M aby , ▁guitar |
ist ▁Gary ▁San ford , ▁and ▁drum mer ▁Dave ▁H ought on . ▁The ▁song ▁was ▁immediately ▁popular ▁with ▁the ▁band ; ▁Jackson ▁re called ▁in ▁his ▁aut obi ography , ▁" Every one ▁liked ▁it . ▁It ▁was ▁catch y , ▁they ▁said , ▁and ▁had ▁the ▁mak ings ▁of ▁a ▁hit . ▁I ▁wouldn ' t ▁know ▁a ▁hit , ▁I ▁protest ed , ▁from ▁a ▁hole ▁in ▁my ▁head . ▁I ▁liked ▁all ▁my ▁songs , ▁and ▁if ▁I ' d ▁written ▁a ▁hit ▁it ▁was ▁by ▁accident . ▁But ▁I ▁appreciated ▁the ▁enthus ias m , ▁and ▁something ▁else , ▁too : ▁a ▁growing ▁feeling ▁that ▁I ▁was ▁up ▁to ▁something ". ▁The ▁final ▁version ▁of ▁the ▁song ▁was ▁recorded ▁with ▁American ▁producer ▁David ▁K ers hen baum ▁in ▁August ▁ 1 9 7 8 ▁after ▁Jackson ▁was ▁signed ▁to ▁A & M ▁Records . ▁ ▁According ▁to ▁Jackson , ▁the ▁song ▁origin ated ▁from ▁when ▁he ▁heard ▁the ▁title . ▁Jackson ▁claimed ▁that ▁he ▁had ▁first ▁heard ▁it ▁on ▁a ▁song ▁by ▁the ▁Dam ned , ▁who ▁had ▁got ten ▁it ▁from ▁the ▁Shang ri - L as ' ▁song , ▁" L ead er ▁of ▁the ▁Pack ". ▁From ▁there , ▁he ▁came ▁up ▁with ▁the ▁basis ▁for ▁lyr ics ▁for ▁" a ▁fun ny ▁little ▁song ▁about ▁watching ▁cou ples ▁and ▁wondering ▁what ▁the ▁girls ▁could ▁possibly ▁see ▁in ▁the ▁guys ". ▁Though ▁the ▁song ▁was ▁written ▁to ▁be ▁com ical , ▁it ▁has ▁been ▁interpreted |
▁by ▁some ▁critics ▁as ▁angry , ▁ear ning ▁Jackson ▁the ▁tag ▁of ▁" ang ry ▁young ▁man ". ▁He ▁said ▁of ▁the ▁song ' s ▁orig ins ▁in ▁an ▁interview : ▁ ▁In ▁another ▁interview , ▁Jackson ▁re called ▁another ▁incident ▁where ▁the ▁lyr ics ▁to ▁the ▁song ▁were ▁mis inter pre ted . ▁He ▁explained ▁that ▁he ▁was ▁accused ▁of ▁rac ism ▁by ▁a ▁black ▁man ▁because ▁of ▁the ▁song ' s ▁opening ▁ly ric ▁" Pre tty ▁women ▁out ▁walking ▁with ▁g or illas ▁down ▁my ▁street ", ▁which ▁the ▁man ▁had ▁thought ▁was ▁about ▁black ▁men ▁d ating ▁white ▁women . ▁Jackson ▁concluded , ▁" And ▁no ▁matter ▁what ▁I ▁said ▁he ▁wouldn ' t ▁believe ▁me , ▁and ▁as ▁far ▁as ▁he ▁was ▁concerned ▁that ▁was ▁what ▁it ▁was . ▁So , ▁I ▁mean , ▁really , ▁what ▁can ▁you ▁do ? ▁( L augh s ) ▁I ▁always ▁feel ▁like ▁my ▁lyr ics ▁are ▁very ▁clear , ▁but ▁what ▁can ▁I ▁say ?" ▁ ▁Music ▁and ▁lyr ics ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁has ▁been ▁described ▁by ▁critics ▁as ▁" s not ty ▁piano ▁pop " ▁and ▁" the ▁sound ▁of ▁New ▁W ave ▁bo iled ▁down ▁into ▁three ▁minutes ▁and ▁ 3 5 ▁seconds ." ▁The ▁song ▁contains ▁a ▁" soft ▁sees aw ▁rh ythm ▁of ▁pl unk ing ▁guitar ▁and ▁bass "; ▁the ▁bass ▁line , ▁played ▁by ▁Jackson ' s ▁long time ▁collabor ator ▁Graham ▁M aby , ▁has |
▁seen ▁pra ise ▁from ▁critics . ▁Steve ▁H ue y ▁of ▁All Music ▁pra ises ▁the ▁rh ythm ▁section ' s ▁performance ▁for ▁" im medi ately ▁setting ▁a ▁v ibe ▁of ▁cool ▁ind ignation ". ▁The ▁song ' s ▁ch orus , ▁which ▁has ▁been ▁described ▁as ▁" per fect ly ▁sing able " ▁and ▁" strong ▁and ▁em otion ally ▁comp elling ", ▁contains ▁" clean ▁gu it ars ▁and ▁tight ▁bass ▁and ▁drum ▁gro ove " ▁accompanied ▁by ▁Jackson ' s ▁" l ush ▁vocals ". ▁The ▁song ' s ▁bridge ▁is ▁more ▁piano - based , ▁showing ▁what ▁H ue y ▁describes ▁as ▁" a ▁g limp se ▁of ▁Jackson ▁jazz ▁training ". ▁ ▁L yr ically , ▁the ▁song ▁contains ▁a ▁" string ▁of ▁pr ic eless ▁qui ps " ▁about ▁" boy / g irl ▁laws ▁of ▁att raction "; ▁the ▁opening ▁ly ric , ▁" Pre tty ▁women ▁out ▁walking ▁with ▁g or illas ▁down ▁my ▁street ", ▁has ▁been ▁highlight ed ▁by ▁H ue y . ▁H ue y ▁also ▁pra ises ▁Jackson ▁for ▁" capt uring ▁m ood ▁and ▁meaning ▁through ▁minor ▁detail " ▁in ▁lyr ics ▁like ▁" From ▁my ▁window ▁I ' m ▁st aring ▁while ▁my ▁coffee ▁goes ▁cold ▁/ ▁Look ▁over ▁there ▁( where ?) ▁/ ▁There , ▁there ' s ▁a ▁lady ▁that ▁I ▁used ▁to ▁know ▁/ ▁She ' s ▁married ▁now ▁or ▁engaged ▁or ▁something ▁so ▁I ▁am ▁told ". ▁In ▁a ▁call ▁and ▁response ▁Jackson ▁says |
▁" Look ▁over ▁there " ▁and ▁the ▁band ▁respond s ▁" Where ? "; ▁in ▁live ▁shows , ▁the ▁audience ▁calls ▁often ▁provides ▁the ▁response , ▁which ▁Sarah ▁Lar son ▁of ▁The ▁New ▁York er ▁re called ▁made ▁Jackson ▁laugh ▁during ▁a ▁performance . ▁ ▁Release ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁was ▁initially ▁released ▁as ▁a ▁single ▁in ▁October ▁ 1 9 7 8 ▁with ▁" You ▁Got ▁the ▁F ever " ▁as ▁the ▁B - side . ▁The ▁American ▁single ▁release ▁instead ▁included ▁"( Do ▁the ) ▁Inst ant ▁M ash ". ▁This ▁release ▁of ▁the ▁single ▁was ▁un success ful ▁on ▁the ▁charts , ▁failing ▁to ▁reach ▁the ▁top ▁ 1 0 0 ▁in ▁either ▁the ▁UK ▁or ▁the ▁US . ▁Two ▁follow - up ▁singles , ▁" S und ay ▁Pap ers " ▁and ▁" One ▁More ▁Time ", ▁were ▁released , ▁but ▁neither ▁chart ed . ▁However , ▁when ▁the ▁Look ▁Sh arp ! ▁album ▁began ▁to ▁gain ▁not or iety ▁and ▁British ▁new ▁wave ▁music ▁grew ▁more ▁popular ▁in ▁the ▁United ▁States , ▁a ▁re issue ▁of ▁the ▁single ▁was ▁released ▁in ▁July ▁ 1 9 7 9 ▁with ▁the ▁new ▁catalog ue ▁number ▁A MS ▁ 7 4 5 9 . ▁The ▁new ▁release ▁of ▁the ▁single ▁saw ▁much ▁greater ▁success ▁than ▁the ▁initial ▁pressing , ▁reaching ▁number ▁ 1 3 ▁in ▁Britain ▁and ▁number ▁ 2 1 ▁in ▁America . ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him |
?" ▁was ▁also ▁a ▁chart ▁success ▁in ▁other ▁nations , ▁reaching ▁the ▁top ▁ 1 0 ▁in ▁Ireland ▁and ▁Canada ▁and ▁the ▁top ▁ 2 0 ▁in ▁Australia ▁and ▁New ▁Zealand . ▁A ▁live ▁a ▁c app ella ▁version ▁reached ▁number ▁three ▁on ▁the ▁Dutch ▁Top ▁ 4 0 ▁and ▁number ▁ 1 7 ▁in ▁Belg ium . ▁ ▁Since ▁its ▁release , ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁has ▁appeared ▁on ▁compilation ▁albums ▁such ▁as ▁Ste pping ▁Out : ▁The ▁Very ▁Best ▁of ▁Joe ▁Jackson , ▁Joe ▁Jackson ▁- ▁Great est ▁H its , ▁and ▁This ▁Is ▁It ! ▁( The ▁A & M ▁Years ▁ 1 9 7 9 – 1 9 8 9 ). ▁The ▁song ▁was ▁also ▁used ▁in ▁the ▁ 1 9 9 8 ▁rom antic ▁comedy ▁film ▁There ' s ▁Something ▁About ▁Mary . ▁ ▁Crit ical ▁reception ▁and ▁legacy ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁saw ▁positive ▁reception ▁during ▁the ▁time ▁of ▁its ▁initial ▁release ; ▁Geoff rey ▁H imes ▁of ▁The ▁Washington ▁Post ▁called ▁the ▁song ▁" prime ▁New ▁W ave ▁material " ▁and ▁" one ▁of ▁the ▁best ▁reasons ▁for ▁f li pping ▁on ▁the ▁car ▁radio ▁this ▁summer ". ▁ ▁Since ▁then , ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁has ▁been ▁recognized ▁as ▁a ▁classic ▁of ▁new ▁wave . ▁Sarah ▁Lar son ▁of ▁The ▁New ▁York er ▁called ▁the ▁song ▁one ▁of ▁Jackson ' s ▁" br illi |
antly ▁ag itated ▁New ▁W ave ▁master works ", ▁while ▁an ▁author ▁for ▁Billboard ▁dub bed ▁the ▁song ▁one ▁of ▁Jackson ' s ▁" class ics " ▁and ▁" old ▁favor ites ". ▁P aste ▁Magazine ▁also ▁pra ised ▁the ▁song , ▁saying , ▁" Only ▁Joe ▁Jackson ▁could ▁turn ▁a ▁song ▁so ▁self - de prec ating ▁and ▁sar cast ic ▁into ▁something ▁so ▁pe ppy ▁and ▁up be at ". ▁All Music ' s ▁H ue y ▁pra ised ▁the ▁song ' s ▁" ca ust ic ▁yet ▁char ming ▁w itt ic isms ", ▁while ▁the ▁same ▁website ' s ▁Tom ▁Mag inn is ▁called ▁it ▁" the ▁lead ▁sal vo ▁from ▁one ▁of ▁the ▁stand ▁out ▁albums ▁of ▁the ▁late ▁ 7 0 ' s ▁New ▁W ave / Pop ▁era ". ▁Dave ▁L if ton ▁of ▁Ult imate ▁Classic ▁Rock ▁ranked ▁the ▁song ▁Jackson ' s ▁second ▁best , ▁highlight ing ▁the ▁song ' s ▁bass ▁line , ▁ch orus , ▁and ▁call - and - response . ▁ ▁The ▁song ▁has ▁been ▁described ▁by ▁critics ▁as ▁one ▁of ▁Jackson ' s ▁most ▁remembered ▁tracks ; ▁P aste ▁described ▁the ▁song ▁as ▁" the ▁song ▁Jackson ▁is ▁most ▁remembered ▁for ", ▁Mag inn is ▁called ▁it ▁" the ▁track ▁that ▁put ▁Joe ▁Jackson ▁on ▁the ▁musical ▁map ", ▁and ▁L if ton ▁said ▁it ▁has ▁" pro ven ▁to ▁be ▁his ▁best - known ▁song ". ▁Jackson ▁later ▁wrote , ▁" Pe ople ▁still ▁occasionally ▁tell ▁me ▁that |
▁this ▁song ▁is ▁the ▁best ▁thing ▁I ' ve ▁ever ▁done . ▁I ' m ▁certainly ▁not ▁ash amed ▁of ▁it , ▁and ▁I ▁thank ▁them , ▁but ▁I ▁have ▁to ▁admit ▁I ▁sin cer ely ▁hope ▁they ' re ▁not ▁right ". ▁When ▁asked ▁if ▁aud ien ces ▁at ▁his ▁concert s ▁interrupt ▁to ▁ask ▁for ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ? ", ▁Jackson ▁said , ▁" I ▁mean , ▁that ▁never ▁really ▁happens . ▁I ▁always ▁play ▁it ▁anyway . ▁It ' s ▁fine ▁with ▁me . ▁You ▁always ▁get ▁a ▁reaction ▁for ▁the ▁best - known ▁songs ▁— ▁that ' s ▁obvious ". ▁ ▁Live ▁performances ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁has ▁been ▁a ▁main st ay ▁of ▁Jackson ' s ▁live ▁set list ▁since ▁its ▁release . ▁ ▁Like ▁many ▁of ▁Jackson ' s ▁songs , ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁has ▁been ▁re arr anged ▁in ▁live ▁concert s ▁to ▁align ▁with ▁Jackson ' s ▁sh ifting ▁musical ▁interests . ▁These ▁re work ings ▁include ▁an ▁ac oust ic ▁rend ition ▁and ▁an ▁a ▁c app ella ▁do o - w op ▁version , ▁performances ▁of ▁which ▁have ▁both ▁been ▁released ▁on ▁Live ▁ 1 9 8 0 / 8 6 . ▁An ▁a ▁c app ella ▁version ▁of ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁was ▁released ▁as ▁a ▁single ▁in ▁ 1 9 8 8 |
▁in ▁some ▁European ▁countries . ▁Jackson ▁attributes ▁this ▁t endency ▁to ▁re work ▁his ▁songs ▁to ▁jazz ▁music ian ▁Duke ▁Ell ington , ▁a ▁musical ▁id ol ▁of ▁Jackson ' s ▁for ▁whom ▁Jackson ▁released ▁a ▁t ribute ▁album ▁titled ▁The ▁Duke ▁in ▁ 2 0 1 2 ; ▁he ▁explained ▁in ▁an ▁interview , ▁" I ▁was ▁... ▁inspired ▁by ▁Ell ington ' s ▁own ▁philosophy , ▁which ▁he ▁thought ▁the ▁same ▁way ▁about ▁his ▁music ▁– ▁he ▁constantly ▁re arr anged ▁and ▁rein vent ed ▁his ▁own ▁compos itions . ▁Sometimes ▁in ▁quite ▁radical ▁ways ". ▁ ▁A ▁live ▁version ▁of ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁recorded ▁at ▁the ▁Hamm ers m ith ▁Pal ais ▁appeared ▁as ▁the ▁B - side ▁on ▁Jackson ' s ▁ 1 9 8 1 ▁" Be at ▁Cra zy " ▁single . ▁Other ▁live ▁rend itions ▁have ▁appeared ▁on ▁Two ▁Rain y ▁N ights , ▁Live ▁in ▁Germany ▁ 1 9 8 0 , ▁and ▁Live ▁at ▁Rock pal ast . ▁Another ▁live ▁version ▁of ▁the ▁song ▁was ▁released ▁on ▁a ▁bonus ▁CD ▁for ▁Jackson ' s ▁ 2 0 0 3 ▁album ▁Volume ▁ 4 , ▁performed ▁by ▁a ▁reun ited ▁Joe ▁Jackson ▁Band ; ▁this ▁reun ited ▁line up ▁also ▁performed ▁the ▁song ▁live ▁on ▁Later ... ▁with ▁J ools ▁Holland ▁in ▁ 2 0 0 3 . ▁ ▁Person nel ▁ ▁Joe ▁Jackson ▁– ▁vocals , ▁piano ▁ ▁Gary ▁San ford ▁– ▁guitar ▁ ▁Graham ▁M |
aby ▁– ▁bass ▁ ▁David ▁H ought on ▁– ▁drums ▁ ▁Person nel ▁per ▁Look ▁Sh arp ! ▁l iner ▁notes . ▁ ▁Ch arts ▁ ▁Week ly ▁charts ▁ ▁Year - end ▁charts ▁ ▁Cover ▁versions ▁American ▁alternative ▁rock ▁band ▁Sug ar ▁Ray ▁recorded ▁a ▁cover ▁of ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁on ▁their ▁album ▁In ▁the ▁P urs uit ▁of ▁Le is ure . ▁This ▁version ▁reached ▁number ▁ 1 9 ▁on ▁the ▁US ▁Billboard ▁Ad ult ▁Top ▁ 4 0 ▁Tra cks ▁and ▁was ▁used ▁as ▁the ▁theme ▁for ▁the ▁short - l ived ▁sit com ▁I ' m ▁with ▁Her . ▁Ch uch ▁Taylor ▁of ▁Billboard ▁review ed ▁the ▁song ▁fav ou rab ly , ▁saying ▁that ▁Mc Gr ath ▁" inf uses ▁it ▁with ▁his ▁consist ently ▁like able ▁brand ▁of ▁hand - w aving ▁post uring ", ▁though ▁Will ▁Lev ith ▁of ▁Ult imate ▁Classic ▁Rock ▁named ▁the ▁song ▁one ▁of ▁the ▁worst ▁covers ▁ever ▁released ▁and ▁said ▁" the ▁song ▁just ▁miss es ▁the ▁heart ▁and ▁soul ▁of ▁the ▁original ▁completely ". ▁ ▁Australian ▁pop ▁punk ▁band ▁Kid ▁Cou rage ous ▁released ▁a ▁version ▁of ▁the ▁song ▁as ▁the ▁first ▁single ▁from ▁their ▁album ▁D ear ▁Di ary , ▁reaching ▁number ▁ 2 5 ▁on ▁the ▁Australian ▁A RI A ▁Singles ▁Chart . ▁Com edic ▁a ▁cap ella ▁singing ▁group ▁Da ▁V inci ' s ▁Not ebook ▁also ▁recorded ▁a ▁cover ▁of ▁the ▁song , ▁which ▁appeared ▁on ▁their ▁album |
▁The ▁Life ▁and ▁Times ▁of ▁Mike ▁Mann ing . ▁ ▁The ▁Ra con te urs ' ▁ 2 0 0 6 ▁song ▁" Ste ady , ▁As ▁She ▁Go es " ▁has ▁been ▁compared ▁by ▁some ▁critics ▁to ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁for ▁its ▁similar - s ounding ▁bass ▁line . ▁Le ah ▁Green blatt ▁of ▁Entertainment ▁Week ly ▁compared ▁the ▁two ▁songs ▁and ▁declared ▁" Is ▁She ▁Re ally ▁Go ing ▁Out ▁with ▁Him ?" ▁to ▁be ▁the ▁better ▁song , ▁saying , ▁Ste ady ' ▁proves ▁[ Jack ] ▁White ' s ▁non - St ri pes ▁ch ops ▁( he ' s ▁not ▁all erg ic ▁to ▁bass ▁after ▁all ! ), ▁but ▁Jackson ' s ▁track ▁is ▁a ▁stone ▁classic ". ▁ ▁References ▁Cit ations ▁ ▁S ources ▁ ▁Category : J oe ▁Jackson ▁( mus ician ) ▁songs ▁Category : 1 9 7 8 ▁debut ▁singles ▁Category : 1 9 7 8 ▁songs ▁Category : 2 0 0 3 ▁singles ▁Category : 2 0 0 5 ▁singles ▁Category : A & M ▁Records ▁singles ▁Category : B rit ish ▁pop ▁rock ▁songs ▁Category : K id ▁Cou rage ous ▁songs ▁Category : S ong ▁record ings ▁produced ▁by ▁David ▁K ers hen baum ▁Category : S ongs ▁written ▁by ▁Joe ▁Jackson ▁( mus ician ) ▁Category : S ug ar ▁Ray ▁songs <0x0A> </s> ▁Josh ua ▁Bek en stein ▁is ▁an ▁American ▁business man ▁and ▁co - ch air man ▁of |
▁B ain ▁Capital . ▁ ▁Education ▁and ▁personal ▁life ▁Bek en stein ▁graduated ▁from ▁Y ale ▁University ▁in ▁ 1 9 8 0 ▁with ▁a ▁Bach elor ▁of ▁Arts ▁( B . A .). ▁ ▁He ▁then ▁graduated ▁from ▁Harvard ▁Business ▁School ▁with ▁a ▁Master ▁of ▁Business ▁Administration ▁( M BA ) ▁degree ▁in ▁ 1 9 8 4 . ▁ ▁Since ▁ear ning ▁his ▁degrees , ▁Bek en stein ▁has ▁stayed ▁active ▁with ▁Y ale , ▁serving ▁on ▁the ▁Board ▁of ▁Ad vis ors ▁of ▁the ▁Y ale ▁School ▁of ▁Management , ▁the ▁Y ale ▁In vest ment ▁Committee , ▁an ▁at - large ▁member ▁of ▁the ▁University ▁Council , ▁the ▁co - ch air ▁of ▁the ▁Y ale ▁Tom orrow ▁Camp aign , ▁and ▁a ▁member ▁of ▁the ▁Y ale ▁Development ▁Council . ▁He ▁was ▁also ▁appointed ▁as ▁a ▁new ▁successor ▁trust ee ▁of ▁the ▁Y ale ▁Corporation ▁in ▁ 2 0 1 3 . ▁ ▁Bek en stein ▁lives ▁in ▁Way land , ▁Massachusetts , ▁with ▁his ▁wife , ▁An ita , ▁and ▁five ▁children , ▁Em ily , ▁Samuel ▁( Sam ), ▁Andrew ▁( And y ), ▁Daniel ▁( Dan ), ▁and ▁Jenn ifer ▁( J en ny ). ▁ ▁Career ▁Bek en stein ▁worked ▁at ▁B ain ▁& ▁Company ▁following ▁his ▁gradu ation ▁from ▁Y ale ▁where ▁he ▁worked ▁with ▁companies ▁in ▁a ▁variety ▁of ▁indust ries . ▁He ▁joined ▁B ain ▁Capital ▁at ▁its ▁found ing ▁in ▁ 1 9 8 4 ▁and ▁became ▁a ▁man aging |
▁director ▁in ▁ 1 9 8 6 . ▁He ▁was ▁named ▁co - ch air man ▁of ▁the ▁firm ▁in ▁ 2 0 1 6 . ▁▁ ▁Bek en stein ▁serves ▁as ▁a ▁board ▁member ▁of ▁G ym b ore e ▁Corporation , ▁D ollar ama , ▁To ys ▁" R " ▁Us , ▁Bomb ard ier ▁Rec re ational ▁Product s , ▁Mich a els ▁St ores , ▁Bur ling ton ▁Co at ▁Factory , ▁W aters ▁Corporation ▁and ▁Bright ▁Hor iz ons ▁Family ▁Sol utions . ▁ ▁Phil anth ropy ▁Bek en stein ▁currently ▁serves ▁as ▁a ▁co - ch air ▁on ▁the ▁Board ▁of ▁Direct ors ▁of ▁New ▁Prof it ▁Inc ., ▁a ▁Boston - based ▁vent ure ▁phil anth ropy ▁fund ▁and ▁as ▁a ▁member ▁on ▁the ▁Board ▁of ▁Trust ees ▁of ▁the ▁Pan - M ass ▁Challenge , ▁an ▁annual ▁bi ke - athon ▁that ▁cross es ▁the ▁Commonwealth ▁of ▁Massachusetts ▁to ▁raise ▁money ▁for ▁the ▁D ana - F ar ber ▁Can cer ▁Institute , ▁where ▁Bek en stein ▁serves ▁as ▁chairman ▁of ▁the ▁Board ▁of ▁Trust ees . ▁Bek en stein ▁co - cha ired ▁D ana - F ar bers ▁“ M ission ▁Possible ” ▁campaign ▁that ▁hit ▁its ▁goal ▁to ▁raise ▁$ 1 ▁billion ▁a ▁year ▁early ▁in ▁September ▁ 2 0 0 9 . ▁Bek en stein ▁also ▁ch airs ▁the ▁board ▁of ▁Be ▁The ▁Change , ▁is ▁a ▁board ▁member ▁of ▁City ▁Year , ▁O pport unity ▁Nation , ▁and ▁New ▁Le |
aders . ▁He ▁also ▁cont ributes ▁to ▁Hor iz ons ▁for ▁Hom eless ▁Children , ▁Year ▁Up , ▁Te ach ▁for ▁America , ▁K ipp ▁School s , ▁and ▁Boston ▁Children ’ s ▁Hospital . ▁▁ ▁In ▁ 2 0 1 0 , ▁the ▁National ▁Association ▁of ▁Corpor ate ▁Direct ors ▁named ▁Bek en stein ▁Non pro fit ▁Director ▁of ▁the ▁Year . ▁ ▁References ▁ ▁Category : American ▁financial ▁business people ▁Category : Har vard ▁Business ▁School ▁al umn i ▁Category : L iving ▁people ▁Category : Y ale ▁University ▁al umn i ▁Category : Year ▁of ▁birth ▁missing ▁( l iving ▁people ) ▁Category : B ain ▁Capital ▁people ▁Category : B ain ▁& ▁Company ▁employees ▁Category : American ▁chief ▁execut ives ▁of ▁financial ▁services ▁companies ▁Category : Pe ople ▁from ▁Way land , ▁Massachusetts <0x0A> </s> ▁Bar ley - Bre ak ▁is ▁an ▁old ▁English ▁country ▁game ▁frequently ▁mentioned ▁by ▁the ▁po ets ▁of ▁the ▁ 1 7 th ▁and ▁ 1 8 th ▁centuries . ▁It ▁was ▁played ▁by ▁three ▁pairs , ▁each ▁composed ▁of ▁a ▁man ▁and ▁a ▁woman , ▁who ▁were ▁station ed ▁in ▁three ▁bases ▁or ▁plots , ▁cont igu ous ▁to ▁each ▁other . ▁The ▁couple ▁occup ying ▁the ▁middle ▁base , ▁called ▁hell ▁or ▁prison , ▁endeav oured ▁to ▁catch ▁the ▁other ▁two , ▁who , ▁when ▁ch ased , ▁might ▁break ▁to ▁avoid ▁being ▁caught . ▁If ▁one ▁was ▁over t aken , ▁he ▁and ▁his ▁companion ▁were ▁condem ned ▁to ▁hell . |
▁From ▁this ▁game ▁was ▁taken ▁the ▁expression ▁" the ▁last ▁couple ▁in ▁hell ", ▁often ▁used ▁in ▁old ▁plays . ▁ ▁Its ▁use ▁in ▁literature ▁usually ▁has ▁sexual ▁con not ations . ▁The ▁best ▁known ▁example ▁is ▁in ▁Thomas ▁Middle ton ▁and ▁William ▁Row ley ' s ▁play ▁The ▁Ch angel ing , ▁in ▁which ▁an ▁ad ul ter er ▁tells ▁his ▁c uck old ▁" I ▁couple d ▁with ▁your ▁mate ▁at ▁bar ley - break ; ▁now ▁we ▁are ▁left ▁in ▁hell ". ▁The ▁use ▁of ▁the ▁phrase ▁in ▁Thomas ▁Mor ley ' s ▁m adr ig al ▁Now ▁Is ▁the ▁Month ▁of ▁May ing ▁probably ▁means ▁something ▁similar ▁to ▁the ▁id iom ▁" roll ▁in ▁the ▁hay ". ▁ ▁References ▁ ▁Category : C ult ural ▁history ▁of ▁the ▁United ▁Kingdom ▁Category : Tag ▁variants <0x0A> </s> ▁" W ish ▁W ish " ▁is ▁a ▁song ▁by ▁American ▁producer ▁DJ ▁Kh aled ▁featuring ▁American ▁rapp ers ▁Card i ▁B ▁and ▁ 2 1 ▁Sav age , ▁taken ▁from ▁Kh aled ' s ▁ 2 0 1 9 ▁studio ▁album ▁Father ▁of ▁As ah d . ▁It ▁was ▁released ▁on ▁May ▁ 1 7 , ▁ 2 0 1 9 , ▁as ▁track ▁two ▁on ▁its ▁parent ▁album . ▁This ▁song ▁marked ▁the ▁second ▁time ▁each ▁artist ▁had ▁worked ▁with ▁another , ▁their ▁first s ▁being : ▁Card i ▁B ▁& ▁ 2 1 ▁Sav age ▁in ▁" B art ier ▁Card i " ▁( 2 0 1 7 ), ▁ |
2 1 ▁Sav age ▁& ▁DJ ▁Kh aled ▁in ▁" I ced ▁Out ▁My ▁Ar ms " ▁( 2 0 1 7 ), ▁and ▁DJ ▁Kh aled ▁& ▁Card i ▁B ▁in ▁" D in ero " ▁( 2 0 1 8 ). ▁ ▁Crit ical ▁reception ▁Carl ▁L amar re ▁of ▁Billboard ▁noted ▁that ▁the ▁song ▁established ▁ 2 1 ▁Sav age ▁as ▁a ▁" go - to ▁feature " ▁and ▁that ▁his ▁appearance ▁is ▁met ▁with ▁" un match ed ▁wit ". ▁Thomas ▁Hob bs ▁of ▁N ME ▁. ▁A . D . ▁Am or osi ▁at ▁Vari ety ▁wrote ▁that ▁Card i ' s ▁presence ▁on ▁the ▁song ▁is ▁the ▁most ▁notable ▁and ▁that ▁she ▁elev ated ▁it ▁" into ▁a ▁t une ful , ▁sp icy ▁trap ▁ep ic ". ▁ ▁Music ▁video ▁Both ▁collaboration ▁and ▁video ▁were ▁first ▁te ased ▁on ▁February ▁ 1 2 , ▁ 2 0 1 9 . ▁The ▁music ▁video ▁was ▁released ▁on ▁May ▁ 2 0 , ▁ 2 0 1 9 , ▁along ▁with ▁a ▁series ▁of ▁videos ▁from ▁Kh aled ' s ▁album ▁Father ▁of ▁As ah d . ▁It ▁was ▁directed ▁by ▁E if ▁River a ▁and ▁co - direct ed ▁by ▁Kh aled . ▁The ▁video ▁shows ▁Card i ▁B ▁dan cing ▁in ▁a ▁black ▁c ats uit ▁and ▁Ch anel ▁sw im suit , ▁as ▁well ▁as ▁joint ▁sh ots ▁by ▁Kh aled ▁and ▁ 2 1 ▁Sav age . ▁It ▁also ▁features ▁product ▁pla cement ▁by |
▁F ashion ▁Nova . ▁ ▁Ch arts ▁ ▁Week ly ▁charts ▁ ▁Year - end ▁charts ▁ ▁Cert ifications ▁ ▁References ▁ ▁Category : 2 0 1 9 ▁songs ▁Category : D J ▁Kh aled ▁songs ▁Category : Card i ▁B ▁songs ▁Category : 2 1 ▁Sav age ▁songs <0x0A> </s> ▁J ab ari ▁Jer ell ▁Bl ash ▁( born ▁July ▁ 4 , ▁ 1 9 8 9 ) ▁is ▁an ▁American ▁professional ▁baseball ▁out f iel der ▁for ▁the ▁T oh oku ▁Rak uten ▁Golden ▁E ag les ▁of ▁N ipp on ▁Professional ▁Baseball ▁( NP B ). ▁He ▁made ▁his ▁Major ▁League ▁Baseball ▁( ML B ) ▁debut ▁in ▁ 2 0 1 6 ▁with ▁the ▁San ▁Diego ▁Pad res . ▁He ▁has ▁also ▁played ▁in ▁ML B ▁for ▁the ▁Los ▁Angeles ▁Ang els . ▁ ▁Career ▁Bl ash ▁was ▁draft ed ▁by ▁the ▁Chicago ▁White ▁So x ▁in ▁the ▁ 2 9 th ▁round ▁of ▁the ▁ 2 0 0 7 ▁Major ▁League ▁Baseball ▁draft ▁out ▁of ▁Charlotte ▁Am al ie ▁High ▁School ▁in ▁St . ▁Thomas , ▁Virgin ▁Islands . ▁He ▁did ▁not ▁sign ▁and ▁attended ▁Alc orn ▁State ▁University , ▁but ▁was ▁unable ▁to ▁play ▁baseball ▁due ▁to ▁issues ▁with ▁his ▁academic ▁trans cript . ▁He ▁transferred ▁to ▁Miami - D ade ▁College , ▁and ▁had ▁a ▁. 3 5 3 ▁batt ing ▁average ▁and ▁ 1 0 ▁home ▁runs ▁in ▁ 1 0 2 ▁at - b ats ▁for ▁the ▁school ' s ▁baseball ▁team . |
▁He ▁was ▁then ▁draft ed ▁by ▁the ▁Texas ▁R angers ▁in ▁the ▁nin th ▁round ▁of ▁the ▁ 2 0 0 9 ▁Major ▁League ▁Baseball ▁draft . ▁He ▁again ▁did ▁not ▁sign ▁and ▁returned ▁to ▁Miami - D ade . ▁ ▁Seattle ▁Mar in ers ▁The ▁Seattle ▁Mar in ers ▁chose ▁Bl ash ▁in ▁the ▁e ighth ▁round ▁of ▁the ▁ 2 0 1 0 ▁Major ▁League ▁Baseball ▁draft ▁and ▁he ▁signed . ▁Bl ash ▁made ▁his ▁professional ▁debut ▁for ▁the ▁Pul ask i ▁Mar in ers . ▁In ▁ 2 0 1 3 , ▁he ▁hit ▁ 2 5 ▁home ▁runs ▁with ▁a ▁. 9 1 5 ▁on - base ▁plus ▁sl ug ging ▁( OP S ) ▁while ▁playing ▁for ▁the ▁High ▁Des ert ▁Ma ver icks ▁and ▁Jackson ▁Gener als . ▁He ▁started ▁ 2 0 1 4 ▁back ▁with ▁Jackson ▁and ▁was ▁promoted ▁to ▁the ▁Ta com a ▁Rain iers ▁in ▁April . ▁ ▁San ▁Diego ▁Pad res ▁The ▁Oak land ▁Athletics ▁selected ▁Bl ash ▁in ▁the ▁ 2 0 1 5 ▁Rule ▁ 5 ▁draft ▁and ▁then ▁trad ed ▁him ▁to ▁the ▁San ▁Diego ▁Pad res ▁as ▁the ▁player ▁to ▁be ▁named ▁later ▁from ▁the ▁December ▁ 2 ▁trade ▁in ▁which ▁the ▁Athletics ▁acquired ▁Y onder ▁Al onso . ▁ ▁Bl ash ▁made ▁the ▁Pad res ' ▁Open ing ▁Day ▁ro ster . ▁He ▁batt ed ▁ 3 - for - 2 5 ▁(. 1 2 0 ) ▁with ▁ 1 3 ▁strike outs , ▁and ▁was ▁designated |
▁for ▁assignment ▁on ▁May ▁ 1 3 . ▁He ▁cleared ▁wa ivers ▁and ▁the ▁Mar in ers ▁decl ined ▁his ▁return , ▁allowing ▁him ▁to ▁be ▁out right ed ▁into ▁San ▁Diego ' s ▁minor ▁league ▁system . ▁After ▁playing ▁for ▁the ▁El ▁Pas o ▁Ch ih u ahu as , ▁the ▁Pad res ▁promoted ▁him ▁back ▁to ▁the ▁major ▁le agues ▁on ▁July ▁ 3 0 . ▁On ▁May ▁ 9 , ▁ 2 0 1 7 , ▁Bl ash ▁was ▁option ed ▁down ▁to ▁A AA ▁to ▁make ▁room ▁for ▁Matt ▁Sz cz ur ▁on ▁the ▁ro ster . ▁ ▁Los ▁Angeles ▁Ang els ▁On ▁December ▁ 1 2 , ▁ 2 0 1 7 , ▁the ▁Pad res ▁trad ed ▁Bl ash ▁to ▁the ▁New ▁York ▁Yan ke es ▁for ▁Ch ase ▁Head ley ▁and ▁Bry an ▁Mitchell . ▁The ▁Yan ke es ▁designated ▁Bl ash ▁for ▁assignment ▁on ▁February ▁ 2 0 , ▁ 2 0 1 8 , ▁in ▁order ▁to ▁make ▁room ▁for ▁Br andon ▁Dr ury , ▁who ▁was ▁acquired ▁earlier ▁in ▁the ▁day ▁in ▁a ▁three - team ▁trade . ▁The ▁next ▁day , ▁the ▁Yan ke es ▁trad ed ▁Bl ash ▁to ▁the ▁Los ▁Angeles ▁Ang els ▁for ▁a ▁player ▁to ▁be ▁named ▁later ▁or ▁c ash ▁consider ations . ▁In ▁ 2 4 ▁games ▁with ▁the ▁Ang els , ▁Bl ash ▁hit ▁only ▁. 1 0 3 ▁with ▁ 1 ▁R BI . ▁On ▁November ▁ 2 9 , ▁ 2 0 1 |
8 , ▁Bl ash ▁was ▁released ▁by ▁the ▁Ang els . ▁ ▁T oh oku ▁Rak uten ▁Golden ▁E ag les ▁On ▁December ▁ 7 , ▁ 2 0 1 8 , ▁Bl ash ▁signed ▁a ▁contract ▁with ▁the ▁T oh oku ▁Rak uten ▁Golden ▁E ag les ▁of ▁N ipp on ▁Professional ▁Baseball ▁( NP B ) ▁for ▁the ▁ 2 0 1 9 ▁season ▁worth ▁ ¥ 1 2 0 mill ion . ▁ ▁On ▁December ▁ 3 , ▁ 2 0 1 9 , ▁Bl ash ▁signed ▁a ▁ 1 - year ▁extension ▁to ▁remain ▁with ▁the ▁E ag les . ▁ ▁Personal ▁life ▁Bl ash ' s ▁younger ▁brother , ▁Jam ori , ▁a ▁ 2 3 rd - round ▁draft ▁pick ▁in ▁ 2 0 1 7 , ▁is ▁a ▁first ▁bas eman ▁in ▁the ▁Washington ▁National s ▁organization . ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : 1 9 8 9 ▁birth s ▁Category : L iving ▁people ▁Category : American ▁exp atri ate ▁baseball ▁players ▁in ▁Japan ▁Category : Char ros ▁de ▁J alis co ▁players ▁Category : Cl inton ▁L umber K ings ▁players ▁Category : El ▁Pas o ▁Ch ih u ahu as ▁players ▁Category : E ver ett ▁Aqu a S ox ▁players ▁Category : High ▁Des ert ▁Ma ver icks ▁players ▁Category : Jack son ▁Gener als ▁( S ou thern ▁League ) ▁players ▁Category : Le ones ▁del ▁Esc og ido ▁players ▁Category : Los ▁Angeles ▁Ang els ▁players ▁Category |
: M aj or ▁League ▁Baseball ▁left ▁field ers ▁Category : M aj or ▁League ▁Baseball ▁players ▁from ▁the ▁United ▁States ▁Virgin ▁Islands ▁Category : M aj or ▁League ▁Baseball ▁right ▁field ers ▁Category : M iami ▁D ade ▁Sh arks ▁baseball ▁players ▁Category : N ipp on ▁Professional ▁Baseball ▁designated ▁hit ters ▁Category : N ipp on ▁Professional ▁Baseball ▁out field ers ▁Category : Pe ople ▁from ▁Saint ▁Thomas , ▁U . S . ▁Virgin ▁Islands ▁Category : P ul ask i ▁Mar in ers ▁players ▁Category : S alt ▁Lake ▁Be es ▁players ▁Category : San ▁Diego ▁Pad res ▁players ▁Category : T a com a ▁Rain iers ▁players ▁Category : T oh oku ▁Rak uten ▁Golden ▁E ag les ▁players <0x0A> </s> ▁Hotel ▁Alex andra ▁may ▁refer ▁to : ▁▁ ▁Hotel ▁Alex andra ▁( B oston ), ▁built ▁in ▁ 1 8 7 5 ▁ ▁Hotel ▁Alex andra ▁( Str yn , ▁Norway ), ▁built ▁in ▁ 1 8 8 4 ▁ ▁See ▁also ▁▁ ▁Hotel ▁Alexand ria ▁ ▁Royal ▁Alex andra ▁Hotel , ▁a ▁Canadian ▁Pacific ▁Hotel ▁built ▁in ▁ 1 9 0 6 <0x0A> </s> ▁The ▁Association ▁for ▁Learning ▁Technology ▁( AL T ) ▁is ▁a ▁United ▁Kingdom ▁professional ▁body ▁and ▁learned ▁society . ▁F ounded ▁in ▁ 1 9 9 3 ▁as ▁a ▁Register ed ▁Char ity , ▁A LT ▁brings ▁together ▁people ▁and ▁organis ations ▁with ▁an ▁interest ▁in ▁the ▁use ▁of ▁learning ▁technology . ▁ ▁M emb ership ▁A LT ▁has ▁over ▁ 1 7 |
0 ▁organis ational ▁and ▁spons oring ▁members , ▁and ▁over ▁ 2 , 2 9 0 ▁individual ▁members ▁as ▁reported ▁in ▁the ▁ 2 0 1 6 / 1 7 ▁accounts . ▁Organ is ational ▁members ▁include ▁the ▁majority ▁of ▁the ▁UK ' s ▁univers ities . ▁Sp ons oring ▁members ▁include ▁public ▁sector ▁ag encies ▁such ▁as ▁the ▁Department ▁for ▁Business , ▁In nov ation ▁and ▁Sk ills ▁and ▁the ▁High er ▁Education ▁Academy , ▁and ▁companies ▁such ▁as ▁Black board , ▁Google , ▁Microsoft ▁and ▁T os hib a . ▁There ▁are ▁three ▁categories ▁of ▁individual ▁member : ▁Associ ate ▁Member , ▁Ord inary ▁Member , ▁and , ▁under ▁a ▁scheme ▁which ▁has ▁operated ▁since ▁ 2 0 0 5 , ▁Cert ified ▁Member ▁( C MA LT ). ▁ ▁Activ ities ▁A LT ' s ▁activities ▁include ▁the ▁following : ▁ ▁A LT - C , ▁which ▁is ▁the ▁UK ' s ▁main ▁conference ▁for ▁learning ▁techn olog ists . ▁Past ▁ke yn ote ▁speak ers ▁at ▁A LT - C ▁have ▁included ▁Martin ▁G . ▁Be an , ▁David ▁Caval lo , ▁Wend y ▁Hall , ▁Eric ▁Maz ur , ▁Nat asa ▁Mil ic - F ray ling , ▁Sug ata ▁Mit ra , ▁Peter ▁Nor v ig , ▁Richard ▁N oss , ▁Hans ▁Ros ling , ▁Carol ▁Tw igg , ▁Michael ▁W esch , ▁D yl an ▁W ili am . ▁ ▁Res pond ing ▁to ▁consult ations ▁rel ating ▁to ▁learning ▁technology ▁and ▁e - learning . |
▁Some ▁of ▁these ▁responses ▁are ▁referenced ▁in ▁Government ▁publications . ▁ ▁Work sh ops ▁and ▁occas ional ▁smaller ▁con ferences . ▁ ▁Cert ification ▁of ▁members ▁under ▁the ▁C MA LT ▁scheme , ▁see ▁http :// www . alt . ac . uk / cm alt /. ▁ ▁Working ▁in ▁partners hip ▁with ▁other ▁organis ations , ▁such ▁as ▁the ▁Association ▁of ▁Colleg es , ▁J isc , ▁L S IS , ▁N I ACE , ▁and ▁the ▁T EL ▁Program me . ▁ ▁A ims ▁A LT ▁a ims ▁ ▁to : ▁▁ ▁In cre ase ▁the ▁impact ▁of ▁Learning ▁Technology ▁for ▁public ▁benefit ▁ ▁Prov ide ▁stronger ▁recognition ▁of ▁and ▁representation ▁for ▁Learning ▁Technology ▁profession als ▁on ▁a ▁national ▁level ▁ ▁Le ad ▁the ▁professional isation ▁of ▁research ▁and ▁practice ▁in ▁Learning ▁Technology ▁ ▁Publications ▁▁ ▁Research ▁in ▁Learning ▁Technology , ▁an ▁international ▁peer - review ed ▁Open ▁Access ▁journal ▁which ▁a ims ▁to ▁raise ▁the ▁profile ▁of ▁research ▁in ▁learning ▁technology , ▁encourag ing ▁research ▁that ▁inform s ▁good ▁practice ▁and ▁cont ributes ▁to ▁the ▁development ▁of ▁policy ; ▁ ▁a ▁public ▁w iki ▁with ▁resources ▁of ▁interest ▁to ▁the ▁learning ▁technology ▁community ; ▁ ▁a ▁members ' ▁dig est , ▁which ▁is ▁sent ▁fort night ly ▁to ▁nearly ▁ 2 0 0 0 ▁subscri bers ; ▁ ▁a ▁quarter ly ▁printed ▁and ▁web - based ▁News letter ▁available ▁at ▁http :// news letter . alt . ac . uk /. ▁ ▁External ▁links ▁ ▁Association ▁for ▁Learning ▁Technology ▁( |
AL T ) ▁website ▁ ▁Research ▁in ▁Learning ▁Technology ▁- ▁The ▁Journal ▁of ▁the ▁Association ▁for ▁Learning ▁Technology ▁( AL T ) ▁ ▁Cert ified ▁M emb ership ▁( C MA LT ) ▁ ▁References ▁ ▁Category : E du c ational ▁technology ▁academic ▁and ▁professional ▁associations ▁Category : Information ▁technology ▁organis ations ▁based ▁in ▁the ▁United ▁Kingdom ▁Learning ▁Technology <0x0A> </s> ▁T urr is ▁g arn ons ii ▁is ▁a ▁species ▁of ▁sea ▁sn ail , ▁a ▁marine ▁g ast rop od ▁m oll usk ▁in ▁the ▁family ▁T urr idae , ▁the ▁t urr ids . ▁ ▁References ▁ ▁Category : T urr idae ▁Category : G ast rop ods ▁described ▁in ▁ 1 8 4 3 <0x0A> </s> ▁British ▁security ▁forces ▁may ▁refer ▁to : ▁ ▁British ▁Ar med ▁Forces , ▁the ▁military ▁of ▁the ▁United ▁Kingdom ▁British ▁intelligence ▁ag encies ▁Law ▁enfor cement ▁in ▁the ▁United ▁Kingdom , ▁the ▁police ▁and ▁law ▁enfor cement ▁ag encies ▁of ▁the ▁United ▁Kingdom <0x0A> </s> ▁Alexander ▁Gordon ▁C owie ▁( 2 7 ▁February ▁ 1 8 8 9 ▁– ▁ 7 ▁April ▁ 1 9 1 6 ) ▁was ▁an ▁English ▁first - class ▁cr ick eter , ▁soldier ▁and ▁poet . ▁ ▁C owie ▁was ▁educated ▁at ▁Char ter house ▁School ▁and ▁C ai us ▁College , ▁Cambridge . ▁A ▁tall , ▁strongly ▁built ▁right - arm ▁fast ▁bow ler ▁who ▁could ▁bow l ▁" al arm ingly ▁fast ", ▁he ▁made ▁his ▁first - class ▁debut ▁for ▁Cambridge ▁University ▁in |
▁ 1 9 1 0 ▁and ▁was ▁awarded ▁his ▁blue . ▁ ▁He ▁made ▁nine ▁first - class ▁appearances ▁for ▁Cambridge ▁University ▁in ▁the ▁ 1 9 1 0 ▁and ▁ 1 9 1 1 ▁seasons , ▁taking ▁ 4 3 ▁w ick ets ▁at ▁an ▁average ▁of ▁ 2 3 . 2 5 . ▁His ▁best ▁figures ▁were ▁ 6 ▁for ▁ 8 7 ▁off ▁ 1 8 . 5 ▁o vers ▁against ▁Sus sex ▁in ▁his ▁second ▁match ; ▁five ▁of ▁his ▁vict ims ▁were ▁bow led . ▁In ▁his ▁next ▁match , ▁immediately ▁afterwards , ▁he ▁took ▁ 5 ▁for ▁ 6 4 ▁and ▁ 4 ▁for ▁ 8 9 ▁( match ▁figures ▁of ▁ 3 7 . 4 – 7 – 1 5 3 – 9 ) ▁to ▁lead ▁Cambridge ▁to ▁a ▁nine - wick et ▁victory ▁over ▁York shire . ▁Later ▁in ▁ 1 9 1 0 ▁he ▁played ▁two ▁matches ▁for ▁Ham pshire ▁in ▁the ▁County ▁Championship , ▁taking ▁ 5 ▁for ▁ 9 4 ▁in ▁Lanc ash ire ' s ▁first ▁inn ings ▁in ▁the ▁second ▁match . ▁He ▁lost ▁form ▁in ▁ 1 9 1 1 . ▁ ▁With ▁the ▁on set ▁of ▁the ▁First ▁World ▁War ▁C owie ▁was ▁commission ed ▁in ▁the ▁British ▁Army . ▁He ▁became ▁a ▁Captain ▁in ▁the ▁Sea for th ▁High land ers . ▁He ▁was ▁wounded ▁in ▁ 1 9 1 5 , ▁but ▁returned ▁to ▁active ▁duty . ▁He ▁died ▁on ▁ 7 ▁April ▁ 1 9 |
1 6 ▁after ▁being ▁fat ally ▁wounded ▁while ▁serving ▁in ▁Mes op ot am ia . ▁A ▁short ▁poem ▁of ▁his , ▁titled ▁" Lines ▁by ▁Captain ▁Alexander ▁Gordon ▁C owie , ▁Sea for th ▁High land ers ", ▁appeared ▁after ▁his ▁death ▁in ▁The ▁Lot us ▁Magazine ▁and ▁has ▁since ▁been ▁anth olog ized ▁in ▁books ▁of ▁war ▁poetry . ▁ ▁References ▁ ▁External ▁links ▁▁ ▁Alexander ▁C owie ▁at ▁C ric info ▁Alexander ▁C owie ▁at ▁Cr icket Arch ive ▁ ▁Category : 1 8 8 9 ▁birth s ▁Category : 1 9 1 6 ▁death s ▁Category : Pe ople ▁from ▁L ym ington ▁Category : English ▁cr ick eters ▁Category : C amb ridge ▁University ▁cr ick eters ▁Category : H amps hire ▁cr ick eters ▁Category : B rit ish ▁Army ▁cr ick eters ▁Category : B rit ish ▁Army ▁personnel ▁of ▁World ▁War ▁I ▁Category : Se a for th ▁High land ers ▁officers ▁Category : B rit ish ▁military ▁personnel ▁killed ▁in ▁World ▁War ▁I ▁Category : O x ford ▁and ▁Cambridge ▁Univers ities ▁cr ick eters ▁Category : Pe ople ▁educated ▁at ▁Char ter house ▁School ▁Category : Al umn i ▁of ▁Gon ville ▁and ▁C ai us ▁College , ▁Cambridge ▁Category : English ▁World ▁War ▁I ▁po ets <0x0A> </s> ▁Nov el ▁with ▁C oca ine , ▁or ▁sometimes ▁C oc ain ▁Rom ance ▁( ▁- ▁Roman ▁s ▁k ok ain om ), ▁is ▁a ▁myster ious ▁Russian ▁novel ▁first ▁published ▁in ▁ 1 |
9 3 4 ▁in ▁a ▁Paris ian ▁é migr é ▁publication , ▁Num bers , ▁and ▁subt itled ▁" Conf essions ▁of ▁a ▁Russian ▁op ium - e ater ". ▁ ▁Its ▁author ▁was ▁given ▁as ▁M . ▁Age ye v . ▁ ▁The ▁English ▁translation ▁of ▁the ▁title ▁fails ▁to ▁convey ▁the ▁double ▁meaning ▁of ▁the ▁Russian ▁" Р о ман ," ▁meaning ▁both ▁" nov el " ▁and ▁" rom ance ." ▁ ▁Description ▁Nov el ▁with ▁C oca ine ▁is ▁a ▁D osto ev sky an ▁psych ological ▁novel ▁of ▁ideas , ▁which ▁expl ores ▁the ▁interaction ▁between ▁psych ology , ▁philosophy , ▁and ▁ide ology ▁in ▁its ▁fran k ▁port ray al ▁of ▁an ▁ad oles cent ' s ▁c oca ine ▁add iction . ▁The ▁story ▁rel ates ▁the ▁form ative ▁experiences ▁of ▁narr ator ▁V ad im ▁at ▁school ▁and ▁with ▁women ▁before ▁he ▁turns ▁to ▁drug ▁ab use ▁and ▁the ▁philosoph ical ▁ref lections ▁to ▁which ▁it ▁gives ▁rise . ▁Although ▁Age ye v ▁makes ▁little ▁explicit ▁reference ▁to ▁the ▁Russian ▁Revolution ▁of ▁ 1 9 1 7 , ▁the ▁novel ' s ▁ob session ▁with ▁add ict ive ▁forms ▁of ▁thinking ▁finds ▁reson ance ▁in ▁the ▁historical ▁background , ▁in ▁which ▁" our ▁in born ▁feelings ▁of ▁human ity ▁and ▁justice " ▁prov oke ▁" the ▁cru elt ies ▁and ▁sat an ic ▁trans gress ions ▁committed ▁in ▁its ▁name ." ▁ ▁Public ation ▁history ▁Following ▁its ▁original ▁publication ▁in ▁Num bers , ▁the ▁novel |
▁was ▁published ▁in ▁book ▁form ; ▁ ▁it ▁was ▁sc orn ed ▁as ▁dec ad ent ▁and ▁dis g ust ing , ▁to ▁use ▁the ▁term ▁applied ▁to ▁it ▁by ▁Vladimir ▁N ab ok ov . ▁ ▁In ▁ 1 9 8 3 ▁the ▁novel ▁was ▁translated ▁into ▁French ▁and ▁published ▁to ▁nearly ▁un anim ous ▁pra ise ; ▁ ▁an ▁English ▁translation ▁( by ▁Michael ▁Henry ▁He im ) ▁was ▁published ▁in ▁ 1 9 8 4 . ▁ ▁After ▁the ▁French ▁translation ▁was ▁published , ▁there ▁was ▁some ▁brief ▁spec ulation ▁in ▁literary ▁circles ▁as ▁to ▁whether ▁Nov el ▁with ▁C oca ine ▁might ▁actually ▁be ▁the ▁work ▁of ▁N ab ok ov , ▁perhaps ▁one ▁of ▁his ▁myst ifications ; ▁ ▁the ▁cons ensus ▁is ▁now ▁that ▁N ab ok ov ▁was ▁not ▁the ▁author . ▁ ▁N ab ok ov ' s ▁son ▁D mit ri ▁addresses ▁this ▁issue ▁in ▁an ▁after word ▁to ▁his ▁ 1 9 8 6 ▁English ▁translation ▁of ▁V N ' s ▁novel ▁The ▁En chan ter . ▁ ▁The ▁real ▁author ▁of ▁the ▁book ▁is ▁Mark ▁Le vi , ▁a ▁myster ious ▁Russian ▁é migr é ▁who ▁sent ▁in ▁a ▁manuscript ▁to ▁the ▁Paris ian ▁journal ▁from ▁Ist an bul ▁in ▁ 1 9 3 4 . ▁ ▁Mark ▁Le vi ▁returned ▁to ▁the ▁Soviet ▁Union ▁during ▁World ▁War ▁II ▁and ▁spent ▁the ▁rest ▁of ▁his ▁life ▁in ▁Y ere van , ▁where ▁he ▁died ▁on ▁August ▁ 5 , ▁ 1 9 |
7 3 . ▁ ▁Qu otes ▁" E ar ly ▁one ▁morning ▁I , ▁V ad im ▁Mas l enn ik ov , ▁set ▁off ▁for ▁school ▁( I ▁was ▁going ▁on ▁sevent een ▁at ▁the ▁time ) ▁having ▁forgotten ▁the ▁en velope ▁with ▁the ▁first - sem ester ▁fe es ▁Mother ▁had ▁left ▁me ▁in ▁the ▁d ining ▁room ▁the ▁day ▁before ." ▁- ▁opening ▁sentence . ▁ ▁" My ▁experience ▁of ▁love ▁seemed ▁to ▁be ▁convin cing ▁me ▁that ▁you ▁can ▁speak ▁pre tt ily ▁about ▁love ▁when ▁that ▁love ▁has ▁become ▁a ▁memory ; ▁you ▁can ▁speak ▁convin cing ly ▁about ▁love ▁when ▁it ▁has ▁stir red ▁up ▁sens ual ity ▁and ▁you ▁must ▁remain ▁quite ▁silent ▁about ▁love ▁when ▁it ▁has ▁struck ▁you ▁in ▁the ▁heart ." ▁ ▁" Before ▁I ▁came ▁in ▁contact ▁with ▁c oca ine ▁I ▁assumed ▁that ▁happiness ▁was ▁an ▁entity , ▁while ▁in ▁fact ▁all ▁human ▁happiness ▁consists ▁of ▁a ▁clever ▁fusion ▁of ▁two ▁elements : ▁( 1 ) ▁the ▁physical ▁feeling ▁of ▁happiness , ▁and ▁( 2 ) ▁the ▁external ▁event ▁providing ▁the ▁psych ic ▁imp et us ▁for ▁that ▁feeling ." ▁ ▁" I ▁would ▁st roll ▁down ▁the ▁bou lev ards ▁and ▁try ▁to ▁catch ▁the ▁eye ▁of ▁every ▁passing ▁woman . ▁ ▁I ▁never , ▁as ▁the ▁saying ▁goes , ▁' und ress ed ▁them ' ▁with ▁my ▁glance , ▁nor ▁did ▁I ▁feel ▁any ▁car nal ▁desire ▁for ▁them . ▁In ▁that ▁fe ver ish ▁state , ▁which ▁might |
▁have ▁inspired ▁another , ▁say ▁to ▁write ▁poetry , ▁I ▁would ▁simply ▁st are ▁into ▁the ▁eyes ▁of ▁all ▁women ▁walking ▁in ▁the ▁other ▁direction ▁and ▁wait ▁for ▁a ▁similarly ▁ter r ifying , ▁wide - ey ed ▁look ▁in ▁response . ▁I ▁never ▁acc ost ed ▁a ▁woman ▁who ▁respond ed ▁with ▁a ▁smile , ▁because ▁I ▁knew ▁that ▁anyone ▁who ▁smiled ▁at ▁a ▁look ▁like ▁mine ▁could ▁only ▁be ▁a ▁prost itute ▁or ▁a ▁vir gin ." ▁ ▁" Music ▁is ▁the ▁description ▁of ▁em otion ▁with ▁motion ." ▁ ▁- ▁This ▁is ▁a ▁fasc in ating ▁quote ▁because ▁it ▁rh ym es ▁in ▁both ▁Russian ▁and ▁English , ▁but ▁the ▁words ▁are ▁quite ▁different . ▁ ▁" To ▁a ▁man ▁in - lo ve , ▁all ▁women ▁are ▁merely ▁women ▁except ▁the ▁woman ▁he ▁lov es , ▁who ▁thereby ▁becomes ▁a ▁human ; ▁to ▁a ▁woman ▁in ▁love , ▁all ▁men ▁are ▁merely ▁humans ▁except ▁the ▁man ▁she ▁lov es , ▁who ▁thereby ▁becomes ▁a ▁man ." ▁ ▁References ▁ ▁Category : 1 9 3 4 ▁nov els ▁Category : Book s ▁about ▁c oca ine ▁Category : 2 0 th - century ▁Russian ▁nov els <0x0A> </s> ▁Lad in h ac ▁is ▁a ▁commune ▁in ▁the ▁Cant al ▁department ▁in ▁south - central ▁France . ▁ ▁Population ▁ ▁See ▁also ▁Comm unes ▁of ▁the ▁Cant al ▁department ▁ ▁References ▁IN SEE ▁ ▁Category : Comm unes ▁of ▁Cant al <0x0A> </s> ▁Hans ▁La uda ▁( 2 5 ▁March ▁ |
1 8 9 6 – ▁ 2 1 ▁January ▁ 1 9 7 4 ) ▁was ▁an ▁Aust rian ▁industrial ist ▁who ▁co - f ounded ▁the ▁Federation ▁of ▁Aust rian ▁Indust ries ▁and ▁served ▁as ▁president ▁from ▁ 1 9 4 6 ▁to ▁ 1 9 6 0 . ▁He ▁was ▁the ▁pat ernal ▁grand father ▁of ▁Formula ▁One ▁World ▁Champion ▁N iki ▁La uda . ▁ ▁Early ▁life ▁Hans ▁La uda ▁was ▁born ▁on ▁ 2 5 ▁March ▁ 1 8 9 6 ▁in ▁Vienna . ▁His ▁father ▁ ▁worked ▁in ▁hyd ra ul ic ▁engineering ▁and ▁bridge ▁construction . ▁La uda ▁studied ▁at ▁the ▁Th eres ian um , ▁and ▁the ▁University ▁of ▁Vienna , ▁where ▁he ▁earned ▁a ▁doctor ate ▁in ▁law . ▁He ▁was ▁known ▁as ▁" Old ▁La uda ". ▁He ▁was ▁interested ▁in ▁Formula ▁One , ▁and ▁drove ▁to ▁the ▁N ür bur gr ing ▁and ▁to ▁Mon aco ▁to ▁watch ▁Formula ▁One ▁races . ▁ ▁Career ▁During ▁the ▁First ▁World ▁War , ▁La uda ▁served ▁in ▁the ▁Aust rian ▁art illery . ▁After ▁the ▁war , ▁he ▁worked ▁for ▁ ▁as ▁a ▁commercial ▁secretary , ▁between ▁ 1 9 2 3 ▁and ▁ 1 9 2 5 . ▁He ▁then ▁worked ▁for ▁Österreich isch - Amer ikan ischen ▁Mag nes it ▁AG . ▁In ▁ 1 9 3 7 , ▁he ▁became ▁the ▁general ▁manager ▁of ▁Ve it scher . ▁After ▁the ▁An schluss , ▁La uda ▁was ▁removed ▁from ▁his ▁position ▁in ▁the |
▁company . ▁After ▁the ▁Second ▁World ▁War , ▁La uda ▁was ▁re inst ated ▁as ▁general ▁manager ▁of ▁Ve it scher , ▁and ▁La uda ▁built ▁a ▁pap erm aking ▁emp ire ▁there . ▁ ▁In ▁ 1 9 4 6 , ▁La uda ▁co - f ounded ▁the ▁Federation ▁of ▁Aust rian ▁Indust ries ▁( IV ), ▁and ▁was ▁president ▁of ▁the ▁organisation ▁until ▁ 1 9 6 0 . ▁In ▁ 1 9 4 9 , ▁he ▁was ▁c ited ▁in ▁a ▁New ▁York ▁Times ▁report ▁on ▁the ▁progress ▁of ▁the ▁Marshall ▁Plan . ▁He ▁reported ▁that ▁Austria ▁would ▁employ ▁ 2 0 , 0 0 0 ▁former ▁government ▁officials . ▁He ▁served ▁as ▁chairman ▁of ▁the ▁Association ▁of ▁Indust rial ists , ▁and ▁in ▁ 1 9 5 1 , ▁he ▁proposed ▁a ▁successful ▁bill ▁to ▁free ze ▁ ▁w ages , ▁to ▁try ▁and ▁counter act ▁infl ation ▁in ▁the ▁country . ▁La uda ▁was ▁also ▁a ▁president ▁of ▁the ▁Aust rian ▁Red ▁Cross , ▁from ▁ 1 9 5 6 ▁to ▁ 1 9 7 4 . ▁ ▁Rel ations hip ▁with ▁N iki ▁La uda ▁Hans ▁La uda ▁was ▁the ▁pat ernal ▁grand father ▁of ▁Formula ▁One ▁World ▁Champion ▁N iki ▁La uda . ▁A ged ▁ 1 0 , ▁N iki ▁accused ▁Hans ▁of ▁" double ▁standards " ▁after ▁he ▁accepted ▁a ▁medal ▁of ▁honour ▁from ▁social ist ▁mayor ▁of ▁Vienna ▁Felix ▁S lav ik , ▁someone ▁that ▁Hans ▁was ▁not ▁fond ▁of . ▁Hans ▁was |
▁critical ▁of ▁N iki ' s ▁Formula ▁One ▁amb itions , ▁saying ▁that ▁" A ▁La uda ▁should ▁be ▁on ▁the ▁economic ▁pages ▁of ▁the ▁newspaper , ▁not ▁the ▁sports ▁pages ." ▁ ▁In ▁ 1 9 7 1 , ▁Hans ▁and ▁N iki ▁La uda ▁had ▁an ▁argument , ▁after ▁Hans ▁v eto ed ▁fund ing ▁for ▁N iki ▁to ▁pay ▁for ▁a ▁drive ▁in ▁the ▁ 1 9 7 2 ▁Formula ▁One ▁season ▁with ▁March ▁Engineering . ▁The ▁pair ▁never ▁spoke ▁again . ▁Hans ▁La uda ▁died ▁in ▁ 1 9 7 4 , ▁shortly ▁before ▁N iki ' s ▁first ▁Formula ▁One ▁victory ▁at ▁the ▁ 1 9 7 4 ▁Spanish ▁Grand ▁Prix . ▁ ▁References ▁ ▁Category : A ust rian ▁industrial ists ▁Category : 1 8 9 6 ▁birth s ▁Category : 1 9 7 4 ▁death s ▁Category : Pe ople ▁from ▁Vienna <0x0A> </s> ▁In fin ity ▁Broadcast ing ▁Corporation ▁was ▁a ▁radio ▁company ▁that ▁existed ▁from ▁ 1 9 7 2 ▁until ▁ 2 0 0 5 . ▁It ▁was ▁founded ▁by ▁Michael ▁A . ▁Wiener ▁and ▁Ger ald ▁Car rus . ▁It ▁became ▁associated ▁with ▁popular ▁radio ▁personal ities ▁like ▁Howard ▁Stern , ▁Op ie ▁and ▁Anthony , ▁Don ▁Im us ▁and ▁Mike ▁Frances a . ▁In fin ity ▁merged ▁with ▁CBS ▁Corporation ▁in ▁ 1 9 9 7 ▁and ▁later ▁became ▁part ▁of ▁Via com ▁in ▁ 2 0 0 0 , ▁when ▁CBS ▁and ▁Via com ▁merged , ▁serving ▁as ▁the ▁radio |
▁division ▁of ▁CBS . ▁After ▁the ▁Via com ▁split ▁in ▁ 2 0 0 5 , ▁In fin ity ▁changed ▁its ▁name ▁to ▁CBS ▁Radio . ▁ ▁History ▁ ▁Form ation ▁and ▁pre - mer ger ▁ ▁In fin ity ▁was ▁founded ▁in ▁ 1 9 7 2 ▁by ▁two ▁former ▁Met rom edia ▁execut ives ▁Michael ▁A . ▁Wiener ▁and ▁Ger ald ▁Car rus , ▁with ▁the ▁ac quisition ▁of ▁K O ME , ▁an ▁FM ▁radio ▁station ▁that ▁served ▁the ▁San ▁Francisco ▁Bay ▁Area , ▁and ▁finally ▁received ▁its ▁license ▁by ▁the ▁Federal ▁Communic ations ▁Commission ▁( F CC ) ▁ ▁a ▁year ▁later . ▁In ▁ 1 9 7 9 , ▁In fin ity ▁acquired ▁W BC N ▁in ▁Boston . ▁ ▁In ▁ 1 9 8 1 , ▁Mel ▁Kar maz in ▁was ▁brought ▁in ▁as ▁new ▁president . ▁Kar maz in ▁o vers aw ▁the ▁operation ▁of ▁New ▁York ' s ▁W NEW - AM ▁( now ▁W BB R ) ▁and ▁W NEW - FM ▁for ▁Met rom edia . ▁So on ▁after , ▁the ▁company ▁acquired ▁fellow ▁New ▁York ▁stations ▁W NEW - FM , ▁W K T U ▁( now ▁W N Y L ; ▁the ▁present - day ▁W K T U ▁is ▁owned ▁by ▁i He art Media ), ▁W Z RC , ▁and ▁W F AN ▁the ▁following ▁years , ▁followed ▁by ▁W Y SP - FM ▁in ▁Philadelphia . ▁In ▁ 1 9 8 3 , ▁In fin ity ▁absor bed |
▁K XY Z ▁in ▁Houston ▁and ▁W J M K ▁and ▁W J J D ▁in ▁Chicago . ▁ ▁In fin ity ▁became ▁a ▁public ly ▁trad ed ▁company ▁in ▁ 1 9 8 6 . ▁Within ▁a ▁year , ▁it ▁had ▁purchased ▁six ▁more ▁stations : ▁K RO Q - FM ▁in ▁Los ▁Angeles , ▁W J F K - FM ▁in ▁Washington , ▁D . C ., ▁W Q Y K - AM / FM ▁in ▁T ampa , ▁and ▁K V IL - AM / FM ▁in ▁Dallas . ▁ ▁Kar maz in ▁and ▁three ▁other ▁company ▁execut ives ▁took ▁the ▁company ▁private ▁in ▁ 1 9 8 8 ▁and ▁took ▁it ▁public ▁again ▁in ▁ 1 9 9 2 . ▁In ▁ 1 9 9 3 , ▁In fin ity ▁was ▁expanded ▁to ▁ 2 2 ▁radio ▁stations . ▁ ▁Mer ger ▁with ▁CBS ▁and ▁Via com ▁ ▁As ▁a ▁result ▁of ▁the ▁Tele communic ations ▁Act ▁of ▁ 1 9 9 6 , ▁which ▁lo os ened ▁ownership ▁restrictions ▁of ▁broadcast ▁stations , ▁In fin ity ▁was ▁able ▁to ▁quickly ▁ac quire ▁more ▁stations , ▁gradually ▁increasing ▁its ▁port folio ▁to ▁ 7 5 ▁stations . ▁ ▁In ▁ 1 9 9 6 , ▁it ▁was ▁announced ▁that ▁West ing house ▁Electric ▁Corporation ▁( which ▁owned ▁CBS ) ▁would ▁ac quire ▁In fin ity ▁Broadcast ing . ▁Kar maz in ▁had ▁attempted ▁to ▁ac quire ▁CBS , ▁but ▁Michael ▁Jordan , ▁CE O ▁of ▁West ing house , |
▁refused ▁to ▁sell ▁the ▁firm ▁to ▁Kar maz in ▁but ▁instead ▁agreed ▁to ▁buy ▁In fin ity . ▁The ▁$ 4 . 9 ▁billion ▁deal ▁was ▁completed ▁on ▁December ▁ 3 1 , ▁ 1 9 9 6 . ▁As ▁a ▁result ▁of ▁the ▁West ing house ▁purchase , ▁In fin ity ▁was ▁merged ▁into ▁the ▁CBS ▁Radio ▁Group , ▁with ▁Kar maz in ▁as ▁president . ▁Kar maz in ▁soon ▁became ▁chairman ▁and ▁CE O ▁of ▁CBS ▁Radio , ▁and ▁took ▁the ▁control ▁of ▁the ▁CBS ▁television ▁network . ▁ ▁Short ly ▁after , ▁West ing house ▁sold ▁its ▁non - bro ad cast ing ▁assets ▁and ▁renamed ▁itself ▁as ▁CBS ▁Corporation . ▁In ▁ 1 9 9 8 , ▁CBS ▁decided ▁to ▁spin ▁off ▁a ▁portion ▁of ▁its ▁radio ▁and ▁out door ▁advert ising ▁hold ings ▁as ▁In fin ity ▁Broadcast ing ▁Corporation , ▁once ▁again ▁bringing ▁the ▁In fin ity ▁name ▁back ▁to ▁the ▁public . ▁The ▁stock ▁offering ▁was ▁the ▁largest ▁in ▁the ▁media ▁industry ▁at ▁the ▁time ▁and ▁raised ▁$ 2 . 8 7 ▁billion . ▁ ▁The ▁most ▁significant ▁move ▁during ▁ 1 9 9 9 , ▁however , ▁was ▁the ▁deal ▁struck ▁with ▁Via com ▁in ▁September . ▁Sum ner ▁Red stone , ▁CE O ▁of ▁Via com , ▁shot ▁down ▁Kar maz in ' s ▁offer ▁to ▁buy ▁Via com . ▁Kar maz in ▁then ▁offered ▁CBS ▁to ▁Red stone , ▁who ▁eventually ▁made ▁a ▁$ 3 7 ▁billion ▁proposal ▁to ▁merge ▁the ▁two ▁companies |
. ▁Via com ▁completed ▁the ▁CBS ▁Cor p . ▁purchase ▁in ▁May ▁ 2 0 0 0 , ▁and ▁it ▁retained ▁ 8 0 % ▁ownership ▁of ▁In fin ity . ▁At ▁that ▁same ▁year , ▁In fin ity ▁acquired ▁Out door ▁Systems ▁and ▁renamed ▁it ▁In fin ity ▁Out door . ▁ ▁Under ▁the ▁new ▁ownership ▁by ▁Via com , ▁In fin ity ▁acquired ▁ 1 8 ▁radio ▁stations ▁from ▁its ▁compet itor , ▁Clear ▁Channel ▁Communic ations ▁( now ▁i He art Media ), ▁which ▁needed ▁to ▁div est ▁them ▁as ▁part ▁of ▁its ▁own ▁mer ger ▁with ▁AM FM ▁In cor por ated . ▁The ▁company ▁also ▁purchased ▁G ira ud y ▁SA , ▁an ▁out door ▁advert ising ▁company ▁based ▁in ▁France . ▁In ▁ 2 0 0 2 , ▁Via com ▁acquired ▁the ▁remaining ▁shares ▁of ▁In fin ity ▁that ▁it ▁did ▁not ▁already ▁own , ▁making ▁it ▁a ▁wh olly ▁owned ▁subs idi ary . ▁At ▁that ▁time , ▁In fin ity ▁Out door ▁was ▁separated ▁from ▁In fin ity ▁Broadcast ing ▁and ▁renamed ▁Via com ▁Out door . ▁ ▁Depart ure ▁of ▁Mel ▁Kar maz in ▁and ▁Ep ilog ue ▁ ▁Kar maz in ▁res igned ▁on ▁May ▁ 2 0 0 4 , ▁due ▁to ▁many ▁differences ▁with ▁Red stone . ▁Kar maz in ▁later ▁said ▁he ▁didn ' t ▁get ▁along ▁with ▁Red stone ▁and ▁found ▁it ▁difficult ▁to ▁be ▁" No . ▁ 2 " ▁at ▁a ▁company , ▁but ▁particularly ▁under ▁Red |
stone . ▁The ▁two ▁execut ives ▁continued ▁to ▁sni pe ▁at ▁each ▁other ▁through ▁the ▁media ▁even ▁a ▁year ▁after ▁Kar maz in ▁left ▁Via com . ▁ ▁On ▁December ▁ 1 4 , ▁ 2 0 0 5 , ▁In fin ity ▁Broadcast ing ▁revert ed ▁to ▁CBS ▁Radio , ▁and ▁joined ▁with ▁the ▁CBS ▁and ▁UP N ▁networks ▁( the ▁latter ▁of ▁which ▁would ▁later ▁merge ▁with ▁former ▁rival ▁network ▁The ▁W B ▁to ▁form ▁The ▁C W ), ▁Param ount ' s ▁television ▁properties , ▁Show time ▁Network s , ▁Via com ▁Out door , ▁Simon ▁& ▁Sch uster , ▁and ▁Param ount ▁Park s ▁into ▁a ▁rev ived ▁CBS ▁Corporation . ▁At ▁that ▁time , ▁CBS ▁Cor p . ▁sp un ▁off ▁the ▁" new " ▁Via com , ▁which ▁includes ▁MTV ▁Network s , ▁B ET , ▁and ▁Param ount ▁Pictures , ▁among ▁other ▁assets . ▁CBS ▁Radio ▁was ▁sold ▁to ▁Enter com ▁on ▁November ▁ 1 7 , ▁ 2 0 1 7 . ▁▁ ▁For ▁a ▁while ▁the ▁In fin ity ▁Radio ▁name ▁and ▁logo ▁were ▁used ▁for ▁an ▁online - only ▁variety ▁hits ▁station ▁on ▁CBS ▁Radio ' s ▁streaming ▁platform , ▁In fin ity Radio . com ▁and ▁Radio . com , ▁pres umably ▁to ▁prevent ▁tra dem ark ▁dil ution . ▁ ▁References ▁ ▁External ▁links ▁In fin ity ▁Radio ▁official ▁website ▁SE C ▁fil ing ▁( Form ▁S - 4 ) ▁rel ating ▁to ▁split ▁ ▁Category : Def unct ▁radio ▁broadcast |
ing ▁companies ▁of ▁the ▁United ▁States ▁Category : Media ▁companies ▁established ▁in ▁ 1 9 7 2 ▁Category : Form er ▁CBS ▁Corporation ▁subs idi aries ▁Category : C BS ▁Radio ▁Category : Private ▁equ ity ▁port folio ▁companies ▁Category : 1 9 7 2 ▁establish ments ▁in ▁California ▁Category : 2 0 0 5 ▁dis est ab lish ments ▁in ▁New ▁York ▁( state ) ▁Category : Media ▁companies ▁dis est ab lished ▁in ▁ 2 0 0 5 <0x0A> </s> ▁Rub ber ▁pad ▁forming ▁( R PF ) ▁is ▁a ▁metal working ▁process ▁where ▁sheet ▁metal ▁is ▁pressed ▁between ▁a ▁die ▁and ▁a ▁rub ber ▁block , ▁made ▁of ▁poly ure th ane . ▁Under ▁pressure , ▁the ▁rub ber ▁and ▁sheet ▁metal ▁are ▁driven ▁into ▁the ▁die ▁and ▁conform ▁to ▁its ▁shape , ▁forming ▁the ▁part . ▁The ▁rub ber ▁p ads ▁can ▁have ▁a ▁general ▁purpose ▁shape , ▁like ▁a ▁memb rane . ▁Alternatively , ▁they ▁can ▁be ▁mach ined ▁in ▁the ▁shape ▁of ▁die ▁or ▁p unch . ▁ ▁Rub ber ▁pad ▁forming ▁is ▁a ▁deep ▁drawing ▁technique ▁that ▁is ▁ide ally ▁su ited ▁for ▁the ▁production ▁of ▁small ▁and ▁medium - s ized ▁series . ▁Deep ▁drawing ▁makes ▁it ▁possible ▁to ▁de form ▁sheet ▁metal ▁in ▁two ▁directions , ▁which ▁offers ▁great ▁benefits ▁in ▁terms ▁of ▁function ▁integration , ▁weight ▁reduction , ▁clean ability ▁and ▁such . ▁ ▁The ▁dis adv antage ▁of ▁regular ▁deep ▁drawing ▁is ▁that ▁expensive ▁tools ▁consisting ▁of ▁an ▁upper ▁and ▁lower ▁m |
old ▁are ▁needed . ▁Once ▁these ▁tools ▁have ▁been ▁made , ▁the ▁variable ▁costs ▁are ▁low , ▁which ▁makes ▁regular ▁deep ▁drawing ▁very ▁suitable ▁for ▁large ▁and ▁very ▁large ▁numbers ▁of ▁products . ▁ ▁Te chni que ▁ ▁In ▁the ▁rub ber ▁pad ▁forming ▁process ▁only ▁a ▁mil led ▁lower ▁die ▁is ▁required ▁on ▁which ▁a ▁metal ▁plate ▁is ▁placed . ▁After wards , ▁the ▁shape ▁of ▁the ▁lower ▁die ▁is ▁pressed ▁in ▁the ▁plate ▁with ▁the ▁rub ber ▁m old . ▁In ▁most ▁cases , ▁the ▁cont our , ▁hole ▁patterns ▁and ▁the ▁like ▁will ▁be ▁cut ▁with ▁a ▁ 3 D ▁las er ▁cut ter . ▁ ▁The ▁simplicity ▁of ▁the ▁rub ber ▁press ▁tool ▁causes ▁tool ing ▁costs ▁to ▁be ▁around ▁ 8 5 ▁to ▁ 9 0 % ▁lower ▁than ▁those ▁of ▁regular ▁deep ▁drawing ▁while ▁the ▁variable ▁costs ▁are ▁higher . ▁This ▁combination ▁makes ▁rub ber ▁pad ▁pressing ▁very ▁suitable ▁for ▁smaller ▁and ▁medium - s ized ▁series ▁( up ▁to ▁ 5 , 0 0 0 - 1 0 , 0 0 0 ▁pieces ▁per ▁year ), ▁even ▁though ▁traditional ▁cutting , ▁la ce , ▁w eld ing , ▁finishing ▁etc . ▁is ▁used ▁more ▁due ▁to ▁the ▁un famil iar ity ▁with ▁rub ber ▁pad ▁forming . ▁ ▁Rub ber ▁pad ▁forming ▁has ▁been ▁used ▁in ▁production ▁lines ▁for ▁many ▁years . ▁Up ▁to ▁ 6 0 % ▁of ▁all ▁sheet ▁metal ▁parts ▁in ▁the ▁a eros pace ▁industry ▁are ▁fabric ated ▁using ▁this ▁process . |
▁The ▁most ▁relevant ▁applications ▁are ▁indeed ▁in ▁the ▁a eros pace ▁field . ▁It ▁is ▁frequently ▁used ▁in ▁pro tot yp ing ▁sh ops ▁and ▁for ▁the ▁production ▁of ▁kitchen ware . ▁For ▁a ▁de cade , ▁rub ber ▁pad ▁pressing ▁has ▁developed ▁greatly ▁into ▁a ▁widely ▁used ▁technology ▁for ▁many ▁industrial ▁applications . ▁ ▁Press ing ▁power ▁▁ ▁En orm ous ▁pressing ▁forces ▁are ▁required ▁for ▁the ▁rub ber ▁press es ▁to ▁work . ▁In ▁the ▁Netherlands ▁there ▁are ▁several ▁rub ber ▁pad ▁press es , ▁of ▁which ▁the ▁largest ▁one ▁has ▁a ▁press ▁force ▁of ▁no ▁less ▁than ▁ 8 , 0 0 0 ▁tons ▁with ▁a ▁maximum ▁surface ▁area ▁of ▁ 1 . 1 0 x 2 . 2 0 m , ▁these ▁press es ▁are ▁used ▁for ▁very ▁diverse ▁industrial ▁applications . ▁ ▁World wide , ▁press es ▁are ▁in ▁use ▁up ▁to ▁about ▁ 1 4 , 0 0 0 ▁t onnes . ▁ ▁Pro s ▁and ▁cons ▁ ▁In ▁summary , ▁the ▁benefits ▁of ▁rub ber ▁pad ▁pressing ▁are : ▁ ▁Short ▁time ▁to ▁market ▁through ▁simple ▁tools ▁ ▁Low ▁tool ing ▁costs ▁ ▁Ex cell ent ▁for ▁low ▁and ▁medium ▁numbers ▁ ▁With ▁the ▁use ▁of ▁rub ber , ▁a ▁pol ished ▁or ▁sh ar pen ed ▁surface ▁remains ▁und am aged ▁ ▁Su itable ▁for ▁steel , ▁st ain less ▁steel , ▁al umin um ▁etc . ▁up ▁to ▁a ▁thick ness ▁of ▁about ▁ 4 mm ▁And ▁the ▁dis adv antages : ▁ ▁For |
▁very ▁large ▁numbers ▁too ▁labor able ▁so ▁too ▁expensive ▁ ▁Some what ▁less ▁freedom ▁in ▁form ▁compared ▁to ▁the ▁regular ▁deep ▁drawing ▁process ▁ ▁In ▁most ▁cases ▁not ▁suitable ▁for ▁sheet ▁thick ness es ▁greater ▁than ▁ 4 mm . ▁ ▁Definition ▁ ▁Rub ber ▁pad ▁forming ▁can ▁be ▁accomplished ▁in ▁many ▁different ▁ways , ▁and ▁as ▁technology ▁has ▁advanced , ▁so ▁have ▁the ▁applications ▁for ▁this ▁simple ▁process . ▁In ▁general , ▁an ▁el astic ▁upper ▁die , ▁usually ▁made ▁of ▁rub ber , ▁is ▁connected ▁to ▁a ▁hyd ra ul ic ▁press . ▁A ▁rig id ▁lower ▁die , ▁often ▁called ▁a ▁form ▁block , ▁provides ▁the ▁m old ▁for ▁the ▁sheet ed ▁metal ▁to ▁be ▁formed ▁to . ▁Because ▁the ▁upper ▁( male ) ▁die ▁can ▁be ▁used ▁with ▁separate ▁lower ▁( f em ale ) ▁dies , ▁the ▁process ▁is ▁relatively ▁cheap ▁and ▁flexible . ▁The ▁worked ▁metal ▁is ▁not ▁worn ▁as ▁quickly ▁as ▁in ▁more ▁conventional ▁processes ▁such ▁as ▁deep ▁drawing , ▁however , ▁rub ber ▁p ads ▁ex ert ▁less ▁pressure ▁in ▁the ▁same ▁circumstances ▁as ▁non - el astic ▁parts , ▁which ▁may ▁lead ▁to ▁less ▁definition ▁in ▁forming , ▁and ▁rub ber ▁p ads ▁wear ▁more ▁quickly ▁than ▁steel ▁parts . ▁ ▁The ▁Guer in ▁process ▁ ▁The ▁Guer in ▁process , ▁also ▁called ▁Guer in ▁St amp ing , ▁is ▁a ▁manufact uring ▁process ▁used ▁in ▁the ▁sh aping ▁of ▁sheet ▁met als . ▁It ▁is ▁the ▁oldest ▁and ▁most ▁basic ▁of ▁the ▁production |
▁rub ber - pad ▁forming ▁processes . ▁ ▁It ▁was ▁developed ▁in ▁the ▁late ▁ 1 9 3 0 s ▁by ▁Henry ▁Guer in , ▁an ▁employee ▁of ▁the ▁Douglas ▁A ircraft ▁Co . ▁in ▁California . ▁ ▁There after , ▁it ▁was ▁used ▁extens ively ▁by ▁all ▁major ▁aircraft ▁manufact ur ers ▁to ▁shape ▁the ▁many ▁complex ▁shapes ▁inher ent ▁in ▁the ▁design ▁of ▁aircraft . ▁ ▁Vari ants ▁and ▁similar ▁processes ▁ ▁Deep ▁drawing ▁H ydro form ing ▁ ▁V erson - W heel on ▁process ▁ ▁Mar form ▁process ▁ ▁H ydro bu ck ling ▁ ▁A quad raw ▁hyd ra ul ic ▁process ▁ ▁References ▁▁ ▁Category : Met al ▁forming <0x0A> </s> ▁The ▁ 6 th ▁edition ▁of ▁the ▁Copa ▁América ▁de ▁Cic l ismo ▁was ▁held ▁on ▁ 8 ▁January ▁ 2 0 0 6 ▁in ▁São ▁Paulo , ▁Brazil . ▁Nil ceu ▁ ▁Santos ▁( Sc ott ) ▁repeated ▁his ▁ 2 0 0 5 ▁victory , ▁be ating ▁Rod r igo ▁Brit o ▁( S ão ▁Ca et ano ) ▁and ▁H é ctor ▁Fig ue iras ▁( S ão ▁Ca et ano ) ▁in ▁a ▁bunch ▁s print . ▁ ▁Results ▁ ▁References ▁cy cling news ▁ ▁Category : C op a ▁América ▁de ▁Cic l ismo ▁Copa ▁Copa <0x0A> </s> ▁S za ci ły ▁ ▁is ▁a ▁village ▁in ▁the ▁administrative ▁district ▁of ▁G mina ▁Dob rz yn iew o ▁Du że , ▁within ▁B iał yst ok ▁County , ▁Pod l ask |
ie ▁Vo iv odes hip , ▁in ▁north - e astern ▁Poland . ▁It ▁lies ▁approximately ▁ ▁north ▁of ▁Dob rz yn iew o ▁Du że ▁and ▁ ▁north - west ▁of ▁the ▁regional ▁capital ▁B iał yst ok . ▁ ▁References ▁ ▁Category : V ill ages ▁in ▁B iał yst ok ▁County <0x0A> </s> ▁Gu j ran w ala ▁C anton ment ▁railway ▁station ▁( U r du ▁and ▁) ▁is ▁located ▁in ▁Gu j ran w ala ▁canton ment ▁area , ▁Gu j ran w ala ▁district ▁of ▁P un j ab ▁province , ▁Pakistan . ▁ ▁See ▁also ▁ ▁List ▁of ▁railway ▁stations ▁in ▁Pakistan ▁ ▁Pakistan ▁Rail ways ▁ ▁References ▁ ▁External ▁links ▁ ▁Official ▁Web ▁Site ▁of ▁Pakistan ▁Rail ways ▁ ▁Category : R ail way ▁stations ▁in ▁Gu j ran w ala ▁District ▁Category : R ail way ▁stations ▁on ▁Kar achi – P esh aw ar ▁Line ▁( ML ▁ 1 ) ▁Category : G uj ran w ala <0x0A> </s> ▁Di éd oug ou ▁is ▁a ▁commune ▁in ▁the ▁Cer cle ▁of ▁K out ial a ▁in ▁the ▁S ik asso ▁Region ▁of ▁southern ▁M ali . ▁The ▁commune ▁includes ▁ 4 ▁villages ▁and ▁covers ▁an ▁area ▁of ▁ 1 4 7 ▁square ▁kilom eters . ▁In ▁the ▁ 2 0 0 9 ▁census ▁it ▁had ▁a ▁population ▁of ▁ 4 , 4 4 9 . ▁The ▁administrative ▁centre ▁( che f - lie u ) ▁is ▁the ▁village ▁of ▁K ou wo ▁which |
▁lies ▁ 6 7 km ▁west ▁of ▁K out ial a . ▁ ▁References ▁ ▁External ▁links ▁. ▁ ▁Category : Comm unes ▁of ▁M ali <0x0A> </s> ▁F are ▁ev asion ▁or ▁fare ▁dod ging , ▁F are ▁viol ation ▁rarely ▁called ▁ticket ▁ev asion , ▁is ▁the ▁act ▁of ▁trav elling ▁on ▁public ▁transport ▁without ▁pay ing ▁by ▁deliber ately ▁not ▁purch asing ▁a ▁required ▁ticket ▁to ▁travel ▁( h aving ▁had ▁the ▁chance ▁to ▁do ▁so ). ▁It ▁is ▁a ▁problem ▁in ▁many ▁parts ▁of ▁the ▁world , ▁and ▁re venue ▁protection ▁officers ▁and ▁ticket ▁bar riers , ▁man ned ▁or ▁automatic , ▁are ▁in ▁place ▁to ▁ensure ▁only ▁those ▁with ▁valid ▁tick ets ▁may ▁access ▁the ▁transport . ▁The ▁term ▁fare ▁avoid ance ▁is ▁sometimes ▁used ▁as ▁a ▁eu ph em istic ▁syn onym ▁and ▁sometimes ▁used ▁to ▁refer ▁to ▁the ▁law ful ▁use ▁of ▁much ▁che aper ▁tick ets . ▁ ▁F are ▁ev asion ▁and ▁fare ▁fra ud ▁may ▁or ▁may ▁not ▁be ▁a ▁crime ▁depending ▁on ▁which ▁juris dict ions . ▁The ▁fare ▁not ▁paid , ▁compared ▁to ▁potential ▁pen alt ies ▁and ▁h ass le , ▁is ▁generally ▁considered ▁" not ▁worth ▁it ". ▁ ▁Method s ▁ ▁On ▁stations ▁▁ ▁One ▁method ▁of ▁fare ▁ev asion ▁is ▁jump ing ▁or ▁clim bing ▁over ▁the ▁turn st iles ▁which ▁bar ▁the ▁entry way ▁into ▁a ▁sub way ▁system ; ▁hence ▁the ▁term , ▁" turn st ile ▁jump ing ". ▁F are - d |
od gers ▁also ▁can ▁walk ▁right ▁behind ▁a ▁passenger ▁with ▁a ▁valid ▁ticket ▁before ▁closing ▁of ▁some ▁types ▁of ▁ticket ▁bar rier ▁gates ▁( this ▁called ▁tail g ating ). ▁Other ▁methods ▁include ▁adult s ▁travel ing ▁on ▁children ' s ▁tick ets , ▁or ▁using ▁disc ount ed ▁tick ets ▁or ▁free ▁passes ▁that ▁the ▁passenger ▁is ▁not ▁entitled ▁to . ▁They ▁also ▁can ▁purchase ▁a ▁valid ▁ticket ▁for ▁a ▁shorter ▁journey , ▁at ▁a ▁much ▁lower ▁price ▁than ▁their ▁actual ▁journey ▁to ▁travel ▁to ▁cities ▁where ▁the ▁target ▁station ▁is ▁also ▁served ▁by ▁many ▁local ▁services . ▁ ▁However , ▁ticket ▁bar riers ▁are ▁often ▁watched ▁by ▁ticket ▁inspect ors ▁and ▁gu ards , ▁and ▁in ▁that ▁case ▁fare - d od gers ▁may ▁clim b ▁over ▁f ences ▁of ▁a ▁station ▁or ▁simply ▁walk ▁alongside ▁railway ▁tracks ▁or ▁use ▁passes ▁for ▁railway ▁staff ▁to ▁enter ▁or ▁exit ▁the ▁station ▁without ▁passing ▁through ▁ticket ▁bar riers . ▁In ▁some ▁cases ▁fare - d od gers ▁can ▁break ▁and ▁destroy ▁f ences ▁around ▁a ▁train ▁station ▁to ▁make ▁a ▁passage . ▁ ▁On ▁vehicles ▁▁ ▁On ▁vehicles ▁fare - d od gers ▁usually ▁try ▁to ▁avoid ▁ticket ▁inspect ors ▁or ▁conduct ors . ▁On ▁comm uter ▁trains ▁with ▁a ▁sufficient ▁number ▁of ▁passenger ▁coach es ▁one ▁of ▁the ▁most ▁common ▁methods ▁is ▁walking ▁away ▁from ▁ticket ▁inspect ors ▁to ▁other ▁coach es ▁and ▁running ▁on ▁the ▁platform ▁in ▁the ▁opposite ▁direction ▁to ▁the ▁coach es ▁that ▁ticket ▁inspect ors ▁already ▁passed . |
▁On ▁short ▁comm uter ▁trains ▁or ▁especially ▁inter city ▁and ▁long - distance ▁passenger ▁trains ▁fare - d od gers ▁can ▁hide ▁from ▁ticket ▁inspect ors ▁in ▁to ile ts , ▁lug g age ▁compart ments , ▁staff ▁rooms ▁and ▁other ▁utility ▁ch amb ers ▁inside ▁the ▁train . ▁ ▁Another ▁issue ▁occurs ▁on ▁the ▁bus ▁or ▁tram ; ▁passengers ▁either ▁by pass ▁the ▁bus ▁driver ▁or ▁enter ▁through ▁the ▁rear ▁door ▁of ▁the ▁vehicle . ▁In ▁the ▁New ▁York ▁City ▁Bus ▁system ▁which ▁causes ▁fare ▁l isses ▁millions ▁of ▁dollars ▁a ▁year . ▁If ▁a ▁bus ▁or ▁tram ▁has ▁a ▁turn st ile ▁installed ▁in ▁it , ▁fare - d od gers ▁can ▁jump ▁over ▁or ▁craw l ▁under ▁the ▁turn st ile . ▁In ▁most ▁countries ▁passengers ▁board ▁a ▁bus ▁from ▁any ▁door , ▁validate ▁their ▁tick ets ▁at ▁machines ▁and ▁have ▁no ▁contact ▁with ▁the ▁driver , ▁thus ▁increasing ▁the ▁potential ▁for ▁fare ▁ev asion . ▁ ▁Pass engers ▁can ▁also ▁ar range ▁for ▁ticket ▁inspect ors ▁to ▁allow ▁them ▁to ▁travel ▁by ▁offering ▁b rib es . ▁ ▁A ▁dangerous ▁method ▁of ▁fare ▁ev asion ▁is ▁the ▁r iding ▁on ▁exterior ▁parts ▁of ▁a ▁vehicle ▁( on ▁a ▁ro o ft ops , ▁rear ▁parts , ▁between ▁cars ▁or ▁under ne ath ▁a ▁vehicle ), ▁also ▁known ▁as ▁a ▁" ve h icle ▁sur f ing " ▁( train ▁sur f ing , ▁car ▁sur f ing ). ▁Another ▁method ▁is ▁hiding ▁inside ▁the ▁utility ▁cells ▁under ▁a ▁railway |
▁car . ▁F are ▁dod gers ▁can ▁practice ▁this ▁type ▁of ▁trav elling ▁unless ▁it ▁is ▁very ▁hard ▁or ▁impossible ▁to ▁hide ▁from ▁ticket ▁inspect ors ▁inside ▁a ▁vehicle . ▁ ▁C ounter me asures ▁ ▁Techn ical ▁devices ▁ ▁T icket ▁bar riers ▁▁ ▁Turn st iles ▁are ▁used ▁to ▁ob struct ▁invalid ▁access . ▁Since ▁most ▁fare - d od gers ▁know ▁how ▁to ▁pass ▁a ▁gate ▁without ▁pay ing , ▁turn st iles ▁may ▁be ▁replaced ▁with ▁ticket ▁bar riers ▁in ▁a ▁less ▁easily ▁trans vers ed ▁form , ▁or ▁may ▁be ▁integrated ▁more ▁closely ▁with ▁an ▁electronic ▁ticket ▁system . ▁T icket ▁bar riers ▁can ▁also ▁require ▁the ▁trav ellers ▁to ▁show ▁their ▁tick ets ▁upon ▁exit ing . ▁Typ ically ▁turn st iles ▁are ▁used ▁at ▁train ▁stations , ▁however ▁some ▁city ▁trans it ▁systems ▁install ▁turn st iles ▁inside ▁city ▁street ▁vehicles , ▁for ▁example ▁bus es ▁and ▁tr ams . ▁ ▁Pan ic ▁bars ▁ ▁Pan ic ▁bars ▁on ▁emer gency ▁exit ▁doors ▁are ▁in ▁all ▁stations ▁of ▁the ▁New ▁York ▁City ▁Sub way . ▁Pan ic ▁bar ▁al ar ms ▁have ▁been ▁sil enced ▁since ▁ 2 0 1 4 ▁due ▁to ▁regular ity ▁of ▁non - emer gency ▁passenger ▁use . ▁▁ ▁Pan ic ▁bars ▁were ▁also ▁installed ▁on ▁Massachusetts ▁Bay ▁Transport ation ▁Author ity ▁( MB TA ) ▁in ▁Boston ▁and ▁on ▁Chicago ▁Trans it ▁Author ity ▁( CT A ). ▁This ▁provided ▁an ▁imp et us ▁for ▁renew ed ▁interests ▁in ▁ev |
asion , ▁because ▁ev aders ▁could ▁enter ▁through ▁gates ▁when ▁already ▁opened ▁by ▁exit ing ▁passengers . ▁ ▁Cl osed ▁circuit ▁television ▁ ▁Cl osed - circ uit ▁television ▁( C CT V ) ▁monitoring ▁is ▁used ▁by ▁many ▁public ▁transport ▁companies ▁to ▁combat ▁v andal ism ▁and ▁other ▁public ▁order ▁cr imes . ▁Using ▁C CT V ▁to ▁app reh end ▁fare - d od gers ▁in ▁the ▁act ▁requires ▁full - time ▁human ▁monitoring ▁of ▁the ▁cam eras . ▁ ▁Soph istic ated ▁C CT V ▁systems ▁disc rim inate ▁the ▁scenes ▁to ▁detect ▁and ▁seg reg ate ▁susp icious ▁behaviour ▁from ▁numerous ▁screens ▁and ▁to ▁enable ▁automatic ▁alert ing . ▁However , ▁the ▁att ent iveness ▁of ▁the ▁surve ill ance ▁personnel ▁may ▁be ▁threatened ▁by ▁false ▁reli ance ▁on ▁automat ics . ▁ ▁F are ▁control ▁staff ▁ ▁T icket ▁inspect ors ▁▁ ▁With ▁manual ▁fare ▁collection , ▁fare ▁ev asion ▁can ▁become ▁more ▁difficult ▁and ▁st ig mat izing ▁for ▁the ▁fare - d od ging ▁trav eller , ▁especially ▁usage ▁of ▁disc ount ed ▁tick ets ▁( for ▁example ▁child , ▁student ▁or ▁p ension er ▁tick ets ) ▁by ▁passengers ▁who ▁are ▁not ▁allowed ▁to ▁use ▁it . ▁T icket ▁inspect ors ▁can ▁verify ▁tick ets ▁of ▁passengers ▁during ▁the ▁trip ▁or ▁during ▁a ▁board ing ▁on ▁vehicle ▁( the ▁last ▁form ▁of ▁fare ▁control ▁is ▁a ▁common ▁practice ▁on ▁long - distance ▁rail ▁transport ). ▁In ▁some ▁cases ▁ticket ▁inspect ors ▁are ▁assigned ▁to ▁a |
▁certain ▁vehicle ▁during ▁its ▁trip ▁on ▁entire ▁route ▁( us ually ▁on ▁long - distance ▁or ▁some ▁comm uter ▁transport ) ▁and ▁often , ▁in ▁another ▁cases ▁they ▁randomly ▁check ▁multiple ▁vehicles ▁( us ually ▁city ▁public ▁transport ▁and ▁some ▁comm uter ▁transport ). ▁Trans it ▁systems ▁which ▁use ▁honor ▁systems ▁under ▁normal ▁circumstances ▁may ▁employ ▁staff ▁to ▁collect ▁far es ▁at ▁times ▁and ▁places ▁where ▁heavy ▁use ▁can ▁be ▁expected ▁- ▁for ▁example , ▁at ▁stations ▁serving ▁a ▁stad ium ▁after ▁the ▁conclusion ▁of ▁a ▁major ▁sport ing ▁event . ▁ ▁T icket ▁inspect ors ▁can ▁also ▁watch ▁for ▁turn st iles ▁at ▁train ▁stations ▁to ▁avoid ▁una ut hor ized ▁passing ▁without ▁a ▁valid ▁ticket ▁and ▁using ▁disc ount ed ▁tick ets . ▁T icket ▁inspect ors ▁may ▁or ▁may ▁not ▁be ▁allowed ▁to ▁use ▁force ▁to ▁prevent ▁or ▁app reh end ▁fare - d od gers . ▁ ▁Un iform ed ▁gu ards ▁ ▁The ▁presence ▁of ▁uniform ed ▁gu ards ▁can ▁act ▁as ▁a ▁d eter rent ▁to ▁fare ▁ev asion , ▁especially ▁una ut hor ized ▁passing ▁through ▁turn st iles . ▁Gu ards ▁may ▁or ▁may ▁not ▁be ▁allowed ▁to ▁use ▁force ▁to ▁prevent ▁or ▁app reh end ▁fare - d od gers . ▁ ▁Police ▁officers ▁ ▁Police ▁officers ▁can ▁watch ▁turn st iles ▁and ▁esc ort ▁ticket ▁inspect ors ▁in ▁vehicles , ▁and ▁unlike ▁ticket ▁inspect ors ▁and ▁gu ards ▁they ▁are ▁allowed ▁to ▁use ▁force ▁to ▁prevent ▁or ▁app reh end ▁fare - d |
od gers . ▁It ▁is ▁sometimes ▁common ▁for ▁police ▁officers ▁dressed ▁in ▁plain ▁clothes ▁to ▁pat rol ▁sub way ▁stations . ▁As ▁such , ▁they ▁have ▁all ▁the ▁juris diction ▁that ▁normal ▁officers ▁have ▁when ▁polic ing ▁the ▁trans it ▁system . ▁New ▁South ▁Wales ▁trains ▁in ▁Australia ▁use ▁a ▁combination ▁of ▁ticket ▁inspect ors ▁and ▁police ▁pat rol s ▁to ▁en force ▁comp liance ▁with ▁fare ▁requirements . ▁These ▁police ▁are ▁part ▁of ▁NS W ▁Police ▁Force ' s ▁transport ▁command ▁and ▁are ▁equ ipped ▁with ▁smart ▁card ▁readers ▁to ▁inspect ▁tick ets , ▁NS W ▁trains ▁has ▁elimin ated ▁paper ▁tick ets ▁completely ▁as ▁of ▁ 2 0 1 6 . ▁ ▁Pen al ization ▁ ▁Pen alty ▁fare ▁▁ ▁A ▁penalty ▁fare ▁is ▁a ▁special ▁fare ▁charged ▁at ▁a ▁higher ▁than ▁normal ▁price ▁because ▁the ▁purch aser ▁did ▁not ▁comp ly ▁with ▁the ▁normal ▁ticket ▁purch asing ▁rules . ▁Typ ically ▁penalty ▁far es ▁are ▁in cur red ▁by ▁passengers ▁failing ▁to ▁purchase ▁a ▁ticket ▁before ▁trav elling ▁or ▁by ▁purch asing ▁an ▁incorrect ▁ticket ▁which ▁does ▁not ▁cover ▁their ▁whole ▁journey . ▁ ▁Pen alty ▁far es ▁are ▁not ▁fin es , ▁and ▁are ▁used ▁when ▁no ▁legal ▁basis ▁for ▁pro sec uting ▁fare ▁ev asion ▁exists , ▁pro sec ution ▁is ▁de emed ▁too ▁dr astic ▁and ▁cost ly , ▁or ▁is ▁unlikely ▁to ▁result ▁in ▁conv iction . ▁ ▁Civil ▁and ▁criminal ▁pen alt ies ▁ ▁On ▁some ▁systems , ▁fare ▁ev asion ▁is ▁considered ▁a ▁mis |
de mean or . ▁In ▁such ▁cases , ▁police ▁officers ▁and ▁in ▁some ▁cases ▁trans it ▁employees ▁are ▁author ized ▁to ▁issue ▁tick ets ▁which ▁usually ▁carry ▁a ▁fine . ▁Then , ▁charged ▁persons ▁can ▁then ▁be ▁tried ▁in ▁court . ▁Re peat ▁viol ators ▁and ▁severe ▁cases , ▁such ▁as ▁ticket ▁forg ery , ▁are ▁pun ished ▁more ▁sever ely ▁and ▁sometimes ▁involve ▁in car cer ation . ▁We alth y ▁off enders ▁face ▁st iffer ▁pen alt ies ▁than ▁poor er ▁off enders . ▁ ▁E vas ion ▁fin es ▁vary . ▁On ▁Metropolitan ▁Atlanta ▁Rap id ▁Trans it ▁Author ity ▁( MA R TA ), ▁ev asion ▁fin es ▁range ▁from ▁$ 8 5 ▁to ▁$ 2 3 5 , ▁whereas ▁they ▁" start ▁at ▁$ 5 0 " ▁on ▁the ▁San ▁Francisco ▁Municipal ▁Railway . ▁In ▁Boston , ▁prior ▁to ▁Charlie Card ▁A FC ▁implementation ▁and ▁conversion ▁of ▁bo oth ▁cler ks ▁to ▁ro ving ▁agents , ▁MB TA ▁quietly ▁asked ▁Massachusetts ▁State ▁Legisl ature ▁to ▁make ▁ev as ions ▁a ▁civil ▁off ense ▁pun ish able ▁by ▁progress ive ▁fin es ▁($ 1 5 ▁first ▁off ense ; ▁$ 1 0 0 ▁second ; ▁$ 2 5 0 ▁third ▁or ▁subsequent ). ▁On ▁the ▁New ark ▁Light ▁Rail , ▁which ▁uses ▁a ▁proof - of - payment ▁system , ▁the ▁fine ▁was ▁initially ▁$ 7 5 , ▁but ▁increased ▁to ▁$ 1 0 0 ▁in ▁ 2 0 0 8 . ▁ ▁In ▁the ▁US , ▁the ▁MB |
TA , ▁C TA , ▁and ▁Port ▁Author ity ▁Trans - H ud son ▁( PATH ) ▁also ▁use ▁s oph istic ated ▁camera ▁equipment . ▁ ▁The ▁MB TA ▁even ▁app reh ended ▁v and als ▁dam aging ▁A FC ▁equipment ▁while ▁ev ading , ▁and ▁published ▁the ▁video ▁foot age . ▁ ▁See ▁also ▁F are box ▁recovery ▁ratio ▁St ow away ▁Public ▁transport ▁security ▁Pro hib ited ▁activities ▁on ▁public ▁transport ▁British ▁Transport ▁Police ▁New ▁York ▁City ▁Trans it ▁fare ▁ev asion ▁Pl anka . nu ▁ ▁References ▁ ▁Category : Public ▁transport ▁fare ▁collection ▁Category : Admin istr ative ▁law ▁Category : C riminal ▁law <0x0A> </s> ▁E og han ▁H ic key ▁( born ▁ 2 9 ▁October ▁ 1 9 8 1 ▁in ▁Dublin , ▁Ireland ) ▁is ▁a ▁former ▁professional ▁rugby ▁union ▁player ▁who ▁played ▁for ▁seven ▁professional ▁clubs ▁throughout ▁four ▁countries . ▁During ▁the ▁ 2 0 0 5 – 0 6 ▁C elt ic ▁League ▁H ic key ▁played ▁for ▁Le in ster , ▁before ▁transfer ring ▁to ▁Mun ster ▁for ▁the ▁ 2 0 0 6 – 0 7 ▁C elt ic ▁League . ▁Prior ▁to ▁this , ▁he ▁played ▁for ▁U CD ▁in ▁the ▁All - I reland ▁League . ▁In ▁ 2 0 0 7 ▁he ▁transferred ▁to ▁London ▁Irish ▁on ▁a ▁two - year ▁contract ▁before ▁joining ▁Was ps ▁in ▁ 2 0 0 9 . ▁In ▁ 2 0 1 0 ▁he ▁returned ▁home ▁to ▁Dublin ▁to ▁play ▁with |
▁L ans d ow ne ▁in ▁the ▁All ▁Ireland ▁League , ▁before ▁joining ▁up ▁with ▁the ▁Italian ▁club ▁Pet rar ca ▁Pad ova ▁for ▁the ▁ 2 0 1 1 → 2 0 1 2 ▁season . ▁From ▁ 2 0 1 2 → 2 0 1 5 , ▁H ic key ▁played ▁with ▁Mass y ▁based ▁in ▁south ▁west ▁Paris ▁during ▁which ▁time ▁he ▁completed ▁his ▁third ▁university ▁degree . ▁ ▁He ▁has ▁represented ▁Ireland ▁School s , ▁the ▁Ireland ▁Univers ities , ▁Ireland ▁U 2 1 ▁and ▁Ireland ▁A , ▁and ▁has ▁also ▁played ▁in ▁the ▁He ine ken ▁Cup ▁and ▁the ▁C elt ic ▁League . ▁ ▁During ▁his ▁playing ▁career , ▁H ic key ▁also ▁completed ▁a ▁B Sc ▁in ▁Statistics ▁from ▁University ▁College ▁Dublin , ▁an ▁M Sc ▁in ▁Cl imate ▁Change ▁Imp act s ▁& ▁S ust ain ability ▁from ▁Brun el ▁University ▁London , ▁and ▁an ▁M BA ▁from ▁H EC ▁Paris . ▁In ▁addition , ▁H ic key ▁also ▁holds ▁a ▁Gr adu ate ▁Di pl oma ▁in ▁Business ▁Studies , ▁ ▁a ▁Cert ificate ▁in ▁Advanced ▁Management ▁and ▁a ▁Cert ificate ▁in ▁Mer gers ▁& ▁Ac quis itions . ▁ ▁References ▁ ▁www . the 4 2 . ie / e og han - h ic key ▁ ▁www . its rug by . fr ▁ ▁esp n . co . uk ▁ ▁www . uc d . ie / s port ▁ ▁www . pre mi ers hi pr ugby . com ▁ |
▁www . sk ys ports . com ▁ ▁External ▁links ▁ ▁The ▁H uff ington ▁Post ▁ ▁The 4 2 . ie ▁ ▁Twitter ▁ ▁Mun ster ▁Profile ▁ ▁Category : 1 9 8 1 ▁birth s ▁Category : L iving ▁people ▁Category : R ugby ▁union ▁fly - hal ves ▁Category : I r ish ▁rugby ▁union ▁players ▁Category : W as ps ▁R FC ▁players ▁Category : W or c ester ▁War riors ▁players ▁Category : Lond on ▁Irish ▁players ▁Category : M un ster ▁Rugby ▁players ▁Category : Le in ster ▁Rugby ▁players ▁Category : Univers ity ▁College ▁Dublin ▁R . F . C . ▁players ▁Category : Al umn i ▁of ▁University ▁College ▁Dublin <0x0A> </s> ▁In ▁software ▁engineering , ▁the ▁module ▁pattern ▁is ▁a ▁design ▁pattern ▁used ▁to ▁implement ▁the ▁concept ▁of ▁software ▁modules , ▁defined ▁by ▁mod ular ▁programming , ▁in ▁a ▁programming ▁language ▁with ▁incomplete ▁direct ▁support ▁for ▁the ▁concept . ▁ ▁This ▁pattern ▁can ▁be ▁implemented ▁in ▁several ▁ways ▁depending ▁on ▁the ▁host ▁programming ▁language , ▁such ▁as ▁the ▁singleton ▁design ▁pattern , ▁object - orient ed ▁static ▁members ▁in ▁a ▁class ▁and ▁proced ural ▁global ▁functions . ▁In ▁Python , ▁the ▁pattern ▁is ▁built ▁into ▁the ▁language , ▁and ▁each ▁. py ▁file ▁is ▁automatically ▁a ▁module . ▁ ▁Definition ▁& ▁Str ucture ▁▁ ▁The ▁module ▁software ▁design ▁pattern ▁provides ▁the ▁features ▁and ▁s ynt actic ▁structure ▁defined ▁by ▁the ▁mod ular ▁programming ▁parad ig m ▁to ▁programming ▁languages ▁that ▁have ▁incomplete ▁support ▁for |
▁the ▁concept . ▁ ▁Con cept ▁▁ ▁In ▁software ▁development , ▁source ▁code ▁can ▁be ▁organized ▁into ▁components ▁that ▁accomplish ▁a ▁particular ▁function ▁or ▁contain ▁everything ▁necessary ▁to ▁accomplish ▁a ▁particular ▁task . ▁Mod ular ▁programming ▁is ▁one ▁of ▁those ▁approaches . ▁ ▁The ▁concept ▁of ▁a ▁" module " ▁is ▁not ▁fully ▁supported ▁in ▁many ▁common ▁programming ▁languages . ▁ ▁Fe atures ▁▁ ▁In ▁order ▁to ▁consider ▁that ▁a ▁Sing leton ▁or ▁any ▁group ▁of ▁related ▁code ▁implements ▁this ▁pattern , ▁the ▁following ▁features ▁must ▁be ▁supplied : ▁▁ ▁A ▁portion ▁of ▁the ▁code ▁must ▁have ▁global ▁or ▁public ▁access ▁and ▁be ▁designed ▁for ▁use ▁as ▁global / public ▁code . ▁Add itional ▁private ▁or ▁protected ▁code ▁can ▁ ▁be ▁executed ▁by ▁the ▁main ▁public ▁code . ▁ ▁A ▁module ▁must ▁have ▁an ▁initial izer ▁function ▁that ▁is ▁equivalent ▁to , ▁or ▁complement ary ▁to ▁an ▁object ▁constructor ▁method . ▁This ▁feature ▁is ▁not ▁supported ▁by ▁regular ▁names paces . ▁ ▁A ▁module ▁must ▁have ▁a ▁final izer ▁function ▁that ▁is ▁equivalent ▁to , ▁or ▁complement ary ▁to ▁an ▁object ▁destruct or ▁method . ▁This ▁feature ▁is ▁not ▁supported ▁by ▁regular ▁names paces . ▁ ▁Support ing ▁members ▁may ▁require ▁initialization / final ization ▁code ▁that ▁is ▁executed ▁by ▁the ▁module ' s ▁initial izer / final izer ▁function . ▁ ▁Most ▁members ▁are ▁functions ▁that ▁perform ▁operations ▁on ▁elements ▁external ▁to ▁the ▁class , ▁provided ▁as ▁arguments ▁by ▁calling ▁functions . ▁Such ▁functions ▁are ▁" util ities ", ▁" tools " |
▁or ▁" li braries ". ▁ ▁Im plement ations ▁▁ ▁The ▁semantics ▁and ▁syntax ▁of ▁each ▁programming ▁language ▁may ▁affect ▁the ▁implementation ▁of ▁this ▁pattern . ▁ ▁Object - orient ed ▁programming ▁languages ▁ ▁Java ▁▁ ▁Although ▁Java ▁supports ▁the ▁notion ▁of ▁a ▁namespace , ▁a ▁reduced ▁version ▁of ▁a ▁module , ▁some ▁scenarios ▁benefit ▁from ▁employ ing ▁the ▁design ▁pattern ▁instead ▁of ▁using ▁names paces . ▁ ▁The ▁following ▁example ▁uses ▁the ▁singleton ▁pattern . ▁ ▁Definition ▁▁ ▁package ▁cons oles ; ▁ ▁import ▁java . io . InputStream ; ▁import ▁java . io . Print Stream ; ▁ ▁public ▁final ▁class ▁Main Module ▁{ ▁▁▁ ▁private ▁static ▁Main Module ▁singleton ▁= ▁null ; ▁▁▁ ▁public ▁Input Stream ▁input ▁= ▁null ; ▁▁ ▁public ▁Print Stream ▁output ▁= ▁null ; ▁▁ ▁public ▁Print Stream ▁error ▁= ▁null ; ▁▁▁ ▁private ▁Main Module () ▁{ ▁▁▁▁ ▁// ▁does ▁nothing ▁on ▁purpose ▁! !! ▁▁ ▁} ▁▁▁ ▁// ▁... ▁▁▁ ▁public ▁static ▁Main Module ▁get Sing leton () ▁{ ▁▁▁▁ ▁if ▁( Main Module . sing leton ▁== ▁null ) ▁{ ▁▁▁▁▁▁▁ ▁Main Module . sing leton ▁= ▁new ▁Main Module (); ▁▁▁▁ ▁} ▁▁▁▁▁▁ ▁return ▁Main Module . sing leton ; ▁▁ ▁} ▁▁▁ ▁// ▁... ▁▁▁ ▁public ▁void ▁prepare () ▁{ ▁▁▁▁ ▁// System . out . println (" con sol es :: prepare (); "); ▁▁▁▁▁ ▁this . input ▁= ▁new ▁Input Stream (); ▁▁▁▁ ▁this . output ▁= ▁new ▁Print Stream (); ▁▁▁▁ ▁this . error ▁= ▁new ▁Print Stream |
(); ▁▁ ▁} ▁▁▁▁▁ ▁public ▁void ▁un prepare () ▁{ ▁▁▁▁ ▁this . output ▁= ▁null ; ▁▁▁▁ ▁this . input ▁= ▁null ; ▁▁▁▁ ▁this . error ▁= ▁null ; ▁▁▁▁▁▁▁ ▁// System . out . println (" con sol es :: un prepare (); "); ▁▁ ▁} ▁▁▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁public ▁void ▁print New Line () ▁{ ▁▁▁▁ ▁System . out . println (); ▁▁ ▁} ▁▁▁ ▁public ▁void ▁print String ( String ▁value ) ▁{ ▁▁▁▁ ▁System . out . print ( value ); ▁▁ ▁} ▁▁▁ ▁public ▁void ▁print Integer ( int ▁value ) ▁{ ▁▁▁▁ ▁System . out . print ( value ); ▁▁ ▁} ▁▁▁ ▁public ▁void ▁print Boolean ( boolean ▁value ) ▁{ ▁▁▁▁ ▁System . out . print ( value ); ▁▁ ▁} ▁▁▁▁▁ ▁public ▁void ▁scan New Line () ▁{ ▁▁▁▁ ▁// ▁to - do : ▁... ▁▁ ▁} ▁▁▁▁▁ ▁public ▁void ▁scan String ( String ▁value ) ▁{ ▁▁▁▁ ▁// ▁to - do : ▁... ▁▁ ▁} ▁▁▁ ▁public ▁void ▁scan Integer ( int ▁value ) ▁{ ▁▁▁▁ ▁// ▁to - do : ▁... ▁▁ ▁} ▁▁▁ ▁public ▁void ▁scan Boolean ( boolean ▁value ) ▁{ ▁▁▁▁ ▁// ▁to - do : ▁... ▁▁ ▁} ▁▁▁▁▁ ▁// ▁... ▁▁▁ ▁} ▁ ▁Im plementation ▁▁ ▁import ▁cons oles .*; ▁ ▁class ▁Console Demo ▁{ ▁▁ ▁public ▁static ▁Main Module ▁console ▁= ▁null ; ▁▁▁ ▁public ▁static ▁void ▁prepare () ▁{ ▁▁▁▁ ▁console ▁= ▁Main Module . get Sing leton (); ▁▁▁▁▁ ▁console . |
prepare (); ▁▁ ▁} ▁▁▁ ▁public ▁static ▁void ▁un prepare () ▁{ ▁▁▁▁ ▁console . un prepare (); ▁▁ ▁} ▁▁▁ ▁public ▁static ▁void ▁execute ( String [] ▁args ) ▁{ ▁▁▁▁ ▁console . print String (" Hello ▁World "); ▁▁▁▁ ▁console . print New Line (); ▁▁▁▁ ▁console . scan New Line (); ▁▁ ▁} ▁▁▁ ▁public ▁static ▁void ▁main ( String [] ▁args ) ▁{ ▁▁▁▁ ▁prepare (); ▁▁▁▁ ▁execute ( args ); ▁▁▁▁ ▁un prepare (); ▁▁ ▁} ▁} ▁ ▁C # ▁( C ▁Sh arp ▁. NET ) ▁▁ ▁C #, ▁like ▁Java , ▁supports ▁names paces ▁although ▁the ▁pattern ▁remains ▁useful ▁in ▁specific ▁cases . ▁ ▁The ▁following ▁example ▁uses ▁the ▁singleton ▁pattern . ▁ ▁Definition ▁▁ ▁using ▁System ; ▁using ▁System . IO ; ▁using ▁System . Text ; ▁ ▁namespace ▁Cons oles ▁{ ▁▁▁▁▁ ▁public ▁se aled ▁class ▁Main Module ▁{ ▁▁▁▁▁▁▁▁ ▁private ▁static ▁Main Module ▁Sing leton ▁= ▁null ; ▁▁▁▁▁▁▁▁ ▁public ▁Input Stream ▁input ▁= ▁null ; ▁▁▁▁▁▁▁▁ ▁public ▁Output Stream ▁output ▁= ▁null ; ▁▁▁▁▁▁▁▁ ▁public ▁Error Stream ▁error ▁= ▁null ; ▁▁▁▁▁▁▁▁▁ ▁// ▁... ▁▁▁▁▁▁▁▁▁ ▁public ▁Main Module ▁() ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁// ▁does ▁nothing ▁on ▁purpose ▁! !! ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁ ▁// ▁... ▁▁▁▁▁▁▁▁▁ ▁public ▁static ▁Main Module ▁Get Sing leton () ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁if ▁( Main Module . Sing leton ▁== ▁null ) ▁▁▁▁▁▁▁▁▁▁▁▁ ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁Main Module . Sing leton ▁= ▁new ▁Main Module (); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁return ▁Main Module . Sing leton ; ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁ ▁// |
▁... ▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁P rep are () ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁// System . WriteLine (" console :: prepare (); "); ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . input ▁▁▁ ▁= ▁new ▁Input Stream (); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . output ▁= ▁new ▁Output Stream (); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . error ▁▁▁ ▁= ▁new ▁Error Stream (); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁public ▁void ▁Un prepare () ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . output ▁= ▁null ; ▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . input ▁▁▁ ▁= ▁null ; ▁▁▁▁▁▁▁▁▁▁▁▁ ▁this . error ▁▁▁ ▁= ▁null ; ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁▁▁▁▁ ▁// System . WriteLine (" console :: un prepare (); "); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁// ▁... ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Print New Line () ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁System . Console . WriteLine (" "); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Print String ( String ▁Value ) ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁System . Console . Write ( Value ); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Print Integer ( Integer ▁Value ) ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁System . Console . Write ( Value ); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Print Boolean ( Boolean ▁Value ) ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁System . Console . Write ( Value ); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁public ▁void ▁Sc an New Line () ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁// ▁to - do : ▁... ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁public ▁void ▁Sc an String ( String ▁Value ) ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁// ▁to - do : ▁... ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Sc an Integer ( Integer ▁Value ) ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁// ▁to - do : ▁... ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁void ▁Sc an Boolean ( Boolean ▁Value ) ▁{ |
▁▁▁▁▁▁▁▁▁▁▁▁ ▁// ▁to - do : ▁... ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁ ▁// ▁... ▁▁▁▁▁▁▁▁▁ ▁} ▁} ▁ ▁Im plementation ▁▁▁▁▁▁ ▁class ▁Console Demo ▁{ ▁▁▁▁▁▁▁▁ ▁public ▁static ▁Cons oles . Main Module ▁Console ▁= ▁null ; ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁static ▁void ▁P rep are () ▁▁▁▁▁▁▁▁ ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Console ▁= ▁Cons oles . Main Module . Get Sing leton (); ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁▁ ▁Console . P rep are (); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁static ▁void ▁Un prepare () ▁▁▁▁▁▁▁▁ ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Console . Un prepare (); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁static ▁void ▁Exec ute () ▁▁▁▁▁▁▁▁ ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Console . Print String (" Hello ▁World "); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Console . Print New Line (); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Console . Scan New Line (); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁public ▁static ▁void ▁Main () ▁▁▁▁▁▁▁▁ ▁{ ▁▁▁▁▁▁▁▁▁▁▁▁ ▁P rep are (); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Exec ute ( args ); ▁▁▁▁▁▁▁▁▁▁▁▁ ▁Un prepare (); ▁▁▁▁▁▁▁▁ ▁} ▁▁▁▁ ▁} ▁ ▁Pro totype - based ▁programming ▁languages ▁ ▁JavaScript ▁ ▁JavaScript ▁is ▁commonly ▁used ▁to ▁autom ate ▁web ▁pages . ▁ ▁Definition ▁▁ ▁function ▁Console Class () ▁{ ▁▁ ▁var ▁Input ▁ ▁= ▁null ; ▁▁ ▁var ▁Output ▁= ▁null ; ▁▁ ▁var ▁Error ▁ ▁= ▁null ; ▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁this . prepare ▁= ▁function () ▁{ ▁▁▁▁ ▁this . Input ▁ ▁= ▁new ▁Input Stream (); ▁▁▁▁ ▁this . Output ▁= ▁new ▁Output Stream (); ▁▁▁▁ ▁this . Error ▁ ▁= ▁new ▁Error Stream (); ▁▁ ▁} ▁▁▁ ▁this . un prepare ▁= ▁function () ▁{ ▁▁▁▁ ▁this . Input ▁ ▁= ▁null |
; ▁▁▁▁ ▁this . Output ▁= ▁null ; ▁▁▁▁ ▁this . Error ▁ ▁= ▁null ; ▁▁ ▁} ▁▁▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁var ▁print New Line ▁= ▁function () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁a ▁new ▁line ▁▁ ▁} ▁▁▁ ▁var ▁print String ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁▁ ▁} ▁▁▁ ▁var ▁print Integer ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁▁ ▁} ▁▁▁ ▁var ▁print Boolean ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁▁ ▁} ▁▁▁ ▁var ▁Sc an New Line ▁= ▁function () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁looks ▁for ▁a ▁newline ▁▁ ▁} ▁▁▁ ▁var ▁Sc an String ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁inputs ▁data ▁into ▁parameters ▁▁ ▁} ▁▁▁▁▁ ▁var ▁Sc an Integer ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁inputs ▁data ▁into ▁parameters ▁▁ ▁} ▁▁▁ ▁var ▁Sc an Boolean ▁= ▁function ( params ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁inputs ▁data ▁into ▁parameters ▁▁ ▁} ▁▁▁▁▁ ▁// ▁... ▁▁▁ ▁} ▁ ▁Im plementation ▁▁ ▁function ▁Console Demo () ▁{ ▁▁ ▁var ▁Console ▁ ▁= ▁null ; ▁▁▁ ▁var ▁prepare ▁= ▁function () ▁{ ▁▁▁▁ ▁Console ▁ ▁= ▁new ▁Console Class (); ▁▁▁▁▁ ▁Console . prepare (); ▁▁ ▁} ▁▁▁▁▁ ▁var ▁un prepare ▁= ▁function () ▁{ ▁▁▁▁ ▁Console . un prepare (); ▁▁▁▁ ▁} ▁▁▁ ▁var ▁run ▁= ▁function () ▁{ ▁▁▁▁ ▁Console . print String (" Hello ▁World "); ▁▁▁▁ |
▁Console . print New Line (); ▁▁ ▁} ▁▁▁ ▁var ▁main ▁= ▁function () ▁{ ▁▁▁▁ ▁this . prepare (); ▁▁▁▁ ▁this . run (); ▁▁▁▁ ▁this . un prepare (); ▁▁ ▁} ▁▁ ▁} ▁ ▁Pro ced ural ▁programming ▁languages ▁▁ ▁This ▁pattern ▁may ▁be ▁seen ▁as ▁a ▁proced ural ▁extension ▁to ▁object - orient ed ▁languages . ▁ ▁Although ▁the ▁proced ural ▁and ▁mod ular ▁programming ▁parad ig ms ▁are ▁often ▁used ▁together , ▁there ▁are ▁cases ▁where ▁a ▁proced ural ▁programming ▁language ▁may ▁not ▁fully ▁support ▁modules , ▁hence ▁requiring ▁a ▁design ▁pattern ▁implementation . ▁ ▁PHP ▁( pro ced ural ) ▁▁ ▁This ▁example ▁applies ▁to ▁proced ural ▁PHP ▁before ▁names paces ▁( int rodu ced ▁in ▁version ▁ 5 . 3 . 0 ). ▁It ▁is ▁recommended ▁that ▁each ▁member ▁of ▁a ▁module ▁is ▁given ▁a ▁prefix ▁related ▁to ▁the ▁filename ▁or ▁module ▁name ▁in ▁order ▁to ▁avoid ▁identifier ▁coll isions . ▁ ▁Definition ▁▁ ▁<? php ▁// ▁filename : ▁console . php ▁ ▁function ▁console _ prepare () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prepar es ▁a ▁" console " ▁} ▁ ▁function ▁console _ un prepare () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁un pre par es ▁a ▁" console " ▁} ▁ ▁// ▁... ▁ ▁function ▁console _ print New Line () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁ou put s ▁a ▁new ▁line ▁} ▁ ▁function ▁console _ print String ( /* ▁String ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁} ▁ ▁function ▁console |
_ print Integer ( /* ▁Integer ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁} ▁ ▁function ▁console _ print Boolean ( /* ▁Boolean ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prints ▁parameters ▁} ▁ ▁function ▁console _ scan New Line () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁looks ▁for ▁a ▁new ▁line ▁} ▁ ▁function ▁console _ scan String ( /* ▁String ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁stores ▁data ▁into ▁parameters ▁} ▁ ▁function ▁console _ scan Integer ( /* ▁Integer ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁stores ▁data ▁into ▁parameters ▁} ▁ ▁function ▁console _ scan Boolean ( /* ▁Boolean ▁*/ ▁Value ) ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁stores ▁data ▁into ▁parameters ▁} ▁ ▁Im plementation ▁▁ ▁// ▁filename : ▁console demo . php ▁ ▁require _ once (" console . php "); ▁ ▁function ▁console demo _ prepare () ▁{ ▁▁▁▁ ▁console _ prepare (); ▁} ▁ ▁function ▁console demo _ un prepare () ▁{ ▁▁▁▁ ▁console _ un prepare (); ▁} ▁ ▁function ▁console demo _ execute () ▁{ ▁▁▁▁ ▁console _ print String (" Hello ▁World "); ▁▁▁▁ ▁console _ print New Line (); ▁▁▁▁ ▁console _ scan New Line (); ▁} ▁ ▁function ▁console demo _ main () ▁{ ▁▁▁▁ ▁console demo _ prepare (); ▁▁▁▁ ▁console demo _ execute (); ▁▁▁▁ ▁console demo _ un prepare (); ▁} ▁ ▁C ▁▁ ▁Note ▁that ▁this ▁example ▁applies ▁to ▁proced ural ▁C ▁without ▁names paces . ▁It ▁is ▁recommended ▁that ▁each |
▁member ▁of ▁a ▁module ▁is ▁given ▁a ▁prefix ▁related ▁to ▁the ▁filename ▁or ▁module ▁name ▁in ▁order ▁to ▁avoid ▁identifier ▁coll isions . ▁ ▁Definition ▁header ▁module ▁▁▁▁ ▁// ▁filename : ▁" con sol es . h " ▁▁▁ ▁# include ▁< stdio . h > ▁▁ ▁# include ▁< string . h > ▁▁ ▁# include ▁< ct ype . h > ▁▁▁▁▁ ▁void ▁cons oles _ prepare (); ▁▁▁ ▁void ▁cons oles _ un prepare (); ▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁void ▁cons oles _ print New Line (); ▁▁▁▁▁ ▁void ▁cons oles _ print String ( char * ▁Value ); ▁▁▁▁ ▁void ▁cons oles _ print Integer ( int ▁Value ); ▁▁▁▁ ▁void ▁cons oles _ print Boolean ( bool ▁Value ); ▁▁▁▁▁ ▁void ▁cons oles _ scan New Line (); ▁▁▁▁▁▁ ▁void ▁cons oles _ scan String ( char * ▁Value ); ▁▁▁▁ ▁void ▁cons oles _ scan Integer ( int * ▁Value ); ▁▁▁▁ ▁void ▁cons oles _ scan Boolean ( bool * ▁Value ); ▁ ▁Definition ▁body ▁module ▁▁▁▁ ▁// ▁filename : ▁" con sol es . c " ▁▁▁ ▁# include ▁< stdio . h > ▁▁ ▁# include ▁< string . h > ▁▁ ▁# include ▁< ct ype . h > ▁▁ ▁# include ▁< con sol es . h > ▁▁▁▁▁ ▁void ▁cons oles _ prepare () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁prepar es ▁console ▁▁ ▁} ▁▁▁▁ ▁void ▁cons oles _ un prepare () ▁{ ▁▁▁▁ ▁// ▁code ▁that ▁un pre par es |
▁console ▁▁ ▁} ▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁void ▁cons oles _ print New Line () ▁{ ▁▁▁▁ ▁printf ("\ n "); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ print String ( char * ▁Value ) ▁{ ▁ ▁printf ("% s ", ▁Value ); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ print Integer ( int ▁Value ) ▁{ ▁▁▁▁ ▁printf ("% d ", ▁& Value ); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ print Boolean ( bool ▁Value ) ▁{ ▁▁▁▁ ▁if ▁( Value ) ▁ ▁{ ▁▁▁ ▁printf (" true "); ▁ ▁} ▁ ▁else ▁ ▁{ ▁▁▁ ▁printf (" false "); ▁ ▁} ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ scan New Line () ▁{ ▁▁▁▁ ▁get ch (); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ scan String ( char * ▁Value ) ▁{ ▁▁▁▁ ▁scan f ("% s ", ▁Value ); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ scan Integer ( int * ▁Value ) ▁{ ▁▁▁▁ ▁scan f ("% d ", ▁Value ); ▁▁ ▁} ▁▁▁▁▁ ▁void ▁cons oles _ scan Boolean ( bool * ▁Value ) ▁{ ▁▁▁▁ ▁char ▁temp [ 5 1 2 ]; ▁▁▁▁ ▁scan f ("% s ", ▁temp ); ▁▁▁ ▁* Value ▁= ▁( str cmp ( Temp , ▁" true ") ▁== ▁ 0 ); ▁▁ ▁} ▁ ▁Im plementation ▁▁▁▁ ▁// ▁filename : ▁" console demo . c " ▁▁▁ ▁# include ▁< stdio . h > ▁▁ ▁# include ▁< string . h > ▁▁ ▁# include ▁< ct ype . h |
> ▁▁ ▁# include ▁< con sol es . h > ▁▁▁ ▁void ▁console demo _ prepare () ▁▁ ▁{ ▁▁▁▁ ▁cons oles _ prepare (); ▁▁ ▁} ▁▁▁▁▁▁ ▁void ▁console demo _ un prepare () ▁▁ ▁{ ▁▁▁▁ ▁cons oles _ un prepare (); ▁▁ ▁} ▁▁▁▁▁▁ ▁int ▁console demo _ execute () ▁▁ ▁{ ▁▁▁▁ ▁cons oles _ print String (" Hello ▁World "); ▁▁▁▁ ▁cons oles _ print New Line (); ▁▁▁▁▁▁ ▁cons oles _ scan New Line (); ▁▁▁▁▁▁ ▁return ▁ 0 ; ▁▁ ▁} ▁▁▁▁▁▁ ▁int ▁main () ▁▁ ▁{ ▁▁▁▁ ▁Error Code ▁Result ▁= ▁ 0 ; ▁▁▁▁▁▁▁ ▁console demo _ prepare (); ▁▁▁▁ ▁Error Code ▁= ▁console demo _ execute (); ▁▁▁▁ ▁console demo _ un prepare (); ▁▁▁ ▁return ▁Error Code ; ▁▁ ▁} ▁ ▁Pro ced ural ▁Pascal ▁▁ ▁Note ▁that ▁this ▁example ▁applies ▁to ▁proced ural ▁non - mod ular ▁Pascal . ▁Many ▁Pascal ▁dialect s ▁have ▁namespace ▁support , ▁called ▁" unit ▁( s ) ". ▁Some ▁dialect s ▁also ▁support ▁initialization ▁and ▁final ization . ▁ ▁If ▁names paces ▁are ▁not ▁supported , ▁it ▁is ▁recommended ▁to ▁give ▁all ▁member ▁names ▁a ▁prefix ▁related ▁to ▁the ▁filename ▁or ▁module ▁name ▁in ▁order ▁to ▁prevent ▁identifier ▁coll isions . ▁ ▁Definition ▁▁▁▁ ▁unit ▁cons oles ; ▁▁ ▁(* ▁filename : ▁" con sol es . pas " ▁*) ▁▁▁ ▁uses ▁cr t ; ▁▁▁ ▁procedure ▁prepare (); ▁▁ ▁begin ▁▁▁▁ ▁(* ▁code ▁that ▁prepar es ▁console ▁*) ▁▁ ▁end ; ▁▁▁▁ ▁procedure |
▁un prepare (); ▁▁ ▁begin ▁▁▁▁ ▁(* ▁code ▁that ▁un pre par es ▁console ▁*) ▁▁ ▁end ; ▁▁▁ ▁// ▁... ▁▁▁▁▁ ▁procedure ▁print New Line (); ▁▁ ▁begin ▁▁▁▁ ▁Write L n (); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁print String ( Value : ▁string ); ▁▁ ▁begin ▁ ▁Write ( Value ); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁print Integer ( Value : ▁integer ); ▁▁ ▁begin ▁ ▁Write ( Value ); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁print Boolean ( Value : ▁boolean ); ▁▁ ▁begin ▁▁▁▁ ▁if ▁( Value ) ▁then ▁ ▁begin ▁▁▁▁▁ ▁Write (' true '); ▁ ▁end ▁else ▁ ▁begin ▁▁▁▁▁ ▁Write (' false '); ▁ ▁end ; ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁scan New Line (); ▁▁ ▁begin ▁▁▁▁ ▁Se ek E o L n (); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁scan String ( Value : ▁string ); ▁▁ ▁begin ▁▁▁▁ ▁Read L n ( Value ); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁scan Integer ( Value : ▁Integer ); ▁▁ ▁begin ▁▁▁▁ ▁Read L n ( Value ); ▁▁ ▁end ; ▁▁▁▁▁ ▁procedure ▁scan Boolean ( Value : ▁Boolean ); ▁▁▁▁ ▁var ▁temp : ▁string ; ▁▁ ▁begin ▁▁▁▁ ▁Read L n ( temp ); ▁▁▁▁▁▁ ▁if ▁( Temp ▁= ▁' true ') ▁then ▁▁▁▁ ▁begin ▁▁▁▁▁▁ ▁Value ▁:= ▁true ; ▁▁▁▁ ▁end ▁else ▁▁▁▁ ▁begin ▁▁▁▁▁▁ ▁Value ▁:= ▁false ; ▁▁▁▁ ▁end ; ▁▁ ▁end ; ▁ ▁Im plementation ▁▁▁▁ ▁program ▁console demo ; ▁▁ ▁// ▁filename : ▁" con sol es . pas " ▁▁▁ ▁uses |
▁cons oles ; ▁▁▁ ▁procedure ▁prepare (); ▁▁ ▁begin ▁▁▁▁ ▁cons oles . prepare (); ▁▁ ▁end ; ▁▁▁▁▁▁ ▁procedure ▁un prepare (); ▁▁ ▁begin ▁▁▁▁ ▁cons oles . un prepare (); ▁▁ ▁end ; ▁▁▁ ▁function ▁execute (): ▁Integer ; ▁▁ ▁begin ▁▁▁▁ ▁cons oles . print String (' Hello ▁World '); ▁▁▁▁ ▁cons oles . print New Line (); ▁▁▁▁▁▁ ▁cons oles . scan New Line (); ▁▁▁▁▁▁▁▁ ▁execute ▁:= ▁ 0 ; ▁▁ ▁end ; ▁▁▁▁▁▁ ▁begin ▁▁▁▁ ▁prepare (); ▁▁▁▁ ▁execute (); ▁▁▁▁ ▁un prepare (); ▁▁ ▁end . ▁ ▁Compar isons ▁to ▁other ▁concepts ▁ ▁Names paces ▁▁ ▁Both ▁names paces ▁and ▁modules ▁allow ▁to ▁group ▁several ▁related ▁entities ▁by ▁a ▁single ▁identifier , ▁and ▁in ▁some ▁situations , ▁used ▁inter change ably . ▁Those ▁entities ▁can ▁be ▁glob ally ▁accessed . ▁The ▁main ▁purpose ▁of ▁both ▁concepts ▁is ▁the ▁same . ▁ ▁In ▁some ▁scenarios ▁a ▁namespace ▁requires ▁that ▁the ▁global ▁elements ▁that ▁compose ▁it ▁are ▁initialized ▁and ▁final ized ▁by ▁a ▁function ▁or ▁method ▁call . ▁ ▁In ▁many ▁programming ▁languages , ▁names paces ▁are ▁not ▁directly ▁intended ▁to ▁support ▁an ▁initialization ▁process ▁nor ▁a ▁final ization ▁process , ▁and ▁are ▁therefore ▁not ▁equivalent ▁to ▁modules . ▁That ▁limitation ▁can ▁be ▁worked ▁around ▁in ▁two ▁ways . ▁In ▁names paces ▁that ▁support ▁global ▁functions , ▁a ▁function ▁for ▁initialization ▁and ▁a ▁function ▁for ▁final ization ▁are ▁c oded ▁directly , ▁and ▁called ▁directly ▁in ▁the ▁main ▁program ▁code . ▁ ▁Class es ▁and ▁names paces ▁▁ |
▁Class es ▁are ▁used ▁sometimes ▁used ▁as ▁or ▁with ▁names paces . ▁In ▁programming ▁languages ▁that ▁don ' t ▁support ▁names paces ▁( e . g ., ▁JavaScript ) ▁but ▁do ▁support ▁classes ▁and ▁objects , ▁classes ▁are ▁often ▁used ▁to ▁substitute ▁for ▁names paces . ▁These ▁classes ▁are ▁usually ▁not ▁instanti ated ▁and ▁consist ▁exclus ively ▁of ▁static ▁members . ▁ ▁Sing leton ▁classes ▁and ▁names paces ▁▁ ▁In ▁object - orient ed ▁programming ▁languages ▁where ▁names paces ▁are ▁in comple t ely ▁supported , ▁the ▁singleton ▁pattern ▁may ▁be ▁used ▁instead ▁of ▁static ▁members ▁within ▁a ▁non - inst anti able ▁class . ▁ ▁Rel ations hip ▁with ▁other ▁design ▁patterns ▁▁ ▁The ▁module ▁pattern ▁can ▁be ▁implemented ▁using ▁a ▁special ization ▁of ▁the ▁singleton ▁pattern . ▁However , ▁other ▁design ▁patterns ▁may ▁be ▁applied ▁and ▁combined , ▁in ▁the ▁same ▁class . ▁ ▁This ▁pattern ▁can ▁be ▁used ▁as ▁a ▁decor ator , ▁a ▁fly weight , ▁or ▁an ▁adapter . ▁ ▁Module ▁as ▁a ▁design ▁pattern ▁▁ ▁The ▁Module ▁pattern ▁can ▁be ▁considered ▁a ▁cre ational ▁pattern ▁and ▁a ▁struct ural ▁pattern . ▁It ▁man ages ▁the ▁creation ▁and ▁organization ▁of ▁other ▁elements , ▁and ▁groups ▁them ▁as ▁the ▁struct ural ▁pattern ▁does . ▁ ▁An ▁object ▁that ▁applies ▁this ▁pattern ▁can ▁provide ▁the ▁equivalent ▁of ▁a ▁namespace , ▁providing ▁the ▁initialization ▁and ▁final ization ▁process ▁of ▁a ▁static ▁class ▁or ▁a ▁class ▁with ▁static ▁members ▁with ▁cleaner , ▁more ▁conc ise ▁syntax ▁and ▁semantics . ▁ ▁It ▁supports |
▁specific ▁cases ▁where ▁a ▁class ▁or ▁object ▁can ▁be ▁considered ▁struct ured , ▁proced ural ▁data . ▁And , ▁vice ▁vers a , ▁migr ate ▁struct ured , ▁proced ural ▁data , ▁and ▁considered ▁as ▁object - orient ed . ▁ ▁See ▁also ▁▁▁ ▁Design ▁pattern ▁ ▁Design ▁Pattern s ▁( E . ▁G amma ▁et ▁al .) ▁ ▁Sing leton ▁pattern ▁ ▁Ad apter ▁pattern ▁ ▁Category : So ftware ▁design ▁patterns ▁Category : Art icles ▁with ▁example ▁C ▁Sh arp ▁code ▁Category : Art icles ▁with ▁example ▁Java ▁code <0x0A> </s> ▁Gran ob last ic ▁is ▁an ▁ad jective ▁describing ▁an ▁an hed ral ▁ph an er it ic ▁equ i - gr an ular ▁met am orph ic ▁rock ▁texture . ▁Gran ob last ic ▁texture ▁is ▁typical ▁of ▁quart z ite , ▁mar ble ▁and ▁other ▁non - fol i ated ▁met am orph ic ▁rocks ▁without ▁por phy ro bl asts . ▁Character istics ▁defining ▁gran ob last ic ▁texture ▁include : ▁gra ins ▁visible ▁to ▁the ▁una ided ▁eye , ▁s ut ured ▁boundaries ▁and ▁approximately ▁equ id im ensional ▁gra ins . ▁The ▁gra in ▁boundaries ▁intersect ▁at ▁ 1 2 0 ° ▁triple ▁j unction s ▁under ▁ideal ▁conditions . ▁Vari ation ▁from ▁the ▁ideal ▁results ▁from ▁stress ▁produced ▁fol iation ▁during ▁cry st all ization ▁resulting ▁in ▁sch ist ose ▁text ures . ▁▁ ▁A ▁rock ▁that ▁has ▁a ▁gran ob last ic ▁texture ▁can ▁be ▁term ed ▁a ▁gran of els . ▁ |
▁References ▁Dictionary ▁of ▁M ining , ▁Min eral , ▁and ▁Rel ated ▁Term s ▁Met am orph ic ▁Micro struct ures ▁ ▁Category : Met am orph ic ▁rocks <0x0A> </s> ▁Ang elo ▁Gil ard ino ▁( born ▁ 1 6 ▁November ▁ 1 9 4 1 ▁in ▁Ver cel li ) ▁is ▁an ▁Italian ▁composer , ▁ ▁guitar ist ▁and ▁music ologist . ▁ ▁Career ▁During ▁his ▁concert ▁career , ▁from ▁ 1 9 5 8 ▁to ▁ 1 9 8 1 , ▁he ▁premier ed ▁hundreds ▁of ▁new ▁works ▁for ▁the ▁guitar . ▁He ▁taught ▁at ▁the ▁L ice o ▁Music ale ▁G . ▁B . ▁Vi otti ▁in ▁Ver cel li ▁from ▁ 1 9 6 5 ▁to ▁ 1 9 8 1 , ▁and ▁held ▁a ▁professor ship ▁at ▁the ▁Antonio ▁V ival di ▁Conserv atory ▁in ▁Aless and ria ▁from ▁ 1 9 8 1 ▁to ▁ 2 0 0 4 . ▁The ▁Conserv atory ▁awarded ▁him ▁the ▁Mar engo ▁Music ▁Prize ▁in ▁ 1 9 9 8 . ▁ ▁Gil ard ino ▁has ▁composed ▁much ▁music ▁for ▁solo ▁guitar , ▁as ▁well ▁as ▁chamber ▁music ▁and ▁concert os . ▁His ▁solo ▁works ▁include ▁five ▁volumes ▁of ▁St udi ▁di ▁virt u os ità ▁e ▁di ▁tr asc enden za ▁( 1 9 8 1 - 1 9 8 8 ), ▁two ▁number ed ▁son at as ▁( 1 9 8 5 , ▁ 1 9 8 6 ) ▁as ▁well ▁as ▁several ▁titled ▁son at as ▁and |