rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
equalizer_2 | tt3766354 | _9vXliayHXUb | 1
00:00:01,070 --> 00:00:03,550
Waves splash over a barrier and onto a deck.
2
00:00:05,510 --> 00:00:09,110
Ari passes printed photos of Susan hanging on an exterior wall.
3
00:00:10,870 --> 00:00:12,110
He looks over his shoulder.
4
00:00:15,230 --> 00:00:16,990
He cautiously moves toward the barrier
5
00:00:16,9... | 1
00:00:05,870 --> 00:00:09,710
Printouts of a smiling Susan are pinned to the shingles on the side of a house.
2
00:00:09,990 --> 00:00:11,550
Ari looks over his shoulder.
3
00:00:16,910 --> 00:00:17,830
Ari looks up,
4
00:00:17,870 --> 00:00:18,750
then moves forward
5
00:00:18,750 --> 00:00:22,050
and is drenche... | 1
00:00:13,010 --> 00:00:14,340
What the fuck?
2
00:00:56,470 --> 00:00:57,680
Ari.
3
00:00:57,850 --> 00:01:00,810
Resnik! Somebody talk to me.
4
00:01:00,980 --> 00:01:02,570
Ari.
5
00:01:03,850 --> 00:01:06,100
Son of a bitch!
6
00:01:15,660 --> 00:01:21,000
Ari's down! Ari's down!
And Mac made a fucking mess o... | 1
00:00:12,690 --> 00:00:14,530
What the fuck?
2
00:00:25,970 --> 00:00:29,010
[YELLING IN PAIN]
3
00:00:33,480 --> 00:00:35,650
[GROANING]
4
00:00:38,350 --> 00:00:40,320
[GRUNTS]
5
00:00:53,200 --> 00:00:56,250
[GRUNTING]
6
00:00:56,270 --> 00:00:58,080
DAVE [OVER RADIO]:
Ari.
7
00:00:58,100 --> 00:00:59,570
Re... | null | 7257.28 | 5958.56 | 259.67 |
equalizer_2 | tt3766354 | eMRyumAWVzse | 1
00:00:06,480 --> 00:00:08,400
McCall spots the car nearby.
2
00:00:14,560 --> 00:00:15,720
Dave shoots a headlight.
3
00:00:19,640 --> 00:00:21,000
Miles struggles in the trunk.
4
00:00:21,400 --> 00:00:22,880
Dave looks at the stormy sky.
5
00:00:32,760 --> 00:00:33,800
He shoots the mirror.
6
00:00:37,240 --> ... | 1
00:00:19,570 --> 00:00:21,370
Dave shoots the bonnet and the headlight,
2
00:00:21,370 --> 00:00:23,730
then glances up at the skies and grins.
3
00:00:37,370 --> 00:00:39,770
McCall glances at the towel in the boot.
4
00:00:39,810 --> 00:00:41,930
Miles rides and sweats with fear.
5
00:00:42,210 --> 00:00:44,210... | 1
00:00:00,110 --> 00:00:03,110
I don't know who the kid is,
or if he means anything to you.
2
00:00:04,290 --> 00:00:06,630
I took the chance that he matters.
3
00:00:08,540 --> 00:00:13,540
I'll make it simple. Step out,
show yourself and I won't kill the kid.
4
00:00:26,600 --> 00:00:29,350
The wind makes it inte... | 1
00:00:00,230 --> 00:00:02,270
DAVE: I don't know
who the kid is, Mac,
2
00:00:02,300 --> 00:00:04,370
or if he means
anything to you.
3
00:00:04,400 --> 00:00:06,910
I took the chance
that he matters.
4
00:00:06,940 --> 00:00:08,610
[PANTING]
5
00:00:08,640 --> 00:00:10,050
I'll make it simple.
6
00:00:10,070 --... | null | 7257.28 | 6319.68 | 217.06 |
escape_from_alcatraz | tt0079116 | nwHAENowtge5 | 1
00:00:01,330 --> 00:00:03,650
Morris spots Litmus washing his pet mouse.
2
00:00:03,890 --> 00:00:05,130
The inmate smiles.
3
00:00:17,770 --> 00:00:20,930
Watching Morris, the burly inmate walks through the billowing steam.
4
00:00:20,970 --> 00:00:23,010
A slender prisoner nervously eyes him.
5
00:00:23,130 -->... | 1
00:00:19,000 --> 00:00:20,460
The fat prisoner arrives
2
00:00:20,460 --> 00:00:21,260
in the shower.
3
00:00:21,510 --> 00:00:24,270
A skinny, frightened inmate makes room for him.
4
00:00:24,520 --> 00:00:25,940
He stands close to Frank
5
00:00:25,980 --> 00:00:27,230
and tilts back his head,
6
00:00:27,230 --... | 1
00:00:09,050 --> 00:00:13,090
- You two go everywhere together?
- Sure. Even to bed together.
2
00:00:13,180 --> 00:00:15,050
When I wash, he washes.
3
00:00:15,180 --> 00:00:18,560
That way we sleep
nice-nice together. Capisce?
4
00:00:38,290 --> 00:00:39,580
I'm Wolf.
5
00:00:41,870 --> 00:00:44,420
Where did t... | 1
00:00:08,750 --> 00:00:12,750
- Do you two go everywhere together?
- Sure, even to bed together.
2
00:00:12,960 --> 00:00:17,380
And when I wash, he washes.
That way we sleep nice together.
3
00:00:38,150 --> 00:00:39,360
I'm Wolf.
4
00:00:41,610 --> 00:00:45,160
- Where did they transfer you from?
- Atlanta.
5
0... | null | 6739.23 | 1045.34 | 102.91 |
escape_from_alcatraz | tt0079116 | sYUVKRh_udAm | 1
00:00:00,480 --> 00:00:02,880
Blaring, Wolf pushes through a group of prisoners.
2
00:00:04,800 --> 00:00:06,480
He shoves another man out of the way.
3
00:00:07,680 --> 00:00:08,960
Morris stands with Doc.
4
00:00:15,760 --> 00:00:18,640
Wolf forces past more inmates, his eyes fixed ahead.
5
00:00:27,400 --> 00:... | 1
00:00:00,260 --> 00:00:04,730
Wolf looking murderous, barges his way through a group of inmates towards Frank.
2
00:00:04,780 --> 00:00:06,320
Who's with the artist, doc?
3
00:00:16,980 --> 00:00:19,280
Wolf strides purposefully across the yard,
4
00:00:19,320 --> 00:00:21,040
hands in his jacket pockets.
5
00:00... | 1
00:00:02,810 --> 00:00:05,190
Hey, jive dude, where you going?
2
00:00:08,360 --> 00:00:12,110
Summer's coming on.
It's getting cooler.
3
00:00:12,190 --> 00:00:16,700
Weather here is as crazy as The Rock.
Maybe crazier.
4
00:00:21,370 --> 00:00:25,080
Mark Twain wrote that
the coldest winter he ever spent
5
00:0... | 1
00:00:02,840 --> 00:00:05,680
Hey, you jive dude!
Where are you going?
2
00:00:09,140 --> 00:00:11,970
Summer's coming on.
It's getting cooler.
3
00:00:12,980 --> 00:00:16,480
The weather here's as crazy
as the Rock. Maybe crazier.
4
00:00:21,780 --> 00:00:24,570
Mark Twain wrote that
the coldest winter he ever sp... | null | 6739.23 | 1746.11 | 98.99 |
escape_from_alcatraz | tt0079116 | R6NGMe6XF_ri | 1
00:00:00,720 --> 00:00:03,080
Morris steps closer to the guard with the clipboard.
2
00:00:10,360 --> 00:00:11,400
Morris walks away.
3
00:00:11,640 --> 00:00:13,840
Stepping to a Worktable doc looks off.
4
00:00:19,920 --> 00:00:22,240
The guard looks at pieces of wood on the table.
5
00:00:22,240 --> 00:00:24,0... | 1
00:00:00,670 --> 00:00:02,390
Frank approaches the guard.
2
00:00:11,370 --> 00:00:13,260
Doc stands by a workbench.
3
00:00:20,910 --> 00:00:22,140
The guard checks the bench,
4
00:00:22,140 --> 00:00:26,030
then goes to a caged store room with doc Bob.
5
00:00:29,200 --> 00:00:31,710
The chopper is passed throu... | 1
00:00:03,090 --> 00:00:07,220
I'd keep my eye on Doc.
He seems pretty upset.
2
00:00:07,300 --> 00:00:09,970
Cons are always upset
about something.
3
00:00:10,100 --> 00:00:11,730
Put your overalls on.
4
00:00:15,310 --> 00:00:18,770
Mr Zimmerman,
I'm making a new table.
5
00:00:18,860 --> 00:00:20,690
I need a h... | 1
00:00:03,330 --> 00:00:06,460
If I were you, I'd keep my eye on Doc.
He seems pretty upset.
2
00:00:06,540 --> 00:00:10,250
Cons are always upset
about something. Put your overalls on.
3
00:00:14,930 --> 00:00:16,590
Mr Zimmerman.
4
00:00:17,760 --> 00:00:20,220
I'm making a new table,
I need a hatchet.
5
00:00:2... | null | 6739.23 | 2478.14 | 180.16 |
escape_from_alcatraz | tt0079116 | DkUhbuDMFBU6 | 1
00:00:03,220 --> 00:00:05,780
He pinches filings from the dime between his fingertips
2
00:00:05,780 --> 00:00:07,300
and sprinkles them on the seam.
3
00:00:11,860 --> 00:00:13,580
The inmate studies his work closely
4
00:00:13,580 --> 00:00:14,580
and grabs a match.
5
00:00:17,460 --> 00:00:18,900
He glances to... | 1
00:00:07,580 --> 00:00:09,380
He picks up the dime shavings
2
00:00:09,380 --> 00:00:11,050
and drops them onto the join.
3
00:00:17,950 --> 00:00:19,830
He looks over his shoulder at the bars,
4
00:00:19,830 --> 00:00:21,330
then reaches up to the pull switch
5
00:00:21,330 --> 00:00:22,550
and turns off the lig... | 1
00:00:52,240 --> 00:00:54,620
Hey, Frank, what's burning?
2
00:00:56,790 --> 00:01:00,960
If you see one of those bulls
coming, just start whistling.
3
00:02:06,360 --> 00:02:08,900
Hey, Spoof, what's for breakfast?
4
00:02:42,100 --> 00:02:43,890
I smell something burning.
| 1
00:00:52,100 --> 00:00:54,230
CHARLEY: Hey, Frank. What's burning?
2
00:00:54,610 --> 00:00:55,610
Shh!
3
00:00:56,900 --> 00:01:00,950
If you see one of those bulls coming,
you just start whistling.
4
00:01:50,250 --> 00:01:51,250
(SIGHS)
5
00:02:06,470 --> 00:02:09,100
Hey, Spoof. What's for breakfast?
6
00:02... | null | 6739.23 | 3716.03 | 166.42 |
escape_from_alcatraz | tt0079116 | aGnxHJYfas4e | 1
00:00:04,590 --> 00:00:08,630
Later, Morris adds green paint to the false vent, matching the colour of the wall.
2
00:00:10,910 --> 00:00:13,430
He sets the fully moulded head replica on his bed
3
00:00:13,430 --> 00:00:15,990
and positions the completed vent piece over the hole.
4
00:00:17,550 --> 00:00:20,510
Th... | 1
00:00:05,830 --> 00:00:09,080
He paints the false grille grey to match the wall.
2
00:00:12,840 --> 00:00:15,230
He takes the head he has created out of the hole
3
00:00:15,230 --> 00:00:17,070
and places it on the end of his bed.
4
00:00:17,110 --> 00:00:19,410
He puts the fake cover over the hole.
5
00:00:22,71... | 1
00:02:15,300 --> 00:02:16,300
(TAPPING)
| null | 6739.23 | 4316.06 | 160.43 | |
escape_from_alcatraz | tt0079116 | 2Pg_uaaOin7Q | 1
00:00:00,060 --> 00:00:02,860
Morris creeps to the spot beneath the ventilation shaft.
2
00:00:02,900 --> 00:00:04,300
He prepares the fan drill.
3
00:00:05,980 --> 00:00:07,860
John works on the assembled raincoats,
4
00:00:07,900 --> 00:00:08,980
patching them together.
5
00:00:12,260 --> 00:00:15,420
Gripping ... | 1
00:00:00,050 --> 00:00:03,150
Frank bends down to pick up the fan and some flex.
2
00:00:03,150 --> 00:00:05,780
John kneels over the raincoat fabric on the floor.
3
00:00:15,690 --> 00:00:16,900
Frank freezes.
4
00:00:16,940 --> 00:00:19,580
John ducks as the guard patrols below them.
5
00:00:28,980 --> 00:00:30... | 1
00:00:30,140 --> 00:00:31,520
Hey.
2
00:00:34,770 --> 00:00:36,190
Give me a boost.
3
00:00:49,870 --> 00:00:51,290
Pipe.
4
00:01:34,000 --> 00:01:37,840
OK. Hand me the drill.
5
00:02:34,060 --> 00:02:36,350
We're all through.
| 1
00:00:30,170 --> 00:00:31,170
Hey.
2
00:00:35,010 --> 00:00:37,180
Give me a boost.
3
00:00:50,030 --> 00:00:51,360
Pipe.
4
00:00:56,450 --> 00:00:57,450
Shh!
5
00:01:26,560 --> 00:01:27,980
(PIPE CLATTERS)
6
00:01:34,070 --> 00:01:37,410
Okay... Hand me the drill.
7
00:01:46,750 --> 00:01:48,830
(WHIRRING)
8
... | null | 6739.23 | 4958.02 | 164.21 |
escape_from_alcatraz | tt0079116 | 4dYjIWmFd1ac | 1
00:00:00,320 --> 00:00:01,840
Morris puts a flower in a cup
2
00:00:01,840 --> 00:00:02,640
and adds water.
3
00:00:04,000 --> 00:00:05,680
The warden makes his way toward him
4
00:00:05,920 --> 00:00:06,640
at the table.
5
00:00:06,680 --> 00:00:08,760
Morris passes along the pitcher of water.
6
00:00:09,000 --... | 1
00:00:03,430 --> 00:00:05,920
He pauses and looks over at Frank's table.
2
00:00:06,170 --> 00:00:08,300
Frank places a yellow flower in a mug
3
00:00:08,300 --> 00:00:10,310
and pours water from a jug into it.
4
00:00:33,550 --> 00:00:34,890
The warden picks up the flower
5
00:00:34,890 --> 00:00:36,440
and crus... | 1
00:00:12,410 --> 00:00:14,540
What's that for?
2
00:00:14,620 --> 00:00:16,910
Just thinking about Doc.
3
00:00:17,000 --> 00:00:21,290
Yeah. We planted
those chrysanthemums 15 years ago.
4
00:00:21,420 --> 00:00:24,880
They meant a lot to Doc. To me, too.
5
00:00:24,960 --> 00:00:28,680
- I had a garden.
- What'... | 1
00:00:12,270 --> 00:00:16,570
- What's that for?
- I was just thinking about Doc.
2
00:00:16,900 --> 00:00:20,950
We planted those chrysanthemums
15 years ago.
3
00:00:21,570 --> 00:00:24,450
They meant a lot to Doc. To me, too.
4
00:00:24,580 --> 00:00:27,410
- I had a garden once.
- What did you grow? Weeds?
5
... | null | 6739.23 | 5173.28 | 77.44 |
escape_from_alcatraz | tt0079116 | zBHSkWFwmVXX | 1
00:00:02,800 --> 00:00:04,600
A light shines over the road below.
2
00:00:07,000 --> 00:00:10,360
Emerging from bushes, Morris spots a guard on a walkway ahead.
3
00:00:10,600 --> 00:00:11,880
The guard lights a cigarette.
4
00:00:13,360 --> 00:00:15,200
Morris ducks back into the plants.
5
00:00:15,320 --> 00:00... | 1
00:00:09,130 --> 00:00:12,260
Frank crouches, his head poking out of the undergrowth.
2
00:00:12,390 --> 00:00:14,730
He looks up at a guard, walking across a bridge,
3
00:00:14,730 --> 00:00:15,860
lighting a cigarette.
4
00:00:15,900 --> 00:00:17,740
He ducks down into the bushes,
5
00:00:18,280 --> 00:00:19,43... | 1
00:01:05,110 --> 00:01:06,400
(BLOWING)
| null | 6739.23 | 6192.51 | 138.67 | |
escape_from_alcatraz | tt0079116 | LPPLZRaFFsaZ | 1
00:00:04,390 --> 00:00:05,390
The guard enters.
2
00:00:09,150 --> 00:00:10,630
He swats the head to the floor.
3
00:00:11,910 --> 00:00:15,510
Jesus Christ in his own cell.
4
00:00:15,550 --> 00:00:17,470
English grins as he looks through the bars.
5
00:00:20,270 --> 00:00:22,790
A close view shows the painted f... | 1
00:00:04,650 --> 00:00:06,450
He steps in and pulls on the light.
2
00:00:09,500 --> 00:00:10,710
He grabs the bedclothes.
3
00:00:10,710 --> 00:00:11,960
The head falls on the floor.
4
00:00:16,810 --> 00:00:18,610
English watches, smiling.
5
00:00:18,780 --> 00:00:20,700
The head wobbles on the floor.
6
00:00:... | 1
00:00:01,820 --> 00:00:04,860
I said, get up, Morris. Open up 109.
2
00:00:06,860 --> 00:00:09,620
God damn it, Morris. I said get...
3
00:00:12,040 --> 00:00:13,620
Jesus Christ.
4
00:00:52,620 --> 00:00:55,040
Morning, Sergeant. What have you got?
5
00:00:55,120 --> 00:00:57,790
Photos and a notebook
of Clarenc... | 1
00:00:01,180 --> 00:00:04,390
I said get up, Morris. Open up 109.
2
00:00:06,350 --> 00:00:10,100
Goddamn it, Morris! I said...
3
00:00:11,900 --> 00:00:13,400
Jesus Christ!
4
00:00:13,690 --> 00:00:16,070
(BLOWS WHISTLE)
5
00:00:16,150 --> 00:00:17,690
(ALARM RINGING)
6
00:00:52,230 --> 00:00:55,020
Morning, Se... | null | 6739.23 | 6369.60 | 180.12 |
f9 | tt5433138 | aFVg_kyJ_bOu | 1
00:00:03,080 --> 00:00:05,080
They speed past a sign that reads Ninas.
2
00:00:05,640 --> 00:00:08,920
Most of the military vehicles grind to a halt by the edge of the minefield.
3
00:00:12,720 --> 00:00:18,160
An aerial view shows several military vehicles racing across the vast field alongside Dom and the others.... | 1
00:00:01,980 --> 00:00:04,460
They streak out onto open ground and across a stream.
2
00:00:04,500 --> 00:00:07,500
A triangular sign says Minas with a skull and crossbones.
3
00:00:07,700 --> 00:00:10,260
The lead jeep and the rest all stop suddenly at the sign
4
00:00:10,260 --> 00:00:12,180
as the group head in... | 1
00:00:46,050 --> 00:00:48,880
Get to that palm plantation,
and then we're clear.
2
00:01:29,220 --> 00:01:30,220
Whoa!
3
00:01:41,690 --> 00:01:42,690
Whoa!
4
00:01:46,440 --> 00:01:47,530
Roman, you good?
5
00:01:51,360 --> 00:01:53,490
My ass is en fuego!
6
00:02:03,540 --> 00:02:05,000
Tej! Wait! Land mine!
... | 1
00:00:25,980 --> 00:00:26,980
(SCREAMS)
2
00:00:46,040 --> 00:00:48,880
Get to that palm plantation,
and then we're clear.
3
00:00:50,920 --> 00:00:51,930
(RAMSEY YELPS)
4
00:00:55,390 --> 00:00:56,720
(GUNFIRE)
5
00:01:16,330 --> 00:01:17,370
(YELLS)
6
00:01:29,210 --> 00:01:30,210
Whoa!
7
00:01:41,680 --> 00:... | null | 8571.58 | 1030.72 | 206.05 |
f9 | tt5433138 | 5b0xCKkim6Fq | 1
00:00:01,180 --> 00:00:03,500
The muscular man smirks and nods at Dom.
2
00:00:06,980 --> 00:00:08,340
Letty climbs in beside Dom
3
00:00:08,340 --> 00:00:11,060
as the muscular man speeds away in the blue and white Mustang.
4
00:00:11,740 --> 00:00:12,940
Dom races after him.
5
00:00:13,420 --> 00:00:15,780
An o... | 1
00:00:01,350 --> 00:00:02,550
Letty looks shocked.
2
00:00:02,590 --> 00:00:05,470
The guy grins and juts his chin as he drives off.
3
00:00:08,550 --> 00:00:10,470
Letty clambers in the passenger window
4
00:00:10,750 --> 00:00:12,390
and they speed off in pursuit.
5
00:00:12,670 --> 00:00:15,550
Viewed from abo... | 1
00:00:06,250 --> 00:00:07,250
Get in.
2
00:00:27,310 --> 00:00:29,690
That was Jakob back there,
wasn't it?
3
00:01:00,970 --> 00:01:03,010
- Always check your mirrors, bitches!
- Oh, my God.
4
00:01:03,930 --> 00:01:05,100
Oh, hell no.
5
00:01:05,180 --> 00:01:06,770
Are we supposed
to drive across that?
6
00:0... | 1
00:00:06,240 --> 00:00:07,250
Get in.
2
00:00:27,310 --> 00:00:29,680
That was Jakob back there,
wasn't it?
3
00:01:00,970 --> 00:01:03,010
- Always check your mirrors, bitches!
- Oh, my God.
4
00:01:03,930 --> 00:01:05,090
Oh, hell no.
5
00:01:05,180 --> 00:01:06,760
Are we supposed
to drive across that?
6
00:0... | null | 8571.58 | 1311.14 | 210.37 |
f9 | tt5433138 | mfwfvXZ418Tu | 1
00:00:01,720 --> 00:00:03,920
Dom and Jakob sit side by side in their cars.
2
00:00:04,800 --> 00:00:06,440
A large crowd stands behind them.
3
00:00:06,960 --> 00:00:08,640
Letty walks in front of the vehicles.
4
00:00:11,040 --> 00:00:12,040
She faces them.
5
00:00:12,800 --> 00:00:14,380
Dom stares firmly ahea... | 1
00:00:01,170 --> 00:00:03,330
Dom and Jakob line up on the Night-Time Street
2
00:00:03,370 --> 00:00:04,770
Dom in the older challenger
3
00:00:04,770 --> 00:00:07,170
and Jakob in an 80s Ford Mustang.
4
00:00:07,210 --> 00:00:09,970
A young woman starter walks calmly between the revving cars.
5
00:00:10,010 -->... | 1
00:00:18,340 --> 00:00:19,550
Ready?
2
00:00:20,710 --> 00:00:21,760
Set.
3
00:00:23,260 --> 00:00:24,340
Go.
4
00:00:26,390 --> 00:00:27,450
Set the time
for the battleground
5
00:00:27,470 --> 00:00:29,180
Guided missiles
will hunt you down
6
00:00:29,260 --> 00:00:30,470
Drones surrounding your home
7
00:00:... | 1
00:00:00,110 --> 00:00:01,860
(DRAMATIC MUSIC PLAYING)
2
00:00:05,440 --> 00:00:07,110
(ENGINES REVVING)
3
00:00:18,330 --> 00:00:19,540
Ready?
4
00:00:20,710 --> 00:00:21,750
Set.
5
00:00:23,250 --> 00:00:24,340
Go.
6
00:00:25,210 --> 00:00:26,300
(RAP MUSIC PLAYING)
7
00:00:26,380 --> 00:00:27,440
Set the tim... | null | 8571.58 | 2668.42 | 137.02 |
f9 | tt5433138 | Lwo5JUUarWBt | 1
00:00:04,200 --> 00:00:05,160
The lights turn on.
2
00:00:07,040 --> 00:00:08,280
Woman wields a baton.
3
00:00:09,120 --> 00:00:10,680
Letty and Mia duck is a bearded man.
4
00:00:10,680 --> 00:00:11,160
Fires.
5
00:00:11,160 --> 00:00:12,920
The young woman skilfully disarms him.
6
00:00:13,440 --> 00:00:14,28... | 1
00:00:04,720 --> 00:00:05,880
Han with a young girl.
2
00:00:09,840 --> 00:00:10,640
Shooter bursts in
3
00:00:10,640 --> 00:00:12,680
and the girl attacks with an extendable baton.
4
00:00:12,720 --> 00:00:14,280
She lifts her leg over the back of his neck
5
00:00:14,280 --> 00:00:16,360
and cartwheels, throwing... | 1
00:00:00,180 --> 00:00:01,190
What the hell?
2
00:00:02,060 --> 00:00:04,360
Han never mentioned
a girl, not ever.
3
00:00:06,020 --> 00:00:07,280
Letty, Mia!
4
00:00:08,070 --> 00:00:09,550
Down, now!
5
00:02:05,270 --> 00:02:06,600
You okay?
| 1
00:00:00,180 --> 00:00:01,180
What the hell?
2
00:00:02,060 --> 00:00:04,350
Han never mentioned
a girl, not ever.
3
00:00:04,890 --> 00:00:05,940
(SWITCH CLICKS)
4
00:00:06,020 --> 00:00:07,270
Letty, Mia!
5
00:00:08,060 --> 00:00:09,540
- Down, now!
- (FOOTSTEPS APPROACHING)
6
00:00:10,480 --> 00:00:11,940
(GR... | null | 8571.58 | 3923.14 | 149.19 |
f9 | tt5433138 | cnW36VlUC72c | 1
00:00:04,700 --> 00:00:07,020
Tej and Roman spot Ramsey through the grated partition
2
00:00:07,020 --> 00:00:08,380
as she climbs into the front.
3
00:00:08,660 --> 00:00:09,540
They share a look.
4
00:00:10,140 --> 00:00:11,100
Ramsey buckles in,
5
00:00:11,100 --> 00:00:12,700
then turns a dial beside the seat... | 1
00:00:05,780 --> 00:00:08,620
Roman notices Ramsey climbing into the driver's seat.
2
00:00:08,660 --> 00:00:10,340
Tej and Roman glance at each other.
3
00:00:11,220 --> 00:00:12,820
Ramsey puts on her seatbelt.
4
00:00:15,860 --> 00:00:18,260
Ramsey turns a dial on the banks of Magnet's Glow red.
5
00:00:18,340... | 1
00:00:00,330 --> 00:00:03,170
Guys, come on, man. I feel like,
between the six of us,
2
00:00:03,250 --> 00:00:04,750
we can work
this out, right?
3
00:00:14,180 --> 00:00:15,470
Okay. I've got...
4
00:00:22,980 --> 00:00:24,480
Ramsey, shut it off!
5
00:00:24,940 --> 00:00:25,940
Shut it off!
6
00:00:28,020 -->... | 1
00:00:00,330 --> 00:00:03,160
Guys, come on, man. I feel like,
between the six of us,
2
00:00:03,240 --> 00:00:04,750
we can work
this out, right?
3
00:00:14,170 --> 00:00:15,470
Okay. I've got...
4
00:00:16,420 --> 00:00:17,430
(YELPS)
5
00:00:18,550 --> 00:00:19,640
(GRUNTING)
6
00:00:22,970 --> 00:00:24,470
R... | null | 8571.58 | 4399.97 | 171.60 |
f9 | tt5433138 | cElg0xGc8XSc | 1
00:00:02,080 --> 00:00:03,960
Dom jumps from one roof to another
2
00:00:03,960 --> 00:00:05,080
as Jakob ziplines.
3
00:00:05,120 --> 00:00:06,960
Dom leaps and tackles him through a window.
4
00:00:12,320 --> 00:00:14,480
They fight in an elegant tailor shop.
5
00:00:15,400 --> 00:00:16,240
Dom punches him
6
0... | 1
00:00:02,100 --> 00:00:02,940
and runs on.
2
00:00:03,180 --> 00:00:04,380
As Jacob flies.
3
00:00:04,700 --> 00:00:06,460
Dom intercepts in mid-air
4
00:00:06,460 --> 00:00:07,940
and they fly through a window.
5
00:00:15,300 --> 00:00:16,700
Dom slams Jacob on his back
6
00:00:16,700 --> 00:00:17,420
and bashe... | 1
00:00:10,380 --> 00:00:12,180
Otto, sending you
new pickup location.
2
00:00:20,230 --> 00:00:21,980
I've got it.
I'm headed to you now.
3
00:01:02,100 --> 00:01:03,190
Otto, where are you?
4
00:01:03,440 --> 00:01:05,190
Jakob, I'm there.
I don't see anybody.
5
00:01:07,610 --> 00:01:09,610
It's because you're
o... | 1
00:00:03,830 --> 00:00:05,290
(GRUNTS)
2
00:00:10,380 --> 00:00:12,170
Otto, sending you
new pickup location.
3
00:00:12,260 --> 00:00:13,340
(BOTH GRUNTING)
4
00:00:20,220 --> 00:00:21,970
I've got it.
I'm headed to you now.
5
00:00:35,450 --> 00:00:36,530
(GRUNTING)
6
00:00:43,700 --> 00:00:44,710
(WOMAN GASPI... | null | 8571.58 | 4615.26 | 153.90 |
f9 | tt5433138 | F2cNLPUCgr52 | 1
00:00:00,410 --> 00:00:02,290
Dom jumps from one roof to another
2
00:00:02,290 --> 00:00:03,410
as Jakob ziplines.
3
00:00:03,450 --> 00:00:05,290
Dom leaps and tackles him through a window.
4
00:00:10,650 --> 00:00:12,810
They fight in an elegant tailor shop.
5
00:00:13,730 --> 00:00:14,570
Dom punches him
6
0... | 1
00:00:00,430 --> 00:00:01,270
and runs on.
2
00:00:01,510 --> 00:00:02,710
As Jacob flies.
3
00:00:03,030 --> 00:00:04,790
Dom intercepts in mid-air
4
00:00:04,790 --> 00:00:06,270
and they fly through a window.
5
00:00:13,630 --> 00:00:15,030
Dom slams Jacob on his back
6
00:00:15,030 --> 00:00:15,750
and bashe... | 1
00:00:08,720 --> 00:00:10,510
Otto, sending you
new pickup location.
2
00:00:18,560 --> 00:00:20,310
I've got it.
I'm headed to you now.
| 1
00:00:02,170 --> 00:00:03,630
(GRUNTS)
2
00:00:08,720 --> 00:00:10,510
Otto, sending you
new pickup location.
3
00:00:10,590 --> 00:00:11,680
(BOTH GRUNTING)
4
00:00:18,560 --> 00:00:20,310
I've got it.
I'm headed to you now.
5
00:00:33,780 --> 00:00:34,870
(GRUNTING)
6
00:00:42,040 --> 00:00:43,040
(WOMAN GASPI... | null | 8571.58 | 4616.93 | 49.41 |
f9 | tt5433138 | G7KiCEMLiKD_ | 1
00:00:02,550 --> 00:00:03,070
Dom
2
00:00:03,430 --> 00:00:05,240
Jakob speeds away in the sports car.
3
00:00:08,480 --> 00:00:09,800
Ramsey drives after him.
4
00:00:10,000 --> 00:00:11,720
Otto watches from his crashed car.
5
00:00:14,440 --> 00:00:15,600
He puts on sunglasses
6
00:00:15,600 --> 00:00:16,760
... | 1
00:00:02,570 --> 00:00:03,050
Dom
2
00:00:03,410 --> 00:00:04,010
in the truck.
3
00:00:04,010 --> 00:00:05,530
Dom Gawps at driver Ramsey
4
00:00:05,530 --> 00:00:06,830
as Jakob speeds off.
5
00:00:16,950 --> 00:00:18,350
Otto slams his steering wheel,
6
00:00:18,350 --> 00:00:19,190
then reverses.
7
00:00:19... | 1
00:00:01,110 --> 00:00:02,530
That's my car, pal!
2
00:00:02,610 --> 00:00:03,700
Dom!
3
00:00:07,950 --> 00:00:09,200
Go!
4
00:00:12,790 --> 00:00:14,250
Damn it.
5
00:00:46,240 --> 00:00:47,360
You're a natural.
6
00:00:47,660 --> 00:00:49,700
Of course I am.
| 1
00:00:01,110 --> 00:00:02,520
That's my car, pal!
2
00:00:02,610 --> 00:00:03,690
Dom!
3
00:00:05,570 --> 00:00:06,780
(TIRES SQUEALING)
4
00:00:07,950 --> 00:00:09,200
Go!
5
00:00:12,780 --> 00:00:14,240
Damn it.
6
00:00:14,330 --> 00:00:16,080
(ENGINE REVS)
7
00:00:24,630 --> 00:00:26,840
(TIRES SCREECHING)
... | null | 8571.58 | 4718.05 | 51.80 |
f9 | tt5433138 | B5Z2EjfqNp1a | 1
00:00:04,290 --> 00:00:04,930
Tej and Roman.
2
00:00:04,930 --> 00:00:05,570
Don helmets.
3
00:00:41,070 --> 00:00:42,270
The rocket car gets released
4
00:00:42,270 --> 00:00:43,790
and soars backward off the plane.
5
00:00:48,190 --> 00:00:50,070
Earl presses a button labelled blastoff.
6
00:00:50,350 --> 00:0... | 1
00:00:41,240 --> 00:00:43,680
The car just misses the tail of the jet as it drops off.
2
00:00:52,880 --> 00:00:53,280
Fire!
3
00:00:53,280 --> 00:00:54,320
Blazes in the cars!
4
00:00:54,320 --> 00:00:54,640
Rocket!
5
00:00:54,640 --> 00:00:56,280
And the two boosters beneath them,
6
00:00:56,280 --> 00:00:57,9... | 1
00:00:00,170 --> 00:00:02,220
All right,
we're passing 50,000 feet!
2
00:00:02,510 --> 00:00:04,260
Time to get ready, boys.
3
00:00:04,340 --> 00:00:05,930
What we supposed
to be doing
4
00:00:06,010 --> 00:00:08,220
with these old-ass suits
5
00:00:08,310 --> 00:00:10,350
that ain't been used
since World War I?... | 1
00:00:00,170 --> 00:00:02,210
EARL: All right,
we're passing 50,000 feet!
2
00:00:02,500 --> 00:00:04,260
Time to get ready, boys.
3
00:00:04,340 --> 00:00:05,920
ROMAN: What we supposed
to be doing
4
00:00:06,010 --> 00:00:08,220
with these old-ass suits
5
00:00:08,300 --> 00:00:10,350
that ain't been used
since... | null | 8571.58 | 6268.03 | 125.23 |
f9 | tt5433138 | _ElF2YJKRFRe | 1
00:00:00,190 --> 00:00:01,430
From one of the vehicles.
2
00:00:01,470 --> 00:00:02,910
A mercenary shoots at Dom.
3
00:00:03,290 --> 00:00:06,170
He veers through traffic as he chases Jacobs command centre truck.
4
00:00:06,810 --> 00:00:07,970
Letty evades gunfire
5
00:00:07,970 --> 00:00:12,170
and weaves thro... | 1
00:00:02,450 --> 00:00:06,630
A thug opens up from one of the SUVs that he swerves around slower traffic.
2
00:00:06,870 --> 00:00:11,350
Dom speeds between two cars pursued by two SUVs, one on either side.
3
00:00:12,030 --> 00:00:13,950
He activates the magnet control.
4
00:00:20,350 --> 00:00:24,390
The two lar... | 1
00:01:35,450 --> 00:01:37,290
All right, Han, Mia,
you're up!
2
00:01:51,260 --> 00:01:52,260
Now.
3
00:01:58,100 --> 00:01:59,270
Letty.
| 1
00:00:03,440 --> 00:00:05,440
(TIRES SCREECHING)
2
00:00:16,040 --> 00:00:17,580
(ELECTRICITY WHIRRING)
3
00:00:26,250 --> 00:00:27,630
(TIRES SCREECHING)
4
00:00:37,140 --> 00:00:38,140
(GASPS)
5
00:00:40,690 --> 00:00:42,440
(GUN FIRING)
6
00:00:43,850 --> 00:00:44,860
(PEOPLE SCREAMING)
7
00:00:59,370 --> 00... | null | 8571.58 | 6410.24 | 124.48 |
f9 | tt5433138 | pwTLSiHAYo00 | 1
00:00:01,480 --> 00:00:03,640
Han spins the sports car 180 degrees
2
00:00:03,640 --> 00:00:04,760
and drives in reverse.
3
00:00:05,120 --> 00:00:07,480
Now Mia turns up their magnet dial
4
00:00:07,480 --> 00:00:09,280
and the car slams into the armoured truck.
5
00:00:10,080 --> 00:00:11,480
The Merc gets yank... | 1
00:00:01,540 --> 00:00:04,580
Hon spins the supra so its back is to the prison truck.
2
00:00:05,100 --> 00:00:07,260
Now Mia dials up their magnets.
3
00:00:07,300 --> 00:00:08,860
The supra slams into the back of the truck,
4
00:00:08,860 --> 00:00:11,540
and Alsgaard is pinned to the back wall by his armour.
5... | 1
00:00:04,990 --> 00:00:05,990
Now.
2
00:00:11,830 --> 00:00:13,000
Letty.
3
00:00:33,140 --> 00:00:34,480
Han!
| 1
00:00:00,150 --> 00:00:01,730
(TIRES SCREECHING)
2
00:00:04,980 --> 00:00:05,980
Now.
3
00:00:06,740 --> 00:00:07,820
(ELECTRICITY WHIRRING)
4
00:00:08,650 --> 00:00:09,740
(GRUNTS)
5
00:00:11,820 --> 00:00:12,990
Letty.
6
00:00:14,240 --> 00:00:15,240
(MAN SCREAMING)
7
00:00:33,140 --> 00:00:34,470
Han!
8
00:... | null | 8571.58 | 6516.51 | 57.73 |
f9 | tt5433138 | AxBJXjMCEzEY | 1
00:00:02,650 --> 00:00:03,970
Han drives the smaller truck.
2
00:00:08,490 --> 00:00:09,370
Elle smiles,
3
00:00:09,370 --> 00:00:10,570
then stands out of the hatch
4
00:00:10,570 --> 00:00:11,930
and wields the mounted gun.
5
00:00:12,330 --> 00:00:14,170
Bullets strike the heavily armoured trailer's.
6
00:00:... | 1
00:00:02,140 --> 00:00:03,980
Hands at the wheel of the prison truck.
2
00:00:10,020 --> 00:00:10,900
Elle grins,
3
00:00:11,300 --> 00:00:13,300
climbs up to the machine gun turret.
4
00:00:17,460 --> 00:00:19,420
Round spark off the beast's armour
5
00:00:19,420 --> 00:00:21,100
and it skids into a turn.
6
00:... | 1
00:00:04,360 --> 00:00:06,780
All right, let's see
what that beast is made of.
2
00:00:07,530 --> 00:00:08,570
You ready, Elle?
3
00:00:22,000 --> 00:00:23,380
Crank it.
4
00:00:23,460 --> 00:00:25,300
If we can't break through,
we stop it.
5
00:00:56,620 --> 00:00:58,370
Guys, that thing
is not slowing down
6
0... | 1
00:00:04,360 --> 00:00:06,780
All right, let's see
what that beast is made of.
2
00:00:07,530 --> 00:00:08,570
You ready, Elle?
3
00:00:22,000 --> 00:00:23,380
Crank it.
4
00:00:23,460 --> 00:00:25,290
If we can't break through,
we stop it.
5
00:00:49,240 --> 00:00:51,610
(SIRENS WAILING)
6
00:00:56,620 --> 00:0... | null | 8571.58 | 6905.57 | 183.69 |
f9 | tt5433138 | VrkbB6jB6nmr | 1
00:00:04,490 --> 00:00:05,370
Elle smiles,
2
00:00:05,370 --> 00:00:06,570
then stands out of the hatch
3
00:00:06,570 --> 00:00:07,930
and wields the mounted gun.
4
00:00:08,330 --> 00:00:10,170
Bullets strike the heavily armoured trailer's.
5
00:00:16,450 --> 00:00:17,890
Dom drives ahead of the truck.
6
00:00... | 1
00:00:06,020 --> 00:00:06,900
Elle grins,
2
00:00:07,300 --> 00:00:09,300
climbs up to the machine gun turret.
3
00:00:13,460 --> 00:00:15,420
Round spark off the beast's armour
4
00:00:15,420 --> 00:00:17,100
and it skids into a turn.
5
00:00:23,060 --> 00:00:25,980
Letty and Dom are side by side, just ahead of ... | 1
00:00:00,360 --> 00:00:02,780
All right, let's see
what that beast is made of.
2
00:00:03,530 --> 00:00:04,570
You ready, Elle?
3
00:00:18,000 --> 00:00:19,380
Crank it.
4
00:00:19,460 --> 00:00:21,300
If we can't break through,
we stop it.
| 1
00:00:00,360 --> 00:00:02,780
All right, let's see
what that beast is made of.
2
00:00:03,530 --> 00:00:04,570
You ready, Elle?
3
00:00:18,000 --> 00:00:19,380
Crank it.
4
00:00:19,460 --> 00:00:21,290
If we can't break through,
we stop it.
| null | 8571.58 | 6909.57 | 43.17 |
f9 | tt5433138 | KHEAgV__ioRy | 1
00:00:00,350 --> 00:00:02,390
The overturned truck crashes through a barrier
2
00:00:02,390 --> 00:00:03,550
and slides down a hill,
3
00:00:03,990 --> 00:00:05,510
driving the smaller truck beside it.
4
00:00:05,550 --> 00:00:06,550
Han accelerates.
5
00:00:06,790 --> 00:00:08,270
Ramsey jumps onto Han's truck
... | 1
00:00:00,840 --> 00:00:03,000
Dom removes Aries from its control console.
2
00:00:03,040 --> 00:00:06,160
The sliding beast smashes through some parked cars and onto waste ground
3
00:00:06,200 --> 00:00:07,800
on stamps on the accelerator.
4
00:00:07,840 --> 00:00:09,320
Ramsey leaps onto the prison truck
5
00:0... | 1
00:00:11,910 --> 00:00:13,210
Hold on!
2
00:00:22,010 --> 00:00:23,170
Dom!
3
00:01:15,600 --> 00:01:16,600
Yes!
4
00:01:23,190 --> 00:01:24,690
Got to be kidding me.
5
00:02:00,810 --> 00:02:01,810
Shit!
| 1
00:00:11,910 --> 00:00:13,200
Hold on!
2
00:00:22,000 --> 00:00:23,170
Dom!
3
00:00:25,800 --> 00:00:27,300
(JET ROARING)
4
00:01:15,600 --> 00:01:16,600
Yes!
5
00:01:16,680 --> 00:01:17,720
(LAUGHS)
6
00:01:20,890 --> 00:01:21,900
(ALARM BEEPS)
7
00:01:21,980 --> 00:01:22,980
(SCOFFS)
8
00:01:23,190 --> 00:01... | null | 8571.58 | 7241.57 | 147.05 |
failure_to_launch | tt0427229 | XnCsXiADtM86 | 1
00:00:18,170 --> 00:00:19,290
In the dining room.
2
00:01:18,190 --> 00:01:19,670
Al addresses Paula.
| 1
00:00:00,790 --> 00:00:03,890
He's smart, he's sweet, he's funny.
2
00:00:03,990 --> 00:00:07,120
We had a wonderful first meeting.
I see incredible potential here.
3
00:00:07,230 --> 00:00:08,760
So all systems are go?
4
00:00:08,870 --> 00:00:10,890
Based on the initial
personality assessment,
5
00:00:11,000 --... | 1
00:00:00,280 --> 00:00:03,910
He's... He's smart,
he's sweet, he's funny.
2
00:00:03,930 --> 00:00:05,610
We had
a wonderful first meeting.
3
00:00:05,630 --> 00:00:07,430
I see incredible
potential here.
4
00:00:07,460 --> 00:00:08,910
So all systems are go?
5
00:00:08,940 --> 00:00:11,180
Based on the initial
p... | null | 5828.38 | 754.18 | 111.04 | |
failure_to_launch | tt0427229 | PDtlPQ0YJSff | 1
00:00:12,580 --> 00:00:14,460
The chipmunk bites trip's hand.
2
00:00:17,260 --> 00:00:20,660
Trip waves his arm frantically as the chipmunk clings to him.
3
00:00:21,460 --> 00:00:22,780
He slaps his wrist.
4
00:00:22,820 --> 00:00:24,180
Ace catches up to them.
5
00:00:30,700 --> 00:00:32,460
Trip flings the an... | 1
00:00:15,800 --> 00:00:16,090
Tripp.
| 1
00:00:00,380 --> 00:00:02,580
You want a little bit of chocolate,
baby-boo-boo?
2
00:00:02,690 --> 00:00:03,910
You're giving him a PowerBar?
3
00:00:04,020 --> 00:00:05,650
Everybody loves chocolate.
4
00:00:06,560 --> 00:00:07,960
Tripp, he's saying no.
5
00:00:08,060 --> 00:00:09,390
Look into my eyes.
6
00:0... | 1
00:00:00,500 --> 00:00:02,820
You want a little bit of
chocolate, baby-boo-boo?
2
00:00:02,850 --> 00:00:04,080
You're giving him
a PowerBar?
3
00:00:04,110 --> 00:00:05,950
Everybody loves chocolate.
4
00:00:05,980 --> 00:00:08,220
[babbling]Tripp, he's saying no.
5
00:00:08,240 --> 00:00:09,310
Oh, look into my... | null | 5828.38 | 1179.90 | 37.76 |
failure_to_launch | tt0427229 | _tPYZ8lfa0Aq | 1
00:00:02,210 --> 00:00:04,610
Now Paula pets a dog in a vet's office.
2
00:00:14,330 --> 00:00:14,810
Crying.
3
00:00:14,850 --> 00:00:15,930
She hangs her head.
4
00:00:16,090 --> 00:00:17,570
Tripp addresses the vet.
5
00:00:19,970 --> 00:00:20,850
The vet nods
6
00:00:20,850 --> 00:00:22,570
and hands Tripp a... | 1
00:00:28,490 --> 00:00:28,990
And I
2
00:00:29,870 --> 00:00:32,330
Paula stokes Tripp's chest as she clings to him,
3
00:00:32,330 --> 00:00:34,000
burying her head in his neck.
4
00:00:34,040 --> 00:00:36,250
The vet looks at her watch and then to Paula.
5
00:00:36,290 --> 00:00:38,670
Paula nods and the vet no... | 1
00:00:00,110 --> 00:00:02,510
Mr. Fritz was my best friend
2
00:00:04,310 --> 00:00:06,300
since he was a little puppy.
3
00:00:07,020 --> 00:00:09,480
Just a little fur ball.
4
00:00:09,620 --> 00:00:13,110
He was too small
to even jump up on the bed
5
00:00:13,350 --> 00:00:14,840
and now he's...
6
00:00:16,72... | 1
00:00:00,140 --> 00:00:02,180
Mr. Fritz
was my best friend
2
00:00:03,970 --> 00:00:07,120
since he was a little puppy.
3
00:00:07,140 --> 00:00:09,430
Just... Just a little fur ball.
4
00:00:09,450 --> 00:00:11,210
He was too small
to even jump
5
00:00:11,240 --> 00:00:14,560
up on the bed
and now he's...
6
00:... | null | 5828.38 | 1482.91 | 97.90 |
failure_to_launch | tt0427229 | h_9ir7ESmvjg | 1
00:00:01,700 --> 00:00:03,780
A pod of dolphins swims by.
2
00:00:05,300 --> 00:00:07,100
A dolphin approaches Tripp.
3
00:00:23,140 --> 00:00:24,780
Tripp gets pulled underwater.
4
00:00:27,180 --> 00:00:28,540
Ace looks underwater.
5
00:00:28,540 --> 00:00:29,620
The dolphin drags.
6
00:00:29,620 --> 00:00:30,... | 1
00:00:01,820 --> 00:00:04,320
Dolphins art through the water, past their surfboards.
2
00:00:21,920 --> 00:00:23,760
Tripp is suddenly pulled off his board.
3
00:00:24,840 --> 00:00:25,300
Tripp
4
00:00:25,720 --> 00:00:27,390
Ace plunges his face into the water
5
00:00:27,390 --> 00:00:30,890
and sees Tripp bein... | 1
00:00:00,290 --> 00:00:02,280
Hey, guys, check this out!
2
00:00:04,130 --> 00:00:05,360
Hey, boy!
3
00:00:07,060 --> 00:00:09,330
Come here, boy. Come here, boy.
4
00:00:10,530 --> 00:00:11,760
What's he saying, Demo?
5
00:00:14,610 --> 00:00:15,630
Where'd you go?
6
00:00:15,740 --> 00:00:16,760
Where'd he go?... | 1
00:00:00,140 --> 00:00:01,570
Hey, guys, check this out!
2
00:00:04,230 --> 00:00:05,680
Hey, boy!
3
00:00:05,710 --> 00:00:07,160
[chirps]
4
00:00:07,190 --> 00:00:09,120
Come here, boy.
Come here, boy.
5
00:00:09,140 --> 00:00:10,470
[squawking]Whoa.
6
00:00:10,490 --> 00:00:11,730
What's he saying, Demo?
7
0... | null | 5828.38 | 2235.84 | 47.76 |
failure_to_launch | tt0427229 | KYF_am517xNO | 1
00:00:30,850 --> 00:00:32,210
Al goes outside.
2
00:00:43,130 --> 00:00:44,570
Tripp goes outside.
3
00:01:17,990 --> 00:01:18,910
In his bedroom.
4
00:01:18,910 --> 00:01:19,310
Paula.
5
00:01:19,350 --> 00:01:21,710
Backs Tripp into a dresser as they kiss.
6
00:01:32,710 --> 00:01:34,110
They slam against a do... | 1
00:01:18,580 --> 00:01:22,710
Later that night, in his bedroom, they bump into furniture as they kiss passionately.
2
00:01:33,050 --> 00:01:36,100
Tripp pushes Paula up against the door as the passion heats up.
3
00:01:41,390 --> 00:01:41,980
Wide awake.
4
00:01:41,980 --> 00:01:43,110
They stare at the ceiling.
... | 1
00:00:00,450 --> 00:00:02,350
Would you like to stay for dinner?
2
00:00:02,480 --> 00:00:05,510
Oh! Wow. I'd love to. Thank you.
3
00:00:05,620 --> 00:00:06,960
Whoa, whoa, whoa, whoa, whoa. Why?
4
00:00:06,990 --> 00:00:10,580
Well, it smells good,
and I'm really hungry. Aren't you?
5
00:00:10,690 --> 00:00:13,... | 1
00:00:00,140 --> 00:00:02,460
Would you like
to stay for dinner?
2
00:00:02,490 --> 00:00:05,470
Oh! Wow. I'd love to.
Thank you.
3
00:00:05,490 --> 00:00:07,080
Whoa, whoa, whoa,
whoa, whoa. Why?
4
00:00:07,100 --> 00:00:09,080
Well, it smells good,
5
00:00:09,100 --> 00:00:10,470
and I'm really hungry.
Aren't y... | null | 5828.38 | 2396.61 | 124.44 |
failure_to_launch | tt0427229 | KcnjxWLQ4SrH | 1
00:00:35,880 --> 00:00:38,640
The salesman's expression turns serious.
2
00:00:39,760 --> 00:00:41,840
He takes the box of shells from her.
3
00:01:40,540 --> 00:01:42,220
He wrestles the gun from her.
| 1
00:00:00,060 --> 00:00:02,960
I need to buy a gun.
How much is this big gun here?
2
00:00:03,060 --> 00:00:06,790
That's a 12-gauge shotgun.
That's a pretty powerful weapon.
3
00:00:06,900 --> 00:00:08,390
You know, for a woman your size,
4
00:00:08,500 --> 00:00:10,870
I'd probably recommend something
a little, y... | 1
00:00:01,300 --> 00:00:02,930
How much is
this big gun here?
2
00:00:02,950 --> 00:00:05,670
[stammering]:
Uh, that's a 12-gauge shotgun.
3
00:00:05,690 --> 00:00:07,060
That's a pretty
powerful weapon.
4
00:00:07,080 --> 00:00:08,710
You know,
for a woman your size,
5
00:00:08,740 --> 00:00:11,280
I'd probably r... | null | 5828.38 | 2615.71 | 105.70 | |
failure_to_launch | tt0427229 | hZ9DUePZiZr5 | 1
00:00:04,140 --> 00:00:05,540
He extends his arms.
2
00:00:07,540 --> 00:00:09,140
Tripp sits back down.
3
00:00:09,180 --> 00:00:11,180
Alan Sue smile at each other.
4
00:00:13,900 --> 00:00:15,380
Tripp downs his wine.
5
00:00:35,450 --> 00:00:38,570
Al, Sue and Paula exchanged looks of confusion.
6
00:01:16,0... | 1
00:00:35,760 --> 00:00:36,130
Trips?
2
00:00:36,130 --> 00:00:38,050
Mom and dad stare, aghast at one another.
3
00:00:38,050 --> 00:00:40,020
And then at Paula, who looks dazed.
4
00:01:41,350 --> 00:01:42,640
Tripp leaves the room.
| 1
00:00:01,680 --> 00:00:04,580
I guess what I'm saying is,
it is time for Tripp
2
00:00:06,150 --> 00:00:07,640
to spread his wings.
3
00:00:13,160 --> 00:00:14,160
Wow.
4
00:00:15,400 --> 00:00:16,400
Well...
5
00:00:17,470 --> 00:00:20,330
Well, this is very unexpected.
6
00:00:20,440 --> 00:00:21,830
So here's... | 1
00:00:01,430 --> 00:00:05,710
I guess what I'm saying is,
it is time for Tripp
2
00:00:05,740 --> 00:00:07,870
to spread his wings.
3
00:00:12,830 --> 00:00:13,830
Wow.
4
00:00:15,050 --> 00:00:16,720
Well...
5
00:00:16,750 --> 00:00:19,940
Well, this...
This is very unexpected.
6
00:00:19,970 --> 00:00:22,080
S... | null | 5828.38 | 3756.42 | 103.70 |
failure_to_launch | tt0427229 | HFdxQplBg1LJ | 1
00:00:02,840 --> 00:00:04,040
On the ground below.
2
00:00:04,080 --> 00:00:05,160
Ace holds trips.
3
00:00:05,160 --> 00:00:07,160
Line steady and eats carrots.
4
00:00:14,960 --> 00:00:16,840
Ace reaches for a sports drink.
5
00:00:20,880 --> 00:00:23,200
Tripp secures the rope to a carabiner.
6
00:00:23,880 -... | 1
00:00:25,340 --> 00:00:27,050
Tripp swings his hand up to a grip,
2
00:00:27,050 --> 00:00:30,380
and deep inside the crevice a lizard approaches his fingertips.
3
00:00:40,520 --> 00:00:42,730
The lizard sinks its teeth into his fingers.
4
00:00:43,690 --> 00:00:44,980
Tripp is propelled backwards
5
00:00:44,980... | 1
00:00:00,190 --> 00:00:03,030
Doing good. This is having fun.
Aren't we?
2
00:00:07,000 --> 00:00:08,990
You guys want any carrots?
3
00:00:09,840 --> 00:00:12,000
Tripp, you should call Paula.
4
00:00:12,770 --> 00:00:15,240
- She wants to see you.
- That's enough, Demo!
5
00:00:17,280 --> 00:00:18,770
A little ... | 1
00:00:00,160 --> 00:00:02,640
Doing good. This is having fun.
Aren't we?
2
00:00:06,730 --> 00:00:09,710
[grunting]You guys want any carrots?
3
00:00:09,730 --> 00:00:12,800
DEMO:
Tripp, you should call Paula.
4
00:00:12,820 --> 00:00:13,800
She wants to see you.
5
00:00:13,820 --> 00:00:14,820
That's enough, Dem... | null | 5828.38 | 4109.95 | 59.82 |
failure_to_launch | tt0427229 | kPmW_brX9LYZ | 1
00:00:14,640 --> 00:00:18,000
Paula's eyes widen as she considers Kit's apology.
| 1
00:00:01,630 --> 00:00:03,530
Okay, look, I know I'm a girl
2
00:00:03,630 --> 00:00:05,670
and I'm supposed to be better
at this emotional crap
3
00:00:05,730 --> 00:00:07,790
but I'm not, so I'm just gonna say it.
4
00:00:07,900 --> 00:00:12,200
I'm sorry that I pointed out to you
that you fell in love with a cl... | 1
00:00:00,970 --> 00:00:03,640
Okay, look,
I know I'm a girl
2
00:00:03,670 --> 00:00:05,690
and I'm supposed to be better
at this emotional crap
3
00:00:05,710 --> 00:00:07,780
but I'm not,
so I'm just gonna say it.
4
00:00:07,800 --> 00:00:10,650
I'm sorry
that I pointed out to you
5
00:00:10,680 --> 00:00:12,48... | null | 5828.38 | 4735.81 | 49.27 | |
failure_to_launch | tt0427229 | r1xebeeIbz7e | 1
00:00:39,280 --> 00:00:41,240
Tripp stares off in thought.
2
00:00:41,280 --> 00:00:47,160
Glimpses show Tripp's parents and Jeffrey, along with the friends and patrons at the bar, as they watch the feed.
3
00:00:53,070 --> 00:00:54,430
The man dabs his eye.
4
00:00:56,830 --> 00:01:00,710
At Ace house, Tripp cont... | 1
00:00:40,090 --> 00:00:40,590
Demo
2
00:00:40,590 --> 00:00:41,340
eyes well up.
3
00:00:41,340 --> 00:00:42,340
Jeffrey smiles.
4
00:00:42,380 --> 00:00:43,760
Ace is on tenterhooks.
5
00:00:43,800 --> 00:00:45,170
Tripp's mum looks tense.
6
00:00:45,220 --> 00:00:47,340
A man in an unknown couple wells up.
7
... | 1
00:00:01,590 --> 00:00:03,380
Do you have real feelings?
2
00:00:04,090 --> 00:00:06,210
Of course I have real feelings.
3
00:00:06,320 --> 00:00:08,760
- For what?
- For you!
4
00:00:09,560 --> 00:00:11,580
And believe me, I did not want that,
5
00:00:11,700 --> 00:00:14,390
because I had a good life before you.... | 1
00:00:01,640 --> 00:00:03,350
Do you have real feelings?
2
00:00:03,380 --> 00:00:06,230
Of course
I have real feelings.
3
00:00:06,250 --> 00:00:07,230
For what?
4
00:00:07,250 --> 00:00:08,510
For you!
5
00:00:09,730 --> 00:00:11,620
Believe me,
I did not want that,
6
00:00:11,650 --> 00:00:14,450
because I ha... | null | 5828.38 | 5133.41 | 133.93 |
far_and_away | tt0104231 | UHTo7_fGq8TU | 1
00:00:03,850 --> 00:00:05,290
Joseph holds his gun close.
2
00:00:13,450 --> 00:00:14,690
The woman sweeps off her hat
3
00:00:14,690 --> 00:00:16,930
and lets her long, curly red hair out of its bun.
4
00:00:16,970 --> 00:00:18,090
He looks through boards.
5
00:00:22,290 --> 00:00:22,930
She sits,
6
00:00:22,93... | 1
00:00:03,440 --> 00:00:11,130
Shannon an elegant young lady in her early 20s, dressed in a dark green velvet ankle length skirt and matching jacket,
2
00:00:11,420 --> 00:00:13,390
places her horse in a stable,
3
00:00:14,010 --> 00:00:15,810
then removes her riding hat and hair.
4
00:00:15,850 --> 00:00:16,360
Gr... | 1
00:00:00,320 --> 00:00:03,250
There, go on, good girl.
2
00:00:42,320 --> 00:00:44,040
Somebody there?
3
00:01:22,640 --> 00:01:24,520
Stay right where you are.
4
00:01:24,920 --> 00:01:27,440
Don't flutter an eyelid
or I'll stab you.
5
00:01:27,520 --> 00:01:29,210
I'll stab you through.
6
00:01:48,600 --> 00:0... | 1
00:00:00,310 --> 00:00:03,240
There, go on, good girl.
2
00:00:03,270 --> 00:00:05,280
(HORSE NEIGHS SOFTLY)
3
00:00:35,310 --> 00:00:37,350
(BIRD FLAPPING WINGS)
4
00:00:42,310 --> 00:00:44,030
Somebody there?
5
00:00:58,630 --> 00:01:00,510
(HORSE WHINNYING)
6
00:01:18,390 --> 00:01:19,870
(GASPS)
7
00:01:20,... | null | 8396.96 | 1280.51 | 184.00 |
far_and_away | tt0104231 | RYXCojrDbnPm | 1
00:00:05,760 --> 00:00:07,120
She pulls it away from the wall.
2
00:00:08,640 --> 00:00:10,160
She retrieves a key hidden behind a dresser.
3
00:00:25,400 --> 00:00:27,300
She retrieves a wooden box from under the bed.
4
00:00:41,980 --> 00:00:44,340
She holds up an advertisement with a headline land.
5
00:00:45,... | 1
00:00:02,330 --> 00:00:06,330
Perhaps you're wondering
why I'm running away.
2
00:00:08,290 --> 00:00:09,980
I'll tell you.
3
00:00:10,130 --> 00:00:12,780
I'm running away
because I'm modern.
4
00:00:13,890 --> 00:00:17,890
I'm modern and I'm
going to a modern place.
5
00:00:18,610 --> 00:00:20,990
You're not th... | 1
00:00:02,320 --> 00:00:06,320
Perhaps you're wondering
why I'm running away.
2
00:00:06,600 --> 00:00:08,220
(GRUNTING)
3
00:00:08,280 --> 00:00:09,970
I'll tell you.
4
00:00:10,120 --> 00:00:12,770
I'm running away
because I'm modern.
5
00:00:13,880 --> 00:00:17,880
I'm modern and I'm
going to a modern place.
6... | null | 8396.96 | 2014.66 | 180.70 | |
far_and_away | tt0104231 | 3ooUSkqOJX6A | 1
00:00:00,470 --> 00:00:02,630
The boy Dermody chalks a line on the floor.
2
00:00:10,410 --> 00:00:11,810
The big fighter faces Joseph.
3
00:00:13,970 --> 00:00:15,250
Joseph stands to the line.
4
00:00:15,890 --> 00:00:17,010
The man hits him in the nose.
5
00:00:19,330 --> 00:00:19,890
He pulls away
6
00:00:19... | 1
00:00:00,560 --> 00:00:02,650
and watches Joseph with interest.
2
00:01:14,490 --> 00:01:18,750
Joseph becomes transfixed by the dancing girls performing on stage.
3
00:02:06,070 --> 00:02:08,880
Get back in the bedroom.
4
00:02:09,000 --> 00:02:14,060
Shannon lies awake on the bed, wearing a concerned expression ... | 1
00:00:03,870 --> 00:00:05,690
Toe the line, gentlemen!
2
00:00:05,710 --> 00:00:09,070
No kicking, no biting, no gouging!
3
00:00:09,310 --> 00:00:11,270
You're facing the wrong way!
4
00:00:11,870 --> 00:00:13,450
Fight me here, farmer!
5
00:00:13,470 --> 00:00:15,480
Your foot on the line.
6
00:00:17,110 --> 0... | 1
00:00:03,860 --> 00:00:05,680
Toe the line, gentlemen!
2
00:00:05,700 --> 00:00:09,060
No kicking, no biting, no gouging!
3
00:00:09,300 --> 00:00:11,260
MAN: You're facing the wrong way!
4
00:00:11,860 --> 00:00:13,440
Fight me here, farmer!
5
00:00:13,460 --> 00:00:15,470
DERMODY: Your foot on the line.
6
00:0... | null | 8396.96 | 3961.76 | 180.54 |
far_and_away | tt0104231 | dVUIysR6PZ6x | 1
00:00:01,780 --> 00:00:03,820
Shannon looks out the window at Grace in the alley.
2
00:00:04,020 --> 00:00:04,940
Joseph gets up.
3
00:01:27,570 --> 00:01:28,930
He picks her up over his shoulder,
4
00:01:30,530 --> 00:01:31,810
carries her into a bathroom
5
00:01:32,210 --> 00:01:33,330
and drops her in a tub.
... | 1
00:00:09,070 --> 00:00:11,450
Joseph hangs his head out of the window.
2
00:02:12,030 --> 00:02:15,750
Exasperated, Joseph sits on the side of the bath
3
00:02:16,040 --> 00:02:18,300
as Shannon climbs out of the water.
| 1
00:00:00,720 --> 00:00:02,280
Joseph!
2
00:00:05,640 --> 00:00:08,210
Excuse me, drunkard.
3
00:00:12,600 --> 00:00:13,890
Hello, Grace.
4
00:00:13,920 --> 00:00:18,520
Hello, Joseph, will I be seeing
you in church tomorrow morn?
5
00:00:18,600 --> 00:00:21,320
Sounds divine and holy, Grace.
6
00:00:22,320 --> 0... | 1
00:00:00,710 --> 00:00:02,270
Joseph!
2
00:00:05,630 --> 00:00:08,200
Excuse me, drunkard.
3
00:00:12,590 --> 00:00:13,880
Hello, Grace.
4
00:00:13,910 --> 00:00:18,510
Hello, Joseph, will I be seeing
you in church tomorrow morn?
5
00:00:18,590 --> 00:00:21,310
Sounds divine and holy, Grace.
6
00:00:22,310 --> 0... | null | 8396.96 | 4650.75 | 180.61 |
far_and_away | tt0104231 | I3U3ntG5rboR | 1
00:00:04,980 --> 00:00:05,900
She picks up coins.
2
00:00:51,120 --> 00:00:53,000
Muscular man moves through the throng.
3
00:01:10,960 --> 00:01:12,280
They gaze into each other's eyes.
4
00:01:32,620 --> 00:01:34,140
The other Boxer throws off his robe
5
00:01:34,140 --> 00:01:35,220
and flexes his muscles.
6
... | 1
00:01:32,030 --> 00:01:33,990
Encouraged by her words.
2
00:01:34,160 --> 00:01:39,390
Joseph takes a look at his opponent being carried into the Club on the shoulders of men.
3
00:01:40,220 --> 00:01:43,860
Then, stripping off his shirt, he prepares for the fight.
4
00:01:44,530 --> 00:01:48,750
Fired up, Joseph ... | 1
00:00:02,610 --> 00:00:04,110
Where's your dignity, woman?
2
00:00:04,130 --> 00:00:05,940
You mind your business, Joseph.
3
00:00:06,330 --> 00:00:09,590
You get your brains smashed in
every night. What's the difference?
4
00:00:09,610 --> 00:00:11,430
There's a world of difference!
5
00:00:11,450 --> 00:00:14,1... | 1
00:00:02,600 --> 00:00:04,100
Where's your dignity, woman?
2
00:00:04,120 --> 00:00:05,930
You mind your business, Joseph.
3
00:00:06,320 --> 00:00:09,580
You get your brains smashed in
every night. What's the difference?
4
00:00:09,600 --> 00:00:11,420
There's a world of difference!
5
00:00:11,440 --> 00:00:14,1... | null | 8396.96 | 4866.98 | 180.35 |
far_and_away | tt0104231 | LPVwZIk23YNz | 1
00:00:24,450 --> 00:00:25,570
He pulls out a chair.
2
00:00:37,010 --> 00:00:37,970
She sits down.
3
00:00:47,750 --> 00:00:49,310
He puts a napkin on her lap.
4
00:01:21,430 --> 00:01:22,510
He sits beside her.
5
00:02:27,850 --> 00:02:29,170
They lean close to each other.
6
00:02:30,210 --> 00:02:31,890
Their ... | 1
00:00:23,560 --> 00:00:27,780
Joseph pulls out a chair at the head of the table for Shannon to sit on.
2
00:00:28,950 --> 00:00:31,290
Shannon slowly moves over to the chair
3
00:00:31,290 --> 00:00:32,670
and takes a seat.
4
00:00:33,430 --> 00:00:37,060
Joseph places a white cloth napkin across her lap.
5
00:02... | 1
00:00:01,800 --> 00:00:03,240
Sit down.
2
00:00:04,400 --> 00:00:06,680
Sit down at this beautiful table.
3
00:00:07,000 --> 00:00:09,770
No, we can't. We're burglars.
4
00:00:09,840 --> 00:00:11,560
Please? Please.
5
00:00:12,200 --> 00:00:14,000
I want you to pretend.
6
00:00:15,000 --> 00:00:17,040
Sit down.
... | 1
00:00:01,790 --> 00:00:03,230
Sit down.
2
00:00:04,390 --> 00:00:06,670
Sit down at this beautiful table.
3
00:00:06,990 --> 00:00:09,760
No, we can't. We're burglars.
4
00:00:09,830 --> 00:00:11,550
Please? Please.
5
00:00:12,190 --> 00:00:13,990
I want you to pretend.
6
00:00:14,990 --> 00:00:17,030
Sit down.
... | null | 8396.96 | 5608.99 | 180.70 |
far_and_away | tt0104231 | ypSEAUE_j0Ha | 1
00:00:00,560 --> 00:00:01,600
The watch reaches noon.
2
00:00:04,360 --> 00:00:05,200
The race begins.
3
00:00:20,600 --> 00:00:21,280
On the platform.
4
00:00:21,320 --> 00:00:22,760
Photographers take photographs.
5
00:00:23,120 --> 00:00:25,080
The racers stream across the flat land.
6
00:00:33,720 --> 00:00:... | 1
00:00:20,010 --> 00:00:22,560
Cannons signalled the start of the race.
2
00:00:23,230 --> 00:00:32,340
Hundreds of men and women with their horses stampede across the dusty land in a desperate attempt to reach their desired plot of land first.
3
00:00:33,220 --> 00:00:36,310
In all the commotion, wagons topple over... | 1
00:00:01,440 --> 00:00:03,450
Fire!
2
00:01:03,280 --> 00:01:04,840
That way!
3
00:01:13,080 --> 00:01:15,650
I've no wish to fight you.
| 1
00:00:01,430 --> 00:00:03,440
Fire!
2
00:00:05,630 --> 00:00:08,200
(ADVENTUROUS INSTRUMENTAL MUSIC)
3
00:00:13,590 --> 00:00:15,310
(CHEERING)
4
00:01:03,270 --> 00:01:04,830
That way!
5
00:01:13,070 --> 00:01:15,640
I've no wish to fight you.
6
00:01:23,990 --> 00:01:26,400
(ADVENTUROUS MUSIC CONTINUES)
| null | 8396.96 | 7247.87 | 180.03 |
far_and_away | tt0104231 | 63YLAJuM2syh | 1
00:00:08,600 --> 00:00:09,320
They get closer.
2
00:00:09,720 --> 00:00:10,920
Stephen pulls out a gun.
3
00:00:11,840 --> 00:00:12,280
They meet
4
00:00:12,280 --> 00:00:14,800
and Joseph pushes Stephen in the chest, deflecting the gun.
5
00:00:14,840 --> 00:00:15,880
It points to the sky.
6
00:00:20,240 --> 00... | 1
00:00:06,940 --> 00:00:09,990
Joseph and Stephen ride at each other through the river.
2
00:00:10,660 --> 00:00:12,370
Stephen pulls out a pistol.
3
00:00:13,130 --> 00:00:16,640
Joseph grabs hold of his arm as he fires the gun.
4
00:00:17,270 --> 00:00:18,520
The two men tussle
5
00:00:18,770 --> 00:00:22,200
an... | 1
00:00:27,510 --> 00:00:31,680
You're not in Ireland anymore,
you arrogant bastard!
2
00:00:34,350 --> 00:00:37,550
Damn it, Shannon. Do you
want your land or don't you?
3
00:01:00,390 --> 00:01:02,080
This land is mine.
4
00:01:02,870 --> 00:01:04,990
Mine by destiny.
5
00:01:33,230 --> 00:01:35,690
Go ahead, Jos... | 1
00:00:12,580 --> 00:00:14,860
(HORSES NEIGHING)
(GUNSHOT)
2
00:00:27,500 --> 00:00:31,670
You're not in Ireland anymore,
you arrogant bastard!
3
00:00:34,340 --> 00:00:37,540
Damn it, Shannon. Do you
want your land or don't you?
4
00:00:40,300 --> 00:00:41,870
(SHOUTING)
5
00:01:00,380 --> 00:01:02,070
This land ... | null | 8396.96 | 7658.08 | 180.03 |
far_and_away | tt0104231 | ygULDTKq951_ | 1
00:00:24,650 --> 00:00:26,850
She nods, tears falling from her eyes.
2
00:00:34,780 --> 00:00:35,580
She smiles.
3
00:00:36,580 --> 00:00:37,700
He touches her arm.
4
00:00:40,500 --> 00:00:41,300
He grimaces.
5
00:00:55,300 --> 00:00:56,300
His eyes close.
6
00:00:58,140 --> 00:00:58,260
Me.
7
00:00:58,300 -->... | 1
00:02:37,260 --> 00:02:39,690
Shannon smothers Joseph and kisses.
2
00:02:40,570 --> 00:02:48,590
Then, with their fellow competitors fast approaching, Joseph and Shannon crawl together through the long grass to the flag.
3
00:02:49,350 --> 00:02:52,360
Together, they raise it victoriously above their heads
4
00:0... | 1
00:00:00,020 --> 00:00:01,220
Joseph...
2
00:00:05,540 --> 00:00:07,950
I tried to prove myself to you,
3
00:00:09,140 --> 00:00:13,190
but I know nothing
of books or alphabets
4
00:00:13,740 --> 00:00:16,990
or sun or moon or...
5
00:00:18,740 --> 00:00:20,350
All I know
6
00:00:20,740 --> 00:00:23,750
is Josep... | 1
00:00:00,010 --> 00:00:01,210
Joseph...
2
00:00:05,530 --> 00:00:07,940
I tried to prove myself to you,
3
00:00:09,130 --> 00:00:13,180
but I know nothing
of books or alphabets
4
00:00:13,730 --> 00:00:16,980
or sun or moon or...
5
00:00:18,730 --> 00:00:20,340
All I know
6
00:00:20,730 --> 00:00:23,740
is Josep... | null | 8396.96 | 7838.05 | 180.03 |
fast_and_the_furious_tokyo_drift | tt0463985 | p_ftuoMQjQBd | 1
00:00:28,770 --> 00:00:30,290
The lean teen gets in his car
2
00:00:30,290 --> 00:00:31,270
and drives off.
3
00:00:32,350 --> 00:00:35,590
The brawny teen angrily chucks a baseball toward the Monte Carlo.
4
00:00:38,550 --> 00:00:40,070
Glass litters the ground.
5
00:00:41,950 --> 00:00:43,390
A crowd gathers ar... | 1
00:00:28,200 --> 00:00:29,590
The footballer glares at Sean,
2
00:00:29,590 --> 00:00:30,890
who gets into his Chevy.
3
00:00:30,970 --> 00:00:33,780
The blonde girl shrugs when her boyfriend glances at her.
4
00:00:33,820 --> 00:00:34,700
Sean drives off in.
5
00:00:34,700 --> 00:00:36,130
The footballer throws ... | 1
00:00:00,950 --> 00:00:03,350
Hey!
You talking to my girl?
2
00:00:03,490 --> 00:00:05,680
Oh, shit. Here we go.
Yeah.
3
00:00:05,750 --> 00:00:08,780
She was just
admiring my ride.
4
00:00:08,990 --> 00:00:10,080
"My ride."
5
00:00:10,160 --> 00:00:11,750
My grandma's Buick
could smoke
6
00:00:11,830 --> 00:00:... | 1
00:00:00,950 --> 00:00:03,350
Hey!
You talking to my girl?
2
00:00:03,490 --> 00:00:05,680
Oh, shit. Here we go.
Yeah.
3
00:00:05,760 --> 00:00:08,780
She was just
admiring my ride.
4
00:00:08,990 --> 00:00:10,080
BUDDY 1: "My ride."
5
00:00:10,160 --> 00:00:11,750
My grandma's Buick
could smoke
6
00:00:11,830 -... | null | 6252.70 | 203.84 | 103.70 |
fast_and_the_furious_tokyo_drift | tt0463985 | 59SDdFftF6if | 1
00:00:05,460 --> 00:00:07,900
Han pulls the car to a stop in front of a building.
2
00:00:16,660 --> 00:00:17,980
Giving Han a few looks.
3
00:00:17,980 --> 00:00:18,980
Sean shrugs.
4
00:00:21,380 --> 00:00:24,460
Exiting the RX seven, Sean approaches the building's entrance.
5
00:00:30,900 --> 00:00:32,060
Now ... | 1
00:00:04,630 --> 00:00:08,020
Later, the RX seven pulls up outside a building on a sunny street.
2
00:00:18,210 --> 00:00:19,760
Sean ponders for a moment.
3
00:00:22,320 --> 00:00:23,280
He gets out of the car
4
00:00:23,280 --> 00:00:29,650
and walks towards the building, which has a tiled pitched roof and a lar... | 1
00:00:09,160 --> 00:00:10,750
There's a guy in there
with a paw
2
00:00:10,830 --> 00:00:12,620
that owes me some money.
3
00:00:12,700 --> 00:00:13,860
A paw?
4
00:00:15,400 --> 00:00:17,160
Go get me my money.
5
00:00:19,970 --> 00:00:21,330
Okay.
6
00:01:15,120 --> 00:01:17,490
Han said,
7
00:01:19,160 --> 0... | 1
00:00:09,160 --> 00:00:10,750
There's a guy in there
with a paw
2
00:00:10,830 --> 00:00:12,630
that owes me some money.
3
00:00:12,700 --> 00:00:13,860
A paw?
4
00:00:15,400 --> 00:00:17,160
Go get me my money.
5
00:00:19,970 --> 00:00:21,340
Okay.
6
00:00:36,550 --> 00:00:38,280
(SPEAKING JAPANESE)
7
00:01:11... | null | 6252.70 | 2104.70 | 122.63 |
fast_and_the_furious_tokyo_drift | tt0463985 | C28vUOKx_t1w | 1
00:00:06,250 --> 00:00:08,530
The evolution nine follows the RX seven.
2
00:00:13,330 --> 00:00:14,930
Drifting around another corner.
3
00:00:14,930 --> 00:00:16,170
Sean takes the lead.
4
00:00:17,850 --> 00:00:19,370
Now on a highway curve.
5
00:00:19,410 --> 00:00:24,690
Sean drives the evolution nine, turnin... | 1
00:00:00,090 --> 00:00:05,880
On the mountain road, Sean's Mitsubishi Evo is in a head to head with Han in his veilside Mazda RX seven.
2
00:00:10,670 --> 00:00:12,350
Han manages to keep in front of Sean,
3
00:00:12,350 --> 00:00:15,710
but the youngster slips in on the inside at a left hand turn.
4
00:00:19,390 ... | 1
00:01:13,100 --> 00:01:14,790
Pleasure doing business.
2
00:01:18,640 --> 00:01:21,630
Yeah, baby. I told you.
I told you, didn't I?
| 1
00:00:56,580 --> 00:00:58,010
(SHOUTING)
2
00:01:05,520 --> 00:01:07,120
(PEOPLE CHEERING)
3
00:01:13,100 --> 00:01:14,790
Pleasure doing business.
4
00:01:15,430 --> 00:01:17,060
(PEOPLE SHOUTING)
5
00:01:18,640 --> 00:01:21,630
TWINKIE:
Yeah, baby. I told you.
I told you, didn't I?
| null | 6252.70 | 3411.94 | 84.01 |
fast_and_the_furious_tokyo_drift | tt0463985 | 4BvIEbUul_xj | 1
00:00:02,330 --> 00:00:05,970
Later, on a mountain road, many racecars follow each other closely
2
00:00:07,170 --> 00:00:09,250
in her light blue Mazda RX eight.
3
00:00:09,290 --> 00:00:10,250
Neela turns the wheel
4
00:00:10,250 --> 00:00:12,010
and Sean sits passenger side.
5
00:00:12,010 --> 00:00:15,150
The... | 1
00:00:00,340 --> 00:00:00,930
Night.
2
00:00:00,970 --> 00:00:03,700
A convoy of cars eases its way up the mountain road.
3
00:00:03,740 --> 00:00:05,540
Neela is at the wheel of her Mazda RX eight
4
00:00:05,540 --> 00:00:06,970
with Sean sitting beside her.
5
00:00:12,880 --> 00:00:15,730
The whole posse drifts... | 1
00:00:19,620 --> 00:00:22,420
We used to come up here
when we were kids.
2
00:00:22,890 --> 00:00:26,220
Even before we could drive
we'd cut class, sneak out,
3
00:00:26,290 --> 00:00:28,850
come up here, and watch
the older kids drift.
4
00:00:35,570 --> 00:00:37,590
Things were different
back then.
5
00:00:41,6... | 1
00:00:19,620 --> 00:00:22,420
We used to come up here
when we were kids.
2
00:00:22,890 --> 00:00:26,220
Even before we could drive
we'd cut class, sneak out,
3
00:00:26,290 --> 00:00:28,850
come up here, and watch
the older kids drift.
4
00:00:35,570 --> 00:00:37,590
Things were different
back then.
5
00:00:41,6... | null | 6252.70 | 3609.79 | 92.86 |
fast_and_the_furious_tokyo_drift | tt0463985 | wGqdaY9Ivmmw | 1
00:00:02,110 --> 00:00:04,350
Sean and Neela enter the evolution nine.
2
00:00:06,630 --> 00:00:07,710
In his RX seven.
3
00:00:07,750 --> 00:00:10,150
Han drives off as DK's men chase him,
4
00:00:11,310 --> 00:00:12,710
kicking the hood of Sean's car.
5
00:00:12,750 --> 00:00:14,270
Morimoto blocks their path.
... | 1
00:00:01,160 --> 00:00:03,840
Neela and Sean take off through the garage and Evo.
2
00:00:06,360 --> 00:00:07,530
Hands in his Mazda.
3
00:00:07,570 --> 00:00:10,300
Morimoto jumps out in front of Sean who stops?
4
00:00:13,570 --> 00:00:15,450
Morimoto kicks the Evo bonnet.
5
00:00:15,790 --> 00:00:17,040
Sean r... | 1
00:00:00,120 --> 00:00:01,340
Come on.
| 1
00:00:00,120 --> 00:00:01,350
SEAN: Come on.
2
00:00:12,430 --> 00:00:13,430
(SHOUTS IN JAPANESE)
| null | 6252.70 | 4224.29 | 102.08 |
fast_and_the_furious_tokyo_drift | tt0463985 | 13bKORtrzYh9 | 1
00:00:00,790 --> 00:00:02,920
Morimoto speedometer is at 90.
2
00:00:03,520 --> 00:00:06,000
His fair lady rams into the back of Shaun's car,
3
00:00:07,200 --> 00:00:09,120
pulling up next to the evolution nine
4
00:00:09,120 --> 00:00:11,240
Morimoto aggressively bashes into it.
5
00:00:12,400 --> 00:00:14,960
... | 1
00:00:03,760 --> 00:00:05,480
He rams the back of the Evo,
2
00:00:06,910 --> 00:00:08,250
moving alongside the Evo.
3
00:00:08,290 --> 00:00:10,720
Morimoto rams into the side of it repeatedly.
4
00:00:19,080 --> 00:00:21,640
Morimoto s eyes suddenly open wide in horror.
5
00:00:23,400 --> 00:00:25,290
An oncomi... | 1
00:00:06,300 --> 00:00:07,670
(GRUNTING)
2
00:00:21,690 --> 00:00:22,880
(SCREAMING)
| null | 6252.70 | 4321.47 | 40.80 | |
fast_and_the_furious_tokyo_drift | tt0463985 | vbOUK6kHnoyq | 1
00:00:01,620 --> 00:00:02,460
drifting a turn.
2
00:00:02,460 --> 00:00:06,420
Han's Rx7 is followed by Sean and then DK's Nissan Fairlady.
3
00:00:07,540 --> 00:00:13,740
They zigzag in between slower traffic Han speeds toward a street with many neon signs
4
00:00:13,740 --> 00:00:15,500
and pedestrians on a side... | 1
00:00:00,140 --> 00:00:01,020
Reads 90.
2
00:00:03,160 --> 00:00:06,050
The Mazda powerslides onto a main street, followed by the Evo,
3
00:00:06,090 --> 00:00:07,050
then the 350.
4
00:00:07,100 --> 00:00:10,110
They streak up a freeway bordered by brightly lit skyscrapers.
5
00:00:12,920 --> 00:00:16,150
The Ma... | 1
00:01:06,060 --> 00:01:07,420
Sean. Sean!
| 1
00:01:06,060 --> 00:01:07,430
Sean. Sean!
2
00:01:10,770 --> 00:01:12,460
(PEOPLE SCREAMING)
| null | 6252.70 | 4361.25 | 96.53 |
fast_and_the_furious_tokyo_drift | tt0463985 | 0j3L7BfsJgG8 | 1
00:00:00,670 --> 00:00:03,190
Drifting a turn, Sean crosses an intersection.
2
00:00:05,350 --> 00:00:07,270
Han and DQ follow behind him.
3
00:00:17,230 --> 00:00:19,590
The Nissan Fairlady passes the RX seven,
4
00:00:20,190 --> 00:00:21,710
spinning his own car around.
5
00:00:21,710 --> 00:00:25,150
DQ revers... | 1
00:00:01,360 --> 00:00:02,450
Back at full speed.
2
00:00:02,450 --> 00:00:05,550
DQ changes down and glares determinedly ahead.
3
00:00:05,590 --> 00:00:06,850
The Evo rounds a corner.
4
00:00:08,440 --> 00:00:13,810
Han wrestles to hold on to the wheel as the Mazda tires smoking slides sideways round the bend.
... | 1
00:01:29,870 --> 00:01:31,360
(INAUDIBLE)
| null | 6252.70 | 4456.16 | 98.99 | |
fast_and_the_furious_tokyo_drift | tt0463985 | NsTPTmxKku_v | 1
00:00:03,110 --> 00:00:05,590
Inside, there are no cars to be found.
2
00:00:07,110 --> 00:00:07,990
Sean paces
3
00:00:07,990 --> 00:00:10,150
and the lanky man runs down from upstairs.
4
00:00:10,230 --> 00:00:11,470
He hangs up a cell phone.
5
00:00:17,150 --> 00:00:19,870
The thin woman leads the group out to... | 1
00:00:03,030 --> 00:00:07,020
Inside they look about the large space now devoid of cars and motorbikes.
2
00:00:07,390 --> 00:00:08,480
Sean walks over to Earl
3
00:00:08,530 --> 00:00:10,370
as he runs down the mezzanine steps.
4
00:00:15,990 --> 00:00:17,870
Reiko leads the group out to the back.
5
00:00:18,040... | 1
00:00:12,860 --> 00:00:14,950
The cops
took all the cars.
2
00:00:15,460 --> 00:00:16,520
Hey!
3
00:01:33,340 --> 00:01:35,040
That's why she's spitting.
4
00:01:58,200 --> 00:01:59,890
We almost there, Twink.
| 1
00:00:12,860 --> 00:00:14,960
The cops
took all the cars.
2
00:00:15,460 --> 00:00:16,520
Hey!
3
00:01:33,340 --> 00:01:35,040
That's why she's spitting.
4
00:01:58,200 --> 00:01:59,900
SEAN: We almost there, Twink.
| null | 6252.70 | 5044.58 | 119.93 |
fast_and_the_furious_tokyo_drift | tt0463985 | cea99jI6q5od | 1
00:00:00,480 --> 00:00:02,120
The henchman raises his hands
2
00:00:02,440 --> 00:00:03,400
and drops them.
3
00:00:05,440 --> 00:00:07,920
Both cars race down a straight part of the road.
4
00:00:09,560 --> 00:00:13,000
Dx's Nissan Fairlady accelerates in front of Sean's Mustang.
5
00:00:14,520 --> 00:00:17,000
... | 1
00:00:01,710 --> 00:00:03,090
and the cars take off.
2
00:00:07,830 --> 00:00:10,640
Sean and Dick Teacher along a straight stretch of road.
3
00:00:10,640 --> 00:00:13,530
Wearing a look of steely resolve, Dick overtakes Sean
4
00:00:13,530 --> 00:00:15,540
and drifts around a hairpin bend.
5
00:00:16,090 --> 00... | 1
00:01:16,520 --> 00:01:17,680
Yeah!
2
00:01:24,590 --> 00:01:25,680
Yeah!
3
00:01:25,760 --> 00:01:26,850
Yes!
| 1
00:00:26,100 --> 00:00:27,730
(ALL CHATTERING)
2
00:01:16,520 --> 00:01:17,680
Yeah!
3
00:01:24,590 --> 00:01:25,690
Yeah!
4
00:01:25,760 --> 00:01:26,850
Yes!
| null | 6252.70 | 5338.18 | 128.55 |
fast_and_the_furious_tokyo_drift | tt0463985 | izLQhEPcrwAb | 1
00:00:18,390 --> 00:00:19,950
Drifting in front of Sean's car.
2
00:00:20,070 --> 00:00:22,030
Dick prevents Sean from passing him.
3
00:00:25,670 --> 00:00:29,110
The Mustangs tire drifts on the edge of the cliff as smoke rises.
4
00:00:30,670 --> 00:00:32,290
Hitting the accelerator pedal.
5
00:00:32,330 --> 00... | 1
00:00:00,830 --> 00:00:03,690
Dick and Sean zigzag around another set of bends.
2
00:00:03,940 --> 00:00:08,000
Dick's driving, becoming maniacal as he swerves all over the road.
3
00:00:11,270 --> 00:00:14,580
Sean furrows his brow in concentration as he tells Dick.
4
00:00:14,880 --> 00:00:18,230
Coming out of a... | 1
00:00:22,530 --> 00:00:23,550
Come on.
2
00:00:34,770 --> 00:00:36,030
Yeah! Come on!
3
00:00:36,110 --> 00:00:37,330
Come on, Sean.
4
00:00:37,470 --> 00:00:38,740
Let's go! Let's go!
5
00:00:38,810 --> 00:00:40,710
Sean, you the boss. Let's go.
6
00:01:08,870 --> 00:01:11,140
Damn! Come on, man!
That ain't rig... | 1
00:00:22,530 --> 00:00:23,550
Come on.
2
00:00:34,770 --> 00:00:36,030
Yeah! Come on!
3
00:00:36,110 --> 00:00:37,340
Come on, Sean.
4
00:00:37,480 --> 00:00:38,740
Let's go! Let's go!
5
00:00:38,810 --> 00:00:40,710
Sean, you the boss. Let's go.
6
00:01:08,870 --> 00:01:11,140
Damn! Come on, man!
That ain't rig... | null | 6252.70 | 5460.74 | 128.06 |
fast_and_the_furious_tokyo_drift | tt0463985 | v8YJ_PXyzrt6 | 1
00:00:01,710 --> 00:00:04,950
Stepping on the accelerator pedal, Sean pulls up next to Dick.
2
00:00:07,350 --> 00:00:09,630
He passes Dick and takes the lead.
3
00:00:18,310 --> 00:00:21,510
Turning the wheel, Dick slams his car into the back of the Mustang.
4
00:00:23,960 --> 00:00:25,960
Dyke repeats this viole... | 1
00:00:04,550 --> 00:00:07,070
The Mustang powers forwards, his teeth bared.
2
00:00:07,070 --> 00:00:11,970
Decay pushes the 350 Z to its limits as he tries to gain back the lead from his adversary.
3
00:00:14,820 --> 00:00:18,260
Sean struggles to keep control as they curve around another bend.
4
00:00:18,890 -->... | 1
00:01:14,680 --> 00:01:15,680
Yeah, baby!
2
00:01:15,740 --> 00:01:16,960
That's what
I'm talking about, man.
3
00:01:16,980 --> 00:01:18,340
I told you!
| 1
00:00:37,770 --> 00:00:39,140
(ALL GASPING)
2
00:00:41,710 --> 00:00:43,270
(ALL CHEERING)
3
00:01:01,130 --> 00:01:02,560
(ALL CHEERING)
4
00:01:14,680 --> 00:01:15,680
BOY: Yeah, baby!
5
00:01:15,750 --> 00:01:16,960
That's what
I'm talking about, man.
6
00:01:16,980 --> 00:01:18,350
TWINKIE: I told you!
7
00... | null | 6252.70 | 5587.26 | 111.55 |
father_stu | tt14439896 | VwO8Ov_uOlVE | 1
00:00:03,560 --> 00:00:04,720
Ham turns to her.
2
00:00:11,920 --> 00:00:12,800
Carmen joined.
3
00:00:12,800 --> 00:00:13,240
Stu.
4
00:00:23,720 --> 00:00:26,680
These words appear on the screen in front of them.
5
00:00:26,680 --> 00:00:27,800
They face each other.
6
00:01:23,650 --> 00:01:25,410
She smirks a... | 1
00:00:03,350 --> 00:00:04,710
Ham urges Carmen up.
2
00:00:24,550 --> 00:00:25,670
Taking Carmen's hand.
3
00:00:25,670 --> 00:00:26,590
Stuart helps her up
4
00:00:26,590 --> 00:00:28,750
and points to the monitor lit with we got married
5
00:00:28,750 --> 00:00:29,430
in a fever.
6
00:00:49,790 --> 00:00:53,03... | 1
00:00:00,800 --> 00:00:03,010
I'd like to invite a friend
to sing with me.
2
00:00:05,050 --> 00:00:07,970
God gave you the talent.
It's a sin not to use it.
3
00:00:08,050 --> 00:00:10,270
- Give her a round of applause.
- Go.
4
00:00:10,350 --> 00:00:11,350
- Come on.
- Yeah.
5
00:00:14,270 --> 00:00:17,440
- D... | 1
00:00:00,770 --> 00:00:03,010
I'd like to invite a friend here
to sing with me tonight.
2
00:00:05,010 --> 00:00:07,870
God gave you the talent.
It's a sin not to use it.
3
00:00:08,010 --> 00:00:10,180
Give her a round of applause.
Go.
4
00:00:10,310 --> 00:00:11,310
Come on.
Yeah.
5
00:00:14,210 --> 00:00:16,35... | null | 7479.49 | 2052.67 | 142.20 |
father_stu | tt14439896 | aKbdA_31HP2C | 1
00:00:23,140 --> 00:00:24,260
He faces Carmen.
| 1
00:00:14,100 --> 00:00:15,660
With an ash cross on his forehead.
2
00:00:15,660 --> 00:00:17,500
Like everyone Stuart gazes up.
3
00:00:23,300 --> 00:00:24,740
He looks directly at Carmen.
| 1
00:00:00,850 --> 00:00:05,320
For example, I am gonna give up chocolate.
2
00:00:05,400 --> 00:00:07,950
You should protest. She needs sweetening.
3
00:00:08,610 --> 00:00:10,160
Yeah, pick something else.
4
00:00:11,450 --> 00:00:13,990
- Well, what are you gonna give up, Stu?
- Me?
5
00:00:17,750 --> 00:00:20,3... | 1
00:00:05,350 --> 00:00:08,450
Hey, you guys should protest.
She needs sweetening.
2
00:00:08,580 --> 00:00:10,050
Yeah, pick something else.
3
00:00:11,390 --> 00:00:13,020
Well, what are you
gonna give up, Stu?
4
00:00:13,160 --> 00:00:14,860
Me?
5
00:00:14,990 --> 00:00:17,330
Uh...
6
00:00:17,460 --> 00:00:20... | null | 7479.49 | 2141.12 | 36.27 |
father_stu | tt14439896 | zrQkXibDTQtN | 1
00:00:00,260 --> 00:00:02,460
He rides his motorcycle down a dark road
2
00:00:02,460 --> 00:00:04,230
and approaches an intersection.
3
00:00:06,590 --> 00:00:08,150
A car turns toward him.
4
00:00:08,150 --> 00:00:09,710
Stu swerves out of its path
5
00:00:09,710 --> 00:00:10,910
and runs a red light.
6
00:00:... | 1
00:00:00,480 --> 00:00:04,160
The bright circle of Stuart's motorbike headlights sweeps around a dark corner
2
00:00:04,160 --> 00:00:06,000
with street lights twinkling behind him,
3
00:00:06,000 --> 00:00:07,680
Stuart's hair blowing in the breeze.
4
00:00:08,000 --> 00:00:10,040
Up ahead a parked cars lights ar... | 1
00:00:13,430 --> 00:00:14,730
Oh, shit.
2
00:00:40,960 --> 00:00:42,340
Sir?
3
00:00:43,880 --> 00:00:46,090
Can you hear me?
4
00:00:48,800 --> 00:00:50,140
Can you hear me?
5
00:01:05,570 --> 00:01:06,900
Behold thy mother.
6
00:01:18,290 --> 00:01:19,750
You must listen to me.
7
00:01:20,590 --> 00:01:22,590... | 1
00:00:02,750 --> 00:00:04,780
♪ I want you ♪
2
00:00:09,360 --> 00:00:10,790
♪ I want you ♪
3
00:00:13,390 --> 00:00:14,660
[HONKING]
Oh, shit.
4
00:00:27,240 --> 00:00:30,140
[EMERGENCY VEHICLE SIRENS
WAILING]
5
00:00:40,920 --> 00:00:42,220
[INAUDIBLE]
Sir?
6
00:00:43,720 --> 00:00:45,960
[INAUDIBLE]
Sir, can ... | null | 7479.49 | 2685.47 | 196.14 |
father_stu | tt14439896 | PFi_2LE5SNBe | 1
00:00:14,800 --> 00:00:16,840
Shaking his head, he gazes downward,
2
00:00:16,840 --> 00:00:18,040
then glances at her.
3
00:00:19,280 --> 00:00:20,880
She moves closer to him.
4
00:00:32,650 --> 00:00:33,850
She grows thoughtful.
5
00:00:40,330 --> 00:00:42,770
Straddling him, she cups his face with her hand
6
... | 1
00:00:14,750 --> 00:00:15,590
He shakes his head
2
00:00:15,590 --> 00:00:16,790
and she looks wounded.
3
00:00:16,790 --> 00:00:20,110
His eyes briefly flick from his rosary to her offended face.
4
00:00:32,790 --> 00:00:35,310
Sitting by his side, she looks intently at him.
5
00:00:37,230 --> 00:00:39,350
Weari... | 1
00:00:00,560 --> 00:00:03,600
Why did God make or allow this to happen?"
2
00:00:04,190 --> 00:00:06,190
He doesn't promise
your stories will make sense,
3
00:00:06,270 --> 00:00:09,530
but he does promise
they'll find their greater purpose.
4
00:00:09,610 --> 00:00:10,740
If we're patient.
5
00:00:10,820 --> 00:... | 1
00:00:03,650 --> 00:00:06,110
He doesn't promise
your stories will make sense,
2
00:00:06,250 --> 00:00:09,420
but he does promise they'll
find their greater purpose.
3
00:00:09,550 --> 00:00:10,650
If we're patient.
4
00:00:10,790 --> 00:00:12,190
Patient?
5
00:00:12,320 --> 00:00:14,690
You an expert on that.
... | null | 7479.49 | 3181.25 | 145.20 |
father_stu | tt14439896 | ubD5R6AriKnK | 1
00:00:06,460 --> 00:00:07,520
She smiles.
2
00:00:08,600 --> 00:00:10,560
Carmen wears an expectant look.
3
00:00:18,360 --> 00:00:19,560
She knits her brow.
4
00:00:55,760 --> 00:00:57,640
She stares at him in disbelief.
5
00:02:16,030 --> 00:02:19,430
With the disappointed expression, Carmen glances downward.
... | 1
00:00:05,710 --> 00:00:08,230
Carmen nods and smiles at his earnest face.
2
00:00:08,230 --> 00:00:10,030
She watches as he shuffles in his seat
3
00:00:10,030 --> 00:00:13,310
and glances down, her face filled with joyous expectation.
4
00:00:15,990 --> 00:00:18,190
With a furrowed brow, her eyes search his face
... | 1
00:00:00,400 --> 00:00:02,780
I thought it'd make sense
being back here to do this.
2
00:00:03,360 --> 00:00:05,410
It's the place
you told me you believed in me.
3
00:00:14,290 --> 00:00:15,630
I'm gonna be a priest.
4
00:00:21,090 --> 00:00:22,090
What do you mean?
5
00:00:24,390 --> 00:00:26,600
It's five word... | 1
00:00:00,220 --> 00:00:02,720
I thought it'd make sense
being back here to do this.
2
00:00:02,850 --> 00:00:05,290
It's the place
you told me you believed in me.
3
00:00:14,260 --> 00:00:15,530
I'm gonna be a priest.
4
00:00:20,570 --> 00:00:21,970
[CHUCKLES]
What do you mean?
5
00:00:24,370 --> 00:00:26,510
It'... | null | 7479.49 | 3440.70 | 177.19 |
father_stu | tt14439896 | CLKQOnTuO37o | 1
00:00:14,020 --> 00:00:15,700
He looks up at the crucifix.
2
00:00:56,480 --> 00:00:57,960
He holds the rosary.
3
00:01:20,920 --> 00:01:23,360
He rests the rosary against his forehead.
4
00:01:31,200 --> 00:01:34,080
Fixing his gaze on the rosary, he lifts his head.
5
00:01:37,160 --> 00:01:38,980
Stu looks up a... | 1
00:00:05,120 --> 00:00:06,960
He looks up at Jesus on the cross.
2
00:00:13,840 --> 00:00:16,480
He tilts his head, his eyes imploring the Almighty.
3
00:00:18,280 --> 00:00:18,840
Staring?
4
00:00:18,840 --> 00:00:19,880
Stuart gulps.
5
00:00:39,040 --> 00:00:43,200
With his clerical collar undone, Stuart hunche... | 1
00:00:03,250 --> 00:00:05,340
You love me, but you don't want me.
2
00:00:09,300 --> 00:00:10,680
You're testing me, huh?
3
00:00:11,600 --> 00:00:14,100
You wanna test me to see how serious I am?
4
00:00:16,980 --> 00:00:17,980
Why?
5
00:00:20,940 --> 00:00:21,940
Why?
6
00:00:22,900 --> 00:00:23,900
Why?
7
00... | 1
00:00:03,270 --> 00:00:05,240
You love me,
but you don't want me.
2
00:00:09,310 --> 00:00:11,480
You're testing me, huh?
3
00:00:11,610 --> 00:00:14,010
You wanna test me
to see how serious I am?
4
00:00:16,880 --> 00:00:17,880
Why?
5
00:00:20,850 --> 00:00:21,850
Why?
6
00:00:22,890 --> 00:00:23,890
Why?
7
00... | null | 7479.49 | 4868.58 | 110.50 |
father_stu | tt14439896 | OokGYAzkZyaL | 1
00:00:04,720 --> 00:00:05,200
My
2
00:00:06,280 --> 00:00:07,960
Jacob walks alongside him.
3
00:00:08,120 --> 00:00:09,280
They approach a guard.
4
00:00:09,600 --> 00:00:13,200
A police vehicle and a prison bus sit parked outside the fence.
5
00:00:14,240 --> 00:00:14,680
Inside.
6
00:00:14,780 --> 00:00:16,74... | 1
00:00:07,330 --> 00:00:11,850
He hobbles alongside Jacob past chain link fences topped with coiled barbed wire,
2
00:00:11,850 --> 00:00:13,490
and approaches a prison guard.
3
00:00:18,570 --> 00:00:19,690
Their rosaries are taken
4
00:00:19,690 --> 00:00:21,410
and they're buzzed through a security door
5
00:00... | 1
00:00:34,220 --> 00:00:35,430
Give me a hand here.
2
00:00:46,480 --> 00:00:49,320
It's our mission
to enter the darkest places,
3
00:00:49,400 --> 00:00:51,530
and to be the light of Christ.
4
00:00:51,610 --> 00:00:52,860
"Dark"?
5
00:00:53,530 --> 00:00:56,160
Because we Black, bad, or both?
6
00:00:59,030 --... | 1
00:00:00,720 --> 00:00:06,830
♪ Ain't no grave
Can hold my body down ♪
2
00:00:08,960 --> 00:00:14,540
♪ Ain't no grave
Can hold my body down ♪
3
00:00:14,670 --> 00:00:17,040
[DOOR LOCK BUZZES]
♪ My body down ♪
4
00:00:17,170 --> 00:00:21,240
♪ When the first trumpet
Sound ♪
5
00:00:21,380 --> 00:00:25,210
♪ I'l... | null | 7479.49 | 5477.38 | 145.31 |
father_stu | tt14439896 | I_cJsY_EVTBw | 1
00:00:14,460 --> 00:00:17,300
He closes the door behind him with one of his crutches.
2
00:00:54,320 --> 00:00:56,600
Monsignor Kelly takes off his glasses.
3
00:01:07,480 --> 00:01:09,240
Stu shifts his gaze downward.
4
00:01:10,160 --> 00:01:12,440
Monsignor Kelly wears a sombre look.
5
00:01:48,770 --> 00:01:5... | 1
00:00:00,930 --> 00:00:03,050
He walks into Monsignor Kelly's office.
2
00:00:14,730 --> 00:00:15,610
Pushing the door shut.
3
00:00:15,650 --> 00:00:18,370
He faces Kelly gawping as he forms his words.
4
00:00:53,810 --> 00:00:55,450
Stuart solemnly shakes his head.
5
00:00:55,450 --> 00:00:57,250
Kelly frowns a... | 1
00:00:06,290 --> 00:00:08,460
Have a seat, Stuart.
2
00:00:08,540 --> 00:00:09,540
You know what?
3
00:00:11,170 --> 00:00:13,670
I'm trying to stay fit. I'll have a stand.
4
00:00:19,050 --> 00:00:21,720
There is concern amongst the diocese
5
00:00:21,800 --> 00:00:24,770
that the state of your infirmity
6
00:0... | 1
00:00:06,320 --> 00:00:08,420
Have a seat, Stuart.
2
00:00:08,560 --> 00:00:09,560
You know what?
3
00:00:11,260 --> 00:00:13,170
I'm trying to stay fit.
I think I'll have a stand.
4
00:00:13,190 --> 00:00:14,190
[DOOR CLOSES]
5
00:00:19,070 --> 00:00:21,700
There is concern
amongst the diocese
6
00:00:21,840 --... | null | 7479.49 | 5627.14 | 135.93 |
father_stu | tt14439896 | YU3uBdPgjBrh | 1
00:00:01,450 --> 00:00:02,330
He punched.
2
00:00:03,970 --> 00:00:05,330
He crosses himself.
3
00:00:08,130 --> 00:00:09,370
Kathleen kisses him,
4
00:00:09,370 --> 00:00:10,570
then turns to Bill.
5
00:00:18,930 --> 00:00:21,410
Carmen steps out of the church wearing a white dress.
6
00:00:21,850 --> 00:00:24,... | 1
00:00:02,750 --> 00:00:03,910
and crosses himself.
2
00:00:08,390 --> 00:00:10,030
Kathleen kisses Stuart's cheeks
3
00:00:10,030 --> 00:00:11,230
and glances at Bill.
4
00:00:18,430 --> 00:00:19,630
Kathleen smiles at Bill,
5
00:00:19,630 --> 00:00:20,830
then turns to the church.
6
00:00:20,830 --> 00:00:23,95... | 1
00:00:05,980 --> 00:00:07,610
- Hi, baby.
- Hey, Mama.
2
00:00:11,570 --> 00:00:14,650
- Wanna tell me what's going on here?
- What you mean?
3
00:00:15,280 --> 00:00:16,820
Dad is in a tie.
4
00:00:16,910 --> 00:00:18,490
He looks nice.
5
00:00:26,290 --> 00:00:28,880
Y'all think since I can't be a priest,
I'm g... | 1
00:00:06,020 --> 00:00:07,560
KATHLEEN: Hi, baby.
Hey, Mama.
2
00:00:11,600 --> 00:00:12,960
Wanna tell me
what's going on here?
3
00:00:13,000 --> 00:00:15,200
What you mean?
4
00:00:15,330 --> 00:00:16,800
Dad is in a tie.
5
00:00:16,930 --> 00:00:18,470
He looks nice.
6
00:00:26,340 --> 00:00:27,820
Y'all thi... | null | 7479.49 | 6264.42 | 355.57 |
fifty_shades_of_grey | tt2322441 | IGZ0SOS4l_58 | 1
00:00:11,260 --> 00:00:13,060
He takes a seat behind his desk.
2
00:00:33,380 --> 00:00:34,650
Anna cocks her brow.
3
00:01:17,570 --> 00:01:18,970
He steps around to her.
4
00:01:30,370 --> 00:01:32,350
She gives her notes, a startled look.
5
00:01:47,470 --> 00:01:49,350
She nibbles on the pencil's eraser.
6
0... | 1
00:00:11,040 --> 00:00:13,360
Anna stares into his intense grey eyes.
2
00:00:33,320 --> 00:00:34,240
She raises an eyebrow
3
00:00:34,320 --> 00:00:35,160
and looks away.
4
00:01:29,880 --> 00:01:30,800
Anna's face falls,
5
00:01:30,800 --> 00:01:32,750
and she does a double take at the question.
6
00:01:47,470... | 1
00:00:00,140 --> 00:00:03,490
The key to my success is
identifying talents in individuals.
2
00:00:03,770 --> 00:00:07,750
- And harnessing their efforts.
- You're a control freak?
3
00:00:07,940 --> 00:00:10,470
Oh I exercise control in
all things Miss Steele.
4
00:00:14,480 --> 00:00:19,510
Okay um, your company... | 1
00:00:00,120 --> 00:00:03,710
The key to my success
has been in identifying
talented individuals
2
00:00:03,880 --> 00:00:06,050
and harnessing
their efforts.
3
00:00:06,210 --> 00:00:07,590
So, you're a control freak?
4
00:00:07,760 --> 00:00:11,220
Oh, I exercise control in
all things, Miss Steele.
5
00:00:14,4... | null | 7496.82 | 374.30 | 206.64 |
fifty_shades_of_grey | tt2322441 | 3lN8I_mrdslt | 1
00:00:02,950 --> 00:00:04,150
She spots Christian.
2
00:00:05,030 --> 00:00:06,470
He wears a wide grin.
3
00:00:37,180 --> 00:00:39,260
Facing Anna in front of a display wall,
4
00:00:39,260 --> 00:00:41,620
Christian grabs a package of cable ties.
5
00:01:08,520 --> 00:01:12,200
Later, Anna unwinds a length of ... | 1
00:00:01,910 --> 00:00:03,710
She glances down one of the aisles.
2
00:00:36,070 --> 00:00:36,510
Anna
3
00:00:38,350 --> 00:00:41,550
Christian selects a packet of cable ties from a wall display.
4
00:01:09,340 --> 00:01:12,340
Anna deftly gathers red rope from a spinning spool.
5
00:01:28,620 --> 00:01:29,580
S... | 1
00:00:06,660 --> 00:00:08,780
- Thought it was you.
- What the fuck?
2
00:00:08,970 --> 00:00:11,170
What a pleasant surprise Miss Steele.
3
00:00:11,860 --> 00:00:16,540
It's Ana, just Ana. You're in here...
4
00:00:16,570 --> 00:00:20,390
I was in the area on business,
needed to pick up a few things.
5
00:00:20... | 1
00:00:03,960 --> 00:00:04,960
(GASPS)
2
00:00:06,460 --> 00:00:07,460
I thought it was you.
3
00:00:07,880 --> 00:00:09,090
What the...
4
00:00:09,260 --> 00:00:11,220
What a pleasant surprise,
Miss Steele.
5
00:00:12,220 --> 00:00:13,840
Just "Ana." (CLEARS THROAT)
6
00:00:13,930 --> 00:00:15,180
Just "Ana."
7... | null | 7496.82 | 865.50 | 128.22 |
fifty_shades_of_grey | tt2322441 | XzpCv3v2keJg | 1
00:00:13,560 --> 00:00:14,320
From a couch.
2
00:00:14,320 --> 00:00:15,840
Christian points to the bed.
3
00:00:31,840 --> 00:00:33,120
He offers her toast.
4
00:00:55,120 --> 00:00:57,320
Christian stands and pulls off his shirt.
5
00:01:01,440 --> 00:01:02,600
He crawls on the bed.
6
00:01:03,230 --> 00:01:04... | 1
00:00:02,550 --> 00:00:04,350
Christian inspects his breakfast.
2
00:00:14,470 --> 00:00:16,590
He points to the empty space beside her.
3
00:00:31,430 --> 00:00:33,030
He offers her a plate of toast.
4
00:00:44,790 --> 00:00:46,710
She stops eating and stares at him.
5
00:00:55,230 --> 00:00:57,190
Christian gra... | 1
00:00:00,420 --> 00:00:02,000
Did you put me to bed?
2
00:00:06,410 --> 00:00:09,870
- You undressed me?
- I didn't have much choice.
3
00:00:11,240 --> 00:00:12,500
Where did you sleep?
4
00:00:17,690 --> 00:00:21,690
- Dear god… We didn't...
- Necrophillia's not my thing.
5
00:00:22,720 --> 00:00:26,700
- So we... | 1
00:00:00,630 --> 00:00:01,800
Did you put me to bed?
2
00:00:04,600 --> 00:00:05,600
Mmm-hmm.
3
00:00:06,390 --> 00:00:07,970
You undressed me?
4
00:00:08,310 --> 00:00:10,140
(SIGHS) I didn't have
much choice.
5
00:00:11,480 --> 00:00:12,810
Where did you sleep?
6
00:00:17,820 --> 00:00:19,780
Oh, my God.
Did w... | null | 7496.82 | 1625.50 | 159.64 |
fifty_shades_of_grey | tt2322441 | zkNdjfRRLJYU | 1
00:00:09,820 --> 00:00:11,900
Smiling, Anna averts her gaze.
2
00:00:34,100 --> 00:00:36,780
Christian and Anna enter an empty Elevator.
3
00:00:38,140 --> 00:00:39,420
Christian presses a button,
4
00:00:39,420 --> 00:00:40,500
then faces her.
5
00:00:44,860 --> 00:00:45,980
He kisses Anna.
6
00:00:46,900 --> 0... | 1
00:00:09,150 --> 00:00:11,790
Anna bows her head and smiles as she bites her lip.
2
00:00:12,070 --> 00:00:13,230
She lifts her gaze.
3
00:00:33,870 --> 00:00:35,950
They step into the Hotel lift together.
4
00:00:39,070 --> 00:00:40,310
Christian selects the floor,
5
00:00:40,350 --> 00:00:41,750
then stands fac... | 1
00:00:02,590 --> 00:00:06,970
- What are you doing here later?
- I'm working at the hardware store till 7.
2
00:00:07,590 --> 00:00:09,340
I'll have Taylor pick you up then.
3
00:00:14,710 --> 00:00:16,290
I'd like to bite that lip.
4
00:00:18,410 --> 00:00:20,150
I think I'd like that.
5
00:00:21,350 --> 00:00:2... | 1
00:00:02,510 --> 00:00:03,930
What are you doing later?
2
00:00:04,390 --> 00:00:07,020
I'm working
at the hardware
store until 7:00.
3
00:00:07,560 --> 00:00:09,230
I'll have Taylor
pick you up then.
4
00:00:13,320 --> 00:00:14,440
(SIGHS)
5
00:00:14,820 --> 00:00:16,730
I would like
to bite that lip.
6
00:00:1... | null | 7496.82 | 1802.72 | 74.33 |
fifty_shades_of_grey | tt2322441 | ISPXWUfnxOEJ | 1
00:00:01,040 --> 00:00:03,320
Christian stands beside a helicopter.
2
00:00:05,160 --> 00:00:07,520
Anna's eyes widen as she approaches him.
3
00:00:07,760 --> 00:00:09,080
They trade smiles.
4
00:00:11,160 --> 00:00:13,000
She climbs into the helicopter.
5
00:00:13,280 --> 00:00:15,600
The door reads Grey Enterp... | 1
00:00:00,710 --> 00:00:02,710
Lift doors open out onto her roof.
2
00:00:02,950 --> 00:00:06,110
Anna sees Christian waiting beside a grey and white helicopter.
3
00:00:06,310 --> 00:00:07,350
She goes to him.
4
00:00:10,550 --> 00:00:11,710
He greets her with a smile
5
00:00:11,710 --> 00:00:12,750
and opens the... | 1
00:00:09,560 --> 00:00:11,290
Good evening, Anastasia.
2
00:00:27,390 --> 00:00:29,010
What, you're flying this?
3
00:00:46,580 --> 00:00:48,000
No escaping now.
4
00:00:53,610 --> 00:00:57,010
November 1-2-2-4. Charlie Tango.
Ready to depart.
5
00:00:57,110 --> 00:00:59,690
Charlie tango, your flight plan to
Sea... | 1
00:00:09,420 --> 00:00:11,090
Good evening, Anastasia.
2
00:00:27,270 --> 00:00:29,110
Wait. You're flying this?
3
00:00:44,420 --> 00:00:45,670
(INHALES SHARPLY)
4
00:00:46,540 --> 00:00:47,960
No escaping now.
5
00:00:53,970 --> 00:00:56,720
November 1-2-2-4.
Charlie Tango,
ready to depart.
6
00:00:56,800 --> ... | null | 7496.82 | 1984.42 | 143.78 |
fifty_shades_of_grey | tt2322441 | fOASkrLgH_Nr | 1
00:00:20,780 --> 00:00:22,580
His stare lingers on Anna.
2
00:00:22,620 --> 00:00:24,020
Then he unlocks the door.
3
00:00:27,820 --> 00:00:29,700
They step into a darkened room.
4
00:00:29,820 --> 00:00:31,580
Christian taps on a display.
5
00:00:32,140 --> 00:00:35,300
The room lights up, revealing red panelled... | 1
00:00:22,030 --> 00:00:23,670
He slots a key into the door.
2
00:00:28,710 --> 00:00:30,390
He steps into the darkened room
3
00:00:30,390 --> 00:00:33,150
and plays with the console, which brings up the lights.
4
00:00:36,910 --> 00:00:38,430
Anna's eyes grow wide.
5
00:00:41,630 --> 00:00:46,510
She peers aroun... | 1
00:00:00,780 --> 00:00:04,100
- Its just around this door.
- What is it?
2
00:00:04,330 --> 00:00:08,180
- My playroom.
- Like your xbox and stuff?
3
00:00:09,300 --> 00:00:12,140
Its important you know that you
can leave at any time.
4
00:00:12,160 --> 00:00:13,530
Why, whats in there?
5
00:00:15,070 --> 00:00:1... | 1
00:00:00,660 --> 00:00:01,910
It's just beyond this door.
2
00:00:02,990 --> 00:00:03,990
What is?
3
00:00:04,330 --> 00:00:05,790
My play room.
4
00:00:06,580 --> 00:00:08,460
Like your Xbox and stuff?
5
00:00:09,670 --> 00:00:12,090
It's important that you know
you can leave at any time.
6
00:00:12,250 --> 00:... | null | 7496.82 | 2219.07 | 158.43 |
fifty_shades_of_grey | tt2322441 | Y2uysNcffMUV | 1
00:00:01,760 --> 00:00:04,120
Thank you for a most interesting weekend.
2
00:00:04,200 --> 00:00:05,640
This laptop is yours.
3
00:00:06,040 --> 00:00:08,240
And I'd like you to use it for research.
4
00:00:09,200 --> 00:00:10,040
She replies.
5
00:00:10,040 --> 00:00:10,520
Would you?
6
00:00:10,560 --> 00:00:1... | 1
00:00:00,220 --> 00:00:02,340
Thank you for a most interesting weekend.
2
00:00:02,580 --> 00:00:06,140
This laptop is yours and I'd like you to use it for research.
3
00:00:06,620 --> 00:00:08,100
Anna replies, would you?
4
00:00:08,140 --> 00:00:10,820
Now, is this what our relationship will be like?
5
00:00:10... | 1
00:00:33,930 --> 00:00:36,610
The following are the terms of
a binding contract..
2
00:00:37,660 --> 00:00:42,140
Between the dominant and the submissive.
The fundamental purpose of this contract.
3
00:00:42,160 --> 00:00:46,320
Is to allow the submissive to explore her
sensuality, and her limits of safeness.
4
00... | 1
00:00:09,640 --> 00:00:11,480
(KEYS CLACKING)
2
00:00:20,700 --> 00:00:21,990
(LAPTOP CHIMES)
3
00:00:29,500 --> 00:00:30,500
(SIGHS)
4
00:00:33,670 --> 00:00:36,050
(CHRISTIAN READING)
5
00:00:39,840 --> 00:00:41,880
CHRISTIAN: The fundamental
purpose of this contract
6
00:00:42,050 --> 00:00:43,930
is to allow... | null | 7496.82 | 3531.07 | 165.68 |
fifty_shades_of_grey | tt2322441 | rOiKf6o_0VFT | 1
00:00:03,090 --> 00:00:04,850
He lifts Ana over his shoulder.
2
00:00:13,410 --> 00:00:14,330
He spanks her.
3
00:00:15,730 --> 00:00:16,570
In a greenhouse.
4
00:00:16,570 --> 00:00:17,890
He sets Anna down.
5
00:00:21,650 --> 00:00:23,240
He forcefully kisses her.
6
00:00:26,600 --> 00:00:27,720
Anna pulls awa... | 1
00:00:03,320 --> 00:00:05,200
Christian throws Ana over his shoulder.
2
00:00:15,160 --> 00:00:16,280
Slaps her behind
3
00:00:16,640 --> 00:00:17,600
in a greenhouse.
4
00:00:23,670 --> 00:00:25,510
Christian kisses Anna Nedley.
5
00:00:25,590 --> 00:00:26,910
She pulls away from him.
6
00:00:30,630 --> 00:00:3... | 1
00:00:00,180 --> 00:00:03,360
Christian, I cannot walk
that fast in these shoes.
2
00:00:07,380 --> 00:00:09,020
When were you gonna tell me about Georgia?
3
00:00:09,040 --> 00:00:11,680
What? You have no right to be mad at me.
4
00:00:11,700 --> 00:00:13,890
Yeah but I am mad. Palm-twitchingly mad.
5
00:00:19,0... | 1
00:00:00,240 --> 00:00:03,700
ANASTASIA: Christian,
I cannot walk that fast
in these shoes.
2
00:00:04,910 --> 00:00:06,190
(CHRISTIAN GRUNTS)
ANASTASIA: Oh.
3
00:00:06,960 --> 00:00:08,870
When were you gonna
tell me about Georgia?
4
00:00:09,040 --> 00:00:11,080
What? You have
no right to be mad.
5
00:00:11,250... | null | 7496.82 | 5563.87 | 131.31 |
fifty_shades_of_grey | tt2322441 | JunbC9aDs1OJ | 1
00:00:02,960 --> 00:00:05,560
She leans on the piano between him and the keys.
2
00:00:10,720 --> 00:00:12,440
With a smile, she bites her lip.
3
00:00:15,600 --> 00:00:17,000
She reaches out for his cheek
4
00:00:17,000 --> 00:00:18,400
and he moves her hand away.
5
00:00:19,080 --> 00:00:21,600
He glances up at... | 1
00:00:03,240 --> 00:00:05,320
Anna moves around to the front of the piano.
2
00:00:10,200 --> 00:00:12,360
She bites her bottom lip and reaches out.
3
00:00:14,960 --> 00:00:16,440
Christian shoves Anna's hand away
4
00:00:16,440 --> 00:00:17,800
and avoids looking at her.
5
00:00:21,080 --> 00:00:22,120
He glanc... | 1
00:00:01,400 --> 00:00:03,240
Why won't you let me in?
2
00:00:05,800 --> 00:00:08,360
- We should be talking.
- Like normal people?
3
00:00:08,750 --> 00:00:09,840
Yeah.
4
00:00:13,510 --> 00:00:14,970
Is that so wrong?
5
00:00:27,500 --> 00:00:30,590
Is this because of the contract?
Because I still haven't sign... | 1
00:00:01,490 --> 00:00:03,700
Why won't you let me in?
2
00:00:05,870 --> 00:00:07,040
We should be talking.
3
00:00:07,200 --> 00:00:08,830
Like normal people?
4
00:00:09,000 --> 00:00:10,500
Yeah.
5
00:00:13,460 --> 00:00:15,500
Is that so wrong?
6
00:00:27,560 --> 00:00:29,100
Is this because
of the contract,... | null | 7496.82 | 6519.33 | 172.01 |
fifty_shades_of_grey | tt2322441 | 7ShhHQxomLr9 | 1
00:00:33,600 --> 00:00:35,760
Mouth agape, he backs away from her.
2
00:00:46,520 --> 00:00:48,080
Christian swallows hard.
3
00:00:49,960 --> 00:00:52,080
A tear rolls down Anna's nose.
4
00:01:03,600 --> 00:01:04,520
He stands.
5
00:01:10,030 --> 00:01:12,070
Anna clutches a fist to her mouth.
6
00:01:17,790 -... | 1
00:00:32,610 --> 00:00:33,690
He sits back.
2
00:01:05,130 --> 00:01:06,970
Christian pushes himself off the bed
3
00:01:06,970 --> 00:01:08,930
and reluctantly makes his way out.
4
00:01:09,450 --> 00:01:11,650
Anna hides her face behind her hand
5
00:01:11,650 --> 00:01:13,650
and her shoulders shake as she cri... | 1
00:00:01,120 --> 00:00:02,590
Please don't hate me.
2
00:00:05,780 --> 00:00:07,880
You will never do that to me again.
3
00:00:16,770 --> 00:00:21,850
- I'm not what you want.
- No, you are everything that I want.
4
00:00:30,670 --> 00:00:32,470
I've fallen in love with you.
5
00:00:36,500 --> 00:00:40,300
No. N... | 1
00:00:01,180 --> 00:00:03,440
Please don't hate me.
2
00:00:05,810 --> 00:00:08,650
(CRYING) You'll never
do that to me again.
3
00:00:16,820 --> 00:00:19,200
I'm not what you want.
4
00:00:19,660 --> 00:00:22,500
No, you're everything
that I want.
5
00:00:30,550 --> 00:00:32,590
I've fallen in love with you.
6
... | null | 7496.82 | 6914.11 | 181.81 |
five_nights_at_freddys | tt4589218 | OHlXrr9pqOqN | 1
00:00:01,410 --> 00:00:03,600
Could I set you folks up
with some appetizers?
2
00:00:03,620 --> 00:00:05,560
Yes.
3
00:00:05,580 --> 00:00:07,020
We are not eating.
4
00:00:07,040 --> 00:00:08,730
Well, that's no fun.
5
00:00:08,750 --> 00:00:10,070
You do realize that lunch
6
00:00:10,090 --> 00:00:11,440
is th... | 1
00:00:01,400 --> 00:00:03,590
Could I set you folks up
with some appetizers?
2
00:00:03,610 --> 00:00:05,550
- JEFF: Yes.
- JANE: Oh.
3
00:00:05,570 --> 00:00:07,010
We are not eating.
4
00:00:07,030 --> 00:00:08,720
WAITER:
(chuckles) Well, that's no fun.
5
00:00:08,740 --> 00:00:10,050
You do realize that lunch... | null | 6565.18 | 1698.27 | 21.32 | ||
five_nights_at_freddys | tt4589218 | 3eHlfVX_tf_r | 1
00:00:00,190 --> 00:00:00,910
behind it.
2
00:00:01,230 --> 00:00:03,830
The thin Man inches closer to the refrigerator.
3
00:00:07,510 --> 00:00:08,670
It shakes again.
4
00:00:10,150 --> 00:00:11,910
The Thin Man stops briefly,
5
00:00:12,230 --> 00:00:15,110
then continues forward with a tense expression.
6
0... | 1
00:00:00,340 --> 00:00:01,580
and noticed by Carl,
2
00:00:01,900 --> 00:00:03,780
who cautiously approaches the fridge.
3
00:00:08,780 --> 00:00:10,300
It shakes more vigorously
4
00:00:10,300 --> 00:00:12,900
and he stops short before moving closer.
5
00:00:19,180 --> 00:00:21,780
He opens the right hand door t... | 1
00:01:08,570 --> 00:01:09,860
Carl?
2
00:01:33,970 --> 00:01:35,260
Hank?
3
00:01:36,220 --> 00:01:38,600
What the hell are you doing?
4
00:01:47,150 --> 00:01:49,380
Hank?
5
00:01:49,400 --> 00:01:50,650
- Hank!
- Jeff?
6
00:01:52,860 --> 00:01:54,120
Jeff!
7
00:01:56,660 --> 00:01:57,760
Come on, you stupid..... | 1
00:00:02,780 --> 00:00:04,990
♪ ♪
2
00:00:06,830 --> 00:00:09,200
(loud rattling)
3
00:00:24,090 --> 00:00:25,850
(scoffs)
4
00:00:39,900 --> 00:00:42,250
(pans rattling)
5
00:00:42,280 --> 00:00:43,910
(exhales sharply)
6
00:00:47,950 --> 00:00:49,990
(quiet mechanical click)
7
00:00:50,950 --> 00:00:53,270
- ... | null | 6565.18 | 2443.14 | 376.02 |
five_nights_at_freddys | tt4589218 | uU_X4bbNWUFB | 1
00:00:01,190 --> 00:00:02,590
He takes off his headphones,
2
00:00:02,590 --> 00:00:04,430
then approaches the blanket tent.
3
00:00:05,710 --> 00:00:06,830
He rushes out.
4
00:00:13,190 --> 00:00:13,670
Abby
5
00:00:14,710 --> 00:00:18,110
surrounding Abby, the animatronic animals turn toward Mike.
6
00:00:18,3... | 1
00:00:00,070 --> 00:00:02,270
and looks inside Abby's blanket fort.
2
00:00:05,990 --> 00:00:06,910
It's empty.
3
00:00:09,230 --> 00:00:12,630
Running into the dining room, he finds the animatronic band off stage.
4
00:00:14,910 --> 00:00:17,070
The surrounding Abby and turned to face Mike,
5
00:00:17,070 --> 00... | 1
00:00:05,170 --> 00:00:06,930
Abby?
2
00:00:10,010 --> 00:00:12,620
Stop! Stop! Stop!
3
00:00:12,640 --> 00:00:14,220
Abby?
4
00:00:25,820 --> 00:00:27,400
Mike.
5
00:00:29,120 --> 00:00:30,800
They wouldn't stop tickling me.
6
00:00:30,830 --> 00:00:32,890
I thought I was gonna die.
7
00:00:32,910 --> 00:00:36... | 1
00:00:05,160 --> 00:00:06,910
Abby?
2
00:00:08,330 --> 00:00:09,970
(Abby screaming)
3
00:00:10,000 --> 00:00:12,600
ABBY:
Stop! Stop! Stop! (screaming)
4
00:00:12,630 --> 00:00:14,190
Abby?
5
00:00:14,210 --> 00:00:15,980
(mechanical clicking)
6
00:00:16,000 --> 00:00:18,840
(heavy footsteps approaching)
7
00:... | null | 6565.18 | 3505.28 | 148.10 |
five_nights_at_freddys | tt4589218 | w82Cva89ujms | 1
00:00:01,690 --> 00:00:04,330
A word over a drawing reads, Fort.
2
00:00:09,850 --> 00:00:13,050
Bonnie, Freddie and Chica stand over Abby's drawing.
3
00:00:36,250 --> 00:00:38,090
Vanessa and Mike share a look.
4
00:00:38,450 --> 00:00:40,370
Freddy and Bonnie lift a table.
5
00:00:40,770 --> 00:00:43,090
Mike ... | 1
00:00:01,820 --> 00:00:03,140
Abby shows Vanessa and Mike.
2
00:00:03,180 --> 00:00:04,700
A drawing of a blanket fort.
3
00:00:10,300 --> 00:00:10,740
Bunny
4
00:00:10,740 --> 00:00:13,620
Freddie and Chica look down at the drawing from the stage.
5
00:00:35,780 --> 00:00:38,180
Tilting her head, Vanessa gives h... | 1
00:00:00,810 --> 00:00:02,890
Guys, we need help.
2
00:00:06,190 --> 00:00:07,880
It needs to be big
3
00:00:07,900 --> 00:00:10,190
so we can all fit inside.
4
00:00:14,530 --> 00:00:16,680
Abby, look.
5
00:00:16,700 --> 00:00:19,140
Now, this is all really fun
and exciting,
6
00:00:19,160 --> 00:00:21,350
but ... | 1
00:00:00,790 --> 00:00:02,880
Guys, we need help.
2
00:00:06,170 --> 00:00:07,860
It needs to be big
3
00:00:07,880 --> 00:00:10,180
so we can all fit inside.
4
00:00:14,520 --> 00:00:16,660
Abby, look.
5
00:00:16,680 --> 00:00:19,120
Now, this is all really fun
and exciting,
6
00:00:19,150 --> 00:00:21,330
but ... | null | 6565.18 | 3962.43 | 254.93 |
five_nights_at_freddys | tt4589218 | _aFep0DZPX1q | 1
00:00:10,860 --> 00:00:12,820
One by one, the children run past
2
00:00:12,820 --> 00:00:14,660
and slash Mike with their hands.
3
00:00:14,980 --> 00:00:17,260
He clutches his wounds and looks around.
4
00:00:23,500 --> 00:00:26,220
The red haired boy slices Mike's leg with a hook.
5
00:00:26,540 --> 00:00:27,70... | 1
00:00:02,070 --> 00:00:03,190
Just out of sight.
2
00:00:10,390 --> 00:00:12,750
The child with the bunny ears slashes Mike's ribs.
3
00:00:18,110 --> 00:00:20,590
As the others run by slashing him with their nails.
4
00:00:23,110 --> 00:00:25,150
The red haired boy with the Hook) runs past,
5
00:00:25,190 --> 00... | 1
00:00:05,160 --> 00:00:07,010
Abby.
2
00:00:07,040 --> 00:00:08,600
Abby.
3
00:00:08,620 --> 00:00:10,960
Stay away from my sister!
4
00:00:15,290 --> 00:00:16,920
Abby.
5
00:00:18,340 --> 00:00:20,380
- Abby.
- Abby.
6
00:00:24,640 --> 00:00:26,350
Abby.
7
00:00:29,470 --> 00:00:31,870
Abby. Abby.
8
00:00:31,... | 1
00:00:00,930 --> 00:00:02,580
(heavy mechanical footsteps
continue)
2
00:00:02,600 --> 00:00:03,980
(gasps)
3
00:00:05,140 --> 00:00:07,000
KIDS (whispering):
Abby.
4
00:00:07,020 --> 00:00:08,580
- Abby.
- (gasps)
5
00:00:08,610 --> 00:00:10,940
Stay away from my sister!
6
00:00:12,570 --> 00:00:13,800
- (sharp... | null | 6565.18 | 4677.76 | 115.82 |
five_nights_at_freddys | tt4589218 | 1qIs6HerGohZ | 1
00:00:03,810 --> 00:00:06,170
The lights around him fade in and out.
2
00:00:07,290 --> 00:00:09,730
In her room, Abby looks to her side.
3
00:00:12,370 --> 00:00:13,290
In the hallway.
4
00:00:15,810 --> 00:00:18,330
He stands by the entrance as she runs up.
5
00:00:18,850 --> 00:00:21,050
The light haired boy s... | 1
00:00:00,840 --> 00:00:04,240
A threadbare version of Freddy becomes visible in the hallway behind her,
2
00:00:04,560 --> 00:00:06,400
one eye glowing a sinister blue.
3
00:00:11,960 --> 00:00:13,800
Frowning, Abby goes into the hallway.
4
00:00:17,880 --> 00:00:21,440
As she trots towards him, the blonde boy fro... | 1
00:00:14,340 --> 00:00:15,430
Freddy?
2
00:00:22,810 --> 00:00:25,270
Not Freddy.
3
00:00:26,860 --> 00:00:29,420
They're all waiting for you.
4
00:00:29,440 --> 00:00:31,070
It's time to go play.
5
00:00:38,580 --> 00:00:40,760
Silly Aunt Jane.
6
00:00:40,790 --> 00:00:42,330
She fell asleep.
7
00:00:44,830 --... | 1
00:00:00,570 --> 00:00:02,780
(low mechanical whirring)
2
00:00:04,690 --> 00:00:06,950
(laughter and chatter
continues on TV)
3
00:00:09,490 --> 00:00:12,290
(thudding in distance)
4
00:00:14,330 --> 00:00:15,390
Freddy?
5
00:00:15,410 --> 00:00:18,290
♪ ♪
6
00:00:22,800 --> 00:00:25,260
Not Freddy.
7
00:00:26... | null | 6565.18 | 4830.53 | 73.86 |
five_nights_at_freddys | tt4589218 | R11HeufF31r3 | 1
00:00:01,510 --> 00:00:04,470
Freddy and Bonnie continue performing on stage.
2
00:00:07,590 --> 00:00:10,390
Crouching Mike fixes his gaze on the mascots
3
00:00:10,390 --> 00:00:12,310
while he inches toward the stage.
4
00:00:15,790 --> 00:00:17,110
He ducks and takes cover
5
00:00:17,110 --> 00:00:19,110
as F... | 1
00:00:02,550 --> 00:00:04,030
He smacks it out of its frame
2
00:00:04,030 --> 00:00:04,990
and climbs free.
3
00:00:09,430 --> 00:00:13,710
As he creeps towards the stage, Freddy turns sharply, glaring in his direction.
4
00:00:16,600 --> 00:00:16,920
Hello.
5
00:00:17,040 --> 00:00:20,280
Mike ducks below the l... | 1
00:00:45,530 --> 00:00:46,780
Abby.
2
00:00:56,120 --> 00:00:58,750
Chica, where are we going?
3
00:01:30,490 --> 00:01:34,240
Chica, I don't like this.
4
00:01:39,670 --> 00:01:41,730
Let go of me!
5
00:01:41,750 --> 00:01:42,750
Abby?!
6
00:01:46,670 --> 00:01:48,110
Chica, let me go.
7
00:01:48,130 --> 00:01... | 1
00:00:01,050 --> 00:00:02,740
(grunts)
2
00:00:02,760 --> 00:00:05,990
♪ You tell me
that you love me ♪
3
00:00:06,010 --> 00:00:08,240
♪ And I know that I'm right ♪
4
00:00:08,270 --> 00:00:10,040
♪ 'Cause I hear it
in the night ♪
5
00:00:10,060 --> 00:00:14,270
♪ I hear the secrets
that you keep... ♪
6
00:00:1... | null | 6565.18 | 5326.08 | 352.06 |
five_nights_at_freddys | tt4589218 | 3N_6zGx6E1Zi | 1
00:00:01,490 --> 00:00:02,850
Afton approaches Abby.
2
00:00:08,490 --> 00:00:10,410
She takes a pencil from her pocket
3
00:00:10,410 --> 00:00:12,770
and stabs her picture onto the wall.
4
00:00:12,890 --> 00:00:13,890
The lights go out.
5
00:00:14,330 --> 00:00:17,010
Afton looks around the dining area, terrif... | 1
00:00:00,830 --> 00:00:03,790
Mike limp hurriedly down the corridor as Afton approaches.
2
00:00:03,830 --> 00:00:04,190
Abby.
3
00:00:09,190 --> 00:00:11,390
She stabs the picture to the wall with a pencil.
4
00:00:11,750 --> 00:00:14,750
Power surges through the building, short circuiting the lights.
5
00:00:21... | 1
00:00:04,590 --> 00:00:05,920
Hey.
2
00:00:06,800 --> 00:00:08,590
Hey.
3
00:00:19,640 --> 00:00:22,310
What have you done?
4
00:00:51,930 --> 00:00:54,150
They can see you now.
5
00:00:54,180 --> 00:00:56,390
They know what you did.
6
00:00:57,560 --> 00:00:59,280
Move.
7
00:00:59,310 --> 00:01:00,390
Move!
8... | 1
00:00:01,690 --> 00:00:03,700
(panting)
2
00:00:04,570 --> 00:00:05,910
WILLIAM:
Hey.
3
00:00:06,780 --> 00:00:08,550
Hey.
4
00:00:08,580 --> 00:00:09,990
(lights clank)
5
00:00:12,160 --> 00:00:13,770
- (rumbling)
- (rattling)
6
00:00:13,790 --> 00:00:15,880
(lights crackling)
7
00:00:19,630 --> 00:00:22,270
W... | null | 6565.18 | 5868.48 | 184.74 |
five_nights_at_freddys | tt4589218 | rHyXmN85bV_B | 1
00:00:01,360 --> 00:00:05,000
The lights flicker as glimpses show the debris around the restaurant.
2
00:00:11,400 --> 00:00:16,880
The light haired boy stands in the doorway to the storage room, still in the rabbit costume.
3
00:00:16,920 --> 00:00:18,440
Afton sits on the floor.
4
00:00:19,240 --> 00:00:22,840
T... | 1
00:00:06,590 --> 00:00:08,310
The kitchen lies in ruins.
2
00:00:08,470 --> 00:00:10,990
The extractor fan spinning lazily in the wall.
3
00:00:13,830 --> 00:00:17,790
The (Blonde Boy) stands in the doorway of the storeroom, glaring at Afton,
4
00:00:17,790 --> 00:00:20,070
who twitches on the floor in his rabbit ... | 1
00:00:00,350 --> 00:00:02,640
(lights crackling softly)
2
00:00:13,730 --> 00:00:15,990
(William groaning in pain)
3
00:00:19,030 --> 00:00:21,240
(pained groaning continues)
4
00:00:29,290 --> 00:00:31,210
(strained grunting)
| null | 6565.18 | 6215.01 | 38.29 | |
ghostbusters_afterlife | tt4513678 | QZCPSToJFt5O | 1
00:00:02,140 --> 00:00:02,860
Columbia.
2
00:00:03,060 --> 00:00:04,220
A Sony company.
3
00:00:11,020 --> 00:00:13,660
Light moves along the edges of silver block letters,
4
00:00:13,660 --> 00:00:15,260
then shines onto a word.
5
00:00:15,540 --> 00:00:16,140
Braun.
6
00:00:18,900 --> 00:00:21,820
Lightning fl... | 1
00:00:01,960 --> 00:00:04,240
A blue sash is draped around her long white dress,
2
00:00:04,240 --> 00:00:06,040
which gathers on a plinth beneath her.
3
00:00:06,360 --> 00:00:09,160
As clouds roil behind her, rainbows encircle her.
4
00:00:09,360 --> 00:00:11,280
Columbia, a Sony company.
5
00:00:13,800 --> 00:... | 1
00:00:41,330 --> 00:00:43,270
[THUNDER CRASHING]
| null | 7436.45 | 23.42 | 54.10 | |
ghostbusters_afterlife | tt4513678 | YB9LEdVYlfRm | 1
00:00:00,280 --> 00:00:02,880
Grooberson connects jumper cables to the Ghost trap.
2
00:00:04,880 --> 00:00:06,800
He gives Phoebe safety glasses.
3
00:00:20,360 --> 00:00:21,720
Podcast sits in a bus.
4
00:00:39,520 --> 00:00:40,600
In the driver's seat.
5
00:00:40,640 --> 00:00:43,120
Podcast starts off the bus... | 1
00:00:02,050 --> 00:00:02,650
Outside.
2
00:00:02,650 --> 00:00:03,530
Grooberson claps.
3
00:00:03,530 --> 00:00:07,970
Red and black jump leads onto the metal trap glasses.
4
00:00:43,250 --> 00:00:44,890
Podcast starts a school bus.
5
00:00:44,930 --> 00:00:46,210
A red light flashes on the trap
6
00:00:46,21... | 1
00:00:07,200 --> 00:00:08,430
Glasses.
2
00:00:08,570 --> 00:00:11,070
Two millimeters
of plastic eye protection?
3
00:00:11,200 --> 00:00:12,440
Are you sure this is safe?
4
00:00:12,570 --> 00:00:13,610
Safe?
5
00:00:13,740 --> 00:00:15,640
Heh, no.
6
00:00:15,770 --> 00:00:16,810
No.
7
00:00:16,940 --> 00:00... | 1
00:00:01,950 --> 00:00:04,850
[♪♪♪]
2
00:00:07,190 --> 00:00:08,420
Glasses.
3
00:00:08,560 --> 00:00:11,060
Two millimeters
of plastic eye protection?
4
00:00:11,190 --> 00:00:12,430
Are you sure this is safe?
5
00:00:12,560 --> 00:00:13,600
Safe?
6
00:00:13,730 --> 00:00:15,630
Heh, no.
7
00:00:15,760 --> 00:... | null | 7436.45 | 2001.38 | 128.41 |
ghostbusters_afterlife | tt4513678 | 6ZLSdHHdIU81 | 1
00:00:00,250 --> 00:00:06,490
Daytime Podcast sets up bottles and jars on top of old rusty equipment by a red wagon.
2
00:00:06,490 --> 00:00:08,210
Phoebe works on the proton pack.
3
00:00:08,610 --> 00:00:11,250
A wide view shows them near an abandoned factory.
4
00:00:20,050 --> 00:00:22,610
Phoebe struggles to... | 1
00:00:01,970 --> 00:00:02,650
Podcast
2
00:00:02,690 --> 00:00:07,930
lining up old glass bottles and rusty tin cans on top of a mud caked, derelict piece of farm machinery
3
00:00:07,930 --> 00:00:10,290
in a field by rows of old storage tanks.
4
00:00:10,490 --> 00:00:13,450
Phoebe is adjusting the portable prot... | 1
00:00:14,150 --> 00:00:15,990
Welcome to Rust City.
2
00:00:16,120 --> 00:00:18,790
This is where they processed
all the raw selenium?
3
00:00:18,930 --> 00:00:20,030
Yeah, I guess.
4
00:00:26,470 --> 00:00:27,530
Cool.
5
00:00:28,940 --> 00:00:30,300
How'd you
know how to fix it?
6
00:00:30,440 --> 00:00:32,470... | 1
00:00:14,140 --> 00:00:15,980
Welcome to Rust City.
2
00:00:16,110 --> 00:00:18,780
This is where they processed
all the raw selenium?
3
00:00:18,920 --> 00:00:20,020
Yeah, I guess.
4
00:00:22,190 --> 00:00:23,490
[GRUNTS]
5
00:00:26,460 --> 00:00:27,520
Cool.
6
00:00:28,930 --> 00:00:30,290
How'd you
know how t... | null | 7436.45 | 2825.95 | 142.43 |
ghostbusters_afterlife | tt4513678 | kJ0d7yLZMvxG | 1
00:00:00,070 --> 00:00:04,750
Phoebe notices a slimy, glowing substance dripping from a jagged hole in a metal pipe.
2
00:00:05,230 --> 00:00:06,830
She examines it closely.
3
00:00:08,550 --> 00:00:11,630
They continue on through the factory, passing large equipment.
4
00:00:14,190 --> 00:00:16,070
Sunlight shine... | 1
00:00:00,070 --> 00:00:02,950
Phoebe stares at a pipe with an irregular chunk taken out of it,
2
00:00:02,950 --> 00:00:05,990
and a luminous globule of viscous blue goo dripping from it.
3
00:00:06,230 --> 00:00:07,070
They move on.
4
00:00:13,310 --> 00:00:16,150
As they step into a shaft of sunlight streaming t... | 1
00:00:54,870 --> 00:00:56,210
It's a ghost.
2
00:00:57,840 --> 00:01:00,910
A-aren't you just a little bit
freaked out right now?
3
00:01:01,040 --> 00:01:03,380
Overstimulation calms me.
4
00:01:29,440 --> 00:01:32,510
- Okay, okay, okay.
- What's that for?
5
00:01:32,640 --> 00:01:33,640
I have a plan.
6
00:01... | 1
00:00:24,530 --> 00:00:27,800
[HIGH-PITCHED WAIL,
THEN GRUNTING]
2
00:00:39,750 --> 00:00:41,820
[WAILING IN DISTANCE]
3
00:00:43,120 --> 00:00:45,290
[GHOST GRUNTING]
4
00:00:45,420 --> 00:00:46,920
[DOOR CREAKS OPEN]
5
00:00:47,050 --> 00:00:49,160
[GHOST CHOMPING, GRUNTING]
6
00:00:54,860 --> 00:00:56,200
[SO... | null | 7436.45 | 3021.50 | 155.44 |
ghostbusters_afterlife | tt4513678 | p24BkgKAEWOA | 1
00:00:00,670 --> 00:00:04,110
In the barn, Trevor works under the open hood of Ecto one.
2
00:00:06,510 --> 00:00:07,830
He walks to the driver's seat
3
00:00:07,830 --> 00:00:08,670
and gets in.
4
00:00:15,630 --> 00:00:17,390
He turns the key in the ignition.
5
00:00:30,670 --> 00:00:31,470
On the engine.
6
00... | 1
00:00:01,230 --> 00:00:03,950
Trevor is under the bonnet, working on Ecto one's engine.
2
00:00:05,710 --> 00:00:07,150
He climbs into the driver's seat
3
00:00:07,150 --> 00:00:09,430
and is barely visible through its dirty windows.
4
00:00:14,470 --> 00:00:15,550
He turns the key.
5
00:00:32,270 --> 00:00:34,71... | 1
00:00:13,200 --> 00:00:14,640
Okay.
2
00:00:18,140 --> 00:00:20,080
Ugh, come on!
3
00:00:23,480 --> 00:00:25,520
Come on, you can do this.
4
00:00:29,290 --> 00:00:30,520
Come on, darling.
5
00:00:37,330 --> 00:00:38,330
Yes!
6
00:00:51,610 --> 00:00:53,310
Yes!
7
00:01:12,230 --> 00:01:13,700
Shit!
8
00:01:3... | 1
00:00:00,020 --> 00:00:01,920
[SOCKET WRENCH CLICKING]
2
00:00:04,490 --> 00:00:05,860
[SIGHS]
3
00:00:10,160 --> 00:00:11,560
[SIGHS]
4
00:00:13,200 --> 00:00:14,630
Okay.
5
00:00:14,760 --> 00:00:16,800
[IGNITION CLICKING]
6
00:00:18,130 --> 00:00:20,070
Ugh, come on!
7
00:00:20,200 --> 00:00:21,500
[SIGHS]
... | null | 7436.45 | 3177.18 | 103.17 |
ghostbusters_afterlife | tt4513678 | Ruv4syeVbh_R | 1
00:00:01,250 --> 00:00:04,970
Phoebe and Podcast lean into the front seat as they continue through town.
2
00:00:05,450 --> 00:00:06,090
In an alley.
3
00:00:06,130 --> 00:00:09,730
Metal trash bins bear similar bite marks glowing with slime.
4
00:00:23,130 --> 00:00:24,010
Across the street.
5
00:00:24,050 --> 0... | 1
00:00:00,530 --> 00:00:01,970
and a chewed metal bench.
2
00:00:05,890 --> 00:00:11,050
Podcast and Phoebe lean over from the back as they rumble past chewed faintly glowing bins in an alley.
3
00:00:25,570 --> 00:00:26,090
Munches.
4
00:00:26,090 --> 00:00:27,210
Eating a fire hydrant.
5
00:00:39,650 --> 00:00:4... | 1
00:00:11,750 --> 00:00:13,420
Can you stop breathing
in my ear?
2
00:00:13,560 --> 00:00:14,990
No.
3
00:00:15,120 --> 00:00:16,630
You guys,
this is kind of stupid.
4
00:00:16,760 --> 00:00:19,290
Are you sure you didn't see,
like, a raccoon
5
00:00:19,430 --> 00:00:21,900
or, like, a possum?
6
00:00:22,030 -->... | 1
00:00:11,740 --> 00:00:13,410
Can you stop breathing
in my ear?
2
00:00:13,550 --> 00:00:14,980
No.
3
00:00:15,110 --> 00:00:16,620
You guys,
this is kind of stupid.
4
00:00:16,750 --> 00:00:19,280
Are you sure you didn't see,
like, a raccoon
5
00:00:19,420 --> 00:00:21,890
or, like, a possum?
6
00:00:22,020 -->... | null | 7436.45 | 3464.29 | 199.74 |
ghostbusters_afterlife | tt4513678 | ufFKrpImfThr | 1
00:00:07,480 --> 00:00:09,280
An aerial view shows the pursuit.
2
00:00:16,720 --> 00:00:20,280
The remote control trap kicks up dust as it races ahead of Ecto one.
3
00:00:20,680 --> 00:00:22,120
Phoebe pushes down on a lever
4
00:00:22,120 --> 00:00:25,440
and her gunner seat extends and swivels out of the vehic... | 1
00:00:01,400 --> 00:00:03,520
Muncher wobbles mid-air towards the mountain,
2
00:00:03,520 --> 00:00:07,080
pursued on the long straight road below by Ecto one and the RTV.
3
00:00:07,280 --> 00:00:09,720
They speed past a bridge closed five miles ahead.
4
00:00:09,760 --> 00:00:10,200
Sign.
5
00:00:17,080 --> 00... | 1
00:00:13,040 --> 00:00:14,910
- Closer.
- Okay.
2
00:00:15,040 --> 00:00:16,540
I'm in range.
3
00:00:47,210 --> 00:00:48,640
She got him!
4
00:01:00,020 --> 00:01:02,050
Whatever we're doing,
we have to do it now.
5
00:01:03,420 --> 00:01:04,920
Come on!
6
00:01:17,700 --> 00:01:18,570
- Yes!
- Yeah!
7
00:01:1... | 1
00:00:00,080 --> 00:00:01,720
[MUNCHER GRUNTING]
2
00:00:01,850 --> 00:00:04,790
[♪♪♪]
3
00:00:13,030 --> 00:00:14,900
- Closer.
- Okay.
4
00:00:15,030 --> 00:00:16,530
I'm in range.
5
00:00:38,890 --> 00:00:40,260
[BEEPING]
6
00:00:40,390 --> 00:00:41,760
[PROTON PACK POWERING UP]
7
00:00:45,660 --> 00:00:47,0... | null | 7436.45 | 3668.58 | 116.17 |
ghostbusters_afterlife | tt4513678 | 96oCDfBtI447 | 1
00:00:00,420 --> 00:00:02,380
and grabs a container of ice cream.
2
00:00:06,060 --> 00:00:07,380
He looks back through the store
3
00:00:07,380 --> 00:00:08,460
and furrows his brow.
4
00:00:09,180 --> 00:00:10,380
Holding his ice cream.
5
00:00:10,380 --> 00:00:12,460
Grooberson heads to the dessert aisle.
6
0... | 1
00:00:02,330 --> 00:00:03,570
and checks out its label.
2
00:00:06,690 --> 00:00:10,410
He cranes his neck to his left, casting a curious look towards the screen,
3
00:00:10,410 --> 00:00:12,250
then returns to the tub of ice cream.
4
00:00:24,410 --> 00:00:26,810
In another aisle, he grabs a squeezy bottle of sau... | 1
00:00:13,740 --> 00:00:14,940
Jamoca.
2
00:00:16,140 --> 00:00:17,710
There we go.
3
00:00:17,850 --> 00:00:19,880
Strawberry, red velvet...
4
00:00:21,480 --> 00:00:22,520
Blue velvet?
5
00:01:18,840 --> 00:01:20,780
Aah! Ah.
6
00:01:44,030 --> 00:01:45,030
Oh, God.
7
00:03:03,110 --> 00:03:04,110
Hey...
| 1
00:00:04,460 --> 00:00:06,860
- [WOMAN SCREAMS]
- [GLASS SHATTERS]
2
00:00:13,730 --> 00:00:14,930
Jamoca.
3
00:00:16,140 --> 00:00:17,700
There we go.
4
00:00:17,840 --> 00:00:19,870
Strawberry, red velvet...
5
00:00:21,470 --> 00:00:22,510
Blue velvet?
6
00:00:22,640 --> 00:00:24,180
[CHUCKLES]
7
00:00:25,440... | null | 7436.45 | 4413.18 | 224.79 |
grown_ups_2 | tt2191701 | 9drSoDF5DHRR | 1
00:00:00,480 --> 00:00:01,280
slack jawed.
2
00:00:01,280 --> 00:00:02,480
Lenny slowly turns back
3
00:00:02,480 --> 00:00:05,400
and watches the deer eat from a bowl of chips on the nightstand.
4
00:00:05,440 --> 00:00:06,960
He turns back to his wife.
5
00:00:23,160 --> 00:00:24,920
The deer rears up on its hi... | 1
00:00:01,080 --> 00:00:03,750
Alarmed at the sound, Lenny looks back at the stag.
2
00:00:03,750 --> 00:00:04,000
It's
3
00:00:04,000 --> 00:00:06,840
munching a bowl of breakfast cereals on the bedside table.
4
00:00:24,570 --> 00:00:26,940
Startled by the screaming, the stag rears up
5
00:00:26,940 --> 00:00:27... | 1
00:00:08,980 --> 00:00:12,560
I think your
mother's here from Mexico,
2
00:00:12,580 --> 00:00:15,400
and she needs to leave.
3
00:00:15,420 --> 00:00:18,470
Open the window now.
4
00:00:18,580 --> 00:00:21,230
Why don't you
open it, you lazy...
5
00:00:25,300 --> 00:00:26,710
Somebody help!
6
00:00:28,780 --> 0... | 1
00:00:08,980 --> 00:00:12,560
I think your
mother's here from Mexico,
2
00:00:12,580 --> 00:00:15,400
and she needs to leave.
3
00:00:15,420 --> 00:00:18,470
Open the window now.
4
00:00:18,580 --> 00:00:21,230
(GROANS) Why don't you
open it, you lazy...
5
00:00:21,540 --> 00:00:22,560
(GASPS)
6
00:00:22,580 -->... | null | 6068.38 | 86.37 | 169.62 |
grown_ups_2 | tt2191701 | LNRCE0czI4B_ | 1
00:00:13,610 --> 00:00:15,330
Nick flashes a huge smile.
2
00:00:15,330 --> 00:00:18,130
Now the full school bus pulls up outside a home.
3
00:00:18,130 --> 00:00:19,130
Lenny opens the door.
4
00:00:19,170 --> 00:00:20,330
Sitting behind the wheel.
5
00:00:23,850 --> 00:00:25,450
He makes a goofy face at Kurt.
... | 1
00:00:14,330 --> 00:00:15,750
Nick grins manically.
2
00:00:16,040 --> 00:00:18,460
The bus, now laden with children, pulls up outside.
3
00:00:18,560 --> 00:00:19,390
Kurt and Deanne
4
00:00:19,430 --> 00:00:20,480
Lenny is driving.
5
00:00:30,690 --> 00:00:32,530
Nick's crashed out on one of the seats.
6
00:00... | 1
00:00:01,510 --> 00:00:03,170
You seem like you're a little
extra out of it today.
2
00:00:03,190 --> 00:00:04,320
What's going on?
3
00:00:04,430 --> 00:00:05,770
Yeah, I'm a little medicated.
4
00:00:05,790 --> 00:00:08,850
I met a very reliable doctor
at a Cypress Hill concert,
5
00:00:08,870 --> 00:00:11,730
... | 1
00:00:01,510 --> 00:00:03,170
You seem like you're a little
extra out of it today.
2
00:00:03,190 --> 00:00:04,320
What's going on?
3
00:00:04,430 --> 00:00:05,770
Yeah, I'm a little medicated.
4
00:00:05,790 --> 00:00:08,850
I met a very reliable doctor
at a Cypress Hill concert,
5
00:00:08,870 --> 00:00:11,730
... | null | 6068.38 | 708.16 | 168.55 |
grown_ups_2 | tt2191701 | wUo_kLkQB6pF | 1
00:00:00,940 --> 00:00:03,020
An incredibly muscular woman approaches.
2
00:00:10,620 --> 00:00:12,100
With no pants over his diaper.
3
00:00:12,100 --> 00:00:13,060
Ronnie wiggles.
4
00:00:28,900 --> 00:00:31,180
A Janitor scurries in with his mop bucket.
5
00:00:54,660 --> 00:00:56,860
He shakes the women's bre... | 1
00:00:11,350 --> 00:00:13,140
Ronnie does a peculiar dance.
2
00:01:53,470 --> 00:01:56,140
Ronnie bites the Janitor who'd been taking the class.
| 1
00:00:01,090 --> 00:00:02,420
Don't you growl at me.
2
00:00:02,450 --> 00:00:03,580
Stay, baby, stay.
3
00:00:03,610 --> 00:00:04,780
Excuse me.
4
00:00:04,810 --> 00:00:06,940
Is your kid gonna be in here
when the instructor comes in?
5
00:00:06,970 --> 00:00:08,460
That's not my kid.
6
00:00:08,490 --> 00:00:... | 1
00:00:01,090 --> 00:00:02,420
Don't you growl at me.
2
00:00:02,450 --> 00:00:03,580
Stay, baby, stay.
3
00:00:03,610 --> 00:00:04,780
Excuse me.
4
00:00:04,810 --> 00:00:06,940
Is your kid gonna be in here
when the instructor comes in?
5
00:00:06,970 --> 00:00:08,460
That's not my kid.
6
00:00:08,490 --> 00:00:... | null | 6068.38 | 1109.66 | 182.23 |
grown_ups_2 | tt2191701 | 0iYtL3wafmQy | 1
00:00:22,350 --> 00:00:23,830
They spot Higgins with a hunting knife.
2
00:00:31,720 --> 00:00:32,880
They pat Malcolm bald.
3
00:00:32,880 --> 00:00:33,160
(Head
4
00:00:33,320 --> 00:00:34,560
Lenny approaches Higgins.
5
00:00:59,880 --> 00:01:02,440
The lazy eyed employee sprays himself with pepper spray
6
00... | 1
00:00:32,550 --> 00:00:32,840
Come on.
2
00:00:33,130 --> 00:00:34,550
Slap his head to Marcus.
3
00:01:00,410 --> 00:01:01,200
The boss Ice shop.
4
00:01:01,250 --> 00:01:03,370
Assistant squirts himself with pepper spray.
5
00:01:26,820 --> 00:01:28,740
Nick sits on a toilet on display.
6
00:01:36,620 --> 00:0... | 1
00:00:01,510 --> 00:00:03,970
and the Squares.
2
00:00:03,990 --> 00:00:06,290
Hey, Malcolm, I didn't
know you worked at Kmart,
3
00:00:06,310 --> 00:00:09,130
and apparently the hair on top of
your head didn't know it, either.
4
00:00:09,150 --> 00:00:10,370
What?
5
00:00:10,390 --> 00:00:11,650
Do me a favor, g... | 1
00:00:01,510 --> 00:00:03,970
and the Squares.
(CHUCKLES)
2
00:00:03,990 --> 00:00:06,290
Hey, Malcolm, I didn't
know you worked at Kmart,
3
00:00:06,310 --> 00:00:09,130
and apparently the hair on top of
your head didn't know it, either.
4
00:00:09,150 --> 00:00:10,370
What?
5
00:00:10,390 --> 00:00:11,650
Do me... | null | 6068.38 | 1315.36 | 214.67 |
grown_ups_2 | tt2191701 | rmEEFzCbxQ6l | 1
00:00:18,060 --> 00:00:19,260
An officer approaches.
2
00:00:21,540 --> 00:00:21,660
It.
3
00:00:21,700 --> 00:00:22,860
He draws his gun.
4
00:00:24,380 --> 00:00:25,420
The man complied.
5
00:00:37,020 --> 00:00:38,780
The cop's partner gets out of a cruiser.
6
00:01:06,540 --> 00:01:08,260
The tall officer sh... | 1
00:00:24,490 --> 00:00:25,780
The cop draws a gun.
2
00:01:30,230 --> 00:01:31,600
Firing their pistols in the air.
3
00:01:31,650 --> 00:01:34,270
The cops, Fluzoo and Dante escort the bus.
4
00:01:34,440 --> 00:01:36,820
Nick is on the roof of the bus in the inflatable dinghy.
5
00:01:36,860 --> 00:01:37,490
It... | 1
00:00:02,420 --> 00:00:03,660
I got a burpsnart coming.
Uh-oh.
2
00:00:06,380 --> 00:00:07,480
Ho ho!
3
00:00:07,500 --> 00:00:08,660
Come on.
4
00:00:08,820 --> 00:00:10,000
You got to teach
me how you do that.
5
00:00:10,020 --> 00:00:11,560
A burpsnart? It's simple.
Yeah.
6
00:00:11,580 --> 00:00:13,280
You j... | 1
00:00:02,420 --> 00:00:03,660
I got a burpsnart coming.
Uh-oh.
2
00:00:04,940 --> 00:00:06,360
(BURPS, SNEEZES AND FARTS)
3
00:00:06,380 --> 00:00:07,480
MARCUS: Ho ho!
4
00:00:07,500 --> 00:00:08,660
Come on.
5
00:00:08,820 --> 00:00:10,000
You got to teach
me how you do that.
6
00:00:10,020 --> 00:00:11,560
A ... | null | 6068.38 | 1678.05 | 109.46 |
grown_ups_2 | tt2191701 | 2CICBksRh_dL | 1
00:00:13,660 --> 00:00:14,620
Standing in the back.
2
00:00:14,660 --> 00:00:17,060
Kurt Higgins Nick and the giant cop stare.
3
00:00:24,070 --> 00:00:26,470
She seductively swivels and pumps her hips,
4
00:00:26,510 --> 00:00:27,630
seated with their wives.
5
00:00:27,670 --> 00:00:28,870
Eric videotapes her
6... | 1
00:00:01,040 --> 00:00:01,630
Not at all.
2
00:00:01,630 --> 00:00:04,590
Minging Dance Teacher in a leotard takes the stage.
3
00:00:14,270 --> 00:00:17,350
Lenny and all the guys gawp at the super hot teacher.
4
00:00:25,030 --> 00:00:26,110
She wiggles her hips,
5
00:00:26,110 --> 00:00:27,200
then shakes her ... | 1
00:00:05,050 --> 00:00:10,010
Welcome, parents, to final
performance of school year,
2
00:00:10,130 --> 00:00:11,180
our June-a-licious
3
00:00:11,210 --> 00:00:13,490
Dance Spectacular!
4
00:00:18,370 --> 00:00:19,810
Now, for this year,
5
00:00:19,930 --> 00:00:21,700
we go throwing a few
6
00:00:21,730 --> 00... | 1
00:00:01,850 --> 00:00:02,850
(AUDIENCE APPLAUDS)
2
00:00:05,050 --> 00:00:10,010
Welcome, parents, to final
performance of school year,
3
00:00:10,130 --> 00:00:11,180
our June-a-licious
4
00:00:11,210 --> 00:00:13,490
Dance Spectacular!
5
00:00:18,370 --> 00:00:19,810
Now, for this year,
6
00:00:19,930 --> 00:... | null | 6068.38 | 1788.38 | 135.44 |
grown_ups_2 | tt2191701 | OaijcTR4ueME | 1
00:00:22,450 --> 00:00:24,570
A tall, muscular man kisses the Teacher.
2
00:01:20,900 --> 00:01:22,260
Lenny faces his wife.
| 1
00:00:22,890 --> 00:00:24,510
The teacher's burly boyfriend.
2
00:01:21,500 --> 00:01:22,080
There you go.
| 1
00:00:00,090 --> 00:00:02,090
It's fine.
I just wish that you
2
00:00:02,210 --> 00:00:04,220
would give me more
than eight hours notice
3
00:00:04,250 --> 00:00:06,420
before you tell me that
we're throwing a party, babe.
4
00:00:06,450 --> 00:00:07,860
It's not a party.
Get out of here.
5
00:00:07,890 --> 00:00... | 1
00:00:00,090 --> 00:00:02,090
ROXANNE: It's fine.
I just wish that you
2
00:00:02,210 --> 00:00:04,220
would give me more
than eight hours notice
3
00:00:04,250 --> 00:00:06,420
before you tell me that
we're throwing a party, babe.
4
00:00:06,450 --> 00:00:07,860
It's not a party.
Get out of here.
5
00:00:07,890 ... | null | 6068.38 | 1924.06 | 92.46 |
grown_ups_2 | tt2191701 | a3DxFihJ7csv | 1
00:00:03,030 --> 00:00:04,470
They chase after their friend.
2
00:00:04,510 --> 00:00:06,990
Higgins rolls downhill toward a busy intersection.
3
00:00:06,990 --> 00:00:08,350
The men jog behind him.
4
00:00:08,630 --> 00:00:10,990
Traffic screeches to a halt, barely missing him.
5
00:00:14,280 --> 00:00:15,800
H... | 1
00:00:04,510 --> 00:00:07,680
The guys run after Marcus, who's rolling away in a truck tire.
2
00:00:07,730 --> 00:00:11,020
He rolls across a busy intersection, forcing cars to stop.
3
00:00:15,020 --> 00:00:17,570
He bounces over a railway track and past Braden.
4
00:00:17,570 --> 00:00:18,110
Teacher.
5
00:00:... | 1
00:00:00,080 --> 00:00:01,770
Why am I still rolling?
2
00:00:01,800 --> 00:00:03,450
Lenny!
Oops.
3
00:00:03,480 --> 00:00:05,170
Help!
4
00:00:05,200 --> 00:00:06,890
Guys. get me!
5
00:00:06,920 --> 00:00:08,000
Hang in there!
6
00:00:08,120 --> 00:00:09,290
I'm going downhill!
7
00:00:09,320 --> 00:00:10,48... | 1
00:00:00,080 --> 00:00:01,770
Why am I still rolling?
2
00:00:01,800 --> 00:00:03,450
Lenny!
Oops.
3
00:00:03,480 --> 00:00:05,170
MARCUS: Help!
4
00:00:05,200 --> 00:00:06,890
Guys. get me!
5
00:00:06,920 --> 00:00:08,000
LENNY: Hang in there!
6
00:00:08,120 --> 00:00:09,290
MARCUS: I'm going downhill!
7
00:00... | null | 6068.38 | 2788.35 | 96.34 |
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