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WE ARE VERY RARE, AND WE ARE MOSTLY MEN.
LISA THINKS SHE'S HOT SHIT 'CAUSE SHE'S A SOCIOPATH.
I'M A SOCIOPATH. NO, YOU'RE A DYKE.
""BORDERLINE PERSONALITY DISORDER."
"AN INSTABILITY OF SELF-IMAGE, "RELATIONSHIPS AND MOOD.
WELL, THAT'S ME. | ๋จ์ฑ์ค๋ฌ์ด ์ฌ์๋ ๋๋ฌผ์ง
๋ฆฌ์ฌ๋ ์๊ธฐ๊ฐ ์์์คํจ์ค์ฌ์ ๋ฉ์๋ ์ค ์์
๋๋ ์์์คํจ์ค์ผ ์๋, ๋ ๋ ์ฆ๋น์ธ์ด์ผ
'๊ฒฝ๊ณ์ฑ ์ธ๊ฒฉ์ฅ์ ๋'
'์์์๊ณผ ์ธ๊ฐ๊ด๊ณ ์ ์๊ฐ ๋ถ์ํ๊ณ '
์ด๊ฒ ๋์ผ |
THAT'S EVERYBODY.
I MEAN, WHAT KIND OF SEX ISN'T CASUAL ?
THEY MEAN PROMISCUOUS.
I'M NOT PROMISCUOUS.
I'M NOT.
JESUS.
LOOK AT JANET.
NO, NO, NO. IT'S ALL RIGHT. | ๋ค๋ค ๊ทธ๋
์ ๊ฐ๋ฒผ์ด ์ฑ๊ด๊ณ๊ฐ ์ด๋ ์์ด?
๋ฌธ๋ํ๋ค๋ ๊ฑฐ์์
๋ ๋ฌธ๋ํ์ง ์์
์๋์ผ
์ธ์์
์ฌ๋ ์ข ๋ด
์๋, ๊ด์ฐฎ์ |
OKAY, OKAY, OKAY. IT'S OKAY. YOU KNOW, TAKING US FOR ICE CREAMS IN A BLIZZARD,
MAKES YOU WONDER WHO THE REAL WHACK JOBS ARE.
YOU KNOW, I THINK IT'S KIND OF NICE. | ๋๋ณด๋ผ ์น๋ ๋ ์ ์์ด์คํฌ๋ฆผ ์ฌ ์ฃผ๊ฒ ๋ค๊ณ
๋ฐ๋ ค๊ฐ๋ ์ฌ๋์ด ์ง์ง ๋ฏธ์น ์ฌ๋ ์๋์ผ?
๋ ์ข์ ๊ฒ ๊ฐ์ |
I MEAN, I THINK IT'S NICE TO DO SOMETHING NICE ON DAISY'S LAST DAY.
Christmas Carols ]
FUCK ! I'M GONNA HAVE PEPPERMINT STICK.
YEAH, ME TOO. CAN I JUST HAVE PEPPERMINT STICK ? SURE. | ๋ฐ์ด์ง๊ฐ ๋ ๋๊ธฐ ์ ์ ์ถ์ต ๋ง๋ค๊ณ ์ข์์
"์์ผ ์์ด์คํฌ๋ฆผ ๊ฐ๊ฒ"
์ ์ฅ ํํผ๋ฏผํธ ๋ง๋ ์ฃผ์ธ์
์ ๋์, ํํผ๋ฏผํธ ๋ง๋ ์ฃผ์ธ์ ๋ค |
NO. IT'S JUST CALLED PEPPERMINT.
PEPPERMINT DICK ! HONESTLY.
PEPPERMINT CLIT !
SUSANNA, DO YOU WANT ANYTHING ? I'M FINE. LISA ?
HEY, RONNY. YES ? YOU GOT ANY HOT FUDGE ? | ๊ทธ๋ฅ ํํผ๋ฏผํธ๋ผ๊ณ ๋ถ๋ฅด๋ ๊ฑฐ์ผ
ํํผ๋ฏผํธ ๊ณ ์ถ!
ํํผ๋ฏผํธ ํด๋ฆฌํ ๋ฆฌ์ค!
์์๋, ๋ญ ๋จน์๋? ๊ด์ฐฎ์์
๋ก๋ ์ด์ฝ๋ฆฟ ์์ค ์์ด์? |
YES. YEAH ?
CAN I HAVE A VANILLA SUNDAE WITH HOT FUDGE...
AND, UH, SPRINKLES-- RAINBOW, NOT CHOCOLATE.
MM-HMM. AND, UH,
WHIPPED CREAM, CHERRIES...
AND, UH--
NUTS ? | ์์ฃ
๋ฐ๋๋ผ ์์ด์คํฌ๋ฆผ์ ์ด์ฝ๋ฆฟ ์์ค ๋ฟ๋ ค ์ค์
์ด์ฝ๋ฆฟ ๋ง๊ณ ๋ฌด์ง๊ฐ ์คํ๋งํด ๋ฟ๋ ค ์ฃผ๊ณ ์
๊ทธ๋ฆฌ๊ณ ...
ํฌ๋ฆผ, ์ฒด๋ฆฌ
๋...
๋
์ฝฉ์? |
MELVIN... THOUGHT THAT I SHOULD LIVE IN A HALFWAY HOUSE.
BUT MY FATHER KNEW THAT I DESERVED MY OWN APARTMENT,
SO HE GOT ME THE PRETTIEST APARTMENT. | ๋ฉ๋น์ ๋ด๊ฐ 30๋ถ ๊ฑฐ๋ฆฌ ์ด๋ด์ ์ด์์ผ ํ๋
์๋น ๋ ๋ด๊ฐ ์ง์ ๊ฐ์ง ์๊ฒฉ ์๋ค๊ณ
์ต๊ณ ๋ก ์์ ์ง์ ๊ตฌํด ์ฃผ์
จ์ด |
IT HAS AN EAT-IN CHICKEN.
WICKER BUTTERFLIES--
HELLO, SUSANNA. DO YOU REMEMBER ME ?
YOU MUST REMEMBER ME. YES. MRS. GILCREST, HI.
SUSANNA, ARE YOU OKAY ? OH, I'M-- I'M FINE. | ์๋น ๊ฒธ์ฉ ์นํจ๋ ์๊ณ
๋ฉ์ง ๊ณ ๊ธ ๊ฐ๊ตฌ๋ก ๊ฝ ์ฐผ์ด
์๋
, ์์๋ ๋ ๊ธฐ์ตํ์ง?
๋น์ฐํ ๊ธฐ์ตํ๊ฒ ์ง ๋ค, ์์ค๋ง
์์๋, ๊ด์ฐฎ์? ๊ด์ฐฎ์์ |
HEY, BONNIE. HOW'S RADCLIFFE ? WELLESLEY.
I'M ENJOYING IT. IT'S STRONG IN ART.
GOING TO THE SORBONNE THIS SUMMER. THAT'S GREAT. YOU KNOW, I KNOW ALL ABOUT YOU. | ์๋
, ๋๋ํด๋ฆฌํ๋ ์ด๋? ์ฐ์ฆ๋ฆฌ ๊ฐ์ด
์ฌ๋ฏธ์์ด ์์ ์ชฝ์ผ๋ก ์ ๋ช
ํ๊ฑฐ๋
์ฌ์ฌ๋ฆ์ ์๋ฅด๋ณธ ๋ํ์ ๊ฐ ์ ๋๋ค ๋์ ๋ํด ๋ค ์๊ณ ์๋จ๋ค |
AND I HOPE THEY PUT YOU AWAY FOREVER.
IS THIS THE PROFESSOR'S WIFE ? WHAT PROFESSOR ?
OH, SO YOU TOLD EVERYBODY ? LADY, BACK OFF.
WAS I TALKING TO YOU ? MOTHER, WE HAVE TO GO.
NO, YOU WERE SPITTING ON ME, SO MELLOW FUCKIN' OUT. | ์์ํ ๊ฑฐ๊ธฐ์ ์ฉ์์ผ๋ฉด ์ข๊ฒ ๊ตฌ๋
๊ทธ ๊ต์ ๋ถ์ธ์ด์ผ? ๋ฌด์จ ๊ต์?
๋ค ๋งํ๊ตฌ๋? ๋จ์ด์ ธ์, ์์ค๋ง
๋ด๊ฐ ๋ํํ
๋งํด์? ๊ฐ์, ์๋ง
๋ํํ
์นจ ํ๊ธฐ์์์ ๊ทธ๋ฌ๋๊น ๊บผ์ ธ์ |
DON'T YOU TELL ME WHAT TO DO. LOOK, SHE GAVE YOUR HUSBAND A RIM JOB. BIG FUCKIN' DEAL.
I'M SURE HE WAS BEGGING FOR IT, AND I HEARD IT WAS LIKE A PENCIL ANYWAY.
WHY, YOU-- HOW DARE YOU ! SOME ADVICE, OKAY ? JUST DON'T POINT YOUR FUCKIN' FINGER AT CRAZY PEOPLE ! | ์ด๋๋ผ์ ๋๋ผ ํ์ง ๋ง ๋น์ ๋จํธ ์ข ๋ง์ง ๊ฒ ๋ฌด์จ ํฐ ๋์๋ผ๊ณ ๊ทธ๋์!
๋น์ ๋จํธ์ด ์์ํ์ด์ ๊ฑฐ๊ธฐ๊ฐ ์ฐํ ์ ๋๋ผ๋๋ฐ
๊ฐํ! ์ถฉ๊ณ ํ๋๋ฐ ๋ฏธ์น ์ฌ๋ํํ
์๊ฐ๋ฝ์งํ์ง ๋ง์ธ์ |
LET GO OF ME !
- MOTHER ? - GET THAT OUT OF MY FACE, ASSHOLE !
STOP IT ! RANK YOU ! COME AGAIN, MRS. PROFESSOR !
YOU SHARED A MAN WITH THAT WOMAN ? | ์ด๊ฒ ๋!
- ์๋ง? - ๋ด ์ผ๊ตด ์์์ ์น์!
๊ทธ๋ง! ๋ ์ค์ธ์, ์ฌ๋ชจ๋!
์ ์ฌ์๋ ๋จ์๋ฅผ ๊ณต์ ํ์ด? |
DID YOU ENJOY THE FRESH AIR, LISA ? YEAH, I DID, VAL. THANKS. GOOD. 'CAUSE IT'S THE LAST TIME YOU'RE LEAVING THE WARD.
IS THAT A DARE, OR A DOUBLE DARE ? | ์ ์ ํ ๊ณต๊ธฐ ์ฆ๊ฒผ์ด? ์, ๊ณ ๋ง์ ์ข์, ์์ผ๋ก๋ ๋ณ๋ ๋ฐ์ผ๋ก ๋ชป ๋๊ฐ ์ค ์์
๊ทธ๊ฑฐ ๋ด๊ธฐํด ๋ณผ๋? |
OKAY, RAISE YOUR ARMS. VERY GOOD. WE'RE GOING TO BE TREES.
FEEL THE STRENGTH IN YOUR ARMS AS THE BRANCHES,
AND REACH THOSE BRANCHES UP TO THE SKY--
COME ON, SUSANNA. REACH. VERY GOOD. OH. | ํ์ ์ฌ๋ ค์, ์ํ์ด์ ๋๋ฌด๊ฐ ๋์ด ๋ด์
๋๋ญ๊ฐ์ง๊ฐ ๋ ํ์ ํ์ ๋๊ปด ๋ณด์ธ์
๋๋ญ๊ฐ์ง๊ฐ ํ๋์ ๋ฟ๋๋ก ๋ป์ด์
์ด์, ์์๋ ์ํ๊ณ ์์ด์ |
LISA, GET ON. ALL RIGHT. REACH YOUR ARMS, GIRLS. REACH. REALLY LIFT. FEEL THE STRETCH THROUGH THE HIP.
VERY GOOD. LET YOUR ARMS BE BRANCHES.
FEEL THE STRENGTH OF THOSE BRANCHES. | ๋ฆฌ์ฌ, ์ข์์ ํ์ ๋ป์ด ๋ณด์ธ์, ์ฌ๋ฌ๋ถ ์ญ ๋ป์ด์ ์๋ฉ์ด๊ฐ ๋์ด๋๋ ๊ฑธ ๋๊ปด ๋ด์
์ข์์, ํ์ด ๋๋ญ๊ฐ์ง๊ฐ ๋๋ ๊ฑฐ์์
๋๋ญ๊ฐ์ง์๋ ํ์ด ์์ฃ |
REACH. REACH ALL THE WAY UP INTO THE SKY. VERY GOOD.
LET THE WINDS BLOW THE LEAVES... AND LET YOUR FINGERS BE THE LEAVES. VERY GOOD. FEEL THE WIND. GOOD. GOOD, LISA.
VERY GOOD. | ํ๋๋ก ์ญ ๋ป์ด์ ์ํ๊ณ ์์ด์
์ดํ๋ฆฌ์ ๋ฐ๋์ด ๋ถ์ด์ ์๊ฐ๋ฝ์ ์์ด ๋ฉ๋๋ค ์ํ๊ณ ์์ด์, MG ๋ฐ๋์ ๋๋ผ์ธ์ ์ข์์, ๋ฆฌ์ฌ
์ํ์ด์ |
JUST LIFT UP. LIFT UP. VERY GOOD, GIRLS.
NOW, FEEL YOUR FEET. FEEL YOUR FEET BE ROOTED.
GO DOWN INTO A PLIE. VERY GOOD.
GOOD, GIRLS. POLLY, VERY GOOD.
OKAY. NOW STRETCH IT. THE WIND'S BLOWING REALLY HARD. THIS WAY. THIS WAY. | ๋์ด ๋ค์ด์, ์ํ๊ณ ์์ด์
๋ฐ์ ๋ฟ๋ฆฌ์์ ๋๊ปด ๋ณด์ธ์
ํ๋ฆฌ์ ๋์์ด์์, ์ํ์ด์
์ข์์, ํด๋ฆฌ
์ญ ํด ๋ด
๋๋ค ๋ฐ๋์ด ๊ฐํ๊ฒ ๋ถ๊ณ ์์ด์ |
THAT IS NOT FAIR !
SEVENTY FOUR IS THE PERFECT WEIGHT.
GOOD LUCK, CRAZY BITCH.
I'M A FUCKING SHRUB, ALL RIGHT ?
MARTIN LUTHER KING, JR., WAS KILLED TONIGHT... | ๋ถ๊ณตํํด!
33ํฌ๋ก๊ทธ๋จ์ ์ ์ ์ฒด์ค์ด์ผ!
ํ์ด์ ๋น๋ค, ๋ฏธ์น ๊ฒ์
๋น์ด๋จน์ ๊ด๋ชฉ์ด์์
๋งํด ๋ฃจ์ ํน์ด ์ค๋ ๋ฐค ๋ฉคํผ์ค์์ ์ดํด๋์ต๋๋ค |
...AS HE STOOD ALONE ON THE BALCONY OF HIS HOTEL ROOM.
WE'VE GOT SOME DIFFICULT DAYS AHEAD.
BUT IT REALLY DOESN'T MATTER WITH ME NOW.
BECAUSE I'VE BEEN TO THE MOUNTAINTOP. | ํธํ
๋ฐ์ฝ๋์ ์ ์๋ค๊ฐ ์ ๊ฒฉ๋นํ์ต๋๋ค
์์ผ๋ก ํ๋ ๋ ์ด ์๊ฒ ์ฃ
ํ์ง๋ง ์ด์ ๋ ์๊ด์์ต๋๋ค
๋ ์ฐ ์ ์์ ์ฌ๋ผ ๋ดค์ผ๋๊น์ |
SUSANNA. YOU HAVE A VISITOR.
WH-WHAT ARE YOU DOING HERE ?
HI. I, UH, GOT TO SHIP OUT NEXT WEEK.
HERE.
CHECKS.
SORRY.
NO. IT'S OKAY. WE HAVE TEN MINUTES TILL THEY COME BACK. | ์์๋, ์๋์ด ์์ด
์ด์ฉ ์ผ์ด์ผ?
๋ค์ ์ฃผ์ ๋ ๋
์ฌ๊ธฐ
์ ๊ฒ
์ค๋ก
๊ด์ฐฎ์, 10๋ถ ๋ค์ ๋์์ฌ ๊ฑฐ์ผ |
HEY, TORCH.
WHAT YOU DOING ?
NOTHING.
CHECKS.
CHECKS.
CHECKS.
HEY, MARGIE. HEY, LISA. WHAT ARE YOU DOING ? CHECKS.
HE'S FINE. YEAH.
LISA, I HAVE TO DO MY CHECKS.
YEAH, AND WHAT ? TAKING FIVE MINUTES FOR ME WOULD BE A DERELICTION OF DUTY ? | ํ ์น
๋ญํด?
์๋ฌด๊ฒ๋ ์๋์ผ
์ ๊ฒ
์ ๊ฒ
์ ๊ฒ
์๋
, ๋ง์ง ์๋
, ๋ฆฌ์ฌ ๋ญํด?
์ ์ง๋ด
์ ๊ฒํด์ผ ํด
๋๋ 5๋ถ ๊ฐ์ด ์์ผ๋ฉด ์ง๋ฌด ์ ๊ธฐ๋ผ๋ ๋ผ? |
WHAT IF I HAD A PUNCTURED ARTERY ? WHAT WOULD YOU DO ?
- LISA, STOP IT. - STOP WHAT ? YOU FUCKING-- LOOK AT THIS.
GO AHEAD. GO AHEAD. THAT'S ENOUGH. | ๋ด ๋๋งฅ์ด ํฐ์ง๊ธฐ๋ผ๋ ํ์ผ๋ฉด?
- ๊ทธ๋งํด! - ๋ญ ๊ทธ๋งํด? ํ ๋ฒ ๋ด
๊ณ์ ๊ฐ ๋ด ๊ทธ๋งํด! |
TAKE ONE FUCKING STEP AND I'LL JAM THIS IN MY AORTA. GO AHEAD.
STOP IT. LISA, YOUR AORTA IS IN YOUR CHEST.
GOOD TO KNOW.
I'LL MAKE A NOTE OF THAT. GOOD. | ํ ๋ฐ์ง์ด๋ผ๋ ๋ผ๋ฉด ๋๋๋งฅ์ ์ค์
๋ฃ์ ๊ฑฐ์ผ
๊ทธ๋งํด! ๋๋๋งฅ์ ๊ฐ์ด์ ์์ด
์ข์ ์ ๋ณด๊ตฐ
๊ผญ ๊ธฐ์ตํ ๊ฒ ์ข์ |
SUSANNA, YOU HAVE GROUNDS PRIVILEGES. WHY DON'T YOU TAKE A WALK ?
GO GET A CUP OF COFFEE.
WE SHOULD GET OUT OF HERE.
THE CAF-- THE CAFETERIA IS THIS WAY. | ๋ฐ์ผ๋ก ๋๊ฐ ์ ์์์ ์ฐ์ฑ
ํ๊ณ ์
์ปคํผ ํ ์์ด๋ผ๋ ํ๊ณ
์ฌ๊ธฐ์ ๋๊ฐ์
๊ตฌ๋ด์๋น์ ์ด์ชฝ์ด์ผ |
WH-WHAT ARE WE DOING ?
WE'RE GOING TO CANADA.
SUSANNA. YOU'RE NOT CRAZY. OKAY ? YOU DON'T NEED TO BE HERE.
I TRIED TO KILL MYSELF, TOBY.
BUT-- Y-YOU TOOK SOME ASPIRIN-- I TOOK A BOTTLE OF ASPIRIN. | ์ ๊น, ๋ญ ํ๋ ค๊ณ ?
์บ๋๋ค๋ก ๊ฐ์
๋ ๋ฏธ์น์ง ์์์ด ์ฌ๊ธฐ ์์ ํ์ ์๋ค๊ณ
๋ ์์ดํ๋ ค๊ณ ํ์ด
์์คํผ๋ฆฐ ์ข ๋จน์ ๊ฑฐ์ง ํ ํต์ ๋น์ ์ด |
WHA-- AND THAT BUYS YOU A YEAR IN THIS PLACE ? THAT-- SUSANNA, TH-THAT'S BULLSHIT, OKAY ? THEY'RE BREAKING YOU.
NOW, COME ON. ALL RIGHT ? E-EVERYTHING IS CHANGING, MAN. | ๊ทธ๋์ 1๋
์ ์ฌ๊ธฐ์ ๋ณด๋ธ๋ค๊ณ ? ๋ง๋ ์ ๋ผ ๋ ๋ง๊ฐ๋จ๋ฆด ๊ฑฐ์ผ
๊ฐ์, ์? ์ธ์์ด ์จํต ๋ณํ์ด |
WH-WHAT THE FUCK DO THEY KNOW ABOUT BEING NORMAL ?
I-- I HAVE FRIENDS IN HERE.
WHO ? THEM ?
THOSE GIRLS ? SUSANNA.
THEY'RE EATING GRAPES OFF OF THE WALLPAPER. OKAY ? TH-THEY'RE INSANE.
IF THEY ARE, I AM. | ์ ์์ ๋ํด ์๊ณ ๋ ๋๋ ๊ฑฐ๋?
์น๊ตฌ๋ค๋ ์์ด
๋๊ตฌ? ์ ์ฌ๋๋ค?
์ ์ฌ์๋ค์
๋ฒฝ์ง ์ ํฌ๋ ๋จน๋ ์ฌ๋๋ค์ด์ผ ๋ฏธ์ณค๋ค๊ณ
๊ทธ๋ผ ๋๋ ๋ง์ฐฌ๊ฐ์ง์ผ |
NO. NO, BABY. LISTEN, COME WITH ME. NO.
LOOK, MY, UH--
MY DAD GAVE ME FIVE GRAND. OKAY ? WE CAN GO UP THERE. WE COULD BUILD A CABIN IN THE WOODS.
SUSANNA. LOOK, I KNOW IT SOUNDS CRAZY...
BUT I THINK I LOVE YOU.
SO COME WITH ME, OKAY ? | ์๋์ผ, ๊ฐ์ด ๊ฐ์
์์์...
์๋น ๊ฐ 5์ฒ ๋ฌ๋ฌ ์ฃผ์
จ์ด ์บ๋๋ค์ ๊ฐ์ ์ฒ์์ ์ง ์ง๊ณ ์ด์
์ด์ํ๊ฒ ๋ค๋ฆด ์ ์์ง๋ง
๋ ์ฌ๋ํด
๊ทธ๋ฌ๋๊น ๊ฐ์ด ๊ฐ์, ์? |
COME WITH ME.
I WANT TO LEAVE.
BUT NOT WITH YOU.
NOT WITH YOU.
I'M SORRY.
SUSANNA, WAIT A SECOND.
WHY DID YOU DO THAT ?
FIX THE LIGHTBULB AT NIGHT ? | ๊ฐ์ด ๊ฐ์
๋ ๋๊ณ ์ถ์ด
ํ์ง๋ง ๋๋์ ์๋์ผ
๋๋์ ์๋์ผ
๋ฏธ์ํด
์์๋, ์ ๊น๋ง
์ ๊ทธ๋ฌ์ด์?
์ ๋ฐค์ ์ ๊ตฌ ๊ฐ์์ด์? |
I'M NOT HERE IN THE MORNING,
AND THAT'S WHEN YOU LIKE TO DRAW YOUR PICTURES AND STUFF.
SO--
JOHN.
WHY DO YOU LIKE ME ?
I JUST LIKE YOU. | ๋ ์์นจ์ ์ฌ๊ธฐ ์๊ฑฐ๋ ์
๋น์ ์ด ์์นจ์ ๊ทธ๋ฆผ ๊ทธ๋ฆฌ๋ ๊ฑฐ ์ข์ํ์์
๊ทธ๋์...
์กด?
์ ๋ ์ข์ํด์?
๊ทธ๋ฅ ์ข์์ |
THAT'S ALL.
I WISH YOU WERE GETTING BETTER, THOUGH.
I WOULD, UH--
I WOULD TAKE YOU OUT TO GO SEE A MOVIE OR SOMETHING.
THAT WOULD BE NICE. | ์ด์ ๋ ์์ด์
๋น์ ์ด ํ๋ณต๋์ผ๋ฉด ์ข๊ฒ ์ด์
๋...
๋น์ ๊ณผ ๊ฐ์ด ๋๊ฐ์ ์ํ ๋ณด๊ณ ์ถ๊ฑฐ๋ ์
๊ทธ๋ผ ์ข๊ฒ ๋ค์ |
MY FACE. I'M OKAY. JUST-JUST STEP-- LET HER BE. SHE'S FINE. SHE'S FINE.
SECLUSION. TAKE HER TO SECLUSION. COME ON.
I GOT YOU.
MY FACE. MY FACE. WHY ? | ๋ด ์ผ๊ตด! ๊ด์ฐฎ์์ ๊ทธ๋ฅ ๋ฌ์, ๊ด์ฐฎ์์ ๋ด ์ผ๊ตด!
๋ด ์ผ๊ตด! ๊ฒฉ๋ฆฌ์ค๋ก ๋ฐ๋ ค๊ฐ
๊ด์ฐฎ์
๋ด ์ผ๊ตด! ์? ๋ฌธ ์ด์ด |
MY FACE ! MY FACE !
QUIETEN DOWN. QUIETEN DOWN. YOU'RE ALL RIGHT.
MY FACE ! I'M UGLY !
HEY. WHAT HAPPENED TO POLLY ?
WHAT NEEDS TO HAPPEN ? NO ONE IS EVER GOING TO KISS HER, MAN.
THEY'RE BUILDING A NEW DISNEYLAND IN FLORIDA. | ๋ด ์ผ๊ตด! ๋ด ์ผ๊ตด!
๋ชฉ์๋ฆฌ ๋ฎ์ถฐ, ๊ด์ฐฎ์
๋ ๋ชป์๊ฒผ์ด! ๋ด ์ผ๊ตด!
ํด๋ฆฌํํ
๋ฌด์จ ์ผ ์์ด?
์คํํ
๋ฝ๋ฝํ ์ฌ๋์ ์๋ฌด๋ ์์ผ๋๊น
ํ๋ก๋ฆฌ๋ค ์ฃผ์ ์๋ก ๋์ฆ๋๋๋ ์ธ์ด๋ |
IF I COULD HAVE ANY JOB IN THE WORLD, I'D BE A PROFESSIONAL CINDERELLA.
YOU COULD BE SNOW WHITE.
AND POLLY COULD BE MINNIE MOUSE.
AND THEN EVERYONE WOULD HUG HER AND KISS HER AND LOVE HER... | ์ง์
์ ๊ฐ์ง๋ค๋ฉด ๋ ์ ๋ฌธ ์ ๋ฐ๋ ๋ผ๊ฐ ๋ ๊ฑฐ์ผ
๋ ๋ฐฑ์ค ๊ณต์ฃผ ํด
ํด๋ฆฌ๋ ๋ฏธ๋ ๋ง์ฐ์ค ํด์
ํฌ์น๊ณผ ๋ฝ๋ฝ ๋ฐ์ผ๋ฉด์ ์ฌ๋๋ฐ๊ฒ ์ง |
AND NO ONE WOULD KNOW WHAT WAS INSIDE THAT BIG GIANT HEAD,
HEY, POLLY.
IT'S SUSANNA. JUST PLAY SOMETHING.
IF TALKING DID SHIT, WE'D BE OUT OF HERE BY NOW. | ๊ทธ ํฐ ๋จธ๋ฆฌ์ ๋๊ฐ ์๋์ง ์๋ฌด๋ ๋ชจ๋ฅด์์
ํด๋ฆฌ
์์๋์ผ ๊ทธ๋ฅ ์ฐ์ฃผํด
๋ง์ด ํตํ์ผ๋ฉด ์ฐ๋ฆฐ ๋ฒ์จ ์ฌ๊ธฐ์์ ๋๊ฐ๊ฒ ์ง |
McWILLEY IS GOING TO WAKE UP.
SUSANNA, GIVE ME THE GUITAR.
SO YOU'RE GOING TO GET ME FIRED. LISA--
SUSANNA, GIVE ME THE GUITAR.
NO. NO.
IT'S OKAY. IT'S OKAY. COME HERE. | ๋งฅ์๋ฆฌ ์จ ๊นจ๊ฒ ์ด์
๊ธฐํ ์ฃผ์ธ์
๋ ์๋ฆด ์๋ ์์ด์
๊ธฐํ ์ฃผ์ธ์
์ ๋ผ์
๊ด์ฐฎ์์, ๊ฐ๊น์ด ์์ |
YOU'RE GOING TO GET ME FIRED. DO YOU KNOW THAT ? YOU--
I'M WRITING YOU UP.
I AM SICK OF THIS BULLSHIT.
IS SHE HERE ?
YOU CAN GO IN NOW.
WHAT DID SHE DO ? THEY DRUGGED NURSE McWILLEY. | ๋ ์๋ฆด์ง๋ ๋ชฐ๋ผ์, ์์์?
๋ณด๊ณ ์ ์์ฑํ ๊ฑฐ์ผ
๋๋ ๋ชป ์ฐธ์
์์ด์?
๋ค์ด๊ฐ์
๋ฌด์จ ์ง ํ์ด์? ๋งฅ์๋ฆฌ ์จ์๊ฒ ์ฝ ๋จน์๋์ |
GOOD MORNING, SUSANNA. GOOD MORNING. HOW ARE YOU ?
I'M FINE, I GUESS.
SIT DOWN.
YOU LOOK TIRED.
POLLY FREAKED OUT LAST NIGHT... AND WE STAYED UP SINGING TO HER, LISA AND I. | ์๋
, ์์๋ ์๋
ํ์ธ์ ์ ์ง๋ด๊ณ ์๋?
๊ทธ๋ฐ ๊ฒ ๊ฐ์์
์์๋ผ
ํผ๊ณคํด ๋ณด์ด๋ค
์ด์ ฏ๋ฐค์ ํด๋ฆฌ ์ง์ ์ํค๋๋ผ ๋ฆฌ์ฌ๋ ๋ฐค์ ๋
ธ๋ ๋ถ๋ฌ ์คฌ์ด์ |
HAVE YOU BECOME FRIENDS WITH LISA ?
WHY ? IS THAT BAD ?
DOES IT FEEL BAD ? NO.
BEFORE YOU CAME HERE DID YOU HAVE MANY GIRLFRIENDS ?
NOT REALLY. | ๋ฆฌ์ฌ๋ ๊ฐ๊น์์ก๋?
์์, ๋ฌธ์ ๊ฐ ๋๋์?
๊ทธ ๋ง์ด ๊ธฐ๋ถ์ด ๋๋น ? ์๋์
์ด๊ณณ์ ์ค๊ธฐ ์ ์ ์ฌ์์น๊ตฌ๋ฅผ ๋ง์ด ์ฌ๊ท์๋?
์๋์ |
OF BOYS, OF MEN ?
DOES IT SAY IN THERE THAT I'M PROMISCUOUS ?
WHY DO YOU CHOOSE THAT WORD ?
HOW MANY GUYS WOULD I HAVE TO SLEEP WITH... TO BE CONSIDERED PROMISCUOUS-- TEXTBOOK PROMISCUOUS ? | ๋จ์์น๊ตฌ๋ฅผ ์ฌ๊ท์๋?
๊ฑฐ๊ธฐ์ ๋ด๊ฐ ๋ฌธ๋ํ๋ค๊ณ ์ ํ์์ด์?
์ ๊ทธ ๋จ์ด๋ฅผ ์ ํํ์ง?
๋ช ๋ช
๊ณผ ์์ผ์ง ๋ฌธ๋ํ ๊ฑฐ์์? ๊ต๊ณผ์์ ์ธ ๊ธฐ์ค์ด ๋ญ๋ฐ์? |
WHAT DO YOU THINK ?
TEN, EIGHT, FIVE.
TEN, 20, 109 ?
WELL, SOMEONE WHO'S COMPULSIVELY PROMISCUOUS...
MIGHT ENGAGE IN A SEX ACT WITH A GUEST IN THEIR ROOM,
AND THEN ENGAGE IN ANOTHER SEX ACT-- DURING THE SAME DAY-- WITH AN ORDERLY. | ๋ค ์๊ฐ์ ์ด๋ป๋?
10๋ช
, 8๋ช
, 5๋ช
10๋ช
? 20๋ช
? 109๋ช
?
๊ฐ๋ฐ์ ์ผ๋ก ๋ฌธ๋ํ ์ฌ๋์
์๊ธฐ๋ค ๋ฐฉ์ ์๋์ ๋ถ๋ฌ ์ฑ๊ด๊ณ๋ฅผ ๋งบ๊ณ
๊ฐ์ ๋ ๋ณ์ ์ง์๊ณผ ์ฐจ๋ก๋ก ์ฑ๊ด๊ณ๋ฅผ ๋งบ์ง |
AM I IN TROUBLE FOR KISSING AN ORDERLY, OR GIVING MY BOYFRIEND A BLOW JOB ?
MELVIN SAYS...
YOU HAVE SOME VERY INTERESTING THEORIES ABOUT YOUR ILLNESS.
YOU BELIEVE THERE IS A MYSTICAL UNDERTOW IN LIFE--
QUICKSANDS OF SHADOWS.
YEAH, AND ANOTHER ONE OF MY THEORIES IS THAT... YOU PEOPLE DON'T KNOW WHAT YOU'RE DOING. | ์ง์๊ณผ ํค์คํ๊ณ ๋จ์์น๊ตฌ๋ฅผ ์ ๋ฌดํด์ ๋ฌธ์ ๋๋์?
๋ฉ๋น ์ ์๋ ๋ง์์ด
๋ค ๋ณ์ ๊ดํด ํฅ๋ฏธ๋ก์ด ์ด๋ก ์ด ์๋ค๋๋ฐ
์ถ์๋ ์ ๋นํ ์ ๋ฅ๊ฐ ์๋ค๊ณ ์๊ฐํ๋ค์ง?
'๋น ์ ธ๋์ฌ ์ ์๋ ์ด๋ '
๋ ๋ค๋ฅธ ์ด๋ก ์ ๋น์ ๋ค๊ฐ ์๋ฌด๊ฒ๋ ๋ชจ๋ฅธ๋ค๋ ๊ฑฐ์์ |
STILL, YOU ACKNOWLEDGE THERE IS A PROBLEM IN COPING WITH THIS QUICKSAND.
YOU KNOW, I HAVE A PROBLEM COPING WITH THIS HOSPITAL. I WANT TO LEAVE.
I CAN'T DO THAT.
I SIGNED MYSELF IN. I SHOULD BE ABLE TO SIGN MYSELF OUT. | ๋ค๊ฐ ๊ฐ์ง ๋ฌธ์ ๋ฅผ ์ธ์ ํ๋๊ตฌ๋
์ด ๋ณ์์ด ๋ฌธ์ ์์ ๋๊ฐ๊ณ ์ถ์ด์
์์ง ์ ๋ผ
๋ด๊ฐ ์๋ช
ํด์ ๋ค์ด์์ผ๋ ๋๊ฐ๋ ๊ฒ๋ ๊ทธ๋ ๊ฒ ํ ๊ฒ์ |
YOU SIGNED YOURSELF INTO OUR CARE. WE DECIDE WHEN YOU LEAVE.
YOU'RE NOT READY FOR IT, SUSANNA.
YOUR PROGRESS HAS PLATEAUED.
DOES THAT DISAPPOINT YOU ? | ์ฐ๋ฆฌ ๋ณดํธ ๋ฐ๊ฒ ๋ค๊ณ ๋์ํ์๋ ๋๊ฐ๋ ๊ฑด ์ฐ๋ฆฌ๊ฐ ๊ฒฐ์ ํด
๋ ์์ง ์ค๋น๊ฐ ๋ ๋์ด
๋ณ์ ์ฐจ๋๊ฐ ์์ด
๊ทธ๋์ ์ค๋งํ๋? |
I'M AMBIVALENT.
IN FACT, THAT'S MY NEW FAVORITE WORD.
I DON'T CARE. IF IT'S YOUR FAVORITE WORD, I WOULD HAVE THOUGHT--
IT MEANS, "I DON'T CARE." THAT'S WHAT IT MEANS. ON THE CONTRARY, SUSANNA.
AMBIVALENCE SUGGESTS STRONG FEELINGS... IN OPPOSITION. | ์๊ฐ์ ๊ฐ์ ์ด ๋๋ค์
์์ฆ ๊ฐ์ฅ ์ข์ํ๋ ๋จ์ด์์
์ ๊ฒฝ ์ ์จ์ ๊ฐ์ฅ ์ข์ํ๋ ๋จ์ด๋ผ๋ฉด...
๋ป์ '์ ๊ฒฝ ์ ์ฐ๋ค'์์ ๊ทธ ๋ฐ๋์ผ, ์์๋
์๊ฐ๊ฐ์ ์ด๋ ๋ฐ๋ ๊ฐ์ ์ด ๊ฐ๋ ฅํ๋ค๋ ๊ฑฐ์ผ |
THE PREFIX-- AS IN AMBIDEXTROUS--
MEANS "BOTH."
THE REST OF IT-- IN LATIN-- MEANS "VIGOR."
THE WORD SUGGESTS THAT YOU ARE TORN...
BETWEEN TWO OPPOSING COURSES OF ACTION. | ์์์ก์ด์ฒ๋ผ, ์ด ์ ๋์ฌ ๋ป์
'๋์์'์ง
๋๋จธ์ง๋ 'ํ'์ด๋ผ๋ ๋ป์ด๊ณ
์ฆ, ๋ค๊ฐ ์๋ฐ๋๋
๋ ํ๋ ๋ฐฉ์นจ ์ฌ์ด์์ ๊ดด๋กญ๋ค๋ ๊ฑฐ์ผ |
THOSE AREN'T COURSES OF ACTION.
THEY CAN BE, DEAR, FOR SOME.
WELL, THEN IT'S THE WRONG WORD.
NO.
I THINK IT'S PERFECT.
QUAE MUNDI PLAGA ? "WHAT WORLD IS THIS ?
""WHAT KINGDOM ?"
"WHAT SHORES OF WHAT WORLDS ?"
IT'S A VERY BIG QUESTION YOU'RE FACED WITH, SUSANNA. | ๊ทธ๊ฑด ํ๋ ๋ฐฉ์นจ์ด ์๋์์์
๋๊ตฐ๊ฐ์๊ฒ๋ ํด๋น๋๋จ๋ค
๊ทธ๋ผ ํ๋ฆฐ ๋จ์ด๋ค์
์๋
์๋ฒฝํ ๋จ์ด์ผ
'๋ฌด์จ ์ธ์์ด์ง?'
'์ด๋ค ์๊ตญ์ผ๊น?'
'์ด๋ค ์ธ์์ ์ด๋ ํด๋ณ์ด์ง?'
๋ค๊ฐ ์ง๋ฉดํ ์ค์ํ ์ง๋ฌธ์ด์ผ |
THE CHOICE OF YOUR LIFE.
HOW MUCH WILL YOU INDULGE IN YOUR FLAWS ?
WHAT ARE YOUR FLAWS ? ARE THEY FLAWS ?
IF YOU EMBRACE THEM, WILL YOU COMMIT YOURSELF TO HOSPITAL FOR LIFE ? | ๋ค๊ฐ ์ด๋ฉด์ ํํด์ผ ํ ์ ํ์ด์ง
์ธ์ ๊น์ง ๋ค ๋ฌธ์ ์์์ ๋ฐฉํฉํ ๊ฑฐ๋?
๋ค ๋ฌธ์ ๊ฐ ๋ญ์ง? ๋ฌธ์ ๊ฐ ๋ง๊ธด ํด?
๊ทธ ๋ฌธ์ ๋ฅผ ๋์ด์๊ณ ํ์ ์ด๊ณณ์ ์์ ๊ฑฐ์ผ? |
BIG QUESTIONS, BIG DECISIONS.
IT'S NOT SURPRISING YOU PROFESS CARELESSNESS ABOUT THEM.
IS THAT IT ?
FOR NOW.
THIS WAY, SUSANNA.
JOHN WAS MOVED TO THE MEN'S WARD.
AND LISA NEVER CAME BACK FROM DR. WICK'S OFFICE. | ์ค์ํ ์ง๋ฌธ์ด๊ณ ์ค์ํ ๊ฒฐ์ ์ด์ผ
๋ฌด๊ด์ฌํ๋ค๊ณ ํด์ ๋๋์ง๋ ์๊ตฌ๋
๋๋ฌ์ด์?
์ฐ์ ์
์ด์ชฝ์ด์ผ, ์์๋
์กด์ ๋จ์ ๋ณ๋์ผ๋ก ์ฎ๊ฒผ๊ณ
๋ฆฌ์ฌ๋ ๊ทธ ๋ค๋ก ๋ค์ ๋์์ค์ง ์์๋ค |
WE LIVE IN A TIME OF DOUBT.
THE INSTITUTIONS WE ONCE TRUSTED NO LONGER SEEM RELIABLE.
SUSANNA. DAISY SENT US A POSTCARD ALL ABOUT HER NEW APARTMENT. | ์ฐ๋ฆฌ๋ ์์ฌ์ ์๋๋ฅผ ์ด๊ณ ์์ต๋๋ค
์ฐ๋ฆฌ๊ฐ ๋ฏฟ์๋ ๊ธฐ๊ด์ ๋๋ ์ ๋ขฐํ ์ ์์ต๋๋ค
๋ฐ์ด์ง๊ฐ ์์ง ์์์ ์นด๋์ ์ ์ด์ ๋ณด๋์ด |
SHE GOT A PUSSYCAT.
WHERE'S LISA ?
YOU KNOW WHERE SHE IS.
THEY JUST PUT HER IN ANOTHER WARD.
I'M JUST GOING TO REST FOR A WHILE. JUST A LITTLE WHILE. | ๊ณ ์์ด ํค์ด๋
๋ฆฌ์ฌ๋ ์ด๋ ์์ด?
๋๋ ์์์
๋ค๋ฅธ ๋ณ๋์ผ๋ก ์ฎ๊ฒผ์ด
์ ์๋ง ์ด๊ฒ์, ์ ์๋ง์ |
I'M NOT-- WHAT ARE YOU DOING ?
FUCK. YOU SH--
SORRY. TOO COLD ?
WHAT THE FUCK ARE YOU DOING ? GET ME THE FUCK OUT OF THIS TUB. GET YOURSELF OUT.
WHERE'S LISA ? | ๋ญ ํ๋ ๊ฑฐ์์?
๋น์ด๋จน์!
๋ฏธ์, ๋๋ฌด ์ฐจ๊ฐ๋?
๋ญ ํ๋ ์ง์ด์์? ๋น์ฅ ๊บผ๋ด ์ค์! ์ค์ค๋ก ๋์
๋ฆฌ์ฌ๋ ์ด๋ ์์ด์? |
WHERE THE FUCK IS LISA ?
WHAT'S THE MATTER, CAN'T HACK IT WITHOUT HER ?
YOU BANISH HER FOR SINGING TO POLLY ? WE WERE TRYING TO HELP HER.
WE WERE TRYING TO HELP HER. THIS PLACE IS A FUCKING FASCIST TORTURE CHAMBER. | ๋ฆฌ์ฌ ์ด๋ ์๋๊ณ ์!
์? ๋ฆฌ์ฌ ์์ด๋ ์๋ฌด๊ฒ๋ ๋ชป ํด?
๊ทธ๋ฐ ์ผ๋ก ์ซ์๋์์์ ๋์ฐ๋ ค๋ ๊ฒ๋ฟ์ธ๋ฐ
๋์ด ๊ฒ๋ฟ์ด๋ผ๊ณ ์! ์ฌ๊ธด ๊ทธ์ ๊ณ ๋ฌธํ๋ ๊ณณ์ด์์! |
NO.
SEE, I'VE WORKED IN STATE HOSPITALS. THIS PLACE IS A FIVE-STAR HOTEL.
YOU KNOW, I CAN TAKE A LOT OF CRAZY SHIT... FROM A LOT OF CRAZY PEOPLE,
BUT YOU-- YOU ARE NOT CRAZY. | ํ๋ ธ์ด
์ฃผ๋ฆฝ ๋ณ์์ ๋นํ๋ฉด ์ฌ๊ธด 5์ฑ๊ธ ํธํ
์ด์ผ
๋ฏธ์น ์ฌ๋๋ค์ ์ด์ํ ์ง์ ๋ง์ด ๋ดค์ง๋ง
๋? ๋ ๋ฏธ์น์ง ์์์ด |
THEN WHAT'S WRONG WITH ME, HUH ?
WHAT THE FUCK IS GOING ON INSIDE MY HEAD ?
YOU ARE A LAZY, SELF-INDULGENT, LITTLE GIRL...
WHO IS DRIVING HERSELF CRAZY.
OH. IS THAT YOUR, UH, MEDICAL OPINION ? HUH ? | ๊ทธ๋ผ ๋ํํ
๋ฌด์จ ๋ฌธ์ ๊ฐ ์๋๋ฐ์?
๋ด ๋จธ๋ฆฟ์์ ๋๋์ฒด ๋ฌด์จ ๋ฌธ์ ๊ฐ ์๋๊ณ ์!
๋ ๊ทธ๋ฅ ๊ฒ์ผ๋ฅด๊ณ ์ ๋ฉ๋๋ก์ธ ๊ฒ๋ฟ์ด์ผ
์ค์ค๋ก ๋ฏธ์น๋๋ก ๋ชฐ์๊ฐ ๋ฟ
๊ทธ๊ฒ ๋น์ ์ ์ํ์ ์๊ฒฌ์ธ๊ฐ์? |
IS THAT WHAT YOU'VE LEARNED IN YOUR ADVANCED STUDIES AT NIGHT SCHOOL...
FOR NEGRO, WELFARE MOTHERS ?
I MEAN, MELVIN DOESN'T HAVE A CLUE, WICK IS A PSYCHO, AND YOU-- YOU PRETEND YOU'RE A DOCTOR. | ์ผ๊ฐ ํ๊ต์์ ๊ทธ๊ฑธ ๋ฐฐ์ฐ์
จ์ด์?
ํ์ธ ์๋ง๋ค์ ์ผ๊ฐ ํ๊ต?
๋ฉ๋น์ ์๋ฌด๊ฒ๋ ๋ชจ๋ฅด๊ณ ์
์ ์ ์ ๋ณ์์ ๋น์ ์ ์์ฌ ํ์ธ๋ ํ์ง |
AND YOU'RE JUST THROWING IT AWAY.
DO YOU STILL WANT TO GO TO FLORIDA ?
LISA, WE NEED MONEY, DON'T WE ?
THEY GAVE ME SHOCKS AGAIN.
ALL RIGHT, JAMIE? I HAVE TO GET OUT OF HERE.
I'M SUSANNA. | ๋ ๊ทธ๋ฅ ์ธ์์ ํ๋นํ๊ณ ์์ง
์ฌ์ ํ ํ๋ก๋ฆฌ๋ค์ ๊ฐ๊ณ ์ถ์ด?
๋ฆฌ์ฌ, ๋ ํ์ํ์ง ์์๊น?
๋ ์ ๊ธฐ ์ถฉ๊ฒฉ ์๋ฒ์ ๋ฐ์์ด
์ ์ด๋ฏธ, ๋ ์ฌ๊ธฐ์์ ๋๊ฐ์ผ ํด
๋ ์์๋์ผ |
I'M SUSANNA.
WHAT ARE WE DOING ?
WHAT IS THIS ?
"DEAR SIR. "PLEASE GIVE DAISY RANDONE ASSISTANCE...
"INSTALLING A TELEPHONE AT 23 VICAR STREET."
I THOUGHT WE WERE GOING TO FLORIDA. | ์์๋๋ผ๊ณ
์ด๋ป๊ฒ ํ๋ ค๊ณ ?
์ด๊ฒ ๋ญ์ผ?
'๋ฐ์ด์ง ๋๋์ด ์ ํ ์ค์นํ๋ ๋ฐ'
'๋์์ด ํ์ํฉ๋๋ค ๋น์ปค๊ฐ 23๋ฒ์ง'
ํ๋ก๋ฆฌ๋ค๋ก ๊ฐ๋ค๋ฉฐ? |
WE ARE. WE JUST NEED A PLACE TO CRASH TILL WE GET PLANE TICKETS.
COME ON.
NICE COAT.
YOU DON'T WANT ME, TONY.
YES, I DO, BABY.
NO, YOU DON'T. I'M A CRAZY GIRL. | ๋นํ๊ธฐ ํ ๊ตฌํ ๋๊น์ง ๋จธ๋ฌผ ๊ณณ์ด ํ์ํด
์ด์ ๊ฐ์
์ฝํธ ๋ฉ์ง๋ค
๋ ๋ ์ํ์ง ์์
์ํด, ์๊ธฐ
์๋์ผ, ๋ ๋ฏธ์น ์ ์ผ |
YOU'RE CRAZY, SO WE CAN'T HAVE ONE NIGHT OF BLISS ?
I AM A CRAZY GIRL. SERIOUSLY.
YOU BEEN IN A HOSPITAL ? YES.
DO YOU SEE PURPLE PEOPLE ?
MY FRIEND, HE SAW PURPLE PEOPLE.
AND SO THE STATE CAME AND TOOK HIM AWAY. | ๋ฏธ์ณค์ผ๋๊น ํ๋ฃป๋ฐค ๋ชป ์๋ค๊ณ ?
์ง์ง ๋ฏธ์ณค๋ค๋ ๋ง์ด์ผ
๋ณ์์ ์์์ด? ๋ง์
๋ณด๋ผ์ ์ฌ๋์ด ๋ณด์ฌ?
๋ด ์น๊ตฌ๋ ๋ณด๋ผ์ ์ฌ๋์ ๋ด
์ ๋ถ์์ ๊ฑ๋ฅผ ๋ฐ๋ ค๊ฐ์ด |
HE DIDN'T LIKE THAT.
SOME TIME WENT BY AND--
AND HE TOLD THEM HE DIDN'T SEE PURPLE PEOPLE NO MORE.
HE GOT BETTER.
NO. HE STILL SEES THEM.
COME ON. WE'VE GOT TO SPLIT.
HEY, SOMEBODY STOP HER ! SHE TOOK MY FUCKING WALLET ! | ์น๊ตฌ๋ ํ๋ค์ดํ์ง
์๊ฐ์ด ์ง๋๊ณ
๋๋ ์ ๋ณด์ธ๋ค๊ณ ๋งํ์ด
๋์์ก๊ตฌ๋
์๋, ๊ณ์ ๋ณด์ฌ
๋๊ฐ์ผ ํด
์ ์ฌ์ ์ก์! ๋ด ์ง๊ฐ ํ์ณค์ด! |
IDENTIFY YOURSELF.
IT'S SUSANNA AND-- IT'S SUSANNA. DAISY ?
YOU GOT VALIUM ?
WOW. COOL PAD.
HEY, DAISY.
PEACE, MAN. PEACE.
COME ON. I'M SORRY FOR BEING A BITCH. I WAS A DRAG. | ๋๊ตฌ์ธ์?
์์๋์ผ ์์๋์ผ, ๋ฐ์ด์ง?
๋ฐ๋ฅจ ์์ด?
์ง ๋ฉ์ง๋ค
์๋
, ๋ฐ์ด์ง
ํญ๋ณตํ ๊ฒ, ํญ๋ณต
๋ชป๋๊ฒ ๊ตด์ด์ ๋ฏธ์ํด ๋ด๊ฐ ๋๋นด์ด |
THAT'S FOR YOU.
THAT'S RUBY.
MY DAD BOUGHT HER FOR ME.
THIS IS A CASTRO CONVERTIBLE. OOH.
IT FOLDS OUT. YEAH.
WHERE'S YOUR BATHROOM ? RIGHT THERE. | ๋ค ์ ๋ฌผ์ด์ผ
๋ฃจ๋น๋ผ๊ณ ํด
์๋น ๊ฐ ์ฌ ์ฃผ์
จ์ด
์ด๊ฑฐ ์นจ๋ ์ํ์ผ
๊บผ๋ด๋ฉด ๋ผ ๋ฉ์ง๋ค
ํ์ฅ์ค์ ์ด๋์ผ? ๊ทธ ๋ฐฉ์ด์ผ |
YOU DON'T HAVE A TUB. NO. I DON'T.
WHAT ABOUT UPSTAIRS ? NOPE.
SO, WHAT ? DID YOU TWO ESCAPE, OR WHAT ?
ACTUALLY, WE'RE GOING TO FLORIDA.
OH ! ALL YOU HAVE IS MUSTARD AND YOUR CHICKENS. | ์์กฐ ์์ด? ์, ์์ด
์์ธต์? ์์ด
๋ ์ฌ๋ ๋๋ง์น๊ธฐ๋ผ๋ ํ์ด?
ํ๋ก๋ฆฌ๋ค๋ก ๊ฐ ๊ฑฐ์ผ
๋์ฅ๊ณ ์ ๊ฒจ์ ์์ค๋ ๋ญ๋ฟ์ด๋ค |
SO, WHAT ARE YOU GIRLS GOING TO DO IN FLORIDA ?
I'M GOING TO BE THE NEW CINDERELLA... AT WALT DISNEY'S NEW THEME PARK. OH.
SUSANNA'S GOING TO BE SNOW WHITE.
YOU CAN COME IF YOU WANT. YOU CAN, UH--
YOU CAN BE THE COCKER SPANIEL THAT ATE SPAGHETTI. | ํ๋ก๋ฆฌ๋ค์ ๊ฐ์ ๋ญ ํ ๊ฑฐ์ผ?
๋ ๋์ฆ๋๋๋์์ ์ ๋ฐ๋ ๋ผ๊ฐ ๋ ๊ฑฐ์ผ
์์๋๋ ๋ฐฑ์ค ๊ณต์ฃผ
๋๋ ๊ฐ์ด ๊ฐ๊ณ ์ถ์ผ๋ฉด ๊ฐ์
์คํ๊ฒํฐ ๋จน๋ ๊ฐ ํ๋ฉด ๋๊ฒ ๋ค |
I WANT TO MAKE PANCAKES.
I'M TIRED. I WANT TO GO TO BED.
IN THE MORNING. I WANT TO MAKE PANCAKES IN THE MORNING.
THERE'S A MARKET ON THE CORNER. | ํฌ์ผ์ดํฌ ๋ง๋ค๊ณ ์ถ์๋ฐ
ํผ๊ณคํด, ๊ทธ๋ฅ ์์
์์นจ์ ํฌ์ผ์ดํฌ ๋ง๋ค๊ฒ
๋ชจํ์ด์ ์์ฅ ์์ด |
PANS ARE UNDER THE SINK.
SILVER IS IN THAT DRAWER.
DO YOU HAVE ANY MONEY ?
DO YOU HAVE SOME SORT OF A SAFETY NET DOWN THERE ?
PEOPLE YOU KNOW DOWN THERE IN FLORIDA ? | ์ฑํฌ๋ ์๋์ ํ๋ผ์ดํฌ ์๊ณ
๋์ดํ, ํฌํฌ๋ ์ ์๋์ ์์ด
๋์ ์๋?
๊ฑฐ๊ธฐ ๋๋น์ฑ
์ด๋ผ๋ ์์ด?
ํ๋ก๋ฆฌ๋ค์ ์๋ ์ฌ๋์? |
RELATIVES ?
FRIENDS, ANYTHING ?
THIS IS FOR YOUR PANCAKES.
DON'T MAKE A LOT OF NOISE IN THE MORNING.
I LIKE TO SLEEP LATE.
I'LL COME DOWN WHEN I'M READY.
GIVE ME THE VALIUM.
WE DON'T NEED YOUR DADDY'S MONEY. | ์น์ฒ?
์น๊ตฌ, ๋๊ตฌ๋ผ๋?
์ด ๋์ ํฌ์ผ์ดํฌ ๋ง๋๋ ๋ฐ ์จ
์์นจ์ ์๋๋ฝ๊ฒ ํ์ง ๋ง๊ณ
๋ด๊ฐ ์์นจ์ ์ด ๋ง๊ฑฐ๋
๋ ์ค๋น ๋ค ๋๋ฉด ๋ด๋ ค์ฌ๊ฒ
๋ฐ๋ฅจ ์ค
๋ค ์๋น ๋์ ํ์ ์์ด |
THEN LEAVE IT THERE.
JUST GIVE ME THE FUCKING VALIUM.
WHAT'S THIS ? HUH ?
WHAT'S THIS ? TRYING OUT YOUR NEW SILVER ? LET GO. GET THE FUCK OFF ME.
LESS APPEALING FOR DADDY, HUH ? LISA. | ๊ทธ๋ผ ๋๋๊ณ
๋ฐ๋ฅจ์ด๋ ๋ด๋
์ด๊ฑด ๋ญ์ผ?
์ด๊ฑด ๋ญ์ผ? ์ด๊ฑฐ ๋ ๋์ดํ ํ
์คํธ๋ผ๋ ํ์ด? ๊บผ์ ธ
์๋น ๊ฐ ์ค๋งํ๊ฒ ๋๋ฐ? |
LOOK AT YOUR OWN ARM, ASSHOLE.
I'M SICK, DAISY. WE KNOW THAT.
I THOUGHT YOU DIDN'T DO VALIUM. TELL ME HOW THIS SAFETY NET IS WORKING.
TELL ME THAT YOU DON'T TAKE THAT BLADE... AND DRAG IT ACROSS YOUR SKIN...
AND PRAY FOR THE COURAGE TO PRESS DOWN. | ๋ค ํ์ด๋ ๋ด, ๋ฉ์ฒญ์ด์ผ
๋ด๊ฐ ์ํ ๊ฑด ๋ค ์๋ ์ฌ์ค์ด์์
๋ฐ๋ฅจ์ ์ ํ๋ ์ค ์์๋๋ฐ ํ ๋ฒ ์ค๋ช
ํด ๋ด
๋ค ํผ๋ถ๋ฅผ ๊ฐ๋ก์ง๋ฌ ์นผ๋ ์ ๊ธ๋๋ก
์ฉ๊ธฐ๋ฅผ ๋ฌ๋ผ๊ณ ๊ธฐ๋๋ผ๋ ํ์ด? |
TELL ME HOW YOUR DADDY... CHRIST. HELPS YOU COPE WITH THAT.
ILLUMINATE ME.
MY FATHER LOVES ME.
I BET.
WITH EVERY INCH OF HIS MANHOOD.
OH, GOD.
I'M GOING TO SLEEP NOW. | ์๋น ๊ฐ ์ด๋ป๊ฒ ๋์์คฌ๋์ง ๋งํด ๋ด
์์ฃผ ์์ธํ๊ฒ
์๋น ๋ ๋ ์ฌ๋ํด
๊ทธ๋ ๊ฒ ์ง
์๋น ์จ๋ชธ์ ๊ฑธ๊ณ ๋ง์ด์ผ
๋น์ด๋จน์
์ด์ ์๋ฌ ๊ฐ ๊ฑฐ์ผ |
PLEASE BE GONE IN THE MORNING.
YOU'RE JUST JEALOUS, LISA.
BECAUSE I GOT BETTER.
BECAUSE I WAS RELEASED.
BECAUSE I HAVE A CHANCE...
THEY DIDN'T RELEASE YOU BECAUSE YOU'RE BETTER, DAISY. | ์์นจ์ ์ฌ๋ผ์ ธ ์ค๋?
๋ ๊ทธ๋ฅ ๋ถ๋ฌ์ด ๊ฑฐ์ผ
๋ด๊ฐ ๋์์ก์ผ๋๊น
๋ ํด์ํ๊ณ
๋ ๊ธฐํ๊ฐ ์๊ณ
๋ค๊ฐ ๋์์ ํด์ํ ๊ฒ ์๋์ผ |
THEY JUST GAVE UP.
YOU CALL THIS A LIFE ? HUH ?
TAKING DADDY'S MONEY, BUYING YOUR DOLLIES AND YOUR KNICKKNACKS,
AND EATING HIS FUCKING CHICKEN, FATTENING UP LIKE A PRIZE FUCKING HEIFER ? | ๊ทธ๋ฅ ํฌ๊ธฐํ ๊ฑฐ์ง
์ด๊ฒ ์ถ์ด๋ผ ํ ์ ์๋?
์๋น ๋ ๋ฐ์์ ์ธํ์ด๋ ์ฅ์ํ ์ฌ๋ ๊ฒ?
์๋น ๋ญ์ด๋ ๋จน์ผ๋ฉด์ ์์ฒ๋ผ ์ด์ฐ๋ ๊ฒ? |
YOU CHANGED THE SCENERY, BUT NOT THE FUCKING SITUATION...
AND THE WARDEN MAKES HOUSE CALLS.
AND EVERYBODY KNOWS--
EVERYBODY KNOWS-- THAT HE FUCKS YOU. | ์ฃผ๋ณ๋ง ๋ฐ๊ฟจ์ง ๋ค ์ฒ์ง๋ ๊ทธ๋๋ก์ผ
์์ฅ์ด ์ ํํ๋ ๊ฑฐ ์์
๋ค๋ค ์๊ณ ์์ด
๋ค๋ค ๊ทธ ๋จ์๊ฐ ์ด๋ป๊ฒ ํ๋์ง ์์ |
WHAT THEY DON'T KNOW...
IS THAT YOU LIKE IT.
HUH ? YOU LIKE IT. SHUT THE FUCK UP ! BUT HEY, MAN, IT'S COOL. IT'S OKAY. IT'S FINE. IT'S FUCKING FINE. | ์ฌ๋๋ค์ด ๋ชจ๋ฅด๋ ๊ฑด
๋ค๊ฐ ์ฆ๊ธด๋ค๋ ๊ฑฐ์ง
๋ ์ฆ๊ธฐ๊ณ ์์ด ์
๋ฅ์ณ! ์ข์, ๊ด์ฐฎ์ ์์ฃผ ๊ด์ฐฎ์! |
A MAN IS A DICK IS A MAN IS A DICK IS A CHICKEN...
IS A DAD...
A VALIUM, A SPECULUM, WHATEVER, HUH ?
WHATEVER.
YOU LIKE BEING MRS. RANDONE. | ๋จ์๋ ํ์ ์๊ณ , ๋ญ์...
์๋น ์ง
๋ฐ๋ฅจ์ด๋ ๊ฒ๊ฒฝ์ด๋ ์๊ด์์ด
๋ง๋๋ก ํด
๋๋ ๋ถ์ธ์ด ๋๋ ์ข์ง? |
PROBABLY ALL YOU'VE EVER KNOWN, HUH ?
HAVE FUN IN FLORIDA.
HAS SHE COME DOWN YET ?
NO.
BUT SHE'S BEEN PLAYING THAT SHIT ALL MORNING.
DAISY ? | ์๋ง ์ญ ๊ทธ๋ฌ์ ๊ฑฐ์ผ
ํ๋ก๋ฆฌ๋ค์์ ์ข์ ์๊ฐ ๋ณด๋ด
๋ฐ์ด์ง ์์ง ์ ๋ด๋ ค์์ด?
์
๋์ ์์นจ ๋ด๋ด ์ ๋ด ๋
ธ๋๋ฅผ ํ์ด ๋จ์ง!
๋ฐ์ด์ง? |
OH, MY GOD !
OH, WHAT AN IDIOT.
YES, I NEED AN AMBULANCE. MAKE IT A HEARSE.
DAISY RANDONE. SHE KILLED HERSELF.
TWENTY-THREE VICAR STREET. YES. PLEASE HURRY. | ์ธ์์
๋ฐ๋ณด ๊ฐ์ ๊ฒ
๋ค, ์๊ธ์ฐจ ๋ณด๋ด ์ฃผ์ธ์ ์๊ตฌ์ฐจ๋ก ๋ถ๋ฌ
๋ฐ์ด์ง ๋๋์, ์์ดํ์ด์
๋น์ปค๊ฐ 23๋ฒ์ง์์, ๋นจ๋ฆฌ์! |
YOU PRESSED HER BUTTONS. NOW YOU'RE TAKING HER MONEY.
PLEASE. I DIDN'T PRESS SHIT. SHE WAS WAITING FOR AN EXCUSE. COME ON, PACK UP. WE HAVE TO GO. ALL RIGHT ?
WE HAVE TO GO. | ๋ค ์๋ชป์ธ๋ฐ ์ง๊ธ ๋ฐ์ด์ง ๋์ ํ์ณ?
๋ด๊ฐ ์ ๊ทธ๋ฌ์ด ์ค๋ ํ๊ณ๊ฐ ํ์ํ๋ ๊ฑฐ์ผ ์ง ์ฑ๊ฒจ, ๊ฐ์ผ ํด
๊ด์ฐฎ์? ๊ฐ์ผ ํด! |
WE HAVE MONEY.
SUSANNA, DON'T BE STUPID.
ALL RIGHT, FINE. BE STUPID.
WE SHOULD SEND SOMEONE FOR A LITTER BOX.
CAN I-- CAN I PET THE KITTY ? | ์ด์ ๋๋ ์์ด
๋ฐ๋ณด๊ฐ์ด ๊ตด์ง ๋ง
์์์ด, ๋ฐ๋ณด๊ฐ ๋๋ ์ง
๊ณ ์์ด ๋ณ๊ธฐ ์ฌ๋ฌ ์ฌ๋์ ๋ณด๋ด์ผ๊ฒ ์ด์
์ฐ๋ค๋ฌ์ด๋ ๋ผ? |
YEAH. CAREFUL.
HELLO. HELLO, PUDDYCAT. KITTY.
YOU'RE SO CUTE.
CHECKS.
WHERE'S GEORGINA ?
SHE'S STAYING WITH POLLY TONIGHT.
THEY'RE PLAYING WITH YOUR CAT. | ์กฐ์ฌํด
์๋
, ๊ณ ์์ ์ผ์น์!
๋๋ฌด ๊ท์ฝ๋ค
ํ์ธ
์กฐ์ง๋๋์?
์ค๋ ํด๋ฆฌ๋ ๊ฐ์ด ์์ ๊ฑฐ์ผ
๊ณ ์์ด์ ๋๊ณ ์์ด |
DID THEY FIND LISA ?
NO.
I COULDN'T STAND UP TO HER.
A DECENT PERSON WOULD HAVE DONE SOMETHING.
SHUT HER UP.
GONE UPSTAIRS.
MELVIN SAID YOU WENT UPSTAIRS.
TOO LATE. | ๋ฆฌ์ฌ๋ ์ฐพ์๋์?
์๋
๋ฆฌ์ฌํํ
๋ง์์ง ๋ชปํ์ด์
๊ด์ฐฎ์ ์ฌ๋์ ๋ญ๋ผ๋ ํ์ ๊ฑฐ์์
์
๋ค๋ฌผ๊ฒ ํ๊ณ
2์ธต์ ์ฌ๋ผ๊ฐ์
๋ฉ๋น ๋ง๋ก๋ ๋ค๊ฐ 2์ธต์ ์ฌ๋ผ๊ฐ๋ค๋ฉด์
์ด๋ฏธ ๋ฆ์์ด์ |
WHAT WOULD YOU HAVE SAID TO HER ?
I DON'T KNOW.
THAT I WAS SORRY.
THAT I'LL NEVER KNOW WHAT IT WAS LIKE TO BE HER,
BUT I KNOW WHAT IT'S LIKE TO WANT TO DIE. | ๋ฐ์ด์ง์๊ฒ ๋ฌด์จ ๋ง์ ํ๊ณ ์ถ์์ด?
๋ชฐ๋ผ์
๋ฏธ์ํ๊ณ
๋ฐ์ด์ง ์ฒ์ง๋ฅผ ์ ๋ชฐ๋์ง๋ง
์ฃฝ๊ณ ์ถ์ ์ฌ์ ์ ์ ์๋ค๊ณ ์ |
HOW IT HURTS TO SMILE.
HOW YOU TRY TO FIT IN, BUT YOU CAN'T.
HOW YOU HURT YOURSELF ON THE OUTSIDE...
TO TRY TO KILL THE THING ON THE INSIDE.
SUSANNA, IT'S ALL WELL AND GOOD TO TELL ME ALL THIS,
BUT YOU'VE GOT TO TELL SOME OF THIS TO YOUR DOCTORS.
HOW THE HELL AM I SUPPOSED TO RECOVER... | ์๋ ๊ฒ ์ผ๋ง๋ ๊ณ ํต์ค๋ฌ์ด์ง
์ด์ธ๋ฆฌ๊ณ ์ถ์ด๋ ๊ทธ๋ฌ์ง ๋ชปํ๊ณ
๊ฒ์ผ๋ก ์์ ์ ๋ค์น๊ฒ ํด์
๊ทธ ์์ ์ฃฝ์ด๊ณ ์ถ์ ๋ง์์ ์๋ค๊ณ ์
๋์๊ฒ ๋ค ํธ์ด๋๋ ์ข์ง๋ง
์์ฌ์๊ฒ ๊ฐ์ ๋งํด์ผ ํด
๋ด๊ฐ ๋ด ๋ณ์ ์ดํด ๋ชป ํ๋๋ฐ |
WHEN I DON'T EVEN UNDERSTAND MY DISEASE ?
BUT YOU DO UNDERSTAND IT.
YOU SPOKE VERY CLEARLY ABOUT IT A SECOND AGO.
BUT I THINK WHAT YOU'VE GOT TO DO IS PUT IT DOWN. | ์ด๋ป๊ฒ ํ๋ณตํ ์ ์๊ฒ ์ด์?
๋ ๋ค ์ดํดํ๊ณ ์์ด
๋ฐฉ๊ธ ์์ฃผ ๋ช
๋ฃํ๊ฒ ๋งํ์์
๋ค๊ฐ ํด์ผ ํ ์ผ์ ๊ทธ๊ฑธ ๊ธ๋ก ์ฐ๋ ๊ฑฐ์ผ |
PUT IT AWAY. PUT IT IN YOUR NOTEBOOK.
BUT GET IT OUT OF YOURSELF--
AWAY, SO YOU CAN'T CURL UP WITH IT ANYMORE.
LISA THINKS IT'S A GIFT.
THAT IT LETS YOU SEE THE TRUTH. | ๋
ธํธ์ ๋ค ์์๋ด
์์ ์๋ ๊ฑธ ๋ค ๋์ง์ด๋ด๋ ด
๋ค์๋ ๊ดด๋กญ์ง ์๊ฒ ๋ง์ด์ผ
๋ฆฌ์ฌ๊ฐ ์ถ๋ณต์ด๋์
๋น์ ์ด ์ง์ค์ ๋ณผ ์ ์๋ ๊ฑฐ์ |
LISA HAS BEEN HERE FOR EIGHT YEARS.
I'M SO SORRY.
I WAS A PIG. I WAS A PIG. IT'S ALL RIGHT. LISTEN.
DO NOT DROP ANCHOR HERE.
UNDERSTAND ?
WHEN YOU DON'T WANT TO FEEL,
DEATH CAN SEEM LIKE A DREAM. | ๋ฆฌ์ฌ๋ 8๋
๋์ ์ฌ๊ธฐ ์์์ด
๋๋ฌด ์ฃ์กํด์
๋๋ฌด ๋๋นด์ด์ ๊ด์ฐฎ์, ์ ๋ค์ด
์ฌ๊ธฐ์์ ์ ์ฐฉํ๋ฉด ์ ๋ผ
์์์ง?
๊ฐ์ ์ ๋๋ผ๊ธฐ ์ซ์ผ๋ฉด
์ฃฝ์์ด ๊ฟ์ฒ๋ผ ๋ณด์ธ๋ค |
BUT SEEING DEATH--
REALLY SEEING IT--
MAKES DREAMING ABOUT IT FUCKING RIDICULOUS.
MAYBE THERE'S A MOMENT GROWING UP...
WHEN SOMETHING PEELS BACK. | ํ์ง๋ง ์ฃฝ์์ ๋ณด๋ฉด
์ ๋ง ์ฃฝ์๊ณผ ๋ง์ฃผํ๋ฉด
์ฃฝ์์ ๊ฟ๊พธ๋ ๊ฑด ํ์๋ฆฌ๊ฐ ๋๋ค
์๋ง ์ฑ์ฅํด์
ํ ๊บผํ ๋ฒ๊ฒจ์ง๋ ์๊ฐ์ด ์๋ ๋ณด๋ค |
MAYBE. MAYBE I-- WE LOOK FOR SECRETS BECAUSE WE CAN'T BELIEVE OUR MINDS-- AND THOUGH I MISSED LISA, LIFE WAS EASIER WITHOUT HER.
A THOUGHT IS A HARD THING TO CONTROL-- OUT IN THE REAL WORLD--
ALL I KNOW IS THAT I BEGAN TO FEEL THINGS AGAIN--
...CRAZY, SANE, STUPID, SMART, ANGRY-- ...WHATEVER I WAS-- I KNEW THERE WAS ONLY ONE WAY BACK TO THE WORLD, | ์๊ธฐ ๋ง์์ ๋ชป ๋ฏฟ์ด์ ๋น๋ฐ์ ์ฐพ๋ ๋ณด๋ค ๋ฆฌ์ฌ๊ฐ ๋ณด๊ณ ์ถ์ง๋ง ๊ฑ๊ฐ ์์ด์ ์ถ์ ํธํ๋ค
์๊ฐ์ ํต์ ํ๋ ๊ฑด ์ด๋ ต๋ค
๋ค์ ๊ฐ์ ์ ๋๋ผ๊ธฐ ์์ํ๋ค
๋ฏธ์น๋ค? ์ ์ ์ ์ด๋ค? ์ด์จ๋ ์ธ์์ผ๋ก ๋์๊ฐ ๋ฐฉ๋ฒ์ ํ๊ฐ์ง๋ฟ์ด๋ค |
AND THAT WAS TO USE THE PLACE--
SO I SAW THE GREAT AND WONDERFL DR. WICK THREE TIMES A WEEK,
AND I LET HER HEAR EVERY THOUGHT IN MY HEAD.
DO YOU THINK MAYBE I HAVE E.S.P. OR SOMETHING ? THAT I'M GIFTED ? | ๊ทธ๊ฑด ๊ทธ ์ฅ์์์
์ผ์ฃผ์ผ์ 3๋ฒ ํ๋ฅญํ ์
๋ฐ์ฌ๋ฅผ ๋ง๋
๋ด ์์ ๋ชจ๋ ์ด์ผ๊ธฐ๋ฅผ ํธ์ด๋์๋ค
์ ์๊ฒ ์ด๋ฅ๋ ฅ ๊ฐ์ ๊ฒ ์์๊น์? |
PERHAPS.
YOU THINK I CAN BE HOME BY THANKSGIVING ?
NOTHING HAS HAPPENED IN WEEKS, YOU KNOW.
THE POINT IS CONTROL.
YEAH, AND HERE I AM-- IN CONTROL, OFF MEDS,
NO HEADACHES, SLEEPING SOUND. | ๊ทธ๋ด์ง๋
์ถ์๊ฐ์ฌ์ ์ฏค์๋ ์ง์ ๊ฐ ์ ์์๊น์?
ํ๋์ ์๋ฌด ์ผ ์์์์์
์ ํต์ ํ ์ ์์ผ๋ฉด
์ฝ๋ ๋๊ณ ํต์ ํ๊ณ ์์์์
๋ํต ์๊ณ ์ ๋ ํน ์์ |
YOU DON'T NEED TO BE HELPED ANY LONGER.
YOU'VE ALWAYS HAD THE POWER TO GO BACK TO KANSAS.
I HAVE ? THEN WHY DIDN'T YOU TELL HER BEFORE ?
BECAUSE SHE WOULDN'T HAVE BELIEVED ME. SHE HAD TO LEARN IT FOR HERSELF. | ๋๋ ๋์์ด ํ์ ์๋จ๋ค
๋์๊ฒ ์ด๋ฏธ ์บ์์ค๋ก ๋์๊ฐ ํ์ด ์์์ด
์ ๊ฒ์? ์ ์ด์ ์ ๋งํด ์ฃผ์ง ์์๋์?
๋ ๋ฏฟ์ง ์์์ ํ
๋๊น์ ์ค์ค๋ก ๊นจ์ฐ์ณ์ผ ํ์ฃ |
WHAT HAVE YOU LEARNED, DOROTHY ?
I THINK THAT IT-- THAT IT WASN'T ENOUGH... JUST TO WANT TO SEE UNCLE HENRY AND AUNTIE EM.
I WON'T LOOK ANY FURTHER THAN MY OWN BACK YARD. | ๋ญ ๊นจ์ฐ์ณค๋, ๋๋ก์?
์ ์๊ฐ์๋... ์ด๋ชจ์ ์ผ์ด์ด ๋ณด๊ณ ์ถ์ ๋ง์์ผ๋ก๋ ๋ถ์กฑํ์ด์
๋ค๋ฐ์ ๋ฒ์ด๋์ง ์์ ๊ฑฐ์์ |
BECAUSE IF IT ISN'T THERE,
I NEVER REALLY LOST IT TO BEGIN WITH.
IS THAT RIGHT ?
THANKS, JOE.
GO AWAY. GO AWAY !
IT'S ME.
IT'S BEEN A WHILE... | ๊ทธ๊ณณ์ ์๋ค๋ฉด
์ฒ์๋ถํฐ ์์ด๋ฒ๋ฆฐ ๊ฒ ์๋๋๊น์
๋ง๋์? ๋ง์
๊ณ ๋ง์์, ์กฐ
๊บผ์ ธ!
๋์ผ
์ค๋๋ง์ด๋ค |
AND I JUST WANTED TO SAY HEY.
YOU OKAY ?
FABULOUS.
SUSANNA. YOU'RE GOING TO BE LATE. GRETTA'S WAITING FOR YOU.
I GOT TO GO. DOCTOR WICK.
ARE THEY STILL FUCKING WITH YOU ? | ๊ทธ๋ฅ ์ธ์ฌํ๋ฌ ์์ด
๊ด์ฐฎ์?
ํ์์ ์ด์ง
๋ฆ๊ฒ ์ด, ๊ทธ๋ ํ๊ฐ ๊ธฐ๋ค๋ ค
์
๋ฐ์ฌ ๋ง๋๋ฌ ๊ฐ์ผ ํด
์์ง๋ ๋ํํ
๋ญ๋ผ๊ณ ํ๋? |
THEY'RE, UH--
ACTUALLY, THEY'RE LETTING ME OUT.
OH, THAT'S GREAT.
YOU BETTER GO.
UH, WELL, MY DAD GOT ME A JOB-- A PART-TIME JOB--
AT A BOOKSTORE IN HARVARD SQUARE. | ์ฌ์ค์...
ํด์ํ๊ฒ ๋์ด
์๋๋ค
๊ฐ๋ ๊ฒ ์ข๊ฒ ๋ค
์๋น ๊ฐ ์ทจ์ง์์ผ ์ฃผ์
จ์ด์ ํํธํ์์ด์ง๋ง
ํ๋ฒ๋ ๊ด์ฅ์ ์๋ ์์ ์ด์์ |
AND I GOT AN APARTMENT WITH A PHONE SO I CAN-- STAY IN TOUCH. UH-HUH.
YEP. AND, UH, I'LL BE SEEING SONIA... TWICE A WEEK.
IS THAT YOUR LONG-TERM PLAN, TO WORK IN RETAIL ? | ์ ํ๋๋ ์ง ์ป์์ผ๋๊น... ๊ณ์ ์ฐ๋ฝํ์๊พธ๋
์
๋ฐ์ฌ๋๊ณผ ์ผ์ฃผ์ผ์ 2๋ฒ ๋ณด๊ธฐ๋ก ํ์ด์
์๋งค์ ์์ ์ผํ๋ ๊ฒ ์ฅ๊ธฐ ๊ณํ์ด๋? |
MY PLAN ? NO.
THEN WHAT DO YOU PLAN TO DO ?
I PLAN TO WRITE.
POLLY CLARK.
CYNTHIA CROWLEY.
SUSANNA KAYSEN.
YOU KNOW WHAT ? I DON'T THINK I NEED THEM. SLEEPING PILLS, DARLING. | ์ ๊ณํ์? ์๋์
๊ทธ๋ผ ์ด๋ค ๊ณํ์ด ์์ง?
๊ธ์ ์ธ ๊ฑฐ์์
ํด๋ฆฌ ํด๋ผํฌ
์ ์์ ํฌ๋กค๋ฆฌ
์์๋ ์ผ์ด์จ
์ ํ์ํ ๊ฒ ๊ฐ์์ ์๋ฉด์ ์ผ |
I-- YOU WANT TO BE RESTED FOR TOMORROW, DON'T YOU ? THE LAST NIGHT IS A LONG ONE. GOOD GIRL. KATIE COOPER.
ROSEMARY JONES.
TERESA McCULLIAN.
RUBY ? | ๋ด์ผ์ ์ํด ์ฌ์ด์ผ์ง ๋ง์ง๋ง ๋ฐค์ ๊ธธ์ด ์ํ์ด, ์ผ์ดํฐ ์ฟ ํผ
๋ก์ฆ๋ฉ๋ฆฌ ์กด์ค
ํ
๋ฆฌ์ฌ ๋งฅ์ปฌ๋ฆฌ์
๋ฃจ๋น? |
""IF I SPREAD MY FINGERS OUT, MY HAND LOOKED MORE HUMAN."
""SO I DID THAT."
"MY VEINS BULGED."
SHUT UP. I'M READING. SHUT UP.
""SO THAT BY FREUD'S DEFINITION, I HAVE ACHIEVED MENTAL HEALTH."
"AND MY DISCHARGE SHEET READS 'RECOVERED.'"
OH. "RECOVERED."
DON'T DO THIS ! | '์๊ฐ๋ฝ์ ํผ์น๋ฉด ์ฌ๋ ์ ๊ฐ์๋ค'
'๊ทธ๋์ ์์ ํผ์ณค๋ค'
'ํ์ค์ด ํญ ํ์ด๋์๋ค'
์กฐ์ฉํด, ์ฝ๊ณ ์์์
'ํ๋ก์ดํธ ์ ์์ ๋ฐ๋ฅด๋ฉด ์ ์ ์ด ๊ฑด๊ฐํด์ก๋ค'
'๋ด ํด์ ํ์ธ์์๋ ํ๋ณต๋จ์ด๋ผ ์ ํ ์๋ค'
'ํ๋ณต๋จ'
๊ทธ๋งํด! |
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