rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
american_reunion_2012 | tt1605630 | xKYXBxZO6ftt | 1
00:00:07,240 --> 00:00:09,040
He grinds his palms together.
2
00:01:39,540 --> 00:01:41,620
Nodding, Jim half smiles.
3
00:02:09,590 --> 00:02:11,550
His dad gives him a tender look.
| 1
00:00:06,690 --> 00:00:08,320
He rubs his palms together.
2
00:01:39,690 --> 00:01:41,110
Jim nods thoughtfully.
3
00:02:09,450 --> 00:02:11,830
His dad fixes him with a steady gaze.
| 1
00:00:00,050 --> 00:00:02,640
How often
2
00:00:02,810 --> 00:00:06,140
did you and Mom...
3
00:00:09,310 --> 00:00:10,610
You know?
4
00:00:10,690 --> 00:00:12,780
Is that what this is about?
5
00:00:12,860 --> 00:00:14,690
You and Michelle
haven't been...
6
00:00:14,860 --> 00:00:16,700
Not lately, no.
7
00:0... | 1
00:00:00,050 --> 00:00:02,640
How often
2
00:00:02,810 --> 00:00:06,140
did you and Mom...
3
00:00:09,310 --> 00:00:10,610
You know?
4
00:00:10,690 --> 00:00:12,770
Is that what this is about?
5
00:00:12,860 --> 00:00:14,690
You and Michelle
haven't been...
6
00:00:14,860 --> 00:00:16,690
Not lately, no.
7
00:0... | null | 6773.54 | 4840.83 | 137.23 |
american_reunion_2012 | tt1605630 | 1FS9JcK7aOmi | 1
00:00:12,650 --> 00:00:14,810
Jim glances helplessly at his friends.
2
00:00:14,810 --> 00:00:15,930
They all look away.
3
00:01:01,690 --> 00:01:03,530
His boss arrives with a blonde.
4
00:01:13,790 --> 00:01:14,350
Kevin
5
00:01:14,750 --> 00:01:15,990
Stifler rises.
6
00:01:40,390 --> 00:01:41,830
The Girlfri... | 1
00:00:12,100 --> 00:00:12,520
Well,
2
00:00:12,730 --> 00:00:14,690
the guys regarded each other awkwardly.
3
00:00:58,810 --> 00:00:59,900
Stifler's, boss.
4
00:02:13,290 --> 00:02:15,500
Dude's full of admiration.
5
00:02:15,500 --> 00:02:17,210
The guys follow Stifler out.
6
00:02:17,250 --> 00:02:19,550
Stif... | 1
00:00:00,200 --> 00:00:04,950
We wanted to apologize
for what we said last night.
2
00:00:05,530 --> 00:00:06,540
We didn't mean it.
3
00:00:07,950 --> 00:00:11,870
Yeah, you did. I get it,
you guys think I'm a dick.
4
00:00:16,550 --> 00:00:18,840
Okay. Well,
5
00:00:19,720 --> 00:00:22,130
maybe you are kind of... | 1
00:00:00,190 --> 00:00:04,950
We wanted to apologize
for what we said last night.
2
00:00:05,530 --> 00:00:06,530
We didn't mean it.
3
00:00:06,870 --> 00:00:07,870
(SIGHS)
4
00:00:07,950 --> 00:00:11,870
Yeah, you did. I get it,
you guys think I'm a dick.
5
00:00:16,540 --> 00:00:18,840
Okay. Well,
6
00:00:19,7... | null | 6773.54 | 5127.94 | 149.00 |
back_to_the_future_3 | tt0099088 | T3XboFeu1VJX | 1
00:00:18,700 --> 00:00:20,740
He motions to a mural beneath the screen.
2
00:00:30,420 --> 00:00:34,500
Marty tosses his cowboy hat with the tombstone and clocktower photos on top of the boots
3
00:00:34,500 --> 00:00:35,260
in the Delorean,
4
00:00:35,260 --> 00:00:36,180
and climbs inside.
5
00:00:36,220 --> 00... | 1
00:00:31,760 --> 00:00:35,310
Marty tosses his Stetson and the old photo of doc into the car
2
00:00:35,310 --> 00:00:36,440
and climbs in.
3
00:00:40,160 --> 00:00:43,800
Marty reverses to the back of the drive in, facing the screen.
4
00:00:52,750 --> 00:00:54,340
Marty grips the steering wheel
5
00:00:54,340 -... | 1
00:00:00,520 --> 00:00:02,690
All you got to do is drive
the time vehicle...
2
00:00:02,810 --> 00:00:06,150
directly toward that screen,
accelerating to 88 miles an hour.
3
00:00:06,280 --> 00:00:07,320
Wait a minute.
4
00:00:07,440 --> 00:00:10,860
If I drive straight towards the screen,
I'll crash into those In... | 1
00:00:00,450 --> 00:00:02,460
All you have to do is
drive the time vehicle
2
00:00:02,540 --> 00:00:03,870
directly toward that screen,
3
00:00:03,960 --> 00:00:06,080
accelerating to
88 miles an hour.
4
00:00:06,170 --> 00:00:09,170
Wait a minute. Doc, if I drive straight
towards the screen,
5
00:00:09,250 --> 0... | null | 7099.21 | 1054.27 | 149.28 |
back_to_the_future_3 | tt0099088 | iyMMVzbva9Fj | 1
00:00:00,090 --> 00:00:02,820
A man enters Dave McFly.
2
00:00:03,060 --> 00:00:04,900
He wears a holstered gun on his hip.
3
00:00:07,660 --> 00:00:08,900
Three others flank him.
4
00:00:17,100 --> 00:00:18,660
He and his men step to the bar.
5
00:00:50,820 --> 00:00:52,340
The bartender moves to pour drinks
6
... | 1
00:01:06,500 --> 00:01:08,130
The barman and customers hide
2
00:01:08,130 --> 00:01:10,590
as the cowboy in black straightens up.
3
00:01:36,550 --> 00:01:38,240
He fires at Marty's feet.
4
00:01:38,400 --> 00:01:41,580
Tannen and his three mates stare as he does a moon dance.
5
00:01:48,020 --> 00:01:49,360
He ... | 1
00:00:01,750 --> 00:00:03,250
Hey, McFly!
2
00:00:05,250 --> 00:00:07,920
Thought I told you never to come in...
3
00:00:09,790 --> 00:00:11,760
You ain't Seamus McFly.
4
00:00:13,300 --> 00:00:16,890
You look like him, though,
especially with that dog-ugly hat.
5
00:00:19,850 --> 00:00:22,020
You kin to that hay... | 1
00:00:01,760 --> 00:00:03,220
BUFORD: Hey, McFly!
2
00:00:05,220 --> 00:00:07,980
Thought I done told
you never to come in...
3
00:00:09,730 --> 00:00:11,520
You ain't Seamus McFly.
4
00:00:13,230 --> 00:00:14,900
You look like him, though,
5
00:00:14,980 --> 00:00:16,570
especially with
that dog-ugly hat.
6
00:... | null | 7099.21 | 1803.84 | 135.09 |
back_to_the_future_3 | tt0099088 | o0UAoXdsjvBD | 1
00:00:07,210 --> 00:00:09,610
Buford, in close pursuit, swings his lasso at Marty
2
00:00:09,610 --> 00:00:10,290
and snags him.
3
00:00:10,290 --> 00:00:11,570
Marty falls hard to the ground
4
00:00:11,570 --> 00:00:12,810
and the lasso tightens.
5
00:00:14,290 --> 00:00:15,330
Buford turns his horse
6
00:00:15... | 1
00:00:09,860 --> 00:00:11,110
Tannen masseuse Marty
2
00:00:11,160 --> 00:00:12,620
who falls to the ground.
3
00:00:12,660 --> 00:00:13,710
Tannen turns round
4
00:00:13,710 --> 00:00:16,970
and drags Marty through the dirt back down the main street.
5
00:00:17,220 --> 00:00:20,480
The three gang members ride be... | 1
00:00:43,420 --> 00:00:48,100
We got ourselves a new courthouse.
It's high time we had a hanging!
2
00:01:07,910 --> 00:01:09,620
Look at him sway.
3
00:01:13,500 --> 00:01:16,080
Yeah, haven't had a hanging in a long time!
4
00:01:19,590 --> 00:01:23,340
I shoot the fleas off a dog's back
at 500 yards, Tannen...
... | 1
00:00:02,320 --> 00:00:03,650
(THUG LAUGHING)
2
00:00:10,450 --> 00:00:11,660
(GROANS)
3
00:00:12,740 --> 00:00:13,740
(SCREAMS)
4
00:00:16,410 --> 00:00:18,160
(THUGS WHOOPING)
5
00:00:18,710 --> 00:00:20,210
(GUNSHOTS)
6
00:00:30,260 --> 00:00:32,260
(THUGS WHOOPING)
7
00:00:33,300 --> 00:00:34,510
(SCREAMING... | null | 7099.21 | 1956.48 | 182.77 |
back_to_the_future_3 | tt0099088 | 7wqLeHezNLfe | 1
00:00:04,490 --> 00:00:06,450
He sees doc with Clara on the dance floor.
2
00:00:07,450 --> 00:00:08,530
They jubilantly dance
3
00:00:08,530 --> 00:00:10,010
as he watches with wide eyes.
4
00:00:10,050 --> 00:00:12,610
The Gun Salesman hounds Marty from the shooting gallery.
5
00:00:17,850 --> 00:00:19,650
The ... | 1
00:00:05,130 --> 00:00:07,800
Marty realises the doc is dancing with Clara
2
00:00:07,800 --> 00:00:09,850
and watches, looking amazed.
3
00:00:18,590 --> 00:00:21,140
He turns to the Salesman, looking stunned.
4
00:00:57,150 --> 00:00:59,570
Marty confidently shoots at the targets.
5
00:00:59,610 --> 00:01:02,37... | 1
00:00:00,150 --> 00:00:02,440
Young man, you want to give it a try?
2
00:00:02,570 --> 00:00:03,940
No, thanks.
3
00:00:04,070 --> 00:00:05,690
Doc, this...
4
00:00:13,490 --> 00:00:14,750
Son!
5
00:00:15,450 --> 00:00:18,120
- Sonny boy!
- Doc can dance?
6
00:00:21,670 --> 00:00:22,880
Son.
7
00:00:24,630 --> ... | 1
00:00:00,120 --> 00:00:02,140
Young man, how about you?
You want to give it a try?
2
00:00:02,160 --> 00:00:05,370
No, no. No, thanks.
Hey, Doc, this...
3
00:00:13,260 --> 00:00:14,470
Son!
4
00:00:15,300 --> 00:00:16,300
Sonny boy!
5
00:00:16,390 --> 00:00:17,850
The Doc can dance?
6
00:00:20,470 --> 00:00:24,3... | null | 7099.21 | 3210.18 | 75.05 |
back_to_the_future_3 | tt0099088 | RIgoHNXPor1_ | 1
00:00:38,750 --> 00:00:40,440
He grabs Clara roughly in his arms
2
00:00:40,440 --> 00:00:41,160
and swings her.
3
00:00:42,360 --> 00:00:43,800
The thugs restrain doc.
4
00:01:07,720 --> 00:01:08,840
She kicks his shin.
5
00:01:11,400 --> 00:01:12,320
He pushes her aside
6
00:01:12,320 --> 00:01:13,520
and she ... | 1
00:01:08,500 --> 00:01:09,670
She kicks him in the shin.
2
00:01:09,670 --> 00:01:10,750
He knocks her over.
3
00:01:10,750 --> 00:01:11,880
Marty watches.
4
00:01:11,920 --> 00:01:14,100
Doc is held back by tannins mates.
5
00:01:26,430 --> 00:01:27,730
Marty grabs a pie tin
6
00:01:27,730 --> 00:01:28,650
and ... | 1
00:00:04,130 --> 00:00:06,720
I told you to watch your back, smithy.
2
00:00:07,130 --> 00:00:08,510
You're early.
3
00:00:08,640 --> 00:00:10,800
It's a Derringer. Small but effective.
4
00:00:10,970 --> 00:00:13,640
The last time I used it,
fella took two days to die.
5
00:00:13,770 --> 00:00:16,810
Bled to dea... | 1
00:00:04,230 --> 00:00:06,100
I told you to watch
your back, smithy.
2
00:00:06,190 --> 00:00:08,400
Tannen, you're early.
3
00:00:08,480 --> 00:00:10,860
It's a Derringer, smithy.
Small but effective.
4
00:00:10,940 --> 00:00:13,650
The last time I used it,
fellow took two whole days to die.
5
00:00:13,740 --> 0... | null | 7099.21 | 3451.10 | 174.92 |
back_to_the_future_3 | tt0099088 | lOJqvwOUqhJI | 1
00:00:04,260 --> 00:00:05,590
Marty steps away from dock
2
00:00:05,590 --> 00:00:07,070
and looks at Buford out the window.
3
00:00:18,630 --> 00:00:20,750
Marty looks at the tombstone photo in his hand.
4
00:00:20,750 --> 00:00:23,190
The tombstone now reads, here lies Clint Eastwood.
5
00:00:23,190 --> 00:00:2... | 1
00:00:03,920 --> 00:00:05,890
Marty sees 5 to 8 on the clock
2
00:00:05,890 --> 00:00:07,140
and goes to the window.
3
00:00:19,570 --> 00:00:21,910
Marty looks at the photo of the tombstone.
4
00:00:21,950 --> 00:00:24,130
The name Clint Eastwood appears on it.
5
00:00:24,170 --> 00:00:26,880
He anxiously glance... | 1
00:00:00,480 --> 00:00:03,780
It's 8:00 and I'm calling you out.
2
00:00:08,580 --> 00:00:10,120
It's not 8:00 yet!
3
00:00:10,660 --> 00:00:12,370
It is by my watch!
4
00:00:12,660 --> 00:00:15,540
Let's settle this once and for all, runt!
5
00:00:17,170 --> 00:00:19,460
Or ain't you got the gumption?
6
00:00:2... | 1
00:00:00,370 --> 00:00:03,420
It's 8:00,
and I'm calling you out.
2
00:00:08,380 --> 00:00:10,050
It's not 8:00 yet!
3
00:00:10,470 --> 00:00:12,430
It is by my watch!
4
00:00:12,510 --> 00:00:15,430
Let's settle this
once and for all, runt!
5
00:00:17,100 --> 00:00:19,390
Or ain't you got the gumption?
6
00:00:... | null | 7099.21 | 4882.72 | 165.49 |
back_to_the_future_3 | tt0099088 | iWHRizGfwMDl | 1
00:00:02,110 --> 00:00:03,590
He throws the pocket watch at dock,
2
00:00:03,590 --> 00:00:05,110
then points his revolver at him.
3
00:00:15,010 --> 00:00:16,570
Marty steps into the street.
4
00:00:19,130 --> 00:00:20,290
Seamus looks on.
5
00:00:22,370 --> 00:00:23,530
Buford turns to Marty.
6
00:00:23,570 --... | 1
00:00:03,480 --> 00:00:04,650
Tannen checks the watch
2
00:00:04,650 --> 00:00:05,700
and slings it at doc,
3
00:00:05,740 --> 00:00:07,200
then trains his gun on him.
4
00:00:14,060 --> 00:00:17,280
Tannen turns to see Marty strolling out onto the street.
5
00:00:17,610 --> 00:00:19,450
Seamus watches anxiously.... | 1
00:00:00,600 --> 00:00:02,440
Time's up, runt!
2
00:00:08,700 --> 00:00:11,110
Prepare to meet your maker, blacksmith.
3
00:00:11,530 --> 00:00:13,330
Right here, Tannen!
4
00:00:51,200 --> 00:00:52,360
Draw!
5
00:00:55,700 --> 00:00:56,700
No!
6
00:01:12,010 --> 00:01:14,510
I thought we could settle this like ... | 1
00:00:00,570 --> 00:00:02,450
Time's up, runt!
2
00:00:03,450 --> 00:00:05,250
(CLOCK BELL TOLLING)
3
00:00:08,540 --> 00:00:11,380
Prepare to meet
your maker, blacksmith.
4
00:00:11,460 --> 00:00:13,250
Right here, Tannen!
5
00:00:51,040 --> 00:00:52,080
Draw!
6
00:00:55,420 --> 00:00:56,550
No!
7
00:01:12,150... | null | 7099.21 | 5168.93 | 166.49 |
back_to_the_future_3 | tt0099088 | Y6KVk3vF33TJ | 1
00:00:06,940 --> 00:00:08,660
The speedometer ticks to 70.
2
00:00:17,180 --> 00:00:19,580
The gauge needle approaches the red danger area.
3
00:00:26,260 --> 00:00:27,220
She inches closer.
4
00:00:27,220 --> 00:00:28,460
Marty looks at the gauge.
5
00:00:31,980 --> 00:00:35,660
Doc and Clara's hands almost touc... | 1
00:00:34,530 --> 00:00:35,820
The funnel explodes.
2
00:00:35,820 --> 00:00:36,870
The rail breaks.
3
00:00:36,990 --> 00:00:38,670
Clara hangs upside down.
4
00:00:38,670 --> 00:00:40,300
The hem of her dress caught
5
00:00:44,030 --> 00:00:46,080
The front of the car lifts off the rails.
6
00:00:46,240 --> 00:... | 1
00:00:00,470 --> 00:00:01,890
Come on!
2
00:00:02,680 --> 00:00:06,640
- Just a little further!
- I can't! I'm scared!
3
00:00:09,100 --> 00:00:12,820
- Seventy!
- Keep coming, Clara!
4
00:00:14,110 --> 00:00:16,950
Come on! You're doing fine!
5
00:00:18,910 --> 00:00:22,450
Come on! Nice and easy!
6
00:00:23,41... | 1
00:00:00,440 --> 00:00:01,940
Come on!
2
00:00:02,650 --> 00:00:04,740
Just a little further!
3
00:00:04,820 --> 00:00:06,780
I can't, Emmett!
I'm scared!
4
00:00:09,280 --> 00:00:10,280
Seventy!
5
00:00:11,290 --> 00:00:13,040
Keep coming, Clara!
6
00:00:14,370 --> 00:00:17,420
Come on! Come on!
You're doing fi... | null | 7099.21 | 5955.26 | 178.52 |
back_to_the_future_3 | tt0099088 | CnBclJ9w9tlx | 1
00:00:03,390 --> 00:00:05,030
Bursts of light flash on the bridge.
2
00:00:05,030 --> 00:00:06,070
The Delorean appears
3
00:00:06,070 --> 00:00:07,830
and zooms down the tracks on the bridge.
4
00:00:08,550 --> 00:00:13,270
It rides down the tracks toward a sign reading Eastwood Ravine and a railroad crossing sig... | 1
00:00:03,420 --> 00:00:05,630
In three flashes of light, the car reappears
2
00:00:05,630 --> 00:00:07,140
and drives along the tracks,
3
00:00:07,140 --> 00:00:10,980
slowly approaching a sign eastward ravine and a level crossing.
4
00:00:11,110 --> 00:00:12,240
The barrier is down.
5
00:00:12,240 --> 00:00:13,3... | 1
00:01:38,910 --> 00:01:40,040
Well, Doc...
2
00:01:42,000 --> 00:01:43,410
it's destroyed.
3
00:01:45,960 --> 00:01:47,340
Just like you wanted.
| 1
00:00:03,490 --> 00:00:05,240
(TRAIN CROSSING BELL CLANGING)
2
00:00:07,750 --> 00:00:09,460
(HELICOPTER WHIRRING)
3
00:00:22,220 --> 00:00:24,010
(CAR HORN HONKING)
4
00:00:39,900 --> 00:00:41,820
(TRAIN WHISTLE BLOWING)
5
00:01:31,750 --> 00:01:33,210
(ELECTRICAL BUZZING)
6
00:01:33,620 --> 00:01:34,630
(BUZZI... | null | 7099.21 | 6141.57 | 109.60 |
back_to_the_future_3 | tt0099088 | VLlE1Z5nTtO1 | 1
00:00:00,260 --> 00:00:01,780
He bends down and picks it up.
2
00:00:02,700 --> 00:00:05,390
He shakes dirt off the photo with the left side torn off.
3
00:00:05,430 --> 00:00:08,030
It reads September 5th, 1885.
4
00:00:08,910 --> 00:00:09,830
He straightens.
5
00:00:15,750 --> 00:00:18,910
They see the cross ar... | 1
00:00:01,510 --> 00:00:03,440
He picks it up and studies it.
2
00:00:17,070 --> 00:00:19,320
The level crossing barriers descend,
3
00:00:19,370 --> 00:00:22,840
frowning, Jennifer and Marty look behind them up the track.
4
00:00:23,040 --> 00:00:24,260
Then the other way.
5
00:00:27,560 --> 00:00:29,650
A flash ... | 1
00:00:11,120 --> 00:00:12,660
I'll sure miss him, Jen.
2
00:00:25,340 --> 00:00:26,920
What the hell?
3
00:00:44,070 --> 00:00:46,650
- Doc!
- Marty!
4
00:00:46,940 --> 00:00:49,360
- Doc!
- Marty!
5
00:00:49,910 --> 00:00:51,530
It runs on steam!
6
00:00:57,000 --> 00:01:00,170
Meet the family. Clara, you know.... | 1
00:00:11,000 --> 00:00:12,630
I'm sure gonna miss him, Jen.
2
00:00:12,710 --> 00:00:14,010
(TRAIN CROSSING BELL CLANGING)
3
00:00:25,310 --> 00:00:26,390
What the hell?
4
00:00:27,480 --> 00:00:28,600
(GASPS)
5
00:00:43,830 --> 00:00:44,950
Doc!
6
00:00:45,450 --> 00:00:46,540
Marty!
7
00:00:46,620 --> 00:00:4... | null | 7099.21 | 6511.94 | 187.15 |
bad_boys_ride_or_die | tt4919268 | tjspinL7riOl | 1
00:00:09,540 --> 00:00:10,780
Mike stares at him.
2
00:00:20,520 --> 00:00:21,840
He backs into the street.
3
00:00:24,880 --> 00:00:25,280
I
4
00:00:26,720 --> 00:00:27,720
Marcus smiles.
5
00:00:27,720 --> 00:00:29,400
His car zoomed past him.
6
00:00:29,560 --> 00:00:31,080
Mike struggles to reach him.
7
00:... | 1
00:00:23,000 --> 00:00:24,800
Marcus backs into the road,
2
00:00:25,120 --> 00:00:31,080
a grinning and utterly fearless Marcus walks backwards through the traffic.
3
00:00:37,040 --> 00:00:37,640
Marcus
4
00:00:38,200 --> 00:00:40,040
Marcus moonwalks through the traffic
5
00:00:40,040 --> 00:00:42,480
and narr... | 1
00:00:00,270 --> 00:00:02,480
Mike, I wasn't even gonna tell you this.
2
00:00:03,150 --> 00:00:04,330
Then don't tell me.
3
00:00:04,360 --> 00:00:07,490
No, you gotta hear this. This is big.
4
00:00:08,190 --> 00:00:09,780
I can't die.
5
00:00:10,490 --> 00:00:11,510
What?
6
00:00:11,530 --> 00:00:13,590
I can... | 1
00:00:00,210 --> 00:00:02,420
Mike, I wasn't even gonna tell you this.
2
00:00:02,590 --> 00:00:04,270
Ugh. Then don't tell me.
3
00:00:04,300 --> 00:00:07,420
No, you gotta hear this. This is big.
4
00:00:08,130 --> 00:00:09,720
I can't die.
5
00:00:10,430 --> 00:00:11,450
What?
6
00:00:11,470 --> 00:00:13,530
... | null | 6958.29 | 1680.51 | 106.16 |
bad_boys_ride_or_die | tt4919268 | 5WwtVmHSy6Wq | 1
00:00:01,230 --> 00:00:02,670
Fire from the second floor.
2
00:00:02,790 --> 00:00:06,830
Marcus runs past rows of giant lava lamp pillars which shatter
3
00:00:08,030 --> 00:00:09,350
Marcus fires back,
4
00:00:09,390 --> 00:00:11,790
then leaps into the air in slow motion.
5
00:00:11,790 --> 00:00:13,430
He sho... | 1
00:00:02,700 --> 00:00:04,980
taking the fight to McGrath's operatives.
2
00:00:05,180 --> 00:00:09,380
Bullets shatter glass tanks containing coloured, jellyfish like objects.
3
00:00:09,580 --> 00:00:11,220
Marcus dives for cover
4
00:00:11,220 --> 00:00:12,940
as one explodes beside him.
5
00:00:13,180 --> 00:... | 1
00:00:27,150 --> 00:00:28,460
What are you doing?!
2
00:00:28,490 --> 00:00:31,260
- I got this!
- But you don't, though.
3
00:00:31,280 --> 00:00:32,360
No. No!
4
00:00:33,910 --> 00:00:34,950
Marc...!
5
00:00:39,080 --> 00:00:40,290
Let's go! Let's move!
6
00:00:41,920 --> 00:00:42,920
Marcus!
7
00:00:47,710 ... | 1
00:00:20,250 --> 00:00:22,040
[BREATHING HEAVILY]
2
00:00:27,090 --> 00:00:28,400
What are you doing?!
3
00:00:28,420 --> 00:00:31,200
- I got this!
- But you don't, though.
4
00:00:31,220 --> 00:00:32,300
No. No!
5
00:00:33,850 --> 00:00:34,890
Marc...!
6
00:00:39,020 --> 00:00:40,230
Let's go! Let's move!
7
0... | null | 6958.29 | 1997.60 | 127.59 |
bad_boys_ride_or_die | tt4919268 | UZjaZSj8Dgv7 | 1
00:00:01,880 --> 00:00:05,000
A prisoner with neo-Nazi tattoos holds a shiv.
2
00:00:06,800 --> 00:00:09,240
Another prisoner pulls out a small weapon.
3
00:00:09,560 --> 00:00:11,520
Armando approaches the bench press.
4
00:00:11,760 --> 00:00:14,520
He slips his shirt through the hole in a barbell plate
5
00:00... | 1
00:00:00,150 --> 00:00:03,630
He eyes the other prisoners, one of whom is clutching a shiv.
2
00:00:06,750 --> 00:00:08,470
Another has a knuckle duster.
3
00:00:08,710 --> 00:00:10,270
Armando picks up his shirt
4
00:00:10,270 --> 00:00:12,590
and threads it through an Olympic weight.
5
00:00:16,510 --> 00:00:16... | 1
00:00:15,180 --> 00:00:16,970
[EXHALES, MUTTERS]
2
00:00:22,430 --> 00:00:23,680
[ATTACKER 1 GRUNTING]
3
00:00:30,020 --> 00:00:31,150
[ATTACKER 2 YELLS]
4
00:00:39,660 --> 00:00:40,740
[PRISONERS EXCLAIM]
5
00:00:41,540 --> 00:00:42,910
[PRISONERS SHOUTING INDISTINCTLY]
6
00:00:45,750 --> 00:00:46,870
[ATTACKER... | null | 6958.29 | 2379.97 | 71.56 | |
bad_boys_ride_or_die | tt4919268 | 5CcnYkoj_v6y | 1
00:00:20,020 --> 00:00:21,300
McGrath slits his throat
2
00:00:21,300 --> 00:00:23,340
as Lintz breaks open the gun safe.
3
00:00:24,540 --> 00:00:26,500
Marcus approaches the cockpit door.
4
00:00:26,540 --> 00:00:28,980
McGrath conceals his face with a balaclava
5
00:00:28,980 --> 00:00:30,140
and turns to Lint... | 1
00:00:21,250 --> 00:00:23,130
McGrath slits the pilot's throat
2
00:00:23,130 --> 00:00:26,290
as Lintz opens the strongbox containing the weapons.
3
00:00:26,530 --> 00:00:28,970
Marcus steps towards the cockpit door.
4
00:00:29,170 --> 00:00:31,330
McGrath puts on a ski mask.
5
00:00:35,130 --> 00:00:36,570
Lin... | 1
00:00:01,250 --> 00:00:02,850
Read the lines.
2
00:00:02,870 --> 00:00:06,020
"US Marshal flight 724,
we have an emergency.
3
00:00:06,040 --> 00:00:10,570
Our prisoner has escaped custody
with the aid of Miami PD Lowrey and Burnett.
4
00:00:10,590 --> 00:00:11,760
There are officers down.
5
00:00:12,470 --> 00:0... | 1
00:00:01,230 --> 00:00:02,830
MCGRATH: Read the lines.
2
00:00:02,850 --> 00:00:05,820
"US Marshal flight 724,
we have an emergency.
3
00:00:06,110 --> 00:00:10,550
Our prisoner has escaped custody
with the aid of Miami PD Lowrey and Burnett.
4
00:00:10,570 --> 00:00:11,860
There are officers down.
5
00:00:12,450... | null | 6958.29 | 2687.17 | 232.11 |
bad_boys_ride_or_die | tt4919268 | aOoMUQbhxD1V | 1
00:00:02,790 --> 00:00:05,710
Behind them, a burly man points a shotgun at them.
2
00:00:08,470 --> 00:00:09,750
Armando watches.
3
00:00:11,910 --> 00:00:13,110
Kane approaches.
4
00:00:34,010 --> 00:00:36,570
His shirt reads Purebred white boy.
5
00:00:36,970 --> 00:00:39,810
Mike's shirt features a picture of ... | 1
00:00:34,450 --> 00:00:37,730
The shirt bears the slogan purebred white boy.
2
00:01:40,700 --> 00:01:42,780
Armando hot wires a pickup truck
3
00:01:42,780 --> 00:01:44,740
and drives it over to Marcus and Mike,
4
00:01:44,740 --> 00:01:46,540
who jump in the load bed.
5
00:01:49,100 --> 00:01:50,940
The trio ma... | 1
00:00:06,110 --> 00:00:08,400
Well, what we got here?
2
00:00:09,910 --> 00:00:11,780
Hey, Cain, come take a look at this!
3
00:00:13,330 --> 00:00:14,850
What are you boys doin'?
4
00:00:14,870 --> 00:00:16,340
"Boys"?
5
00:00:16,370 --> 00:00:18,810
- Are y'all stealing our clothes?
- Looks like it.
6
00:00:18... | 1
00:00:04,840 --> 00:00:05,980
[GUN COCKING]
2
00:00:06,010 --> 00:00:08,470
Well, what we got here?
3
00:00:09,890 --> 00:00:11,510
Hey, Cain, come take a look at this!
4
00:00:12,560 --> 00:00:14,870
- [GUN COCKING]
- What are you boys doin'?
5
00:00:14,890 --> 00:00:16,060
"Boys"?
6
00:00:16,390 --> 00:00:18,8... | null | 6958.29 | 3360.61 | 119.12 |
bad_boys_ride_or_die | tt4919268 | vNMa5vQ5D00x | 1
00:00:01,860 --> 00:00:04,220
They approached Tabitha, who sits in a booth.
2
00:00:18,700 --> 00:00:20,020
They sit across from her.
3
00:00:29,660 --> 00:00:30,980
They turn to Armando.
4
00:00:51,680 --> 00:00:53,320
Tabitha scoots toward Mike.
5
00:00:55,520 --> 00:00:56,720
He looks surprised.
6
00:01:25,72... | 1
00:00:19,410 --> 00:00:20,610
They sit down.
2
00:02:10,610 --> 00:02:15,210
The gangster with the gold teeth has come in with several gun toting goons.
3
00:02:20,730 --> 00:02:23,010
Gold teeth leads the way out.
4
00:02:31,890 --> 00:02:33,850
Tabitha turns to her girls.
| 1
00:00:04,530 --> 00:00:09,130
I need my Instagram.
I need my Friendster. I need more sex.
2
00:00:09,160 --> 00:00:11,430
I need more men in this club.
3
00:00:11,450 --> 00:00:13,830
You all look beautiful.
Now get back to work.
4
00:00:14,750 --> 00:00:17,420
Mike Lowrey. Damn.
5
00:00:17,540 --> 00:00:18,580
W... | 1
00:00:04,510 --> 00:00:09,100
WOMAN: I need my Instagram.
I need my Friendster. I need more sex.
2
00:00:09,220 --> 00:00:11,370
I need more men in this club.
3
00:00:11,390 --> 00:00:13,810
You all look beautiful.
Now get back to work.
4
00:00:14,100 --> 00:00:17,370
[CLICKS TONGUE] Mike Lowrey. Damn.
5
00:00:17... | null | 6958.29 | 3583.33 | 156.83 |
bad_boys_ride_or_die | tt4919268 | RXyA_pnrihte | 1
00:00:16,620 --> 00:00:19,620
As they approach a van, their captors get shot.
2
00:00:19,660 --> 00:00:22,460
Two armed men on a Ford Ranchero arrive.
3
00:00:23,020 --> 00:00:24,300
They both hop down.
4
00:00:24,980 --> 00:00:29,940
Armando takes a gun from a man lying on the street evading gunfire.
5
00:00:29,... | 1
00:00:18,610 --> 00:00:25,010
As rival heavies pull up and take out some of gold teeth's Gang, Armando grabs a dead man's rifle.
2
00:00:26,970 --> 00:00:29,330
The trio dive into the back of the Gold teeth.
3
00:00:29,330 --> 00:00:30,690
Gang's waiting van.
4
00:00:30,730 --> 00:00:31,970
The driver is dead.
5
... | 1
00:00:00,110 --> 00:00:02,760
Mike, I'm about to make my move.
2
00:00:02,780 --> 00:00:05,870
No, the fuck you're not.
You about to go wherever these men are taking us.
3
00:00:05,990 --> 00:00:07,180
Oh, I'm not goin'.
4
00:00:07,200 --> 00:00:10,680
Now I'll take the three in the front,
you take the six in the ... | 1
00:00:03,180 --> 00:00:06,200
No, the fuck you're not.
You about to go wherever these men are taking us.
2
00:00:06,220 --> 00:00:07,450
Oh, I'm not goin'.
3
00:00:07,470 --> 00:00:10,640
Now I'll take the three in the front,
you take the six in the back.
4
00:00:11,060 --> 00:00:12,940
Marcus, we do not have any ... | null | 6958.29 | 3753.54 | 192.73 |
bad_boys_ride_or_die | tt4919268 | Woi3Kc4yf7mQ | 1
00:00:03,760 --> 00:00:04,960
He turns and fires.
2
00:00:06,480 --> 00:00:07,800
He takes a man's rifle
3
00:00:07,800 --> 00:00:08,760
and elbows him,
4
00:00:08,760 --> 00:00:09,920
then steals a magazine
5
00:00:09,920 --> 00:00:11,200
and reloads the weapon.
6
00:00:12,040 --> 00:00:12,920
He shoots the man... | 1
00:00:02,550 --> 00:00:03,190
behind you.
2
00:00:07,270 --> 00:00:08,550
Reggie blasts a guy
3
00:00:08,550 --> 00:00:09,630
and takes on another.
4
00:00:09,630 --> 00:00:11,950
He pins the guy back while he reloads,
5
00:00:11,950 --> 00:00:13,750
then turns and shoots him.
6
00:00:20,150 --> 00:00:21,710
Reg... | 1
00:00:02,070 --> 00:00:03,490
Behind you, Reg!
2
00:00:05,040 --> 00:00:06,240
Oh, damn!
3
00:00:15,170 --> 00:00:17,880
- Who the fuck is this guy?!
- That's my boy! That's my boy!
4
00:00:24,640 --> 00:00:26,430
Damn!
5
00:00:27,180 --> 00:00:28,730
Come on, come on, come on.
6
00:00:49,620 --> 00:00:51,080
No... | 1
00:00:02,100 --> 00:00:03,600
Behind you, Reg!
2
00:00:05,060 --> 00:00:06,270
Oh, damn!
3
00:00:08,020 --> 00:00:09,520
[MAN 1 GRUNTING]
4
00:00:15,280 --> 00:00:18,030
- Who the fuck is this guy?!
- That's my boy! That's my boy!
5
00:00:20,490 --> 00:00:21,490
Ooh.
6
00:00:24,660 --> 00:00:26,450
Damn!
7
00:0... | null | 6958.29 | 4390.34 | 81.87 |
bad_boys_ride_or_die | tt4919268 | 6vpGPsoy4WDq | 1
00:00:01,090 --> 00:00:02,770
the armed man falls into the water
2
00:00:02,770 --> 00:00:04,250
and the alligator eats him.
3
00:00:07,570 --> 00:00:09,250
McGrath flees with Christine.
4
00:00:14,330 --> 00:00:16,770
Kelly sits in the driver's seat of the surveillance truck
5
00:00:16,770 --> 00:00:18,250
and s... | 1
00:00:01,360 --> 00:00:02,520
Armando fires
2
00:00:02,520 --> 00:00:05,600
and the guy falls backwards onto the gator in the water.
3
00:00:14,080 --> 00:00:16,880
Kelly gets into the surveillance van's driver's seat
4
00:00:16,880 --> 00:00:17,960
and speeds off.
5
00:00:21,080 --> 00:00:25,720
As fire is excha... | 1
00:00:06,640 --> 00:00:07,760
Armando's burnt.
2
00:00:08,970 --> 00:00:11,450
- Shit.
- Full green. Engage.
3
00:00:11,480 --> 00:00:13,980
Kelly, get us there. Go, go, go!
4
00:00:36,920 --> 00:00:38,920
Contact, west dock side.
5
00:00:47,640 --> 00:00:49,300
Dorn! Take out that sniper!
6
00:00:49,800 --> 00:... | 1
00:00:06,660 --> 00:00:07,790
Armando's burnt.
2
00:00:09,200 --> 00:00:11,580
- Shit.
- Full green. Engage.
3
00:00:11,600 --> 00:00:14,000
Kelly, get us there. Go, go, go!
4
00:00:18,130 --> 00:00:20,010
[GUNFIRE]
5
00:00:36,940 --> 00:00:38,730
Contact, west dock side.
6
00:00:41,900 --> 00:00:43,210
[YELPS]
... | null | 6958.29 | 5322.75 | 181.86 |
bad_boys_ride_or_die | tt4919268 | _eLGw7K2P_a1 | 1
00:00:01,420 --> 00:00:04,500
which flies through the alligator mouth into the hideout.
2
00:00:04,540 --> 00:00:06,460
The drones fire projectiles
3
00:00:06,460 --> 00:00:09,140
while McGrath's associates try to shoot them down.
4
00:00:11,760 --> 00:00:13,480
Lintz sprays bullets at a drone
5
00:00:13,480 --> ... | 1
00:00:04,460 --> 00:00:08,960
Inside the cavernous space, the drones drop smoke bombs and shoot at McGrath.
2
00:00:08,960 --> 00:00:10,720
Heavies who return fire.
3
00:00:14,120 --> 00:00:18,160
Bullets slice cables with a huge model alligator hanging beneath it.
4
00:00:18,160 --> 00:00:20,120
Swings down in fr... | 1
00:00:07,550 --> 00:00:09,340
Shoot those motherfuckers!
2
00:00:09,920 --> 00:00:12,490
- Get those drones down now!
- Go!
3
00:00:12,510 --> 00:00:13,700
Move, move, move!
4
00:00:13,720 --> 00:00:15,010
Eyes up!
5
00:00:20,480 --> 00:00:22,000
Oh, shit!
6
00:00:22,020 --> 00:00:25,230
It's like redneck Jurass... | 1
00:00:06,320 --> 00:00:07,610
[INDISTINCT SHOUTING]
2
00:00:07,740 --> 00:00:09,280
MAN 1: Shoot those motherfuckers!
3
00:00:09,990 --> 00:00:12,550
- MAN 2: Get those drones down now!
- MAN 3: Go!
4
00:00:12,570 --> 00:00:13,760
Move, move, move!
5
00:00:13,780 --> 00:00:15,080
Eyes up!
6
00:00:20,580 --> 00:0... | null | 6958.29 | 5545.02 | 180.68 |
bad_boys_ride_or_die | tt4919268 | Na0xc8vrYIL1 | 1
00:00:00,400 --> 00:00:02,040
and approach the hole in the floor.
2
00:00:04,960 --> 00:00:06,400
Mike jumps through the hole,
3
00:00:06,400 --> 00:00:09,280
landing on a glass floor which starts to break apart.
4
00:00:13,800 --> 00:00:15,160
Marcus shatters the glass
5
00:00:15,160 --> 00:00:16,800
and falls i... | 1
00:00:01,960 --> 00:00:06,080
Christine Qt Mike jumps down
2
00:00:06,080 --> 00:00:07,640
and the glass cracks.
3
00:00:12,680 --> 00:00:12,840
Come.
4
00:00:12,880 --> 00:00:14,400
Marcus jumps down.
5
00:00:16,800 --> 00:00:19,040
Marcus crashes straight through the walkway
6
00:00:19,040 --> 00:00:20,600
and... | 1
00:00:01,890 --> 00:00:03,100
Christine!
2
00:00:03,600 --> 00:00:05,060
Shit.
3
00:00:07,610 --> 00:00:09,130
Oh sh...!
4
00:00:09,150 --> 00:00:11,170
- Mike, I got this!
- No. No, no!
5
00:00:11,190 --> 00:00:13,210
Here I come, baby! Here I come!
6
00:00:13,240 --> 00:00:14,610
No! No! No!
7
00:00:29,250 --... | 1
00:00:01,960 --> 00:00:03,170
MIKE: Christine!
2
00:00:03,670 --> 00:00:05,080
Shit.
3
00:00:05,630 --> 00:00:07,210
[GRUNTING]
4
00:00:07,670 --> 00:00:09,130
Oh sh...!
5
00:00:09,300 --> 00:00:11,280
- Mike, I got this!
- No. No, no!
6
00:00:11,300 --> 00:00:13,280
Here I come, baby! Here I come!
7
00:00:13,3... | null | 6958.29 | 5733.15 | 100.15 |
bad_boys_ride_or_die | tt4919268 | VBjtIcUyFvJn | 1
00:00:18,390 --> 00:00:20,230
McGrath points his gun at Christine.
2
00:00:20,310 --> 00:00:21,110
Then Marcus
3
00:00:21,270 --> 00:00:22,510
Mike remains still.
4
00:00:27,480 --> 00:00:28,880
Marcus looks alarmed.
5
00:00:48,440 --> 00:00:52,080
Mike shoots Marcus Bullet-proof vest, making him bend over.
6
00... | 1
00:00:18,510 --> 00:00:20,670
He briefly points his gun at Christine,
2
00:00:20,670 --> 00:00:22,760
then at the back of Marcus's Marcus head.
3
00:00:27,760 --> 00:00:29,280
Marcus frowns.
4
00:00:49,720 --> 00:00:52,120
Mike shoots into Marcus's bullet-proof vest,
5
00:00:52,120 --> 00:00:54,640
then blasts Mc... | 1
00:00:00,650 --> 00:00:02,400
How did you let him catch you?
2
00:00:02,420 --> 00:00:04,170
He's sneaky as hell, Mike.
3
00:00:04,190 --> 00:00:06,130
Your wife and I were having a debate.
4
00:00:06,160 --> 00:00:09,140
She seems to have
an inflated impression of you.
5
00:00:09,160 --> 00:00:11,080
- Mike.
- H... | 1
00:00:00,710 --> 00:00:02,150
MIKE:
How did you let him catch you?
2
00:00:02,170 --> 00:00:03,980
He's sneaky as hell, Mike.
3
00:00:04,010 --> 00:00:05,930
MCGRATH: Your wife and I
were having a debate.
4
00:00:06,300 --> 00:00:09,180
She seems to have
an inflated impression of you.
5
00:00:09,310 --> 00:00:11,... | null | 6958.29 | 6115.78 | 93.88 |
bad_boys_ride_or_die | tt4919268 | AONrVzJV3cZu | 1
00:00:05,710 --> 00:00:08,110
Come on. Bring your ass on.
2
00:00:08,130 --> 00:00:10,180
It's too hot out here for this shit.
3
00:00:10,300 --> 00:00:14,200
Wish I had a horse.
At least I could ride that motherfucker.
4
00:00:14,220 --> 00:00:18,140
All this free air out here,
and I still smell your stinkin' ass... | 1
00:00:01,190 --> 00:00:02,770
[DONKEY BRAYING]
2
00:00:05,780 --> 00:00:08,110
Come on. Bring your ass on.
3
00:00:08,320 --> 00:00:10,260
It's too hot out here for this shit.
4
00:00:10,280 --> 00:00:13,950
Wish I had a horse.
At least I could ride that motherfucker.
5
00:00:14,160 --> 00:00:18,210
All this free... | null | 6958.29 | 6922.82 | 30.98 | ||
battleship | tt1440129 | bhsiNFtxekWS | 1
00:00:03,300 --> 00:00:05,940
They target the destroyer's weapons and fire.
2
00:00:11,540 --> 00:00:13,060
Three projectiles saw.
3
00:00:16,700 --> 00:00:18,780
Gun fires at the canister projectile
4
00:00:18,780 --> 00:00:20,300
shooting two out of the sky,
5
00:00:20,340 --> 00:00:21,540
but a third breaks th... | 1
00:00:00,980 --> 00:00:02,690
Three barrels are thrust forth.
2
00:00:02,740 --> 00:00:04,190
They light up and start to spin.
3
00:00:04,190 --> 00:00:06,700
The craft narrows its sights on the John Paul Jones
4
00:00:06,910 --> 00:00:09,450
then fires a number of armour piercing shells.
5
00:00:16,960 --> 00:00... | 1
00:00:09,330 --> 00:00:11,800
Incoming, headed for
the John Paul Jones.
2
00:00:12,960 --> 00:00:14,210
Unknown, inbound
at the horizon.
3
00:00:14,380 --> 00:00:16,170
Vampire, vampire, vampire.
Killing with CIWS.
4
00:00:29,640 --> 00:00:31,730
What kind of chuckwagon...
5
00:00:36,900 --> 00:00:38,080
Were the... | 1
00:00:09,330 --> 00:00:11,800
Incoming, headed for
the John Paul Jones.
2
00:00:12,960 --> 00:00:14,210
Unknown, inbound
at the horizon.
3
00:00:14,370 --> 00:00:16,170
Vampire, vampire, vampire.
Killing with CIWS.
4
00:00:29,640 --> 00:00:31,730
What kind of chuckwagon...
5
00:00:36,900 --> 00:00:38,080
Were the... | null | 7878.07 | 2759.26 | 169.60 |
battleship | tt1440129 | v0GsF4EW63MG | 1
00:00:00,810 --> 00:00:04,770
The John Paul Jones fires its missile grazing the nose of the alien vessel,
2
00:00:04,770 --> 00:00:06,890
which then sets its sights on the Myoko
3
00:00:06,890 --> 00:00:09,170
and fires a barrage of projectiles.
4
00:00:09,330 --> 00:00:12,930
The soaring canisters strike the fore... | 1
00:00:00,710 --> 00:00:02,340
A shell is fired at the alien ship,
2
00:00:02,340 --> 00:00:04,430
but it falls short, landing in the water.
3
00:00:05,090 --> 00:00:06,470
The aliens fire back.
4
00:00:10,220 --> 00:00:13,640
Dozens of shells stream through the air, leaving white trails behind them.
5
00:00:13,64... | 1
00:00:19,240 --> 00:00:20,910
Sir, that's a hit!
The Myoko was hit, sir.
2
00:00:21,080 --> 00:00:22,120
Are the weapons ready?
3
00:00:22,240 --> 00:00:23,800
Sir, they have killed everything
that's fired on them.
4
00:00:23,830 --> 00:00:25,350
Get the guns online,
and we ram this thing.
5
00:00:25,370 --> 00:0... | 1
00:00:19,240 --> 00:00:21,050
JIMMY: Sir, that's a hit!
The Myoko was hit, sir.
2
00:00:21,070 --> 00:00:22,120
Are the weapons ready?
3
00:00:22,240 --> 00:00:23,800
Sir, they have killed everything
that's fired on them.
4
00:00:23,830 --> 00:00:25,350
Get the guns online,
and we ram this thing.
5
00:00:25,370 -... | null | 7878.07 | 3041.73 | 150.79 |
battleship | tt1440129 | ACkTGfihp93g | 1
00:00:07,080 --> 00:00:10,720
Two of the shredders emerge from the clouds as they scan a coastline.
2
00:00:10,720 --> 00:00:14,070
Several buildings and two rows of helicopters, light up red
3
00:00:14,070 --> 00:00:14,790
in a hangar.
4
00:00:17,230 --> 00:00:18,550
Hearing the alien crafts.
5
00:00:18,590 --> ... | 1
00:00:07,490 --> 00:00:09,950
One of the projectiles has veered off from the others.
2
00:00:10,740 --> 00:00:14,870
A bird's eye view of the marine base through digitally augmented alien sites.
3
00:00:14,950 --> 00:00:19,920
Key buildings are identified and electronically painted red, as is a fleet of helicopters... | 1
00:00:03,190 --> 00:00:05,360
Comms are down up here.
You got anything?
2
00:00:05,530 --> 00:00:07,200
That's a negative
on all frequencies.
3
00:00:25,500 --> 00:00:26,720
Oh, shit.
4
00:00:39,350 --> 00:00:40,400
Abandon 9-30!
5
00:01:03,920 --> 00:01:05,090
Kill the engines!
6
00:01:37,120 --> 00:01:38,120
S... | 1
00:00:03,190 --> 00:00:05,360
BASE OFFICER: Comms are down up here.
You got anything?
2
00:00:05,520 --> 00:00:07,320
PILOT 1: That's a negative
on all frequencies.
3
00:00:25,500 --> 00:00:26,720
Oh, shit.
4
00:00:39,350 --> 00:00:40,590
HELICOPTER GUNNER:
Abandon 9-30!
5
00:01:03,920 --> 00:01:05,090
PILOT 2: K... | null | 7878.07 | 3197.38 | 169.44 |
battleship | tt1440129 | jtKcFvbK9mZl | 1
00:00:02,950 --> 00:00:06,270
Noticing Hopper, 'Ordy' and Raikes clear a path for him.
2
00:00:06,430 --> 00:00:08,330
The new Captain joins the circle
3
00:00:08,330 --> 00:00:09,930
and peers down at the visitor.
4
00:00:10,210 --> 00:00:13,530
A nearby lamp casts a gleam on its metallic suit.
5
00:00:13,690 --... | 1
00:00:00,650 --> 00:00:02,150
'Ordy' and Raikes look back at him
2
00:00:02,150 --> 00:00:06,410
as he strolls over, encased in a mechanical armour plated bodysuit.
3
00:00:06,410 --> 00:00:09,870
The alien is ostensibly human, its face covered by the helmet.
4
00:00:10,290 --> 00:00:12,080
Beast' steps up beside ... | 1
00:00:16,990 --> 00:00:19,170
Where did we find it?
2
00:00:19,250 --> 00:00:20,810
One of their
transporters must have crashed
3
00:00:20,830 --> 00:00:23,080
on the way to the island.
There was debris everywhere.
4
00:00:23,170 --> 00:00:25,810
Thomas and Potts fished him right out
of the water with a grappling ... | 1
00:00:16,990 --> 00:00:19,160
HOPPER: Where did we find it?
2
00:00:19,240 --> 00:00:20,800
JIMMY: One of their
transporters must have crashed
3
00:00:20,830 --> 00:00:23,080
on the way to the island.
There was debris everywhere.
4
00:00:23,160 --> 00:00:25,810
Thomas and Potts fished him right out
of the water wi... | null | 7878.07 | 3669.60 | 176.94 |
battleship | tt1440129 | peqb70JbHYjA | 1
00:00:01,410 --> 00:00:03,490
The crew studies the buoy markers.
2
00:00:06,810 --> 00:00:09,530
Our view jumps from buoy marker to buoy marker.
3
00:00:09,530 --> 00:00:10,850
Hopper scans the grid,
4
00:00:10,850 --> 00:00:13,130
spotting one of the sites glowing red.
5
00:00:13,250 --> 00:00:14,770
He approach... | 1
00:00:00,670 --> 00:00:01,840
Aboard the John Paul Jones.
2
00:00:01,880 --> 00:00:03,760
Nagata scrutinises the NOAA data.
3
00:00:09,720 --> 00:00:12,600
Hopper's eyes scan the computerised map of buoys.
4
00:00:12,730 --> 00:00:14,900
One of the buoy icons lights up red.
5
00:00:15,100 --> 00:00:16,610
Hopper ... | 1
00:00:03,960 --> 00:00:07,090
We are looking for patterns
of water displacement.
2
00:00:27,030 --> 00:00:28,200
That buoy is underwater.
3
00:00:38,200 --> 00:00:40,130
That's a ship.
4
00:00:40,210 --> 00:00:42,330
Get on your gun.
Yes, sir.
5
00:00:56,390 --> 00:00:57,980
Target, Echo-1-1.
6
00:00:58,640 --> ... | 1
00:00:03,960 --> 00:00:07,090
We are looking for patterns
of water displacement.
2
00:00:27,020 --> 00:00:28,260
HOPPER: That buoy
is underwater.
3
00:00:38,200 --> 00:00:40,120
That's a ship.
4
00:00:40,200 --> 00:00:42,330
Get on your gun.
Yes, sir.
5
00:00:56,390 --> 00:00:57,980
Target, Echo-1-1.
6
00:00:58,... | null | 7878.07 | 4859.39 | 118.89 |
battleship | tt1440129 | ImbRVI4cN_U4 | 1
00:00:01,310 --> 00:00:03,950
The red circle moves from one boy to the next.
2
00:00:08,910 --> 00:00:09,830
Two more missiles.
3
00:00:09,830 --> 00:00:10,350
Launch
4
00:00:10,390 --> 00:00:12,190
Raikes watches intensely.
5
00:00:12,190 --> 00:00:14,790
The blazing missiles arc across the night sky.
6
00:00:1... | 1
00:00:00,290 --> 00:00:04,800
On the John Paul Jones Hopper and Nagata observe, the path of the approaching alien ship.
2
00:00:09,380 --> 00:00:10,970
They launch two more missiles.
3
00:00:14,430 --> 00:00:15,720
They vanish into the night.
4
00:00:17,600 --> 00:00:19,640
The map shows no indication of a hit.
5... | 1
00:00:04,920 --> 00:00:06,210
Foxtrot, 2-4.
2
00:00:06,290 --> 00:00:07,420
Foxtrot, 2-4.
3
00:00:07,590 --> 00:00:08,800
Ready to fire.
Fire!
4
00:00:19,850 --> 00:00:20,900
Ordy, anything?
5
00:00:21,060 --> 00:00:22,180
Negative, sir.
6
00:00:22,270 --> 00:00:24,190
It's a stupid, nincompoop idea.
7
00:00:30... | 1
00:00:04,910 --> 00:00:06,210
Foxtrot, 2-4.
2
00:00:06,290 --> 00:00:07,420
CORA: Foxtrot, 2-4.
3
00:00:07,580 --> 00:00:08,800
Ready to fire.
Fire!
4
00:00:19,850 --> 00:00:20,890
Ordy, anything?
5
00:00:21,050 --> 00:00:22,180
JIMMY: Negative, sir.
6
00:00:22,260 --> 00:00:24,190
It's a stupid, nincompoop idea... | null | 7878.07 | 5101.89 | 154.41 |
battleship | tt1440129 | JKd_Q1HwZt9H | 1
00:00:10,360 --> 00:00:12,000
The propeller hits the rocks.
2
00:00:31,900 --> 00:00:34,180
The blue lit alien vessel leaps into view,
3
00:00:34,180 --> 00:00:35,820
landing with a big splash.
4
00:00:38,660 --> 00:00:41,020
The alien vessel faces the destroyer
5
00:00:42,740 --> 00:00:46,260
as the sun rises ov... | 1
00:00:10,930 --> 00:00:12,390
They churn up the seabed.
2
00:00:23,940 --> 00:00:24,940
Hopper frowns.
3
00:00:33,660 --> 00:00:38,290
The alien warship leaps out from the cover of Jutting Rocks, which project out into the ocean.
4
00:00:40,170 --> 00:00:41,830
The two ships face off.
5
00:00:43,630 --> 00:00:46,... | 1
00:00:01,860 --> 00:00:03,030
Where did you learn to shoot?
2
00:00:03,110 --> 00:00:05,110
I'm not sure how
you say it in English.
3
00:00:05,280 --> 00:00:06,910
Natsu campu.
4
00:00:07,070 --> 00:00:08,790
Summer campu.
5
00:00:09,200 --> 00:00:10,920
- How about now?
- Still a little tight.
6
00:00:12,290 --... | 1
00:00:01,860 --> 00:00:03,080
HOPPER: Where did you
learn to shoot?
2
00:00:03,110 --> 00:00:05,110
I'm not sure how
you say it in English.
3
00:00:05,280 --> 00:00:06,900
Natsu campu.
4
00:00:07,070 --> 00:00:08,790
Summer campu.
5
00:00:09,200 --> 00:00:10,920
How about now?
GUNNER: Still a little tight.
6
00:... | null | 7878.07 | 5458.05 | 101.98 |
battleship | tt1440129 | fJCW34dG5GOr | 1
00:00:01,510 --> 00:00:02,510
The crew flees.
2
00:00:02,550 --> 00:00:04,830
A gunner fires on the incoming spheres.
3
00:00:04,870 --> 00:00:06,670
Hopper sends the last of his men out,
4
00:00:06,670 --> 00:00:07,590
then turns back.
5
00:00:07,630 --> 00:00:10,470
A shredder lands on deck, obliterating a gun ... | 1
00:00:04,530 --> 00:00:05,950
Hopper evacuates the bridge.
2
00:00:05,950 --> 00:00:08,030
The death balls hit, destroying one of the cannons
3
00:00:08,030 --> 00:00:10,540
and churning through metal like it's wet turf.
4
00:00:13,250 --> 00:00:14,920
One grinds its way onto the bridge.
5
00:00:19,840 --> 00:00:... | 1
00:00:00,790 --> 00:00:03,390
Clear the bridge.
Clear the bridge!
2
00:00:14,810 --> 00:00:15,930
Shit!
3
00:00:49,300 --> 00:00:52,520
Ordy, get up! Let's go!
4
00:00:53,850 --> 00:00:55,470
Go, go, go!
5
00:01:00,690 --> 00:01:01,940
We've got two down, sir!
6
00:01:02,020 --> 00:01:03,150
Get up.
7
00:01:09,... | 1
00:00:00,790 --> 00:00:03,390
Clear the bridge.
Clear the bridge!
2
00:00:14,810 --> 00:00:15,930
Shit!
3
00:00:36,620 --> 00:00:37,620
(GRUNTING)
4
00:00:49,300 --> 00:00:52,520
Ordy, get up! Let's go!
5
00:00:53,840 --> 00:00:55,470
Go, go, go!
6
00:00:56,060 --> 00:00:57,900
(INDISTINCT SHOUTING)
7
00:01:00,... | null | 7878.07 | 5574.14 | 177.45 |
battleship | tt1440129 | uLuBZh0GCNQX | 1
00:00:01,210 --> 00:00:04,450
The flagship looms like a massive iceberg in the water.
2
00:00:04,450 --> 00:00:09,290
As the battleship steers a course around it, the alien vessel rotates to face it,
3
00:00:09,290 --> 00:00:10,690
then bypasses it,
4
00:00:10,730 --> 00:00:13,370
locks onto the battleships presum... | 1
00:00:00,240 --> 00:00:05,370
Using its wing like paddles, the alien craft moves in the water like a giant terrapin.
2
00:00:05,870 --> 00:00:07,210
It turns to face the Missouri
3
00:00:07,210 --> 00:00:08,380
and readies its shells.
4
00:00:09,040 --> 00:00:12,340
Its computer system visualises the battleship's ... | 1
00:00:16,390 --> 00:00:17,890
Drop port anchor.
What?
2
00:00:22,400 --> 00:00:23,740
Drop it now!
3
00:00:28,570 --> 00:00:29,910
We are going to die.
4
00:00:34,240 --> 00:00:35,240
We are going to die.
5
00:00:38,830 --> 00:00:41,000
You are going to die.
I am going to die.
6
00:00:44,420 --> 00:00:45,420
We ... | 1
00:00:16,390 --> 00:00:17,890
Drop port anchor.
What?
2
00:00:22,400 --> 00:00:23,740
Drop it now!
3
00:00:28,570 --> 00:00:29,910
We are going to die.
4
00:00:34,240 --> 00:00:35,240
We are going to die.
5
00:00:38,830 --> 00:00:41,000
You are going to die.
I am going to die.
6
00:00:44,420 --> 00:00:45,420
We ... | null | 7878.07 | 6389.38 | 161.47 |
beetlejuice_beetlejuice | tt2049403 | KcnSHC73ruyY | 1
00:00:00,640 --> 00:00:02,320
while bugs crawl near his hand.
2
00:00:02,360 --> 00:00:04,640
A guy with a shrunken head taps his shoulder.
3
00:00:22,140 --> 00:00:23,540
Other shrunken heads, man.
4
00:00:23,540 --> 00:00:23,820
Phones.
5
00:00:23,860 --> 00:00:24,500
Please hold.
6
00:00:26,500 --> 00:00:28,3... | 1
00:00:01,550 --> 00:00:03,790
His face is white with black rings around his eyes,
2
00:00:03,790 --> 00:00:05,590
and his matted hair sticks up wildly.
3
00:00:05,670 --> 00:00:07,030
Someone pats his shoulder.
4
00:00:49,280 --> 00:00:50,760
Cylinder flies down a chute.
5
00:00:51,240 --> 00:00:52,760
Beetlejuic... | 1
00:00:07,340 --> 00:00:09,340
Jesus, Bob.
2
00:00:09,470 --> 00:00:11,170
Can't you see
I'm concentrating here?
3
00:00:11,880 --> 00:00:13,380
You know, Bob,
4
00:00:13,510 --> 00:00:15,750
long distance relationships
can be difficult.
5
00:00:15,880 --> 00:00:17,510
Especially when
one of you is dead
6
00:00:1... | 1
00:00:05,500 --> 00:00:06,530
[gasps]
2
00:00:07,340 --> 00:00:09,330
Jesus, Bob.
3
00:00:09,470 --> 00:00:11,170
Can't you see
I'm concentrating here?
4
00:00:11,870 --> 00:00:13,370
You know, Bob,
5
00:00:13,510 --> 00:00:15,750
long distance relationships
can be difficult.
6
00:00:15,880 --> 00:00:17,510
Espe... | null | 6280.99 | 1098.14 | 591.34 |
beetlejuice_beetlejuice | tt2049403 | O_JqANq3fKlN | 1
00:00:17,530 --> 00:00:18,930
Other shrunken heads, man.
2
00:00:18,930 --> 00:00:19,210
Phones.
3
00:00:19,250 --> 00:00:19,890
Please hold.
| 1
00:00:01,060 --> 00:00:02,420
Someone pats his shoulder.
| 1
00:00:02,730 --> 00:00:04,730
Jesus, Bob.
2
00:00:04,860 --> 00:00:06,570
Can't you see
I'm concentrating here?
3
00:00:07,270 --> 00:00:08,770
You know, Bob,
4
00:00:08,900 --> 00:00:11,140
long distance relationships
can be difficult.
5
00:00:11,280 --> 00:00:12,900
Especially when
one of you is dead
6
00:00:1... | 1
00:00:00,890 --> 00:00:01,920
[gasps]
2
00:00:02,730 --> 00:00:04,720
Jesus, Bob.
3
00:00:04,860 --> 00:00:06,560
Can't you see
I'm concentrating here?
4
00:00:07,260 --> 00:00:08,760
You know, Bob,
5
00:00:08,900 --> 00:00:11,140
long distance relationships
can be difficult.
6
00:00:11,270 --> 00:00:12,900
Espe... | null | 6280.99 | 1102.75 | 23.69 |
beetlejuice_beetlejuice | tt2049403 | ruD7tiJTyooT | 1
00:00:13,010 --> 00:00:13,850
He grips a mic.
2
00:00:16,450 --> 00:00:19,210
Well, a spotlight comes on him, and subtitles appear.
3
00:00:19,770 --> 00:00:20,570
I'll tell you.
4
00:00:21,210 --> 00:00:27,170
In a flashback, men in plague masks add a body to a pit in a forgotten age.
5
00:00:27,170 --> 00:00:28... | 1
00:00:16,440 --> 00:00:18,560
Well, under a spotlight, he says.
2
00:00:18,560 --> 00:00:20,640
I'll tell you into a microphone.
3
00:00:21,600 --> 00:00:24,800
Black and white images appear in a forgotten age.
4
00:00:24,840 --> 00:00:26,560
Shrouded by death and the plague.
5
00:00:26,560 --> 00:00:29,400
The t... | 1
00:00:05,360 --> 00:00:08,100
- My ex-wife is back.
- Hmm?
2
00:00:08,230 --> 00:00:10,260
Well, I know
what you're thinking...
3
00:00:10,400 --> 00:00:13,730
"When was the Juice
ever tied down?
4
00:00:13,870 --> 00:00:17,180
What kind of woman could ever
keep him satisfied?" Well...
5
00:02:03,320 --> 00:02:05... | 1
00:00:02,950 --> 00:00:04,120
[burping]
2
00:00:05,360 --> 00:00:08,100
- My ex-wife is back.
- Hmm?
3
00:00:08,230 --> 00:00:10,260
[Beetlejuice] Well, I know
what you're thinking...
4
00:00:10,400 --> 00:00:13,730
"When was the Juice
ever tied down?
5
00:00:13,860 --> 00:00:17,180
What kind of woman could ever
... | null | 6280.99 | 1527.68 | 156.71 |
beetlejuice_beetlejuice | tt2049403 | COMmjp1WhXpE | 1
00:00:00,410 --> 00:00:01,210
Inside.
2
00:00:04,530 --> 00:00:06,210
Delia photographs herself.
3
00:00:30,870 --> 00:00:32,070
Rory dashes in.
| 1
00:00:01,240 --> 00:00:02,640
What?
2
00:00:02,770 --> 00:00:04,300
Why?
3
00:00:04,440 --> 00:00:06,800
No! No! No!
4
00:00:06,940 --> 00:00:08,470
Delia, what's wrong?
5
00:00:08,610 --> 00:00:10,190
I'm trying to capture
the perfect primal scream.
6
00:00:10,210 --> 00:00:11,860
I'm gonna blow it up,
mount it... | 1
00:00:01,240 --> 00:00:02,630
[shouts] What?
2
00:00:02,770 --> 00:00:04,300
- Why?
- [camera shutter clicks]
3
00:00:04,440 --> 00:00:06,800
No! No! No!
4
00:00:06,940 --> 00:00:08,470
Delia, what's wrong?
5
00:00:08,600 --> 00:00:10,180
I'm trying to capture
the perfect primal scream.
6
00:00:10,210 --> 00:00:... | null | 6280.99 | 2368.54 | 38.08 | |
beetlejuice_beetlejuice | tt2049403 | yvRQt2PMqIHh | 1
00:00:02,300 --> 00:00:03,980
ending in a down pointing arrow.
2
00:00:07,500 --> 00:00:08,740
They fall through a trapdoor
3
00:00:08,740 --> 00:00:11,060
and tumble down a colourful, swirling tunnel.
4
00:00:19,580 --> 00:00:21,220
They land on a couch in an office,
5
00:00:21,220 --> 00:00:22,780
and a desk ch... | 1
00:00:00,310 --> 00:00:03,720
They walk towards the billboard with a flashing arrow pointing down.
2
00:00:07,240 --> 00:00:10,480
They dropped through a trap door into a vortex of distorted faces.
3
00:00:20,160 --> 00:00:22,240
Lydia and Rory drop onto a sofa.
4
00:00:24,400 --> 00:00:25,880
Lydia's mouth is sew... | 1
00:00:03,910 --> 00:00:05,070
What the hell?
2
00:00:05,210 --> 00:00:06,610
I told you not to say his name!
3
00:00:11,120 --> 00:00:13,080
Lydia Deetz,
ladies and gentlemen!
4
00:00:13,220 --> 00:00:14,820
Don't ever
say that name.
5
00:00:14,950 --> 00:00:17,550
Not ever!
We need to leave, now.
6
00:00:17,690... | 1
00:00:00,030 --> 00:00:03,770
[tense music playing]
2
00:00:03,910 --> 00:00:05,070
[Rory shakily] What the hell?
3
00:00:05,200 --> 00:00:06,610
I told you not to say his name!
4
00:00:06,740 --> 00:00:08,270
- [lever creaks]
- [both screaming]
5
00:00:09,450 --> 00:00:10,980
[Rory yelping]
6
00:00:11,110 --> 0... | null | 6280.99 | 3080.42 | 53.17 |
beetlejuice_beetlejuice | tt2049403 | vaOpcibjEeJ4 | 1
00:00:00,610 --> 00:00:02,250
They land on a couch in an office,
2
00:00:02,250 --> 00:00:03,810
and a desk chair spins to face them.
3
00:00:06,650 --> 00:00:08,570
Lydia's lips are suddenly sewn shut.
4
00:00:24,490 --> 00:00:27,130
A torrent of slimy guts pours from his abdomen.
5
00:00:34,730 --> 00:00:42,500... | 1
00:00:01,190 --> 00:00:03,270
Lydia and Rory drop onto a sofa.
2
00:00:05,430 --> 00:00:06,910
Lydia's mouth is sewn shut.
3
00:00:06,910 --> 00:00:08,790
Beetlejuice peels off glasses.
4
00:00:24,150 --> 00:00:25,230
He rips open his shirt
5
00:00:25,230 --> 00:00:27,310
and dark, slimy entrails spew out.
6
00:... | 1
00:00:03,080 --> 00:00:04,450
- Is that...
- Beetlejuice!
2
00:00:08,890 --> 00:00:10,620
First of all,
I want you two kids to know,
3
00:00:10,760 --> 00:00:12,500
this is a safe space. Okay?
4
00:00:12,630 --> 00:00:13,990
Feel free
to express yourselves.
5
00:00:14,130 --> 00:00:16,050
Don't be afraid. I sense... | 1
00:00:00,580 --> 00:00:01,610
[both grunting]
2
00:00:01,750 --> 00:00:02,940
[chair squeaking]
3
00:00:03,080 --> 00:00:04,450
- Is that...
- Beetlejuice!
4
00:00:04,590 --> 00:00:06,450
- [exclaims]
- [muffled gasp]
5
00:00:06,590 --> 00:00:08,760
[muffled grunting]
6
00:00:08,890 --> 00:00:10,620
First of all... | null | 6280.99 | 3099.39 | 134.42 |
beetlejuice_beetlejuice | tt2049403 | MpXtbtvbqsLS | 1
00:00:00,600 --> 00:00:02,880
The dead young man draws a door on a wall.
2
00:00:12,640 --> 00:00:17,440
A door swings open with square indentations where it notched together with a cinder block wall.
3
00:00:19,240 --> 00:00:22,360
They stare through the opening into glowing green and blue mist.
4
00:00:30,380 --... | 1
00:00:12,680 --> 00:00:17,560
The wall shakes, splits, and opens like a vault door with interlocking horizontal teeth.
2
00:00:18,000 --> 00:00:19,560
Bright light glows beyond
3
00:00:19,560 --> 00:00:21,600
and mist drifts into the attic room.
4
00:00:30,890 --> 00:00:32,050
From the handbook.
5
00:00:36,930 --... | 1
00:00:03,020 --> 00:00:05,480
That's all you have to do
to get into the Afterlife?
2
00:00:05,620 --> 00:00:07,720
Draw a door with some chalk?
3
00:00:07,850 --> 00:00:09,160
Oh, and knock three times?
4
00:00:09,300 --> 00:00:10,610
I'm just doing
what it says in there.
5
00:00:10,630 --> 00:00:11,630
So lame.
... | 1
00:00:03,010 --> 00:00:05,480
That's all you have to do
to get into the Afterlife?
2
00:00:05,620 --> 00:00:07,710
Draw a door with some chalk?
3
00:00:07,850 --> 00:00:09,160
Oh, and knock three times?
4
00:00:09,290 --> 00:00:10,600
I'm just doing
what it says in there.
5
00:00:10,630 --> 00:00:11,630
So lame.
... | null | 6280.99 | 3753.28 | 381.88 |
billy_elliot | tt0249462 | kkcuLL_JabFE | 1
00:00:28,040 --> 00:00:29,800
His dad watches Billy from afar.
2
00:00:35,320 --> 00:00:38,120
In the ring, Billy's sparring partner puts his gloves up.
3
00:00:43,000 --> 00:00:44,200
Billy puts his fists up,
4
00:00:44,200 --> 00:00:45,560
then rolls along the ropes.
5
00:00:54,080 --> 00:00:55,800
A ballerina ... | 1
00:00:36,090 --> 00:00:38,140
Jackie's watching from a gallery.
2
00:00:44,280 --> 00:00:46,160
Billy dances around the ring.
3
00:01:04,180 --> 00:01:05,310
Billy's failed.
4
00:01:16,340 --> 00:01:18,020
Billy rolls onto his side
5
00:01:18,020 --> 00:01:20,520
and sees Jackie's look of disappointment.
| 1
00:00:00,680 --> 00:00:03,060
Right, lads. Listen up here.
2
00:00:03,140 --> 00:00:06,350
Hold it! Oi, oi! Here!
3
00:00:07,150 --> 00:00:12,230
Now, because they're using downstairs
as a soup kitchen for the striking miners,
4
00:00:12,940 --> 00:00:15,320
I'm going to let Mrs Wilkinson
5
00:00:15,410 --> 00:00... | 1
00:00:00,680 --> 00:00:03,060
GEORGE: Right, lads. Listen up here.
2
00:00:03,140 --> 00:00:06,350
Hold it! Oi, oi! Here!
3
00:00:07,150 --> 00:00:12,230
Now, because they're using downstairs
as a soup kitchen for the striking miners,
4
00:00:12,940 --> 00:00:15,320
I'm going to let Mrs Wilkinson
5
00:00:15,400 -... | null | 6614.82 | 406.05 | 81.64 |
billy_elliot | tt0249462 | uGyU4DNJaf5c | 1
00:00:13,060 --> 00:00:16,740
The instructor, in her early 50s, wearily lights a cigarette.
2
00:00:29,660 --> 00:00:33,020
And Billy takes a few tentative steps closer.
3
00:00:35,540 --> 00:00:37,980
He rests his gloved hands on the bar.
4
00:01:01,670 --> 00:01:04,510
A moving view of ballet slippers stops at b... | 1
00:00:15,080 --> 00:00:16,670
Billy steps forward.
2
00:00:32,850 --> 00:00:34,850
Billy moves into the classroom
3
00:00:34,850 --> 00:00:36,740
and rests his hands on the bar.
4
00:00:37,450 --> 00:00:40,540
He's still wearing his boxing gloves and protective headgear.
5
00:00:53,830 --> 00:00:56,890
A line of ... | 1
00:00:01,060 --> 00:00:03,270
And, Debbie, eyes front.
2
00:00:03,360 --> 00:00:09,240
And five, and six, and seven, and stop.
For God's sake.
3
00:00:09,320 --> 00:00:10,780
Thank you, Mr Braithwaite.
4
00:00:10,860 --> 00:00:13,450
Right into the centre, girls, please.
5
00:00:18,460 --> 00:00:21,120
Miss? Miss... | 1
00:00:01,060 --> 00:00:03,270
And, Debbie, eyes front.
2
00:00:03,360 --> 00:00:09,240
And five, and six, and seven, and stop.
For God's sake.
3
00:00:09,320 --> 00:00:10,780
Thank you, Mr Braithwaite.
4
00:00:10,860 --> 00:00:13,450
Right into the centre, girls, please.
5
00:00:18,450 --> 00:00:21,120
Miss? Miss... | null | 6614.82 | 578.05 | 130.68 |
billy_elliot | tt0249462 | 4NXOiO92MjJb | 1
00:00:04,120 --> 00:00:04,960
In class.
2
00:00:07,560 --> 00:00:08,880
First arabesque
3
00:00:09,360 --> 00:00:11,760
Mrs. Wilkinson holds Billy in a pose.
4
00:00:16,200 --> 00:00:19,530
In the bathroom, Billy balances stares at his reflection,
5
00:00:19,530 --> 00:00:21,130
then lifts his back leg higher.
6... | 1
00:00:17,180 --> 00:00:19,810
Billy attempts an arabesque in the bathroom.
2
00:00:35,270 --> 00:00:38,320
Billy tries out moves from the class in the bathroom.
3
00:01:01,560 --> 00:01:03,070
He's fallen in the bath.
4
00:01:34,630 --> 00:01:37,970
Billy's practising his pirouette in every room in the house.
5
0... | 1
00:00:01,740 --> 00:00:04,450
Okay, Billy Elliot, into the centre.
2
00:00:05,120 --> 00:00:07,620
Right, now I want you to
watch carefully, girls.
3
00:00:07,700 --> 00:00:09,330
First, arabesque.
4
00:00:10,250 --> 00:00:12,160
Drop your shoulders.
5
00:00:12,710 --> 00:00:15,290
Look forward, beyond your finge... | 1
00:00:01,740 --> 00:00:04,450
MRS WILKINSON:
Okay, Billy Elliot, into the centre.
2
00:00:05,110 --> 00:00:07,620
Right, now I want you to
watch carefully, girls.
3
00:00:07,700 --> 00:00:09,330
First, arabesque.
4
00:00:10,240 --> 00:00:12,160
Drop your shoulders.
5
00:00:12,710 --> 00:00:15,290
Look forward, be... | null | 6614.82 | 1200.70 | 130.80 |
billy_elliot | tt0249462 | hELm97zv6ZTT | 1
00:00:02,520 --> 00:00:05,200
The dancers move in unison with one foot lifted.
2
00:00:15,560 --> 00:00:17,360
Jackie approaches the ballet class.
3
00:00:17,480 --> 00:00:20,200
He stares in through the doors with a look of disbelief.
4
00:00:20,520 --> 00:00:22,680
Billy sees his dad and freezes.
5
00:00:40,450... | 1
00:00:15,380 --> 00:00:16,970
Jackie arrives at the club
2
00:00:16,970 --> 00:00:19,480
and sees Billy dancing in amongst the girls.
3
00:00:20,150 --> 00:00:21,320
Billy spots him
4
00:00:21,360 --> 00:00:23,120
and stops dead in his tracks.
5
00:00:25,880 --> 00:00:28,800
Jackie opens the double doors, looking... | 1
00:00:02,590 --> 00:00:06,420
And a one, two, three, and a turn.
2
00:00:06,510 --> 00:00:10,260
And a one, two, three, pas de bourrée.
3
00:00:10,340 --> 00:00:14,050
And a one, two, three, pas de bourrée.
4
00:00:14,140 --> 00:00:17,890
And a one, two, three, pas de bourrée.
5
00:00:17,980 --> 00:00:21,690
And ... | 1
00:00:02,580 --> 00:00:06,420
And a one, two, three, and a turn.
2
00:00:06,500 --> 00:00:10,260
And a one, two, three, pas de bourrée.
3
00:00:10,340 --> 00:00:14,050
And a one, two, three, pas de bourrée.
4
00:00:14,140 --> 00:00:17,890
And a one, two, three, pas de bourrée.
5
00:00:17,970 --> 00:00:21,690
And ... | null | 6614.82 | 1531.10 | 163.33 |
billy_elliot | tt0249462 | brwksWB0H7_W | 1
00:00:04,450 --> 00:00:06,170
Billy spins and falls.
2
00:00:28,530 --> 00:00:29,370
In the boxing ring.
3
00:00:29,370 --> 00:00:31,890
Mrs. Wilkinson glares at Billy on his backside.
4
00:00:31,890 --> 00:00:32,570
He gets up
5
00:00:32,570 --> 00:00:34,450
and stares back angrily at her.
6
00:00:38,490 --> 00... | 1
00:00:30,100 --> 00:00:31,650
Billy gets to his feet,
2
00:00:31,650 --> 00:00:34,200
then turns and glares at Mrs. Wilkinson.
3
00:00:38,630 --> 00:00:39,720
He runs away.
4
00:00:49,080 --> 00:00:50,960
Billy races into the toilets,
5
00:00:50,960 --> 00:00:52,680
sliding on the polished floor
6
00:00:52,680 -... | 1
00:00:00,720 --> 00:00:05,520
Prepare. One, two. And one, and two...
2
00:00:06,980 --> 00:00:08,190
Get up.
3
00:00:09,480 --> 00:00:11,650
Miss, I can't do it.
4
00:00:12,980 --> 00:00:15,570
That's because you're not concentrating.
5
00:00:15,780 --> 00:00:17,900
I am concentrating.
6
00:00:18,320 --> 00:00:1... | 1
00:00:00,720 --> 00:00:05,510
Prepare. One, two. And one, and two...
2
00:00:06,970 --> 00:00:08,180
Get up.
3
00:00:09,480 --> 00:00:11,640
Miss, I can't do it.
4
00:00:12,980 --> 00:00:15,570
That's because you're not concentrating.
5
00:00:15,770 --> 00:00:17,900
I am concentrating.
6
00:00:18,320 --> 00:00:1... | null | 6614.82 | 2732.96 | 129.06 |
billy_elliot | tt0249462 | GmD3wCgcz6e5 | 1
00:00:09,030 --> 00:00:10,990
He sheepishly starts taking it off.
2
00:00:10,990 --> 00:00:12,990
Jackie hides his face in his hands.
3
00:00:24,800 --> 00:00:26,800
Billy stares at Jackie with determination,
4
00:00:26,800 --> 00:00:28,360
then starts to dance for him.
5
00:00:34,680 --> 00:00:37,600
He does a s... | 1
00:00:04,810 --> 00:00:06,650
Michael lets go of the rope
2
00:00:06,650 --> 00:00:09,580
and clumsily pushes the two two down his legs.
3
00:00:12,420 --> 00:00:13,670
Looking distraught.
4
00:00:13,880 --> 00:00:16,520
Jackie turns his gaze from Michael to Billy,
5
00:00:16,890 --> 00:00:18,900
then rubs his fa... | 1
00:01:47,890 --> 00:01:48,970
Dad!
2
00:01:50,720 --> 00:01:52,180
Go home, Son.
| 1
00:01:36,920 --> 00:01:38,370
(MICHAEL CLAPPING)
2
00:01:47,890 --> 00:01:48,970
Dad!
3
00:01:50,720 --> 00:01:52,180
Go home, Son.
| null | 6614.82 | 4163.87 | 113.41 |
billy_elliot | tt0249462 | JHCn0buGOjqX | 1
00:00:11,620 --> 00:00:12,860
Billy stares at the judges,
2
00:00:12,860 --> 00:00:14,710
rocking back and forth on his feet,
3
00:00:14,750 --> 00:00:16,950
a thin sheen of sweat across his brow.
4
00:00:19,790 --> 00:00:23,110
The man heading the audition watches Billy with a stern expression
5
00:00:23,110 -->... | 1
00:00:10,620 --> 00:00:13,380
Billy looks over to where the music's coming from,
2
00:00:13,590 --> 00:00:15,260
then turns back to the panel.
3
00:00:16,480 --> 00:00:19,820
They watch him blankly as he shifts from foot to foot,
4
00:00:19,860 --> 00:00:21,280
taking deep breaths.
5
00:00:25,460 --> 00:00:27,760... | 1
00:00:00,020 --> 00:00:03,610
Now, Billy,
we'd like to see you move to some music.
2
00:00:03,690 --> 00:00:05,860
Do you have a piece prepared?
3
00:01:31,030 --> 00:01:32,190
Thank you.
| 1
00:00:00,020 --> 00:00:03,600
Now, Billy,
we'd like to see you move to some music.
2
00:00:03,690 --> 00:00:05,860
Do you have a piece prepared?
3
00:00:05,940 --> 00:00:07,230
(BUTTON CLICKS)
4
00:00:07,690 --> 00:00:09,780
(CLASSICAL MUSIC PLAYING)
5
00:01:18,350 --> 00:01:19,850
(MUSIC STOPS)
6
00:01:31,030 -... | null | 6614.82 | 5033.79 | 96.39 |
billy_elliot | tt0249462 | LgA6sd3U_S93 | 1
00:00:03,150 --> 00:00:05,710
Jack and Billy and two chairs facing the panel.
2
00:00:05,710 --> 00:00:06,950
Prepare to leave.
3
00:00:17,910 --> 00:00:19,310
He stares away from her
4
00:00:19,310 --> 00:00:20,550
and licks his lips.
5
00:00:32,830 --> 00:00:34,190
Her eyes fix on him.
6
00:00:49,790 --> 00:00... | 1
00:00:05,950 --> 00:00:07,000
Jackie gets up
2
00:00:07,000 --> 00:00:08,290
and heads for the door.
3
00:00:19,750 --> 00:00:21,210
Billy thinks hard.
4
00:00:27,560 --> 00:00:29,490
The panel lowered their eyes.
5
00:01:33,820 --> 00:01:36,410
Billy heads out, looking forlorn.
6
00:01:48,080 --> 00:01:48,790
A... | 1
00:00:00,220 --> 00:00:03,140
we shall let you know in due course.
2
00:00:09,480 --> 00:00:11,070
Just one last question.
3
00:00:11,150 --> 00:00:12,900
Can I ask you, Billy,
4
00:00:13,240 --> 00:00:17,280
what does it feel like when you're dancing?
5
00:00:24,960 --> 00:00:26,330
Don't know.
6
00:00:30,920 -... | 1
00:00:00,220 --> 00:00:03,140
we shall let you know in due course.
2
00:00:09,480 --> 00:00:11,070
WOMAN: Just one last question.
3
00:00:11,150 --> 00:00:12,900
Can I ask you, Billy,
4
00:00:13,230 --> 00:00:17,280
what does it feel like when you're dancing?
5
00:00:24,950 --> 00:00:26,330
Don't know.
6
00:00:3... | null | 6614.82 | 5321.38 | 112.04 |
billy_elliot | tt0249462 | rcm4VILyISdd | 1
00:00:00,210 --> 00:00:01,450
Seeing the envelope.
2
00:00:05,450 --> 00:00:06,850
Billy bites his lip.
3
00:00:12,770 --> 00:00:14,370
He drops his bag and sits.
4
00:00:14,450 --> 00:00:15,850
He drums his fingers nervously
5
00:00:15,850 --> 00:00:17,850
and stares around the room at the family.
6
00:00:17,85... | 1
00:00:01,440 --> 00:00:03,570
while Tony hovers in the background.
2
00:00:07,000 --> 00:00:09,470
Billy stops dead when he sees the letter,
3
00:00:09,800 --> 00:00:11,310
then joins them at the table
4
00:00:11,310 --> 00:00:12,730
and drums his fingers.
5
00:00:16,490 --> 00:00:18,290
He glances at each of the... | 1
00:02:36,420 --> 00:02:37,840
I got in.
2
00:02:56,360 --> 00:02:59,770
He did it! He fucking did it!
| 1
00:00:58,190 --> 00:00:59,650
(SIGHS)
2
00:01:59,090 --> 00:02:00,800
(SIGHS)
3
00:02:30,120 --> 00:02:31,950
(DOOR SLIDES OPEN)
4
00:02:36,420 --> 00:02:37,830
I got in.
5
00:02:56,350 --> 00:02:59,770
He did it! He fucking did it!
| null | 6614.82 | 5523.87 | 180.23 |
billy_elliot | tt0249462 | GNDet4RJIhJo | 1
00:00:01,160 --> 00:00:02,840
Billy scans the neighbourhood.
2
00:00:02,840 --> 00:00:05,040
The little blonde girl leans on the wall.
3
00:00:10,960 --> 00:00:13,160
He runs, catching up to Tony and Jackie.
4
00:00:20,160 --> 00:00:21,400
Michael comes out of his house
5
00:00:21,400 --> 00:00:22,960
and hops up... | 1
00:00:01,480 --> 00:00:04,410
After a last look around, Billy follows them,
2
00:00:04,740 --> 00:00:07,670
passing the little girl who's always hanging about.
3
00:00:17,750 --> 00:00:19,500
Michael comes out of his house
4
00:00:19,500 --> 00:00:21,590
and climbs up onto his back wall.
5
00:00:33,590 --> 00:00:... | 1
00:00:00,090 --> 00:00:01,550
I'll take it.
2
00:00:08,260 --> 00:00:10,010
Good-bye, Billy.
3
00:00:10,100 --> 00:00:11,640
See you.
4
00:00:24,450 --> 00:00:26,910
Oi! Dancing boy!
5
00:00:28,530 --> 00:00:30,120
We'll miss the bus, Billy.
6
00:00:30,200 --> 00:00:33,000
Will you stop being an old fucking woma... | 1
00:00:00,090 --> 00:00:01,550
JACKIE: I'll take it.
2
00:00:08,260 --> 00:00:10,010
Good-bye, Billy.
3
00:00:10,100 --> 00:00:11,640
See you.
4
00:00:24,440 --> 00:00:26,900
Oi! Dancing boy!
5
00:00:28,530 --> 00:00:30,120
JACKIE: We'll miss the bus, Billy.
6
00:00:30,200 --> 00:00:32,990
Will you stop being an ... | null | 6614.82 | 5916.48 | 135.14 |
bloodshot_2020 | tt1634106 | pXkJyr9DqT6x | 1
00:00:03,650 --> 00:00:05,250
The burly soldier bangs on the door.
2
00:00:11,480 --> 00:00:12,320
In slow motion.
3
00:00:12,320 --> 00:00:13,560
Bullets ripped through the door.
4
00:00:22,760 --> 00:00:24,880
The burly man tosses a flashbang through a hole
5
00:00:24,880 --> 00:00:27,200
and it explodes betwee... | 1
00:00:11,940 --> 00:00:12,860
He bangs on the door,
2
00:00:12,900 --> 00:00:14,700
then stands against its concrete wall
3
00:00:14,700 --> 00:00:16,180
as bullets rip through the wood.
4
00:00:16,220 --> 00:00:17,940
He flicks the pin off a grenade.
5
00:00:23,180 --> 00:00:25,620
He tosses the flash grenade th... | 1
00:00:01,180 --> 00:00:03,350
Contact, building two,
ground floor.
2
00:00:21,330 --> 00:00:23,940
Bravo Six, hold on breach.
3
00:00:26,740 --> 00:00:29,610
Roger that. Breaching now.
4
00:00:33,180 --> 00:00:35,250
Delta, Echo, hustle.
Double time.
5
00:00:35,380 --> 00:00:37,720
Bravo's on location.
Goddamn it... | 1
00:00:01,180 --> 00:00:03,340
Contact, building two,
ground floor.
2
00:00:03,480 --> 00:00:05,250
[MAN SPEAKING FARSI
BEHIND DOOR]
3
00:00:06,480 --> 00:00:07,550
[MEN SHOUTING IN FARSI]
4
00:00:10,350 --> 00:00:11,750
[HIGH-POWERED GUNFIRE]
5
00:00:18,360 --> 00:00:21,200
[MEN CONTINUE SHOUTING
IN FARSI]
6
00:... | null | 6559.58 | 105.66 | 142.99 |
bloodshot_2020 | tt1634106 | RKcWkFqQItF0 | 1
00:00:04,010 --> 00:00:05,330
Briefly shimmying backward.
2
00:00:05,370 --> 00:00:06,530
He approaches the soldier.
3
00:00:17,370 --> 00:00:21,120
A bright work light shines on the bound, man on fire.
4
00:00:21,400 --> 00:00:24,480
As he continues to dance, the scruffy man puts his face up against the light
5
... | 1
00:00:02,380 --> 00:00:05,140
and is helped into a pale grey puffer coat by a guard.
2
00:00:05,300 --> 00:00:06,020
Spasmodically.
3
00:00:06,020 --> 00:00:08,100
Tapping his feet, he puts on a black beanie
4
00:00:08,100 --> 00:00:09,980
and dances towards the soldier.
5
00:00:17,900 --> 00:00:19,740
He shrugs ... | 1
00:00:34,850 --> 00:00:35,850
Never gets old.
2
00:00:37,150 --> 00:00:39,720
- Who are you?
- Who am I?
3
00:00:39,850 --> 00:00:42,420
I'm the bloke
that ruined your vacation.
4
00:00:45,330 --> 00:00:47,830
Name's Martin Axe.
5
00:00:47,960 --> 00:00:51,530
So that's one for you.
Now one for me.
6
00:00:51,66... | 1
00:00:10,190 --> 00:00:13,920
♪ I can't seem
To face up to the facts ♪
2
00:00:14,060 --> 00:00:17,860
♪ I'm tense and nervous
And I can't relax ♪
3
00:00:17,990 --> 00:00:22,030
♪ I can't sleep
'Cause my bed's on fire ♪
4
00:00:22,160 --> 00:00:26,140
♪ Don't touch me
I'm a real live wire ♪
5
00:00:26,270 --> 00... | null | 6559.58 | 562.72 | 221.31 |
bloodshot_2020 | tt1634106 | CPRVEy_VP0Al | 1
00:00:00,060 --> 00:00:01,260
as Katie dives in.
2
00:00:03,300 --> 00:00:04,650
He turns and watches her.
3
00:00:09,810 --> 00:00:12,090
Standing at the bottom of the pool with ankle weights on,
4
00:00:12,090 --> 00:00:13,890
she extends her arms out in front of her,
5
00:00:13,890 --> 00:00:15,490
then tucks ... | 1
00:00:00,100 --> 00:00:02,620
Blue pool light ripples across his face and torso
2
00:00:02,620 --> 00:00:05,300
as behind him, Katie dives into the pool.
3
00:00:07,660 --> 00:00:13,060
Ray notices her standing on the bottom of the pool with the louvres of her clavicle mounted respirator closed.
4
00:00:13,380 -->... | 1
00:01:16,000 --> 00:01:18,440
You're up late.
2
00:01:18,570 --> 00:01:20,380
Yeah, I couldn't sleep.
3
00:01:24,450 --> 00:01:26,110
You know,
if I was dead yesterday,
| 1
00:00:11,270 --> 00:00:13,200
[♪♪♪]
2
00:01:11,900 --> 00:01:13,000
[MECHANICAL WHIRRING]
3
00:01:13,130 --> 00:01:14,600
[PANTING]
4
00:01:16,000 --> 00:01:18,440
You're up late.
5
00:01:18,570 --> 00:01:20,370
Yeah, I couldn't sleep.
6
00:01:24,440 --> 00:01:26,110
You know,
if I was dead yesterday,
| null | 6559.58 | 1506.05 | 87.89 |
bloodshot_2020 | tt1634106 | 22_F2UoWtb_Y | 1
00:00:01,100 --> 00:00:02,900
Setting a thermite grenade on the hood.
2
00:00:02,940 --> 00:00:04,940
Ray fires at the bullet-proof windshield.
3
00:00:05,260 --> 00:00:06,580
Axe cowers in the back seat.
4
00:00:09,460 --> 00:00:11,220
The guard gets out of the SUV ahead of them
5
00:00:11,220 --> 00:00:12,340
a... | 1
00:00:03,290 --> 00:00:05,810
Ray slams a sparking canister on Axe bonnet
2
00:00:05,810 --> 00:00:07,890
and fires at his bullet-proof windscreen.
3
00:00:08,130 --> 00:00:09,930
A Merc gets out of the SUV in front
4
00:00:09,930 --> 00:00:10,890
and shoots Ray.
5
00:00:12,410 --> 00:00:16,090
Ray falls to the g... | 1
00:00:17,190 --> 00:00:19,000
He's down, boss.
2
00:00:27,800 --> 00:00:30,370
- Thermite. Engine's gone.
- This is not good.
3
00:00:30,510 --> 00:00:32,510
All teams, full sweep.
Eyes on everything.
4
00:00:32,640 --> 00:00:35,250
- See if there are more out there.
- We gotta get out of here.
5
00:00:35,380 -->... | 1
00:00:15,090 --> 00:00:17,060
[IGNITION SPUTTERS]
2
00:00:17,190 --> 00:00:18,990
MERC:
He's down, boss.
3
00:00:27,800 --> 00:00:30,370
- Thermite. Engine's gone.
- AXE: This is not good.
4
00:00:30,500 --> 00:00:32,500
All teams, full sweep.
Eyes on everything.
5
00:00:32,640 --> 00:00:35,280
- See if there are... | null | 6559.58 | 2125.92 | 158.57 |
bloodshot_2020 | tt1634106 | gRC5s4neosNB | 1
00:00:00,500 --> 00:00:02,260
and attacker throws a grenade at Ray,
2
00:00:02,260 --> 00:00:03,940
but he shields himself with the door.
3
00:00:12,220 --> 00:00:14,300
The guards opened fire on the delivery truck
4
00:00:15,020 --> 00:00:16,900
as they riddle the trailer with bullet holes.
5
00:00:16,940 --> 00... | 1
00:00:01,540 --> 00:00:03,180
Ray shields himself with the car door
2
00:00:03,180 --> 00:00:04,340
and is flung backwards.
3
00:00:08,540 --> 00:00:10,860
Fire a line of mercs.
4
00:00:10,860 --> 00:00:12,740
Fire rounds into the upturned trailer.
5
00:00:12,780 --> 00:00:16,020
Sparks fly in shafts of light fil... | 1
00:00:04,960 --> 00:00:08,260
- You see him?
- He's in the trailer.
2
00:00:08,390 --> 00:00:09,660
Fire!
3
00:00:19,270 --> 00:00:21,340
Cease fire!
4
00:01:50,700 --> 00:01:51,960
Bugger me.
5
00:01:53,470 --> 00:01:56,270
Shh, shh. Listen.
6
00:01:58,770 --> 00:02:01,840
- He can't get in, can he?
- Not a cha... | 1
00:00:04,950 --> 00:00:08,260
- MERC 1: You see him?
- MERC 2: He's in the trailer.
2
00:00:08,390 --> 00:00:09,660
Fire!
3
00:00:19,270 --> 00:00:21,340
Cease fire!
4
00:00:21,470 --> 00:00:23,370
[♪♪♪]
5
00:01:16,820 --> 00:01:18,590
[GUNFIRE]
6
00:01:49,690 --> 00:01:50,560
[GASPS]
7
00:01:50,690 --> 00:01:5... | null | 6559.58 | 2284.74 | 206.05 |
bloodshot_2020 | tt1634106 | jvXLLcCRzU_w | 1
00:00:03,450 --> 00:00:05,650
It rams the vintage convertible through a wall
2
00:00:05,650 --> 00:00:06,850
and Ray tumbles out.
3
00:00:06,890 --> 00:00:08,570
Dalton shoots him with a glowing dart
4
00:00:08,570 --> 00:00:10,490
and a blue light spreads within his arm.
5
00:00:15,810 --> 00:00:17,290
Ray pulls... | 1
00:00:04,320 --> 00:00:05,560
Dalton rams into him
2
00:00:05,560 --> 00:00:06,960
and drives him through a wall.
3
00:00:07,160 --> 00:00:08,880
Ray tumbles out of the Porsche.
4
00:00:16,640 --> 00:00:19,720
Dalton blasts a circular metallic disc into Ray's shoulder.
5
00:00:19,720 --> 00:00:22,720
It lights up... | 1
00:00:13,450 --> 00:00:15,820
How's that shit
feel, old man, huh?
2
00:00:36,200 --> 00:00:37,840
Tibbs! Get a tracker on him!
3
00:00:37,970 --> 00:00:39,010
Coming up.
4
00:00:51,290 --> 00:00:52,620
Eyes are in the sky.
5
00:01:01,700 --> 00:01:03,230
There he is.
6
00:01:04,900 --> 00:01:05,900
On my way.
7... | 1
00:00:01,870 --> 00:00:03,870
[♪♪♪]
2
00:00:11,710 --> 00:00:13,310
[ELECTRICAL PULSING]
3
00:00:13,440 --> 00:00:15,810
DALTON: How's that shit
feel, old man, huh?
4
00:00:23,290 --> 00:00:24,920
- [NANITES WHIRRING]
- [GRUNTS]
5
00:00:29,230 --> 00:00:30,560
[YELLS]
6
00:00:34,130 --> 00:00:36,070
[GRUNTS]
7
... | null | 6559.58 | 4365.57 | 222.61 |
bloodshot_2020 | tt1634106 | _HHygEEhVJJ7 | 1
00:00:00,430 --> 00:00:01,430
Soho, London.
2
00:00:19,190 --> 00:00:22,150
Two bodyguards exit a building with Wigans trailing behind them.
3
00:00:24,510 --> 00:00:28,550
Nearby, Katie leans against a support beam with a cigarette tucked behind her ear.
4
00:00:29,870 --> 00:00:31,190
She smiles as they pass
5
... | 1
00:00:19,500 --> 00:00:22,980
As Katie strolls down some stairs, two black SUVs pull up
2
00:00:23,020 --> 00:00:24,500
Wigans escorts appear,
3
00:00:24,540 --> 00:00:25,220
check the way,
4
00:00:25,220 --> 00:00:26,580
then lead Wigans out,
5
00:00:26,860 --> 00:00:28,020
leaning against a pillar.
6
00:00:28,... | 1
00:00:01,640 --> 00:00:04,410
Wigans has
been holed up at the Monteverde.
2
00:00:04,550 --> 00:00:07,880
He's ordered $812
of room service
3
00:00:08,020 --> 00:00:11,050
and has watched 17 hours
of something called Ladies...
4
00:00:11,190 --> 00:00:13,460
- Not helpful, Eric.
- Sorry, yeah. Okay.
5
00:00:13,59... | 1
00:00:01,640 --> 00:00:04,410
ERIC [OVER RADIO]: Wigans has
been holed up at the Monteverde.
2
00:00:04,540 --> 00:00:07,880
He's ordered $812
of room service
3
00:00:08,010 --> 00:00:11,050
and has watched 17 hours
of something called Ladies...
4
00:00:11,180 --> 00:00:13,450
- KT: Not helpful, Eric.
- Sorry, yea... | null | 6559.58 | 4656.38 | 98.43 |
bloodshot_2020 | tt1634106 | Azv0ROto23Hx | 1
00:00:24,150 --> 00:00:25,230
Entering the control room.
2
00:00:25,270 --> 00:00:28,270
CT activates smoke grenades and a panicked text flee.
3
00:00:28,910 --> 00:00:30,110
She approaches a server room
4
00:00:30,110 --> 00:00:32,030
as the red smoke billows out behind her.
5
00:00:36,150 --> 00:00:37,310
She d... | 1
00:00:25,170 --> 00:00:26,570
Wigans pace is his van
2
00:00:26,570 --> 00:00:28,450
with a small basketball in his hands.
3
00:00:28,490 --> 00:00:31,050
Katie strides into the control room full of techs
4
00:00:31,050 --> 00:00:33,730
and rips the pins from two red CS canisters.
5
00:00:33,930 --> 00:00:37,610
... | 1
00:00:02,790 --> 00:00:04,660
Okay, there you are.
2
00:00:06,430 --> 00:00:08,030
Which means it's time for me
3
00:00:08,160 --> 00:00:10,600
to walk you through
a low-level data erase.
4
00:00:10,730 --> 00:00:14,100
Now, obviously, I've got about
1000 years of coding experience.
5
00:00:14,240 --> 00:00:16,84... | 1
00:00:02,790 --> 00:00:04,660
Okay, there you are.
2
00:00:06,420 --> 00:00:08,030
Which means it's time for me
3
00:00:08,160 --> 00:00:10,600
to walk you through
a low-level data erase.
4
00:00:10,730 --> 00:00:14,100
Now, obviously, I've got about
1000 years of coding experience.
5
00:00:14,230 --> 00:00:16,84... | null | 6559.58 | 5371.52 | 95.71 |
bloodshot_2020 | tt1634106 | XXajp1_3auZC | 1
00:00:01,100 --> 00:00:02,340
Ray grabs one of the arms,
2
00:00:02,340 --> 00:00:03,660
shoving his attacker away.
3
00:00:04,100 --> 00:00:05,340
The arms launch toward Ray,
4
00:00:05,340 --> 00:00:08,500
but he grabs them before the cattle gun bolt can impact with his head.
5
00:00:09,010 --> 00:00:10,290
Dal... | 1
00:00:00,570 --> 00:00:02,250
He presses a finger to his nostril,
2
00:00:02,290 --> 00:00:03,130
snorts phlegm,
3
00:00:03,130 --> 00:00:05,610
then swiftly jabs at Ray with his metal fists.
4
00:00:05,850 --> 00:00:06,850
Ray throws him off,
5
00:00:06,850 --> 00:00:08,490
then grips his metal arms.
6
00:00:08... | 1
00:00:37,870 --> 00:00:40,040
Right behind you. Dropping in!
2
00:01:06,740 --> 00:01:08,740
On my way. Keep him busy!
3
00:01:15,510 --> 00:01:16,750
Let it go, Tibbs.
4
00:01:16,880 --> 00:01:19,080
I'll be on you in three, two...
5
00:01:19,220 --> 00:01:20,780
Get clear!
6
00:01:28,790 --> 00:01:30,860
Let's... | 1
00:00:04,500 --> 00:00:06,170
[YELLS, GRUNTS]
2
00:00:07,640 --> 00:00:08,840
[YELLS]
3
00:00:12,780 --> 00:00:14,050
[GRUNTING]
4
00:00:21,320 --> 00:00:22,720
[DALTON YELLS]
5
00:00:25,460 --> 00:00:27,360
[♪♪♪]
6
00:00:30,900 --> 00:00:32,060
[PANTING]
7
00:00:37,870 --> 00:00:40,040
TIBBS:
Right behind you.... | null | 6559.58 | 5505.44 | 214.48 |
bloodshot_2020 | tt1634106 | ex3iFVYaL4M3 | 1
00:00:00,310 --> 00:00:01,910
Harding climbs out of his vehicle.
2
00:00:06,070 --> 00:00:09,150
The glow emanating from Ray's chest cuts through a cloud of dust.
3
00:00:14,990 --> 00:00:18,310
His eyes red and his skin a ghostly white ray steps forward.
4
00:00:19,630 --> 00:00:22,150
Harding breaks out his back... | 1
00:00:15,410 --> 00:00:19,490
Ray's pulsing, glowing heart appears through the clouds of rubble, dust filling the air.
2
00:00:19,890 --> 00:00:22,610
Glaring with burning hatred, he walks towards Harting.
3
00:00:22,970 --> 00:00:24,930
Harting clears the shattered rear window
4
00:00:24,930 --> 00:00:27,130
and ... | 1
00:00:02,110 --> 00:00:04,310
You just don't get it, do you?
2
00:00:04,450 --> 00:00:05,950
I can rebuild all of this.
3
00:00:09,080 --> 00:00:11,650
And I am the only one
who can rebuild you.
4
00:00:12,920 --> 00:00:15,320
You cannot survive without me.
5
00:00:38,350 --> 00:00:39,780
Okay, fine.
6
00:00:48,... | 1
00:00:02,110 --> 00:00:04,310
You just don't get it, do you?
2
00:00:04,440 --> 00:00:05,940
I can rebuild all of this.
3
00:00:07,280 --> 00:00:08,950
[♪♪♪]
4
00:00:09,080 --> 00:00:11,650
And I am the only one
who can rebuild you.
5
00:00:12,920 --> 00:00:15,320
You cannot survive without me.
6
00:00:38,340 --... | null | 6559.58 | 5762.59 | 148.49 |
bowfinger | tt0131325 | rCYGPpQoDNwg | 1
00:01:03,920 --> 00:01:05,600
The phone cord is clearly visible.
2
00:01:39,100 --> 00:01:40,700
Passes it to the suited Executive
3
00:01:40,700 --> 00:01:42,700
Jerry starts nice.
4
00:02:07,700 --> 00:02:09,820
Jerry's mouth drops open to the other exec.
5
00:02:16,460 --> 00:02:20,140
Bowfinger pushes his bus... | 1
00:01:04,050 --> 00:01:05,430
The phones, cords dangling.
2
00:01:39,430 --> 00:01:41,020
Handsome Jerry takes a look.
3
00:01:46,950 --> 00:01:48,120
He flicks to the end.
4
00:02:08,090 --> 00:02:08,880
Bowfinger stands
5
00:02:08,960 --> 00:02:10,380
and puts a hand on her shoulder.
6
00:02:13,980 --> 00:02:1... | 1
00:00:00,160 --> 00:00:02,070
Hey, Tony, how are you?
2
00:00:02,160 --> 00:00:04,800
Uh-huh. No. Send the deal back.
3
00:00:04,900 --> 00:00:06,850
Uh-huh. Net, net?
4
00:00:06,940 --> 00:00:09,250
If I'm gonna put $85 million
into an avalanche movie,
5
00:00:09,340 --> 00:00:10,720
I gotta know where the snow ... | 1
00:00:00,310 --> 00:00:01,980
Tony, how are you?
2
00:00:02,950 --> 00:00:04,980
Say the deal back to me.
3
00:00:05,620 --> 00:00:07,080
Net net?
4
00:00:07,120 --> 00:00:09,890
If I'm putting $85 million
into an avalanche movie
5
00:00:09,920 --> 00:00:11,960
I want to know
where the snow is,
6
00:00:11,990 --... | null | 5811.49 | 604.96 | 141.92 |
bowfinger | tt0131325 | G7dLZ4RfMvkH | 1
00:01:18,070 --> 00:01:20,390
Kit's eyes goggle as he points at the computer screen,
2
00:01:20,390 --> 00:01:21,750
then puts his hands on his hips.
3
00:01:21,750 --> 00:01:26,030
His Assistant, Freddy and friends stare at the Agent Kit Steve.
| 1
00:01:04,030 --> 00:01:05,450
He taps away at the computer.
2
00:01:18,560 --> 00:01:18,850
Black.
3
00:01:18,850 --> 00:01:21,780
Handsome kid stares wide eyed at his middle aged white Agent.
4
00:01:21,820 --> 00:01:22,110
Hal.
5
00:01:22,150 --> 00:01:25,410
Hal glances awkwardly at Kit's friend's kid.
| 1
00:00:00,030 --> 00:00:03,030
Damn it, Hal! I'm the biggest black
action star in the world!
2
00:00:03,130 --> 00:00:05,800
- Where's my "Hasta la vista, baby"?
- What are you talking about?
3
00:00:05,900 --> 00:00:06,900
My "Hasta la vista."
4
00:00:06,970 --> 00:00:09,640
If Arnold Schwarnzencracker is
gettin' ... | 1
00:00:00,230 --> 00:00:03,130
KIT: I'm the biggest black
action star in the world!
2
00:00:03,170 --> 00:00:04,700
Where's my
"Hasta la vista, baby"?
3
00:00:04,740 --> 00:00:05,800
What?
4
00:00:05,840 --> 00:00:07,170
My "Hasta la vista."
5
00:00:07,210 --> 00:00:09,880
If Arnold Schwarzen cracker
gets lines li... | null | 5811.49 | 754.14 | 136.81 |
bowfinger | tt0131325 | _QKG2enes5eP | 1
00:00:13,920 --> 00:00:17,640
One of the migrant crew members walks over and stands on the sidewalk next to the restaurant,
2
00:00:17,640 --> 00:00:20,440
holding a tin foil sign which reads Will work for food.
3
00:00:50,400 --> 00:00:51,400
A wig cap on her head.
4
00:00:51,400 --> 00:00:53,840
She touches her ... | 1
00:00:08,750 --> 00:00:13,680
One of the Mexicans goes and stands near Kit's outdoor table with a sign saying Will work for food.
2
00:00:13,720 --> 00:00:15,140
Bowfinger climbs out of the van
3
00:00:15,140 --> 00:00:16,310
and runs over to a bank
4
00:00:16,350 --> 00:00:20,910
outside, which Carol is having he... | 1
00:00:00,970 --> 00:00:03,510
Can you see over there?
2
00:00:03,610 --> 00:00:06,390
- What do you see? Do you see Kit?
- Yeah.
3
00:00:06,480 --> 00:00:09,190
Am I trying for you or not trying?
4
00:00:09,280 --> 00:00:13,090
You're trying, but I want
at least the same...
5
00:00:13,190 --> 00:00:15,710
I know ... | 1
00:00:02,700 --> 00:00:04,700
BOWFINGER:
Can you see over there?
2
00:00:04,740 --> 00:00:06,070
Can you see Kit?
3
00:00:07,740 --> 00:00:09,110
AGENT: Am I trying for you?
4
00:00:09,140 --> 00:00:13,840
KIT: You're trying,
but I know I ain't gonna
5
00:00:13,880 --> 00:00:16,080
be treated like Mighty Whitey.
... | null | 5811.49 | 1962.27 | 179.98 |
bowfinger | tt0131325 | UDeQtXNEOGUg | 1
00:00:03,460 --> 00:00:05,380
Her head being cast in plaster.
2
00:00:05,380 --> 00:00:08,460
Carol sits forward at MindHead Kit.
3
00:00:08,500 --> 00:00:12,100
Ramsey walks out of an elevator and through a door marked garage.
4
00:00:12,540 --> 00:00:13,980
He pulls out a set of keys
5
00:00:14,020 --> 00:00:16... | 1
00:00:01,000 --> 00:00:03,840
The double garage doors in the basement of the building are open.
2
00:00:03,840 --> 00:00:06,640
As Kit steps out of the lift, dressed all in black,
3
00:00:06,640 --> 00:00:08,310
he takes his keys out of his pocket
4
00:00:08,310 --> 00:00:10,230
and saunters over towards his car.
... | 1
00:01:52,620 --> 00:01:55,190
Keep it together. Keep it together.
2
00:01:56,430 --> 00:01:58,340
Keep it together.
3
00:02:03,170 --> 00:02:06,010
Oh, sh...
4
00:02:18,220 --> 00:02:20,130
And... cut!
5
00:02:20,220 --> 00:02:23,390
- Did you get that?
- Nice.
6
00:02:23,490 --> 00:02:26,230
- What'd you see? F... | 1
00:00:23,070 --> 00:00:24,870
(FOOTSTEPS APPROACHING)
2
00:00:33,850 --> 00:00:34,850
(FOOTSTEPS STOP)
3
00:00:45,360 --> 00:00:46,960
(FOOTSTEPS APPROACHING)
4
00:00:52,400 --> 00:00:53,470
(FOOTSTEPS STOP)
5
00:01:24,860 --> 00:01:26,000
(SCREAMS)
6
00:01:52,650 --> 00:01:54,520
Keep it together.
7
00:01:54,5... | null | 5811.49 | 2364.90 | 157.97 |
bowfinger | tt0131325 | LwvohLyl7YOt | 1
00:00:00,800 --> 00:00:06,280
His moustache trimmed down, Jiff emerges from the van parked on the side of the freeway in a white shirt and black pants.
2
00:01:14,090 --> 00:01:18,090
Now stood his back, pressed against a concrete wall on the other side of the freeway.
3
00:01:18,370 --> 00:01:20,490
Cars and truck... | 1
00:00:02,120 --> 00:00:03,210
Bit of a busy highway.
2
00:00:03,210 --> 00:00:05,460
The battered van is parked and the crew are gathered.
3
00:00:05,460 --> 00:00:06,920
Bowfinger appears with Jiff.
4
00:00:37,040 --> 00:00:38,250
The other side of the highway.
5
00:01:10,710 --> 00:01:12,500
Jiff glances at the... | 1
00:00:06,800 --> 00:00:09,610
- How do you feel?
- I feel kinda strange.
2
00:00:09,700 --> 00:00:12,080
- You look good. You look tough.
- I do?
3
00:00:12,170 --> 00:00:14,280
Yeah, like an action star.
Look like an action star.
4
00:00:14,370 --> 00:00:18,320
Yeah, shoulders out.
Take a good, deep breath.
5
00... | 1
00:00:06,730 --> 00:00:08,330
How do you feel?
2
00:00:08,360 --> 00:00:09,570
Kind of strange.
3
00:00:09,600 --> 00:00:10,730
You look good.
4
00:00:10,770 --> 00:00:12,400
Tough.
I do?
5
00:00:12,440 --> 00:00:14,300
Yeah, like
an action star.
6
00:00:15,800 --> 00:00:17,410
Shoulders out.
7
00:00:17,440 -->... | null | 5811.49 | 2963.68 | 188.73 |
bowfinger | tt0131325 | 8XGNNfEPP22a | 1
00:01:44,390 --> 00:01:46,070
As she pulls her white tank top off.
2
00:01:46,110 --> 00:01:47,270
Jiff looks down at her breasts,
3
00:01:47,270 --> 00:01:48,470
then turns to the camera.
| 1
00:00:04,830 --> 00:00:07,960
Back at Bowfinger's, the cameras and lights are set up in the living room.
2
00:00:18,110 --> 00:00:19,580
Bowfinger stands before the fire.
3
00:00:19,580 --> 00:00:21,290
It ignites, roaring towards him.
4
00:00:25,760 --> 00:00:26,010
You?
5
00:00:26,180 --> 00:00:27,850
Bowfinger... | 1
00:00:08,350 --> 00:00:09,910
All right, people, are we almost ready?
2
00:00:09,950 --> 00:00:10,950
Yes.
3
00:00:11,020 --> 00:00:13,400
Now what are you seeing?
Are you seeing the fireplace?
4
00:00:13,490 --> 00:00:15,870
We should light the fireplace.
5
00:00:15,960 --> 00:00:19,030
This is a good mark?
6
0... | 1
00:00:08,950 --> 00:00:10,990
Are we almost
ready, people?
2
00:00:11,020 --> 00:00:12,920
Dave, do you
see the fireplace?
3
00:00:12,960 --> 00:00:14,190
Uh-huh.
4
00:00:14,230 --> 00:00:15,890
Then we should
light the fireplace.
5
00:00:15,930 --> 00:00:18,300
Is this a good mark?
6
00:00:20,500 --> 00:00:21,7... | null | 5811.49 | 3427.42 | 122.56 |
bowfinger | tt0131325 | BAksKJYrvJpr | 1
00:00:02,380 --> 00:00:04,060
Following Kit's black Mercedes
2
00:00:04,100 --> 00:00:05,660
Slater parks behind him.
3
00:00:05,660 --> 00:00:07,180
Kit and Freddy get out of the car
4
00:00:07,180 --> 00:00:09,060
and walk along a paved path.
5
00:00:29,620 --> 00:00:32,380
Dressed in a tinfoil outfit, Armin gr... | 1
00:00:02,530 --> 00:00:05,780
they film as Kit's Murch pulls up outside Max's Clothing Store
2
00:00:05,780 --> 00:00:07,500
and Kit and Freddy get out.
3
00:00:07,710 --> 00:00:10,040
Slater parks behind them in Jerry's car.
4
00:00:28,170 --> 00:00:30,680
Someone dressed as an alien pulls Freddy into the bushes.... | 1
00:00:00,210 --> 00:00:02,450
And... action!
2
00:00:14,120 --> 00:00:18,200
Man, Freddy, that time away
really helped calm my ass, you know?
3
00:00:18,300 --> 00:00:20,430
Thought I was startin'
to crack up there for a while.
4
00:00:20,530 --> 00:00:23,270
You ever think, there are no conspiracies?
5
00:00:23,... | 1
00:00:00,190 --> 00:00:02,460
And action.
2
00:00:14,840 --> 00:00:17,610
That time away really
helped calm my ass.
3
00:00:17,640 --> 00:00:20,580
I thought I was cracking up.
4
00:00:20,610 --> 00:00:23,280
You ever think there
are no conspiracies?
5
00:00:23,310 --> 00:00:24,580
Maybe there are no aliens?
6
0... | null | 5811.49 | 3731.33 | 180.07 |
bowfinger | tt0131325 | Cpfeop_l7ANK | 1
00:00:41,210 --> 00:00:45,970
Pink goo starts oozing out from Armin's cheeks and out from under his police cap.
2
00:00:53,850 --> 00:00:56,250
The actual officer smiles over at Armin's performance
3
00:00:56,250 --> 00:00:58,380
before turning back and scowling at Kit.
4
00:01:04,380 --> 00:01:06,260
As Armin's l... | 1
00:00:03,290 --> 00:00:03,630
The Cop
2
00:00:03,630 --> 00:00:04,130
from outside.
3
00:00:04,130 --> 00:00:04,920
The club gets out,
4
00:00:04,920 --> 00:00:05,710
pulling his gun.
5
00:00:09,180 --> 00:00:10,020
Kit Ramsey Man
6
00:00:10,060 --> 00:00:12,190
Afrim in police uniform exits the cop car.
7
00:0... | 1
00:00:01,240 --> 00:00:03,380
It's going down!
2
00:00:03,480 --> 00:00:05,460
Right now it's going down.
I'm so glad y'all here.
3
00:00:05,540 --> 00:00:06,540
Okay!
4
00:00:06,640 --> 00:00:09,320
- I'm Kit Ramsey!
- Whatcha doin'? That's Kit Ramsey.
5
00:00:09,410 --> 00:00:12,090
You know who I am, right?
6... | 1
00:00:01,540 --> 00:00:02,640
It's going down!
2
00:00:02,670 --> 00:00:05,170
It's going down now!
3
00:00:05,210 --> 00:00:06,510
Okay!
4
00:00:06,540 --> 00:00:07,940
Hey, I'm Kit Ramsey!
5
00:00:07,980 --> 00:00:09,750
That's Kit Ramsey!
6
00:00:09,780 --> 00:00:12,080
You know who I am, right?
7
00:00:12,1... | null | 5811.49 | 4475.74 | 100.50 |
bowfinger | tt0131325 | lNSPs_mFXX0F | 1
00:00:25,720 --> 00:00:27,760
Forcing Carol behind a wall and onto her back.
2
00:00:27,760 --> 00:00:29,360
Only her feet visible to Kit.
3
00:00:29,400 --> 00:00:32,120
Daisy pulls out a fake head of Carol screaming out of the box.
4
00:00:32,140 --> 00:00:32,660
Stepping out.
5
00:00:32,660 --> 00:00:33,500
Sh... | 1
00:00:09,170 --> 00:00:10,720
Carol's on the roof with the knife.
2
00:00:16,980 --> 00:00:18,030
She lunges at Kit.
3
00:00:18,030 --> 00:00:19,070
Daisy steps in.
4
00:00:19,070 --> 00:00:20,120
The two women tussle,
5
00:00:20,120 --> 00:00:21,700
disappearing round a corner.
6
00:00:24,710 --> 00:00:27,390
K... | 1
00:00:00,350 --> 00:00:02,760
Cut to the stairwell.
2
00:00:02,850 --> 00:00:06,820
Then I realized it was you
that I loved and...
3
00:00:06,920 --> 00:00:08,730
Okay, the roof is your next shot.
4
00:00:10,090 --> 00:00:12,600
Bastard! Bastard!
5
00:00:12,690 --> 00:00:15,500
- No, no, I'm Keith!
- Bastard!
6
... | 1
00:00:00,070 --> 00:00:02,140
Cut to the stairwell.
2
00:00:02,170 --> 00:00:05,370
DAISY: It was you I loved.
3
00:00:05,400 --> 00:00:07,370
And I thought about you
and your plutonium.
4
00:00:07,410 --> 00:00:08,410
Next shot on the roof.
5
00:00:10,280 --> 00:00:12,410
Bastard!
Bastard!
6
00:00:12,450 --> 00... | null | 5811.49 | 4674.43 | 177.77 |
bowfinger | tt0131325 | hv7pE4gUu_ft | 1
00:00:07,050 --> 00:00:10,930
The name Kit Ramsey appears on screen over a shot of Kit playing tennis.
2
00:00:11,250 --> 00:00:14,630
A raindrop with an image of his face drops down the middle of the screen.
3
00:00:14,630 --> 00:00:17,950
The title Chubby Rain splashes up from a ripple of water.
4
00:00:33,430 -... | 1
00:00:00,550 --> 00:00:02,550
Their view of the screen is terrible.
2
00:00:11,780 --> 00:00:15,420
On screen Kit playing tennis in big letters above the action shot.
3
00:00:15,420 --> 00:00:16,420
Kit Ramsey
4
00:00:16,670 --> 00:00:18,760
a chubby raindrop falls into a pool.
5
00:00:18,760 --> 00:00:21,180
The... | 1
00:00:03,740 --> 00:00:07,080
Not bad seats. Not bad seats at all!
2
00:00:25,930 --> 00:00:29,100
C.I.A. operative, Todd Delmonico,
3
00:00:29,200 --> 00:00:32,140
drove his '53 Buick to meet Keith Kincaid.
4
00:00:33,970 --> 00:00:36,810
Kincaid!
5
00:00:36,910 --> 00:00:42,620
It had rained. But was it normal ... | 1
00:00:03,560 --> 00:00:04,860
Not bad seats.
2
00:00:04,890 --> 00:00:06,730
Not bad seats at all.
3
00:00:08,730 --> 00:00:10,500
(AUDIENCE CHEERING)
4
00:00:26,050 --> 00:00:28,910
BOWFINGER:
CIA operative Todd Delmonico
5
00:00:28,950 --> 00:00:32,850
drove his '53 Buick
to meet Keith Kincaid.
6
00:00:34,020 ... | null | 5811.49 | 5158.50 | 111.83 |
bullet_train_2022 | tt12593682 | OYvzdFc4f0dT | 1
00:00:33,110 --> 00:00:34,950
Don't worry about how many people they killed.
2
00:00:34,990 --> 00:00:37,790
Featuring Engelbert Humperdinck in a flashback.
3
00:00:37,830 --> 00:00:39,270
Lemon shoots a gunman.
4
00:00:39,870 --> 00:00:41,430
He takes out two more men.
5
00:00:44,030 --> 00:00:46,030
Tangerine r... | 1
00:00:34,160 --> 00:00:35,160
How many people they killed
2
00:00:35,160 --> 00:00:36,840
featuring Engelbert Humperdinck.
3
00:00:37,080 --> 00:00:38,480
A body topples off a tower.
4
00:00:39,920 --> 00:00:41,320
Another falls from a gantry.
5
00:00:41,360 --> 00:00:42,480
Another downstairs.
6
00:00:43,800 --... | 1
00:00:01,570 --> 00:00:04,170
hired us to get you out of the trouble
you got yourself into, naughty boy.
2
00:00:04,190 --> 00:00:06,820
- Why are you tangerine, though?
- Oh, it's sophisticated, mate.
3
00:00:06,900 --> 00:00:09,450
Oh, fuckin' hell.
It's not important, is it?
4
00:00:09,530 --> 00:00:11,950
What... | 1
00:00:00,720 --> 00:00:02,630
Your daddy hired us
to get you out of the trouble
2
00:00:02,650 --> 00:00:04,200
you got yourself into,
didn't you, naughty boy?
3
00:00:04,220 --> 00:00:05,830
Why are you... wh-why are you
t-tangerine, though?
4
00:00:05,860 --> 00:00:06,970
Oh, it's sophisticated, mate.
5
00:00:0... | null | 7589.89 | 756.64 | 140.69 |
bullet_train_2022 | tt12593682 | Vi7mmYdSLu81 | 1
00:00:04,220 --> 00:00:05,180
In a flashback.
2
00:00:28,950 --> 00:00:30,710
Minegishi watches the man fight.
3
00:01:07,670 --> 00:01:11,710
The white death walks past masked associates, killing Minegishi men.
4
00:01:11,950 --> 00:01:14,560
Minegishi his mansion burns around them.
5
00:01:21,000 --> 00:01:25,3... | 1
00:00:38,580 --> 00:00:40,540
A tattooed man fights Minegishi his men.
2
00:01:07,900 --> 00:01:08,740
In a devil mask.
3
00:01:08,780 --> 00:01:10,980
The white death strides through a burning courtyard
4
00:01:10,980 --> 00:01:13,570
where his gang kill Minegishi men with swords.
5
00:01:21,730 --> 00:01:23,530... | 1
00:00:00,190 --> 00:00:04,200
The Japanese underworld
used to be ruled by a man named minegishi.
2
00:00:05,700 --> 00:00:09,240
Now, minegishi was one brutal bastard.
3
00:00:09,830 --> 00:00:11,200
But he was old-school, you know?
4
00:00:11,290 --> 00:00:13,330
Tradition and loyalty
was all that mattered to him... | 1
00:00:00,110 --> 00:00:01,510
The Japanese underworld
2
00:00:01,640 --> 00:00:04,180
used to be ruled
by a man named minegishi.
3
00:00:04,310 --> 00:00:05,640
(man singing in Japanese)
4
00:00:05,780 --> 00:00:09,280
Now, minegishi
was one brutal bastard.
5
00:00:09,420 --> 00:00:11,120
But he was old-school, y... | null | 7589.89 | 1153.82 | 124.48 |
bullet_train_2022 | tt12593682 | nDlw_Bplb9Lo | 1
00:00:00,670 --> 00:00:07,390
26 years earlier, on the front porch of their home, a woman hangs a wolf's head pendant around a curly haired boy's neck.
2
00:00:07,550 --> 00:00:09,310
I want you to be strong, son.
3
00:00:09,390 --> 00:00:10,430
Do you understand?
4
00:00:12,390 --> 00:00:13,070
Be strong.
5
00:0... | 1
00:00:00,380 --> 00:00:06,260
26 years earlier, a curly haired kid kicks a football outside an isolated house in the desert.
2
00:00:06,500 --> 00:00:09,140
A hand picks a golden Wolf pendant out of a box.
3
00:00:09,380 --> 00:00:10,780
I want you to be strong, son.
4
00:00:10,820 --> 00:00:11,780
Do you understa... | 1
00:00:07,400 --> 00:00:10,950
I want you to be strong, son.
Do you understand?
2
00:00:11,780 --> 00:00:13,240
Be strong.
3
00:02:11,360 --> 00:02:12,360
My heart.
4
00:02:49,730 --> 00:02:51,110
No!
| 1
00:00:03,360 --> 00:00:05,430
(clucking)
2
00:00:05,560 --> 00:00:07,400
♫ ♫
3
00:00:07,490 --> 00:00:09,790
I want you to be strong, son.
Do you understand?
4
00:00:10,800 --> 00:00:11,800
Sí.
5
00:00:11,830 --> 00:00:13,290
Be strong.
6
00:00:13,370 --> 00:00:15,310
(song continues in Spanish)
7
00:00:30,390 ... | null | 7589.89 | 1464.22 | 182.60 |
bullet_train_2022 | tt12593682 | OkHlGq3fPVXI | 1
00:00:05,230 --> 00:00:06,990
He steps to the edge of the platform
2
00:00:06,990 --> 00:00:08,830
and waits behind the yellow line.
3
00:00:14,110 --> 00:00:16,390
As the bullet train pulls into the station,
4
00:00:16,390 --> 00:00:17,790
he removes his sunglasses
5
00:00:17,790 --> 00:00:19,230
and unsheathes ... | 1
00:00:00,910 --> 00:00:02,310
A sign says Shinagawa.
2
00:00:02,750 --> 00:00:05,830
Peering over the aviator shades, which he pushes up his nose,
3
00:00:06,110 --> 00:00:09,070
he walks in slow mo to the edge of the platform.
4
00:00:15,790 --> 00:00:17,430
He stares at the train as it pulls in
5
00:00:17,430 -... | 1
00:00:43,460 --> 00:00:45,920
You lucky son of a bitch.
2
00:00:46,010 --> 00:00:47,260
You stabbed me?!
3
00:00:49,340 --> 00:00:52,220
- You ruined my life.
- I don't even know you!
4
00:00:57,430 --> 00:00:59,140
I come here for revenge.
5
00:00:59,890 --> 00:01:03,150
The assassin who killed El saguaro
killed... | 1
00:00:03,160 --> 00:00:05,260
(song continues in Spanish)
2
00:00:16,040 --> 00:00:17,940
♫ ♫
3
00:00:28,180 --> 00:00:30,520
♫ ♫
4
00:00:32,420 --> 00:00:34,620
(grunting)
(music stops)
5
00:00:39,590 --> 00:00:40,930
(breathing heavily)
6
00:00:43,510 --> 00:00:46,020
You lucky son of a bitch.
7
00:00:46,370 ... | null | 7589.89 | 1662.40 | 146.15 |
bullet_train_2022 | tt12593682 | VeqNpFO0BoVO | 1
00:00:01,180 --> 00:00:01,980
and stands.
2
00:00:02,180 --> 00:00:03,740
He stabbed Ladybug's phone.
3
00:00:04,380 --> 00:00:05,660
You lucky son of a bitch!
4
00:00:07,580 --> 00:00:09,900
Ladybug blocks the knife with the briefcase.
5
00:00:12,540 --> 00:00:14,180
He continues blocking the knife,
6
00:00:14,... | 1
00:00:00,430 --> 00:00:01,830
Wolf withdraws the blade.
2
00:00:01,830 --> 00:00:03,270
It's stuck in a smartphone.
3
00:00:03,470 --> 00:00:04,950
You lucky son of a bitch!
4
00:00:07,870 --> 00:00:08,790
Wolf lunges.
5
00:00:12,510 --> 00:00:13,430
Wolf attacks again.
6
00:00:13,430 --> 00:00:16,310
Ladybug pa... | 1
00:00:03,850 --> 00:00:06,310
You lucky son of a bitch.
2
00:00:06,390 --> 00:00:07,640
You stabbed me?!
3
00:00:09,730 --> 00:00:12,600
- You ruined my life.
- I don't even know you!
4
00:00:17,820 --> 00:00:19,530
I come here for revenge.
5
00:00:20,280 --> 00:00:23,530
The assassin who killed El saguaro
killed... | 1
00:00:03,900 --> 00:00:06,400
You lucky son of a bitch.
2
00:00:06,750 --> 00:00:08,120
You stabbed me?
(Wolf yelling)
3
00:00:09,290 --> 00:00:10,690
You ruined my life.
4
00:00:10,820 --> 00:00:12,660
I don't even know you!
(Wolf yelling)
5
00:00:17,930 --> 00:00:19,600
I come here for revenge.
6
00:00:19,730 ... | null | 7589.89 | 1702.02 | 57.35 |
bullet_train_2022 | tt12593682 | 12MGINHf3m78 | 1
00:00:20,650 --> 00:00:22,690
Ladybug turns to the tattooed man.
2
00:00:23,610 --> 00:00:24,690
Lemon pulls his wrist
3
00:00:24,690 --> 00:00:26,530
and Ladybug's head hits the table.
4
00:00:26,570 --> 00:00:28,450
He shuts a laptop on Lemon's hand,
5
00:00:28,450 --> 00:00:29,370
then punches him.
6
00:00:29... | 1
00:00:22,580 --> 00:00:25,620
Lemon grabs Ladybug's gun, hand slamming his head into the table.
2
00:00:25,780 --> 00:00:27,940
Ladybug crushes Lemon's hand in his laptop.
3
00:00:27,980 --> 00:00:29,460
Lemon clamps a hand to his mouth,
4
00:00:29,460 --> 00:00:31,060
remembering it's the quiet car.
5
00:00:31,2... | 1
00:00:00,370 --> 00:00:01,970
I learned everything
about people from Thomas.
2
00:00:02,000 --> 00:00:03,210
- Everything.
- Really?
3
00:00:03,290 --> 00:00:05,330
It's how I can read people like you
so well.
4
00:00:05,420 --> 00:00:07,920
- And you are a diesel.
- I am not a diesel.
5
00:00:08,040 --> 00:00:10... | 1
00:00:00,300 --> 00:00:02,040
I learned everything
about people from Thomas.
2
00:00:02,070 --> 00:00:03,300
Everything.
Really?
3
00:00:03,430 --> 00:00:04,840
That's how I can read
people like you so well,
4
00:00:04,870 --> 00:00:06,070
and you are a diesel.
Huh.
5
00:00:06,200 --> 00:00:07,470
I am not a dies... | null | 7589.89 | 2317.73 | 93.55 |
bullet_train_2022 | tt12593682 | ndig_kgDhMy2 | 1
00:00:00,850 --> 00:00:02,490
who slams the door on his arm.
2
00:00:04,370 --> 00:00:06,010
He pulls on the door, which opens.
3
00:00:06,050 --> 00:00:07,490
Ladybug tries to kick him.
4
00:00:07,610 --> 00:00:08,850
Tangerine grabs his leg
5
00:00:08,850 --> 00:00:10,250
and punches him repeatedly.
6
00:00:10... | 1
00:00:00,510 --> 00:00:02,390
Ladybug closes the door on his arm.
2
00:00:03,910 --> 00:00:05,070
Tangerine opens the door
3
00:00:05,070 --> 00:00:06,830
and grabs Ladybug's kicking leg.
4
00:00:09,990 --> 00:00:12,190
Angelina punches to the Groyne gets kicked back,
5
00:00:12,230 --> 00:00:13,270
then shoved a... | 1
00:00:02,590 --> 00:00:03,590
Bastard!
2
00:00:06,390 --> 00:00:09,510
Come here, you dirty fucking scum!
3
00:00:33,700 --> 00:00:36,000
Wait, wait, wait.
I know who killed the kid.
4
00:00:36,080 --> 00:00:38,790
I couldn't give a rat's ass.
Where's my fucking case?
5
00:00:51,810 --> 00:00:52,810
Yeah.
6
00:0... | 1
00:00:00,670 --> 00:00:01,670
Come here, you...
2
00:00:01,700 --> 00:00:02,700
(cries out)
3
00:00:02,770 --> 00:00:03,770
Bastard!
4
00:00:03,900 --> 00:00:05,040
(both straining)
5
00:00:06,510 --> 00:00:09,710
Come here,
you-you dirty fucking scum!
6
00:00:09,840 --> 00:00:11,150
(grunting)
7
00:00:11,280 -... | null | 7589.89 | 3350.75 | 260.76 |
bullet_train_2022 | tt12593682 | uL9tU6jlECN7 | 1
00:00:01,210 --> 00:00:03,010
then removes money from his pocket.
2
00:00:10,530 --> 00:00:11,650
He hands her the money.
3
00:00:23,530 --> 00:00:24,850
She leaves with her cart.
4
00:00:25,170 --> 00:00:28,250
Ladybug holds up a finger to Tangerine as he drinks.
5
00:00:33,770 --> 00:00:35,730
He hits Tangerine... | 1
00:00:00,590 --> 00:00:02,030
and reaches into his pocket.
2
00:00:24,230 --> 00:00:26,070
Ladybug and the attendant, Bo
3
00:00:26,110 --> 00:00:28,670
Tangerine frowns as Ladybug gulps his water.
4
00:00:33,910 --> 00:00:36,430
Ladybug hurls the glass bottle at Tangerine head.
5
00:00:41,470 --> 00:00:43,390
La... | 1
00:00:06,260 --> 00:00:07,930
How much for the bottle of water, love?
2
00:00:11,810 --> 00:00:14,310
Oh, there. No, you're welcome. Yeah.
3
00:00:15,020 --> 00:00:17,730
A thousand yen. That's ten quid
for that bottle of water, mate.
4
00:00:20,810 --> 00:00:21,810
Ta-ra.
5
00:00:29,910 --> 00:00:32,700
- You su... | 1
00:00:03,320 --> 00:00:06,160
(Ladybug gulps, sighs)
2
00:00:06,290 --> 00:00:07,810
How much for the bottle
of water, love?
3
00:00:07,860 --> 00:00:09,400
(speaks Japanese)
4
00:00:09,530 --> 00:00:11,600
(Ladybug sighs heavily)
5
00:00:11,730 --> 00:00:13,700
Oh, there. No, you're welcome.
(speaking Japanese)
... | null | 7589.89 | 3453.44 | 75.28 |
bullet_train_2022 | tt12593682 | 1YVeUaPqqxMu | 1
00:00:01,030 --> 00:00:06,830
He moves the photo to the side, revealing the Hornet standing before him, disguised as the concessions worker.
2
00:00:14,950 --> 00:00:16,550
She kicks a cart in his direction,
3
00:00:16,550 --> 00:00:17,910
then slides across the bar
4
00:00:17,910 --> 00:00:18,790
and swings at hi... | 1
00:00:02,450 --> 00:00:04,890
He compares it to the attendant who's just entered.
2
00:00:05,290 --> 00:00:06,170
It's a match.
3
00:00:15,730 --> 00:00:16,690
She kicks her trolley,
4
00:00:16,730 --> 00:00:17,730
slides along the bar,
5
00:00:17,730 --> 00:00:18,570
swings, misses,
6
00:00:18,570 --> 00:00:20,... | 1
00:00:08,120 --> 00:00:10,450
You stole my snake, bitch.
2
00:00:12,370 --> 00:00:15,420
That was your...? We should really
call the authorities 'cause someone...
3
00:00:22,050 --> 00:00:23,590
Take that, punk!
4
00:00:25,680 --> 00:00:29,430
Hey, bitch. One little prick from this,
you know what happens?
5
00:00... | 1
00:00:05,090 --> 00:00:06,390
♫ ♫
2
00:00:06,520 --> 00:00:08,120
Oh.
3
00:00:08,250 --> 00:00:10,560
You stole my snake, bitch.
4
00:00:10,690 --> 00:00:12,360
(snake hissing)
5
00:00:12,490 --> 00:00:13,660
That was your...
6
00:00:13,790 --> 00:00:15,100
We should really call
the authorities
7
00:00:15,130 -... | null | 7589.89 | 4269.98 | 156.20 |
bullet_train_2022 | tt12593682 | MpvKd8lP78XJ | 1
00:00:00,520 --> 00:00:01,920
then steps off the train.
2
00:00:21,760 --> 00:00:23,000
He gets back on the train
3
00:00:23,000 --> 00:00:24,680
and the doors close behind him.
4
00:00:24,920 --> 00:00:26,600
The Prince holds her backpack.
| 1
00:00:21,820 --> 00:00:24,180
Ladybug steps reluctantly back on board
2
00:00:24,180 --> 00:00:25,340
and shuts his eyes.
| 1
00:00:02,260 --> 00:00:03,260
Okay, kid, come o...
2
00:00:03,300 --> 00:00:04,430
Kid, come on!
3
00:00:05,220 --> 00:00:06,840
I can't, my backpack is stuck!
4
00:00:06,930 --> 00:00:07,970
What?
5
00:00:08,890 --> 00:00:10,010
Leave it, let's go.
6
00:00:10,100 --> 00:00:11,890
- We gotta go, we gotta go.
- N... | 1
00:00:01,910 --> 00:00:03,310
Okay, kid, come o...
2
00:00:03,450 --> 00:00:05,150
Kid, come on.
3
00:00:05,280 --> 00:00:06,980
I can't.
My backpack is stuck.
4
00:00:07,120 --> 00:00:08,520
What?
5
00:00:08,650 --> 00:00:10,150
Leave it. Let's go.
6
00:00:10,290 --> 00:00:12,020
We gotta go, we gotta go.
No. N... | null | 7589.89 | 4914.82 | 31.32 |
bullet_train_2022 | tt12593682 | PKmcUr8B1ko5 | 1
00:00:40,250 --> 00:00:41,140
On the train.
2
00:00:41,140 --> 00:00:42,780
The elder closes his eyes.
3
00:00:42,820 --> 00:00:46,740
A flashback shows the White Death walking away from Menashe's body.
4
00:00:47,020 --> 00:00:51,700
All these years later, the burden of your betrayal still heavy upon your heads.
... | 1
00:00:42,100 --> 00:00:43,140
The Elder looks up,
2
00:00:43,140 --> 00:00:44,100
then shuts his eyes
3
00:00:44,100 --> 00:00:44,860
and smirks.
4
00:00:45,180 --> 00:00:46,780
Flashback to the burning house.
5
00:00:47,300 --> 00:00:51,460
All these years later, the burden of your betrayal still heavy on your h... | 1
00:00:01,170 --> 00:00:02,720
Mr. Death, if I may?
2
00:00:03,970 --> 00:00:05,840
The shadow buyer
3
00:00:06,510 --> 00:00:10,180
who bought all our contracts,
got us all on this train.
4
00:00:10,270 --> 00:00:11,270
Me, the hornet,
5
00:00:11,310 --> 00:00:12,770
tangerine, lemon...
6
00:00:14,520 --> 00:00:... | 1
00:00:04,130 --> 00:00:06,600
The shadow buyer, um,
2
00:00:06,730 --> 00:00:10,300
who bought all our contracts,
got us all on this-this train...
3
00:00:10,430 --> 00:00:13,570
Uh, me, the hornet,
uh, tangerine, lemon...
4
00:00:13,700 --> 00:00:14,570
Ho!
Oh!
5
00:00:14,710 --> 00:00:17,180
That was you, right... | null | 7589.89 | 6030.85 | 202.62 |
bullet_train_2022 | tt12593682 | AbykgQtUYdSz | 1
00:00:05,560 --> 00:00:07,000
The briefcase explodes.
2
00:00:07,120 --> 00:00:10,920
The blast sends Ladybug and the White Death flying through train doors.
3
00:00:11,240 --> 00:00:13,600
The Elder unsheathes a sword from his cane
4
00:00:13,600 --> 00:00:15,520
and slices an assassin's throat.
5
00:00:18,240 -... | 1
00:00:05,440 --> 00:00:06,440
The case blows.
2
00:00:06,600 --> 00:00:08,520
Ladybug is blown into the train.
3
00:00:08,520 --> 00:00:10,160
White Death is blown through a door.
4
00:00:10,200 --> 00:00:11,480
The Elder throws his hat
5
00:00:11,480 --> 00:00:13,720
and knocks away the gun in his face with his ... | 1
00:00:00,620 --> 00:00:01,460
Bro.
2
00:00:01,540 --> 00:00:04,090
- Just open it!
- Fine. Ya happy?
3
00:00:04,170 --> 00:00:05,170
I'm not carver!
4
00:00:22,060 --> 00:00:23,060
He went that way.
5
00:00:32,240 --> 00:00:33,820
Oh, shit. Okay.
6
00:00:34,870 --> 00:00:36,580
Oh, shit. Something's happening.
... | 1
00:00:01,810 --> 00:00:04,210
Just open it!
Fine. You happy?
2
00:00:04,340 --> 00:00:05,980
Ladybug: I'm not carver!
3
00:00:06,110 --> 00:00:07,250
(screaming)
4
00:00:09,320 --> 00:00:10,820
♫ ♫
5
00:00:16,320 --> 00:00:17,560
(gurgling)
6
00:00:22,200 --> 00:00:23,060
He went that way! Come...
7
00:00:23,20... | null | 7589.89 | 6262.34 | 109.85 |
bullet_train_2022 | tt12593682 | gpzni_rMdHGG | 1
00:00:03,180 --> 00:00:05,140
He shifts his gaze to Ladybug.
2
00:00:09,700 --> 00:00:12,900
Lemon leaps and kicks the gunman in the chest with both feet.
3
00:00:13,140 --> 00:00:17,020
In first class, the Elder and the White Death engage in a sword fight.
4
00:00:19,420 --> 00:00:20,900
The Elder thrusts his swo... | 1
00:00:01,030 --> 00:00:02,550
as he fumbles to reload.
2
00:00:02,550 --> 00:00:04,470
Lemon finds he's been shot in the gut.
3
00:00:09,310 --> 00:00:11,550
Big Lemon launches a two footed dropkick.
4
00:00:11,830 --> 00:00:13,470
Ladybug goes to the controls.
5
00:00:13,630 --> 00:00:15,790
The Elder and White ... | 1
00:00:05,630 --> 00:00:07,640
I got this! Stop the train!
2
00:00:07,720 --> 00:00:08,890
What?!
3
00:01:00,610 --> 00:01:02,010
English, English, English, English.
4
00:01:02,650 --> 00:01:04,320
English. Brakes!
5
00:01:04,400 --> 00:01:06,530
We're good! I got it!
6
00:01:07,990 --> 00:01:08,990
No!
7
00:01:... | 1
00:00:05,880 --> 00:00:07,780
I got this! Stop the train!
2
00:00:07,920 --> 00:00:09,090
What?!
3
00:00:09,220 --> 00:00:10,620
(Lemon yelling)
4
00:00:10,750 --> 00:00:11,750
Hiyah!
5
00:00:11,890 --> 00:00:12,920
(Ladybug groans)
6
00:00:15,630 --> 00:00:17,760
(grunting)
(metal clanging)
7
00:00:17,890 --> ... | null | 7589.89 | 6452.90 | 186.76 |
carlitos_way | tt0106519 | RInGyUuBPVd_ | 1
00:00:36,950 --> 00:00:38,670
Guajiro returns to the bar.
2
00:01:08,670 --> 00:01:10,550
As Guajiro reaches in the beer cooler.
3
00:01:10,870 --> 00:01:12,950
Quisqueya nods toward the bathroom.
4
00:01:32,750 --> 00:01:32,870
Up.
5
00:01:32,870 --> 00:01:34,790
Carlito distracts the Dominicans.
6
00:01:40,790... | 1
00:00:35,400 --> 00:00:36,320
Kiki shrugs.
2
00:00:36,570 --> 00:00:37,700
Guajiro returns to him
3
00:00:37,700 --> 00:00:38,870
and toys with his beer.
4
00:01:09,080 --> 00:01:10,880
Kiki looks toward the bathroom door
5
00:01:10,880 --> 00:01:12,390
and lifts his head slightly.
6
00:01:12,430 --> 00:01:15,23... | 1
00:00:00,710 --> 00:00:02,710
- You're playin' eight ball, right?
- Yeah.
2
00:00:02,810 --> 00:00:05,810
I can't resist this.
I gotta show you people a shot.
3
00:00:06,010 --> 00:00:09,510
- We're in the middle of a game here!
- You're playin' eight ball.
4
00:00:09,610 --> 00:00:13,410
Right before you rack. It... | 1
00:00:00,690 --> 00:00:02,690
- You're playin' eight ball, right?
- Yeah.
2
00:00:02,810 --> 00:00:05,850
I can't resist this.
I gotta show you people a shot.
3
00:00:06,030 --> 00:00:09,640
- We're in the middle of a game here!
- You're playin' eight ball.
4
00:00:09,740 --> 00:00:13,140
Right before you rack. It... | null | 8644.13 | 1340.83 | 134.42 |
carlitos_way | tt0106519 | nT6Trlw8AcVE | 1
00:00:09,580 --> 00:00:10,620
Carlito gestures.
2
00:00:10,660 --> 00:00:10,980
Shh.
3
00:00:11,260 --> 00:00:13,420
Then holds a knife to Lalin throat.
4
00:00:17,660 --> 00:00:20,140
He reveals a wire under Lalin shirt
5
00:00:20,220 --> 00:00:21,180
and yanks it out.
6
00:00:30,580 --> 00:00:30,700
You!
7
00... | 1
00:00:08,030 --> 00:00:10,290
Carlito nods, leaning over his desk.
2
00:00:10,290 --> 00:00:11,670
He puts a finger to his lips
3
00:00:11,670 --> 00:00:13,510
and holds a knife to the throat.
4
00:00:13,550 --> 00:00:14,640
Lalin tenses.
5
00:00:15,060 --> 00:00:18,870
He undoes Lalin shirt to reveal a tiny micr... | 1
00:00:03,070 --> 00:00:06,670
Come on, man!
You forget who you're talking to?
2
00:00:22,970 --> 00:00:24,570
- Look at this.
- Wait a minute.
3
00:00:24,670 --> 00:00:28,070
This how you beat your thirty years,
you piece of shit?
4
00:00:28,170 --> 00:00:31,470
- Let me explain.
- I'll kill you, you motherfucker.... | 1
00:00:03,350 --> 00:00:06,890
Come on, man!
You forget who you're talking to?
2
00:00:23,250 --> 00:00:24,870
- Look at this.
- Wait a minute.
3
00:00:24,960 --> 00:00:28,290
This how you beat your
30 years, you piece of shit?
4
00:00:28,460 --> 00:00:31,750
- Let me explain.
- I'll kill you, you motherfucker.
5
... | null | 8644.13 | 3286.91 | 170.46 |
carlitos_way | tt0106519 | XZ0v_092LXq_ | 1
00:00:53,280 --> 00:00:55,160
When Blanco grabs Steffie by the throat.
2
00:00:55,200 --> 00:00:56,320
Dave aims a gun.
3
00:01:11,480 --> 00:01:13,280
Pachanga shoves Blanco in his Party
4
00:01:13,280 --> 00:01:14,000
upstairs.
5
00:01:14,160 --> 00:01:15,400
Carlito following.
6
00:01:28,680 --> 00:01:30,120
... | 1
00:00:01,050 --> 00:00:02,530
Benny walks up with his goons
2
00:00:02,530 --> 00:00:04,240
and bends over Carlito's table.
3
00:00:58,950 --> 00:01:00,630
Dave holds a gun to Benny's head.
4
00:01:12,740 --> 00:01:14,070
Benny is bundled away.
5
00:01:29,970 --> 00:01:30,760
Upstairs.
6
00:01:52,050 --> 00:01:5... | 1
00:00:03,220 --> 00:00:06,320
This is the second time
you turned me down for a drink.
2
00:00:06,420 --> 00:00:09,420
- You don't like my champagne?
- It could be.
3
00:00:11,020 --> 00:00:13,320
Maybe there's a mis-fucking-understanding.
4
00:00:13,420 --> 00:00:16,720
- Maybe you don't remember me.
- Maybe I don... | 1
00:00:03,440 --> 00:00:06,470
This is the second time you
turned me down for a drink.
2
00:00:06,560 --> 00:00:09,680
- You don't like my champagne?
- It could be.
3
00:00:11,240 --> 00:00:13,480
Maybe there's a
mis-fucking-understanding.
4
00:00:13,570 --> 00:00:16,910
- Maybe you don't remember me, my name…
- Ma... | null | 8644.13 | 4023.14 | 148.68 |
carlitos_way | tt0106519 | 7EHeTkJUForV | 1
00:00:02,180 --> 00:00:05,980
As he approaches a unit, he fixes his hair and buttons his jacket.
2
00:00:13,260 --> 00:00:15,780
Gail groggily peers over the chain.
3
00:01:39,060 --> 00:01:42,460
As Gail turns away, Carlito reaches through the door.
4
00:01:45,060 --> 00:01:46,620
Gail slinks up to a mirror
5
00... | 1
00:00:00,990 --> 00:00:03,000
He stands in front of an apartment door,
2
00:00:03,250 --> 00:00:05,130
runs both his hands through his hair,
3
00:00:05,130 --> 00:00:06,760
and straightens his leather jacket.
4
00:00:07,100 --> 00:00:07,810
He knocks.
5
00:00:12,570 --> 00:00:14,460
The door opens, held by a chai... | 1
00:00:17,830 --> 00:00:18,930
Surprise.
2
00:00:22,330 --> 00:00:24,030
I was asleep.
3
00:00:28,430 --> 00:00:32,730
Can I come in?
I bought you some cheesecake.
4
00:00:35,030 --> 00:00:36,930
I don't like cheesecake.
5
00:00:37,730 --> 00:00:41,530
You wouldn't have buzzed me up,
if you wasn't gonna let me in.... | 1
00:00:17,840 --> 00:00:18,920
Surprise.
2
00:00:22,390 --> 00:00:24,050
I was asleep.
3
00:00:28,440 --> 00:00:32,770
Can I come in?
I bought you some cheesecake.
4
00:00:35,030 --> 00:00:36,980
I don't like cheesecake.
5
00:00:37,740 --> 00:00:41,570
You wouldn't have buzzed me
up if you wasn't gonna let me in.
... | null | 8644.13 | 4657.41 | 126.57 |
carlitos_way | tt0106519 | GFUVW2X8sS1B | 1
00:01:30,220 --> 00:01:31,420
He slugs the mirror
2
00:01:31,420 --> 00:01:32,620
and leaves the bathroom.
3
00:02:06,620 --> 00:02:09,380
Gail wraps a towel around his bleeding hand.
4
00:02:34,180 --> 00:02:35,660
He leaves Gail sobbing.
| 1
00:00:08,670 --> 00:00:10,340
She retreats into her bedroom.
2
00:00:10,340 --> 00:00:11,260
He dumps his glass
3
00:00:11,260 --> 00:00:12,100
and follows her.
4
00:01:31,310 --> 00:01:33,530
He smashes the bathroom mirror with his fist
5
00:01:33,530 --> 00:01:35,330
and stalks off toward the front door.
6
00:... | 1
00:00:00,490 --> 00:00:02,190
I feel ridiculous!
2
00:00:03,590 --> 00:00:05,290
'Cause you haven't changed!
3
00:00:05,990 --> 00:00:07,890
You haven't changed a bit!
4
00:00:13,090 --> 00:00:15,790
What the fuck are you tryin' to tell me?
5
00:00:15,890 --> 00:00:20,090
That my gettin' out is just some bullshit... | 1
00:00:00,350 --> 00:00:02,010
I feel ridiculous!
2
00:00:03,400 --> 00:00:05,140
'Cause you haven't changed!
3
00:00:05,810 --> 00:00:07,730
You haven't changed a bit!
4
00:00:12,990 --> 00:00:15,650
What the fuck are you tryin' to tell me?
5
00:00:15,780 --> 00:00:20,280
That my gettin' out is just some
bullshit... | null | 8644.13 | 5463.42 | 160.92 |
carlitos_way | tt0106519 | c12mt5KqmS8o | 1
00:00:12,490 --> 00:00:14,530
Carlito hangs off the stern with the pole.
2
00:00:14,570 --> 00:00:15,610
As they near Tony.
3
00:00:43,130 --> 00:00:46,210
Dave climbs onto the stern as Carlito enters the cabin,
4
00:00:46,450 --> 00:00:47,490
then bites his lip.
5
00:00:56,570 --> 00:01:00,050
Carlito watches as... | 1
00:00:09,780 --> 00:00:12,030
Frankie takes the wheel from the stern.
2
00:00:12,030 --> 00:00:14,590
Carlito holds out a boat hook to struggling Tony.
3
00:00:21,280 --> 00:00:22,740
Tony grabs the boat hook.
4
00:01:04,510 --> 00:01:05,390
Dave batters.
5
00:01:05,390 --> 00:01:05,850
Tony.
6
00:01:21,570 --> ... | 1
00:00:02,780 --> 00:00:04,180
Yeah, the light.
2
00:00:04,280 --> 00:00:06,980
Just keep the bow pointed
straight at that light.
3
00:00:07,080 --> 00:00:09,780
- Can you manage that?
- I got the light.
4
00:00:13,980 --> 00:00:15,180
Here!
5
00:00:15,880 --> 00:00:17,780
- Come on.
- Over here.
6
00:00:19,580 -... | 1
00:00:02,640 --> 00:00:04,000
Yeah, the light.
2
00:00:04,090 --> 00:00:06,840
Keep the bow pointed
straight at that light.
3
00:00:06,930 --> 00:00:09,640
- Can you manage that?
- I got the light.
4
00:00:13,810 --> 00:00:14,970
Here!
5
00:00:15,820 --> 00:00:17,680
- Come on.
- Over here.
6
00:00:19,440 --> 00... | null | 8644.13 | 5789.92 | 154.95 |
carlitos_way | tt0106519 | mmasLj6tve_p | 1
00:00:28,530 --> 00:00:30,250
Dave grabs his jacket and approaches.
2
00:00:30,290 --> 00:00:31,850
A bodyguard outside the door.
3
00:00:37,490 --> 00:00:39,130
Dave strolls through the law firm,
4
00:00:39,130 --> 00:00:40,210
buttoning his jacket,
5
00:00:40,210 --> 00:00:41,490
the bodyguard following.
6
00:... | 1
00:00:25,190 --> 00:00:25,810
He gets up
2
00:00:25,810 --> 00:00:28,200
and takes his suit jacket from the back of his chair.
3
00:00:28,200 --> 00:00:29,280
He leaves the office.
4
00:00:41,000 --> 00:00:43,260
Dave walks confidently down the corridor.
5
00:00:43,380 --> 00:00:44,720
His bodyguard keeps pace.
... | 1
00:00:02,250 --> 00:00:06,850
Mr. Kleinfeld? This is Patrolman Williams.
We're down here at your garage.
2
00:00:07,650 --> 00:00:10,250
Your license plate is DK 777?
3
00:00:10,550 --> 00:00:12,350
Yeah. Is there a problem?
4
00:00:12,450 --> 00:00:16,250
Somebody tried to steal your Mercedes.
There was an accide... | 1
00:00:01,970 --> 00:00:04,290
WILLIAMS: Mr. Kleinfeld?
This is Patrolman
2
00:00:04,370 --> 00:00:06,720
Williams. We're down here at your garage.
3
00:00:07,270 --> 00:00:10,140
Your license plate is DK 777?
4
00:00:10,230 --> 00:00:12,020
Yeah, yeah. Is there a problem?
5
00:00:12,110 --> 00:00:15,900
Somebody ... | null | 8644.13 | 6135.84 | 122.16 |
carlitos_way | tt0106519 | Cf55tLEBF_JM | 1
00:00:18,090 --> 00:00:18,370
I
2
00:00:18,730 --> 00:00:20,170
Carlito aims the gun.
3
00:01:06,890 --> 00:01:07,690
Dave's gun.
4
00:01:08,730 --> 00:01:09,330
The tray.
5
00:01:22,610 --> 00:01:23,850
Carlito exits the room
6
00:01:23,850 --> 00:01:26,210
and saunters past the guard without looking at him.
7... | 1
00:00:24,790 --> 00:00:26,130
Carlito aims at him.
2
00:00:29,600 --> 00:00:30,900
Carlito lowers the gun
3
00:00:30,900 --> 00:00:31,530
and shushes.
4
00:00:31,530 --> 00:00:32,030
Dave who?
5
00:00:32,030 --> 00:00:32,610
Glowers.
6
00:00:55,350 --> 00:00:57,020
Carlito looks levelly at Dave,
7
00:00:57,020 ... | 1
00:00:00,660 --> 00:00:02,660
I've been to Norwalk's office.
2
00:00:03,960 --> 00:00:05,260
I heard the tape.
3
00:00:07,560 --> 00:00:08,760
That pig.
4
00:00:10,160 --> 00:00:13,060
Never give up your friends,
no matter what.
5
00:00:14,760 --> 00:00:17,860
They doctor these things,
play 'em outta context.
6
... | 1
00:00:00,460 --> 00:00:02,450
I've been to Norwalk's office.
2
00:00:03,710 --> 00:00:05,080
I heard the tape.
3
00:00:07,340 --> 00:00:08,580
That pig.
4
00:00:10,180 --> 00:00:13,040
Never give up your friends,
Dave, no matter what.
5
00:00:14,720 --> 00:00:17,810
They doctor these things,
play 'em out of conte... | null | 8644.13 | 6855.81 | 168.07 |
carlitos_way | tt0106519 | 7gNiQMQ_B_No | 1
00:00:00,850 --> 00:00:02,930
Vinnie and the Italians close in.
2
00:00:08,810 --> 00:00:11,540
Hugely obese Battaglia stops to rest.
3
00:00:16,740 --> 00:00:18,860
Carlito races into the car 180.
4
00:00:20,940 --> 00:00:22,660
Battaglia puffs out an inhaler
5
00:00:22,660 --> 00:00:24,980
as Carlito and the mo... | 1
00:00:01,690 --> 00:00:03,870
Carlito pushes passengers out of the way.
2
00:00:07,250 --> 00:00:10,140
(Big Joe looks exhausted as he makes his way up the train.
3
00:00:10,350 --> 00:00:12,650
He stops by adjoining door to take a breath.
4
00:00:18,460 --> 00:00:20,970
Carlito is chased through the next carriage... | 1
00:00:26,180 --> 00:00:27,880
Get the fuck out!
2
00:01:02,980 --> 00:01:04,080
Cover the doors.
3
00:01:25,480 --> 00:01:27,880
Did you see that one? The one in the blue?
4
00:01:29,080 --> 00:01:31,080
You guys are dogs. Dogs!
5
00:01:48,680 --> 00:01:50,680
Now boarding on Track 19.
6
00:01:50,780 --> 00:01:5... | 1
00:00:25,970 --> 00:00:27,630
Get the fuck out!
2
00:01:02,920 --> 00:01:04,120
VINNIE: Cover the doors.
3
00:01:24,990 --> 00:01:27,350
Did you see that one?
The one in the blue?
4
00:01:29,330 --> 00:01:31,320
MAN: You guys are dogs. Dogs!
5
00:01:48,720 --> 00:01:50,710
MAN: Now boarding on Track 19.
6
00:01:... | null | 8644.13 | 7647.26 | 169.88 |
carlitos_way | tt0106519 | d045kFFEBpFs | 1
00:00:00,660 --> 00:00:02,940
Vinny Raptly scans the concourse.
2
00:00:05,420 --> 00:00:10,740
On the escalator beside him, Carlito lies flat on the steps, going down, his gun in hand.
3
00:00:18,580 --> 00:00:21,180
Battaglia crosses the windows at the top of the escalator
4
00:00:21,180 --> 00:00:22,540
and see... | 1
00:00:00,700 --> 00:00:01,830
on the upper concourse.
2
00:00:02,000 --> 00:00:03,960
Vinnie is still on the up escalator.
3
00:00:03,960 --> 00:00:06,600
He doesn't spot Carlito going past on the down one.
4
00:00:06,930 --> 00:00:10,660
Carlito lies back on the steps with his eyes and his gun fixed on Vinnie,
5... | 1
00:00:22,460 --> 00:00:23,460
He's there!
2
00:00:45,860 --> 00:00:47,360
I'll kill you!
3
00:00:52,860 --> 00:00:55,760
Motherfucker! I'll kill ya!
4
00:01:19,460 --> 00:01:20,960
Stop! Police!
5
00:01:22,760 --> 00:01:25,560
The train's gonna leave! Come on, man!
6
00:01:28,760 --> 00:01:30,060
Come on!
7
00:... | 1
00:00:22,450 --> 00:00:23,450
He's there!
2
00:00:24,950 --> 00:00:27,240
[PEOPLE SCREAMING]
3
00:00:45,800 --> 00:00:47,390
I'll kill you!
4
00:00:53,060 --> 00:00:55,980
Motherfucker! I'll kill ya!
5
00:01:19,420 --> 00:01:20,910
Stop! Police!
6
00:01:22,800 --> 00:01:25,510
The train's gonna leave! Come on, m... | null | 8644.13 | 7979.78 | 152.65 |
cats_2019 | tt5697572 | buebMD_p8rge | 1
00:00:44,220 --> 00:00:47,900
The young cat looks intrigued as the group dances upright on their feet.
2
00:00:55,900 --> 00:00:57,460
A cat leaps onto the truck.
3
00:00:59,020 --> 00:01:00,060
Another flips.
4
00:01:08,940 --> 00:01:10,540
The young cat leaps gracefully.
5
00:01:16,420 --> 00:01:18,140
The grey... | 1
00:01:50,900 --> 00:01:55,340
The jellicles sing and dance in London's neon lit Piccadilly Circus.
2
00:02:02,740 --> 00:02:04,100
Angelic choir
3
00:02:05,580 --> 00:02:11,740
A cat in a hat and fur overcoat sits on a sign which has a picture of him and reads Macavity wanted for everything.
4
00:02:11,740 --> 00:... | 1
00:00:00,000 --> 00:00:03,600
♪ Because Jellicles can
and Jellicles do ♪
2
00:00:03,680 --> 00:00:05,960
♪ Jellicles do
and Jellicles can ♪
3
00:00:06,040 --> 00:00:08,720
♪ Jellicles can
and Jellicles do ♪
4
00:00:08,800 --> 00:00:11,190
♪ Jellicles do
and Jellicles can ♪
5
00:00:11,280 --> 00:00:13,960
♪ Jellic... | 1
00:00:03,670 --> 00:00:05,950
♪ Jellicles do
and Jellicles can ♪
2
00:00:06,030 --> 00:00:08,710
♪ Jellicles can
and Jellicles do ♪
3
00:00:08,790 --> 00:00:11,180
♪ Jellicles do
and Jellicles can ♪
4
00:00:11,270 --> 00:00:13,950
♪ Jellicles can
and Jellicles do ♪
5
00:00:14,030 --> 00:00:17,500
♪ Can you ride o... | null | 6597.90 | 213.38 | 247.15 |
cats_2019 | tt5697572 | eRKfboc_B7XN | 1
00:00:36,960 --> 00:00:37,680
Under the sink.
2
00:00:37,680 --> 00:00:40,360
Human like mice perform on a makeshift stage.
3
00:00:52,160 --> 00:00:53,680
The tiny mice look concerned
4
00:00:53,680 --> 00:00:55,920
as Jennyanydots backs toward the sink.
5
00:00:56,280 --> 00:00:58,840
Victoria watches her dance... | 1
00:00:00,290 --> 00:00:01,210
She sings.
2
00:00:40,550 --> 00:00:43,470
My stance on a candlelit stage in a box.
3
00:00:44,390 --> 00:00:46,150
One drums on a bottle top.
4
00:01:02,390 --> 00:01:03,270
Takes a bow
5
00:01:03,270 --> 00:01:04,350
and sits down.
6
00:01:05,030 --> 00:01:07,430
Are her paws caug... | 1
00:00:01,500 --> 00:00:04,650
♪ But... ♪
2
00:00:05,540 --> 00:00:08,130
♪ When the day's hustle and bustle
Is done ♪
3
00:00:08,220 --> 00:00:11,820
♪ Then the Gumbie Cat's work
Is but hardly begun ♪
4
00:00:11,900 --> 00:00:15,020
♪ And when all the family's
In bed and asleep ♪
5
00:00:15,100 --> 00:00:17,980
♪... | 1
00:00:01,490 --> 00:00:04,640
♪ But... ♪
2
00:00:05,530 --> 00:00:08,130
♪ When the day's hustle and bustle
Is done ♪
3
00:00:08,210 --> 00:00:11,810
♪ Then the Gumbie Cat's work
Is but hardly begun ♪
4
00:00:11,890 --> 00:00:15,010
♪ And when all the family's
In bed and asleep ♪
5
00:00:15,090 --> 00:00:17,970
♪... | null | 6597.90 | 863.36 | 219.24 |
cats_2019 | tt5697572 | oRlP0EkC3GSA | 1
00:00:05,770 --> 00:00:07,650
Rum Tum Tugger opens his fur coat
2
00:00:07,650 --> 00:00:09,490
and shows off his long chest fur.
3
00:00:11,850 --> 00:00:13,170
He dances through the home.
4
00:00:28,730 --> 00:00:32,130
Munkustrap and Jennyanydots guide roaches toward a case.
5
00:00:33,930 --> 00:00:35,850
Rum... | 1
00:00:06,060 --> 00:00:08,820
Rum Tum Tugger opens his furry coat.
2
00:00:44,260 --> 00:00:49,300
Dear Rum Tum Tugger and the other cats come into the street.
3
00:00:50,220 --> 00:00:53,060
Magical cat Mr. Mistoffelees holds cards.
4
00:01:22,520 --> 00:01:24,800
Jennyanydots mimes a pair of scissors.
5
00:01:4... | 1
00:00:01,580 --> 00:00:05,260
- ♪ The Rum Tum Tugger is a curious cat ♪
- ♪ A curious cat ♪
2
00:00:07,780 --> 00:00:09,050
Hmm. Hmm.
3
00:00:09,180 --> 00:00:11,650
♪ If you offer me pheasant
I'd rather have grouse ♪
4
00:00:12,660 --> 00:00:16,340
♪ If you put me in a house
I would much prefer a flat ♪
5
00:00:... | 1
00:00:01,570 --> 00:00:05,250
- ♪ The Rum Tum Tugger is a curious cat ♪
- ♪ A curious cat ♪
2
00:00:05,330 --> 00:00:07,690
[both grunting rhythmically]
3
00:00:07,770 --> 00:00:09,050
Hmm. Hmm.
4
00:00:09,170 --> 00:00:11,640
♪ If you offer me pheasant
I'd rather have grouse ♪
5
00:00:12,650 --> 00:00:16,330
♪ I... | null | 6597.90 | 1110.56 | 266.75 |
cats_2019 | tt5697572 | taChblY_GXOS | 1
00:00:03,000 --> 00:00:04,240
Men in an elegant club.
2
00:00:17,690 --> 00:00:20,530
Outside a Maitre D' Cat takes Bustopher clothes.
3
00:00:29,730 --> 00:00:32,730
The fat cat walks Victoria through an alley of garbage cans.
4
00:00:40,530 --> 00:00:41,730
He dives into a can
5
00:00:41,730 --> 00:00:43,410
an... | 1
00:00:17,230 --> 00:00:22,110
They come outside and a cat pulls off Bustopher shirt and black tailcoat.
2
00:00:41,510 --> 00:00:42,910
He dives into a bin.
3
00:01:16,970 --> 00:01:19,130
A cat jumps on the other side of a seesaw.
4
00:01:49,210 --> 00:01:51,130
Several cats jump on the seesaw.
5
00:01:51,170 --... | 1
00:00:04,040 --> 00:00:07,670
♪ The name of this Brummell of cats ♪
2
00:00:07,760 --> 00:00:11,640
♪ And we're all of us proud
To be nodded or bowed to ♪
3
00:00:11,720 --> 00:00:15,600
♪ By Bustopher Jones in white spats ♪
4
00:00:23,000 --> 00:00:27,760
♪ My visits are occasional
To the Senior Educational ♪
5
... | 1
00:00:04,030 --> 00:00:07,660
- ♪ The name of this Brummell of cats ♪
- [sipping]
2
00:00:07,750 --> 00:00:11,630
♪ And we're all of us proud
To be nodded or bowed to ♪
3
00:00:11,710 --> 00:00:15,590
♪ By Bustopher Jones in white spats ♪
4
00:00:20,790 --> 00:00:22,910
[sighs]
5
00:00:22,990 --> 00:00:27,750
♪ M... | null | 6597.90 | 1685.86 | 236.40 |
cats_2019 | tt5697572 | TaKzhY4GoQwT | 1
00:00:24,840 --> 00:00:26,040
They approach a window.
2
00:00:40,280 --> 00:00:41,840
They enter a lavish bedroom.
3
00:01:12,690 --> 00:01:13,650
They go to the bed.
4
00:01:20,530 --> 00:01:22,530
Mungojerrie leaps onto the headboard.
5
00:01:23,090 --> 00:01:24,130
He flips back down
6
00:01:24,130 --> 00:01:... | 1
00:00:24,460 --> 00:00:26,180
They jump onto a windowsill.
2
00:01:19,960 --> 00:01:24,080
Mungojerrie, Rumpleteazer and Victoria have sneaked into her house
3
00:01:24,520 --> 00:01:26,160
there on a big double bed,
4
00:01:26,320 --> 00:01:29,400
and Rumpleteazer takes a watch from the bedside table.
5
00:01:29... | 1
00:00:00,130 --> 00:00:01,200
♪ Mungojerrie ♪
2
00:00:01,290 --> 00:00:03,040
♪ And Rumpleteazer ♪
3
00:00:03,130 --> 00:00:05,250
♪ We're a notorious couple of cats ♪
4
00:00:05,330 --> 00:00:06,810
♪ As knockabout clowns ♪
5
00:00:06,890 --> 00:00:08,330
♪ Quick-change comedians ♪
6
00:00:08,410 --> 00:00:09,4... | 1
00:00:00,120 --> 00:00:01,190
♪ Mungojerrie ♪
2
00:00:01,280 --> 00:00:03,040
♪ And Rumpleteazer ♪
3
00:00:03,120 --> 00:00:05,240
♪ We're a notorious couple of cats ♪
4
00:00:05,320 --> 00:00:06,800
♪ As knockabout clowns ♪
5
00:00:06,880 --> 00:00:08,320
♪ Quick-change comedians ♪
6
00:00:08,400 --> 00:00:09,4... | null | 6597.90 | 1976.29 | 215.88 |
cats_2019 | tt5697572 | YRBALmVSGQb3 | 1
00:01:25,130 --> 00:01:26,410
Gus looks emotional.
2
00:01:59,220 --> 00:02:00,980
Mistoffelees draws his wand.
3
00:02:01,940 --> 00:02:03,860
The other cats move back in alarm.
4
00:02:06,380 --> 00:02:08,340
Old Deuteronomy and Victoria grin.
5
00:02:09,220 --> 00:02:10,940
Mistoffelees lowers his wand.
6
00:... | 1
00:01:59,840 --> 00:02:03,320
Mr. Mistoffelees has pulled out his magic wand from his sleeve.
2
00:03:35,620 --> 00:03:37,700
Mr. Mistoffelees waves his wand
3
00:03:37,700 --> 00:03:40,620
and streaks of lightning flash at the back of the stage.
4
00:03:41,860 --> 00:03:43,620
Gus looks down at his poor
5
00:03:... | 1
00:00:00,440 --> 00:00:04,680
♪ Gus is the cat at the theater door ♪
2
00:00:06,800 --> 00:00:10,430
♪ My name
As I ought to have told you before ♪
3
00:00:11,160 --> 00:00:15,440
♪ Is really Asparagus
But that's such a fuss ♪
4
00:00:15,520 --> 00:00:21,120
♪ To pronounce
That they usually call me just Gus ♪
5
0... | 1
00:00:00,430 --> 00:00:04,670
♪ Gus is the cat at the theater door ♪
2
00:00:06,790 --> 00:00:10,420
♪ My name
As I ought to have told you before ♪
3
00:00:11,150 --> 00:00:15,430
♪ Is really Asparagus
But that's such a fuss ♪
4
00:00:15,510 --> 00:00:21,110
♪ To pronounce
That they usually call me just Gus ♪
5
0... | null | 6597.90 | 3570.18 | 226.49 |
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