rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
beverly_hills_cop_2 | tt0092644 | xRTLgplzE8aD | 1
00:00:00,230 --> 00:00:02,030
Axel puts a gun to the man's head.
| 1
00:00:02,740 --> 00:00:05,600
- Hey! You like rap music?
- Yeah.
2
00:00:05,710 --> 00:00:10,150
I'm from the Rap Coalition of
America. Throw that gun over there.
3
00:00:10,250 --> 00:00:13,190
If you like rap music,
why ain't you smiling?
4
00:00:13,300 --> 00:00:16,280
- I'm smiling.
- Smile. Let's rap together... | 1
00:00:02,530 --> 00:00:05,150
- Hey! You like rap music?
- Yeah.
2
00:00:05,320 --> 00:00:07,450
You like rap music?
Well, turn around real slow then.
3
00:00:07,610 --> 00:00:10,050
I'm from the Rap Coalition of America.
Take that gun off, throw it over there.
4
00:00:10,070 --> 00:00:12,180
Throw the gun over th... | null | 6228.90 | 5249.47 | 24.41 | |
beverly_hills_cop_2 | tt0092644 | vbB2X0QRKbj9 | 1
00:00:05,060 --> 00:00:05,660
He opens.
2
00:00:06,780 --> 00:00:08,700
Axel slams the gunman against the wall.
3
00:00:09,020 --> 00:00:10,900
Billy and Taggart start scrambling away.
4
00:00:11,180 --> 00:00:12,300
Axel punches and kicks.
5
00:00:12,300 --> 00:00:13,940
The gunman then takes his weapon.
6
00:0... | 1
00:00:05,640 --> 00:00:07,390
Axel turns and whacks the man in the stomach.
2
00:00:07,430 --> 00:00:08,970
They exchange a flurry of punches.
3
00:00:08,970 --> 00:00:10,300
He throws the man to the floor.
4
00:00:10,510 --> 00:00:12,760
Startled, Billy and Taggart grab their weapons.
5
00:00:16,220 --> 00:00:17... | 1
00:00:00,320 --> 00:00:03,570
- Sure you know what you're doing?
- Trust me.
2
00:00:19,800 --> 00:00:20,960
Come on, Axel!
3
00:00:28,220 --> 00:00:29,890
Get him!
4
00:00:32,310 --> 00:00:33,940
Get your head down!
5
00:00:39,190 --> 00:00:41,070
From behind!
6
00:00:53,120 --> 00:00:55,410
"Pull pin."
7
00:0... | 1
00:00:00,150 --> 00:00:03,320
- Sure you know what you're doing?
- Trust me.
2
00:00:03,490 --> 00:00:04,860
[Alarm blaring]
3
00:00:19,630 --> 00:00:20,880
Come on, Axel!
4
00:00:24,420 --> 00:00:25,970
[Gunfire continues]
5
00:00:28,340 --> 00:00:29,970
Get him!
6
00:00:32,850 --> 00:00:34,730
Get down!
7
00:... | null | 6228.90 | 5369.63 | 133.03 |
beverly_hills_cop_2 | tt0092644 | MZ4QUD5IkKYn | 1
00:00:03,980 --> 00:00:05,620
Max stands in the shadows.
2
00:00:05,980 --> 00:00:07,900
Pigeons sit on the floor before him.
3
00:00:11,660 --> 00:00:12,700
Max lights a cigarette
4
00:00:12,700 --> 00:00:14,100
as the pigeons take flight.
5
00:00:14,580 --> 00:00:15,700
Axel faces him.
6
00:00:27,420 --> 00:00... | 1
00:00:00,900 --> 00:00:04,150
With his gun poised, Axel creeps into part of the building.
2
00:00:04,400 --> 00:00:07,600
In the dark, Dent stands illuminated by a shaft of light.
3
00:00:11,440 --> 00:00:12,940
Dent lights a cigarette.
4
00:00:26,850 --> 00:00:28,900
Axel spies a man in the air vent above him
5
... | 1
00:00:09,510 --> 00:00:11,380
Mr Foley.
2
00:00:19,390 --> 00:00:22,510
You involved yourself in business
that doesn't concern you.
3
00:00:25,650 --> 00:00:27,110
That was a mistake.
4
00:01:30,590 --> 00:01:32,250
Goodbye, Mr Foley.
5
00:01:42,600 --> 00:01:43,800
Women.
6
00:01:46,060 --> 00:01:47,810
Come on... | 1
00:00:09,500 --> 00:00:11,840
Mr. Foley.
2
00:00:19,140 --> 00:00:22,520
You involved yourself in business
that doesn't concern you.
3
00:00:25,810 --> 00:00:27,020
That was a mistake.
4
00:00:32,820 --> 00:00:33,990
[Rapid gunfire]
5
00:01:01,560 --> 00:01:02,600
[tyres squealing]
6
00:01:30,580 --> 00:01:32,09... | null | 6228.90 | 5527.90 | 112.87 |
beverly_hills_cop_2 | tt0092644 | vzPriF6Dg4z9 | 1
00:01:51,620 --> 00:01:52,620
Axel grins.
| 1
00:00:01,970 --> 00:00:06,240
Looks like a goddamn war zone.
What have you done, Taggart?
2
00:00:06,350 --> 00:00:08,290
We solved the Alphabet crimes.
3
00:00:08,390 --> 00:00:10,910
Shut up.
Who the hell is talking to you?
4
00:00:11,020 --> 00:00:14,590
I solved the Alphabet case
in a body bag over an hour ago... | 1
00:00:00,290 --> 00:00:02,000
What the hell have you done here?
2
00:00:02,160 --> 00:00:06,000
Looks like a goddamn war zone.
What the hell have you done, Taggart?
3
00:00:06,170 --> 00:00:08,670
- We solved the Alphabet crimes.
- You shut up!
4
00:00:08,840 --> 00:00:10,420
Who the hell is talking to you?
5
00:... | null | 6228.90 | 5668.96 | 126.22 | |
bad_boys_for_life | tt1502397 | f_05Ue1g8x0O | 1
00:00:01,250 --> 00:00:02,130
Let's go, ladies.
2
00:00:03,410 --> 00:00:04,210
You're useless.
3
00:00:04,930 --> 00:00:05,490
Move it!
4
00:00:06,450 --> 00:00:08,610
She faces a prisoner standing with her back turned.
5
00:00:09,290 --> 00:00:09,970
Aretas
6
00:00:10,650 --> 00:00:11,690
Aretas doesn't move
... | 1
00:00:00,960 --> 00:00:03,200
A guard slams her baton against a table.
2
00:00:03,240 --> 00:00:04,240
Let's go ladies.
3
00:00:04,480 --> 00:00:06,160
She knocks over a pile of towels.
4
00:00:06,160 --> 00:00:06,880
You're useless!
5
00:00:06,880 --> 00:00:07,520
Move it!
6
00:00:10,880 --> 00:00:12,480
A pris... | 1
00:00:00,800 --> 00:00:02,030
Let's go, ladies.
2
00:00:02,840 --> 00:00:04,090
You're useless.
3
00:00:04,550 --> 00:00:06,140
Move it!!
4
00:00:09,270 --> 00:00:10,440
Aretas.
5
00:00:12,710 --> 00:00:14,440
Aretas.
6
00:01:20,200 --> 00:01:21,410
What the fuck?
7
00:01:30,480 --> 00:01:31,740
Stop the ambula... | 1
00:00:00,800 --> 00:00:02,240
GUARD [IN SPANISH]:
Let's go, ladies.
2
00:00:02,840 --> 00:00:04,090
You're useless.
3
00:00:04,550 --> 00:00:06,140
Move it!!
4
00:00:07,930 --> 00:00:09,250
[TAPPING ON TABLE]
5
00:00:09,270 --> 00:00:10,440
Aretas.
6
00:00:12,710 --> 00:00:14,420
Aretas.
7
00:00:14,440 --> 00:0... | null | 7438.46 | 311.84 | 137.76 |
bad_boys_for_life | tt1502397 | _shOkOLIS1ee | 1
00:00:00,550 --> 00:00:02,590
The H77 members share a look.
2
00:00:02,630 --> 00:00:04,870
A long haired man grips a semi-automatic gun.
3
00:00:10,630 --> 00:00:11,750
The long haired man nods
4
00:00:11,750 --> 00:00:12,990
and turns a volume knob.
5
00:00:13,970 --> 00:00:17,330
Now the age 77 crew opens fire... | 1
00:00:02,320 --> 00:00:04,440
and tightens around a machine pistol.
2
00:00:10,840 --> 00:00:12,560
The gun toting gangster nods.
3
00:00:17,360 --> 00:00:19,080
The two sides fire at each other.
4
00:00:19,080 --> 00:00:20,480
Booker ducks behind the crates
5
00:00:20,480 --> 00:00:21,400
and fires back.
6
00:0... | 1
00:00:04,670 --> 00:00:06,680
Can we count the cash, or what?
2
00:00:06,700 --> 00:00:10,040
This is a nice song.
Put it louder.
3
00:00:13,680 --> 00:00:15,280
Now!
4
00:01:21,550 --> 00:01:23,920
Put it down! Put it down!
5
00:01:23,950 --> 00:01:25,390
Can you hear me?
6
00:01:25,420 --> 00:01:27,760
I'm gon... | 1
00:00:00,790 --> 00:00:03,800
[RUN THE JEWELS' "2100"
PLAYING ON STEREO]
2
00:00:04,670 --> 00:00:06,680
Can we count the cash, or what?
3
00:00:06,700 --> 00:00:10,040
This is a nice song.
Put it louder.
4
00:00:12,540 --> 00:00:13,650
[VOLUME INCREASES]
5
00:00:13,670 --> 00:00:15,280
Now!
6
00:00:17,350 --> 0... | null | 7438.46 | 2485.22 | 143.62 |
bad_boys_for_life | tt1502397 | xN_S9uNZuFkn | 1
00:00:01,520 --> 00:00:03,560
Marcus speeds into crash attenuators.
2
00:00:03,560 --> 00:00:05,480
Water sloshes out of the large barrels.
3
00:00:07,160 --> 00:00:08,640
Mike looks up at the helicopter,
4
00:00:08,640 --> 00:00:10,120
then climbs the racks toward it.
5
00:00:10,560 --> 00:00:12,160
Armando shoo... | 1
00:00:01,370 --> 00:00:03,530
bumping into a crate of gas canisters.
2
00:00:03,530 --> 00:00:06,090
Marcus bowls into water filled barrier barrels.
3
00:00:08,730 --> 00:00:10,490
Mike climbs up on a crate.
4
00:00:14,730 --> 00:00:16,730
Armando fires at him, hitting the crates,
5
00:00:16,730 --> 00:00:18,210
... | 1
00:00:01,910 --> 00:00:03,520
Oh, oh!
2
00:00:30,270 --> 00:00:31,270
Move!
3
00:00:31,880 --> 00:00:34,350
Get out of the fucking way!
4
00:00:47,790 --> 00:00:49,400
Haste el fuego.
| 1
00:00:01,910 --> 00:00:03,520
Oh, oh!
2
00:00:05,220 --> 00:00:06,650
[GROANING]
3
00:00:07,950 --> 00:00:10,500
[♪♪♪]
4
00:00:10,520 --> 00:00:11,660
[GRUNTS]
5
00:00:13,120 --> 00:00:16,860
[GRUNTS, YELLS]
6
00:00:22,740 --> 00:00:24,050
[GRUNTS]
7
00:00:24,070 --> 00:00:26,440
[♪♪♪]
8
00:00:30,270 --> 00:00... | {"screenplay_scene_228": "<scene>\n <stage_direction>EXT. INDIAN RIVER - NIGHT</stage_direction>\n <scene_description>Mike's Ferrari arrives at an INDUSTRIAL AREA near the river. He gets out. Looks around. Sees a boat shed, but no Luttrell. A beat later and a car approaches. We think it's Luttrell, but the driver... | 7438.46 | 4847.20 | 85.01 |
bad_boys_for_life | tt1502397 | G2LL0Dw2YVOu | 1
00:00:14,430 --> 00:00:15,950
Glimpses show the assassinations.
2
00:01:50,250 --> 00:01:52,810
A glimpse shows Isabel on the patio in Mexico City.
3
00:02:03,490 --> 00:02:04,370
Mike looks up.
4
00:02:23,430 --> 00:02:25,190
Fucking Mike stands.
5
00:02:46,270 --> 00:02:46,950
The traitor is.
6
00:02:49,590 --... | 1
00:01:50,750 --> 00:01:52,310
Isabel prays on the rooftop
2
00:01:52,310 --> 00:01:53,350
and kisses her thumb.
3
00:01:57,590 --> 00:01:59,150
A tear rolls down his cheek.
4
00:02:23,430 --> 00:02:25,870
Fucking Mike jumps up.
5
00:02:47,950 --> 00:02:48,910
The traitor is coming.
6
00:02:49,110 --> 00:02:49,95... | 1
00:00:00,310 --> 00:00:05,960
Twenty-four years ago,
before we partnered up, um...
2
00:00:05,980 --> 00:00:08,800
Captain Howard pulled me
right out of the academy.
3
00:00:08,820 --> 00:00:11,060
Uh, nobody knew who I was.
4
00:00:11,090 --> 00:00:14,960
He sent me in undercover
with the Aretas cartel.
5
00:00:... | 1
00:00:00,310 --> 00:00:05,960
Twenty-four years ago,
before we partnered up, um...
2
00:00:05,980 --> 00:00:08,790
Captain Howard pulled me
right out of the academy.
3
00:00:08,820 --> 00:00:11,060
Uh, nobody knew who I was.
4
00:00:11,090 --> 00:00:14,960
He sent me in undercover
with the Aretas cartel.
5
00:00:... | null | 7438.46 | 5157.95 | 208.47 |
bad_boys_for_life | tt1502397 | xZByfjClH5s9 | 1
00:00:01,170 --> 00:00:03,490
Spotting Marcus, Mike stands and draws two guns.
2
00:00:03,530 --> 00:00:04,490
Armando enters.
3
00:00:06,170 --> 00:00:08,650
He aims one gun behind Marcus and another at Mike.
4
00:00:11,250 --> 00:00:13,290
He walks Marcus toward Mike and Isabel.
5
00:00:13,330 --> 00:00:15,610
... | 1
00:00:00,610 --> 00:00:02,530
Mike jumps up pointing two guns.
2
00:00:04,490 --> 00:00:06,250
Armando enters behind Marcus.
3
00:00:08,850 --> 00:00:11,890
Armando aims one of two guns at the back of Marcus head.
4
00:00:12,250 --> 00:00:13,730
He points the other at Mike.
5
00:00:14,010 --> 00:00:15,050
Members... | 1
00:00:08,800 --> 00:00:10,730
Keep it moving, detective.
2
00:00:19,580 --> 00:00:21,190
You see that?
3
00:00:21,210 --> 00:00:23,390
Drop it.
4
00:00:23,410 --> 00:00:25,060
Let's go!
5
00:00:25,080 --> 00:00:26,320
Let's go!
6
00:00:26,350 --> 00:00:27,790
What you gonna do?
7
00:00:27,820 --> 00:00:29,530
-... | 1
00:00:00,220 --> 00:00:01,950
[ARMANDO WHISTLES]
2
00:00:05,160 --> 00:00:06,740
[WHISTLES]
3
00:00:06,760 --> 00:00:08,770
[SIGHS]
4
00:00:08,800 --> 00:00:10,710
Keep it moving, detective.
5
00:00:10,730 --> 00:00:13,110
[♪♪♪]
6
00:00:13,130 --> 00:00:14,800
[GUNS RACKING]
7
00:00:19,570 --> 00:00:21,180
ARMA... | {"screenplay_scene_246": "<scene>\n <stage_direction>INT. CONTAINER SHIP - HOLD - MOMENTS LATER</stage_direction>\n <scene_description>Mike is dragged into the hold by two gunmen. Another two are already inside -- along with Luga. Mike's knees get kicked out from behind him. He drops. Luga stands over him. Loving... | 7438.46 | 6046.91 | 75.33 |
bad_boys_for_life | tt1502397 | JvUzHK8KoQ1Y | 1
00:00:00,770 --> 00:00:02,530
Marcus in slow motion.
2
00:00:02,530 --> 00:00:04,890
Mike tosses one of his guns to his partner.
3
00:00:05,090 --> 00:00:06,330
Marcus misses the catch
4
00:00:06,330 --> 00:00:07,850
and the gun soars over his head.
5
00:00:13,250 --> 00:00:15,530
Mike shields himself with an ove... | 1
00:00:00,750 --> 00:00:01,350
Marcus
2
00:00:02,870 --> 00:00:04,590
Mike throws a pistol to Marcus,
3
00:00:04,590 --> 00:00:06,870
who's arms flail as it flies over his head.
4
00:00:15,710 --> 00:00:17,350
Mike ducks behind a table.
5
00:00:20,070 --> 00:00:22,150
Marcus joins him from behind a column.
6
00:0... | 1
00:00:00,820 --> 00:00:02,460
Marcus!
2
00:00:09,070 --> 00:00:12,080
- Put your glasses on!
- What the hell was that?
3
00:00:12,100 --> 00:00:13,640
That was a bad throw!
4
00:00:17,780 --> 00:00:19,710
Yo, Mike, careful!
5
00:00:22,710 --> 00:00:24,490
You were right
about the glasses.
6
00:00:24,520 --> 00:0... | 1
00:00:00,820 --> 00:00:02,430
Marcus!
2
00:00:02,460 --> 00:00:04,760
[♪♪♪]
3
00:00:07,560 --> 00:00:09,040
[GUN CLATTERS ON GROUND]
4
00:00:09,070 --> 00:00:12,080
- Put your glasses on!
- What the hell was that?
5
00:00:12,100 --> 00:00:13,610
That was a bad throw!
6
00:00:13,640 --> 00:00:15,740
[SHOUTING IN ... | {"screenplay_scene_248": "<scene>\n <stage_direction>INT. CONTAINER SHIP - HOLD - CONTINUOUS</stage_direction>\n <scene_description>Gunmen look up as Marcus rushes inside. Bullets start FLYING. Marcus DROPS, ROLLS and COMES BACK UP -- SHOOTING BACK. Kills two gunmen instantly -- then shoots a third as -- -- Mike ... | 7438.46 | 6131.33 | 69.31 |
bad_boys_for_life | tt1502397 | 83Iz4Nd_L2H0 | 1
00:00:01,250 --> 00:00:01,530
Mike
2
00:00:01,530 --> 00:00:04,050
Marcus and the ammo team move forward as they open fire.
3
00:00:07,650 --> 00:00:08,770
Dorn drops his rifle,
4
00:00:08,810 --> 00:00:10,210
takes out a henchman with a pistol,
5
00:00:10,210 --> 00:00:11,530
then shoots another in the gut.
6
0... | 1
00:00:02,440 --> 00:00:05,320
The team moves out from behind the bar, shooting as they go.
2
00:00:08,640 --> 00:00:10,000
Dorn drops his assault rifle,
3
00:00:10,000 --> 00:00:11,360
then fires with a handgun.
4
00:00:11,400 --> 00:00:12,440
He sees a guy in the face,
5
00:00:12,440 --> 00:00:13,240
then grabs ... | 1
00:00:00,450 --> 00:00:01,720
Go!
2
00:00:06,490 --> 00:00:08,230
Transition!
3
00:00:22,340 --> 00:00:23,340
Go!
4
00:00:28,550 --> 00:00:29,950
Shit.
5
00:00:35,120 --> 00:00:37,570
- Shoot!
- Take them both!
6
00:00:37,590 --> 00:00:38,990
Right there, right there!
7
00:01:07,420 --> 00:01:10,320
Where the h... | 1
00:00:00,450 --> 00:00:01,700
Go!
2
00:00:01,720 --> 00:00:04,020
[♪♪♪]
3
00:00:06,490 --> 00:00:08,200
Transition!
4
00:00:08,230 --> 00:00:09,900
[ALL GRUNTING]
5
00:00:20,570 --> 00:00:22,320
[GROANS]
6
00:00:22,340 --> 00:00:23,340
Go!
7
00:00:28,550 --> 00:00:29,930
Shit.
8
00:00:29,950 --> 00:00:31,450
[... | {"screenplay_scene_250": "<scene>\n <stage_direction>EXT. CONTAINER SHIP - SAME</stage_direction>\n <scene_description>Cam, backed by Daltrey, Sanchez and the wave of new cops on the scene, take the remaining gunmen into custody.</scene_description>\n <character>CAM</character>\n <dialogue>Go Mike.</dialogu... | 7438.46 | 6239.01 | 76.44 |
bad_boys_for_life | tt1502397 | j_u68_G70E5I | 1
00:00:01,280 --> 00:00:04,200
On the second floor, a gunman on a balcony shoots Kelly in the leg.
2
00:00:04,240 --> 00:00:05,680
As Rita pulls her to safety.
3
00:00:05,720 --> 00:00:08,240
Dorn notices a crack in the pillar holding up the balcony.
4
00:00:08,760 --> 00:00:10,600
Gritting his teeth, he charges at... | 1
00:00:00,300 --> 00:00:02,460
who ducks behind exposed stud walls.
2
00:00:04,900 --> 00:00:06,220
Kelly shot in the leg.
3
00:00:06,220 --> 00:00:07,740
Rita drags her to safety.
4
00:00:07,980 --> 00:00:09,740
Dorn sees the culprit on a balcony,
5
00:00:09,740 --> 00:00:10,620
clenches his jaw
6
00:00:10,620 -... | 1
00:00:17,870 --> 00:00:19,950
Mike!
2
00:00:19,980 --> 00:00:22,110
- Take out the pilot!
- Take out the rotor!
3
00:00:24,820 --> 00:00:27,460
- What are you aiming at?!
- The pilot!
4
00:00:27,480 --> 00:00:30,290
Aim at the rotor!
If you shoot the pilot...
5
00:00:31,860 --> 00:00:33,760
Got him!
6
00:00:39,4... | 1
00:00:00,990 --> 00:00:03,490
[GROANING]
2
00:00:10,400 --> 00:00:12,130
[YELLS]
3
00:00:17,870 --> 00:00:19,950
Mike!
4
00:00:19,970 --> 00:00:22,110
- Take out the pilot!
- Take out the rotor!
5
00:00:24,810 --> 00:00:27,460
- What are you aiming at?!
- The pilot!
6
00:00:27,480 --> 00:00:30,290
Aim at the rot... | null | 7438.46 | 6317.95 | 64.06 |
bad_boys_for_life | tt1502397 | bZFHTo9dmIyt | 1
00:00:00,490 --> 00:00:03,410
The raging flames reach up through the floorboards next to Mike's face
2
00:00:03,410 --> 00:00:05,710
as Armando keeps him pinned down above.
3
00:00:05,710 --> 00:00:08,270
Marcus collapses into a chair, gripping his bleeding arm.
4
00:00:08,310 --> 00:00:09,150
Mike rolls away
5
0... | 1
00:00:01,310 --> 00:00:03,070
Fire rips up through the hotel.
2
00:00:03,230 --> 00:00:07,270
Armando presses Mike's face to the floor, where flames are coming up through the cracks,
3
00:00:07,510 --> 00:00:09,790
Clutching his wounds, Marcus slumps in a chair.
4
00:00:12,630 --> 00:00:13,590
Mike rolls away
5
0... | 1
00:01:02,490 --> 00:01:03,720
Armando...
2
00:01:06,690 --> 00:01:08,120
you're my son.
3
00:01:12,900 --> 00:01:14,330
You're my son.
4
00:01:17,200 --> 00:01:19,200
I don't wanna fight.
5
00:01:35,820 --> 00:01:37,150
Uh-uh.
6
00:01:39,220 --> 00:01:40,790
Stay down.
7
00:01:43,060 --> 00:01:45,090
I said, st... | 1
00:00:02,990 --> 00:00:06,160
[♪♪♪]
2
00:00:07,460 --> 00:00:08,530
[GROANS]
3
00:00:11,060 --> 00:00:12,530
[SCREAMS]
4
00:00:17,500 --> 00:00:19,210
[BOTH PANTING]
5
00:00:20,410 --> 00:00:22,340
[GASPING]
6
00:00:25,350 --> 00:00:27,150
[WHEEZING]
7
00:00:34,690 --> 00:00:36,570
[COUGHING]
8
00:00:36,590 --... | null | 7438.46 | 6445.98 | 182.70 |
bad_boys_for_life | tt1502397 | vV4mmwqKqIQt | 1
00:00:00,610 --> 00:00:02,930
As Isabel aims at Mike, Armando steps forward
2
00:00:02,930 --> 00:00:04,250
and the bullet hits his chest.
3
00:00:06,330 --> 00:00:08,060
Mike catches the dazed young man
4
00:00:08,060 --> 00:00:09,500
and they both stare at Isabel.
5
00:00:11,620 --> 00:00:12,780
The mother gape... | 1
00:00:03,490 --> 00:00:06,250
Armando steps forward to stop Isabel shooting Mike
2
00:00:06,290 --> 00:00:08,010
and her bullet hits him instead.
3
00:00:08,330 --> 00:00:10,770
Armando stares at her, his jaw slack.
4
00:00:11,090 --> 00:00:12,170
Mike holds him up.
5
00:00:12,370 --> 00:00:13,490
Isabel gapes in... | 1
00:00:00,460 --> 00:00:02,760
- No, no, wait, wait, wait...
- Shit.
2
00:00:33,930 --> 00:00:36,140
Lay down. Down. Down.
3
00:00:36,170 --> 00:00:37,900
Oh, shit.
4
00:00:44,240 --> 00:00:45,890
Mike, we gotta go.
5
00:00:45,910 --> 00:00:48,290
Mike! Gotta move! Now!
6
00:00:48,310 --> 00:00:49,780
Mike! We go... | 1
00:00:00,460 --> 00:00:02,740
- No, no, wait, wait, wait...
- Shit.
2
00:00:02,770 --> 00:00:04,700
[♪♪♪]
3
00:00:10,840 --> 00:00:12,240
[GASPS]
4
00:00:15,950 --> 00:00:16,920
[YELLS]
5
00:00:16,950 --> 00:00:18,150
[GUNSHOT]
6
00:00:23,690 --> 00:00:25,620
[♪♪♪]
7
00:00:33,930 --> 00:00:36,140
Lay down. Down... | {"screenplay_scene_252": "<scene>\n <stage_direction>EXT. CONTAINER SHIP - MOMENTS LATER</stage_direction>\n <scene_description>A MEDICAL HELICOPTER comes in for a landing. Mike comes rushing out a hatch -- onto the main deck. He looks around. Sees Marcus on a stretcher -- loaded into the helicopter, its doors sh... | 7438.46 | 6675.01 | 105.98 |
the_flintstones | tt0109813 | 0m2qnptdAvyX | 1
00:00:05,200 --> 00:00:06,040
Cliff Vandercave.
2
00:00:10,680 --> 00:00:11,920
Executive vice president?
3
00:00:11,960 --> 00:00:12,320
No.
4
00:00:25,880 --> 00:00:28,240
She blows a smoke dollar sign.
5
00:00:34,240 --> 00:00:35,200
He holds her chin
6
00:00:35,200 --> 00:00:36,520
and turns to the window.
... | 1
00:00:45,020 --> 00:00:48,860
Fred Flintstone sits on the back of a dinosaur working in the quarry.
2
00:00:49,030 --> 00:00:54,620
When the foreman pulls the tail of a buzzard, alerting the workers that the working day is over.
3
00:00:55,160 --> 00:00:57,330
Fred celebrates by punching the air,
4
00:00:57,580 --... | 1
00:00:00,130 --> 00:00:02,980
Look at those pathetic worms
2
00:00:03,010 --> 00:00:05,820
burrowing their lives away.
3
00:00:05,850 --> 00:00:09,120
Do you know why I'm up here and
they're down there, Miss Stone?
4
00:00:09,140 --> 00:00:11,700
Because you lied on your resume?
5
00:00:11,730 --> 00:00:13,660
No... | 1
00:00:00,120 --> 00:00:02,980
Look at those pathetic worms
2
00:00:03,000 --> 00:00:05,810
burrowing their lives away.
3
00:00:05,840 --> 00:00:09,110
Do you know why I'm up here and
they're down there, Miss Stone?
4
00:00:09,130 --> 00:00:11,700
Because you lied on your resume?
5
00:00:11,720 --> 00:00:13,660
No... | {"screenplay_scene_1": "<scene>\n <stage_direction>EXT. SLATE QUARRY - DAY</stage_direction>\n <scene_description>FRED FLINTSTONE , archetypical Everyman , sits atop his faithful heavy - equipment dinosaur , cranking the winch that makes the mighty beast rip and tear into the quarry wall . THE QUARRY FOREMAN look... | 5438.88 | 62.50 | 91.37 |
the_flintstones | tt0109813 | wI3wmU0Ct2g7 | 1
00:00:01,810 --> 00:00:04,370
A boy with tangled hair peeks out from behind her.
2
00:00:04,770 --> 00:00:06,050
He runs back behind her.
3
00:00:51,270 --> 00:00:52,710
Bamm-Bamm steps out.
4
00:00:52,990 --> 00:00:54,950
Bamm-Bamm sniffs Barney's hand.
5
00:00:56,470 --> 00:00:57,950
Wilma holds a camera.
6
00... | 1
00:00:51,950 --> 00:00:56,790
A young boy wearing a loincloth has a dirty face and wild, unkempt hair.
2
00:00:57,160 --> 00:00:59,500
He startled as Wilma takes a photo.
3
00:01:09,840 --> 00:01:12,860
Bam bam bashes Barney over the head with a club.
4
00:01:13,110 --> 00:01:14,690
Then jumps out of the window
5... | 1
00:00:05,750 --> 00:00:07,190
Barney, isn't he precious?
2
00:00:07,210 --> 00:00:08,900
Precious? They'd have been
better off with the monkey.
3
00:00:08,920 --> 00:00:10,400
Fred!
4
00:00:10,420 --> 00:00:12,940
- Does he have a name?
- Bamm-Bamm.
5
00:00:12,970 --> 00:00:16,940
- Is that short for somethin'?
-... | 1
00:00:02,950 --> 00:00:05,720
- (BOTH GASPING)
- (BARNEY GIGGLES)
2
00:00:05,740 --> 00:00:07,180
Barney, isn't he precious?
3
00:00:07,200 --> 00:00:08,890
Precious? They'd have been
better off with the monkey.
4
00:00:08,910 --> 00:00:10,390
Fred!
5
00:00:10,410 --> 00:00:12,930
- Does he have a name?
- Bamm-Ba... | null | 5438.88 | 659.10 | 126.50 |
the_flintstones | tt0109813 | UEIrgHQdVXsR | 1
00:00:09,590 --> 00:00:11,910
The man from the bowling team pulls a cord.
2
00:00:12,110 --> 00:00:13,670
A record player spins.
3
00:00:14,110 --> 00:00:16,150
He puts a bird's beak on the record.
4
00:01:09,330 --> 00:01:11,250
Betty hands him a briefcase.
5
00:02:13,390 --> 00:02:15,470
Dino joins in the conga... | 1
00:00:10,470 --> 00:00:14,430
A surprise party has been arranged for Fred in Barney's house.
2
00:01:09,030 --> 00:01:10,110
A briefcase.
| 1
00:00:00,820 --> 00:00:02,900
Surprise!
2
00:00:03,600 --> 00:00:06,750
Way to go, Fred!
3
00:00:18,790 --> 00:00:21,150
- Wilma, you shouldn't have.
- Hmm?
4
00:00:21,170 --> 00:00:25,780
I didn't. This was all
Barney and Betty's idea.
5
00:00:25,800 --> 00:00:30,240
Aren't we lucky to have
friends like them, Fr... | 1
00:00:00,810 --> 00:00:02,870
ALL: Surprise!
2
00:00:02,890 --> 00:00:06,740
- (ALL CHEERING)
- Way to go, Fred!
3
00:00:16,410 --> 00:00:18,760
(MUSIC PLAYING)
4
00:00:18,790 --> 00:00:21,140
- Wilma, you shouldn't have.
- Hmm?
5
00:00:21,160 --> 00:00:25,770
I didn't. This was all
Barney and Betty's idea.
6
00... | {"screenplay_scene_23": "<scene>\n <stage_direction>INT. LODGE - RECREATION AREA - LATER</stage_direction>\n <scene_description>WIDEN as Barney propels a bowling ball -LRB- stone , of course -RRB- rumbling down the alley , sending pins flying . The Buffaloes cheer Barney 's strike . We notice that most -LRB- if n... | 5438.88 | 2076.03 | 186.16 |
the_flintstones | tt0109813 | H0T_VbtRMPHT | 1
00:00:22,410 --> 00:00:23,530
Friend puts his foot on the table.
2
00:00:28,650 --> 00:00:30,570
Fred walks past the executives,
3
00:00:30,570 --> 00:00:32,450
slamming his briefcase into their heads.
4
00:01:35,070 --> 00:01:36,430
Fred raises his hand.
| 1
00:00:03,810 --> 00:00:07,460
Gentlemen, please. I cannot
endorse this modernization...
2
00:00:07,480 --> 00:00:09,790
if it means laying off
all those workers.
3
00:00:09,820 --> 00:00:12,290
Some have been here since
the beginning of time.
4
00:00:12,320 --> 00:00:14,210
What if I could
quadruple your income?
... | 1
00:00:02,130 --> 00:00:03,780
(SHOUTING STOPS)
2
00:00:03,800 --> 00:00:07,450
Gentlemen, please. I cannot
endorse this modernization...
3
00:00:07,470 --> 00:00:09,780
if it means laying off
all those workers.
4
00:00:09,810 --> 00:00:12,290
Some have been here since
the beginning of time.
5
00:00:12,310 --> 00:... | {"screenplay_scene_25": "<scene>\n <stage_direction>EXT. QUARRY - DAY</stage_direction>\n <scene_description>Fred and Barney appear in Fred 's car , make a very quick turn into the quarry lot . CLOSER They both duck down behind the wheel . A moment later , Feldspar 's patrol car comes barrelling by . Feldspar loo... | 5438.88 | 2323.87 | 114.82 | |
the_flintstones | tt0109813 | PGBni7DBrOk2 | 1
00:00:01,650 --> 00:00:02,170
In the office.
2
00:00:53,970 --> 00:00:54,370
No,
3
00:00:54,370 --> 00:00:56,050
she lies on the desk.
4
00:01:11,030 --> 00:01:13,390
Wilma walks in Miss.
5
00:01:13,390 --> 00:01:14,870
Stone rolls onto her back.
6
00:01:15,350 --> 00:01:16,350
Wilma cocks her.
7
00:01:44,630 -... | 1
00:01:44,140 --> 00:01:47,350
Fred Miss Stone as she slinks out of his office.
2
00:01:47,650 --> 00:01:49,480
Wilma slaps him in the chest.
| 1
00:00:00,270 --> 00:00:02,170
And in conclusion, Mr. Slate,
2
00:00:02,190 --> 00:00:06,000
I feel a paid vacation for everyone
in the quarry would raise morale
3
00:00:06,030 --> 00:00:10,280
and increase productivity,
um, um... A whole bunch!
4
00:00:10,530 --> 00:00:13,340
Sincerely yours,
Frederick J. Flintsto... | 1
00:00:00,260 --> 00:00:02,160
And in conclusion, Mr. Slate,
2
00:00:02,180 --> 00:00:06,000
I feel a paid vacation for everyone
in the quarry would raise morale
3
00:00:06,020 --> 00:00:10,270
and increase productivity,
um, um... A whole bunch!
4
00:00:10,520 --> 00:00:13,340
Sincerely yours,
Frederick J. Flintsto... | {"screenplay_scene_26": "<scene>\n <stage_direction>INT. SLATE'S OFFICE - DAY</stage_direction>\n <scene_description>Slate is practicing hitting golf balls into an automatic putting cup . Lava and some office workers are checking a blueprint against a model of `` Slate City '' which is made out of Fibrerock . A b... | 5438.88 | 2517.18 | 133.91 |
the_flintstones | tt0109813 | FeH6_A_EYR9X | 1
00:00:00,430 --> 00:00:03,670
Snob auto on display, a red sports car.
2
00:00:03,710 --> 00:00:06,030
0 to 60 in 500 footsteps.
3
00:00:08,910 --> 00:00:11,070
He drives out with the red car.
4
00:00:19,230 --> 00:00:19,470
Town
5
00:00:19,470 --> 00:00:20,870
at Chevrox gas.
6
00:00:25,270 --> 00:00:27,630
Barn... | 1
00:00:00,490 --> 00:00:04,240
Fred celebrates his good fortune by throwing the money into the air.
2
00:00:04,950 --> 00:00:10,750
Later, Fred drives his basic model vehicle into a garage called Snobs Autos.
3
00:00:11,120 --> 00:00:20,840
Then moments later, drives back out in a fancy red sports car with a number ... | 1
00:00:05,160 --> 00:00:09,330
Yabba-dabba-doo!
2
00:00:11,420 --> 00:00:14,230
Flintstones
Meet the Flintstones
3
00:00:14,250 --> 00:00:18,190
They're the modern
Stone Age family
4
00:00:18,210 --> 00:00:20,570
From the town of Bedrock
5
00:00:20,590 --> 00:00:22,150
They're a page right out of history
6
00:00:... | 1
00:00:05,150 --> 00:00:09,330
FRED: Yabba-dabba-doo!
2
00:00:11,410 --> 00:00:14,220
Flintstones
Meet the Flintstones
3
00:00:14,240 --> 00:00:18,180
They're the modern
Stone Age family
4
00:00:18,210 --> 00:00:20,560
From the town of Bedrock
5
00:00:20,580 --> 00:00:22,140
They're a page right out of history
6
... | null | 5438.88 | 2942.98 | 90.93 |
the_flintstones | tt0109813 | t8VQDPnZ6189 | 1
00:00:13,560 --> 00:00:15,920
Fred and Wilma twist on the dance floor.
2
00:00:28,400 --> 00:00:30,000
Betty dances in her seat.
3
00:01:48,240 --> 00:01:49,920
Fred tosses him a sand dollar.
4
00:02:19,200 --> 00:02:22,360
He pulls the tablecloth out from under the plates and glasses.
5
00:02:26,920 --> 00:02:28... | 1
00:00:04,600 --> 00:00:06,980
At a club called cavern on the green.
2
00:00:07,230 --> 00:00:12,780
Fred and Wilma are dancing enthusiastically to the music being played by a live band.
| 1
00:00:00,250 --> 00:00:03,170
Ladies and gentlemen, the B.C.-52's!
2
00:00:06,540 --> 00:00:11,390
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, hey
3
00:00:13,300 --> 00:00:16,110
Twitch!
4
00:00:16,140 --> 00:00:19,870
Well, I know a place
where the hipsters go
5
00:00:19,890 --> 00:00:23,080
Called Bedrock
Tw... | 1
00:00:00,240 --> 00:00:03,140
ANNOUNCER:
Ladies and gentlemen, the B.C.-52's!
2
00:00:03,160 --> 00:00:05,540
(CROWD CHEERING)
3
00:00:06,540 --> 00:00:11,380
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, hey
4
00:00:13,290 --> 00:00:16,110
Twitch!
5
00:00:16,130 --> 00:00:19,860
Well, I know a place
where the h... | null | 5438.88 | 3175.62 | 153.44 |
the_flintstones | tt0109813 | 9w5XhPhNjjGq | 1
00:00:03,440 --> 00:00:05,740
Behind the bar on television, and the.
2
00:00:06,700 --> 00:00:07,500
Continues.
3
00:02:00,680 --> 00:02:02,460
He punches Fred in the face.
4
00:02:04,420 --> 00:02:06,620
Pterosaurs fly around Fred's head.
5
00:02:07,460 --> 00:02:08,260
He falls.
6
00:02:08,820 --> 00:02:10,260... | 1
00:00:00,210 --> 00:00:04,590
A shocked Barney watches a black and white news report on a television screen.
2
00:02:04,050 --> 00:02:05,930
Barney punches Fred in the face.
3
00:02:06,510 --> 00:02:08,220
Dazed, Fred sways a little
4
00:02:08,260 --> 00:02:10,600
before falling backwards onto the ground.
| 1
00:00:01,920 --> 00:00:05,440
Flintstone! Flintstone!
We want Flintstone!
2
00:00:05,470 --> 00:00:09,410
The demonstration continues to
get uglier at Slate and Company
3
00:00:09,430 --> 00:00:14,120
following the unexpected layoff
of virtually the entire labor force
4
00:00:14,140 --> 00:00:16,370
by V.P. Fred F... | 1
00:00:01,920 --> 00:00:05,440
CROWD ON TV: Flintstone!
Flintstone! We want Flintstone!
2
00:00:05,460 --> 00:00:09,400
The demonstration continues to
get uglier at Slate and Company
3
00:00:09,420 --> 00:00:14,110
following the unexpected layoff
of virtually the entire labor force
4
00:00:14,140 --> 00:00:16,360
b... | {"screenplay_scene_30": "<scene>\n <stage_direction>INT. LODGE HALL</stage_direction>\n <scene_description>TIGHT ON Fred as he leans back in his usual chair .</scene_description>\n <character>HERDMASTER</character>\n <dialogue>The election committee will make the preparations.</dialogue>\n <character>FRE... | 5438.88 | 3329.34 | 132.19 |
the_flintstones | tt0109813 | W61ztfln1eR6 | 1
00:02:05,860 --> 00:02:06,940
They try to hug.
2
00:02:07,140 --> 00:02:08,380
Their hands are tied.
3
00:02:08,980 --> 00:02:10,620
Barney leans against Fred.
| 1
00:00:01,060 --> 00:00:03,680
Fred runs for his life through the streets of bedrock.
2
00:00:03,810 --> 00:00:06,600
A mad crowd of men and women in hot pursuit.
3
00:02:06,110 --> 00:02:10,900
With their hands tied and a noose around their necks, the two men share an intimate moment.
| 1
00:00:07,630 --> 00:00:09,730
String him up!
2
00:00:09,760 --> 00:00:11,990
You can't do this. I was framed!
3
00:00:12,010 --> 00:00:16,510
In a minute you're going to be boxed.
4
00:00:19,930 --> 00:00:22,180
Anybody want a snow cone?
5
00:00:22,600 --> 00:00:24,900
- Barney!
- Fred!
6
00:00:25,480 --> 00:00:... | 1
00:00:07,620 --> 00:00:09,730
MAN: String him up!
2
00:00:09,750 --> 00:00:11,980
You can't do this. I was framed!
3
00:00:12,000 --> 00:00:16,510
- In a minute you're going to be boxed.
- (CROWD CHEERING)
4
00:00:18,340 --> 00:00:22,570
- (MUSIC PLAYS)
- Anybody want a snow cone?
5
00:00:22,600 --> 00:00:24,890
... | {"screenplay_scene_43": "<scene>\n <stage_direction>INT. FRED'S CAR - TRAVELLING</stage_direction>\n <scene_description>Fred and Barney rush along , Fred at the wheel .</scene_description>\n <character>FRED</character>\n <dialogue>What'll we do when we get there?</dialogue>\n <character>BARNEY</character... | 5438.88 | 4161.60 | 135.21 |
the_flintstones | tt0109813 | lBHfchrbVQc_ | 1
00:00:27,220 --> 00:00:27,780
Breaks.
2
00:00:34,600 --> 00:00:35,880
The kids struggle.
3
00:00:39,920 --> 00:00:42,000
Around Boulder rolls down.
4
00:00:44,240 --> 00:00:47,000
A catapult throws the rock onto the mine cars.
5
00:00:51,680 --> 00:00:53,520
The rocks go into a grinder.
6
00:00:54,520 --> 00:00:... | 1
00:00:04,400 --> 00:00:06,490
The children are tied up in a cart,
2
00:00:06,490 --> 00:00:09,700
which starts to move towards the heavy duty machinery.
3
00:00:33,470 --> 00:00:34,720
Using all of their strength.
4
00:00:34,720 --> 00:00:37,890
Fred and Barney try to push the lever into the off position.
5
00:00... | 1
00:00:00,890 --> 00:00:02,900
Help, Daddy!
2
00:00:09,280 --> 00:00:12,380
Let's discuss this, Cliff.
May I call you Cliff?
3
00:00:12,410 --> 00:00:15,410
Barney, too much pressure.
4
00:00:23,120 --> 00:00:26,460
One, two, three...
5
00:00:28,880 --> 00:00:30,480
Nice goin'.
6
00:00:30,510 --> 00:00:33,600
- N... | 1
00:00:00,890 --> 00:00:02,890
PEBBLES: Help, Daddy!
2
00:00:09,270 --> 00:00:12,370
DICTABIRD: Let's discuss this,
Cliff. May I call you Cliff?
3
00:00:12,400 --> 00:00:15,400
(GRUNTING) Barney, too much pressure.
4
00:00:23,120 --> 00:00:26,430
(GRUNTING) One, two, three...
5
00:00:26,450 --> 00:00:28,710
(YELLI... | {"screenplay_scene_52": "<scene>\n <stage_direction>EXT. FIBRESPHERE - LONG SHOT</stage_direction>\n <scene_description>The Slate Needle tumbles down , taking a big chunk of the Fibresphere with it ! But the rest of the huge globe stays put . for now . RESCUE WORKERS BELOW gasp , cry out - UP ABOVE Already the fi... | 5438.88 | 4528.32 | 245.78 |
star_trek_first_contact | tt0117731 | MgWrbqhlJXPU | 1
00:00:02,950 --> 00:00:04,310
Worf looks surprised.
2
00:00:06,190 --> 00:00:07,430
He rises to his feet.
3
00:00:07,670 --> 00:00:10,950
An exterior view shows the enterprise arriving at the battle.
4
00:00:11,390 --> 00:00:13,830
The Borg cube fires at it to no avail.
5
00:00:14,270 --> 00:00:15,710
On the Ente... | 1
00:00:10,110 --> 00:00:13,920
The enterprise cruises into battle, dwarfing all the other ships.
2
00:00:36,140 --> 00:00:38,150
Picard frowns as he watches.
3
00:01:06,140 --> 00:01:08,480
They watch as another fleet ship is hit.
4
00:01:14,630 --> 00:01:19,200
The enterprise fires powerful red laser beams onto a ... | 1
00:00:00,480 --> 00:00:03,270
Sir, there's another starship coming in.
2
00:00:04,520 --> 00:00:06,270
It's the Enterprise.
3
00:00:16,410 --> 00:00:17,830
The Defiant's losing life support.
4
00:00:17,910 --> 00:00:21,460
Bridge to Transporter Room 3.
Beam the Defiant survivors aboard.
5
00:00:21,540 --> 00:00:2... | 1
00:00:00,480 --> 00:00:03,270
Sir, there's another starship coming in.
2
00:00:04,520 --> 00:00:06,270
It's the Enterprise.
3
00:00:16,410 --> 00:00:17,820
The Defiant's losing life support.
4
00:00:17,910 --> 00:00:21,450
Bridge to Transporter Room 3.
Beam the Defiant survivors aboard.
5
00:00:21,540 --> 00:00:2... | {"screenplay_scene_18": "<scene>\n <stage_direction>INT. BRIDGE</stage_direction>\n <character>DATA</character>\n <dialogue>We are approaching the Terran System, Captain.</dialogue>\n <character>PICARD</character>\n <dialogue>Go to impulse. Where's the Borg ship?</dialogue>\n <character>DATA</characte... | 6655.14 | 609.54 | 101.63 |
star_trek_first_contact | tt0117731 | obYUVlJQGq_3 | 1
00:00:09,530 --> 00:00:10,090
Deanna
2
00:00:10,090 --> 00:00:12,330
Geordi and Riker exchange looks.
3
00:01:33,170 --> 00:01:34,770
Zee bites his bottom lip.
4
00:01:36,650 --> 00:01:38,930
He works his jaw in contemplation.
5
00:01:39,370 --> 00:01:40,130
Zee stands
6
00:01:40,130 --> 00:01:42,090
and walks b... | 1
00:01:41,570 --> 00:01:42,740
Thinking deeply.
2
00:01:42,910 --> 00:01:44,290
Zefram stands up
3
00:01:44,290 --> 00:01:46,680
and walks over to the telescope once more.
| 1
00:00:00,840 --> 00:00:03,180
So, what is it you want me to do?
2
00:00:03,260 --> 00:00:07,270
Simple. Conduct your warp flight
tomorrow morning just as you planned.
3
00:00:08,140 --> 00:00:09,980
Why tomorrow morning?
4
00:00:13,770 --> 00:00:18,280
Because at 11:00 an alien ship will
begin passing through this... | 1
00:00:00,840 --> 00:00:03,180
So, what is it you want me to do?
2
00:00:03,260 --> 00:00:07,260
Simple. Conduct your warp flight
tomorrow morning just as you planned.
3
00:00:08,140 --> 00:00:09,970
Why tomorrow morning?
4
00:00:13,770 --> 00:00:18,270
Because at 11:00 an alien ship will
begin passing through this... | null | 6655.14 | 2433.95 | 110.16 |
star_trek_first_contact | tt0117731 | iU1DPEJtWxh0 | 1
00:00:01,670 --> 00:00:02,950
His eyes shift.
2
00:00:13,470 --> 00:00:14,470
Wires lower.
3
00:00:14,470 --> 00:00:18,110
Just the head and shoulders of a biomechanoid toward Data.
4
00:00:26,630 --> 00:00:32,550
The bald biomechanoid gets lowered onto a mechanical Borg body which resembles a human female body.
... | 1
00:00:14,460 --> 00:00:19,270
A decapitated head and shoulders with a dangling illuminated spinal cord.
2
00:00:28,060 --> 00:00:34,460
Data watches with some surprise as the limb is lowered by cables to fit snugly into a Borg bodysuit
3
00:00:34,790 --> 00:00:36,630
and walks forward towards him.
| 1
00:00:00,370 --> 00:00:01,910
Are you ready?
2
00:00:03,500 --> 00:00:06,170
- Who are you?
- I am the Borg.
3
00:00:06,670 --> 00:00:11,340
That is a contradiction. The Borg
have a collective consciousness.
4
00:00:11,510 --> 00:00:13,470
There are no individuals.
5
00:00:20,520 --> 00:00:26,150
I am the beginni... | 1
00:00:00,370 --> 00:00:01,910
BORG QUEEN: Are you ready?
2
00:00:03,490 --> 00:00:06,160
- Who are you?
- I am the Borg.
3
00:00:06,660 --> 00:00:11,330
That is a contradiction. The Borg
have a collective consciousness.
4
00:00:11,500 --> 00:00:13,460
There are no individuals.
5
00:00:20,510 --> 00:00:26,140
I am... | {"screenplay_scene_84": "<scene>\n <stage_direction>INT. BORG HIVE</stage_direction>\n <scene_description>CLOSE ON DATA 'S FACE . His eyes are closed - he is in the android equivalent of sleep . CAMERA ROTATING and PUSHING IN on his face as we hear the overlapping sounds of VOICES from Data 's past - Picard , Rik... | 6655.14 | 2776.77 | 118.28 |
star_trek_first_contact | tt0117731 | naRVkaZqzyLV | 1
00:00:16,270 --> 00:00:18,790
The man at the control console flip switches
2
00:00:18,790 --> 00:00:21,070
and jets erupt on the side of the rocket.
3
00:00:31,150 --> 00:00:33,030
Z holds up an optical disk,
4
00:00:33,070 --> 00:00:35,190
then inserts it into a slot on the console.
5
00:00:39,190 --> 00:00:40,0... | 1
00:00:32,490 --> 00:00:35,000
He inserts a small plastic hexagon.
2
00:00:41,950 --> 00:00:44,250
Troi jumps as the music hits her ears.
3
00:00:44,630 --> 00:00:46,970
Fire spews out of the base of the rocket
4
00:00:46,970 --> 00:00:48,650
and Lift-off commences.
5
00:00:51,530 --> 00:00:52,040
Right
6
00:00:5... | 1
00:00:00,190 --> 00:00:03,560
Control to Phoenix. Final
launch sequence checks are complete.
2
00:00:03,900 --> 00:00:04,900
Good luck.
3
00:00:04,980 --> 00:00:07,820
- Everybody ready to make some history?
- Always am.
4
00:00:07,900 --> 00:00:10,150
- I think I forgot something.
- What?
5
00:00:10,660 --> 00:0... | 1
00:00:00,180 --> 00:00:03,560
Control to Phoenix. Final
launch sequence checks are complete.
2
00:00:03,900 --> 00:00:04,900
Good luck.
3
00:00:04,980 --> 00:00:07,810
- Everybody ready to make some history?
- Always am.
4
00:00:07,900 --> 00:00:10,150
- I think I forgot something.
- What?
5
00:00:10,650 --> 00:0... | {"screenplay_scene_135": "<scene>\n <stage_direction>INT. PHOENIX COCKPIT</stage_direction>\n <scene_description>Picard and Geordi working the controls as the ship bounces and shakes . The g - forces push them back into their seats .</scene_description>\n <character>GEORDI</character>\n <dialogue>Solid rock... | 6655.14 | 5135.81 | 125.13 |
star_trek_first_contact | tt0117731 | bHDqSH26IOLo | 1
00:00:01,610 --> 00:00:02,450
The enterprise is.
2
00:00:02,450 --> 00:00:03,490
Torpedoes fired.
3
00:00:04,410 --> 00:00:06,130
He steps away from the console.
4
00:00:10,570 --> 00:00:15,730
The Queen and Picard watch a nearby screen which shows the torpedoes heading toward the Phoenix.
5
00:00:16,090 --> 00:0... | 1
00:00:02,740 --> 00:00:06,300
The torpedoes fly out of the enterprise towards the Phoenix.
2
00:00:12,910 --> 00:00:16,720
Picard watches on the monitor as they close in on their target.
3
00:00:21,330 --> 00:00:25,010
But they miss as the little ship passes just in front of them.
4
00:00:34,920 --> 00:00:36,300
D... | 1
00:00:07,540 --> 00:00:10,540
Watch your future's end.
2
00:00:28,260 --> 00:00:29,350
Data!
3
00:00:29,850 --> 00:00:32,640
Resistance is futile.
| 1
00:00:07,530 --> 00:00:10,530
Watch your future's end.
2
00:00:28,260 --> 00:00:29,340
Data!
3
00:00:29,850 --> 00:00:32,640
Resistance is futile.
4
00:01:08,380 --> 00:01:09,970
(SCREAMING)
5
00:01:26,110 --> 00:01:27,110
(GRUNTS)
6
00:01:36,250 --> 00:01:38,080
(SCREAMING)
7
00:01:47,510 --> 00:01:49,630
(SCR... | {"screenplay_scene_156": "<scene>\n <stage_direction>INT. BORG HIVE</stage_direction>\n <scene_description>Data is standing right next to the Queen , and is studying the Borg console intently . Two Borg drones stand nearby , watching closely .</scene_description>\n <character>DATA</character>\n <dialogue>I ... | 6655.14 | 5703.20 | 110.55 |
star_trek_first_contact | tt0117731 | 6q6KVCGwYA4l | 1
00:00:03,510 --> 00:00:07,470
Lights resembling the shape of a bird's foot descend toward the ground.
2
00:00:08,270 --> 00:00:10,310
Lily steps ahead of the rest of the group
3
00:00:10,310 --> 00:00:12,510
as she intently watches the ship lower.
4
00:00:13,030 --> 00:00:15,390
Other settlers watch with rapt atte... | 1
00:00:01,720 --> 00:00:05,320
as the three pronged Vulcan ship lights up the night sky
2
00:00:05,520 --> 00:00:07,320
and descends towards them.
3
00:00:13,310 --> 00:00:17,330
They walked towards the landing area, illuminated by the ship's lights,
4
00:00:17,540 --> 00:00:19,670
the wind blowing their clothes an... | 1
00:01:08,920 --> 00:01:10,170
My God.
2
00:01:11,260 --> 00:01:13,050
They're really from another world.
3
00:01:13,510 --> 00:01:16,640
And they're going to want to meet
the man who flew that warp ship.
4
00:02:08,270 --> 00:02:10,150
Live long and prosper.
| 1
00:01:08,920 --> 00:01:10,170
My God.
2
00:01:11,250 --> 00:01:13,040
They're really from another world.
3
00:01:13,500 --> 00:01:16,630
And they're going to want to meet
the man who flew that warp ship.
4
00:02:08,270 --> 00:02:10,140
Live long and prosper.
| {"screenplay_scene_168": "<scene>\n <stage_direction>EXT. RESURRECTION CITY - NIGHT</stage_direction>\n <scene_description>Townspeople along the Main Street . A sense of urgency - something 's going on .</scene_description>\n <character>PICARD</character>\n <parenthetical>( V.O . )</parenthetical>\n <dia... | 6655.14 | 6020.74 | 130.38 |
war_of_the_worlds | tt0407304 | CLSd2ZU4j8Av | 1
00:00:05,780 --> 00:00:07,900
The people cower as they stare up at it.
2
00:00:08,340 --> 00:00:10,940
They gradually rise up, peering out ahead.
3
00:00:11,180 --> 00:00:15,060
Steam billows from the side of the machine's head as it looks out over the people.
4
00:00:17,420 --> 00:00:21,060
People hiding in store... | 1
00:00:05,380 --> 00:00:07,170
The onlookers flinch at the noise,
2
00:00:07,340 --> 00:00:09,430
then gradually get to their feet again.
3
00:00:15,700 --> 00:00:17,880
Other people watch from inside a shop.
4
00:00:21,600 --> 00:00:24,060
The tripod is reflected in the shop's window.
5
00:00:24,610 --> 00:00:28,... | 1
00:00:17,080 --> 00:00:18,410
Come on.
| 1
00:00:01,430 --> 00:00:03,810
(SIREN BLARING)
2
00:00:17,070 --> 00:00:18,400
Come on.
3
00:00:18,950 --> 00:00:20,780
(HIGH-PITCHED WHIRRING)
4
00:00:33,130 --> 00:00:35,170
(WHIRRING INTENSIFIES)
5
00:00:42,850 --> 00:00:44,350
(PEOPLE SCREAMING)
| {"screenplay_scene_140": "<scene>\n <stage_direction>SPECIAL EFFECT - EXT. GULLY</stage_direction>\n <scene_description>Favoring the first machine , filling the SCREEN . Squat - ting on its incandescent beam - legs , the hooded shaft tilted forward . There is a moment - then a magenta - tinted heat - ray SCREAMS ... | 6993.10 | 1542.56 | 131.01 |
war_of_the_worlds | tt0407304 | tJ9Dhu4GwQue | 1
00:00:03,500 --> 00:00:04,300
up ahead.
2
00:00:04,300 --> 00:00:07,300
He follows its movement as it passes around the side of the boat
3
00:00:07,300 --> 00:00:09,020
and becomes a type of whirlpool,
4
00:00:09,060 --> 00:00:10,820
sucking the water into a hole.
5
00:00:17,540 --> 00:00:20,020
The captain leans... | 1
00:00:02,040 --> 00:00:08,140
The ferry captain stares through the bridge windows at powerful submerged lights in the dark water ahead.
2
00:00:12,450 --> 00:00:17,970
As the ferry begins to pass the lights, he sees a huge whirlpool forming over them.
3
00:00:23,700 --> 00:00:29,710
As the refugees watch from the s... | 1
00:00:20,390 --> 00:00:22,890
Oh, my God.
2
00:00:41,750 --> 00:00:42,750
Robbie!
3
00:01:27,080 --> 00:01:29,040
Swim. Swim this way.
4
00:01:36,130 --> 00:01:38,930
- Robbie!
- Robbie!
| 1
00:00:20,390 --> 00:00:22,890
Oh, my God.
2
00:00:28,140 --> 00:00:30,350
(SIREN BLARING)
3
00:00:41,740 --> 00:00:42,740
Robbie!
4
00:00:44,200 --> 00:00:46,740
(PEOPLE SCREAMING)
5
00:01:27,080 --> 00:01:29,040
Swim. Swim this way.
6
00:01:36,130 --> 00:01:38,920
- Robbie!
- Robbie!
| null | 6993.10 | 3756.96 | 127.52 |
war_of_the_worlds | tt0407304 | _ZEPRYEkrxA3 | 1
00:00:00,640 --> 00:00:02,400
Ray clutches his son's collar.
2
00:00:11,480 --> 00:00:13,360
Rachel is approached by a couple.
3
00:00:28,130 --> 00:00:30,730
Ray looks back to see the people urging Rachel to go.
4
00:00:48,410 --> 00:00:50,210
Father and son stare at each other,
5
00:00:50,210 --> 00:00:52,370
t... | 1
00:00:49,120 --> 00:00:51,380
Ray sees the couple taking Rachel.
2
00:00:56,230 --> 00:00:57,530
Staring at his daughter.
3
00:00:57,730 --> 00:00:59,570
Ray loosens his grip on Robbie,
4
00:00:59,700 --> 00:01:01,120
who crawls along the ground
5
00:01:01,120 --> 00:01:02,460
and gets to his feet.
6
00:01:04,59... | 1
00:00:03,380 --> 00:00:05,800
- Don't do this. I know you wanna fight.
- I wanna be here.
2
00:00:05,880 --> 00:00:07,770
- I need to see this.
- I know it seems like you have to,
3
00:00:07,800 --> 00:00:10,880
- but you don't. You don't.
- Please, let me go.
4
00:00:10,970 --> 00:00:13,390
Okay. Wait, wait, wait... | 1
00:00:03,370 --> 00:00:05,790
- Don't do this. I know you wanna fight.
- I wanna be here.
2
00:00:05,870 --> 00:00:07,770
- I need to see this.
- I know it seems like you have to,
3
00:00:07,790 --> 00:00:10,880
- but you don't. You don't.
- Please, let me go.
4
00:00:10,960 --> 00:00:13,380
WOMAN: Okay. Wait, wai... | null | 6993.10 | 4110.14 | 127.32 |
war_of_the_worlds | tt0407304 | 2q1RVRfGFzK8 | 1
00:00:02,740 --> 00:00:06,420
Gliding around to the back wall, it passes an axe hanging near a doorway.
2
00:00:06,620 --> 00:00:10,340
Harlan grabs it in inches forward, holding the weapon with wide eyes.
3
00:00:17,620 --> 00:00:19,580
Ray peeks around the corner at Harlan,
4
00:00:19,640 --> 00:00:21,440
Approa... | 1
00:00:05,500 --> 00:00:09,710
At the far end of the basement from Ray, Harlan grabs an axe from the wall.
2
00:00:14,480 --> 00:00:17,530
There's a sheen of sweat covering his stubbly face
3
00:00:17,530 --> 00:00:20,040
and he edges towards the body of the probe.
4
00:00:20,630 --> 00:00:22,470
Ray picks around t... | 1
00:00:37,540 --> 00:00:38,920
No.
| 1
00:00:30,150 --> 00:00:31,240
(INAUDIBLE)
2
00:00:37,540 --> 00:00:38,910
No.
3
00:00:56,350 --> 00:00:57,680
(CLATTERING)
| null | 6993.10 | 4933.38 | 133.03 |
war_of_the_worlds | tt0407304 | thaczCTSYVIH | 1
00:00:01,420 --> 00:00:03,100
the aliens come around a corner
2
00:00:03,100 --> 00:00:04,900
and pass in front of their hideout.
3
00:00:05,140 --> 00:00:08,780
The creatures have shiny grey skin and two large black eyes.
4
00:00:09,100 --> 00:00:13,420
Their tripod limbs navigate easily through the piles of clut... | 1
00:00:01,060 --> 00:00:04,570
Just as two of the spindly, agile aliens approach.
2
00:00:11,220 --> 00:00:12,430
They pass Harlan,
3
00:00:12,480 --> 00:00:15,360
who dares to slip a cartridge into the shotgun chamber
4
00:00:15,360 --> 00:00:16,280
and Load it.
5
00:00:23,470 --> 00:00:26,400
He then poked the g... | 1
00:00:28,950 --> 00:00:30,740
Give me that.
2
00:02:04,250 --> 00:02:06,050
You and me,
3
00:02:07,260 --> 00:02:10,340
I don't think we're on the same page.
| 1
00:00:20,520 --> 00:00:21,770
(COCKING)
2
00:00:28,940 --> 00:00:30,740
RAY: Give me that.
3
00:00:51,420 --> 00:00:53,010
(BOTH GRUNTING)
4
00:01:04,270 --> 00:01:05,350
(SNARLS)
5
00:01:32,340 --> 00:01:33,470
(SNIFFS)
6
00:01:38,510 --> 00:01:40,850
(SIREN BLARING)
7
00:02:04,250 --> 00:02:06,040
You and me,... | null | 6993.10 | 5207.36 | 132.03 |
war_of_the_worlds | tt0407304 | BcgysZKpEWHF | 1
00:00:05,280 --> 00:00:09,520
A giant three pronged foot slams into the pond in front of Ray, knocking him back.
2
00:00:09,720 --> 00:00:10,800
He gets to his feet,
3
00:00:10,800 --> 00:00:13,420
looking up at the robot high in the sky above him,
4
00:00:13,420 --> 00:00:15,620
its eye engulfing him with its spo... | 1
00:00:09,620 --> 00:00:14,050
The three toed foot of a giant tripod slams into a pond a few feet away.
2
00:00:14,640 --> 00:00:15,930
Ray picks himself up
3
00:00:15,930 --> 00:00:17,400
and stares into the sky
4
00:00:17,690 --> 00:00:20,620
as he's caught in the machine's massive searchlights.
5
00:00:21,200 -... | 1
00:00:02,550 --> 00:00:06,510
Rachel!
2
00:01:13,290 --> 00:01:16,160
No, no, no! No!
3
00:01:47,700 --> 00:01:49,740
Hey!
| 1
00:00:02,540 --> 00:00:06,500
Rachel!
2
00:00:37,620 --> 00:00:38,870
(GRUNTS)
3
00:00:43,210 --> 00:00:51,210
(RACHEL SCREAMING)
4
00:01:13,280 --> 00:01:16,160
No, no, no! No!
5
00:01:47,690 --> 00:01:49,730
Hey!
| null | 6993.10 | 5756.99 | 133.03 |
war_of_the_worlds | tt0407304 | vKuTX6_flOFk | 1
00:00:04,030 --> 00:00:05,310
She stares blankly.
2
00:00:10,790 --> 00:00:12,110
Her eyes meet his.
3
00:00:18,830 --> 00:00:22,710
The cage lurches to a tilt, nearly dumping out the people inside.
4
00:00:22,870 --> 00:00:26,270
Another snaking appendage descends to seek out a victim.
5
00:00:26,270 --> 00:00:2... | 1
00:00:09,410 --> 00:00:10,870
He cradles her face
2
00:00:10,870 --> 00:00:13,050
and she slowly turns to meet his gaze.
3
00:00:18,900 --> 00:00:20,070
The cage lurches
4
00:00:20,070 --> 00:00:21,990
and the port suddenly opens again.
5
00:00:22,450 --> 00:00:24,290
Ray leaps on top of his daughter
6
00:00:24,... | 1
00:00:00,830 --> 00:00:02,740
Rachel.
2
00:00:02,830 --> 00:00:05,460
Rachel. Rachel.
3
00:00:06,460 --> 00:00:14,260
Rachel.
4
00:00:15,130 --> 00:00:16,340
Dad.
5
00:00:43,490 --> 00:00:46,410
No! No!
6
00:00:46,500 --> 00:00:49,080
- Pull me! Pull me!
- No!
7
00:00:55,590 --> 00:00:58,300
Pull! Pull!
8
00:0... | 1
00:00:00,820 --> 00:00:02,740
Rachel.
2
00:00:02,820 --> 00:00:05,450
Rachel. Rachel.
3
00:00:06,450 --> 00:00:14,250
Rachel.
4
00:00:15,130 --> 00:00:16,340
Dad.
5
00:00:17,750 --> 00:00:19,510
(PEOPLE SCREAMING)
6
00:00:40,820 --> 00:00:42,400
(RAY EXCLAIMING)
7
00:00:43,490 --> 00:00:46,410
No! No!
8
00:00:... | null | 6993.10 | 5947.36 | 120.21 |
war_of_the_worlds | tt0407304 | qiyY1KBAfwNm | 1
00:00:02,020 --> 00:00:03,980
and people clamour and duck for cover.
2
00:00:04,340 --> 00:00:07,660
A soldier makes hand signals to his fellow military men.
3
00:00:07,660 --> 00:00:10,140
One carries a rocket launcher as they run ahead.
4
00:00:16,260 --> 00:00:18,420
The crowd is being directed into a tunnel.
... | 1
00:00:00,900 --> 00:00:05,200
A tripod looms over the next building, making slow, erratic movements.
2
00:00:05,710 --> 00:00:08,550
The squad leader deploys his men with hand gestures,
3
00:00:08,550 --> 00:00:10,010
and they take up positions
4
00:00:10,180 --> 00:00:12,440
while civilians are herded into a subw... | 1
00:00:13,390 --> 00:00:15,260
Calm down.
Calm down and get in the tunnel.
2
00:00:15,350 --> 00:00:16,990
Calm down and get in the tunnel.
Calm down.
3
00:00:17,020 --> 00:00:18,890
Calm down and get in the tunnel.
4
00:00:30,740 --> 00:00:33,910
Everybody, calm down.
Get in the tunnel.
5
00:00:33,990 --> 00:00:3... | 1
00:00:13,380 --> 00:00:15,260
Calm down.
Calm down and get in the tunnel.
2
00:00:15,340 --> 00:00:16,990
Calm down and get in the tunnel.
Calm down.
3
00:00:17,010 --> 00:00:18,840
Calm down and get in the tunnel.
4
00:00:18,930 --> 00:00:20,470
(BIRDS SQUAWKING)
5
00:00:30,730 --> 00:00:33,900
Everybody, calm d... | null | 6993.10 | 6194.56 | 133.05 |
10009274-priest | tt0822847 | E0WZecIG8jfD | 1
00:00:00,030 --> 00:00:01,430
and the smoke dissipates.
2
00:00:01,470 --> 00:00:02,950
Now in an animation.
3
00:00:05,230 --> 00:00:07,830
Terrified eyes peer through a knightly helmet.
4
00:00:09,830 --> 00:00:11,070
Under wind ripple flags.
5
00:00:11,070 --> 00:00:13,470
An army of bearded knights waits on h... | 1
00:00:05,810 --> 00:00:07,190
An army on horseback.
2
00:00:10,440 --> 00:00:13,110
Monstrous fanged vampires emerge in the moonlight.
3
00:00:17,150 --> 00:00:20,530
They have scaled snake like faces and slavering mouths.
4
00:00:23,220 --> 00:00:26,270
The soldier's charge into battle against the vampires.
5
00... | 1
00:00:03,210 --> 00:00:05,270
This is what is known,
2
00:00:08,110 --> 00:00:10,310
there has always been man
3
00:00:14,150 --> 00:00:17,090
and there have always been vampires.
4
00:00:27,660 --> 00:00:31,160
Since the beginning,
the two have been locked in conflict.
5
00:00:32,500 --> 00:00:36,340
The vampire... | 1
00:00:03,200 --> 00:00:05,270
NARRATOR:
This is what is known,
2
00:00:08,110 --> 00:00:10,310
there has always been men
3
00:00:14,150 --> 00:00:17,090
and there have
always been vampires.
4
00:00:17,850 --> 00:00:18,850
(Remus)
5
00:00:21,050 --> 00:00:22,060
(YELLING)
6
00:00:27,660 --> 00:00:31,160
Since the... | null | 5249.70 | 99.36 | 156.87 |
10009274-priest | tt0822847 | ghq_9Wmw9T9a | 1
00:00:09,760 --> 00:00:12,400
A red haired young woman comes in out of the night.
2
00:00:15,680 --> 00:00:17,080
Her parents swap a look.
3
00:00:20,390 --> 00:00:21,630
She faces a mirror.
4
00:00:27,310 --> 00:00:28,990
She joins Owen at the table.
5
00:00:56,670 --> 00:00:57,750
Lucy sits back.
6
00:00:57,79... | 1
00:00:10,620 --> 00:00:13,250
Their flame haired teenage daughter, Lucy enters.
2
00:00:16,460 --> 00:00:17,840
She wears a white dress.
3
00:00:58,020 --> 00:00:59,610
They're all seated at the table.
4
00:00:59,610 --> 00:01:02,110
Lucy leans back in her chair indignantly.
5
00:01:05,740 --> 00:01:08,660
Seated... | 1
00:00:00,320 --> 00:00:03,810
but the soil contamination's close to zero.
2
00:00:04,490 --> 00:00:06,980
With a little luck,
we can finally start planting.
3
00:00:08,660 --> 00:00:10,490
I'm proud of you, Owen.
4
00:00:13,770 --> 00:00:16,260
Great. Pershing stew again.
5
00:00:18,240 --> 00:00:19,330
Atoning f... | 1
00:00:00,320 --> 00:00:03,820
but the soil contamination's
close to zero.
2
00:00:04,490 --> 00:00:06,990
With a little luck,
we can finally start planting.
3
00:00:08,660 --> 00:00:10,500
I'm proud of you, Owen.
4
00:00:13,760 --> 00:00:16,270
Great. Pershing stew again.
5
00:00:18,230 --> 00:00:19,340
Atoning f... | null | 5249.70 | 274.75 | 168.55 |
10009274-priest | tt0822847 | KwMcSxrwvdrg | 1
00:00:03,670 --> 00:00:05,190
He coin feeds a machine.
2
00:00:06,830 --> 00:00:08,330
It bends a of average.
3
00:00:34,010 --> 00:00:35,970
Armed troopers burst into the bar.
4
00:00:38,130 --> 00:00:42,410
Hurrying past patrons, they line up behind the priest with their weapons raised.
5
00:00:46,290 --> 00:00... | 1
00:00:04,260 --> 00:00:07,390
He feeds a coin into a vending machine which dispenses a bottle.
2
00:00:29,160 --> 00:00:30,620
Chamberlain looks at him.
3
00:00:34,710 --> 00:00:36,370
Clergy Trooper file in.
4
00:00:38,080 --> 00:00:40,250
They gather with their rifles trained on Priest.
5
00:00:40,290 --> 00:00... | 1
00:00:00,960 --> 00:00:02,360
Judgment is final.
2
00:00:02,770 --> 00:00:04,030
I'm sorry.
3
00:00:08,270 --> 00:00:11,110
I sacrificed everything to serve them.
4
00:00:12,940 --> 00:00:14,640
Now they won't listen to me.
5
00:00:14,810 --> 00:00:16,300
The war is long over.
6
00:00:16,480 --> 00:00:18,810
You... | 1
00:00:00,960 --> 00:00:02,370
CHAMBERLAIN:
Judgment is final.
2
00:00:02,760 --> 00:00:04,040
I'm sorry.
3
00:00:08,270 --> 00:00:11,110
I sacrificed everything
to serve them.
4
00:00:12,940 --> 00:00:14,650
Now they won't
listen to me.
5
00:00:14,810 --> 00:00:16,340
The war is long over.
6
00:00:16,510 --> 00:... | null | 5249.70 | 925.79 | 160.33 |
10009274-priest | tt0822847 | gpgFt0cX5tQk | 1
00:00:02,880 --> 00:00:04,560
He faces the familiars
2
00:00:04,680 --> 00:00:06,840
as the Chicken Butcher swings his cleaver.
3
00:00:06,880 --> 00:00:08,120
The priest catches his hand
4
00:00:08,120 --> 00:00:11,080
and redirects the blade through another familiars throat.
5
00:00:13,600 --> 00:00:16,000
He e... | 1
00:00:04,400 --> 00:00:06,400
Priest turns to face the familiars.
2
00:00:06,900 --> 00:00:08,110
One swings at act,
3
00:00:08,110 --> 00:00:09,360
but Priest deflects the blow,
4
00:00:09,360 --> 00:00:11,740
using the axe to slice another familiars throat.
5
00:00:12,110 --> 00:00:14,660
He stamps down, breaki... | 1
00:00:01,860 --> 00:00:03,090
Save your bullets.
2
00:00:31,120 --> 00:00:33,150
Now we can do this the easy way, or...
3
00:00:35,290 --> 00:00:36,350
Oh, good.
4
00:00:37,360 --> 00:00:39,300
I've always preferred the hard way.
5
00:00:40,700 --> 00:00:42,220
Tell me where they took the girl.
6
00:00:42,400 --... | 1
00:00:01,890 --> 00:00:03,130
Save your bullets.
2
00:00:18,940 --> 00:00:19,940
(SCREAMING)
3
00:00:31,150 --> 00:00:33,190
Now we can do this
the easy way, or...
4
00:00:35,320 --> 00:00:36,390
Oh, good.
5
00:00:37,390 --> 00:00:39,340
I've always preferred
the hard way.
6
00:00:40,730 --> 00:00:42,260
Tell me... | null | 5249.70 | 1869.41 | 174.62 |
10009274-priest | tt0822847 | lT85u8RmU5K3 | 1
00:00:09,370 --> 00:00:12,530
He crouches in front of the familiar with his double blade.
2
00:00:22,050 --> 00:00:24,450
The surviving vampire lands on the familiar
3
00:00:24,450 --> 00:00:25,450
and kills him
4
00:00:25,450 --> 00:00:26,330
as it leaps away.
5
00:00:26,330 --> 00:00:27,690
The priest grabs its... | 1
00:00:10,090 --> 00:00:12,420
Priest crouches by the cowering familiar.
2
00:00:22,580 --> 00:00:24,210
A vampire lands on the familiar,
3
00:00:24,210 --> 00:00:25,880
then tries to take off with priest.
4
00:00:26,040 --> 00:00:27,290
He crashed down on the ground
5
00:00:27,290 --> 00:00:31,050
and the vampire... | 1
00:00:01,640 --> 00:00:02,800
Should we go after him?
2
00:00:02,970 --> 00:00:05,100
No need. He'll die at first light.
3
00:00:05,440 --> 00:00:09,400
No more masters. Just you and me.
4
00:00:13,310 --> 00:00:15,040
Tell me where they took the girl.
5
00:00:15,550 --> 00:00:18,780
- West. They took her west.
-... | 1
00:00:01,630 --> 00:00:02,810
Should we go after him?
2
00:00:02,970 --> 00:00:05,110
No need.
He'll die at first light.
3
00:00:05,440 --> 00:00:09,410
No more masters.
Just you and me.
4
00:00:13,310 --> 00:00:15,050
Tell me where
they took the girl.
5
00:00:15,550 --> 00:00:18,790
West. They took her west.
Why... | null | 5249.70 | 2052.48 | 155.16 |
10009274-priest | tt0822847 | VEhjT8_bPLJ_ | 1
00:00:00,660 --> 00:00:03,820
glimpsing illuminated movement ahead, he rushes forward.
2
00:00:06,420 --> 00:00:08,020
A figure lunges at him.
3
00:00:08,020 --> 00:00:08,780
They struggle in
4
00:00:08,780 --> 00:00:11,580
the Priest succeeds in pinning his attacker to a wall.
5
00:00:11,580 --> 00:00:12,980
It'... | 1
00:00:02,790 --> 00:00:03,660
He runs towards it,
2
00:00:03,660 --> 00:00:05,160
but something pounces on him.
3
00:00:10,210 --> 00:00:11,630
He gets the upper hand.
4
00:00:11,630 --> 00:00:12,590
Its Priestess.
5
00:00:12,920 --> 00:00:14,550
He holds a knife to her throat.
6
00:00:15,460 --> 00:00:18,010
Hi... | 1
00:00:23,010 --> 00:00:24,270
What are you doing here?
2
00:00:24,540 --> 00:00:26,940
The Clergy sent me.
Ordered me to bring you back.
3
00:00:29,510 --> 00:00:33,210
They sent four of us to track you.
We split up at Nightshade.
4
00:00:33,280 --> 00:00:35,680
I rode out here hoping to get ahead ofyou.
5
00:00:... | 1
00:00:06,490 --> 00:00:07,490
(GRUNTING)
2
00:00:23,000 --> 00:00:24,280
What are you doing here?
3
00:00:24,540 --> 00:00:26,950
The Clergy sent me.
Ordered me to bring you back.
4
00:00:27,240 --> 00:00:28,240
(PRIESTESS GRUNTING)
5
00:00:29,510 --> 00:00:33,220
They sent four of us to track you.
We split up at... | null | 5249.70 | 2588.00 | 178.79 |
10009274-priest | tt0822847 | o919cqgZ7Fa4 | 1
00:00:02,780 --> 00:00:03,980
He turns, looks up
2
00:00:03,980 --> 00:00:05,340
and narrows his eyes,
3
00:00:05,620 --> 00:00:06,820
gazing upward as well.
4
00:00:06,820 --> 00:00:08,770
The young mother faces her husband.
5
00:00:09,010 --> 00:00:10,290
They lock eyes briefly,
6
00:00:10,290 --> 00:00:11,130... | 1
00:00:00,390 --> 00:00:04,560
A woman cradles her baby in her arms as she rocks back and forth on a rocking chair.
2
00:00:05,060 --> 00:00:07,810
Her husband kneels by the fire, hitting noises.
3
00:00:07,810 --> 00:00:08,860
They look at each other.
4
00:00:14,700 --> 00:00:15,570
The man rises
5
00:00:15,570 -... | 1
00:00:23,870 --> 00:00:25,030
I don't see anything.
2
00:01:36,140 --> 00:01:39,200
Brothers, you have a choice.
3
00:01:39,810 --> 00:01:42,370
You could follow in my footsteps,
4
00:01:42,810 --> 00:01:44,510
or you can follow in his.
| 1
00:00:01,570 --> 00:00:02,570
(POUNDING)
2
00:00:08,810 --> 00:00:09,850
(HEAVY RUMBLING)
3
00:00:23,860 --> 00:00:25,030
I don't see anything.
4
00:00:29,330 --> 00:00:30,340
(SCREAMING)
5
00:00:33,270 --> 00:00:35,410
(PEOPLE SCREAMING)
(VAMPIRES GROWLING)
6
00:01:15,450 --> 00:01:16,450
(YELLING)
7
00:01:23,... | null | 5249.70 | 3083.14 | 106.09 |
10009274-priest | tt0822847 | 9UstJZGFKdK6 | 1
00:00:00,160 --> 00:00:03,000
A flip onto the roof of the train car removes his goggles
2
00:00:03,000 --> 00:00:05,640
and finds Black Hat standing at the far end.
3
00:00:07,430 --> 00:00:09,630
The priest stares through squinted eyes.
4
00:00:10,110 --> 00:00:14,510
Far ahead, the Priestess motorcycle turns int... | 1
00:00:00,420 --> 00:00:02,300
Priest flips up onto the wagon's roof
2
00:00:02,300 --> 00:00:03,970
and removes his riding goggles.
3
00:00:03,970 --> 00:00:05,740
He looks up to see Black Hat.
4
00:00:10,040 --> 00:00:11,290
Priest stares in.
5
00:00:12,290 --> 00:00:14,290
Having left the other riders far behin... | 1
00:00:06,280 --> 00:00:07,680
Hello, my friend.
2
00:00:29,700 --> 00:00:31,670
- You fell!
- You let go.
3
00:00:33,000 --> 00:00:34,060
No!
4
00:00:34,740 --> 00:00:36,000
In the depths of that hive,
5
00:00:36,570 --> 00:00:40,480
I crossed the threshold
between life and death.
6
00:00:40,710 --> 00:00:42,370... | 1
00:00:06,270 --> 00:00:07,690
Hello, my friend.
2
00:00:29,700 --> 00:00:31,680
You fell!
You let go.
3
00:00:33,000 --> 00:00:34,070
No!
4
00:00:34,740 --> 00:00:36,010
In the depths
of that hive,
5
00:00:36,570 --> 00:00:40,490
I crossed the threshold
between life end death.
6
00:00:40,710 --> 00:00:42,380
And... | null | 5249.70 | 3959.62 | 158.45 |
10009274-priest | tt0822847 | pRrXPtXx6Vm2 | 1
00:00:01,210 --> 00:00:05,290
as the remaining familiar circle two charge at once.
2
00:00:06,530 --> 00:00:09,610
She lashes the rope, darts and around one of their handlebars,
3
00:00:09,610 --> 00:00:12,410
and tugs the familiar flies from his bike,
4
00:00:12,410 --> 00:00:15,370
which flips through the air an... | 1
00:00:02,300 --> 00:00:03,550
She spins it at her side
2
00:00:03,550 --> 00:00:04,920
and whirls it above her head
3
00:00:05,300 --> 00:00:06,970
as a familiar hairs towards her.
4
00:00:07,010 --> 00:00:08,890
She lassos his handlebars with the weapon
5
00:00:08,890 --> 00:00:09,930
and flips the bike.
6
00:0... | 1
00:01:02,350 --> 00:01:04,880
This is your last chance, Priest.
2
00:01:05,620 --> 00:01:07,520
The Queen's hands have not been idle.
3
00:01:07,620 --> 00:01:10,680
Mankind will find no quarter
from what's coming.
4
00:01:10,860 --> 00:01:12,190
Join me,
5
00:01:12,560 --> 00:01:15,830
and your life of sacrifice... | 1
00:00:25,680 --> 00:00:26,680
(YELLING)
2
00:00:33,850 --> 00:00:34,850
(PANTING)
3
00:01:02,350 --> 00:01:04,880
This is your
last chance, Priest.
4
00:01:05,620 --> 00:01:07,530
The Queen's hands
have not been idle.
5
00:01:07,620 --> 00:01:10,690
Mankind will find no quarter
from what's coming.
6
00:01:10,860... | null | 5249.70 | 4147.52 | 187.48 |
10009274-priest | tt0822847 | zwo55N6E83gq | 1
00:00:00,720 --> 00:00:02,400
then hauls Lucy to her feet.
2
00:00:03,080 --> 00:00:06,280
He smashes the lamp on the floorboards beneath the Priest.
3
00:00:09,640 --> 00:00:10,920
He draws Lucy close
4
00:00:10,920 --> 00:00:12,440
and leaps up to the ceiling.
5
00:00:12,440 --> 00:00:12,510
scene
6
00:00:12,8... | 1
00:00:01,120 --> 00:00:02,210
and she comes to.
2
00:00:02,250 --> 00:00:03,040
He grabs another
3
00:00:03,290 --> 00:00:05,880
and smashes it on the floor beneath Priestess feet.
4
00:00:10,720 --> 00:00:12,510
Black Hat turns to him
5
00:00:12,550 --> 00:00:15,850
and flies up through the hole in the roof of t... | 1
00:00:09,020 --> 00:00:10,380
Burn.
2
00:00:19,630 --> 00:00:22,290
In this time of need, strengthen me.
3
00:00:26,370 --> 00:00:29,630
You are my refuge and strength.
4
00:00:29,740 --> 00:00:32,930
I do not fear, for you are with me.
5
00:01:50,780 --> 00:01:51,940
I won't let you go!
6
00:01:58,730 --> 00:02... | 1
00:00:09,010 --> 00:00:10,390
Burn.
2
00:00:19,620 --> 00:00:22,300
In this time of need,
strengthen me.
3
00:00:26,360 --> 00:00:29,640
You are my refuge
and strength.
4
00:00:29,730 --> 00:00:32,940
I do not fear,
for you are with me.
5
00:00:57,090 --> 00:00:58,090
(GRUNTING)
6
00:01:42,570 --> 00:01:43,570
(... | null | 5249.70 | 4419.84 | 167.25 |
1037581-cape_fear | tt0101540 | RoEXIvSsz2DV | 1
00:00:00,430 --> 00:00:01,590
in a movie theatre.
2
00:00:03,790 --> 00:00:06,310
On screen, a man bursts into a child's room
3
00:00:06,310 --> 00:00:08,310
and starts throwing items out a window.
4
00:00:14,710 --> 00:00:17,990
Silhouetted by the screen, Cady takes a seat near the front.
5
00:00:20,470 --> 00:0... | 1
00:00:04,980 --> 00:00:06,070
A cinema film.
2
00:00:15,220 --> 00:00:17,270
Cady takes a seat in the cinema.
3
00:00:21,020 --> 00:00:23,570
Cady lights a cigar with a flashing nipples.
4
00:00:23,570 --> 00:00:24,190
Lighter.
5
00:00:32,540 --> 00:00:34,420
A car roars across a parking lot.
6
00:00:34,460 --> ... | 1
00:00:01,060 --> 00:00:04,260
Here's Daddy!
2
00:00:06,860 --> 00:00:09,100
Good-bye, Junior.
3
00:00:09,220 --> 00:00:10,740
¡Adios!
4
00:00:18,060 --> 00:00:21,260
Yes, that's very creative, Junior.
5
00:00:25,660 --> 00:00:27,860
He liked me.
6
00:00:28,460 --> 00:00:31,380
All this time, he actually liked me... | 1
00:00:00,440 --> 00:00:03,310
Here's Daddy!
2
00:00:06,230 --> 00:00:07,860
Good-bye, Junior!
3
00:00:08,530 --> 00:00:09,950
(BIDDING FAREWELL
IN SPANISH)
4
00:00:12,950 --> 00:00:14,620
(BIDDING FAREWELL
IN JAPANESE)
5
00:00:14,700 --> 00:00:16,120
(CAT SCREECHING)
6
00:00:17,460 --> 00:00:19,870
Yes, that's v... | null | 7666.21 | 353.34 | 143.57 |
1037581-cape_fear | tt0101540 | h5fEBCRiVE0x | 1
00:00:11,310 --> 00:00:12,950
Wearing a badge, he shuts a door.
2
00:00:14,290 --> 00:00:15,450
Sporting grey hair.
3
00:00:15,490 --> 00:00:18,290
The lawman sits by Sam, facing a one way mirror.
4
00:00:37,970 --> 00:00:39,330
On the other side of the mirror.
5
00:00:39,370 --> 00:00:41,250
Cady obeys two offic... | 1
00:00:16,290 --> 00:00:18,040
Sam's at a police station.
2
00:00:39,060 --> 00:00:40,440
Cady takes it off.
3
00:00:44,030 --> 00:00:45,990
He reveals his muscular torso.
4
00:00:52,710 --> 00:00:53,920
Cady obliges.
5
00:01:08,240 --> 00:01:10,330
He's tattooed with biblical quotes.
6
00:01:12,620 --> 00:01:13,... | 1
00:00:00,630 --> 00:00:04,150
Trouble is, poisoning a dog is just a fine.
2
00:00:04,430 --> 00:00:06,910
But if he's unemployed,
he has to have money...
3
00:00:06,990 --> 00:00:08,790
...or we'll bust him for vagrancy.
4
00:00:08,910 --> 00:00:11,630
We'll give him a full-body strip search.
5
00:00:12,990 --> 0... | 1
00:00:00,280 --> 00:00:03,320
Trouble is,
poisoning a dog
is just a fine.
2
00:00:04,030 --> 00:00:06,620
But if he's unemployed,
he got to have money
3
00:00:06,700 --> 00:00:08,290
or we'll bust him
for vagrancy.
4
00:00:08,370 --> 00:00:11,120
We'll give him
a full-body strip search.
5
00:00:12,710 --> 00:00:1... | null | 7666.21 | 1612.77 | 155.76 |
1037581-cape_fear | tt0101540 | zi25Bu3WnWdb | 1
00:01:02,570 --> 00:01:04,210
Danny looks down and smiles,
2
00:01:04,210 --> 00:01:05,930
then covers her mouth with her hand.
3
00:01:27,390 --> 00:01:29,590
Cady gives the young teen a once over.
4
00:01:38,270 --> 00:01:39,510
Danny shifts uneasily
5
00:01:39,510 --> 00:01:41,110
and looks down, half smiling.... | 1
00:01:02,690 --> 00:01:04,230
She smiles and looks down,
2
00:01:04,230 --> 00:01:06,110
then puts her hand to her mouth.
3
00:01:27,990 --> 00:01:29,660
He regards her thoughtfully.
4
00:01:33,420 --> 00:01:35,960
She looks around uncertainly and smiles.
5
00:01:39,260 --> 00:01:40,510
She looks unsure.
6
00:01... | 1
00:00:00,180 --> 00:00:03,180
But Professor do-right has
a little advice for you.
2
00:00:03,940 --> 00:00:06,260
You shouldn't damn them.
Don't judge them.
3
00:00:06,340 --> 00:00:09,220
Just forgive them,
for they know not what they do.
4
00:00:11,900 --> 00:00:13,980
Why do you hate my father?
5
00:00:14,060 ... | 1
00:00:00,340 --> 00:00:03,640
But Professor do-right has
a little advice for you.
2
00:00:04,010 --> 00:00:05,560
You shouldn't
damn them.
3
00:00:05,640 --> 00:00:07,390
Don't judge them.
Just forgive them,
4
00:00:07,480 --> 00:00:09,520
for they know not
what they do.
5
00:00:11,150 --> 00:00:12,560
Oh...
Um..... | null | 7666.21 | 3933.22 | 178.59 |
1037581-cape_fear | tt0101540 | oQg0r_4_P_3v | 1
00:00:00,790 --> 00:00:02,790
as the assailants rain blows on him.
2
00:00:03,350 --> 00:00:05,430
Sam turns and stubs out his cigarette,
3
00:00:05,430 --> 00:00:07,510
then turns back around to watch the beating.
4
00:00:08,030 --> 00:00:09,790
Katie lunges at one pipe wielder
5
00:00:09,790 --> 00:00:11,850
an... | 1
00:00:02,740 --> 00:00:03,820
Sam turns away
2
00:00:03,820 --> 00:00:06,790
as the men continue to rain blows down on Cady.
3
00:00:06,910 --> 00:00:08,460
Sam stubs his cigarette out
4
00:00:08,460 --> 00:00:09,290
and looks back.
5
00:00:09,710 --> 00:00:10,590
Cady jumps up
6
00:00:10,590 --> 00:00:12,420
an... | 1
00:00:20,900 --> 00:00:22,580
Come on.
2
00:00:53,620 --> 00:00:55,060
Counselor?
3
00:00:59,940 --> 00:01:01,380
Is that you?
4
00:01:05,140 --> 00:01:08,140
Come out, come out, wherever you are.
5
00:01:22,500 --> 00:01:24,500
I ain't no white trash piece of shit.
6
00:01:24,580 --> 00:01:26,820
I'm better tha... | 1
00:00:20,910 --> 00:00:23,620
Come on.
Come on. Come on.
2
00:00:23,750 --> 00:00:25,040
Come on.
3
00:00:26,370 --> 00:00:27,710
(GRUNTING)
4
00:00:46,480 --> 00:00:47,690
(CLATTERING)
5
00:00:53,910 --> 00:00:59,290
Counselor?
6
00:01:00,160 --> 00:01:01,540
Is that you?
7
00:01:03,040 --> 00:01:04,370
Counse... | null | 7666.21 | 4460.06 | 178.86 |
1037581-cape_fear | tt0101540 | EgtciXhKGCLd | 1
00:00:03,620 --> 00:00:06,780
In the chair across the way, the teddy bear remains still.
2
00:00:14,100 --> 00:00:15,620
The bear gives the small jerk.
3
00:00:15,620 --> 00:00:16,580
Kersek perks up
4
00:00:16,580 --> 00:00:17,980
and raises his revolver.
5
00:00:19,540 --> 00:00:21,460
The teddy bear twitches r... | 1
00:00:13,930 --> 00:00:15,890
Suddenly the teddy bear twitches.
2
00:00:15,890 --> 00:00:20,770
Kersek reacts immediately like a spider, reacting to the twitching of its web.
3
00:00:26,620 --> 00:00:29,830
He crawls forward on all fours with the gun at the ready
4
00:00:30,120 --> 00:00:31,460
and checks the bear... | 1
00:01:32,130 --> 00:01:33,650
- What?
- Leigh.
2
00:01:34,130 --> 00:01:35,850
I know how the dog died.
3
00:01:37,330 --> 00:01:39,130
- Sam, are you dreaming?
- No!
4
00:01:39,210 --> 00:01:42,650
I just had the weirdest feeling
he was already in the house.
5
00:01:57,850 --> 00:01:59,570
Can't sleep, Miss Grac... | 1
00:00:57,880 --> 00:00:59,510
(RATTLING)
2
00:01:09,850 --> 00:01:11,100
(SNIFFLING)
3
00:01:29,040 --> 00:01:30,080
Leigh?
4
00:01:32,630 --> 00:01:34,130
What?
Leigh.
5
00:01:34,630 --> 00:01:36,590
I know how
the dog died.
6
00:01:37,720 --> 00:01:39,430
Sam, are you dreaming?
No. No.
7
00:01:39,510 --> 00:0... | null | 7666.21 | 5572.19 | 163.63 |
1037581-cape_fear | tt0101540 | W4AZp5qRGZC_ | 1
00:00:02,610 --> 00:00:04,290
Katy barges into the cabin.
2
00:00:36,030 --> 00:00:37,630
Leigh faces her young daughter.
3
00:00:45,710 --> 00:00:47,550
The teen girl nods sweetly.
4
00:00:59,950 --> 00:01:01,630
Danny feigns a coy smile.
5
00:01:07,330 --> 00:01:09,010
Tears stream out of Lee's eyes.
6
00:01:2... | 1
00:00:35,750 --> 00:00:37,290
Lee looks at Danny.
2
00:01:26,500 --> 00:01:29,050
She throws the pan of boiling water over him.
3
00:01:36,350 --> 00:01:37,580
He lights a flare.
4
00:02:01,370 --> 00:02:04,620
He allows the molten wax from the flare to run over his hand
5
00:02:04,620 --> 00:02:06,630
without ap... | 1
00:00:04,790 --> 00:00:06,190
'Evening, ladies.
2
00:00:07,750 --> 00:00:09,670
You know my husband has a gun?
3
00:00:09,750 --> 00:00:10,990
Not this gun?
4
00:00:11,430 --> 00:00:13,630
- Is it this gun?
- Where is he?
5
00:00:13,710 --> 00:00:16,350
Resting up. He had a long difficult day.
6
00:00:17,190 -->... | 1
00:00:00,710 --> 00:00:01,830
Sam?
2
00:00:02,330 --> 00:00:03,580
(GASPS)
3
00:00:05,250 --> 00:00:06,840
Evening, ladies.
4
00:00:08,340 --> 00:00:09,710
You know my husband
has a gun?
5
00:00:10,300 --> 00:00:11,510
Not this gun?
6
00:00:11,720 --> 00:00:12,840
Is it this gun?
7
00:00:12,930 --> 00:00:14,010... | null | 7666.21 | 6267.01 | 154.62 |
1037581-cape_fear | tt0101540 | zCvMol66nvrl | 1
00:00:06,990 --> 00:00:08,510
He stomps on Sam's head.
2
00:00:09,470 --> 00:00:11,470
Katie faces her with a lifted brow.
3
00:01:20,450 --> 00:01:23,330
Katie's weary gaze shifts from Lee to Danny,
4
00:01:23,330 --> 00:01:24,330
then back to Lee.
5
00:01:26,650 --> 00:01:28,650
Sam raises his bloodied face.
6... | 1
00:01:17,960 --> 00:01:19,260
Cady stares at Lee,
2
00:01:19,300 --> 00:01:20,720
then looks over at Danny,
3
00:01:20,760 --> 00:01:22,890
who he's made sit on the galley table.
4
00:01:25,600 --> 00:01:27,730
He looks down at Sam on the floor.
5
00:01:34,030 --> 00:01:35,700
He viciously kicks Sam.
6
00:01:47,... | 1
00:00:00,040 --> 00:00:03,000
This is between you and me.
Leave them out of it.
2
00:00:03,080 --> 00:00:07,040
This is my night, Counselor.
Don't you step on my lines.
3
00:00:08,520 --> 00:00:09,520
Stop!
4
00:00:11,720 --> 00:00:12,880
Yes, Leigh?
5
00:00:13,560 --> 00:00:15,800
Listen to me, Max.
6
00:00:19,... | 1
00:00:00,310 --> 00:00:01,660
Cady, listen to me.
This is between
2
00:00:01,680 --> 00:00:03,220
you and me.
Leave them out of it.
3
00:00:03,600 --> 00:00:07,060
This is my night, Counselor.
Don't you step on my lines.
4
00:00:07,150 --> 00:00:09,730
No! Stop! Stop!
5
00:00:12,190 --> 00:00:13,530
Yes, Leigh?
... | null | 7666.21 | 6556.32 | 137.11 |
1037581-cape_fear | tt0101540 | XSvUA_bvEY5o | 1
00:00:04,910 --> 00:00:05,510
Bowden,
2
00:00:05,630 --> 00:00:08,110
a horribly burned Cady looms over Sam
3
00:00:08,110 --> 00:00:09,350
later in the cabin.
4
00:00:20,430 --> 00:00:21,470
Danny sits back.
5
00:00:33,710 --> 00:00:35,350
It's Cady pistol whip.
6
00:00:35,350 --> 00:00:35,830
Sam.
7
00:01:14,... | 1
00:00:04,890 --> 00:00:07,020
Bowden Cady.
2
00:00:07,020 --> 00:00:07,890
Cross-examines.
3
00:00:07,890 --> 00:00:08,190
Sam
4
00:00:08,190 --> 00:00:08,900
inside.
5
00:01:57,110 --> 00:02:00,200
The boat bounces off the riverbank as it's carried along.
| 1
00:00:02,500 --> 00:00:05,820
The people call Samuel J. Bowden!
2
00:00:09,500 --> 00:00:12,740
Do you swear to tell the truth
and nothing but the truth?
3
00:00:12,820 --> 00:00:15,860
- Somebody's got to man the boat.
- Did you swear?
4
00:00:15,980 --> 00:00:17,460
- I'll do it.
- Sit, Danielle.
5
00:00:17,540... | 1
00:00:03,050 --> 00:00:06,340
The people call
Samuel J. Bowden!
2
00:00:10,050 --> 00:00:11,300
Do you swear
to tell the truth
3
00:00:11,390 --> 00:00:13,110
and nothing but the truth,
so help you, God?
4
00:00:13,140 --> 00:00:14,530
Cady, somebody's
got to man the boat.
5
00:00:14,560 --> 00:00:15,830
We're he... | null | 7666.21 | 6739.58 | 183.23 |
1037581-cape_fear | tt0101540 | 3oT1Cl3kbIJp | 1
00:00:03,490 --> 00:00:06,530
Katie raises his burnt head in a bestial roar.
2
00:00:09,090 --> 00:00:10,050
Sam reaches out.
3
00:00:10,090 --> 00:00:12,330
Searchingly picks up a palm sized rock
4
00:00:12,330 --> 00:00:13,650
and crawls toward Katie.
5
00:00:14,970 --> 00:00:16,870
He clobbers Katie across the... | 1
00:00:07,980 --> 00:00:09,990
Sam picks up a stone from the bank
2
00:00:10,030 --> 00:00:11,620
and crawls back to the wreckage,
3
00:00:11,620 --> 00:00:13,870
then whacks Cady in the face with it.
4
00:00:36,850 --> 00:00:38,180
Cady picks up a stone
5
00:00:38,180 --> 00:00:39,440
and whacks Sam with it,
6
0... | 1
00:00:18,380 --> 00:00:21,420
Did you forget about that
restraining order, Counselor?
2
00:00:21,500 --> 00:00:23,860
You're well within 500 yards!
3
00:00:30,860 --> 00:00:32,740
Well, here we are, Counselor...
4
00:00:32,820 --> 00:00:34,460
...just two lawyers...
5
00:00:34,620 --> 00:00:36,060
...working it o... | 1
00:00:01,390 --> 00:00:02,890
(SCREAMING)
2
00:00:19,120 --> 00:00:22,170
Did you forget about
that restraining order,
Counselor?
3
00:00:22,250 --> 00:00:24,840
You're well
within 500 yards!
4
00:00:25,880 --> 00:00:27,300
(LAUGHING)
5
00:00:31,510 --> 00:00:33,350
Well, here we are,
Counselor,
6
00:00:33,430 -... | null | 7666.21 | 7127.42 | 142.36 |
1037581-cape_fear | tt0101540 | hlIgQLEp54Y_ | 1
00:00:00,560 --> 00:00:01,720
A view closes in on
2
00:00:01,720 --> 00:00:03,880
Danny's eye shifts to black and white,
3
00:00:03,880 --> 00:00:06,520
then switches to reverse lighting like a photo negative.
4
00:00:06,560 --> 00:00:07,600
The image freezes.
5
00:00:12,520 --> 00:00:16,800
The view turns blood ... | 1
00:00:00,770 --> 00:00:04,780
A close up of Danny's terrified eyes becomes a negative image,
2
00:00:05,030 --> 00:00:06,740
then turns blood red.
| null | 7666.21 | 7398.34 | 78.18 | ||
1044522-firm | tt0106918 | 6uZwd_WZfdmu | 1
00:00:04,210 --> 00:00:05,090
Quinn enters.
2
00:00:16,520 --> 00:00:18,120
A man places a binder on his desk.
3
00:00:20,440 --> 00:00:22,160
Another man, another binder.
4
00:00:33,000 --> 00:00:34,320
Later, a third man enters.
5
00:00:36,000 --> 00:00:36,400
Then another.
6
00:00:38,320 --> 00:00:41,080
Nina... | 1
00:00:03,450 --> 00:00:05,410
A little later, Lamar finds him.
2
00:00:59,180 --> 00:01:01,490
Mitch closes one of the many files on his desk.
| 1
00:00:05,370 --> 00:00:06,660
What are you doing?
2
00:00:06,740 --> 00:00:08,410
Dutch says you've been
here since 6:30.
3
00:00:08,490 --> 00:00:10,050
I thought I'd jump start
the bar exam work.
4
00:00:10,080 --> 00:00:12,420
Good. No associate has ever
failed the bar exam, you know.
5
00:00:12,500 --> 00:00:... | 1
00:00:05,360 --> 00:00:06,660
What are you doing?
2
00:00:06,740 --> 00:00:08,410
Dutch says you've been
here since 6:30.
3
00:00:08,490 --> 00:00:10,050
I thought I'd jump start
the bar exam work.
4
00:00:10,080 --> 00:00:12,420
Good. No associate has ever
failed the bar exam, you know.
5
00:00:12,500 --> 00:00:... | null | 9267.20 | 980.10 | 76.46 |
1044522-firm | tt0106918 | D8I8oDEegiDb | 1
00:00:08,490 --> 00:00:09,850
He lowers her to her knees.
2
00:00:15,010 --> 00:00:17,170
She ducks under the desk as two men enter.
3
00:00:17,210 --> 00:00:18,400
One has long blonde hair
4
00:00:18,400 --> 00:00:19,800
and the other man is heavyset.
5
00:00:27,760 --> 00:00:29,840
Lomax peers from one man to t... | 1
00:00:15,880 --> 00:00:17,090
He pushes her under the desk
2
00:00:17,130 --> 00:00:18,930
as two men walk into the office.
3
00:00:18,970 --> 00:00:20,480
Eddie grabs a sheet of paper.
4
00:00:50,310 --> 00:00:51,730
The Nordic man takes out a gun
5
00:00:51,730 --> 00:00:53,740
and shoots off the lobe of Eddie'... | 1
00:00:11,600 --> 00:00:12,940
Your wife?
2
00:00:13,020 --> 00:00:15,570
- She's in Cleveland.
- She lies.
3
00:00:20,320 --> 00:00:22,660
Don't you answer your phone?
4
00:00:23,490 --> 00:00:25,660
Don't you knock?
5
00:00:25,740 --> 00:00:27,870
Where's your secretary?
6
00:00:30,450 --> 00:00:31,920
Out.
7
... | 1
00:00:10,510 --> 00:00:11,510
(DOOR OPENING)
2
00:00:11,600 --> 00:00:12,940
TAMMY: (WHISPERING) Your wife?
3
00:00:13,010 --> 00:00:15,560
- She's in Cleveland.
- She lies.
4
00:00:20,310 --> 00:00:22,660
Don't you answer your phone?
5
00:00:23,480 --> 00:00:25,660
Don't you knock?
6
00:00:25,740 --> 00:00:27,8... | null | 9267.20 | 3304.61 | 118.21 |
1044522-firm | tt0106918 | 2TEN2gpJcqO0 | 1
00:00:05,780 --> 00:00:06,900
Tarrance steps away.
2
00:00:09,300 --> 00:00:12,860
Mitch walks to a bench where an elderly man sits and peers at him.
3
00:00:18,460 --> 00:00:20,180
Tarrance leans on a nearby tree
4
00:00:20,180 --> 00:00:21,500
as Mitch sits on the bench.
5
00:00:29,090 --> 00:00:29,930
Mitch no... | 1
00:00:06,820 --> 00:00:07,820
Tarrance walks away
2
00:00:07,820 --> 00:00:14,180
and Mitch heads towards a bench in the snow where a man is sitting, protected from the cold by a hat, a scarf and a heavy overcoat.
3
00:00:14,480 --> 00:00:15,820
He's reading a newspaper.
4
00:00:17,820 --> 00:00:20,330
Tarrance le... | 1
00:00:01,270 --> 00:00:02,890
Who killed Eddie Lomax?
2
00:00:02,980 --> 00:00:06,110
Go over and sit next to
the man on the bench.
3
00:00:24,540 --> 00:00:27,170
I appreciate your coming,
Mr. McDeere.
4
00:00:27,250 --> 00:00:29,630
I'll call you Mitch, if I may?
5
00:00:30,590 --> 00:00:33,260
My name is Voyle... | 1
00:00:01,260 --> 00:00:02,890
Who killed Eddie Lomax?
2
00:00:02,970 --> 00:00:06,100
Go over and sit next to
the man on the bench.
3
00:00:24,540 --> 00:00:27,170
I appreciate your coming,
Mr. McDeere.
4
00:00:27,250 --> 00:00:29,630
I'll call you Mitch, if I may?
5
00:00:30,590 --> 00:00:33,260
My name is Voyle... | null | 9267.20 | 3527.36 | 127.69 |
1044522-firm | tt0106918 | FrB5Hljoaefw | 1
00:00:01,070 --> 00:00:02,190
and catches up to her.
2
00:00:04,830 --> 00:00:05,830
She strides into a park
3
00:00:05,830 --> 00:00:07,150
and sits under a large tree.
4
00:00:57,300 --> 00:00:58,820
She frowns and glares at him.
5
00:01:15,410 --> 00:01:16,570
They stare at each other.
6
00:01:37,050 --> 00:0... | 1
00:01:40,920 --> 00:01:43,380
Abby sits back against the tree, appalled.
| 1
00:00:00,750 --> 00:00:02,170
Abby!
2
00:00:02,290 --> 00:00:04,140
- Abby!
- Don't say anything! Don't say anything!
3
00:00:04,170 --> 00:00:06,140
Don't tell me any more!
4
00:00:06,960 --> 00:00:08,430
Everything.
5
00:00:09,170 --> 00:00:14,020
Every single thing we've said or
done since we've been in that h... | 1
00:00:00,750 --> 00:00:02,170
Abby!
2
00:00:02,290 --> 00:00:04,140
- Abby!
- Don't say anything! Don't say anything!
3
00:00:04,170 --> 00:00:06,130
Don't tell me any more!
4
00:00:06,960 --> 00:00:08,430
Everything.
5
00:00:09,170 --> 00:00:14,020
Every single thing we've said or
done since we've been in that h... | null | 9267.20 | 4121.47 | 104.86 |
1044522-firm | tt0106918 | J5tPtL3atubU | 1
00:00:03,100 --> 00:00:04,540
Mitch joins Bill near the trunk
2
00:00:04,580 --> 00:00:06,420
as Bill produces a large briefcase.
3
00:00:43,530 --> 00:00:44,610
His eyes shift.
4
00:00:47,690 --> 00:00:48,970
Bill opens his briefcase.
5
00:01:03,570 --> 00:01:04,970
Bill closes the briefcase.
6
00:01:06,210 -->... | 1
00:00:03,270 --> 00:00:05,670
Devasher takes an old leather briefcase from the trunk,
2
00:00:05,720 --> 00:00:06,430
closes the lid
3
00:00:06,430 --> 00:00:07,430
and rests it on top.
4
00:01:21,610 --> 00:01:26,290
Mitch opens the envelope of photos to find pictures of himself with the girl on the beach in Gran... | 1
00:00:01,020 --> 00:00:03,400
So, Mitch,
this is a debriefing.
2
00:00:07,070 --> 00:00:09,690
I know pretty much
what you told the fellows,
3
00:00:09,780 --> 00:00:12,080
so I kind of got the picture.
4
00:00:12,200 --> 00:00:15,040
Now it's my job to
give you the picture.
5
00:00:15,120 --> 00:00:17,910
What I... | 1
00:00:01,020 --> 00:00:03,390
DEVASHER: So, Mitch,
this is a debriefing.
2
00:00:07,060 --> 00:00:09,690
I know pretty much
what you told the fellows,
3
00:00:09,780 --> 00:00:12,070
so I kind of got the picture.
4
00:00:12,190 --> 00:00:15,040
Now it's my job to
give you the picture.
5
00:00:15,110 --> 00:00:17,... | null | 9267.20 | 4566.69 | 133.03 |
1044522-firm | tt0106918 | Z_NhhbC_ukgW | 1
00:00:00,970 --> 00:00:04,090
Mitch stands with Tarrance watching the dogs chase a fake bone.
2
00:00:13,800 --> 00:00:15,040
The dog's round the bend.
3
00:00:21,880 --> 00:00:23,120
Tarrance has taken aback.
4
00:01:12,790 --> 00:01:14,510
He suddenly freezes with concern.
5
00:01:18,910 --> 00:01:20,230
He ans... | 1
00:00:01,670 --> 00:00:02,180
Something
2
00:00:02,680 --> 00:00:04,850
Mitch meets Agent Tarrance at the dog track.
3
00:01:14,700 --> 00:01:16,160
Tarrance looked at Mitch suspiciously
4
00:01:16,160 --> 00:01:17,330
and his mobile rings.
| 1
00:00:02,920 --> 00:00:05,170
and Right There is
stepping over on the inside.
2
00:00:05,250 --> 00:00:06,750
Champagne Now rushes up...
3
00:00:06,840 --> 00:00:09,180
Doesn't a dog ever get the bone?
4
00:00:09,260 --> 00:00:11,510
Yeah, I hear it happens once in a while.
It's a disaster.
5
00:00:11,590 --> 00:... | 1
00:00:02,910 --> 00:00:05,170
and Right There is
stepping over on the inside.
2
00:00:05,250 --> 00:00:06,750
Champagne Now rushes up...
3
00:00:06,840 --> 00:00:09,180
Doesn't a dog ever get the bone?
4
00:00:09,250 --> 00:00:11,510
Yeah, I hear it happens once in a while.
It's a disaster.
5
00:00:11,590 --> 00:... | null | 9267.20 | 5412.51 | 108.04 |
1044522-firm | tt0106918 | oIaM9Q3cdv0X | 1
00:00:00,290 --> 00:00:03,130
Mitch, Lambert and McKnight stand in the hallway nearby.
2
00:00:08,490 --> 00:00:10,250
With piercing eyes, Mitch purses his lips.
3
00:00:11,490 --> 00:00:12,810
He walks towards Lambert.
4
00:00:20,530 --> 00:00:21,490
Lambert frowns.
5
00:00:21,770 --> 00:00:23,170
Mitch glances ... | 1
00:00:23,670 --> 00:00:24,770
Watched by Lambert.
2
00:00:24,770 --> 00:00:27,030
Mitch walks over to the extension in the waiting area
3
00:00:27,030 --> 00:00:27,780
and picks it up
4
00:00:27,780 --> 00:00:29,870
as Devasher walks in with his walkie talkie.
5
00:00:54,830 --> 00:00:56,170
Mitch replaces the ha... | 1
00:00:00,400 --> 00:00:01,780
Mitch...
2
00:00:03,070 --> 00:00:05,500
We've just been looking for you.
3
00:00:06,870 --> 00:00:08,960
Can you step in here, please?
4
00:00:10,460 --> 00:00:15,050
Mr. Tolar's office. Yes, he's right here.
Nina, transfer him.
5
00:00:15,130 --> 00:00:18,720
Mr. McDeere,
a Judge T... | 1
00:00:00,400 --> 00:00:01,780
OLIVER: Mitch...
2
00:00:03,070 --> 00:00:05,490
We've just been looking for you.
3
00:00:06,870 --> 00:00:08,960
Can you step in here, please?
4
00:00:09,040 --> 00:00:10,380
(PHONE RINGING)
5
00:00:10,450 --> 00:00:15,050
Mr. Tolar's office. Yes, he's right here.
Nina, transfer him... | null | 9267.20 | 7408.22 | 104.17 |
1044522-firm | tt0106918 | TV5TkU59Uzm9 | 1
00:00:14,140 --> 00:00:16,820
The blonde man's monorail stops at its destination.
2
00:00:17,500 --> 00:00:20,140
The blonde man runs around the terminal and up a set of steps,
3
00:00:20,140 --> 00:00:21,460
pushing people out of his way.
4
00:00:22,460 --> 00:00:25,140
He runs quickly back across the path of the... | 1
00:00:04,650 --> 00:00:07,740
As the cars pass each other, he sees Mitch and recognises him.
2
00:00:15,220 --> 00:00:17,270
The Nordic man's car arrives on Mud Island
3
00:00:17,270 --> 00:00:18,400
and he rushes out.
4
00:00:18,440 --> 00:00:19,800
He runs up a flight of stairs,
5
00:00:19,800 --> 00:00:21,270
... | 1
00:00:21,630 --> 00:00:22,930
Hey!
2
00:01:26,450 --> 00:01:27,910
Excuse me.
| 1
00:00:21,630 --> 00:00:22,930
MAN: Hey!
2
00:01:26,440 --> 00:01:27,910
Excuse me.
3
00:01:47,920 --> 00:01:49,680
(ASSASSIN GROANING)
4
00:02:03,770 --> 00:02:05,320
(WOMAN SHRIEKS)
5
00:02:09,570 --> 00:02:11,950
(CARS HONKING)
| null | 9267.20 | 7840.03 | 133.56 |
1044522-firm | tt0106918 | PxRuisYHkpKa | 1
00:00:00,310 --> 00:00:01,830
and tries the various doors
2
00:00:02,230 --> 00:00:03,190
in the boiler room.
3
00:00:03,270 --> 00:00:06,230
Mitch swings and bangs on the window with his feet, cracking it.
4
00:00:08,030 --> 00:00:09,550
The blonde man pulls his gun
5
00:00:09,550 --> 00:00:11,470
and moves towa... | 1
00:00:01,590 --> 00:00:03,770
He hears the noise of Mitch's shoes against the glass
2
00:00:03,770 --> 00:00:04,850
and draws his gun.
3
00:00:13,590 --> 00:00:14,970
The glass is crazed over
4
00:00:14,970 --> 00:00:17,230
as the Nordic man cautiously approaches the door
5
00:00:17,230 --> 00:00:18,940
and pushe... | 1
00:02:08,020 --> 00:02:11,320
You sick son of a bitch!
| 1
00:00:01,730 --> 00:00:03,570
(BANGING)
2
00:00:15,620 --> 00:00:17,210
(BANGING STOPS)
3
00:01:24,480 --> 00:01:25,480
(THUDS)
4
00:01:36,820 --> 00:01:38,120
(METAL PIPE CLAN KS)
5
00:01:41,450 --> 00:01:42,800
(GROANS)
6
00:02:01,560 --> 00:02:03,360
(DEVASHER GROANING)
7
00:02:06,730 --> 00:02:07,950
(MITCH... | null | 9267.20 | 8081.70 | 133.26 |
1068470-sudden_death | tt0114576 | c0e8It65tZAO | 1
00:00:00,640 --> 00:00:02,360
A security man helps a wounded man.
2
00:00:08,880 --> 00:00:09,960
The security man turns.
3
00:00:14,320 --> 00:00:15,520
He walks past a man.
4
00:00:16,360 --> 00:00:17,480
The bullet hits his leg.
5
00:00:22,480 --> 00:00:23,720
He falls back on the bar.
6
00:00:49,280 --> 00:0... | 1
00:00:00,580 --> 00:00:01,700
In the owner's box.
2
00:00:05,470 --> 00:00:07,600
Foss steps up and shoots the injured man.
3
00:00:14,290 --> 00:00:18,590
As Foss walks away, he shoots another male hostage in the leg with his pistol.
4
00:00:20,770 --> 00:00:21,270
Andrew
5
00:00:22,650 --> 00:00:24,400
Andrew s... | 1
00:00:02,400 --> 00:00:05,740
Please, he needs a doctor.
2
00:00:05,810 --> 00:00:07,970
No!
3
00:00:08,040 --> 00:00:11,030
Not any more. Go ahead.
4
00:00:11,110 --> 00:00:13,340
Dead heroes get the best funerals.
5
00:00:20,060 --> 00:00:22,420
Thanks for your help, Andrew.
6
00:00:24,530 --> 00:00:28,900
His... | 1
00:00:02,320 --> 00:00:04,440
Please,
he needs a doctor.
2
00:00:05,530 --> 00:00:06,530
(ALL SCREAM)
3
00:00:06,620 --> 00:00:07,730
WOMAN: No!
4
00:00:08,120 --> 00:00:11,110
Not anymore. Go ahead.
5
00:00:11,250 --> 00:00:13,450
Dead heroes get
the best funerals.
6
00:00:15,540 --> 00:00:16,540
(GUNSHOT)
7
0... | null | 6600.99 | 1311.36 | 105.28 |
1068470-sudden_death | tt0114576 | TbMF2KaZrxu4 | 1
00:00:02,750 --> 00:00:04,030
Darren turns to the Elevator
2
00:00:04,030 --> 00:00:05,830
and sees Isy Joan.
3
00:00:17,750 --> 00:00:18,550
He grabs the hat.
4
00:00:19,950 --> 00:00:20,550
On the hat.
5
00:00:20,550 --> 00:00:21,190
McCord.
6
00:00:22,990 --> 00:00:24,190
The woman takes out her gun
7
00:00:... | 1
00:00:00,890 --> 00:00:01,720
The lift opens
2
00:00:01,720 --> 00:00:03,900
and icy steps out with her head on.
3
00:00:24,840 --> 00:00:27,180
Darren finds Emily's cap on the lift floor.
4
00:00:27,220 --> 00:00:30,940
As he bends to pick it up, he spots icy reflected in the metallic lift wall.
5
00:00:30,980 -... | 1
00:00:05,230 --> 00:00:08,200
Joan, I was trying
to catch up with you and Emily.
2
00:00:08,230 --> 00:00:11,230
- She wasn't supposed to leave her seat.
- I'm Carla.
3
00:00:11,300 --> 00:00:13,640
- Joan had to go home sick.
- But you were with...
4
00:00:13,670 --> 00:00:16,140
my... my daughter Emily.
5
00:00... | 1
00:00:01,930 --> 00:00:02,930
(ELEVATOR BELL DINGS)
2
00:00:05,140 --> 00:00:08,300
Joan,
I was trying to catch up
with you and Emily.
3
00:00:08,390 --> 00:00:09,930
She wasn't supposed
to leave her seat.
4
00:00:10,020 --> 00:00:11,850
I'm Carla.
Joan had to go home sick.
5
00:00:12,230 --> 00:00:16,350
But you... | null | 6600.99 | 2218.66 | 177.52 |
1068470-sudden_death | tt0114576 | 1Rtei7cYJMd4 | 1
00:00:34,560 --> 00:00:35,920
The carjacker takes out a gun.
2
00:00:35,960 --> 00:00:36,880
Darren grabs his arm
3
00:00:36,880 --> 00:00:38,400
and pushes it into the dishwasher.
4
00:00:38,600 --> 00:00:40,480
The dishwasher closes onto his arm.
5
00:00:40,720 --> 00:00:41,560
Darren punches him
6
00:00:41,56... | 1
00:00:25,910 --> 00:00:26,950
Darren freezes.
2
00:00:36,610 --> 00:00:37,780
Blair pulls his gun out,
3
00:00:37,780 --> 00:00:39,950
but Darren spins and grabs his wrist.
4
00:00:39,990 --> 00:00:41,210
The two men struggle.
5
00:00:41,250 --> 00:00:43,420
Darren forces the gun from Blair's hand
6
00:00:43,420... | 1
00:00:01,170 --> 00:00:04,630
So, where's this seven-foot penguin?
2
00:00:04,710 --> 00:00:08,440
She was there.
I wanna go up to the owner's box.
3
00:00:08,550 --> 00:00:11,480
There's a VIP in the box,
and you don't have clearance.
4
00:00:11,580 --> 00:00:14,050
- Neither does my daughter.
- Who knows where s... | 1
00:00:01,670 --> 00:00:05,170
So, where's this
seven-foot penguin?
She was there.
2
00:00:06,390 --> 00:00:08,420
I wanna go up to
the owner's box.
3
00:00:08,510 --> 00:00:11,100
There's a VIP
in the box stand,
and you don't have clearance.
4
00:00:11,180 --> 00:00:12,300
Neither does my daughter.
5
00:00:12,390... | null | 6600.99 | 2544.32 | 119.63 |
1068470-sudden_death | tt0114576 | OIixDFQf188_ | 1
00:00:02,230 --> 00:00:02,990
He dials.
2
00:01:35,510 --> 00:01:35,830
Numbers
3
00:01:35,830 --> 00:01:36,510
in the parking lot.
4
00:01:36,550 --> 00:01:37,310
A group runs,
5
00:01:37,350 --> 00:01:38,470
a car explodes.
6
00:01:42,070 --> 00:01:43,510
Hallmark jaw drops.
7
00:01:43,670 --> 00:01:44,510
Th... | 1
00:01:39,710 --> 00:01:41,970
A car in the packed car park explodes
2
00:01:41,970 --> 00:01:43,600
a short distance from Hallmark
3
00:01:43,770 --> 00:01:45,020
by the back of an ambulance.
4
00:01:45,020 --> 00:01:47,990
He watches with a gawp as more cars explode,
5
00:01:47,990 --> 00:01:50,580
scattering bu... | 1
00:00:00,390 --> 00:00:03,850
For Chicago, every step,
every rush is so important.
2
00:00:05,960 --> 00:00:08,660
911, emergency services.
3
00:00:08,700 --> 00:00:11,600
- Officer Lyons speaking.
- My name is Darren McCord.
4
00:00:11,670 --> 00:00:15,600
I'm calling you
from the Civic Arena. 555-1923.
5
00:00:... | 1
00:00:00,190 --> 00:00:04,150
Eor Chicago, every step,
every rush is so important.
2
00:00:06,820 --> 00:00:09,860
9 1 1, emergency services,
Officer Lyons speaking.
3
00:00:09,950 --> 00:00:12,690
My name is Darren McCord.
I'm calling you from
4
00:00:12,830 --> 00:00:15,530
the Civic Arena 555-1 923.
5
00:00:15... | null | 6600.99 | 2746.88 | 149.00 |
1068470-sudden_death | tt0114576 | IJ_htP_Soesu | 1
00:00:03,470 --> 00:00:04,950
He peers past a machine
2
00:00:04,950 --> 00:00:06,150
and continues to walk.
3
00:00:12,910 --> 00:00:14,190
He sports a mitre saw.
4
00:00:15,110 --> 00:00:16,350
He places his knife down
5
00:00:16,350 --> 00:00:17,910
and grabs a fire extinguisher.
6
00:00:20,390 --> 00:00:21,9... | 1
00:00:01,480 --> 00:00:03,990
He puts his wire clippers down on a workbench
2
00:00:03,990 --> 00:00:06,460
and reaches for a hand-held fire extinguisher.
3
00:00:06,960 --> 00:00:09,970
He pulls the red trigger and some spray escapes.
4
00:00:32,000 --> 00:00:34,050
Darren finds a length of plastic tubing
5
00:0... | 1
00:02:04,420 --> 00:02:08,360
This is the most powerful
plastic explosive in the world.
2
00:02:08,430 --> 00:02:11,990
- Don't be too quick
to pull the trigger.
- Save it. I placed that stuff.
3
00:02:12,060 --> 00:02:14,730
No detonator, no "ka-boom."
4
00:02:14,870 --> 00:02:17,530
- Everybody's an expert.
- By... | 1
00:02:04,980 --> 00:02:08,440
This is the most powerful
plastic explosive
in the world.
2
00:02:08,570 --> 00:02:10,600
Don't be too quick
to pull the trigger.
Save it.
3
00:02:10,690 --> 00:02:12,480
I placed some of that stuff.
4
00:02:12,570 --> 00:02:15,310
No detonator, no "ka-boom."
5
00:02:15,410 --> 00:02... | null | 6600.99 | 3670.85 | 178.28 |
1068470-sudden_death | tt0114576 | z3yTTMOGgKen | 1
00:00:00,710 --> 00:00:02,230
He ducks through a small doorway
2
00:00:02,230 --> 00:00:04,590
and shines the flashlight under large grey pipes.
3
00:00:05,150 --> 00:00:07,990
Another makeshift bomb ticks taped to a pipe.
4
00:00:08,590 --> 00:00:10,750
He balances the flashlight on top of a pipe
5
00:00:10,750 ... | 1
00:00:03,360 --> 00:00:04,320
and heads over.
2
00:00:05,120 --> 00:00:07,040
He puts his torch down on the pipe.
3
00:00:07,630 --> 00:00:09,210
Another torch beam turns on.
4
00:00:09,210 --> 00:00:12,310
Further up the passage, Darren spins round, wide eyed.
5
00:00:12,850 --> 00:00:14,480
Hallmark steps from ... | 1
00:00:15,710 --> 00:00:17,840
How many'd you get?
2
00:00:17,920 --> 00:00:21,040
Four, so far.
3
00:00:21,120 --> 00:00:24,050
- Is that all?
- Christ, I'm just one guy.
4
00:00:24,120 --> 00:00:27,020
- How many did you get?
- Just one.
5
00:00:28,430 --> 00:00:32,190
You are all alone, aren't you?
6
00:00:37,... | 1
00:00:16,890 --> 00:00:18,630
How many did you get?
2
00:00:20,270 --> 00:00:21,430
Four, so far.
3
00:00:21,520 --> 00:00:24,100
Is that all?
Christ, I'm just one guy.
4
00:00:24,190 --> 00:00:25,310
How many did you get?
5
00:00:25,480 --> 00:00:26,600
Just one.
6
00:00:29,150 --> 00:00:31,490
You are all alon... | null | 6600.99 | 4182.88 | 121.60 |
1068470-sudden_death | tt0114576 | S3UaKF_3iU1Z | 1
00:00:14,040 --> 00:00:14,800
In the hull.
2
00:00:14,960 --> 00:00:16,680
The men in black shirts walk off.
3
00:00:28,320 --> 00:00:29,880
Darren sits in Tolliver's uniform.
4
00:00:29,920 --> 00:00:31,160
A hand grabs his shoulder.
5
00:00:32,520 --> 00:00:33,360
Darren nods.
6
00:00:35,600 --> 00:00:37,280
D... | 1
00:00:15,450 --> 00:00:18,840
The other Penguins players don't realise it's Darren behind the mask.
2
00:00:29,500 --> 00:00:31,090
The coach grabs Darren's shoulder.
3
00:00:36,730 --> 00:00:37,770
Darren's eyes rove.
4
00:00:42,260 --> 00:00:44,600
Darren enters the rink with Tolliver's kit on.
5
00:01:49,990 -... | 1
00:00:02,010 --> 00:00:05,950
Mike, they're making some noise
down here and I'm not sure why.
2
00:00:06,020 --> 00:00:10,420
I don't believe this. Brad Tolliver
is actually coming back into the game!
3
00:00:10,490 --> 00:00:13,920
This is a guy that once
finished a game with a broken ankle.
4
00:00:19,730 --> 00... | 1
00:00:01,520 --> 00:00:03,640
Mike, they're making
some noise down here
in the corner
2
00:00:03,690 --> 00:00:05,720
and I'm not really
sure why.
3
00:00:05,810 --> 00:00:07,970
I don 't believe this.
Brad Tolliver is actually
4
00:00:08,110 --> 00:00:10,220
coming back into the game,
right now.
5
00:00:10,320 -... | null | 6600.99 | 4787.97 | 199.37 |
1068470-sudden_death | tt0114576 | cxVcMYGa9G1s | 1
00:00:00,260 --> 00:00:03,860
and runs across the room to Chicago.
2
00:00:06,540 --> 00:00:08,700
He runs through a shower room into a gym.
3
00:00:08,860 --> 00:00:10,380
The other black shirt shoots at him.
4
00:00:44,500 --> 00:00:46,460
The Blackshirt is unable to cock his gun.
5
00:00:48,260 --> 00:00:52,14... | 1
00:00:00,530 --> 00:00:03,540
and sets off in blue trousers and a white t shirt.
2
00:00:03,590 --> 00:00:08,030
He's got a silenced machine pistol in his hand as he enters the players gym.
3
00:00:08,030 --> 00:00:10,540
The mirrored walls are shattered by gunfire.
4
00:00:10,910 --> 00:00:13,590
Darren dives to ... | 1
00:00:01,810 --> 00:00:04,970
Just moments away, they're gonna pack up
the Stanley Cup and take it to Chicago.
2
00:00:14,930 --> 00:00:17,950
Intercepted by Chicago!
3
00:00:18,030 --> 00:00:21,360
Big check on
John Cullen of the Penguins.
4
00:00:28,540 --> 00:00:33,770
Jagr going for the net, Naslund shoots,
an... | 1
00:00:02,150 --> 00:00:04,560
the Stanley Cup and
take it to Chicago.
2
00:00:16,250 --> 00:00:18,530
Intercepted by Chicago!
3
00:00:18,630 --> 00:00:22,240
Big check on John
Cullen of the Penguins
and the play continues.
4
00:00:28,840 --> 00:00:33,180
Jagr going for the net,
Naslund shoots,
and he's stopped by ... | null | 6600.99 | 5127.42 | 186.36 |
1068470-sudden_death | tt0114576 | EpPX8beS4wTI | 1
00:00:00,800 --> 00:00:02,200
and loops it onto his belt.
2
00:00:08,080 --> 00:00:09,040
He bends his knees
3
00:00:09,040 --> 00:00:10,800
and leaps out to a hanging bar.
4
00:00:11,760 --> 00:00:13,840
The bar slides toward the owner's box.
5
00:00:18,040 --> 00:00:19,560
The crowd continues to point.
6
00:00... | 1
00:00:01,060 --> 00:00:04,150
and takes the jar filled with powder and fluid from his bag.
2
00:00:04,190 --> 00:00:05,780
He hunkers down, bending his legs,
3
00:00:05,780 --> 00:00:07,290
and prepares for a jump.
4
00:00:12,700 --> 00:00:14,410
He leaps onto a sliding fitting
5
00:00:14,410 --> 00:00:16,040
and... | 1
00:01:19,680 --> 00:01:22,580
Daddy!
2
00:01:24,450 --> 00:01:27,010
Daddy.
3
00:01:50,010 --> 00:01:52,850
- Come on, let's go!
- Watch it, will ya?
4
00:02:17,340 --> 00:02:19,810
How many did you find, fireman?
5
00:03:20,710 --> 00:03:22,640
Tyler.
6
00:03:25,480 --> 00:03:28,410
I didn't move, Dad.
I didn't... | 1
00:00:32,350 --> 00:00:34,140
(PEOPLE SCREAMING)
2
00:01:20,310 --> 00:01:21,350
EMILY: Daddy!
3
00:01:24,690 --> 00:01:25,690
Daddy!
4
00:02:17,370 --> 00:02:19,740
How many did
you find, fireman?
5
00:03:25,810 --> 00:03:28,430
I didn't move, Dad.
I didn't move.
6
00:03:28,570 --> 00:03:31,180
Not even when th... | null | 6600.99 | 5798.18 | 224.35 |
1068470-sudden_death | tt0114576 | W_uTXs8qpUUw | 1
00:00:01,740 --> 00:00:03,140
Darren pushes the man back.
2
00:00:03,780 --> 00:00:05,260
The man pulls out his gun.
3
00:00:15,420 --> 00:00:16,540
Darren looks at Emily.
4
00:00:17,340 --> 00:00:18,860
The man grabs onto the ladder.
5
00:00:21,420 --> 00:00:22,700
Darren leaps in front of her.
6
00:00:22,740 -... | 1
00:00:16,830 --> 00:00:17,790
He aims at Emily
2
00:00:17,830 --> 00:00:19,290
Darren dives between them.
3
00:00:30,910 --> 00:00:33,090
Darren knocks the gun from Foss hand.
4
00:00:33,090 --> 00:00:34,890
Foss laughs as he grabs the ladder
5
00:00:34,890 --> 00:00:37,100
and the chopper slowly starts to rise.
... | 1
00:00:07,820 --> 00:00:11,770
I'm not gonna kill you!
2
00:00:11,820 --> 00:00:15,780
I'd rather you spent the rest
of your life remembering you
couldn't save your little girl.
3
00:00:20,660 --> 00:00:22,320
Daddy!
4
00:00:55,600 --> 00:00:57,590
Aah!
5
00:01:13,120 --> 00:01:14,850
Aaah!
6
00:01:17,560 --> 00:... | 1
00:00:08,010 --> 00:00:09,010
(LAUGHS)
2
00:00:10,140 --> 00:00:12,920
I'm not gonna kill you!
I'd rather you spent
the rest of your life
3
00:00:13,010 --> 00:00:16,180
remembering you couldn't save
your little girl.
4
00:00:20,600 --> 00:00:21,640
Daddy!
5
00:00:25,190 --> 00:00:26,190
(LAUGHS)
6
00:01:57,950 ... | null | 6600.99 | 6158.14 | 159.01 |
1080867-rainmaker | tt0119978 | DdcebrY9rlS3 | 1
00:00:01,220 --> 00:00:02,460
I had trouble sleeping
last night
2
00:00:02,490 --> 00:00:04,450
'cause I was worried
about your estate.
3
00:00:04,520 --> 00:00:07,350
Now, if you're not careful,
Miss Birdie,
4
00:00:07,420 --> 00:00:10,020
the government is just gonna
get a big chunk of this.
5
00:00:10,090 --> ... | 1
00:00:00,890 --> 00:00:02,140
I had trouble sleeping
last night
2
00:00:02,160 --> 00:00:04,130
'cause I was worried
about your estate.
3
00:00:04,200 --> 00:00:07,030
Now, if you're not careful,
Miss Birdie,
4
00:00:07,100 --> 00:00:09,700
the government is just gonna
get a big chunk of this.
5
00:00:09,770 --> ... | null | 8125.73 | 763.26 | 114.75 | ||
1080867-rainmaker | tt0119978 | KAq6v6CJ_vpc | 1
00:00:08,290 --> 00:00:10,050
She stares in disbelief.
| 1
00:00:02,410 --> 00:00:06,400
Kelly, l'll try to
help you any way I can,
2
00:00:06,480 --> 00:00:09,970
but you have to
file for divorce.
3
00:00:10,050 --> 00:00:12,880
Do it now while you're
in the hospital
4
00:00:12,950 --> 00:00:14,610
being treated
for the last beating.
5
00:00:14,690 --> 00:00:16,120
lt'l... | 1
00:00:02,220 --> 00:00:06,220
Kelly, I'll try to
help you any way I can,
2
00:00:06,290 --> 00:00:09,790
but you have to
file for divorce.
3
00:00:09,860 --> 00:00:12,680
Do it now while you're
in the hospital
4
00:00:12,750 --> 00:00:14,410
being treated
for the last beating.
5
00:00:14,480 --> 00:00:15,930
It'l... | null | 8125.73 | 1850.56 | 37.48 | |
1080867-rainmaker | tt0119978 | Hdl7U3f2CNY6 | 1
00:00:10,440 --> 00:00:12,360
The judge coughs into his hand.
| 1
00:00:00,300 --> 00:00:01,770
And who are you?
2
00:00:01,840 --> 00:00:03,060
Uh, Rudy Baylor.
3
00:00:03,140 --> 00:00:06,470
I work for J. Lyman Stone.
4
00:00:06,540 --> 00:00:09,240
Oh, you work for
J. Lyman. [Coughs]
5
00:00:09,310 --> 00:00:11,610
[Wheezing Cough]
6
00:00:11,680 --> 00:00:12,680
[Coughing... | 1
00:00:00,190 --> 00:00:01,990
And who are you?
2
00:00:02,200 --> 00:00:03,310
Uh, Rudy Baylor.
3
00:00:03,380 --> 00:00:06,720
I work for J. Lyman Stone.
4
00:00:06,780 --> 00:00:09,150
Oh, you work for
J. Lyman. [Coughs]
5
00:00:09,590 --> 00:00:11,500
[Wheezing Cough]
6
00:00:11,570 --> 00:00:12,570
[Coughing... | null | 8125.73 | 2516.83 | 57.08 | |
1080867-rainmaker | tt0119978 | 7OAA8T9JAq3k | 1
00:00:02,230 --> 00:00:06,110
In a dark office, amid heaps of paper, Rudy lifts his sleepy head.
| 1
00:00:01,560 --> 00:00:02,690
It's Night-Time.
2
00:00:02,690 --> 00:00:07,290
And Trudy's fallen asleep at his desk, which is piled high with legal documents.
| 1
00:00:00,740 --> 00:00:02,830
[Telephone Rings]
2
00:00:06,780 --> 00:00:07,710
[Ring]
3
00:00:07,780 --> 00:00:08,840
Hello?
4
00:00:08,910 --> 00:00:11,210
Deck: Guess who died
last night.
5
00:00:11,280 --> 00:00:12,210
Who?
6
00:00:12,280 --> 00:00:13,710
Do you ever sleep?
7
00:00:13,780 --> 00:00:15,180
H... | 1
00:00:00,700 --> 00:00:02,680
[Telephone Rings]
2
00:00:06,550 --> 00:00:07,490
[Ring]
3
00:00:07,550 --> 00:00:08,620
Hello?
4
00:00:08,690 --> 00:00:10,990
DECK: Guess who died
last night.
5
00:00:11,060 --> 00:00:11,990
Who?
6
00:00:12,060 --> 00:00:13,490
Do you ever sleep?
7
00:00:13,560 --> 00:00:14,960
H... | null | 8125.73 | 2950.50 | 56.52 |
1080867-rainmaker | tt0119978 | GJpC_BGh_c1G | 1
00:00:05,820 --> 00:00:07,780
Underhall whispers in Drummond ear.
2
00:00:09,380 --> 00:00:11,340
Rudy scans the room impatiently.
3
00:00:14,340 --> 00:00:15,340
Rudy shrugs.
4
00:00:24,340 --> 00:00:26,780
Drummond and his team stare blankly at Rudy.
5
00:00:29,140 --> 00:00:31,380
The stenographer looks down u... | 1
00:00:07,880 --> 00:00:09,890
Jack whispers something to Leo.
2
00:01:35,010 --> 00:01:39,980
Rudy thinks as he looks across at Leo, his fellow lawyers and their clients.
3
00:01:50,220 --> 00:01:52,860
Leo points to a man who raises his hand.
| 1
00:00:00,840 --> 00:00:02,100
I beg your pardon?
2
00:00:02,170 --> 00:00:03,200
Well, you heard me.
3
00:00:03,270 --> 00:00:04,790
I want to start with,
uh, Jackie Lemancyzk,
4
00:00:04,810 --> 00:00:06,070
the claims handler.
5
00:00:12,480 --> 00:00:14,880
I think it's best we start
with Mr. Underhall.
6
00:... | 1
00:00:00,550 --> 00:00:01,820
I beg your pardon?
2
00:00:01,890 --> 00:00:02,920
Well, you heard me.
3
00:00:02,990 --> 00:00:04,500
I want to start with,
uh, Jackie Lemancyzk,
4
00:00:04,520 --> 00:00:05,860
the claims handler.
5
00:00:12,180 --> 00:00:14,650
I think it's best we start
with Mr. Underhall.
6
00:... | null | 8125.73 | 3683.14 | 129.17 |
1080867-rainmaker | tt0119978 | oyRPIsNNvNL_ | 1
00:00:02,860 --> 00:00:04,260
He wiggles the doorknob.
2
00:00:08,160 --> 00:00:10,240
Cliff breaks in the door, knocking Kelly down.
3
00:00:10,880 --> 00:00:11,960
Cliff holds a bat.
4
00:00:22,960 --> 00:00:24,200
Cliff jabs with the bat.
5
00:00:25,160 --> 00:00:27,000
He throws Rudy and grabs Kelly.
6
00:00... | 1
00:00:35,450 --> 00:00:36,950
Cliff turns on Rudy,
2
00:00:37,040 --> 00:00:38,840
swinging at him with a baseball bat.
3
00:00:39,630 --> 00:00:41,930
Kelly hurls herself at her enraged husband,
4
00:00:41,930 --> 00:00:43,350
but he swats her aside.
5
00:00:43,810 --> 00:00:46,190
Rudy slams Cliff against the c... | 1
00:00:01,700 --> 00:00:03,760
Kelly: Oh, no.
2
00:00:04,700 --> 00:00:07,190
Cliff: Hey, hello!
3
00:00:07,270 --> 00:00:08,800
l'm home!
4
00:00:09,710 --> 00:00:11,610
Well, what do you know?
5
00:00:11,680 --> 00:00:14,240
What do we have here?
6
00:00:14,310 --> 00:00:16,010
What you two been doing
in here, ... | 1
00:00:01,930 --> 00:00:04,060
KELLY: Oh, no.
2
00:00:04,930 --> 00:00:07,430
CLIFF: Hey, hello!
3
00:00:07,500 --> 00:00:09,100
I'm home!
4
00:00:09,940 --> 00:00:11,840
Well, what do you know?
5
00:00:11,910 --> 00:00:14,470
What do we have here?
6
00:00:14,540 --> 00:00:16,380
What you two been doing
in here, ... | null | 8125.73 | 5274.34 | 121.93 |
1080867-rainmaker | tt0119978 | Gi5LUd0yOIdB | 1
00:00:01,450 --> 00:00:04,850
behind Rudy Donny Ray appears gaunt and slouched.
2
00:00:12,160 --> 00:00:14,360
Drummond averts his gaze from the screen.
3
00:00:27,960 --> 00:00:28,800
Buddy gets up
4
00:00:28,800 --> 00:00:29,960
and approaches Keeley.
5
00:00:41,080 --> 00:00:42,680
Buddy shows the picture to ... | 1
00:00:01,550 --> 00:00:01,930
Donny.
2
00:00:01,970 --> 00:00:03,600
Ray appears on a screen.
3
00:01:32,530 --> 00:01:37,290
Rudy glances over at Leo buddies, looking greatly upset.
4
00:01:59,370 --> 00:02:03,470
The Jury consider this Tinley.
| 1
00:00:05,410 --> 00:00:08,380
I weigh 110 pounds.
2
00:00:08,450 --> 00:00:12,880
11 months ago,
I weighed 160.
3
00:00:15,150 --> 00:00:18,320
The leukemia was detected
in plenty of time.
4
00:00:20,430 --> 00:00:22,690
I was in the hospital
being treated
5
00:00:22,760 --> 00:00:24,020
when the doctors realized... | 1
00:00:05,610 --> 00:00:08,580
I weigh 110 pounds.
2
00:00:08,640 --> 00:00:13,550
11 months ago,
I weighed 160.
3
00:00:15,370 --> 00:00:18,600
The leukemia was detected
in plenty of time.
4
00:00:20,640 --> 00:00:22,910
I was in the hospital
being treated
5
00:00:22,980 --> 00:00:24,240
when the doctors realized... | null | 8125.73 | 7243.33 | 126.85 |
10_cloverfield_lane | tt1179933 | 53PEITZbfG6Z | 1
00:00:06,560 --> 00:00:08,040
He rises to his feet.
2
00:00:17,760 --> 00:00:18,960
Her eyes widen.
3
00:00:34,170 --> 00:00:35,770
He gazes at the ceiling.
4
00:00:41,050 --> 00:00:44,010
He lays a hand on the jutting section of wall with the vent,
5
00:00:44,010 --> 00:00:46,050
then gives Michelle a proud smil... | 1
00:00:43,900 --> 00:00:46,200
He fills the air vent with satisfaction.
2
00:00:46,780 --> 00:00:48,620
Michelle watches him and nods.
3
00:01:13,640 --> 00:01:16,980
Michelle lowers her eyes, scared and uncomprehending.
4
00:01:32,250 --> 00:01:34,380
He goes out, leaving the door open.
5
00:01:34,510 --> 00:01:3... | 1
00:00:00,370 --> 00:00:01,890
You can't leave.
2
00:00:04,450 --> 00:00:07,050
An attack means fallout.
3
00:00:08,130 --> 00:00:10,280
Which contaminates
the air above ground.
4
00:00:10,370 --> 00:00:11,890
That's how it works.
5
00:00:11,970 --> 00:00:13,970
How long do we have to wait
until it's safe?
6
00:0... | 1
00:00:00,370 --> 00:00:01,890
You can't leave.
2
00:00:04,450 --> 00:00:07,050
An attack means fallout.
3
00:00:08,130 --> 00:00:10,280
Which contaminates
the air above ground.
4
00:00:10,370 --> 00:00:11,890
(STUTTERS) That's how it works.
5
00:00:11,970 --> 00:00:13,970
How long do we have to wait
until it's sa... | null | 6213.89 | 1026.18 | 129.99 |
10_cloverfield_lane | tt1179933 | bExD6WUvRIeh | 1
00:00:02,250 --> 00:00:03,610
travelling up a tunnel.
2
00:00:03,850 --> 00:00:06,490
A welcome mat sits at the top of the steps.
3
00:00:07,970 --> 00:00:11,090
Light shines through a small window in a door beyond
4
00:00:11,090 --> 00:00:14,630
Michelle holds on to a railing built into the concrete steps
5
00:0... | 1
00:00:01,500 --> 00:00:06,460
A welcome mat at the top of a steep set of steps, with a metal rail going down them.
2
00:00:06,880 --> 00:00:12,980
Michelle stands at the bottom and looks up at a rectangle of bright daylight, coming through a small window in a door.
3
00:00:18,820 --> 00:00:20,700
She begins to clim... | 1
00:00:36,090 --> 00:00:38,760
Closest I could get to an airlock.
2
00:01:08,250 --> 00:01:10,200
See?
3
00:01:13,570 --> 00:01:15,280
What happened to them?
4
00:01:15,370 --> 00:01:17,280
They weren't as lucky as you.
5
00:01:17,770 --> 00:01:19,250
It's the air, Michelle.
6
00:01:19,330 --> 00:01:21,600
That's... | 1
00:00:14,370 --> 00:00:15,770
(KEYS JANGLING)
2
00:00:36,090 --> 00:00:38,760
Closest I could get to an airlock.
3
00:01:08,250 --> 00:01:10,200
- (GASPING)
- See?
4
00:01:13,570 --> 00:01:15,280
What happened to them?
5
00:01:15,370 --> 00:01:17,280
They weren't as lucky as you.
6
00:01:17,770 --> 00:01:19,250
... | null | 6213.89 | 1555.90 | 118.33 |
10_cloverfield_lane | tt1179933 | DyKg0On2yXuG | 1
00:00:01,300 --> 00:00:03,780
She hobbles up the steps to the airlock.
2
00:00:07,340 --> 00:00:09,820
She starts to open the padlocks and bolts.
3
00:00:09,820 --> 00:00:11,980
Howard tosses aside the fallen shelf
4
00:00:11,980 --> 00:00:12,820
and follows.
5
00:00:14,020 --> 00:00:16,540
He arrives at the foot... | 1
00:00:06,010 --> 00:00:09,100
Michelle pushes herself up the steep steps to the doors.
2
00:00:09,310 --> 00:00:11,650
She frantically undoes the first padlock
3
00:00:11,650 --> 00:00:13,650
while Howard pushes furniture aside
4
00:00:13,650 --> 00:00:14,950
and goes after her.
5
00:00:21,210 --> 00:00:22,790
Ho... | 1
00:00:03,340 --> 00:00:05,460
Michelle! Stop!
2
00:00:18,020 --> 00:00:19,690
Give me those keys!
3
00:00:21,180 --> 00:00:23,170
- Come on.
- No! Don't!
4
00:00:33,660 --> 00:00:34,980
Stop!
5
00:00:37,900 --> 00:00:40,620
No! No, don't! Don't!
6
00:00:40,700 --> 00:00:41,700
Don't open that door!
7
00:00:46,2... | 1
00:00:01,340 --> 00:00:02,900
(PANTING)
2
00:00:03,340 --> 00:00:05,460
Michelle! Stop!
3
00:00:18,020 --> 00:00:19,690
Give me those keys!
4
00:00:21,180 --> 00:00:23,170
MICHELLE: Come on.
HOWARD: No! Don't!
5
00:00:28,540 --> 00:00:30,130
(MICHELLE PANTING)
6
00:00:33,660 --> 00:00:34,980
Stop!
7
00:00:37,90... | null | 6213.89 | 2447.81 | 131.26 |
10_cloverfield_lane | tt1179933 | Y_O7LLLj376m | 1
00:00:03,750 --> 00:00:05,110
He lifts up the lid.
2
00:00:15,630 --> 00:00:17,190
Emmett and Michelle stiffen.
3
00:00:22,630 --> 00:00:24,750
Howard fixes Emmett with a stare.
4
00:00:35,560 --> 00:00:36,600
He turns away.
5
00:00:36,720 --> 00:00:39,320
Emmett and Michelle share an alarmed glance.
6
00:00:41,... | 1
00:00:16,720 --> 00:00:18,020
He takes the lid off.
2
00:00:42,890 --> 00:00:45,360
He holds out the scissors and modelling knife.
3
00:00:54,880 --> 00:00:56,430
He drops them in the acid.
4
00:01:30,530 --> 00:01:32,160
Howard glares at Emmett.
5
00:01:32,700 --> 00:01:34,370
Emmett looks over at Michelle.
6
0... | 1
00:00:01,290 --> 00:00:03,130
It's highly corrosive.
2
00:00:06,210 --> 00:00:10,530
Dissolves most biological
material on contact.
3
00:00:11,490 --> 00:00:15,490
With humans, right down to the bone.
4
00:00:18,810 --> 00:00:22,490
Hey, Howard, uh,
what are you showing this to us for?
5
00:00:26,410 --> 00:00:28... | 1
00:00:01,290 --> 00:00:03,130
It's highly corrosive.
2
00:00:06,210 --> 00:00:10,530
Dissolves most biological
material on contact.
3
00:00:11,490 --> 00:00:15,490
With humans, right down to the bone.
4
00:00:18,810 --> 00:00:22,490
Hey, Howard, uh,
what are you showing this to us for?
5
00:00:26,410 --> 00:00:28... | null | 6213.89 | 4387.78 | 124.99 |
10_cloverfield_lane | tt1179933 | kKrDCBj0V_qa | 1
00:00:00,370 --> 00:00:03,090
He shuts the great Michelle.
2
00:00:04,850 --> 00:00:05,650
He turns around
3
00:00:05,650 --> 00:00:09,490
and spots a bit of red plastic peeking out from beneath the mattress.
4
00:00:15,050 --> 00:00:16,650
He drags her away by her hair
5
00:00:16,650 --> 00:00:17,970
and flips t... | 1
00:00:05,770 --> 00:00:08,060
He notices part of the shower curtain.
2
00:00:15,370 --> 00:00:16,450
He pulls her aside
3
00:00:16,450 --> 00:00:17,950
and lifts the mattress up.
4
00:00:22,630 --> 00:00:23,670
Michelle runs out
5
00:00:23,670 --> 00:00:25,180
and slams the door shut.
6
00:00:25,340 --> 00:00:27... | 1
00:00:02,450 --> 00:00:05,010
Michelle, why is this loose?
2
00:00:09,730 --> 00:00:11,760
- Get up.
- Why?
3
00:00:11,850 --> 00:00:14,410
Get off the mattress now!
4
00:00:19,810 --> 00:00:20,920
Oh, shit!
5
00:00:22,370 --> 00:00:23,440
Michelle!
6
00:00:23,530 --> 00:00:26,200
Stop! Goddamn it, get back here... | 1
00:00:02,450 --> 00:00:05,010
Michelle, why is this loose?
2
00:00:09,730 --> 00:00:11,760
- Get up.
- Why?
3
00:00:11,850 --> 00:00:14,410
- Get off the mattress now!
- (GROANS)
4
00:00:15,810 --> 00:00:17,520
(BOTH GRUNTING)
5
00:00:19,810 --> 00:00:20,920
Oh, shit!
6
00:00:22,370 --> 00:00:23,440
Michelle!
7... | null | 6213.89 | 4765.18 | 133.10 |
10_cloverfield_lane | tt1179933 | 6vKZZJGy986P | 1
00:00:01,630 --> 00:00:03,730
The blade jabs close to her face.
2
00:00:03,730 --> 00:00:07,570
She sees Howard directly below her, his fingers grappling with a grate.
3
00:00:10,410 --> 00:00:11,810
She rushes ahead.
4
00:00:11,810 --> 00:00:13,290
Howard prize the grate open
5
00:00:13,290 --> 00:00:14,490
and ... | 1
00:00:05,860 --> 00:00:07,700
She goes past one of the air vents
2
00:00:07,700 --> 00:00:09,330
as Howard tries to open it.
3
00:00:09,370 --> 00:00:10,410
He pulls the front off
4
00:00:10,410 --> 00:00:13,380
and grabs her ankle with a bloody, blistered hand.
5
00:00:29,530 --> 00:00:32,710
She kicks her foot ... | 1
00:00:17,520 --> 00:00:18,710
Stop!
2
00:00:19,440 --> 00:00:21,710
You don't know what's out there.
3
00:00:22,200 --> 00:00:24,110
You can't run from them!
4
00:00:26,000 --> 00:00:27,510
Stay with me!
5
00:00:27,840 --> 00:00:30,510
Let me go!
| 1
00:00:01,520 --> 00:00:03,110
(SCREAMS)
2
00:00:07,680 --> 00:00:09,160
(HOWARD GROANING LOUDLY)
3
00:00:10,320 --> 00:00:11,880
(GRUNTS)
4
00:00:17,520 --> 00:00:18,710
- Stop!
- (YELPS)
5
00:00:19,440 --> 00:00:21,710
You don't know what's out there.
6
00:00:22,200 --> 00:00:24,110
You can't run from them!
7
... | null | 6213.89 | 4933.63 | 133.21 |
10_cloverfield_lane | tt1179933 | hD3beYv2N3Yb | 1
00:00:01,830 --> 00:00:03,350
She tugs the door handle.
2
00:00:06,270 --> 00:00:07,950
Its headlights start flashing.
3
00:00:08,670 --> 00:00:09,910
Michelle glances around,
4
00:00:09,910 --> 00:00:11,310
then sprints away from the car,
5
00:00:11,310 --> 00:00:13,350
heading away from the sugar cane field.
6... | 1
00:00:03,420 --> 00:00:05,010
She tries the driver's door
2
00:00:05,010 --> 00:00:06,510
and sets off the alarm.
3
00:00:13,150 --> 00:00:15,110
Michelle runs over to the small building
4
00:00:15,110 --> 00:00:16,280
and goes inside.
5
00:00:16,450 --> 00:00:18,910
She closes and locks the door behind her.
6
0... | 1
00:01:33,250 --> 00:01:35,040
Keys, keys, keys.
2
00:01:38,570 --> 00:01:39,790
Come on, damn it!
3
00:01:59,930 --> 00:02:01,560
Come on. Come on.
| 1
00:00:03,570 --> 00:00:05,400
(ALARM WAILING)
2
00:00:14,530 --> 00:00:16,560
(PANTING)
3
00:00:24,970 --> 00:00:26,720
(ALARM CONTINUES)
4
00:00:29,170 --> 00:00:30,720
(SHUDDERING)
5
00:00:50,330 --> 00:00:52,080
(RUSTLING)
6
00:01:03,490 --> 00:01:04,560
(THUDDING)
7
00:01:05,570 --> 00:01:06,920
(GRUNTS)
8... | null | 6213.89 | 5323.90 | 133.84 |
10_cloverfield_lane | tt1179933 | SlU0XvxnrhZH | 1
00:00:02,220 --> 00:00:04,500
The creature notices her and gives chase.
2
00:00:10,100 --> 00:00:12,860
As she stops at the house, the creature darts off.
3
00:00:12,900 --> 00:00:15,860
She glances back for it, but the field is vacant.
4
00:00:15,860 --> 00:00:17,780
Some debris burns in the grass.
5
00:00:17,78... | 1
00:00:00,350 --> 00:00:04,110
She looks over her shoulder at the alien as it steps out behind the truck.
2
00:00:11,170 --> 00:00:14,380
Michelle stops and looks back as the alien darts away.
3
00:00:14,840 --> 00:00:17,010
The small fires burn on the grass.
4
00:00:17,300 --> 00:00:22,600
She turns back to the ho... | 1
00:00:07,000 --> 00:00:09,230
Help! I'm out here! Help!
2
00:01:28,200 --> 00:01:29,230
Oh, God.
| 1
00:00:04,440 --> 00:00:06,240
(ALIEN CHITTERING)
2
00:00:07,000 --> 00:00:09,230
Help! I'm out here! Help!
3
00:00:15,640 --> 00:00:17,120
(RUMBLING)
4
00:00:28,840 --> 00:00:30,430
(HISSING)
5
00:00:56,320 --> 00:00:57,880
(PANTING)
6
00:01:11,120 --> 00:01:12,520
(SNARLING)
7
00:01:14,480 --> 00:01:16,230
- (... | null | 6213.89 | 5481.95 | 89.26 |
10_cloverfield_lane | tt1179933 | W6Dw3njDTvAa | 1
00:00:03,300 --> 00:00:06,740
Tendrils from the alien ship extend down in front of the truck.
2
00:00:07,820 --> 00:00:09,140
They wrap around the vehicle
3
00:00:09,140 --> 00:00:09,860
and pull it up,
4
00:00:09,860 --> 00:00:12,020
throwing Michelle to the back of the cab.
5
00:00:15,780 --> 00:00:18,820
She s... | 1
00:00:00,910 --> 00:00:03,540
She sits in the truck, looking around fearfully.
2
00:00:03,910 --> 00:00:05,960
Two tendrils clamp onto the front
3
00:00:05,960 --> 00:00:07,340
and lifted into the air.
4
00:00:07,920 --> 00:00:09,590
Michelle falls backwards,
5
00:00:09,630 --> 00:00:11,590
smacking her head on t... | 1
00:00:07,690 --> 00:00:08,720
(GRUNTING)
2
00:00:20,090 --> 00:00:21,840
(SNARLS)
3
00:01:03,050 --> 00:01:04,360
(GROWLS)
4
00:01:19,850 --> 00:01:21,120
(EXPLODING)
5
00:01:26,650 --> 00:01:28,050
(SCREAMING)
| null | 6213.89 | 5575.58 | 113.52 | |
1149472-skeleton_key | tt0397101 | ryK2M_uNzJzs | 1
00:00:00,780 --> 00:00:02,060
She whips around.
2
00:00:04,660 --> 00:00:06,180
She approaches Ben's room
3
00:00:06,180 --> 00:00:07,340
and unlocks the door.
4
00:00:10,220 --> 00:00:12,140
She peeks around the doorjamb.
5
00:00:17,580 --> 00:00:19,780
She enters and turns on the light.
6
00:00:21,300 --> 00:0... | 1
00:00:11,150 --> 00:00:14,540
Using the skeleton key, Caroline opens up Ben's bedroom door
2
00:00:14,540 --> 00:00:15,960
and switches on the light.
3
00:00:22,150 --> 00:00:23,660
His ruffle bed is empty.
4
00:00:23,660 --> 00:00:25,620
The wheelchair stands idle nearby.
5
00:00:25,750 --> 00:00:27,590
A record... | 1
00:00:42,680 --> 00:00:44,470
His door was locked.
2
00:00:47,180 --> 00:00:48,260
Ben!
3
00:00:56,820 --> 00:00:58,150
Ben!
4
00:01:00,110 --> 00:01:01,360
Ben!
5
00:01:04,120 --> 00:01:07,620
Stop right there, Ben! Don't move!
6
00:01:15,420 --> 00:01:16,500
Stop!
7
00:01:18,090 --> 00:01:19,550
Ben!
8
00:01... | 1
00:00:42,730 --> 00:00:44,520
His door was locked.
2
00:00:47,150 --> 00:00:55,150
Ben!
3
00:01:01,750 --> 00:01:03,040
(GASPING)
4
00:01:04,120 --> 00:01:07,670
Stop right there, Ben! Don't move!
5
00:01:11,380 --> 00:01:12,460
Ben!
6
00:01:15,380 --> 00:01:16,510
Stop!
7
00:01:17,970 --> 00:01:18,970
Ben!
8
... | null | 6224.85 | 1528.03 | 167.97 |
1149472-skeleton_key | tt0397101 | qOS51ge_q_he | 1
00:00:04,170 --> 00:00:06,850
A long haired figure looms behind Caroline.
2
00:00:09,890 --> 00:00:14,690
Caroline whips around face to face with a dummy head, its eyes and mouth sewn shut.
3
00:00:17,930 --> 00:00:19,690
She regards it warily,
4
00:00:19,690 --> 00:00:21,170
then continue searching.
5
00:00:21,3... | 1
00:00:01,010 --> 00:00:05,030
Caroline shines her torch on a monkey's skull with its jaws prised open.
2
00:00:05,030 --> 00:00:07,250
There's a headdress draped over the skull.
3
00:00:11,810 --> 00:00:15,860
She bumps into a sinister looking stuffed dummy with stitched up eyes and mouth.
4
00:00:15,860 --> 00:00... | 1
00:01:01,510 --> 00:01:02,920
Caroline?
2
00:01:04,100 --> 00:01:06,130
I'm making some sweet tea.
3
00:01:07,220 --> 00:01:09,010
Are you interested?
4
00:01:13,520 --> 00:01:14,850
Caroline?
5
00:01:32,290 --> 00:01:33,700
"Sacrifice."
6
00:01:35,000 --> 00:01:36,790
Are you in the house?
7
00:02:36,270 --> 0... | 1
00:01:01,770 --> 00:01:03,100
VlOLET: Caroline?
2
00:01:04,270 --> 00:01:06,310
l'm making some sweet tea.
3
00:01:07,150 --> 00:01:08,480
Are you interested?
4
00:01:13,570 --> 00:01:14,860
Caroline?
5
00:01:32,170 --> 00:01:33,340
"Sacrifice."
6
00:01:35,010 --> 00:01:36,260
Are you in the house?
7
00:01:52,5... | null | 6224.85 | 2041.02 | 172.43 |
1149472-skeleton_key | tt0397101 | Xpcgg7vmfPRG | 1
00:00:43,270 --> 00:00:45,110
Caroline nods softly.
2
00:00:45,110 --> 00:00:47,070
Violet gestures to the house.
3
00:00:48,790 --> 00:00:49,950
The dormer window.
4
00:00:50,190 --> 00:00:51,510
Black and white footage.
5
00:00:51,550 --> 00:00:53,990
Mama and Papa appear around the house.
6
00:01:21,940 --> 0... | 1
00:00:50,270 --> 00:00:51,980
She points at the attic window.
2
00:00:52,280 --> 00:00:54,580
Flashbacks of Justify and Cecile.
3
00:01:40,790 --> 00:01:42,340
Justify serves drinks.
4
00:02:11,630 --> 00:02:13,510
The kids are in a circle of candles.
5
00:02:13,510 --> 00:02:15,260
The servants shake violently.
... | 1
00:00:00,300 --> 00:00:02,090
About 90 years ago...
2
00:00:03,260 --> 00:00:06,210
there was a banker here,
his name was Thorpe.
3
00:00:06,930 --> 00:00:09,130
He made his fortune cheating the poor.
4
00:00:09,260 --> 00:00:12,100
He was a mean man. He was a cruel man.
5
00:00:12,350 --> 00:00:15,430
It was him... | 1
00:00:00,260 --> 00:00:01,680
About 90 years ago
2
00:00:03,220 --> 00:00:05,850
there was a banker here,
his name was Thorpe.
3
00:00:06,850 --> 00:00:09,190
He made his fortune cheating the poor.
4
00:00:09,270 --> 00:00:12,100
He was a mean man. He was a cruel man.
5
00:00:12,310 --> 00:00:15,520
lt was him, a... | null | 6224.85 | 2610.50 | 200.20 |
1149472-skeleton_key | tt0397101 | VsIJJPO5xP4c | 1
00:00:11,570 --> 00:00:12,970
She drops the soap
2
00:00:13,010 --> 00:00:14,530
water splashes her eyes.
3
00:00:16,810 --> 00:00:19,290
She grabs a cosmetic bag from a shelf.
4
00:00:21,170 --> 00:00:23,410
Watching her Ben turns his head.
5
00:00:23,610 --> 00:00:26,050
She looks at her eye in a compact mirror... | 1
00:00:17,960 --> 00:00:19,630
She dropped the soap in the water,
2
00:00:19,630 --> 00:00:21,220
catching a splash in her eye.
3
00:00:21,390 --> 00:00:24,060
She gets up to examine it in a compact mirror.
4
00:00:24,650 --> 00:00:28,080
Ben's gaze follows Caroline as she turns her back to him.
5
00:00:41,380 -->... | 1
00:00:01,490 --> 00:00:04,740
That's some superstitious wife
you got there, Ben.
2
00:00:05,200 --> 00:00:07,950
She thinks you have ghosts in the attic.
3
00:00:08,910 --> 00:00:10,240
Spooky, huh?
4
00:00:11,120 --> 00:00:12,290
Ouch.
5
00:00:13,790 --> 00:00:16,330
Hold on. I'll be right back.
6
00:00:33,150 ... | 1
00:00:01,450 --> 00:00:04,670
That's some superstitious wife
you got there, Ben.
2
00:00:05,170 --> 00:00:07,880
She thinks you have ghosts in the attic.
3
00:00:08,920 --> 00:00:10,250
Spooky, huh?
4
00:00:10,880 --> 00:00:12,050
Ouch.
5
00:00:13,800 --> 00:00:16,390
Hold on. l'll be right back.
6
00:00:32,740 ... | null | 6224.85 | 2985.34 | 101.03 |
1149472-skeleton_key | tt0397101 | TUAv7qn4bBie | 1
00:00:03,510 --> 00:00:05,550
She produces a sheet of note paper
2
00:00:05,550 --> 00:00:06,790
and reads from it.
3
00:00:09,510 --> 00:00:10,670
She sets it down,
4
00:00:10,670 --> 00:00:13,230
then fans Ben with a large black feather.
5
00:00:16,670 --> 00:00:18,310
Ben Gibson fidgets.
6
00:00:21,870 --> 00... | 1
00:00:04,100 --> 00:00:05,890
Ben watches the flickering flame.
2
00:00:06,440 --> 00:00:08,030
Caroline consults some notes,
3
00:00:08,030 --> 00:00:09,620
then picks up a black feather
4
00:00:09,620 --> 00:00:12,130
and sweeps it through the air over Ben.
5
00:00:14,930 --> 00:00:17,060
Lightning flashes illu... | 1
00:00:27,190 --> 00:00:28,520
Backwards.
2
00:00:32,530 --> 00:00:34,320
Cleanse this man.
3
00:00:35,370 --> 00:00:37,070
Cleanse this room.
4
00:00:38,160 --> 00:00:39,870
Cleanse this house.
5
00:00:44,880 --> 00:00:48,540
His words have gotten lost,
lost and wandering in his mind.
6
00:00:49,210 --> 00:00:51... | 1
00:00:27,240 --> 00:00:28,570
Backwards.
2
00:00:29,830 --> 00:00:31,200
(CLEARS THROAT)
3
00:00:32,660 --> 00:00:34,290
Cleanse this man.
4
00:00:35,500 --> 00:00:37,160
Cleanse this room.
5
00:00:38,290 --> 00:00:40,040
Cleanse this house.
6
00:00:44,840 --> 00:00:48,630
His words have gotten lost,
lost and wa... | null | 6224.85 | 3397.66 | 167.05 |
1149472-skeleton_key | tt0397101 | 0RpNdaoJTees | 1
00:00:02,360 --> 00:00:04,000
She carries him to her car
2
00:00:04,000 --> 00:00:05,960
and loads him into the passenger seat.
3
00:00:15,400 --> 00:00:20,080
Violet stirs the Cup races down the flooded dirt driveway.
4
00:00:20,280 --> 00:00:21,760
Caroline looks at Ben.
5
00:00:22,080 --> 00:00:23,320
She look... | 1
00:00:03,480 --> 00:00:05,610
Caroline carries Ben over to her car.
2
00:00:05,740 --> 00:00:08,040
His hand slides down the driver's window.
3
00:00:14,350 --> 00:00:16,150
She puts Ben in the passenger seat,
4
00:00:16,150 --> 00:00:18,120
then hurries down to the driver's side.
5
00:00:18,290 --> 00:00:20,550
... | 1
00:00:09,290 --> 00:00:10,620
Come on, Ben.
2
00:00:10,710 --> 00:00:13,460
I'm going to get you out of here.
Just hold on.
3
00:00:39,150 --> 00:00:40,400
Damn it!
4
00:00:41,610 --> 00:00:43,320
Keep him in this house.
5
00:00:48,330 --> 00:00:49,490
Hold on.
6
00:01:06,050 --> 00:01:07,380
Caroline?
7
00:01:... | 1
00:00:05,960 --> 00:00:07,370
(BEN GRUNTS)
2
00:00:09,210 --> 00:00:10,540
CAROLINE: Come on, Ben.
3
00:00:10,670 --> 00:00:13,050
l'm going to get you out of here.
Just hold on.
4
00:00:14,840 --> 00:00:16,050
(GROANS)
5
00:00:38,910 --> 00:00:39,950
Damn it!
6
00:00:41,660 --> 00:00:42,950
Keep him in this hou... | null | 6224.85 | 4513.25 | 210.26 |
1149472-skeleton_key | tt0397101 | 74hHAXdqY5Zx | 1
00:00:00,320 --> 00:00:01,680
and darts into the bedroom.
2
00:00:02,000 --> 00:00:04,360
He follows, but stops at the brick dust.
3
00:00:04,960 --> 00:00:05,960
She shuts the door
4
00:00:05,960 --> 00:00:07,320
and puts her back to it.
5
00:00:07,360 --> 00:00:08,360
He kicks it.
6
00:00:10,520 --> 00:00:11,3... | 1
00:00:01,950 --> 00:00:03,420
Caroline elbows Luke
2
00:00:03,420 --> 00:00:04,840
and lurches into her room.
3
00:00:04,840 --> 00:00:06,930
Luke hesitates as he spots the dust
4
00:00:06,930 --> 00:00:08,810
and Caroline slams the door shut.
5
00:00:11,490 --> 00:00:13,580
In the shed, Violet uncovers Ben,
6
0... | 1
00:00:21,420 --> 00:00:22,420
Fuck!
2
00:00:29,430 --> 00:00:31,550
Violet, she's going outside!
3
00:00:39,850 --> 00:00:41,020
Violet!
4
00:00:53,530 --> 00:00:54,910
She's here!
5
00:00:56,160 --> 00:00:58,370
Quick! Go get her! Help me!
6
00:01:00,880 --> 00:01:02,120
Come on.
7
00:01:14,680 --> 00:01:16,47... | 1
00:00:00,690 --> 00:00:01,860
(GRUNTS)
2
00:00:19,380 --> 00:00:20,710
(GUN CLICKING)
3
00:00:21,380 --> 00:00:22,380
Fuck!
4
00:00:29,430 --> 00:00:31,600
Violet, she's going outside!
5
00:00:39,900 --> 00:00:41,070
Violet!
6
00:00:53,080 --> 00:00:54,460
Here! She's here!
7
00:00:56,120 --> 00:00:58,040
VlOLE... | null | 6224.85 | 5103.14 | 138.72 |
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