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c9168a56723ce4df732020775129d784
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19800-story.html
Model Donors
Model Donors The famous and/or freakish have long been rendered in wax at the likes of Madame Tussaud’s. Now, for those of the lesser renown who crave immortality, there is the Petersen Automotive Museum. For a mere $20,000 donation, something close to your likeness can be sculpted, costumed and posed in one of the museum’s autos-through-Southern California-history dioramas, there to be ogled by gawking tourists in perpetuity. “It’s a different type of program for raising money,” acknowledges Jim Olson, the acting director of the museum. It’s not easy to miss the Petersen, at Wilshire and Fairfax across from the County Museum of Art on Miracle Mile. The 300,000-square-foot shrine to the automobile, with its radiator-grill facade and monster truck protruding from one side, is administered by the Natural History Museum of Los Angeles and named for benefactors Margie and Robert E. Petersen, founder of Petersen Publishing Co., which lists Hot Rod among its titles. (A mannequin of Margie will soon repose in the backseat of a 1911 American Underslung Model 50 Traveler.) The museum’s mannequin fund-raising has gotten off to a slow start--no donor has yet come up with the full $20,000 enshrinement fee, so most of the mannequins on display are modeled after museum employees. Only two non-museum individuals are represented--one is Lynne Stalmaster, a Beverly Hills fashion designer who paid considerably less for the privilege at a silent auction. Still, the dioramas have succeeded aesthetically. “Most people think the Petersen is going to be a bunch of cars,” says David Robert Cellitti, the Natural History Museum’s 44-year-old in-house sculptor, who creates the mannequins. Cellitti apprenticed with Katherine Stubergh, a sculptor and minor Los Angeles celebrity who built wax figures for Sid Grauman and other clients. In Cellitti’s workshop in Exposition Park, a completed version of the Three Stooges--a Petersen project--stands next to a shelf of body part molds. It can take several months for Cellitti to complete a Petersen-quality figure; the cost runs from $5,000 to $10,000--though the museum tries to keep the expense down. “David did a wonderful job,” says mannequin-model Stalmaster. “He took great pains to make the representation accurate.” Stalmaster’s mannequin, resplendent in a sequined lavender gown of her own creation, stands before an exquisite midnight-blue 1937 Delahaye Type 135M with wheel wells the size of motorcycle sidecars. “I think it’s wonderful from the standpoint that you never get older,” Stalmaster says of her immortalization. “I won’t get any wrinkles and my hair will always be perfect.
e19a682ef84292cf396678213453c575
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19801-story.html
L.A. Speak: Web Page Designers
L.A. Speak: Web Page Designers earl n. URL, or universal resource locater, formal name of addresses used on the World Wide Web. rel. dot n. period used to punctuate a Web address. triple-dub n. WWW (World Wide Web) portion of URL address. The L.A. Times earl --https://www.latimes.com-- would be rendered “triple-dub latimes dot com.” bot n. from robotic--automated computer practical joke. “Frankie put a bot in the ‘Sex over Sixty’ chat room that kept asking , ‘Are we having fun yet?’ ” seed v. subtly post information around the Web to encourage users to visit your site. ant. spam v. blatantly advertise or send annoying e-mail indiscriminately. bozo filter n. program that blocks e-mail from undesirables. “I was tired of getting spammed so I got a bozo filter.
14ea0fe073fc38450e7409c812877150
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19802-story.html
Q & A
Q & A For 20 years, Pyro Spectaculars in Rialto has orchestrated the Rose Bowl’s annual Fourth of July fireworks extravaganza. The 90-year-old company--which will also illuminate the skies over Atlanta ’96--is run by Jim Souza, a fourth-generation pyrotechnist. How many fireworks do you set off at the Rose Bowl? Over 1,000 shells. The show lasts 17 minutes. How much does it cost? Anywhere from $50,000 to $100,000. What’s the most expensive shell? The golden crown kamuro, a Japanese firework that opens up like a giant willow tree and comes down twinkling. It’s around $500. Which do the crowd like best? Ones with whistles and loud noises. And the golden crossette--it’s a shell we’ve built since my grandfather’s days. How’s the hearing? It’s excellent.
3d5656412b6665de6623836f738bd076
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19806-story.html
Is She the Most Powerful Woman in Sports?
Is She the Most Powerful Woman in Sports? The most powerful woman in sports is on edge, has been all evening. She arrived at the entrance of Atlanta’s Centennial Olympic Stadium in a luxury car provided for her as a member of the International Olympic Committee--a perk she still does not seem to be comfortable with after a decade--and had started to make a quick exit. “Will you get in trouble if I jump out now?” she asked the young man assigned to chauffeur her. “Maybe. You’d better wait for the official door opener,” he said. She sighed. And waited. Now Anita DeFrantz sits alone inside the 85,000-seat stadium. She peeks often at her watch, as if to will an early sundown so that the night’s program can begin. The $232-million stadium, which will host the opening and closing ceremonies during the July 19-Aug. 4 Summer Olympics, is scheduled to open officially the next day with a track meet. DeFrantz has been invited to this sneak preview, which also serves to test the stadium lights. For the record: 12:00 AM, Jul. 21, 1996 For the Record Los Angeles Times Sunday July 21, 1996 Home Edition Los Angeles Times Magazine Page 6 Times Magazine Desk 1 inches; 18 words Type of Material: Correction In the June 30 issue, the Page 10 photograph of Anita DeFrantz should have been credited to Times photographer Robert Gauthier. A few yards behind her, at a cocktail party in the stadium’s VIP lounge, are about 200 guests, including IOC President Juan Antonio Samaranch of Spain and International Amateur Athletic Federation President Primo Nebiolo of Italy. Occasionally, some of them step outside to chat with DeFrantz, who is drinking bottled water. She is cordial but seems distracted. Could it be that she has too many weighty issues on her mind? As a member of the IOC’s inner circle--its 11-member executive board--as well as the U.S. Olympic Committee’s 22-member executive committee, she is the most influential American in the Olympic movement since Avery Brundage, the controversial former IOC president. Brundage, whose sole purpose was to prevent the Modern Games from becoming too modern, would not have made room in his IOC for DeFrantz. Befitting her experiences in the 1976 Summer Olympics as a bronze medalist in rowing--"the noblest sport,” she calls it--DeFrantz is most often linked with two causes: athletes’ rights, including those of professionals to participate in the Olympics, and increased opportunities in sports for women. It is debatable whether women’s soccer or softball would be in the 1996 Summer Olympics without a push from DeFrantz. Harvey Schiller, former USOC executive director, declares that DeFrantz is “the voice of the Olympic movement in the United States.” Anyone who heard that voice trembling with anger on that September 1988 night in Seoul, when Canadian sprinter Ben Johnson was stripped of his gold medal after testing positive for an anabolic steroid, could not help but be moved. She called Johnson a “cheat” and a “coward.” Since then, she has been a leading proponent of the IOC’s war on banned substances. Concerned that their Olympics would become known as the “Drug Games,” officials from the organizing committee for the Atlanta Games were not in favor of using the most technologically advanced testing devices this summer. DeFrantz insisted, and won. She has backed down from fights with no one--not Schiller, not Samaranch, not Jimmy Carter. Especially not Carter. Sixteen years after the former president ordered the U.S. boycott of the 1980 Summer Olympics in Moscow, costing her a chance at a second medal and countless heartaches as she unsuccessfully sued the USOC to reject his mandate, she went to war when Carter was nominated to participate in this year’s torch relay. He gracefully bowed out, citing a prior commitment. Still, DeFrantz has been so effective and so diplomatic overall that, at age 43 and only 10 years after she became an IOC member, she is being discussed as a possible successor to Samaranch. “I feel Anita is the most respected member of the IOC,” says Jim Easton of Los Angeles, the other U.S. member of the committee. “She comes up with answers that are rational, and everyone knows that there is not an agenda or any baggage behind them. She makes her decisions based on what she clearly believes is best for the Olympic Games.” In that role, DeFrantz estimates that she travels about 250,000 miles a year. Considering her frenetic schedule for the last week, that would be reason alone for her to be on edge tonight. Six nights before, she was at USOC headquarters in Colorado Springs for a planning session. From there she flew to a meeting at IOC headquarters in Lausanne, Switzerland. Then it was home to Los Angeles, where as president of the Amateur Athletic Foundation she accepted a $45,000 donation from Mercedes-Benz. A red-eye to Atlanta followed. Or could DeFrantz’s reticence be that she is simply nervous? It is well known within Olympic circles that she and the Atlanta organizing committee have had a stormy relationship, despite the fact that she campaigned hard for Atlanta prior to the IOC vote six years ago awarding the Games to the city, and that she sits on the committee’s board of directors. Still, she does not want to see them fail tonight in their first major test in front of Samaranch: the opening of the stadium. That giant light switch on the infield, which is to be flipped on at sundown, looks a little flimsy. She can just see the jokes in the national press, which is already making snide references to the “Bubba Games.” She looks anxiously at her watch. “Do you have a date?” someone asks. “No,” she says, smiling sheepishly. “But I would like to get back to the hotel in time to see ‘The X-Files.’ It’s the season finale.” not quite two weeks later, with atlanta’s centennial Olympic Stadium having successfully passed the test, DeFrantz is more relaxed. She sits in her office in the red brick, Corinthian-pillared mansion on West Adams Boulevard that houses the Amateur Athletic Foundation--thankful, she says, to take time out to reminisce. The AAF, which promotes youth sports, is Los Angeles’ gift from the 1984 Summer Olympics. With a $232.5-million surplus, organizers contributed $139.5 million to the USOC and $93 million for the formation of the AAF. DeFrantz became its second president in 1987. The walls of her office are hung with photographs of her with Bill Clinton, with Al Gore. There are posters for the Atlanta games and the 1998 Winter Olympics in Nagano, Japan. A laminated cover from the Sporting News identifies her as one of the 100 most powerful people in sports, a list she has been on for the last five years. Looming behind her desk is a photograph of her and a teammate rowing on a misty morning on Lake Carnegie in Princeton, N.J. DeFrantz had never even seen a rowing shell until her sophomore year at Connecticut College. While walking on campus one day, she spotted a man carrying a long, thin boat over his shoulder and asked him what it was. He told her it was a rowing shell. The man turned out to be rowing coach Bart Gulong, who told DeFrantz that she and her 5-11 frame would be perfect for the sport. “I’d never been perfect for anything,” she says. Gulong was right. A couple of years later, he told DeFrantz she was good enough to compete in the Olympics. DeFrantz hadn’t even known rowing was an Olympic sport, but she immediately made that her goal. After graduating from Connecticut College with honors in 1974, she faced a choice: the University of Pennsylvania Law School or a Coro Public Affairs Fellowship in Los Angeles. “Here’s what it came down to,” she says. “I wanted to train at Vesper Boat Club in Philadelphia instead of Long Beach.” Her coach there, the respected John Hooten, was never fooled. “She said she wanted to be a Philadelphia lawyer,” he says, “but I think she just liked the sound of it.” He was, however, fooled by her talent. He thought in her first year at Vesper in 1974 that she might eventually become a good rower. By the time the U.S. Olympic team was selected in 1976, she had become a great one. “She was the best starboard [right-side rower] in the country,” Hooten says. “She was in the seventh seat [the bow], which is very difficult because it requires you to be very smart and precise but also very aggressive.” DeFrantz rowed seventh seat for the U.S. Olympic eight-oared shell with coxswain in Montreal. The U.S. women finished third for the bronze medal behind the East Germans and Soviets. Hooten figures they would have finished second if the Soviets hadn’t gotten a lane that was sheltered from the wind. “For the U.S. team, the conditions were like ‘Victory at Sea,’ ” he says. “They were so exhausted that one of them, Marion Grieg, collapsed on the medal stand. But I never heard Anita whine. All she said afterward was that she wanted to come back in 1980 and win the gold.” Hooten encouraged her, but didn’t believe she could do it unless she moderated her schedule. While training for the 1976 Summer Olympics, DeFrantz was in law school and working nights at the Philadelphia police headquarters interviewing suspects. “I took a risk of either not graduating or not making the Olympic team,” she says, “but it was a valuable experience because I learned to talk to all kinds of people.” DeFrantz was admitted to the Pennsylvania State Bar in 1977 and went to work as a staff attorney for the Juvenile Law Center of Philadelphia. She also served on the board of directors of the Vesper Boat Club, the U.S. Rowing Assn. and the USOC as an athletes’ representative. She also became a trustee of Connecticut College. “She told me one day in 1978 that she had to miss a practice,” Hooten says. “I said, ‘Anita, you can’t continue to do all of this and still row for me.’ She said, ‘I know, but this one is kind of important. I have to testify before the Senate.’ ” She was lobbying on Capitol Hill for passage of the Amateur Sports Act, which clarified the USOC’s role in amateur athletics. Hooten once made her bring him a note signed by a senator to verify that she had an appointment with him. Despite her crush of commitments, Hooten believes, DeFrantz would have somehow won a gold medal in 1980. “If I had to line up everybody I’ve ever coached and rate who was strongest, who was tallest, who had the most leverage, I wouldn’t put Anita at the top in any individual category,” he says. “But she had a presence in the boat. I learned from her that some athletes have this will to win, this aura about them, that things are going to go their way and they’re going to make it happen.” In January 1980, while attending a friend’s birthday party, DeFrantz heard on television that President Carter had called upon the USOC to boycott the Summer Olympics in Moscow as one of the sanctions against the Soviet Union for invading Afghanistan. She was stunned. “He didn’t understand what the Olympic Games were,” she says, still angry 16 years later. “They don’t belong to a country. They’re a celebration in a country, but they belong to the world. He reduced the Olympics to the status of a trade embargo.” Her words were more stinging at the time. A Sports Illustrated reporter had asked, “What do you think about the fact that we are boycotting?” She snapped: “What do you mean we? Where were we when I was out on the lake in the winter freezing my butt off?” Believing reason would prevail, DeFrantz took on the president before the USOC. Carter was concerned enough about her influence to send Vice President Walter F. Mondale to argue for the government. Spellbound by her passionate words, USOC members listened as she told them that they knew the right choice but needed only the courage to make it. They gave her a standing ovation. Then they voted her down. “They were medical miracles, guys who could walk upright without a spine,” she says. She showed hers by becoming the plaintiff in a lawsuit against the USOC. Again, she lost. “I got hate mail and hate phone calls. People were coming to my door claiming they were sympathizers and I knew they were from the FBI. I was a mess. I was depressed, I was exhausted, I was sick. I had a dark shadow over me. I felt I had let the team down by not getting them into the Olympics.” The team felt not at all let down by DeFrantz. “She just never gave up,” says Carol Brown, a rowing teammate enlisted by DeFrantz to fight the boycott. “We’d run up against another obstacle, and I’d say, ‘Hey, it’s not worth it.’ But Anita would say, ‘No, there’s one more chance. Let’s try this.’ ” Even with the distractions, DeFrantz made the team in the four-oared shell with coxswain in 1980, and while the U.S. rowers did not go to Moscow, they did travel to Europe for competitions. In Germany, the team presented her with a plaque that read: “Our sincere appreciation to you for your dedicated commitment to our Olympic cause.” Showing it off, she says now, “It made me proud ... but I still would rather have had a gold medal.” one morning in june, defrantz stands on the football field at Compton Community College as 18 busloads of fourth- and fifth-graders arrive from around the city for the AAF’s annual two-week “Learn and Play Olympic Sports” program. “Come meet Sam the Eagle,” the announcer tells the children. “You remember--no, you might be too young to remember--Sam was the mascot for the 1984 Summer Olympics in Los Angeles. This is also a chance for you to say hello to Anita DeFrantz, president of the Amateur Athletic Foundation.” The children ignore DeFrantz and head straight for the strutting, yellow-feathered, big-beaked Sam to exchange high-fives. If DeFrantz’s feathers are ruffled, it does not show. Here, at the grass-roots level, is where she believes she serves best. About 8,000 children from 42 elementary schools throughout the Los Angeles Unified School District will participate in the program this year. It starts in the classrooms with a curriculum, provided by the AAF, that uses Olympic history to help teach social studies, geography, languages and mathematics. “Then they get to come out and play some of the sports they’ve learned about,” DeFrantz says. Neither sports nor social activism is new to the DeFrantz family. She is a descendant of slaves, the great-great granddaughter of a Louisiana plantation owner from the Alsace-Lorraine region of France and one of his female servants from Africa’s Gold Coast. Their son, Alonzo, was educated and then emancipated by his father. When Benjamin “Pap” Singleton, also a former slave, began organizing newly freed blacks in 1877 to move to the prairies of Kansas, Alonzo David DeFrantz became the movement’s secretary-treasurer. One of his sons, Fayburn Edward DeFrantz--Anita’s grandfather--became director of the Senate Avenue YMCA in Indianapolis. The “Big Chief,” as he was known, was not content to merely change the nets on the basketball hoops. After church Sunday afternoons, he organized “Monster Meetings” and invited as speakers some of the day’s most prominent African Americans, including W.E.B. DuBois, Langston Hughes, George Washington Carver, Paul Robeson, artist Hale Woodruff and the NAACP’s executive secretary from 1931-'55, Walter White. Anita’s father, Robert David DeFrantz, and mother, Anita, met at Indiana University in Bloomington, where he was head of the university’s NAACP chapter and she was among the first African American women to integrate on-campus housing. “Our parents made sure that we were always aware,” DeFrantz says of herself and her three brothers. “They drove us once to a town about 20 miles away where the Grand Dragon of the KKK lived. There was a sign there that they knew was about to be taken down. It said, ‘Nigger, Don’t Be Here After Dark.’ They just wanted to make sure we saw it before it was gone. I was only 4 or 5 at the time, but I never forgot it.” Robert David was eager for his children to become active in sports. “My father wanted one of my brothers and me to be the first African Americans on the U.S. Olympic swimming team,” Anita says. Robert David, who died in 1984, no doubt would be sad to learn that his goal is still out there for some other father’s child to achieve. There are, however, more opportunities than when Anita swam at the Frederick Douglass Park pool in Indianapolis in the late ‘50s and early ‘60s. A swimming instructor at the public park for African Americans fielded a team, but because the pool was open for only a couple of months in the summers, it was folly to think that the swimmers could compete against white kids who swam at country clubs. When the instructor left for another city, the team folded. Later, at Shortridge High School in Indianapolis, Anita DeFrantz found plenty of sports for African Americans, but none for girls. “I joined the marching band. That’s the closest I got to the field of play.” She gestures at the Compton football field. “That’s why it’s fun for me to give these kids the chance.” DeFrantz excuses herself to join some of the 896 students from eight schools gathered today. “Say hello to Anita DeFrantz,” the announcer repeats. “She’s from rowing, the noblest sport.” during international Olympic committee sessions, the 104 members sit according to the order in which they were elected. Before she was named to the executive board and placed at the front of the room, DeFrantz sat two seats from Prince Albert of Monaco and five from Princess Anne of Great Britain. In the IOC directory, Prince Albert lists his address as Palais Princier, Monte Carlo. Princess Anne lists hers as Buckingham Palace, London. DeFrantz lives in a modest, two-bedroom, two-bath California bungalow on a side street in Santa Monica. She jokingly calls it her “urban estate.” She was elected to the IOC in 1986 because Peter Ueberroth wasn’t. Tired of law because it “was more about cleverness and making money than truth, justice and the American way,” DeFrantz came to Los Angeles in 1981, at the behest of Ueberroth, to serve as a vice president of the organizing committee for the 1984 Summer Games. Her primary responsibility was the athletes’ village at USC, but she was called upon to meet bigger challenges. After the British government approved a South African runner, Zola Budd, as part of its team because her grandfather was English, DeFrantz was assigned by Ueberroth to stave off a threatened boycott. As a result of her efforts, only Soviet sympathizers Ethiopia and Upper Volta among the African countries did not attend the L.A. Games. That further impressed the IOC, which had awarded DeFrantz the Bronze Medal of the Olympic Order for her leadership role in the fight against the USOC boycott in 1980. When one of the two IOC members from the United States, Julian Roosevelt, died in 1986, DeFrantz was on the short list to replace him. Samaranch backed Ueberroth, but other committee members resented the unflattering references Ueberroth had made about them in his autobiography, “Made In America.” They insisted on someone else. That someone was DeFrantz. “I’m glad I was elected,” DeFrantz says. “But Peter would have been a wonderful choice and should have been a member.” But DeFrantz fit better into Samaranch’s big-tent approach to the IOC, which under his stewardship was attempting to shed its reputation as a bastion of elderly, rich, powerful white males. DeFrantz, then only 34, was the first black elected to the committee from a non-African country, the fifth woman and hardly rich. Today, there are still only seven women among the 104 members, but as recently as 1994 two served on the 11-member executive board. “In a way, it surprises me that she has risen so fast,” says Hooten, her former rowing coach. “I think of the IOC as a bunch of old fogys. Now there is this very young woman who has become one of the most powerful persons in all of sport. At the same time, I’m not surprised at all. She’s just about the most effective person I’ve ever been around at committee meetings. I’ve been to some rather stormy meetings, and there is one solid voice of reason at the center of the whole thing. That’s Anita.” Despite her diplomatic skills, DeFrantz is considered no one’s yes woman--not even Samaranch’s. After she opposed him once on an issue, Samaranch asked Alfredo La Mont, the USOC’s director of international relations, if DeFrantz were loyal. “I told him, ‘Mr. President, loyalty has nothing to do with it; she does what she thinks is best for the movement,’ ” La Mont says. “He told me he respects that.” Far more of her battles have come with the USOC. She took an oath to be the IOC’s representative in the United States, not the other way around. When some USOC officials felt in 1994 that she had carried her independence too far, they discussed removing her and Easton from the USOC’s executive committee. When the USOC’s president, LeRoy Walker, heard about it, he angrily put a stop to the talk. Evidence of DeFrantz’s unapologetic approach is seldom seen in the media. Indeed, she tried unsuccessfully to prevent her objections to Carter serving as one of this year’s torch-bearers from becoming public. “I didn’t want it to become a big issue,” she says. She has been criticized by some for stepping a little too carefully to avoid political rockslides, which have been known to bury outspoken IOC members. But those who know DeFrantz well contend that she prefers to confront her foes face to face rather than have them read her opinions in the newspaper. Says former USOC executive director Schiller, now president of Turner Sports in Atlanta: “She and I had a very, very direct relationship. If she didn’t like something, she would pick up the phone and say it. And vice versa. She was particularly outspoken when she didn’t think there was enough minority representation on the USOC staff. She is a strong, strong willed person.” “Some people within the organization still don’t give her the respect she deserves,” says Brown, her former rowing teammate, who chairs the USOC’s athlete support committee. “She’s not part of the old boy’s network and they know she can’t be bought or coerced. She’s going to speak her mind.” No one knows that better than the Atlanta Olympics committee officials, whom she has tangled with almost from the time they began organizing the Games in 1991. They wanted to add golf to the program and hold it at the Augusta National Golf Club, which historically had not been particularly welcoming to African American or women (The club admitted its first black member in 1990 and still has no women.) DeFrantz balked. The committee backed down. They have fought on a number of issues since, mostly about money. She believes that they have spent too much of their $1.7 billion budget on themselves and not enough on the 10,000 athletes who will compete. “They didn’t want to hear from me,” she says. “I realize now that I should have ignored that and asserted myself more. The Games will be OK. But they could have been more than OK.” Considering her position within the IOC and the USOC, there is little question that DeFrantz is the most powerful woman in international sport. But when asked about that, she seems almost insulted: “So what? I don’t have anything particularly glorious to say about it.” She does, however, discuss speculation that she might someday become IOC president. “I think about it, but then I remember all the work involved,” she says. “It depends on how courageous and bold I might be when the time comes. I’d be very careful to consider all the challenges.” For all of her power, she surrounds herself with few of the trappings. “She doesn’t have an entourage like some IOC members,” La Mont says. “She has a sense of humor and doesn’t take herself too seriously.” “She’s an ordinary person,” adds Valerie Steiner, a friend for the last decade. “Whoever she is out there in the world, she’s a very easy person to be with.” Even though, Steiner says, she tends toward backseat driving. on this particular evening in June, DeFrantz is eating takeout Chinese food and sipping California red wine at her dining room table. She has given a guest a tour of the house and the garden, which she enjoys tending when she is at home. She removes the cover from a rowing machine on the back porch, admitting that it has been neglected. “Dust,” she says. “Imagine that.” Rowing is for the water, she adds in her defense. For exercise, she hikes, bicycles and plays tennis. When not busy with her numerous causes--Martin Luther King Jr. Legacy Fund, Yosemite Institute, KCET, National Conference on Christians and Jews--she reads, plays her bassoon or goes to the movies. She took ballroom dancing lessons after joining the IOC. “I was in Vienna with the IOC in ’88,” she says. “There was a live band. At the time, there were five or six women on the IOC and about 95 men. I realized the chances of me being asked to dance were pretty good. I figured I’d better learn how.” She came home and enrolled in classes at Ballroom Magic in Inglewood. Inevitably, she entered competitions. She has ribbons and medals. “Maybe some day, I’ll have my dancing partner,” she says. She has never been married, but she says that she did come close a couple of times to being engaged. “I saw the light,” she says. “It wasn’t the end of the tunnel; it was a train coming in my direction. I have just about given up the thought of having a child. I don’t know if I’ve given up the thought of having a family.” She says that she is dating someone who has children, but she will not identify him. “I don’t want to scare this one away.” Friends, she is told, are concerned that she has made too many sacrifices because of her work. She considers the possibility for a moment. “I don’t believe people make sacrifices,” DeFrantz says finally. “People make choices. That’s the approach I take. I made a decision to do these things. I believed I could make a difference. I find it fulfilling to work with children. I love kids. I have 3 million of them in Los Angeles.” And for her, in the end, that is the noblest of causes.
976b5da2470799f3fa63a11418bbf638
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19822-story.html
Charge!
Charge! In 1914, when Western Union issued the first credit card, consumer lending was still considered somewhat sordid, the stuff of fancy-pants loan sharks and heartless finance companies attaching next year’s alfalfa crop to pay the note on Farmer Lindquist’s new thresher. That Americans would once shun debt now seems hilariously quaint. We buy boxer shorts on credit. Watery Bloody-Mary brunches on credit. Tickets to “Flipper” on credit. And, when things get really out of hand--such as now, when corporate downsizing has pulled the rug out from under thousands of overextended baby boomers--we use lower-interest-rate credit cards to pay down higher-interest-rate credit cards. This is how Pan Am got into trouble, we admonish ourselves. We really ought to cool it. We don’t. Unsecured debt among Americans floated past $500 billion last year. That’s enough to buy a spit-shined B-2 Stealth bomber for each and every member of Congress, the president, Hillary, Chelsea, Socks and all the purchasers of Roger Clinton’s first album. That $360 billion of this humongous burden was amassed with 2 1/8-by-3 3/8-inch plastic rectangles emblazoned with centurions, holographic doves, Mercator projections of the globe and the logos of everyone from the Rolling Stones to the Sierra Club, says a lot about our faith in mastering the possibilities. Department stores, gas companies and airlines issued credit cards in the ’20 and ‘30s, mostly to promote brand loyalty. The game changed in 1949 with the introduction of Diners Club, the first card that could be used at a variety of establishments. Banks, led by California’s Bank of America, joined the fray; by 1955 more than 100 bank credit cards were offered. In 1958, Carte Blanche and American Express entered the market, the same year that banks--it’s hard to imagine them ever doing otherwise--began charging interest on outstanding balances. By 1984, 71% of Americans between 17 and 65 carried at least one credit card. Last year, Americans used credit cards in more than 10 billion transactions worth $600 billion. Besides the staggering debt we accrue on them--and the extortionate interest rates we blithely allow banks to charge us--credit cards have wormed their way into the very heart of our culture. We literally can’t--and probably don’t want to--get along without them, as anyone who has tried to use cash to rent a car, check into a hotel or even send a Federal Express package can attest. They’ve spawned their own lexicon (“maxed-out”), their own trivia (Q: Whose name appears on American Express cards shown in advertisements? Is he a real person?), as well as opening up new and intriguing avenues of fraud. With routine credit-card purchases on the Internet imminent and the arrival of so-called “smart cards,” which can squirrel vast financial and personal data onto a cunning, thumbnail-sized microprocessor, cash is becoming irrelevant, even unseemly--the medium of exchange of last resort, the coin of the disenfranchised, criminal or eccentric. Credit cards, on the other hand, are the perfect expression of the ‘90s Zeitgeist: bland as a bank statement, powerful as a thunderbolt, they instantly empower and defer consequence. In an age when reality is increasingly held at bay, credit cards offer nothing more--and nothing less--than the illusion of money in the bank.
73b11a5f230651d12db335b54cb3aa10
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19824-story.html
Succulents, Serenity and the Deep Blue Sea
Succulents, Serenity and the Deep Blue Sea The 1994 malibu fire erased the big rock home of jeannette and ken chiate but it left something behind: their swimming pool. Brick-edged, oddly angled, hemmed in by patchy lawn and eucalyptus trees, it wasn’t beautiful, but it worked. So when they rebuilt their house, a contemporary stucco and glass affair, they kept the pool, and hired landscape architect Pamela Burton to give it a face lift. Burton and her associate, Mary Sager, began simply, by urging the Chiates to lose the trees that blocked their heart-stopping ocean view. “At first I couldn’t,” recalls Jeannette. “After all, they survived the fire!” Next, the designers decided the brick had to go, too. “It needed softening,” says Sager, “to make it more one with the horizon.” But what really changed the pool’s look was its transformation by Malibu Colony Pool & Spa into an “infinity” pond. Instead of a rigid container, the contractors designed it to appear as an open-ended water spill--which flows into catch pools below and is recirculated. They also eliminated the pool’s deep end so that the Chiates could play water volleyball--even if it meant losing a few over the cliff. To enhance the area’s recreational potential, Burton and Sager designed curved walls, “like enclosing arms,” explains Sager, on either side of the pool. Suddenly, there were places to walk and areas for entertaining that hadn’t existed before. Then came the question of what to plant. That was easy, says Jeannette. “I’m from the desert, I live at the beach. I wanted elements of both.” She showed the designers pictures, they drew up a plan, and they all went to Serra Gardens, a succulent nursery in Malibu. For Jeannette, that was the end of any planting plan. “I went wild. I just picked out things I loved.” Her selections included a tall, branching trichocereus cactus that Burton positioned outside the living room as well as other offbeat succulent cousins--aloes, agaves and yuccas--for garden beds and Mexican pots. In her revised compositions, Burton tamed these tough customers with blue oat grass, silver plecostachys and yellow-blooming kangaroo paws. She also placed feathery old olive trees along the entry drive, where blue-green basalt gravel hints at the cool vista beyond. “There’s a serenity, a calm,” says Jeannette, “that wasn’t here before the fire.” The flames showed the Chiates what they had, she adds. “We’re more connected with the ocean now, which is why people live up here--in spite of everything."The sparkling water of this renovated Malibu pool blends almost seamlessly with the Pacific Ocean in the distance. Around it grow plants with striking profiles: rushlike horsetail, pointy agaves, the flowering scaevola ‘Mauve Clusters’ and the mounding succulent Euphorbia resinifera.
f4147365aa0b540df9d0514eb935edb0
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19829-story.html
That Flattering Flutter
That Flattering Flutter Sometime in the ‘80s, i figured out that seven shades of iri-descent powder and a couple of dollops of waterproof Maybelline made me look more like Boy George than David Bowie. I loved makeup, but I looked better without it. For 10 years, my makeup routine consisted of just lipstick. Then something in me snapped. I found myself over 30, with a small child, a Volkswagen, a flat chest and a blunt cut, living in L.A. I had nightmares in which I was just about to go Birkenstock. The answer to my identity crisis came a few months ago when I was visiting a friend whose 5-year-old daughter received a pair of false eyelashes in her Christmas stocking, a demure pair of black Ardell Sweeties. On the pretext of playing dress-up, I plastered them on, and suddenly there I was: a vixen extraordinaire. My face was brighter, my gaze more voluptuous, my mien both doll-like and dangerous. Moments later, I was peeling down Silver Lake Boulevard, reveling in the feel of the wind in my stolen lashes. The next day, I bleached my hair platinum. I wore my new glamorous look at an extremely glamorous dinner party soon after. There I met Michael Woulfe, who costumed Ava Gardner, and Bob Sidney, who choreographed Rita Hayworth. Together, they sighed at the sight of my lashes. “There aren’t any glamorous movie stars anymore,” Bob said. Michael nodded, expressing pity for my entire generation. “I bet you can’t name one movie star with an ounce of style.” “Sharon Stone,” I said without missing a beat. “Ah, yes,” said Michael, “but she’s the only one.” A couple of months later, I experienced a miracle of miracles, a conversation with Ms. Stone’s makeup artist, Tricia Sawyer, whom I now believe to be the most important person in all of Hollywood. Tricia, trailed by a black cat named Mascara, led me to her garage, where a pirate’s bounty of beauty products is heaped to the ceiling. “When I was a kid, I used to go next door to Wilma Alcorn’s house,” she said, explaining the genesis of her obsession. “She’d sit me on the counter, and I would watch while she ‘put on her face.’ ” Over the next hour, Tricia initiated me into the mysteries of underlashes and overlashes, and how to cut a pair in half and wear them “for the ‘I Dream of Jeannie’ look.” She sent me off to attack my brows and have another go at eyeliner, but I had a bigger mission, a kind of glamour grail: hand-tied silk Wunder Lashes, the Cadillac of facial accessories. I found them at Columbia Stage & Screen Cosmetics in Hollywood, each whisper-light pair nestled inside a heart-shaped plastic case. They looked like something you’d find in the locket of some sad, long-haired poet. Suzette Ashland, a makeup artist whose scary claim to fame is Rodney Dangerfield, gave me a startled, ghostly look from behind the counter when I told her that I would probably cut them in half. “I have something to show you,” she said, opening a copy of People magazine from Aug. 10, 1992. On the cover was a picture of Marilyn Monroe, looking overexposed and frowsy, if no less goddess-like. “It’s a terrible picture,” Suzette agreed, “but you can see exactly how her makeup is done. Marilyn wore the lashes just on the end--like you. And the brown liner, too.” It was true. I got chills and plunked down my $30. The first time I wore my silk lashes I went to see Eartha Kitt perform at the Cinegrill. Though I was in the back of the room, I could make out her lashes as she batted them at a May-December couple and said: “Aren’t you the guy who went out for a pack of cigarettes and never came back? And what’s that piece of green apple pie you’ve got with you now?” Afterward, in Eartha’s suite at the Hollywood Roosevelt Hotel, I got myself even deeper into the mystery. First of all, she disapproves of half-lashes entirely. And $30 lashes? “I don’t believe in paying a lot of money for eyelashes!” she declared, amused at my folly. “Mink eyelashes! Who the hell is going to know that they’re mink?” Before I left, Eartha showed me her stage lashes: 747 Longs. She’s right--cheap lashes really do look great. But my silk lashes will do just fine for now. At night, when I’m dressing for a party, I put on Eartha purring “Mink Shmink,” slip into a pink satin dressing gown and go to work, practicing that special alchemy that women do, the idea being something along the lines of: Va-va-voom! Did you see that girl with the lashes out to there?
7902cc818edfc97c460378d263f8ecdf
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-19830-story.html
A Tall Order
A Tall Order Combine the first names and talents of twentysomething chefs Josiah Citrin and Raphael Lunetta, and what do you get? Their 21/2-month-old California-French bistro, JiRaffe. Best friends for most of their lives, the two teamed up at Jacksons in West Hollywood for two years. Before that, they worked together and independently in France and in the L.A. kitchens of Wolfgang Puck and Joachim Splichal. Now they are back home in Santa Monica, where they grew up, cooking side by side. Citrin and Lunetta had the good luck (or business acumen) to snag a corner space right next door to Abiquiu. The spare, light-filled restaurant features floor-to-ceiling windows on two sides that look out on the street-level cityscape. So many L.A. restaurants focus inward that an actual view--of anything--feels exotic. This one is just that: beach-casual couples walking their dogs, other strollers heading for the Third Street Promenade, ballroom dancers decked out and bound for a nearby dance studio. A first dinner, just days after JiRaffe opened in early April, was so good that I was thrilled. Finally, I thought, a new place I could rave about. But restaurants, as we all know, are changeable. When I went back several times recently, I never had what I would call a bad meal, but I also never had a meal that rang quite as true as that first one. Being able to cook is one thing; running a restaurant is another. And keeping the quality of the food consistent day in and day out may be hardest of all. The truffled artichoke carpaccio that had seemed so surprising and delicious the first night, a swirl of thinly sliced artichoke hearts lightly perfumed with truffle oil, is doused with the powerfully scented oil. The lovely tomato and goat cheese gnocchi strewn with snap peas and a medley of picture-perfect spring vegetables in a pale pink sauce, now comes with a ragtag collection of vegetables, mostly zucchini chunks. Chilled pea soup, poured into a shallow bowl until the seared scallops are submerged, appears thick as porridge, dull in flavor. And the mixed mushroom salad, a fluffy mound of frisee, sauteed wild mushrooms, crunchy homemade croutons and shaved Parmesan, tastes a bit tired, just a little greasy. Still, there are some high notes. The basket of buttery brioche is just as irresistible on later visits (and helps to keep hunger at bay when the food is slow to arrive). The pork chop, one of the best dishes on the menu, is every bit as good as it was the first time, a big, juicy chop caramelized at the edges and served in a sweetly seductive cider sauce. Peppered beef is excellent, too, sliced rare, with the strong bite of cracked peppercorns, accompanied by a stacked potato cake and fabulous sauteed spinach leaves. The duck breast, with its marvelous ribbon of fat and crisped skin, doesn’t have as much flavor; but I do love the fluffy golden couscous dotted with bits of dried fruit. Whitefish encrusted with an ochre-colored Moroccan spice paste sharply scented with cumin, and served with a graceful carrot ginger emulsion scattered with sugar snap peas, is wonderful. Another night, thinly sliced swordfish is garnished with preserved lemon and Parmesan shavings: a terrific appetizer. These are imaginative, truly interesting dishes. I only wish there were more of them on the menu. Bass wrapped in potato “scales” takes a real technician to pull off; the danger is that by the time the potatoes are bronzed, the fish is overcooked. That’s exactly what happens both times I try it. It’s harder to fathom why the perfectly cooked salmon with pureed parsnip falls so flat. With only two or three specials each night, everything on the regular menu should be terrific--but it’s not. I’m convinced that Citrin and Lunetta are talented enough to make their own restaurant work; they just need time to grow into it. But with prices fairly moderate, no one is going to feel too disappointed at the glitches. We know they can cook. They just have to learn to pull it off every night. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) JiRAFFE CUISINE: California-French. AMBIENCE: Sleek corner bistro with loft. BEST DISHES: swordfish with lemon, spiced whitefish, grilled pork chop, peppered beef. WINE PICKS: Marimar Torres Chardonnay, Green Valley, 1993; Marques de Murrieta, Rioja Reserva, 1990. FACTS: 502 Santa Monica Blvd., Santa Monica; (310) 917-6671. Closed Monday, and Saturday and Sunday at lunch. Dinner for two, food only, $50 to $65. Corkage $10. Valet parking on 5th Street.
1e995a1d633b7d079efbe61088a7aca5
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-38865-story.html
A Warrior’s Game
A Warrior’s Game The students have gone home and the fragile April sun has dropped behind a jagged, snowcapped horizon on the Blackfeet Reservation in northern Montana. Jonson and Kyle Running Crane, cousins, wander into the high school gym and climb into the upper deck to get a better look at three men playing catch with a ball the size of a large cantaloupe. Six-year-old Kyle tugs at a piece of green gum. No, he says, he has never seen this game. Seven-year-old Jonson nods his head in agreement. They watch the men run up and down the court, leaping high and hurling the white ball into a goal about twice as large as the one used in hockey. Dan Foster stops play, picks up a ball and clutches it firmly in both hands, their knuckles scarred. “The ball is precious,” he tells the players. “Always take care of the ball.” For Foster this is something of a mantra that reflects not just the game’s strategy but a larger philosophy. Foster, an Oklahoma Cherokee, is director of mental health at Blackfeet Community Hospital in Browning, a town of 1,170 people. He and his wife, Becky Crawford-Foster, also a psychologist, and their three children have lived on the reservation for two years. When addressing his players, he walks up to them or asks that they move in closer. He chooses his words carefully, often pausing between sentences. He doesn’t blow a whistle. He never shouts. If you were choosing sides for a pickup basketball game, you would want Foster on your team. Although he is 46 years old and his ponytail is graying, he still has the spring and build of an athlete. Six feet two and 225 pounds, he has only put on 20 pounds since college. Off the court, he smiles easily; he has a natural gift for putting people at ease. On the court, though, he is grim-faced and tenacious, moving swiftly with powerful strides when open, battling hard in a crowd of swarming bodies. There is a similar dichotomy within this game, team handball. “It’s part roughness, part finesse,” Foster says, explaining why he was drawn to the sport in 1971 while serving in the Army. He was training as a wrestler, attempting to qualify for the Pan American Games, and after practice he would drift over to watch friends play team handball. They invited him to do drills, and he found himself drawn to the contact, the calculated brick-wall picks that can knock the air out of an opponent, as well as the grace, catching the ball on a dead run, leaping straight up and hanging weightless in the air, waiting for the precise moment to cleanly fire off a shot. Popular in Europe (and increasingly in Asia and South America), team handball is played over two 30-minute halves with six players and a goalie on a court somewhat larger than that for basketball. The object is to throw the ball into the goal and prevent the opponent from doing the same. More contact is allowed and required than in basketball. It is water polo without water. Just before leaving the military, Foster was invited to compete with an all-Army team at the national team handball tournament. He caught the attention of the U.S. team and was invited to train for the 1972 Olympics in Munich, but a month before the Games, he brokea bone in his foot and ended up serving as an alternate. For 11 years, Foster played on the U.S. team, competing in such countries as France, Germany and Argentina. In 1994, John EagleDay, a member of the Bannock tribe in Idaho, asked if he would coach team handball for the Native American Sports Council. The sports council had been a dream of EagleDay’s for 15 years. A former college football and rugby player, he worked eight years counseling Native American community college students in Washington state and developed youth leadership programs that incorporated ancient native games. He was searching, he says, for a way to integrate traditional Native American games into the contemporary world of sports. He envisions the council having two functions: to develop Native American athletes for Olympic competition and to train coaches to conduct community sports programs. In doing so, he hopes to revivify the spiritual role sports played in native cultures. By January, 1993, he had put together a board of directors (including Republican Sen. Ben Nighthorse Campbell of Colorado and 1964 Olympic gold medalist Billy Mills, among others) and had raised enough money so that he could approach the U.S. Olympic Committee with a proposal. “What I said, I don’t recall. I believe the spirit was moving,” he says. “I believe it was a time and place . . . to come to an understanding that the sovereign tribes of this continent have been excluded for too long in allowing their communities to have access in an official way to the opportunities that could be provided through the Olympic Committee.” A year later, the committee voted unanimously to welcome the new organization, establishing it as the only voting member representing an ethnic group. Over the last two years, the council has sponsored camps in distance running, archery, wrestling and baseball. It also supports individual athletes in other sports, but it is through team handball--selected partly because council officials saw components of traditional Native American games--that it has found its greatest success. Last year, the council recruited 30 Native American athletes--primarily basketball players--for a weeklong team handball camp. None of the recruits had ever played the game. The best players were called back for four more days of practice before traveling to Atlanta to compete in the nationals, where amateur clubs, collegiate and military teams engage in a fierce three-day tournament. To the shock of handball veterans, the NASC Sports Warriors won the Division II gold medal, defeating Air Force Academy in the title game. Even in such a fledgling sport, this was a miraculous accomplishment. “There was a point in the final minutes of the championship game where I looked at that team, and they were all as one,” says Mike Cavanaugh, executive director of the U.S. Team Handball Federation. “They were moving on defense exactly like you want a team to move. You can work months on trying to develop that and not even come close.” One member of the team, Mike Jones, who was working as a truck driver at the time, was chosen for the U.S. national program, which scouts the tournament for talent. Of the 30 athletes on the national team, 16 are chosen for the Olympics. Cavanaugh, who is on the selection committee, had Jones ranked 12th. A knee injury and disciplinary problems for missing practices, however, resulted in his suspension from the program last December. Jones will return to the Sports Warriors as an assistant coach, but Foster knows that without his dominant play, others will have to step up this year. There will be a handful of returning players from last year, but most will be novices. The athletes in the Browning gym this day have never seen team handball. Foster, who also plays on the team, runs the Browning players through a series of drills. Since there are too few to scrimmage, they must learn the game in bits and pieces. It is the equivalent of learning basketball by shooting free-throw shots. They practice passing the ball against a wall to get a feel for its size and texture. They shoot from each corner. They run up and down the court, passing the ball back and forth. In a matter of days, Foster will take five players from the reservation to the Olympic Training Center in Colorado Springs, where they will practice for a week with other Native American athletes in preparation for the national championships in Oklahoma City. “They will do fine,” he says. “Of course, that’s a prayer.” On the Blackfeet reservation, it is the time of ice melting from rivers. Small pockets of old snow drip slowly into the earth along north-facing shadows. Trumpeter swans float epically, heads held high, on swale ponds. Soon the geese will pass on homeward journeys, and first thunder will roar upon the high plains. April’s warmth comes as a blessing, for winters here are long and harsh. In 1884, hundreds of people died. The last of the buffalo had been killed in the Sweet Grass Hills, and the Blackfeet, made wards of the U.S. government, were allowed to starve. Many were buried on a barren crest that came to be known as Ghost Ridge. Others were left in the brush near Badger Creek, and when spring came, the bodies fell on top of one another and were swept away by water. There’s a tale of how, one day that winter, a bear came through camp. The animals, too, were starving, and the bear was chasing wolves. The people followed it to the top of a nearby hill, where the bear transformed suddenly into a rock, ending the starvation winter. Only about 1,400 of the Montana Blackfeet, known as the Pikuni or Piegan tribe, remained. Some still pray and make offerings to the rock shaped like a bear. Today, unemployment on the reservation approaches 60%. Only 30% of those employed earn more than $7000 a year. The high school dropout rate is 42%. Alcohol continues to entice and numb and create its own Ghost Ridge. (Throughout the country, in areas served by Indian Health Services, the mortality rate caused by alcoholism was 447% higher than for the general population during 1990-92. Accidents were 168% greater, suicide 42% and homicide 34%.) It is impossible to underestimate the emphasis on high school sports on the reservation. On the hardwood stage in Browning, thousands of people gather to cheer for the Running Indians basketball team. Before the school was required to travel great distances to compete, caravans of fans would follow them to games in nearby towns, while others listened to radio coverage. In cross country, no Montana school in modern history has dominated a sport the way Browning has. Between 1971 and 1992, the boys’ team won 17 state titles, including 11 in a row. During that same period, the girls’ team won eight state titles. The boys’ basketball team takes the home court wearing war bonnets. Runners braid eagle feathers into their hair for important races; football players paint their faces. High school sports is a fleeting moment of honor, a chance for courage and cheers, a level playing field when there are few others. No matter how much is wrong with your life, you have this moment in the sun. For many, though, it is followed by darkness. “All the cross country champions, where are they?” asks local educator Darrell Kipp. “Why aren’t they on the Olympic team? Why didn’t they make it to college?” Kipp, who has a master’s degree in education from Harvard, runs the Piegan Institute, which develops schools in which only native languages are spoken. Born on the reservation, he has observed the rise and fall of Native American athletes for years. “If you take people and you beat out of them their language and their sense of being an Indian, and you take everything valuable that they feel as Indians and rip it out of them, then what do you have?” asks Kipp, staring out the window of his office in downtown Browning. “You have a brown body left with nothing in it, and it’s standing over there on the corner sucking on a wine bottle. We become people unable to hope. There’s a reality here and it’s a very blunt one. It’s right across the street.” Across a potholed intersection from Kipp’s office is Ick’s Place, where the regulars huddle in back around a bottle. Among them is Carlin No Runner. His name belies his ability. No Runner, 29, ran on four state high school cross country championship teams, then went on to compete at Haskell Indian Nations University in Lawrence, Kan., before returning home. He still loves to run, loves the feeling of movement, the rhythm of his feet upon the ground. Sometimes he takes off over the knuckles and knolls of prairie between Browning and his home seven miles away. And sometimes he dances at pow-wows, losing himself in the pounding of the drums and his heart, the rhythm of his feet upon the ground. He thinks about his dream, mostly forgotten now, of running in the Olympics. His eyes move slowly as he looks up. “Maybe,” he says, “I can still do it.” In the still-quiet late April dawn of boulder park in Colorado Springs, on land once inhabited by the Utes, Dan Foster stands in a circle with 20 Native American athletes. The previous day, at the airport in Great Falls, Mont., a security guard demanded to search his bag, which contained a pipe and other sacred items that are not to be touched except when offered in prayer. Foster pleaded with the guard not to handle them, to put the bag through the X-ray machine instead. The guard, unlike those at every other airport Foster has traveled through, would not oblige. He dug through the bag and, in doing so, contaminated it. For Foster, who has endured the piercings of the Sun Dance on his chest and back, it was as if the guard had ripped out the pages of a family Bible that had been handed down for hundreds of years. As the players stand together in the park, John EagleDay begins speaking about the Ghost Dance. Prior to the massacre at Wounded Knee in 1890, representatives of many tribes gathered in Nevada to pray for the return of all that had been swept away. One man, Buffalo Short Bull of the Dakota tribe, had a vision that as people gathered in the circle, they should grasp hands by interlocking their fingers. “In this way, you may want to let go, but I’m not going to let you,” EagleDay continues. “It is a symbol of the determination at the dance to never let go of each other. Let’s put our hands together. Interlock your fingers.” The players grasp hands. “This circle is too strong now. It can never be separated. . . . This is going to be our victory, our determination never to let go.” In addition to Foster, the players in the circle include: Shel McLain, 25, of Colbert, Wash. Foster saw him play in a basketball tournament in Browning two years ago and invited him to the camp. While playing professional basketball in Germany this year, he saw a team handball game on television. This gives him more background in the game than some of his fellow players. Francis LaPlant, 18, of Browning. As a junior, LaPlant played basketball at Lodge Grass High School on the Crow reservation, where there is a mighty tradition that has produced legendary players like Elvis Old Bull and Jonathan Takes Enemy. Earlier this year, LaPlant was one of eight Montana players chosen to compete in a national prep tournament in Phoenix, Ariz. He currently lives with his aunt and uncle outside of Browning; his mother is two years into her recovery from alcoholism. His stepfather, a man he idolized, was stabbed to death three years ago. LaPlant’s dream is to play college basketball. Ronnie Ledesma, 21, of San Jose. His mother is Italian, a gynecologist. His father is Native American, a cop. Ledesma was a starting guard last season at the University of Hawaii at Hilo. He has never faced discrimination, he says, because most people don’t know his ethnicity. “I get asked a lot if I’m Filipino.” Mike Marquez, 19, of Fresno. He was supposed to be on last year’s team, but he was shot in a drive-by. When he arrived at the hospital, he showed no vital signs. There must be a reason, he says, why life was taken away, then given back. That wasn’t the case for Cody Berry, a participant in last year’s program, who was murdered last December. Dale Johnson, 27, of San Jose. At 6-2, 245 pounds with a ponytail flowing down his back, he was the heart of last year’s team. He was introduced to the sport by Darin Williams, an assistant coach and starting goalkeeper. Williams met Johnson while refereeing a basketball tournament: he tossed Johnson out of the game for unruly behavior. Williams, who runs the NASC team handball program in Fresno, was impressed by Johnson’s tenacity and asked him to give the game a try. In his life, Johnson has overcome alcohol, the suicide of a brother and a two-year prison term for assault. He plays a key inside position called circle runner. EagleDay ends his story of the Ghost Dance. A player offers a prayer and then Foster, in a crystal voice, sings a Lakota song that says to look for the coming of the spotted eagle, a helper who will protect them. In their first practice, it is difficult to see how this team can come together in a week. Balls slip through hands, passes soar high and wide and end up in the bleachers. Movements are not fluid, and footing is uncertain. Foster, though, remains undaunted about how far the team has to go. The players must learn not only the rules, techniques and strategies of the game, but gain a sense of unity and purpose as well. In the past, EagleDay was concerned that Foster was “a little too Zen.” But Foster is convinced that the most important quality he can convey as a coach is a “love of the game,” and the way to do that is to relate the sport to the players’ lives. “I want you to really concentrate on the ball handling when you’re tired,” he tells the team during a break. “There are going to be moments like at a Sun Dance or some arduous ceremony, where you think you’re not going to make it. You’re going to make it, you’re going to be fine.” Later, at a team meeting, he describes the camp’s larger purpose: ‘Each of us represents the tragedy, the challenges, the opportunities, the difficulties, the joy and sorrow of our communities. By the end of this week, you’re going to know one another as handball athletes, but more than that you’ll know each other as Indians. Winning and losing take care of themselves if we take care of ourselves, if we walk in a balanced way and take care of each other.” Practices are twice daily. By the middle of the week, the team’s improvement is marked. They are beginning to understand Foster’s dictum that “the ball is precious.” Of all the metaphors Foster employs, the image of the ball is central. It must be protected and cared for. For Foster, the ball represents many things: On a poetic level, it speaks to a sense of balance and proportion, but on a practical level the team that controls the ball usually wins. As the week progresses, the passes are more crisp, the shots more accurate. Catches are being made on the run and movement occurs with purpose. The players are learning patience. Ideally, players would have been brought in for several of these camps, and the team would have competed in tournaments before the national championships in Oklahoma City, now days away. The problem, however, is funding. It is difficult to find corporate sponsorship for a group and game few people know about. Although the council is trying to establish a base of tribal, private and USOC funding, so far most of its annual budget of about $100,000 a year has come from the council’s chairman, Gene Keluche, who has poured $300,000 of his own money into the program. This year, the council allocated $20,000 for team handball. Shortly after arriving in Colorado Springs, EagleDay tells the staff there isn’t enough money to take the entire team to Oklahoma City. When Dale Johnson is sidelined by a knee injury, he decides to return home. He says it would be too difficult to watch the team without being able to play, but he also knows it will cost the program $30 a day for him to stay and even more to travel to Oklahoma City. Foster, though, is convinced the squad needs Johnson even if he doesn’t play. He is the squad’s most spirited player. EagleDay, though, concerned that Johnson needs to see a doctor, allows him to leave. The chaos begins at the Oklahoma City Airport. In order to save money, some of the players have been assigned to a Days Inn, while the rest of the team will stay at the Marriott, the tournament headquarters. An assistant coach threatens to leave if the matter isn’t cleared up. EagleDay, who was in charge of the arrangements, has not arrived, and so coaches and players decide to crowd together in rooms at the Marriott rather than be split apart. Arriving at midnight, EagleDay is furious that some players are sleeping on floors. He also is upset to find some of the assistant coaches still awake, seated in the bar drinking soft drinks and watching a big screen television. When EagleDay chastises the staff, another assistant coach threatens to leave. The following morning, it is discovered that tournament officials have not received the players’ registration forms and fees. As the players gather in the hotel lobby to catch a bus to their first game, they have to fill out forms. Some do not have the $25 fee, which EagleDay provides. Only after the team arrives at the state fairgrounds, where the competition is being held, do the players regain focus. They gather outside the building near a locust tree, and EagleDay prepares an altar upon the ground. He kneels, faces east and rolls sage into a ball with the palms of his hands as the players stand around him in a circle. He places the sage in a rock bowl and ignites it with flint, fanning the sparks with an eagle feather given to him many years ago at a Sun Dance. He offers smoke to the four directions, to Mother Earth and Father Sky. Foster sings a song of prayer as EagleDay carries the sage in a clockwise direction to each player so they can lave themselves in smoke. When the smudging is complete, the players move forward and tighten their circle. “We’re serving our people,” EagleDay tells them. “We’re helping our people get healthy. With the strength we put out there today, we show them what’s in our hearts.” The first of the day’s three games is against Knight Magic, made up of crisp-cut former members of the U.S. Military Academy team. This is their eighth year of playing together. Ronnie Ledesma scores the first goal, hurling the ball hard into the left corner of the net. Shel McLain, though, comes limping off the court with a twisted ankle. He will say nothing, but it will remain painful throughout the tournament. NASC mounts a 5-1 advantage before Knight Magic ties it at 6-6, then 7-7, 8-8, 9-9, 10-10, 11-11 and finally 12-12 with 10 minutes left. In the final moments, Knight Magic moves ahead and wins 16-14. As the NASC team gathers after the game, the loss heaves more frustration on top of discord. Foster senses that after all the work to unify them in Colorado, the team has become disjointed. He tries to speak above the whistles and shouts: “Earlier this week, with all the hugs, I talked a little about love, the love between warriors for each other. We have lost the game, and if we lose every game--it’s not that I don’t care, I don’t like to get beat--but I can live with losing...I want us to be brothers, warriors together through thick and thin.” Across the court, Capt. Vic Lindenmeyer of Knight Magic knows that his team was fortunate to win. He sees what the NASC players have lost sight of in defeat. “For them to come to this tournament last year and place with such little time to prepare, that’s unheard of in this sport. It shows great potential. Most people here have dedicated themselves for years to become great players at this sport.” There is more chaos in the second game. Foster is unaware of a scheduling change, which has moved the starting time up. Some players have not arrived when the game against the Colorado Pioneers begins. Colorado has players from Norway, Yugoslavia, Russia, Czechoslovakia and Germany and placed four players on the current national team. But then something happens. In basketball, it is known as “Indian ball,” the fast-paced, improvisational, at times reckless version of run and gun. The Sports Warriors open up a fastbreak offense. They pass long, attack, hang in the air and find their rhythm. The missing players arrive and enter the game without disrupting the flow. NASC defeats Colorado, 20-19. The momentum carries into their next game, a 25-19 victory over the Oklahoma Force. Knight Magic, the Pioneers and the NASC Sports Warriors end the day with 2-1 records. Only two teams from each pool can be slotted into the Division I competition; because NASC won its games by the fewest points, they will play in Division II tournament. Foster has mixed feelings. While it would be a step up for the team to be included in the more competitive Division I, he is uncertain whether it is ready for that level of competition. The next day, they defeat an all-star team of Alabama players and beat a national team of deaf players. The two wins move the Sports Warriors into the gold-medal game against the New York City Handball Club. Some members of the New York team have been together 15 years. All but one immigrated to the United States from Europe, where they learned the game. It will be a test of experience versus youth. The final day, and more chaos. As the team loosens up, Ronnie Ledesma, one of the leading scorers in the tournament, has not shown up. Players say he wasn’t in his room all night. EagleDay is on a cellular phone trying to track down Ledesma. Two other players were out past midnight. Throughout the tournament, some on the squad have complained about their playing time; others think Foster should be on the sidelines coaching more than on the court playing. “We’ve come through a long journey,” Foster tells the team before the game. “There have been tough times, but we are tough people. This is our chance to win gold. . . I want a strong heart, a lot of confidence.” Ledesma comes running into the building just as the game begins. He says he spent the night with a friend. NASC takes a 5-1 lead, but the New Yorkers maintain their poise and make no wasted effort as they move into the lead. The Sports Warriors stay close but cannot catch up. Midway through the second half, New York goalie Konrad Juszkiewicz blocks a one-on-one penalty shot. He lifts his right forefinger into the air, then throws his hand down hard, ending the swing with a clenched fist. NASC becomes frustrated. Their shots have no fire, their feet seem heavy. Last year, with each score against them, they grew stronger, more determined. Players on the sidelines stood rather than sat, shouting encouragement not criticism. This year is different. New York wins 21-14. NASC gets the silver. Their frustration culminates in disappointment. Foster, who is exhausted, feels he has let the team down as both player and coach. There can be glory in defeat, bravery in standing unified, he says, but this has not been the case. Foster accepts the blame: “I will no longer be the head coach of this national team,” he tells them. “I’ll support you any way I can, but I won’t be playing with you fellows again. I’ve seen mature men pouting. I’ve seen mature men chewing on each other. For me, this is hard. This is sad. If someone didn’t get a medal, you can have mine.” EagleDay moves the team outside, to the locust tree. Once again, he prepares the altar, and the players gather in a circle. “Don’t let go of how much we care for each other,” he says. “In this relationship that we have now, as we’ve gathered in a circle, locked together to each other, this circle is a symbol of our journey. I didn’t finish the story the other day, the story that says, ‘Never let go of each other. Don’t let go of yourselves. Don’t let go of your dreams.’ ” It is the story of the Ghost Dance. “This man, when he returned home from the dance, he told his people, ‘Brothers and sisters, we have to hold on. We have to lock up.’ And when they went to Wounded Knee and saw the adversity ahead of them, he said, ‘This is something we can endure only if we’re together.’ And when the soldiers massacred the people, they put them in a huge common grave. Some of the people they couldn’t separate, they couldn’t get their hands apart. This circle is strong, this circle is committed. . . I’m going to take the smoke around the circle--no beginning, no end. It just goes.” * In northern Montana, the snow still falls, and trumpeter swans will soon continue their journeys north. Francis LaPlant, who scored his only goal of the tournament in the final game, returns home and graduates from high school, still hoping to go to college in the fall. Foster returns to his work as director of mental health. Awaiting him is a letter from Indian Health Services saying he is spending too much time away from the job and must curtail his outside activities. Darin Williams, the assistant coach and goalie, flies home to Fresno but soon will be traveling to Atlanta, where he will be on the support staff of the U.S. team handball squad as it competes in the Olympics. EagleDay flies to Greece, representing the USOC at an international sports conference, allowing him to extend the reach of the Native American Sports Council. There was bitter disappointment in Oklahoma, he says, but the design is never perfect and must constantly change. For one player, the journey has not yet ended. About 300 miles northeast of Oklahoma City, in a cemetery at the edge of a small Missouri town, dogwoods are in bloom. A cardinal flickers in and about the pines and oaks, paying no attention to Shel McLain as he searches for his father’s grave. He was 9 years old the last time he was here in El Dorado Springs, wedged between dark-suited aunts and uncles as his father was laid to rest on a summer day. McLain wasn’t certain what would happen to him and his two brothers. He hadn’t seen his mother, a full-blooded Cree, since the age of 3, when his father came for the children and whisked them out of Canada, away from her drinking. “I’m not sure how legally he took us,” McLain, says. “I think he was wanted for kidnapping. It was never a healthy relationship. She was an alcoholic, and he was abusive.” They had traveled from town to town, mostly in Montana, leaving no forwarding address. He remembers long trips in his father’s cream-colored Ford station wagon when he would awaken in the night and lean forward from the back seat, place his head close to his father’s and gaze emptily at the center stripes flickering through the headlight beams. Sometimes he would say nothing before easing back to sleep, feeling safe wrapped within the sedative hum and thump of the highway passing beneath him. Despite his father’s faults, McLain remembers him as a kind man, a history teacher. He was 59 years old when he died. He was a World War II vet, and he wore a cowboy hat and snakeskin boots. His eyes were clear and bright. His hands were gentle. He listened to the Sons of the Pioneers. McLain stops suddenly when he sees his father’s marker just off a dirt path that scribbles its way through the cemetery. He stands at the foot of the grave, his lean 6-foot-4 frame stretched tall, head held high, black hair combed straight back, a beads-and-bone choker around his neck, hands clasped in front of him. He takes three quick, sharp breaths for strength or, perhaps, containment, then steps slowly to the marker, which frames a photograph of his father. McLain kneels and gently wipes the stains of raindrops from the square jaw of a still-young face. It is getting dark. McLain says nothing. McLain never found a groove during the tournament, partly because of the ankle he injured in the first game. Perhaps next time will be different. Shortly before leaving for Colorado Springs, he had driven his girlfriend to a waterfall in Washington, where he laid three dozen red, white and yellow roses upon white satin and sang a song he had written, partly in Cree, as a proposal of marriage. He and his fiancee are looking at graduate schools in Atlanta, where the U.S. team handball program is based and will train for the 2000 Olympics. The game made an impression on him, and, if given the opportunity, he says, he may give it a shot. The game has given him a new dream. The circle never ends. The journey that took him from this cemetery 16 years ago now delivers him to fading twilight and dogwoods in bloom, to ties of blood that run through generations, to this good-and-bad man buried beneath greening grass. To memories of long-ago places that appeared in headlights. He spends some time with his father. He tells him about this woman he loves, this dream he has found. He softly hums a song, “Amazing Grace,” and then he says goodbye.
dbaa9583dd31ea34882f2ad110136707
https://www.latimes.com/archives/la-xpm-1996-06-30-tm-38866-story.html
Don’t Leave Rome Without It: Credit Cards Through the Ages
Don’t Leave Rome Without It: Credit Cards Through the Ages 1750 BC......................................... * The Babylonian Code of Hammurabi sets forth ethics for extending credit. AD 27 * Jesus drives the money changers out of the temple. 1914............................................ * American retailers issue credit cards to wealthy customers. Gas companies follow with “courtesy cards.” 1928............................................ * Department stores issue embossed-metal charge plates. 1949............................................ * Alfred Bloomingdale, Frank X. McNamara and Ralph Snyder form Diners Club at Major’s Cabin Grill restaurant in New York. Their concept--a single card honored by many establishments that are charged 7% of each transaction--becomes the blueprint for the industry. 1958............................................ * Carte Blanche, American Express cards launched. * Elvis gets an American Express card. 1959............................................ * Clerk Joseph Miraglia, 19, goes on a $10,000 spending binge with a Carte Blanche card. “For a month . . . I was somebody,” he says when arrested. 1962. ..................................... * American Express card turns its first profit. 1966........................................... * A group of Chicago banks mass mails 5 million unsolicited credit cards--recipients include teenagers, infants, several dogs and the deceased. The combined loss from theft, fraud and unpaid balances is estimated at $25 million. * American Express introduces the gold card. 1967............................................ * Famous “one word” of advice given to Dustin Hoffman in “The Graduate” is misconstrued by baby boomers as “plastic,’ setting off a three-decades-long credit-card spree. * Sen. William Proxmire warns Congress: “Unless we bring unsolicited credit cards under control, we are likely to produce a nation of credit drunks.” 1973............................................ * Marquette Bank in Minneapolis becomes first bank to charge an annual fee for credit cards. 1976............................................ * BankAmericard, card-issuing association created by the Bank of America in 1958, changes its name to Visa. 1980............................................ * Mastercharge renamed MasterCard. 1982............................................ * France develops microprocessor-equipped “smart cards,” which can store passwords, credit limits--even medical histories. They finally catch on in mid-'90s. 1984............................................ * American Express introduces the platinum card. 1985............................................. * After years of losses, credit cards generate huge profits as cost of money drops for banks while cardholders are charged 18% interest. By the early ‘90s, Citibank’s credit card subsidiary is earning nearly $1 billion a year. 1987............................................. * Director Robert Townsend finances “Hollywood Shuffle” with $100,000 in cash advances on 15 credit cards. 1989............................................ * Rumors surface of an American Express “black” card, supposedly carried by Imelda Marcos and Adnan Khashoggi, with no spending limit and fantastic perks. Amex vigorously denies the card’s existence. * The number of Visa, MasterCard, Discover and American Express cards in circulation exceeds the U.S. population. 1992............................................ * Barbara Smiley of Los Angeles complains about a $15 late fee on her Citibank Visa bill. She becomes lead plaintiff in a class-action suit challenging fees charged by banks that locate their credit-card operations in usury-friendly states like South Dakota and Delaware. 1993............................................. * Eunice Gail Shores, who lived on $840 a month, dies at age 69 in Denver, $89,000 in debt on 37 credit cards. 1994............................................ * The Rolling Stones sponsor a Visa card. 1995............................................. * After reportedly rebuffing a similar request for a cross-dressing character in “The Adventures of Priscilla, Queen of the Desert,” American Express provides 254 gold cards to Lizzy Gardiner, the film’s Oscar-nominated costume designer, which she transforms into a floor-length gown. * Irvine police arrest William Everly, 31, on suspicion of fraudulently securing more than 30 credit cards by Dumpster-surfing for discarded applications. * Elvis’ first American Express card fetches $63,000 at auction in Las Vegas. 1996............................................ * The Supreme Court upholds a California high court ruling in the Smiley class-action suit, allowing credit card companies to charge late fees of $20 or more even when state laws stipulate lower fees. Plus ca change . . .
41685234481c3c69a8ad139785fb2c98
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19888-story.html
Different Paths Through the Swiss Alps
Different Paths Through the Swiss Alps I had come to the Engadine Valley at the suggestion of Peter Walker of Ryder-Walker Alpine Adventures in Colorado. Peter has hiked, skied and climbed every corner of the Alps for two decades and spends his summers leading hikers up valleys, over passes and into delightful hidden corners of the mountains of Switzerland. But of all the stunning mountain territory he has traversed, Peter says he considers the Engadine the finest region in Switzerland for hiking, wandering and savoring grand mountain scenery and villages that seem frozen in time. In contrast to the deeply cleft valleys typical of the Alps, the Upper Engadine is a broad, U-shaped trench abutting the eastern border of the country. The valley is open and airy and laced by a succession of sparkling lakes. The mountain walls on either side are carved by glaciers into lateral valleys that offer hundreds of challenging hiking routes. This would be my fourth trip to Switzerland since 1990, including a weeklong trek led by Walker and his wife, Karen. This time I was traveling solo and looking for new territory, a different experience that still featured the awesome drama of the mountains and the serenity of high Alpine meadows. Peter’s passion for the Engadine persuaded me to come here. The Upper Engadine begins at Maloja Pass near the Italian border and runs northeast along the En River for about 50 miles. At a natural geographical break where the Val Bernina slices in from the jagged Bernina Alps to the east, the towns of St. Moritz, Pontresina and Samedan form a triangle of about five miles per side, creating an especially sublime setting of open meadows, forested slopes and snowcapped peaks. Everyone knows about St. Moritz, the winter and summer playground of the rich and royal. In its way, St. Moritz’ posh reputation may discourage visits to the Engadine by people who shrink at the idea of a $300- or $400-a-night hotel room. But St. Moritz is the exception in a vast, isolated region that can only be reached by one of five mountain passes. Away from St. Moritz, prices are more typical of the rest of this part of Switzerland. In fact, I was determined to make this an “economy” vacation in a country where the high cost of travel had been exacerbated by the declining value of the dollar versus the Swiss franc in recent years. I had it all worked out. I would make my base at Pontresina, the hiking center of the Engadine, smaller and more relaxed than St. Moritz. I would make two- or three-day excursions into the mountains, hiking up alongside roaring waterfalls into the high peaks, backlighted by a dazzling sun set in an azure Alpine sky. At day’s end, I would reach a rustic hut or mountain hotel perched on a lofty ledge, eye to eye with the high peaks, have a hearty supper with fellow hikers, share the day’s experience over a glass of wine and sleep soundly beneath the rough wool blankets of the dormitory-style room. After breakfast of sliced meat, cheese and bread, I would set out again, perhaps cross a glacier, see a steinbock with its long tapered horns, rest on a grassy, wild-flowered slope and greet other walkers with the traditional, Gruss Gott! (roughly, “Go With God”) Mountain-hut lodging may be rustic at times, as basic as a thin mattress on bare boards, a wool blanket and a pillow. Bathing and sleeping accommodations can be a little too communal for some travelers. But a night’s stay in a hut operated by the Swiss Alpine Club, which anyone can join, can run as little as $25. Most huts serve breakfast and supper at reasonable rates. The private “berghotels” can be more pricey, but still are only a fraction of the valley resort hotels. Of nearly 40 mountain huts and hotels in the Pontresina area, a dozen are SAC huts. The rest are privately run hotels and restaurants. Many of the hotels have both private rooms, some with bath, and dormitory-style lodging similar to hostels. That was the plan. Here was reality: On the next-to-last day of my visit last fall, I sat at a table by the panoramic window of the Diavolezza mountain restaurant and gazed out toward what I knew to be one of the grandest scenes in all the Alps. And all I could see was an opaque wall of cloud on the other side of the window pane. Pure white-out cloaked the Bernina Alps, from the summit of 13,285-foot Piz Bernina down to the bottom of its glacial skirts outside the window. The mist swirled just enough to offer an occasional teasing glimpse of the lower ridges of the Bernina and its 12,812-foot neighbor, Piz Palu. Then the snowy curtain would slip shut again. The waiter brought my lunch--a pork chop, French fries and zucchini--as I looked around at the empty pine tables. In a restaurant that could easily seat several hundred, I was the only customer. Just a few nights back, this restaurant anchored to a ridge at 9,754 feet above sea level was jumping, the scene of the graduation ceremony for 40 new Swiss mountain guides, families and friends. That had been a perfect Alpine evening, capping one of the few truly sunny days during my 10-day visit. The setting sun sprayed the peaks and glaciers with a golden glow, the sort of scene that inspires poetry and film purchases in bulk. I spent the night in one of the hotel rooms added recently to the Diavolezza. It had the inevitable blond pine wood, dazzling white tiles and a puffy white duvet on the bed. It was impeccably Swiss, with the brisk scent of fresh laundry drying in the sun. The room, with bath and breakfast, cost about $36 in September. For even less, I could have slept on one of the bunks of the Diavolezza’s dormitory. Yet here I was, no more than a dozen miles from St. Moritz, one of the priciest resorts in the world. * But that sparkling evening and morning was the exception on this trip. The rule was drizzle or rain in the valley and snow at higher elevations, which one morning was just a few feet above the roof of my Pontresina hotel. Alas, the weather mostly foiled my quest for a true economy vacation. With all that snow in the mountains--10 feet of it on the high peaks during my stay--nearly all the huts that I had planned to stay at were inaccessible and closed. I was forced to spend most nights in a Pontresina hotel and find alternate activities on the rainiest days. With better backup planning, I still could have economized considerably. Even in the towns, there is housing available that is clean, private and comfortable that does not cost an arm and a leg. These accommodations are often overlooked because they do not make it into the tourist guidebooks or the listings of the Swiss Hotel Assn. One of these in Pontresina was the bright, clean Hotel Garni Alvetern (garni means the hotel does not have its own restaurant). Although I didn’t stay here, I wish I had from the looks of it. The Alvetern offered a double room without bath for less than $50, or rooms with private baths--some with balcony--for $60 to $75. The price included a buffet breakfast. Also, apartments are available in most of the larger towns with a range of rates comparable to those in a U.S. mountain resort. The best way to learn about the types of lodging available is to contact the tourist office in each town by telephone, letter or fax. Addresses and phone numbers are listed in most Swiss guidebooks and are available from Switzerland Tourism. As for dining, most restaurants in small Swiss towns are in the hotels. But many hotels have, in addition to a formal dining room, a separate area known as a Stubli that is akin to our bar and coffee shop. This is where the locals will often go when they eat out. Evening meals in a Stubli can run $15 to $20, including wine and tip, about a third less than in the main restaurant. Once you work through all the semi-familiar schnitzels and wursts and aren’t sure what to order, try an omelet. They invariably are excellent and modestly priced. Also, it’s hard to go wrong with a hearty soup and lots of bread. I had a delicious mushroom and cheese omelet with a glass of wine and coffee for lunch in St. Moritz one rainy day for less than $10, including tip. Another day, a steaming bowl of minestrone, bread and wine in a hotel in Maloja cost about $6. * Despite the bad weather, my expectations of the Engadine were more than fulfilled. The hiking ranges from gentle, level valley walks to Ben Gay specials amid the high peaks and passes. The Engadine is unique because of its Romansch culture and language that survives from the ancient civilization of Rhaetia, dating from pre-Roman times. I learned that about a third of the residents of the canton (a canton is similar to a U.S. state) of Graubunden speak Romansch, Switzerland’s fourth official language after German, French and Italian. Most of those who still speak Romansch live in the Engadine, part of Graubunden. In area, Graubunden is Switzerland’s largest canton, but also the least populous. The presence of another language is not a handicap. The most exposure visitors will have to Romansch is on local maps and signposts. Lakes are Lej rather than the German See, although they quickly become Lago as the traveler nears Italy. Rivers are Ova, peaks Piz, and bridges Punt. I was in the Engadine a full week before I heard anyone speaking American English, a testimony to the fact that annually barely 1% of the visitors to Pontresina are from the United States. These Americans were a couple in the seat in front of me on the bus to Maloja. Their Midwest twang caught my ear. Few Engadiners speak English except in the busiest tourist centers, and I was suffering language deprivation. Eager to connect with a fellow American, I leaned forward to make small talk, asking: How long have you been in Switzerland? Fifteen minutes later, as she headed out the bus door at their stop, the Energizer woman from Des Moines was still reciting an inexhaustible litany of anecdotes of their six weeks in Switzerland. The bus door closed. I settled back in my seat and relaxed, content to listen to the other passengers chatting cheerily in lyrical Swiss-German punctuated by the repeated “Oh-yah, yah-yah.” It was the sound of music. So what do you do when you go to Switzerland to hike and it rains? Well, you hike anyway. The Swiss and the Germans do, with Gore-Tex jackets, hats or umbrellas--and determination. The footing on the trails, in most cases, remains firm. There usually is a mountain restaurant somewhere along the way for drying out and refreshment. Or go shopping--even on a modest budget, even in St. Moritz. There is a great book and gift store called Wega in Schulhausplatz, the center of St. Moritz. One day I took the bus over the Maloja Pass, at the head of the Upper Engadine, and down the other side toward Italy into the Val Bregaglia . Here you can see high granite peaks such as Piz Badile and walk in the largest chestnut tree forest in Europe. Near the Italian border, there is a fine hike up to the storybook medieval village of Soglio, with an Italianate bell tower and a castle that is now a hotel. There are cable cars up to Piz Nair and Corvatsch and a cog railway up to Muottas Muragl above Pontresina, for lunch and hikes and panoramic scenery that flows from Switzerland into Italy and Austria. On my final day in the Engadine, I took one of the mandatory local tourist hikes near the base of the mountain where the Diavolezza is perched. It was a 45-minute walk up to the terminus of the Morteratsch Glacier. The weather was overcast, cold and drizzly. The walking was easy and not crowded. At the end of the trail was the snout of the glacier, grimy in rock dust and pock-marked with stones. Hikers, ignoring warning signs about falling icebergs, poked the melting ice with umbrellas. Afterward, I took the tram up into the mist to the Diavolezza. As I finished lunch, snow began to fall. I went down the tram as the only paying passenger and boarded the train for Pontresina. This seemed a desultory way to end the trip, spending the afternoon alone in the clouds at Diavolezza and thinking about peaks I couldn’t see and trails I couldn’t hike. Now, though, I look back on that afternoon as special. There is something awesome and serene about solitude in the high mountains, even in a modern restaurant in what amounts to a fortress built on the Alpine bedrock. I remember thinking that the snowflakes that were falling then would become part of the Morteratsch Glacier. Someday, maybe someone would poke them with their umbrella down at the mouth of the glacier. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) GUIDEBOOK Entering the Engadine Getting there: Swissair flies nonstop five days a week from LAX to Zurich, the best jumping off point for the Engadine Valley area. (Monday and Saturday flights stop in Geneva. Advance purchase round-trip fares begin at $1,166. American flies direct with one stop, and United and Delta have connecting service, as do numerous European carriers. Various package deals called “Swiss Vacation Planners” can help cut the high price of flying there; call (800) 688-7947 for more information. By train from the Zurich airport to St. Moritz/Pontresina is four hours, with a change of trains in Chur. I used a Swiss Pass during my visit, which is good for all train, bus and lake steamer transportation throughout the country. As an example of price, an eight-day pass this summer costs $220 per person for second class, or $316 each for first class. When two travel together, the companion pays half-price until Oct. 31. Where to stay: The Swiss Hotel Assn. guide contains accommodation and rate information for most major hotels throughout the country, available from Switzerland Tourism (see below). The clean hotel/restaurant I stayed at that sits on a promentory in the Bernina Alps, the Diavolezza (tel. 011-41-81-842-6205, fax 011-41-81-842-6158), cost $36 for a private room last September. In Pontresina, The Hotel Garni Alvetern (tel. 011-41-81-842-6467, fax 011-41-81-842-7516), which looked promising, listed its room rates as $50-$75, including breakfast, last fall. Swiss Tourism also has information on joining the Swiss Alpine Club. For details on apartment or condo rentals, pensions and mountain huts and smaller hotels, contact local tourist offices in individual towns. Where to hike: The Pontresina tourist office has maps and information on hikes in the area, as well as all other recreational activities. More ambitious high mountain treks can be arranged through local mountain guides (contact Bergsteigerschule Pontresina, tel. 011-41-81-842-6444. Tour operators specializing in hiking trips in the region include: Ryder-Walker Alpine Adventures, tel. (970) 728-6481; Mountain Travel-Sobek, tel. (800) 227-2384 and Swiss Hike, tel. (360) 754-0978. The best hiking guide is “Walks in the Engadine” by Kev Reynolds, available from Chessler Books, $19.95; tel. (800) 654-8502. “Footloose in the Swiss Alps” by William Reifsnyder (Sierra Club, $19.95), is an excellent source on the use of mountain huts and hotels. For more information: Switzerland Tourism, 222 N. Sepulveda Blvd., Suite 1570, El Segundo 90245, tel. (310) 640-8900, fax (310) 335-5982. Pontresina Tourist Office, Ch-7504 Pontresina, tel. 011-41-81-842-6488, fax 011-41-81-842-7996.
f5ac66ba35a4bc3b8cbc9d32382e24ed
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19889-story.html
Different Paths Through the Swiss Alps
Different Paths Through the Swiss Alps We took a dark-green train from Zurich to Chur, a bright-red train from Chur to Samedan and, finally, squeezed into a skinny, cherry rail car with wood slat seats and windows open to the warm smell of hay. The little engine whirred up to the Swiss mountain village of Pontresina and dumped us off--me, my husband, Tao, my mom and dad--hiking boots slung over our shoulders. It was summer. We had come to walk the Alpine paths while the wildflowers were in bloom. We had come to celebrate wedding anniversaries (45 years for my parents, five years for Tao and me), 30th birthdays and the end of Tao’s long nights on call as a pediatric resident. “Celebrate everything!” my parents have taken to saying as they approach their 70s. Good health! Good minds! Good teeth! All these things, still good, still here, but who knows for how long? So, Tao and I figured, why wait? We splurged. We had come to be with my parents. We had come to eat chocolate. The secret about eating chocolate in Switzerland is that you burn it off hiking. The secret about hiking in the Alps is the trains. Cog trains, chairlifts, gondolas and even horse-drawn carriages will take you to the top of many peaks. In most cases, you can also ride back down. On our first morning in Switzerland, we clambered into a funicular, a sort of vertical train, that rose gently through a fir forest before ascending steeply above the tree line into fields of gray scrabble, mossy rocks, melting snow. Mountain flowers lined stream beds and spilled out of rock crevices: Queen Anne’s lace, lavender bells, pink alpenrose, tiny blue forget-me-nots each with a dot of yellow sun, wild purple pansies no bigger than a two-franc coin. At the top, we could see the length of the Upper Engadine glacial valley: sparkling St. Moritz lake, para-sailors floating like human kites, a toy village far below. At 8,000 feet, the sun feels hot, the air cool. There are hardly any bugs. Perfect walking weather. Before we could take a step, my dad began scrounging around in his fanny pack for the chocolate. I love chocolate, especially Swiss chocolate, because it lingers smooth and elegant on the tongue. I broke off a piece. The brown and silver wrapper looked suspiciously familiar. A Hershey Bar with almonds. In Switzerland. Not only that, Dad had 23 more bars stowed in his off-brand, roll-aboard suitcase back at the hotel. He had gotten them cheap from a Chinatown sidewalk vendor while visiting my aunties in New York. I had forgotten my dad’s penchant for bulk bargains, and it made me realize how rarely I see him these days. A whole box for $5! Cheaper than one bar of Swiss Lindt chocolate! He exaggerated. He beamed. We walked. Carved wooden signs told how long it would take: Alp Languard, two hours; Pontresina, five hours; Val Roseg, all day. We crossed chalky glacial streams on boulders and plank bridges, the trails leisurely traversing the mountain, in no hurry to get anywhere. This is the big difference between the Swiss Alps and the Pacific Northwest, where we live. In the Olympic and Cascade mountain ranges, most of the switchbacks zigzag fast and steep, rushing somewhere beautiful. Hiking in the Northwest, Tao and I inevitably have a destination. Usually the destination is the summit. In Switzerland, the paths amble, gaining altitude gradually. The summit is not the goal. After all, you can ride to the top. So the goal becomes the walk itself. What you see along the way. Who you are with. We were with my parents. And to my parents’ joy, we shared the paths mostly with older people, folks with white hair and curved spines, their faces speckled by the sun and lighted by beautiful smiles. “Bonjour, Guten Tag,” they greeted us. My parents smiled back, commenting on how cute and vigorous the old folks are here in Switzerland. They have lately taken to pointing out cute old folks, perhaps because they delight in the obvious contrast. My parents’ hair is still thick and black, their eyes bright, spines straight. They look a decade or two younger than 70 years and often less haggard than their own kids. But you can never tell if it’s going to be a good day for my dad’s knees. When his knees are bad, he feels his age dragging him down. My mom, at those times, seems to sag a little too. Switzerland, fortunately, is the perfect place to walk if your knees are not so good. In the Alps, every day was a good day. My parents walked for hours. They wore us out. * So the days went. We took the train to different hiking towns, often rode up, almost always walked down, ate hungrily at night, slept deeply under poofy white comforters. Zermatt. Saas-Fee. Murren. Meiringen. Interlaken. Visp. One of my favorite walks was down from Pontresina’s Val Roseg, a snowy glacier mounded like coconut ice cream on a blue plate. For four hours, strolling alongside a gurgling brook and under dappled larches, my mother talked about her old friends in Hawaii, her home 50 years ago. There was Betty, who married a rich guy who was a milquetoast, then ran off two weeks later with an Air Force pilot, dashing if you like the pomade type--and wouldn’t you know it, the milquetoast guy turned out to make a fortune in prefabricated concrete slabs--wartime, you know, they used those slabs for the air-landing slips. So Betty lost out, you see, but only because she was the type to marry for money. My mother stops to take a breath, inhales the cool glacial air. She seems so content, tromping along in her chunky suede hiking boots with the wide red laces, babbling about whatever comes to mind. I wonder why this story surfaces now, here, in Switzerland, and I am reminded that Switzerland was neutral territory during World War II. Ah, the War. Prefab concrete slabs. It is amazing, really, that we can amble happily like this for four straight hours, for two whole weeks. Since we moved to Seattle from the East Coast five years ago, we see my parents only once or twice a year. At their kitchen table in Connecticut, I nag: Watch your cholesterol! Soy sauce is pure sodium! Call the doctor about that cough! Out to dinner in Seattle, they hint--no, they demand--grandchildren. All of this has to do with the passage of time. I do not want them to pass with time. They do not want more time to pass without grandchildren. On vacation, time stops; Switzerland is neutral territory. So we step around the nagging issues and walk on. Mom talks about old times; Dad draws little pictures with magic markers; Tao recovers from residency; I eat chocolate. Mostly we all talk about food. Food is an important part of any travel, of course, but for my family, food is also memory. This is something like Proust’s madeleine, only the smells are more pungent. Fermented black beans and steaming long grain rice, spicy paella at Thanksgiving, my grand mother’s pickled watermelon rind--still good, still crunchy and still in my parents’ refrigerator five years after her death. Growing up, our meals were never bland, even when money was tight. “You can’t take it with you when you die,” my Chinese-restaurant owning grandfather used to say, “So you might as well put it in your stomach.” Food has always been my parents’ one luxury. Now, walking through Switzerland, we talk about the meals we have just eaten, collectively re-creating the tastes even while the food is still digesting. Sometimes gourmet splurges, like halibut in tomato butter with a view of Alp Hitta. Other times, heavenly street food, like charcoal-grilled bratwurst that melts on the tongue like a hot cloud. * A few days before we’re scheduled to return to the real world, Mom insists on a side trip to Lauterbrunnen to see some waterfalls. The falls are actually the convergence of three glaciers, mega-meltdown. That she wants to visit them strikes me as odd as this is not a trip for seeing the biggest, fastest, highest. But we go anyway. Trummelbach Falls are, indeed, spectacular. They corkscrew 4,620 feet down a mountain, gathering force and rock, plowing through pitted caverns. The spray makes the stone stairs slick, so as we walk, Mom clutches my arm and shouts to be heard. She is saying something about how happy she is we were all able to come on this trip together. Yes, I nod, of course, me too. I wonder if these waterfalls, the convergence of three glaciers, have some kind of special significance to my mother. A good friend once told me after her mother died that she felt some peace because even though her mother was no longer with her, in every circumstance, she knew what her mother’s reaction would have been. I will never have that kind of peace. Even when my mother is clutching my arm, shouting at me, I cannot fathom her. I know these waterfalls have nothing to do with Betty and the prefab concrete slabs, but I can’t figure out what they do mean. Perhaps Mom is seeing them as a fountain of youth? Or maybe a fertility pool? Something she read about in an old New Yorker? Or heard from one of my aunties? She shouts again, says she is glad we are hiking now, because in 10 years or so, when she and Dad hit 80, they won’t be able to do this anymore, walk the Alps like this. Probably this is the last time they will come to Switzerland, she says, “The body deteriorates as you age, you know. . . .” This is true, I know, but of course, I say, “Don’t be silly, we’ll be back, look at all these old people with their high-tech telescoping walking sticks--why, they must be in their 90s! Of course we’ll come back.” As I speak, I know in my heart that maybe we will not. Every hike comes to an end. People die. Trummelbach Falls, though, they’ll always be around. My mom knows this, and it is why, I guess, she brought us here. My mom knows that someday, perhaps way in the future, I will stumble across Trummelbach Falls while flipping through magazines at a supermarket checkout or listening to NPR in the car, and I will be reminded of this afternoon, the power of water, the relentless rush of time, how happy she was that we were all here, for a moment, together. Quickly, before Trummelbach Falls start flooding out of my eyes, I concentrate on dinner menus. Remember in Saas Fee, those green raviolis stuffed with Gorgonzola? And then, the veal! The veal in . . . wait . . . how did they prepare the veal? Was it in a cream sauce? A brown sauce? Consomme? Already I cannot remember. I feel panicked. I am afraid I will forget this trip, what it is like to be my parents’ daughter, to walk with them day by day, to argue over which train to take, to break bread and Emmentaler cheese alongside the trail. The veal of just three days ago has already slipped away. We had dessert after that. Fresh figs, candied orange rind, thin slices of fudge with walnuts. We had coffee. We had two weeks together. The memory lingers, like chocolate, sweet and dark and achingly complex. * For specific information on traveling to Pontresina and the Engadine Valley, see the Guidebook to this section’s companion story on the Engadine on L15.
a2b6567e68308a6e828fdbe5361c4379
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19890-story.html
Warning: Renovations May Cause Severe Drowsiness
Warning: Renovations May Cause Severe Drowsiness Say you’re planning a trip and trying to decide among three hotels. Judging from the guidebook entries and advertising you’ve seen, they’re just about equal. But one is bragging about something extra: It’s been renovated just this year. So now you have a winner, right? Maybe. Renovation is one of those travel-industry words with dangerously elastic definitions. Depending on who’s using it, the term can mean anything from an elaborate construction-and-design project to a cursory change of bedspreads, towels and drapes, or perhaps just a bellman leaning an ironing board in the closet and plugging in a coffee pot on a shelf. Even if a hotel has undertaken a truly major renovation project, there’s still potential peril for the unsuspecting guest. An ambitious renovation takes months, often involving disruptive noises and roped-off facilities. But hotels, ever mindful of revenue, are often reluctant to stop renting nearby rooms. Some hotels are careful to warn guests of renovations in progress; some aren’t. And among those who make the disclosure, few reduce rates. Result: Every day, many weary travelers wake to the sound of hammers and saws, or discover that a hotel restaurant is closed. Something like that happened not too long ago, in fact, to frequent traveler Josette Constantino of Heathrow, Fla. “When you got off the elevator, if you turned left, they were doing renovations. If you turned right, there was my room,” she recalls. “All I heard was pounding until about 10 o’clock at night. I finally had to call the front desk and say, ‘Enough!’ ” If you’re a hotelier, you don’t want to hear Constantino saying “Enough!” Constantino is the inspections manager for the American Automobile Assn., headquartered in Heathrow. She oversees annual evaluations of 22,000 hotels in 49 states, the Caribbean, Mexico and Canada. She and other hotel trade insiders suggest that travelers ask a series of questions when they hear the word renovation: Was this strictly a soft-goods upgrade of drapes and beddings and such, or have hard goods, such as furniture, also been replaced? Did the renovation include all guest rooms and public areas? Are all phases of the renovation complete? If not, what hotel services are curtailed? Now is a good time for those questions. During the recession of the early 1990s, hundreds of North American hotels saved money by slowing their maintenance cycles. Now hotels are reaping record profits; a recent survey by lodging analysis firm PKF Consulting found an “astonishing” 20.5% increase in hotel profits nationwide in 1995. Experts say they see a big surge of reinvestment in renovations large and small. “Most of what they call ‘renovation’ in an economy property is really just an update of soft goods--new carpets, new bedspreads and draperies,” Constantino warns. To keep guest rooms presentable, industry authorities say, most busy properties need to replace those items at least every three to five years, more frequently for high-end establishments. (Lobbies and other public areas need updating more often.) Some soft-goods upgrades are merely new orders of the same fabrics and patterns; other involve redesign work. Many hotels make their renovations gradually, working on one floor or wing at a time. The catch there is that fifth-floor guests may find their rooms plush, while sixth-floor customers, paying the same rates, find theirs tired. Less often, hotels schedule “hard goods” renovations, replacing furniture, wall treatments, televisions, other electronics, and sometimes bathroom fixtures. Bruce Baltin, a vice president at PKF Consulting, says that most hotels from the mid-range and above should be doing hard-goods renovations every seven to 10 years. Unfortunately, notes Constantino, many hotels “are spending big dollars on things like swimming pools and restaurants, and not doing anything in the guest rooms. In parts of the Midwest and Wyoming, we’re still seeing some rooms that are just 1950s. Shag carpet. That’s just unacceptable.” Major renovations, the kind that give guests the most pleasant surprises, take place when a new owner or management takes control of a hotel, when the management decides to aim for a more demanding clientele, and sometimes when a hotel chain’s officials decide that a new round of investment will boost occupancy and profits in an old property. Since 1990, for instance, Hilton has staged about $250 million in major renovations in Los Angeles (at LAX), Las Vegas, Chicago (at O’Hare airport), San Diego, Portland and Hawaii (at the Hilton Waikoloa Village on the Big Island). San Francisco-based hotelier Bill Kimpton has built a West Coast empire through renovation. He finds old buildings, redesigns them from top to bottom, then reopens them as “boutique” hotels, usually with striking design and fewer than 250 rooms. One example is Kimpton’s Monaco Hotel near Union Square in San Francisco, a 1910 building that once did business as the Bellevue Hotel, then fell idle for about eight years. Spokeswoman Sara Ledoux says Kimpton and partners bought the formerly “sort of seedy” property in April 1994, spent an estimated $24 million on interior reconstruction and furnishings, and opened in June 1995, with advertised rates beginning at $145 to $170 per night.
428ea71f4391942b10a11b276decca25
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19891-story.html
Chicago Christens New Art Museum
Chicago Christens New Art Museum Chicago’s new Museum of Contemporary Art opens Tuesday in spacious digs that feature nearly seven times the square footage of the old museum plus a terraced sculpture garden, a cafe and retail space. The new structure is located downtown, just off Michigan Avenue and within walking distance of the John Hancock Center, the historic Water Tower and Chicago’s premier shopping area. In the permanent collection of art (1945 to the present), the museum features works by such artists as Alexander Calder, Rene Magritte, Jeff Koons and Andy Warhol. General admission to the museum, at 220 E. Chicago Ave., is $6.50 for adults, $4 for students and seniors. Hours are 11-6 Thursday through Sunday, and Tuesday; and 11-9 Wednesday. It is closed Monday. For information: (312) 280-2660.
7026d2d7cd60c9c0fb7bb01cfee1311c
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19892-story.html
The Wyndham Hotels & Resorts chain is...
The Wyndham Hotels & Resorts chain is... The Wyndham Hotels & Resorts chain is lowering its summer rates, between 21% and 56% off regular rates, at more than 65 locations in the United States and the Caribbean. The rates, starting as low as $69 a night, are for single or double occupancy and are good through Sept. 7. Children 18 and younger can stay free in the room with their parents or grandparents. Guests who pay for their stay with a MasterCard will receive a Kodak FunTime 35 camera with 12 exposures (limit one per room). Some of the facilities participating are the Wyndham Palms Springs Hotel ($79), the Wyndham Garden Hotel--Lake Buena Vista, Fla. ($74), the Wyndham Bristol Hotel in Washington, D.C., ($89) and the Wyndham Rose Hall Resort in Montego Bay, Jamaica ($99). The lower rates are based on availability and do not apply to groups. Some hotels may charge extra for parking. Some blackout dates apply, depending on individual hotels. Reservations: (800) WYNDHAM. Free for the Asking Germany-bound travelers will want to get their hands on two helpful brochures and a colorful illustrated map available from tourism officials. “Welcome to Germany, Summer 1996" highlights major tourist regions, and “Magnificent Hospitality in Germany 1996/97" provides information on places to stay. Contact the German National Tourist Office, 11766 Wilshire Blvd., Suite 750, Los Angeles 90025; telephone (310) 575-9799. This Week’s Holidays Banking and government offices will be closed or services curtailed in the following countries and their dependencies this week because of national and religious holidays: Monday: Bangladesh, Botswana, British Virgin Is., Burundi, Canada, Cayman Is., Colombia, Ghana, Guatemala, Lesotho, Pakistan, Portugal, Rwanda, Somali, Suriname, Taiwan, Thailand, Zambia Tuesday: Brazil, Neth. Antilles, Zambia Wednesday: Virgin Islands Thursday: Bosnia-Herzegovina, Guam, Israel, Puerto Rico, Rwanda, Tonga, Virgin Islands, Yugoslavia Friday: Algeria, Armenia, Australia, Czech Republic, Slovakia, Venezuela Saturday: Czech Rep., Lithuania Sunday: Yemen Source: J.P. Morgan
87ddc8ca39bf6ed03939f930d4f63df2
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19893-story.html
Festivals, Feasts & Fairs
Festivals, Feasts & Fairs SANTA MARIA--In its 105th year, the Santa Barbara County Fair will once again feature a full offering of live entertainment, kids’ attractions, rides and games, exhibits and livestock. This year’s fair, themed “Where Everyone’s a Winner,” is July 3-7, 11 a.m.-10 p.m. daily, at the fairgrounds at Stowell Road and Thornburg Street. $5, general; $2, kids 6-11; free for those 5 and under. (805) 925-8824. PALM DESERT--The annual Independence Day celebration is 5-9:30 p.m. at the Palm Desert Civic Center Park and the adjacent College of the Desert Practice Center. The free Fourth of July event, with the Olympic theme “Carrying the Torch for America,” has carnival games and children’s rides, entertainment on two stages, food booths (or bring a picnic) and fireworks. Fred Waring Drive. A free shuttle bus runs from the Palm Desert Town Center mall at California 111 and Monterey Avenue. (800) 873-2428. TRUCKEE--The Fourth of July isn’t just about fireworks in this community; it also means the annual Camel and Ostrich Races are coming. This year’s races are 1 p.m. July 4 and noon July 5 in McIver Arena at Truckee Regional Park. ($5, general; $3, kids 6-16 and seniors; free for children under 6.) Other holiday events include: A Fourth of July Parade at 10 a.m. downtown; fireworks at West End Beach on Donner Lake; family activities all day July 4 at West End Beach; and a downtown street dance at 9 p.m. July 5. (916) 587-2757. SAN DIEGO--The Broadway Pier is the setting for the Harbor Avenues of the Arts festival, 10 a.m.-7 p.m. July 6-7. Works by more than 50 artists, representing a marine and wildlife theme, are featured, plus artists’ demonstrations and hands-on activities for children. Free. On Broadway at Harbor Drive. (619) 239-1143. MENDOCINO--The Mendocino Music Festival once again brings classical music, jazz, dance and more to Mendocino Headlands State Park, July 9-20. Most concerts take place in the evening in the festival tent, next to the Ford House Museum. The artists at the 10th annual festival include the Arden Trio, Dimensions Dance Theatre, Spanish Soul and the Festival Chamber Orchestra. Tickets: $8-$28. (707) 937-2044.
a719dad45fc511eeb4f10a04649dc416
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19894-story.html
13 Cities on Riviera Now Forbid Begging
13 Cities on Riviera Now Forbid Begging Intent on keeping panhandlers from damaging its tourist appeal, Nice has become the 13th city on the French Riviera to ban summertime begging, the Associated Press reports. The ban, which runs through Sept. 15, makes it illegal for beggars to approach pedestrians in Nice’s downtown and certain designated neighborhoods. Twelve other cities along France’s posh Co^te d’Azur have passed similar laws. They contend that aggressive solicitation from homeless people in the area has driven away tourists. In Nice, police have been ordered not to make arrests but instead to pick up anyone caught begging and take them outside the city limits. Sometime after July 1, beggars will be offered food, bathrooms and medical attention at a shelter now being set up by the city. A week after Nice’s action, the city of Avignon, a popular tourist destination in the south of France, followed suit. Human rights groups have charged that the aim of the bans is to clear streets of the homeless rather than help them.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19895-story.html
Vegas Tops List of Tourist Destinations
Vegas Tops List of Tourist Destinations Las Vegas is expected to be the most popular destination for U.S. travelers this summer, the American Society of Travel Agents says. Among members queried in the society’s annual summer survey, 46.8% listed Las Vegas as the No. 1 place for which they were booking travel this summer. In second place was the former reigning hot spot, Orlando (28.5%), followed by New York (23.4%) and Seattle (14.6%).
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19896-story.html
A quiet weekend by the sea proves you can go home again. And again and again.
A quiet weekend by the sea proves you can go home again. And again and again. They say you can never go back. That the quirks of a quiet little beach town that feel familiar and quaint to a resident will only seem inconvenient or even tawdry to a tourist. So we decided to return for a weekend in Ventura, where we had lived for seven years. We headed for a wonderful little three-story motel on the water that we had always wanted to try, and determined to hit as many of our favorite spots as we could, this time as discriminating tourists. We left our Simi Valley house Friday night in two cars, because I had to work Sunday in Ventura and the Amtrak schedule didn’t meet my needs. I always like the moment on the northbound Ventura Freeway when you come to the crest of the Conejo Grade and the Oxnard Plain spreads out like a patchwork quilt of orchards, lettuce and strawberry fields. You get a glimpse of why agriculture is still the top industry in Ventura County, at least for now. If it was hot in the valleys you just drove through, about now it’s starting to cool off. We hadn’t eaten, so we stopped at Ferraro’s, an Italian family restaurant where Betty Ferraro greets customers at the door and offers them a glass of Chianti on the house as they wait for a table. Ferraro’s is not froufrou; the house Chianti has a replaceable cap, the lettuce is iceberg and the bread is packaged. But the entrees are ample, the sauce loaded with garlic and the place is kid friendly. With a container filled with four or five leftover raviolis, we headed to the Inn on the Beach, about five minutes away. Looking right past the lighted sign that said “DO NOT ENTER, TIRE DAMAGE,” I turned in the first driveway to the motel. As my husband, Mike, and our 2-year-old, Matthew, entered through the second drive and I lifted the baby out of his seat, I was surprised to hear a loud hissing noise. When I looked at my rear tire, I knew what the hissing sound was. Our third floor room was lovely, decorated in pastels and large enough that a queen bed and two cribs still left room for a small table and chairs. It was bright, with a large crescent-shaped window over the sliding glass door. And it promised a million-dollar view of the Pacific by daylight. We opened the door onto the fenced balcony and let the cool ocean breeze sweep through the room. That night, the ocean’s calming roar lulled us all into a restful sleep. Going back was going fine. The next morning, my son and I went down a floor to retrieve a glass of orange juice, a couple of cups of coffee and muffins from the complimentary continental breakfast the inn lays out each day--nothing special, but enough to take the morning edge off. Back in the room, the view from the balcony was spectacular, with the Channel Islands rising out of the ocean about 20 miles out on a clear, warm day. We took the punctured tire and headed out for a variation on what used to be our Saturday morning routine. First stop would normally have been the farmers market. But on this day, we left the car at the Four-Day Tire store at Ash and Santa Clara streets, put the kids in the stroller and walked the couple blocks down to the farmers market at Santa Clara Avenue and California Street. Ventura’s market offers dozens of vendors, selling everything from “jazzy sprouts"--that’s beans and sprouts sold by a man who plays saxophone--to organically grown lettuce and fresh pasta. The market was bustling as usual. And the fresh, cold apple juice was delicious on a warm morning. At a triangle-shaped park on the edge of the market, where the Old Time Fiddlers performed such chestnuts as “My Grandfather’s Clock,” a half a dozen kids danced to the music or romped on the grass. It was tempting to stay in the sun and pick up a pastry and coffee from Cafe Bella across the street. But we walked around the corner onto Main Street to Franky’s Place. Mike(CQ), who is a creature of habit, was relieved to see his old favorite, the Santa Fe omelet with beans and chilis still on the menu. Owner Chris Pustina was still there--part of the kitchen crew that morning, but still taking off her apron to greet customers from time to time. * A look down Main Street told us that the old downtown, which includes one of the missions founded by Junipero Serra, was even better than we remembered it. We had feared a city plan to replace the gumdrop-shaped shade trees with palms would leave the downtown looking as though it were trying to be a Santa Barbara imitation. But the young palms, the bright cloth banners advertising upcoming events and new sidewalks inlaid with brick gave downtown Ventura a cleaner and more prosperous feel. It still has plenty of thrift and antique stores, but now there are coffeehouses and even nighttime entertainment to add life. Later, while our baby slept on a blanket on the sand, we three played in the waves and sand. The water, about 65 degrees, was a little cold for a 2-year-old, but he was fascinated with a nearby fisherman. That particular stretch of beach at the end of Seaward Avenue is less crowded than other areas of San Buenaventura State Beach, but the trade-off is in outhouses instead of bathrooms. (Not a problem if your hotel is close.) There are also several restaurants nearby, including Duke’s Burgers, and Joannafina’s, both worth visiting for their food and outdoor seating. A half a mile up the coast, which you can reach with a stroll down a bike trail, is a full-service snack bar and rental shop, where a visitor can rent anything from roller-blades to wetsuits. Another half a mile farther north is the beach at the end of California Street, where there is a great playground, the Ventura Pier and a new pier restaurant now under construction. Rentals are available there too. After another restful night--even with kids in the same room--we returned to the harbor to Lorenzoni’s. There, they make a devilishly rich breakfast sandwich, with fluffy steamed eggs, avocado, tomato or ham, all stuffed in a fresh and flaky croissant. That comes with a nice little green salad for $5.95. We did our analysis there in the sun: Nice, comfortable motel--check. Fun at the beach--check. Good restaurants--check. Still quaint but not tawdry--check. You can go back, we decided. And what’s more, we will. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Budget for Four Two nights, Inn on the Beach: $242.00 Ferraro’s: 32.40 Pierpont Inn (drinks): 8.00 Franky’s Place: 27.40 The Greek: 54.23 Lorenzoni’s: 21.50 Snacks and champagne: 20.00 Gas: 20.00 FINAL TAB: $425.53 * Inn on the Beach, 1175 S. Seaward Ave., Ventura, CA 93001; telephone 805-652-2000.
a34bc5a9f98581c67cdcb69e75955e6d
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19897-story.html
Fishing Finds
Fishing Finds Below are 10 great billfishing destinations within the U.S. as determined by the editors of Martin, the international sportfishing magazine. 1. Catalina, Calif. What’s biting: striped marlin Season: July-mid-November; peak is September and October 2. Cape May, N.J. What’s biting: white and blue marlin Season: late June-mid- October; peak is mid-August- September 3. Ocean City, Md. What’s biting: whites, blues, sailfish Season: mid-July-mid-September; peak is August. 4. Outer Banks, N.C. What’s biting: blues, whites, sailfish Season: mid- April-early October; peak is late July- August 5. West Palm Beach, Fla. What’s biting: sailfish Season: mid-December-February 6. Islamorada, Fla. What’s biting: the greatest variety and quantity of fish in North America. Season: November- April; peak is December and January 7. Pensacola, Fla. What’s biting: whites, blues and sailfish Season: May- November 8. Venice, La. What’s biting: blues Season: May- September; peak is June- August 9. Freeport, Texas What’s biting: blues Season: June- September 10. Kona, Hawaii What’s biting: blues, striped Season: year- round; peak is June- September
ff2b8f3da2ee780d32eda5cbbafeda3f
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19898-story.html
Billions and Billions of Stars in Middle East
Billions and Billions of Stars in Middle East Griffith Observatory Director Ed Krupp will lead an ancient astronomy tour to Israel, the Egyptian Sinai and Jordan, Nov. 5 to 20. Guests will visit astronomical sites amid Biblical ruins to study the Middle East’s long tradition of sky lore, astronomy and calendar-keeping. The tour will begin in Caesarea, Israel, to see a mithraeurn (an underground room simulating a cave) whose roof allowed sunlight to enter the chamber on the summer solstice; a Roman theater and the ruins of Herod’s temple. In Tiberias, participants will stop at the ancient city gate and synagogue at Tiberias Hammat to view a celestial mosaic with a depiction of the Greek sun god Helios, the 12 signs of the zodiac and the four seasons. At the Canaanite ruins of Tel Hazor, the group will see a pillared temple to Hadad, the sky god of storm and weather. Also on the itinerary is Jerusalem and the Essen settlement in Qumran, south of Jericho, where the Dead Sea Scrolls were found. Participants will visit the Church of the Nativity in Bethlehem and the hilltop fortress of Masada. In Jordan, guests will visit Petra, Madaba and Amman to see the remains of the ancient Roman city of Jerash. Cost: $5,345 per person, double occupancy, including air fare from Los Angeles, land transportation, accommodations, UCLA Extension tuition and most meals. Contact: Israel Tour, The Sciences, UCLA Extension, 10995 LeConte Ave., Suite 714, Los Angeles, CA 90024; telephone (310) 825-7093. Wine Festival Imbibe in the fifth International Wine Festival in Budapest, Hungary, Sept. 1 to 8. Participants will visit the Buda Wine Market, the Wine Exhibition and Marketplace, the opening ceremony of the exhibition, and attend a performance by the Budapest Gypsy Orchestra and the State Folk Ensemble. In Budapest, participants will take a historical city tour and visit the artists’ village of Szentendre on the Danube River. The farewell dinner at the traditional Gellert Hotel’s Duna Restaurant will be prepared by food and wine professionals. Cost: $2,215 per person, double occupancy, including round-trip air fare, six nights’ hotel accommodations, daily breakfast, two dinners, excursions and sightseeing, cultural programs and participation at the main festival events. Contact: Tradesco Tours, 6033 W. Century Blvd., Suite 670, Los Angeles, CA 90045; tel. (310) 649-5808. Southwestern Parks Cruise up Lake Powell to Rainbow Bridge National Monument on a tour that combines the Grand Canyon, Bryce Canyon and Zion national parks. The tour is six nights, and leaves Oct. 20 from Southern California via motor coach. Guests will stay overnight in Laughlin and Mesquite, Nev.; Williams, Ariz.; Cedar City, Utah; and at Lake Powell in the Wahweap Lodge. Participants will also see a show at Zion National Park’s IMAX Theatre. Cost: $712 per person, double occupancy, including hotels, some meals and transportation. Contact: Main Street Tours, 1751 W. Torrance Blvd., Suite N, Torrance, CA 90501; tel. (310) 212-0791 or (800) 300-MAIN. Say, Cezanne Join members of the Palos Verdes Art Center from Aug. 23 to 27 on an art tour to Philadelphia and New York to see art exhibits. The group will view the Cezanne exhibit at the Philadelphia Museum of Art and the permanent collections at the Pennsylvania Academy of Fine Arts, the Rodin Museum and the Barnes Collection, which has one of the world’s finest collections of French Impressionist paintings. Then the group travels to New York by train for the Picasso and Portraiture exhibition at the Museum of Modern Art and the Winslow Homer exhibit at the Metropolitican Museum of Art. The Picasso exhibit includes 130 paintings and 100 drawings from his family’s private collection. The Homer exhibit consists of 200 pieces. Cost: $525 per person, double occupancy, including all transfers, two nights at the Wyndham Hotel in Philadelphia, two nights at the Intercontinental Hotel in New York, train to New York and admissions to all exhibits. A portion of the tour cost benefits the Palos Verdes Art Center. Air fare and most meals are not included. Contact: Sharon Ryan, Argo World Travel, 31239 Palos Verdes Drive West, Rancho Palos Verdes, CA 90275; tel. (310) 377-0377 or (800) 651-0377. New Zealand Gardens A 12-day tour visiting private gardens and the annual floral show, the Festival of Flowers, at Christchurch, New Zealand, begins Feb. 7 and returns Feb. 17. The flower festival showcases floral displays on the river banks of the Avon. Participants will also visit the winning gardens of the citywide private garden competition. The tour also includes sightseeing within New Zealand, with visits to other public and private gardens in Auckland, Rotorua, New Plymouth, Wellington and Picton. Cost: from $2,200 per person, double occupancy, including land transportation, accommodations, all breakfasts and some meals, sightseeing and garden visits. Air fare is not included. Optional extensions are available to Sydney, Australia, before the garden tour, and to Queenstown, New Zealand, after the tour. Contact: WorldWise Travel Services, 1739 Franklin St., Suite A, Santa Monica, CA 90404; tel. (310) 829-5334. Native Americans Journeys Into American Indian Territory is offering a series of tours that take guests into several areas of the country--Oklahoma, Arizona, South Dakota and Massachusetts--to learn about the lives, past and present, of various tribes. Participants will camp in tepees and other traditional Native American houses, learn tribal dances, eat native foods, participate in ceremonies and learn traditional beliefs. The journeys are led by anthropologist Robert Vetter. Trips dates are: Massachusetts (Aug. 24 to 26), South Dakota (Sept. 5 to 10), Oklahoma (Sept. 12 to 19) and Southern Arizona (Nov. 4 to 11). Cost: from $300 per person for two-day trips and $700 to $1,200 for longer trips, including lodging, lectures, admission to all events, two meals per day and ground transportation. Transportation to the locations is not included. Contact: Robert Vetter, Journeys Into American Indian Territory, P.O. Box 929, Westhampton Beach, NY 11978; tel. (800) 458-2632 or (516) 878-8655. Equate Ecuador Explore Ecuador Aug. 17 to 24 on an eight-day journey that gives a comprehensive tour of Ecuador’s capital, Quito. Participants also take day trips to Avenue of the Volcanoes, the Ambato Market and the Equator Monument. Trips are made to the countryside to view the Andes and the crafts shops of tiny villages. Cost: $1,483 per person, double occupancy, including round-trip air fare from Los Angeles, accommodations, most meals and land tours. Extension tours to the Galapagos Islands are available at additional cost. Contact: Foley Travel, 4037 Governor Drive, San Diego, CA 92122; tel. (714) 457-2727. Ozarks By Rail Travel by private train through the Ozarks during the fall foliage season on a rail tour Oct. 23 to Nov. 2. The train will travel only during the day, with each night spent at hotels along the route. The itinerary includes a two-day visit to Branson, Mo., to attend shows. The private train originates in St. Louis, and, for the first two days of the tour, will be pulled by a vintage steam locomotive built in 1944. From St. Louis, the train travels south along the Mississippi River, pausing overnight in Poplar Bluff, Mo., and Little Rock, Ark. The train then continues over the scenic White River route through northwestern Arkansas to Branson, then to Kansas City, Mo. Cost: $2,095 per person, double occupancy, including air travel, sightseeing, five shows in Branson, 19 meals, lodging, luggage handling and transfers. Contact: Mountain Outin’ Tours, P.O. Box 70; East Irvine, CA 92650; tel. (800) 844-3985. The Times is not responsible for changes in prices, dates or itineraries. These should be confirmed with cruise lines, travel agents or tour operators.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19899-story.html
Wolf Watching
Wolf Watching The spotting scope is aimed like a compact machine gun at the northern slopes of the Lamar Valley, and I, the hapless gunner, am swiveling it around. Trying to find a focus on anything, I wave it back and forth in ever-widening arcs, a full 90 degrees. My companions duck. What’s that I see? A wolf? No, it’s the flecked hat of an obstetrician from Salt Lake City. She’s one of about a dozen of us on an organized wolf hunt through the wilderness. There can be no guarantee of what we’ll see--the wolves are wild and show up when they feel like it--but for my money, it’s worth the chance. At worst, I’ll have to settle for merely seeing shaggy bison, coyotes, bald eagles and elk in the wild, pine-fringed Lamar valley. Wolves were once commonplace in and around Yellowstone, but from the 1880s on, settlers, hunters and even tourists considered them a nuisance. They were systematically eliminated, not just by ranchers but also by a federal program favoring livestock. A 1978 study concluded that despite occasional reports of wolf sightings, the species, canis lupus, had actually been absent from Yellowstone since the 1920s. But in 1995, after a 20-year campaign to restore what wildlife advocates claimed was an essential predator to the Yellowstone ecosystem, 14 Canadian wolves were transplanted to pens in the park and, after an acclimation period, released. In January 1996, 11 more transplants joined them. Local ranchers complained that the wolves were certain to wander out of the park into areas where sheep and cattle would be a convenient and compliant form of fast food. And they were right--the wolves have indeed toured non-park areas of Montana, dining now and then on leg of lamb--but the protests failed to stop the introduction. Packs are now roaming the Yellowstone wilds, and at least four wolf dens are reported to have had new litters this spring. Park officials estimate that, despite a small number of wolf fatalities, there are now 40 or more wolves in Yellowstone, a total difficult to confirm given the elusive nature of the animal. Even with the apparently successful wolf reintroduction in progress, wolves are not nearly as commonplace in the Northern Rockies as they were 80 years ago; nor will the shy creatures probably ever stroll down the road like Yellowstone’s lackadaisical bison. My companions and I have improved our chances of seeing the wolves by taking the Yellowstone Institute course “Yellowstone’s Wolves” from Jim Halfpenny, a biologist of renowned tracking skills, but he’s making no promises. For a few months last summer, wolves put on a show every day just across the Lamar River, and tourists could pull their Chevys over and watch. But we’re not having that kind of luck today. Now, in early spring, it’s harder to find them, and we’re squinting at specks on distant knolls, shifting shapes among the trees. We’re lined up along the Lamar Valley road like a spotting scope firing squad, trying to get a glimpse of a pack that is rumored to be in this area. No one was surprised last year when wolf T-shirts began selling in park stores like ice cream in August. Wolf reintroduction had been hashed over in magazines and newspapers nationwide, and the animal had become a symbol of wildness resurgent, like the grizzly bear. Also like grizzlies, the wolves were not expected to make public appearances. They would likely disappear, biologists said, into the deep wilderness of the Yellowstone plateau, into wild country that sees only a handful of the 3 million visitors who come to the park each year. That suited the biologists just fine. They hoped the furor in the ranching community would quiet down, and the furry Canadian immigrants could begin making new lives out of sight in the back country. As it turned out, that’s not exactly what happened. * The Lamar Valley is in the northeast corner of Yellowstone, with a river running through it and a little-used road that runs out of the park to the small mountain towns of Red Lodge and Cooke City, Mont. The valley is wide and long, with grassy bottoms and forested edges running east to west. A bison herd grazes on the south side, across the river from the road. Elk wander about. Eagles fly, coyotes amble. Bighorn sheep sometimes show up on the crags. Last summer, when the wolves emerged from the woods on the south side of the valley, most of the other wildlife reacted indifferently. The exception was the coyotes, who moved from being the No. 1 elk predator to being No. 2, and now must defer to the wolves, according to biologist Bob Crabtree. There was some hunting by the wolves, but more cavorting. “The predominant behavior we saw was play,” said Rick McIntyre, a National Park Service ranger. “The yearlings were chasing each other, ambushing, having a good time.” It was just what tourists want to see. Cars began to stop along the road; a few at first, and then word got around. Soon there were hundreds. The park had no plan, and no funding, for managing wolf-watchers, but the tourists handled themselves well. “There seemed to be an ethical sense among them. If someone left the main group to walk closer, they would get yelled at,” said McIntyre, who volunteered to keep an eye on things. Late in July, the wolves began departing Lamar, heading into the mountains in search of food, trailing an elk herd’s seasonal migration. “Wolves are, plain and simple, killers,” said Doug Smith, the biologist who oversees the park’s wolf program. Smith was talking to my group in the headquarters of the Yellowstone Institute, a three-room building in the northeast corner of the park, where guests meet and talk. An active pack, for example, may kill about one elk a day. It might also kill an occasional coyote. Yellowstone’s wolves have never been known to attack people, but this is also the land of bison and grizzlies, which can be aggressive when humans enter their space. So if you leave well-traveled areas, consult park rangers about dangers and precautions. For biologists, this is an unprecedented opportunity, watching a species learn how to survive in a new habitat. There are plenty of surprises as the wolves shift about, form new packs and kill off excess elk. Just last week, a wolf died from injuries caused in an attack by another wolf pack, possibly over a territorial dispute, according to rangers. Whenever the weather allows, biologists track the various wolf groups from an airplane. (Some of the wolves also wear unobtrusive radio collars). The Rose Creek Pack, deemed most likely to appear in our spotting scopes, has an interesting history. Released in 1995, a group of three (two females and a male) moved north, out of the park toward Red Lodge. The younger female went off on her own and the other female became pregnant. Just before the eight pups were born, the male was found shot dead, and the female gave birth out in the open, instead of in a den. Biologists, who had vowed not to intervene, decided to. They brought the female and her brood back to the park, and the pups started life in an acclimation pen. After their release, one was hit and killed by a delivery truck, but the others have grown up to form a very active pack, killing about one elk a day, Halfpenny said. Yellowstone Institute program participants sleep in a cluster of old cabins tucked to one side of the Lamar Valley, miles away from the crowds that line up to see Old Faithful’s performances. It’s a bit spartan, but this is a hardy group, quite knowledgeable and ready to brave the elements. During our three-day visit, my group and I had lessons in tracking from Halfpenny, a lecture by Smith and treks around the valley in search of wolves. Not surprisingly, the $115 wolf classes are among the most popular items in the institute catalog, which offers dozens of classes and tours--everything from bird sound identification to the history of Yellowstone exploration. * Later, we were back at the institute, where Halfpenny put on a demonstration of coyote and wolf gaits more acrobatic than a between-the-legs dribble. It was almost enough to make me forget that I hadn’t seen a wolf. Almost, but not quite, certainly not with my 11-year-old son along to remind me with the tactlessness of youth that the whole point of this trip was to see a wolf. Earlier in the day, a woman in the group had described her most thrilling adventure in the wild when she stumbled on an elk carcass marked with signs of a grizzly bear attack. She described how the grizzly must have taken down the elk, and added, with an expression both dazzled and befuddled, “It was the greatest thing I almost saw.” My son rolled his eyes. Several different vendors in Yellowstone offer guided journeys into wolf country. Most of the organized tours are booked up for the summer (call for cancellations, just in case), but winter tours are offered and it is possible to spot wolves on your own. To help increase the odds, rangers recommend calling the park’s wolf hotline ([307] 344-2240) for the latest wolf-sighting information. In June 1996, wolves were appearing to dozens of viewers on the slopes north of the Lamar River, along Slough Creek (ask a ranger for directions or look for a crowd of spotting scopes). Wolves usually rest or sunbathe in the afternoon; the best viewing times for action are usually early morning or evening twilight. * Like the Yellowstone food chain, there is a hierarchy of wolf tourism too. At the simplest level is a three-hour, winter wildlife bus tour offered Wednesdays by Amfac Parks & Resorts ($13 adults), the company that manages park hotels and some of the campgrounds. Guests board a bus at Mammoth Hotel for the journey into the Lamar Valley. The driver is also the guide who may offer intriguing tidbits of information, such as the fact that coyotes follow bison around in snow because bison are so heavy their hooves plunge through underground mouse trails, sending mice scurrying from their hiding places. There is much to see, even from a bus. Coyotes tug at a bison carcass; a bald eagle sits poised on a snag along the river; elk stroll in front of the bus. But you’ll learn a lot and spend even more time outdoors, if you take Halfpenny’s classes at the Yellowstone Institute. His wolf classes book up quickly (the first available openings are for 1997) and it’s easy to see why. He is a biologist of world renown, infused with adrenaline from this landmark reintroduction. He pursues his research projects independently, but agency scientists such as Doug Smith respect him and show up during his courses. The institute sends a lengthy clothing list, and it’s a good thing--some of the classes are winter/spring field events and the weather can go from hot sun to blizzard in a wink. Some light hiking or skiing or snowshoeing may be involved, but there’s nothing to discourage a guest list that appears to be largely people over 40. Whatever their age, institute patrons seem to enjoy the simple, hostel-like facilities--they are an adventurous and friendly lot, and notice when someone (don’t ask me who) forgets to bring his own food. For those who can’t admit that they’re taking a vacation, Yellowstone Ecosystem Studies out of Bozeman offers nine-day work/study programs on the canines of Yellowstone. Biologist Crabtree’s nonprofit institute has a number of ongoing studies, and he incorporates groups of students and so-called ecological adventurers into the fieldwork. In return, students pay for the privilege of data-gathering. YES’ “Wild Dogs of Yellowstone” course ($1,295 per person) focuses on the impact reintroduced wolves have on coyotes and red foxes, their smaller cousins. Participants hike to key vantage points (or ski and snowshoe in the winter) and watch whatever the members of the dog family are up to: eating, playing, howling and courtship. The emphasis is on coyotes, but Crabtree’s researchers have made some key observations of wolf behavior; these are bona fide scientific expeditions. Of course, no one can promise you a wolf, because wildlife doesn’t make appointments. To protect themselves, guides in Yellowstone will downplay the canines--and the park isn’t exactly stripped of attractions without them. But in a candid moment, Halfpenny admitted, “Hey, if you see the wolves, I’m off the hook, aren’t I?” Correct, Jim. Once we’ve seen that gray, yellow-eyed creature going about his business, we could spend the rest of the weekend playing Monopoly--for all anyone cares--and still go home talking about the experience of a lifetime. Like so many of life’s adventures, it works best to approach it with patience and without rigid expectations, knowing that there is much to see and learn even if you don’t see a wolf. Nature seems to respond to that attitude, and when wolves reveal themselves, as they did to my son and me, you feel blessed and humbled. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) GUIDEBOOK Wolf Tracking Getting there: Fly Delta or Alaska, connecting service only, to Bozeman, Mont. Advance-purchase, round-trip fares start at about $300. In Bozeman, rent a car for the 100-mile drive to Yellowstone National Park. Tour operators: Amfac Parks & Resorts, 14001 E. Iliff Ave., Suite 600, Aurora, CO 80014; telephone (303) 297-2757. The Yellowstone Institute, P.O. Box 117, Yellowstone National Park, WY 82190; tel. (307) 344-2294. Yellowstone Ecosystem Studies, P.O. Box 6640, Bozeman, MT 59771; tel. (406) 587-7758. Where to stay: The most famous hotel in Yellowstone, the Old Faithful Inn, is just 100 yards away from Old Faithful geyser. For reservations: Amfac Parks & Resorts. For more information: Wyoming Travel Commission, I-25 at College Drive, Cheyenne, WY 82002; tel. (800) 225-5996 or (307) 777-7777.
052a3cb5d5afceaffa15993556d9a165
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19901-story.html
Explosion, Collapse and a Lake
Explosion, Collapse and a Lake If old Mt. Manzama had oozed instead of erupted, there would be no Crater Lake. But 7,000 years ago, the big mountain (Oregon’s largest, some geologists believe) blew up big time, resulting in a crater, a lake and a national park. The cataclysm was a long time coming. Volcanic material had been building up in Mt. Manzama for half a million years before exploding with a force estimated to be 50 times that of its more recently active Cascade cousin, Mt. St. Helens. After a hellacious firestorm, the volcano’s walls collapsed. The resultant six-mile wide caldera gathered rain and snowmelt, and eventually filled to a depth of 1,932 feet. Today, Crater Lake is the deepest lake in America and the seventh-deepest lake in the world. Because the huge, mesmerizingly blue oval has no inlets or outlets, and because not much vegetation grows along its shores, little organic material enters it. The lake has a clarity that amazes. Sun rays can actually penetrate 400 feet below the water’s surface, causing algae to grow. Crater Lake’s depth is one reason why it is such a resplendent blue. Another reason has to do with the physics of light waves: Longer light waves in the red, green and yellow part of the spectrum are more readily absorbed near the lake’s surface than are the shorter blue-hued light waves, which penetrate farther into the lake to color the water molecules. Pick your blue--azure, aquamarine or cobalt--or simply conclude that Crater Lake has a blueness beyond words. For more than half a century, the biggest disappointment to Pacific Crest Trail hikers was that the famed path (33 miles through the park) offered no views of the big, blue lake. (Here was the rare national park where driving was a better way to see it than hiking.) In 1994, a new length of the PCT was built on the crater’s rim, and it delivers the long-sought lake views. As more hikers discover it, this new beautiful stretch of trail will probably become the park’s premier footpath. If you can’t spare the time to walk all of the new stretch of the PCT or just can’t wait to get to those lake views, I recommend beginning your walk at Rim Village. The PCT leads through a forest of white bark pine and mountain hemlock while serving up glorious panoramas of the water-filled caldera. Two must-see attractions on the lake rim are visited by the trail--Discovery Point and Watchman Peak. From Rim Village, PCT uses an old roadbed constructed by the Army Corps of Engineers in 1916; this road was the park’s first Rim Drive until the present road was relocated farther away from the rim in the 1930s. At Discovery Point, a plaque honors prospector John Hillman, first explorer to see Crater Lake in 1853. PCT follows the rim to the shoulder of Watchman Peak. Join switchbacking Watchman Lookout Trail for the steep ascent to the summit. (Watchman is in the snow belt, and sometimes snow keeps this trail closed until late July or until the park trail crew can clear a route to the top.) The old fire lookout, built in 1932, offers great views of the lake and surrounding back country. Interpretive panels help to identify park landmarks. Access: Begin from the trail head at the west edge of Rim Village. * An equally memorable walk in the park is the one on Wizard Island, a small volcano dome thrusting up in the western corner of the lake. To take this walk, you must endure two more pleasures--a hike from the crater’s rim down to the Cleetwood Cove boat landing and a fun boat tour of the lake that drops off hikers on Wizard Island. Cleetwood Trail, even if it didn’t lead to the tour boat dock, would be a popular trail because it’s the only one that leads to the lake. Expect company: About 500 people a day descend the mile-long trail to Cleetwood Cove. While the path begins on one of the lowest routes on the crater rim, it’s nevertheless quite steep. The path drops down slopes forested in Shasta red fir and mountain hemlock, offering lake vistas from occasional openings in the forest. At the trail’s end is the boat dock and a lakeside picnic area. During the summer months, two-hour guided boat tours embark from Cleetwood Cove. The concessionaire-operated tours depart on the hour from 10 a.m. to 4 p.m. from early July to early September, weather permitting. Tour boats circle the water-filled caldera and stop at Wizard Island, where you can disembark. Remain on the island until the next tour boat or the last tour boat of the day. Wizard Island may have been named for its resemblance to a sorcerer’s cap, but Crater Island would be a more appropriate name. The isle is a true crater (a small opening through which lava erupts); Crater Lake, in contrast, is a collapse-caused depression known as a caldera. From the Wizard Island boat dock, the trail climbs for a few hundred yards, then forks. The left fork leads a half-mile over lava blocks to Fumarole Bay, a popular, but extremely cold (55 Fahrenheit or less) swim spot. The right fork switchbacks its way past scattered white bark pine to the summit of the circular cinder cone. Crater Lake views from the island summit are memorable. Access: Follow Rim Drive 4 1/2 miles east from the north Rim Road junction to the large Cleetwood Cove trail head parking area. (Note that Rim Drive becomes a one-way road just east of this parking lot.) (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Pacific Crest, Cleetwood Cove, Wizard Island Trails Where: Crater Lake National Park Distance: Rim Village to Discovery Point is 2.6 miles round trip; to Watchman Lookout is 5 miles round trip. Terrain: Rim of ancient volcano. Highlights: America’s deepest lake, Oregon’s only national park. Degree of Difficulty: Moderate Precautions: Snow often lingers through July; use caution on crater rim. For More Information: Crater Lake National Park, Box 7, Crater Lake, OR 97604; tel. (503) 594-2211.
61d246a773496babcd877ac752595ede
https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19902-story.html
On the Bus, By the Bus, For the Bus
On the Bus, By the Bus, For the Bus If you’re the type of traveler who needs an exact itinerary, guaranteed arrival times and privacy, Green Tortoise probably isn’t the bus tour company for you. However, if you’re flexible and informal, it may just suit your style and budget. Green Tortoise describes its U.S. and Mexico tours as self-service vacations for adventurous people. The buses carry up to 38 passengers, who average 20 to 35 years old. During the day, the passengers ride the buses, making stops to cook, swim, explore caves, climb mountains, raft, hike and visit towns. At night, they sleep on the bus on thick, foam mattresses fitted with sheets. If the bus is not traveling that night, passengers can camp in the wilderness. San Francisco is the departure point for most of the tours. Green Tortoise maintains a guest house at 494 Broadway; dormitory beds are $12 to $15 and double rooms, $29 to $36. They also maintain a hostel in Seattle at 715 2nd Ave. North. Coast-to-coast tours between San Francisco and New York or Boston are from $279 to $379 one way, plus money to put toward group meals, and range from 10 to 14 days. The eastbound route will operate until Sept. 27; the last westbound departure is Oct. 16. Green Tortoise transportation between San Francisco and Seattle costs $49 one way. Between San Francisco and Los Angeles, it’s $30 one way. Rates may rise during the peak summer schedule. Three-day Green Tortoise trips from San Francisco to Yosemite this summer or fall are $99, plus $21 for the food kitty. Six-day Northern California Redwoods and Parks Loop tours are $199, plus $51 for the food fund. Nine-day Grand Canyon adventures are $329, plus $71 for food. There are also several departures on a 16-day National Parks Loop tour that departs San Francisco and visits Idaho, the Grand Tetons, Yellowstone National Park, Dinosaur National Monument, Monument Valley, Lake Mojave, Bryce Canyon National Park and Zion National Park. The tour includes rafting on the Colorado River. The price is $499, plus $121 for the food fund. A 30-day Alaska expedition departs San Francisco July 26; cost is $1,500, plus $250 for a food fund. This fall there will be nine- and 14-day Baja California tours--$249 and $349, plus $51 or $71 for the food kitty, respectively. More information is available from Green Tortoise Adventure Travel at 494 Broadway, San Francisco, CA 91433; telephone (800) 867-8647. * The publishers of the “Let’s Go” guidebooks, which are researched annually by Harvard and Radcliffe college students, have introduced six map guides that are now available in bigger bookstores. The cities covered are Boston, London, Paris, San Francisco, New York City and Washington, D.C. The 20-to-36-page pocket pamphlets include fold-out regional, city and transportation maps, plus overviews of entertainment, sightseeing, restaurants and accommodations. They are lighter and smaller to carry than guidebooks, but not as comprehensive. For example, the “Let’s Go Map Guide to London,” which sells for $7.95, includes 36 pages packed with details on what to see, how to get around, entertainment and restaurants, but it offers only six suggestions for budget accommodations in one of the most expensive cities in the world. In comparison, the 672-page “Let’s Go: Britain and Ireland” costs $16.99 and includes 60 suggestions for economical lodgings in London.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19903-story.html
Discounts, Freebies Are Calling
Discounts, Freebies Are Calling The Handlery Hotel in San Diego has created a Young at Heart senior program that offers a discount package with the following: lodging for two for $99 per night (regular rate is $188); tickets for the Old Town Trolley (valued at $16 per person); a water aerobics class; tickets to a first-run movie, including beverage and popcorn, at a nearby theater complex; continental breakfast; and cookies and milk at bedtime. The offer is valid through Dec. 31 on a space-available basis. Tickets for other popular San Diego attractions, many of which offer senior discounts, can be secured by the hotel on request. For reservations and information, call (800) 676-6567. * The Sheridan Inn, in Escondido in North San Diego County, offers discounts for guests over 55. Double rooms with two queen beds are $55 (regular rates range from $59 to $64). Prices include breakfast daily, plus a selection of cookies, coffee or tea each evening (Sunday through Thursday) at 8. Guests can also borrow video movies for free. For brochure or reservations, call (800) 258-8527. * Thundercloud Resort at Big Bear Lake is offering discounts to seniors for stays of one week or more. A standard guest room that accommodates four with two queen-size beds is priced at $295 per week or about $42 per day. Family suites, which include fireplaces and kitchens, are priced at $470 for one week. The offer is valid through Sept. 30 on a space-available basis. For information, call (800) 732-5386. * The Butterfield Bed & Breakfast Inn, located in the old gold mining town of Julian, 160 miles south of Los Angeles, is offering a senior package for members of the American Assn. of Retired Persons or travelers over 50. The package includes a suite with fireplace for two nights, full breakfast, dinner for two in the Julian Grille and a country carriage ride. The regular price for this package is $330 for two, but is reduced to $199 Sunday through Thursday. Add $130 for weekends. For a brochure or reservations, call (619) 765-2179. * Senior visitors to Northern California’s South Bay area will receive 10 days of free parking at the Villa Hotel in San Mateo in addition to discounts on hotel rates. San Mateo is adjacent to San Francisco International Airport. Seniors over 55 also receive a free continental breakfast and airport shuttle service. For a brochure or reservations, call (800) 341-2345.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19905-story.html
A Flowery Ride
A Flowery Ride Friends and I recently visited Lompoc to ride the Ocean Avenue bike path mentioned by Maria La Ganga (“Full Flower Power,” May 26). The 10-mile ride through the flower fields is fun, and you don’t have to be in shape for the Tour de France to make it all the way to the beach. The road is flat, with a constant ocean breeze to keep you from getting overheated. The scenery is rustic and magnificent. Unfortunately, we were stopped four miles from our destination by a roadblock. The military was launching a Titan missile from Vandenberg Air Force Base. [But] we were rewarded with the awesome sight of the missile as it roared over the mountains. A word of caution for parents: The breeze from the beach makes for a constant head wind when riding toward the ocean. The winds plus a 20-mile round trip could be too much for little children. BLAINE SMITH Los Angeles
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19907-story.html
Rosarito, Again
Rosarito, Again Regarding Cecelia Hubbard’s letter defending Rosarito Beach Hotel (Letters, June 9): We went for a long weekend but lasted only one night. The room was dirty, the food was greasy and the service stank. Also, there was a strange odor in the lobby. When we went to dinner, we discovered that the odor came from the kitchen. We travel often and we travel well. We know what’s good, and Rosarito Beach Hotel isn’t. SUSAN REVIT Playa del Rey
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https://www.latimes.com/archives/la-xpm-1996-06-30-tr-19908-story.html
Strangers on a Train
Strangers on a Train Can you stand one more anecdote on whether to talk to strangers on trains? More than a decade ago, on a train ride through Belgium, my parents and I struck up a conversation with an older woman from Rotterdam. She spoke beautiful English with a hint of a clipped British accent. After a lively chat, she rose for her stop and noted, “If I sit with you another hour, I’ll be speaking bloody American.” ANNE RIFFENBURGH South Pasadena
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19787-story.html
Bagdad Cafe (Showtime Tuesday at 5 p.m.)...
Bagdad Cafe (Showtime Tuesday at 5 p.m.)... Bagdad Cafe (Showtime Tuesday at 5 p.m.) Percy Adlon’s adorable 1987 comic fable set in a ramshackle motel-restaurant on the edge of the Mojave Desert features a triumphant teaming of of the Rubenesque Marianne Sagebrecht as a stranded German tourist and the formidable C.C.H. Pounder, as the cafe and motel’s proprietor. With Jack Palance as a memorably comic permanent guest of the motel. The Love Parade (AMC Monday at 12:15 a.m.) Jeanette MacDonald made her 1929 film debut in this lively, sophisticated Ernst Lubitsch-directed Ruritanian operetta, which teamed her with Maurice Chevalier. Singer Lillian Roth and comedian Lupino Lane are the film’s notable second leads.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19788-story.html
For the Boys (CBS Sunday at 8...
For the Boys (CBS Sunday at 8... For the Boys (CBS Sunday at 8 p.m.), a rousing story of a pair of star USO performers, played by Bette Midler, nominated for best actress, and James Caan pulls out every stop imaginable. Midler’s singing is terrific, but the 1991 film, entertaining as it often is, tends to go over the top. Whispers in the Dark (ABC Monday at 9 p.m.) stars Annabella Sciorra as a psychiatrist so turned on by her patient’s sexual fantasies that the steaminess heats up her own life. But this analyst is such a dull, passive reactor that you can’t figure out what writer-director Christopher Crowe has in mind in this 1992 release. With Anthony LaPaglia, impressive as a crazed cop. Spike Lee’s 1989 Do the Right Thing (KCOP Friday at 7:30 p.m. and Saturday at 5:30 p.m.) announced the coming of age of an important film maker with something urgent and uncomfortable to say. On the hottest day of summer and against the faintly surreal backdrop of one small neighborhood in Brooklyn’s Bedford-Stuyvesant area, writer-director Lee has created a series of abrasive incidents, trivial by themselves, that, combined with soaring heat and in a climate of oppressiveness, finally ignite. Swoon (KCET Friday at 11 p.m.), Tom Kalin’s 1992 historic-erotic picture of the 1924 Loeb-Leopold murder case succeeds with the microcosm bringing to life the thrill-kill pair and their dangerous liaisons but gets more strained and arch when it switches to the macrocosm: the homophobic social prejudices unleashed by their capture and trial. Part 2 of Leni Riefenstahl’s 1938 Olympia (KCET Saturday at 9 p.m.), the great, eternally controversial documentary on the 1936 Summer Olympics held in Hitler’s Germany, concentrates on the less popular sports. A work of poetic visual splendor, the film captures the self-control, endurance and strength of the athletes.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19798-story.html
SHOWS FOR YOUNGSTERS AND THEIR PARENTS TOO : ‘Popeye’ visits TBS; the Fourth comes alive on Disney; A new friend for WB’s ‘The Parent ‘Hood’
SHOWS FOR YOUNGSTERS AND THEIR PARENTS TOO : ‘Popeye’ visits TBS; the Fourth comes alive on Disney; A new friend for WB’s ‘The Parent ‘Hood’ Robin Williams, Shelley Duvall, Ray Walston and Paul Dooley star in Popeye (TBS, Sunday at 9:50 a.m.), a 1980 musical about the famous sailor from the comic strip. Directed by Robert Altman and featuring songs by Harry Nilsson, the film has Popeye going to the village of Sweethaven in search of his father. For ages 5 and up. **** Following the live-action version, TBS presents A Popeye Special (12:20 p.m. Sunday), a mini-marathon of Popeye cartoons. For the family. **** The Disney Channel offers A Far Off Place at (Sunday at 7 p.m.), about a game warden’s daughter, a city boy and a native Bushman making their way across the African desert to escape murderous poachers. For ages 10 and up. **** In “The Paw That Rocks the Cradle” on The Parent ‘Hood (WB, Sunday at 7:30 p.m.), Nicholas has everybody worried because he is constantly talking to an invisible friend. Robert agrees to let him keep a stray dog, hoping it will replace his imaginary friend. Singer Nancy Wilson guest stars as a school psychologist. For ages 10 and up. **** The Disney Channel celebrates Independence Day on Thursday in a variety of ways: A rabbit fights for justice and saves the world from evil in The Adventures of the American Rabbit at 1 p.m. The super-bunny is a superhero on roller skates. For ages 5 and up. All About The Statue of Liberty at 2:20 p.m. is a collection of live action, animation and still photography featuring children’s opinions about Lady Liberty. For ages 5 and up. America’s folk heroes are saluted in Festival of Folk Heroes at 2:30 p.m. For the family. The Statue of Liberty comes alive for a 10-year-old boy bored with school in My Friend Liberty, at 5 p.m. Johnny goes on a dream adventure when the Statue of Liberty comes to life and leads him on a historical tour of New York. For the family.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19855-story.html
Four-Star Films : ‘Love Me Tonight’
Four-Star Films : ‘Love Me Tonight’ The opening sequence of Rouben Mamoulian’s exquisite 1932 landmark film, regarded as the first screen musical in which songs and dramatic action are truly integrated, exemplifies why Mamoulian was one of Hollywood’s major innovators and stylists. The film begins with a symphony of sounds and images of Paris at dawn. By the time Maurice Chevalier (center) opens his tailor’s shop and sings--a little later on--Rodgers and Hart’s “Isn’t It Romantic?,” the refrains repeating and building until we reach the balcony of late-sleeping princess Jeanette MacDonald (right), who completes the song, Mamoulian has transported us to a world in which everything is possible--even a princess falling in love with a tailor. With Myrna Loy (left) (AMC early Wednesday at 12:15 a.m.) Other selected four-star films airing this week: America, America / Bravo, Monday, 9 a.m. and Saturday, 8 a.m. A Hard Day’s Night / AMC, Monday, 7:30 p.m. Follow the Fleet / AMC, early Tuesday, 2:15 a.m. A Matter of Life and Death / Bravo, Wednesday, 5 and 11 p.m.; Thursday, 11:15 a.m. The Man Who Shot Liberty Valance / TNT, Thursday, 6:30 p.m. Ride the High Country / TNT, Saturday, 10 a.m.
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19856-story.html
‘Wigstock: The Movie’
‘Wigstock: The Movie’ Part concert film, part documentary and totally fun, Barry Shils’ 1995 release captures the good cheer, outrageous humor and high energy of downtown Manhattan’s annual Labor Day “drag” extravaganza. Among the countless entertainers are the musical trio Deee-Lite, L.A.'s Jackie Beat, RuPaul (pictured) and recording artist Crystal Waters (Cinemax early Monday at 3:10 a.m.).
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19857-story.html
‘An Awfully Big Adventure’
‘An Awfully Big Adventure’ Based on the Beryl Bainbridge novel, this 1995 British film has its share of life-in-the-theater shenanigans, and some of them are flavorful. Set in 1947 Liverpool, it’s about stage-struck 16-year-old Stella (Georgina Cates, right), who becomes an assistant stage manager for a theater company run by the imperially effete Meredith Potter (Hugh Grant, left). Peter Firth (center) also appears. (Cinemax Wednesday at 11:30 p.m.).
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https://www.latimes.com/archives/la-xpm-1996-06-30-tv-19858-story.html
‘Clueless’
‘Clueless’ Effervescent, unflappable and supremely pleased with herself, Cher (delightfully played by Alicia Silverstone, left with Stacey Dash) is the comic centerpiece of “Clueless,” a wickedly funny 1995 teen-age farce from writer-director Amy Heckerling that, like its heroine, turns out to have more to it than anyone could anticipate. “Clueless” is a shrewd modern reworking of some of the themes and plot lines of Jane Austen’s beloved “Emma.” (HBO Saturday at 8 p.m.).
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https://www.latimes.com/archives/la-xpm-1996-07-03-mn-20778-story.html
Man Won’t Be Retried in Repressed Memory Case
Man Won’t Be Retried in Repressed Memory Case Six years after his daughter’s recovered memory helped convict George Franklin Sr. of murdering her childhood friend, San Mateo County prosecutors announced Tuesday that Franklin will be set free today because they do not have enough evidence to retry him for the 1969 murder. San Mateo County Dist. Atty. Jim Fox told reporters that his decision not to retry Franklin after an appellate court judge threw out his 1990 conviction last year was “very difficult.” Prosecutors still believe Eileen Franklin-Lipsker’s recollection of the murder, Fox said, but “do not believe we could meet our burden in a jury trial.” Franklin’s attorney, Douglas Horngrad, said the prosecutor’s decision vindicates his client, who has always maintained his innocence. “George has been in prison or jail for six years, seven months and four days” since his arrest, Horngrad said. “It is an absolute travesty and a tragedy. George is going to get out of jail tomorrow and put his life back together. This has been a Kafkaesque experience for him.” Horngrad declined to say whether Franklin will file suit against the state for wrongful imprisonment, but said his client will “consider all his options” after taking some time to put his life back together. Prosecutors said that testimony given by Janice Franklin, Eileen’s sister, in a court hearing last month was particularly damaging to their case. Janice Franklin said that she and her sister had been hypnotized before their father’s trial to enhance their memories of events surrounding the death. In 1989, Eileen Franklin-Lipsker, then 29, told investigators that she had suddenly remembered watching her father molest and murder 8-year-old Susan Nason, who lived on the same block in Foster City as the Franklin family. Franklin-Lipsker said her father picked her and Susan up in his Volkswagen van in September 1969 and drove them to a remote spot. There, Franklin-Lipsker recalled, her father molested Susan in the back of the van before smashing the girl’s head with a rock because she would not stop crying. Susan’s body was discovered three months after she disappeared, under a mattress near a reservoir several miles from her home. In dramatic testimony, Franklin-Lipsker said that the memory of the incident returned to her as she watched her own daughter, who was close to Susan’s age, at play in their Canoga Park home in 1989. Largely on the basis of Franklin-Lipsker’s memory of the crime, Franklin was convicted of first-degree murder in 1990 and sentenced to life in prison with possibility of parole. It was the first time that repressed memory testimony was used to convict someone of a crime. Such memories have since come under widespread criticism as unreliable, and psychology experts are bitterly divided over their authenticity. The case against Franklin began to unravel in April 1995, when U.S. District Court Judge Lowell Jensen overturned his conviction, saying he had been denied a fair trial. Jensen faulted the trial judge, Superior Court Judge Thomas M. Smith, for refusing to let defense attorneys introduce newspaper articles about Susan’s murder that they said could have provided Franklin-Lipsker with details of the crime that she later claimed to have dredged from repressed childhood memories. Jensen also said that Smith should not have allowed Franklin-Lipsker’s testimony that she visited her father in jail and that he had pointed to a sign that said “conversations are monitored” when she pleaded with him to confess to the murder. The prosecution portrayed Franklin’s silence as tantamount to a confession. The jury was not told that the prosecution arranged Franklin-Lipsker’s visit. But even after his conviction was overturned last year, Franklin, 57, was kept in jail. Prosecutors filed several appeals of Jensen’s decision, all of which were rejected. Also, Franklin-Lipsker had told investigators in 1990 that she remembered her father committing two more murders, Horngrad said. Her memory of one of the murders was so sketchy that investigators could not link it with any unsolved crime. But early this year, Horngrad said, prosecutors considered charging Franklin with the rape and murder of 18-year-old Veronica Cascio, who disappeared from her Pacifica home Jan. 7, 1976. Franklin-Lipsker identified a picture of the teenager, whose body was found on a Pacifica golf course. She told prosecutors that she remembered witnessing her godfather, Stan Smith, rape Cascio and seeing her father murder her. But Franklin’s defense attorneys uncovered evidence in May that Franklin was at a union meeting at the time of the murder. DNA tests of semen found on Cascio proved that neither Franklin nor Smith could have raped Cascio, Horngrad said. The final blow to the prosecution came with Janice Franklin’s testimony about being hypnotized before testifying against her father. In California, testimony influenced by hypnotic suggestion is inadmissible. It was not until Tuesday, however, that prosecutors formally abandoned their efforts to retry Franklin for the Nason murder. Prosecutors hung on as long as they did, Deputy Chief Dist. Atty. Stephen Wagstaffe said, because “this is a case where six years ago, 12 people in our community determined that there was enough evidence to convict, and we have not changed our view that the evidence was valid and appropriate.” Wagstaffe said it is “heartbreaking” that Franklin will go free. “I don’t think we’ll ever see a case like this again, nor do we want to,” he said. Horngrad said Franklin’s life was destroyed by his daughter’s charges and his murder conviction. “He’s been flattened like a pancake” by his years in prison, Horngrad said. “He lost everything he had earned in the world. He lost his house, his reputation, his liberty--all his worldly possessions. “The broader lesson here is that you cannot--nor should you--charge someone criminally, deprive them of their liberty, based on so-called repressed memory,” Horngrad said in a telephone interview from Idaho, where he is vacationing. During his murder trial, witnesses portrayed Franklin, a father of five, as a bizarre character. Janice Franklin testified during the first trial that her father had physically and sexually abused her. Leah Franklin, who divorced him in the 1970s, also testified that her husband was physically abusive. Judge Smith called Franklin a “wicked and depraved” man in sentencing him to life in prison. Franklin’s defense did not contest the prosecution’s portrayal of their client as a man obsessed with child pornography. But Leah Franklin, after testifying against her husband in the 1990 trial, later said that she did not believe in the concept of repressed memory or in her daughter’s account of Susan Nason’s murder. A made-for-television movie and two books were written about the case, including one by Franklin-Lipsker. Fox said the San Mateo County prosecutor’s office contacted both Franklin-Lipsker, who now lives out of state, and Susan Nason’s parents, who still live in the same Foster City home, before announcing that Franklin will not be retried. “They are terribly disappointed with this decision, but they absolutely understand it,” he said.
2fbcecb08308cfd74c4d10f5625e9c1a
https://www.latimes.com/archives/la-xpm-1996-07-07-mn-22011-story.html
2 Killed as Engine Parts Pierce Cabin of Delta Jet
2 Killed as Engine Parts Pierce Cabin of Delta Jet Pieces of a failed engine ripped into the cabin of a Delta Air Lines jet as it sped down a runway Saturday, killing a mother and son and forcing the pilot to abort the takeoff. Flight 1288 was headed to Atlanta carrying its capacity of 142 passengers and five crew members, said Kathleen Bergen, spokeswoman for the Federal Aviation Administration in Atlanta. In addition to the fatalities, seven people were injured, at least one seriously. The 8-year-old MD-88 jet was 1,500 feet down the runway when passengers reported seeing smoke from the left engine, Bergen said. Delta spokesman Bill Berry said pieces of the engine pierced the fuselage after the engine caught fire, killing a mother and son in the cabin. “At this point we believe it was a major failure of the engine,” Berry said. The dead were identified as Anita S. Saxton and Nolan Saxton, 12, of Scottville, Mich. No age was available for Anita Saxton. The victims were seated in row 37, very close to the engine, Berry said. Airline officials were investigating whether a bird or other outside object may have caused the engine fire. “At first I thought it was a blown tire until I saw the engine flying off the runway,” said Jean Paul Menard, a passenger traveling with his wife and 11-month-old child. “It was the front part of the engine. I seen the smoke and I just wanted to get my family off of there.” Mark Sullivan, a spokesman for East Hartford, Conn.-based Pratt & Whitney, which manufactured the engines for the McDonnell Douglas plane, said the company believes a fan blade in the front of the left engine failed. Broken pieces of the blade probably penetrated the fan case and debris went flying, Sullivan said. “We believe that is what happened. But we have not confirmed it because we haven’t examined the engine,” Sullivan said. The plane’s engines, located on each side of the rear fuselage, are the Pratt & Whitney-made JT8D-219s. In May, the National Transportation Safety Board recommended to the FAA that certain Pratt & Whitney jet engines be inspected for cracks. Sullivan said the JT8D-219 was not among those to be inspected. The NTSB’s recommendation stemmed from an incident Jan. 30 at LaGuardia International Airport in New York City in which an engine on a Delta Air Lines Boeing 727 failed, throwing several parts through the engine covering. The crew halted the takeoff and passengers were evacuated without injury, the board said. At least 30 passengers on Saturday’s flight were evacuated using slides. The remaining passengers used the stairs. Five of the injured were taken to Baptist Hospital. The NTSB said it was sending investigators to the crash site.
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https://www.latimes.com/archives/la-xpm-1996-07-07-mn-22049-story.html
2 Killed as Engine Parts Pierce Cabin of Delta Jet
2 Killed as Engine Parts Pierce Cabin of Delta Jet A Delta jet engine blew apart and ripped into the cabin packed with holiday travelers as the plane sped down a runway Saturday, killing a mother and son and forcing the pilot to abort takeoff. Delta Flight 1288 was headed to Atlanta carrying its capacity of 142 passengers and five crew members, said Kathleen Bergen, spokeswoman for the Federal Aviation Administration in Atlanta. In addition to the fatalities, seven people were injured, at least one seriously. The 8-year-old MD-88 jet was 1,500 feet down the runway when passengers reported seeing smoke from the left engine, Bergen said. Delta spokesman Bill Berry said pieces of the engine pierced the fuselage after the engine caught fire. “At this point we believe it was a major failure of the engine,” Berry said, adding that there was no indication of fire in the cabin. The dead were identified as Anita S. Saxton and Nolan Saxton, 12, of Scottville, Mich. No age was available for Anita Saxton. The victims were seated in row 37, very close to the engine, Berry said. Also on board were Nolan’s brother Derrick Saxton, 15, and his sister Spencer Saxton, 9. Both were in good condition late Saturday at Sacred Heart Hospital. The hospital did not release the exact nature of their injuries. “At first I thought it was a blown tire until I saw the engine flying off the runway,” said Jean Paul Menard, a passenger traveling with his wife and 11-month-old child. “It was the front part of the engine. I seen the smoke and I just wanted to get my family off of there.” His wife, Brenda, said part of the engine burst through the fuselage. “There was part of it that went through to the other side,” she said. Bill Schmitz, 65, of Mission Viejo, who was unhurt, said, “We kind of thought it was just a routine deal up in first class. But it was far from routine. . . . When we finally got out, we looked over there and we saw that the rotary blades out of the jet motor had blown and had sheared the plane just like a can opener.” Mark Sullivan, a spokesman for East Hartford, Conn.-based Pratt & Whitney, which manufactured the engines for the McDonnell-Douglas plane, said the company believes a fan blade in the front of the left engine failed. Broken pieces of the blade probably penetrated the fan case and debris went flying, Sullivan said. “We believe that is what happened. But we have not confirmed it because we haven’t examined the engine,” Sullivan said. Of Delta’s fleet of more than 500 planes, 120 are MD-88s. “I am not aware that the MD-88s we have used have had any problems,” Berry said. The plane’s engines, located on each side of the rear fuselage, are the Pratt & Whitney-made JT8D-219s. In May, the National Transportation Safety Board recommended to the FAA that certain Pratt & Whitney jet engines be inspected for cracks. Sullivan said the JT8D-219 was not among those to be inspected. The NTSB’s recommendation stemmed from an incident Jan. 30 at LaGuardia International Airport in which an engine on a Delta Air Lines Boeing 727 failed, throwing several parts through the engine covering. The crew halted the plane’s takeoff and passengers were evacuated without injury, the board said. Schmitz, 65, a retired sales executive, called a daughter in Pensacola to report he was all right, so the family was never worried about him, said daughter Sharon Schmitz, who was at her parents’ home in Mission Viejo. Bill Schmitz had logged more than a million miles flying during 35 years of business travel for Hallmark, she said, but this scare was a lesson. “We always took for granted that he’d come home to us. This made us realize you can’t take that for granted,” Sharon Schmitz said. In June 1995, a fire that destroyed a ValuJet plane at Atlanta’s Hartsfield International Airport was found to have been caused by a compressor disc in a JT8D engine that shattered and cut through a fuel line. A flight attendant suffered burns in the incident and six passengers were injured. Berry said the Delta MD-88’s left engine underwent routine maintenance before it was installed in January. He did not elaborate. At least 30 passengers on Saturday’s flight were evacuated using slides. The rest use the stairs. Berry said he didn’t know if passenger injuries were caused by the engine fire or people trying to evacuate the plane. Five of the injured were taken to Baptist Hospital. One was treated and released and one was in serious condition with a fractured leg. Three others, including a 3-month-old girl, were in good condition. The plane was scheduled to fly on to Boston from Atlanta. The FAA and National Transportation Safety Board were investigating. Delta has had two other fatal accidents since 1985. On Aug. 2, 1985, a Lockheed L-1011 crashed at Dallas-Fort Worth Airport, killing 137 people. On Aug. 31, 1988, a Boeing 727 crashed and burned on takeoff at Dallas-Fort Worth, killing 14 people. Times staff writer Ken Ellingwood contributed to this story.
773f791f4936248c2a63f834a10e67bb
https://www.latimes.com/archives/la-xpm-1996-07-08-fi-22178-story.html
Is There Really a Point to Pepsi Aircraft Offer?
Is There Really a Point to Pepsi Aircraft Offer? PepsiCo. is offering hats, jackets, bikes and other “Pepsi stuff” to people who earn points by saving empty beverage containers. To win a T-shirt, for instance, takes 80 points, or the equivalent of 40 two-liter Pepsi bottles. But the Web site designers at Delta Designs in Anaheim, perhaps taking one of Pepsi’s television ads a touch too literally, are setting their sights on what is supposedly the biggest prize of the promotion: a Harrier jet that costs 700 million points. In a Web site designed to spoof the Pepsi campaign, the wags at Delta encourage Web surfers to send them Pepsi bottles and cans in an effort to pool resources and win the jet. Accumulating 700 million points is mathematically possible--Pepsi said it will issue 7 billion points during the course of its campaign. But the company insists that the Harrier jet spot was a joke. “I’d say it’s a great spoof on a spoof,” Brad Shaw, a Pepsi spokesman, said of the Delta Designs site. “But rather than redesigning their garage to get a jet, they should rent a warehouse for all the T-shirts and bikes they’ll be getting if they do send in 700 million points.” There doesn’t appear to be much chance of that. Kerry Garrison, director of Web technologies at Delta, said nobody has sent in any Pepsi bottles or cans yet, and those collected by Delta employees form a rather small pile. According to an odometer-style counter built into the site, Delta has 699,991,150 Pepsi points to go. The site can be viewed at https://www.700million.com * Greg Miller covers high technology for The Times. He can be reached at (714) 966-7830 and atgreg.miller@latimes.com.
7575a83ebd8397e478b404ded878f2d7
https://www.latimes.com/archives/la-xpm-1996-07-18-ca-25515-story.html
Sounds of Hot Jazz Stay Warm : Harry James Band to Play at the Mission
Sounds of Hot Jazz Stay Warm : Harry James Band to Play at the Mission Art DePew says he “flipped” the first time he heard Harry James play; as a boy, he did everything he could to imitate the great jazz trumpeter. In the ‘60s, he became a James sideman, his dream come true. But DePew never dreamed he’d someday be front man for the Harry James Orchestra--and responsible for carrying on the James sound. “Harry James had a luscious, saccharine quality when he played,” says DePew, who will lead the 17-piece orchestra Saturday in the Mission San Juan Capistrano courtyard as part of the mission’s “Music Under the Stars” series. “He’d take a beautiful melody and put a blue note to it, with this nice vibrato . . . lushness and sweetness. He poured his heart out when he played a melody, really wore his heart on his sleeve. But Harry James had an exciting, driving, punchy style [as well]--he was a very, very good hot jazz player.” That’s hot, not cool. “Chet Baker is a cool player,” DePew continues. “We don’t play that way. They don’t pay me to sound like Miles Davis, either. It would sound awfully dumb if I was playing with no vibrato, and slightly out of tune, like Davis and some of the be-boppers.” With vibrato, then, DePew and company will play such Harry James hit tunes as “You Made Me Love You,” “One O’Clock Jump” and “By a Sleepy Lagoon.” DePew was born in West Palm Beach, Fla. His father, a minister who had been a missionary in Africa, allowed him to play with dance bands on Saturday nights as long as he played in the church orchestra on Sunday morning. Following a three-year stint at the Juilliard School of Music in the 1940s, DePew toured briefly with the Tommy Dorsey and Glenn Miller orchestras, then settled down with the Harry James and Lawrence Welk orchestras, for four and eight years, respectively. James died in 1983; for a time, there was no James band. Joe Graves, who also had been a James sideman, was the first trumpeter brought in to revive the James sound, but dental problems proved his undoing. DePew, a youthful 71 and a resident of the San Fernando Valley, is in his ninth year fronting the group. He shuns the term ghost band, possibly coined by Woody Herman and referring to orchestras that persist in the absence of their original leaders. (Herman’s own band, the Thundering Herd, surely qualifies.) “The term is negative,” DePew says. “But let’s look at the band we have. At a recent show I asked, ‘Would everybody who played with Harry James when he was alive please stand up.’ Eight or nine of the guys stood up. So what is a ghost band?” Good question. It might also be an apt description for a band whose heyday was the 1930s and ‘40s and that is now relatively invisible, and that may or may not survive beyond the next wave of nostalgia. * DePew is well aware of the big bands’ obscurity: “If you listen to your radio, your ordinary AM, you’ll look far and wide to find more than one or two stations playing what I call adult music. They’re playing the least common denominator, the kids’ music. We come from an era of complicated harmonies and counter-rhythms, of music much more mature in concept. “When Elvis and the Beatles came along, they put the lid on that era. Big bands were still out there, but you couldn’t hear them on the radio. A massive teeny-bopper market was setting commercial tastes. . . . The record companies signed as many rock ‘n’ roll artists as they could, and that left no room for big band jazz.” DePew hopes nostalgia isn’t all that keeps the big bands alive. “Certainly it’s been a declining market,” he allows. “The Harry James Orchestra hasn’t had a hit record since 1945. . . . But there’s good music, and there’s the other kind. “Good music is always good--Mozart and Beethoven are good no matter what happens commercially. The grosses a big band earns are not the same as some guy with a voice that turns your stomach at $50 a head plus parking. . . . Yet the Count Basie Orchestra, Glenn Miller, Tommy Dorsey, I’ve heard a long time they’re coming back, and the fact is, they’ve always been here. “The people who grew up with this music are now in their 60s and 70s,” DePew notes. “But we played recently, and a whole gang of young people went wild--they’d never heard anything like this. They’d heard about it. . . . I think we have tremendous potential.” * What: The Harry James Orchestra. * When: 6:30 p.m. Saturday. * Where: The Mission San Juan Capistrano courtyard, 31522 Camino Capistrano. * Whereabouts: Exit the San Diego (405) Freeway at Ortega Highway (74); go west. Turn right onto Camino Capistrano. * Wherewithal: $5-$7. * Where to call: (714) 248-2047.
3712e8f5a4d0e8ad852a9fe01f7150a3
https://www.latimes.com/archives/la-xpm-1996-07-21-ca-26277-story.html
The Girl Can’t Help It
The Girl Can’t Help It Steve Kloves has a vivid Gwyneth Paltrow memory. He’s a big fan of hers, having directed her in a movie called “Flesh and Bone,” which nobody saw but nonetheless had a lot of Hollywood insiders talking--talking about her. She was 20 at the time. “She had this almost Holly Golightly thing,” Kloves says. “She used to say this one thing that would just kill you. She’d be in the middle of a conversation and she’d say, ‘I’m just a girl.’ It used to slay people: ‘But then, I’m just a girl.’ ” Now, three years later, Paltrow glides into a midtown Manhattan restaurant with the girlishness left somewhere--though not too far--behind. She sits down and orders a tomato juice, something she normally does on an airplane, and this leads to the sort of musing that Kloves was talking about. “You’re so busy all day, stuck in your head and your own life,” she says. “Did I feed the dog? When do we have to wake up in the morning to go to work? You get on a plane and it all stops. I’m like the tiniest thing, and I’m about to go into the sky in a 50-billion-ton metal structure. I understand aerophysics and everything, but as a mammal it terrifies me.” Her blond hair is pulled tight away from her forehead. She’s wearing a loose black sweater and a gray ankle-length deconstructed skirt (meaning it looks as if it needs to be hemmed). On her feet are what appear to be sports sandals. On her fingernails is chipped lavender nail polish. These details are important because to some arbiters of taste she’s the epitome of cool. This coolness is the latest in a series of roles she’s assumed, though not entirely of her own volition. First, she was known as the daughter of actress Blythe Danner and television producer Bruce Paltrow (“St. Elsewhere”). Then--and this is a continuing role--she became known as heartthrob Brad Pitt’s significant other. And now--and this may partly be related to Pitt--she “reigns supreme,” according to Vogue magazine, as Hollywood’s “Ubiquitous Blonde of the Minute.” “It’s very bizarre,” she says, “being part of the pop culture.” Paltrow has been stuck with these various roles because until recently she hasn’t found one to measure up to Ginnie, her nasty con artist in 1993’s “Flesh and Bone.” She played a Tallulah Bankhead type in “Mrs. Parker and the Vicious Circle,” Thomas Jefferson’s father-fixated daughter in “Jefferson in Paris,” the naive chain-smoking sister in “Moonlight and Valentino,” Pitt’s long-suffering wife in “Seven,” an ethereal object of neurotic affection in “The Pallbearer” and a prostitute in the still-unreleased “Hard 8.” Kloves explains her relatively limited roles after “Flesh and Bone” this way: “She’s strong. If you cast her, you’re really making a choice. There’s nothing generic about Gwynny. The other problem was she was 20 years old and she was reading for parts sometimes for 25- to 30-year-olds. I mean, 20 is 20. How many interesting parts are there for 20-year-old women?” Well, now there’s “Emma.” “Emma,” opening Aug. 2 with Paltrow in the title role, is yet another adaptation of a Jane Austen novel, following last year’s “Sense and Sensibility” and “Persuasion.” It’s similar to those two in that the heroine has to negotiate her way around convention and false suitors to find true love. The difference is that there’s much more to her than just finding a man and that a lot of that complexity is irritating. “One of the many great things about Gwyneth is she plays all sides of it,” says the film’s director, Douglas McGrath. “She doesn’t soften the unpleasant things in Emma’s character, nor does she inflate her good qualities. She has everything a young woman that age has, all the petulance, the vanity, the self-confidence that can only come from youth and ignorance. The tenderness, the repentance, the honest desire to help someone even though in her case it always seems to turn into harm. Because she doesn’t always try to make herself look good, that makes her all the more endearing.” * Few, if any, of the qualities seem to have been drawn from Paltrow’s own personality, although aspects of it push the movie along. “The amazing thing about her,” McGrath says, “is that as a rule she can be running around the set, singing, dancing, curled up like a cat, and then the minute action is called, she completely changes. She adopts every feature of a young woman in 19th century England of that breeding and station.” “She’s well in touch with her instincts, which is a great skill to have,” says Jeremy Northam, who plays Emma’s conscience (and a good deal more). “She just sails through and seems to have a blast doing it, and I think it shows on the screen because there’s a real sense of fun and mischief.” In person, Paltrow is open, animated, New Yorker-ish. As with most actors, her emotions are very near the surface. She’s visibly pained when she talks about a scene in “Emma” in which her character cruelly cuts down a poor spinster. She warms up while reminiscing about her first location shoot, in Texas, for “Flesh and Bone.” She speaks highly of so many of her “Emma” colleagues--McGrath, Toni Collette, Juliet Stevenson, Sophie Thompson, Phyllida Law among them--that you can’t help but think she likes people as a general principle. She’ll philosophize in a collegiate way about gay men, the French, art, the insularity of Hollywood. (“The importance they place on what a movie grosses and who’s hot and who’s it and who’s getting what out of what studio,” she says. “The whole thing makes me nauseous.”) “She’s an actress,” says Donna Gigliotti, executive producer of “Emma.” “She can do that silly thing, the ‘Let’s talk about hair and makeup and clothes.’ But if you dig a little deeper, you’ll find a very serious person. She happens to be packaged in someone who is beautiful and talented.” This, Gigliotti acknowledges, makes Paltrow almost sickeningly accomplished. “There were several young women who used to watch the rushes with me,” she says. “They would turn to me and say, ‘When did Gwyneth learn to shoot a bow and arrow?’ I’d say, ‘She knew how to do it.’ In the singing scene they said, ‘Whose voice did you dub for Gwyneth?’ ‘It’s her own.’ They said, ‘OK, she’s beautiful, she can do this accent, she’s a good actress, she can sing, and she can shoot a bow and arrow. And Brad Pitt’s her boyfriend. Isn’t there something wrong with her?’ ” Whatever is wrong or right with Paltrow has its origins partly in her bicoastal childhood. She spent the first 11 years of her life in Los Angeles and then moved with her family to New York. This uprooting was not as abrupt as it might seem, she says, because she spent much of the second and third grade in New York while her mother worked on Broadway, and many of her relatives on both sides live in the metropolitan area. “It was very important to my mother that we be raised for the latter part here,” she says. “I think she found so many aspects of L.A. superficial. There’s so much culture here, the museums and the theater. Just walking down the street here you’re exposed to everything.” “You feel it with Gwynny,” Kloves says of her cosmopolitan upbringing. “She was a remarkable 19-year-old, and I think some of that had to do with the fact that she’d spent an enormous amount of time in New York. There was a sophistication and an intelligence that came from that. She could have had a real Beverly Hills lifestyle.” * Instead, she had a preppy lifestyle at Spence, a fancy private school for girls, and spent part of a year of high school as an exchange student in Spain. It’s the sort of life that was satirized in Whit Stillman’s “Metropolitan,” which she says she could relate to, with “the balls and everybody going to hang out at somebody’s house and drinking and talking. There was that kind of ‘Oh, Vanessa, listen to what Samantha thinks about the interpretation of. . . . ' It doesn’t make any sense. It’s mental posturing.” Alongside this posturing was a genuine desire to act, which her parents discouraged. After she graduated from Spence, she went to UC Santa Barbara, majoring in art history, but she was constantly cutting classes so that she could go to auditions in L.A. She also made a very brief appearance in “Hook,” having been cast by family friend Steven Spielberg while standing in line for a screening. At this point, she says, her father issued a kind of ultimatum: “Either you should go to college or not. This middle ground is not productive.” The decision was made when Paltrow appeared with her mother onstage in a production of “Picnic” at the Williamstown Theater in Massachusetts. Her father attended the dress rehearsal and then went backstage, where “he was being very effusive about my performance, and he said, ‘I don’t think you should go back [to college],’ ” she says. “It’s probably the one moment in my life that was truly one of the most amazing things and at the same time was really a definitive thing.” She then knew where she was going, and her confidence--or ignorance--was such that she had no concerns about getting there. “I knew it was just a matter of time,” she says. “When I was starting, I thought, ‘Well, when is it going to happen?’ But I knew it was going to happen.” It happened when Kloves cast her in “Flesh and Bone.” He had seen her in “Cruel Doubt,” a miniseries that she appeared in with her mother. “I had a gut feeling she was the one,” Kloves says of her audition. “She walked in wearing this little sundress and she’s all sunshine, and then we started to read and it was like a veil came down over her face and she was Ginnie. And it was chilling, because Ginnie was a chilling character.” Unfortunately, neither the studios nor the public knew what to do with “Flesh and Bone” or Paltrow, so the media identified her not as an actress in her own right but as Blythe Danner and Bruce Paltrow’s daughter--and kept doing it. What’s odd about this is that very few people outside the industry know who Bruce Paltrow is, and Blythe Danner, though she has many admirers, is not exactly a household name either. “It’s funny,” Gwyneth Paltrow says. “Like you read articles on Ben Stiller, and I think they say less about his parents, that he’s the son of Anne Meara and Jerry Stiller. I think people would know more who they are. Why don’t they do it with Ben?” This was just the beginning of Paltrow’s complicated relationship with the press. After “Flesh and Bone,” she did a slew of movies that would have earned any other promising young actress a degree of attention, but because she was somebody’s daughter, and then somebody’s girlfriend, she received a sort of third degree of attention. “They literally make things up,” she says of the tabloid coverage of her relationship with Pitt, whom she met around the time they made “Seven.” “They’ll be like, ‘A pal says that Gwyneth said, “I’m just not yet ready for marriage. I want to pursue my own career. Look at all the couples in young Hollywood that don’t survive this madness.” ’ Unbelievable. They just lie and say, ‘Gwyneth says yes to marriage after saying no to three proposals.’ It’s just garbage.” Most of this is written by people who have never met her. But, she insists, even the ones who have don’t get it right. One writer said that her ambition was fueled by the death of several friends (she says she takes on projects for a lot of reasons: money, because she likes the scripts and the people involved in it). Another reporter implied that her manner was manufactured and that she was a party animal. (“I never go to clubs,” she says. “Ever.”) And then there are the questions about what she and Pitt do together. “I don’t understand what people expect,” she says. “I’m not going to sit down with a writer and divulge intimate and private things. I’m in a very happy relationship. We’re the best of friends. We go out on a date together. We go to the movies. I make dinner. We go out to dinner. We have friends over. Beyond that, I don’t know what else people expect me to say.” She thinks that some of her treatment by the press, especially the reports that she’s a club-hopping, drug-taking, rock ‘n’ roll chick, has its roots in jealousy. “Women get crazy over Brad,” she says. “You’ve never seen anything like it. Women are like, ‘I will marry him.’ And I’m not talking about 14-year-old girls--28-year-old women. They’re obsessed.” She describes her own initial interest in him in much more prosaic terms. In fact, it wouldn’t make a bad romantic comedy. “It would never occur to me to flirt with somebody, even if I had a crush on them,” she says, describing herself as a bit “oblivious.” “I wouldn’t know if somebody was flirting with me. When Brad and I met, he says, it was obvious that he liked me and that I was an idiot. But I had no idea. I thought he was just really friendly.” She laughs. “And then I started getting a crush on him. I’m like, ‘Are you insane? You can’t get a crush on Brad Pitt. Get hold of yourself.’ It’s funny to think back into that mind now. Now it’s so different.” “Emma” is not going to change this state of affairs, but it may give the press something else to talk about. McGrath brought her in for the part at the suggestion of his agent, Boaty Boatwright (who also happens to represent Blythe Danner), and after watching “Flesh and Bone.” She was the right age, which was important, and she was a few other things besides. “The thing that actually sold me on her playing a young English girl was that she did a perfect Texas accent,” McGrath says. “I know that wouldn’t recommend her to most people. I grew up in Texas, and I have never heard an actor or actress not from Texas sound remotely like a real Texan. I knew she had theater training, so she could carry herself. We had many actresses, big and small, who wanted to play this part. The minute she started the read-through, the very first line, I thought, ‘Everything is going to be fine; she’s going to be brilliant.’ ” It was after this read-through that Miramax Co-Chairman Harvey Weinstein decided to green-light the movie, although Paltrow says it wasn’t quite that simple. He had another movie he wanted her to do. . . . “When he saw the reading, he was like, ‘OK, let’s do it,’ and then he was kind of up in the air and then he said, ‘If you do “The Pallbearer,” we’ll make “Emma.” ’ He knew I really wanted to do ‘Emma’ and that I was less keen to do ‘The Pallbearer,’ ” she says. Meryl Poster, who is senior vice president of production at Miramax, confirms this. In fact, the director, writer and producer of “The Pallbearer” were present at the “Emma” reading and wanted her on the basis of it. “Harvey really wanted her to do ‘The Pallbearer,’ ” she says. “And so I think that in his unique way he was saying, ‘Do “The Pallbearer” and I’m going to make “Emma” and that will make you a star.’ Because a lot of people talk about Gwyneth and there’s so much hype about her, but you hadn’t really seen her carry a film before. . . . We didn’t even open up the audition process, and a lot of actresses were miffed about it.” Paltrow says that she tried not to think about the fact that the project was riding on her performance. She did, however, get nervous when she tried out her English accent during the second read-through, which took place with the English cast members. Jeremy Northam says she wasn’t the only one who was nervous, that all the actors were, though not for her but for themselves. McGrath has a slightly different understanding of this occasion. “I’m sure they all thought, ‘We have to help the American girl,’ with that slightly patronizing ‘We are the gods of the English theater,’ ” he says. “After the read-through, not only were they excited to be in the movie with her, but I’m sure it actually made them a little insecure. You could see it as the read-through went on, because the energy kept picking up from the next person.” Here McGrath imitates them laughing nervously. “They were like, ‘Wow, she’s really good.’ ” “If you’re another actor,” Kloves says, “you’re a fool if you don’t take her seriously, because she’ll smoke you.” Cross her creatively and she might smoke you too. She makes no bones about the treatment accorded her next movie, “Hard 8,” and its director, Paul Thomas Anderson. She says that the studio, Rysher Entertainment, fired Anderson and re-cut the film, despite the fact that it had been well reviewed and well received at some of the film festivals. They also changed the title from “Sydney.” The new one, she says, sounds like “a porno movie.” “If they don’t release his version,” she says, “I will be on a personal crusade to murder these people for the rest of my life.” (According to Rysher, the dispute has been resolved, and the director’s cut will be released early next year. Anderson says he prevailed in part because of Paltrow. “She was so tough and so strong to stand up for me and to help support me,” he says. “She took her job to another level by being there for me in the editing process, by constantly supporting me and giving me advice on how to deal with the situation.”) The rest of Paltrow’s life shapes up as follows: She just finished a thriller called “Kilronan,” playing Jessica Lange’s daughter-in-law. This month she’ll begin an updated version of Charles Dickens’ “Great Expectations,” playing the icy Estella opposite Ethan Hawke. After lunch, she is going to meet with David O. Russell, director of “Flirting With Disaster.” And this fall, she plans to become--a woman. “I’ll be 24 in September,” she says. “I feel like that is a woman’s age. Twenty-three is still kind of on the border. To me, at 23 you can still really be a kid. I just mean in terms of a number, because obviously everybody is different. For example, if somebody said they were 24, you’d know they would have to be a woman, right?” She laughs, knowing how this sounds but determined to explain why she’s not “just a girl” anymore--as if there’s ever been any doubt.
390cf957f153f0b729162bb013436005
https://www.latimes.com/archives/la-xpm-1996-07-21-tv-26268-story.html
View From the Rug Up : ‘RUGRATS,’ NICKELODEON’S ANIMATED HIT, LOOKS AT WORLD THROUGH EYES OF A TODDLER
View From the Rug Up : ‘RUGRATS,’ NICKELODEON’S ANIMATED HIT, LOOKS AT WORLD THROUGH EYES OF A TODDLER What’s the top-rated cable series? Think cartoon. Think family-friendly cartoon. Think weird, family-friendly cartoon: “Rugrats,” the Emmy Award-winning animated show that has captivated viewers of all ages with wacky, toddler-point-of-view observations of life. So what’s the appeal? The characters, for one, with faces and forms not to be found in nature. They include perpetually scared, bespectacled Chuckie (even his spiky red hair looks anxious), four-year-old meanie Angelica and the alarmingly sinister-looking but benign toddler twins Phil and Lil. And at the center of all the shenanigans is Tommy Pickles, the diapered and frequently perplexed peacemaker, whose somewhat amphibious appearance is enhanced by saucer-sized eyes, a bulbous bald pate and a horizontal mouth that stretches ear to ear. Plots range from the demise of a pet bug to a “Rashomon"-type trial over a broken lamp, from Chuckie’s all-consuming potty training fears to Tommy’s nightmarish bout with bottle deprivation--brought on by his mother’s chronic reliance on so-called child-rearing experts. Indeed, the well-meaning adults move in and out of their offsprings’ sphere of existence like incomprehensible aliens. In each of the shows--65 so far, with more on the way--writers at the innovative, Hollywood-based animation studio Klasky Csupo Inc. imagine a world shaped by a young child’s limited frames of reference. “Just think about it: Somebody comes into this world where everything is new to them,” said Hungarian-born Gabor Csupo, who co-founded the studio with his partner--and former wife--Arlene Klasky. “There are endless possibilities to play with. “This is a show where parents are comfortable sitting with their children and they don’t have to be bored. It’s not a silly, one-gag oriented cartoon. [It is] more like storytelling--linear stories. And once you learn the characters, you cannot help falling in love with them and you want to find out what else is going to happen to them.” Astute programming hasn’t hurt, either. Cyma Zarghami, general manager of Nickelodeon, noted that after “Rugrats” premiered in a Sunday morning slot in 1991, the added a second play on Saturday evenings, Nickelodeon upped the show’s visibility by adding it to the weekday schedule two years ago. “We put them on Monday through Friday, which, seemingly, is when it became a phenomenon . . . and really kicked up the afternoon ratings to a whole new level,” making the show more accessible to a broader age range, Zarghami observed. “The little kids like it because it’s very physical and they love watching other kids do stuff,” she says. “The older kids like it because it’s a way for them to get back into kiddom, to relate to who they are and what’s going on in their world without feeling like babies. The parents [on the show] are really amusing characters as well, so I think parents who watch with their kids can enjoy it on a whole different level.” Some parents are less amused, according to Diana Huss Green, who heads the nonprofit, media-rating Parents’ Choice Foundation. The group awarded the show its stamp of approval initially, and although Green still expresses admiration for the series’ creativity, she now sees it as less suitable for preschoolers. “It really has been, from the beginning, a very well-scripted and clever show,” Green said, “very hip, very up to date. The music [created by ex-Devo member Mark Mothersbaugh] is terrific and so is the talent.” What concerns Green is the show’s portrayal of foolish adults, aggressive behavior and what she perceives as “a touch of cynicism. All I’m talking about is age-appropriateness,” she said. “Moral development is never aided by repetitious lack of civility.” Although Csupo and Klasky, who created “Rugrats” with Paul Germain, are no longer involved in the show’s writing on a day-to-day basis, they say the scripts are gone over “with a fine-tooth comb” by the studio and the network. “You can’t have a show that’s too soft,” Klasky responded when asked about the more aggressive elements of the series. “You try to be completely responsible, but sometimes the story’s just bland. . . . Writers want to write what’s interesting and they’re adults, so regardless of how responsible everybody is, everybody has a little bit different perspective as to what’s responsible for children and what’s realistic.” “You need an antagonistic character to create a little conflict, but we don’t use guns or murder or anything like that,” Csupo said. “We believe that action-adventure--violence--is kind of the easy street. It’s so easy to make and kids will probably watch it because they like the fast-moving action and the sound of the guns and all that, but we just purposely don’t want to do it.” Since animating the three initial seasons of Matt Groening’s groundbreaking “The Simpsons” on Fox, the highly regarded 14-year-old studio--three buildings in well-worn area of Hollywood--has come up with some of the weirdest toons in town, including the decidedly adult “Duckman” on USA, Nickelodeon’s “Aaahh!!! Real Monsters” and CBS’ “Santo Bugito.” Now, in the wake of “Rugrats” success, a feature film is planned for release in 1998 and Nickelodeon has arranged for first dibs on any new Klasky Csupo animation through the studio’s recently announced three-year alliance with Viacom, which owns Nickelodeon, MTV and Paramount Pictures. “Rugrats” airs weekdays at 6:30 p.m., Saturdays at 7:30 p.m. and Sundays at 10 a.m. on Nickelodeon.
78328102cb2fd81b2e345363f6db16a2
https://www.latimes.com/archives/la-xpm-1996-07-26-mn-28104-story.html
Jean Muir; Actress Blacklisted in 1950s
Jean Muir; Actress Blacklisted in 1950s Jean Muir, one of the first actresses blacklisted as a purported Communist sympathizer during the zealous McCarthy era, has died. She was 85. Muir died Tuesday in a nursing home in Mesa, Ariz. The blond actress was scheduled to play the mother in “The Aldrich Family” television series in 1950 when she suddenly was fired by NBC and General Foods Corp., the program’s sponsor. The dismissal occurred after her name, along with those of about 150 other show business people, was listed in a 1950 booklet called “Red Channels: the Report on Communist Influence in Radio and Television.” Muir vehemently denied the accusation, telling news media: “I am not a Communist, have never been one and believe that the Communists represent a vicious and destructive force, and I am opposed to them.” But General Foods refused to relent, saying she had become too controversial to appear on their family show. The accusations of Communism in her case were apparently prompted by printed reports that she had been a member of the Congress of American Women, which was listed by the U.S. Department of Justice as subversive. She said she had belonged to the group for six months, but resigned “because I suspected it.” The blacklisting took an emotional toll on Muir, and prompted a lengthy bout with alcoholism. She did not work on the small screen again until 1958 when she had a role in an episode of “Matinee Theater.” Muir’s ordeal was described in detail in the 1952 book by Merle Miller “The Judges and Judged.” Born Jean Muir Fullarton in New York City, the actress began her career on the Broadway stage in 1930. She moved to Hollywood under contract to Warner Bros. in 1933 after a triumph in the play “Saint Wench.” Muir made a spate of mostly mediocre motion pictures in the 1930s, including “The World Changes,” “The White Cockatoo,” “Oil for the Lamps of China,” “A Midsummer Night’s Dream,” and “The Outcasts of Poker Flat.” She also created and operated Jean Muir’s Theater Workshop on Santa Monica Boulevard. Muir worked briefly in London and then returned to New York where she married attorney Henry Jaffee in 1940. She continued her career on the stage and in the new medium of television. Muir taught drama at Stephens College in Columbia, Mo., from 1966 to 1976 and lectured at other colleges as well. She is survived by two sons, Michael of Los Angeles and David of Belmont, Calif., and a daughter, Margaret Bauer of Mesa.
47109fb318025875e1000bce2a812738
https://www.latimes.com/archives/la-xpm-1996-07-27-mn-28418-story.html
Dole Gets Warm Endorsement, but No Tips, From Bush
Dole Gets Warm Endorsement, but No Tips, From Bush In a cordial joint appearance in this rain-soaked resort town, former President Bush gave Bob Dole a hearty endorsement Friday, offering to campaign for the probable Republican presidential candidate but giving no public advice on how to conquer President Clinton, the man who brought Bush down four years ago. “Barbara and I and all the Bushes are in unanimous and enthusiastic agreement that America needs Bob Dole’s character, his courage, his decency and his common sense in the White House,” Bush said at a press conference commemorating the Americans with Disabilities Act, which Dole fought for and Bush signed six years ago. “I’ll do anything Sen. Dole wants me to do. I’ll campaign for him,” said Bush, who appeared along with his son, Texas Gov. George W. Bush, daughter-in-law Laura and former First Lady Barbara Bush. “My heart lies at this level--the Dole level.” The man who was president and the man who has long wanted to be last met in Houston during the Republican primaries, when Dole swooped in to sit in a chair from the White House and get an almost-endorsement from his former nemesis. In 1988, Dole and Bush fought bitterly for the Republican nomination, with Dole uttering the memorable line that his opponent--the eventual victor--should “stop lying about my record.” But the two men worked closely during Bush’s single term in office, and Dole took great heat during the primaries for helping push through Bush’s politically disastrous 1991 tax increase--the one that broke his “read my lips, no new taxes” pledge. With Dole promising to announce his economic package shortly--including a pledge to cut taxes--Bush was asked if he thought taxes were a minefield to be avoided. “Not if you play it right, it’s not,” Bush responded, laughing. “Not if you guys play it right. Yeah, I paid a price, but I think I have great confidence in Sen. Dole’s knowledge . . . of taxes and revenues. I also know he’s committed to fiscal sanity. That means getting the budget deficit down.” At a photo opportunity before a private lunch (menu: soup, hot chicken salad, warm blueberry pie) Dole, his wife, Elizabeth, and the four Bushes posed in an ersatz Republican family portrait in the aqua living room of Bush’s house at Walkers Point, perched on the Atlantic coast. The three couples spent five minutes smiling in front of the fireplace and slapping away queries. When asked what kind of advice he had for the presidential hopeful, a jovial Bush the elder cracked: “Hey, this is a photo op, man. This is the new me. I don’t answer questions.” Dole, who has spent the past several weeks criticizing Clinton over reports of White House staffers having admitted to prior drug use, also responded to the admission by his convention keynote speaker, Rep. Susan Molinari (R-N.Y.), that she had occasionally used marijuana in college. “Oh, come on,” Dole said, when asked by reporters if Molinari’s admission would be a problem. “I’m talking about recent drug use, hard drugs, cocaine, crack and other things, and also overriding the Secret Service objection to security. Has nothing to do with the other case. “The White House is obviously very tender about this,” he added. “That’s probably one reason they haven’t had a drug policy.” As many as 40 of about 1,700 people employed by the White House--a group that ranges from senior presidential aides to messengers and cooks--admitted during pre-employment background checks that they had used drugs in the five years before being hired. To allay Secret Service concerns about security, some 20 staff members were required to undergo periodic drug testing, in addition to the random tests required of all White House aides. Administration officials said any staff members found using drugs while working at the White House would be fired, and no evidence has surfaced of staff members testing positive. Bush and Dole also praised each other’s roles in pushing through the disabilities legislation, which requires that public facilities and workplaces provide access for the 43 million Americans with disabilities. “There were many in Congress and the disabled community and in the business world who played a significant role in the passage of ADA,” Bush said. “But no one, no one did more to achieve this victory” than Dole.
873f1a6e4a06def3b1c88c3089b3ac9f
https://www.latimes.com/archives/la-xpm-1996-07-31-fi-29724-story.html
Standing Oration
Standing Oration In Jack Henning’s hands, the microphone has always been an incendiary device. As California’s top labor leader for the last 26 years, he has gained near-legendary status for his passion as a public speaker, thundering from the political left against what he regards as the scourge of unbridled capitalism. As an orator on labor issues, “nobody comes close to him,” said Miguel Contreras, the union chief for Los Angeles County. But on Tuesday, 80-year-old John F. “Jack” Henning bid an emotional goodbye to his union brothers and sisters and his bully pulpit, retiring as executive secretary-treasurer of the California Labor Federation, AFL-CIO. He is being replaced by San Mateo County union head Art Pulaski, 43. While lacking Henning’s speaking flair, Pulaski is expected to modernize and energize the political apparatus of the state labor federation. Tuesday’s farewell address at the federation’s biennial convention in Los Angeles was a vintage fire-breathing performance for Henning. At one point, he called on those to his political right to go to any major U.S. city “and see what capital has done to the poor, see the centers of wealth and the mansions and the corporate wealth, and then see the impoverished, then see the homeless, beggars at the table of wealth. . . . Let the defenders of the established order live with that moral outrage. Their day will come.” Henning is closing a public career that also included such positions as U.S. undersecretary of labor in both the Kennedy and Johnson administrations and ambassador to New Zealand. Born in San Francisco, where he was raised in a union-minded blue-collar family, Henning earned a degree in English literature at St. Mary’s College. After college, he did volunteer work for the Democratic Party. That led to a job with the food stamp program in the U.S. Department of Agriculture and exemption from military service when World War II broke out. Later in the 1940s, Henning held both union and management jobs at a pipe and steel plant in San Francisco. Then, in 1949, began the first of his two stints at the California Labor Federation, initially serving as a senior staffer. Assessing his career in a recent interview, the white-haired Henning--his voice raspy from age but still deep--recalled the inspiration of serving in the Kennedy administration. “I never have known anything like the spirit . . . that motivated the people appointed by Kennedy,” he said. Henning also took special pride in his ambassadorial appointment by President Johnson. “Given my modest origins--my father was a plumber--I never dreamed I’d wind up an ambassador, which normally is reserved for millionaires,” Henning said. But after the arrival of the Nixon administration in 1969, Henning returned home from New Zealand and within a year took the helm of the California Labor Federation. He was elected to 13 consecutive two-year terms and never faced an opponent for the post, which currently pays $82,500 a year. Henning regards a handful of the state federation’s legislative and political victories as his greatest accomplishments. First, he cited the passage of the Agricultural Labor Relations Act in 1975, a historic law that gave farm workers the right to bargain collectively. For his efforts in winning that legislation and for backing the United Farm Workers in its bloody battles with the Teamsters in the 1970s, Henning has long been praised by the UFW. Henning also noted the labor federation-sponsored initiative campaign in 1988 that led to the reinstatement of Cal/OSHA, which regulates workplace safety and health for the state’s workers. Now Henning is hopeful that November will bring him a final major victory with another state ballot initiative: the labor-sponsored measure to boost the minimum wage from the current $4.25 an hour to $5.75. Despite his general popularity in labor circles, Henning has drawn criticism on a variety of counts. Some union activists questioned whether he too readily put labor’s political clout in the hands of longtime Assembly Speaker and current San Francisco Mayor Willie Brown instead of maintaining more independence to extract greater favors. Henning has also been faulted for failing to either build a solid organization or delegate responsibilities, instead running the labor organization through the force of his own personality. Some labor officials add that Henning has been out of touch with the times, slow to adopt new computer and telecommunications technology to modernize labor’s operations. Said one official who asked not to be identified: “If Jack ever put a cell phone in his car, it would be rotary dial.” Henning’s rejoinder is that he, in fact, has a cellular phone in his car but has used it only two or three times. “I’m not given to the fancies of the day,” he said. Henning brushed off the other criticism too, and said he has no regrets about the way he ran the federation. He attributes the diminished clout of organized labor largely to the decline of traditional, heavily unionized smokestack industries--and the failure of unions to penetrate rising, high-technology industries. Pulaski was elected to replace Henning by acclamation Tuesday. Selected as president, the federation’s No. 2 official, was Tom Rankin, Henning’s top legislative aide for 13 years. Rankin initially opposed Pulaski, but in April the two decided to team up as running mates. Rankin replaces Albin J. Gruhn, 81, the federation’s president for 36 years. Pulaski praised Henning as a “role model” and “the greatest orator I know of.” But Pulaski acknowledged that his approach will be different in leading the federation, which represents 1,200 California union locals, including more than 1.5 million workers. He said he will emphasize union organizing and grass-roots political campaigning; he hopes to dispatch thousands of union volunteers before the November elections into neighborhoods around the state to talk up issues dear to organized labor. And Pulaski--who hits the road with a cellular phone, pager and sometimes a laptop computer--said he will improve the federation’s technology to provide speedier communications among union leaders and members. “Art will be more of a technocrat in building programs,” said David Sickler, director of the national AFL-CIO’s regional office in L.A. Replacing Henning as a speaker, however, will be a tall order. Henning finished his address Tuesday on an emotional high, noting that his long union career began when he was a young man in 1938. “If by suspension of the laws of nature I were again young, I would follow no other course, no other flag, than the flag of labor,” Henning said, choking back tears and triggering a standing ovation that roared on for almost five minutes. Researched by JENNIFER OLDHAM / Los Angeles Times (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Passing the Flame After 26 years of service, John F. “Jack” Henning, one of the country’s most important labor leaders, resigned his post as executive secretary/treasurer of the California Labor Federation, AFL-CIO. Experts agree that the outspoken and liberal Henning, 80, was effective in his work for organized labor because he focused on union political activity. A look at Henning and his successor: Henning’s career: He was director of the California Department of Industrial Relations in the early 1960s and served as undersecretary of labor in both the Kennedy and Johnson administrations. He served as U.S. ambassador to New Zealand from 1967-1969 and was a regent of the University of California from 1977 to 1989. Leadership style: Henning, known as a gifted orator, had the ability to sway people with words. He has been called a tough negotiator and touted as “a visionary.” Accomplishments: He helped win collective bargaining for state teachers and public employees and was a force behind laws that allowed farm workers to organize. He prevented restaurant owners from counting tips as part of the minimum wage. On the future of unions: Henning is convinced that labor unions, confounded for years by declining membership and power, can prosper if they launch organizing drives among white-collar workers, who dominate today’s economy. Successor: Art Pulaski, 43, currently executive secretary/treasurer of the San Mateo Labor Council, a post he has held for 11 years. Pulaski’s goals: Pulaski, known for his street-level political activism, has said his main goal is to promote grass-roots union political campaigning throughout the state. Pulaski’s career: The Pacifica resident’s full-time labor career began in the mid-1970s, when he developed communitywide coalitions for the International Assn. of Machinists and Aerospace Workers. In the early 1980s, he was a business representative for the Hospital and Health Care Workers Local 250 of the Service Employees International Union. Sources: Times and wire reports
6d75775ffa88611d8c4e436d2123eca6
https://www.latimes.com/archives/la-xpm-1996-07-31-mn-29801-story.html
Divers Confront Hazards, Horrors Amid Wreckage of TWA Jet
Divers Confront Hazards, Horrors Amid Wreckage of TWA Jet They work on the ocean floor in frigid water 120 feet deep--a dark, murky, unforgiving place where tangles of wire and jagged pieces of shattered wreckage could entrap them and slice through their vital air hoses. The hours are long, the work exhausting. At least two of them have suffered “the bends,” a painful, disorienting and sometimes lethal affliction that threatens those who stay down too long or surface too quickly. But the worst part of their job is locating and recovering the fragmented bodies of the victims of Trans World Airlines Flight 800, the Boeing 747 jumbo jet that exploded and crashed into the sea off Long Island two weeks ago, killing all 230 aboard. “It’s one of those things where you’ve got to take a deep breath once in a while,” said Navy Chief Petty Officer Kevin J. Oelhafen, one of the more than 100 divers probing the floor of the Atlantic for victims and debris. “I think it’s hard on everyone.” Another 10 bodies were recovered Tuesday, raising the total to 171. More pieces of wreckage were brought to the surface and hauled away to an airport hangar. But there was little additional information about the cause of the crash. Investigators are known to be focusing on the theory that Flight 800 was brought down by a bomb, but they continue to insist that the debris has yet to provide conclusive evidence about the cause of the tragedy. Only a small fraction of the wreckage has been recovered, and Robert Francis, the National Transportation Safety Board vice chairman who heads the investigation, said that the recovery effort could stretch on for weeks, perhaps even months. So the divers continue their arduous task, 24 hours a day, seven days a week. Some work for local law enforcement agencies, but most are Navy men based on the Grasp, a salvage ship that has been here for more than a week, and the Grapple, a sister ship that arrived here Tuesday night. The Navy divers work in eight-hour shifts, some in “hard-hat” diving suits fed with oxygen through hoses running to the surface, others using scuba gear with oxygen tanks strapped to their backs. Oelhafen and his partner, Petty Officer 3rd Class Douglas D. Irish, are hard hats. They were lowered to the ocean floor shortly after 11 p.m. on July 24 after being shown pictures of what the missing “black box” recording devices from the Boeing jumbo jet looked like: metal boxes, painted orange, about the size of rural mailboxes. Irish said that the first thing he saw when he reached the bottom was an orange box. “We knew [what it was] right away,” he told reporters Tuesday. “It says right on the front what it is.” The discovery led to a burst of optimism that the boxes would provide definitive evidence about the crash. That optimism was dashed a few days later with the announcement that nothing significant had been learned. Irish, Oelhafen and their comrades continued their work in the 46-degree water. Irish calls it one of the toughest jobs he’s encountered in more than five years of diving. Imagine, he said, “that you are really, really cold.” Your bulky diving suit “feels like you’ve got two or three thick jackets on, so you can’t move very well.” “You’re walking along the bottom, trailing an umbilical cord, your air hose,” said Oelhafen. “The visibility isn’t that good. You can walk into the jagged edge of a piece of sheet metal, or step on something that is going to bounce up in your face.” “There’s a lot of wires down there,” said Senior Chief Petty Officer David Loring. “Things get tangled.” Thus far, none of the divers has been seriously injured. But at least two have suffered from the bends, a condition that must be treated quickly in a decompression chamber if the victim is to escape permanent injury. “About an hour and a half after they reached the surface, one had a headache,” Oelhafen said. “Both of them were disoriented and nauseated, violently throwing up. “Shortly thereafter, we got them into the chamber,” he said. “One immediately recovered and the other a little time after that.” Loring said that none of the divers appears to be suffering emotionally from the grim work of recovering the mangled bodies of the victims, but he conceded that it is not an easy or pleasant task. Neither he, Oelhafen nor Irish would talk much about that facet of their work. “It’s out of respect for their families,” Irish said.
6d0293e51c97df4c0ccbac25f82c91ac
https://www.latimes.com/archives/la-xpm-1996-08-02-ca-31489-story.html
Gwyneth Paltrow Is Way Cool as Austen’s ‘Emma’
Gwyneth Paltrow Is Way Cool as Austen’s ‘Emma’ Since it is a truth universally acknowledged that even a moderately successful version of a Jane Austen novel has a leg up on most original screenplays, it’s not difficult to enjoy the genteel amusements “Emma” provides even while wishing its virtues were less wholly on the surface. Austen’s novel received a kind of backhanded celebrity recently when it served as the inspiration for Amy Heckerling’s droll “Clueless,” and this more faithful adaptation, written and directed by Douglas McGrath, is not necessarily on a par with the Alicia Silverstone vehicle in either humor or substance. Yet there are compensations. As the only Austen work to be named after its heroine, “Emma” must have an engaging performance in the title role to succeed at all, and fortunately Gwyneth Paltrow, after a slow start, completely wins us over. Paltrow’s last period film, “Jefferson in Paris,” was a weak showing, and she is so contemporary an actress it’s initially something of a shock to see her in Regency dress speaking in a polished Over There accent. But the part of a headstrong, coltish young woman who does just as she pleases (one of the favorite heroines in the Austen canon) is such a good fit for Paltrow that resisting her performance turns out to be as difficult as resisting Emma Woodhouse is for the residents of the tidy English village of Highbury. The film opens at a scene of triumph for Emma, the marriage of her governess (Greta Scacchi) to a local widower. Emma was the matchmaker, and convinced that “men know nothing about their hearts,” she decides that being Cupid’s stand-in is a proper vocation for a well-brought-up young woman of 21. A creature of gleeful self-satisfaction who manages the difficult feat of adding likability to a meddler’s character, Emma is one of literature’s great deluded characters. Convinced of her judgment but invariably misunderstanding everything, Emma is unknowingly stone-deaf when it comes to the vagaries of love. Rarely has anyone so sure of herself been so comically off the mark. Despite offering bland assurances that “It’s not my place to intrude in personal matters,” Emma soon takes up the case of her young protege, Harriet Smith (Toni Collette of “Muriel’s Wedding”), the daughter of “who knows who.” Snobbishly dismissing the attentions of a local farmer, she decides that Harriet, uncertain birth and all, is the ideal match for the doe-eyed, self-satisfied local clergyman, Mr. Elton (Alan Cumming). * Watching all these machinations, mostly but not entirely with bemusement, is the much older (37, as if!) friend of the family Mr. Knightley (Jeremy Northam). Considering himself “practically a brother” to Emma, he alone seems to see the young woman for what she is, understanding both her foolishness and the good heart that animate it all. Northam (who co-starred with Sandra Bullock in “The Net”) is the film’s secret weapon, as essential a factor in its charms as Paltrow, bringing a level of spirited intelligence to the proceedings and making Knightley the most nuanced character in the drama. Other performances worth mentioning include Ewan McGregor, a surprise after the completely different “Trainspotting,” who plays the frisky Frank Churchill, the most eligible of young men. Equally enjoyable are the comic shenanigans of the grumpy Mrs. Bates and her chatterbox daughter Miss Bates, played by real-life mother and daughter Phyllida Law and Sophie Thompson, the mother and sister of “Sense & Sensibility” star Emma Thompson. And, as always, it is undeniably pleasant to be in Jane Austen’s comfortable world of looks and smiles, where actions at a dance excite more interest than the movement of armies and strict rules of conduct make romantic intentions and attachments, as Emma distressingly finds out, easy to misunderstand. Yet in this case, as opposed to the more involving “Persuasion,” all this film’s pleasures feel ephemeral. Writer-director McGrath, best known for collaborating on the screenplay for Woody Allen’s “Bullets Over Broadway,” has made a clever film, but one that has a tendency to go flat and one-dimensional despite the efforts of Paltrow and Northam. While it seems ungrateful to gainsay “Emma’s” genuine pleasures, compromising standards where Jane Austen is involved just wouldn’t do. * MPAA rating: PG, for brief mild language. Times guidelines: completely inoffensive. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) ‘Emma’ Gwyneth Paltrow: Emma Jeremy Northam: Mr. Knightley Toni Collette: Harriet Smith Greta Scacchi: Mrs. Weston Juliet Stevenson: Mrs. Elton Alan Cumming: Mr. Elton Polly Walker: Jane Fairfax Ewan McGrego: Frank Churchill A Haft Entertainment production, released by Miramax Films. Director Douglas McGrath. Producers Patrick Cassavetti, Steven Haft. Executive producers Bob Weinstein, Harvey Weinstein, Donna Gigliotto. Screenplay Douglas McGrath, based on the novel by Jane Austen. Cinematographer Ian Wilson. Editor Lesley Walker. Costumes Ruth Myers. Music Rachel Portman. Production design Michael Howells. Art directors Sam Riley, Joshua Meath Baker. Set decorators Totty Whateley. Running time: 2 hours. * At selected theaters throughout Southern California.
87df38efbf1b67511d0cc21df2f54f62
https://www.latimes.com/archives/la-xpm-1996-08-03-ca-30674-story.html
‘Rugrats’ Creative Force
‘Rugrats’ Creative Force “View From the Rug Up” (TV Times, July 21) presented an inaccurate account of the creation and production of the Nickelodeon series “Rugrats.” As the story editors of the original five seasons of “Rugrats,” we’d like to set the record straight. The piece presents Arlene Klasky and Gabor Csupo as the prime movers behind the show, and only toward the end of the article is Paul Germain mentioned in passing as someone they “created ‘Rugrats’ with.” In fact, Paul Germain was instrumental not only in creating the series but in producing every one of the 65 original episodes. The main character, Tommy, was Paul’s creation and, in fact, was named after his own son. Paul also created most of the other characters in the series, and the original idea of doing a show about babies who could talk when the grown-ups weren’t around was his. He came up with the title, personally pitched the idea to Nickelodeon, wrote, cast, voice-directed and produced the pilot, and was creative producer, voice director and head story editor of every episode. Throughout, Paul was the key creative force behind “Rugrats,” and the television academy recognized his achievement with three Emmys. The article states that Gabor and Arlene “are no longer involved in the show’s writing on a day-to-day basis.” They never were. In fact, neither ever wrote a single episode, and their input on script writing, for the most part, was minimal. Gabor and Arlene are certainly to be credited with designing the striking look of “Rugrats,” as well as fostering a creative environment in which a unique, story-driven animated series could take shape, but to ignore the fact that it was essentially Paul Germain’s show is an unfortunate distortion of the facts. JOE ANSOLABEHERE, CRAIG BARTLETT, MICHAEL FERRIS, PETER GAFFNEY, JONATHAN GREENBERG, HOLLY HUCKINS, RACHEL LIPMAN, STEVE VIKSTEN Los Angeles
89a2503e2bd89fbf36432d0afde6b402
https://www.latimes.com/archives/la-xpm-1996-08-08-me-32485-story.html
Residents Mourn Bicycle Shop Owner Slain in Holdup
Residents Mourn Bicycle Shop Owner Slain in Holdup Gary Strahm was the kind of guy who would sell you a bicycle part for $2, even if it cost him $3.50. All the kids in the neighborhood knew that the Royal Cyclery bicycle shop owner would pump air into their tires for free and that he was the man in Hawthorne to see if you wanted to get a good deal on a bike. No one could say enough nice things about Strahm, so on Wednesday the customers who patronized his 20-year-old store stopped by throughout the day to bring flowers, cards and candles to pay tribute to the man who was shot and killed when his store was held up Monday night. “I won’t leave until Gary is put to rest,” said Ronnie Manson, a 33-year-old customer from Lawndale who met Strahm when he was a youth and had a flat tire. Manson hasn’t left the store since Tuesday when he learned that Strahm had been murdered. “I wanted to be here for the family and help reclaim the streets from the people who did this.” Strahm, 59, was shot in the chest when two men held up the victim and his son in the store Monday night, police said. Strahm had already closed the shop when two men knocked on the door at 7:20 p.m. claiming that they wanted to buy a bicycle. Strahm let them in. According to Hawthorne Lt. Arvid Krueger, soon after the men entered the store they ordered Strahm’s son, Shaun, 38, to lie face down on the floor. The robbers ordered Gary Strahm to hand over the money in the cash register, about $300, then shot him. “He willingly gave them the money,” Krueger said. “There was no reason for them to shoot him.” Strahm moved to Hawthorne 20 years ago and opened the bicycle shop, family friend Heather Shipley said. Working with his wife, Judy, and son, he had one of the oldest and biggest bicycle shops in the city. “The store was his livelihood and the family probably won’t open it up again,” said Shipley, who has lived with the family for four months. A sign outside the store reads: Royal Cyclery will be closed indefinitely due to the brutal murder of our beloved Gary Strahm. Not only was the store Strahm’s life, it was a place where he tried to make a contribution to the community. When the Hawthorne Police Department started an adopt-a-bike program last year to get rid of a surplus of abandoned and stolen bicycles, Strahm refurbished the bikes for free, outfitting them with new chains, replacing broken parts and donating a case of bicycle helmets to the department, which gave the bikes to underprivileged youngsters for Christmas. Officer Dave Gregor, who headed the adopt-a-bike program, asked Strahm to take part in the program because “he was a decent human being who was always willing to help.” He said Strahm’s bike shop is the only one he’s ever been in and he has bought all of his children’s bikes from the store. The killers fled in a blue Toyota or Nissan truck. Anyone with information is asked to call Hawthorne police at (310) 970-7976.
421acd50741c0729b589a0ca31d1d1ac
https://www.latimes.com/archives/la-xpm-1996-08-13-mn-33893-story.html
Clinton Unveils Deal to Stop Yellowstone Mine
Clinton Unveils Deal to Stop Yellowstone Mine Proclaiming Yellowstone National Park “more precious than gold,” President Clinton on Monday announced a deal to end a proposed massive gold mining venture on the edge of the nation’s oldest park. Clinton took time away from his Wyoming vacation to endorse the agreement, under which the owners of the New World Mine would receive federal lands of comparable value in exchange for cleaning up the Yellowstone site north of here and surrendering all rights to its minerals. The venture has been the subject of a fierce legal and public relations battle between environmentalists and Crown Butte Mines, owner of the New World Mine property. The announcement permitted Clinton to burnish his environmental credentials at a time when this week’s Republican convention in San Diego is beginning to dominate the national news and little attention is flowing his way. On a visit to Wyoming last year, Clinton declared a moratorium on development of the mine pending negotiations involving the government, ecology groups and the mine owners. “The American people and our future win because Yellowstone will be protected from the environmental hazards of mining,” Clinton said Monday. “Crown Butte’s shareholders win because their property rights will be protected. We are all protected from years and years of expensive and bitter litigation.” The deal leaves several critical questions unanswered, however. Chief among them being where the government will find land worth the $65 million needed to compensate New World for its investment that would have comparable development potential. The mine operators estimated that the site contains $650 million to $800 million worth of gold, silver and copper. Under terms of the agreement, the land must be acceptable to the company, a provision that could lead to months or years of negotiation and, possibly, litigation. Clinton acknowledged that the settlement will affect the economy of Montana and northwest Wyoming adversely and will cost hundreds of high-paying jobs. However, he said, “we can’t have mines everywhere, and mines that could threaten any national treasures like Yellowstone--that’s too much to ask of the American people.” Ian Bayer, president of Battle Mountain Gold Co., the Houston-based parent of Crown Butte, appeared with Clinton Monday to initial the agreement. Both companies are controlled by Noranda, a multibillion-dollar natural resources concern based in Toronto. Bayer said officials of Crown Butte had done a “180-degree turnaround” in the last few months as they came to realize that they faced years of expensive litigation and public opprobrium if they insisted on going through with the mine venture. “We are passionate about protecting the environment,” Bayer said. “The greater Yellowstone region is one of the most magnificent places on earth. It is our sincere hope . . . [that] the conservation community and the mining community find a common ground.” The primary threat from mining in the region is in the disposal of millions of tons of mining waste, or “tailings.” The mine operators proposed to build a gigantic impoundment pool to collect the waste, which contains highly acidic compounds that quickly kill fish and other wildlife. The site is in an area of earthquake activity and receives more than 30 feet of snowfall a year, making runoff from the waste pit likely, opponents said. Environmentalists hailed Monday’s announcement. Several dozen mine opponents witnessed the Yellowstone event and whooped when Mike Clark, director of the Greater Yellowstone Coalition, welcomed them to “the ceremony that marks the end of development of the New World Mine.” Clark, who spoke on behalf of a half-dozen local and national groups opposed to the mine, said Yellowstone deserved protection as “one of the few remaining truly wild places in the world.” Another mine opponent has been American Rivers, a group that identified the nearby Clarks Fork of the Yellowstone River as the most endangered river in the United States because of the proposed mining activity. The organization’s president, Rebecca Wodder, applauded the deal but said Congress must act to overturn the 1872 law under which Crown Butte won rights to extract minerals from the land. The law, passed at a time when the nation was opening up vast tracts of western land to mineral development, requires the sale of federal property for $5 an acre. The underlying minerals, no matter what their value, are given to the developers at no cost and with no royalties paid to the government. “This obsolete law is corporate welfare at its worst,” Wodder said in a press release issued Monday. She called for repeal of the law and additional legislation to ensure permanent protection of the Yellowstone site from future mining. Crown Butte’s leading investment in the land is $37 million for exploration. The corporation will be required to place $22.5 million in escrow to pay for cleanup of the property, which has seen decades of mining activity, much of it predating Crown Butte’s ownership.
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https://www.latimes.com/archives/la-xpm-1996-08-14-mn-34219-story.html
San Diego’s Beauty Is Only Skin Deep for Many
San Diego’s Beauty Is Only Skin Deep for Many “You said it Larry, San Diego is the most beautiful city in the country.” --George Stephanopoulos, senior advisor to President Clinton, on CNN’s “Larry King Live” **** From the narrow vantage point used as a backdrop by Cable News Network and the other television networks, it might be hard to dispute that San Diego is drop-dead gorgeous and bursting with opportunity. A decade of government and private investment has turned a shabby waterfront into a showplace, where a gleaming convention center, silvery hotels, an upscale marina and two grassy parks sit beside San Diego Bay. Not far away are other delights: pristine beaches, funky coastal neighborhoods, ultra-chic La Jolla, the world-famous San Diego Zoo, Balboa Park and neighborhoods that, according to FBI crime statistics, are the safest of any big city in America. But there is another San Diego that is not visible from tree-lined Harbor Drive outside the convention center or the jazz spots and trendy eateries of the nearby Gaslamp Quarter. In that San Diego, housing equity and blue-collar job opportunities have declined sharply, and per capita income took a nose dive for several years and only recently struggled back to the 1989 level, once inflation is figured in. The gap between the haves and the working poor is widening. The battle against crack houses and street drug dealers is still underway, and the outcome is unknown. “I’m the part of San Diego nobody wants to talk about,” said James Watkins, 36, standing at 24th and Imperial avenues, an area known for poverty, crime and blight. Just a quick cab ride away is the Republican National Convention, where the official motto is “Restoring the American Dream.” “San Diego is no jobs, no help and no luck,” said Watkins. “Nobody cleaned up my neighborhood because the Republicans were coming to town.” While San Diego has become a center for the rapidly expanding biotech and communication industries, manufacturing jobs--the kind that allow a worker to buy a home and raise a couple of kids--are disappearing, particularly with the demise of the Convair division of General Dynamics. “That’s the dark underside of the economy that the media doesn’t talk about,” said Peter Navarro, associate professor of business administration at UC Irvine and a Democratic congressional candidate in San Diego. “But in Clairemont, Serra Mesa and North Park, people are feeling real pain.” More than in most communities, the trend toward an economy tilted toward low-wage jobs in the service, tourism and retail industries continues. In recent weeks, maintenance workers and food-service workers at a San Diego hospital and the Sports Arena were given a choice: Accept a sharp pay cut or lose your job. It’s a common dilemma as companies “outsource” semiskilled work. “The middle class is being depleted in San Diego,” said Jerry Butkiewicz, secretary-treasurer of the San Diego-Imperial Counties Labor Council. “Biotech is great, but, if you don’t have that kind of education, those jobs aren’t available. What’s available is $6-an-hour jobs, and nobody can survive in San Diego on that.” San Diego will continue to lag behind the rest of California in overcoming the recession because of its transportation problems, said Alan Gin, associate professor of economics at the University of San Diego and author of a monthly index of economic indicators for San Diego County. “To broaden your manufacturing base, you need good air, rail and sea transportation,” Gin said, “and San Diego is deficient in all three.” For a generation, San Diego leaders have been unable to find a replacement for Lindbergh Field, which is too small for the jumbo jets used for cargo flights or overseas passenger routes. Mayor Susan Golding, working feverishly on last-minute details to ensure that the convention went smoothly, lost a fight in the City Council to expand the airport. There is no rail line to the east. And the San Diego port, an inviting tourist attraction, is a poor second to Long Beach Harbor in cargo-handling. Nevertheless, Golding, in her welcoming speech to the convention Monday, seized on the theme that San Diego should serve as a shining example to the rest of the country. “Here in San Diego, we did what Bob Dole wants to do for all of America,” Golding told the convention. San Diego “is a place where Republican ideas really do work and have worked.” Not all local politicians agree. Rep. Bob Filner, the area’s only Democratic member of Congress, is trying to show reporters and delegates that San Diego, despite its many charms, is not yet paradise. He said Tuesday that Golding’s glowing assessment of San Diego “is right for half of San Diego. It has worked for them. “But it hasn’t worked for the other half, where there is high unemployment, health clinics are struggling, people get health care from the emergency room and people have no job opportunities or chance to get a good education for their kids. That’s the reality of the other half of San Diego.” Roberto Aguilar, 26, who works sporadically as a construction laborer to feed his family of six, said that San Diego should do more for people who need help, not just the tourists who flock to the hotels and beaches. “We live here, but sometimes I don’t think San Diego cares about me,” he said. Beyond the anecdotal evidence, there are statistics suggesting that San Diego, despite some bright spots, is still in the grip of economic malaise. For example, taxable retail sales, a key indicator of a community’s economic health and confidence, were lower in 1995 than in 1987. The growth of the homeless population on downtown streets has outstripped the ability, and desire, of the city government to provide assistance. “For five years, this city has been cutting back on services to the homeless,” said Msgr. Joe Carroll, director of the St. Vincent De Paul Society homeless shelter. “At the same time, the homeless are getting pushed out of the Gaslamp, away from the tourists. Nobody gave an order, but somehow it’s just happening.” Much is made by Golding and others about San Diego having one of the highest percentages (29%) of college graduates of any city in the country. Less is said, however, about the educational struggles of minority children. Twenty-two percent of Latino children and 16% of black children who enroll in high school in San Diego drop out. For Anglo children, the figure is only 8%. Three decades of intense effort have failed to significantly narrow the achievement gap between Anglo children and minority children. “I love San Diego, I do,” said Miriam Williams, 43, whose husband is an unemployed roofer. “But it’s not an easy place to live for a lot of people.”
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https://www.latimes.com/archives/la-xpm-1996-08-18-mn-35440-story.html
Hackers Deface Web Site of U.S. Justice Department
Hackers Deface Web Site of U.S. Justice Department Internet hackers infiltrated the Justice Department’s home page Saturday, altering the official Web site to include swastikas, obscene pictures and lots of criticism of the Communications Decency Act. The official World Wide Web site--https://www.usdoj.gov--was changed to read “United States Department of Injustice” next to a red, black and white flag bearing a swastika. The text of the page was written over a background of gray swastikas, and at the top declared in red letters: “This page is in violation of the Communications Decency Act.” The page also included color pictures of George Washington and Adolf Hitler, who was labeled as the attorney general. “Somebody did get into the Web page at the Justice Department,” said department spokesman Joe Krovisky, but the site was turned off after the sabotage was discovered Saturday morning. The spokesman said Justice Department officials were not sure initially what statutes were violated. Possibilities, he said, might be destruction or defacing government property--or perhaps trespassing. Krovisky added that the department expected to have the page reconstructed and running again by today, or Monday at the latest. The agency Web site is used to post public information, including government news releases and speeches, Krovisky said. Hackers used the majority of the Web site to criticize the Communications Decency Act, signed in February, which makes transmitting sexually explicit material in ways children might see it a felony punishable by up to two years in prison and a $250,000 fine. A federal appeals court declared the law unconstitutional. “As the largest law firm in the nation, the Department of Justice serves to punish all who don’t agree with the moral standards set forth by [President] Clinton,” the altered page said. “Anything and anyone different must be jailed.” The altered Web site said the new law takes away privacy rights and freedom of speech. “It is hard to trick hundreds of millions of people out of their freedoms, but we should be complete within a decade,” the page said. The doctored page also had links to other Web sites, all unflattering, about Clinton, Republican presidential nominee Bob Dole and conservative commentator Patrick J. Buchanan. Those sites, which are not the official campaign sites, were still operating Saturday.
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https://www.latimes.com/archives/la-xpm-1996-08-18-tr-35326-story.html
When in Fiji, Learn to Do as the Villagers Do
When in Fiji, Learn to Do as the Villagers Do Discover traditional Fijian village life with the women of Nasinu Village on the island of Vanua Levu, Fiji’s second largest island. Two dates are scheduled: Oct. 1 to 12 and Oct. 22 to Nov. 2. This for-women-only excursion is led by a California teacher, Carolyn Lucento, who now teaches preschool in this village. Lucento will escort participants, limited to six, into this remote village to learn mat weaving, net fishing, shellfish gathering, open-fire Fijian cooking, tapa cloth making and storytelling. Accommodations are at an oceanfront plantation house with modern conveniences and views of Natewa Bay. Cost: $2,000 per person, including round-trip air transportation from Los Angeles, all meals, local boat rides and craft materials. Part of the fees go to the village women of Nasinu. Contact: Karen Lewis, P.O. Box 790, 29000 Navarro Ridge Road, Albion, CA 95410; tel. (707) 937-1929, or write Carolyn Lucento, c/o Sea Fiji Travel, Savusavu, Fiji. Swiss Trains Climb aboard “The Southern Trail,” a train tour that extends from Switzerland into Italy. The seven-day independent itinerary begins and ends in either Geneva or Zurich and year-round departures are available. The tour takes guests through the Gotthard Pass to Locarno. It continues from there by narrow-gauge train through the Centovalli Valley to Domodossola, Italy, then by express train through the Simplon Pass to Brig and by cogwheel rail up to Zermatt, the Alpine resort dominated by the Matterhorn. The tour continues by express train to Montreux, on the shore of Lake Geneva. At each stop there is time for exploring the towns en route Montreux, where the final night of the tour is spent, offers a boat trip to Chillon Castle. Cost: $1,060 per person, double occupancy, including transportation by first-class rail, accommodations in first-class hotels and breakfast daily. Contact: J.F.O. CruiseService Corp., 323 Geary St., San Francisco, CA 94102; tel. (415) 392-8817 or (800) 858-8587. Golden Pagodas WindSong Tours of La Habra is offering an excursion of Myanmar with additional stays in Hong Kong and Thailand, from Nov. 29 to Dec. 11. The itinerary from Los Angeles stops at Hong Kong, visiting Victoria Peak, Repulse Bay and Stanley Market, with opportunities to explore the outer islands. A five-day stay in Myanmar will include Rangoon (now called Yangon), Pagan (also known as Bagan) and Mandalay. In Yangon, guests see the Shwedagon Pagoda, and its saffron-robed monks. In Pagan, the group visits archeological sites, gilded shrines and small villages, including a local market and a lacquerware crafts center. In historic Mandalay a full day of sightseeing will include the ancient royal palace; the Kuthodaw Pagoda, housing 700 marble slabs of Buddhist scriptures; and local teak and tapestry industries. The Thailand portion, based in Bangkok, will take guests to the Grand Palace complex and the Temple of the Emerald Buddha, containing a revered statue carved from a single piece of jade. A long-tailed boat trip up one of the canals is also scheduled. Cost $2,988 per person, double occupancy, including air fare from Los Angeles, accommodations in deluxe and first-class hotels, most meals, all transportation and entrance fees, and services of professional guides throughout. Contact: WindSong Tours & Travel, 1500 Greenview Drive, La Habra, CA 90631; tel. (714) 529-1947. Thai Cooking Bolder Adventures dishes up an opportunity to learn about Thai cuisine while experiencing traditional Siamese life in a private teak villa. Departure dates are flexible. Travelers can participate in a four-day cooking class surrounded by rice farms and orchards at The Thai House, 30 minutes from Bangkok. Built in traditional Thai style, with a wing-shaped roof, the villa accommodates up to 16 guests. Aspiring chefs can accompany their instructor to market each day to select the day’s fare. Classes, taught in English, cover herbs and spices, locally grown produce, salads, soups and noodles, curries, and fruit and vegetable carving. Cost: $795 per person, double occupancy, including six nights’ lodging, cooking instruction, three meals a day (two of which you will assist in preparing) and transfers. The trip can be booked by itself or as an extension to a longer vacation. Air fare is not included. Contact: Bolder Adventures, P.O. Box 1279, Boulder, Colo. 80306; tel. (800) 642-2742. Rail and Sea Combine a rail ride with a California coastline voyage on a Santa Fe to San Francisco Bay trip. Two nine-night excursions, departing Oct. 11 and Oct. 21, begin in Santa Fe, N.M.,where participants will board the American Orient Express train. The journey to the ship includes stops and tours at the Grand Canyon, Wupatki, Sunset Crater National Monument, the Filoli Estate and Gardens, and Stanford University’s Rodin Sculpture Garden. Once aboard the Yorktown Clipper, guests explore the inland waterways of Northern California, stopping at Sausalito, Sacramento, Napa Valley and San Francisco. Cost: from $3,040 per person, double occupancy, including transfers, rail and cruise accommodations, all meals, sightseeing and train gratuities. Air fare is not included. Contact: Clipper Reservations; tel. (800) 325-0010. Christmas Spirit Spend the holiday season in the land of the Christmas tree’s origin, Germany, on a weeklong trip that begins Nov. 27. Participants fly Lufthansa from Los Angeles to Frankfurt and take a private motor coach to Stuttgart for the formal opening of the Christmas market in the courtyard of the palace. There they can shop for handcrafted gifts and listen to choirs. The tour moves on to Munich and stops en route to visit a baroque cathedral in Ottobeuren and have lunch in the historic town of Augsburg. Day trips from Munich will be taken to Garmisch-Partenkirchen and Nurnberg. The group is limited to 20. Cost: $1,790 per person, double occupancy, including breakfast and dinner daily. Contact: Atlas Travel, 4150 Long Beach Blvd., Long Beach, CA 90807; tel. (310) 424-0908. Go for Baroque An eight-night tour to the Mediterranean island of Malta is planned for Nov. 2 to 10 and focuses on music, art, architecture, philosophy, literature, politics and town planning of the baroque period. The tour is in association with the International Institute for Baroque Studies at the University of Malta. Included on the itinerary is a full day’s excursion to Noto, the baroque capital of Sicily. Other features include recitals, concerts and entertainment events. Cost: $1,896 per person, including five-star hotel accommodations, most meals and entrance fees. Air fare is not included. Contact: OTS Foundation; tel. (847) 949-1940. Hong Kong Toys A toy and doll shopping excursion to Hong Kong, with stops in Seoul and Shenzhen, China, will leave Los Angeles on Oct. 8 for seven nights. The focus of the trip is a doll and toy gift fair, but participants will have lots of opportunity to see the rest of Hong Kong’s shopping arcades and markets. Also scheduled is a visit to Aberdeen Bay to see the fishermen who live on sampans there, the silk and jade markets, a day trip to the mainland and an overnight stay in Seoul for a quick taste of Korea. Cost: $1,559 per person, double occupancy, including round-trip air fare from Los Angeles, accommodations, sightseeing excursions, some meals, transfers and tips. Contact: Worldview Travel, 125 Lakewood Center Mall, Lakewood, CA 90712; tel. (310) 424-9645. The Times is not responsible for changes in prices, dates or itineraries. These should be confirmed with travel agents or tour operators.
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https://www.latimes.com/archives/la-xpm-1996-08-29-mn-38706-story.html
Farrakhan Denied $1 Billion From Libya
Farrakhan Denied $1 Billion From Libya The federal government denied Nation of Islam leader Louis Farrakhan permission Wednesday to accept a promised $1-billion gift from Libya to help African Americans economically and politically. Accused of supporting global terrorism, Libya for years has been under U.S. sanctions that bar most financial transactions between the two countries and limit travel. Farrakhan had applied last week to the Treasury Department’s Office of Foreign Assets Control, asking that he be granted an exemption from the sanctions to permit acceptance of the $1 billion pledged by Libyan leader Moammar Kadafi during a visit Farrakhan made to Libya in January. The Treasury Department denied that request in a message to Farrakhan’s lawyers in Chicago, asserting the continuing need of the United States to enforce its policy of isolating Libya. The government denial came just a day after Farrakhan said if the exemptions were not approved, “I will go across the nation stirring up not only my people, but all those who would benefit from it.” Farrakhan was en route to Libya where he is scheduled to receive a $250,000 humanitarian award from Kadafi on Saturday. That gift, too, was barred by the government decision. At a news conference in Chicago before his departure, Farrakhan said the U.S. government has left poor Americans “in the lurch” with a new welfare law and said he wanted to use the Libyan gift to help blacks and the poor. “We are not terrorists,” Farrakhan said. “We are not trying to do anything against the good of America. What we want to do is good for our people and ultimately the good for our nation.” At the State Department, spokesman Glyn Davies said before Wednesday’s announcement that “obviously Kadafi has an interest . . . in gaining a foothold here in the United States in some fashion. . . . And of course, that kind of talk is not something that we view positively at all.”
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https://www.latimes.com/archives/la-xpm-1996-09-01-sp-39823-story.html
Nashville Joins Major Leagues With a Big ‘Yes’ Vote on Oilers
Nashville Joins Major Leagues With a Big ‘Yes’ Vote on Oilers The commercial focused on Elaine Goetz, a 75-year-old white-haired kindly woman standing in her kitchen mixing the batter for a chocolate cake. Whom did you expect? Houston Oiler owner Bud Adams? Quarterbacks Steve McNair and Chris Chandler? “Hi, I’m Elaine Goetz and I’m retired, but I stay busy,” she said before making her way to the antique chair in her comfortable living room. “I’m not a sports fan, but I am going to vote ‘yes’ on May 7. My vote is a lot more than about football. I’m voting yes for Nashville’s future, my future.” It was a campaign masterpiece: Nashville addressing Nashville and to hell with the million dollar athletes or rip-off owners. Bring it to the people, call it “Yes For Nashville,” blanket neighborhood lawns with 30,000 signs, send out 250,000 pieces of mail, telephone 350,000 homes and don’t let a car pass without a bumper sticker. “People who never voted for anything came out to vote on this,” said Dave Cooley, organizer of “Yes for Nashville.” The “No” leaders had gathered 45,000 signatures in only 20 days to force the referendum and potentially scuttle a signed deal with the Oilers to move to Nashville. Early polling figures indicated that “No” would prevail. But the people of Nashville turned out in presidential-vote-like numbers, and the answer was a resounding “Yes.” It passed 59% to 41%, allowing an $80-million general bond issue obligation as part of a $292-million package to provide for a new stadium and relocation costs for the Oilers. “I’ve never been to a professional football game and probably never will,” says Goetz, who was brought in to solicit the vote from skeptical women and the elderly. “But we would have been ridiculous to turn it down. “Cities that have pro sports seem to thrive, and everybody wants one. Here we had one knocking on our door, and it would have been absolutely stupid not to invite them in.” Nashville sent the limo stocked with champagne and caviar. And the little city with a population of 500,000 that couldn’t--did. Who could have predicted: Nashville, the 33rd-largest TV market, will have professional football in a new 65-000-seat stadium in 1998 on the bank of the Cumberland River, while Los Angeles, the No. 2 market, will watch its football on TV. “Oh dear, no, I didn’t know that,” Goetz says. “There’s no football team in Los Angeles? That is pretty incredible, but then you have other things.” Nashville, known best for the Grand Ole Opry and its billing as “Music City USA,” racked up a football victory despite massive political differences, NFL objection, and initially minimal public support. It fought through contentious negotiations, and then after signing a 56-page relocation agreement with the Oilers, the city had to survive the referendum. “You don’t have to be a very good financial wizard to figure out that this does not pay out very well,” said Nashville Mayor Phil Bredesen, the driving force behind the bid for the Oilers. “These academic analysts who point out you can’t justify a new stadium in economic terms, well, they’re right. “But there are so many intangible reasons, and in our case we were also able to totally renovate an eyesore on the other side of the river. Nashville will now be known more broadly now. We have been well-known for a city of our size because of our music, but this was a chance to round out that image.” Construction of a new football stadium on ground used in the past to build barges will begin when Congress adjourns, thereby killing the Hoke bill. The legislation calls for cities that lose NFL franchises to get expansion teams within four years if they meet certain requirements. When NFL owners approved the Oilers’ move to Nashville they added a provision that the Hoke bill had to be killed. In the meantime, Nashville must watch the Oilers from afar. The Oilers have two years remaining on their Astrodome lease, and because they did not win permission to buy out their lease, they must play on with the anticipation of being greeted by small, hostile crowds. “I know what people are thinking: Lord, what is Nashville doing with a football team’?” said Rick Regen, an insurance salesman, who co-chaired the “Yes For Nashville” campaign. “Without the mayor the deal doesn’t get put together. He’s an outstanding businessman with great vision, and he will tell you he’s never gone to an NFL game and doesn’t watch them on TV.” Bredesen, who convinced voters to support the building of a new arena with $120 million in public money despite being spurned by the Minnesota Timberwolves and the New Jersey Devils, initially entered into secret negotiations with the Oilers. The talks, which were given the code name “Operation Cherokee,” because of a part of Adams’ ancestry, were successful in a large part because Bredesen insisted on receiving exclusive negotiating rights with the Oilers--even to the exclusion of Houston. Bredesen also sold the state on the idea that this would be Tennessee’s professional football team in order to gain $79.3 million in support. To do so he had to strike an alliance with Gov. Don Sundquist, a short time after the two men had gone through a nasty $20-million gubernatorial campaign. A total of 49 businesses must be moved to make room for the stadium and parking lots. More than $71 million will come from the sale of personal seat licenses, and no one’s complaining. “I couldn’t begin to tell you who the Oilers are playing this week,” Bredesen said. “I’m working on our library system now.”
8f4d74144ba989a2f2473d464ef52163
https://www.latimes.com/archives/la-xpm-1996-09-01-tv-39519-story.html
Reading, Writing and Reinventing Heroes
Reading, Writing and Reinventing Heroes Parents should be happy to learn that not all the new fall kids’ series are “Power Ranger” clones. In fact, there are actually some educational series in the offing: the PBS quiz series “Where in Time Is Carmen Sandiego?,” the syndicated “The Why Why Family” and the History Channel’s “Inspector Gadget’s Field Trip,” among them. Meanwhile, such legendary superheroes as “Superman,” “The Incredible Hulk” and “Flash Gordon” will headline new animated series. And several familiar Disney characters, including Donald and Daisy Duck and the adorable animals from “The Jungle Book,” will be returning in new adventures. Here’s a look at some of the new series for children (dates subject to change): ABC “Mighty Ducks”: These animated ducks are billed as a “dynamic team of intergalactic, crime-fighting, hi-tech-smart, goal-scoring, zanily hilarious” hockey heroes. The series kicks off Friday with a special at 4 p.m. on KCAL and 8:30 p.m. on ABC. Its regular time slot will be Fridays at 5 p.m. on KCAL and Saturdays at 8 a.m on ABC. “Bone Chillers”: Four teenagers attending Edgar Allan Poe High School become magnets for bizarre and strange happenings. Saturdays at 10 a.m. beginning this week. “Jungle Cubs”: The stars of the 1967 Disney hit “The Jungle Book"--Baloo the bear, Bagheera the panther, swinging Prince Louie, the sly Shere Khan--headline this animated series, which follows their adventures as youngsters. Saturdays at 7 a.m. Oct. 5. “Flash Forward”: Series focuses on two 13-year-olds who have been best friends since birth. Saturdays at 11 a.m. Sept. 14. CBS “Project G.eeK.er”: Animated series from the creators of “Earthworm Jim” features an action-adventure hero who really is a skinny nerd in a jump suit. Saturdays at 8:30 a.m. Sept. 14. “Bailey Kipper’s P.O.V”: Michael Galeota is an imaginative 11-year-old who secretly records the activities of his life and alters the tapes to reflect his point of view. Saturdays at 10 a.m. Sept. 14. “Secrets of the Cryptkeeper’s Haunted House”: Each week, a pair of teams consisting of two kids must use their wits and general knowledge as they are presented a combination of questions, riddles and physical challenges. Saturdays at 10:30 a.m. Sept. 14. FOX “C-Bear and Jamal”: Rapper-actor Tone Loc is the lead voice and executive producer of this animated series about a 10-year-old boy and his ultra-hip teddy bear confidant, C-Bear. Saturdays at 7 a.m. beginning this week. “Big Bad Beetleborgs”: A brother and sister and their best friend try to return bad guys from the comic books from which they escaped. Premieres Saturday at 8:30 a.m. and will move Sept. 9 to its regular time slot, weekdays at 4:30 p.m. UPN “Jumanji”: Based on the Robin Williams film, this animated series follows the adventures of two children who are mysteriously transported into the dark and magical world of a board game. Sundays at 9 a.m. Sept. 8. “The Incredible Hulk”: Lou Ferrigno, who played the Hulk in the 1978-82 CBS series, is the voice of the massive green hero with superhuman strength in this cartoon. Sundays at 10 a.m. Sept. 8. WB “Waynehead”: Animation is literally drawn from the real-life childhood experiences of comedian-actor Damon Wayans as the series tracks the escapades of 10-year-old Damey Wayne in lower Manhattan. Saturdays at 8:30 a.m. beginning this week. “Superman”: Tim Daly and Dana Delany lend their voices to this new animated action series. Special premiere Friday at 8 p.m.; regularly airs Saturdays at 10 a.m. PBS “Arthur”: Based on Marc Brown’s books, this animated series examines how third-grader Arthur and his friends solve their crises with imagination, kindness and humor. Weekdays at 8:30 a.m. on KCET. Oct. 7. “Where in Time Is Carmen Sandiego?”: In this new game show, villainess Carmen Sandiego is still at large, but now she’s wreaking havoc in history. The series will explore historical themes and geography education. Weekdays at 4:30 p.m. on KCET. Oct. 7. SYNDICATION “Richie Rich”: Animated mystery-comedy series follows the adventures of the world’s richest 11-year-old. Saturdays at 7:30 a.m. on KTLA. Sept. 21. “Quack Pack”: That quack-up Donald Duck returns in this new animated series in which he, Daisy and his teen-age nephews Huey, Louie and Dewey travel the globe on assignment for a TV magazine show. Tuesdays-Thursdays at 5 p.m. on KCAL, starting this week. “Flash Gordon”: Animated version of the classic comic strip and movie serials finds teenage Flash Gordon and Dale Arden mistakenly hijacked into space by the crazed Dr. Zarkov. Sundays at 12:30 p.m. on KCAL. Sept. 15. “Saban’s the Why Why Family”: Animated series featuring a family who will travel anywhere to find the answer to, “Why does it rain,” and “Why do kids look like their parents?” Sundays at 7 a.m. on KCOP. Sept. 15. CABLE “Groundling Marsh”: Preschool series is set in a magical place with puppets where nature is nurtured. Weekdays at 10 a.m. on the Disney Channel, starting Tuesday. “Inspector Gadget’s Field Trip”: Animated and live action-series features the voice of Don Adams, taking viewers on worldwide field trips. Premieres Oct. 27 at 8 p.m. on the History Channel. “The Wubbulous World of Dr. Seuss”: New series from Jim Henson Productions features a cast of Dr. Seuss characters. Each week, the cast embarks on a comical adventure hosted by the Cat in the Hat. Sundays at 8 p.m. on Nickelodeon. Oct. 13. “Hey Arnold!’: Animated series focuses on the daily life of a wildly imaginative fourth-grader with a head shaped like a football. Mondays and Wednesday at 8 p.m. on Nickelodoen. Oct. 7.
d90dc0a0e2cf309f7e7e89905b8d5bea
https://www.latimes.com/archives/la-xpm-1996-09-06-mn-41050-story.html
State Lottery Bets on Keno Replacement
State Lottery Bets on Keno Replacement Hoping to recoup some of the revenue lost when the Supreme Court outlawed one of its most lucrative games, the California Lottery is preparing to introduce a new form of keno specifically designed to comply with the state Constitution, state officials said Thursday. Created as a parimutuel game, the new keno game will no longer offer fixed prizes but will provide winnings that are based on a percentage of the total wagers placed on each game. And to remove some of the cloud of illegality associated with keno, the lottery has decided to give the new game a different name. It will be called Hot Spot, a reference to its fast-paced style of play. “Basically what the new game is is Super Lotto every five minutes,” lottery Director Maryanne Guilliard said. “It’s no longer a banked game, but completely a parimutuel game. I am comfortable . . . that it is legal.” Lottery officials will formally present the proposal for the new game today to the five-member lottery commission and request its tentative approval. Officials say the game, which is expected to bring in $140 million a year, could be up and running in October. In June, the lottery was forced to shut down its Nevada-style keno game after the California Supreme Court determined in a unanimous decision that it was illegal. The court said that keno, in effect, was a banked game rather than a lottery game because payoffs were determined by a fixed schedule instead of the pool of wagers. As an outgrowth of the Supreme Court decision, the lottery moved a week later to close down its network of Scratcher vending machines. Officials said they were acting on advice of the attorney general’s office that the machines fit the legal definition of slot machines, which are illegal in California. The shutdown of the keno game and the removal of Scratcher vending machines has cost the lottery millions of dollars in revenues. Without the introduction of a new game, Guilliard estimated that the loss would reach $500 million by the end of the fiscal year in June 1997. The revenue projections of $140 million a year for Hot Spot indicate that lottery officials do not expect the new game to be as popular as keno, which produced nearly $400 million in sales each year. By law, lottery revenues are split three ways, with 50% dedicated to prizes, up to 16% to administrative costs and a minimum of 34% to public education. Any decrease in sales affects schools, which use lottery revenues for a variety of purposes. Guilliard said final approval will be contingent on formal findings from the attorney general’s office on the game’s legality. She said the attorney general’s office has given preliminary approval for the game but asked for more time to study the proposed regulations that will govern it. She said a final decision from that office is expected Sept. 23. “It is absolutely extremely important for the lottery to live within the law,” said Guilliard, who is a lawyer and may be the only lottery director in the country who keeps a copy of the state penal code on her desk. She said she believed that the legal questions involving keno had “cast a shadow” over the lottery and she hoped that her attempts to ensure the legality of the new game would “be something very good for the lottery.” Besides the scrutiny it receives from the attorney general, Guilliard also asked a law enforcement advisory committee composed of police chiefs, sheriffs and district attorneys to evaluate the new game. She said they have found it acceptable and they will appear before the commission today to present their report. When keno was introduced, the lottery was criticized for its failure to consider objections from law enforcement. At the time, many sheriffs and police chiefs were concerned that it would encourage loitering around convenience stories and other places that offered the game. Their concerns proved to be unfounded. The new game will be slightly different from its predecessor in that it will allow players to choose only two, three, four or five numbers from a field of 80. In the old game, players chose from one to 10 numbers from a field of 80. A computer will randomly draw 20 numbers every five minutes. Each play will cost $1. Players determine if they are winners by matching their picks to the numbers drawn by the computer and displayed on a television monitor. Prizes are estimated to range from $25 to $500. “Basically, we took the most popular parts of keno and offered those back to the players with parimutuel prizes,” said state lottery spokeswoman Jeanne Winnick. Winnick said the Hot Spot game will be unique to California.
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https://www.latimes.com/archives/la-xpm-1996-09-12-mn-42977-story.html
Joanne Dru; Actress Starred in ‘40s and ‘50s Westerns
Joanne Dru; Actress Starred in ‘40s and ‘50s Westerns Joanne Dru, heroine of 1940s and 1950s western films including Howard Hawks’ classic “Red River,” has died. She was 74. Dru died Tuesday night in her Beverly Hills home of respiratory failure after suffering with lymphedema, said her brother, television host Peter Marshall. After the Hawks film in 1948 came another important western, also starring John Wayne, the 1949 John Ford entry, “She Wore a Yellow Ribbon.” “Right after I made ‘Red River,’ all I had submitted to me was western subjects,” she told The Times in 1948. “It seemed to be settled that this was the kind of picture I should play in.” Other oater roles included Ford’s “Wagon Master,” which inspired the later long-running television series “Wagon Train,” Disney’s “Light in the Forest” with Fess Parker, “Return of the Texan” with Dale Robertson, “The Warriors” and “Durango.” Although studio contracts kept her out of early television, she did appear in some “Playhouse 90" presentations and the short-lived western series about New Yorkers running a dude ranch, “Guestward Ho!” Dru aspired to comedy roles and did appear in a few non-western pictures, such as the Dizzy Dean biography, “Pride of St. Louis,” with Dan Dailey. But she grudgingly accepted the sagebrush sagas, and when westerns declined in popularity her career waned. “Once you’re typed,” she told syndicated Hollywood columnist Hedda Hopper in 1957, “you’re lost.” The diminutive auburn-haired actress had dutifully followed the western scripts and submitted to elaborate hairstyles and costumes, but she confessed to Hopper she didn’t enjoy it: “While a western is a good bet for the producer and the male star, it seldom does anything for the woman in it. . . . I simply hate horses--I’m scared to death of them. I dread those rattling wagons I have to drive in over rutty roads that practically shake your teeth loose. “And those long gingham dresses with boned bodices,” she added, “are miserable things to wear.” Born Joanne LaCock in Logan, W. Va., she moved to New York with her widowed mother, a dressmaker, and vowed to get into show business. She started out as a Powers model and soon won a place in Broadway chorus lines. Dru came west with her first husband, singer and actor Dick Haymes, and made her debut in the 1946 film “Abie’s Irish Rose.” Hawks spotted her sunning in Palm Springs and put her under contract for “Red River.” After divorcing Haymes, the actress married and divorced actor John Ireland. She later was married for 22 years to developer C.V. Wood. In addition to her brother, Dru is survived by two children, Richard Haymes Jr. of New York City and Joanna Santos of Monterey, Calif.; another brother, David Moss; six grandchildren; and six great-grandchildren. Services are scheduled for 2 p.m. Sept. 22 at Christ Church, 635 Manhattan Place South, Los Angeles. Marshall suggested that any memorial donations be made to the National Lymphedema Network, 2211 Post St., Suite 404, San Francisco CA 94115.
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https://www.latimes.com/archives/la-xpm-1996-09-13-ca-43463-story.html
Back to the Old Country
Back to the Old Country The typical ethnomusicologist is an academic who travels to out-of-the-way places in distant lands, recorder in hand, capturing for posterity the exotic sounds discovered there. Eric Davidson fits that bill perfectly--except that he’s a biologist and made his field recordings here in the United States. Davidson teaches at Caltech in Pasadena and is a founding member of the Iron Mountain String Band, which plays Saturday at Ball Junior High cafeteria in Anaheim. He began making recordings in the 1950s in North Carolina and in a region of southwest Virginia centered on the town of Galax. But make no mistake: These places were out of the way. “When I began collecting music, you could walk into a place, plug a recorder into the wall and record music that had been percolating there for 200 years,” Davidson recalled. “Earlier than that you couldn’t--there were no plugs. I came just after that, and it was like falling into a gold mine. Battery-driven recorders came later. “In the beginning you could plug into the wall and hear things nobody [outside the area] had ever heard. It was quite an adventure,” he said. “A few years later, you couldn’t do that.” It was 35 years ago that banjo player Davidson and fiddler Caleb Finch founded the Iron Mountain String Band, named for a long, wooded ridge in Grayson County, Va.; the pair met at graduate school in New York. At the end of the ‘60s, Davidson went west to Caltech and, purely serendipitously, Finch got a job across town at USC, where he’s now a renowned expert on human aging. Brooke Moyer of Toluca Lake--a legal secretary by day--joined the group in 1974, replacing another guitarist. Davidson now considers her “our heart and soul. She keeps us all together.” The trio re-creates Appalachian mountain music. Finch and Davidson learned that music firsthand from such “old-time” mountain musicians as “Uncle” Wade Ward, whom Davidson described as “a not-very-well-to-do country gentleman” and “probably the greatest banjo picker I ever heard.” Ward’s playing had been documented in the late ‘30s. Davidson learned of him through the Library of Congress collections and one day showed up on his doorstep in Independence, Va. “He never saw me before, but we got along really well,” Davidson said. “He’d take me around to these other musicians and say, ‘Give this fellow your music. Where you’re going, you can’t take it with you, and you might be going soon.’ “There were a lot of roughnecks around there. One day Uncle Wade said to me, ‘There’s a musician up on top of Park Mountain. I don’t know if I want to let you go; he’s a rough old fellow. But if you do go, and you come back, you’ll come back with some good music.’ Vester Jones was kind of a rough character, with his own crazy stories. It was a different world then.” Until the turn of the century, and in some areas even later, the only major instruments common to the southwest Virginia mountains were fiddle and five-string banjo. Though Davidson first learned banjo from a girlfriend when he was 14, Ward taught him claw-hammer banjo (a rhythmic style that would be all but replaced by the three-finger banjo picking typical of bluegrass music). Finch learned fiddling from Ward and from another local musician, Glen Smith of Hillsville, Va. “These guys lived 20-odd miles apart, they knew about each other, but musicians tended to be jealous of each other’s reputations,” Davidson said. “They both knew how to play both instruments. We got them together and had them re-create the Galax string bands of the ‘20s and ‘30s.” The greatest of those bands was the Grayson County Bog Trotters, of which Ward was an original member. * In the tradition of the Bog Trotters, the repertory of the Iron Mountain String Band includes ballads, songs and “breakdowns,” fast dance music played at social functions such as weddings and wakes and during barn-raising, harvesting and husking bees. It doesn’t include bluegrass, “a much faster, shinier kind of music” that supplanted the Galax style, Davidson explained. “Radio came along. Bluegrass, country-western and commercial Nashville music to a large extent erased the older music,” he said. “Maybe 10% of the traditional literature you’d have found in 1935 survived in bluegrass literature. Ninety percent of bluegrass is more topical. “But then the country itself completely changed,” he noted. “The interstate roads went through. You wouldn’t recognize a thing anymore, not a thing.” Much of the older music is characterized by drones, complex rhythms and modes other than major and minor; its roots can be traced to both Africa and medieval England. * According to Davidson, there’s now a “tremendous” revival of that music. “There’s a lot of local musicians making good music again,” he said. “They learned from the field recordings we made.” The Iron Mountain band may be one of the style’s more intelligent proponents; after all, two of its members serve on university faculties. But such considerations are purely academic, it turns out. “We can’t help that,” Davidson said, laughing. “One reason we play music is so we can forget about that stuff, so we can think about trains and pretty girls and booze--the important things.” * The Iron Mountain String Band plays Saturday at Ball Junior High cafeteria, 1500 Ball Road, Anaheim. 8 p.m. $10. Under 18 free when accompanied by an adult. Presented by the Living Tradition. (714) 638-1466.
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https://www.latimes.com/archives/la-xpm-1996-09-14-mn-43735-story.html
Ex-White House Employees Sue Hillary Clinton, FBI Over Files
Ex-White House Employees Sue Hillary Clinton, FBI Over Files A $90-million class-action lawsuit accuses First Lady Hillary Rodham Clinton, the FBI and others of harming White House employees of previous administrations by mishandling their background files. “Invasion of privacy is a serious matter involving reputation, emotional well-being, time and expense,” Larry Klayman, general counsel and chairman of Judicial Watch Inc., said Friday. The group, which Klayman described in an interview as “an aggressively conservative watchdog,” filed the lawsuit Thursday in U.S. District Court. The group previously sued successfully for access to the late Commerce Secretary Ronald H. Brown’s trade-mission records. Klayman said Judicial Watch expects the legal proceedings to show that misconduct “was orchestrated from the highest levels” and is part of a pattern of illegal behavior. The plaintiffs are five former low-level White House employees suing the FBI and White House under the federal Privacy Act. The lawsuit also invokes common-law invasion of privacy in naming as defendants Hillary Clinton; former White House Counsel Bernard Nussbaum; D. Craig Livingstone, former director of the office of personnel security; and his employee, Anthony Marceca. No evidence has come to light indicating that Hillary Clinton was involved in the handling of the FBI personnel files. The lawsuit said more than 700 former White House employees are members of the class entitled to financial compensation. “The contents of the FBI file of each member of the class were improperly disclosed by the FBI to Rodham Clinton, Nussbaum, Livingstone, Marceca and the White House,” the complaint said. It said Nussbaum, Livingstone and Marceca went beyond what they were authorized to do in asking the FBI to release confidential files to the White House. “These actions were taken at the direction” of the first lady, the lawsuit said, “to obtain potentially embarrassing and-or damaging information on former Bush and Reagan administration personnel and not for any proper or legal purpose.” The three counts in the complaint charge violation of the privacy act by the FBI and the White House and invasion of privacy by Mrs. Clinton, Nussbaum, Livingstone and Marceca.
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https://www.latimes.com/archives/la-xpm-1996-09-15-bk-43975-story.html
A Well-Behaved Bigot : ABOUT SCHMIDT.<i> By Louis Begley (Alfred A. Knopf: $23, 320 pp.)</i>
A Well-Behaved Bigot : ABOUT SCHMIDT.<i> By Louis Begley (Alfred A. Knopf: $23, 320 pp.)</i> For most of his life, Albert Schmidt had it all. Rising to partnership at the ancient and venerable New York law firm of Wood & King during the golden age of the American Century, Schmidt did all he was expected to do: He married a promising editor, entertained in his Fifth Avenue apartment, sent his only daughter to private schools and Harvard, and “weekended” and “summered” at an old family home in Bridgehampton. It was a life devoted to taste, manners and, above all, to the quiet and systematic business of the WASP ascendancy--"exclusive” in every sense of the word. But now, at 60, something has gone terribly, if quietly, wrong for Schmidt. Early retirement has left him without purpose. The sale of his Manhattan apartment and a permanent move to his summer house have left him isolated. The death of his wife has shaken his faith not only in happiness but even in his ability to cobble together some sort of bearable existence. And, as Louis Begley’s fourth novel opens, comes Schmidt’s coup de grace: His only daughter announces her impending marriage to one of Schmidt’s former proteges, an attorney Schmidt increasingly cannot abide and stranger, still for Schmidt, a Jew. All of which brings to the fore the unconscious assumptions and prejudices Schmidt has lived by even as his family falls by the wayside in the modern world. Popular fiction has long tended to ignore the intricacies of old-world corporate America. While the outsider and the corporate “bad guy” are staples in the stories we tell each other, those quietly at work behind the mergers and acquisitions that shape our world remain almost invisible. Yet for more than a decade now Begley has chronicled this world glimpsed only occasionally in the alcoves of Manhattan. While this has often evoked comparisons to James and Wharton, these are not mere novels of manners. Instead, Begley uses his intimate attunement to the language, habits and assumptions of the upper classes to reveal the tiny cracks in the system and to excavate the subtle cruelties and disarray that lie quietly beneath the surface. And for Schmidt, that disarray is everywhere. The title of this novel can be taken in two ways because the story is really concerned with what has happened around Schmidt in the years since he last looked up from his desk. About Schmidt, the corridors of power and the “right” vacation towns have moved. About Schmidt, the manners and mores of the corporate classes have coarsened and changed, and the composed, well-rounded sophisticates in his firm have been replaced by drones devoted to billable hours. Even Schmidt’s own unwitting success has cut him off from the younger generations; as his real estate has appreciated by 50 times over the years, his own daughter cannot afford to accept the gift of Schmidt’s house, and towns like Bridgehampton have become unaffordable to the young, leaving them strangely cut off from the world of the present. All of which has rendered the world unknowable to Schmidt and strained even his tenuous links to other people. Thus, just as Schmidt cannot understand his daughter’s decision to work as a public relations flack for the tobacco industry, a profession Schmidt finds both “mercenary and parasitic,” his daughter finds her father distant, narrow-minded and unapproachable. Similarly, although his prospective son-in-law is a young partner at Schmidt’s own Manhattan law firm, Schmidt finds that the qualities now cherished at the firm--namely the ability to gauge each interaction as a cost/benefit transaction--are precisely the qualities Schmidt does not desire to see in a relative. And even Schmidt’s links to his own heart are tenuous. Having spent his entire life hiding his deepest desires beneath a veneer of politesse, Schmidt continues to hide behind logic and legal language, as when he defines away his doggedly-pursued affairs during his marriage by invoking the niceties of contract law, or when he defends his latent anti-Semitism with this simple explanation to himself: Why sit in judgment on emotions when his actions are impeachable? Yet, by the time the novel rockets toward its strange conclusion, even Schmidt begins to feel such answers are no longer workable and can no longer give him the measure of contentment that he needs. Yet this is also a very funny elegiac. Perhaps Begley’s most stunning achievement lies in making Schmidt vividly sympathetic, almost mesmerizing, even as his many sins are laid out before us in devastating detail. Some of the most vivid examples in the book create an air of almost unbearable isolation, as when Schmidt recalls making love with his (literally) unconscious wife or relates the simple, stunningly repressed manner in which Schmidt’s affair with the family au pair is resolved. In relating such tales, Schmidt’s odd mixture of well-mannered pronouncement and elegant black humor manages to communicate both a world of hurt and a surprising, sometimes shocking, resiliency. In the end, Begley has created a terribly funny, touching, infuriating and complex character in Schmidt, whose self-deceptions and imprisonment by his own world-view stand not only as a devastating portrait of a disappearing world but also sound a strangely evocative cautionary tale. The world turns. The lies we tell each other are fragile. Our prejudices may be as unconscious and unseen as Schmidt’s. And if Schmidt does manage a giddy self-liberation at the end of the novel by making the most unlikely of connections, it is to Begley’s credit that we aren’t quite sure how to take it, just chagrined that the telling detail, the crystalline and evocative prose has to end.
f4ba6b28d891ab72cb5b8f547fc81a71
https://www.latimes.com/archives/la-xpm-1996-09-17-me-44737-story.html
Can Charter Reform Survive the Politics?
Can Charter Reform Survive the Politics? One result of this year’s battle over Valley secession was the resurrection of a charter reform effort for the city of Los Angeles. Charter reform addresses many of the same issues as Valley secession: local control, effective use of power and improved government. Unlike the secession issue, few if any prominent city players are vocally opposed to reforming a document written 70 years ago when Los Angeles was a very different city. Still, charter reform is at the center of a heated political battle, not about whether it should happen, but how. The City Council backs a plan for an advisory, appointed commission, while Mayor Richard Riordan favors a directly elected commission. Some observers say that such a tug of war could paralyze or kill the effort to rewrite the charter. Can Los Angeles reform its charter? Xandra Kayden, UCLA political scientist: “It’s not going to work with the two committees. It’s going to eat up the energy for the reform effort and get caught between the City Council and the mayor and at best result in a stalemate. . . . The problem is not in the specifics of the charter but in the politics that brings it about. . . . I think this process will kill it for another five, if not 25 years. . . . The best I could imagine coming out of it is both commissions failing at the polls and a third being resurrected out of the ashes.” David Fleming, attorney and Studio City business leader: “I thought that before we started cutting off the limbs [with a Valley secession from Los Angeles] we should start treating the patient and curing the disease. The way I see it happening is you have to give the mayor some additional power. . . . Secondly, we have to help the communities have more power. . . . This ought to be done through an elected citizens charter commission. . . . I was hoping the mayor and City Council . . . would jointly appoint a commission. It’s very apparent now that the majority of the City Council feels that they want to hold onto their power. I’m [still] very optimistic. . . . Sure, it’s gotten bogged down politically, but by having a publicly elected charter commission, you bypass all of the politics, and that’s what we’re looking for.” Bob Scott, local issues chairman, Valley Industry and Commerce Assn.: “I don’t think the will to change local government has gone away. This has only heightened people’s awareness of government. . . . I think that what the council is engaging in now is truly a charade. They’re not really truly interested in charter reform now. . . . They’re putting a measure out there as a way of diffusing citizen involvement. As long as it’s advisory and they can ignore it, it really has no significance.” Los Angeles City Councilman Mike Feuer: “I was hoping for and promoting a commission which would include representatives of labor and business, and grass-roots organizations and homeowners, educators and academics all sitting together. . . . Should the commission’s work be able to go to the voters or not? I believe they should go to the voters directly. . . . Changing the status quo is a very difficult thing because there are very powerful forces who want to keep things the way they are. I think charter reform is in a very precarious position right now.”
3e5d8cc663dff4a56e5ed093071fdcb5
https://www.latimes.com/archives/la-xpm-1996-09-19-ca-45528-story.html
‘Magritte'--This Is Not the Whole Picture
‘Magritte'--This Is Not the Whole Picture Thinking about “Rene Magritte: The Poetry of Silence,” which opened Tuesday at the UCLA/Armand Hammer Museum of Art, I have to admit: I don’t much care about the Belgian Surrealist’s paintings. For me their greatest strength is the same as their principal weakness. Magritte is pop culture with its pinkie raised. The carefully orchestrated mental pratfalls he painted between the 1920s and his death at 68 in 1967 are unthinkable without the era’s newly exploding world of mass culture. But his pictures are mostly just grandiloquent examples of it, which leaves you with renewed respect for the less pompous, often refreshing vulgarity of the real McCoy. Organized by Hammer senior curator Elizabeth Shepherd, the small exhibition is largely drawn from the well-known Menil Collection in Houston. Thirty-three of the 47 paintings, sculptures and works on paper are from the Menil. Paintings have also been borrowed from a variety of sources. One is from the nearby L.A. County Museum of Art (the famous “The Treachery of Images” of 1929, in which a slick picture of a pipe, painted as if a tobacconist’s sign, is paired with the contradictory statement “This is not a pipe,” written in French script). Another is from the collection of the important American artist Jasper Johns, whose own paintings since the 1950s show an interest in the visual and verbal conundrums of Magritte. Johns has lent “The Interpretation of Dreams,” a small 1935 canvas divided into four quadrants, reminiscent of a child’s schoolroom tablet. Each quadrant holds a word paired with a picture: “the door” with a horse; “the wind” with a clock; “the bird” with a pitcher; and “the valise” with--well, a valise. The stark collisions between discordant visual and verbal languages create a mental train wreck. And when word and picture both appear to represent the same object--as in the case of the valise or the pipe--it can be quite disturbing to realize just how fragile our common assumptions about worldly understanding can be. Literary Surrealist painting, including Magritte’s, was important because it helped reverse an artistic doctrine in place at least since the Renaissance. Images lie on the way to telling truths, his paintings said, contradicting the demand for unquestioning faith that had characterized so much art before the Modern era. If that’s a lesson also told by much of popular culture--and it’s worth pointing out here that Magritte made his principle living as a commercial artist--it further explains why the Belgian’s paintings have led a fruitful double life as mass-produced posters, greeting cards and such, as well as being the inspiration for countless advertisements and commercial logos. Among the Menil works in the show are four large-scale bronze sculptures that derive from images represented in earlier Magritte paintings. I wish the object labels in the galleries were more forthcoming in identifying these sculptures, which the artist never laid eyes on. (There is no exhibition catalog, but an accompanying brochure mentions in passing that they were cast posthumously.) Although the artist was pretty far along in their conception at the time of his death, it’s too much to consider them as his finished sculptures. The show wasn’t designed to be a scholarly undertaking, of course, nor meant to break new ground in understanding the Belgian artist’s difficult relationship to modern culture, in general, or to Parisian Surrealism, in particular. Instead, it’s a Populist entertainment. Because of that, however, it ought to at least reflect a state-of-the-art survey. The show’s main disappointment is its conventional, out-of-date view of Magritte’s art. A big, telling gap comes smack in the middle. The show begins with some of Magritte’s earliest paintings from the first half of the 1920s, with their youthful curiosity about Cubism, Futurist abstraction and other avant-garde art from the preceding generation. It concludes with some of his last paintings from 1966 (not to mention those problematic bronzes from the following year). But nothing in the show dates from between 1938 and 1948--a period of profound and growing crisis for Magritte. Europe, of course, fell apart during those years. So did the seamless continuity of Magritte’s art. He didn’t stop painting, although his production did dwindle and the path was hard. As Nazism ran rampant and the catastrophe of war expanded, Magritte moved away from the austerity of his paintings’ visual conundrums and slick realist style and toward what he called “sunlit Surrealism.” These included brushy, harlequin-colored variations on Renoir’s voluptuous, Impressionist nudes; fairy-tale-like visions of animals with human characteristics; and darkly comic images of extravagant inventiveness (in one, a peg-legged hobo trailed by a chicken marches through town, while a riotous sky of red and orange plaid looms above). These strange and eccentric pictures were pretty much expunged from the established canon of Surrealist art, but they resurfaced in a big way in 1992. A sprawling retrospective of Magritte’s work traveled to London, New York, Chicago and Houston--an unexpected box-office hit that may have inspired the Hammer show--and a group of the rarely seen paintings from the 1940s were the talk of the exhibition. Magritte’s critical fortunes have risen far in recent years, in part because his work represented the literary side of Surrealism. (At the Hammer, six American writers have been commissioned to create new poems inspired by Magritte’s paintings, in recognition of this literary kinship.) Surrealism’s abstract side, typified by the dazzling Modernist abstractions of Joan Miro, had long held the pinnacle; but the decline in favor of abstract painting since the 1970s, coupled with the powerful return of literary attitudes toward art, gave Magritte’s reputation a boost. His bizarre, long-suppressed 1940s pictures suddenly shone as likely ancestors to Postmodern art. Their absence from the Hammer show diminishes its entertainment value--not because the missing period is necessarily great, but because it represents an inescapable development that can no longer be ignored. * “Rene Magritte: The Poetry of Silence,” UCLA/Armand Hammer Museum, 10899 Wilshire Blvd., (310) 443-7020, through Jan. 5. Closed Mondays.
375952e87d1e03cb21f7015e42cb41cf
https://www.latimes.com/archives/la-xpm-1996-09-23-mn-46819-story.html
Paul Weston; Music Conductor and Arranger
Paul Weston; Music Conductor and Arranger Paul Weston, a conductor and arranger for such musical greats as Rudy Vallee and Bing Crosby and a founder of the National Academy of Recording Arts and Sciences, has died. He was 84. Weston died Friday of natural causes at St. Johns Hospital in Santa Monica, said his son, jazz guitarist Tim Weston. Weston’s career spanned nearly 50 years, and he worked with many artists, including Bob Hope, Jim Nabors, Dinah Shore, Judy Garland, Dean Martin, Doris Day and Rosemary Clooney. But his favorite partnership was with his wife, singer Jo Stafford, with whom he created the fictional duo of Jonathan and Darlene Edwards, a farcical lounge act whose antics earned the pair a cult following--and the 1960 Grammy for best comedy album. In addition to being a founder of the recording academy, Weston served as its first national president. He also served as an executive with Capitol Records and Columbia Records and was musical director for NBC-TV for five years beginning in 1957. As a composer, Weston was responsible for such pop songs as “Day by Day,” “I Should Care,” “Shrimp Boats” and “Autumn in Rome.” “His talent was only exceeded by his sweet personality,” said longtime family friend Jan Sarnoff. Weston’s music career began as a graduate student at Columbia University in 1933, when he was injured in a train wreck and began writing musical arrangements to pass the time during his convalescence. After his recovery, he sold some of those arrangements to the Joe Haymes Orchestra. Vallee heard them and hired Weston as an arranger for his Fleischman Hour on radio. Weston came to Hollywood in 1940 and arranged the score for the film “Holiday Inn” with Crosby and Fred Astaire. He also served as musical director during the 1968 initial season of the hit TV variety show “Laugh In” and was the musical director of TV’s “Bob Newhart Show.” In addition to his wife and son, Weston is survived by daughter Amy, a professional singer, and grandchildren Anna, Caleigh, William and Griffin. All live in the Los Angeles area. Services are scheduled Tuesday at the Church of the Good Shepherd in Beverly Hills, Tim Weston said.
167c7128e7c0ff5e70879e1776ed100b
https://www.latimes.com/archives/la-xpm-1996-09-26-ca-47560-story.html
Visit to a Darker Side of the Valley : John Herzfeld’s Film Explores Characters in Need of Another Chance
Visit to a Darker Side of the Valley : John Herzfeld’s Film Explores Characters in Need of Another Chance John Herzfeld is in the backseat of an airport limo that is winding its way up Laurel Canyon Boulevard. It’s been more than a dozen years, but he still remembers one of the first things he read about the San Fernando Valley. There was a story in the newspaper, he recalls, an interview with some celebrity’s wife. The woman joked that her Mercedes had an automatic U-turn device, so that every time she drove up Beverly Glen, it would turn around when she got to Mulholland Drive. She just couldn’t go down into the Valley. Herzfeld’s car also turns when it reaches Mulholland, but onto the scenic hillside drive that defines the Valley’s southern border. The car stops at an overlook above Universal City, one of the many sites Herzfeld paced while writing “2 Days in the Valley.” From here, in the bright afternoon sun, the writer-director can see almost every location used in the film, which opens Friday. “I know it’s not as hip here, but it’s safer, it’s cleaner--except for the smog,” says Herzfeld, a 12-year resident of Studio City. “I love walking around in my backyard. That’s how I write, walking around talking into a tape recorder.” He uses this manner for a very simple reason, he reveals later: “Like a moron, I never learned to type.” * Instead of sitting in an office, Herzfeld walks through neighborhoods and parks feeding scene descriptions and dialogue into his cassette recorder. He got an occasional odd look working this way, and his methods once were questioned by a police officer. But when Rysher Entertainment bankrolled the film for $11 million, he didn’t have to spend much time scouting locations. He knew exactly where to find the house where Jeff Daniels’ character would live. It was by the par-three golf course in Studio City, the house where shanked golf balls routinely land on the front lawn. Just in from the airport, Herzfeld himself looks on the brink of collapse. His naturally deep-set eyes are a little more sunken from the exhaustion of travel. He’s been in 12 cities in the last 13 days, plugging the film, taking it to the Toronto International Film Festival. In each city he answers the same question: What is it about the Valley? In previous films, the Valley has been depicted as a prototypical suburb, in films from “Valley Girl” to “Karate Kid.” Herzfeld’s Valley is a darker place, a setting for black comedy without being the butt of jokes. “It’s lonelier in some ways out here,” he says. “You don’t run into as many people. . . . I like that quieter, loner side of the Valley.” What’s also striking about the film is the lack of Valley-speak. Not a single “totally” or “fur-shur” uttered. Here, 10 characters find themselves inexorably tangled in a plot set in motion by coldblooded hit man Lee (James Spader) and his less-skilled partner, Dosmo (Danny Aiello). The Valley is a metaphor, a holding place for those who need another chance: the Olympic skier who’s never won a medal (Teri Hatcher), the has-been writer-director (Paul Mazursky), the cop who’s never become a homicide detective (Eric Stoltz) and the gallery assistant (Glenne Headly) constantly berated by her boss. * Each of the characters has a touch of Herzfeld in them, but the writer-director bears a particular resemblance. In the movie, he winds up wandering Los Angeles National Cemetery in Westwood, exactly where Herzfeld found himself about two years ago. Herzfeld had made several acclaimed television films--including “The Ryan White Story” and “The Preppie Murder,” and an “After School Special” called “Stoned,” which won him a directing Emmy. Friends, like Aiello, were telling him to move into movies. “John, you’ve proven yourself wonderful on TV, but you’ve got a crutch here,” Aiello remembers telling him. “Break out. Do a feature.” But it wasn’t so easy. He wrote a romantic thriller and spent 18 months trying to get it produced, to no avail. Depressed, he stopped in the cemetery for a walk and wound up at a grave marker with the name Dosmo. The name intrigued him and became the central character in “2 Days in the Valley,” a part written for Aiello. “I got the Fed Ex at my door, I read it and called him back two hours later,” Aiello says. “It was so quirky, so strange, I thought, ‘This has got to be a winner.’ ” While cruising Ventura Boulevard en route to the golf-ball house, Herzfeld is talking about growing up in Newark, N.J., where his father ran a building maintenance business. The family made frequent trips into New York for theater, ballet and opera, and early on Herzfeld was taken with movies, he says. He would see up to eight movies in a weekend. As a teenager, he would skip school and take a train into New York where, surrounded by drunks, he could see three second-run movies for 99 cents. He studied drama at Memphis State University and then at the University of Miami and began his career as an actor. His tough-guy looks got him guest roles on “Starsky and Hutch,” “Baretta” and “Kojak.” In 1980, he sold a script, “Voices,” which was made with Amy Irving, and moved to Los Angeles. He bought a house in Studio City about three years later and still lives there, now with his wife and 2-year-old son. Early reviews on “2 Days in the Valley” have made some strange comparisons, from Steve Martin’s “L.A. Stories” to Quentin Tarantino’s “Pulp Fiction.” There are two hit men, and a few of the city’s quirks are revealed, but otherwise the connections baffle Herzfeld. He was inspired by the 1973 Italian film “Bread and Chocolate.” And on the set, he listened to the score from the 1960 epic “Spartacus.” Dosmo, the failed hit man, and Spartacus, the rebellious slave, both need the same thing, says Herzfeld: redemption. * At the Studio City Recreation Center, Herzfeld strolls across the grass. This is the same park where, in the film, an old co-worker reminds the suicidal screenwriter of all his flops. The contrast with the actual director is evident. Far from down and out, Herzfeld is on his way to the premiere of his first directing feature. The afternoon is cooling off into evening and Herzfeld realizes he needs to get home to change clothes before the premiere screening in Westwood. He’ll have one day at home, then it’s back on the road. Once things calm down, he’s going to tackle another screenplay, this one about forgiveness. And it will be set someplace even more maligned than the Valley: New Jersey.
9445e9033f029417c322ddffe590b720
https://www.latimes.com/archives/la-xpm-1996-09-26-fo-47539-story.html
Tofu Do’s and Don’ts
Tofu Do’s and Don’ts * Tofu may be used straight from the box; no cooking is necessary. Shelf life of an unopened aseptic box is up to 10 months. Tofu can be eaten hot or cold, by itself or in recipes. * When using tofu in a stir-fry, maintain its shape and texture by adding it at the last minute. Overcooking softens tofu. * When using tofu in a chilled dessert or a dip, allow the dish to sit at least one hour for the flavor to develop. * In baking, use tofu--mashed finely--in a one-for-one proportion as a substitute for sour cream. * Tofu can be used in place of meat in many dishes, such as chili. Or crumble it and bake it dry and add to sloppy joes. (It can’t, however, be used as the main ingredient in a vegetarian meatloaf.) * Using tofu in baked goods results in a product that’s less rich. It also separates more easily than eggs, milk, cream and related products. But many bakers prefer regular to “lite"-style tofu. It produces a denser, richer product. * Freezing tofu gives it a firmer, meatier texture, especially in chili or sloppy joes. To freeze tofu, cut it into 1-inch slabs and wrap in plastic. Freeze 48 hours before thawing for use. * Fresh tofu is also sold as cakes packed in water; packages must be refrigerated. Water must be changed daily. Be sure to note the sell-by date before buying. Do not purchase if the container seems bloated. Discard any tofu with a strong odor. * Crumble firm tofu like a dry cheese over tacos, taco salad or burritos and into scrambled eggs. * Chop or puree tofu, mix with chopped vegetables and use as a filling for an omelet or quiche. * Chop tofu like hard-boiled eggs and add to tuna salad. * Marinate tofu cubes, then skewer with vegetables and meat strips for grilled kebabs. * For a cocktail nibble, drain tofu and marinate in vinaigrette overnight; then cube and spear with a toothpick. * Combine tofu with fruits, juices and flavor extracts in a blender and create a smoothie drink. * Mix tofu with fruit puree and vanilla or almond extract for a dessert dip for fresh fruit. * Puree tofu with fruits and layer it with crushed cookies in parfait glasses or into a toasted graham cracker crust for an easy pie.
8b2853dab672b3360aa42dbccbf4c6f6
https://www.latimes.com/archives/la-xpm-1996-09-29-ca-48542-story.html
Wonder of Wonders
Wonder of Wonders In the summer of 1964, when Beatlemania was sweeping America, four young musicians from Erie, Pa., called the Wonders had their brief fling with fame, crashing the Top 10 with a hit song called “That Thing You Do!” Or at least that’s the way the story goes in Tom Hanks’ new film--also titled “That Thing You Do!"--which marks the two-time Oscar winner’s debut as a writer-director as well as co-composer of several mock-'60s songs that populate the film. The $26-million movie, which opens Friday, chronicles the swift ascent--and even more sudden fall--of the one-hit Wonders, who go from playing Erie pizza saloons and state fair gigs to a nationwide appearance on the “Hollywood Television Showcase” variety show. The film evokes the buoyant optimism of the summer of ’64, as well as its pop iconography, from the band’s Fender amps and Ludwig drums to its members’ matching skin-tight burgundy suits. Though Hanks is on hand, playing the Wonders’ manager, the film’s central role goes to Tom Everett Scott, who plays Guy Patterson, the band’s replacement drummer who quits his job in his dad’s appliance store and helps propel the Wonders to stardom with his spirited backbeat. Taking a break from one of the film’s final mixing sessions, Hanks, 40, seems relaxed and unusually reflective. He recalls his mid-'60s childhood, explains how screenwriting helped him escape the monotony of stardom and describes the delicate directorial art of inspiring a cast of eager young actors without making them into Tom Hanks clones. * Question: When you sat down to write this, were the Wonders always one-hit Wonders? Answer: Definitely. It was always a story about a band with one hit record. They go through the beginning of this great adventure and right about the time the adventure is supposed to kick into really high gear, the adventure stops. That’s the story for a great many of us. I just thought it was very real and logical. You don’t have to dig very far into the vaults at Billboard to find bands like that. When’s the last time you heard of Dexy’s Midnight Runners? Or the Strawberry Alarm Clock? Q: Why did you pick the mid-'60s? A: For one, it lent itself well to the concept of the one-hit wonder. But 1964 was very specific for me. For this to be a story about these kids in a band and not to delve into the grander social upheaval of the time, the story had to take place prior to Vietnam, when everything went to hell in a handbag. And I think there’s something about that summer--that last summer between Kennedy’s assassination and Lyndon Johnson’s election, that was the last time when there was more hopefulness than cynicism. It was when we still felt our institutions would provide for us, and our technology would improve our lives and our children would live better than we lived. And that’s gone--long gone. Q: What kind of impact did that summer have on you? A: I turned 8, and that’s probably why I view the summer in that way. When you’re 7 you’re still a kid, but when you’re 8, you’re on the doorstep to adolescence. I was the youngest in the family, and I remember the house always being filled with teenagers, with the radio constantly blaring. Everything happened so fast. It was this total atmosphere of--what’s the latest? Here’s the new Beatles! Here’s the American Beatles! Here’s five Beatles instead of four! Everybody was talking about who they liked better: John or Paul? George or Ringo? The Beatles or the Dave Clark Five? And I was just sitting in, listening to the whole thing. Q: So what motivated you to sit down and write this story? A: I’d just finished shooting “Apollo 13" and I’d gone to Japan to talk about “Forrest Gump” for the Oscar campaign, and it seemed like it was Month 82 of me talking about myself. I was having to answer all these questions I had no answer to: “Don’t you think ‘Pulp Fiction’ is a more revolutionary movie than yours?” “Are you going to win the Oscar twice?” “Are you Superman?” It just ended up being an unhealthy atmosphere. It wasn’t answering the questions--I was just tired of the constant attention. Q: So the script was an escape? A: Absolutely. It was a creative endeavor that had absolutely nothing to do with anything I’d done before. And it was a big test. Just because I’d read a bunch of screenplays didn’t make me qualified to write one. The hardest part for me was the economy a script requires. You can write 10 pages and then realize everything you wrote can be said in a page and a half. So the hardest thing was figuring out how to stop blathering and get to the point. But I loved sitting down to write. I enjoyed the solitude. For once, I didn’t have to talk to anyone. Q: Who read it first? A: My wife [actress Rita Wilson]. I told her, “Just tell me if this is a movie or not.” She said, “Not only is it a movie, but I’d like to play Marguritte [a jazz club waitress in the film].” Q: It’s definitely not a typical studio movie. If your script had gone through all these screenwriting courses studio executives are so enthralled by today--with inciting incidents and character obstacles--you would’ve flunked. A: It’s true. No one has a big scene at the beginning of the film where they talk about dreams and aspirations. Q: The script really has very few big moments. As an actor, you’ve gotten Oscars for playing those very dramatic moments. So why did you avoid that in your script? A: I’ve been lucky to have great writing in a few scripts. But I’ve been in plenty of films where the big dramatic scenes were so fake--because people don’t really talk that way. I’m a firm believer that conflict with a small c is just as interesting as with a capital C. I couldn’t write a scene where someone says, “Man, I just want to get up there and play in front of 10,000 people. Then I’ll be truly happy.” Come on, that’s a bunch of baloney. Q: Why do you think so many actors have been directing films this year? A: I guess I’m the last one, huh? Q: Well, what made you do it? A: All I could see was this movie. There wasn’t anything I was seeing as an actor that was as interesting as this. All I could think about was the Wonders and what would happen to them in 1964. So I gave it to 20th Century Fox and said, “This is your worst nightmare come to life. An actor is giving you a script, saying he’d also like to direct it.” So in all honesty, this one was a free pass. I know as well as anybody that the studio wasn’t going to offend me by saying, “No, you can’t direct this movie you wrote.” I had an advantage that a guy named Tom Barhead didn’t have. The only way I can go back and ask again is if people like this movie enough so that it’s a success. Q: I guess you know that Tom Everett Scott, who plays the drummer, reminds people of a certain other actor. A: [Laughs] Go ahead--say it. Q: He’s like a younger version of you. A: As soon as Tom walked in, I said, “This guy looks too much like me.” I told him, “I’m sure you’re sick of hearing my name,” and he said, “Yeah, I get asked about it all the time. It’s sort of a burden.” [Laughs] So I said, “Sorry.” But I wanted a guy who looked content, who wasn’t posing as the coolest guy in Erie but who was the coolest guy. And Tom had it. Subconsciously, I was probably always writing this envisioning myself as the drummer. Now I’m too old to play it, but I can almost guarantee that in a different time and place, I was that guy playing the drums. Q: What I think would be tough is keeping the film’s young actors from being over-awed of you. How did you find a way to inspire them without having them do their character the way you would’ve done it? A: We had a meeting before we started shooting where I said, “Now look, if I give you a direction you don’t understand or I’m unintentionally giving you a line reading--just disregard it.” I told them, “You can do no wrong. You’ll get in trouble if you’re late or you look to me to tell you what to do. But as long as you have a direction or a plan for your character, you can do no wrong.” That’s the kind of atmosphere that, as an actor, I would like to work in. Because the truth is, just because I’m an actor does not mean I know how to talk to other actors. My process is extremely personal. I can’t explain it to anybody--I have to figure out some way to do it myself. So I told them, “If you’re not having fun, it won’t work for you--or for me. And if you’re faking it, it’ll never make it to the movie.” I just said, “Go man, go.” Q: What was the hardest part of directing? A: Staying mentally sharp when your body is exhausted. It’s a thousand miles of bad road. You’re up at 4:45 a.m. and you’re not home until 11:45 p.m. You’re sleep-deprived, you’re eating standing up, and people ask you 5,000 questions a day. The hardest thing is getting past the fatigue. You have shots at the beginning of the day when you’re fresh and shots at the end when you’re exhausted--but they’re all just as important! You can’t say, “Hey, let’s wrap. I’m beat.” No way, man, you’ve still got to get the shot. Q: Does that mean it’s easier being a movie star? A: Actually, I’ve gone more crazy as an actor. You just get bored sometimes--you know, how much longer can I sit in this trailer eating tuna sandwiches that they bring me whenever I ask. But compared to being a director, acting is a vacation. There were days when I’d look at the guys, thinking enviously, “Man, they get to take naps, play the guitar and hang out. I remember when I used to be able to do that.” But instead I have to go to the set and figure out a way to shoot the scene where the telephone rings--and make it interesting. When you’re an actor in a scene where the telephone rings, all you have to do is answer it. Q: You know, some of the last names in the movie seemed awfully familiar. The Wonders’ lead singer is Jimmy Mattingly. The guitarist is Lenny Haise. And the lead character from your imaginary TV detective show is Shake Lovell. They’re all last names of Apollo astronauts. A: We even have an instrumental song [that Hanks co-wrote] called “Voyage Around the Moon” by the Saturn 5. Hey, I was racking my brain for names and I guess “Apollo 13" was still in my head. But that’s part of the fun when it’s your movie. You get to put in all the stuff that you love.
c2647a34b184dd80bcd3b491c91401e7
https://www.latimes.com/archives/la-xpm-1996-09-29-mn-50142-story.html
Locke Feels Vindicated After Lawsuit
Locke Feels Vindicated After Lawsuit Here, in a cramped cutting room off Melrose Avenue, is where it could begin again--life after Clint, after cancer, after an all-consuming legal war. Sondra Locke, who says her professional reputation was vindicated last week in court, is making a movie called “Do Me a Favor.” It is, she says, “a little movie” with a budget of about $1 million, and Locke, who was paid just $10,000 to direct, plans to screen it at next year’s Sundance Film Festival. A little movie perhaps, a little paycheck for sure, but “Do Me a Favor” marks Locke’s return to movie-making after standing up to some of Hollywood’s most powerful men. For years after her acrimonious 1989 breakup with Clint Eastwood--her lover and mentor until, she says, her hunger for creative independence drove them apart--nobody was doing her any favors. She was a pariah, untouchable. But last week, Locke won back a measure of respect, persuading jurors in Burbank that although she had the talent to direct, the politics of the bedroom and the back lot had stalled her career. She had sought more than $2.5 million in a civil lawsuit against Eastwood. Several jurors said they were ready to decide in her favor when Eastwood settled, for an undisclosed sum. In the case, Locke had alleged that Eastwood cheated her by secretly financing a sham development deal for her to direct films for Warner Bros. She’d accepted the deal under a settlement of an earlier palimony suit. At the time, Locke says, she was still undergoing chemotherapy after a double mastectomy and grasped at the offer like a life preserver. Some jurors later said they had believed Locke but had trouble with the testimony of Eastwood and the studio executives who testified that they wanted Locke to succeed. One juror said later it was clear that the executives were more interested in appeasing Eastwood, one of Hollywood’s biggest stars, than in giving her projects. So, as Locke reviewed a scene for her movie’s first cut, the irony was inescapable. On the monitor, Rosanna Arquette was stomping and fuming. “Men!!!” hissed Arquette. “What about them?” asked Devon Gummersahl, who plays the other lead. "----ing idiots!!!” Arquette spat. The room filled with peals of female laughter as Locke, her editor and a production assistant found new humor in a scene they had scrutinized dozens of times before. Men: They still get the lion’s share of directing jobs in Hollywood. Last year, for example, of 175 films produced, women directed only 14, or 8%, according to the Directors Guild of America. The year before, they fared a little better, directing 9% of the feature films. Though women are increasingly getting work in television, progress in the film industry has been much slower, according to Jennifer Reed, co-chairwoman of the Women’s Steering Committee of the DGA. Locke was among the 11 female filmmakers in 1990, the year she made her second feature, “Impulse.” “Being a filmmaker is difficult even if you are gifted and blessed and have the silver spoon,” said Donna Mungen, a director and freelance writer whose short film, “Success Avenue: Watts” showed at last year’s Pan African Film Festival in Los Angeles. For women--especially minorities--it’s particularly hard, said Mungen, who is African American. “When I look at my male contemporaries, the ones I went to film school with, it was very apparent to me there were two tracks,” said Mungen, a graduate of the American Film Institute. “Theirs was to direct and mine was to be a nonplayer.” Locke, who directed her first film, “Ratboy,” in 1986, said some of the harshest criticism of her work has come from other women. She believes some women have not taken her seriously because she was Eastwood’s live-in companion. In a wide-ranging interview, Locke spoke about her life with the famous older man who she says used to call himself “Daddy,” their breakup, the lawsuit and her future. She was careful to avoid “bashing” Eastwood and says she has no regrets. She wore not a speck of makeup on skin so flawless it seems translucent and dressed like someone half her 48 years in an oversize faded-denim shirt, baggy striped pants and baby-blue hightops. Much of her life and career seems like a fairy tale. Some of it seems like a nightmare. She never knew her father, and she spent much of her childhood at the movies or with her face buried in a book, biding her time while plotting to leave tiny, rural Shelbyville, Tenn. Her best friend was Gordon Anderson, the man who would become her husband in the early ‘70s. Anderson is gay, she says, and to this day he continues to be her “anchor” and closest friend. The two have never divorced but live separately. She was discovered in Shelbyville by Warner Bros. during a nationwide talent search and cast alongside Alan Arkin in the 1968 film, “The Heart Is a Lonely Hunter.” She was nominated for an Academy Award. A few years later, she auditioned for a part in one of Eastwood’s movies. She didn’t get the part, but he called her back and cast her in his next film, “The Outlaw Josey Wales.” They fell in love on the set. “I never knew my father, which explains the Clint thing,” Locke says now. “He called himself Daddy. . . . I loved it then, because it filled a great void. But [later] I think through his distancing himself from me, I finally began to grow up. “It was incredible for a lot of years,” she added. “It was great as long as I would surrender to him.” They starred together in half a dozen movies. She immersed herself in his career, to the point where a script she was asked to read eventually became the basis for a “Dirty Harry” movie. “We merged and became personally and professionally intertwined,” she said. “I knew that my own, separate professional identity had disappeared. I had worked in films that were Clint’s vision, not mine. I had to go forward.” Recalling the “Every Which Way” films, in which she and Eastwood shared billing with Clyde the orangutan, she said, “I didn’t want to be up there with the orangutan. I was there because I was in love and [Eastwood] wanted me to be there. And I loved working with him and we were together. But I didn’t want that. I don’t want that now.” The relationship began to show signs of strain when Locke started to direct. “I was beginning to develop, maybe a little bit too much, and it changed the dynamics. He was Daddy, you know, and I guess that was no longer the case. When you’re a director, the job itself forces you to take charge. “ ‘Impulse’ came along, which was a project he was not involved in at all. And that’s really when it started to unravel.” The tensions erupted in April 1989, when Eastwood changed the locks of their Bel-Air home and called Bekins to pack up and store her clothes while she was away, directing. She sued to get the house back, but dropped her case a year later, settling instead for the home Eastwood had bought her husband, about $500,000 and a three-year, $1.5-million development deal at Warner Bros. Unbeknown to Locke, Eastwood was financing the Warner deal, and although she pitched more than 30 projects, she didn’t direct a single film. After her contract expired, she sued Warners for failing to develop any projects. During pretrial hearings, she discovered Eastwood’s secret side deal with the studio and sued him for fraud in 1994. A judge dismissed the action against Warner Bros. but the Eastwood suit continued and went to trial two weeks ago in Burbank. She bristles at the memories of Eastwood’s comments on the courthouse steps that she was after his money and had a gun to his head, “like he’s a 7-Eleven I’m trying to knock over. Give me a break.” But for Locke, seeing Eastwood take the witness stand “really became, to me, the crowning moment. It was a catharsis. It felt like a validation, and empowerment.” “It was almost this mythic thing,” she added. “All that had happened could only be resolved by that public moment.” Afterward, she felt a tranquillity she hadn’t known in years. “It was like this big albatross was gone.” Whatever others in Hollywood think of what appeared to be a quixotic quest, few are talking publicly. One industry source, speaking on condition of anonymity, said that many of Locke’s friends urged her not to pursue the suit. “Anybody would have told her, ‘Don’t do it,’ ” the source said. “ ‘You went through it once. And this time if you lose, everybody’s going to turn their backs on you.’ ” But Locke, thinking she had little left to lose after being so humiliated at Warner Bros., says she sued because “I was sick and tired and I didn’t want to take it any more.” “It was about me being vindicated, to me, if no one else,” she said. “Everyone said, ‘They’re going to crush you.’ Hollywood closed ranks. People wouldn’t testify for me. I had no idea how it would turn out. “In this business,” Locke continued, “people get so accustomed to being abused, they just accept the abuse and say, ‘Well, that’s just the way it is.’ Well, it isn’t. “Since everything in my life collapsed in ’89, I was just determined that I wouldn’t cave in. I wouldn’t just go away or become a basket case. I knew the value of me as a person.” And then, some friends from “Impulse” did her a favor. They recommended her to direct a small, independent film. Tag Mendillo, the first-time producer of “Do Me a Favor,” said he was well aware that he would not have been able to afford Locke had her professional life not taken a turn for the worse. “She had a bad run,” Mendillo said. “But to me she’s also the kind of person who really could be a Penny Marshall,” one of Hollywood’s most successful female directors. “If all that stuff hadn’t happened the way it did, she could very easily have been a very well received director right now,” Mendillo said. Locke, he said, brought a strong sense of style to the film and provided an atmosphere in which star Arquette could work well despite a crushingly low budget. “Some people can really do it and others just can’t,” he said. “Sondra really knows how to do it. “I’m just glad she’s been vindicated,” Mendillo said. “She deserves it.” Locke knows that her career would have gone very differently without Eastwood. “It’s very likely and probable that I wouldn’t have had that kind of huge notoriety. I wouldn’t have had that kind of big giant commercial hugeness. I would have wanted to make a lot of interesting, little films. And I would have been very happy.” That’s where she is now. No one knows yet how good “Do Me a Favor” will be or how it will fare. But it is Locke’s own labor of love. She plans to continue making features, with or without Hollywood’s approval. Times staff writer Sharon Bernstein contributed to this story.
2bf8c182666d6f910b8769eea0aced98
https://www.latimes.com/archives/la-xpm-1996-09-29-tm-48918-story.html
Back at the Ranch
Back at the Ranch Listening to Peter Strauss should comfort any gardener’s tormented soul. While landscape purists talk up native plants and proper soil amendments, Strauss advises, “Break the rules! Try everything! Where else in life is it so cheap to make mistakes?’ The benefits, he adds, are indescribable. “Gardening is a way to express the full force of your passions.’ Which is just what Strauss, a veteran TV and movie actor, has done on his Ojai ranch. At its heart, surrounded by orange groves, are gardens he designed himself--sunny courtyards, woodland glades, a cactus walk and a Mediterranean hillside. At dawn, he’s often out there in his underwear with his clippers. At sunset, he’ll be downwind of his olive trees, watching them shimmer, or knee-deep in perennials, wrecking another pair of shoes. Strauss keeps a computerized record of every plant he grows, its watering, feeding and pruning needs. It’s the only way he can manage a 30-acre orchard and a five-acre garden while working full time in Hollywood. (He plays a police psychiatrist in the new CBS fall drama “Moloney.’) But if work distracts him from his beloved hobby, acting also originally led him to it. In 1970, on location in Mexico, the New York native was overwhelmed by the stark beauty of the landscape. Back in L.A., he joined a succulent society, got a plant collector’s permit and flew to Baja to gather succulents. “I then had 600 potted plants on the roof of my apartment,’ he recalls. His next move was to buy a ranch in Agoura, where he taughthimself about scale and shaping views. In the early ‘80s, he sold the property (now part of the National Parks Service) to the Santa Monica Mountains Conservancy and eventually landed in Ojai. Around his rambling 1925 rancho, Strauss took out blighted lawn and bird of paradise to make way for more experiments. He describes his first lesson in garden color--a 300-foot flower border in pinks, blues and lavenders against the lime-green citrus grove: “It was incredible--until the oranges ripened!’ Another lesson involved the climatic extremes of Ojai, where temperatures can dip into the teens in winter and climb to 110 in summer. “I discovered the tough charms of freeway plants,’ Strauss says of oleanders and abelias. Since then, dependable lavenders, sages, rosemary and Santa Barbara daisy (“a wonderful plant you can beat to death’) have become his staples, but he remains a self-described plant addict with wide-ranging tastes. Strauss believes that “an appreciation for everything sets you up for happy accidents.’ Like the smoky spread of his silverberry against native ferns and cordylines. Or the spray of his oat grass against a heuchera and some columbines. Along with big views of his old oaks and rustling flower fields, he maintains, such small vignettes are the gardener’s riches: “It’s purely through my love of gardens that I’ve had moments in life when I’ve been stunned by perfection.’
93519ce1e7b884077f4b09f483068cd9
https://www.latimes.com/archives/la-xpm-1996-09-30-fi-48998-story.html
121 Billionaires Top Forbes List of 400 Richest Americans
121 Billionaires Top Forbes List of 400 Richest Americans From the average Joe to the most bloated fat cat, Americans have more money. But the richest are a lot richer and their ranks have swelled by nearly a third. The 1996 annual ranking of the 400 wealthiest Americans by Forbes magazine includes a record 121 billionaires, 27 more than last year. The ranking appears in the magazine’s Oct. 14 issue, released Sunday. Bill Gates and Warren Buffett again lead the list with a combined fortune between them of $33.5 billion. That’s nearly as much as President Clinton’s proposed tax break to help middle-class parents pay for their children’s college education. The Forbes ranking came as the Census Bureau reported that Americans’ earning power increased last year for the first time in six years, reducing the number of poor as wages climbed faster than inflation. But while regular folks’ salaries inched up, the coffers of the rich have ballooned, helped by the stock market’s extended rally and the American fervor for computers, phones and the Internet. For the first time, the average net worth of the Forbes 400 exceeds $1 billion. Longtime multimillionaires in businesses such as finance, retail, oil and real estate remain on the list, joined this year by many fresh faces. Kenneth Tuchman, a 36-year-old entrepreneur now worth $1 billion through his telephone marketing company TeleTech Holdings Inc., and Joseph Liemandt, a 28-year-old self-made software developer worth $500 million, are two of the 43 new entrants. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) The Wealthiest of America’s Wealthy Here are the 10 richest Americans as ranked by Forbes magazine. Dollar figures are estimated net worth. 1. William Henry Gates III; Bellevue, Wash.; $18.5 billion 2. Warren Edward Buffett; Omaha; $15 billion 3. Paul Gardner Allen; Mercer Island, Wash.; $7.5 billion 4. John Werner Kluge; Charlottesville, Va.; $7.2 billion 5. Lawrence Joseph Ellison; Atherton, Calif.; $6 billion 6. Philip Hampson Knight; Portland, Ore.; $5.3 billion 7. Jim C. Walton; Bentonville, Ark.; $4.8 billion 8. John T. Walton; Durango, Colo.; $4.8 billion 9. Alice L. Walton; Rogers, Ark.; $4.7 billion 10. Helen Walton; Bentonville, Ark.; $4.7 billion
9ba6663425897ad6831bf29e8f1b495a
https://www.latimes.com/archives/la-xpm-1996-10-02-me-49540-story.html
U.S. Seeks to Evict Island’s Last Private Owner
U.S. Seeks to Evict Island’s Last Private Owner Congress is poised to give the heave-ho to an Oxnard attorney who owns the last bit of private property in Channel Islands National Park. After negotiating with him for years without success, frustrated government officials have decided to force Francis Gherini to sell the 6,264-acre ranch he co-owns on the east end of Santa Cruz Island. The sale has been tacked onto a massive parks bill that is tied up in the Senate, one of the final pieces of legislative business before the body recesses for the year. The House already approved the omnibus parks legislation, which funds park projects throughout the country. Gherini, who defiantly challenged the government’s purchase last week, turned conciliatory in recent days as the Senate nears passage of the measure. Although he has run out of options, Gherini says he will continue to press for the best possible price for his land. “I’m comfortable with this process but I’m not sure it was necessary to engage in such a harsh remedy,” Gherini said. The land, 20 miles off the coast of Ventura, has been in Gherini’s family since 1869, when it was purchased by his great-grandfather, Justinian Caire. The historic adobe ranch houses at Scorpion Anchorage and Smuggler’s Cove and thousands of acres of undeveloped rolling hills were handed down to Gherini, his two sisters and brother. Gherini’s three siblings sold off their interests years ago for about $4 million apiece but Gherini, a retired lawyer, held out for more. He kept his 25% interest in the ranch, leaving the National Park Service with the remaining 75%. Together, Gherini and the government owned every shrub, rock and tree on the east end ranch. The west end of the island is owned by the Nature Conservancy, a nonprofit preservation group. As Gherini fought the government over the years, the appraised value of the land dropped. The last appraisal, which Gherini disputes, put Gherini’s share at less than $3 million. Park officials have continued negotiations in recent years but they are constrained by law from paying much more than fair market value. The last meeting between Gherini and the government was in July. It ended without a deal, with Gherini pressing for about twice what the government is offering. William P. Clark, a former interior secretary whom Gherini hired to represent him, said that Gherini wants to sell off the land but has been dissatisfied with the government’s offers. “You have a willing buyer and a willing seller,” Clark said. “The only issue has been and will continue to be the fair market value for that beautiful land.” To settle the dispute, which has stretched on since the Channel Islands National Park was formed in 1980, Rep. Andrea Seastrand (R-Santa Barbara) included a measure in the omnibus parks bill forcing Gherini to give up the land. “We, who care deeply about this park, have waited patiently for an agreement to be successfully negotiated to put into place the last puzzle piece of this national treasure,” Seastrand said. * Within three months after the law is enacted--President Clinton is expected to sign the parks bill if an agreement can be reached with the Senate this week--the government would take over ownership of the property, whether Gherini agrees or not. Government officials would then engage in negotiations with Gherini over a price. If they fail, the sale price would be resolved in court. The last time Congress engaged in a “legislative taking,” the government’s quickest way of buying private land, was in 1988 when officials bought a 542-acre property near a key Civil War battlefield in Virginia. Developers were preparing to turn the land--the place where Confederate Gen. Robert E. Lee commanded his troops during the Second Battle of Manassas in 1862--into a shopping mall. In Gherini’s case, park officials say they are also attempting to preserve a bit of history by restoring the island’s natural habitat. * Gherini has permitted hunters to fly to the eastern end of Santa Cruz Island to shoot trophy rams for their horns and yearling ewes for their meat. Bow-and-arrow hunters pay $500 for the adventure; those with rifles pay $1,000. Gherini has also licensed a hunting guide to bring visitors to the land to fish, hike, ride mountain bikes or paddle sea kayaks, sharing the profit with the National Park Service. “He has all these people tromping all over the place,” said one government official eager to oust Gherini from the land. Once the Park Service takes over Gherini’s interest, it plans to reduce the population of peacocks, wild horses, pigs and feral sheep that have overrun the delicate environment. Then park officials will renovate the historic buildings, restore the natural ecosystem, develop a system of hiking trails and make Santa Cruz the main visitor spot for the five-island national park. One of those visitors may be Gherini himself. Even as government officials prepared to force him to sell, Gherini was negotiating with the Park Service for some concessions. He said he wants a reasonable amount of time to give up his ownership of the island and the right for him and his family members to visit and stay on the land for the next 25 years. “I have a real attachment to that land,” said Gherini, who holds a birthday party for himself there every Fourth of July. “I like the place--always have and always will.”
8c89f73392a0eb9e4873f4383f5d95a0
https://www.latimes.com/archives/la-xpm-1996-10-03-sp-50081-story.html
These Are Sorry Times for Sooners
These Are Sorry Times for Sooners Oklahoma, where the wins came sweeping down the Plains and the All-Americans fell out of feed trucks, is no longer a show stopper. Oklahoma is not OK. Oklahoma stinks. A pillar in college football’s foundation, the Sooners are 0-3 for the first time since 1965 and have a chance to end up an unthinkable 0-11. Oklahoma, a program that has bequeathed six national champions, 50 consensus All-Americans, the nation’s longest winning streak--47 consecutive games under Bud Wilkinson from 1953 to ’57--is a laughingstock. Greatness is so far removed there are 10-year-olds in Norman who have never heard of Brian Bosworth. OK, so maybe that’s a good thing. But three losses to Western Athletic Conference teams--Texas Christian, San Diego State and Tulsa--are not. So much for the “easy” part of the schedule. Longtime Sooner watchers don’t see a “W” on the horizon with an upcoming Big 12 stampede: Kansas, at Texas, at Baylor, at Kansas State, Nebraska, at Oklahoma State, at Texas A&M;, Texas Tech. Imagine Notre Dame going 0-11. Or Alabama. Or USC. Or Texas. It could happen in Norman. “I’ve never thought of 0-11,” first-year Coach John Blake said this week. “I think of winning each game, each week. I think about the next day of practice, what we’re going to accomplish. I don’t think that far down the road.” What went wrong since the Sooners won their last national title under Barry Switzer in 1985 has been well chronicled. Scandal rocked the program in the late 1980s with revelations of wild campus rampages involving firearms, sexual assault and general mayhem at the athletic dormitory known as Bud (Wilkinson) Hall. Two Sooners were convicted for rape; another was shot by a teammate in the dorm. Quarterback Charles Thompson was arrested for selling cocaine to undercover cops and ended up on the cover of Sports Illustrated in handcuffs. Thompson later wrote that Bud Hall was “24-hour revolving door of girls, students and strangers.” Not exactly the three Rs. Oklahoma was socked with three years of NCAA probation, and Switzer left after the ’88 season, replaced by a dour but saintly former Sooner, Gary Gibbs, who did everything right other than going 4-16-1 against Texas, Colorado and Nebraska. Gibbs gave way last year to a rare outsider, Howard Schnellenberger, the Yosemite Sam-voiced relic who once led Miami and Louisville to acclaim. Schnellenberger was Hurricane Fran, a windbag full of false bravado who, according to insiders, berated everyone in the administrative offices. His wife, Beverly, insisted everyone refer to her properly as “Mrs. Schnellenberger.” That might have been tolerable had Oklahoma won eight or nine games. But after the Sooners finished 5-5-1, the team’s worst record in 30 years, Mr. and Mrs. Schnellenberger were shown the door. The school then hearkened to its roots and hired, on Switzer’s arm-twisting recommendation, Blake, a true-blue former Sooner player who was a line coach on Switzer’s Dallas Cowboy staff. At 35, Blake is the youngest Division I-A head coach in the country and the youngest on his staff. He inherited a freshman-sophomore laden team with nine returning starters, none on the offensive line, and an erratic sophomore quarterback in Eric Moore, whom Blake has already benched in favor of freshman Justin Fuente. Some say the Oklahoma swoon is scandal residual, though insiders claim the fault has been in recruiting. Oklahoma is losing in-state players, which once would have been unfathomable, and hasn’t had an All-American since lineman Anthony Phillips in 1988. Tennessee has five Oklahoma natives on its roster, Nebraska has three, including star safety Mike Minter. Michigan has one, as does Colorado. Blake, who had no previous head coaching experience, will be responsible for evoking memories of home-grown Heisman winners--Steve Owens and Billy Vessels--and keeping Oklahomans at home. “Tradition is always going to be here,” Blake says. “But what made the Sooners were the people that played on the football field. You don’t step on the field and become part of tradition.” Blake will need time to turn recruiting around, and word is he will get it. “Oklahoma’s coming back,” he insists. Blake warns those who are reveling in Oklahoma’s pain. “The giant is waking up right now and will continue to shake until we rise.” TROY THE TAILBACK Paul Hornung remains the only player in history to have won the Heisman Trophy playing on a losing team, winning the award for Notre Dame’s 2-8 team of 1956. If any player since deserves to be the second, it’s Iowa State tailback Troy Davis. Forget records and common opponents and consider this fact: Davis is a phenom. Last year, he became the first player in history to rush for more than 2,000 yards (he gained 2,010) and not win the Heisman, finishing fifth as a sophomore on a 3-8 team. Through four games this season, he’s leading the nation in rushing again, is on a 2,500-yard pace and coming off a two-game burst in which he has carried 94 times for 619 yards. After rushing for 241 yards in 53 carries against Northern Iowa two weeks ago, Davis said, “I woke up, my body was aching, I got in the whirlpool, now everything’s straight again. I’m ready to play again.” He wasn’t fooling. Last Saturday, Davis rushed 41 times for 378 yards against Missouri, the third-highest total in NCAA history. “There are so many things about Troy Davis that amaze us all the time,” his coach, Dan McCarney, says. “His resiliency, conditioning, durability. He felt great yesterday [Sunday] after 40 carries. He got a lot of gang tackling from Missouri, but he was ready to go, fresh as ever. He’s an amazing young man.” In Iowa State’s 45-31 victory over Missouri, Davis gained 175 yards in 16 carries . . . in the fourth quarter. For the season, he’s averaging 7.6 yards per carry and 229.2 yards per game. Davis’ Heisman hopes, however, are probably tied to the fate of the Cyclones, 2-2 after winning consecutive games for the first time in 69 games. “We’re trying to do all we can to bring national honor and respect to this program by winning football games,” says McCarney, in his second season after long stints as an assistant at Iowa and Wisconsin. The bad news is Iowa State has yet to face the meat of its Big 12 schedule: Baylor, Kansas, Colorado, Nebraska and Kansas State. Another losing season appears inevitable. This time, it shouldn’t be held against Troy Davis. DEFIANCE OF THE ALLIANCE The Rose Bowl may not have to wait until 2002 to be host for the national championship game, one of the perks the “Granddaddy” received for joining the new “super alliance” in a deal completed in Chicago last week. Have you checked out this week’s Associated Press poll? After No 1. Florida and No. 2 Florida State lurks a four-team flotilla of “alliance busters” in No. 3 Ohio State, No. 4 Penn State, No. 5 Arizona State and No. 6 Michigan. The deal to co-opt the Pacific 10 and Big Ten conferences into the “national championship” family does not take effect until after the 1998 season, meaning Sugar Bowl Executive Director Paul Hoolahan is already rationing perspiration. “If you start sweating now, you won’t have a lot of sweat for later,” Hoolahan said from New Orleans this week. Under the current rotating bowl arrangement, the Sugar Bowl has the rights to match the top two teams this year so long as neither is a member of either the Pac-10 or Big Ten, a pretty tenuous “so long as” as it stands now. Understand why Hoolahan is nervous. There is no way Florida and Florida State can end up 1-2 and undefeated because the teams play each other Nov. 30 and there are no more ties in college football. With three current unbeatens, the Big Ten has a decent shot of getting one team through unscathed, although Penn State, Ohio State and Michigan all face one another. Even if all end up with a loss, Arizona State could mess up the Sugar Bowl’s one-two matchup if it ends up undefeated and ranked either first or second. It is conceivable Arizona State and one of the three Big Ten schools could end up Nos. 1 and 2 and meet in the Rose Bowl for the national championship, knocking the Sugar Bowl in the bayou. “There’s a lot of football to be played,” Hoolahan cautioned. “We continue to watch with a great deal of interest. Football is a strange game. There are no predictable outcomes.” IT’S JUST PLAIN WACKY San Diego State Coach Ted Tollner has a right to be miffed at the WAC’s decision to move his team’s Oct. 5 home game against Air Force to Nov. 28, Thanksgiving Day. “I think the decision’s ridiculous,” Tollner said on this week’s WAC teleconference with reporters. The game had to be moved because of a scheduling conflict with the San Diego Padres at Jack Murphy Stadium. Air Force refused to play the game on Friday, claiming a competitive disadvantage because the Aztecs had a bye last weekend while Air Force played Rice. Now, however, San Diego State will have to face Air Force five days after playing Fresno State while Air Force is coming off a bye week. “I don’t understand that kind of logic,” Tollner said. HURRY UP OFFENSE --OK, so maybe writers don’t know peanuts from pigskins when it comes to voting in the Associated Press poll, but they’re much more credible than the USA Today/CNN Coaches’ poll. For the second week in a row, the coaches have Nebraska (sixth) ranked ahead of Arizona State (seventh). That’s right, the same Arizona State that whacked Nebraska, 19-0, in a celebrated Sept. 21 game the voting coaches may have read about in USA Today. --Welcome to the bigs: Tim Couch, Kentucky’s heralded freshman quarterback, made his first start in Saturday’s 65-0 loss to Florida and was intercepted on his first pass. --Have nots versus haves report: The WAC is 6-5 against “superconference” Big 12, but only 1-8 against the Pac-10. The Pac-10 is 17-8 against nonconference opponents.
6aac3411ae58cc86282d28679efb3f32
https://www.latimes.com/archives/la-xpm-1996-10-09-ls-51842-story.html
Sexual Abuse Puts Spotlight on Pediatric Gynecology
Sexual Abuse Puts Spotlight on Pediatric Gynecology Asmall girl is brought to the doctor by her mother because she is complaining of pain in her “private area.” After asking some questions, the doctor, who suspects vaginal lesions, says he’ll have to take a closer look, possibly doing a pelvic exam. The mother is gripped with fear. How will this small girl endure such a grown-up exam? The doctor explains the procedure to the girl, who begins to cry. The doctor now has an uncooperative patient, which will make for a very difficult exam or no exam at all. How can he best handle such a delicate situation? Family physicians wrestled with hypothetical and real-life situations like this at the American Academy of Family Physicians Scientific Assembly last weekend in New Orleans. Pediatric gynecology isn’t a subject doctors learn much about during their medical training, said Dr. Thomas Irons, a professor of pediatrics at the East Carolina University School of Medicine, who presented a lecture on the subject. “We brush it aside because nobody wants to deal with it,” Irons said. “Culturally we are very sensitive to the idea of examining the private parts of a little girl.” Irons said doctors’ fears are also rooted in avoiding the quagmire of being accused of sexual impropriety. Pediatric and adolescent gynecology are gaining more notice nowadays in light of increased sexual activity and heightened awareness of sexual abuse among the young. And increasingly, the medical community is realizing that pediatric gynecology and adolescent gynecology aren’t oxymorons. Using color slides, Irons took doctors through a gamut of gynecologic problems they might see in young girls: straddle injuries, foreign bodies lodged in the vagina (toilet paper is the most common item), prepubertal conditions, discharges, bleeding, rashes, genital anomalies, sexually transmitted diseases and sexual abuse. All warrant a closer look, but getting to that point isn’t easy. “I see mothers bringing in their daughters with symptoms the girl has put up with for two years--problems a grown woman would never put up with for more than two weeks,” said Dr. Susan Pokorny, head of obstetrics and gynecology at Kelsey Seybolt Clinic in Houston and past president of the North American Society of Pediatric and Adolescent Gynecology, an organization made up of 482 physicians. “There is 50% of the childhood population that has never had a very important part of their anatomy examined,” Pokorny said. She doesn’t advocate pelvic exams for every young girl, but knowing what is normal for that child is essential. * The field of gynecology focusing on young girls has been around since the 1930s and grew from an interest in learning more about genital abnormalities on the pediatric side, and a concern about teen sexual issues on the adolescent side, said Dr. Alvin Goldfarb, a Philadelphia gynecologist and president of NASPAG. Goldfarb said NASPAG’s goal is to lead the health care profession in knowing how to deal with gynecologic issues among youngsters. But he said it will be the next decade before doctors are comfortable with the following: * Talking about sexual issues to adolescents younger than 14. * Looking at external genitalia on young girls so that they may determine what’s normal and what’s not. * Knowing the appropriate methods for gynecologic examinations on youngsters and demonstrating this to patients. * Knowing when to refer cases to a specialist. In August, a Lancaster Community Hospital emergency room physician was accused by sheriff’s deputies of mistreating a 4-year-old rape victim who was brought to the hospital. The sole deputy in the examining room said Dr. Christine Daniel made the victim wait, treated her roughly and refused to complete the exam. But Daniel said she wanted further investigation by a pediatric gynecologist because she found evidence of previous sexual abuse--bruising that looked darker and older than the most recent sexual attack. In sexual abuse cases, the biggest concern is that the child doesn’t see the exam as another episode of abuse, said Dr. Kenneth Schikler, director of adolescent medicine and rheumatology at the University of Louisville School of Medicine in Louisville, Ky. "[Children] should understand the purpose of the exam and that they should let us know immediately if they are in pain. In a sense, this empowers them to be in control of their own exam. We want them to understand that the exam is for their benefit alone. It is a way to make sure they are as healthy as they should be.” Schikler said the same applies to the sexually active girl who is having her first exam. “Even a sexually active early adolescent has ambivalent feelings about their sexual behaviors. That carries over to their idea of the exam,” Schikler said. “They see the speculum and don’t understand how it will be used. The stirrups look threatening too. They don’t understand the whole process. They’ve heard from peers, siblings and their own mothers about negative experiences.” Said Dr. Janice Neuman, family physician and program director for the Kaiser Permanente Fontana family medicine program: “Doctors really need to talk the girl through the exam.” Girls, she said, are usually sexually active for a year before they seek medical attention. Sexual inquiries are often the hidden agenda of teens coming in with unrelated complaints. For example, they’ll say, “I have a cold,” and in the same visit they’ll ask about contraception. This is one reason Neuman and her colleagues who work with teens advocate routine checkups. “If they were coming in more regularly they could develop a rapport with their doctor,” said Dr. Marvin Belzer, medical director for the Teenage Health Center at Childrens Hospital Los Angeles. “Teenage bodies are changing so rapidly they should be looked at routinely.” Belzer said that while most girls come in at this age with menstrual complaints, he finds it is a perfect opportunity for a physician to talk to her about her sexuality. “If she knows and trusts her doctor she is less likely to be embarrassed by the situation.” Added Pokorny: “By seeing girls before they are sexually active, we can empower them with knowledge about their own bodies. The system now screens out those who aren’t sexually active as those who don’t need seeing. This puts the cart before the horse.”
b826288c785ab0d3121e49a340020610
https://www.latimes.com/archives/la-xpm-1996-10-12-mn-53188-story.html
Cannabis Buyers’ Club Founder Arrested
Cannabis Buyers’ Club Founder Arrested State narcotics agents Friday arrested Dennis Peron, founder of the state’s largest club for distributing medical marijuana, on charges including conspiracy and the possession of marijuana for sale. Peron, a Vietnam veteran who has championed the legalizing of marijuana for 20 years, was booked into an Alameda County jail, but a Superior Court judge ordered him released on his own recognizance until his arraignment. Atty. Gen. Dan Lungren told a Los Angeles news conference that an Alameda County grand jury Tuesday indicted six people alleged to be involved with San Francisco’s Cannabis Buyers’ Club. Only Peron had been arrested by Friday evening. The indictments, alleging conspiracy, possession of marijuana for sale, and sale or transportation of marijuana, were unsealed Friday. Campaign spokesmen for Proposition 215, the initiative that would legalize marijuana for medical purposes, denounced the timing of the arrest, saying it was intended to help defeat the initiative in next month’s election. “Dan Lungren has tried to pull an ‘October surprise’ to try to defeat Proposition 215 by confusing and scaring voters,” said Dave Fratello, a spokesman for the Yes on 215 campaign. San Francisco Dist. Atty.Terence Hallinan echoed the charge, but Lungren denied that he was playing politics. The arrest was the result of a two-year investigation of the club, Lungren said. The Cannabis Buyers’ Club was founded by Peron in 1994 to distribute marijuana to people suffering from AIDS, cancer and other diseases. The club claimed a membership list of 12,000 patients when it was raided by state narcotics officers in August. * Lungren said the club was illegally distributing marijuana and that undercover agents witnessed sales to teenagers, people with forged prescriptions and people who had no serious illnesses. “The charges contained in the indictment are very clear: conspiracy, possession of marijuana for sale, and the large-scale sale and transportation of marijuana,” Lungren said. “These are felonies.” He said that indictments were handed down in Alameda County because “while the most visible part was on Market Street in San Francisco, it is alleged in the indictment that this was in fact a drug distribution network which impacted the Bay Area in general.” Peron was arrested Friday morning in his home in San Francisco’s Castro neighborhood. Lungren’s raid of the club was lampooned in the popular cartoon strip “Doonesbury” this month. Cartoonist Garry Trudeau drew his eternal hippie, Zonker Harris, expressing disbelief that the attorney general would raid the club, putting it all down to politics. Lungren, in turn, fired off a letter to newspapers and the syndicate that distributes “Doonesbury,” asking that the strip be canceled and complaining that Trudeau was contributing to a “permissive attitude” toward drug use. * Hallinan expressed outrage at Peron’s arrest. “To keep pushing this thing at this point, when the issue of medical marijuana is coming to a vote in two weeks . . . it can only be for political purposes,” Hallinan said. “It is a cheap political trick.” The city’s politically powerful gay community has long supported the medical distribution of marijuana because many AIDS patients say that smoking the plant controls their nausea and helps them gain weight. There are five other clubs in the Bay Area, and other clubs distribute marijuana in Southern California. City officials acknowledge that there were problems with the way that Peron and people he hired ran San Francisco’s club. Curtius reported from San Francisco, Yates from Los Angeles.
be7c8e9587a7066cedbd87f99c11924b
https://www.latimes.com/archives/la-xpm-1996-10-20-ls-55736-story.html
The Father of Psychedelics? Just a Plant Guy
The Father of Psychedelics? Just a Plant Guy News flash: The psychedelic revolution of the ‘60s--which fueled perhaps the largest generational conflict in history while transforming American politics, revolutionizing music and unzipping sexuality--had its roots in one very conservative, bespectacled ethnobotanist who was more interested in higher education than higher consciousness. This was a Bostonian who regularly voted for the Queen of England during presidential elections because he didn’t support the American Revolution of 1776. This was a man who disowned fellow Harvard professor-turned-acid-evangelist Timothy Leary. This was a teacher who one student called Victorian. Richard Schultes--now 81 and sometimes credited with creating the field of ethnobotany, the study of plant life and its relation to culture--began his seminal research into the “psychoactive” plants of South America more than 50 years ago. Both his rediscoveries (of plants such as the psychedelic mushroom) and his own experiments with such substances (he once told novelist William Burroughs, “That’s funny, Bill, all I saw was colors”) undoubtedly influenced everyone from Leary to novelist Carlos Castaneda. All the while he maintained scientific integrity and stayed low-key. Schultes faithfully picked through the rain forest only to unwittingly emerge with the fuel for a generation of counterculture--introducing peyote, psychedelic mushrooms and natural LSD to the Western world. He then sent another generation of ethnobotanists back into the jungle to emerge with fuel for debate about our current drug culture. But it’s only now that his story is seeping into the popular consciousness. This is mostly thanks to his lifelong ethnobotany student, Harvard PhD Wade Davis, who recently completed six years of research and writing on the life and times of Schultes and his academic disciples. The product is “One River: Explorations and Discoveries in the Amazon Rain Forest” (Simon & Schuster, 1996), a book that has received a flurry of we-are-not-worthy reviews (the New York Times called the book “hagiographic"--meaning it seems to all but deify Schultes--but goes on to say, “Unqualified praise is acceptable for someone so admirable and peerless”). “He wasn’t of this era,” Davis, 42, says during a talk on the patio of the Chateau Marmont in West Hollywood recently. “He didn’t have any interest in publicity.” The book retraces Schultes’ pioneering paths into ethnobotany--he became one of the first scientists to write about peyote and its role in indigenous American rites. Later he launched into the lush, feral forests of Latin America in search of plant life as yet unknown in the annals of Western science. Beginning in 1938, Schultes would dive into botanical woods only to emerge months, sometimes years, later with historic finds--including the psychedelic mushroom, which had been considered mythical until Schultes proved it really existed. “He sparked the psychedelic era with his discoveries,” says Davis, tall and fit with sharp blue eyes that are windows to his Irish ancestry. “He wasn’t going down to take these drugs as drugs. These were sacred plants. Schultes was there to study medicinal plants.” * In 1941 Schultes disappeared into the Amazon and wasn’t seen on the Harvard campus for 12 years. Around that time he found a natural form of LSD (years before it would be synthesized in the lab by Albert Hofmann) and introduced novelist Burroughs to the natural hallucinogen “ayahuasca” (a.k.a. “yage”), which later became the subject of Burroughs’ “The Yage Letters.” After several near-death experiences, Schultes emerged from the forest having logged 300 new species of plant life. Yet, as Davis points out, he was no fan of psychedelia. “Schultes disowned Leary over the term ‘psychedelic,’ ” Davis says (Apparently he preferred ‘hallucinogenic.’) “And Castaneda could never get it right,” Davis says. “He misused plant names. But I’m sure he was dipping deeply into the repertoire of Schultes’ papers.” In 1974, Davis and renowned Schultes disciple Timothy Plowman went back into the Amazon, this time to study the coca leaf and its uses among the indigenous peoples. This second generation of research is also woven throughout the book. It reads as an indictment on the U.S. war on drugs, especially the destruction of coca fields in Colombia and other parts of South America. Davis makes it clear that the coca leaf, as it is used among Indians, is as harmless and culturally important as tea is to the English. The coca leaf is chewed often, used in religious ceremony and passed around almost as an Indian greeting. It is physiologically harmless, Davis argues. It’s only when cocaine is extracted in the forms and concentrations preferred in North America that the coca leaf becomes a health issue. “The use of coca is a profound expression of culture in the Andes,” Davis says. “Coca was a vital part of the diet. Tim did the first nutritional study. Coca was full of vitamins, calcium, enzymes.” He calls drug warriors’ attempts to wipe out coca fields “Draconian.” “Western culture has no monopoly on the route to God,” Davis says. “We determine the use of stimulants as being aberrant behavior while it is quite common in other cultures and religions.” And of course, the book’s longer strokes paint love for the Amazonian rain forest--a source of maternal life for the Earth, a place of endless biodiversity. “Preservation of the Amazon is more important than ever before,” Davis says. The book was inspired by Plowman’s death from AIDS-related complications in 1989. Davis was entrusted to read a note sent from a frail Schultes during Plowman’s funeral. It quoted Shakespeare: “Good night, sweet prince, and flights of angels sing thee to thy rest.” “It was then, as I stood at the podium, that I decided to write a book that would tell the story of these two remarkable men,” Davis writes. Davis, married with children and the proud owner of a fishing lodge about 1,000 miles north of Vancouver, British Columbia, turns out a rich tale that reads more like a novel. Though he’s a veteran writer, (he also wrote “The Serpent & the Rainbow,” a 1987 book about Haitian voodoo), he says it’s never easy. “Anyone who talks about getting inspired to write is either a bad writer or a liar,” he says. “Writing is like a sculpture. You just chip away at it every day.”
8e111d1cc3c6570abfd2265bb2e25b80
https://www.latimes.com/archives/la-xpm-1996-10-21-ca-56112-story.html
‘Striptease’ Bumps and Grinds Its Way to Profitability
‘Striptease’ Bumps and Grinds Its Way to Profitability This is a story about the global economy, Hollywood, the American psyche and strippers. Specifically, the movie “Striptease.” When the Demi Moore- as- a- single- mother- turned- stripper film opened in the United States in June, critics thrashed it and audiences stayed away in droves. When the domestic box office was counted, only $32.6 million was taken in on a movie that cost more than $40 million to make (including $12.5 million for Moore) and $24 million to market. By anyone’s count--even Hollywood accounting--it was a bomb. “In America they don’t say the word ‘Striptease’ without saying ‘box-office bomb “Striptease,” ’ " said Martin Shafer, president of Castle Rock Pictures, which made the movie. But now the lesson in global economics begins. “Striptease” has grossed $70 million outside the United States--in only 10 weeks. It opened internationally first in Mexico, where an estimated 2 million people went to see it. In some countries, such as Italy and Germany, it rose to the top of the box-office heap. “Striptease” opened in Brazil last week in first place and in Japan in second place, just behind the worldwide hit “The Rock.” “We got our redemption,” producer Mike Lobell said. “Thank God for the rest of the world!” The picture, which has opened in more than 30 countries and still has about a dozen more to go, is expected to gross at least $80 million overseas, said Massimo Graziosi, president of London-based Castle Rock International. It is also expected to do quite well in ancillary markets like video rental and sales, and cable television, Shafer said. All of that has led Castle Rock executives to project they will turn a profit--albeit a modest one--of up to about $10 million on the film. “There are movies that seem like flops, but aren’t,” Shafer said. “That’s what ‘Striptease’ is. In the new world of worldwide communications, you have to look at everything. You can’t just look at domestic box office. Domestic box office is about 25% of the overall revenue of the money that comes in on a film.” Why would a film that failed to draw audiences in the U.S. be packing them in in foreign markets? The discrepancy may be because of several factors: a backlash associated with the skyrocketing of actors’ salaries, a feeling that Moore has been overexposed, and the audience’s association of this movie--based on a best-selling novel by Carl Hiaasen--with the widely reviled skin flick “Showgirls.” “There was so much negative press about the movie before it even opened that it was hard to overcome that in America,” Shafer said. “Even Sen. [Bob] Dole made comments, and he hadn’t even seen it. [Moore’s] salary was a big topic. There were many erroneous reports of bad screenings that frankly never happened. People thought we were ripping off ‘Showgirls’ even though we were developing the film three years before ‘Showgirls’ even existed. . . . It was a movie that people were out to get before it happened.” Not so in Europe. “Overseas, there wasn’t anywhere near that kind of negative press,” Shafer said. “There wasn’t the negativity going into the film about her salary or why she did the movie. It was not a factor overseas.” In fact, Graziosi said, Moore is extremely popular internationally: “I wish we had her in some other pictures.” Also, in many foreign countries there is a more relaxed attitude toward nudity, box-office observers point out. “It could be that sex sells better in a lot of Europe than it sells here,” said Phil Garfinkel, senior vice president at Entertainment Data Inc. Producer Lobell is convinced that an American prudishness was largely responsible for the movie’s poor performance in this country. “There are too many people in this country that just the sight of a woman’s breasts sends them running for the hills,” Lobell said. “We previewed this movie several times and people were laughing all through it. But people didn’t want to say they liked this movie because of the nudity and the language.” The movie was also hampered by a confusing marketing campaign that shifted in midstream, Lobell said. Initially marketed as “a sexy thriller,” “Striptease” was later repackaged in trailers and commercials as a comedy. “We were all very frustrated by the inability to capture what the movie was,” Lobell said. “Castle Rock felt more strongly than we did that we had to sell the picture as a comedy. I always felt, as did Demi, that we really should have sold it in a bolder way. The poster [of a naked Moore with arms and legs carefully positioned] was something that Demi and [director] Andy Bergman and I wanted. But the poster doesn’t sell tickets.” Overseas, the comedic aspect was all but ignored. “In every foreign country it was sold as a sexy movie, not as a comedy,” Lobell said. “I think by selling it as a comedy knowing that Demi was stripping probably turned off a lot of hard-core people that would have seen it and liked it. And it brought in too many people who thought they were going to see an out-and-out comedy. I wish we could do it all over again. . . . We just didn’t get the right crowd.” Despite a sense of vindication, Lobell said he still feels that many people will dismiss the movie’s apparent success to mere titillation. “Now people here are going to say, ‘Oh well, sure it made money overseas. They just went to see T and A,’ ” Lobell said. “But nobody in this country is going to say, ‘We didn’t look at this picture carefully.’ I don’t think we’ll ever get the credit, but it doesn’t matter. The picture was successful. We’re happy because there are people all over the world who liked the movie.”
ad87daa87df3c8e7fbf2cfc9939ffe0c
https://www.latimes.com/archives/la-xpm-1996-10-21-mn-56209-story.html
300,000 Protest Belgium’s Handling of Pedophile Case
300,000 Protest Belgium’s Handling of Pedophile Case Capping an extraordinary week of public demonstrations, about 300,000 people marched through the streets of the Belgian capital Sunday to protest the authorities’ handling of a highly charged pedophile scandal and to draw attention to the unknown fate of about 10 missing children. “I want to thank everyone here for paying homage to our little princess,” Carine Russo, mother of an 8-year-old girl who was allegedly raped and slain by a convicted pedophile, told the solemn assembly. “I ask only one thing, that all children in the world are treated like little princes and princesses and never know . . . hell on Earth.” Authorities said the orderly and sometimes teary crowd, carrying white flowers and balloons as symbols of innocence and purity, was among the largest in Belgian history. It surpassed the size of protests during the tense Cold War years of the early 1980s, when peace activists across Europe took to the streets to oppose the deployment of U.S. missiles on the Continent. This time, however, most of the marchers were first-time protesters moved by their hearts, not by their politics--mothers, fathers, teenagers and young children horrified by an unfolding case of murder and child pornography that has gripped the country since August. Even veterans of other demonstrations--including the legendary social upheavals of 1968--said none carried the moral grounding and genuine grass-roots concern that presided at Sunday’s event like the guiding hand of a watchful parent. “To be here gives you a strange feeling in your heart,” said Hafida Zouid, a Brussels mother who made the four-hour march with her 4-year-old daughter. “What happened to those children has given us all goose bumps. This is the only way we know how to express our feelings.” During a short address at the start of the rally, Nabela Benaissa, whose young sister has been missing for four years, quietly captured the gravity of the moment when she tucked away her intended speech. “I had a thousand things to tell you, but my emotions are too strong,” she said. “We had a little bird that we loved, and one day she left the nest, and since then we have been waiting for her to come back.” Four girls were slain, two others rescued alive and about 10 children are still missing in connection with a child pornography ring allegedly headed by convicted child rapist Marc Dutroux, who police say committed his most recent crimes after being released from prison early because of good behavior. The Dutroux case has haunted the consciences of ordinary Belgians since it was disclosed that two of the victims starved to death in an underground dungeon nine months after disappearing near their homes and despite repeated public appeals by their parents for an aggressive campaign to find them. But the inward questioning has been increasingly overshadowed by intense rage toward the country’s political and judicial systems, which have come under scrutiny because of allegations of incompetence, corruption and complicity in the pedophile case. Recently, there have been reports in the Belgian media that investigators are pursuing evidence that might link senior political figures to Dutroux. The enormous public anger began spilling into the streets last week when a respected state investigator was removed from the case by the country’s top court. It was ruled that investigating magistrate Jean-Marc Connerotte, who was instrumental in Dutroux’s arrest in August, had compromised his impartiality by accepting a spaghetti dinner and a fountain pen during a fund-raising event last month for families of missing children. The decision, defended by many legal experts as following the letter of the law, set off a flurry of spontaneous protests by ordinary people, who saw Connerotte as one of the few heroic players in the affair and the court ruling as evidence of a judicial system out of step with real justice. Auto workers blocked roads. Bus drivers refused to drive. Postal workers delivered sacks of spaghetti to judicial officials. And firefighters in Liege, where much of the scandal has been centered, turned their water jets on the Palace of Justice. “When justice goes bad, people have to do what they have to do, just like in the old times,” said Johan, a 28-year-old unemployed construction worker who would not give his last name because he is related to a main suspect in the pedophile case. “If you are going to rule by the letter of the law, then it should be that way for everyone, not just working Belgians with no political connections.” The political fallout has not been lost on the country’s rulers. In a rare break with accepted protocol limiting his involvement in politics, Belgian King Albert II hosted a seminar on child abuse Friday, during which he called for a “moral revival and a profound change in our country.” After the rally on Sunday, Prime Minister Jean-Luc Dehaene met with leaders of the protest, promising to push for several significant reforms in the Belgian justice system that could make a repeat of the Dutroux affair less likely, including depoliticizing the method for choosing magistrates. The prime minister also pledged that the Dutroux investigation will be pursued “to its end” without any political interference and that disciplinary action will be taken against anyone found to have bungled the case. The political reaction was politely welcomed by parents of the missing and dead children, but it was seen as too little and too late. “We won’t stop until there is a change in the mentality of the public, which is already happening, and especially among the people who are making decisions about our children,” Russo, whose daughter starved in the dungeon, said in an interview. “This is all about our children and about citizens who have at last realized they need to express themselves as citizens.”
f24286ab25a5040f24ee8a7368deae37
https://www.latimes.com/archives/la-xpm-1996-10-26-ca-57800-story.html
‘Mel Torme’: A Master at Top of His Form
‘Mel Torme’: A Master at Top of His Form On July 23, just 16 days before he suffered a stroke from which he still is recovering, Mel Torme gave one of the finer performances of his career. “An Evening With Mel Torme,” on A&E; tonight, chronicles his Disney Institute appearance in a program that also includes segments from Torme’s talks with young musicians enrolled in the performing arts division of the Orlando-based institute. Torme is in the absolute top of his musical form in the concert portions of the show. Working with an excellent trio--Mike Renzi on piano, John Leitham on bass, Donny Osbourne on drums--he does everything right, from scat-singing to ballads to storytelling. At 71, Torme’s voice still has the strength, the flexibility and timbre of a singer half his age. And, like Louis Armstrong and Ella Fitzgerald, he somehow manages to be an entertaining, communicative performer without sacrificing an ounce of his creative imagination. Relaxed and easygoing, he tosses in bits of musical background to introduce a Benny Goodman medley, sings a high-flying tribute to Fitzgerald on “Lady Be Good” (complete with scat choruses that brilliantly expand upon Fitzgerald’s classic version) and rips through a rapid-fire, classically inspired reading of “Pick Yourself Up.” Best of all, there is a rendering of “Stardust” that is so articulate, so beautifully conceived, that it once again restores the poetry to Mitchell Parish’s atmospheric lyrics. The attraction of his musical skills aside, Torme invests everything he sings with an extraordinary aliveness. As with all true stars, every note, every word, every move, is completely gripping. Further enhancing this impressive production are the segments in which Torme--via no-nonsense, to-the-point explanations--describes the elements that are fundamental to good singing. His explanation of scat-singing should be carefully considered by anyone attempting this elusive art, as should his equally significant discussion of ballad singing as storytelling. Jazz on television doesn’t always fare well, often handicapped by unimaginative production and languid performers. “An Evening With Mel Torme” (an audio version of which, with several additional songs, is available on a Concord Records CD), is the exception, a brilliant showcase for a vital artist who hopefully still has many songs to sing. * “An Evening With Mel Torme” airs on the A&E; Network tonight at 11.
208f342648ff6d8de49e223e6d8ce416
https://www.latimes.com/archives/la-xpm-1996-10-27-mn-58289-story.html
Circle of Life Brings Volunteer Back to Zaire
Circle of Life Brings Volunteer Back to Zaire It is 4 o’clock on a Sunday morning, and the village is sleeping. No one knows I have returned. At daybreak, I step into the red-brick church and follow the tiny toeprints of barefoot children down the dirt aisle. As I begin to speak, I am greeted by astonished eyes. “I came back to tell you that I never forgot you and how you took care of me when I was really just a girl.” Pinpricks of sunlight dart like fireflies through the crumbling brick walls. There are whispers: “Miss Elizabeth? Mamu Elizabeth?” “I know you didn’t believe me when I said I’d come back. But here I am, to see how your children and fields have grown, to listen to your stories and to tell you a few of mine.” Crow’s feet deepen around the weather-beaten eyes of the women whose children I once taught, as they smile and gently ululate to welcome me home. Kamponde, a sleepy, mud-hut village of 2,500 people, is much like any other village in central Zaire. But to me, it is like no place on earth. Kamponde is where bamboo-clacking breezes and salmon-pink sunsets are savored with calabashes of palm wine, as women with babies strapped to their backs return from the manioc fields to light the supper fires. Kamponde is where I saw my first dead body, played my first guitar duet, laughed off my first marriage proposal. It is where I taught English for two years to hundreds of young men and women and sent them off to struggle with poverty, corruption and a mysterious virus not yet named AIDS. I was the last Peace Corps volunteer in Kamponde. In 1981, I was pulled out of the village because the school administration had become unbearably corrupt. I carried a lot of guilt with me when I rode out of the village in a Land Rover, knowing I was heading back to the land of plenty. I vowed then that I would keep the people of Kamponde in my heart, and that I would return. Now I was back to keep that promise, to see if the people of Kamponde remembered me as a teacher and a friend, and to learn whether I had made a difference. * My Ethiopian Airways jet landed at bat-infested Ndjili airport in Kinshasa, Zaire’s deteriorating capital of 6 million people. Here, residents try to sprout greens in the cracked sidewalks that once lined colonial boulevards. Inflation has risen 8,000% in two years. One U.S. dollar will bring 40,000 zaires--paper money printed with pictures of President Mobutu in his famous leopard-skin hat. The Peace Corps pulled out of the country completely in 1991 when unpaid soldiers rampaged through the country killing hundreds of people, and civilians went on massive looting sprees. Today, sullen bureaucrats extort pathetic bribes from travelers. At the airport, an immigration official grilled me about my visit and said my documents weren’t in order. He insisted I have them signed by a government minister. He settled, instead, for 50,000 zaires--about $1.25. From Kinshasa, I flew to the provincial city of Kananga. As I walked onto the tarmac to catch the plane, soldiers with rubber batons were beating back panicked crowds trying to drag sacks of trading goods onto cargo planes. I remembered Kananga as one of the most romantic cities I had ever known: dancing at Fat Albert’s, colorful cloth prints on the huge rumps of market mamas, the air alive with the loopy xylophones of Zairian music. Instead, I found a pitiful shell. Stores gutted during the riots were still boarded up. The banks had shut down. Streets once jammed with traders were empty. Here, I learned that a Toyota 4x4 would be ferrying a family and a load of supplies to the Catholic mission in Kamponde. The Catholic procurer offered me a one-way lift if I would pay $50 for a barrel of gas. The 100-mile trip used to take three or four hours, but the road was so rutted now that we inched along at 10 mph. It was dark when three ragtag soldiers appeared and ordered us to stop. I heard them patting their AK-47s, and I smelled the cinq-cent--the corn whiskey travelers often use as bribes. The guns didn’t scare me. It had been years since the soldiers had bullets. But I quickly slipped my gold wedding ring into my jeans and wriggled my toes to assure myself of the dollars stuffed in my boots. The soldiers demanded to see the driver’s registration papers. They settled for a few biscuits. It took eight hours to drive the last 80 miles. We bumped along in silence under brilliant stars. Around us, the savannah was burning, the fires set to corner rats and snakes for dry-season protein. As we crossed the train tracks into the outskirts of Kamponde, I was startled by an owl perched on a bullet-pocked crossing sign. Its golden eyes peered at me as it fled the headlights. I looked around at the others, wondering if anyone else had seen the Zairian omen of doom. In church four hours later, several hundred faces looked at me with pleasure. But I also saw hope in their eyes that perhaps I had brought them some sort of relief. My chest tightened with the familiar fear that my presence here does more harm than good. * My village had become so ragged that, after an absence of 15 years, I still recognized some of the hand-me-down dresses the little girls had worn to the service. As I walked from the church, children grasping each of my hands, people rushed to hug me. The lone church bell clanged. Outside, in the shade of the mango, palm and eucalyptus trees, I looked for a man I had prayed would still be alive. And there he was, returning my grin. “Mamu Elizabeth, I heard you were here, but I couldn’t believe it,” Tshinyama Mwananzoi whispered as we folded our arms around each other in an awkward embrace. For seven years, Tshinyama cooked for the Peace Corps volunteers in Kamponde. When the post closed down, he moved to Kananga and cooked for Peace Corps volunteers there for another 10 years. After the volunteers fled the 1991 riots, he waited in Kananga for a year, hoping they would return. Finally, he returned to his fields in Kamponde and tried to put 17 years of feeding and fathering young Americans behind him. His own father, a cook for Belgian missionaries, once told him God had chosen them to nourish the white man. As we walked toward his family compound, we began to plan the menu for the party I would throw the village. The packed-dirt compounds were still neatly swept. Little stick fences protected the bougainvillea and wildflowers from the goats. Some of the Tshiluba language came back to me as women straightened from their wooden mortars and pestles to greet me. “Mamu moyo, malu kayi?” Hello ma’am, how are you? “Malu bimpe, amu wewe?” I’m just fine, and you? At the family compound, Mamu Tshinyama came grinning out of the square mud hut. She was only 37, but the average life span here is 47. A life of working in the fields, mothering six children and losing three had left her looking twice her age. She accepted my traditional gift of cloth, took my face in her hands and said, “You don’t look a day older than when you left here.” She called for her two girls, only babies when I left. Teenagers with their mother’s dimples appeared, infants at their breasts. Everything is family here, as it must be when family is all there is. So they had to ask: Was I one of those Western women they’d heard about who are too busy for the sacred duties of motherhood? Chris and I have tried to have children, but for reasons the doctors cannot explain, we haven’t been able to, I told them. The fact that we were trying earned me relieved sighs, followed by promises of prayers and magic spells. We were joined by Tshinyama’s younger brother, Kabunda Mayombo, who had been one of my students. He had some hilarious memories of me slamming rulers, throwing chalk, and making farceurs--class clowns like him--stand with their noses to the back wall. Kabunda was a deacon at the church now, and a French teacher with an associate degree from a community college in Kananga. He wanted to talk politics--about the national election scheduled for May, about how bad things were for his wife and six children. “If Mobutu wins,” he said, “it’ll be the death of us all.” Every mud hut used to have a picture of Mobutu. Mobutu Sese Seko Kuku Ngbendu Wa Za Bana. Mobutu Himself Forever, Powerful Warrior Who Leaves Fire in His Wake. Mobutu the billionaire, who has skimmed riches from nationalized diamond, copper and cobalt mines though many of his people can only feed their children every other day. Mobutu the prostate cancer patient, who travels to Switzerland for treatment though patients at Mama Yemo Hospital, named after his mother, must bring their own syringes and aspirin. When I lived in Kamponde, few would speak his name for fear that his dark powers would strike them dead. Now there were many like Kabunda who openly blame him for their woes, and who pin their hopes on elections Mobutu has postponed three times since 1990. * My first day back in Kamponde ended with a dinner of fish heads in palm oil, boiled matamba (manioc leaves) and a gooey, piping hot bread called bidi. Foreheads glowed in the light of the kerosene lantern as we dug our right hands into the communal bowls. A cot had been set up in a storage room of the old church. Lying there, I thought I could see spiders and scorpions in the flickering candlelight. The wonders of the day suddenly seemed lost in loneliness and longing for Chris. I asked myself how I had ever lived like this--with no running water and no one to share my thoughts with in English at the end of the day. I blew out the candle and turned my face to the wall, but I could not sleep. I kept seeing the face of a silver-haired man in a Belgian legionnaire’s hat. He had approached me that afternoon as I raced to keep the many invitations to cradle a newborn, examine schoolwork or share beer and roasted peanuts. With trembling hands, he handed me an identity card the Belgian colonialists had given to native workers. It identified this man as a “Boy Domestic.” He also showed me a copper medal bearing the likeness of Belgium’s King Leopold II, who had amassed a personal fortune here in what was once the Belgian Congo, and who had ordered hands and heads cut off when native mine workers did not meet quotas. What did this old man want of me? An apology for the atrocities of the white man? A commendation for serving the white man well? Or was he just asking for money? “I’m not asking you for anything,” he said. “You have already given much to our children here. But perhaps somebody in the West will read your story. Perhaps somebody will send me some medicine for my eyes.” As I tossed and turned on my squeaky cot, I knew that readers would want to send medicine for the old man and dresses for the little girls I had seen in church. But there is no postal system to deliver them and no more Peace Corps volunteers to encourage an old man’s false hope. * In the morning, I jogged down the red dirt road to Institute Untu, where I hoped to find evidence of my legacy as a teacher. Walking through the ankle-high dried grass of the campus courtyard, I kept saying, “Mon dieu, mon dieu, my God, my God.” The dormitory was boarded up. The dining hall had burned down. Many classroom windows were broken. Others, through which I once watched antelope and gazelle graze the silent savannah, were sealed with brick. Seniors, many in their early 20s, were cramming for college boards. But most of the students had left for winter break, and many classrooms were empty. I took a seat in the silent room where I once taught my favorite class, a dozen junior literature majors so bright and beautiful that I often felt drunk with joy after class. In the three weeks I spent in Zaire, I learned that at least four of my former students were dead of AIDS. There were probably many more, but no one could say for sure in a country that keeps no statistics on the disease. When I taught here, I was ignorant of the virus all around me. Although AIDS is believed to have originated in Zaire, it wasn’t until the mid-1980s that news of the virus reached the village. Today, the country still has no AIDS prevention program and condoms are still frowned upon by the men. “There was a farmer, had a dog, and Bingo was his name-oh, B-I-N-G-O.” I turned toward the voice and saw the smiling face of Marceline Kanimushimbi, who had been one of my few freshman girls. She had forgotten most of her English, but she remembered that idiotic song. Marceline, 31, proudly told me that she had graduated. Now she was the mother of four and was married to another of my former students, Kamulombo Mutang, an economics teacher at the institute. Like other teachers here, he hadn’t been paid in months. In Kamponde, and also in Kinshasa and Kananga, I managed to find 25 of my former students. Among them were more teachers, a mining consultant, a construction engineer, and my pride and joy, Kamanga Mutond, the most popular radio journalist in the country. They all told me the Peace Corps volunteers who taught them English, biology and chemistry had helped get them into the university and opened their minds to ways of life outside Zaire. Zairian men are famous for their flattery, but my skepticism about their sincerity weakened one day in Kananga when a beefy man started running alongside our truck. “Miss Elizabeth! Miss Elizabeth! Don’t you know me? It’s Tshibuabua Kasolo from your senior biology class.” In his hand was one of my old passport photos, a keepsake he had carried with him all these years. He was a black-market money changer now, he told me. It was with some embarrassment that he asked, “Could I have a new photo for my wallet?” Now, in this ruin of an institute, I was meeting today’s students. I taught several classes, and passed along some books donated by the Peace Corps, but their needs were great and basic. “Didn’t you bring us some bread, ma’am?” one skinny senior asked. All I had was some hard candies I carried for small children. I was nervous this would offend these 20-year-olds, but they all lined up with their hands out. Some said this might be their only meal of the day. Their English was atrocious. None would be able to pass the English portion of their final exam. Even if they passed, getting into a university would require trading in family connections, bribery and sexual favors. Here is the future of Zaire, I told myself: a generation lost in a haze of hunger and corruption. * Planning a party in Kamponde was easy; everyone pitched in and did the work. I handed Tshinyama a stack of zaires, about $50, and he oversaw the preparations. Palm wine was ordered from neighboring villages, a fat female goat was butchered, sacks of corn and manioc were taken to the mill. Tshinyama and his cooks sweated over a half-dozen black caldrons. Several hundred people gathered to pass the wine and share the meal. Dancing teenagers pounded the dirt around the fire to dust. In one of their songs that evening, I heard my name. I was caught off guard when asked to give a speech. I told them this meal was my way of thanking them for everything they once did for me: for giving me a kitten when they learned my brother had died, for protecting me when drunken soldiers wandered into the village, for leaving baskets of eggs and fruit at my door. I didn’t tell them I knew that a morsel of my party goat would be the only taste of meat most of them would have this year. I didn’t tell them I knew times were so hard that gatherings like this were now held only around funeral fires. Long after midnight, as I drifted off to sleep, I could still hear the singing of the children and the pounding of the drums. * “Life is like a circle, and you’ve come home,” Tshinyama told me. “You haven’t changed over all these years. That’s because it was here that you found who you are.” This had been the sentimental mission of a lifetime--a chance to thank the people who had unknowingly given me the strength to undertake such a journey. But as I waved goodbye and stopped to shake hands along the road to the train station, I discovered that my tears were tempered by the pull of a hot shower, a glass of red wine, and the sound of Chris’ voice. Kananga was 13 hours away by freight train. I slumped in a corner of the car and pulled my knees to my chest to avoid a little girl scratching her head lice. As the train lurched out of the station, I smiled in the dark. I’ll never be sure what good I did here. But I do know there is a village in the heart of Africa where Sunday morning prayers call on the gods to bless me with a family of my own, and where “Miss Elizabeth” are words in a song.
2951b7cf7418d782e673e1adf1ed8d44
https://www.latimes.com/archives/la-xpm-1996-10-30-ca-59399-story.html
Without No Doubt
Without No Doubt It’s not unusual for well-meaning strangers to drive by Eric Stefani’s house and scream at it. “No Doubt!” they’ll yell, to show that they know the secret of this modest tract home: It’s the headquarters and rehearsal hall of the rock band No Doubt--or it was until the band’s third album hit big this year. No Doubt, which plays a sold-out homecoming concert Thursday at UC Irvine’s Bren Events Center, now resides mainly on the road and in the top 10 of the pop albums chart. Stefani, 29, is the one who stayed home. He founded the band 10 years ago with his sister Gwen and served as its main creative cog, playing keyboards and doing the bulk of the songwriting. Then things changed. No Doubt went through a long, frustrating, trial-and-error process to produce an album it wound up calling “Tragic Kingdom,” and though Stefani stayed long enough to finish the album, he quit the band near the end of 1994. Soon thereafter, the album took off, propelling No Doubt to stardom; it has sold more than 2 million copies in the year since its release. But Stefani had made his decision: The grind of touring and the spotlight of rock stardom were not what he wanted. What he did want was to concentrate on drawing Bart Simpson--and Marge, Homer and Lisa too. Doubly gifted as a musician and an animator, Stefani has carried on a double career, simultaneously helping to launch a hit rock band and, as a staff artist for “The Simpsons,” helping to bring a hit cartoon to life. Sometimes, he says, he will emerge from the No Doubt house to chat with those pilgrims who come by to scream and gawk. “They’ll say, ‘Hey, you’re the guy who used to play with them. Why’d you quit?’ ” He says he answers with the simple, factual truth: “I wanted to go back to drawing, and all the musical juices were sucked out of me at that point.” The emotional truth is more complex. Stefani is a solidly built 6-footer whose most pronounced features are large brown eyes set below brows that are dark, curving slashes; and neat, greased hair that hangs in strands over his forehead. He speaks softly, using no word harsher than “dang.” “That whole passage of my life is unclear,” he begins in a soft, halting voice, his mouth remaining open during long pauses, as if waiting for his feelings and thoughts to shape themselves into words. “I was messed up inside. I was troubled. I didn’t know what direction to go.” A local favorite since the late ‘80s for its colorful shows focusing on Gwen’s theatrics as its singer, No Doubt had weathered the flop in 1992 of its first national release, and had endured the frustrating recording process for “Tragic Kingdom” as producers and executives at Interscope Records rejected a good deal of the material the band initially submitted. Meanwhile, the band’s inner dynamic was changing. Early on, Eric had been the acknowledged creative dynamo: “He’s such a psychotic genius that we just leave him alone,” a half-joking Gwen had noted in promotional copy attending the first album. But on “Tragic Kingdom,” she, guitarist Tom Dumont and bassist Tony Kanal had begun to come into their own as writers too. Eric still was a force, writing two of the record’s 14 songs himself and sharing credit on five others. But he no longer was the creative cornerstone. He says that isn’t what pushed him out of the band. But it did open a door that he eventually chose to take. With others able to handle the writing--the part he loved--he felt free to leave the band and avoid the touring and promotion that always seemed a distraction from the hands-on creative work he cherished. “It was like being the father of a kid, and it was time to let go,” he says now. “For the long run it worked out for the best for everyone, including myself.” * Interviewed earlier this year, as No Doubt’s success was just beginning to unfold, Gwen hit on the same parent-child dynamic in talking about her older brother’s departure: “Eric was in some ways the dad, the teacher. He taught me everything I know. He wasn’t happy for a long time. It wasn’t a surprise [when he left]. For me, it was terrible, but it opened a lot of creative space for the rest of us.” Creative space is a gift that Eric Stefani has enjoyed in abundance, throughout his life. Dennis Stefani recalls the first work of art by the oldest of his four children: a happy-faced sun, shooting out rays of light, which Eric drew on his bedroom wall before he was two. By the time he was in the sixth grade, his habit of drawing everywhere--including on classroom desk tops--had landed him in after-school detention, scrubbing away his handiwork. But it also had attracted the big kids’ notice: Students at a nearby junior high drafted this precocious elementary school talent to draw for their school newspaper. At the same time, his parents were paying for piano lessons for him, but Eric was rendering them useless: He could play everything by ear, so he didn’t bother learning to read the notes. Smitten by Madness and other English rock bands that were reviving the light-skipping Jamaican rhythms called ska in the early ‘80s, Eric indoctrinated Gwen, and they began organizing groups to play at talent shows at Loara High School. No Doubt began in 1987, two years after Eric graduated. He says the years before ’92 were pure pleasure. The pressures of recording for a major label had not set in. He could entwine the two strands of his talent by writing quirky, structurally complex songs for the band, and by designing the posters and T-shirt logos that helped No Doubt establish its image. One of them was a striking drawing of an airborne, ponytailed Gwen screaming into a microphone. Meanwhile, he was making headway as a cartoonist. Friends who were working as gofers for Ralph Bakshi, creator of “Fritz the Cat,” helped the 20-year-old submit his portfolio to the famous animator. “He called me in and said, ‘Some pretty good stuff. Welcome to the animation business, son,’ ” Stefani recalls, mimicking Bakshi’s lisping voice. Bakshi started him off at $350 a week to draw for his newest cartoon, “The New Adventures of Mighty Mouse.” The deal was rescinded within a week when the young artist proved to be in over his head. But Bakshi consented when Stefani asked if he could just hang out and learn. Among those who taught him and became a mentor was John Kricfalusi, the “Mighty Mouse” director who soon would become famous in the cartoon world for creating “Ren & Stimpy.” By 1989, Stefani had landed a job drawing for “The Simpsons,” then a short cartoon contained within “The Tracey Ullman Show,” but soon to be a successful series. He has worked both full time and part time on “The Simpsons” since then, except for a year off to attend Cal Arts, and for pauses when No Doubt would get particularly busy. “The Simpsons” has been his living since he left the band. Having traded in a chance at the spotlight, he now works long hours in a dimly lit warren of cubicles in a North Hollywood office building where some 70 people labor in near-silence. Dominic Polcino, a director on “The Simpsons,” says Stefani is “pretty thorough, sometimes to the point of neurotic. He’s always asking me if something [he has drawn] is OK, and it’s already great.” In one episode, when Marge Simpson became a cop, Stefani had to execute an action sequence in which she rolled on the ground, then popped up pointing a gun. To get it right, he had one of his buddies serve as a model for Marge, rolling around the front lawn of the No Doubt house until Stefani had the action planted in his mind’s eye and plotted on a sketch pad. Even as he plans new ventures in cartooning--aiming eventually to create shows of his own--Stefani does not disguise his continued emotional attachment to No Doubt. “When I first heard ‘Just a Girl’ [the band’s first hit] on the radio, I had tears rolling down my face,” he says. “After eight years, it was such a rush just to see we were making some impact on the world.” He was in tears again in March at the Pond of Anaheim while he watched No Doubt perform--the only time he has seen the band play since he quit. “It was weird. I had tears of sorrow and joy at the same time. It wasn’t a feeling of jealousy or anything like that,” but a bittersweet sense that a chapter of his life was being fulfilled. But music is far from a closed chapter in his life. His parents say that his creativity always has been a strong but alternating current, and that it’s important for one outlet to be available when the other’s flow subsides. An Eric without fresh artistic ideas can be an Eric in a funk, says his mother, Patti Stefani. That certainly was not the case recently, she said, when he went into the bathroom of her house in Anaheim, emerged with lyrics scribbled on sheets of toilet paper, sat down at the piano and played her the song he had just written. “When it comes,” she said, “he has to put it down.” Chris Huicochea, who has known Eric for 10 years, says his friend hasn’t lost his flair for entertaining since leaving No Doubt. A year or so ago, said Huicochea, who is a portrait artist at Disneyland, they were at the Disneyland Hotel with some friends when Stefani sat down at a piano and began making up musical caricatures of the people walking in and out of a ballroom. It was cartooning for the ear, with a different melodic and rhythmic motif for each person. “He had us all roaring,” Huicochea recalls, “because the caricatures fit to a T.” Most important for his musical future, Stefani is co-author of a top 20 hit on the airplay charts--No Doubt’s new single, “Don’t Speak.” He started the ballad, as is his habit, in the middle of the night. He says he came up with the melody, title and preliminary lyrics; Gwen gave it a new, romantic slant the following day, softening its tone from the decidedly unromantic self-indictment Eric originally had in mind. Eric says the song reflects the key lesson he learned toward the end of his time in No Doubt--that sometimes simpler, pared-down music works better than the sort of complex music he had tended to write. He aims to return to professional songwriting and has some writing sessions planned with Gwen after No Doubt gets off tour in December. Whatever lies ahead, his share of the songwriting and album sale royalties for “Tragic Kingdom” is coming in, giving him a fiscal cushion for future creative work. Will it be music or animation? Will he drop Bart and Homer in favor of Clean Little Clara and Messy Little Matthew, a sort of toddler “Odd Couple” he has in mind? He isn’t making any sudden changes. Maybe, he says, he can do it all. Having dropped out of a band that went on to stardom without him, he has found that his parachute was multicolored. “So many people out there are trying to make it, and I’m so lucky to be doing any of this stuff. I couldn’t ask for more.”
19501b4759a7ff05d3781a7a5fa26ea9
https://www.latimes.com/archives/la-xpm-1996-11-03-bk-60588-story.html
Lunacy, Love and Logic : BERTRAND RUSSELL: The Spirit of Solitude 1872-1921.<i> By Ray Monk (The Free Press: $35, 695 pp.)</i>
Lunacy, Love and Logic : BERTRAND RUSSELL: The Spirit of Solitude 1872-1921.<i> By Ray Monk (The Free Press: $35, 695 pp.)</i> Ray Monk earned his reputation with an illuminating and hugely readable life of Ludwig Wittgenstein, Bertrand Russell’s celebrated Austrian pupil. A trained philosopher, Monk, who can pursue his quarry with relish, imagination and intelligence, is the perfect biographer for Russell, a brilliant, complex and troubled man whose notoriety has often overshadowed his academic achievements. A definitive life of Russell has to show his flaws as well as his virtues. Monk does not shirk the task. Russell, a pipe-smoking aristocrat who went to prison for his anti-war views in 1916 and who continued courageously proclaiming them until his death in 1970, provided the framework for the analytical approach that has dominated modern philosophy. Our computer languages had their birth in Russell’s most ambitious project, “Principia Mathematica,” a book so vast that it had to be transported to the publisher in a carriage. A vigorous campaigner for free trade and women’s suffrage whose social writings helped to reshape attitudes about sex, marriage and education, Russell produced more than 3,000 publications and won the Nobel Prize as well as Britain’s most prestigious honor, the Order of Merit. In his personal life, however, Lord Russell was a man of ruthless egotism, a womanizer capable of uncommon callousness and a father in later life whose behavior led to devastation and tragedy for his descendants (his oldest son went mad; his granddaughter committed suicide). Genius is an insufficient excuse. But Monk’s achievement is to provide a convincing history and explanation for the duality of his extraordinary subject’s character. The key, in Monk’s view, lies in Russell’s background and upbringing. His father’s family, who traced their lineage back to the time of the Norman Conquest, had a proud history of fighting for their beliefs; Russell was brought up to believe that opposition is a healthy and necessary political activity. Russell’s sister and both of his parents were dead by the time he was 4; he and his older brother, Frank, were moved into the sternly religious care of their grandmother, Lady Russell. Frank rebelled and was sent away to school. Bertrand, a shy and obedient child, was tutored at home and subjected to his grandmother’s fierce views of duty and obligation. Terrified to admit that he did not share his grandmother’s faith in the Almighty, young Bertie hid his religious doubts in cipher disguised as a Greek exercise book. Russell’s “Autobiography” offers a memorable account of his unhappy upbringing. Monk has probed more deeply to suggest that his growing awareness of a family history of insanity had as profound an effect on Russell’s character as did his grandmother’s rigid puritanism. Russell admitted to dreaming that his mother had been secretly confined to an asylum and later described his grandmother’s home as “a family vault haunted by maniacs.” His eager interest in Henrik Ibsen’s darkest plays and a readiness to identify himself with Rogojin, Feodor Dostoevsky’s sinister and embittered murderer, are used by Monk to argue a persuasive case for the strength of this obsession with madness. It was, he suggests, fear of insanity that caused Russell to react to the power of his own emotions with such intense alarm and apprehension. Fierce mental activity was, for many years, his chosen weapon against hysteria. Russell was 20 when he fell in love with Alys Pearsall Smith, a pretty, high-minded and independent American Quaker. Smith’s age--she was five years older than Russell--her unconventional family and rumors that she, too, came from a mentally unstable brood were sufficient reasons for Russell’s grandmother to oppose such a marriage with ruthless determination. The story of Russell’s first marriage does not do him much credit. A flirtation with Smith’s more sensual sister was followed by further dalliances. The fact that this was a period of intense mental activity and the writing of some of Russell’s most important work cannot obscure the awfulness of his behavior toward his wife. She was reduced to the level of a sexless domestic drudge, and her tears were met with complaints that she was wasting his valuable energy. When, in 1911, Russell began a relationship with Lady Ottoline Morrell that marked his shift from mathematics to philosophy, Smith was told to protect her husband’s career--and Morrell’s marriage--by keeping the affair secret. She tried to do so. She remained in love with Russell for the rest of her life. Russell’s long and passionate affair with Morrell, a deeply religious woman who refused to leave her husband or to give her lover the child he craved, is rightly connected by Monk to Russell’s quasi-religious yearning for a transcendent belief that his rigorous mind was unable to justify. His letters to her, amply quoted here, show the three passions that he described as governing his life: “the longing for love, the search for knowledge, and unbearable pity for the condition of mankind.” Morrell, if she sometimes swept Russell to the verge of despair and thoughts of suicide, also lifted him to the ecstatic heights in which he produced some of his finest work. Monk, too, seems to have fallen under her spell; the affair with Morrell sometimes threatens to overshadow Russell’s philosophic achievements. Morrell’s sexual reluctance resulted in some memorably bizarre entanglements for Russell during her reign; one of them was engineered by Morrell herself. She was not, however, responsible for Russell’s affair with Vivien Eliot, wife of the poet, who was for a short period Russell’s pupil. Monk is the first to reveal that the relationship was far more than a one-night stand and that it probably contributed to Vivien Eliot’s mental breakdown. Morrell’s successor, a spirited and beautiful young actress, Colette Mallinson, wrote herself out of his future by refusing to relinquish her career for motherhood. By the time Mallinson had decided that a mother’s role was not, after all, impossible, Russell was already expecting a child with Dora Black, a left-wing feminist. Russell promptly divorced Smith in order to legitimize his son’s rights to the family earldom. Promiscuous and callous though Russell is shown to have been, Monk seldom loses sight of his subject’s essential nobility, of the energy and passion with which he pursued knowledge and with which he, along with geniuses of the ilk of Aristotle, Einstein and Newton, helped transform our view of the world. “Isn’t it hard to put him quite out of one’s mind?” Vivien Eliot wrote to Morrell after her own unhappy affair with him. Readers of this magnificent book can share Eliot’s fascination while being spared the pain.
2063d4df9616302b094955dd932a6725
https://www.latimes.com/archives/la-xpm-1996-11-06-mn-62740-story.html
Voters Approve Measure to Use Pot as Medicine
Voters Approve Measure to Use Pot as Medicine After an upstart campaign that drew the wrath of law enforcement, Californians bucked years of demonizing marijuana and voted yes Tuesday to legalize use of the drug for medical treatment. Although Proposition 215 was criticized as the wrong message during America’s war against drugs, and full of loopholes to boot, a majority of voters saw it differently in this big surprise. “Doonesbury won the election!” joked Loyola law professor Laurie Levenson, a former federal prosecutor. “This may be the baby boomers taking control.” She referred to one of the campaign’s sideshows, in which cartoonist Garry Trudeau publicized the initiative in his “Doonesbury” comic strip and made fun of state Atty. Gen. Dan Lungren’s hard-line stand against medical use of marijuana. At the time, Lungren indignantly responded that the cartoon was trivializing the dire social consequences of drug abuse. On Tuesday, Lungren sounded slightly flummoxed about the election outcome. “This thing is a disaster. What’s going to happen? We’re going to have an unprecedented mess,” he said. In another blow to the anti-drug establishment, voters in neighboring Arizona passed an even broader measure. In that state, Proposition 200 legalizes medicinal use of marijuana as well as other drugs now beyond the reach of doctors. But of more consequence, it specifies that nonviolent drug users convicted of first- and second-time use of recreational drugs be given probation and rehabilitation instead of prison time. As for California’s vote, its symbolism is sure to be debated for days--just what message are voters sending? Supporters said it should not be interpreted as a vote for drug use, but a vote against government’s anti-drug hysteria. And they vowed to spread their campaign to other states and Congress. Dave Fratello, spokesman for the Proposition 215 committee, Californians for Medical Rights, said that vote would have only limited effects. “What we are going to find in California very quickly is that the sky is not going to fall. There is not going to be a wave of new marijuana use prompted by 215,” he said. Fratello announced that his organization would establish a toll-free hotline Wednesday to counsel doctors and their patients about the initiative. Gov. Pete Wilson said voters were attempting to be “compassionate” with their vote to help seriously ill patients, such as those with AIDS, alleviate pain. But he said Proposition 215 was poorly worded and would have broader effects. “They didn’t pay attention to the details,” Wilson said of voters. “It is so loose it is a virtual legalization of the sale of marijuana.” In an exit survey of voters statewide, the Los Angeles Times Poll found that not only was Proposition 215 favored by what appeared to be a convincing majority, but also that it was favored by one-third of Republicans and by about 25% of those who described themselves as conservative. As might be expected, there was a generation gap, with voters over 65 opposed to the measure but a majority of other voters appearing to support it. The practical effect of the vote, however, seems surely to be mired in legal doubt. Federal law classifies marijuana as a Schedule I drug, a category reserved for the most dangerous of substances that “lack an accepted medical use.” By comparison, opium and cocaine are classified as Schedule II drugs and can be prescribed under supervision of the state medical board. * California’s vote does nothing to alter that, and President Clinton’s drug czar, Barry McCaffrey, has been highly critical of the California and Arizona propositions. Tuesday night, the former Army general’s spokesman, Donald P. Maple, sounded a cautious note, however. “We’ll save our reaction until we’ve seen the size of the vote,” Marple said. In a pre-election television interview, McCaffrey had been quoted as saying that the federal government would prosecute doctors who attempted to prescribe marijuana. But Marple offered a clarification: “What Gen. McCaffrey has said is that the federal government will uphold the law, but that you’ve got to look at any situation on a case-by-case basis.” “What does it mean in practice? We’ll have to see how they put this into effect first,” Marple said. The wording of the ballot proposition poses uncertainties. It calls for lifting drug penalties for doctors who “recommend” marijuana for treatment, and for patients who follow the recommendation and use it. Growing marijuana for medical purposes is legal under the proposition, but its sale is not. Levenson said she doubted if there would be a substantial number of prosecutions. “I think it’s unlikely the federal government would take resources away from the prosecution of heroin and crack cocaine cases to go after marijuana cases. They might do a few cases to set an example. You have to remember that marijuana cases have not been a priority for the federal government lately, unless it was a boatload or a planeload of marijuana.” She also said that there is a very practical consideration that prosecutors will have to take into consideration. “You have to try your case to a jury that comes from this electorate. If this many people support this measure, what are your chances of winning?” Peter Arenella, a criminal law professor at UCLA, said medical patients who use the drug could still risk legal trouble. “Technically, federal prosecutors retain the power to prosecute some sick individual who is using marijuana to alleviate his discomfort,” he said. But he added, “Practically, it would make very little sense to use scarce prosecutorial resources on such a case after the passage of this initiative in California. The only purpose for such a prosecution would be to remind Californians that federal law has the last word.” * Orange County Sheriff Brad Gates, who chaired the anti-Proposition 215 campaign, said the vote poses “very serious legal problems for the enforcement of drugs.” He said he planned to convene a high-level meeting of federal and state law enforcement officials “to determine what course of action we will be taking in the next several weeks.” Gates and other opponents were sharply critical of the fact that most of the $2 million that supporters raised was from six individuals, five of whom live out of state. Among them is New York philanthropist George Soros, who gave $550,000 to the Proposition 215 campaign and $430,000 to the ballot measure in Arizona. Gates said the outcome proved that a few “rich people who want to spend their money affecting the social climate and environment of Californians and Arizonans . . . can move to legalize drugs throughout the country.” That said, however, sufferers from AIDS and cancer were among those most strongly seeking Proposition 215--the first statewide vote on marijuana since 1972. Back then, voters soundly rejected legalization of the drug. Last year and also in 1994, the Legislature passed its own versions of Proposition 215 on medical marijuana, but Wilson vetoed them. In this campaign, medical researchers argued that America’s war on drugs had reached such an extreme that even legitimate, supervised research had been closed off. “The public is ahead of the politicians,” said Bill Zimmerman, the Los Angeles political consultant who ran the Proposition 215 campaign. “People know that the drug warriors are lying about marijuana by lumping it in with heroin and cocaine. There is too much direct experience with marijuana for that to be credible.” Celebrating his victory with 50 boisterous supporters at a downtown Los Angeles hotel, Zimmerman said, “For us, this campaign does not end tonight. There are 49 other states.” Times staff writers Dan Morain, Dave Lesher, Henry Weinstein and Matea Gold and Paul Jacobs in Sacramento contributed to this story.
90b09c15f71d9e8ef895aea9de8ce6fb
https://www.latimes.com/archives/la-xpm-1996-11-09-ca-62769-story.html
ALBUMS REVIEWS / POP : Killah, RZA Team to Produce Solid ‘Ironman’
ALBUMS REVIEWS / POP : Killah, RZA Team to Produce Solid ‘Ironman’ *** 1/2 GHOSTFACE KILLAH “Ironman” Razor Sharp/Epic As he’s proven on Wu-Tang Clan gems such as “4th Chamber” and “Wisdom Body,” Ghostface Killah has a miraculous rhyme flow and a gift for metaphors that expand the imagination. On “Ironman,” Clan musical mastermind RZA melds his colorful blend of Memphis horns, haunting, old-school soul vocals and heavy drum beats with Ghostface’s stark lyrics to create an album with iron-plated cohesiveness that’s nearly impregnable. Songs such as the stripped-down “Daytona 500,” the melodic “After the Smoke Is Clear” and the rocking “The Faster Blade” hit the eardrums and the conscience from all angles. But the album’s most surprising moment comes with the heartfelt “All That I Got Is You,” a dedication to the rapper’s family and tragic background that even surpasses 2Pac’s “Dear Mama” in emotional impact. Mary J. Blige warbles in the background as the Staten Island native tells of growing up in a tiny apartment with 15 people, including two brothers with muscular dystrophy. In the process, Ghostface Killah removes the iron mask to reveal sensitive eyes, a survivor’s spirit and a philosophical heart. Albums are rated on a scale of one star (poor), two stars (fair), three stars (good) and four stars (excellent).
0bfc51af1c817b10a457614cb23e9c4a
https://www.latimes.com/archives/la-xpm-1996-11-12-ls-63714-story.html
In the Defense of Mr. Harry Pendel
In the Defense of Mr. Harry Pendel John le Carre’s new novel, “The Tailor of Panama,” has received generally glowing reviews, but the author reacted with anger to the treatment of his book in the New York Times Book Review. Norman Rush, the novelist who reviewed the book, seemed to accuse Le Carre of a kind of anti-Semitism, a charge that the author vigorously disputes. The lead character in the novel is Harry Pendel, a British expatriate working as a tailor in Panama. The son of a Jewish father and an Irish mother, Pendel is abandoned by his mother and raised by Jewish relatives in London. He becomes a minor-league con man who spends time in jail for setting fire to his Uncle Benny’s warehouse in a scheme to collect insurance money. “Here we have, however little Mr. Le Carre may have intended it, yet another literary avatar of Judas,” Rush wrote of Pendel. The reviewer mentioned three examples of what he believed to be Judas parallels, including instances in which Pendel defamed Panama’s only honest political leader and endangered his wife’s “utterly innocent” Christian study group. Rush said his sense of “unease” was intensified by elements of Pendel’s background. “Pendel’s Uncle Benny, a specialist in insurance arson, survived under the Nazis by becoming a tailor to the high command of the Wehrmacht. As you read, the phrase ‘rootless cosmopolitans’ scratches at the doors of your mind.” Le Carre, who was in New York when the review appeared last month, interrupted a reading of his new novel at the 92nd Street Y to protest Rush’s review. In a subsequent interview with the Los Angeles Times, Le Carre said the Pendel character was based on his own childhood. “I was brought up to a mixture of religions; high church, low church,” he said. It was also a childhood that featured “total hedonism, social snobbery and, on my father’s side, immense egalitarianism, because he lived in the underworld partly. I tried to translate that into conflicting cultures in Pendel. It had nothing to do with anti-Semitism.” In a letter to the New York Times, Le Carre said: “The whole point of the character--which should be plain to a blind hedgehog, as the Russians say--is that he is an unshaken cocktail of differing, and sometimes conflicting, cultures.” The author complained that Rush “tars me with the anti-Semitic brush” on the basis of “bizarre imaginings” about the Pendel character. In a reply to the letter, Rush said: “I have not said or implied that Mr. Le Carre is an anti-Semite, and I do not think it. Nevertheless, Pendel-Judas parallels, however inadvertent, are inescapable. Step back and what you have is ‘a person of Jewish family background’ betraying, for money, the saintliest people (among others) available.”
ddeca452ceb124a4ffede8905ceb6d1a
https://www.latimes.com/archives/la-xpm-1996-11-12-ls-63716-story.html
The Secret Worlds of John le Carre
The Secret Worlds of John le Carre John le Carre, 65-year-old author, former intelligence officer and celebrated re-inventer of the modern genre of spy novels, is sitting over orange juice and coffee in his suite at the Hotel Carlyle, talking about his childhood. The protagonist in his latest book, “The Tailor of Panama” (Knopf), is a minor-league con man. Which naturally brings Le Carre back to memories of his father. Ronnie Cornwell, an energetic swindler with a taste for high living, gave his son a lifelong preoccupation with deception, not to mention one of those dreadful childhoods that seems to turn some sensitive children into creative adults. Cornwell drank, gambled and concocted various real estate and insurance scams that landed him in jail when Le Carre was only 5 years old. He and his 7-year-old brother were then promptly abandoned by their mother. Over the next 11 years, young Le Carre shuttled between the care of intensely religious paternal relatives, English public schools that he despised and life with his flimflamming, pleasure-loving father. “The vagaries and accidents of youth do drive you in upon yourself,” said Le Carre, whose real name is David Cornwell. “That’s when you start inventing your secret worlds. When there is absolutely no reason in the adult world around you, then more and more you feed and foster the imagination--secret rooms in the mind all the time.” Le Carre is a tall, handsome white-haired man with bushy eyebrows and an elegant British accent. To the American eye and ear, at any rate, he has the look of a card-carrying member of the ruling class who could effortlessly step into one of the fine television series or appalling Hollywood films that have been based on his novels. (“Hollywood has been heartbreaking,” he laments.) As an adult, Le Carre offered to support his father, but that did not keep Cornwell from treating his successful offspring as a potential mark. In the 1960s, when the normally reclusive Le Carre gave a long interview on British television in which he avoided mentioning his father at all, Cornwell “called up the [television] company and said that omitting all reference to him was an implicit slander since he was the progenitor of my life,” Le Carre recalled. “He said that 20,000 pounds would keep him out of court.” Cornwell also “conducted at least one love affair that we know of by convincing the lady of his choice that he was me,” Le Carre said, sipping calmly on his coffee. “One ceased to be shocked.” * There is more than a little of the father and son in Harry Pendel, the protagonist of Le Carre’s new novel. “My own background was an unshaken cocktail of influences, exactly as with Harry Pendel. Harry is half a Jew, half a Catholic, a bit of everything else,” Le Carre said. “The Tailor of Panama” is a black comedy. A British expatriate in the Panama Canal Zone, Pendel is outwardly the dapper, respectable proprietor of a gentleman’s tailor shop. But he’s really a small-time con man who has spent time in jail for torching his uncle’s London warehouse. Pendel’s problems begin when Andrew Osnard, a British intelligence officer who knows all of Harry’s dirty little secrets, walks into the shop and blackmails Pendel into becoming an agent. Osnard’s masters in London are intent on stopping the U.S. from turning the canal over to Panama on Dec. 31, 1999. Pendel obliges by fabricating stories that conform to London’s beliefs and prejudices. His fantasies are finally transformed into a real-life tragedy when the U.S. is persuaded to launch another invasion of Panama. “I was drawn by the obvious corruption of Panama and the wonderful collection of characters you meet there. It’s Casablanca without heroes. I was also amused that this was a millennium story that everybody had forgotten,” Le Carre said of his decision to write the book. This is Le Carre’s 16th novel. He is credited with transforming a spy genre characterized by James Bond-ian obsessions with guns, girls and gizmos. Le Carre’s world of fictional espionage is a cold, gray universe filled with deceit, betrayal and moral uncertainty. The end of the Cold War hasn’t slowed Le Carre down any more than it has resulted in the dismantling of the intelligence agencies that fought the conflict between East and West. Le Carre’s life has, in its own way, been as centered on deception as his father’s. He worked for years as a spy for Britain--a world, he said, that is nothing like the one he portrayed in novels like “The Spy Who Came in From the Cold.” “What I had really done, as everybody who had been in the secret world with me knew perfectly well, was that I had invented a different secret world. I produced a place with its own ground rules and ethic and language and so on,” he said. “The trouble was that my bluffs and fabulations were taken as gospel about the secret world. And while that was very flattering, it was simply untrue.” * Still, Le Carre credits his horrible childhood with not only giving him the knack for inventing “secret worlds” but with developing the flair for dissemblance that made him a good spy. He learned how to lie to angry creditors looking for his father. He also fooled his classmates into believing he was just like they were by cloaking his background and adopting the speech and mannerisms of the ruling class. On school holidays, he and his brother would walk down to the end of the lane, as if they were expecting their father to show up any minute. After hiding out till the end of the day, they would return, pretending they had just had a wonderful visit with their father. “I was already acquiring all those artificial attributes which are natural in a spy,” Le Carre said. “It was a very inhibited and very secretive childhood. There were no releases, no early love affairs because we never stayed anywhere long enough to get to know the girls.” At 16, Le Carre ran away from school. He went to Switzerland, where he lied about his age to enroll at the University of Berne. It was in Switzerland that Le Carre began an association with the secret world that was to last off and on for the next 16 years. “I was acquired as a contact by British intelligence when I was barely 17,” he recalled. “They just picked me up at an embassy cocktail party.” To this day, Le Carre has very little to say about his spying activities. At Berne, he studied German and, according to his heavily autobiographical novel “A Perfect Spy” (Knopf, 1986), sold bits of information to British intelligence. After a stint as an intelligence officer in the British army, he returned to England and attended Oxford, where he wrote some poetry and “mucky short stories of exactly the kind people write in their early 20s.” According to “A Perfect Spy,” he also spied on left-wing student groups for British intelligence. After graduating with first-class honors in 1956, he obtained a teaching post at Eton, Britain’s most prestigious public school. But the tug of the secret world proved to be much stronger than his low-paying job. “I was very divided,” he said. “On the one hand, I wanted to do something idealistic, like teaching. On the other hand, I was desperate to make money and buy myself away from my father’s shadow.” Le Carre went “through the door” and back into the secret world. In the early 1960s, he spied in West Germany under diplomatic cover. “It was fascinating and terrifying at the time of the Cuban missile crisis seeing how close we came to nuclear catastrophe.” By this time, Le Carre was using every spare moment to write: “I got to know [British novelist] John Bingham in the secret world. He was a thriller writer and a very good intelligence officer. I figured if he could do it, I could do it.” * And do it Le Carre did. He turned out three novels under his now famous pen name. (Le Carre has told many stories about the origin of his literary pseudonym. He now says he simply can’t recall how he came to invent the name.) “The Spy Who Came in From the Cold” (1963) was Le Carre’s third novel and international bestseller. It established him as a professional writer and enabled him to quit his job. But Le Carre never quite walked away from the secret world. He continued to submit his work to British intelligence for review until “A Perfect Spy,” his 11th and perhaps best novel. (In it, Le Carre at long last came to grips with the towering figure of his father.) “Parts of it were very autobiographical,” he said. “I unilaterally decided I would not submit it because I knew I wasn’t going to change it.” Le Carre lives now in splendid isolation in Cornwall, where his cliff-side home overlooks the Atlantic. When he is writing, Le Carre is at his desk every day by 5 a.m., where he writes in longhand until lunch. Then he takes a walk along the cliffs while his wife, Jane, types up his morning writing. Le Carre writes and revises constantly. The process, he said, is “chaotic.” “I have no march route. I just make little flow charts at the most to take me into the next chapter, And I usually have a vision, like in the movies, of how it will end. The last image on the screen.” In the case of “The Tailor of Panama,” the last image on the screen is apocalypse. “I wanted to work toward that,” he said. “I wanted Pendel to start a new war. I wanted the cycle to resume. At my age, if you’ve been watching the world, you have that feeling of the movie coming round again. All that unfinished business from the Cold War is already like a prerequisite for the next conflict.”
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https://www.latimes.com/archives/la-xpm-1996-11-13-mn-64249-story.html
Sergeant at 2nd Army Base Admits to Sex With Recruits
Sergeant at 2nd Army Base Admits to Sex With Recruits The Army announced Tuesday that a male drill sergeant at Ft. Leonard Wood, Mo., had pleaded guilty to having sex with three female soldiers and that it has filed charges against two other sergeants at the training school for Army engineers. The service warned that more such cases may be coming. In a statement issued here, Army officials said that the alleged incidents appeared to be unrelated to each other or to the string of sex crimes reported last week at Aberdeen Proving Ground in Maryland, which operates a similar school for the artillery. Unlike the situation at Aberdeen, none of the incidents at Ft. Leonard Wood includes rape or forcible sodomy. They involve lesser charges, ranging from having consensual sex with trainees to improperly touching female recruits. Nevertheless, the disclosures bolster concern among some analysts that sexual harassment in the Army may be more widespread than had been thought. Authorities at Ft. Leonard Wood said that they are investigating other allegations as well, suggesting that charges would be filed soon. At his court-martial Tuesday, Staff Sgt. Loren B. Taylor, a drill instructor with the 1st Battalion of the 48th Infantry Regiment at Ft. Leonard Wood, pleaded guilty to failing to obey a general regulation by having consensual sex with three female recruits and trying to have sex with another. He also admitted having improper contact with a fifth woman recruit. As part of Taylor’s plea, the Army dropped charges of perjury and obstruction of justice, for allegedly offering a potential female witness $500 to change her sworn statement. He is scheduled to be sentenced today. The two other accused soldiers are Staff Sgt. Anthony S. Fore, also a drill instructor, and Sgt. George W. Blackley Jr. Both are charged with engaging in an indecent act with a female soldier and offensively touching trainees. Blackley serves in the office of the base adjutant general. Officials at Ft. Leonard Wood said that 22 female soldiers were involved in incidents in which the three men were charged but declined to identify them. Under Army regulations, the names of alleged victims are kept confidential. Army Chief of Staff Gen. Dennis J. Reimer has vowed to intensify efforts to reduce the incidence of sexual misconduct and harassment in Army ranks. Reimer told reporters last week that sexual harassment had “no place in today’s Army--or tomorrow’s.” Army officials said that the service is particularly upset that those charged with the offenses are leaders with authority over the recruits who were allegedly victimized. Those charged in the Aberdeen case included four sergeants and a captain. Military sociologists have insisted that, despite the recent disclosures of apparent wrongdoing, such cases are not widespread in the Army. Clinton administration officials said that Army leaders are considering asking the service’s inspector general to look into whether the problem is systemic. They said that a decision could come as early as this week. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Army Investigations A snapshot of the pending investigations at two Army training facilities: Ft. LEONARD WOOD * Section: Training facility. Combat engineering * Probe Start: September * Accused: Three noncommissioned officers. One is a drill sergeant. * Charges: Ranging from consensual intercourse to indecent assault. * Suspended: None, but investigation is continuing. * Average age of alleged victim: 21 * Number of victims: Unknown, but all were basic trainees. **** ABERDEEN PROVING GROUND * Section: Training facility. Mechanics and repair. * Probe Start: September * Accused: Five. One Captain, and two staff sergeant. The two other have not been publicly identified. * Charges: Range from rape, attempt rape, forcible sodomy, fraternization, adultery, threating violence and conduct unbecoming. * Suspended: 15, pending further investigation. * Average age of alleged victim: 21 * Number of victims: 19 women have come forward to say they were victims of sexual harassment or abuse. Source: Times Staff, Wires, Army Documents Researched by D’JAMILA SALEM-FITZGERALD / Los Angeles Times
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https://www.latimes.com/archives/la-xpm-1996-11-14-mn-64710-story.html
Witness to Rapper’s Killing Is Shot to Death
Witness to Rapper’s Killing Is Shot to Death A member of Tupac Shakur’s entourage who witnessed the rapper’s slaying was found shot to death in New Jersey, creating another roadblock for Las Vegas homicide detectives. Yafeu Fula, 19, was shot once in the head and found slumped in the third-floor hallway of a housing project about 3:48 a.m. Sunday in Orange, N.J., Orange Police Capt. Richard Conte said Wednesday. Fula was a member of Shakur’s backup group, the Outlaws Immortalz, who toured with Shakur. He was sitting with bodyguards in the car behind Shakur’s when the rapper was shot Sept. 7 in Las Vegas. Fula was taken to University Hospital in Newark, where he died Sunday afternoon, Conte said. “It just kind of adds to our frustration of this whole investigation,” homicide Sgt. Kevin Manning said. Shakur, one of rap’s most successful and notorious singers, was shot near the Las Vegas Strip after the Mike Tyson-Bruce Seldon boxing match. He was in a car driven by Marion “Suge” Knight, the head of Shakur’s record company, Death Row Records, when another car pulled up and its occupants opened fire. Shakur received multiple gunshot wounds and died six days later. Knight was grazed in the incident.
afb4e270e9fe491688d1f6a35c6c0824
https://www.latimes.com/archives/la-xpm-1996-11-15-ca-1932-story.html
Reflection of One Star Is Clear in ‘The Mirror Has Two Faces’
Reflection of One Star Is Clear in ‘The Mirror Has Two Faces’ “The Mirror Has Two Faces,” the title claims, and why not? But Barbra Streisand, who directs and plays the lead, has only one face, that of the star. For Streisand’s followers, that will present as little difficulty as it would for fans of action heroes like Jean-Claude Van Damme or Sylvester Stallone. Seeing “Mirror” underlines how reliably Streisand provides “Yes, I Can” wish-fulfillment fantasies for the emotionally downtrodden that parallel what Sly and the Muscles From Brussels do for the physically limited. For those not under Streisand’s spell, however, her insistence on being always alluring makes “The Mirror Has Two Faces” more problematical. Because it is just Streisand’s inability to show herself in a less than flattering light that undermines the dramatic structure of the story she is apparently trying to tell. Written by Richard LaGravenese and based loosely on a 1959 French film with the same name, “Mirror” is a romantic comedy that looks to be about a frumpy duckling who doesn’t know she’s beautiful enough to be a potential swan. It’s a time-tested concept that is sandbagged by Streisand’s refusal to play it more like an actress and less like a star. In fairness, Streisand tries to be bedraggled for a bit. Columbia University professor Rose Morgan is introduced wearing an unflattering facial mask, and in short order has to cope with her madcap meddling mother (Lauren Bacall) and a whiny and persistent suitor (Austin Pendleton). And when she goes to the wedding of glamorous sister Claire (Mimi Rogers) to handsome Alex (Pierce Brosnan), she wears an outfit that is strictly thrift shop. But a classroom scene that explodes with the intensity of mass student worship announces the end of that experiment. Even though the script continues to treat her like she’s a doormat, Streisand’s Rose, as photographed by Dante Spinotti and his replacement Andrzej Bartkowiak, never looks less than the accomplished and attractive woman she is. Given this, it makes no kind of sense that fellow Columbia professor Gregory Larkin (Jeff Bridges) would pick Rose’s photograph (sent in by Claire) from a pile of answers to his personal ad specifically because there was no chance of falling in love with her. (This is not, parenthetically, a gender-based problem. One of the difficulties with the recent remake of “Sabrina” is that while William Holden was indisputably hunkier than Humphrey Bogart in the original, it needs a lot more than a homburg hat and a pair of glasses to make Harrison Ford look less desirable than Greg Kinnear.) Why a handsome guy like Gregory Larkin would place a personal ad searching for companionship only is another story. A bow-tied professor of mathematics, Gregory has taken 14 years to write his latest book, “Absolute Truth?,” because being in a physically exciting relationship flusters him to the point of paralysis. * Looking for a platonic coupling that will enable him to forget about the demons of the flesh, the professor thinks he’s found a kindred soul when he investigates Rose by sitting in on one of her classes and hears her speak fondly of the traditions of courtly love: “They took sex out of the relationship. What was left was a union of souls.” Though her thoughts are not as pure as Gregory wants to believe, a friendship-based relationship, equal parts snowball fights and discussions of the Twin Primes Conjecture, works well enough for awhile. But Hollywood wouldn’t be Hollywood if it didn’t insist that complicating thoughts of sex find a way to force themselves back into the equation. As an actor Streisand proves again that she’s an experienced farceur who knows how to handle her laugh lines. And as a director she concentrates on pleasing her fans by placing herself in archetypal revenge situations, including giving the boot to a guy she thought she wanted when he finally comes around, and, in the scene the film was constructed around, finally presenting herself out of the chrysalis, looking more glamorous than all the other women in the cast combined. Aside from this, “The Mirror Has Two Faces” is more stodgy than frothy, weighted down by several dramatic speeches about what’s important in life that feel tacked on. Applause should go to Jeff Bridges, who does the best he can with his ability to be anybody in a film constructed around a performer who finally can only be herself. * MPAA rating: PG-13, for language, sensuality and some mature thematic material. Times guidelines: one scene of attempted seduction. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) ‘The Mirror Has Two Faces’ Barbra Streisand: Rose Morgan Jeff Bridges: Gregory Larkin Lauren Bacall: Hannah Morgan George Segal: Henry Fine Mimi Rogers: Claire Pierce Brosnan: Alex Brenda Vaccaro: Doris An Arnon Milchan Barwood films production, in association with Phoenix Pictures, released by TriStar Pictures. Director Barbra Streisand. Producers Barbra Streisand, Arnon Milchan. Executive producer Cis Corman. Screen Story and Screenplay Richard LaGravenese, based on the picture “Le Miroir A Deux Faces.” Cinematographers Dante Spinotti, Andrzej Bartkowiak. Editor Jeff Werner. Costumes Theoni V. Aldredge. Music Marvin Hamlisch. Production design Tom John. Art director Teresa Carriker-Thayer. Set decorator John Alan Hicks. Running time: 2 hours, 6 minutes. * In general release throughout Southern California.
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https://www.latimes.com/archives/la-xpm-1996-11-17-mn-65527-story.html
Experts Claim Romans May Have Established Colonies in Ireland
Experts Claim Romans May Have Established Colonies in Ireland Old notions of Ireland’s independence crash hard against the craggy cliffs of Drumanagh. It is here, 20 miles north of Dublin, that Roman adventurers in the 1st to 5th centuries may have built a fort, traded and perhaps launched armed expeditions deep into the island. The claim, made by Ireland’s two senior Iron Age archeologists--but ridiculed by some colleagues--would shatter the long-accepted notion of an old Gaelic Ireland sealed from foreign aggression. “The idea that Ireland was Romanized goes against the romantic view of the country,” says Diarmuid O’Giollain, a lecturer in folklore and popular culture at University College Cork. “Ireland, which has lost so much of its indigenous traditions and language to colonization, requires an image of itself as having a great unfettered past.” But now? Barry Raftery, professor of archeology at University College Dublin, says the old image of Irish isolation doesn’t square with the findings at Drumanagh. “Drumanagh is almost certainly a Roman trading colony of some sort,” Raftery says. “It is unquestionably the most important Iron Age site yet found in Ireland. We know already that Ireland was heavily Romanized. The only question is whether there was a serious military invasion.” Richard Warner, keeper of antiquities at the Ulster Museum in Belfast, is even more gung-ho about Drumanagh. He says it could require “rewriting the history books for the whole of that early Christian period . . . up until the 5th century.” But few of their colleagues are persuaded. “You couldn’t possibly say there was any kind of Roman invasion based on the evidence,” says Michael Herity, recently elected president of the Royal Irish Academy and a retired colleague of Raftery. “People who suggest there is any just don’t have their feet on the ground.” Ireland was free of substantial outside influences until the Viking invasions of the 9th century, Herity says. “Even then, Ireland successfully swallowed up any overseas influences and retained its distinctively Irish, Celtic character until after the English imposed their rule,” he says. The archeologists seem to agree on one point: Ireland’s most mysterious age runs in the centuries before St. Patrick arrived in the 5th century. Assumptions have had to fill in this void where archeologists’ analysis of suspected settlements, such as Drumanagh, should go. The trouble is, no one has been legally allowed to dig at Drumanagh--and therein lies a tale of state secrecy and scholarly sniping. In the 1950s, farmers plowing around Drumanagh turned up shards of Samian ware, the reddish pottery common in Roman households. Drumanagh had the shape of an ancient promontory fort, a piece of coastal land defended on three sides by the sea and the fourth side by man-made ridges. No one in authority paid too much attention. The find was never added to the National Museum’s collection of scattered Roman coins, pottery, jewelry, weapons and tomb remains found throughout Ireland since the 1700s. Interest in drawing the scattered finds into some coherent story gained momentum in 1973 when a Belfast doctoral student, J.D. Bateson, published the first modern study of more than 140 finds. He concluded that most were later imports by collectors or hoaxers. Then the vandals and treasure hunters got to work. Raftery, 50, remembers enthusiastically exploring Drumanagh in April 1977 after a farmer plowed a furrow 600 yards long through the site before police intervened. “It was very deep plowing, unauthorized . . . from the ramparts to the cliff, about 15 meters wide,” Raftery recalls. “I observed at least nine hut sites, disturbed by the plowing, and I picked up a piece of late 1st century Gallo-Roman pottery. People from the Roman world were there--a very dense occupation. “Could it have been a town, maybe the earliest Irish town?” In the mid-1980s, treasure hunters found a trove of Roman coins and ornaments there. The loot was impounded at Sotheby’s in London, where the bandits had tried to sell it. Raftery says he had been allowed a glimpse of the find but said he’s not supposed to discuss what it is. Other archeologists have found Roman burial sites on an island off the coast near Drumanagh. “You’ve caskets in stone-lined graves with a Roman coin left inside, to pay the ferryman when crossing the River Styx,” Raftery says. “These could be Irish mercenaries returning home after fighting for the Romans in Britain or Gaul [medieval France].” Neither archeologist has been allowed to explore Drumanagh itself because the government thinks the owner is asking too much for the land. David Sweetman, chief archeologist for the Office of Public Works, says he doesn’t appreciate Raftery and Warner “hyping up” the site. Half a dozen vehicles driven by would-be treasure seekers got stuck in Drumanagh’s mud on the same weekend that a British newspaper published a long article on the site. “There are 120,000 archeological sites in Ireland and you could pick any one and blow it up to be anything,” Sweetman says. “But if you hype up a site you only encourage people to trample them. As a result, Drumanagh has been stripped pretty thoroughly.” Warner says Irish officials are blowing a smoke screen because they’re cheapskates. “Even if many metal objects have been taken out, it simply means some of the finer objects wouldn’t be found. But all the contexts and the buildings--the treasure hunters wouldn’t have done much damage to that,” Warner says. Most archeologists, though, have sniped at the Roman theory as more fantasy than fact. “I think the Romans took one look at Wales and said: ‘Forget about Ireland,’ ” says Billy O’Brien, an archeologist and Bronze Age specialist at University College Galway in western Ireland. They particularly ridicule Warner’s efforts in a 1995 paper to connect medieval Irish legends to archeological finds and possible Roman figures. “You’ll not find anyone else on that limb,” suggests Jim Mallory, an immigrant from California and archeology lecturer at Queen’s University Belfast. The chances of Warner being right are in opposite proportion to his certitude.” Herity says his own aerial photographs of Drumanagh suggest that the housing spotted by Raftery was round, not rectangular in the Roman manner. “We see a typical Celtic, or Irish, promontory fort and round huts,” he says.
5a8e04618d8cf793285053c1f059e473
https://www.latimes.com/archives/la-xpm-1996-11-20-mn-992-story.html
Vegetarian Bus Driver Settles Suit Against Agency for $50,000
Vegetarian Bus Driver Settles Suit Against Agency for $50,000 The Orange County Transportation Authority has agreed to pay a vegetarian bus driver $50,000 to settle his lawsuit alleging that the agency wrongfully fired him for refusing to hand out coupons for free fast-food hamburgers. In addition, the agency will amend its employee handbook to explicitly state that it will abide by federal regulations governing religious and personal freedom in the workplace. The settlement in the lawsuit filed by driver Bruce Anderson appears to end a controversy that drew national attention and made Anderson a folk hero of sorts to vegetarians, who complained that the transit authority was insensitive to those who choose not to eat meat products. “This sends a message to other employers that they can’t discriminate,” Gloria Allred, Anderson’s attorney, said during a news conference Tuesday at her Los Angeles office. “That prohibition also covers moral and ethical beliefs. Employees don’t leave their civil rights at the door.” John Standiford, a spokesman for the authority, said the agency decided to settle the case to avoid the cost of a trial. “This is not an admission of error,” he said. “We’re just happy that it’s over.” Anderson, 38, originally had demanded his job back, but he never pressed the issue and now says he plans to move to Northern California. He was dismissed in June after refusing to hand out the hamburger coupons as part of a joint promotion by the transit authority and Carl’s Jr. restaurants to boost bus ridership. As a devout vegetarian, the driver said, the campaign violated his beliefs that animals should not be killed or eaten. Transit authority officials disagreed, firing the bus driver for insubordination and for disobeying a direct order from his supervisor. Allred, acting on Anderson’s behalf, filed a lawsuit against the agency and a discrimination complaint with the U.S. Equal Employment Opportunity Commission. Three months ago the commission ruled in the former bus driver’s favor, finding that the transit agency had “failed to reasonably accommodate” him, thus violating laws against religious discrimination. The commission said the authority discriminated against Anderson for his “strongly held moral and ethical beliefs.” The action violated federal civil rights legislation because Anderson’s beliefs, although not directly religious, were held “with the strength of traditional religious views,” the commission said. Under the settlement announced Tuesday, the authority will modify its employee handbook so all references to religious discrimination will include the phrase, “as defined by the U.S. Equal Employment Opportunity Commission.” In addition, according to the settlement, the agency will post a notice for one year telling employees that it will abide by federal laws prohibiting discrimination on the basis of religion. Standiford downplayed those actions Tuesday, saying they reflect policies already in place. Citing personal considerations, the former driver said he plans to move early next year to Northern California, where he has applied for several bus-driving positions. “I feel fantastic,” Anderson said. “I can get on with my life, glad that the rights for vegetarians are protected. The slaughtering of animals has to stop.”
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https://www.latimes.com/archives/la-xpm-1996-11-21-mn-1442-story.html
Robert Gingrich; Retired Army Officer, Father of House Speaker
Robert Gingrich; Retired Army Officer, Father of House Speaker Robert Gingrich, father of House Speaker Newt Gingrich, died Wednesday, about six weeks after being diagnosed with lung cancer and just hours before his son was renominated speaker. The retired Army officer was 71. Newt Gingrich said in his acceptance speech, “This is a bittersweet day for me. My father died this morning. It’s made more complex because this is also my mother’s birthday.” An adopted son, Gingrich said he recently visited his father in the Harrisburg, Pa., hospital where he died. The elder Gingrich believed “duty, honor, country were more than words, they were a way of life,” his son said. Robert Gingrich enlisted in the Army in 1945, served in the Vietnam and Korean wars, rose to lieutenant colonel and received numerous military awards. Daughter Candace Gingrich said her father died of complications of a cancerous tumor that was discovered just after his 50th wedding anniversary Oct. 5. After leaving the military, Gingrich worked as a toll collector on the Pennsylvania Turnpike. Besides Candace Gingrich and the speaker, Gingrich is survived by his wife, Kathleen “Kit,” and two other daughters, Susan and Roberta Brown. Gingrich will be buried at the national cemetery at the Ft. Indiantown Gap military post near Harrisburg.
6102b129b933d4683fe4f804f93029a6
https://www.latimes.com/archives/la-xpm-1996-11-23-me-2006-story.html
Family Airing Its Trauma to Aid Others
Family Airing Its Trauma to Aid Others Beth Rutherford said she never knew she had a tormented childhood until she went to a church therapist for counseling. But under the counselor’s guidance, she recalled how her minister father repeatedly raped her, got her pregnant and then performed a painful coat-hanger abortion. In truth, Rutherford was still a virgin and her father had had a vasectomy many years before. Now Rutherford and her father have settled a defamation and malpractice lawsuit against the church and the counselor for $1 million--and they plan to use the money to travel the country, warning others of the dangers of recovered memory therapy. “Had I only known that this type of thing could exist, I think it would have saved our tragedy,” Rutherford, 23, said by telephone from her home in Tulsa, Okla. Donna Strand, the counselor at Park Crest Village Assembly of God Church, and her husband, Pastor Robert Strand, admitted no wrongdoing in their settlement. Through their attorney, they declined comment. * The story began in the fall of 1992 when Beth Rutherford, then 19, was having trouble sleeping because of work-related stress in her job as a nurse’s assistant. Her father suggested she talk to Donna Strand. After three sessions over four months, Rutherford reported that her stress was relieved, but she mentioned having dreams in which she and friends were being raped in the presence of her father. According to the lawsuit, Donna Strand told her those dreams were an indication of early childhood sexual abuse. * Without her parents’ knowledge, Rutherford returned for at least 64 sessions during which the church counselor taught her how to enter a trance-like state through self-hypnosis. Under the woman’s encouragement, the lawsuit alleged, Rutherford recalled a string of vile false memories dating back to ages 7 through 14: being raped by her father with a curling iron, having a clothes-hanger abortion by her father and being raped by her father while her mother watched. To this day, Rutherford says she is not certain where the thoughts came from. “I can tell you one thing for sure, they did not come from my mind,” she said. “There are times in my therapy sessions that I have no memory of what happened.” The lawsuit said two younger sisters also were interviewed by the counselor but had no memories of abuse. Nearly two years passed, and the Rutherfords still had no knowledge of their daughter’s allegations. But the Strands had informed the General Council of the Assemblies of God, where the father, Tom Rutherford, worked. He was confronted with the allegations and forced to resign Oct. 14, 1994. “We were just blown apart, in shock,” said his wife, Joyce Rutherford. “You think they have the wrong name, the wrong family.” But it soon grew worse. Tom Rutherford, now 46, took any job he could find--from seasonal postman to janitor. Many friends turned away. Yet he never revealed to the church that he had had a vasectomy when Beth was 4, making her pregnancy allegations physically impossible. “I never told them because I was so personally outraged,” he said. “I thought I’m going to preserve a little dignity of my own and not tell them. I knew my innocence.” It took nearly another year of being away from home--and away from the hypnosis counseling--for Beth to know his innocence, too, the family said. In October 1995, at the insistence of the family’s attorney, she underwent a gynecological exam. It showed she was still a virgin. * Beth Rutherford, now a registered nurse, fully recanted her story. But she still feels terrible about her parents. “I love them with all my heart,” she said. “It’s sometimes hard to look at them because of what I accused them of. I struggle a lot with the guilt of it all. They always tell me, ‘Beth, we knew that wasn’t you.’ ” Months after she recanted, the church reinstated Tom Rutherford as a minister and he said his family’s torment should serve to alert others of the dangers of repressed memory counseling. As for his relationship with his daughter, he said: “We’re closer than we’ve ever been.”
bf97fc25ee3460bd31bbf3b5480ff1a4
https://www.latimes.com/archives/la-xpm-1996-11-25-mn-2824-story.html
Shame and Silence in Rexburg
Shame and Silence in Rexburg “Rexburg physician retires,” proclaimed the front-page headline in the Idaho Falls Post Register. “Withers prescribes rest, relaxation after 30-year career.” It was Monday, May 1, 1995. Above the headline, a large photo displayed a beaming Dr. LaVar Withers, stethoscope to his ears, caring for one last patient. Below the headline, an article offered a fond eulogy to this “popular physician.” Withers, readers were told, always made time for patients and nurses. Withers remembered the names, faces and medical histories of all his patients. Withers had a knack for reassuring people. Withers loved his work. “It’s time to stop and smell the flowers,” went the doctor’s parting quote. “I’ve had a great life, had a lot of fun, met a lot of nice people.” Withers, 58 at the time, said something else as well: “I have no regrets, wouldn’t change a thing.” It was this last comment that most stirred so many here in southeastern Idaho. In home after home that Monday afternoon, people stared wide-eyed at their afternoon newspaper. Sandy Brinton wanted to hit the article. Laverne Rasmussen wept and fumed. Carol Hannah canceled her subscription. Others, among them the chairman of the Idaho State Board of Medicine, were mainly dumbstruck. How could LaVar sit for such a tribute, wondered Dr. Donald Bjornson. What a blunder, what a terrible mistake. Not everyone felt entirely displeased at that notion. Now, predicted Michael Proctor, they’re going to start coming out of the woodwork. That, in fact, was precisely what happened. All over eastern Idaho, hands reached for phones. It had finally begun: the end, albeit slow and reluctant, to an uncommon 32-year-long public silence. For three decades, women had whispered about Withers’ conduct in examining rooms. Those who didn’t have their own stories to tell about the friendly physician fondling their breasts and genitals knew someone else who did. “The booby doctor,” they called him. Some had come to him with colds or the flu, others with sinus infections, broken ankles, migraine headaches, ingrown toenails, allergies, acne. All told much the same story. Withers’ groping wasn’t the least subtle or ambiguous. At times his gloveless fingers moved into their vaginas. It appeared to some that he particularly enjoyed having third parties in the room, such as a husband or parent. Although many kept their stories to themselves, a few women told not only friends, but also nurses, lawyers, hospital administrators, police detectives, church officials and other doctors. None ever responded. It was an open secret--but a secret nonetheless. Its public disclosure has not proved entirely welcome. Women once too reticent to speak out found themselves being deemed not credible, or not important enough, when they did finally lift their voices. For many months, their complaints met with almost universal denial among those with the power to act. Even now--after no less than 133 women have registered complaints, after a dozen women rose to testify in court one afternoon last September, after all of Idaho watched Withers get booked into Madison County Jail on the morning of Sept. 12--a good number in the Rexburg area wish the Withers matter had never been raised. It isn’t hard to see why: Not just a doctor has been revealed; so too has a community, as well as a way of doing business in the worlds of law and medicine. In sentencing Withers on Sept. 9, Magistrate Judge Keith Walker denounced not just the physician but also all those respectable, prominent citizens who knew about Withers for so long and failed to stop him. How could this have happened, people here now are regularly asked. Why did so many remain silent for so long? Why didn’t anyone act in the face of such common knowledge? Why so much resistance once women did start speaking out? The questions alone have created rifts and discomfort. They’ve done something else, though. They have brought enlightenment and empowerment to women not accustomed to either. Most of those who rose against Withers are neither prominent nor influential, yet they have prevailed against those who are both. Such a victory comes with a price in this rural, largely conservative Mormon community. Even some husbands frown. So do certain physicians and bishops and neighbors. This brings the women distress, for without reservation, they still desire to be part of their community. Rexburg is a good place, they insist. Rexburg is a good place, even if so many in it have failed them over the years. Individuals are flawed, but not their community, and not their church. They offer these words tentatively, as if just now learning to speak. They are, at once, satisfied and anguished, validated and uncertain. Said one of those who first raised her voice: “I don’t think there’s a word for what we feel. They haven’t made it up yet.” Town of 15,000 Founded 112 years ago, Rexburg is a town of almost 15,000 that sits mainly on flat valley land about 20 miles northeast of Idaho Falls. It is less than a two-hour drive from both Yellowstone and Grand Teton national parks. To the north are the stunning Teton Mountains, to the west, the Sawtooth Range. Agriculture is central to the economy; schools close for two weeks in late September so children can help their parents harvest nearly 1 million pounds of potatoes. The Church of Jesus Christ of Latter-day Saints also plays a central role. Rexburg is home to Ricks College, a church-owned junior college that draws Mormon students from across the country. There is one bar in town, and it sells only beer. The local Wal-Mart is one of two in the country that closes on Sunday. Speeding cars are just about the biggest problem the Rexburg police face usually. If you ever see swear-word graffiti, night janitors for the school district are instructed, remove it immediately, because our children don’t swear. It was to this town that a farm family from nearby Ucon brought their sick 13-year-old daughter on the afternoon of Friday, March 18, 1994. The Rasmussens’ 3 p.m. appointment at the Rexburg Medical Center would prove to be a key turning point in the lives of many, not the least Withers. Lillie Rasmussen, as she will be called in this account, had been suffering recurring pains in her right side. She’d been to the hospital emergency room the week before. Now, because their regular physician was booked, she and her mother, Laverne, sat in an examining room awaiting LaVar Withers, a doctor they didn’t know. As a nurse left, Withers walked in and sat down. He was an outgoing Idaho native with an appreciative following of long-time patients, for whom he had delivered 4,000 babies; on his walls hung plaques from Ricks College, Brigham Young University and the Temple University medical school. First, Withers talked symptoms. The Rasmussens’ account of what followed, told first to police and prosecutors, then in courtroom testimony, most recently in an interview, varies sometimes in the details but not the essence. It is an account Withers has flatly denied, although he would later characterize similar stories as misunderstandings. “He had me lay down on the examining table,” said Lillie, now 16. “There was no gown, no nurse, no explaining what he was doing. He lifted up my shirt. He was feeling my stomach area, my abdomen. Then he unzipped my pants. He started feeling lower and lower. Pretty much as low as you can get. I don’t know what he was doing down there. I’m thinking, ‘Why is this idiot playing with me?’ I’m thinking, ‘He’s a dirty blink.’ Then he went under my shirt, started playing around there. He’s talking to my mom as he’s groping. He asks me, ‘Did you ever have breast cancer?’ I say, ‘No, I’m only 13.’ “He sits me up, stands behind me, puts his arm around me, on my chest. I’m trying to use my arm to scoot his hand back. Somehow it never works. He’s still talking to my mom. He finally relaxes his hand, so I relax. Then he moves his hand back, squeezes hard, gets a better grip. Later he slaps my butt, squeezes it. I was totally amazed. I didn’t know what to do. It was scary.” Driving home, mother and daughter struggled silently with their thoughts. “I knew what had happened,” Lillie said. “I thought Mom did too, so I didn’t say anything.” It is unclear just what Laverne Rasmussen knew then. Her hesitancy would later form one of the reasons why some lawyers came to regard the Rasmussens as less than ideal witnesses. “What I saw I couldn’t believe,” she said recently. “I didn’t think I was seeing it. I thought his hands sure looked low. But I didn’t realize until later when Lillie told me. I did see him messing with her breasts. I just didn’t know what to think. Doctors have to do things; you have to let a doctor do what he does. I was so fixed on finding out what was wrong with my girl. Part of me knew what was going on; part of me didn’t want to recognize it.” Laverne Rasmussen began to weep at this point in her account. “You think you know what you’d do if someone messes with your daughter. Then the SOB does it right in your face. You feel so had.” Neil Rasmussen, Lillie’s father, added: “Lots don’t come forward because they feel they’ve been made fools of.” Some of Lillie’s experience she shared with her family that first night, more the next day. Laverne approached her husband that Saturday as he was milking cows in the barn. “I think we’ve both been violated,” she said. The Rasmussens, as did many of those who eventually rose to complain about Withers, were troubled, not just by the doctor’s groping, but also by what it implied. They felt he had exhibited utter disregard for them; they felt he had taken part of their dignity. “He was going around doing what he wanted,” Laverne Rasmussen said. “Laughing at us. We didn’t want him to get away with it. We also didn’t want to let it happen to others.” That first Saturday, she dialed the home number of their regular physician, Dr. Jud Miller, who had been too busy to see them the day before. Laverne Rasmussen’s account of this call--offered in an interview and courtroom testimony--echoed that of others who said they talked to Miller regarding Withers. Miller’s wife answered the phone, according to Laverne. When told something “inappropriate” had happened with Withers, Laverne recalled the doctor’s wife asking, “Oh, was it a breast exam?” On the phone a moment later, Laverne remembered Jud Miller saying, “We know Dr. Withers has a problem. We want to help him, and help you too.” This would not be the only instance where the Rasmussens gained a sense that others already knew about Withers. Two days later at the Rexburg police station, after Lillie gave a detailed statement to Det. Bart Smith and a county caseworker, the caseworker checked twice to make sure the tape recorder was turned off. Then she said: “This has happened to me too. I got a breast exam from Dr. Withers.” So, it turned out, had a volunteer who listened to Lillie’s story days later at the Rape Response and Crime Victim Center in Idaho Falls. “Me too,” Sandy Brinton offered after Lillie finished talking. It had happened 20 years ago, when Brinton was 16. She’d driven by herself to the doctor for the first time, suffering from a sprained thigh muscle. He’d fondled her breasts, Brinton would testify in court, and slipped his gloveless finger into her vagina. She’d never told anyone; she’d felt confused, humiliated, dirty. Now she realized she wasn’t alone. Smith, it turned out, had a considerable file on Withers. There’d been a number of informal reports, but no one had been willing to sign a formal complaint. Until the Rasmussens, that is. They signed. Cautious Citizenry In such a small rural town, certain Rexburg citizens explain, we all know each other. This doctor, he came from a well-respected family. People were cautious, not just about hurting the doctor, but also his family. His wife, his kids. We knew them. Among those who knew them was the local Madison County prosecutor. Sid Brown belonged to the same Mormon Church ward as Withers, and had once been among his patients. So when the police passed the Rasmussen family’s complaint to him in early April, Brown quickly declared a conflict of interest, and handed the matter to Steve Clark, a deputy prosecutor in adjoining Jefferson County. Clark hailed from the San Francisco Bay Area. He’d chosen life in small-town Idaho over a high-powered legal career. He was, he allowed, a man willing to recognize his own limitations, “hard as that might be.” After studying the Rasmussens’ complaint, he decided to black out all the names and send it to another doctor for advice. What he heard back was unequivocal: This doesn’t seem right; this doctor’s conduct doesn’t seem justified. Then Clark started learning about Withers’ reputation. The Rexburg police told him about their file. The caseworker at Lillie Rasmussen’s interview shared her experience. Sandy Brinton at the rape center provided a written statement. In late July, Clark received yet another report, this time a notarized letter through the rape center from DeAnna L. Richardson, describing in detail an exam-room rape that she said occurred during a visit to Withers in January 1980. “He put his finger into my vagina and moved it around and round. After Dr. Withers removed his finger, he then penetrated my vagina with his penis. . . . “ Clark was struck by the similarities in statements made by people unknown to one another. By mid-September, he’d decided there were too many such allegations to ignore. He wrote to Withers’ attorney, declaring his intent to file a complaint. This lawyer sent back what Clark would later call “a nasty letter.” It harshly questioned the reliability of Clark’s witnesses and the ethics of a prosecutor bringing charges amid so much doubt. Clark wavered. There were legal problems. Some victims were reluctant to talk, some possibly unreliable; many incidents were simply beyond the law. Groping the breasts of a woman older than 18 was only a misdemeanor with a one-year statute of limitation. The law required genital insertion, or a victim younger than 16, to make it a felony with a five-year statute of limitation. There were less tangible problems too. Clark had limited resources and backing. He faced the prospect of standing alone in a close-knit community that had been silent about Withers for years. He still believed that charges should be filed or that Withers should quit, he advised the doctor’s attorney in early October. But “perhaps my judgment is erroneous.” He would, therefore, without waiving possible criminal charges, forward the case file to the Idaho Board of Medicine. It remains unclear what the board did with the file Clark handed it that October. It can be said that none of the victims named in the file were contacted by the board. Nevertheless, the board managed to reach a judgment within two months. “On December 8, 1994, I spoke with the medical board,” Clark wrote four days later to Patricia Day Hartwell, director of the Rape Response Center. “It is the board’s conclusion that Dr. Withers did nothing wrong. The board evaluated the evidence including the provided letters, and found them not credible. I will be reviewing this matter in light of this new information.” Office Visit The first woman to come forward with a story about Withers probably did so almost 32 years ago, in late 1964 or early 1965. Carol Hannah was 24 then, and fighting a bad cold. She visited Withers at his office, then in Blackfoot, Idaho. “He fondled my breasts, he ran his hand up my leg to my crotch area,” she recalled in testimony and recently, in an interview. “I knew it was wrong. I was petrified, in total shock. But it was confusing. I was young and thought doctors did no wrong.” Impoverished, unable to travel, her young husband dying of lymphoma, Hannah saw no option but to return several more times to Withers after she became pregnant in the summer of 1965. “He was extremely rough, he did too much. He’d roll his chair toward me. . . . He grinned as he did it. He knew he could get away with it.” She eventually turned to the Blackfoot police, to no avail. “They laughed when I went to them. ‘You misunderstood,’ they told me. ‘That doesn’t happen here.’ So I shut up. I was so naive, I was just stupid. I thought I had to put up with it.” DeAnna Richardson, in an interview and courtroom testimony, said she also met with dismissal when, in January 1980, while a Ricks College student, she told others she’d just been raped by Withers in his office. “I was in shock when I left his office. I walked across the street to a church homemaking meeting. I remember my friends trying to get me to eat, I remember letting Jell-O slide down my throat. I told a therapist about it the next day. Then I told a [Mormon] bishop the next week. No one ever did anything. I didn’t think anything could be done.” By the time Sherri Fullmer tried in 1986 to tell people at a Rexburg party that Withers had fondled her breasts while she lay in a hospital bed sick with pneumonia, she could elicit only shrugs. “They all knew about Withers already. It was so hush-hush.” As time passed, Fullmer said, she kept discussing Withers, especially with nurses and doctors when she took her children for checkups. “They wouldn’t look at me or even answer. They all wanted to make it go away.” Patients and nurses who submitted complaints to Madison Memorial Hospital found no more encouraging a reception. In late September 1992, a parent wrote the hospital’s executive director, Keith Steiner, to report that Withers, without a nurse present, had examined her daughter’s breasts and pelvic area when she went to the emergency room after being hit in the head by a volleyball. Steiner wrote back, saying he’d received “an absolute denial” from Withers. “I will say that I have not had any indication of this type of behavior from the doctor,” he added. “He is greatly respected in our community.” Two months later, the hospital found it harder to ignore an incident report filed by one of its own nurses, who thought Withers “was very handsy” when she came to the emergency room with a back injury. A note on the bottom of this nurse’s report indicates “policy developed and taken to medical staff in Feb [1993].” This policy, hospital personnel would later tell a special prosecutor, instructed nurses not to leave Withers alone with a female patient. It didn’t stop the complaints, though. In fact, at one staff meeting, the view was expressed that Withers appeared to enjoy his misconduct even more when a nurse or other third person was present. In March 1993, a nurse reported that an emergency room patient had blanched and mouthed the words, “Don’t let him near me,” the moment Withers entered her room. He’d “fondled” her in a previous exam, the patient told the nurse. He gave her “the chills”; he would “never touch me again even if I’m dying.” In concluding her report, the nurse wrote, “I am very concerned with what happens when [Withers] is covering our ER.” Yet another nurse filed a report six months later. Examining a patient for hives on her legs, feet and hands, Withers slid his hands under her blouse. “He looked right at me and did it. . . . " the nurse wrote. “I didn’t have enough nerve to confront him with this. I’m sorry.” A note scribbled at the bottom of this account indicates that it was “reviewed in exec comm” in October 1993. That was just about when Sherri Fullmer received a call summoning her to the hospital’s emergency room, where she occasionally worked as a translator for Spanish-speaking patients. A Latina had been beaten by her mate. In Spanish, the patient told Fullmer where she hurt: her head and shoulder. Then Withers entered the unscreened cubicle. Fullmer told him where the woman hurt. Immediately, according to Fullmer, the doctor’s hands went up the patient’s skirt. To Fullmer, it seemed obvious he was groping her vaginal area. Kneading it, like he was making bread. All the while watching the patient’s face, his expression was deadly serious. “Did you tell the doctor where I hurt?” the patient asked Fullmer. “Dr. Withers,” Fullmer said, “she doesn’t hurt there.” According to Fullmer, he kept kneading under the patient’s skirt. “Please tell him again,” the patient implored. Withers unbuttoned the patient’s blouse and began groping her breasts. “Please tell him I don’t hurt there,” the patient urged. “Dr. Withers,” Fullmer said. “You know she doesn’t hurt there. She hurts around her head and shoulders.” Fullmer thought Withers was acting as if she weren’t there. She felt amazed, and angry. Withers, it seemed to her, had become God of his own world. She wanted to scream out that he was molesting this woman. She felt afraid, though, and dumbfounded. Then, a week later, it happened again. Another Latina arrived at the emergency room, the victim of a car accident. Her head hurt. Fullmer talked to her. Then Withers walked in. “This,” Fullmer said, “is kind of like the last one, Dr. Withers.” He wouldn’t acknowledge her. According to Fullmer, his hands immediately went up the patient’s blouse, before Fullmer could say where the patient hurt. “Dr. Withers,” Fullmer said. “She doesn’t hurt there. She hurts about her head.” Fullmer felt angrier than she’d ever been. The next day, she said, she called hospital director Steiner. She says she told him about the incidents with the two women, and her own experience years before. To a special prosecutor many months later, Steiner would deny ever having a substantive conversation with Fullmer about these matters. Fullmer scoffed. “He knew it was me on the phone. We know each other.” According to Fullmer, Steiner indicated that they were “aware” of Withers’ problem. We have counseled with him several times, Steiner said, and given him guidelines to follow. Then Steiner handed the phone to a nurse, saying, “I’m really busy right now, Sherri.” Fullmer said she next turned to a lawyer, who was serving as a prosecuting attorney for Madison County. “He told me he wouldn’t help me. He told me he wouldn’t take on a case like this. He called it a ‘no-win situation.’ ” In a final effort, Fullmer turned to a private attorney. He couldn’t touch it either. A conflict of interest, he said, without elaborating. “I was just amazed,” Fullmer said. “I couldn’t get anyone to help. So I finally let it go. What could I do?” Reasons for Silence The respect accorded doctors and the protective insulation of self-policed medical communities form some of the reasons offered now for the extended reticence regarding Withers. So too does the relatively lower station of those who visited his examining rooms. Withers was friendly, likable and established, one woman observed, while “most of his victims were just poor Idaho folks.” They were also not his regular patients. Withers often worked weekends, and at the local hospital’s emergency room, seeing whoever came in. Students, transients, emergencies--those apparently were his targets. “If it had happened to prominent women with roots in the community,” said Dan Sparhawk, a former managing editor of the Rexburg Standard-Journal newspaper, “it would have been different.” Instead, it was often a solitary woman’s word against the doctor’s. The victims were “embarrassed;” the victims didn’t want to “offend;” the victims feared others would think them “tainted.” Pat Day Hartwell at the Rape Response Center put it this way: “He’s grabbing breasts. That’s bad, but how far do you want to go with that?” It also may have affected official responses that a number of those who complained about Withers were women struggling with personal problems. Some had been to therapists, some had troubled histories, some were burdened by issues of self-esteem that preceded their contacts with Withers. “I was numb, I just wanted it all to go away,” said one teenage girl. “I wasn’t scared of the doctor, I was scared of life.” If the stories about LaVar Withers had continued to come solely from such women, there is no telling whether they would ever have been acknowledged. They didn’t, though. In early 1995, a month after the state medical board declined to act against him, a woman unlike most of the others raised her voice. If there is one moment that truly marks the start of Withers’ downfall, it is the day Tee Andrew appeared in his examining room at the Rexburg Medical Center. Andrew, 53 then, was an artist who’d taught landscape painting for 20 years, both at Ricks College and in her Rexburg shop. For 12 years at Idaho Falls High School, she’d also taught community education classes and led self-esteem workshops. A convert to the Mormon Church, she’d been given the highest honors and positions that it affords women. She was married to an accountant, and had three sons. “Dr. Withers chose the wrong woman this time,” Andrew observed recently. “He made a dreadful mistake.” It was noon on Monday, Jan. 9, 1995. Andrew was suffering from yet another migraine. Her longtime family physician, Jud Miller, was no longer in general practice, so Andrew had been given an appointment with Withers. Lying on the exam table, wracked by pain and nausea, she watched him approach. She knew something about his reputation, but wasn’t expecting a problem. Her husband, after all, was in the room. Andrew has offered her account of what followed in interviews, written statements and courtroom testimony. Withers, she said, pulled up her sweatshirt and put a stethoscope on the top of each breast. As he did so, his expression began to change. He now looked terribly sober, his face drawn, his cheeks shaking. He straightened up, let go of the stethoscope, looked over at her husband, and started talking to him. As he spoke, he put his hands under her sweatshirt and cupped her left breast, taking it in his hand, pulling it toward him, then flattening it against her chest. After Withers left, Andrew sat up and turned to her husband. “Honey, the doctor just felt me up.” Where others assumed they alone had been molested by Withers, Andrew sensed she wasn’t his only victim. He did it so smoothly, she reasoned, without drawing attention to himself. He did it with her husband sitting right there, as if he felt certain that his conduct wouldn’t be questioned. For an instant, Andrew wanted to summon all the other doctors at the medical center and rage. Instead, she decided, she would put this in the hands of authorities. When Andrew called the Idaho Board of Medicine three days later, she first asked if the board had any sexual-abuse complaints against Withers. She could hear the board’s investigator tapping on a computer keyboard. At medical boards across the country, such computers yield only reports of formal actions taken, so it was no surprise that this one apparently did not know of special prosecutor Clark’s recently disregarded file. “No,” the investigator replied, “nothing on Withers.” That day, Andrew gave the board something. First on the phone, then in a formal, five-page written complaint. The next day she called Jud Miller at his home. This was the same doctor the Rasmussens had called a year before about their 13-year-old daughter. According to Andrew, Miller said he was “aware of some problems” Withers had had in the past, but he thought Withers had stopped. Miller sounded obviously upset now. It was time, he told Andrew, to take action. He advised her to call Withers’ Mormon stake president, Farrell Young. Tell him I told you to call, Miller said. Tell him he can talk to me. That a doctor in Jud Miller’s situation would direct Tee Andrew at this moment not to medical or legal authorities, but to a church official, tells much about this region. A good number here object to suggestions that the Mormon culture in any way caused the failures to speak out against Withers. Mormon Church officials emphasize that the church has “long expressed its abhorrence of any form of abuse . . . it is right and proper that the perpetrator be subject to the course of the law.” In fact, although not revealing so publicly, the church placed Withers on probation in the fall of 1995. All the same, it is impossible to examine the Withers matter without considering that it has unfolded in a predominantly Mormon community. Church, job and community roles are deeply interconnected here; hospital director Steiner is a Mormon bishop, and so is Jud Miller. The church’s values permeate the culture: to forgive and move on is a central teaching. So, by implication at least, is respect for authority and deference to men, for Mormon men are lay members of the church’s priesthood, while no woman can be. In such an atmosphere, it is easy to see why some Mormon women might find it difficult to speak out against a male Mormon doctor whom the church at the time regarded as a member in good standing. Yet that is just what Andrew did. Following Miller’s advice, she that same day called Young, a dentist. Stake presidents sit above bishops in the Mormon hierarchy; Young’s great-great-grandfather was the Mormon pioneer Brigham Young. “I’m not going to mince words,” Andrew began. Then she told her story, and offered to take a polygraph test. According to Andrew, Young mainly expressed his sorrow and appreciation for her call, right up until she told him she meant to notify the police. “I wish you wouldn’t do that now,” Young responded. “I’d appreciate you letting me take care of things from my end.” In an interview months later with the Idaho Statesman newspaper, Young didn’t dispute this account. Yes, he agreed, he “may have said do not go to the police immediately,” because Mormon doctrine stresses forgiveness. “When people have a hurt, they should leave it alone. Put it away and look for the good.” Andrew wasn’t happy with Young’s request. But in the end--"being a co-dependent Mormon female” she later observed wryly--she agreed to wait. Only for a month though. Having not heard from Young--she never would--Andrew in mid-February visited the police and prosecutor Steve Clark, who was still evaluating the Withers case. She also started talking to other women. One contact led to another; the stories multiplied. At a meeting with Clark, Andrew was stunned to learn that since she’d filed her formal complaint, Withers had apparently molested yet another woman, a Ricks College student named Katherine Proctor. Write letters, Andrew urged each woman she spoke to. Speak out. File formal complaints with the medical board. Katherine Proctor did just that on March 23. So did Terena Chastain, a woman from nearby Menan, on March 29. By early April, 23 women had come forward. On April 5, the Idaho Board of Medicine finally felt moved to dispatch an investigator to eastern Idaho. Withers now understood well what trouble he faced, for he was receiving a copy of each complaint sent to the medical board. One day he called Tee Andrew’s home and left a message on the answering machine, addressing the message not to Tee but her husband. “I have to tell you I am thoroughly upset by the letter. . . . " he began. “Please may I have an opportunity to visit with you and to apologize . . . because of this, I guess I will call it a misunderstanding. . . . “ Some time later, Withers apparently tried to defuse matters by other means. According to Dr. Donald Bjornson, chairman of the state medical board, Withers’ lawyers called the board to say the doctor was going to retire. On April 30, 1995, he did just that. It is possible Withers’ travails might have ended at this moment if he’d simply taken down his shingle and slipped away. He didn’t, however. On the occasion of his retirement, he made himself available to a Post Register reporter bent on writing a flattering farewell profile. A stunned special prosecutor Steve Clark stared at the front page on May 1. They’d put the doctor’s quote--"I have no regrets, wouldn’t change a thing"--in a special box with large blown-up type. How could Withers possibly have done this, Clark wondered. The phone calls began cascading into the offices of the Post Register, the Rape Response Center and the special prosecutor. Clark, feeling overwhelmed, soon turned to the state attorney general’s office, which agreed to participate in the criminal investigation. By June, the state medical board had notified Withers that it intended to hold a public hearing. For a time, it looked as if the overt acknowledgment the doctor’s victims had so long sought was finally at hand. It wasn’t, though. The medical board never held its hearing. Instead, as so often happens in such matters, the board offered the doctor a secret deal. Retirement wasn’t enough, the board privately told Withers’ lawyers. To forestall a public hearing, he would have to surrender his license, and agree not to practice in Idaho or in any state. Withers complied, effective July 31. “This gave us what we thought was very good protection for Idaho and the rest of the country,” board chairman Bjornson would later say. “The surrender was reported to two federal databanks. I was thinking about the net effect. A hearing takes months, and much expense. This is much quicker. A surrender gives us the same result we’d get if we revoked after a hearing.” Not quite the same result, in truth. A formal action requires public disclosure; a private deal requires none. Once again, a medical board had saved itself the burden of protracted litigation but had also saved a doctor the appearance of being punished. Most people still knew only what they’d been told in the Post Register’s glowing profile. Withers hadn’t been held publicly accountable; Withers’ transgressions had yet to be revealed. The 32-year-old open secret remained just that. Next: Courtroom confrontation.
45a258e5828bdc91c7f52b3b8be9eae4
https://www.latimes.com/archives/la-xpm-1996-11-27-ca-3243-story.html
Gripping ‘Blade’ Crosses Folksy, Frightening
Gripping ‘Blade’ Crosses Folksy, Frightening Billy Bob Thornton’s “Sling Blade” is a mesmerizing parable of good and evil and a splendid example of Southern storytelling at its most poetic and imaginative. It marks the feature directorial and solo writing debuts for Thornton, who also stars. That it is so stunningly original and powerful will come as no surprise to anyone who saw 1992’s “One False Move,” in which Thornton played a congenial small-town sheriff and which he wrote with Tom Epperson for director Carl Franklin. The tension, the sense of surprise, the dark power of the past and the affection for the locale and its people that characterized the earlier film are all in full force in “Sling Blade.” We meet Karl Childers (Thornton) just as he is to be released from a state mental institution somewhere in the South. (“Sling Blade” was filmed in Benton, Ark., in Thornton’s native state.) Karl, who is mildly retarded, has been incarcerated for 25 years after having slain, at the age of 12, his mother and her lover when he caught them in the act. The head of the institution (James Hampton) sees to it that Karl, a whiz with small engines, gets a job and shelter in his nearby hometown at a machine shop. Hunched over and speaking in a monotone growl with lots of “uh huhs,” Karl is met with kindness. He strikes up a friendship with a fatherless boy, Frank Wheatley (Lucas Black), whose widowed mother Linda (Natalie Canerday) invites him to move into her garage. But as Karl becomes part of the Wheatley family, the situation becomes increasingly tense, thanks to Linda’s lover Doyle (Dwight Yoakam). Sober, Doyle is merely a petty tyrant who likes to make life miserable for Frank; drunk, he is downright dangerous, nasty and violent. Right from the start Vaughan (John Ritter, all but unrecognizable), Linda’s devoted gay boss at the local dry-goods store, warns Karl that Doyle is a monster. “Sling Blade” is a strong, devastating film that could have been even stronger had more screen time been devoted to Linda and Doyle and less to Karl and Frank, whose friendship is more readily credible and established. We’re made to understand that Linda is lonely, that available men are clearly in short supply in her town and that Doyle has his seductive, remorseful side and that she can feel his torment. (Like Karl, Doyle has apparently had a horrific childhood.) But Doyle, thanks to Yoakam’s terrifying portrayal, is so scary so much of the time that you have a hard time understanding how Linda can stand to have him in her life. * We just don’t get to know Linda well enough to understand how a good-hearted woman, who can have Vaughan as her best friend and take in Karl, can put up with Doyle, a snarly, physically abusive, world-class homophobe, bigot and tormentor of her son. We can only assume she is in ultimately profound denial over Doyle, despite her actions and remarks to the contrary. It says something for Thornton’s forcefulness as a filmmaker and the skill of his cast that “Sling Blade,” so very well-photographed by Barry Markowitz, can sustain such puzzlement over Linda. “Sling Blade” catches you up so firmly in its world that you find yourself accepting whatever Thornton presents right up to its deeply ironic finish. Thornton is totally persuasive as Karl, a simple wise man in the classic screen tradition, and so is country music legend Yoakam, whose acting career has been developing over the past several years. (As Doyle he even has to come across as a terrible musician.) Ritter, with whom Thornton appeared regularly on the “Hearts Afire” TV series, expresses not only his devotion to the Wheatleys but also the anguish at being gay in a small town. Black, Canerday, Hampton, Robert Duvall as Karl’s father and J.T. Walsh as a mental patient also impress. Contributing strongly to making “Sling Blade” a captivating experience is Daniel Lanois’ exceptional score--alternately ominous, folksy and passionate, which could also serve as a description of this alternately tender and frightening film. * MPAA rating: R, for strong language, including descriptions of violent and sexual behavior. Times guidelines: Those descriptions plus much verbal abuse and intimidation make this film especially unsuitable for children. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) ‘Sling Blade’ Billy Bob Thornton: Karl Childers Dwight Yoakam: Doyle Hargraves Lucas Black: Frank Wheatley Natalie Canerday: Linda Wheatley John Ritter: Vaughan Cunningham A Miramax presentation. Writer-director Billy Bob Thornton. Producers Brandon Rosser, David. L. Bushell. Executive producer Larry Meistrich. Cinematographer Barry Markowitz. Editor Hughes Winborne. Costumes Douglas Hall. Music Daniel Lanois. Production designer Clark Hunter. Set decorator Traci Kirshbaum. Running time: 2 hours, 14 minutes. * Exclusively at the Sunset 5, 8400 Sunset Blvd., West Hollywood, (213) 848-3500.
7d9cc3d66746772a52787d7cb446dced
https://www.latimes.com/archives/la-xpm-1996-11-30-ca-4190-story.html
More Than Bit Parts : CD-ROMs and online shows are increasing the opportunities for actors trying to make bigger names for themselves.
More Than Bit Parts : CD-ROMs and online shows are increasing the opportunities for actors trying to make bigger names for themselves. Actor Dean Erickson wondered what he was getting himself into when he looked at the script for the six-CD-ROM set “The Beast Within: A Gabriel Knight Mystery.” For starters, there were more than 650 pages of it, compared to about 50 pages for the average television show. Then there were the nearly identical scenes, each varying just slightly from the last. And, of course, there was the blue screen in front of which the actors would work--with scant props. It was about that time that Erickson, 37, began to realize that he wasn’t in the television business anymore. A couple of years earlier, he’d been in a few episodes of NBC’s “Frasier.” Now he was about to enter the world of interactive gaming, where lesser-known actors are being called upon to add realism and action to full-motion video game play. This time, Erickson was the star attraction. “I didn’t even know if I wanted to do ‘Gabriel Knight’ when I first did the audition because I didn’t know what a CD-ROM was that well,” he said. And while the CD-ROM work hasn’t propelled Erickson to stardom, it has provided him with a great role in a high-profile $3-million production. In “The Beast Within,” the second “Gabriel Knight Mystery,” Erickson plays Knight, an investigator of the supernatural who is enlisted by the villagers of his family’s Bavarian hometown to destroy a werewolf. Sierra On-Line, a Bellevue, Wash., software giant, released the title a year ago to rave reviews. It’s gotten the ruggedly handsome Erickson fan mail from as far away as Germany and recognition stateside. “I was in a bar in Sun Valley and these women from Chicago came up to me and said, ‘Gabriel, what are you doing here?’ I had no expectations that anybody anywhere would recognize me and certainly not there.” Erickson is not alone. While some CD-ROM publishers have tapped big-name talent, such as Malcolm McDowell and Christopher Walken, many companies are using lesser-known actors for economic reasons: Big-name talent carries a big price tag. As a result, opportunities for unknown, less-expensive actors are cropping up, giving these performers a chance to show their stuff. But perhaps even more important, a CD-ROM project can provide good solid work, and plenty of it, for those lucky enough to land leading roles. Lauren Koslow, who plays Kate Roberts on the NBC soap “Days of Our Lives,” had put her career on hold for a couple of years to start a family when she auditioned for Los Angeles-based Activision’s “Zork Nemesis” last year. She won the part of Sophia, one of four trapped alchemists held prisoner by an evil Nemesis. Koslow describes the experience as similar to working in the theater with an almost bare set, but there was one major difference: This time around, she and the other actors performed in a space painted lime-green, which is sometimes better for skin tones (green or blue sets provide backgrounds for computer images to be inserted later on). In addition, the actors had to wear booties so as not to scuff the set. Yet, even with an initially discombobulating environment, Koslow and the other performers adjusted. “High-caliber actors were used on this project, actors with experience, and that makes a difference,” said Koslow, who enjoyed being exposed to a completely new audience. She described it as “intimate, because you are talking directly to the player. It’s really just the two of you.” While Koslow said that “acting is acting” regardless of the medium, it was still invigorating to work in a burgeoning field. “Actors certainly welcome more opportunities,” Koslow said. Cecilia Baranjas, who produced “Zork Nemesis,” said, “It’s a growing field, because it’s a place where people are willing to take chances just by the nature of who is involved in these types of productions.” “Zork Nemesis,” Baranjas said, has sold more than 100,000 copies since its March release. “It’s a place where people will look for not-name talent. It’s the quality of the actor that makes the difference. “One of the problems in CD-ROMs is that actors can often have really bad performances,” Baranjas added. “The producers pick bad actors. A lot of times the CD-ROM producer will say, ‘Here’s my stab at being a director in Hollywood.’ And that’s why many of the big software companies are using casting agents and going through talent agencies to find real talent.” For “Zork Nemesis,” television director Joe Napolitano, who’s worked on several shows, including “The X-Files,” “Murder One” and “Picket Fences,” directed the live-action video segments. * Other costs--for design, for shooting a game’s video sequences and for the technology used to bring together the information and images on a disc--take up the bulk of a game’s budget, with little left over for the talent. Additionally, some game makers feel that the gaming audience will react negatively to a Hollywood hotshot’s involvement in a project, thinking the actor is brought on for marketing purposes only, and conversely, the game play itself must be lacking. For “Zork Nemesis,” which continues a 15-year computer game series, Baranjas shunned using any big-name talent. “And a lot of them charge huge fees for these games and sometimes they’re worth it and sometimes they’re not,” Baranjas said. “And ultimately, gamers are a little skeptical and wary of Hollywood. They look at some of these games that do have name talent and say, ‘I’m going to buy a game because it’s good, not because some Hollywood star is in it.’ ” Tammy Dargan, who has worked extensively in television and is producer of Sierra On-Line’s “Phantasmagoria: A Puzzle of Flesh,” agrees. This mammoth $4.5-million project is the second installment in Sierra On-Line’s horror anthology. A cast of more than 30 professional actors performed against high-quality movie sets built in and around Seattle specifically for the title, eliminating the challenge of acting on blue screen. The project spent nine months in pre-production and about six months in filming to create enough video footage for the seven-CD-ROM title. And, like more and more game producers, Dargan used Screen Actors Guild talent. (SAG actors get paid a minimum of $522 a day for interactive media projects, just slightly less than for TV projects.) “It’s only since the technology has come about that on-camera talent can take advantage of the CD-ROM industry,” Dargan said. * Of course, shooting a CD-ROM is far different from shooting a television series or feature film. For starters, CD-ROMs are nonlinear, with the possibility of many outcomes to follow a given scene depending on which choice the game player makes. “I had to act out things in many variations,” Erickson said, “like when the werewolf would get me if the player did the wrong thing. But it was actually a lot of fun.” Jonathan Trumper, co-founder of the new media division at the William Morris Agency, said more and more actors will be needed for both CD-ROM and online production. “It would be difficult to compare it to the television and motion picture business because it’s not nearly as big, but multimedia probably has a higher growth rate in terms of percentage than the other two,” he said. While CD-ROMs have been hot over the past year, Trumper said the world of online production could soon create even more opportunity. After all, he points out, the CD-ROM industry is undergoing a period of consolidation, while online growth continues to boom. “The big networks like Microsoft Network, America Online, CompuServe and Prodigy have a big desire for name actors and personalities and also actors with credentials in other areas.” Danny Krifcher, vice president of original programming at Sterling, Va.-based America Online, sees the Internet as the future for multimedia entertainment. About a year and a half ago, AOL created the Green House, which functions as a studio to find talent for their online programming. Currently, AOL is launching approximately three to six shows a month. “A year ago, I wouldn’t have said that we were working closely with talent agencies in Los Angeles, and now we are,” Krifcher said. “We’re working with ICM, William Morris, CAA and independents. For us, it’s all about finding great talent to take this medium to the next generation.” And while multimedia is not a ticket to instant stardom, it can help. “It doesn’t constitute such a large segment of the market that an actor should change their business plan and start out in CD-ROM then go to theater,” Trumper said. “But it is another thing in the mix.”
b87046c7eff651342d860140624ffb5e
https://www.latimes.com/archives/la-xpm-1996-12-01-sp-4816-story.html
Now Comes the Hard Part for Bob Davie : Getting the Notre Dame Job Was the Easy Part; So What Will He Do With It?
Now Comes the Hard Part for Bob Davie : Getting the Notre Dame Job Was the Easy Part; So What Will He Do With It? Getting the job was the easy part. Now Bob Davie has to figure out what to do with his Notre Dame team. As the Irish defensive coordinator for the past three years, Davie knows what works at Notre Dame. He knows the players and he saw the success Lou Holtz had with his system. But that doesn’t mean Davie plans on being Lou Holtz Jr. There’s already one of those, and he’s coaching at Connecticut. “A lot of Lou Holtz has rubbed off on Bob Davie,” Davie said. "(But) I’m going to be Bob Davie, and I’m going to approach every day doing what I think, what my philosophy is.” So where does Davie start? His first priority will be convincing seniors who have eligibility left to come back for another season. Quarterback Ron Powlus is first on his list. Powlus, who missed his entire freshman season with a twice-broken collarbone, was expected to play three years and then move to the NFL. But this fall, he has said he is thinking about returning and would make a decision after the season ended. Powlus still doesn’t have the national championship he wants so badly, and with quarterbacks Danny Wuerffel, Jake Plummer and possibly Peyton Manning available, he’s not likely to be drafted in the early rounds. “I know how (Davie) acts. I know how he coaches, which I like very much, so there’s no question it makes it easier,” Powlus said of his decision. “I’m going to have to sit down and talk with him a little bit, see where he stands and where I stand.” Davie wants Powlus back, but he doesn’t want to push too hard. “I can give him my opinion, but I don’t want a young man basing his life on my opinion,” Davie said. “He’s got a big decision, but I’ll be there to reinforce him. I’ll be there to give him advice if he so wants it. But make no doubt about it, I want him back.” Though Davie hasn’t said so, Powlus would likely keep his starting role if he returns. That’s more bad news for backup Jarious Jackson, an option quarterback who came to Notre Dame because Holtz was one of the few coaches still relying on the option. Despite all the changes, Jackson said he isn’t thinking about leaving. “It raises a couple of questions in my mind, but at the same time, I’m going to be here regardless of what happens,” he said. “I can get a great education. As far as football, I’m just going to sit back and go with the flow. Whatever happens, happens.” With or without Powlus, Davie has to put an offense together and he’ll probably have to start from scratch. Davie has said he’ll probably keep some of the existing staff, but he doesn’t know how many. One who’s not likely to return is offensive coordinator Dave Roberts, the head coach at Division I-AA Northeast Louisiana before coming to Notre Dame. Roberts wants to be a head coach again, and with all the vacancies this season, the odds are pretty good he’ll get that chance. Though Davie played tight end at Youngstown State, none of his 20 years as an assistant was on the offensive side. But anyone who thinks he doesn’t know how to run an offense is wrong, said offensive guard Mike Rosenthal. “If you’re the defensive coordinator, you have to know all about offenses,” Rosenthal said. “And coach Davie, he knows everything about offensive schemes and different things that offenses do. I think he’s got a great offensive mind.” Though Davie wants to diversify the Irish offense--remember Holtz’s shortlived Blarney offense earlier this season?--don’t expect to see a Fun ‘N’ Gun-type system at Notre Dame anytime soon. Notre Dame’s strength has always been its running game, and Davie doesn’t see that changing. “I obviously realize from my 20 years of being on the defensive side, you cannot only be one-dimensional,” he said. “You’ve got to be able to throw the football and you’ve got to have balance in your offense. “The bottom line of what we will do, we will be able to run the football,” he said. “We will always line up and run the football and be able to out-tough people.” Davie, a former assistant at Texas A&M;, finally got his Irish defense to resemble the Aggies’ “Wrecking Crews,” which were among the best in the nation, so he’s unlikely to make major changes there. But a defensive coordinator will be hired, and Davie said he’ll let that person do his job without constantly peering over his shoulder. “Bob Davie will not be the offensive coordinator or the defensive coordinator,” he said. “What I’m going to be is the head coach, and at the same time, never lose the authority.” Being responsible for the entire program won’t be easy, and there’s a lot more to it than just making sure his players are ready for the next game. Besides the daily meetings and practices, Davie will have to make time for the many speaking engagements that come with the head job. It’s going to be a very different job than what he’s used to, but Davie said he’s looking forward to it. “What I’m looking forward to is diversifying myself a little bit,” he said. “Having the time to be able to be the head coach and spend thought on how to motivate players. Allowing guys to come by my office during the day and help them with some issues that are maybe important in their lives at this time. “I’ve coached and prepared for 20 years for this opportunity. I do realize the magnitude and the responsibility of this job, how tough it is to follow in those footsteps. But I also feel totally confident that I can do this job, and I do feel that I’m the right guy for this job at this time.”
ad9256b74185109944b0305e1548a267
https://www.latimes.com/archives/la-xpm-1996-12-05-ca-5845-story.html
The Good Witch
The Good Witch It might have been the kiss of death for a certain fluffy little Friday sitcom when ABC moved the month-old series from its comfortable 8:30 p.m. slot to go head to head at 9 with Fox’s much ballyhooed, blood-soaked “Millennium.” Instead, the network switch last October was a vote of confidence for one of the few new hits of the season, “Sabrina, the Teenage Witch,” which is holding its own and better against Fox’s intended blockbuster. Smart writing, cross-generational appeal, funny sight gags and strong co-stars are part of the winning formula, but the show’s central draw is its 20-year-old star, Melissa Joan Hart, who charmed audiences and critics for most of her own teen years on Nickelodeon’s “Clarissa Explains It All.” What makes Hart stand out in her role as a high school student with magic powers? It isn’t just her looks. More delicate and petite in person than she appears on screen, Hart is pretty, blond and blue-eyed, but those are not rare commodities in Hollywood. She has talent but is candid about her limitations: Her acting isn’t “really deep yet,” she says. During recent chats with Hart and her co-stars on the “Sabrina” set at Universal Studios, it seemed clear that Hart’s notable on-screen likability and maturity are a reflection of her off-screen persona. Even fighting the discomfort of a 24-hour stomach bug, as she sat in a small trailer and endured being made up for the day’s shoot, Hart was ready to please, funny and thoughtful. “I never looked at acting as a career until recently,” she said. The grind of the “Clarissa” series plus high school had led her to consider giving up acting altogether, but doing “some movies of the week and some guest appearances on shows helped me realize that I can explore a character.” “With ‘Clarissa,’ I just kind of went into it and did it. I felt like I was just saying the lines, although I don’t think it came across that way. When people laughed, I was like, ‘Oh, that’s funny?’ The innocence of not really knowing, it played off well,” she observed. “Now I concentrate more on the jokes, timing and acting.” Hart believes “Sabrina’s” success is attributable in part to her “Clarissa” following, “but it’s also the way I come off now,” something she attributes to “knowing what I can and can’t do.” “Sabrina” is a family affair for Hart. Three of her six younger siblings have been guests on the series and her mom, Paula Hart (who just gave birth to her seventh child, baby Samantha), is an executive producer and the savvy prime mover behind the series and Hart’s career. “It gives a whole new definition to the meaning of family show,” joked Caroline Rhea, who plays Sabrina’s irrepressible Aunt Hilda. Hart has her own apartment, with the rest of the family nearby, “when she wants them around,” Paula Hart said wryly. It can be a bit tricky when your mom is your boss. “I called her to ask what I should do about my stomachache,” Hart noted, “and she said, ‘Drink some chamomile tea, because that’s what we used to do when you were little, take it easy and I’ll come in and check on you.’ “That’s nice,” Hart added with a laugh, “but on the other hand, sometimes she’ll be like, ‘OK, you’re fakin’, now go to work.’ ” Hart may be the boss’ daughter, but it’s evident that her co-workers would respect her hard work and professionalism regardless. The word “trouper” comes up frequently, especially as she gamely fights illness to complete the day’s shooting. “She’s our way into so much nuttiness,” said the show’s other executive producer, Nell Scovell. “She is so solid and believable, it frees the writers up to come up with really insane things. In one episode, there’s an argument between a talking cat and a talking trophy and she’s stuck in the middle, and it [works] because she makes it real.” Rhea, who had earlier taken Hart’s mind off her stomach with a flurry of banter about Hart’s “devotion to flirting"--a jab that elicited a pseudo-indignant “Hey, my boyfriend’s going to read this"--said later that “what’s really nice” about Hart “is that she’s definitely an adult, she’s very responsible, but she has a very sweet child quality, too.” “She’s not in any way jaded or Hollywoodish. That’s why I feel compelled to tease her at all times,” Rhea added with a smile. Beth Broderick, who plays Zelda, Sabrina’s other bewitching aunt, concurred. “She is by turns incredibly mature and incredibly vulnerable. And she shares everything with the camera. I don’t know if she’s even conscious she’s doing it. She’s also willing to put a lampshade on her head and slip on a banana peel. A lot of kids I’ve worked with that age, they’re like into black leather, and they’re hangin’ and they’re cool; Melissa’s really out there experiencing life and taking leaps.” “Sabrina” was developed through mother and daughter’s Hartbreak Films company, first as a Showtime movie, then as a series--a formula Paula Hart ambitiously hopes to follow with an upcoming film starring four of her other children. All but the newest addition to the Hart family have done Broadway shows, TV movies, series and commercials; Hart’s 18-year-old sister, Trisha, just sold her first TV movie story to NBC. And Hart’s stepfather, Leslie Gillians, is an executive at Hartbreak Films. It’s too soon to know whether Hart, who started her career at age 4 in a commercial for a bathtub doll, has a successful adult career ahead of her. Hedging her bets, she’s still in college and plans to continue taking classes. But if attitude counts, she has a good chance. Post-"Sabrina,” Hart said, she’d like to do features, but just “small parts” at first--"get my foot in the door. And I want to do a lot of movies of the week and work with different directors and just see what people’s reactions are.” “When she was growing up, we always kept it together as a family,” Paula Hart said. “We never let this business change her. We always treated it like, some kids take karate lessons after school, she made movies. “This is our first experience in Hollywood--we’ve always lived on the East Coast and did everything from there. I think it helped to keep Melissa out of the whole Hollywood scene. She’s just a regular person and she has a really good heart.” * “Sabrina, the Teenage Witch” normally airs Fridays at 9 on ABC (Channel 7) but will be seen this week at 8:30 p.m.
8af60f2b838bb903e45d52bd3be1183c
https://www.latimes.com/archives/la-xpm-1996-12-07-me-6547-story.html
Roadside Sensors Sniff Out Polluters
Roadside Sensors Sniff Out Polluters A strange new curiosity is roving Ventura’s freeways. It looks a bit like one of those machines that informs motorists just how fast they are speeding, but it is actually a remote smog sensor, the state’s latest weapon in the fight to clean up Southern California’s dirty air. When a motorist drives past the equipment, an infrared beam reads the tailpipe emissions, measuring the level of ozone-forming gunk spewing out. If the vehicle’s hydrocarbon emissions are really bad--what the state terms a gross polluter--the beam triggers a camera, which takes a quick snapshot of the car’s license plate. Eventually that information will be funneled to the Department of Motor Vehicles, which will send the car’s owner a letter recommending some maintenance on the vehicle. After three letters, the owner must go to a special inspection station and prove that mandatory improvements have been made. But Ventura County residents whose vehicles have a tendency to cough and spit need not panic, at least not yet. The remote sensors are still being tested and won’t be fully operational until next fall. At this point, the state is rotating three sensors among freeways in the Los Angeles area, including Ventura County. Every car that drives by them gets photographed, regardless of its emissions. But nobody is being cited for contributing to the area’s ongoing smog problem. “No letters will be sent out,” said Pat Larson, the enforcement manager for the state Bureau of Automotive Repairs’ tri-counties office. “We’re just trying to get a baseline for the population at large right now.” On Friday, the sensors were stationed on the Hampshire Road onramp to the Ventura Freeway, causing a few drivers to swivel their heads and hit the brake pedal. The portable equipment gets bounced around the region; on Thursday the sensor appeared on an onramp to California 126, and earlier this week it drew stares on the Avenida de los Arboles onramp to the Moorpark Freeway in Thousand Oaks. Operators like to place the sensor at onramps because cars are presumably warmed up and working just a little harder to climb onto the freeway, a good time to check emissions. But the device can put a damper on traffic flows. “Traffic slows down because people are wondering, ‘What is this?’ ” Larson said. When the real program goes into effect, it will be less mysterious. Larson said a signboard a few yards down the road will flash at motorists, telling them whether their car’s emissions were good, fair or poor. “You’ll know if you are a gross polluter vehicle or if you have a little sweet-breath vehicle,” Larson said. The monitoring by remote sensor, part of the new “Smog Check II” program, is being implemented by the state through the Bureau of Automotive Repairs. But it might help make the Ventura County Air Pollution Control District’s job a little easier. “I think it is an excellent tool to enhance the smog check program,” said district head Dick Baldwin. Baldwin explained that the remote sensors will never replace the traditional smog check program, in which motorists go to inspection stations every two years. But it could help eliminate a chronic problem: cheaters who pay off stations to get a clean bill of health for their polluting cars. “We know from checks and road audits that a number of cars are getting through the smog check program,” Baldwin said. “That’s because of fraud, intentional tampering, passing money under the table. It’s called ‘clean piping’ in the trade.” The sensors can also be used to alert motorists between routine smog checks of mechanical malfunctions they might otherwise miss, he said. “The remote-sensoring program is a tool that can help resolve all of these problems,” Baldwin said. “But I don’t think it will solve all of those problems. I don’t think we’ll ever get rid of fraud or cheating.” Remote sensors are expensive--Larson said they cost at least $100,000--so they won’t ever turn up on every freeway. Instead the state will rotate them among different areas. So it is possible that a motorist with a belching vehicle could avoid being nabbed. Then again, maybe not.
d168ef1934cc8194f5ac8a7579fd24ef
https://www.latimes.com/archives/la-xpm-1996-12-10-mn-7548-story.html
Arizona Begins Revolt Against Drug War
Arizona Begins Revolt Against Drug War With a reluctant stroke of the pen, Arizona Gov. Fife Symington has started a process that allows doctors to prescribe Schedule 1 drugs, such as marijuana and heroin, and requires only probation for first-time drug-abuse offenders. Symington said he had no choice. On Nov. 5, voters in the state overwhelmingly approved the Drug Medicalization, Prevention and Control Act, a.k.a. Proposition 200, which also may result in the early release of 975 state prisoners doing time for drug possession. In what is regarded as one of the most conservative law-and-order states in the nation, Prop. 200 has reformed drug policy by shifting the emphasis from law enforcement to treatment and prevention. No more “do drugs, do time” programs. No more “zero tolerance.” No more holding jail time over the heads of offenders who balk at orders to attend rehabilitation classes. Although more attention has been paid to California’s approval of a law allowing the use of marijuana for medical purposes, the Arizona measure has more far-reaching implications for the nation’s drug enforcement edifice. Nationally, Arizona’s law, according to its sponsors, has sent a message: Time is up for America’s prison-oriented drug policy. “This could be the crack in the Berlin Wall,” exulted Phoenix surgeon Jeffrey Singer, who campaigned for the law. “Five years from now, people will see Arizona is not suffering from mass addictions and, perhaps, even having rational discussions about decriminalization of all drugs--that’s what both drug lords and drug warriors fear most.” Phoenix marijuana dealer Peter Wilson agreed. “As with the fall of Communism,” Wilson said, “the drug wars will be over in a few years and America will be safer for it.” Not so fast. Although some conservatives, including former Sen. Barry Goldwater, support the reforms, others are plotting to gut the law when the state legislature meets next month. “Proposition 200 is a thinly veiled attempt to legalize drugs at the expense of public safety,” Symington said before recently signing the measure into law. “I decided not to exercise the governor’s veto authority because there are other avenues available through the Legislature and the courts to address the threats it poses.” “I wish he [Symington] would have vetoed it,” complained outgoing state House Majority Leader J. Ernie Baird. “While legislators are interested in making changes, right now they have no idea what those changes might be. “But something has to be done,” Baird added. “If we legalize drugs, it will be the end of society as we know it.” In the meantime, authorities, including Maricopa County Sheriff Joe Arpaio--the self-proclaimed “toughest sheriff in America” and a former U.S. Drug Enforcement Administration agent--are in the uncomfortable position of having to enforce a law they vehemently oppose. “I still believe drug peddlers should be put away as long as possible,” Arpaio said. “Believe me, I’ll find a way to lock them up--a way around it. But we have to see how it all shakes out first.” Despite the 2-1 margin by which the law was approved, critics, such as Sen. Jon Kyl (R-Ariz.), continue to insist that Arizona voters were “duped” by expensive and misleading advertising. Voters, they say, did not understand the ramifications of the measure. Phoenix banker Pauline Blank doesn’t appreciate that kind of talk. “I knew exactly what I was voting for,” she said. “The current laws are too restrictive. I have a friend who spent 2 1/2 years in prison on a marijuana charge, which is ridiculous. . . . “Mind you, I’ve never smoked marijuana in my life. But that’s my choice.” Maricopa County probation officer Pat Healy put it another way. “They are wasting time and money on the drug wars,” Healy said. “Right now, they are not catching the big shots, and little people are going to jail.” Those sentiments are no surprise to the law’s creators, about two dozen influential people in Arizona’s political and private sectors. Before these doctors, lawyers, educators, clergy members, judges and politicians crafted the law’s language, extensive polls and focus groups had arrived at the same conclusion: The emphasis on incarcerating drug users isn’t working. Although none of the respondents wanted to legalize drugs, the majority said they would endorse a strategy that would place users in treatment instead of prison. Under the law, illegal drugs now can be prescribed for the treatment of certain illnesses and to relieve pain--but only if two doctors agree on the approach and provide corroborative scientific research. It remains unclear whether a doctor’s federal license to dispense drugs could be yanked for prescribing marijuana or other Schedule 1 drugs to a patient. However, backers of the law point out that any such prescription would only serve as a defense for the drug possessor, not protection from arrest or prosecution. In addition, patients in Arizona, as in California, would have to get these prescriptions “filled” on the street. Schedule 1 drugs are the most strictly controlled substances and include opiates, hallucinogens, depressants and stimulants, such as methamphetamine. The law also establishes a new system of dealing with drug convictions. First-time offenders get probation and mandatory treatment. A second conviction also brings probation and treatment, and a possible short jail sentence. A third conviction could result in a mandatory prison sentence. Moreover, anyone convicted of committing a violent crime while under the influence of illicit drugs must serve his or her entire sentence without the possibility of parole. Of particular concern to opponents is a provision under which people now in Arizona prisons for drug possession can be paroled subject to the approval of the state clemency board. Procurement, use and dispensing of Schedule 1 drugs remain federal crimes. But officials, including national drug czar Barry R. McCaffrey, have yet to come up with a concrete plan to deal with the laws in Arizona and California, which together cover 10% of the nation’s population. Still, “the electorate knew damn well what they were voting for,” said supporter John Norton, who serves on the executive committee of the Goldwater Institute, a conservative think tank dedicated to personal freedom, individual responsibility and limited government. “The only way to conquer the drug problem is by persuading people that it is against their own self-interests to use drugs,” he said. “You will never get them to do that with a sledgehammer.” Norton is not the only influential Arizonan who feels that way. Phoenix attorney Marvin Cohen, former Secretary of State Dick Mahoney and John Sperling, president and chief executive officer of the Apollo Group--a Phoenix holding company for educational institutions, including the University of Phoenix--all contributed money and advice to the effort. Sperling donated $480,000 to the campaign. Other financial backers include New York billionaire investor George Soros, who gave $430,000, and billionaire Ohio insurance-company owner Peter Lewis, who kicked in $330,000. Goldwater was an honorary chairman of the Prop. 200 drive. Former Democratic Sen. Dennis DeConcini, who was a finalist to become national drug czar in both the Bush and Clinton administrations, was a key advisor to the committee. Opponents were able to muster only about $5,100. “We didn’t get our message out from a leadership standpoint,” conceded Maricopa County Atty. Richard Romley, who opposes the law that he fears may become a model for other states. “That’s too bad, because this is one of the worst laws ever--it’s a disaster. “I ask America to sit in my chair for a bit,” Romley said, “and see how many children are abused and how much domestic violence occurs because of people under the influence of drugs.” But “scaring kids with prison hasn’t stopped drug use from going up 1,000% over the past four years in Arizona’s elementary schools,” said Sam Vagenas, campaign coordinator of Arizonans for Drug Policy Reform. “Hopefully we can begin investing in our children instead of our prisons.”
4ebff181887a0f7d0cba0ce3294cecf7
https://www.latimes.com/archives/la-xpm-1996-12-13-ca-8541-story.html
KPCC’s ‘Blues Revue’ Tries Hanukkah Theme
KPCC’s ‘Blues Revue’ Tries Hanukkah Theme Radio station KPCC-FM (89.3) will air a night of Hanukkah-themed blues songs on today during a special edition of the station’s weekly “Friday Night Blues Revue,” hosted by Ellen Bloom and John “Luke” Logan. The programming will run from 8-10 p.m. A Christmas edition of the blues show will air at the same time on Dec. 20.