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Sure. Thank you.	sure thank	Sure Thank	sure. thank you.
Bye-bye. And finally, we just have about a minute with you left, Mr. de Mistura, but after all the mistakes, all the bloodshed, all the hatred, all the internecine warfare, do you think Iraq can make it?	bye-bye and, finally we just have about a minute, with you left mr de mistura but after all the. mistakes all the bloodshed all the hatred all the internecine warfare do you think iraq can make	Bye-bye And finally we just have about a minute with. you left; Mr de Mistura but after all the mistakes all the bloodshed all the hatred all the internecine warfare do you think Iraq can make,	bye-bye. and finally, we just have about a minute with you left, mr. de mistura, but after all the mistakes, all the bloodshed, all the hatred, all the internecine warfare, do you think iraq can make it?
Yes. For three reasons: The first one - forgive me if I use a personal judgment, but I'm an optimist otherwise I would not be working for the U.N. in war zones. The second reason is because I've been nine times in my life so far in Iraq and I've acquired a high level of respect for their capacity of rebuilding and star...	yes for three reasons: the first one - forgive. me, if i use a personal judgment but i'm an optimist otherwise i would not, be working for the u.n in war zones the. second reason is because i've been nine times in my. life so far in iraq and i've, acquired a high level of respect for their capacity of rebuilding and st...	Yes For three reasons: The first one - forgive me if I use a personal; judgment, but I'm. an optimist otherwise I would not be working for. the U.N in, war zones The second reason is because I've been nine times in my life. so far in Iraq and. I've acquired a high level of respect for their capacity of rebuilding and s...	yes. for three reasons: the first one - forgive me if i use a personal judgment, but i'm an optimist otherwise i would not be working for the u.n. in war zones. the second reason is because i've been nine times in my life so far in iraq and i've acquired a high level of respect for their capacity of rebuilding and star...
And the third one is that there has been too much blood, too much suffering and there is a fatigue among themselves - they are telling me that - that's been leading nowhere. After Samara, it was a tragedy. Four million people were actually made - between refugees and IDPs, and they all realize this is leading nowhere. ...	and the third one is that there has been too much blood too much suffering and there is a fatigue, among themselves - they are telling me that - that's been leading nowhere after samara it was a tragedy four million people were actually made, - between refugees, and idps and they all realize this is leading nowhere but...	And the third one is that there has been too much blood too much suffering and, there is a fatigue among themselves - they are telling me that - that's been leading nowhere After Samara, it, was a tragedy Four million people were actually made - between refugees and IDPs and they all realize this is leading; nowhere Bu...	and the third one is that there has been too much blood, too much suffering and there is a fatigue among themselves - they are telling me that - that's been leading nowhere. after samara, it was a tragedy. four million people were actually made - between refugees and idps, and they all realize this is leading nowhere. ...
Steffan de Mistura, thank you very much for your time and good luck on your return to Baghdad.	steffan de mistura thank you very much, for, your time and good luck on your return, to	Steffan de Mistura. thank, you very much for your time and good luck on your return to,	steffan de mistura, thank you very much for your time and good luck on your return to baghdad.
Thank you.	thank	Thank	thank you.
Steffan de Mistura, U.N. special representative to Iraq and head of the U.N. assistance mission there, with us from the bureau of the BBC at the United Nations.	steffan de mistura u.n special; representative to iraq and. head of the u.n assistance mission there. with us from the bureau of the bbc at the united	Steffan de Mistura U.N special representative to, Iraq and head of the U.N assistance mission there with us from the bureau. of the BBC; at the United,	steffan de mistura, u.n. special representative to iraq and head of the u.n. assistance mission there, with us from the bureau of the bbc at the united nations.
Coming up, we'll explore the particular emotional dilemma that Hillary Clinton's candidacy poses for women.	coming up we'll explore the particular emotional dilemma that hillary clinton's candidacy poses for	Coming up we'll explore the particular emotional dilemma that Hillary Clinton's candidacy poses for	coming up, we'll explore the particular emotional dilemma that hillary clinton's candidacy poses for women.
It's TALK OF THE NATION from NPR News.	it's talk of the nation from npr	It's TALK OF THE NATION from NPR	it's talk of the nation from npr news.
Hearing the singer ALA.NI, even for just a moment, feels like being transported back in time.	hearing, the singer ala.ni even for just a moment. feels like being transported back in	Hearing the singer ALA.NI even for just a moment, feels like being transported back in	hearing the singer ala.ni, even for just a moment, feels like being transported back in time.
(SOUNDBITE OF SONG, "CHERRY BLOSSOM")	(soundbite of song "cherry	(SOUNDBITE OF SONG "CHERRY	(soundbite of song, "cherry blossom")
ALA.NI: (Singing) Cast cherry blossom by the river, blowing through the flowing of my heart.	ala.ni: (singing) cast; cherry blossom by the river blowing through the flowing of my	ALA.NI: (Singing) Cast cherry, blossom by the river blowing through the flowing of my	ala.ni: (singing) cast cherry blossom by the river, blowing through the flowing of my heart.
Despite a lifetime surrounded by music and musicians, this is a ALA.NI's first album. It is called "You And I." And on it, she tells an age-old story.	despite a lifetime surrounded by music and musicians this is a; ala.ni's first album it is called "you and i" and on it she tells an age-old	Despite a lifetime surrounded by music and musicians this is a ALA.NI's first album It is called "You And I" And on. it she tells an age-old	despite a lifetime surrounded by music and musicians, this is a ala.ni's first album. it is called "you and i." and on it, she tells an age-old story.
ALA.NI: It's a story of a love affair that takes place over a year. So "Cherry Blossom" is just the first one. It will always be quite special for me because of how I wrote it. I wrote it in Grenada under a duvet at 3 o'clock in the morning with the crickets and the sea as my backing, as my instrumental.	ala.ni: it's a story of a love affair that takes place over a year so "cherry blossom" is just. the first one it will always, be. quite special for me because of how i wrote it i wrote it in. grenada under a; duvet at 3 o'clock in, the morning with the crickets and the sea as my backing as my	ALA.NI: It's a story of a love affair that. takes, place over a year So "Cherry Blossom" is just the first one It will always be quite special. for me, because. of how I wrote it I wrote it in Grenada under a duvet, at 3 o'clock. in the morning with. the crickets and, the sea as my backing as my	ala.ni: it's a story of a love affair that takes place over a year. so "cherry blossom" is just the first one. it will always be quite special for me because of how i wrote it. i wrote it in grenada under a duvet at 3 o'clock in the morning with the crickets and the sea as my backing, as my instrumental.
(SOUNDBITE OF SONG, "CHERRY BLOSSOM")	(soundbite of song "cherry,	(SOUNDBITE OF, SONG "CHERRY	(soundbite of song, "cherry blossom")
ALA.NI: (Singing) Love, oh, everlasting love.	ala.ni: (singing) love oh everlasting	ALA.NI: (Singing) Love oh everlasting	ala.ni: (singing) love, oh, everlasting love.
If this is all one narrative that unfolds on your album, can you tell us how the love story ends?	if this, is all one narrative that unfolds on your album can you tell us how the love story	If this is. all one narrative that unfolds on your album can you tell us how the love story	if this is all one narrative that unfolds on your album, can you tell us how the love story ends?
ALA.NI: In disaster.	ala.ni: in,	ALA.NI: In	ala.ni: in disaster.
Come on.	come	Come	come on.
ALA.NI: (Laughter) No, I mean, it's weird because in order to make the album - I've been single for six years now, which is a long time.	ala.ni: (laughter) no i mean it's weird because in order to make the album - i've been single for six years now which is a long	ALA.NI: (Laughter) No I mean it's weird because in order to make the, album - I've been single for six years, now which is a long	ala.ni: (laughter) no, i mean, it's weird because in order to make the album - i've been single for six years now, which is a long time.
Yeah.			yeah.
ALA.NI: And it was so cathartic to sing about - you know, I was having an affair with a married man, basically. And I'd been sworn to secrecy where I'd - you know, I'd been a good mistress. And when I wrote the album, it finally feels like I don't have to be trapped in that love situation anymore.	ala.ni: and it was so cathartic to sing about - you know i was, having an affair with a married man basically and i'd been sworn to secrecy where i'd - you know i'd been a good mistress and when i wrote. the album it finally feels, like i don't have to be trapped in that love situation	ALA.NI: And it was so cathartic to, sing about - you know I was having an affair with a married man basically And I'd been sworn to secrecy where I'd - you know I'd been a, good mistress And, when I wrote the album it finally feels like I don't have to be trapped in that love situation	ala.ni: and it was so cathartic to sing about - you know, i was having an affair with a married man, basically. and i'd been sworn to secrecy where i'd - you know, i'd been a good mistress. and when i wrote the album, it finally feels like i don't have to be trapped in that love situation anymore.
(SOUNDBITE OF SONG, "DARKNESS AT NOON")	(soundbite of song, "darkness at	(SOUNDBITE OF SONG "DARKNESS, AT.	(soundbite of song, "darkness at noon")
ALA.NI: (Singing) We agreed to end this love affair, to erase every word that you said that set me free.	ala.ni: (singing) we agreed to end this love affair to erase every word that you. said. that set me	ALA.NI: (Singing) We agreed to end this love affair. to erase every word that you said that. set me	ala.ni: (singing) we agreed to end this love affair, to erase every word that you said that set me free.
ALA.NI might remind you of greats like Billie Holiday or Judy Garland, but she doesn't like those comparisons. And she doesn't like the word nostalgia.	ala.ni might, remind you of greats like billie holiday or judy garland but she doesn't like, those comparisons and she doesn't like the word	ALA.NI might remind you of greats like, Billie Holiday or. Judy Garland but she doesn't like those comparisons, And she doesn't like, the word	ala.ni might remind you of greats like billie holiday or judy garland, but she doesn't like those comparisons. and she doesn't like the word nostalgia.
ALA.NI: I didn't set out to make a kitsch kind of album. I just did what I grew up listening to. It sounds weird. Like, well, how did this black chick with dreads grow up with Julie Andrews as her role model? Well, I have about five copies of "Sound Of Music" on vinyl. I know every single word to that film. And if you ...	ala.ni: i didn't set out to make a kitsch kind of album i just, did what i, grew up listening to it sounds weird like well how did this black chick with dreads grow up with julie andrews as her role model? well i have about five copies, of "sound of music" on vinyl i know every single word to that. film and if you don'...	ALA.NI: I didn't set out to make a kitsch kind of. album I just did what I grew up listening to It sounds weird Like well how did this black chick with. dreads grow up with Julie Andrews as her role model? Well, I have about five copies of "Sound Of Music" on vinyl I, know every single word to that film And if you don'...	ala.ni: i didn't set out to make a kitsch kind of album. i just did what i grew up listening to. it sounds weird. like, well, how did this black chick with dreads grow up with julie andrews as her role model? well, i have about five copies of "sound of music" on vinyl. i know every single word to that film. and if you ...
Like a black singer's supposed to sing.	like a black singer's supposed to	Like a black singer's supposed to	like a black singer's supposed to sing.
ALA.NI: Like a black - what is black and white? Soul is exclusive to blackness; that's ridiculous.	ala.ni: like a black - what is black and white? soul is exclusive to blackness. that's	ALA.NI: Like a black - what is black and. white? Soul, is exclusive to blackness that's	ala.ni: like a black - what is black and white? soul is exclusive to blackness; that's ridiculous.
(SOUNDBITE OF SONG, "SUDDENLY")	(soundbite, of song	(SOUNDBITE OF SONG	(soundbite of song, "suddenly")
ALA.NI: (Singing) Suddenly, I'm woken by a vision of your blue eyes, so lovely.	ala.ni: (singing) suddenly i'm woken by a vision of your blue eyes. so	ALA.NI: (Singing) Suddenly I'm woken by a vision of your blue eyes so	ala.ni: (singing) suddenly, i'm woken by a vision of your blue eyes, so lovely.
Music is in ALA.NI's DNA. Her dad was a bassist, and her great uncle was one of the most beloved British cabaret stars of the 1920s and '30s. His name was Leslie Hutchinson, but he was known as Hutch.	music is in ala.ni's dna her dad, was a bassist and. her great uncle was one of. the most beloved british cabaret stars of the 1920s and '30s his name was leslie. hutchinson but he was known as	Music. is in ALA.NI's DNA Her, dad was a bassist and her great, uncle was, one of the most beloved British cabaret stars of the 1920s and '30s His name was Leslie Hutchinson but he, was known as	music is in ala.ni's dna. her dad was a bassist, and her great uncle was one of the most beloved british cabaret stars of the 1920s and '30s. his name was leslie hutchinson, but he was known as hutch.
ALA.NI: I remember being maybe about 13 or 14 and hearing about this uncle and sitting around a radio with my grandmother. We all listened to this BBC show about him.	ala.ni: i remember being maybe about 13 or 14 and hearing about this uncle and sitting; around a radio with my grandmother we all listened to this bbc show about	ALA.NI: I remember being maybe about 13 or 14 and hearing; about. this uncle and sitting around a radio with my, grandmother We all listened, to this BBC show about	ala.ni: i remember being maybe about 13 or 14 and hearing about this uncle and sitting around a radio with my grandmother. we all listened to this bbc show about him.
(SOUNDBITE OF ARCHIVED RECORDING)	(soundbite of archived	(SOUNDBITE OF ARCHIVED	(soundbite of archived recording)
We present Hutch's song album.	we present hutch's song	We present Hutch's song	we present hutch's song album.
Before this tour, Bevill knew the high points. Jack Daniel leaves home as a young teen, goes to work for Dan Call, ironically a pastor, ends up helping with his whiskey still. But she hadn't yet heard about Nearis Green, one of the pastor's slaves. Even Green's descendants were kind of in the dark.	before this tour bevill knew the high points jack daniel leaves home as a young teen. goes to work for dan call ironically a pastor ends, up helping with; his whiskey still but she hadn't yet heard about nearis green one of the pastor's. slaves even green's descendants were kind of in the	Before this tour Bevill knew the high points Jack Daniel leaves home as, a young teen, goes to work for Dan Call ironically a pastor ends up helping with his whiskey still But. she hadn't yet heard about Nearis Green one of the pastor's slaves Even Green's descendants. were kind of in the	before this tour, bevill knew the high points. jack daniel leaves home as a young teen, goes to work for dan call, ironically a pastor, ends up helping with his whiskey still. but she hadn't yet heard about nearis green, one of the pastor's slaves. even green's descendants were kind of in the dark.
My mother said something to me about it when I was real small, but I didn't think nothing about it back then, you know?	my mother said something to me about it when i was real small but i didn't think nothing about it back then you	My mother said something to me about it, when I was real. small. but I didn't think nothing about it back then you	my mother said something to me about it when i was real small, but i didn't think nothing about it back then, you know?
This is Claude Eady, a 91-year-old relative of Nearis Green who himself worked an entire career at the distillery. He's looking through some old photos from the 1940s when they made whiskey the very same way they do today, running it through charcoal made on site.	this, is claude eady a 91-year-old relative of nearis green who himself worked, an entire career at the distillery he's looking through some old photos from the 1940s when they made whiskey. the very; same way they do today running it through charcoal made on	This is Claude Eady a 91-year-old, relative of Nearis; Green who himself worked an entire career at. the distillery He's looking through some old photos from the 1940s when. they made whiskey the very same way they do today running it through charcoal made on	this is claude eady, a 91-year-old relative of nearis green who himself worked an entire career at the distillery. he's looking through some old photos from the 1940s when they made whiskey the very same way they do today, running it through charcoal made on site.
Run the whiskey in the top, and it come out the bottom. Take a long time for it to go through that charcoal.	run the whiskey. in the. top and, it come out the bottom take a long, time for. it to go, through that,	Run the whiskey in the top and it come, out the bottom Take a long time for it to, go through that	run the whiskey in the top, and it come out the bottom. take a long time for it to go through that charcoal.
This method of mellowing probably wasn't some kind of Green family recipe. Everyone in these hills was making it the same way, says Jack Daniel's company historian Nelson Eddy.	this method of mellowing probably wasn't some kind of green, family recipe everyone in these hills was making it, the same way says jack, daniel's company historian nelson	This method of mellowing probably wasn't some kind of Green family; recipe, Everyone in these hills was making it the same way says Jack. Daniel's company, historian Nelson	this method of mellowing probably wasn't some kind of green family recipe. everyone in these hills was making it the same way, says jack daniel's company historian nelson eddy.
There were so many people distilling whiskey, and charcoal mellowing was common to this area.	there were so many people distilling whiskey and charcoal mellowing was. common to this	There were so many people distilling whiskey and charcoal mellowing was. common to. this	there were so many people distilling whiskey, and charcoal mellowing was common to this area.